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1
00:00:06,300 --> 00:00:10,067
* IT'S TIME FOR ANIMANIACS *
2
00:00:10,067 --> 00:00:12,634
* AND WE'RE ZANY
TO THE MAX *
3
00:00:12,634 --> 00:00:14,267
* SO JUST SIT BACK
AND RELAX *
4
00:00:14,267 --> 00:00:16,100
* YOU'LL LAUGH
TILL YOU COLLAPSE *
5
00:00:16,100 --> 00:00:18,501
* WE'RE ANIMANIACS *
6
00:00:18,501 --> 00:00:20,300
* COME JOIN
THE WARNER BROTHERS *
7
00:00:20,300 --> 00:00:21,634
* AND THE WARNER
SISTER DOT *
8
00:00:21,634 --> 00:00:23,167
* JUST FOR FUN
WE RUN AROUND *
9
00:00:23,167 --> 00:00:24,901
* THE WARNER MOVIE LOT
10
00:00:24,901 --> 00:00:26,000
* THEY LOCK US
IN THE TOWER *
11
00:00:26,000 --> 00:00:27,567
* WHENEVER WE GET CAUGHT
12
00:00:27,567 --> 00:00:29,067
* BUT WE BREAK LOOSE
AND THEN VAMOOSE *
13
00:00:29,067 --> 00:00:30,467
* AND NOW YOU KNOW
THE PLOT *
14
00:00:30,467 --> 00:00:32,801
* WE'RE ANIMANIACS *
15
00:00:32,801 --> 00:00:33,868
* DOT IS CUTE
16
00:00:33,868 --> 00:00:35,934
* AND YAKKO YAKS
17
00:00:35,934 --> 00:00:37,300
* WAKKO PACKS AWAY
THE SNACKS *
18
00:00:37,300 --> 00:00:39,200
* WHILE BILL CLINTON
PLAYS THE SAX *
19
00:00:39,200 --> 00:00:42,200
* WE'RE ANIMANIACS *
20
00:00:42,200 --> 00:00:43,334
* MEET PINKY AND THE BRAIN
21
00:00:43,334 --> 00:00:44,901
* WHO WANT TO RULE
THE UNIVERSE *
22
00:00:44,901 --> 00:00:46,133
* GOODFEATHERS
FLOCK TOGETHER *
23
00:00:46,133 --> 00:00:47,767
* SLAPPY WHACKS 'EM
WITH HER PURSE *
24
00:00:47,767 --> 00:00:49,234
* BUTTONS CHASES MINDY
25
00:00:49,234 --> 00:00:50,667
* WHILE RITA SINGS A VERSE
26
00:00:50,667 --> 00:00:52,334
* THE WRITERS FLIPPED,
WE HAVE NO SCRIPT *
27
00:00:52,334 --> 00:00:53,734
* WHY BOTHER TO REHEARSE?
28
00:00:53,734 --> 00:00:56,033
* WE'RE ANIMANIACS *
29
00:00:56,033 --> 00:00:59,267
* WE HAVE PAY-OR-PLAY
CONTRACTS *
30
00:00:59,267 --> 00:01:00,701
* WE'RE ZANY TO THE MAX *
31
00:01:00,701 --> 00:01:02,334
* THERE'S BALONEY
IN OUR SLACKS *
32
00:01:02,334 --> 00:01:03,734
* WE'RE ANIMANEE *
33
00:01:03,734 --> 00:01:05,367
* TOTALLY INSANE-Y
34
00:01:05,367 --> 00:01:06,734
* WHERE'S LON CHANEY *
35
00:01:06,734 --> 00:01:08,968
* ANIMANIACS
36
00:01:08,968 --> 00:01:31,467
* THOSE ARE THE FACTS *
37
00:01:33,567 --> 00:01:36,367
CAPTIONING MADE POSSIBLE BY
U.S. DEPARTMENT OF EDUCATION
AND FOX BROADCASTING COMPANY
38
00:01:37,334 --> 00:01:38,834
[SWEDISH ACCENT]
COME ON, SVEN.
39
00:01:38,834 --> 00:01:40,334
YOU CAN DO IT.
40
00:01:40,334 --> 00:01:42,901
I BET MY VOLVO ON YOU.
41
00:01:48,701 --> 00:01:51,100
[CROWD CHEERING]
42
00:01:55,067 --> 00:01:56,501
ISN'T IT GREAT, WAKKO?
43
00:01:56,501 --> 00:01:58,534
ALL THOSE TIMES
WE TALKED
44
00:01:58,534 --> 00:02:01,601
ABOUT COMING
TO THE SWEDISH MEATBALL
FESTIVAL,
45
00:02:01,601 --> 00:02:02,968
AND NOW WE'RE HERE.
46
00:02:02,968 --> 00:02:05,033
THANKS TO PUBLISHER'S
SMEARING HOUSE.
47
00:02:05,033 --> 00:02:06,467
THAT'S THE LAST MEATBALL.
48
00:02:06,467 --> 00:02:09,033
SWALLOW IT
AND YOU'RE THE WINNER.
49
00:02:09,033 --> 00:02:10,567
YOU'VE ALREADY HAD 500.
50
00:02:10,567 --> 00:02:12,400
ONE MORE ISN'T
GOING TO HURT.
51
00:02:12,400 --> 00:02:15,534
HONEST, GUYS,
IF I EAT ONE MORE,
52
00:02:15,534 --> 00:02:17,667
I'M GOING TO DIE.
