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[ CHATTERING ]
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[ MOANING ]
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[ MOANING CONTINUES ]
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BE CAREFUL NO ONE SEES YOU.
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HAVE NO FEAR, MY LOVE.
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EVERYBODY'S GONE
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BUT THE CLEANING CREW.
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I'M STILL WORRIED ABOUT HIM.
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WE'LL BE LEAVING
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THIS PLACE TOMORROW.
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THEN YOU WON'T HAVE ANYTHING
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TO WORRY ABOUT
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EXCEPT FOR ME, OF COURSE.
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I LOVE YOU.
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[ WOMAN SINGING ]
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[ SINGING ]
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[ KNOCKING ]
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DID YOU FORGET SOMETHING?
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[ SINGING ]
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[ KNOCKING ON DOOR ]
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HELLO?
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[ KNOCKING ON DOOR ]
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WHO'S THERE?
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[ POUNDING ON DOOR ]
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OH, MY GOD!
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[ POUNDING ]
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[ OPERA MUSIC ON PHONE ]
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STOP THIS!
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[ SHOUTS ]
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[ SCREAMS ]
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DON'T!
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HELP!
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HELP ME!
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YOU THERE, FOR GOD'S SAKE!
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HELP ME!
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HELP! HELP!
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[ OPERA MUSIC PLAYS ]
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[ SCREAMING ]
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[ GASPS ]
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KATE, DID YOU HAVE ANOTHER
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ONE OF THOSE WEIRD DREAMS AGAIN?
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YOU SAW?
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YEAH.
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I THINK EVERYBODY DID.
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DO YOU REALLY THINK THIS
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IS A GOOD IDEA?
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YES.
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IF YOU'RE GOING TO GET
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OVER THIS PROBLEM,
50
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THEN YOU HAVE TO FACE IT.
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I NEVER EVEN KNEW MY MOTHER.
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I DIDN'T EVEN KNOW I WAS
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ADOPTED UNTIL SIX MONTHS AGO.
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I KNOW, AND LOOK AT YOU.
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YOU HAVEN'T HAD
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A GOOD NIGHT'S SLEEP SINCE.
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I GUESS YOU'RE RIGHT.
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BESIDES, THERE'LL BE
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LOTS OF CUTE BOYS THERE.
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[ GIGGLES ]
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[ BELL RINGS ]
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OKAY, OKAY, I'LL GO.
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GOOD, ALL RIGHT.
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WELL, THEN WE HAVE TO GO NOW
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'CAUSE WE HAVE TO BE THERE
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BY FOUR, SO COME ON.
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[ CHATTERING ]
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HI, YOU GUYS.
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HI.
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HEY, WHAT'S UP?
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SO? SHE CAME AFTER ALL.
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HI. YOU MUST BE KATE.
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I'M WALNUT.
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WALNUT WEBBER.
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WELL, MY REAL NAME'S CHERYL,
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BUT EVERYONE CALLS ME WALNUT.
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I'M THE STAGE MANAGER.
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HI.
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I THINK IT'S REALLY GREAT
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THAT YOU'VE COME HERE TO HELP US
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OUT, YOU NOW, ESPECIALLY
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CONSIDERING YOU'RE...
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I MEAN, CONSIDERING YOU'RE
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NOT EVEN PART
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OF OUR CLASS AND ALL.
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HI. MARTY TIMMERMAN.
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WELCOME TO THE CIRCUS.
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HI. I'M KATE.
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NICE TO MEET YOU.
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SO, HEY, WHO ELSE IS HERE?
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WELL, I SAW MISS GIBBY'S CAR
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AROUND THE CORNER
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AND IT LOOKS LIKE
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TAYLOR'S HERE, TOO.
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OH, GREAT.
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DID HE BRING THE PRINCESS?
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[ CHUCKLES ]
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WELL, LET'S JOIN THE PARTY.
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LOOK, HERE COMES TROUBLE.
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SEE YOU, JACKSON!
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[ WHISPERING VOICES ]
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WHAT'S UP, KATE,
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WHAT'S THE MATTER?
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I...I THOUGHT I SAW...
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WHAT?
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OH, NOTHING. I'M FINE.
107
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OKAY, COME ON THEN.
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LET'S GO.
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OH, WOW.
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THIS PLACE IS HUGE.
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WHAT TIME DOES
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THE MATINEE START?
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WHO'S THAT?
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THAT'S THE ONE
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I TOLD YOU ABOUT,
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THE ORPHAN OF THE OPERA.
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OKAY, LADIES, DOWN IN FRONT.
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DOWN HERE.
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OH, MR. REESE.
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HOW NICE OF YOU TO JOIN US.
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NOW IF YOU COULD PUT OUT THAT
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CIGARETTE AND COME ON DOWN,
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THAT'D BE VERY NICE.
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THANK YOU.
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OH, I'M SORRY, MISS GIBBY.
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COME ON, COME ON.
127
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COME ON, COME ON.
128
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YOU CAN COME A LITTLE FARTHER.
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I PROMISE WE WON'T BITE.
130
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THANK YOU, MISS GIBBY.
131
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WELL, NOW THAT I'VE GOT YOU
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ALL HERE, I WANT TO
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THANK YOU FOR VOLUNTEERING
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FOR THIS PROJECT.
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[ LAUGHS ]
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WHO VOLUNTEERED?
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I WAS DRAFTED.
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WELL, THAT MAY BE TRUE,
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MR. MARSHALL,
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BUT YOUR COACH AND I THOUGHT
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THAT EARNING A FEW CREDITS
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IN THIS CLASS MIGHT BE BETTER
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THAN TAKING YOU OFF
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THE FOOTBALL TEAM.
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DON'T YOU AGREE?
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AND BESIDES, YOU KNOW,
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YOUR DRAMATIC SKILLS
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COULD COME IN HANDY
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IF YOU HAVE TO ENDORSE
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ATHLETIC SHOES.
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[ LAUGHTER ]
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OR BREAKFAST CEREAL.
153
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ANYWAY, AS I WAS SAYING,
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I REALLY WANT TO THANK YOU
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ALL FOR GIVING UP PART
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OF YOUR CHRISTMAS VACATION
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TO HELP CLEAN UP THIS
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GRAND OLD THEATER.
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AS YOU KNOW, IT WAS DONATED
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TO THE CITY AND WE GOT A GRANT
161
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TO REOPEN IT AS THE NEW HOME
162
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OF OUR THEATER DEPARTMENT.
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[ APPLAUSE ]
164
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YES.
165
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NOW I KNOW A LOT OF YOU ARE
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ANXIOUS TO GET TO YOUR
167
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VARIOUS DEPARTMENTS...
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LIKE WARDROBE?
169
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WHY ARE YOU LOOKING AT ME?
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WELL, BECAUSE THERE'S ABOUT
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50 YEARS OF OLD COSTUMES
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DOWNSTAIRS AND I HAVE A FEELING
173
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THAT ONCE YOU GO DOWN THERE,
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WE'RE NOT GONNA BE HEARING
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FROM YOU AGAIN.
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[ GIGGLES ]
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00:11:32,491 --> 00:11:35,761
BUT, UNFORTUNATELY, WE HAVE
178
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TO CLEAN UP THE AUDITORIUM FIRST
179
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AND THAT MEANS EVERYBODY, MARTY.
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AND WASTE ALL
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THIS TALENT ON MENIAL LABOR?
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COME ON. IT'LL BE FUN.
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WELL, LUCKILY, YOU'VE
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GOT ENOUGH TIME TO GET STARTED
185
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BEFORE YOU GO HOME TODAY.
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NOW I WANT EVERYONE OF YOU
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BACK HERE AT
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9:00 SHARP TOMORROW MORNING.
189
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AND, ASHLEY?
190
00:11:57,183 --> 00:11:59,285
YOU MIGHT WANT TO WEAR
191
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SOMETHING A LITTLE LOOSER.
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[ SCREAM ]
193
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OH, SHIT!
194
00:12:07,059 --> 00:12:07,526
WHAT IS IT?
195
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I JUST SAW A RAT!
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OH, GROSS! A RAT?
197
00:12:09,328 --> 00:12:10,463
OH, MY GOD, WHERE?
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00:12:10,463 --> 00:12:11,363
DOWN THERE.
199
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IT RAN UNDER THE SEAT.
200
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OH, DON'T LET IT GET NEAR ME!
201
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CALM DOWN!
202
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MAYBE WE CAN CATCH IT.
203
00:12:18,104 --> 00:12:19,305
WHY ON EARTH WOULD YOU
204
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WANT TO DO THAT?
205
00:12:20,372 --> 00:12:21,974
SO I CAN FEED IT TO MY SNAKE.
206
00:12:21,974 --> 00:12:23,242
THAT'S DISGUSTING!
207
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YOU'RE SUCH A PSYCHO.
208
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I'D RATHER BE A PSYCHO
209
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THAN A PROM QUEEN.
210
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WELL, I'D VOTE FOR YOU.
211
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[ GIGGLES ]
212
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ALL RIGHT, ALL RIGHT!
213
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THIS IS AN OLD BUILDING.
214
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THERE ARE GONNA BE
215
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A LOT OF RATS IN IT.
216
00:12:36,322 --> 00:12:37,189
I'M SURE THE MINUTE
217
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YOU START TROMPING AROUND,
218
00:12:38,324 --> 00:12:40,025
THEY'RE ALL GONNA DISAPPEAR.
219
00:12:40,025 --> 00:12:42,361
[ CLATTERING ]
220
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JESUS CHRIST!
221
00:12:46,165 --> 00:12:47,233
BE CAREFUL, BE CAREFUL.
222
00:12:47,233 --> 00:12:51,437
THERE'S GLASS.
223
00:12:51,437 --> 00:12:53,205
THIS PLACE ISN'T SAFE.
224
00:12:53,205 --> 00:12:54,206
OH, CALM DOWN.
225
00:12:54,206 --> 00:12:55,941
IT WAS JUST A LOOSE FIXTURE,
226
00:12:55,941 --> 00:12:57,009
THAT'S ALL.
227
00:12:57,009 --> 00:12:57,476
THAT'S RIGHT.
228
00:12:57,476 --> 00:12:58,377
IT WAS JUST A FREAK ACCIDENT.
229
00:12:58,377 --> 00:12:59,311
BUT YOU'RE THE ONLY
230
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FREAK AROUND HERE.
231
00:13:00,546 --> 00:13:04,483
OH, THANK YOU VERY MUCH.
232
00:13:04,483 --> 00:13:07,086
AND WHERE ARE YOU GOING?
233
00:13:07,086 --> 00:13:08,454
OUT OF HERE.
234
00:13:08,454 --> 00:13:13,225
YOU CAN FLUNK ME IF YOU WANT TO.
235
00:13:13,225 --> 00:13:14,193
[ SCREAMS ]
236
00:13:14,193 --> 00:13:15,060
WHO THE HELL ARE YOU?
237
00:13:15,060 --> 00:13:16,295
GOD, IS EVERYONE ALL RIGHT?
238
00:13:16,295 --> 00:13:18,330
WE'RE JUST A BIT SHAKEN UP,
239
00:13:18,330 --> 00:13:19,365
THAT'S ALL.
240
00:13:19,365 --> 00:13:21,333
I'M HARLAN CARUTHERS.
241
00:13:21,333 --> 00:13:22,368
I'M THE OWNER OF THIS THEATER.
242
00:13:22,368 --> 00:13:24,436
AT LEAST I WAS.
243
00:13:24,436 --> 00:13:26,372
GOOD TO SEE YOU AGAIN,
244
00:13:26,372 --> 00:13:27,306
MR. CARUTHERS.
245
00:13:27,306 --> 00:13:29,441
PLEASE EXCUSE MY STUDENTS.
246
00:13:29,441 --> 00:13:31,510
WE JUST HAD A BIT OF A SCARE.
247
00:13:31,510 --> 00:13:32,478
YEAH.
248
00:13:32,478 --> 00:13:33,279
THAT ANTIQUE COULD HAVE
249
00:13:33,279 --> 00:13:34,213
KILLED ONE OF US.
250
00:13:34,213 --> 00:13:37,249
YES, OF COURSE.
251
00:13:37,249 --> 00:13:40,186
I'M VERY SORRY ABOUT ALL THIS.
252
00:13:40,186 --> 00:13:45,558
NOT MUCH OF A WELCOME, IS IT?
253
00:13:45,558 --> 00:13:46,458
THE OLD PLACE SEEMS
254
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TO BE FALLING APART.
255
00:13:50,129 --> 00:13:51,230
HASN'T YOUR FAMILY
256
00:13:51,230 --> 00:13:53,165
OWNED THIS THEATER FOR YEARS?
257
00:13:53,165 --> 00:13:53,966
OH, YES.
258
00:13:53,966 --> 00:13:55,501
MY UNCLE BUILT IT AROUND
259
00:13:55,501 --> 00:13:57,036
THE TURN OF THE CENTURY.
260
00:13:57,036 --> 00:13:59,071
I GREW UP LOVING IT.
261
00:13:59,071 --> 00:14:01,507
IT BECAME PART OF ME,
262
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PART OF MY SOUL, IN FACT.
263
00:14:03,609 --> 00:14:06,312
[ CHUCKLES ]
264
00:14:06,312 --> 00:14:09,148
CARUSO SANG HERE, YOU KNOW.
265
00:14:09,148 --> 00:14:13,285
McCORMICK,
266
00:14:13,285 --> 00:14:18,357
CHALIAPIN, MELBA.
267
00:14:18,357 --> 00:14:19,892
SO MANY MEMORIES,
268
00:14:19,892 --> 00:14:22,361
SO MANY GHOSTS.
269
00:14:26,131 --> 00:14:27,933
AND YOU REALLY INTEND TO REOPEN?
270
00:14:27,933 --> 00:14:30,469
WELL, YES, OF COURSE.
271
00:14:30,469 --> 00:14:31,203
[ CHUCKLES ]
272
00:14:31,203 --> 00:14:32,271
I THINK YOU'RE VERY BRAVE.
273
00:14:32,271 --> 00:14:34,039
OH, THAT TRAGEDY.
274
00:14:34,039 --> 00:14:35,307
THAT WAS YEARS AGO.
275
00:14:35,307 --> 00:14:37,209
WHAT DID YOU MEAN
276
00:14:37,209 --> 00:14:38,310
ABOUT BEING BRAVE?
277
00:14:38,310 --> 00:14:40,279
WELL, THERE HAVE BEEN
278
00:14:40,279 --> 00:14:43,015
A FEW ODD OCCURRENCES.
279
00:14:43,015 --> 00:14:43,549
YOU MEAN LIKE
280
00:14:43,549 --> 00:14:44,917
PARANORMAL OCCURRENCES?
281
00:14:44,917 --> 00:14:47,086
OH, BOY. HERE SHE GOES.
282
00:14:47,086 --> 00:14:48,554
I JUST WANNA KNOW
283
00:14:48,554 --> 00:14:50,155
IF THIS PLACE IS HAUNTED.
284
00:14:50,155 --> 00:14:50,789
WELL, HAVE YOU EVER HEARD OF
285
00:14:50,789 --> 00:14:52,124
AN OLD THEATER THAT ISN'T?
286
00:14:52,124 --> 00:14:53,292
[ GIGGLES ]
287
00:14:53,292 --> 00:14:54,293
OH, WE'RE VERY PROUD
288
00:14:54,293 --> 00:14:55,427
OF OUR GHOST.
289
00:14:55,427 --> 00:14:58,197
SHE'S CALLED LORRAINE,
290
00:14:58,197 --> 00:14:59,932
LORRAINE SEDGEWICK.
291
00:14:59,932 --> 00:15:02,935
HER SPIRIT STILL WALKS AMONG US.
292
00:15:09,275 --> 00:15:11,110
DID I SAY ANYTHING...
293
00:15:11,110 --> 00:15:14,546
THAT GIRL WAS HER DAUGHTER.
294
00:15:26,692 --> 00:15:29,228
KATE, I AM SO SORRY.
295
00:15:29,228 --> 00:15:30,429
THAT'S ALL RIGHT.
296
00:15:30,429 --> 00:15:31,697
IT'S NOT YOUR FAULT.
297
00:15:31,697 --> 00:15:33,098
YOU KNOW, WHEN YOU FIRST
298
00:15:33,098 --> 00:15:34,300
CAME TO ME, I WASN'T SURE
299
00:15:34,300 --> 00:15:35,367
IF YOU COULD HANDLE THIS.
300
00:15:35,367 --> 00:15:39,338
I'M NOT SURE MYSELF.
301
00:15:41,674 --> 00:15:43,409
[ SIGHS ]
302
00:15:43,409 --> 00:15:44,610
WELL, I WANNA KNOW THE STORY.
303
00:15:44,610 --> 00:15:45,444
YEAH. I WANNA KNOW, TOO.
304
00:15:45,444 --> 00:15:46,312
COME ON. WHAT HAPPENED?
305
00:15:46,312 --> 00:15:47,179
THAT'S SO UNNECESSARY.
306
00:15:47,179 --> 00:15:48,147
WHATEVER, MONICA.
307
00:15:48,147 --> 00:15:49,481
EVERYBODY KNOWS THE STORY.
308
00:15:49,481 --> 00:15:52,318
SOME OPERA SINGER WENT WHACKO
309
00:15:52,318 --> 00:15:53,752
AND KILLED HIS LEADING LADY.
310
00:15:53,752 --> 00:15:55,220
ISN'T THAT RIGHT?
311
00:15:55,220 --> 00:15:56,755
YES, THAT'S RIGHT.
312
00:15:56,755 --> 00:15:58,624
HIS NAME WAS LORENZO ORSINI,
313
00:15:58,624 --> 00:16:00,259
THE BRILLIANT YOUNG TENOR
314
00:16:00,259 --> 00:16:02,094
WITH A PROMISE OF A REMARKABLE
315
00:16:02,094 --> 00:16:03,128
CAREER AHEAD OF HIM.
316
00:16:03,128 --> 00:16:04,430
SO WHAT HAPPENED?
317
00:16:04,430 --> 00:16:07,066
WELL, IT WAS MANY YEARS AGO.
318
00:16:07,066 --> 00:16:08,334
IT HAPPENED RIGHT HERE
319
00:16:08,334 --> 00:16:09,668
IN THIS THEATER.
320
00:16:09,668 --> 00:16:11,770
THE OPERA WAS "PAGLIACCI".
321
00:16:11,770 --> 00:16:13,372
ORSINI WAS SINGING THE ROLE
322
00:16:13,372 --> 00:16:14,440
OF CARNIO AND
323
00:16:14,440 --> 00:16:16,342
QUITE MAGNIFICENTLY.
