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1
00:00:02,286 --> 00:00:05,353
♪ WELL, I'M NOT THE
KIND TO KISS AND TELL ♪
2
00:00:05,422 --> 00:00:08,173
♪ BUT I'VE BEEN
SEEN WITH FARRAH ♪
3
00:00:08,242 --> 00:00:10,809
♪ I'VE NEVER BEEN
WITH ANYTHING LESS ♪
4
00:00:10,878 --> 00:00:13,561
♪ THAN A NINE SO FINE ♪
5
00:00:13,631 --> 00:00:15,480
♪ I'VE BEEN ON FIRE
WITH SALLY FIELD ♪
6
00:00:15,549 --> 00:00:19,518
♪ GONE FAST WITH
A GIRL NAMED BO ♪
7
00:00:19,586 --> 00:00:23,672
♪ BUT SOMEHOW THEY
JUST DON'T END UP AS MINE ♪
8
00:00:23,741 --> 00:00:27,426
♪ IT'S A DEATH-DEFYIN'
LIFE I LEAD ♪
9
00:00:27,494 --> 00:00:29,878
♪ I TAKE MY CHANCES ♪
10
00:00:29,946 --> 00:00:33,047
♪ I DIE FOR A LIVIN' IN
THE MOVIES AND TV ♪
11
00:00:34,902 --> 00:00:37,502
♪ BUT THE HARDEST
THING I EVER DO ♪
12
00:00:37,571 --> 00:00:40,905
♪ IS WATCH MY LEADING LADIES ♪
13
00:00:40,958 --> 00:00:45,393
♪ KISS SOME OTHER GUY
WHILE I'M BANDAGIN' MY KNEE ♪
14
00:00:45,463 --> 00:00:48,213
♪ I MIGHT FALL FROM
A TALL BUILDIN' ♪
15
00:00:48,281 --> 00:00:51,283
♪ I MIGHT ROLL A BRAND-NEW CAR ♪
16
00:00:51,352 --> 00:00:53,869
♪ 'CAUSE I'M THE
UNKNOWN STUNTMAN ♪
17
00:00:53,938 --> 00:00:56,904
♪ THAT MADE
REDFORD SUCH A STAR ♪
18
00:00:56,973 --> 00:01:00,008
♪♪
19
00:01:03,514 --> 00:01:06,448
♪ I'VE NEVER SPENT
MUCH TIME IN SCHOOL ♪
20
00:01:06,516 --> 00:01:09,351
♪ BUT I'VE TAUGHT
LADIES PLENTY ♪
21
00:01:09,419 --> 00:01:12,804
♪ IT'S TRUE I HIRE MY
BODY OUT FOR PAY ♪
22
00:01:12,873 --> 00:01:14,556
♪ HEY, HEY ♪
23
00:01:14,624 --> 00:01:17,559
♪ I'VE GOTTEN BURNED
OVER CHERYL TIEGS ♪
24
00:01:17,628 --> 00:01:20,195
♪ BLOWN UP FOR RAQUEL WELCH ♪
25
00:01:20,264 --> 00:01:24,132
♪ BUT WHEN I WIND UP IN
THE HAY, IT'S ONLY HAY ♪
26
00:01:24,201 --> 00:01:25,567
♪ HEY, HEY ♪
27
00:01:25,636 --> 00:01:28,636
♪ I MIGHT JUMP AN
OPEN DRAWBRIDGE ♪
28
00:01:28,705 --> 00:01:30,488
♪ OR TARZAN FROM A VINE ♪
29
00:01:30,557 --> 00:01:32,941
♪ 'CAUSE I'M THE
UNKNOWN STUNTMAN ♪
30
00:01:33,010 --> 00:01:36,711
♪ THAT MAKES EASTWOOD
LOOK SO FINE ♪♪
31
00:01:50,327 --> 00:01:53,595
THIS IS THE STORY OF ONE OF
AMERICA'S GREAT UNSUNG HEROES.
32
00:01:53,664 --> 00:01:57,365
I MEAN, YOU'VE SEEN HIM, BUT
YOU NEVER KNEW WHO HE WAS.
33
00:01:57,434 --> 00:01:59,717
YOU'VE CHEERED FOR
HIM AND CRIED FOR HIM,
34
00:01:59,786 --> 00:02:02,938
WOMEN HAVE WANTED
TO DIE FOR HIM.
35
00:02:03,006 --> 00:02:07,258
BUT DID HE EVER GET ANY
CREDIT? OR THE GIRL? NO.
36
00:02:07,327 --> 00:02:09,327
HE WAS WHAT WE CALL A STUNTMAN.
37
00:02:09,396 --> 00:02:12,096
AND THE REASON I'M TALKIN'
SO FONDLY ABOUT HIM IS...
38
00:02:12,165 --> 00:02:14,266
WELL, BECAUSE IT'S
ME, COLT SEAVERS.
39
00:02:14,334 --> 00:02:17,836
ANYWAY, PICTURE WORK ISN'T
WALL-TO-WALL EMPLOYMENT.
40
00:02:17,904 --> 00:02:21,573
SO MAYBE YOU WONDER HOW A
GUY KEEPS HIS HEAD TOGETHER.
41
00:02:21,642 --> 00:02:24,125
WELL, ONE WAY IS TO
WAIT BY THE PHONE...
42
00:02:24,194 --> 00:02:26,828
AND WAIT... AND WAIT.
43
00:02:26,897 --> 00:02:29,631
THE OTHER IS TO TAKE AN OCCASIONAL
JOB FOR THE COURT SYSTEM...
44
00:02:29,700 --> 00:02:31,817
OF THE UNITED STATES OF AMERICA,
45
00:02:31,886 --> 00:02:34,820
WHERE A MAN IS CONSIDERED
INNOCENT UNTIL PROVEN GUILTY.
46
00:02:34,888 --> 00:02:38,156
UNFORTUNATELY, SOMETIMES
A LOT OF THESE PEOPLE...
47
00:02:38,225 --> 00:02:41,426
GET OUT OF JAIL ON
WHAT WE CALL BAIL.
48
00:02:41,494 --> 00:02:44,112
AND THEY RUN LIKE HELL.
49
00:02:44,181 --> 00:02:48,534
THAT'S WHERE I COME IN. I SOMETIMES
PICK UP RENT MONEY TRYIN' TO FIND THEM...
50
00:02:48,602 --> 00:02:50,402
AND BRING THEM BACK TO JUSTICE.
51
00:02:50,471 --> 00:02:54,789
RIGHT NOW I'M WORKIN' ON ONE OF THOSE
FAMOUS TV SHOWS THAT FEATURE STUNTMEN.
52
00:02:54,858 --> 00:02:57,592
YOU'VE PROBABLY SEEN IT.
53
00:03:06,302 --> 00:03:09,170
WE'RE HERE TODAY ON THE
OUTSKIRTS OF LAS VEGAS, NEVADA,
54
00:03:09,239 --> 00:03:12,841
WHERE ONE OF HOLLYWOOD'S MOST
DARING STUNTMEN, COLT SEAVERS,
55
00:03:12,909 --> 00:03:15,087
IS ABOUT TO ATTEMPT
ONE OF THE MOST
56
00:03:15,111 --> 00:03:17,879
DEATH-DEFYING STUNTS
EVER SEEN ON THIS SHOW.
57
00:03:20,283 --> 00:03:23,751
THEY'RE MOVING THE RAMP IN PLACE
AND RAISING IT TO ITS PROPER HEIGHT,
58
00:03:23,821 --> 00:03:26,721
WHILE COLT IS MAKING A
FINAL CHECK ON HIS EQUIPMENT.
59
00:03:26,790 --> 00:03:30,826
THE FILM CREWS ARE MAKING SURE
THEY'LL BE READY FOR THE JUMP AS WELL.
60
00:03:30,894 --> 00:03:34,479
I'M SURE COLT WON'T WANT TO
DO THIS JUMP AGAIN IF THEY MISS IT.
61
00:03:38,952 --> 00:03:41,886
THE BUSES ARE NOW
MOVING INTO PLACE.
62
00:03:41,955 --> 00:03:44,205
EACH BUS IS OVER
40 FEET IN LENGTH,
63
00:03:44,274 --> 00:03:48,810
SO COLT'S JUMP WILL COVER
A DISTANCE CLOSE TO 160 FEET.
64
00:03:59,857 --> 00:04:03,357
WHEN COLT RELEASES HIS
CLUTCH AT THE CRUCIAL MOMENT,
65
00:04:03,426 --> 00:04:07,445
HE'LL HAVE TO HIT THE TAKEOFF
RAMP AT OVER 60 MILES PER HOUR.
66
00:04:10,016 --> 00:04:13,134
HE'S GOING TO ATTEMPT
TO JUMP HIS MOTORCYCLE...
67
00:04:13,203 --> 00:04:16,538
OVER THESE FOUR YELLOW
BUSES PARKED END TO END...
68
00:04:16,607 --> 00:04:18,874
A SIGHT I KNOW YOU
WON'T WANT TO MISS.
69
00:04:18,942 --> 00:04:21,993
SO STAY TUNED. WE'LL BE
RIGHT BACK WITH A STUNT...
70
00:04:22,062 --> 00:04:24,979
THAT'S GONNA MAKE YOU TURN TO
THE PERSON NEXT TO YOU AND SAY,
71
00:04:25,049 --> 00:04:27,215
"NOW, THAT'S INCREDIBLE."
72
00:04:27,283 --> 00:04:30,568
AND... CUT. BEAUTIFUL,
CATHY LEE. GOOD.
73
00:04:30,637 --> 00:04:34,306
FINALLY, COLT. FINALLY, YOU'RE
GETTING THE RECOGNITION YOU DESERVE.
74
00:04:34,374 --> 00:04:36,703
YEAH, WELL, I'LL BE GETTING
THE INJURIES I DESERVE...
75
00:04:36,727 --> 00:04:38,771
IF I DON'T MAKE SURE
EVERYTHING GOES PERFECT.
76
00:04:38,795 --> 00:04:40,900
HEY, YOU REMEMBER WHEN
CATHY LEE SAID THAT YOU
77
00:04:40,924 --> 00:04:42,914
WERE THE MOST DARING
STUNTMAN IN HOLLYWOOD?
78
00:04:42,983 --> 00:04:45,083
YEAH. I REALLY FELT PROUD.
79
00:04:46,153 --> 00:04:48,393
THAT'S REAL NICE,
KID. I APPRECIATE THAT.
80
00:04:48,422 --> 00:04:50,355
SOMEDAY THEY'LL
SAY THAT ABOUT ME.
81
00:04:50,424 --> 00:04:52,357
YEAH, WELL, HOW ABOUT TODAY?
82
00:04:53,877 --> 00:04:55,810
TODAY? WELL, UH...
83
00:04:55,879 --> 00:04:57,979
WELL, I'D LOVE
TO, COLT, BUT, UH...
84
00:04:58,048 --> 00:05:00,949
BUT... BUT THINK ABOUT ALL THOSE
PEOPLE OUT THERE IN TV LAND.
85
00:05:01,018 --> 00:05:02,951
THEY'RE EXPECTING
TO SEE YOU, NOT ME.
86
00:05:03,020 --> 00:05:05,470
WELL, I'M NOT SAYING
I COULDN'T DO IT.
87
00:05:05,539 --> 00:05:08,379
WELL, YOU GOTTA START SOMETIME. I
MEAN, I COULD EXPLAIN TO THE AUDIENCE.
88
00:05:10,544 --> 00:05:12,544
THAT'S WHAT I LOVE
ABOUT YOU, COLT...
89
00:05:12,612 --> 00:05:14,829
YOUR SENSE OF HUMOR
IN TIMES OF REAL DANGER.
90
00:05:14,898 --> 00:05:17,448
WELL, I'LL TRY AND
LEAVE 'EM LAUGHIN'.
91
00:05:26,560 --> 00:05:28,493
THE MOMENT HAS NOW ARRIVED.