53
00:02:23,367 --> 00:02:26,400
RIGHT YOU ARE, WAKKO WARNER.
54
00:02:26,400 --> 00:02:30,901
ONE MORE MEATBALL
AND YOU'RE OFFICIALLY MINE.
55
00:02:43,334 --> 00:02:45,367
[CROWD CHEERING]
56
00:02:45,367 --> 00:02:47,300
THAT'S OUR LITTLE
GARBAGE DISPOSAL.
57
00:02:47,300 --> 00:02:51,267
WAKKO WARNER.
58
00:02:54,701 --> 00:02:57,200
YOUR TIME HAS COME.
59
00:02:59,167 --> 00:03:00,234
BETTER GO.
60
00:03:00,234 --> 00:03:02,033
GOT TO HELP THE WIFE
61
00:03:02,033 --> 00:03:04,234
EXPORT SOME
IRON ORE.
62
00:03:07,133 --> 00:03:08,234
I AM DEATH,
63
00:03:08,234 --> 00:03:10,367
AND I HEREBY
DECLARE YOU
64
00:03:10,367 --> 00:03:11,868
TO BE
LIVING IMPAIRED.
65
00:03:11,868 --> 00:03:14,367
HENCE YOU MUST
GO WITH ME
66
00:03:14,367 --> 00:03:17,100
TO A DARK KINGDOM
OF NO RETURN.
67
00:03:17,100 --> 00:03:18,601
O.K., THAT SOUNDS FUN.
68
00:03:18,601 --> 00:03:20,100
WHEN DO WE LEAVE?
69
00:03:20,100 --> 00:03:23,167
DO BEARS LIVE THERE?
WANT SOME MEATBALL GREASE?
70
00:03:23,167 --> 00:03:25,667
DON'T DO THAT.
IT ATTRACTS ANTS.
71
00:03:25,667 --> 00:03:27,968
COME. WE'RE
WASTING ETERNITY.
72
00:03:29,200 --> 00:03:32,901
MISTER, ARE YOU
ABOUT TO DRAG
OUR BROTHER OFF
73
00:03:32,901 --> 00:03:35,801
TO A BLEAK,
NETHER REALM OF DESPAIR
74
00:03:35,801 --> 00:03:39,167
WHERE THE FUTURE'S
AN ENDLESS SEA
OF MISERY?
75
00:03:39,167 --> 00:03:40,367
YA.
76
00:03:40,367 --> 00:03:43,334
WE WANT TO GO, TOO.
77
00:03:43,334 --> 00:03:45,834
I HAVEN'T
A THING TO WEAR.
78
00:03:45,834 --> 00:03:47,334
BE A SPORT.
79
00:03:47,334 --> 00:03:48,667
TAKE US, TOO.
80
00:03:48,667 --> 00:03:51,634
IF YOU'RE NOT ON
THE OFFICIAL LIST,
81
00:03:51,634 --> 00:03:52,968
YOU CAN'T GO.
82
00:03:52,968 --> 00:03:55,501
PLEASE DON'T
SEPARATE US, MR. DEATH.
83
00:03:55,501 --> 00:03:57,634
WE LOVE EACH OTHER.
84
00:03:57,634 --> 00:03:59,334
WE'RE A FAMILY, A SET,
85
00:03:59,334 --> 00:04:02,901
LIKE CIVIL WAR CHESS PIECES
FROM THE FRANKLIN MINT.
86
00:04:02,901 --> 00:04:04,834
AS YOU WILL CLEARLY NOTE
87
00:04:04,834 --> 00:04:07,334
IN SECTION 5,
SUBSECTION 9,
88
00:04:07,334 --> 00:04:09,334
PARAGRAPH 2,
FIRST SENTENCE.
89
00:04:09,334 --> 00:04:10,467
I QUOTE...
90
00:04:10,467 --> 00:04:12,834
I LOVE STORY TIME.
91
00:04:12,834 --> 00:04:14,334
"ONLY AUTHORIZED DECEASED,
92
00:04:14,334 --> 00:04:16,667
"DEFINED AS THOSE
LIVING IMPAIRED
93
00:04:16,667 --> 00:04:19,167
"WHOSE NAMES HAVE BEEN
DULY RECORDED
94
00:04:19,167 --> 00:04:20,667
"ON THE OFFICIAL LIST,
95
00:04:20,667 --> 00:04:22,167
"MAY ACCOMPANY DEATH
96
00:04:22,167 --> 00:04:24,167
"OR A LEGALLY
DESIGNATED AGENT
97
00:04:24,167 --> 00:04:25,200
THEREUNTO PERTAINING,"
98
00:04:25,200 --> 00:04:28,334
AND WAKKO WARNER
IS THE ONLY WARNER LISTED.
99
00:04:28,334 --> 00:04:31,400
YOU CAN'T GO
BECAUSE YOU'RE NOT DEAD,
100
00:04:31,400 --> 00:04:35,267
AND YOU'RE NOT DEAD
BECAUSE YOU'RE NOT
ON THE LIST.
101
00:04:35,267 --> 00:04:36,367
GOOD DAY.
102
00:04:36,367 --> 00:04:39,934
WE WANT TO STAY TOGETHER!
103
00:04:39,934 --> 00:04:41,434
I'M
A BONDED CARRIER.
104
00:04:41,434 --> 00:04:43,501
I CAN'T BRING
UNAUTHORIZED
PERSONNEL.
105
00:04:43,501 --> 00:04:44,834
WHY?