324
00:16:16,342 --> 00:16:18,310
HIS LEADING LADY WAS A RISING
325
00:16:18,310 --> 00:16:20,212
YOUNG OPERA STAR CALLED
326
00:16:20,212 --> 00:16:21,246
LORRAINE SEDGEWICK.
327
00:16:21,246 --> 00:16:22,381
SHE WAS VERY BEAUTIFUL.
328
00:16:22,381 --> 00:16:24,249
HE WAS PASSIONATE ABOUT HER,
329
00:16:24,249 --> 00:16:25,351
BUT SHE WOULD HAVE NOTHING
330
00:16:25,351 --> 00:16:26,652
TO DO WITH HIM.
331
00:16:26,652 --> 00:16:29,221
HOWEVER, ORSINI PERSISTED.
332
00:16:29,221 --> 00:16:30,756
HE WAS OBSESSED.
333
00:16:30,756 --> 00:16:31,657
HE WOULDN'T TAKE NO
334
00:16:31,657 --> 00:16:34,593
FOR AN ANSWER.
335
00:16:34,593 --> 00:16:35,761
THEN ONE NIGHT,
336
00:16:35,761 --> 00:16:39,665
HE FOUND HER WITH ANOTHER MAN.
337
00:16:39,665 --> 00:16:44,403
IT BROKE HIM COMPLETELY.
338
00:16:44,403 --> 00:16:47,539
SO WHEN THE CURTAIN CAME DOWN
339
00:16:47,539 --> 00:16:49,041
ON THE FINAL PERFORMANCE,
340
00:16:49,041 --> 00:16:53,245
HE WAITED FOR LORRAINE TO BE
341
00:16:53,245 --> 00:16:55,080
ALONE IN HER DRESSING ROOM.
342
00:16:55,080 --> 00:16:56,215
STILL WEARING HIS
343
00:16:56,215 --> 00:16:58,484
"PAGLIACCI" COSTUME,
344
00:16:58,484 --> 00:17:00,786
HE BURST IN AND
345
00:17:00,786 --> 00:17:02,388
STABBED HER TO DEATH.
346
00:17:02,388 --> 00:17:05,290
THE CLEANING STAFF SAW HIM LEAVE
347
00:17:05,290 --> 00:17:06,325
THE THEATER COVERED IN BLOOD.
348
00:17:06,325 --> 00:17:07,292
MINUTES LATER,
349
00:17:07,292 --> 00:17:08,327
THE POLICE ARRIVED,
350
00:17:08,327 --> 00:17:09,461
BUT IT WAS TOO LATE.
351
00:17:09,461 --> 00:17:10,763
HE WAS GONE.
352
00:17:10,763 --> 00:17:11,797
DID THEY EVER FIND HIM?
353
00:17:11,797 --> 00:17:12,598
NO.
354
00:17:12,598 --> 00:17:14,333
SO WHERE DID HE GO?
355
00:17:14,333 --> 00:17:15,267
WELL, IT WAS ASSUMED
356
00:17:15,267 --> 00:17:16,268
HE FLED THE COUNTRY
357
00:17:16,268 --> 00:17:17,302
AND WENT BACK TO EUROPE.
358
00:17:17,302 --> 00:17:21,306
SO HE COULD STILL BE ALIVE.
359
00:17:21,306 --> 00:17:22,341
YEAH, PERHAPS.
360
00:17:22,341 --> 00:17:24,343
I DOUBT IT VERY MUCH.
361
00:17:24,343 --> 00:17:27,379
IT WAS SO LONG AGO.
362
00:17:27,379 --> 00:17:28,347
YOU KNOW, THIS IS
363
00:17:28,347 --> 00:17:28,814
THE FIRST THEATER
364
00:17:28,814 --> 00:17:29,715
I EVER WENT TO.
365
00:17:29,715 --> 00:17:31,116
REALLY?
366
00:17:31,116 --> 00:17:31,850
YEAH.
367
00:17:31,850 --> 00:17:33,452
WHAT WAS IT LIKE?
368
00:17:33,452 --> 00:17:35,387
OH, IT WAS MAGICAL.
369
00:17:35,387 --> 00:17:37,256
IT WAS BETTER THAN THE MOVIES.
370
00:17:37,256 --> 00:17:38,290
YOU KNOW, THERE WAS
371
00:17:38,290 --> 00:17:40,259
AN IMMEDIACY TO IT.
372
00:17:40,259 --> 00:17:41,560
I WAS HOOKED FROM
373
00:17:41,560 --> 00:17:44,263
THE FIRST SHOW.
374
00:17:44,263 --> 00:17:45,230
WHEN WAS THE LAST TIME
375
00:17:45,230 --> 00:17:46,365
YOU WERE HERE?
376
00:17:46,365 --> 00:17:50,402
IT WAS...
377
00:17:50,402 --> 00:17:52,271
IT WAS THE LAST PERFORMANCE
378
00:17:52,271 --> 00:17:55,340
OF "PAGLIACCI".
379
00:17:55,340 --> 00:17:57,242
YOU MEAN...
380
00:17:57,242 --> 00:17:58,777
MISS GIBBY?
381
00:17:58,777 --> 00:18:00,646
MR. CARUTHERS?
382
00:18:00,646 --> 00:18:03,382
HERE ARE THE REST OF THE KEYS
383
00:18:03,382 --> 00:18:05,784
AND IF THERE'S ANYTHING
384
00:18:05,784 --> 00:18:07,352
YOU NEED, PLEASE ASK.
385
00:18:07,352 --> 00:18:08,487
THANK YOU VERY MUCH.
386
00:18:08,487 --> 00:18:11,323
I THINK WE'LL BE JUST FINE HERE.
387
00:18:11,323 --> 00:18:12,624
OH, MISS SEDGEWICK.
388
00:18:12,624 --> 00:18:13,625
OH, ACTUALLY,
389
00:18:13,625 --> 00:18:14,893
IT'S KATE WILLIAMS.
390
00:18:14,893 --> 00:18:16,762
MISS WILLIAMS, I HOPE
391
00:18:16,762 --> 00:18:17,796
I DIDN'T UPSET YOU.
392
00:18:17,796 --> 00:18:21,266
TAKE CARE.
393
00:18:21,266 --> 00:18:23,368
THANK YOU.
394
00:18:42,521 --> 00:18:44,890
NOW LISTEN CAREFULLY.
395
00:18:44,890 --> 00:18:47,292
SOMETHING I WANT YOU TO KNOW.
396
00:18:47,292 --> 00:18:48,427
THERE ARE PEOPLE IN THE THEATER.
397
00:18:48,427 --> 00:18:52,197
JUST KIDS, NICE KIDS,
398
00:18:52,197 --> 00:18:53,899
YOUNG, HARMLESS.
399
00:18:53,899 --> 00:18:56,301
NOTHING TO WORRY ABOUT.
400
00:18:56,301 --> 00:18:59,338
YOU JUST STAY OUT OF SIGHT
401
00:18:59,338 --> 00:19:04,309
UNTIL THEY'RE GONE, ALL RIGHT?
402
00:19:04,309 --> 00:19:07,212
I'LL TAKE CARE OF EVERYTHING.
403
00:19:11,283 --> 00:19:14,186
JUST AS I'VE ALWAYS DONE.
404
00:19:23,395 --> 00:19:24,663
I DON'T SEE A LOT
405
00:19:24,663 --> 00:19:26,231
OF WORK GOING ON.
406
00:19:26,231 --> 00:19:27,599
OKAY, I'VE GOTTA GO BUY SOME
407
00:19:27,599 --> 00:19:28,667
CLEANING SUPPLIES,
408
00:19:28,667 --> 00:19:29,935
SO I WON'T BE BACK TONIGHT.
409
00:19:29,935 --> 00:19:31,703
SO, MR. HUNKY BUNS,
410
00:19:31,703 --> 00:19:33,338
YOU CAN LOCK UP WITH THESE.
411
00:19:33,338 --> 00:19:35,240
WHY ME?
412
00:19:35,240 --> 00:19:36,408
I KNOW YOU'D RATHER BE
413
00:19:36,408 --> 00:19:37,209
ON A FILM SET,
414
00:19:37,209 --> 00:19:38,410
BUT YOU ARE A PART
415
00:19:38,410 --> 00:19:40,312
OF THIS THEATER GROUP.
416
00:19:40,312 --> 00:19:41,313
CHERYL?
417
00:19:41,313 --> 00:19:42,414
I WANT EVERYONE
418
00:19:42,414 --> 00:19:43,849
TO STAY UNTIL SIX.
419
00:19:43,849 --> 00:19:47,386
NOBODY, NOBODY LEAVES EARLY,
420
00:19:47,386 --> 00:19:48,353
UNDERSTAND?
421
00:19:48,353 --> 00:19:49,254
YEAH.
422
00:19:49,254 --> 00:19:49,855
OKAY?
423
00:19:49,855 --> 00:19:51,256
SURE THING, MISS GIBBY.
424
00:19:51,256 --> 00:19:53,792
OH, AND TRY NOT
425
00:19:53,792 --> 00:19:55,227
TO DESTROY THE BUILDING, OKAY?
426
00:19:55,227 --> 00:19:56,295
OH, DON'T WORRY.
427
00:19:56,295 --> 00:19:57,896
YOU CAN TRUST US.
428
00:19:57,896 --> 00:20:01,266
OH, YEAH, RIGHT.
429
00:20:01,266 --> 00:20:03,302
CHEERS TO EVERYBODY!
430
00:20:03,302 --> 00:20:04,369
HERE'S TO WALNUT
431
00:20:04,369 --> 00:20:04,903
FOR ALLOWING US
432
00:20:04,903 --> 00:20:05,871
TO MAKE A BEER RUN.
433
00:20:05,871 --> 00:20:07,306
OH, YOU GUYS!
434
00:20:07,306 --> 00:20:07,940
ABSOLUTELY.
435
00:20:07,940 --> 00:20:08,840
HERE'S TO WALNUT.
436
00:20:08,840 --> 00:20:09,708
IT WAS THE ONLY WAY
437
00:20:09,708 --> 00:20:11,310
I COULD GET YOU ALL TO STAY.
438
00:20:11,310 --> 00:20:12,411
WORKS FOR ME.
439
00:20:12,411 --> 00:20:13,245
WHO ELSE?
440
00:20:13,245 --> 00:20:13,879
WHO ELSE?
441
00:20:13,879 --> 00:20:15,948
WHAT ABOUT OUR MASTER OF
442
00:20:15,948 --> 00:20:17,015
MAKEUP EFFECTS OVER THERE?
443
00:20:17,015 --> 00:20:19,451
HE MIGHT WIN AN OSCAR SOMEDAY.
444
00:20:19,451 --> 00:20:24,289
[ GIGGLES ]
445
00:20:24,289 --> 00:20:26,391
THANKS FOR THE BEER.
446
00:20:30,329 --> 00:20:31,930
THAT WAS SO GROSS.
447
00:20:31,930 --> 00:20:33,298
OKAY, NOW.
448
00:20:33,298 --> 00:20:34,032
HEY, YOU GUYS, WHERE'S KATE?
449
00:20:34,032 --> 00:20:36,768
I DON'T KNOW.
450
00:20:42,507 --> 00:20:43,475
[ GASPS ]
451
00:20:43,475 --> 00:20:45,277
OH, SORRY ABOUT THAT.
452
00:20:45,277 --> 00:20:47,279
I DIDN'T MEAN TO SCARE YOU.
453
00:20:47,279 --> 00:20:48,914
THAT'S OKAY.
454
00:20:48,914 --> 00:20:50,616
I'M JUST A LITTLE JUMPY,
455
00:20:50,616 --> 00:20:51,817
I GUESS.
456
00:20:51,817 --> 00:20:53,352
I'M GEORGE.
457
00:20:53,352 --> 00:20:55,287
WE'RE IN HISTORY TOGETHER?
458
00:20:55,287 --> 00:20:55,787
OH, YOU'RE ALWAYS
459
00:20:55,787 --> 00:20:57,289
CUTTING CLASS.
460
00:20:57,289 --> 00:20:59,057
YEAH, THAT'S ME.
461
00:20:59,057 --> 00:21:01,560
I'M KATE.
462
00:21:01,560 --> 00:21:04,296
HI.
463
00:21:08,867 --> 00:21:09,668
[ SIGHS ]
464
00:21:09,668 --> 00:21:10,636
IT'S A GREAT POSTER,
465
00:21:10,636 --> 00:21:11,937
ISN'T IT?
466
00:21:11,937 --> 00:21:15,507
YOU KNOW, EVEN
467
00:21:15,507 --> 00:21:16,308
BEFORE I FOUND OUT
468
00:21:16,308 --> 00:21:17,976
WHAT HAPPENED TO MY MOTHER,
469
00:21:17,976 --> 00:21:19,711
I WAS ALWAYS AFRAID OF CLOWNS.
470
00:21:19,711 --> 00:21:20,746
I MEAN, EVER SINCE
471
00:21:20,746 --> 00:21:21,813
I WAS A LITTLE KID.
472
00:21:21,813 --> 00:21:22,281
WELL, YOU KNOW WHO
473
00:21:22,281 --> 00:21:23,382
LON CHANEY WAS?
474
00:21:23,382 --> 00:21:25,417
NO.
475
00:21:25,417 --> 00:21:26,685
[ SIGHS ]
476
00:21:26,685 --> 00:21:28,353
HE'S ONE OF THE GREATEST
477
00:21:28,353 --> 00:21:31,556
FILM STARS THAT EVER LIVED.
478
00:21:31,556 --> 00:21:32,658
USED TO CALL HIM
479
00:21:32,658 --> 00:21:35,060
"THE MAN OF 1,000 FACES."
480
00:21:35,060 --> 00:21:37,095
HE'S ONE OF MY IDOLS.
481
00:21:37,095 --> 00:21:38,630
YEAH?
482
00:21:38,630 --> 00:21:41,900
WELL, HE SAID A CLOWN MAY
483
00:21:41,900 --> 00:21:43,502
BE AMUSING IN A CIRCUS RING,
484
00:21:43,502 --> 00:21:45,337
BUT WHAT WOULD BE
485
00:21:45,337 --> 00:21:46,071
YOUR REACTION TO OPENING
486
00:21:46,071 --> 00:21:47,339
A DOOR AND FINDING THAT
487
00:21:47,339 --> 00:21:49,074
SAME CLOWN ON YOUR FRONT STEP
488
00:21:49,074 --> 00:21:50,075
AT MIDNIGHT?
489
00:21:50,075 --> 00:21:53,779
THAT WOULD BE SCARY AS HELL.
490
00:21:53,779 --> 00:21:55,414
IT SURE WOULD.
491
00:21:55,414 --> 00:21:59,584
HEY, SUPPOSE THAT ORSINI GUY
492
00:21:59,584 --> 00:22:01,553
NEVER WENT BACK TO EUROPE?
493
00:22:01,553 --> 00:22:04,556
WHAT ARE YOU GETTING AT?
494
00:22:04,556 --> 00:22:05,724
I HEARD THERE'S A BUNCH OF
495
00:22:05,724 --> 00:22:09,461
TUNNELS UNDERNEATH THIS THEATER.
496
00:22:09,461 --> 00:22:10,429
WHAT IF HE WENT
497
00:22:10,429 --> 00:22:11,997
INTO HIDING DOWN THERE?
498
00:22:11,997 --> 00:22:16,034
I MEAN, WHAT IF HE'S STILL HERE?
499
00:22:16,034 --> 00:22:19,371
ARE YOU TRYING TO SCARE ME?
500
00:22:19,371 --> 00:22:20,038
BECAUSE IF YOU ARE,
501
00:22:20,038 --> 00:22:22,007
YOU'RE DOING A PRETTY GOOD JOB!
502
00:22:24,776 --> 00:22:27,079
[ SIGHS ]
503
00:22:28,914 --> 00:22:29,848
HEY, I WAS STARTING
504
00:22:29,848 --> 00:22:33,785
TO GET WORRIED ABOUT YOU.
505
00:22:33,785 --> 00:22:34,519
I WANT TO SEE
506
00:22:34,519 --> 00:22:35,420
WHERE IT HAPPENED.
507
00:22:35,420 --> 00:22:36,388
NO, COME ON.
508
00:22:36,388 --> 00:22:37,155
NOT TONIGHT.
509
00:22:37,155 --> 00:22:38,557
AND WHY NOT?
510
00:22:38,557 --> 00:22:40,092
IT'S A PERFECT NIGHT TO VISIT
511
00:22:40,092 --> 00:22:42,394
THE SCENE OF THE CRIME.
512
00:22:53,905 --> 00:22:55,574
[ BELCHES ]
513
00:22:55,574 --> 00:22:56,441
CAN SOMEBODY EXPLAIN
514
00:22:56,441 --> 00:22:57,776
WHAT WE'RE DOING DOWN HERE?
515
00:22:57,776 --> 00:22:59,044
OUR NEW CLASSMATE WANTS
516
00:22:59,044 --> 00:23:00,112
TO CHECK OUT THE MURDER SITE.
517
00:23:00,112 --> 00:23:02,114
OH, REAL COOL, ASHLEY.
518
00:23:02,114 --> 00:23:03,949
WELL, SHE DOES, DOESN'T SHE?
519
00:23:03,949 --> 00:23:06,151
I WANT TO SEE IT, TOO.
520
00:23:10,188 --> 00:23:13,058
HMM, FOILED AT THE THRESHOLD.
521
00:23:13,058 --> 00:23:14,659
GOOD.
522
00:23:14,659 --> 00:23:15,594
LET'S GO 'CAUSE WE'RE NOT
523
00:23:15,594 --> 00:23:16,862
SUPPOSED TO BE HERE ANYWAY.
524
00:23:16,862 --> 00:23:18,597
OH, WAIT. ISN'T THERE A KEY?
525
00:23:18,597 --> 00:23:19,131
YEAH.
526
00:23:19,131 --> 00:23:21,433
GEORGE HAS THEM, BUT HE DOESN'T
527
00:23:21,433 --> 00:23:23,034
SEEM TO BE AMONG US.
528
00:23:23,034 --> 00:23:24,636
WHO NEEDS THE KEY
529
00:23:24,636 --> 00:23:26,104
WHEN WE HAVE GOT MUSCLES?
530
00:23:26,104 --> 00:23:27,005
[ CHUCKLES ]
531
00:23:27,005 --> 00:23:31,109
OKAY, STEP ASIDE.
532
00:23:31,109 --> 00:23:34,579
STEP ASIDE.
533
00:23:36,681 --> 00:23:38,183
[ GIGGLES ]
534
00:23:41,219 --> 00:23:44,222
UM, ANY MORE BRIGHT IDEAS?
535
00:23:44,222 --> 00:23:45,056
YEAH.
