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(Roddy McDowall)
This is Malibu Creek State Park...
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00:00:08,400 --> 00:00:11,040
...located near the city of Los Angeles.
3
00:00:11,240 --> 00:00:13,120
All of this once belonged...
4
00:00:13,320 --> 00:00:18,600
...to one of Hollywood's biggest and most
prestigious studios: Twentieth Century Fox.
5
00:00:18,800 --> 00:00:20,760
Nicknamed "The Fox Ranch"...
6
00:00:20,960 --> 00:00:25,480
...it was home to some of the most
memorable motion pictures ever made.
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00:00:26,680 --> 00:00:31,720
But in 1968, this location was used
for a very different kind of film.
8
00:00:31,920 --> 00:00:35,840
Produced during one of the most
turbulent periods in our nation's history...
9
00:00:36,040 --> 00:00:39,120
...it explored religious,
social and political themes...
10
00:00:39,320 --> 00:00:42,960
...and managed to be wildly
entertaining at the same time.
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00:00:46,800 --> 00:00:48,960
World gone insane.
12
00:00:49,160 --> 00:00:51,320
Upside-down civilisation.
13
00:00:52,680 --> 00:00:57,320
Take your stinking paws off me,
you damn dirty ape!
14
00:00:57,800 --> 00:01:00,800
The only good human is a dead human!
15
00:01:02,720 --> 00:01:05,480
My God, it's a city of apes!
16
00:01:07,840 --> 00:01:09,920
Now! Fight like apes!
17
00:01:12,720 --> 00:01:14,720
It's a madhouse!
18
00:01:25,320 --> 00:01:29,400
Planet of the Apes spawned four sequels,
two television series...
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00:01:29,600 --> 00:01:31,800
...and a mountain of merchandise.
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00:01:32,000 --> 00:01:34,200
It became a cultural phenomenon.
21
00:01:34,400 --> 00:01:37,560
And it started as the vision of two men.
22
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A French novelist named Pierre Boulle...
23
00:01:40,760 --> 00:01:45,080
...and a Hollywood film producer
named Arthur P Jacobs.
24
00:01:51,200 --> 00:01:57,720
Born in 1922, Arthur Jacobs began his career
as a messenger at MGM in the 1940s.
25
00:01:57,920 --> 00:02:00,680
Energetic, forceful and full of ideas...
26
00:02:00,880 --> 00:02:04,360
...he soon found himself working
in their publicity department.
27
00:02:04,560 --> 00:02:09,520
A master of promotion, he was
eventually lured away by Warner Bros.
28
00:02:09,880 --> 00:02:13,800
But Arthur wanted control of his own destiny.
29
00:02:14,320 --> 00:02:18,600
In 1949, he left Warners
to form his own public relations firm...
30
00:02:18,800 --> 00:02:23,960
...and within two years his client roster
included such high-profile celebrities as...
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...Gregory Peck, Jimmy Stewart...
32
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...Judy Garland and Marilyn Monroe.
33
00:02:36,760 --> 00:02:42,840
Marilyn helped Jacobs make the transition
from publicist to producer in the early 1960s.
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00:02:43,040 --> 00:02:48,120
She agreed to star in a film he was
developing called What a Way To Go.
35
00:02:50,600 --> 00:02:57,320
But, before production could begin,
Marilyn Monroe died on August 5th, 1962.
36
00:02:58,560 --> 00:03:02,640
Arthur had lost his star,
but not his determination.
37
00:03:03,440 --> 00:03:04,880
(wolf whistle)
38
00:03:05,080 --> 00:03:09,560
(trailer) Hi, folks! In case
you didn't know it, that's a girl - all girl.
39
00:03:09,760 --> 00:03:11,560
Yeah! Shirley MacLaine.
40
00:03:11,920 --> 00:03:13,520
Jacobs got his movie made.
41
00:03:15,600 --> 00:03:19,440
The film became one of Fox's
top moneymakers of 1964.
42
00:03:19,640 --> 00:03:23,480
Arthur's reputation as a skilful,
creative producer was assured.
43
00:03:25,640 --> 00:03:29,400
Just after the film's release,
Fox studio head, Richard Zanuck...