106
00:04:44,834 --> 00:04:47,434
OUR INSURANCE
WON'T COVER YOU
IN AN ACCIDENT.
107
00:04:47,434 --> 00:04:48,701
WHY?
108
00:04:48,701 --> 00:04:51,901
BECAUSE WE CAN'T
AFFORD THE INSURANCE
PREMIUMS.
109
00:04:51,901 --> 00:04:53,300
WHY?
WHY?
110
00:04:53,300 --> 00:04:54,834
NOT IN THE BUDGET.
111
00:04:54,834 --> 00:04:56,133
WHY?
WHY?
112
00:04:56,133 --> 00:04:58,200
LISTEN, YOU NASTY
LITTLE MUNCHKINS.
113
00:04:58,200 --> 00:05:01,133
I DON'T GET PAID EXTRA
FOR BRINGING TOURISTS.
114
00:05:01,133 --> 00:05:02,100
BUG OFF!
115
00:05:02,100 --> 00:05:03,868
AAH!
AAH!
116
00:05:04,934 --> 00:05:06,334
THERE, I'VE SAID IT.
117
00:05:06,334 --> 00:05:08,367
I FEEL BETTER.
118
00:05:08,367 --> 00:05:11,834
BUT WE WANT TO
STAY TOGETHER.
119
00:05:11,834 --> 00:05:14,834
[CRYING]
120
00:05:14,834 --> 00:05:17,367
STOP ACTING LIKE BIG BABIES.
121
00:05:17,367 --> 00:05:20,234
WE ARE NOT BIG BABIES.
122
00:05:20,234 --> 00:05:22,367
THESE ARE
BIG BABIES.
123
00:05:22,367 --> 00:05:24,400
[CRYING]
124
00:05:27,467 --> 00:05:30,133
ALL RIGHT, FINE. YOU WIN.
125
00:05:31,868 --> 00:05:33,901
HOW SPIELBERGIAN.
126
00:05:42,100 --> 00:05:44,100
ALL IS STRANGE
AND VAGUE.
127
00:05:44,100 --> 00:05:45,601
ARE WE DEAD...
128
00:05:45,601 --> 00:05:47,534
OR IS THIS OHIO?
129
00:05:47,534 --> 00:05:48,801
YOU'RE NOT DEAD,
130
00:05:48,801 --> 00:05:51,834
BUT IF YOU MUST STAY
WITH YOUR BROTHER,
131
00:05:51,834 --> 00:05:54,367
THEN APPENDIX 3
CONTAINS A CLAUSE
132
00:05:54,367 --> 00:05:56,200
ALLOWING THE CARRIER,
THAT'S ME,
133
00:05:56,200 --> 00:06:00,834
TO PLAY YOU
IN A LIFE-OR-DEATH GAME
OF CHESS.
134
00:06:00,834 --> 00:06:03,767
CHESS
IS UNKNOWN TO US.
WE PREFER CHECKERS.
135
00:06:03,767 --> 00:06:05,267
CHECKERS IT IS.
136
00:06:05,267 --> 00:06:08,534
UNLESS YOU HAVE
UNCLE WIGGLY
OR CANDYLAND.
137
00:06:09,601 --> 00:06:12,067
I WIN, WAKKO GOES WITH ME.
138
00:06:12,067 --> 00:06:16,133
YOU WIN,
AND THE THREE OF YOU
STAY TOGETHER FOREVER.
139
00:06:16,133 --> 00:06:17,133
AGREED?
140
00:06:17,133 --> 00:06:18,133
WE ACCEPT.
141
00:06:18,133 --> 00:06:20,000
TO ACCEPT IS TO YIELD.
142
00:06:20,000 --> 00:06:23,133
TO YIELD IS TO ALLOW
ONCOMING TRAFFIC
143
00:06:23,133 --> 00:06:24,767
THE RIGHT OF WAY.
144
00:06:24,767 --> 00:06:28,067
YOUR BREATH
IS LIKE THE BREEZE
OF A LANDFILL.
145
00:06:28,067 --> 00:06:31,868
FOOD PARTICLES
ARE WEDGED BETWEEN
YOUR TEETH.
146
00:06:31,868 --> 00:06:33,367
COULD WE GET STARTED
147
00:06:33,367 --> 00:06:36,567
SOMETIME BEFORE
THE NEXT ICE AGE?
148
00:06:38,400 --> 00:06:39,901
WOW! THAT WAS NEAT.
149
00:06:39,901 --> 00:06:42,567
CAN YOU CHANGE IT
INTO VIRTUAL REALITY?
150
00:06:42,567 --> 00:06:44,634
FEEL FREE TO MOVE FIRST.
151
00:06:44,634 --> 00:06:46,067
IT REALLY DOESN'T MATTER.
152
00:06:46,067 --> 00:06:49,133
I HAVEN'T LOST AT CHECKERS
SINCE TIME BEGAN.
153
00:06:49,133 --> 00:06:50,634
WHEN WAS THAT?
154
00:06:50,634 --> 00:06:52,133
IT WAS A TUESDAY.
155
00:06:52,133 --> 00:06:53,400
FEW PEOPLE KNOW THAT.
156
00:06:53,400 --> 00:06:54,801
YOUR MOVE.
157
00:06:56,434 --> 00:06:57,868
WHAT'S DEATH LIKE, WAKKO?
158
00:06:57,868 --> 00:06:59,067
PRETTY BORING.
159
00:06:59,067 --> 00:07:01,701
I'VE ALREADY HUMMED
ALL THE SONGS
I KNOW.