536
00:23:45,056 --> 00:23:47,125
HOW ABOUT WE GET INTO OUR CARS
537
00:23:47,125 --> 00:23:48,627
AND WE DRIVE HOME
538
00:23:48,627 --> 00:23:50,495
'CAUSE IT'S ALMOST SIX.
539
00:23:50,495 --> 00:23:53,198
I LIKE THAT IDEA.
540
00:24:12,250 --> 00:24:16,688
OH, MY GOD!
541
00:24:16,688 --> 00:24:18,690
HOW DID SHE...
542
00:24:18,690 --> 00:24:21,026
THAT DOOR WAS LOCKED.
543
00:24:21,026 --> 00:24:23,261
MAYBE YOU'RE JUST A WEAKLING.
544
00:24:23,261 --> 00:24:25,797
I'M NOT A WEAKLING.
545
00:24:35,640 --> 00:24:36,541
SOMEBODY HIT THE LIGHTS,
546
00:24:36,541 --> 00:24:38,143
PLEASE?
547
00:24:43,248 --> 00:24:44,916
WOW.
548
00:24:44,916 --> 00:24:45,717
OKAY.
549
00:24:45,717 --> 00:24:46,551
NOW WE'VE ALL SEEN IT.
550
00:24:46,551 --> 00:24:47,285
LET'S GO.
551
00:24:47,285 --> 00:24:48,620
I WONDER IF THIS STUFF
552
00:24:48,620 --> 00:24:49,955
IS WORTH ANYTHING.
553
00:24:49,955 --> 00:24:51,022
YOU KNOW WHAT?
554
00:24:51,022 --> 00:24:52,057
I DON'T THINK MISS GIBBY
555
00:24:52,057 --> 00:24:52,891
WOULD APPRECIATE YOU
556
00:24:52,891 --> 00:24:53,859
JUST HELPING YOURSELF.
557
00:24:53,859 --> 00:24:55,060
BESIDES, IF ANY OF THESE THINGS
558
00:24:55,060 --> 00:24:57,229
BELONG TO SOMEBODY, IT'S KATE.
559
00:24:57,229 --> 00:24:58,129
OH, YES.
560
00:24:58,129 --> 00:24:59,764
ISN'T SHE RELATED TO
561
00:24:59,764 --> 00:25:01,166
THE VICTIM SOMEHOW?
562
00:25:01,166 --> 00:25:02,200
AS IF YOU DIDN'T KNOW.
563
00:25:02,200 --> 00:25:04,169
YOU MIGHT TRY BEING
564
00:25:04,169 --> 00:25:05,770
A LITTLE MORE SENSITIVE.
565
00:25:05,770 --> 00:25:08,206
HEY, WE'VE ALL GOT PROBLEMS.
566
00:25:08,206 --> 00:25:10,976
HEY, CHECK THIS OUT.
567
00:25:12,177 --> 00:25:13,879
YUCK!
568
00:25:13,879 --> 00:25:14,779
OH, GOD.
569
00:25:14,779 --> 00:25:16,748
I THINK I'M GONNA BE SICK.
570
00:25:16,748 --> 00:25:17,282
WELL, NOT IN HERE,
571
00:25:17,282 --> 00:25:18,316
YOU'RE NOT.
572
00:25:18,316 --> 00:25:19,184
COME ON, MARTY,
573
00:25:19,184 --> 00:25:20,685
DON'T LIE THERE.
574
00:25:20,685 --> 00:25:21,186
IT'S NOT
575
00:25:21,186 --> 00:25:22,954
LIKE IT'S STILL FRESH.
576
00:25:22,954 --> 00:25:23,788
JESUS!
577
00:25:23,788 --> 00:25:25,991
OH!
578
00:25:25,991 --> 00:25:27,692
HOW CAN IT STILL BE WET?
579
00:25:27,692 --> 00:25:28,960
I'VE READ ABOUT
580
00:25:28,960 --> 00:25:30,695
THIS KIND OF PHENOMENON, RIGHT?
581
00:25:30,695 --> 00:25:31,229
THERE WAS THIS HOUSE
582
00:25:31,229 --> 00:25:32,063
IN WISCONSIN WHERE
583
00:25:32,063 --> 00:25:34,065
THESE TWO LITTLE...
584
00:25:51,683 --> 00:25:53,351
[ SCREAMS ]
585
00:25:53,351 --> 00:25:54,686
OH, MY GOD, KATE!
586
00:25:54,686 --> 00:25:55,720
WHAT'S WRONG WITH HER?
587
00:25:55,720 --> 00:25:56,321
I TOLD YOU SHE WAS
588
00:25:56,321 --> 00:25:57,122
A HEAD CASE.
589
00:25:57,122 --> 00:25:58,156
[ WHIMPERING ]
590
00:25:58,156 --> 00:26:01,126
SOMEBODY HELP ME.
591
00:26:01,126 --> 00:26:03,161
[ SCREAMS ]
592
00:26:03,161 --> 00:26:03,828
OH!
593
00:26:03,828 --> 00:26:04,596
SHIT!
594
00:26:04,596 --> 00:26:07,632
OKAY. KATE,
595
00:26:07,632 --> 00:26:08,767
SWEETIE, YOU NEED TO CALM DOWN,
596
00:26:08,767 --> 00:26:09,768
PLEASE?
597
00:26:09,768 --> 00:26:10,368
LOOK AT ME.
598
00:26:10,368 --> 00:26:11,970
IT'S MONICA, IT'S MONICA.
599
00:26:11,970 --> 00:26:13,271
DAMN!
600
00:26:13,271 --> 00:26:14,706
THAT GIRL NEEDS TO BE PUT AWAY.
601
00:26:14,706 --> 00:26:15,173
OKAY.
602
00:26:15,173 --> 00:26:16,174
EVERYBODY GET OUT OF HERE!
603
00:26:16,174 --> 00:26:17,108
JUST GET OUT!
604
00:26:17,108 --> 00:26:18,009
PLEASE?
605
00:26:18,009 --> 00:26:19,144
GO, 'CAUSE I CAN HANDLE IT.
606
00:26:19,144 --> 00:26:19,811
GO!
607
00:26:19,811 --> 00:26:20,278
ARE YOU SURE?
608
00:26:20,278 --> 00:26:21,980
I'M POSITIVE! GET OUT!
609
00:26:21,980 --> 00:26:23,648
[ CRYING ]
610
00:26:23,648 --> 00:26:25,050
SHE'LL BE FINE AS LONG
611
00:26:25,050 --> 00:26:25,750
AS SHE WATCHES OUT
612
00:26:25,750 --> 00:26:26,251
FOR HER RIGHT HOOK.
613
00:26:26,251 --> 00:26:28,186
MARTY, JUST LEAVE.
614
00:26:28,186 --> 00:26:29,688
COME ON, HONEY, LET'S GO.
615
00:26:29,688 --> 00:26:31,089
[ CRYING ]
616
00:26:31,089 --> 00:26:34,659
OH, MY GOD.
617
00:26:34,659 --> 00:26:40,198
COME HERE, OKAY?
618
00:26:40,198 --> 00:26:44,169
ARE YOU ALL RIGHT?
619
00:26:44,169 --> 00:26:45,170
LOOK AT THEM.
620
00:26:45,170 --> 00:26:46,237
THEY'RE RUINED!
621
00:26:46,237 --> 00:26:47,272
I GUESS MISS GIBBY WAS RIGHT
622
00:26:47,272 --> 00:26:50,642
ABOUT WEARING OLD CLOTHES.
623
00:26:50,642 --> 00:26:51,209
[ SCREAMS ]
624
00:26:51,209 --> 00:26:52,210
HEY.
625
00:26:52,210 --> 00:26:54,245
WHAT ARE YOU DOING LURKING
626
00:26:54,245 --> 00:26:55,814
IN THE SHADOWS LIKE THAT?
627
00:26:55,814 --> 00:26:56,948
WHAT THE HELL
628
00:26:56,948 --> 00:26:57,749
HAPPENED TO YOU?
629
00:26:57,749 --> 00:26:59,050
HE FELL INTO A POOL OF...
630
00:26:59,050 --> 00:27:01,286
I HAD AN ACCIDENT, OKAY?
631
00:27:01,286 --> 00:27:04,089
I GOTTA GET HOME AND CLEAN UP.
632
00:27:04,089 --> 00:27:05,357
SEE YOU TOMORROW.
633
00:27:05,357 --> 00:27:07,125
TOMORROW.
634
00:27:24,976 --> 00:27:25,944
KATE, WHAT THE HELL
635
00:27:25,944 --> 00:27:27,178
WAS THAT ALL ABOUT?
636
00:27:27,178 --> 00:27:31,182
I SAW IT.
637
00:27:31,182 --> 00:27:33,251
I SAW MY MOTHER BEING MURDERED.
638
00:27:33,251 --> 00:27:37,088
WELL, MAYBE SEEING
639
00:27:37,088 --> 00:27:38,957
THE BLOOD ON THE FLOOR
640
00:27:38,957 --> 00:27:40,992
BROUGHT ON SOME
641
00:27:40,992 --> 00:27:42,160
KIND OF A HALLUCINATION?
642
00:27:42,160 --> 00:27:43,728
NO.
643
00:27:43,728 --> 00:27:45,697
I MEAN, THIS WAS MORE THAN THAT.
644
00:27:45,697 --> 00:27:47,932
I MEAN, IT WAS LIKE IT WAS REAL.
645
00:27:47,932 --> 00:27:50,001
I MEAN, IT WAS LIKE I WAS
646
00:27:50,001 --> 00:27:53,038
ACTUALLY THERE AND THE KILLER
647
00:27:53,038 --> 00:27:58,343
WAS ALREADY IN THIS ROOM SOMEHOW
648
00:27:58,343 --> 00:28:00,478
AND HE WAS DRESSED LIKE A CLOWN.
649
00:28:00,478 --> 00:28:02,113
OKAY, BUT, SEE, YOU ALREADY
650
00:28:02,113 --> 00:28:04,115
KNEW THAT, SO YOU WERE
651
00:28:04,115 --> 00:28:05,083
JUST IMAGINING
652
00:28:05,083 --> 00:28:06,317
WHAT ACTUALLY HAPPENED.
653
00:28:06,317 --> 00:28:08,286
NO, THERE
654
00:28:08,286 --> 00:28:10,855
WAS SOMEONE ELSE HERE.
655
00:28:10,855 --> 00:28:11,790
THERE WAS SOMEONE
656
00:28:11,790 --> 00:28:14,225
WITH HER RIGHT BEFORE SHE DIED.
657
00:28:21,866 --> 00:28:24,102
MAYBE IT WAS HER LOVER.
658
00:28:24,102 --> 00:28:25,170
YOU KNOW, THEY SAID
659
00:28:25,170 --> 00:28:26,037
THAT ORSINI GUY
660
00:28:26,037 --> 00:28:29,107
WAS JEALOUS OF HER.
661
00:28:43,154 --> 00:28:44,222
YOU KNOW, I DON'T REMEMBER
662
00:28:44,222 --> 00:28:46,124
A THING ABOUT HER.
663
00:28:46,124 --> 00:28:48,359
HOW COULD YOU?
664
00:28:48,359 --> 00:28:50,228
YOU WEREN'T EVEN TWO YEARS OLD.
665
00:28:53,231 --> 00:28:55,100
BUT I JUST SAW HER
666
00:28:55,100 --> 00:28:57,168
CLEAR AS DAY.
667
00:29:02,340 --> 00:29:05,243
MOTHER?
668
00:30:00,265 --> 00:30:02,000
MY DARLING LORRAINE,
669
00:30:02,000 --> 00:30:03,268
I COUNT THE DAYS,
670
00:30:03,268 --> 00:30:04,402
THE HOURS, THE MINUTES UNTIL
671
00:30:04,402 --> 00:30:06,237
WE CAN BE TOGETHER AGAIN.
672
00:30:06,237 --> 00:30:07,839
MY LIFE APART FROM YOU
673
00:30:07,839 --> 00:30:09,340
IS BUT A COLD EXISTENCE.
674
00:30:09,340 --> 00:30:11,042
I WAIT FOR YOU TO WARM IT
675
00:30:11,042 --> 00:30:12,177
WITH YOUR RADIANCE.
676
00:30:12,177 --> 00:30:14,245
VERY CORNY, HUH?
677
00:30:14,245 --> 00:30:15,146
[ GIGGLES ]
678
00:30:15,146 --> 00:30:16,281
IT'S SIGNED,
679
00:30:16,281 --> 00:30:20,385
WITH DEEPEST LOVE, LORENZO.
680
00:30:20,385 --> 00:30:23,221
LORENZO ORSINI?
681
00:30:23,221 --> 00:30:24,088
I DON'T GET IT.
682
00:30:24,088 --> 00:30:26,991
I MEAN, WHY WOULD A MAN
683
00:30:26,991 --> 00:30:27,559
WHO CARES SO MUCH
684
00:30:27,559 --> 00:30:29,194
ABOUT HER DO SUCH A THING?
685
00:30:29,194 --> 00:30:31,162
WELL, YOU'VE OBVIOUSLY NEVER
686
00:30:31,162 --> 00:30:34,132
BEEN IN LOVE 'CAUSE THAT KIND
687
00:30:34,132 --> 00:30:36,334
OF LOVE CAN MAKE PEOPLE CRAZY,
688
00:30:36,334 --> 00:30:37,335
ESPECIALLY WHEN
689
00:30:37,335 --> 00:30:38,336
IT'S NOT RETURNED.
690
00:30:38,336 --> 00:30:39,204
WELL, WHY WOULD
691
00:30:39,204 --> 00:30:41,139
SHE KEEP THE LETTERS?
692
00:30:41,139 --> 00:30:43,007
MY DARLING LORRAINE,
693
00:30:43,007 --> 00:30:44,876
I'M OVERJOYED YOU HAVE ACCEPTED
694
00:30:44,876 --> 00:30:46,878
MY OFFER OF MARRIAGE.
695
00:30:46,878 --> 00:30:48,279
THERE ARE FAR GREATER THINGS
696
00:30:48,279 --> 00:30:49,881
IN THIS WORLD THAN CAREER.
697
00:30:49,881 --> 00:30:50,915
THERE IS LOVE AND
698
00:30:50,915 --> 00:30:52,283
THERE IS FAMILY.
699
00:30:52,283 --> 00:30:55,954
YOU OWE IT TO YOURSELF AS WELL
700
00:30:55,954 --> 00:30:59,257
AS TO OUR DAUGHTER...
701
00:30:59,257 --> 00:31:01,426
KATHERINE.
702
00:31:01,426 --> 00:31:04,128
WAIT.
703
00:31:04,128 --> 00:31:06,097
DOES THAT MEAN THAT HE'S YOUR...
704
00:31:06,097 --> 00:31:09,934
LORENZO ORSINI IS MY FATHER?
705
00:31:09,934 --> 00:31:12,670
AND HE KILLED YOUR MOTHER.
706
00:31:12,670 --> 00:31:14,239
[ CLATTERING ]
707
00:31:14,239 --> 00:31:16,441
DID YOU HEAR SOMETHING?
708
00:31:16,441 --> 00:31:18,142
NO, NO.
709
00:31:18,142 --> 00:31:19,644
IT WAS PROBABLY JUST A RAT.
710
00:31:19,644 --> 00:31:21,913
LET'S GET OUT OF HERE, OKAY?
711
00:31:21,913 --> 00:31:23,581
YEAH.
712
00:31:23,581 --> 00:31:24,249
HEY.
713
00:31:24,249 --> 00:31:25,250
[ GASP ]
714
00:31:25,250 --> 00:31:25,917
WHAT ARE YOU GUYS
715
00:31:25,917 --> 00:31:26,918
DOING IN HERE?
716
00:31:26,918 --> 00:31:29,287
WE WERE JUST LEAVING, RIGHT?
717
00:31:29,287 --> 00:31:30,221
YEAH.
718
00:31:30,221 --> 00:31:32,123
COME ON.
719
00:32:30,014 --> 00:32:34,152
[ OPERA MUSIC PLAYING ]
720
00:32:47,231 --> 00:32:49,200
[ SCREAMS ]
721
00:32:54,138 --> 00:32:56,040
KATIE!
722
00:32:56,040 --> 00:32:57,542
HONEY, WHAT'S WRONG?
723
00:32:57,542 --> 00:32:58,743
I WAS JUST HAVING
724
00:32:58,743 --> 00:32:59,677
A NIGHTMARE.
725
00:32:59,677 --> 00:33:01,412
OH, GOD.
726
00:33:01,412 --> 00:33:02,380
WE THOUGHT YOU
727
00:33:02,380 --> 00:33:03,348
WERE BEING KILLED.
728
00:33:03,348 --> 00:33:05,316
I'M OKAY NOW.
729
00:33:05,316 --> 00:33:09,354
ARE YOU SURE?
730
00:33:09,354 --> 00:33:12,190
TRY TO GET BACK TO SLEEP, OKAY?
731
00:33:23,201 --> 00:33:23,701
WE NEVER SHOULD
732
00:33:23,701 --> 00:33:24,635
HAVE TOLD HER.
733
00:33:24,635 --> 00:33:26,070
ARNOLD, SHE HAD
734
00:33:26,070 --> 00:33:27,105
A RIGHT TO KNOW.
735
00:33:27,105 --> 00:33:28,072
LOOK WHAT'S HAPPENING.
736
00:33:28,072 --> 00:33:29,107
I DON'T THINK SHE CAN
737
00:33:29,107 --> 00:33:30,675
HANDLE GOING TO THAT PLACE.
738
00:33:30,675 --> 00:33:32,310
IT'S REALLY UPSETTING HER.
739
00:33:32,310 --> 00:33:33,211
SHE'S GONNA WIND UP
740
00:33:33,211 --> 00:33:35,413
HAVING A NERVOUS BREAKDOWN.
741
00:34:15,119 --> 00:34:17,088
GEORGE?
742
00:34:17,088 --> 00:34:18,623
GEORGE, WHAT ARE YOU
743
00:34:18,623 --> 00:34:22,093
DOING IN THAT COSTUME?
744
00:34:23,227 --> 00:34:24,762
OKAY, FUN TIME'S OVER.
745
00:34:24,762 --> 00:34:26,097
IT'S TIME TO WORK.
746
00:34:30,301 --> 00:34:33,871
[ SIGHS ]
747
00:34:33,871 --> 00:34:36,874
OKAY, SO THAT'S
748
00:34:36,874 --> 00:34:39,177
HOW IT'S GONNA BE, HUH?
749
00:34:53,724 --> 00:34:56,561
WHAT ARE YOU HIDING THERE?
750
00:35:05,269 --> 00:35:07,305
[ SCREAMS ]
751
00:35:15,246 --> 00:35:19,350
BAD NIGHT AGAIN, HUH?