92
00:05:28,562 --> 00:05:30,590
COLT SEAVERS IS GOING BACK
TO HIS STARTING POSITION,
93
00:05:30,614 --> 00:05:32,547
SO LET'S HOLD OUR BREATH.
94
00:05:32,616 --> 00:05:34,849
OKAY, GET THE
CHOPPER IN POSITION!
95
00:05:36,203 --> 00:05:39,153
ALL RIGHT NOW, GUYS,
THIS IS IT. GET READY.
96
00:05:40,724 --> 00:05:42,657
"A" CAMERA, GET READY.
97
00:05:44,744 --> 00:05:48,246
OBVIOUSLY, THE WIND IS GOING TO
BE A TREMENDOUS FACTOR TODAY...
98
00:05:48,315 --> 00:05:50,849
BECAUSE PINPOINT
ACCURACY IS A MUST.
99
00:05:50,918 --> 00:05:53,301
ONE MISCALCULATION
COULD MEAN A MAN'S LIFE.
100
00:06:00,277 --> 00:06:03,812
- PIECE OF CAKE, COLT.
- YEAH, I'D LIKE TO THINK SO.
101
00:06:10,654 --> 00:06:12,554
ALL RIGHT. LOOKS LIKE
HE'S READY TO BEGIN.
102
00:06:14,624 --> 00:06:16,691
READY? GO GET 'EM!
103
00:06:19,263 --> 00:06:20,528
MAKING HIS APPROACH.
104
00:06:23,733 --> 00:06:25,750
HE'S AT THE RAMP.
105
00:06:27,921 --> 00:06:30,004
AND HE'S OFF!
106
00:06:33,460 --> 00:06:35,010
HE DID IT!
107
00:06:42,970 --> 00:06:45,786
PERFECT LANDING. COLT
SEAVERS HAS DONE IT AGAIN.
108
00:06:56,016 --> 00:06:59,767
WELL, THERE YOU HAVE IT, LADIES
AND GENTLEMEN, AND IT WAS INCREDIBLE.
109
00:06:59,836 --> 00:07:02,436
VERY GOOD, CATHY LEE. VERY GOOD.
110
00:07:02,506 --> 00:07:04,672
WELL, COLT, YOU DID IT AGAIN.
111
00:07:04,741 --> 00:07:06,741
WELL, ALL IN A DAY'S WORK.
112
00:07:06,810 --> 00:07:08,770
YOU SAY THAT SO CALMLY.
113
00:07:08,829 --> 00:07:10,762
LISTEN, TELL ME SOMETHING.
114
00:07:10,831 --> 00:07:12,648
WHEN YOU WERE FLYING
OVER THOSE BUSES, DID THE
115
00:07:12,672 --> 00:07:14,432
POSSIBILITY OF FAILURE
EVER ENTER YOUR MIND?
116
00:07:14,501 --> 00:07:16,835
ARE YOU KIDDING? I
WAS TOO BUSY PRAYIN'.
117
00:07:23,493 --> 00:07:25,861
DID YOU HEAR CATHY
LEE? "INCREDIBLE."
118
00:07:25,929 --> 00:07:29,397
YEAH. WHAT IT WAS
WAS INCREDIBLY PAINFUL.
119
00:07:29,466 --> 00:07:32,600
YEAH. WELL, COME ON. LET'S
HIT THE STRIP AND CELEBRATE.
120
00:07:32,669 --> 00:07:36,137
YOU DESERVE IT, AND I'M GONNA PAY
FOR THE WHOLE NIGHT. UH, YEAH? HOW?
121
00:07:36,206 --> 00:07:39,807
THE HOWARD MUNSON SECRET PRINCETON
COMPUTER COURSE IN CARD COUNTING.
122
00:07:50,887 --> 00:07:53,955
COMING OUT AGAIN.
PLACE YOUR BETS, PLEASE.
123
00:07:57,160 --> 00:07:59,644
ELEVEN! WINNER, WINNER,
WINNER. PAY THE LINE.
124
00:08:24,904 --> 00:08:26,738
BLACKJACK!
125
00:08:26,806 --> 00:08:29,068
THIS OLD BROAD GETS BLACKJACK,
AND I'M SITTING HERE WITH ZILCH.
126
00:08:29,092 --> 00:08:32,526
AH, THAT'S THE STORY OF MY LIFE.
127
00:08:32,595 --> 00:08:35,196
WHAT DO YOU NEED? A CALCULATOR?
128
00:08:38,418 --> 00:08:41,163
I DON'T BELIEVE WHAT I
JUST SAW. YOU HIT A 17?
129
00:08:41,187 --> 00:08:43,198
ARE YOU SOME KIND OF A MORON?
130
00:08:43,222 --> 00:08:45,367
WHY DON'T YOU CATCH
THE NEXT BUS TO OMAHA...
131
00:08:45,391 --> 00:08:47,871
BEFORE YOU HAVE TO
HOCK AWAY YOUR KIDS.
132
00:08:50,630 --> 00:08:53,950
YOU BE GOOD TO ME, AND
I'M GONNA TAKE CARE OF YA.
133
00:08:55,902 --> 00:09:00,238
YOU CALL THAT BEIN' GOOD, YOU BUM?
GET THE PIT BOSS. I WANT $2,500 MORE.
134
00:09:06,462 --> 00:09:09,513
- YOU IN TOWN
FOR A LITTLE ACTION?
- HMM?
135
00:09:09,582 --> 00:09:13,768
- COME ON. I RECOGNIZE A PRO.
- WELL, I NEVER!
136
00:09:13,837 --> 00:09:17,505
LAST TIME I SAW A MOUTH
LIKE HERS, IT HAD A HOOK IN IT.
137
00:09:17,574 --> 00:09:20,575
I'M AFRAID, MR. CARNESCO, YOU'RE
OVER YOUR CREDIT LIMIT. LIMIT?
138
00:09:20,644 --> 00:09:22,844
DO YOU KNOW WHO I
AM? I'M LOU CARNESCO.
139
00:09:22,912 --> 00:09:24,846
I CARRY A LOT OF
WEIGHT IN THIS TOWN.
140
00:09:24,914 --> 00:09:28,800
NO. EVERY CASINO IN THIS
TOWN'S CARRYING YOUR WEIGHT.
141
00:09:28,869 --> 00:09:31,720
YOU'RE TAPPED OUT,
LOU. YOU OWE EVERYBODY.
142
00:09:34,540 --> 00:09:36,641
WE'LL SEE ABOUT THAT!
143
00:09:40,513 --> 00:09:44,048
DON'T WORRY, HONEY. THE FLEET
IS DUE IN AT THE END OF THE MONTH.
144
00:09:48,371 --> 00:09:51,206
HI, LOU. HEAR YOU BEEN LOSIN'.
145
00:09:51,274 --> 00:09:54,559
WHAT'S IT TO YOU?
IRV, THAT'S A NICE TIE.
146
00:09:54,627 --> 00:09:56,655
MARINARA SAUCE GOES GOOD
WITH THE MEATBALL HERE.
147
00:09:56,679 --> 00:10:00,314
IT'S NOT NICE TO GAMBLE AWAY
THE MONEY YOU OWE OTHER PEOPLE.
148
00:10:00,383 --> 00:10:03,735
MR. ALEXIS IS TIRED OF WAITING.
HE ASKED US TO BRING YOU TO HIM.
149
00:10:03,804 --> 00:10:06,487
OH, YEAH? WELL, YOU CAN TAKE
A MESSAGE BACK TO YOUR BOSS...
150
00:10:06,556 --> 00:10:10,758
LOU, COME ACROSS. YOU KNOW
YOU'RE GONNA HAVE TO PAY UP.
151
00:10:10,826 --> 00:10:12,927
WHAT'D YOU THINK YOU WERE
GONNA DO? WIN THE MONEY?
152
00:10:12,995 --> 00:10:16,414
WE HEAR YOU EVEN GOT BUSTED
IN A CRAP GAME DOWN IN L.A.
153
00:10:16,483 --> 00:10:18,327
THAT DOESN'T MAKE
MR. ALEXIS TOO HAPPY EITHER.
154
00:10:18,351 --> 00:10:20,146
WHAT I DO IN L.A.
IS MY BUSINESS.
155
00:10:20,170 --> 00:10:25,623
NOT WHEN YOU DO IT ON MONEY
YOU OWE A REAL PATIENT MAN.
156
00:10:25,692 --> 00:10:28,976
I'M SORRY, LOU. HE
WANTS TO SEE YOU. NOW.
157
00:10:29,045 --> 00:10:32,225
WHAT ARE YOU GONNA DO? MUSCLE
ME RIGHT HERE IN THE CASINO?
158
00:10:32,249 --> 00:10:34,616
THE CONGLOMERATES THAT OWN
THESE JOINTS WOULD LOVE THAT.
159
00:10:34,684 --> 00:10:36,718
EVEN YOUR BIG-SHOT
BOSS COULDN'T HANDLE THAT
160
00:10:36,742 --> 00:10:38,753
KIND OF HEAT! OKAY,
LOU, YOU BE CUTE.
161
00:10:38,822 --> 00:10:41,856
BUT YOU GOTTA LEAVE
THIS HOTEL EVENTUALLY.
162
00:10:42,926 --> 00:10:45,406
WE'RE GONNA BE WAITING FOR YOU.
163
00:11:00,027 --> 00:11:02,193
- HELLO?
- DID YOU BREAK ANY LEGS TODAY?
164
00:11:02,261 --> 00:11:05,046
- WHO IS THIS?
- LOU CARNESCO.
165
00:11:05,115 --> 00:11:08,515
- I SHOULD HAVE KNOWN. WHAT DO YOU WANT?
- PUT THE IMMIGRANT ON.
166
00:11:08,584 --> 00:11:10,985
- WHO?
- YOUR BOAT-BACK BOSS.
167
00:11:15,475 --> 00:11:17,475
IT'S LOU CARNESCO, BOSS.
168
00:11:20,380 --> 00:11:22,529
ARE YOU DRUNK, CARNESCO,
CALLING HERE AT THIS HOUR?
169
00:11:22,598 --> 00:11:26,718
- I'M SOBER, I'M BROKE,
AND I WANT CASH.
- YOU'RE CALLING ME FOR CASH?
170
00:11:26,786 --> 00:11:29,320
NO, I'M ORDERING A PIZZA
TO GO, YOU SLEAZEBAG.
171
00:11:30,540 --> 00:11:33,841
- I WANT 50 GRAND TONIGHT.
- I THINK YOU'RE CRAZY.
172
00:11:33,910 --> 00:11:36,660
CRAZY? IF YOU DON'T
PLAY BALL WITH ME,
173
00:11:36,729 --> 00:11:38,912
YOU'D BETTER BE ON THE
NEXT GREYHOUND OUTTA HERE.
174
00:11:38,981 --> 00:11:42,083
I CAN'T BELIEVE WHAT I'M HEARING.
I'M ONTO YOUR SCAM, ALEXIS.
175
00:11:42,152 --> 00:11:44,852
I'VE WRITTEN A LITTLE BOOK I
THINK YOU'D BE INTERESTED IN.
176
00:11:44,920 --> 00:11:48,523
IT LISTS EVERY FANCY DINNER YOU'VE
EVER HAD WITH EVERY BIG-SHOT ATHLETE...
177
00:11:48,591 --> 00:11:52,043
BEFORE EVERY BIG GAME THAT YOU JUST
HAPPENED TO HAVE BET A LOT OF MONEY ON.
178
00:11:52,111 --> 00:11:54,946
AM I GETTING THROUGH THAT
SUNBAKED NEAPOLITAN SKULL OF YOURS?
179
00:11:55,014 --> 00:11:59,100
UP UNTIL NOW, I THOUGHT YOU
WERE ONLY BORDERLINE LUNATIC.
180
00:11:59,168 --> 00:12:02,170
ARE YOU HONESTLY THINKING
OF SHAKING ME DOWN?