160
00:07:08,834 --> 00:07:10,834
HA HA HA!
161
00:07:10,834 --> 00:07:12,067
CROWN ME.
162
00:07:15,334 --> 00:07:18,133
WHY, YOU MISERABLE
LITTLE HAMSTERS.
163
00:07:18,133 --> 00:07:19,834
LOOK!
IT'S MERV GRIFFIN!
164
00:07:19,834 --> 00:07:21,200
WHERE?
165
00:07:21,200 --> 00:07:22,701
OH, SORRY.
MY MISTAKE.
166
00:07:22,701 --> 00:07:25,100
IT WAS JUST
A BIG CLOUD.
167
00:07:25,100 --> 00:07:26,200
YOUR MOVE.
168
00:07:28,767 --> 00:07:31,234
OH, BOY.
YOU'RE IN TROUBLE NOW.
169
00:07:31,234 --> 00:07:32,734
WHAT DO I DO?
170
00:07:32,734 --> 00:07:34,300
IF I WERE YOU,
171
00:07:34,300 --> 00:07:36,634
I'D MOVE THERE,
THERE, AND THERE.
172
00:07:43,934 --> 00:07:46,534
DUH! MAYBE
I'LL MOVE HERE.
173
00:07:48,567 --> 00:07:49,801
GUESS WHO.
174
00:07:49,801 --> 00:07:51,400
UH, CRISPIN GLOVER?
175
00:07:51,400 --> 00:07:52,334
NOPE.
176
00:07:52,334 --> 00:07:53,634
KATHIE LEE GIFFORD.
177
00:07:53,634 --> 00:07:55,000
NO. YOU'RE WAY OFF.
178
00:07:55,000 --> 00:07:56,567
THAT URKEL KID.
179
00:07:56,567 --> 00:07:58,968
HEY, YOU PEEKED.
180
00:07:58,968 --> 00:08:01,734
YOU PUT UP A HECK
OF A FIGHT
181
00:08:01,734 --> 00:08:03,167
FOR A LITERARY
PERSONIFICATION
182
00:08:03,167 --> 00:08:04,767
OF THE STATE
OF NONBEING.
183
00:08:04,767 --> 00:08:06,367
READ THAT IN COSMO.
184
00:08:06,367 --> 00:08:08,801
I LOST. A DEAL'S A DEAL,
185
00:08:08,801 --> 00:08:10,701
SO LET'S MAKE IT OFFICIAL.
186
00:08:10,701 --> 00:08:12,701
I SAID IF YOU WON,
187
00:08:12,701 --> 00:08:15,701
THE THREE OF YOU WOULD BE
TOGETHER FOREVER.
188
00:08:15,701 --> 00:08:17,701
THUS,
YAKKO AND DOT WARNER,
189
00:08:17,701 --> 00:08:20,934
I HEREBY DECLARE YOU
TO BE LIVING IMPAIRED.
190
00:08:20,934 --> 00:08:23,234
YOU'RE ALL DEAD.
191
00:08:23,234 --> 00:08:25,901
HA HA HA!
192
00:08:25,901 --> 00:08:28,300
DOES THIS COME OFF
WITH WATER?
193
00:08:28,300 --> 00:08:31,234
I DIDN'T TELL YOU
PESKY LITTLE THINGS
194
00:08:31,234 --> 00:08:33,734
ABOUT THE SUBCLAUSE
TO APPENDIX 3
195
00:08:33,734 --> 00:08:36,734
THAT RENDERS
ALL PREVIOUS CLAUSES
AND AMENDMENTS
196
00:08:36,734 --> 00:08:39,868
NULL AND VOID
SHOULD I LOSE
AT CHECKERS.
197
00:08:41,400 --> 00:08:43,868
THAT MEANS
WE'LL BE A FAMILY.
198
00:08:43,868 --> 00:08:46,300
CAN WE CALL YOU
DAD-DOO?
199
00:08:46,300 --> 00:08:48,868
CAN WE STAY UP PAST 10:00?
200
00:08:48,868 --> 00:08:50,934
CAN WE WATCH
THE ADULT CHANNEL?
201
00:08:50,934 --> 00:08:52,000
HELLO, NURSE.
202
00:08:52,000 --> 00:08:53,934
DON'T CALL ME DAD-DOO.
203
00:08:53,934 --> 00:08:56,434
TRY AND MAINTAIN
THE PROPER ATTITUDE
204
00:08:56,434 --> 00:08:59,868
OF FEAR AND RESPECT
DUE TO ME BY REGULATIONS.
205
00:08:59,868 --> 00:09:01,868
AT LEAST TREMBLE A LITTLE.
206
00:09:01,868 --> 00:09:04,300
TAKE US FOR A PONY RIDE.
207
00:09:04,300 --> 00:09:07,200
PONY RIDE! PONY RIDE!
PONY RIDE!
208
00:09:07,200 --> 00:09:08,200
YEE-HA!
209
00:09:08,200 --> 00:09:09,200
GIT UP!
210
00:09:09,200 --> 00:09:11,567
AND A TI-YI-YIPPEE
IN A BOW.
211
00:09:11,567 --> 00:09:14,367
SEE HERE.
STOP THIS AT ONCE.
212
00:09:16,901 --> 00:09:18,834
OW! THAT SMARTS!
213
00:09:18,834 --> 00:09:20,400
OUCH! OOH!
214
00:09:21,567 --> 00:09:24,634
FOR THE FINAL TIME,
GET OFF ME!
215
00:09:29,133 --> 00:09:31,400
UH-OH.