752
00:35:19,350 --> 00:35:20,518
[ SIGHS ]
753
00:35:20,518 --> 00:35:22,487
OKAY.
754
00:35:22,487 --> 00:35:23,454
MAYBE YOU WERE RIGHT, KATE.
755
00:35:23,454 --> 00:35:24,255
MAYBE THIS ISN'T
756
00:35:24,255 --> 00:35:26,858
SUCH A GOOD IDEA.
757
00:35:26,858 --> 00:35:29,560
NO, NO. I WANT TO STAY.
758
00:35:29,560 --> 00:35:30,394
MM-HMM?
759
00:35:30,394 --> 00:35:32,163
GIRL, YOU ROCK!
760
00:35:32,163 --> 00:35:34,599
COME ON, LET'S GO.
761
00:35:34,599 --> 00:35:36,701
MISS GIBBY, ARE YOU HERE?
762
00:35:36,701 --> 00:35:37,935
SHE MUST BE.
763
00:35:37,935 --> 00:35:38,903
THE DOOR WASN'T LOCKED
764
00:35:38,903 --> 00:35:41,205
AND HER CAR'S OUT FRONT.
765
00:35:41,205 --> 00:35:42,373
HI.
766
00:35:42,373 --> 00:35:43,307
HI.
767
00:35:43,307 --> 00:35:44,609
GOSH, DID SHE
768
00:35:44,609 --> 00:35:45,877
BUY ENOUGH STUFF?
769
00:35:45,877 --> 00:35:46,944
WE SHOULD GO LOOK FOR HER.
770
00:35:46,944 --> 00:35:48,346
MARTY, COME WITH ME.
771
00:35:48,346 --> 00:35:49,814
WHY? YOU SCARED?
772
00:35:49,814 --> 00:35:50,848
NO.
773
00:35:50,848 --> 00:35:52,250
IF I SEE ANOTHER MANIFESTATION,
774
00:35:52,250 --> 00:35:53,284
I WANT A WITNESS.
775
00:35:53,284 --> 00:35:54,585
I ALWAYS WANTED TO BE
776
00:35:54,585 --> 00:35:57,588
IN THE TABLOIDS.
777
00:35:57,588 --> 00:35:59,323
WE'RE HERE. NOW WHAT?
778
00:35:59,323 --> 00:36:00,825
WELL, I GUESS
779
00:36:00,825 --> 00:36:01,626
WE'RE SUPPOSED TO
780
00:36:01,626 --> 00:36:02,493
START CLEANING.
781
00:36:02,493 --> 00:36:03,194
OH, YEAH?
782
00:36:03,194 --> 00:36:03,928
WELL, WHERE'S MISS GIBBY?
783
00:36:03,928 --> 00:36:04,595
I DON'T KNOW.
784
00:36:04,595 --> 00:36:05,429
WE HAVEN'T SEEN HER YET.
785
00:36:05,429 --> 00:36:06,898
COOL. WE'RE OUTTA HERE.
786
00:36:06,898 --> 00:36:08,199
HOLD ON.
787
00:36:08,199 --> 00:36:09,600
SHE COULD BE BACK ANY MINUTE.
788
00:36:09,600 --> 00:36:11,736
SO?
789
00:36:11,736 --> 00:36:13,905
SO? YOU WANNA PLAY FOOTBALL
790
00:36:13,905 --> 00:36:15,573
NEXT SEMESTER?
791
00:36:15,573 --> 00:36:17,441
HEY, WHAT'S IN THERE?
792
00:36:17,441 --> 00:36:20,845
TRADE SECRETS.
793
00:36:22,446 --> 00:36:23,948
ALL RIGHT.
794
00:36:23,948 --> 00:36:26,951
WHERE DO WE START?
795
00:36:31,989 --> 00:36:33,524
♪ WILL YOU WATCH MY FIELDS
796
00:36:33,524 --> 00:36:37,695
♪ WHILE I'M ON THE LAM
797
00:36:37,695 --> 00:36:39,230
♪ I'LL HEAD TO GREECE
798
00:36:39,230 --> 00:36:43,801
♪ OR THE VEGAS SANDS
799
00:36:43,801 --> 00:36:46,270
♪ AND IF YOU RUN INTO ME
800
00:36:46,270 --> 00:36:47,471
♪ TAKE TWO STEPS BACK AND
801
00:36:47,471 --> 00:36:49,307
♪ YOU'LL SEE
802
00:36:49,307 --> 00:36:53,277
♪ IT'S ME
803
00:36:53,277 --> 00:36:55,913
♪ IN MY ENTIRETY
804
00:37:06,791 --> 00:37:08,326
♪ I'M MANY MILES
805
00:37:08,326 --> 00:37:10,795
♪ FROM IRON TRAINS
806
00:37:12,797 --> 00:37:14,532
♪ I'M RIDING CROW LIKE
807
00:37:14,532 --> 00:37:18,569
♪ ANGRY PLAINS
808
00:37:18,569 --> 00:37:20,805
♪ THE GREATEST OF FLYING
809
00:37:20,805 --> 00:37:22,540
♪ WILL SURELY MEAN
810
00:37:22,540 --> 00:37:23,641
♪ THE DEATH OF ME
811
00:37:23,641 --> 00:37:28,813
♪ IT SEEMS
812
00:37:28,813 --> 00:37:30,982
♪ IN MY ENTIRETY
813
00:37:30,982 --> 00:37:33,584
♪ I'M CAUGHT UP WITH MASKS
814
00:37:33,584 --> 00:37:35,319
♪ THEY DON'T FIT MY FRAME
815
00:37:35,319 --> 00:37:37,021
♪ BUT I BELIEVE
816
00:37:37,021 --> 00:37:38,956
♪ THE FACES THAT I WEAR
817
00:37:38,956 --> 00:37:40,825
♪ HAVE MANY NAMES
818
00:37:40,825 --> 00:37:43,060
♪ AND YOU'LL SEE
819
00:37:43,060 --> 00:37:45,029
♪ I'VE COPIED FROM THE BEST
820
00:37:45,029 --> 00:37:46,864
♪ BUT THEY'RE NOT THE SAME
821
00:37:46,864 --> 00:37:48,599
♪ TO ME
822
00:37:48,599 --> 00:37:50,768
♪ I BEEN TRAINED BY THE BEST
823
00:37:50,768 --> 00:37:55,072
♪ TO REARRANGE
824
00:37:55,072 --> 00:37:56,307
♪ IT STARTS RIGHT AWAY
825
00:37:56,307 --> 00:37:58,309
[ ELECTRICAL CRACKLING ]
826
00:37:58,309 --> 00:38:01,078
♪ IT STARTS RIGHT AWAY
827
00:38:01,078 --> 00:38:03,381
♪ ITS NOT ME
828
00:38:03,381 --> 00:38:06,617
♪ ITS NOT ME HERE
829
00:38:06,617 --> 00:38:09,553
♪ IT STARTS RIGHT AWAY
830
00:38:09,553 --> 00:38:12,690
♪ IT STARTS RIGHT AWAY
831
00:38:12,690 --> 00:38:15,359
♪ ITS NOT ME
832
00:38:15,359 --> 00:38:18,095
♪ ITS NOT ME HERE
833
00:38:18,095 --> 00:38:19,096
♪ YOU EITHER BREAK THE HORSE
834
00:38:19,096 --> 00:38:23,467
♪ OR IT BREAKS THE MAN
835
00:38:23,467 --> 00:38:25,102
♪ HE'LL EAT YOU WHOLE
836
00:38:25,102 --> 00:38:29,106
♪ FROM YOUR FEET TO HANDS
837
00:38:29,106 --> 00:38:31,709
♪ SADDLE UP AND TEACH HIM
838
00:38:31,709 --> 00:38:33,678
♪ THAT THE GREATEST RIDERS
839
00:38:33,678 --> 00:38:34,879
♪ BEAT HIM
840
00:38:34,879 --> 00:38:39,684
♪ AND IT WILL BE ME
841
00:38:39,684 --> 00:38:42,019
♪ IN MY ENTIRETY
842
00:38:42,019 --> 00:38:44,989
♪ IT STARTS RIGHT AWAY
843
00:38:44,989 --> 00:38:48,426
♪ IT STARTS RIGHT AWAY
844
00:38:48,426 --> 00:38:50,961
♪ ITS NOT ME
845
00:38:50,961 --> 00:38:53,964
♪ ITS NOT ME HERE
846
00:38:53,964 --> 00:38:57,001
♪ IT STARTS RIGHT AWAY
847
00:38:57,001 --> 00:39:00,071
♪ IT STARTS RIGHT AWAY
848
00:39:00,071 --> 00:39:03,040
♪ ITS NOT ME
849
00:39:03,040 --> 00:39:05,876
♪ ITS NOT ME HERE
850
00:39:10,414 --> 00:39:12,049
THAT IS WICKED COOL.
851
00:39:12,049 --> 00:39:13,384
I MEAN, I'VE READ EVERYTHING
852
00:39:13,384 --> 00:39:14,018
EVER WRITTEN
853
00:39:14,018 --> 00:39:15,820
ON PARANORMAL EXPERIENCES,
854
00:39:15,820 --> 00:39:17,388
BUT I'VE NEVER HAD ONE,
855
00:39:17,388 --> 00:39:18,055
YOU KNOW.
856
00:39:18,055 --> 00:39:19,457
LIKE I GET THE OCCASIONAL
857
00:39:19,457 --> 00:39:19,990
DEJA VU,
858
00:39:19,990 --> 00:39:21,992
BUT NOTHING LIKE WHAT YOU HAD.
859
00:39:21,992 --> 00:39:23,094
I ENVY YOU.
860
00:39:23,094 --> 00:39:25,396
YOU REALLY SHOULDN'T.
861
00:39:25,396 --> 00:39:26,764
TELL ME WHAT IT WAS LIKE.
862
00:39:26,764 --> 00:39:28,733
SO HOW ARE THINGS
863
00:39:28,733 --> 00:39:29,800
IN THE TWILIGHT ZONE?
864
00:39:29,800 --> 00:39:31,102
GOT ANY MORE VISIONS
865
00:39:31,102 --> 00:39:32,069
FROM THE OTHER SIDE?
866
00:39:32,069 --> 00:39:33,904
ASHLEY, LAY OFF.
867
00:39:33,904 --> 00:39:35,072
I WASN'T TALKING TO YOU,
868
00:39:35,072 --> 00:39:37,875
SQUIRT.
869
00:39:37,875 --> 00:39:40,010
WHAT'S YOUR PROBLEM?
870
00:39:40,010 --> 00:39:40,811
OH, COME ON.
871
00:39:40,811 --> 00:39:41,979
YOU'RE ON THE BIG STAGE NOW.
872
00:39:41,979 --> 00:39:43,180
AREN'T YOU GOING TO TREAT US
873
00:39:43,180 --> 00:39:44,548
TO ANOTHER SCENE?
874
00:39:44,548 --> 00:39:46,951
WHY, ASHLEY, WHAT A SURPRISE!
875
00:39:46,951 --> 00:39:48,052
YOU KNOW, I DIDN'T THINK IT
876
00:39:48,052 --> 00:39:49,086
WAS POSSIBLE FOR YOU TO GET
877
00:39:49,086 --> 00:39:50,121
ANY LOWER, BUT APPARENTLY
878
00:39:50,121 --> 00:39:50,955
I WAS WRONG.
879
00:39:50,955 --> 00:39:52,056
WELL, IF IT ISN'T
880
00:39:52,056 --> 00:39:53,057
MISS THRIFT STORE.
881
00:39:53,057 --> 00:39:54,625
COMING TO PROTECT
882
00:39:54,625 --> 00:39:55,693
YOUR DISTURBED FRIEND?
883
00:39:55,693 --> 00:39:56,193
YOU KNOW WHAT?
884
00:39:56,193 --> 00:39:56,994
IT'S ABOUT TIME SOMEBODY
885
00:39:56,994 --> 00:39:57,995
TEACH YOU SOME MANNERS.
886
00:39:57,995 --> 00:39:59,063
FORGET ABOUT IT, MONICA.
887
00:39:59,063 --> 00:40:04,468
AND SPOIL A GOOD CATFIGHT?
888
00:40:04,468 --> 00:40:05,102
ISN'T EYE SCRATCHING
889
00:40:05,102 --> 00:40:06,704
MORE YOUR SPEED?
890
00:40:06,704 --> 00:40:07,972
[ CHUCKLES ]
891
00:40:07,972 --> 00:40:09,006
NOT WHEN I HAVE
892
00:40:09,006 --> 00:40:11,809
MY TRUSTY SWORD AT HAND.
893
00:40:11,809 --> 00:40:13,577
HEY, WATCH WHO
894
00:40:13,577 --> 00:40:15,880
YOU POINT THAT THING AT.
895
00:40:15,880 --> 00:40:17,114
PERHAPS YOU'RE A MORE
896
00:40:17,114 --> 00:40:22,453
SUITABLE OPPONENT.
897
00:40:22,453 --> 00:40:24,622
TOSS ME THAT THING.
898
00:40:26,123 --> 00:40:28,159
ON GUARD.
899
00:40:31,529 --> 00:40:32,496
SO YOU THINK
900
00:40:32,496 --> 00:40:33,664
YOU'RE ERROL FLINT, HUH?
901
00:40:33,664 --> 00:40:35,833
THAT'S ERROR FLYNN, GENIUS.
902
00:40:35,833 --> 00:40:38,636
YOU ARE SO DEAD.
903
00:40:39,637 --> 00:40:41,071
UGH!
904
00:40:42,640 --> 00:40:43,607
OOH.
905
00:40:43,607 --> 00:40:44,942
[ LAUGHTER ]
906
00:40:57,621 --> 00:40:58,556
HA!
907
00:40:58,556 --> 00:40:59,723
FIRST BLOOD.
908
00:40:59,723 --> 00:41:01,025
MORE LIKE FIRST BUTT,
909
00:41:01,025 --> 00:41:02,059
WOULDN'T YOU SAY?
910
00:41:02,059 --> 00:41:05,129
[ LAUGHS ]
911
00:41:05,129 --> 00:41:07,231
OH, IT APPEARS THAT YOU ARE
912
00:41:07,231 --> 00:41:10,601
NO MATCH FOR THE GAY BLADE.
913
00:41:13,003 --> 00:41:14,505
THAT BITCH CUT ME.
914
00:41:14,505 --> 00:41:15,973
OH, COME ON.
915
00:41:15,973 --> 00:41:18,576
I'LL KISS IT AND MAKE IT BETTER.
916
00:41:22,546 --> 00:41:24,515
OH, METHINKS THE VANQUISHED
917
00:41:24,515 --> 00:41:25,816
PRINCE OF THE PIGSKINS
918
00:41:25,816 --> 00:41:27,051
IS RETIRING FOR THE NIGHT
919
00:41:27,051 --> 00:41:27,952
WITH HIS...
920
00:41:27,952 --> 00:41:28,786
[SNIFFS]
921
00:41:28,786 --> 00:41:30,754
SKANKY PRINCESS.
922
00:41:30,754 --> 00:41:31,689
I THOUGHT I SMELLED
923
00:41:31,689 --> 00:41:33,524
SOMETHING ROTTEN IN DENMARK.
924
00:41:33,524 --> 00:41:35,860
[ CHUCKLES ]
925
00:41:49,240 --> 00:41:51,175
WHAT THE HELL?
926
00:41:55,279 --> 00:41:56,981
WELL, HOW ARE YOU
927
00:41:56,981 --> 00:41:58,949
AGAINST THE FAIRER SEX?
928
00:41:58,949 --> 00:42:01,685
WE'LL SOON FIND OUT.
929
00:42:07,157 --> 00:42:08,592
HEY!
930
00:42:08,592 --> 00:42:10,027
WHERE ARE YOU?
931
00:42:10,027 --> 00:42:14,665
♪ I CAN'T EXPLAIN
932
00:42:14,665 --> 00:42:17,301
♪ WHAT YOU DO TO ME
933
00:42:17,301 --> 00:42:20,938
♪ TO MAKE ME FEEL THE WAY I DO
934
00:42:20,938 --> 00:42:23,841
♪ YOU MESMERIZE MY MIND
935
00:42:23,841 --> 00:42:26,610
♪ AND MY HEART IS YOUR TO FIND
936
00:42:26,610 --> 00:42:28,312
♪ SO WHAT YOU GONNA DO?
937
00:42:28,312 --> 00:42:31,749
♪ ALL I WANT IS YOU
938
00:42:31,749 --> 00:42:37,054
♪ I NEED YOU IN MY LIFE
939
00:42:37,054 --> 00:42:39,123
♪ EVERY TIME I CLOSE MY EYES
940
00:42:39,123 --> 00:42:42,693
♪ ALL I SEE IS YOU
941
00:42:42,693 --> 00:42:44,828
♪ WHY DON'T YOU
942
00:42:44,828 --> 00:42:45,796
♪ MAKE UP YOUR MIND?
943
00:42:45,796 --> 00:42:47,731
IN THERE?
944
00:42:47,731 --> 00:42:48,666
WHAT'S THE MATTER?
945
00:42:48,666 --> 00:42:51,902
TOO KINKY FOR YOU?
946
00:42:51,902 --> 00:42:53,804
♪ I WANT TO BE
947
00:42:53,804 --> 00:42:55,072
♪ YOUR LADY, BABY
948
00:42:55,072 --> 00:42:57,741
♪ YOU GOT ME THINKING
949
00:42:57,741 --> 00:42:59,276
♪ WHAT I'M GONNA DO
950
00:42:59,276 --> 00:43:04,014
♪ ABOUT THIS LOVE OF OURS
951
00:43:04,014 --> 00:43:07,084
♪ DON'T LEAVE ME HANGING, BABY
952
00:43:07,084 --> 00:43:08,385
♪ YOU GOT ME THINKING
953
00:43:08,385 --> 00:43:10,654
♪ WHAT I'M GONNA DO
954
00:43:10,654 --> 00:43:13,157
♪ ABOUT THIS LOVE OF OURS
955
00:43:13,157 --> 00:43:14,258
OH, YOU FIGHT LIKE A GIRL.
956
00:43:14,258 --> 00:43:15,025
YOU KNOW THAT?
957
00:43:15,025 --> 00:43:15,893
YOU KNOW WHAT?
958
00:43:15,893 --> 00:43:16,393
I'M GONNA KICK YOUR ASS
959
00:43:16,393 --> 00:43:17,027
FOR THAT ONE.
960
00:43:17,027 --> 00:43:17,895
[ GASPS ]
961
00:43:17,895 --> 00:43:18,462
YOU'RE GONNA KICK MY ASS?
962
00:43:18,462 --> 00:43:19,063
OH, YEAH.
963
00:43:19,063 --> 00:43:19,964
YOU PROMISE?