44
00:03:29,600 --> 00:03:33,560
...showed his appreciation by agreeing
to finance another Jacobs project...
45
00:03:33,760 --> 00:03:35,840
...called Dr Dolittle.
46
00:03:38,000 --> 00:03:41,480
Starring Rex Harrison,
the film featured original songs...
47
00:03:41,680 --> 00:03:44,600
...dazzling special effects,
hundreds of extras...
48
00:03:44,800 --> 00:03:48,280
...and a large supporting cast
of trained animals.
49
00:03:48,480 --> 00:03:52,640
The first film in which a human being -
myself - actually talks to animals.
50
00:03:53,120 --> 00:03:56,280
It was during Dolittle's lengthy
preproduction phase...
51
00:03:56,480 --> 00:04:00,320
...that Arthur approached Zanuck
with an idea for another motion picture.
52
00:04:00,520 --> 00:04:04,240
It, too, played with the concept
of talking to the animals, but...
53
00:04:04,440 --> 00:04:06,800
...in a much more serious way.
54
00:04:07,240 --> 00:04:10,880
It was called Planet of the Apes.
55
00:04:16,960 --> 00:04:23,040
In 1963, Jacobs had acquired the rights
to a novel entitled La Planete Des singes...
56
00:04:23,240 --> 00:04:25,600
...or The Monkey Planet...
57
00:04:25,800 --> 00:04:29,480
...by one of France's
most acclaimed authors, Pierre Boulle.
58
00:04:31,800 --> 00:04:33,680
La Planete Des singes...
59
00:04:33,880 --> 00:04:38,120
...told the story of three astronauts
who travel to an alien world...
60
00:04:38,320 --> 00:04:44,520
...where man is a primitive beast,
dominated by a race of superintelligent apes.
61
00:04:47,320 --> 00:04:50,560
Jacobs read the book shortly before
its official publication...
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00:04:50,760 --> 00:04:53,280
...and quickly purchased the screen rights.
63
00:04:53,480 --> 00:04:57,080
He felt that the concept
would make for a visually intriguing...
64
00:04:57,280 --> 00:04:59,680
...highly original motion picture.
65
00:04:59,880 --> 00:05:01,960
But Boulle disagreed.
66
00:05:02,160 --> 00:05:07,320
He considered the novel one of his lesser
works, with no potential for screen success.
67
00:05:10,200 --> 00:05:13,520
During the next few months,
Jacobs commissioned sketches...
68
00:05:13,720 --> 00:05:17,880
...depicting his concept
of the apes' strange, alien world.
69
00:05:18,080 --> 00:05:22,920
Seven different artists worked on
various concepts as the story evolved.
70
00:05:23,120 --> 00:05:26,680
He prepared a merchandising book
for Planet of the Apes...
71
00:05:26,880 --> 00:05:29,240
...like nothing I have seen before or since.
72
00:05:29,440 --> 00:05:33,240
It was about 130 pages of ideas.
73
00:05:33,920 --> 00:05:38,920
And that's what Arthur was - an idea man.
And he was marvellous at it.
74
00:05:39,520 --> 00:05:42,400
(Roddy McDowall)
Jacobs also contacted Rod Sterling...
75
00:05:42,600 --> 00:05:48,320
...a prolific writer, most famous for his highly
acclaimed Twilight Zone television series.
76
00:05:49,800 --> 00:05:54,600
Intrigued by Boulle's novel,
Sterling began adapting it into a screenplay.
77
00:05:54,800 --> 00:05:58,320
But the challenge
proved harder than anticipated.
78
00:05:58,520 --> 00:06:03,400
After nearly a year,
he completed more than 30 drafts.
79
00:06:05,880 --> 00:06:07,960
With paintings and script in hand...
80
00:06:08,160 --> 00:06:13,040
...Jacobs spent the next year pitching
Planet of the Apes to all of the major studios.
81
00:06:13,240 --> 00:06:17,520
But everywhere he went,
he was met with the same response:
82
00:06:17,720 --> 00:06:19,720
No.
83
00:06:21,400 --> 00:06:23,600
Rejected and ridiculed...
84
00:06:23,800 --> 00:06:27,240
...Jacobs reached back to his roots
as a publicist.