181
00:12:02,238 --> 00:12:06,207
- I'M NOT THINKING ABOUT IT.
- YOU MAKE ME VERY SAD, LOU.
182
00:12:06,276 --> 00:12:09,326
I'M TELLING YOU, IF I DON'T
HAVE 50 GRAND IN TWO HOURS,
183
00:12:09,395 --> 00:12:11,463
THIS LITTLE JOURNAL GOES
INTO THE NEWSPAPERS,
184
00:12:11,531 --> 00:12:15,383
AND YOU GO INTO THE SLAMMER ALONG WITH
YOUR FANCY JOCK FRIENDS, YOU MOOCHER.
185
00:12:15,451 --> 00:12:17,385
GOOD-BYE, LOU. WAIT A MINUTE.
186
00:12:17,453 --> 00:12:20,204
- DON'T YOU WANNA KNOW WHERE
TO BRING THE MONEY?
- WHAT FOR?
187
00:12:20,273 --> 00:12:22,206
YOU'RE A DEAD MAN.
188
00:12:27,981 --> 00:12:29,914
I DON'T THINK THAT WORKED.
189
00:12:43,513 --> 00:12:46,314
HIT ME. WELL, KID, HOW WE DOIN'?
190
00:12:46,383 --> 00:12:48,816
NOT NOW, COLT. I
HAVE TO CONCENTRATE.
191
00:12:48,885 --> 00:12:50,885
AGAIN.
192
00:12:52,922 --> 00:12:55,434
YEAH, WELL, WE CERTAINLY DON'T
WANNA MESS UP YOUR SYSTEM.
193
00:12:55,458 --> 00:12:57,370
UH, I THINK I'LL TAKE
THE GIRLS OVER TO THE
194
00:12:57,394 --> 00:12:59,510
CIRCUS CIRCUS. THEY, UH,
WANNA PLAY SOME GAMES.
195
00:12:59,579 --> 00:13:01,930
I'M SORRY, COLT. I
WAS RIGHT IN THE MI...
196
00:13:03,566 --> 00:13:07,852
- MY GOD.
- OH, UH, KID,
THIS IS CANDY AND SUGAR.
197
00:13:07,920 --> 00:13:09,420
HI. HI.
198
00:13:09,489 --> 00:13:12,523
OR CANDY AND SUGAR.
UH, THEY'RE BOTH SWEET.
199
00:13:12,592 --> 00:13:15,577
♪♪
200
00:13:27,323 --> 00:13:31,709
♪♪ OKAY, YOU LOVEBIRDS,
THE BIG MOMENT IS HERE.
201
00:13:34,281 --> 00:13:36,259
CRYSTAL, BABY, I
GOTTA TALK TO YOU.
202
00:13:36,283 --> 00:13:39,184
LOUIS, THE CEREMONY'S
ABOUT TO START. NOW JUST WAIT.
203
00:13:39,252 --> 00:13:41,580
BIG DEAL. WHAT AM I SUPPOSED
TO DO? GET SENTIMENTAL?
204
00:13:41,604 --> 00:13:44,271
I CAN'T TALK TO YOU RIGHT
NOW. I'M EVELYN'S WITNESS.
205
00:13:44,340 --> 00:13:47,108
CRYSTAL, LOVE IS WAITING.
206
00:13:47,176 --> 00:13:49,176
SEE WHAT I MEAN?
207
00:13:49,245 --> 00:13:51,679
I'LL GET RID OF THOSE TWO.
CONGRATULATIONS, MISTER.
208
00:13:51,748 --> 00:13:53,726
LONGFELLOW, MANNY LONGFELLOW.
209
00:13:53,750 --> 00:13:56,651
THAT'S WONDERFUL. MANNY, IS THAT
A DO-IT-YOURSELF HAIR TRANSPLANT?
210
00:13:56,720 --> 00:13:59,181
- HUH?
- OH, LOUIS,
THESE ARE MY FRIENDS.
211
00:13:59,205 --> 00:14:02,156
WELL, EVELYN, YOU FINALLY SNAGGED
ONE. DO YOU TWO KNOW EACH OTHER?
212
00:14:02,225 --> 00:14:04,975
KNOW EACH OTHER? WHY, WE
LIVED WITH EACH OTHER SIX WEEKS.
213
00:14:05,044 --> 00:14:08,012
- OF COURSE, SHE WAS GOIN' WITH ACOUPLE OTHER GUYS AT THE TIME.
- LOUIS!
214
00:14:08,081 --> 00:14:11,749
I NEVER SAW THIS MAN IN MY LIFE!
OH, EVELYN, YOU'RE A GOOD SPORT.
215
00:14:11,817 --> 00:14:14,380
- OF COURSE, IN YOUR PROFESSION
YOU GOTTA BE A GOOD SPORT.
- PROFESSION?
216
00:14:14,404 --> 00:14:17,572
- LOUIS, PLEASE.
- MY GOD, DIDN'T YOU
TELL THIS GUY ANYTHING?
217
00:14:17,641 --> 00:14:20,657
TELL ME WHAT? NOTHING,
MANNY. HE MUST BE CRAZY.
218
00:14:20,726 --> 00:14:22,676
OH, I GET IT. CRAZY.
YOU'RE RIGHT. CRAZY.
219
00:14:22,745 --> 00:14:24,995
UH-HUH. I... I NEVER SAW
THIS WOMAN BEFORE.
220
00:14:25,064 --> 00:14:27,047
EVELYN, SAY HELLO TO THE
NATIONAL GUARD, WILL YA?
221
00:14:27,116 --> 00:14:29,851
CRYSTAL, I GOTTA
TALK TO YOU, BABY.
222
00:14:29,919 --> 00:14:33,104
THAT WAS MEAN. WELL, YOU'LL
STRAIGHTEN IT OUT AFTER I LEAVE.
223
00:14:33,172 --> 00:14:37,391
WHAT I GOT TO TALK TO YOU ABOUT IS A MATTER
OF LIFE AND DEATH. LIFE AND DEATH. WHOSE?
224
00:14:37,460 --> 00:14:40,678
MINE. I TOOK A CHANCE ON A
SMALL LONG SHOT, AND I LOST.
225
00:14:40,747 --> 00:14:44,415
HOW SMALL OF A LONG SHOT? WELL, I TRIED
TO GET A NEW STAKE BY SHAKING DOWN...
226
00:14:44,483 --> 00:14:48,702
YOUR BOSS, WARREN ALEXIS.
OH, NO, LOUIS, YOU DIDN'T.
227
00:14:48,771 --> 00:14:50,816
NOW THAT'S THE DUMBEST
THING YOU'VE EVER DONE.
228
00:14:50,840 --> 00:14:54,075
I KNOW. COULD YOU FRONT ME SOME
MONEY SO I CAN GET OUT OF TOWN?
229
00:14:54,144 --> 00:14:57,744
I'M BROKE, AND BESIDES, WARREN
ISN'T GONNA LET YOU LEAVE TOWN.
230
00:14:57,813 --> 00:14:59,792
HE'LL HAVE ALL THE
EXITS STAKED OUT.
231
00:14:59,816 --> 00:15:02,367
WELL, THEN LOAN ME YOUR CAR.
THEY WON'T BE LOOKING FOR IT.
232
00:15:02,435 --> 00:15:04,902
I CAN'T. MY CAR'S IN THE SHOP.
233
00:15:04,971 --> 00:15:06,904
GREAT.
234
00:15:12,211 --> 00:15:14,378
NOW, DEAR, DON'T CRY.
235
00:15:17,100 --> 00:15:19,716
- SAMANTHA JACK SPEAKING.
- LOU CARNESCO.
236
00:15:19,785 --> 00:15:21,969
- WHERE ARE YOU?
- LAS VEGAS.
237
00:15:22,038 --> 00:15:25,440
- YOU MISSED YOUR COURT DATE.
- IT SLIPPED MY MIND,
BUT I'M SORRY.
238
00:15:25,508 --> 00:15:27,486
LISTEN, I WANNA TURN MYSELF IN.
239
00:15:27,510 --> 00:15:29,560
YOU WEREN'T SUPPOSED
TO LEAVE THE STATE.
240
00:15:29,629 --> 00:15:32,246
LOOK, DO YOU WANT ME BACK,
OR DO YOU WANNA EAT MY BOND?
241
00:15:32,314 --> 00:15:35,427
- WHEN WILL YOU BE HERE?
- AS SOON AS YOU GET SOMEONE
TO COME PICK ME UP.
242
00:15:35,451 --> 00:15:39,437
- I'M BROKE.
- I'LL WIRE YOU
A BUS TICKET.
243
00:15:39,505 --> 00:15:42,673
NO, NO. THAT'S NOT GOOD
ENOUGH. LET ME LEVEL WITH YA.
244
00:15:42,742 --> 00:15:44,909
I DOUBLE-CROSSED A
VERY IMPORTANT MAN,
245
00:15:44,978 --> 00:15:47,390
AND HE WANTS TO LEAVE
ME BURIED IN THE DESERT.
246
00:15:47,414 --> 00:15:50,826
WHAT I NEED FROM YOU NOW IS TO
GET ME IN A NICE, SAFE CALIFORNIA JAIL.
247
00:15:50,850 --> 00:15:52,784
YOU'RE IN LUCK.
248
00:15:52,852 --> 00:15:55,987
THE ONLY MAN THAT COULD POSSIBLY
SAVE YOU IS ALREADY IN LAS VEGAS.
249
00:15:56,055 --> 00:15:58,180
I'LL HAVE HIM BRING YOU
BACK. HAVE HIM MEET ME
250
00:15:58,204 --> 00:16:00,307
AT THE BELLS ARE RINGING
CHAPEL IN TWO HOURS.
251
00:16:00,376 --> 00:16:01,743
FINE.
252
00:16:04,497 --> 00:16:06,497
WELL, THANKS A LOT, GUYS.
253
00:16:08,701 --> 00:16:11,581
YOU SURE KNOW HOW TO PICK
'EM, COLT. OH, COME ON, KID.
254
00:16:11,637 --> 00:16:13,571
HOW DID I KNOW THOSE
SWEET GIRLS WERE ENGAGED...
255
00:16:13,639 --> 00:16:15,773
TO A COUPLE OF LINEBACKERS
FOR THE ATLANTA FALCONS?
256
00:16:15,842 --> 00:16:18,520
YEAH, WELL, SOMEHOW THIS ISN'T
THE WILD TIME IN VEGAS I'D ENVISIONED.
257
00:16:18,544 --> 00:16:21,424
MR. COLT SEAVERS? WHAT
HAPPENED TO OUR MOMENTUM?
258
00:16:21,448 --> 00:16:24,215
IT'S EARLY, KID. JUST GIVE 'EM TIME.
THEY DON'T KNOW WE'RE HERE YET.
259
00:16:24,284 --> 00:16:26,917
MR. SEAVERS? MR. COLT SEAVERS?
260
00:16:26,987 --> 00:16:29,720
THAT'S ME. THAT'S
ME. UH, THAT'S ME!
261
00:16:29,789 --> 00:16:32,290
WORD'S GETTIN' AROUND. UH-HUH.
262
00:16:32,359 --> 00:16:35,994
THANK YOU, DARLING. UH,
KID, GIVE HER A DOLLAR.
263
00:16:36,062 --> 00:16:38,062
HELLO, COLT SEAVERS HERE.
264
00:16:38,131 --> 00:16:40,465
HI, COLT. IT'S ME,
JACK. THANK YOU.
265
00:16:40,533 --> 00:16:44,017
BIG JACK? IT'S BIG JACK. UH, BIG JACK,
HOW DID YOU KNOW WHERE TO FIND US?
266
00:16:44,086 --> 00:16:46,387
I'VE HAD YOU PAGED IN
EVERY CASINO ON THE STRIP.
267
00:16:46,456 --> 00:16:48,388
I'VE GOT A JOB FOR YOU.
268
00:16:48,457 --> 00:16:50,524
A JOB?