964
00:43:19,964 --> 00:43:21,298
YOU'RE SO NASTY, MARTY.
965
00:43:21,298 --> 00:43:22,399
[ LAUGHS ]
966
00:43:22,399 --> 00:43:23,334
♪ ALL THE TIME
967
00:43:23,334 --> 00:43:24,301
♪ WHAT I WANNA DO
968
00:43:24,301 --> 00:43:27,972
♪ I RUN AROUND WITH YOU BABY
969
00:43:27,972 --> 00:43:30,274
♪ YOU NEVER EVER
970
00:43:30,274 --> 00:43:32,710
♪ QUESTION MY INTENTION
971
00:43:32,710 --> 00:43:33,277
Monica: YEAH,
972
00:43:33,277 --> 00:43:36,013
BRING IT ON, BABY.
973
00:43:39,383 --> 00:43:42,753
YEAH, YEAH, YOU GOT IT.
974
00:43:42,753 --> 00:43:43,854
[ BLADES CLASHING ]
975
00:43:48,325 --> 00:43:49,360
[ GIGGLES ]
976
00:43:49,360 --> 00:43:53,063
Monica: STOP.
977
00:43:53,063 --> 00:43:57,267
I'M NOT PLAYING. SERIOUSLY.
978
00:43:57,267 --> 00:43:59,336
FINE, FINE.
979
00:43:59,336 --> 00:44:00,337
DO YOU WANT IT?
980
00:44:00,337 --> 00:44:01,672
YOU WANT IT?
981
00:44:01,672 --> 00:44:04,241
HERE, HERE, I'LL GIVE IT TO YOU.
982
00:44:04,241 --> 00:44:05,809
COME ON, COME ON.
983
00:44:05,809 --> 00:44:10,414
YEAH.
984
00:44:10,414 --> 00:44:12,082
COME ON. THAT'S RIGHT.
985
00:44:12,082 --> 00:44:15,686
AH!
986
00:44:15,686 --> 00:44:18,088
(MONICA GRUNTS)
987
00:44:22,092 --> 00:44:23,827
HI.
988
00:44:23,827 --> 00:44:24,294
YEAH, YOU THINK YOU
989
00:44:24,294 --> 00:44:26,697
CAN HANDLE THIS?
990
00:44:26,697 --> 00:44:28,999
[ GRUNTS ]
991
00:44:28,999 --> 00:44:32,002
WOO!
992
00:44:32,002 --> 00:44:32,936
ARE YOU READY?
993
00:44:32,936 --> 00:44:33,404
OH, YEAH.
994
00:44:33,404 --> 00:44:33,904
ARE YOU SURE YOU CAN
995
00:44:33,904 --> 00:44:34,938
HANDLE THIS?
996
00:44:34,938 --> 00:44:35,406
SO READY.
997
00:44:35,406 --> 00:44:36,073
ARE YOU POSITIVE?
998
00:44:36,073 --> 00:44:36,940
ABSOLUTELY.
999
00:44:36,940 --> 00:44:37,408
OKAY.
1000
00:44:37,408 --> 00:44:38,075
THRUST!
1001
00:44:38,075 --> 00:44:40,110
THRUST!
1002
00:44:40,110 --> 00:44:43,113
THRUST!
1003
00:44:43,113 --> 00:44:45,015
OH YEAH.
1004
00:44:47,484 --> 00:44:48,352
I'M GONNA
1005
00:44:48,352 --> 00:44:49,453
ROCK AND ROLL RIGHT NOW.
1006
00:44:49,453 --> 00:44:52,856
SEE? I'M GETTING GOOD, AREN'T I?
1007
00:44:52,856 --> 00:44:53,857
PLEASE, MARTY.
1008
00:44:53,857 --> 00:44:55,059
MAKE ME WORK HERE!
1009
00:44:55,059 --> 00:44:57,861
[ LAUGHS ]
1010
00:44:57,861 --> 00:44:59,163
[ GRUNTING, MOANING ]
1011
00:45:02,232 --> 00:45:03,033
GO, MONICA!
1012
00:45:03,033 --> 00:45:05,469
OKAY.
1013
00:45:05,469 --> 00:45:10,140
AW, COME ON, COME ON, COME ON.
1014
00:45:10,140 --> 00:45:11,842
IS THAT ALL YOU GOT?
1015
00:45:11,842 --> 00:45:12,776
OH, BABY, I GOT
1016
00:45:12,776 --> 00:45:13,377
A LOT MORE COMING.
1017
00:45:13,377 --> 00:45:14,445
COME ON.
1018
00:45:14,445 --> 00:45:16,346
COME ON, GIVE IT TO ME,
1019
00:45:16,346 --> 00:45:19,049
COME ON.
1020
00:45:19,049 --> 00:45:20,184
[ PANTING ]
1021
00:45:24,088 --> 00:45:25,055
ONE MORE TIME?
1022
00:45:25,055 --> 00:45:27,157
ONE MORE TIME?
1023
00:45:32,529 --> 00:45:34,064
I'M OUT OF BREATH.
1024
00:45:34,064 --> 00:45:38,068
[ LAUGHS ]
1025
00:45:38,068 --> 00:45:39,369
WAS IT AS GOOD FOR YOU
1026
00:45:39,369 --> 00:45:40,771
AS IT WAS FOR ME?
1027
00:45:40,771 --> 00:45:41,405
OH, MY GOD,
1028
00:45:41,405 --> 00:45:44,241
THAT WAS QUITE A WORKOUT.
1029
00:45:46,210 --> 00:45:47,344
WHO'S NEXT?
1030
00:45:47,344 --> 00:45:49,880
NO THANKS.
1031
00:45:49,880 --> 00:45:50,948
NOT ME.
1032
00:45:50,948 --> 00:45:52,382
I HAVE NO DEPTH PERCEPTION.
1033
00:45:52,382 --> 00:45:54,351
OH, GOD, I GOTTA GO
1034
00:45:54,351 --> 00:45:56,086
BACK TO THE WARDROBE ROOM.
1035
00:45:56,086 --> 00:45:57,087
THEY HAVE THE MOST
1036
00:45:57,087 --> 00:45:58,288
AMAZING STUFF DOWN THERE.
1037
00:45:58,288 --> 00:45:59,256
DO YOU WANNA COME?
1038
00:45:59,256 --> 00:46:01,091
SURE.
1039
00:46:01,091 --> 00:46:02,025
MARTY?
1040
00:46:02,025 --> 00:46:03,227
I THINK I'LL JUST HANG OUT
1041
00:46:03,227 --> 00:46:04,561
AND POLISH MY SABER.
1042
00:46:04,561 --> 00:46:05,796
[ GIGGLES ]
1043
00:46:05,796 --> 00:46:08,065
OKAY, SUIT YOURSELF.
1044
00:46:12,469 --> 00:46:14,037
[ LAUGHS ]
1045
00:46:18,976 --> 00:46:19,476
I WANNA GO CHECK
1046
00:46:19,476 --> 00:46:20,844
SOMETHING OUT, OKAY?
1047
00:46:20,844 --> 00:46:22,546
ARE YOU SURE?
1048
00:46:22,546 --> 00:46:25,349
YEAH, I'LL BE FINE.
1049
00:47:01,852 --> 00:47:03,153
WHAT ARE YOU THINKING ABOUT?
1050
00:47:03,153 --> 00:47:05,489
HUH?
1051
00:47:05,489 --> 00:47:06,490
I ASKED YOU
1052
00:47:06,490 --> 00:47:09,893
WHAT YOU WERE THINKING ABOUT.
1053
00:47:09,893 --> 00:47:11,862
NOTHING.
1054
00:47:11,862 --> 00:47:13,497
YOU CAN'T BE THINKING
1055
00:47:13,497 --> 00:47:14,464
OF NOTHING.
1056
00:47:14,464 --> 00:47:15,365
EVEN A RETARD
1057
00:47:15,365 --> 00:47:16,967
HAS SOMETHING ON HIS MIND.
1058
00:47:16,967 --> 00:47:19,336
DON'T CALL ME A RETARD.
1059
00:47:19,336 --> 00:47:20,904
I DIDN'T.
1060
00:47:20,904 --> 00:47:22,039
I JUST SAID...
1061
00:47:22,039 --> 00:47:23,106
YEAH, I HEARD WHAT YOU SAID.
1062
00:47:23,106 --> 00:47:25,042
LOOK, YOU'RE ALWAYS TREATING ME
1063
00:47:25,042 --> 00:47:26,410
LIKE I'M SOME KIND OF MORON
1064
00:47:26,410 --> 00:47:28,145
BECAUSE I PLAY FOOTBALL.
1065
00:47:28,145 --> 00:47:31,148
MY, AREN'T WE SENSITIVE?
1066
00:47:31,148 --> 00:47:33,383
YEAH, WELL, YOU WANNA KNOW
1067
00:47:33,383 --> 00:47:34,518
WHAT'S ON MY MIND?
1068
00:47:34,518 --> 00:47:37,087
I'LL TELL YOU WHAT'S ON MY MIND.
1069
00:47:37,087 --> 00:47:39,256
HEY, LOOK AT ME WHEN
1070
00:47:39,256 --> 00:47:41,058
I'M TALKING TO YOU.
1071
00:47:44,995 --> 00:47:46,096
I'M TIRED OF YOUR GODDAMNED
1072
00:47:46,096 --> 00:47:50,033
SUPERIOR ATTITUDE.
1073
00:47:50,033 --> 00:47:50,934
YOU DIDN'T FEEL
1074
00:47:50,934 --> 00:47:52,102
THAT WAY A LITTLE WHILE AGO.
1075
00:47:52,102 --> 00:47:53,170
[ CHUCKLE ]
1076
00:47:53,170 --> 00:47:53,670
MAYBE THERE'S MORE
1077
00:47:53,670 --> 00:47:55,072
TO ME THAN YOU THINK.
1078
00:47:55,072 --> 00:47:55,639
AND MAYBE IT TAKES
1079
00:47:55,639 --> 00:47:56,440
A LITTLE MORE THAN A PIECE
1080
00:47:56,440 --> 00:47:58,008
OF ASS TO MAKE ME HAPPY.
1081
00:47:58,008 --> 00:48:02,145
AND DON'T CATCH A COLD.
1082
00:48:02,145 --> 00:48:04,047
SON OF A BITCH!
1083
00:48:04,047 --> 00:48:06,083
[ LOUD DANCE MUSIC PLAYING ]
1084
00:48:50,193 --> 00:48:52,396
[ SCREAMS ]
1085
00:49:05,242 --> 00:49:07,311
[ CHOKING ]
1086
00:49:16,420 --> 00:49:18,322
[ WHEEZING ]
1087
00:49:33,103 --> 00:49:34,771
HELLO?
1088
00:49:38,408 --> 00:49:41,011
HELLO?
1089
00:49:58,095 --> 00:49:59,663
[ SHRIEKS ]
1090
00:49:59,663 --> 00:50:01,598
IT'S ONLY US.
1091
00:50:01,598 --> 00:50:02,632
DON'T WORRY.
1092
00:50:02,632 --> 00:50:03,300
WHAT IS IT?
1093
00:50:03,300 --> 00:50:04,167
DID YOU GET ANOTHER
1094
00:50:04,167 --> 00:50:06,136
PSYCHIC IMPRESSION?
1095
00:50:06,136 --> 00:50:07,537
NO. I JUST WENT DOWN
1096
00:50:07,537 --> 00:50:08,271
TO THE DRESSING ROOM
1097
00:50:08,271 --> 00:50:09,272
AND THE DOOR'S LOCKED.
1098
00:50:09,272 --> 00:50:11,375
BUT, I MEAN, IT CAN ONLY
1099
00:50:11,375 --> 00:50:12,809
BE LOCKED FROM THE INSIDE.
1100
00:50:12,809 --> 00:50:15,178
OH, MY GOD.
1101
00:50:15,178 --> 00:50:16,413
THIS IS CLASSIC.
1102
00:50:16,413 --> 00:50:17,581
FIRST, THE BLOOD STAIN
1103
00:50:17,581 --> 00:50:18,448
THAT NEVER DRIES
1104
00:50:18,448 --> 00:50:19,449
AND NOW A DOOR THAT WAS
1105
00:50:19,449 --> 00:50:21,284
ONCE UNLOCKED IS LOCKED AGAIN.
1106
00:50:21,284 --> 00:50:23,487
I HATE TO BURST YOUR BUBBLE,
1107
00:50:23,487 --> 00:50:25,288
NANCY DREW, BUT I HAVE
1108
00:50:25,288 --> 00:50:26,223
AN EXPLANATION FOR
1109
00:50:26,223 --> 00:50:28,258
THIS AMAZING PHENOMENA.
1110
00:50:28,258 --> 00:50:30,627
REALLY? WHAT IS IT?
1111
00:50:30,627 --> 00:50:32,095
THE FIRST COUPLE OF CHURCHILL
1112
00:50:32,095 --> 00:50:33,296
HIGH ARE IN THERE SHAGGING
1113
00:50:33,296 --> 00:50:35,198
THEIR BRAINS OUT RIGHT NOW.
1114
00:50:35,198 --> 00:50:36,533
WELL, WHAT LITTLE THEY HAVE.
1115
00:50:36,533 --> 00:50:38,702
LET'S GO SPY ON THEM.
1116
00:50:38,702 --> 00:50:40,804
[ GIGGLES ]
1117
00:51:46,303 --> 00:51:47,637
TAYLOR?
1118
00:51:47,637 --> 00:51:48,772
WERE YOU AND ASHLEY DOWN THERE
1119
00:51:48,772 --> 00:51:50,140
IN THAT DRESSING ROOM?
1120
00:51:50,140 --> 00:51:51,541
WHAT'S IT TO YOU?
1121
00:51:51,541 --> 00:51:52,609
YOU TWO HAVE BEEN
1122
00:51:52,609 --> 00:51:53,810
DOWN THERE A LONG TIME.
1123
00:51:53,810 --> 00:51:55,278
I GUESS WE KNOW WHO
1124
00:51:55,278 --> 00:51:56,313
FINISHED FIRST.
1125
00:51:56,313 --> 00:51:58,248
[ GIGGLES ]
1126
00:52:04,521 --> 00:52:05,288
YOU THINK
1127
00:52:05,288 --> 00:52:08,158
YOU'RE FUNNY, TINKERBELL?
1128
00:52:08,158 --> 00:52:08,925
YOU'RE NOT SO BRAVE NOW,
1129
00:52:08,925 --> 00:52:11,862
ARE YOU?
1130
00:52:11,862 --> 00:52:13,897
[ SCREAMING ]
1131
00:52:23,406 --> 00:52:25,308
WHAT IS THAT?
1132
00:52:25,308 --> 00:52:28,411
OH, MY GOD!
1133
00:52:28,411 --> 00:52:30,413
STOP IT!
1134
00:52:30,413 --> 00:52:32,349
GET OFF ME!
1135
00:52:32,349 --> 00:52:34,184
WHAT THE...LET ME UP!
1136
00:52:36,386 --> 00:52:37,621
OH, MY GOD!
1137
00:52:37,621 --> 00:52:38,822
WHAT'S YOU'RE PROBLEM, MAN?
1138
00:52:38,822 --> 00:52:39,756
YOU KNOW HOW HARD
1139
00:52:39,756 --> 00:52:41,291
THAT THING WAS TO MAKE?
1140
00:52:41,291 --> 00:52:43,693
IS THAT GEORGE?
1141
00:52:43,693 --> 00:52:45,695
WHATEVER.
1142
00:52:45,695 --> 00:52:46,696
YOU TORE IT!
1143
00:52:46,696 --> 00:52:47,163
WELL, I SHOULD TEAR
1144
00:52:47,163 --> 00:52:47,831
YOUR WHOLE HEAD OFF.
1145
00:52:47,831 --> 00:52:48,732
WELL, WHAT ARE YOU
1146
00:52:48,732 --> 00:52:49,533
WAITING FOR?
1147
00:52:49,533 --> 00:52:50,066
WHAT ARE YOU THINKING,
1148
00:52:50,066 --> 00:52:50,934
SCARING THE SHIT OUT OF ME
1149
00:52:50,934 --> 00:52:51,701
LIKE THAT?
1150
00:52:51,701 --> 00:52:52,202
HEY, YOU WERE THE ONE
1151
00:52:52,202 --> 00:52:52,903
WHO JUST BARGED IN
1152
00:52:52,903 --> 00:52:53,970
SCREAMING YOUR HEAD OFF.
1153
00:52:53,970 --> 00:52:54,938
I WAS JUST RUNNING
1154
00:52:54,938 --> 00:52:55,906
AFTER YOU TO CALM YOU DOWN.
1155
00:52:55,906 --> 00:52:56,773
NO. YOU KNOW WHAT?
1156
00:52:56,773 --> 00:52:59,676
DON'T DO ME ANY FAVORS!
1157
00:52:59,676 --> 00:53:00,544
YOU SURE HAVE A WAY
1158
00:53:00,544 --> 00:53:02,279
WITH PEOPLE.
1159
00:53:06,950 --> 00:53:09,786
HEY, WHERE'S ASHLEY?
1160
00:53:09,786 --> 00:53:10,720
FOR THAT MATTER,
1161
00:53:10,720 --> 00:53:13,990
WHERE'S MISS GIBBY?
1162
00:53:15,992 --> 00:53:16,860
THINK SHE MIGHT
1163
00:53:16,860 --> 00:53:17,627
HAVE GONE HOME?
1164
00:53:17,627 --> 00:53:18,628
NOT UNLESS SHE WALKED.
1165
00:53:18,628 --> 00:53:20,297
WE CAME IN MY CAR.
1166
00:53:20,297 --> 00:53:21,331
SHE'S GOTTA BE AROUND HERE
1167
00:53:21,331 --> 00:53:23,767
SOMEWHERE.
1168
00:53:38,848 --> 00:53:40,250
UGH.
1169
00:53:40,250 --> 00:53:41,318
I FELT LIKE A BIMBO
1170
00:53:41,318 --> 00:53:42,452
IN SOME SLASHER MOVIE
1171
00:53:42,452 --> 00:53:43,353
SCREAMING LIKE THAT.
1172
00:53:43,353 --> 00:53:43,987
[ LAUGHS ]
1173
00:53:43,987 --> 00:53:44,888
I THOUGHT I WAS
1174
00:53:44,888 --> 00:53:45,989
THE ONE WHO WAS FREAKED.
1175
00:53:45,989 --> 00:53:46,890
YEAH, AND NOW
1176
00:53:46,890 --> 00:53:47,924
YOU'VE GOT ME GOING.
1177
00:53:47,924 --> 00:53:49,459
YOU SEE, IT'S ALL YOUR FAULT.