216
00:09:31,400 --> 00:09:33,868
THERE, THAT'S BETTER.
217
00:09:37,968 --> 00:09:39,200
MOMMY.
218
00:09:42,300 --> 00:09:44,234
POPPERS FALL DOWN...
219
00:09:45,200 --> 00:09:46,934
AND GO BOOM.
220
00:09:46,934 --> 00:09:51,234
HE'LL NEED
A JUMBO BAND-AID
FOR THAT ONE.
221
00:09:51,234 --> 00:09:54,634
I'LL HAVE THE LINGUINI
WITH CLAMS.
222
00:09:54,634 --> 00:09:56,667
WANT SOME BACTINE,
POPPEROO?
223
00:09:58,367 --> 00:10:00,934
I LOVE YOU, DAD-DOO.
224
00:10:00,934 --> 00:10:03,367
AND JUST THINK,
WE'LL BE TOGETHER
225
00:10:03,367 --> 00:10:05,667
FOREVER AND EVER
226
00:10:05,667 --> 00:10:09,000
AND EVER AND EVER
AND EVER.
227
00:10:09,000 --> 00:10:10,000
NO, WAIT!
228
00:10:10,000 --> 00:10:13,100
I MAY HAVE ACTED
A BIT HASTILY.
229
00:10:13,100 --> 00:10:14,601
OKEY-DOKEY, YOU WIN.
230
00:10:14,601 --> 00:10:17,100
I HEREBY RESCIND
MY PREVIOUS PROCLAMATION
231
00:10:17,100 --> 00:10:20,133
AND PROCLAIM YOU ALL
TO BE ALIVE
232
00:10:20,133 --> 00:10:21,834
WITH ALL RIGHTS
AND PRIVILEGES
233
00:10:21,834 --> 00:10:24,400
UNTIL SUCH TIME
AS I RETURN...
234
00:10:24,400 --> 00:10:27,667
WHICH WON'T BE
FOR A VERY LONG TIME.
235
00:10:27,667 --> 00:10:29,701
[MUMBLING]
236
00:10:30,834 --> 00:10:32,901
WELL, THANKS JUST THE SAME,
237
00:10:32,901 --> 00:10:36,000
BUT WE WANT TO GO
WITH YOU, DADDY.
238
00:10:36,000 --> 00:10:39,000
NO!
239
00:10:41,334 --> 00:10:43,400
HEY, YOU FORGOT THIS.
240
00:10:43,400 --> 00:10:46,300
YOU'LL CATCH
YOUR DEATH OF COLD...
241
00:10:46,300 --> 00:10:47,801
SO TO SPEAK.
242
00:10:47,801 --> 00:10:49,801
HEY, WERE
YOU GUYS SERIOUS
243
00:10:49,801 --> 00:10:51,901
ABOUT KEEPING US
ALL TOGETHER?
244
00:10:51,901 --> 00:10:54,901
THERE'S MORE TO LIFE
THAN JUST LIVING, WAKKO.
245
00:10:54,901 --> 00:10:57,834
THERE'S LOYALTY, COURAGE,
AND THE BONDS OF LOVE
246
00:10:57,834 --> 00:11:00,000
THAT BIND A FAMILY TOGETHER.
247
00:11:00,000 --> 00:11:02,767
DOT'S RIGHT.
IT'S NOT DEATH
WE SHOULD FEAR,
248
00:11:02,767 --> 00:11:04,767
BUT A LIFE POORLY LIVED
249
00:11:04,767 --> 00:11:07,267
FOR NOTHING IS WORSE
THAN SQUANDERING
250
00:11:07,267 --> 00:11:10,267
THIS MOST PRECIOUS GIFT
OF OUR CREATOR.
251
00:11:10,267 --> 00:11:15,300
SPIELBERG
EATS THIS STUFF UP.
252
00:11:16,868 --> 00:11:20,901
AND NOW...
DOT'S POETRY CORNER.
253
00:11:20,901 --> 00:11:22,367
AHEM.
254
00:11:22,367 --> 00:11:23,868
LITTLE MISS MUFFET.
255
00:11:23,868 --> 00:11:26,834
LITTLE MISS MUFFET
SAT ON HER TUFFET,
256
00:11:26,834 --> 00:11:29,767
AND WHAT A BIG TUFFET
SHE HAD.
257
00:11:29,767 --> 00:11:33,467
IF YOU'RE FEELING INSECURE,
JUST STAND NEXT TO HER,
258
00:11:33,467 --> 00:11:36,901
THEN YOU WON'T FEEL
QUITE SO BAD. THANK YOU.
259
00:11:36,901 --> 00:11:38,934
[CLAPPING]
260
00:11:40,300 --> 00:11:42,367
THIS HAS BEEN ANOTHER VISIT
261
00:11:42,367 --> 00:11:45,934
TO DOT'S POETRY CORNER.
262
00:12:04,801 --> 00:12:07,267
ZOOLOGIST GINA EMBRYO
SPEAKING.
263
00:12:07,267 --> 00:12:08,834
GOOD NEWS.
264
00:12:08,834 --> 00:12:12,701
I HAVE FINALLY LOCATED
THE WORLD'S VERY LAST
REMAINING PAIR
265
00:12:12,701 --> 00:12:15,100
OF ENDANGERED
HIPPOPOTAMUS TRENDOLIUS.