85
00:06:27,440 --> 00:06:32,880
He knew that only one thing got Hollywood
executives excited about a project.
86
00:06:33,800 --> 00:06:35,800
A star.
87
00:06:36,000 --> 00:06:39,320
On June 5th, 1965,
Arthur made an appointment...
88
00:06:39,520 --> 00:06:43,320
...with one of the most respected
and powerful actors in Hollywood:
89
00:06:43,520 --> 00:06:47,720
Charlton Heston, a veteran of blockbusters
like The Ten Commandments...
90
00:06:47,920 --> 00:06:52,320
...and an Academy Award winner
for his performance in Ben Hur.
91
00:06:52,520 --> 00:06:59,480
I was approached by Arthur Jacobs with
Pierre Boulle's novel Planet of the Apes...
92
00:06:59,720 --> 00:07:07,520
...and a remarkable series of paintings of
scenes in the picture that Arthur envisioned.
93
00:07:07,720 --> 00:07:13,080
And it attracted me. I liked the idea of talking
monkeys and the different civilisation...
94
00:07:13,280 --> 00:07:16,040
...and it was simply
a marvellous idea for a movie.
95
00:07:16,520 --> 00:07:21,360
(Roddy McDowall) Heston also recommended
a director, Franklin Schaffner...
96
00:07:21,560 --> 00:07:24,600
...having just finished
a film with him called The War Lord.
97
00:07:24,800 --> 00:07:29,800
(Charlton Heston) So Arthur already had two
key ingredients - a lead actor and a director.
98
00:07:30,000 --> 00:07:33,720
And he would go from studio to studio
and they would say...
99
00:07:34,120 --> 00:07:39,240
..."What are you talking about?
Spaceships? Talking monkeys?"
100
00:07:39,440 --> 00:07:43,240
"You're outta your mind!
That's Saturday-morning serials!"
101
00:07:45,840 --> 00:07:48,960
(Roddy McDowall)
Their reluctance isn't hard to imagine.
102
00:07:49,160 --> 00:07:50,880
Looks like the real thing.
103
00:07:51,400 --> 00:07:54,120
Up to that time, actors in ape costumes...
104
00:07:54,320 --> 00:07:57,720
...were more often found
in low-budget B-pictures...
105
00:07:59,880 --> 00:08:02,520
...and tended to be
more laughable than believable.
106
00:08:04,640 --> 00:08:07,000
But, despite the obstacles...
107
00:08:07,200 --> 00:08:09,200
...Jacobs persevered.
108
00:08:10,160 --> 00:08:16,360
Finally Richard Zanuck, who then ran Fox,
having just taken it over from his father...
109
00:08:16,560 --> 00:08:19,840
...said "You know,
let's have a meeting on this."
110
00:08:20,160 --> 00:08:23,120
(Zanuck) I'd made a picture, too,
with Arthur at that time...
111
00:08:23,320 --> 00:08:26,320
...and we signed him
to a multiple-picture deal.
112
00:08:26,520 --> 00:08:31,760
So he presented the script, which needed
a lot of work, with these sketches...
113
00:08:31,960 --> 00:08:34,840
...and gave me a small pitch on it...
114
00:08:35,040 --> 00:08:39,840
...and I read it over the weekend
and was captivated by it.
115
00:08:40,520 --> 00:08:42,360
But I had some reservations.
116
00:08:42,560 --> 00:08:48,240
Dick Zanuck said "These monkeys, they're
really gonna be actors, right? In makeup?"
117
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"Not real monkeys."
We said "Well, sure, of course."
118
00:08:52,280 --> 00:08:56,440
And he said "What if
people laugh at the makeups?"
119
00:08:56,640 --> 00:09:02,400
You know,
it could be some very humorous idea...
120
00:09:02,600 --> 00:09:04,480
...if not done properly.
121
00:09:04,680 --> 00:09:06,680
And I asked him...
122
00:09:07,920 --> 00:09:09,920
...to make this test.
123
00:09:10,520 --> 00:09:16,480
(Roddy McDowall) On March 8th, 1966, Arthur
and his team went to Fox and shot the test.
124
00:09:16,720 --> 00:09:19,720
We erected a jury-rigged set.