1178
00:53:49,459 --> 00:53:50,727
ARE YOU OKAY?
1179
00:53:50,727 --> 00:53:51,661
YEAH, I'LL LIVE.
1180
00:53:51,661 --> 00:53:52,495
YOU GUYS HAVEN'T
1181
00:53:52,495 --> 00:53:53,797
SEEN ASHLEY DOWN HERE, HAVE YOU?
1182
00:53:53,797 --> 00:53:54,631
NO.
1183
00:53:54,631 --> 00:53:56,366
I DON'T WANT TO.
1184
00:53:56,366 --> 00:53:56,866
TAYLOR'S REALLY
1185
00:53:56,866 --> 00:53:58,001
WORRIED ABOUT HER.
1186
00:53:58,001 --> 00:54:01,037
WELL, THAT'S JUST TOO BAD.
1187
00:54:01,037 --> 00:54:01,972
LOOK, SHE'S JUST YANKING
1188
00:54:01,972 --> 00:54:03,907
HIS CHAIN, YOU KNOW,
1189
00:54:03,907 --> 00:54:05,308
TRYING TO KEEP HIM IN LINE.
1190
00:54:05,308 --> 00:54:06,009
YOU'VE DONE IT TO GUYS
1191
00:54:06,009 --> 00:54:07,310
BEFORE, HAVEN'T YOU?
1192
00:54:07,310 --> 00:54:08,678
NO.
1193
00:54:08,678 --> 00:54:10,747
WELL, SHE'LL TURN UP...
1194
00:54:10,747 --> 00:54:12,716
LIKE A BAD RASH.
1195
00:54:12,716 --> 00:54:14,551
[ GIGGLES ]
1196
00:54:16,786 --> 00:54:17,787
SEE?
1197
00:54:17,787 --> 00:54:19,856
NOW EVERYONE'S FREAKED OUT.
1198
00:54:32,002 --> 00:54:32,869
WHAT DO YOU
1199
00:54:32,869 --> 00:54:35,705
THINK OF HIM ANYWAY?
1200
00:54:35,705 --> 00:54:38,842
WHO?
1201
00:54:38,842 --> 00:54:43,780
GEORGE.
1202
00:54:43,780 --> 00:54:44,914
AS REPRESSED
1203
00:54:44,914 --> 00:54:47,951
PSYCHOTICS GO, HE'S A PRINCE.
1204
00:54:47,951 --> 00:54:50,754
THERE'S JUST SOMETHING
1205
00:54:50,754 --> 00:54:54,090
ABOUT THE WAY HE LOOKS AT ME.
1206
00:54:54,090 --> 00:54:55,392
I CAN'T TELL
1207
00:54:55,392 --> 00:54:57,961
IF HE'S AN OKAY GUY OR NOT.
1208
00:54:57,961 --> 00:55:00,597
WELL, HE'S DEFINITELY
1209
00:55:00,597 --> 00:55:02,866
NOT THE BOY NEXT DOOR.
1210
00:55:03,833 --> 00:55:04,968
I'M JUST NOT
1211
00:55:04,968 --> 00:55:05,735
A REAL GOOD JUDGE
1212
00:55:05,735 --> 00:55:08,071
OF WHAT'S NORMAL THESE DAYS.
1213
00:55:09,506 --> 00:55:10,340
SOMEONE SHOULD
1214
00:55:10,340 --> 00:55:11,608
GO CHECK UP ON MISS GIBBY.
1215
00:55:11,608 --> 00:55:13,343
I THINK I'LL GO CALL THE SCHOOL.
1216
00:55:13,343 --> 00:55:15,045
ALL RIGHT.
1217
00:55:34,564 --> 00:55:36,599
[ SCOFFS ]
1218
00:55:43,973 --> 00:55:45,975
I'M SORRY FOR WHAT I SAID.
1219
00:55:45,975 --> 00:55:47,711
FORGET IT.
1220
00:55:47,711 --> 00:55:49,012
I SHOULD HAVE THOUGHT
1221
00:55:49,012 --> 00:55:50,814
ABOUT HOW YOU'D REACT.
1222
00:55:50,814 --> 00:55:52,148
WELL, I CAN'T EXPECT
1223
00:55:52,148 --> 00:55:55,985
EVERYONE TO UNDERSTAND.
1224
00:55:55,985 --> 00:55:57,887
HEY, PEOPLE SKILLS WERE
1225
00:55:57,887 --> 00:56:00,890
NEVER ONE OF MY STRONG POINTS.
1226
00:56:03,526 --> 00:56:06,496
DID YOU REALLY MAKE THIS?
1227
00:56:09,966 --> 00:56:11,101
STAYED UP ALL NIGHT
1228
00:56:11,101 --> 00:56:12,535
WORKING ON IT.
1229
00:56:12,535 --> 00:56:14,738
THIS PLACE INSPIRED ME.
1230
00:56:14,738 --> 00:56:18,842
WOW.
1231
00:56:18,842 --> 00:56:19,642
YOU MUST LIKE
1232
00:56:19,642 --> 00:56:23,880
ALL THOSE SPLATTER MOVIES.
1233
00:56:23,880 --> 00:56:27,150
WELL, IT'S NOT
1234
00:56:27,150 --> 00:56:28,852
THE BLOOD AND GORE.
1235
00:56:28,852 --> 00:56:30,019
IT'S THE CHALLENGE
1236
00:56:30,019 --> 00:56:30,854
TO TAKE SOMETHING FAKE
1237
00:56:30,854 --> 00:56:33,423
AND CONVINCE PEOPLE IT'S REAL.
1238
00:56:33,423 --> 00:56:34,190
OH, MY GOD!
1239
00:56:34,190 --> 00:56:35,058
WAIT A MINUTE.
1240
00:56:35,058 --> 00:56:36,192
WAIT, WAIT, WAIT.
1241
00:56:36,192 --> 00:56:38,161
IT'S JUST A BLOOD TUBE TAPED
1242
00:56:38,161 --> 00:56:40,029
TO A DULL BLADE.
1243
00:56:40,029 --> 00:56:41,998
YOU'RE CRAZY.
1244
00:56:41,998 --> 00:56:45,668
I MADE IT MYSELF.
1245
00:56:45,668 --> 00:56:48,938
TASTE IT.
1246
00:56:48,938 --> 00:56:53,877
NO WAY.
1247
00:56:53,877 --> 00:56:55,645
100% EDIBLE.
1248
00:56:55,645 --> 00:56:57,947
TRUST ME.
1249
00:57:04,621 --> 00:57:06,222
UGH!
1250
00:57:10,960 --> 00:57:11,895
IT'S SWEET.
1251
00:57:11,895 --> 00:57:13,663
CORN SYRUP.
1252
00:57:13,663 --> 00:57:15,565
YOU CAN PUT IT ON YOUR PANCAKES.
1253
00:57:15,565 --> 00:57:16,866
IS THAT WHAT THEY ALWAYS USE?
1254
00:57:16,866 --> 00:57:18,001
THEY USED TO USE CHOCOLATE
1255
00:57:18,001 --> 00:57:19,836
SYRUP IN BLACK AND WHITE FILMS.
1256
00:57:19,836 --> 00:57:22,539
PHOTOGRAPHS BETTER.
1257
00:57:26,776 --> 00:57:28,244
[ CLATTERING ]
1258
00:57:30,980 --> 00:57:32,081
WHAT ARE YOU DOING?
1259
00:57:32,081 --> 00:57:34,184
OH, I'M JUST TAKING
1260
00:57:34,184 --> 00:57:34,784
SOME REJECTS DOWN TO THE MAIN
1261
00:57:34,784 --> 00:57:36,653
STOREROOM IN THE BASEMENT.
1262
00:57:36,653 --> 00:57:37,954
YOU MEAN THERE'S MORE?
1263
00:57:37,954 --> 00:57:38,888
YES.
1264
00:57:38,888 --> 00:57:39,989
ACCORDING TO MISS GIBBY,
1265
00:57:39,989 --> 00:57:40,890
THAT ROOM IS JUST
1266
00:57:40,890 --> 00:57:41,991
THE TIP OF THE ICEBERG.
1267
00:57:41,991 --> 00:57:43,760
HEY, HAVE YOU CALLED HER YET?
1268
00:57:43,760 --> 00:57:46,930
NO. I'M GONNA GO
1269
00:57:46,930 --> 00:57:47,931
CALL HER RIGHT NOW.
1270
00:57:47,931 --> 00:57:50,033
OKAY.
1271
00:57:50,033 --> 00:57:52,268
LATER.
1272
00:57:56,873 --> 00:57:58,708
I THINK I'D BETTER
1273
00:57:58,708 --> 00:58:00,610
GO MAKE THAT CALL.
1274
00:58:45,955 --> 00:58:47,924
OW!
1275
00:58:55,999 --> 00:58:58,167
GEORGE, WHAT ARE YOU DOING BACK
1276
00:58:58,167 --> 00:59:01,104
IN THAT STUPID OUTFIT?
1277
00:59:01,104 --> 00:59:04,173
I THINK MY TOE'S BROKEN.
1278
00:59:04,173 --> 00:59:06,309
WHAT ARE YOU DOING BACK THERE?
1279
00:59:10,847 --> 00:59:11,948
[ SCREAMS ]
1280
00:59:11,948 --> 00:59:12,982
GOD!
1281
00:59:12,982 --> 00:59:13,917
THERE'S SOMETHING
1282
00:59:13,917 --> 00:59:15,919
DEFINITELY WRONG WITH YOU!
1283
00:59:15,919 --> 00:59:17,787
GOD.
1284
00:59:20,757 --> 00:59:21,858
NO!
1285
00:59:21,858 --> 00:59:23,059
NO!
1286
00:59:25,929 --> 00:59:28,698
[ PANTING ]
1287
01:00:05,001 --> 01:00:06,269
[ ROPE WHIPS ]
1288
01:00:06,269 --> 01:00:08,938
[ SCREAMS ]
1289
01:00:14,277 --> 01:00:16,212
[ SCREAMS ]
1290
01:00:33,997 --> 01:00:35,798
[ SHRIEKS ]
1291
01:00:44,974 --> 01:00:46,743
[ SCREAMS ]
1292
01:00:54,117 --> 01:00:56,252
[ GRUNTS ]
1293
01:01:07,030 --> 01:01:08,931
[ SHRIEKS ]
1294
01:01:20,910 --> 01:01:23,179
[ GASPS ]
1295
01:01:25,014 --> 01:01:27,283
[ TELEPHONE RINGS ]
1296
01:01:27,283 --> 01:01:28,751
CHURCHILL HIGH SCHOOL.
1297
01:01:28,751 --> 01:01:29,886
HI. MY NAME IS KATE WILLIAMS
1298
01:01:29,886 --> 01:01:30,987
AND I'M WORKING WITH
1299
01:01:30,987 --> 01:01:31,888
THE DRAMA CLASS ON
1300
01:01:31,888 --> 01:01:32,889
THE THEATER RENOVATION DOWNTOWN.
1301
01:01:32,889 --> 01:01:34,057
UH-HUH?
1302
01:01:34,057 --> 01:01:36,059
WELL, MISS GIBBY WAS SUPPOSED
1303
01:01:36,059 --> 01:01:37,060
TO BE HERE TODAY
1304
01:01:37,060 --> 01:01:38,027
AND WE HAVEN'T SEEN HER.
1305
01:01:38,027 --> 01:01:38,895
AND I WAS WONDERING
1306
01:01:38,895 --> 01:01:39,962
IF SHE WAS THERE.
1307
01:01:39,962 --> 01:01:41,497
NO, SHE ISN'T.
1308
01:01:41,497 --> 01:01:42,965
ARE YOU SURE?
1309
01:01:42,965 --> 01:01:44,200
YES, I AM SURE.
1310
01:01:44,200 --> 01:01:45,168
I'M THE CUSTODIAN
1311
01:01:45,168 --> 01:01:46,269
AND EVERYONE'S ON HOLIDAY
1312
01:01:46,269 --> 01:01:47,870
EXCEPT FOR ME.
1313
01:01:47,870 --> 01:01:49,005
SHE'S PROBABLY HEADED OUT
1314
01:01:49,005 --> 01:01:49,872
WITH HER CLASS--
1315
01:01:49,872 --> 01:01:50,907
[ PHONE CUTS OUT ]
1316
01:01:50,907 --> 01:01:52,141
HELLO?
1317
01:01:52,141 --> 01:01:56,112
HELLO?
1318
01:01:58,481 --> 01:02:00,516
DAMN.
1319
01:02:21,337 --> 01:02:22,839
DAMN!
1320
01:02:22,839 --> 01:02:24,407
ANY LUCK?
1321
01:02:24,407 --> 01:02:25,074
THEY KNEW HOW
1322
01:02:25,074 --> 01:02:26,142
TO BUILD 'EM BACK THEN.
1323
01:02:26,142 --> 01:02:27,043
HOW ABOUT YOU?
1324
01:02:27,043 --> 01:02:27,510
ALL THE EXITS
1325
01:02:27,510 --> 01:02:28,311
ARE CHAINED FROM THE OUTSIDE
1326
01:02:28,311 --> 01:02:29,078
AND ALL THE WINDOWS
1327
01:02:29,078 --> 01:02:30,246
ARE BARRED AND BOARDED OVER.
1328
01:02:30,246 --> 01:02:31,981
GREAT, JUST GREAT.
1329
01:02:31,981 --> 01:02:33,082
WHAT I DON'T UNDERSTAND
1330
01:02:33,082 --> 01:02:34,851
IS WHO LOCKED US IN HERE?
1331
01:02:34,851 --> 01:02:36,152
I MEAN, WHO WOULD HAVE KEYS?
1332
01:02:36,152 --> 01:02:37,954
I MEAN, THERE'S MR. CARUTHERS
1333
01:02:37,954 --> 01:02:39,489
AND MISS GIBBY.
1334
01:02:39,489 --> 01:02:40,289
MISS GIBBY GAVE THEM
1335
01:02:40,289 --> 01:02:41,891
TO GEORGE LAST NIGHT.
1336
01:02:41,891 --> 01:02:43,226
GEORGE, HUH?
1337
01:02:43,226 --> 01:02:44,560
WHERE IS HE ANYWAY?
1338
01:02:44,560 --> 01:02:45,828
THAT'S WHAT I'D LIKE TO KNOW.
1339
01:02:45,828 --> 01:02:46,429
HE'S IN THE BASEMENT.
1340
01:02:46,429 --> 01:02:47,530
I DON'T THINK HE DID THIS.
1341
01:02:47,530 --> 01:02:48,331
WHY NOT?
1342
01:02:48,331 --> 01:02:49,232
AFTER ALL THE OTHER CRAP
1343
01:02:49,232 --> 01:02:50,133
HE'S PULLED?
1344
01:02:50,133 --> 01:02:52,001
MAYBE IT'S ONE OF
1345
01:02:52,001 --> 01:02:53,436
WALNUT'S PARANORMAL OCCURRENCES.
1346
01:02:53,436 --> 01:02:55,037
THAT'S NOT FUNNY.
1347
01:02:55,037 --> 01:02:56,072
OKAY, FIRST MISS GIBBY
1348
01:02:56,072 --> 01:02:56,572
DOESN'T SHOW UP,
1349
01:02:56,572 --> 01:02:57,907
THEN ASHLEY DISAPPEARS.
1350
01:02:57,907 --> 01:02:59,976
NOW THIS IS NOT LIKE
1351
01:02:59,976 --> 01:03:01,911
ANY HAUNTING I'VE EVER HEARD OF.
1352
01:03:01,911 --> 01:03:02,945
MONICA!
1353
01:03:02,945 --> 01:03:03,546
I LEFT HER ALONE
1354
01:03:03,546 --> 01:03:04,213
IN THE BASEMENT.
1355
01:03:04,213 --> 01:03:05,515
I GOTTA GO CHECK ON HER.
1356
01:03:05,515 --> 01:03:06,549
WE SHOULD CALL
1357
01:03:06,549 --> 01:03:07,383
FOR HELP, OKAY?
1358
01:03:07,383 --> 01:03:08,417
MAYBE THE OFFICE PHONES
1359
01:03:08,417 --> 01:03:10,520
ARE WORKING.
1360
01:03:18,394 --> 01:03:21,564
MONICA?
1361
01:03:21,564 --> 01:03:23,366
MONICA?
1362
01:03:25,168 --> 01:03:26,469
GEORGE?
1363
01:03:26,469 --> 01:03:29,438
HAVE YOU SEEN MONICA?
1364
01:03:37,880 --> 01:03:40,950
MONICA?
1365
01:03:40,950 --> 01:03:41,951
DID YOU FIND HER?
1366
01:03:41,951 --> 01:03:43,886
NO. SHE WASN'T THERE AND
1367
01:03:43,886 --> 01:03:45,154
I COULDN'T FIND GEORGE EITHER.
1368
01:03:45,154 --> 01:03:46,122
MORE GOOD NEWS.
1369
01:03:46,122 --> 01:03:47,590
THE OFFICE PHONES ARE DEAD, TOO.
1370
01:03:47,590 --> 01:03:48,624
SO NOW WHAT?
1371
01:03:48,624 --> 01:03:50,193
ASHLEY HAS A CELL PHONE.
1372
01:03:50,193 --> 01:03:52,161
SHE KEEPS IT IN HER BAG.
1373
01:03:52,161 --> 01:03:54,530
THANK GOD FOR TECHNOLOGY.
1374
01:04:00,636 --> 01:04:02,271
OH, THE SIGNAL'S REAL WEAK.
1375
01:04:02,271 --> 01:04:03,039
SHE NEVER REMEMBERS
1376
01:04:03,039 --> 01:04:04,974
TO CHARGE THE BATTERY.
1377
01:04:04,974 --> 01:04:07,944
[ DIALING PHONE ]
1378
01:04:07,944 --> 01:04:08,911
SHIT!
1379
01:04:08,911 --> 01:04:09,645
WHAT IS IT?
1380
01:04:09,645 --> 01:04:10,313
THERE'S TOO MUCH
1381
01:04:10,313 --> 01:04:10,980
INTERFERENCE.
1382
01:04:10,980 --> 01:04:11,647
WELL, MOVE AROUND.
1383
01:04:11,647 --> 01:04:12,515
MAYBE IT'LL CLEAR UP.
1384
01:04:12,515 --> 01:04:13,416
FIND SOME HIGHER GROUND.
1385
01:04:13,416 --> 01:04:14,884
SHUT UP SO I CAN HEAR.
1386
01:04:14,884 --> 01:04:17,053
GET UP ON THE STAGE.
1387
01:04:20,056 --> 01:04:20,957
HOLD ON.
1388
01:04:20,957 --> 01:04:22,191
I THINK I GOT SOMETHING.