266
00:12:15,100 --> 00:12:18,033
NOW I MAY BEGIN
MY LIFELONG DREAM
267
00:12:18,033 --> 00:12:20,634
TO STUDY THESE
MAGNIFICENT BEASTS,
268
00:12:20,634 --> 00:12:22,701
PRESERVE THEIR SPECIES
FROM EXTINCTION,
269
00:12:22,701 --> 00:12:26,000
AND RECORD THEIR
PRIMITIVE COMMUNICATION.
270
00:12:26,000 --> 00:12:28,000
MATCH POINT!
271
00:12:29,968 --> 00:12:31,501
THANK YOU, BIRD.
272
00:12:31,501 --> 00:12:32,701
WHATEVER.
273
00:12:45,467 --> 00:12:47,868
I HATE MY LIFE.
274
00:12:47,868 --> 00:12:49,868
GAME, SET,
AND MATCH, MOI.
275
00:12:49,868 --> 00:12:52,367
I WIN! I WIN! I WIN!
276
00:12:52,367 --> 00:12:54,868
KUDOS FOR YOUDOS, MARITA.
277
00:12:54,868 --> 00:12:56,000
[CHATTERING]
278
00:12:56,000 --> 00:12:58,167
DOMO ARIGATO,WARHOL.
279
00:12:58,167 --> 00:12:59,300
[CHATTERING]
280
00:12:59,300 --> 00:13:01,501
THIS BEAUTIFUL PAIR
281
00:13:01,501 --> 00:13:03,868
OF RARE HIPPOPOTAMI
TRENDOLIUS
282
00:13:03,868 --> 00:13:07,534
IS HEADING TOWARD
THEIR PRIMITIVE
JUNGLE DWELLING.
283
00:13:10,534 --> 00:13:12,400
I, MY BEAUTIFUL SELF,
284
00:13:12,400 --> 00:13:16,934
GIVE THANKS FOR
BOTTLED PELEGRINGO
MINERAL WATER.
285
00:13:16,934 --> 00:13:18,300
MOI, AUSSI.
286
00:13:18,300 --> 00:13:21,067
I WOULD HATE
TO HAVE TO RESORT
287
00:13:21,067 --> 00:13:22,334
TO DRINKING
RIVER WATER.
288
00:13:22,334 --> 00:13:23,334
PTOOIE!
289
00:13:23,334 --> 00:13:24,767
SHALL WE DO LUNCH?
290
00:13:24,767 --> 00:13:27,734
MARITA, THE EXPRESSION
"DO LUNCH"
291
00:13:27,734 --> 00:13:29,167
IS OUT.
292
00:13:29,167 --> 00:13:30,934
NOW YOU SAY "MEAL."
293
00:13:30,934 --> 00:13:33,067
"MEAL" IS A VERB NOW.
294
00:13:33,067 --> 00:13:34,934
SO, LET'S MEAL.
295
00:13:34,934 --> 00:13:36,267
OOH. AAH.
296
00:13:36,267 --> 00:13:39,300
I DETEST
BEING BEHIND ON
TRENDY SLANG.
297
00:13:39,300 --> 00:13:40,868
BOO-HOO-HOO!
298
00:13:40,868 --> 00:13:44,167
WE'RE FALLING
BEHIND, FLAVIO.
299
00:13:44,167 --> 00:13:48,100
NOT ONE SINGLE TREND
HAS STARTED
IN THIS JUNGLE.
300
00:13:48,100 --> 00:13:49,968
JUST LOOK AT
THIS NEIGHBORHOOD.
301
00:13:49,968 --> 00:13:51,601
JANET FLIPPS,
COME ON DOWN!
302
00:13:51,601 --> 00:13:52,601
[BELCH]
303
00:13:52,601 --> 00:13:53,601
I KNOW.
304
00:13:53,601 --> 00:13:57,100
I WANT TO MOVE
TO THE CITY.
305
00:13:57,100 --> 00:13:58,701
THE CITY?
306
00:13:58,701 --> 00:14:00,100
THE CITY?
307
00:14:00,100 --> 00:14:03,100
BUT THE CITY
IS FULL OF DANGER.
308
00:14:03,100 --> 00:14:05,300
AAGGH!
309
00:14:05,300 --> 00:14:07,300
YOU ARE RIGHT,
MY PRINCESS.
310
00:14:07,300 --> 00:14:10,968
WE SHOULD BE WHERE
WANNABES ARE WELCOME.
311
00:14:10,968 --> 00:14:13,701
LET'S MOVE TO THE CITY.
312
00:14:13,701 --> 00:14:15,200
MMM!
313
00:14:16,367 --> 00:14:18,501
FLAVIO, WHAT IS IT?
314
00:14:18,501 --> 00:14:20,501
JUST A LITTLE
MOVING SURPRISE
315
00:14:20,501 --> 00:14:22,067
YOUR HUBBY LOVE
ORDERED
316
00:14:22,067 --> 00:14:25,334
FROM THE SELFISH IMAGE
CATALOG.
317
00:14:25,334 --> 00:14:28,501
OUR RICKSHAW TO RAPTURE.
318
00:14:31,133 --> 00:14:34,133
OHH! A CHOP CHOP CHOPPER!
319
00:14:34,133 --> 00:14:37,133
* WE'RE GOING
APARTMENT HUNTING **
320
00:14:41,200 --> 00:14:45,267
OH! MY HIPPOS
ARE LEAVING THE JUNGLE.
321
00:14:48,734 --> 00:14:52,267
OHHHH!
322
00:14:54,968 --> 00:14:56,734
OHHH!
323
00:14:58,934 --> 00:15:00,133
YIPE!