125
00:09:20,600 --> 00:09:22,720
The whole test cost $5,000...
126
00:09:22,920 --> 00:09:25,520
...which was the limit Dick would give us.
127
00:09:29,640 --> 00:09:31,680
Good evening, Mr Thomas.
128
00:09:31,880 --> 00:09:33,840
Feeling fine, I hope?
129
00:09:34,040 --> 00:09:38,240
Considering I've been kept in a cage
for six weeks, I'm fine. Yes.
130
00:09:39,000 --> 00:09:39,920
Good.
131
00:09:40,120 --> 00:09:42,240
The test featured Charlton Heston...
132
00:09:42,440 --> 00:09:47,920
...and Hollywood legend Edward G Robinson
as the orangutan leader, Dr Zaius.
133
00:09:48,120 --> 00:09:50,440
Man here is an animal.
134
00:09:50,640 --> 00:09:54,400
Man here was an animal.
He had no civilisation.
135
00:09:54,680 --> 00:09:58,080
He wore no clothes, he thought
no thoughts, he spoke no language.
136
00:09:58,280 --> 00:10:01,320
Just a few feet from this tent,
you found a cemetery.
137
00:10:01,520 --> 00:10:03,720
Built and filled by a civilised race.
138
00:10:03,920 --> 00:10:08,280
A race which, according to you, never got
beyond a crawl and a couple of grunts.
139
00:10:08,480 --> 00:10:11,720
You found more than a cemetery, Doctor.
You found a question.
140
00:10:11,920 --> 00:10:16,400
Which came first? The chicken or the egg?
The ape or the man?
141
00:10:17,160 --> 00:10:20,280
Dr Xaius? You'd better take a look at this.
142
00:10:20,480 --> 00:10:23,440
We found it in some kind of artificial shaft.
143
00:10:23,640 --> 00:10:26,720
Look closely and you might
recognise James Brolin...
144
00:10:26,920 --> 00:10:29,320
...playing the chimpanzee Cornelius.
145
00:10:29,520 --> 00:10:32,120
What do you think you've found,
Mr Cornelius?
146
00:10:32,320 --> 00:10:38,120
Not found, Doctor. Lost.
And I'm afraid that would be a birthright.
147
00:10:38,320 --> 00:10:41,320
Mama!
148
00:10:41,760 --> 00:10:43,760
Mama!
149
00:10:46,680 --> 00:10:48,880
They had a language.
150
00:10:49,080 --> 00:10:51,640
While we swung from trees...
151
00:10:52,320 --> 00:10:54,320
...they had a language.
152
00:10:57,120 --> 00:11:01,600
Well, you were right, Mr Thomas.
We have uncovered a question.
153
00:11:01,800 --> 00:11:04,320
Now we must unearth an answer.
154
00:11:06,720 --> 00:11:11,400
If man had a civilisation here,
what happened to it?
155
00:11:14,720 --> 00:11:18,360
You'd better go and supervise
the preparations for our departure.
156
00:11:18,560 --> 00:11:21,120
(Roddy McDowall)
The makeup was the work of Ben Nye...
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00:11:21,320 --> 00:11:23,360
...the head of Fox's makeup department.
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00:11:23,560 --> 00:11:26,320
Although primitive, it did the trick.
159
00:11:26,520 --> 00:11:28,880
It proved that...
160
00:11:29,160 --> 00:11:33,520
...the idea could work. It wasn't laughable.
161
00:11:33,720 --> 00:11:38,080
(Roddy McDowall) After screening the test,
Zanuck gave Jacobs the green light...
162
00:11:38,280 --> 00:11:40,400
...he had long been waiting for.
163
00:11:40,600 --> 00:11:44,920
Planet of the Apes would, at last,
become a reality.
164
00:11:49,120 --> 00:11:54,320
Planet of the Apes was scheduled
to begin filming in the spring of 1967...
165
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...leaving the filmmakers
with only seven months to prepare...
166
00:11:58,520 --> 00:12:02,720
...an uncomfortably short time
for such an ambitious production.
167
00:12:02,920 --> 00:12:06,680
Although there was still some
dissatisfaction with the script...
168
00:12:06,880 --> 00:12:11,480
...everyone agreed that the biggest challenge
was the ape makeup.