269
00:16:50,593 --> 00:16:53,360
WELL, I DON'T KNOW, UH, JACK.
WE GOT IT PRETTY GOOD HERE.
270
00:16:53,429 --> 00:16:55,741
OH, YEAH, WE'RE SITTIN' HERE
WITH A COUPLE OF PRETTY BLONDES...
271
00:16:55,765 --> 00:16:58,110
AND GOT OUR POCKETS FULL OF
WINNINGS WITH HOWIE'S NEW SYSTEM.
272
00:16:58,134 --> 00:17:02,503
SHOOT. AFTER TODAY'S STUNT THEY'RE
BEGINNING TO TREAT US LIKE CELEBRITIES.
273
00:17:02,571 --> 00:17:07,040
- I DON'T THINK YOU COULD PAY
ENOUGH TO GET US OUT OF HERE.
- WHAT DO YOU SAY TO $2,000?
274
00:17:07,109 --> 00:17:09,877
AND THE MAN IS RIGHT
THERE IN LAS VEGAS.
275
00:17:09,946 --> 00:17:12,212
ALL YOU HAVE TO DO IS
BRING HIM BACK TO L.A...
276
00:17:12,281 --> 00:17:14,260
INSTEAD OF DEADHEADING
IN YOUR EMPTY TRUCK.
277
00:17:14,284 --> 00:17:18,168
$2,000? AND HE'S
RIGHT HERE IN VEGAS?
278
00:17:18,237 --> 00:17:21,238
HIS NAME IS LOU CARNESCO,
279
00:17:21,307 --> 00:17:24,825
AND HE'S WILLING TO MEET YOU AT THE
BELLS ARE RINGING CHAPEL ON PARADISE ROAD.
280
00:17:24,894 --> 00:17:27,879
MEET ME? IF HE'S WILLING TO MEET
ME, WHY DON'T YOU JUST HAVE HIM...
281
00:17:27,947 --> 00:17:30,397
GET ON A PLANE AND FLY BACK
AND SAVE YOURSELF TWO GRAND?
282
00:17:30,466 --> 00:17:34,301
COLT. I SAID WILLING,
NOT ANXIOUS.
283
00:17:34,370 --> 00:17:38,556
I THREATENED HIM WITH YOUR
NOTORIETY, AND HE FOLDED HIS TENT.
284
00:17:38,625 --> 00:17:42,926
WELL, I DON'T SEE HOW I CAN
PASS UP SUCH EASY MONEY.
285
00:17:42,995 --> 00:17:45,529
SINCE WE'RE COMIN' HOME
ANYWAY, WE'LL PICK HIM UP.
286
00:17:45,598 --> 00:17:48,216
THANKS, COLT. YOU'RE TERRIFIC.
287
00:17:50,620 --> 00:17:53,348
HEADIN' HOME? COLT, I HAVEN'T HAD
A CHANCE TO PROVE MY SYSTEM YET.
288
00:17:53,372 --> 00:17:57,325
AH, KID, IT'S TIME TO TRY A
SYSTEM THAT ALWAYS PAYS OFF.
289
00:17:57,393 --> 00:18:00,094
IT'S CALLED WORK. LET'S GO.
290
00:18:21,734 --> 00:18:25,470
- LOU! LOU CARNESCO?
- WHO IS IT?
291
00:18:25,538 --> 00:18:28,155
BIG JACK SENT US.
292
00:18:38,534 --> 00:18:41,852
- THERE SOMETHIN' WRONG?
- I'M JUST LOOKIN' FOR CHANGE.
293
00:18:41,921 --> 00:18:44,183
HEY, WHO'D SHE SEND ME?
THE KID AND THE COWBOY?
294
00:18:44,207 --> 00:18:46,106
VERY FUNNY. LET'S GO.
295
00:18:46,175 --> 00:18:48,895
HOW ARE WE GETTIN' BACK
TO L.A.? ON HORSEBACK?
296
00:18:48,961 --> 00:18:52,363
WHY DO I HAVE THE FEELING
THIS IS NOT GONNA BE A FUN TRIP?
297
00:18:52,431 --> 00:18:55,800
IF YOU WANNA GET SOME SLEEP,
COLT, I CAN, UH, GO THE DISTANCE.
298
00:18:55,869 --> 00:18:57,802
OH, NO, JUST GET US TO BARSTOW.
299
00:18:57,870 --> 00:18:59,804
I'LL TAKE OVER FROM THERE.
300
00:18:59,872 --> 00:19:02,817
WHAT'S ALL THIS "FALL
GUY" JUNK? WE'RE STUNTMEN.
301
00:19:02,841 --> 00:19:05,954
YOU MEAN I'M RIDING WITH
TWO STUNTMEN? THAT'S RIGHT.
302
00:19:05,978 --> 00:19:09,579
YOU GUYS ARE ALL LUNATICS!
CARD-CARRYING KAMIKAZES.
303
00:19:09,648 --> 00:19:11,916
YOU GOT A REAL SWEET
DISPOSITION, YOU KNOW THAT?
304
00:19:11,984 --> 00:19:13,968
YOU'RE NOT TOO MANY
LAUGHS YOURSELF, COMEDIAN.
305
00:19:18,707 --> 00:19:20,685
HEY, WHAT MOVIES WERE YOU IN?
306
00:19:20,709 --> 00:19:23,026
COME ON. WHAT IS THIS?
TWENTY QUESTIONS?
307
00:19:23,095 --> 00:19:25,028
NO, REALLY. I
MIGHT HAVE SEEN YA.
308
00:19:25,097 --> 00:19:27,464
I GO TO MOVIES ALL THE
TIME, AND NOT JUST PORNOS.
309
00:19:27,533 --> 00:19:29,566
COME ON. NAME A
FEW OF THE MOVIES.
310
00:19:29,635 --> 00:19:31,613
THERE'S SOMEONE ON OUR TAIL.
311
00:19:31,637 --> 00:19:33,904
I MUST HAVE MISSED THAT
ONE. GIVE ME ANOTHER.
312
00:19:38,694 --> 00:19:40,822
I THINK THEY WANT
US TO PULL OVER, COLT.
313
00:19:40,846 --> 00:19:42,897
MUST BE SOMETHIN'
WRONG WITH THE TRUCK.
314
00:19:45,384 --> 00:19:47,624
DON'T PULL OVER. WHY NOT?
315
00:19:48,237 --> 00:19:51,172
THAT'S WHY, MORON!
316
00:20:02,418 --> 00:20:06,220
NOT BAD, KID. YOU LEARNED A LOT.
TOO BAD WE'RE NOT GETTING THIS ON FILM.
317
00:20:06,288 --> 00:20:08,722
I WAS RIGHT. ALL YOU
GUYS ARE LUNATICS.
318
00:20:36,685 --> 00:20:38,952
KID, WHEN YOU GET OVER
THIS HILL, HIT THE BRAKES.
319
00:20:39,021 --> 00:20:41,755
RIGHT. HIT THE BRAKES?
320
00:20:41,824 --> 00:20:43,757
YEAH, AND HANG ON.
321
00:20:58,507 --> 00:21:00,541
HIT IT, KID.
322
00:21:07,032 --> 00:21:09,766
I THINK THEY SHOT A TIRE.
WELL, DON'T STOP NOW.
323
00:21:17,309 --> 00:21:19,777
ALL RIGHT, FUNNY
MAN, NOW LET'S HEAR IT.
324
00:21:19,845 --> 00:21:22,023
HEAR WHAT? WHY THOSE
MEN TRIED TO KILL US.
325
00:21:22,047 --> 00:21:25,599
THEY PROBABLY DIDN'T LIKE
YOUR LAST MOVIE. THAT'S IT.
326
00:21:25,668 --> 00:21:28,497
KID, YOU GOT THAT TIRE
FIXED YET? YEAH, IT'S ALL DONE.
327
00:21:28,521 --> 00:21:31,232
YEAH, WELL, LET'S GO. WE'RE GETTIN'
OUTTA HERE. WE'LL SEE YOU LATER, LOU.
328
00:21:31,256 --> 00:21:33,769
WAIT A MINUTE. YOU'RE GONNA LEAVE
ME STRANDED HERE IN THE DESERT...
329
00:21:33,793 --> 00:21:35,887
WITH THOSE KILLERS AFTER
ME! WE'RE LUNATICS, REMEMBER?
330
00:21:35,911 --> 00:21:39,763
OKAY, I'LL TELL YA. BUT
IT'S NOTHING REALLY.
331
00:21:39,832 --> 00:21:43,367
I TRIED A LITTLE BLACKMAIL WITH
THIS GUY IN TOWN. HE DIDN'T GO FOR IT.
332
00:21:43,436 --> 00:21:45,453
WHAT GUY? SORT OF A MOB GUY.
333
00:21:45,521 --> 00:21:47,520
MOB? AS IN... YOU GOT IT.
334
00:21:47,589 --> 00:21:50,740
AND YOU CALL US LUNATICS? WE'RE GETTIN'
OUTTA HERE, KID. WE'RE SITTIN' DUCKS.
335
00:21:50,809 --> 00:21:52,365
THEY SAW YOU WITH
ME. THEY'LL THINK YOU'RE
336
00:21:52,389 --> 00:21:54,006
INVOLVED. YOU'LL NEVER
MAKE IT OUTTA VEGAS.
337
00:21:54,030 --> 00:21:56,596
HEY, YOU'RE NOT WITH US ANYMORE.
WE HAVE JUST BECOME UNINVOLVED.
338
00:21:56,665 --> 00:21:59,916
WELL, THAT'S WHAT YOU THINK. THIS GUY
WILL COVER US EVERY TIME WE MAKE A MOVE.
339
00:21:59,985 --> 00:22:02,168
SO YOU TWO ARE IN THIS
DEAL RIGHT ALONG WITH ME.
340
00:22:02,237 --> 00:22:04,717
- UH, WHAT ARE YOU
TALKIN' ABOUT, LOU?
- I GOT SOMETHING THEY WANT.
341
00:22:04,741 --> 00:22:08,793
IF THEY CATCH UP WITH ME AND I DON'T HAVE
IT ON ME, THEY'LL THINK I GAVE IT TO YOU.
342
00:22:08,861 --> 00:22:12,021
WHY WOULD THEY THINK THAT? BECAUSE
THAT'S WHAT I'LL TELL 'EM TO SAVE MY LIFE.
343
00:22:14,217 --> 00:22:16,833
OH, GET IN THE TRUCK.
344
00:22:17,953 --> 00:22:19,887
I KNEW YOU'D SEE IT MY WAY.
345
00:22:19,955 --> 00:22:24,190
AFTER WE GET YOU OUTTA HERE, YOU MAY
WISH THAT WE HAD TURNED YOU OVER TO THEM.
346
00:22:28,397 --> 00:22:32,083
I DON'T CARE IF YOU HAVE TO SHUT
DOWN THE TOWN. I WANT THAT NOTEBOOK.
347
00:22:32,151 --> 00:22:36,470
PUT THE WORD OUT ON THE STREET.
CARNESCO DOESN'T LEAVE VEGAS.
348
00:22:40,209 --> 00:22:42,843
YOU DISAPPOINTED ME, GENTLEMEN.
349
00:22:42,911 --> 00:22:46,614
I ASKED YOU TO PERFORM ONE
SIMPLE SERVICE, AND YOU LET ME DOWN.
350
00:22:46,682 --> 00:22:49,394
HE GOT HELP. A COUPLE
OF COWBOYS SHOWED UP,
351
00:22:49,418 --> 00:22:51,413
TRIED TO HUSTLE HIM OUT OF TOWN.
352
00:22:51,437 --> 00:22:53,370
THEN YOU HAVE TO NAIL THEM TOO.
353
00:22:53,439 --> 00:22:56,339
IF THEY WANT TO HELP THAT MADMAN,
THEY'LL HAVE TO PAY THE CONSEQUENCES.
354
00:22:56,408 --> 00:22:58,409
DON'T WORRY, MR. ALEXIS.