324
00:15:00,133 --> 00:15:01,701
OOF!
325
00:15:07,501 --> 00:15:09,501
OH, LOOK, FLAVIO.
326
00:15:09,501 --> 00:15:12,601
THE WORLD TREND CENTER.
327
00:15:14,601 --> 00:15:17,167
AND THERE'S
THE GUGGENHIP MUSEUM...
328
00:15:17,167 --> 00:15:20,901
AND THE BANANA
REPUBLICAN STORE.
329
00:15:23,067 --> 00:15:24,400
OUCH!
330
00:15:24,400 --> 00:15:26,968
I MUST PROTECT MY HIPPOS--
331
00:15:26,968 --> 00:15:27,968
OOF!
332
00:15:27,968 --> 00:15:30,400
FROM THE DANGERS
OF THE CITY
333
00:15:30,400 --> 00:15:32,968
AND RETURN THEM
TO THE JUNGLE--OW!
334
00:15:32,968 --> 00:15:34,968
DARLING, WHAT IS THAT
ANNOYING
335
00:15:34,968 --> 00:15:37,601
OOFING, OUCHING SOUND?
336
00:15:37,601 --> 00:15:40,033
THEY JUST DON'T BUILD
THOSE WHIRLYBIRDS
337
00:15:40,033 --> 00:15:42,400
LIKE THEY USED TO,
MY LOVE.
338
00:15:46,434 --> 00:15:48,334
WHEW!
339
00:15:56,467 --> 00:15:59,601
[CREAKING]
340
00:16:02,000 --> 00:16:05,067
CAREFUL. WE JUST
HAD IT DETAILED.
341
00:16:05,067 --> 00:16:08,033
SHALL WE MEAL FIRST?
342
00:16:08,033 --> 00:16:11,934
[MARITA]
NO, NO. LET'S GO FIND
A REALTOR.
343
00:16:18,234 --> 00:16:21,667
AND LET ME BORROW
YOUR JACKET.
344
00:16:27,634 --> 00:16:29,434
MAY I HELP YOU?
345
00:16:31,801 --> 00:16:33,934
WE HAVE DONE
THE JUNGLE,
346
00:16:33,934 --> 00:16:35,934
AND NOW
WE ARE LOOKING
347
00:16:35,934 --> 00:16:37,901
FOR THE PERFECT
CITY DWELLING
APARTMENT.
348
00:16:37,901 --> 00:16:40,834
SORRY, THE CITY'S ALL FULL.
NOTHING AVAILABLE.
349
00:16:40,834 --> 00:16:42,934
GO BACK TO THE JUNGLE.
350
00:16:42,934 --> 00:16:44,534
THAT'S WHERE YOU
SHOULD LIVE.
351
00:16:44,534 --> 00:16:45,634
THANK YOU.
GOODBYE.
352
00:16:45,634 --> 00:16:47,734
PLEASE, WE'LL LOOK
AT ANYTHING.
353
00:16:47,734 --> 00:16:48,734
ANYTHING?
354
00:16:48,734 --> 00:16:50,534
[HONK]
355
00:16:50,534 --> 00:16:52,934
REDECORATING
IS NO PROBLEM.
356
00:16:52,934 --> 00:16:55,367
MY FENG SHUI MASTER
DECORATOR
357
00:16:55,367 --> 00:16:57,701
WORKS MIRACLES WITH FABRICS.
358
00:16:57,701 --> 00:16:58,968
FENG SHUI?
359
00:16:58,968 --> 00:17:00,067
DON'T ASK ME.
360
00:17:00,067 --> 00:17:01,834
MAYBE THERE IS SOMETHING...
361
00:17:01,834 --> 00:17:05,567
THAT WILL SEND YOU
RUNNING BACK TO THE JUNGLE.
362
00:17:07,167 --> 00:17:09,167
THIS BUILDING FEATURES
COLD FLOORS,
363
00:17:09,167 --> 00:17:11,400
OBSTRUCTED VIEWS,
AND UNCOMFORTABLE SEATING.
364
00:17:11,400 --> 00:17:12,667
SEE? YOU HATE IT.
365
00:17:12,667 --> 00:17:14,434
I LOVE IT!
366
00:17:15,734 --> 00:17:17,234
I LOVE
RETRO INDUSTRIAL.
367
00:17:17,234 --> 00:17:18,467
[GASP]
368
00:17:18,467 --> 00:17:20,934
WHAT A WONDERFUL
DOORWAY SCULPTURE.
369
00:17:20,934 --> 00:17:24,167
UHH!
370
00:17:26,701 --> 00:17:28,200
AND FUNCTIONAL, TOO.
371
00:17:28,200 --> 00:17:31,601
OOH! THAT FEELS GOOD.
372
00:17:33,834 --> 00:17:35,033
AAH!
373
00:17:35,033 --> 00:17:38,400
ACTUALLY, MY DARLING...
374
00:17:38,400 --> 00:17:42,601
RETRO INDUSTRIAL'S
BEEN DONE TO THE GILLS.
375
00:17:45,834 --> 00:17:48,834
OH, POOH.
WHAT ELSE HAVE YOU GOT.
376
00:17:48,834 --> 00:17:50,200
OHH...
377
00:17:51,400 --> 00:17:53,400
THIS RUSTIC
FIXER-UPPER PROPERTY
378
00:17:53,400 --> 00:17:56,901
FEATURES ALL
THE AMENITIES OF
AN AUTO JUNKYARD.