1389
01:04:22,191 --> 01:04:24,594
NO, I'VE LOST IT AGAIN!
1390
01:04:24,594 --> 01:04:26,395
OH, WAIT, I GOT IT!
1391
01:04:26,395 --> 01:04:27,663
[ SCREAMING ]
1392
01:04:30,900 --> 01:04:32,301
ASHLEY!
1393
01:04:32,301 --> 01:04:34,337
[ CRYING ]
1394
01:04:34,337 --> 01:04:35,137
THOSE SPIRITS
1395
01:04:35,137 --> 01:04:35,938
DON'T HURT PEOPLE!
1396
01:04:35,938 --> 01:04:36,906
THEY DON'T!
1397
01:04:36,906 --> 01:04:37,907
NOT IN ANYTHING I'VE EVER READ!
1398
01:04:37,907 --> 01:04:38,908
THIS WASN'T
1399
01:04:38,908 --> 01:04:39,942
ANY FUCKING GHOST!
1400
01:04:39,942 --> 01:04:42,044
SOME GODDAMNED SICKO KILLED HER!
1401
01:04:42,044 --> 01:04:43,946
OH, MY GOD!
1402
01:04:43,946 --> 01:04:45,982
YOU, YOU SON OF A BITCH!
1403
01:04:45,982 --> 01:04:46,983
WHY'D YOU DO IT?
1404
01:04:46,983 --> 01:04:47,917
WHAT THE HELL
1405
01:04:47,917 --> 01:04:48,484
ARE YOU TALKING ABOUT?
1406
01:04:48,484 --> 01:04:49,218
WHERE HAVE YOU
1407
01:04:49,218 --> 01:04:49,952
BEEN ALL THIS TIME?
1408
01:04:49,952 --> 01:04:51,020
YOU KILLED HER!
1409
01:04:51,020 --> 01:04:52,021
WHAT ARE YOU DOING?
1410
01:04:52,021 --> 01:04:53,956
LISTEN, DUMB SHIT!
1411
01:04:53,956 --> 01:04:54,924
I DIDN'T KILL HER!
1412
01:04:54,924 --> 01:04:55,958
BUT WHOEVER DID IS STILL
1413
01:04:55,958 --> 01:04:57,293
IN THIS BUILDING!
1414
01:04:57,293 --> 01:04:58,227
HE'S RIGHT!
1415
01:04:58,227 --> 01:04:59,395
THERE COULD BE SOMEONE ELSE
1416
01:04:59,395 --> 01:05:00,630
IN HERE.
1417
01:05:00,630 --> 01:05:01,497
THEN WHAT ARE WE GONNA DO?
1418
01:05:01,497 --> 01:05:02,932
HOW WE GONNA GET OUTTA HERE?
1419
01:05:02,932 --> 01:05:03,466
THE ROOF!
1420
01:05:03,466 --> 01:05:04,133
WHAT?
1421
01:05:04,133 --> 01:05:05,001
WE COULD GO UP
1422
01:05:05,001 --> 01:05:05,701
TO THE ROOF AND CALL FOR HELP.
1423
01:05:05,701 --> 01:05:07,270
THERE'S A SET OF STAIRS
1424
01:05:07,270 --> 01:05:08,437
AT THE BACK OF THE BALCONY.
1425
01:05:08,437 --> 01:05:09,171
WHAT ARE WE SUPPOSED
1426
01:05:09,171 --> 01:05:10,072
TO DO ONCE WE'RE UP THERE?
1427
01:05:10,072 --> 01:05:10,973
MAKE NOISE!
1428
01:05:10,973 --> 01:05:11,540
BUILD A FIRE!
1429
01:05:11,540 --> 01:05:12,942
ANYTHING TO ATTRACT ATTENTION!
1430
01:05:12,942 --> 01:05:14,110
I DON'T KNOW.
1431
01:05:14,110 --> 01:05:14,977
[ CRYING ]
1432
01:05:14,977 --> 01:05:15,444
OH, GOD, COME ON.
1433
01:05:15,444 --> 01:05:15,945
IT'S BETTER THAN TRYING
1434
01:05:15,945 --> 01:05:17,380
TO BREAK OPEN THOSE FRONT DOORS!
1435
01:05:17,380 --> 01:05:19,582
WHAT DO YOU THINK, KATE?
1436
01:05:19,582 --> 01:05:21,250
IT'S WORTH A SHOT.
1437
01:05:21,250 --> 01:05:23,052
[ SCREAMS ]
1438
01:05:23,052 --> 01:05:24,186
MARTY!
1439
01:05:24,186 --> 01:05:26,589
JESUS!
1440
01:05:26,589 --> 01:05:27,657
MARTY!
1441
01:05:27,657 --> 01:05:28,691
MARTY!
1442
01:05:28,691 --> 01:05:29,358
MARTY!
1443
01:05:29,358 --> 01:05:30,993
HELP ME!
1444
01:05:30,993 --> 01:05:32,194
MARTY, CAN YOU HEAR US?
1445
01:05:32,194 --> 01:05:33,195
ARE YOU OKAY?
1446
01:05:33,195 --> 01:05:34,363
I'M GETTING THE FUCK
1447
01:05:34,363 --> 01:05:35,131
OUTTA HERE!
1448
01:05:35,131 --> 01:05:36,299
WHAT ARE YOU TALKING ABOUT?
1449
01:05:36,299 --> 01:05:37,400
WE'VE GOTTA HELP MARTY!
1450
01:05:37,400 --> 01:05:38,234
TO HELL WITH HIM!
1451
01:05:38,234 --> 01:05:38,701
YOU CAN'T JUST
1452
01:05:38,701 --> 01:05:39,568
LEAVE HIM DOWN THERE!
1453
01:05:39,568 --> 01:05:40,236
JUST WATCH ME.
1454
01:05:40,236 --> 01:05:40,803
I'M GOING UP ON THE ROOF AND
1455
01:05:40,803 --> 01:05:42,171
CALLING FOR HELP LIKE HE SAID.
1456
01:05:42,171 --> 01:05:43,339
TAYLOR!
1457
01:05:43,339 --> 01:05:44,273
FORGET HIM!
1458
01:05:44,273 --> 01:05:45,274
I'LL GO WITH YOU.
1459
01:05:45,274 --> 01:05:46,208
COME ON.
1460
01:05:46,208 --> 01:05:48,077
WALNUT?
1461
01:05:48,077 --> 01:05:49,011
I DON'T KNOW.
1462
01:05:49,011 --> 01:05:50,046
I'M AFRAID.
1463
01:05:50,046 --> 01:05:51,047
LOOK, I'M GOING.
1464
01:05:51,047 --> 01:05:52,682
ARE YOU COMING OR NOT?
1465
01:06:40,262 --> 01:06:41,697
SHIT!
1466
01:06:41,697 --> 01:06:43,766
[ GRUNTING ]
1467
01:06:52,641 --> 01:06:53,576
WHICH WAY?
1468
01:06:53,576 --> 01:06:55,144
DOWN HERE.
1469
01:07:18,801 --> 01:07:20,569
WHO THE HELL ARE YOU?
1470
01:07:20,569 --> 01:07:23,239
WHY ARE YOU DOING THIS?
1471
01:07:26,742 --> 01:07:28,377
[ WHIMPERING ]
1472
01:07:28,377 --> 01:07:29,111
[ POUNDING ]
1473
01:07:29,111 --> 01:07:30,146
MARTY!
1474
01:07:30,146 --> 01:07:31,781
HELP ME, YOU GUYS!
1475
01:07:31,781 --> 01:07:32,848
I'M IN HERE!
1476
01:07:32,848 --> 01:07:34,150
HE'S STILL ALIVE.
1477
01:07:34,150 --> 01:07:35,751
[ PANTING ]
1478
01:07:37,386 --> 01:07:40,222
MARTY, WE'RE COMING!
1479
01:07:40,222 --> 01:07:41,857
I CAN'T FIND THE RIGHT KEY!
1480
01:07:41,857 --> 01:07:42,658
HERE!
1481
01:07:42,658 --> 01:07:45,227
[ PANTS ]
1482
01:07:45,227 --> 01:07:48,130
HERE, TRY THIS ONE.
1483
01:07:48,130 --> 01:07:50,366
[ SCREAMING ]
1484
01:07:54,837 --> 01:07:55,538
PERFECT!
1485
01:07:55,538 --> 01:07:57,306
THAT'S JUST WHAT WE NEED!
1486
01:08:04,346 --> 01:08:07,216
MARTY?
1487
01:08:07,216 --> 01:08:08,417
MARTY?
1488
01:08:08,417 --> 01:08:10,352
COME ON, STAY CLOSE.
1489
01:08:10,352 --> 01:08:11,720
MARTY?
1490
01:08:11,720 --> 01:08:13,756
WHERE THE HELL IS HE?
1491
01:08:13,756 --> 01:08:15,858
HERE'S SOME CANDLES.
1492
01:08:15,858 --> 01:08:16,859
DO YOU HAVE A LIGHT?
1493
01:08:16,859 --> 01:08:18,761
YEAH, HOLD ON.
1494
01:08:18,761 --> 01:08:22,331
OKAY.
1495
01:08:22,331 --> 01:08:23,799
STAY CLOSE, OKAY?
1496
01:08:23,799 --> 01:08:27,203
OKAY.
1497
01:08:27,203 --> 01:08:29,538
MARTY?
1498
01:08:29,538 --> 01:08:31,540
OH.
1499
01:08:31,540 --> 01:08:32,842
WATCH OUT.
1500
01:08:32,842 --> 01:08:38,247
LOOK AT ALL THIS STUFF.
1501
01:08:38,247 --> 01:08:41,884
MARTY?
1502
01:08:44,553 --> 01:08:46,722
IT'S OKAY.
1503
01:08:46,722 --> 01:08:48,724
OH, GOD.
1504
01:08:48,724 --> 01:08:50,626
LOOK AT THAT.
1505
01:08:50,626 --> 01:08:52,728
THIS IS REALLY CREEPY.
1506
01:09:00,569 --> 01:09:02,805
MAN, IT STINKS IN HERE.
1507
01:09:02,805 --> 01:09:06,342
SMELLS LIKE SOMETHING BURNT.
1508
01:09:13,382 --> 01:09:15,584
WHAT THE HELL IS THAT?
1509
01:09:18,420 --> 01:09:19,288
[ SCREAMS ]
1510
01:09:19,288 --> 01:09:21,857
OH, MY GOD!
1511
01:09:21,857 --> 01:09:22,892
IT'S OKAY, IT'S OKAY!
1512
01:09:22,892 --> 01:09:23,626
OH, MY GOD!
1513
01:09:23,626 --> 01:09:24,360
IT'S OKAY.
1514
01:09:24,360 --> 01:09:24,827
THERE'S NOTHING
1515
01:09:24,827 --> 01:09:25,728
WE CAN DO FOR HIM.
1516
01:09:25,728 --> 01:09:26,562
THERE'S NOTHING WE CAN DO
1517
01:09:26,562 --> 01:09:27,396
FOR HIM, SO LET'S JUST
1518
01:09:27,396 --> 01:09:27,863
CONCENTRATE ON
1519
01:09:27,863 --> 01:09:29,398
GETTING OUT OF HERE, OKAY?
1520
01:09:29,398 --> 01:09:30,799
THE KILLER WAS JUST HERE
1521
01:09:30,799 --> 01:09:31,667
WHICH MEANS THERE'S
1522
01:09:31,667 --> 01:09:32,902
GOT TO BE ANOTHER WAY OUT.
1523
01:09:32,902 --> 01:09:33,903
THAT'S THE ONLY DOOR.
1524
01:09:33,903 --> 01:09:35,237
HELP ME FIND IT.
1525
01:09:35,237 --> 01:09:35,971
OKAY.
1526
01:09:35,971 --> 01:09:36,772
OKAY?
1527
01:09:36,772 --> 01:09:37,907
JUST START TAPPING ON THE WALL.
1528
01:09:37,907 --> 01:09:38,841
IT'S OKAY.
1529
01:09:38,841 --> 01:09:39,875
I'LL BE WITH YOU
1530
01:09:39,875 --> 01:09:41,911
I'M NOT GONNA LEAVE YOU.
1531
01:09:41,911 --> 01:09:44,346
OH, GOOD.
1532
01:09:44,346 --> 01:09:45,481
IT'S OKAY.
1533
01:09:45,481 --> 01:09:47,750
[ TAPPING ]
1534
01:09:53,355 --> 01:09:54,390
HEY.
1535
01:09:54,390 --> 01:09:54,957
THERE IT IS. YOU GOT IT.
1536
01:09:54,957 --> 01:09:57,726
OKAY, LET'S SEE.
1537
01:10:02,631 --> 01:10:03,866
BINGO.
1538
01:10:03,866 --> 01:10:04,900
COME ON.
1539
01:10:04,900 --> 01:10:06,802
LET'S GET OUTTA HERE.
1540
01:10:12,975 --> 01:10:14,710
THERE IT IS!
1541
01:10:14,710 --> 01:10:15,644
OH, GOD, I CAN'T BELIEVE
1542
01:10:15,644 --> 01:10:16,912
THIS IS HAPPENING.
1543
01:10:16,912 --> 01:10:18,380
NO ONE'S GONNA SEE US UP THERE.
1544
01:10:18,380 --> 01:10:19,481
WE'RE ALL GONNA DIE!
1545
01:10:19,481 --> 01:10:19,982
SHUT UP AND FIND
1546
01:10:19,982 --> 01:10:21,917
SOMETHING TO BURN.
1547
01:10:21,917 --> 01:10:23,419
[ GRUNTS ]
1548
01:10:26,422 --> 01:10:28,490
YOU SEE? IT'S LOCKED!
1549
01:10:28,490 --> 01:10:28,958
I KNEW IT!
1550
01:10:28,958 --> 01:10:30,025
WE'RE TRAPPED IN HERE!
1551
01:10:30,025 --> 01:10:32,528
IT'S JUST STUCK!
1552
01:10:40,736 --> 01:10:42,671
YEAH, GIVE ME SOME
1553
01:10:42,671 --> 01:10:43,372
OF THOSE PAPERS.
1554
01:10:43,372 --> 01:10:44,640
HERE, HERE.
1555
01:10:44,640 --> 01:10:45,674
HURRY UP!
1556
01:10:45,674 --> 01:10:47,776
IT'S FREEZING!
1557
01:10:50,446 --> 01:10:52,414
TAYLOR, LOOK OUT!
1558
01:10:52,414 --> 01:10:53,949
[ SCREAMS ]
1559
01:10:55,284 --> 01:10:57,953
[ CRYING ]
1560
01:11:03,826 --> 01:11:05,494
[ GRUNTING ]
1561
01:11:31,854 --> 01:11:32,788
THAT'S IT.
1562
01:11:32,788 --> 01:11:33,756
I'M GONNA RIP THAT SMILE
1563
01:11:33,756 --> 01:11:35,824
RIGHT OFF YOUR FACE.
1564
01:11:37,593 --> 01:11:39,395
AH!
1565
01:11:41,864 --> 01:11:45,034
PLEASE HELP ME.
1566
01:11:45,034 --> 01:11:46,835
I DON'T WANNA DIE!
1567
01:11:46,835 --> 01:11:49,505
FOR GOD'S SAKE,
1568
01:11:49,505 --> 01:11:52,374
PLEASE...
1569
01:11:52,374 --> 01:11:54,476
PLEASE GIVE ME A HAND.
1570
01:11:54,476 --> 01:11:56,779
GIVE ME YOUR HAND!
1571
01:11:56,779 --> 01:11:58,580
[ SCREAMS ]
1572
01:12:02,885 --> 01:12:04,720
[ THUD ]
1573
01:12:24,606 --> 01:12:25,607
SO THIS IS HOW
1574
01:12:25,607 --> 01:12:27,076
HE'S BEEN GETTING AROUND.
1575
01:12:27,076 --> 01:12:30,813
NO WONDER WE HAVEN'T SEEN HIM.
1576
01:12:32,881 --> 01:12:36,919
UNBELIEVABLE.
1577
01:12:43,092 --> 01:12:45,828
LOOK, THERE'S A LIGHT.
1578
01:12:48,063 --> 01:12:50,766
[ GRUNTS ]
1579
01:12:56,038 --> 01:12:58,607
COME ON.
1580
01:13:06,749 --> 01:13:09,918
GREAT, ANOTHER DEAD END.
1581
01:13:20,796 --> 01:13:25,701
IT'S MY MOTHER.
1582
01:13:25,701 --> 01:13:26,702
ORSINI MUST HAVE BEEN
1583
01:13:26,702 --> 01:13:28,837
LIVING HERE SINCE THE MURDER.
1584
01:13:28,837 --> 01:13:32,775
LOOK, THERE'S A PICTURE.
1585
01:13:44,553 --> 01:13:46,922
HE DIDN'T DO IT.
1586
01:13:46,922 --> 01:13:50,559
HOW DO YOU KNOW THAT?
1587
01:13:50,559 --> 01:13:54,229
BECAUSE HE'S MY FATHER.
1588
01:13:54,229 --> 01:13:58,233
WHAT?
1589
01:13:58,233 --> 01:14:00,102
I FOUND SOME LETTERS
1590
01:14:00,102 --> 01:14:01,670
IN HER DRESSING ROOM.
1591
01:14:01,670 --> 01:14:06,508
THEY WERE GOING TO GET MARRIED.
1592
01:14:06,508 --> 01:14:09,545
ARE YOU SURE?
1593
01:14:10,779 --> 01:14:14,082
EVER SINCE WE CAME HERE,
1594
01:14:14,082 --> 01:14:16,885
I'VE BEEN HAVING THESE VISIONS.
1595
01:14:16,885 --> 01:14:17,886
IT'S LIKE I CAN ACTUALLY
1596
01:14:17,886 --> 01:14:21,223
SEE WHAT HAPPENED THAT NIGHT.
1597
01:14:21,223 --> 01:14:23,859
HE WAS WITH HER RIGHT
1598
01:14:23,859 --> 01:14:24,993
BEFORE SHE DIED,
1599
01:14:24,993 --> 01:14:27,796
BUT IT WAS SOMEBODY ELSE
1600
01:14:27,796 --> 01:14:29,932
WHO KILLED HER.
1601
01:14:29,932 --> 01:14:32,501
WELL, IF ORSINI'S INNOCENT,
1602
01:14:32,501 --> 01:14:35,871
THEN WHO KILLED HER?
1603
01:14:35,871 --> 01:14:38,874
AND WHO'S TRYING TO KILL US?
1604
01:14:38,874 --> 01:14:41,276
I DON'T KNOW, BUT WE'VE GOTTA
1605
01:14:41,276 --> 01:14:45,113
FIND A WAY TO GET OUTTA HERE.