355
00:22:58,478 --> 00:23:03,347
BY TONIGHT, HE'LL BE IN YOUR HANDS.
I PROMISE YOU. I CERTAINLY HOPE SO.
356
00:23:03,415 --> 00:23:07,217
IF BY SOME CHANCE THAT PUGNACIOUS
LITTLE FOOL MAKES GOOD ON HIS THREAT,
357
00:23:07,286 --> 00:23:09,387
I'LL BE PUT IN A VERY
UNPLEASANT POSITION,
358
00:23:09,455 --> 00:23:11,438
AND SO WOULD THE TWO OF YOU.
359
00:23:11,507 --> 00:23:15,108
I'M NOT GOING TO BE HUMILIATED
BY THAT TWO-BIT FLAKE...
360
00:23:15,177 --> 00:23:17,344
WHO DOESN'T KNOW WHEN
HE'S OUT OF HIS LEAGUE.
361
00:23:17,412 --> 00:23:21,932
HE'S AS GOOD AS DEAD. THERE'S NO
WAY OUT. YOU GOT A JOB TO DO. GET GOING.
362
00:23:27,306 --> 00:23:29,284
THIS WHAT YOU CALL
A BRIGHT IDEA? NO.
363
00:23:29,308 --> 00:23:31,942
A BRIGHT IDEA WOULD BE TO
TELL BIG JACK I NEVER FOUND YOU.
364
00:23:32,011 --> 00:23:34,289
I CALLED JODY. SHE'S GONNA
MEET YOU AT THE AIRPORT. GOOD.
365
00:23:34,313 --> 00:23:38,348
THANKS FOR THE HELP, KID. THIS
OUGHTA GET YOU A MERIT BADGE.
366
00:23:38,417 --> 00:23:41,886
LOU, IN THE SHORT TIME I'VE KNOWN
YOU, I'VE REALLY COME TO DISLIKE YOU.
367
00:23:41,954 --> 00:23:43,954
COLT, I'M GONNA
TAKE OFF. ALL RIGHT.
368
00:23:44,023 --> 00:23:46,068
YOU BE CAREFUL. THEY'LL
BE LOOKIN' FOR THAT TRUCK.
369
00:23:46,092 --> 00:23:49,493
- IF THEY SPOT IT, DON'T TRY TO
BE A HERO. HEAD FOR THE POLICE.
- I WILL.
370
00:23:49,562 --> 00:23:52,212
I WANT YOU TO KNOW
I GET AIRSICKNESS.
371
00:23:52,281 --> 00:23:55,149
AND I HATE THOSE
LITTLE BAGS. TERRIFIC.
372
00:23:55,218 --> 00:23:58,819
TRANSCONTINENTAL AIRLINES
FLIGHT 13 FROM SAN FRANCISCO...
373
00:23:58,887 --> 00:24:00,904
NOW ARRIVING AT GATE 4.
374
00:24:07,763 --> 00:24:12,733
GLOBE AIRWAYS FLIGHT 86 TO
PHOENIX NOW BOARDING AT GATE 6.
375
00:24:23,312 --> 00:24:26,646
MR. R. JOHNSTON,
WHITE COURTESY PHONE.
376
00:24:26,715 --> 00:24:29,699
MR. R. JOHNSTON, WHITE
COURTESY PHONE, PLEASE.
377
00:24:29,768 --> 00:24:33,754
I'VE BEEN IN BREADLINES THAT MOVED
FASTER THAN THIS. WILL YOU RELAX?
378
00:24:33,822 --> 00:24:37,658
HOW CAN I RELAX? WHY
DON'T YOU WAKE UP, SEAVERS?
379
00:24:37,727 --> 00:24:40,461
HOW COME WE HAVEN'T
SEEN ANY OF THOSE GOONS?
380
00:24:40,529 --> 00:24:42,507
THEY KNOW WE WANNA
GET OUTTA TOWN.
381
00:24:42,531 --> 00:24:44,509
THIS WOULD BE THE
FIRST PLACE THEY'D CHECK.
382
00:24:44,533 --> 00:24:47,318
TWO TICKETS, FLIGHT 418 TO
LOS ANGELES, ONE WAY, PLEASE.
383
00:24:48,620 --> 00:24:51,071
FORGET IT, STUNTMAN. I'M
NOT GETTING ON THAT PLANE.
384
00:24:51,140 --> 00:24:53,440
AT THIS POINT, YOU
DON'T HAVE A CHOICE.
385
00:24:53,509 --> 00:24:55,509
CAN'T YOU PUT TWO
AND TWO TOGETHER?
386
00:24:55,544 --> 00:24:57,522
THEY PROBABLY ALREADY
GOT A HIT MAN ABOARD.
387
00:24:57,546 --> 00:24:59,557
WE GOTTA SWITCH
PLANES, YOU NINNY.
388
00:24:59,581 --> 00:25:02,015
HE'S JUST A LITTLE NERVOUS.
HE'S NEVER FLOWN BEFORE.
389
00:25:04,053 --> 00:25:06,047
LET ME AT LEAST BUY
SOME OF THOSE PILLS.
390
00:25:06,071 --> 00:25:09,105
NOPE. I'M LOOKIN' FORWARD
TO SEE YOU TURN GREEN.
391
00:25:09,174 --> 00:25:11,320
I STILL THINK THIS
IS A DUMB MOVE.
392
00:25:11,344 --> 00:25:13,471
WHAT HAPPENS IF THE PLANE
CRASHES? WHAT HAPPENS?
393
00:25:13,495 --> 00:25:15,963
LOOK, THERE IS NO HIT MAN, AND
THE PLANE ISN'T GONNA CRASH.
394
00:25:16,031 --> 00:25:17,567
THE ONLY ACCIDENT'S
GONNA HAPPEN IS YOU
395
00:25:17,591 --> 00:25:19,391
GETTING YOUR NECK
BROKE IF YOU DON'T SHUT UP.
396
00:25:21,436 --> 00:25:23,987
WHAT DID I TELL YA?
TAKE A LOOK OVER THERE.
397
00:25:36,802 --> 00:25:38,718
WHAT ARE WE GONNA DO NOW?
398
00:25:38,788 --> 00:25:40,999
THEY DIDN'T COME DOWN
TO WISH US BON VOYAGE.
399
00:25:41,023 --> 00:25:43,268
I DON'T KNOW ABOUT YOU,
BUT I'M GETTING OUTTA HERE.
400
00:25:43,292 --> 00:25:45,225
THIS WAY. OH, THIS IS FUN.
401
00:25:45,294 --> 00:25:47,894
I'M BEING SAVED BY
A SUICIDAL MANIAC.
402
00:25:47,964 --> 00:25:51,131
DO YOU HAVE ANY IDEA YOU KNOW
WHAT YOU'RE DOING? JUST GO THROUGH.
403
00:25:51,200 --> 00:25:54,818
WHAT'S STOPPING THEM FROM GETTING ON
THE PLANE? WE'RE NOT GETTING ON THE PLANE.
404
00:25:54,886 --> 00:25:57,070
OH, EXCUSE ME.
405
00:25:57,139 --> 00:26:00,341
UH, DO YOU HAVE ANY METAL IN
YOUR POCKET, LIKE KEYS OR A LIGHTER?
406
00:26:00,409 --> 00:26:03,644
UH, YES, SIR. THIS. WHAT THE
HELL DO YOU THINK YOU'RE DOIN'?
407
00:26:03,713 --> 00:26:07,197
IT'S OKAY. IT SHOOTS BLANKS. I'M A
STUNTMAN, YOU SEE, AND I USE IT AS A PROP.
408
00:26:07,266 --> 00:26:10,100
SO DO HIJACKERS. HEY,
DAN, GIVE ME A HAND.
409
00:26:12,320 --> 00:26:16,156
I TOLD YOU WE COULDN'T
GET THAT THING THROUGH.
410
00:26:16,225 --> 00:26:19,192
OH, SO YOU'RE IN ON THIS
TOO, HUH? TURN AROUND!
411
00:26:19,261 --> 00:26:23,764
GLOBE AIRWAYS FLIGHT 14 FROM
ALBUQUERQUE NOW ARRIVING AT GATE 2.
412
00:26:23,833 --> 00:26:25,777
MAYBE YOU'RE NOT SUCH
A BANANA BRAIN AFTER ALL.
413
00:26:25,801 --> 00:26:28,961
OKAY, YOU GUYS, COME
ON. LET'S GO. OVER HERE.
414
00:26:44,603 --> 00:26:47,905
I HOPE YOU'RE AS BRILLIANT GETTING US
OUTTA HERE AS YOU WERE GETTING US IN.
415
00:26:47,973 --> 00:26:50,084
WELL, I'D GET USED
TO IT IF I WERE YOU.
416
00:26:50,108 --> 00:26:54,494
JUST GONNA MORE OF THE SAME WHEN
WE GET BACK TO L.A. IF WE GET BACK TO L.A.
417
00:26:54,563 --> 00:26:57,264
ALL RIGHT, YOU
TWO, ON YOUR FEET.
418
00:26:57,332 --> 00:27:00,972
- HEY, WHAT'S GOIN' ON?
- I SAW WHAT HAPPENED
AT THE AIRPORT, COLT,
419
00:27:01,002 --> 00:27:02,936
AND I KINDA FIGURED YOU'D
NEED A LITTLE RESCUING.
420
00:27:03,004 --> 00:27:04,602
YOUR FRIEND HERE
CONVINCED US THAT YOU'RE ON
421
00:27:04,626 --> 00:27:06,284
THE LEVEL, AND WE'RE
NOT GONNA PRESS CHARGES.
422
00:27:06,308 --> 00:27:08,342
YOU'RE FREE TO
GO. GOOD WORK, KID.
423
00:27:08,410 --> 00:27:10,344
NEXT TIME WATCH WHERE
YOU TAKE YOUR TOYS.
424
00:27:10,412 --> 00:27:12,390
SOME PEOPLE DON'T KNOW
WHEN YOU'RE, UH, PLAYING GAMES.
425
00:27:12,414 --> 00:27:14,526
WE WEREN'T PLAYING GAMES, OFFICER.
WE'RE WORKING FOR THE COURTS.
426
00:27:14,550 --> 00:27:16,432
THIS MAN'S A FUGITIVE,
AND WE WERE TRYING TO
427
00:27:16,456 --> 00:27:18,318
GET HIM BACK TO LOS
ANGELES TO STAND TRIAL.
428
00:27:18,387 --> 00:27:22,222
SO HOW CAN I HELP? FOR ONE THING, WE SURE
COULD USE AN ESCORT BACK TO CALIFORNIA.
429
00:27:22,291 --> 00:27:24,652
WELL, I CAN ASK THE CAPTAIN. HE
BELIEVED YOUR FRIEND'S STORY.
430
00:27:24,676 --> 00:27:27,489
WAIT A MINUTE! YOU'RE
BRINGIN' THE COPS IN THIS?
431
00:27:27,513 --> 00:27:29,746
DO YOU THINK THESE LUNKHEADS
WILL GET US OUTTA TOWN?
432
00:27:29,815 --> 00:27:32,543
WHAT WAS THAT? UH, NOTHING,
OFFICER. HE'S ALWAYS JOKIN' AROUND.
433
00:27:32,567 --> 00:27:35,051
OH, SURE. COME
OFF OF IT, SEAVERS.
434
00:27:35,120 --> 00:27:37,170
ALEXIS HAS GOT
CONNECTIONS IN THIS TOWN.
435
00:27:37,239 --> 00:27:40,473
THESE GUYS ARE PROBABLY
ON HIS PAYROLL. LOU.
436
00:27:40,542 --> 00:27:43,321
- ALL COPS CAN BE BOUGHT.
- WILL YOU SHUT UP, LOU?
437
00:27:43,345 --> 00:27:46,746
- THERE'S NO WAY
I'M GOIN' WITH THIS CLOWN.