169
00:12:11,800 --> 00:12:14,000
Ben Nye's test had been a good start...
170
00:12:14,200 --> 00:12:18,840
...but a makeup artist was needed
with experience in prosthetics...
171
00:12:19,040 --> 00:12:24,920
...lightweight latex appliances that could be
moulded and used for long periods of time.
172
00:12:25,120 --> 00:12:30,920
A call went out, and the man
who answered it was John Chambers.
173
00:12:32,720 --> 00:12:36,000
Chambers was a former World War Two
medical technician...
174
00:12:36,200 --> 00:12:39,240
...who had begun his career
working in a veterans' hospital...
175
00:12:39,440 --> 00:12:44,880
...designing prosthetic limbs and
facial restorations for injured soldiers.
176
00:12:45,680 --> 00:12:48,680
In the early 1950s, he moved to California...
177
00:12:48,880 --> 00:12:52,160
...believing his unique skills
would prove a valuable asset...
178
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...to the newly emerging television industry.
179
00:12:55,520 --> 00:13:00,400
His skill with prosthetics soon put him
at the top of his profession.
180
00:13:00,920 --> 00:13:04,880
Within a decade, he was developing creature
makeups for shows like...
181
00:13:05,080 --> 00:13:07,920
...The Munsters, The Outer Limits...
182
00:13:08,120 --> 00:13:10,120
...and Lost in Space.
183
00:13:10,600 --> 00:13:16,720
He even designed Mr Spock's famous ears
for the Star Trek television series.
184
00:13:16,920 --> 00:13:20,120
Chambers was innovative, clever and quick.
185
00:13:20,320 --> 00:13:22,240
Skills that would be put to the test...
186
00:13:22,440 --> 00:13:26,480
...when he began working on
Planet of the Apes in January 1967.
187
00:13:27,720 --> 00:13:29,720
The task was formidable.
188
00:13:30,320 --> 00:13:32,600
Chambers had to design appliances...
189
00:13:32,800 --> 00:13:38,400
...that could turn over 200 human beings
into walking, talking apes...
190
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...do it for under $1 million...
191
00:13:41,160 --> 00:13:45,320
...and make it happen
in less than four months.
192
00:13:46,520 --> 00:13:50,800
When I saw the test film,
I thought it was very good...
193
00:13:51,000 --> 00:13:54,320
...for what they had just tried offhand...
194
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...without any experimenting.
195
00:13:58,160 --> 00:14:00,240
When you do people like that...
196
00:14:00,440 --> 00:14:05,240
...you have to be very careful that
you don't make the audience laugh at you...
197
00:14:05,440 --> 00:14:07,960
...but laugh along with you.
198
00:14:08,600 --> 00:14:13,880
(Roddy McDowall) With Fox's makeup lab
at his disposal, Chambers got down to work.
199
00:14:14,080 --> 00:14:18,360
The first order of business
was to solve the technical challenges.
200
00:14:18,560 --> 00:14:22,040
The makeup needed to suggest
realistic mouth movements.
201
00:14:22,240 --> 00:14:25,520
The appliances worked more
with the facial muscles...
202
00:14:25,720 --> 00:14:29,120
...showing the animation through the...
203
00:14:29,400 --> 00:14:34,200
...actor creating
the over-extensive smile or talk.
204
00:14:34,600 --> 00:14:38,600
(Roddy McDowall) Surrounding himself
with talented artists and newcomers...
205
00:14:38,800 --> 00:14:40,800
...Chambers worked around the clock.
206
00:14:41,000 --> 00:14:45,640
And extras were hired just to sit in
for numerous makeup tests.
207
00:14:46,000 --> 00:14:49,920
Arthur Jacobs called me one day and he said
"We're not gettin' anywhere."
208
00:14:50,200 --> 00:14:54,480
"We gotta get goin'."
He said "See if you can help those guys."
209
00:14:54,680 --> 00:14:57,040
I said "Anybody ever thought of...
210
00:14:57,240 --> 00:14:59,880
...actually looking at an ape?"
211
00:15:00,080 --> 00:15:03,560
He said "Yeah. If you think you can
get us an ape, we'd love to see it."
