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Ok, welcome again.
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We are here to talk about
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show what you want to show
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specifically because
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here we have our illustration.
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Already
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little bit done.
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And I want to ask you
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what are the things to do first,
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things you are
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seeing in this picture.
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What are the things that
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all the objects
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are sent
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to your
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eyes to watch.
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The first thing you will be seeing and
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the attention you will have is to the face
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because everything
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in this picture is going to the face.
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As you can see,
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curve is going to the face.
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Here
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Subtitled by
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We compress knowledge for you!
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helps with make this good
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this way so
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you have like
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this line as
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perimeter of
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all the lines. Also this
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takes you this.
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So all the lines of this illustration
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sends to,
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send your eyes to her head
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because
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I want you to have attention of
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in her face.
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So
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this is systematic of this point.
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I will turn off all this.
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So
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you will have some
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different compositions everytime
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we are working with
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different characters and different poses.
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And it depends also in your intention
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in the illustration
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in what you want to show.
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But the first thing I will recommend you
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in this case is
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think about what you want to show at first.
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If you want the character face
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to be looking at it. So
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every element
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in the illustration will
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help your eyes to go
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to the face of the character.
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Okay.
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For example, something like this.
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And like this. And it's
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a bit more exaggerated.
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But here we have this arm here.
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And if you have the hair
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going something like this,
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make the head a little bit more small.
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So here you have the, the hair
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for example, with the arms finished
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in the face. And we have like
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a box here that
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all the attention,
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the body also is going up.
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This,
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the hair is
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also
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going into some way as the body. But
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going to the
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face.
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We can intensify that with
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more hair if we want
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that also ends like this.
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So you are intensifying the face
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in that case. And
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the body,
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the arms, the legs
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and the different elements can help you
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to make
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your eyes go to the
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things you want to show.
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For example, if I want you to
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see this wall
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and make
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the person secondary.
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I can do it with
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for example,
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a bright.
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It's important
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to call the attention.
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We need like
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maybe this person don't have long hair but
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maybe have a cave
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that finish
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close to this wall.
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We can like this line,
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something like this.
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And we want
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some curves also to help.
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And attention to
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this wall.
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So in this composition, we have this.
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So we are
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putting the attention.
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I can make it a bit more open I think.
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That will be better.
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When you have the attention to this,
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have the cave that
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ends here.
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So he is doing something like this.
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The clothes also are helping,
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okay?
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And the bright also calls attention for the
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line here and the line here.
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So make it like a point.
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Okay?
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So
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you need to think about
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not only the body
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when you are trying to give
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the attention of something
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more specific than other thing that they
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face for example.
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But it's important to manage
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and know what curves
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and what is
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the position of the body to play with
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the different elements.
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Right?
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And play with in,
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in different curves.
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So
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you can call the attention
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really easy
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with the help
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not only of the body but also
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of the elements.
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With that, also it's important,
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but also it's important to know what
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curves you have in your figure.
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And know also the area you are
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working on because not
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same have the area.
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Like a movie
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that you have all this
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layer for work.
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Right? And maybe you have like
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a field.
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And you want attention here.
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Okay? Not is the same, something like that.
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Or you want attention in,
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in some composition that
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have more than one character
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for the angle
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which
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leaves the attention to
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this character.
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It goes also,
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you have this.
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This lines that
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and the perspective also helps.
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You can make also the character
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with something like this.
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And you will have the attention to
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this part.
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So you need to think
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not only the pose but also the movements
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and the lines of the pose to
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add elements. And play with
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them to help you to
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move the attention to the place you want.
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So coming back to
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our illustration
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it's the same here, as you can see,
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because, for example, the hand not is,
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this hand not is like
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trying to
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give us to the face but the length that
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this handmade here
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makes
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our vision limited
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to this area and this area.
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But you can think like
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if we have like what areas
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is so seperated,
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why this one not call more attention
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We compress knowledge for you!
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than this one?
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Especially because this one is more
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big. But
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it's because all the rest of elements is not
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only this line. This line is principal line.
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But the body
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gives you to the face.
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This hand
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limits
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again
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this part.
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So we are making the point of attention
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more small.
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This power also
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gives you to the face.
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The hair
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gives you to the face.
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Both hairs
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give you to the face.
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And in some way, the body also have like
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this curve
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here.
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It's like finishing in the head.
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So
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everything is gonna lead you
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to here.
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So when you are doing your poses and or
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when you are trying to use them to
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make an illustration, a specific
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illustration, try to play
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with the pose and the curves that makes.
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And the elements
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that intensify the pose for
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try to call attention of the eye.
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And try to see where
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drives you
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because
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it's really easy. It's something that
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will be taking a bit of time to get used
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to see it easy.
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But
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everytime you are finishing a piece,
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I will recommend you to put like small.
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And try to close your eyes and open again.
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And try to see where are
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the first thing your eyes are looking at.
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So the first thing that
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your eyes are looking at,
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it will be the element that have
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all the attention of
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the illustration. In my case,
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it's the face.
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So
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try to play with that elements because
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I will explain it how to
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get the attention to that.
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And I hope
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that little tips help you
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to understand how to get
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your eye to
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the points that you want.
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