- YOU CAN SAY THAT AGAIN.
438
00:27:46,815 --> 00:27:48,848
YOU CAN PICK YOUR
STUFF UP DOWN THE HALL.
439
00:27:48,917 --> 00:27:51,251
YOU BETTER PUT A MUZZLE
ON YOUR FRIEND HERE,
440
00:27:51,320 --> 00:27:54,288
BECAUSE HIS MOUTH IS GONNA
GET YOU RIGHT BACK IN HERE.
441
00:27:54,356 --> 00:27:58,158
YOU'RE GONNA THANK ME FOR
THIS. THESE COPS CAN'T BE TRUSTED.
442
00:28:07,452 --> 00:28:09,385
NO, I'M STILL IN VEGAS.
443
00:28:09,454 --> 00:28:11,388
YEAH, THERE'S BEEN
A FEW FOUL-UPS.
444
00:28:11,456 --> 00:28:13,740
LISTEN, BABE, I NEED YOUR HELP.
445
00:28:13,809 --> 00:28:16,476
I KNOW YOU DIDN'T WANT TO
GET INVOLVED, BUT THIS IS URGENT.
446
00:28:16,545 --> 00:28:19,074
GET A CAR AND GET DOWN TO THE
SOUTH-SIDE DIVISION HEADQUARTERS.
447
00:28:19,098 --> 00:28:22,533
LOOK, COLT, I KNOW YOU TAKE
A LOT OF PRIDE IN YOUR WORK,
448
00:28:22,601 --> 00:28:26,303
BUT IN THIS CASE, I THINK BIG JACK WOULD
UNDERSTAND IF YOU JUST THREW IN THE TOWEL.
449
00:28:26,372 --> 00:28:29,273
YEAH, SHE PROBABLY WOULD.
WHAT ABOUT LOU'S FRIENDS?
450
00:28:29,341 --> 00:28:31,875
THEY THINK WE'RE IN ON
HIS BLACKMAIL SCHEME.
451
00:28:31,944 --> 00:28:34,211
YEAH, IT'S HOPELESS.
THIS GUY ALEXIS IS TOO BIG.
452
00:28:34,280 --> 00:28:37,047
HE'S GOT PEOPLE
EVERYWHERE. YEAH.
453
00:28:37,115 --> 00:28:39,616
WELL, YOU'LL FIND OUT
WHEN YOU GET HERE.
454
00:28:39,685 --> 00:28:41,885
OKAY, SHE'S ON HER WAY DOWN.
455
00:28:41,954 --> 00:28:44,521
BUT IF ALEXIS FINDS OUT
THAT SHE'S INVOLVED IN THIS,
456
00:28:44,590 --> 00:28:46,523
THAT'S ANOTHER HEAD
THAT'S GONNA ROLL.
457
00:28:46,592 --> 00:28:48,658
LET'S GET OUTTA HERE.
458
00:28:48,727 --> 00:28:50,772
COLT, I TAKE IT YOU HAVE A PLAN.
459
00:28:50,796 --> 00:28:52,796
WELL, I'M WORKIN' ON IT.
460
00:28:54,233 --> 00:28:56,233
SEE YA, BOY SCOUT.
461
00:28:58,136 --> 00:29:00,137
THERE THEY COME.
462
00:29:23,562 --> 00:29:26,430
OKAY, GO, LOU.
463
00:29:26,499 --> 00:29:28,499
ALL RIGHT, KID,
YOU'RE THE DECOY.
464
00:29:28,567 --> 00:29:30,616
THEY'LL BE LOOKIN' AT
THE TRUCK, SO WATCH IT.
465
00:29:32,421 --> 00:29:34,354
HI, DOLL.
466
00:29:34,423 --> 00:29:36,789
LOU, WHAT ARE YOU DOING?
SHH! I'LL TELL YOU LATER.
467
00:29:36,858 --> 00:29:39,259
COLT, ISN'T THIS IDEA
A LITTLE HALF-BAKED?
468
00:29:39,328 --> 00:29:41,794
PROBABLY LESS THAN THAT,
BUT WE'LL GIVE IT A SHOT.
469
00:29:44,399 --> 00:29:46,799
IF YOU DON'T MIND,
I'D LIKE TO DRIVE.
470
00:29:47,635 --> 00:29:50,670
LOUIS, WHO IS THIS MAN?
WHERE ARE WE GOING?
471
00:29:50,739 --> 00:29:53,773
COLT SEAVERS, AND WE'RE ALL GOING
TO DOWNTOWN SCENIC LOS ANGELES.
472
00:29:53,842 --> 00:29:59,112
- NOW GET DOWN.
- WELL, I... GO, KID.
473
00:29:59,181 --> 00:30:01,647
COME ON. LET'S GO.
474
00:30:01,716 --> 00:30:04,396
LOUIS, WOULD YOU PLEASE TELL
ME WHAT... CRYSTAL, GET DOWN!
475
00:30:06,272 --> 00:30:10,490
LOU'S IN THE MUSTANG.
476
00:30:14,263 --> 00:30:17,830
HE'S IN A RED MUSTANG
HEADING SOUTH ON LAS PALMAS.
477
00:30:17,899 --> 00:30:19,832
YOU'LL SEE HIM ANY MINUTE.
478
00:30:23,438 --> 00:30:26,506
WE GOT HIM. HE JUST MADE
A RIGHT ON MAYFIELD ROAD.
479
00:30:26,575 --> 00:30:30,060
DON'T LET HIM OUT OF YOUR SIGHT.
480
00:30:31,113 --> 00:30:33,530
SO MUCH FOR THE DECOY.
481
00:30:33,598 --> 00:30:36,758
WHAT, YA MEAN THEY DIDN'T TAKE
THE BAIT? WELL, YOU CAN'T WIN 'EM ALL.
482
00:30:44,860 --> 00:30:47,644
YOU'RE NOT DOIN' TOO GOOD A
JOB OF LOSIN' 'EM, ARE YA, COWBOY?
483
00:30:47,713 --> 00:30:50,673
SHUT UP, LOU. WHO DO YOU
THINK I AM? MARIO ANDRETTI?
484
00:30:57,323 --> 00:30:59,822
OH!
485
00:31:06,415 --> 00:31:08,682
OH!
486
00:31:11,136 --> 00:31:13,937
OH, MY GOODNESS!
487
00:31:21,513 --> 00:31:24,331
OH! OH!
488
00:31:28,504 --> 00:31:30,824
NEVER COULD STAND
WAITIN' IN LINES.
489
00:31:37,362 --> 00:31:39,779
WE CAN CATCH THE END.
490
00:31:44,219 --> 00:31:47,087
OH, LOUIS, HOW COULD
YOU DO THIS TO ME?
491
00:31:47,156 --> 00:31:50,423
DON'T LOOK AT ME. IT WASN'T
MY IDEA TO TAKE IN A MOVIE.
492
00:31:50,492 --> 00:31:53,559
I'M TALKING ABOUT INVOLVING
ME IN YOUR BLACKMAIL SCHEME.
493
00:31:53,628 --> 00:31:56,863
I DIDN'T KNOW YOU WERE GONNA
USE THOSE THINGS I TOLD YOU ABOUT.
494
00:31:56,931 --> 00:31:58,865
NOW WARREN'S GONNA
BE LOOKING FOR ME.
495
00:31:58,933 --> 00:32:02,268
WELL, HE DON'T KNOW YOU TOLD
ME ABOUT THE JOCKS HE PAID OFF.
496
00:32:02,338 --> 00:32:04,538
SO THAT'S WHAT THE
NOTEBOOK WAS ALL ABOUT. YEAH.
497
00:32:04,606 --> 00:32:08,074
I WAS GONNA GIVE IT TO THE PRESS IF
HE DIDN'T COME ACROSS WITH SOME CASH.
498
00:32:08,143 --> 00:32:11,995
OH, HOW DO YOU COME UP WITH THESE
IDEAS? JUST WHERE IS THIS NOTEBOOK?
499
00:32:12,063 --> 00:32:14,174
WHERE ELSE? IN MY
APARTMENT. YOU DON'T THINK
500
00:32:14,198 --> 00:32:16,333
I WANT ALEXIS TO GET
HIS GREASY HANDS ON IT.
501
00:32:16,402 --> 00:32:19,952
OH, OF COURSE NOT. BETTER
WE SHOULD ALL GET KILLED.
502
00:32:20,021 --> 00:32:23,423
THEY'RE RIGHT IN HERE. YOU KNOW, I'M
AWFUL TIRED OF SEEING YOU TWO IN HERE.
503
00:32:23,492 --> 00:32:26,372
THE NEXT TIME, I'M GONNA SEE
TO IT THAT YOU STAY A LOT LONGER.
504
00:32:26,428 --> 00:32:29,374
IT'S A GOOD THING THEY ONLY CHARGED YOU
GUYS WITH DESTRUCTION OF PRIVATE PROPERTY,
505
00:32:29,398 --> 00:32:32,010
OR YOU WOULD HAVE. YEAH, WELL...
JODY WHAT ARE YOU DOING HERE?
506
00:32:32,034 --> 00:32:34,012
WELL, WHEN YOU DIDN'T
SHOW UP AT THE AIRPORT,
507
00:32:34,036 --> 00:32:36,130
I FIGURED YOU WERE IN
TROUBLE. THAT'S A GOOD GUESS.
508
00:32:36,154 --> 00:32:37,636
ANYWAY, YOU'RE ALL OUT ON BAIL.
509
00:32:37,660 --> 00:32:39,806
WHAT DID YOU DO? WIRE
BIG JACK FOR THE MONEY?
510
00:32:39,875 --> 00:32:43,426
NO, I MADE A QUICK STOP AT THE CASINO.
IT'S A GOOD THING THIS JAIL TAKES CHIPS.
511
00:32:44,796 --> 00:32:46,841
WELL, WHAT ARE WE GONNA DO NOW?
512
00:32:46,865 --> 00:32:48,848
YEAH, SEAVERS,
YOU'RE THE GENIUS.
513
00:32:48,917 --> 00:32:51,969
MAYBE THIS TIME YOU'LL COME
UP WITH AN IDEA THAT WORKS.
514
00:32:52,037 --> 00:32:55,772
WELL, I'M STARTING TO FEEL LIKE WE'RE
NOT JUST GONNA DRIVE OUTTA TOWN.
515
00:32:55,841 --> 00:32:58,458
- BRILLIANT DEDUCTION.
- MMM.
516
00:32:58,526 --> 00:33:02,445
- THEN WHAT ARE WE GONNA DO?
- WELL, I'M GONNA LOOK
FOR A CERTAIN NOTEBOOK.
517
00:33:02,514 --> 00:33:04,997
YOU AND JODY ARE GONNA TAKE
LOU TO THE GOLDEN HORSESHOE.
518
00:33:05,066 --> 00:33:07,412
WHAT? HALF THE TOWN'S
LOOKIN' FOR THIS GUY.
519
00:33:07,436 --> 00:33:09,936
THE BEST PLACE TO
HIDE IS IN A CROWD.
520
00:33:10,004 --> 00:33:14,124
BESIDES, THERE'S AN UNWRITTEN LAW IN THIS
TOWN. NO ONE SETTLES A SCORE IN A CASINO.
521
00:33:14,192 --> 00:33:16,493
BULLETS DISTRACT THE
GAMBLERS. BULLETS?
522
00:33:16,561 --> 00:33:18,495
OH, DON'T WORRY.
YOU'LL BE SAFE THERE.
523
00:33:18,563 --> 00:33:22,848
- JUST GET A TABLE IN THE LOUNGE
AND STAY PUT TILL WE GET BACK.
- WE?
524
00:33:22,917 --> 00:33:24,851
YEAH.
525
00:33:24,920 --> 00:33:27,287
YOU'RE GONNA TAKE ME
TO HIS APARTMENT. COME ON.
526
00:33:27,355 --> 00:33:30,857
CAN WE DRIVE SLOW
THIS TIME? I PROMISE.