1606
01:14:45,113 --> 01:14:48,684
COME ON THEN. LET'S GO.
1607
01:14:48,684 --> 01:14:50,152
COME ON.
1608
01:14:55,858 --> 01:14:57,860
[ CRYING ]
1609
01:15:16,879 --> 01:15:18,914
[ WHIMPERING ]
1610
01:15:44,806 --> 01:15:46,642
[ RAT SQUEAKING ]
1611
01:16:21,810 --> 01:16:23,779
[ SCREAMS ]
1612
01:16:40,862 --> 01:16:42,364
I THINK WE'RE ALMOST THERE.
1613
01:16:42,364 --> 01:16:44,733
LET'S HURRY.
1614
01:16:47,836 --> 01:16:48,904
SHIT!
1615
01:16:48,904 --> 01:16:49,371
I THOUGHT THIS WAS
1616
01:16:49,371 --> 01:16:51,273
THE WAY WE CAME.
1617
01:16:51,273 --> 01:16:52,808
LOOK.
1618
01:17:01,216 --> 01:17:02,851
[ WIND BLOWS ]
1619
01:17:05,053 --> 01:17:07,656
GEORGE, WHERE ARE YOU?
1620
01:17:11,893 --> 01:17:13,428
I'M RIGHT HERE.
1621
01:17:13,428 --> 01:17:16,031
FOLLOW MY VOICE.
1622
01:17:18,066 --> 01:17:19,835
KATE?
1623
01:17:19,835 --> 01:17:20,802
KATE?
1624
01:17:20,802 --> 01:17:22,971
GEORGE?
1625
01:17:22,971 --> 01:17:24,272
GEORGE?
1626
01:17:24,272 --> 01:17:26,408
ANSWER ME!
1627
01:17:39,921 --> 01:17:41,456
[ GASPS ]
1628
01:18:10,052 --> 01:18:14,856
HELLO?
1629
01:18:14,856 --> 01:18:16,925
WHO'S THERE?
1630
01:18:23,165 --> 01:18:25,901
[ SCREAMS ]
1631
01:18:25,901 --> 01:18:26,935
WAIT, KATE!
1632
01:18:26,935 --> 01:18:28,236
WAIT!
1633
01:18:28,236 --> 01:18:30,272
[ PANTING ]
1634
01:18:37,079 --> 01:18:40,182
KATHERINE, WAIT!
1635
01:18:57,466 --> 01:18:58,900
MISS WILLIAMS?
1636
01:18:58,900 --> 01:19:00,502
COME TO ME.
1637
01:19:00,502 --> 01:19:01,970
NO, KATHERINE!
1638
01:19:01,970 --> 01:19:04,106
DO NOT LISTEN TO HIM!
1639
01:19:04,106 --> 01:19:05,273
YOU'LL BE ALL RIGHT.
1640
01:19:05,273 --> 01:19:06,441
YOU'LL BE SAFE WITH ME.
1641
01:19:06,441 --> 01:19:07,843
COME ON.
1642
01:19:07,843 --> 01:19:09,811
MY GOOD FRIEND!
1643
01:19:09,811 --> 01:19:11,780
WHAT A FRIEND YOU ARE!
1644
01:19:11,780 --> 01:19:12,481
THAT'S LORENZO.
1645
01:19:12,481 --> 01:19:13,248
THE POLICE HAVE BEEN
1646
01:19:13,248 --> 01:19:14,316
AFTER HIM FOR YEARS.
1647
01:19:14,316 --> 01:19:14,983
COME ON.
1648
01:19:14,983 --> 01:19:15,851
YOU!
1649
01:19:15,851 --> 01:19:18,453
YOU WERE HELPING ME, HIDING ME.
1650
01:19:18,453 --> 01:19:20,889
ALL THIS TIME, I HAVE BEEN
1651
01:19:20,889 --> 01:19:22,424
A PRISONER IN THIS THEATER
1652
01:19:22,424 --> 01:19:23,925
BECAUSE OF YOU!
1653
01:19:23,925 --> 01:19:24,860
MISS WILLIAMS, COME ON.
1654
01:19:24,860 --> 01:19:26,862
YOU DESTROYED MY LOVE,
1655
01:19:26,862 --> 01:19:28,797
MY CAREER, MY LIFE!
1656
01:19:28,797 --> 01:19:29,965
DON'T LISTEN TO HIM.
1657
01:19:29,965 --> 01:19:30,999
YOU KILLED ME
1658
01:19:30,999 --> 01:19:32,467
A LONG TIME AGO.
1659
01:19:32,467 --> 01:19:37,038
NOW IT'S TIME FOR YOU TO DIE!
1660
01:19:37,038 --> 01:19:39,274
[ SCREAMS ]
1661
01:19:45,046 --> 01:19:47,482
[ PANTING ]
1662
01:19:52,487 --> 01:19:54,856
OH, KATE.
1663
01:19:54,856 --> 01:19:56,992
THE MINUTE I SAW YOU,
1664
01:19:56,992 --> 01:19:57,893
I KNEW FATE HAD GIVEN ME
1665
01:19:57,893 --> 01:19:59,561
A SECOND CHANCE.
1666
01:19:59,561 --> 01:20:01,263
WHAT?
1667
01:20:01,263 --> 01:20:03,298
THINGS DIDN'T WORK OUT
1668
01:20:03,298 --> 01:20:05,967
BETWEEN ME AND YOUR MOTHER,
1669
01:20:05,967 --> 01:20:08,870
BUT THEY CAN BE DIFFERENT NOW
1670
01:20:08,870 --> 01:20:11,540
WITH YOU AND ME.
1671
01:20:11,540 --> 01:20:17,245
STAY AWAY FROM ME!
1672
01:20:17,245 --> 01:20:21,616
HOW LIKE HER YOU ARE,
1673
01:20:21,616 --> 01:20:26,988
SO BEAUTIFUL, SO FOOLISH.
1674
01:20:26,988 --> 01:20:28,190
[ SCREAMS ]
1675
01:20:56,918 --> 01:20:59,120
MONICA?
1676
01:21:00,255 --> 01:21:02,257
[ CRYING ]
1677
01:21:02,257 --> 01:21:04,559
MONICA?
1678
01:21:07,929 --> 01:21:08,997
IT WAS A MISTAKE FOR
1679
01:21:08,997 --> 01:21:13,635
YOUR FRIENDS TO COME HERE.
1680
01:21:13,635 --> 01:21:15,503
WHEN THAT TEACHER OF YOURS
1681
01:21:15,503 --> 01:21:18,673
PERSISTED, I KNEW WHAT
1682
01:21:18,673 --> 01:21:21,910
I HAD TO DO.
1683
01:21:28,350 --> 01:21:30,252
YOU SEE, MY DEAR KATE,
1684
01:21:30,252 --> 01:21:34,956
I'VE PLAYED THIS ROLE BEFORE.
1685
01:21:34,956 --> 01:21:36,358
IT WAS YOU.
1686
01:21:36,358 --> 01:21:38,493
YOU KILLED MY MOTHER!
1687
01:21:38,493 --> 01:21:40,462
AND YOU FRAMED ORSINI.
1688
01:21:40,462 --> 01:21:42,998
YOU'RE A MONSTER!
1689
01:21:42,998 --> 01:21:47,168
OH, NOW, IS THAT FAIR?
1690
01:21:47,168 --> 01:21:51,039
BUT THEN, IS IT FAIR
1691
01:21:51,039 --> 01:21:54,276
FOR A MAN TO BE DENIED
1692
01:21:54,276 --> 01:21:56,645
THE ONE THING HE DESIRED
1693
01:21:56,645 --> 01:22:01,416
BEYOND LIFE?
1694
01:22:01,416 --> 01:22:02,250
I COULD HAVE GIVEN HER
1695
01:22:02,250 --> 01:22:06,955
EVERYTHING,
1696
01:22:06,955 --> 01:22:11,426
BUT SHE CHOSE HIM INSTEAD.
1697
01:22:11,426 --> 01:22:13,595
WHY IS IT THAT WOMEN WHO BECOME
1698
01:22:13,595 --> 01:22:17,699
ARTISTS MAKE SUCH BAD CHOICES?
1699
01:22:23,338 --> 01:22:24,673
WELL, NO MATTER.
1700
01:22:24,673 --> 01:22:28,043
TONIGHT THE STAGE IS MINE.
1701
01:22:28,043 --> 01:22:31,179
I HAVE EVERYTHING THAT A STAR
1702
01:22:31,179 --> 01:22:34,349
COULD ASK FOR,
1703
01:22:34,349 --> 01:22:35,617
CAPTIVE AUDIENCE,
1704
01:22:35,617 --> 01:22:38,286
BEAUTIFUL LEADING LADY
1705
01:22:38,286 --> 01:22:40,555
AND NO CRITICS.
1706
01:22:40,555 --> 01:22:41,990
LET ME GO.
1707
01:22:41,990 --> 01:22:42,757
AND DISAPPOINT
1708
01:22:42,757 --> 01:22:43,992
ALL THOSE PEOPLE?
1709
01:22:43,992 --> 01:22:44,993
NO.
1710
01:22:44,993 --> 01:22:47,028
THIS IS OUR FINAL PERFORMANCE,
1711
01:22:47,028 --> 01:22:48,663
YOURS AND MINE TOGETHER.
1712
01:22:48,663 --> 01:22:51,232
"PAGLIACCI", THE STORY OF
1713
01:22:51,232 --> 01:22:53,635
A MAN FORCED TO PLAY A CLOWN,
1714
01:22:53,635 --> 01:22:55,003
TO PRETEND THAT
1715
01:22:55,003 --> 01:22:57,605
HE'S HAPPY WHEN IN TRUTH
1716
01:22:57,605 --> 01:23:04,779
HIS HEART IS BREAKING...
1717
01:23:04,779 --> 01:23:07,682
[ CRYING ]
1718
01:23:10,552 --> 01:23:13,088
BECAUSE THE WOMAN HE LOVES
1719
01:23:13,088 --> 01:23:16,324
DOES NOT LOVE HIM.
1720
01:23:16,324 --> 01:23:19,594
SOUND FAMILIAR?
1721
01:23:19,594 --> 01:23:21,696
NOW WE'RE GOING TO PLAY OUT
1722
01:23:21,696 --> 01:23:25,266
MY FAVORITE PART,
1723
01:23:25,266 --> 01:23:27,702
MY FAVORITE SCENE.
1724
01:23:27,702 --> 01:23:31,606
JUST WAIT RIGHT THERE.
1725
01:23:31,606 --> 01:23:37,178
STAY JUST AS YOU ARE.
1726
01:23:37,178 --> 01:23:39,247
DON'T MOVE.
1727
01:23:43,318 --> 01:23:45,553
[ OPERA MUSIC PLAYS ]
1728
01:23:51,126 --> 01:23:52,660
[ GRUNTING ]
1729
01:23:58,333 --> 01:23:59,801
[ SHOUTING ]
1730
01:24:33,768 --> 01:24:36,538
[ LAUGHS ]
1731
01:24:38,440 --> 01:24:43,278
SING, KATE, SING.
1732
01:24:44,612 --> 01:24:46,748
SING.
1733
01:24:52,253 --> 01:24:55,590
COME ON, SING.
1734
01:24:57,625 --> 01:24:58,860
NOW! THAT'S THE SPOT.
1735
01:24:58,860 --> 01:25:03,698
NOW! NOW!
1736
01:25:03,698 --> 01:25:05,867
SING!
1737
01:25:05,867 --> 01:25:10,538
YOU KEEP MISSING YOUR CUE!
1738
01:25:10,538 --> 01:25:12,907
SING.
1739
01:25:12,907 --> 01:25:14,142
IF YOU'RE GONNA KILL ME,
1740
01:25:14,142 --> 01:25:16,611
JUST DO IT!
1741
01:25:31,192 --> 01:25:33,194
AH!
1742
01:25:40,768 --> 01:25:42,737
[ GRUNTING ]
1743
01:25:50,712 --> 01:25:53,248
BREAK A LEG.
1744
01:25:53,248 --> 01:25:54,649
[ SHOUTS ]
1745
01:26:11,199 --> 01:26:13,768
[ GROANS ]
1746
01:26:22,644 --> 01:26:25,480
[ GASPS ]
1747
01:26:25,480 --> 01:26:26,681
GEORGE!
1748
01:26:26,681 --> 01:26:28,683
I THOUGHT YOU WERE DEAD.
1749
01:26:28,683 --> 01:26:29,951
DON'T BELIEVE
1750
01:26:29,951 --> 01:26:31,986
EVERYTHING YOU SEE.
1751
01:26:35,957 --> 01:26:37,392
IT WAS YOUR FATHER
1752
01:26:37,392 --> 01:26:38,526
WHO GRABBED ME DOWNSTAIRS
1753
01:26:38,526 --> 01:26:40,328
AND HE TOLD ME EVERYTHING.
1754
01:26:40,328 --> 01:26:42,530
HE WAS TRYING TO HELP US
1755
01:26:42,530 --> 01:26:46,000
ALL ALONG.
1756
01:26:46,000 --> 01:26:49,404
I WANTED TO HELP, TOO.
1757
01:26:49,404 --> 01:26:51,472
GUESS I'M NOT SUCH
1758
01:26:51,472 --> 01:26:56,377
A HERO AFTER ALL.
1759
01:26:56,377 --> 01:27:00,014
YEAH, BUT YOUR PEOPLE SKILLS
1760
01:27:00,014 --> 01:27:01,616
ARE IMPROVING.
1761
01:27:01,616 --> 01:27:03,785
[ CHUCKLES ]
1762
01:27:03,785 --> 01:27:05,954
LET'S GET OUT OF HERE.
1763
01:27:07,722 --> 01:27:09,490
[ GRUNTS ]
1764
01:27:34,782 --> 01:27:37,919
♪ MUST BE SOMETHING HERE
1765
01:27:42,357 --> 01:27:45,727
♪ SOMETHING'S HAPPENED HERE
1766
01:27:49,664 --> 01:27:52,934
♪ I'VE BEEN DAYS OUT BEFORE
1767
01:27:52,934 --> 01:27:54,702
♪ THERE'VE BEEN WEEKS
1768
01:27:54,702 --> 01:27:58,373
♪ BUT NEVER MORE
1769
01:27:58,373 --> 01:28:00,642
♪ THEY'VE HAPPENED HERE
1770
01:28:04,679 --> 01:28:08,483
♪ I'VE PLANNED MY GREAT ESCAPE
1771
01:28:11,953 --> 01:28:13,321
♪ WITH NO NETS
1772
01:28:13,321 --> 01:28:14,789
♪ OR LITTLE STRINGS
1773
01:28:19,694 --> 01:28:22,497
♪ I'VE STEPPED OFF OF THE WIRE
1774
01:28:23,765 --> 01:28:26,968
♪ FELL OFF AND THEN RETIRED
1775
01:28:26,968 --> 01:28:30,571
♪ THERE'S NO GREAT ESCAPE
1776
01:28:34,942 --> 01:28:38,746
♪ NOTHING MATTERS HERE
1777
01:28:38,746 --> 01:28:41,449
♪ ALL THAT MATTERS NOW
1778
01:28:41,449 --> 01:28:43,718
♪ IS FOR SOMEONE ELSE
1779
01:28:43,718 --> 01:28:45,787
♪ TO APPEAR
1780
01:28:49,757 --> 01:28:53,795
♪ I'VE PASSED ON ALL MY BREAKS
1781
01:28:53,795 --> 01:28:56,764
♪ WAITING FOR MY LIFE
1782
01:28:56,764 --> 01:28:58,466
♪ TO GET OUT OF HERE
1783
01:28:58,466 --> 01:29:00,535
♪ AND INTO ME
1784
01:29:19,987 --> 01:29:23,791
♪ IF TOMORROW NEVER COMES
1785
01:29:28,162 --> 01:29:31,099
♪ IF TOMORROW NEVER COMES
1786
01:29:35,103 --> 01:29:39,140
♪ I'LL WAS MY TIRED HANDS
1787
01:29:39,140 --> 01:29:40,141
♪ RETHINK WHAT
1788
01:29:40,141 --> 01:29:42,577
♪ THEY HAVE PLANNED
1789
01:29:42,577 --> 01:29:46,013
♪ THERE'S NO GREAT ESCAPE
1790
01:29:50,651 --> 01:29:54,489
♪ NOTHING MATTERS HERE
1791
01:29:54,489 --> 01:29:56,891
♪ ALL THAT MATTERS NOW
1792
01:29:56,891 --> 01:29:58,860
♪ IS FOR SOMEONE ELSE
1793
01:29:58,860 --> 01:30:00,695
♪ TO APPEAR
1794
01:30:05,833 --> 01:30:09,470
♪ I'VE PASSED ON ALL MY BREAKS
1795
01:30:09,470 --> 01:30:11,939
♪ WAITING FOR MY LIFE
1796
01:30:11,939 --> 01:30:13,875
♪ TO GET OUT OF HERE
1797
01:30:13,875 --> 01:30:17,478
♪ AND INTO ME
1798
01:30:18,746 --> 01:30:20,782
♪ QUIET
1799
01:30:20,782 --> 01:30:24,652
♪ MY FINAL STEPS ARE QUIET
1800
01:30:24,652 --> 01:30:28,456
♪ MAYBE THEY'RE TOO QUIET
1801
01:30:28,456 --> 01:30:31,692
♪ MAYBE I'M MUCH STRONGER
1802
01:30:31,692 --> 01:30:33,461
♪ I'LL KEEP MY LIPS
1803
01:30:33,461 --> 01:30:35,663
♪ FROM SPEAKING
1804
01:30:35,663 --> 01:30:39,700
♪ KEEP MY EYES FROM WATCHING
1805
01:30:39,700 --> 01:30:43,738
♪ KEEP MY EARS FROM HEARING
1806
01:30:43,738 --> 01:30:46,207
♪ TELL MYSELF WARNING
1807
01:30:46,207 --> 01:30:50,778
♪ I'M NOT WANTED
1808
01:30:50,778 --> 01:30:54,682
♪ NOTHING MATTERS HERE
1809
01:30:54,682 --> 01:30:56,884
♪ ALL THAT MATTERS NOW
1810
01:30:56,884 --> 01:30:58,953
♪ IS FOR SOMEONE ELSE
1811
01:30:58,953 --> 01:31:02,156
♪ TO APPEAR
1812
01:31:05,726 --> 01:31:09,163
♪ I'VE PASSED ON ALL MY BREAKS
1813
01:31:09,163 --> 01:31:11,766
♪ WAITING FOR MY LIFE
1814
01:31:11,766 --> 01:31:13,868
♪ TO GET OUT OF HERE
1815
01:31:13,868 --> 01:31:18,105
♪ AND INTO ME107346
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