379
00:17:56,901 --> 00:17:58,567
SO TELL ME HOW MUCH
YOU LOATHE IT.
380
00:17:58,567 --> 00:18:00,033
AU CONTRAIRE.
381
00:18:00,033 --> 00:18:03,100
FASCINATING
MODULAR CONSTRUCTION.
382
00:18:03,100 --> 00:18:05,334
WHAT COLORS!
383
00:18:05,334 --> 00:18:08,133
UH! OOH! OOH!
384
00:18:10,734 --> 00:18:12,601
OHH!
385
00:18:15,767 --> 00:18:17,334
OH, POOH, FLAVIO.
386
00:18:17,334 --> 00:18:20,801
I DON'T THINK
THERE IS ROOM
FOR MY POTTERY WHEEL.
387
00:18:24,100 --> 00:18:27,033
THE LAST AVAILABLE
SPACE IN THE CITY.
388
00:18:27,033 --> 00:18:28,868
VOILA.
389
00:18:28,868 --> 00:18:30,300
IT'S AN UNHEATED CESSPOOL
390
00:18:30,300 --> 00:18:31,801
WITH POOR VENTILATION,
391
00:18:31,801 --> 00:18:33,300
ASBESTOS FUMES, AND--
392
00:18:33,300 --> 00:18:35,467
[HONK HONK]
393
00:18:38,801 --> 00:18:40,868
HEAVY TRAFFIC FLOW.
394
00:18:40,868 --> 00:18:42,300
SO THAT'S IT.
395
00:18:42,300 --> 00:18:43,801
YOU HATE THE CITY.
396
00:18:43,801 --> 00:18:46,067
BACK TO THE JUNGLE WITH YOU.
397
00:18:46,067 --> 00:18:47,968
IT'S TRUE,
FUDGE MUFFIN.
398
00:18:47,968 --> 00:18:49,968
NOTHING HAS BEEN
AS GOOD
399
00:18:49,968 --> 00:18:52,300
AS OUR JUNGLE HOUSE.
400
00:18:52,300 --> 00:18:55,100
OH, POOH. IT'S TRUE!
401
00:18:55,100 --> 00:18:58,400
NOTHING IS AS TRENDY
AS OUR OLD HOUSE.
402
00:18:58,400 --> 00:19:02,133
BABY WANTS HER
JUNGLE HOUSE,
FLAVIO.
403
00:19:02,133 --> 00:19:05,234
THEN IT'S YOURS,
MY PERFECT.
404
00:19:05,234 --> 00:19:06,400
OHH...
405
00:19:10,834 --> 00:19:12,300
OHH.
406
00:19:12,300 --> 00:19:14,934
NOW MY STUDY MAY CONTINUE
407
00:19:14,934 --> 00:19:17,167
IN THE SAFETY
OF THE JUNGLE.
408
00:19:17,167 --> 00:19:19,667
THIS IS THE PERFECT
HOUSE, FLAVIO.
409
00:19:19,667 --> 00:19:22,434
I FEEL SO AT HOME HERE.
410
00:19:24,100 --> 00:19:25,534
[CHATTERING]
411
00:19:25,534 --> 00:19:27,968
ANCHORS AWAY.
412
00:19:31,601 --> 00:19:32,634
[GASP]
413
00:19:36,300 --> 00:19:38,501
NO! COME BACK!
414
00:19:38,501 --> 00:19:39,534
COME BACK!
415
00:19:47,901 --> 00:19:49,133
OVER THERE!
416
00:19:49,133 --> 00:19:51,801
THAT BUILDING
LOOKS BEAUTIFUL.
417
00:19:51,801 --> 00:19:53,734
AND IT'S GEOGRAPHICALLY
CORRECT.
418
00:19:53,734 --> 00:19:56,734
I DO SO LOVE
TO SEE YOU HAPPY,
419
00:19:56,734 --> 00:19:58,067
MON AMOUR.
420
00:19:58,067 --> 00:20:00,300
MMM!
421
00:20:05,300 --> 00:20:08,234
AAH!
422
00:20:12,400 --> 00:20:13,801
HOME.
423
00:20:13,801 --> 00:20:14,934
HOME.
424
00:20:14,934 --> 00:20:16,033
HELP.
425
00:20:21,100 --> 00:20:23,167
* THE JUNGLE WAS NICE
426
00:20:23,167 --> 00:20:25,234
* BUT WAY BEHIND
THE TIMES *
427
00:20:25,234 --> 00:20:27,334
* FOR TWO
ENDANGERED HIPPOS *
428
00:20:27,334 --> 00:20:29,100
* WITH HIP
AND TRENDY MINDS *
429
00:20:29,100 --> 00:20:31,033
* SO THEY FLEW
THEIR RANCH ROOVER *
430
00:20:31,033 --> 00:20:33,167
* TO THE CITY'S
NEON GLOW *
431
00:20:33,167 --> 00:20:35,267
* FLAVIO AND MARITA
432
00:20:35,267 --> 00:20:42,033
* THE HIP HIPPOS *
433
00:21:02,567 --> 00:21:05,434
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.
434
00:21:05,434 --> 00:21:06,434
CIAO-A-BUNGA!
435
00:21:06,434 --> 00:21:08,968
CAPTIONS COPYRIGHT 1993
WARNER BROS. ANIMATION,
436
00:21:08,968 --> 00:21:10,934
A DIVISION OF TIME-WARNER
ENTERTAINMENT CO., L.P.
437
00:21:10,934 --> 00:21:13,100
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE
28413
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