527
00:33:30,926 --> 00:33:32,926
COME ON, LOU.
528
00:33:36,598 --> 00:33:39,599
♪♪
529
00:33:49,043 --> 00:33:51,061
♪♪
530
00:34:06,161 --> 00:34:08,862
I'VE HAD POISON THAT TASTES
BETTER THAN THIS STUFF.
531
00:34:08,930 --> 00:34:10,908
WHY DON'T YOU ORDER
ANOTHER BOTTLE?
532
00:34:10,932 --> 00:34:14,233
DON'T YOU EVER HAVE ANYTHING
NICE TO SAY ABOUT ANYTHING?
533
00:34:14,302 --> 00:34:17,570
- WHY SHOULD I?
- THAT'S A GREAT ATTITUDE.
534
00:34:17,639 --> 00:34:19,873
HOW CAN YOU GO THROUGH
LIFE WITH AN OUTLOOK LIKE THAT?
535
00:34:19,941 --> 00:34:21,786
HEY, SPARE ME THE
LECTURE, WILL YA, BLONDIE?
536
00:34:21,810 --> 00:34:24,210
I DON'T HAVE TO APOLOGIZE
TO ANYBODY FOR WHO I AM.
537
00:34:24,279 --> 00:34:26,441
I HAD TO FIGHT AND SCRATCH
FOR EVERYTHING I GOT!
538
00:34:26,465 --> 00:34:28,576
I WASN'T BORN WITH A
SILVER SPOON IN MY MOUTH!
539
00:34:28,600 --> 00:34:31,301
IF YOU DON'T SHUT UP, YOU'RE GONNA
GET ONE SHOVED DOWN YOUR THROAT.
540
00:34:31,369 --> 00:34:33,220
♪♪
541
00:34:33,288 --> 00:34:35,399
I DON'T CARE WHAT
THOSE SLOBS THINK.
542
00:34:35,423 --> 00:34:38,207
SAY, BUDDY, WE'RE TRYIN'
TO LISTEN TO THE SHOW, HUH?
543
00:34:38,276 --> 00:34:42,878
- SO WHAT'S STOPPING YOU?
- YOUR MOUTH. IT DOESN'T SEEM
TO WANNA STAY SHUT.
544
00:34:42,947 --> 00:34:45,693
HEY, BEER BELLY, WHAT ARE YOU
GONNA DO ABOUT IT? COOL IT, LOU.
545
00:34:45,717 --> 00:34:48,229
I DON'T HAVE TO TAKE THAT
FLAK FROM THAT GORILLA.
546
00:34:48,253 --> 00:34:48,651
- LOU!
547
00:34:48,720 --> 00:34:50,670
WOULD YOU LIKE TO STEP OUTSIDE?
548
00:34:50,739 --> 00:34:52,579
I THOUGHT YOU WANTED
TO WATCH THE SHOW. WHAT'S
549
00:34:52,603 --> 00:34:54,223
THE MATTER? CAN'T
YOU MAKE UP YOUR MIND?
550
00:34:54,292 --> 00:34:56,226
OH, THAT DID IT.
551
00:34:56,294 --> 00:34:59,278
HEY, NOW WAIT A MINUTE, GUYS.
LET'S JUST TALK ABOUT THIS.
552
00:34:59,347 --> 00:35:02,499
GET OUT OF MY WAY! GET HIM!
553
00:35:04,636 --> 00:35:07,938
I THOUGHT YOU WANTED
TO WATCH THE SHOW!
554
00:35:09,808 --> 00:35:11,808
YOU GOT A LOT OF NERVE, YOU BUM!
555
00:35:11,877 --> 00:35:15,612
YEAH, YOU SHOULD TALK. EVERY TIME
YOU WALK INTO A ROOM, A FIGHT STARTS.
556
00:35:15,681 --> 00:35:19,382
ARE YOU BLAMING ME FOR THAT?
OH, NO, NO. THAT WAS MY FAULT.
557
00:35:19,451 --> 00:35:22,352
WELL, HOW DID I KNOW THE GUY
WAS SENSITIVE ABOUT HIS WEIGHT?
558
00:35:22,420 --> 00:35:26,623
THIS IS GREAT. WE CAN'T GET BACK INTO THE
CASINO NOW, AND GOD KNOWS WHERE COLT IS.
559
00:35:26,692 --> 00:35:29,559
AND SOMEWHERE THERE'S A GANG OF
HOODS OUT HERE WHO WANNA KILL YOU.
560
00:35:29,628 --> 00:35:32,306
I'M BEGINNING TO THINK THEY'VE
GOT THE RIGHT IDEA. LOOK OUT!
561
00:35:32,330 --> 00:35:34,263
GIVE YOU A LIFT?
562
00:35:34,332 --> 00:35:38,118
THAT'S OKAY. WE'LL WALK. I THINK
YOU'LL BE MUCH SAFER INSIDE THE CAR.
563
00:35:38,186 --> 00:35:42,805
MOVE. SOMEONE REAL
IMPORTANT WANTS TO SEE YOU.
564
00:35:45,610 --> 00:35:47,610
AFTER YOU, GORGEOUS.
565
00:35:50,549 --> 00:35:52,849
I SUPPOSE YOU BLAME
ME FOR THIS TOO.
566
00:35:57,573 --> 00:35:59,806
OH, MY GOODNESS.
567
00:35:59,875 --> 00:36:03,810
I'LL SAY ONE THING FOR
MR. ALEXIS. HIS MEN ARE THOROUGH.
568
00:36:06,347 --> 00:36:09,248
IF THAT BOOK WAS HERE,
I'M SURE THEY FOUND IT.
569
00:36:09,317 --> 00:36:11,341
ON THE OTHER HAND, I
GOT NO REASON TO BELIEVE
570
00:36:11,365 --> 00:36:13,185
IT WAS EVER ACTUALLY
HERE TO BEGIN WITH.
571
00:36:13,254 --> 00:36:15,521
YOU THINK LOUIS LIED TO YOU?
572
00:36:15,590 --> 00:36:18,058
YEAH, I WOULDN'T
PUT IT PAST HIM.
573
00:36:18,126 --> 00:36:21,895
OH, COLT, I'M SORRY YOU HAD TO
GET MIXED UP IN LOUIS'S PROBLEMS.
574
00:36:21,964 --> 00:36:24,525
YOU DON'T DESERVE THIS.
YEAH, WELL, YOU DON'T EITHER.
575
00:36:24,549 --> 00:36:27,311
HOW IN THE WORLD DID YOU GET
INVOLVED WITH HIM TO BEGIN WITH?
576
00:36:27,335 --> 00:36:31,203
I DON'T KNOW. MOTHER USED TO
SAY I HAD THE GIFT OF AFFECTION,
577
00:36:31,273 --> 00:36:33,973
THAT I NEVER MET
A MAN I DIDN'T LIKE.
578
00:36:34,041 --> 00:36:38,327
EVEN LOUIS. OH, I KNOW HE'S
RUDE AND INSULTS EVERYBODY,
579
00:36:38,396 --> 00:36:42,381
BUT UNDERNEATH THAT AWFUL
EXTERIOR, I'M SURE THERE'S SOME GOOD.
580
00:36:42,450 --> 00:36:44,384
AT LEAST I THINK THERE IS.
581
00:36:44,453 --> 00:36:48,187
YEAH, WELL, I THINK HE AND I
HAD BETTER HAVE ANOTHER TALK.
582
00:36:51,643 --> 00:36:53,944
UH, THE NUMBER OF THE
GOLDEN HORSESHOE, PLEASE.
583
00:36:54,012 --> 00:36:56,929
YES, I'M WELL AWARE OF
WHO YOUR FRIENDS ARE,
584
00:36:56,998 --> 00:36:59,732
AND IF THEY EVER TRY TO
SET FOOT IN THIS CASINO,
585
00:36:59,801 --> 00:37:01,851
THEY'LL BE MAKING
A SERIOUS MISTAKE.
586
00:37:01,919 --> 00:37:04,721
DO YOU HAVE ANY IDEA
WHERE I CAN FIND THEM?
587
00:37:04,789 --> 00:37:06,829
AFTER THEY STARTED THE
BRAWL, THERE WAS PANDEMONIUM.
588
00:37:06,858 --> 00:37:08,791
THEY COULD BE ANYWHERE,
589
00:37:08,860 --> 00:37:11,694
BUT IT'S MY FONDEST HOPE
THAT YOU FIND THEM IN JAIL.
590
00:37:12,764 --> 00:37:14,964
WHAT'D HE SAY?
591
00:37:15,033 --> 00:37:18,079
UH, LOU STARTED A FIGHT. THEY
GOT THROWN OUT OF THE CASINO.
592
00:37:18,103 --> 00:37:20,147
WHICH MEANS THEY LOST
WHATEVER PROTECTION THEY HAD.
593
00:37:20,171 --> 00:37:22,105
IT ALSO MEANS
THEY'RE IN BIG TROUBLE.
594
00:37:22,173 --> 00:37:25,391
WARREN ALEXIS IS NOT A
MAN WHO ACCEPTS FAILURE.
595
00:37:25,460 --> 00:37:27,739
THAT'S WHY YOU GOTTA
HELP ME GET TO HIM.
596
00:37:27,763 --> 00:37:30,763
COLT, I'M SUPPOSED TO BE
HIS PERSONAL SECRETARY.
597
00:37:30,832 --> 00:37:34,884
IF HE FINDS OUT I'M HOOKED UP
WITH LOUIS, IT'S GOOD NIGHT, CRYSTAL.
598
00:37:34,953 --> 00:37:38,433
BUT IF YOU DON'T, IT'S GOOD
NIGHT FOR EVERYBODY ELSE.
599
00:37:43,895 --> 00:37:47,130
HI, SCOTTY. HELLO,
MR. CONNOR. GO RIGHT ON IN.
600
00:37:53,455 --> 00:37:56,005
♪♪
601
00:38:07,919 --> 00:38:12,138
I'M ONLY GOING TO ASK
YOU ONE MORE TIME.
602
00:38:12,207 --> 00:38:14,974
WHERE'S THAT NOTEBOOK?
WHAT DO YOU CARE?
603
00:38:15,043 --> 00:38:17,977
IT WON'T DO YOU ANY GOOD WHEN
YOU DON'T KNOW HOW TO READ.
604
00:38:18,046 --> 00:38:20,212
HEY! CAN'T YOU TAKE A JOKE?
605
00:38:20,281 --> 00:38:22,682
THE TIME FOR HUMOR IS
LONG GONE, CARNESCO.
606
00:38:25,620 --> 00:38:29,539
PERHAPS YOUR FRIEND MR. SEAVERS CAN GIVE
ME AN ANSWER. COLT DOESN'T KNOW ANYTHING.
607
00:38:29,608 --> 00:38:32,092
MAYBE NOT.
608
00:38:32,160 --> 00:38:37,030
OR HE NEVER COULD HAVE GOTTEN INVOLVED
WITH SUCH A LOW FORM OF HUMAN LIFE.
609
00:38:37,099 --> 00:38:39,399
WE'LL CONTINUE THIS
AFTER MY GUESTS ARE GONE.
610
00:38:39,468 --> 00:38:41,600
- I DON'T WANT
TO MISS THE PARTY.
- YES, SIR.
611
00:38:47,241 --> 00:38:49,976
- LOU...
- HEY.
612
00:38:52,163 --> 00:38:54,163
IT'S NO PROBLEM.
613
00:38:58,787 --> 00:39:01,588
JUST IN CASE I DON'T GET A
CHANCE TO TELL YOU LATER,
614
00:39:01,656 --> 00:39:05,024
I JUST WANT YOU TO KNOW THAT
YOU'RE THE BIGGEST JERK I'VE EVER MET.
615
00:39:05,093 --> 00:39:07,237
COME ON, HOWIE. NOW
DON'T TRY AND DEFEND HIM!
616
00:39:07,261 --> 00:39:09,495
YOU DON'T KNOW HALF OF WHAT
THIS IDIOT'S PUT US THROUGH.
617
00:39:09,564 --> 00:39:12,242
COLT'S OUT THERE SOMEWHERE, AND HE'S
NOT GONNA LET ANYTHING HAPPEN TO US.
618
00:39:12,266 --> 00:39:14,984
- 2-TO-1 YOU'RE WRONG.
- YOU GOT A BET.
619
00:39:15,053 --> 00:39:17,920
I'LL TAKE A PIECE
OF THAT ACTION.
620
00:39:21,559 --> 00:39:23,493
MISS CRYSTAL.
621
00:39:50,005 --> 00:39:52,872
I MUST SAY, YOU CERTAINLY PULLED
ONE OUT OF THE FIRE LAST WEEK.
622
00:39:52,940 --> 00:39:54,918
THANKS, MR. ALEXIS.
623
00:39:54,942 --> 00:39:58,077
ONLY NEXT TIME TRY TO GIVE
US A LITTLE BREATHING ROOM.
624
00:39:58,146 --> 00:40:01,481
I DON'T THINK I CAN HANDLE ANOTHER
ONE OF THOSE, UH, CARDIAC FINISHES.
625
00:40:01,549 --> 00:40:04,817
I'M GETTING TOO OLD FOR
THAT KIND OF SUSPENSE.
626
00:40:04,886 --> 00:40:09,122
SO ENJOY YOURSELF, FELLAS. THERE'S
PLENTY OF FOOD AND... OTHER GOODIES.
627
00:40:09,190 --> 00:40:11,190
SO DON'T BE SHY, EH?
628
00:40:14,629 --> 00:40:16,562
HI, LADIES.
629
00:40:16,631 --> 00:40:18,564
HELLO. HI, GUYS.
630
00:40:18,633 --> 00:40:21,951
CRYSTAL, WHERE HAVE
YOU BEEN ALL DAY?
631
00:40:22,020 --> 00:40:25,020
I'VE BEEN LOOKING EVERYWHERE
FOR YOU. OH, WARREN.
632
00:40:57,638 --> 00:41:00,923
MR. ALEXIS, MAY I TALK TO YOU?
633
00:41:00,992 --> 00:41:03,892
PRIVATELY?
634
00:41:03,961 --> 00:41:06,362
EXCUSE ME. COME.
635
00:41:08,566 --> 00:41:11,884
WHAT IS IT? YOU KNOW THAT CAR
WE WERE CHASING LAST NIGHT?
636
00:41:11,953 --> 00:41:14,504
I CHECKED OUT THE TAGS. SO?
637
00:41:14,572 --> 00:41:17,122
IT'S OWNER IS A SHOWGIRL
NAMED BRANDY HOLMES.
638
00:41:17,191 --> 00:41:19,169
SHE WAS VERY UPSET
ABOUT IT BEING SMASHED,
639
00:41:19,193 --> 00:41:22,233
BUT SHE SAID ALL SHE HAD
DONE WAS LOAN IT TO A FRIEND.
640
00:41:23,047 --> 00:41:25,348
WHAT FRIEND?
641
00:41:27,185 --> 00:41:29,118
CRYSTAL.
642
00:41:29,187 --> 00:41:31,938
I'M SORRY, MR. ALEXIS. COME.
643
00:41:34,059 --> 00:41:36,019
WARREN, YOU'RE HURTING ME!
644
00:41:36,044 --> 00:41:38,160
I INTENDED TO. COME WITH ME.
645
00:41:49,207 --> 00:41:51,123
COME ON.
646
00:41:54,763 --> 00:41:56,741
WAIT A MINUTE!
WHAT ARE YOU DOING?
647
00:41:56,765 --> 00:41:59,377
CRYSTAL, WHAT HAPPENED? WHAT ARE
YOU DOING HERE? LOU, PLEASE SHUT UP!
648
00:41:59,401 --> 00:42:01,934
WHAT DO YOU MEAN,
SHUT UP? IF YOU HURT HER...
649
00:42:02,003 --> 00:42:06,172
NOT YET, CARNESCO. BUT I WILL
IF YOU DON'T GET THAT BOOK.
650
00:42:06,241 --> 00:42:08,674
IT WOULD BE A SHAME
TO DAMAGE SUCH GOODS.
651
00:42:08,743 --> 00:42:11,194
BUT THEN, THEY'RE
EASY TO REPLACE.
652
00:42:11,262 --> 00:42:14,030
IN SPITE OF HER
EXPENSIVE TRAPPINGS,
653
00:42:14,099 --> 00:42:17,317
CRYSTAL IS REALLY VERY CHEAP.
654
00:42:17,385 --> 00:42:20,069
FOR GOD SAKES, LOU, WILL YOU
TELL HIM WHAT HE WANTS TO KNOW?
655
00:42:20,137 --> 00:42:23,089
ALEXIS, YOU DINGBAT,
LISTEN TO ME.
656
00:42:23,157 --> 00:42:25,541
THERE'S NO BOOK. NEVER WAS.
657
00:42:25,609 --> 00:42:27,593
I WAS JUST KIDDING AROUND.
658
00:42:27,662 --> 00:42:29,895
WHAT ARE YOU TALKING ABOUT?
659
00:42:29,964 --> 00:42:32,265
IT WAS ALL A CON,
A HUSTLE, I SWEAR.
660
00:42:32,334 --> 00:42:34,834
I COULDN'T PIN ANYTHING
LIKE THAT ON A GUY LIKE YOU.
661
00:42:34,902 --> 00:42:37,186
I WAS DESPERATE.
662
00:42:37,255 --> 00:42:40,656
LOOK, YOU WANNA BREAK
BOTH MY LEGS? HERE THEY ARE.
663
00:42:40,725 --> 00:42:42,958
YOU WANNA KILL ME, FINE.
664
00:42:43,027 --> 00:42:46,895
BUT CRYSTAL JUST
WASN'T IN THIS THING.
665
00:42:46,964 --> 00:42:48,881
PLEASE LET HER GO.
666
00:42:50,701 --> 00:42:53,930
I'M SORRY, LOU. THIS TIME YOUR
MOUTH WENT A LITTLE TOO FAR.
667
00:42:53,954 --> 00:42:58,140
- WELL, WHAT ABOUT US?
- YEAH. I DON'T EVEN KNOW
WHAT'S GOIN' ON.
668
00:42:58,209 --> 00:43:00,193
WELL, MY DEAR,
669
00:43:00,261 --> 00:43:03,262
THIS JUST ISN'T YOUR LUCKY DAY.
670
00:43:03,331 --> 00:43:06,199
YOU SEE, I MUST
TAKE PRECAUTIONS.
671
00:43:07,535 --> 00:43:09,768
TAKE 'EM OUT THE BACK
WAY INTO THE DESERT...
672
00:43:09,837 --> 00:43:12,605
AND MAKE SURE THEY
NEVER COME BACK.
673
00:43:12,674 --> 00:43:15,074
WHAT'S THAT?
674
00:43:15,143 --> 00:43:17,209
YOU OWE ME THAT BET, BLONDIE.
675
00:43:18,296 --> 00:43:20,336
GET IN!
676
00:43:27,972 --> 00:43:31,591
DON'T LET THEM GET
AWAY! MOVE! GET GOING!
677
00:43:40,535 --> 00:43:43,102
COME ON! GET GOING!
678
00:43:43,171 --> 00:43:45,187
GO!
679
00:43:53,814 --> 00:43:56,181
NOTHING SERIOUS.
JUST A LITTLE PRANK.
680
00:43:56,250 --> 00:43:58,267
GO BACK AND ENJOY YOURSELF.
681
00:44:02,007 --> 00:44:04,207
COLT, YOU DID IT! YOU SPRUNG US!
682
00:44:06,911 --> 00:44:08,894
WE'RE NOT SPRUNG YET.
683
00:44:10,498 --> 00:44:13,799
TAKE A RIGHT AT THIS STREET. IT'LL
LEAD YOU RIGHT TO THE HIGHWAY.
684
00:44:50,438 --> 00:44:52,958
WHAT'S THE MATTER, FALL GUY?
DON'T YOU LIKE REGULAR ROADS?
685
00:45:50,698 --> 00:45:54,766
OH. I HOPE YOU'RE NOT AS
CRAZY AS I THINK YOU ARE.
686
00:45:54,835 --> 00:45:59,372
FASTEN YOUR SEAT BELTS. FALL GUY
FLYIN' CIRCUS IS ABOUT TO TAKE TO THE AIR.
687
00:46:04,795 --> 00:46:07,163
OH, MY GOD.
688
00:46:16,824 --> 00:46:19,175
PRETTY SLICK DRIVIN', COLT.
689
00:46:19,243 --> 00:46:22,428
THAT'S THE GREATEST
JUMP I'VE EVER SEEN!
690
00:46:22,496 --> 00:46:25,914
I ALWAYS LIKED TRAINS. THEY SAY
IT'S THE SAFEST WAY TO TRAVEL.
691
00:46:28,069 --> 00:46:30,085
♪ WE HEAD OUT FOR
THE WIDE OPEN SPACES ♪
692
00:46:32,156 --> 00:46:36,726
♪ UNSPOILED BY THE
PASSAGE OF TIME ♪
693
00:46:36,794 --> 00:46:42,765
♪ SO LET'S HEAD FOR
THE WIDE OPEN SPACES ♪♪
694
00:46:52,893 --> 00:46:55,978
BYE, COLT. GOOD-BYE, CRYSTAL.
695
00:46:56,047 --> 00:46:58,247
WHAT ARE YOU
TALKIN', PLEA BARGAIN?
696
00:46:58,316 --> 00:47:01,801
I WANT A HANGING JUDGE. CAN'T
I GET A LITTLE JUSTICE HERE?
697
00:47:01,869 --> 00:47:05,504
COLT, WILL YOU TALK TO HIM? I'M
TRYING TO GET HIM A DEFENDER.
698
00:47:05,573 --> 00:47:08,574
THERE IS NO REASON HE SHOULD
SPEND THE REST OF HIS LIFE IN JAIL.
699
00:47:08,643 --> 00:47:11,088
I CAN THINK OF ONE
OR TWO. YEAH, SO CAN I.
700
00:47:11,112 --> 00:47:14,847
LIKE A CERTAIN MOBSTER WITH
A MEMORY THAT WON'T QUIT.
701
00:47:14,916 --> 00:47:17,649
CAN'T YOU FIX IT SO THEY
THROW THE BOOK AT ME?
702
00:47:17,718 --> 00:47:20,719
THAT'S NOT THE WAY THE
JUSTICE SYSTEM WORKS.
703
00:47:20,788 --> 00:47:23,021
LOOK, ALL I WANNA DO IS
PAY MY DEBT TO SOCIETY.
704
00:47:23,090 --> 00:47:26,642
- CAN'T A GUY DO THAT ANYMORE?
- YES, BUT IT'S NOT THAT EASY.
705
00:47:26,710 --> 00:47:31,497
LOU, IF IT MEANS THAT MUCH TO
YOU, I'LL TALK TO THE JUDGE MYSELF.
706
00:47:31,566 --> 00:47:33,749
YOU KNOW, SEAVERS,
YOU'RE NOT SUCH A BAD GUY.
707
00:47:33,817 --> 00:47:36,713
WELL, LET'S GRAB A BEER, AND YOU
CAN JUST TELL ME WHAT YOU WANT.
708
00:47:36,737 --> 00:47:40,038
YOU KNOW, UH, FEDERAL PEN, MAXIMUM
SECURITY, OR HOW ABOUT A NICE CHAIN GANG?
709
00:47:40,107 --> 00:47:42,941
THAT'S ALWAYS FUN. OH, YOU'RE
A LOT OF LAUGHS, SEAVERS.
710
00:47:43,010 --> 00:47:45,844
THAT'S WHAT THEY TELL ME,
LOU. THAT'S WHAT THEY TELL ME.
61201
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