212
00:15:03,760 --> 00:15:07,120
So I went back to Arthur
and I said "They need an ape."
213
00:15:07,640 --> 00:15:09,880
He said "Get 'em one."
214
00:15:10,160 --> 00:15:15,760
The next day I walk into makeup with
a chimpanzee, and these guys went crazy!
215
00:15:16,320 --> 00:15:21,040
(Roddy McDowall) Next, design choices were
made to differentiate various types of apes.
216
00:15:21,240 --> 00:15:24,120
Chimps, who were sympathetic
to man in the story...
217
00:15:24,320 --> 00:15:27,800
...were made to look
a little more human in appearance.
218
00:15:28,000 --> 00:15:30,440
The gorillas represented the ape military...
219
00:15:30,640 --> 00:15:35,080
...and were given faces much fiercer
than their real-life counterparts.
220
00:15:35,280 --> 00:15:41,040
And the aristocratic orang-outangs
were given a more noble visage.
221
00:15:41,480 --> 00:15:46,000
What Chambers was creating for
Planet of the Apes was not only ingenious...
222
00:15:46,200 --> 00:15:48,560
...it was breaking new ground.
223
00:15:48,760 --> 00:15:53,760
The actors actually were able to express
emotion through those makeups.
224
00:15:53,960 --> 00:15:57,320
It's kinda tough.
And John Chambers made it work.
225
00:15:59,000 --> 00:16:01,840
While John Chambers laboured
on the makeup design...
226
00:16:02,040 --> 00:16:05,080
...Arthur Jacobs turned his attention
to the script.
227
00:16:05,280 --> 00:16:09,080
Rod Serling's screenplay had remained
faithful to the original novel...
228
00:16:09,280 --> 00:16:12,800
...and depicted
a technologically advanced society.
229
00:16:13,000 --> 00:16:18,360
But the production team began to fear
that the apes were too evolved.
230
00:16:18,560 --> 00:16:22,720
Futuristic helicopters and cars
would be too expensive to film.
231
00:16:22,920 --> 00:16:27,520
The early designs were
very high-tech civilisation...
232
00:16:27,720 --> 00:16:33,120
...which meant you had to design all kinds
of special vehicles and so on. And buildings.
233
00:16:33,320 --> 00:16:37,720
And Frank said
"I don't have enough budget as it is."
234
00:16:38,440 --> 00:16:42,000
He said "Why don't we say
it's a very primitive society...
235
00:16:42,200 --> 00:16:45,800
...and they use horse and wagons
and very primitive buildings?"
236
00:16:46,000 --> 00:16:47,440
And that's what we did.
237
00:16:47,640 --> 00:16:52,280
(Roddy McDowall) After deciding on a more
rustic and cost-efficient ape society...
238
00:16:52,480 --> 00:16:56,320
...Jacobs contacted
screenwriter Michael Wilson.
239
00:16:56,720 --> 00:17:00,440
Wilson was an Academy Award winner
who had earlier collaborated...
240
00:17:00,640 --> 00:17:04,800
...on the screen adaptation of Pierre Boulle's
The Bridge on the River Kwai.
241
00:17:05,000 --> 00:17:08,960
(Mort Abrahams) Mike Wilson did a rewrite
which was very close to being right.
242
00:17:09,160 --> 00:17:16,920
We were already dealing
with a science fiction... central idea.
243
00:17:17,120 --> 00:17:21,680
And I had learned, because I'd done
a lot of science fiction things on television...
244
00:17:21,880 --> 00:17:27,720
...that you cannot present too many...
science fiction ideas...
245
00:17:27,920 --> 00:17:31,360
...and have them work,
unless you had characters.
246
00:17:31,560 --> 00:17:35,520
Believable human...
or characters with human responses.
247
00:17:35,720 --> 00:17:40,520
And we couldn't contain all the science
fiction that Pierre had envisioned.
248
00:17:40,720 --> 00:17:42,600
And we had to simplify it.
249
00:17:42,800 --> 00:17:44,720
(Roddy McDowall) As it took shape...
250
00:17:44,920 --> 00:17:50,360
...production designer William Creber began
designing the more primitive ape society.
251
00:17:51,000 --> 00:17:55,880
I needed to come up with some
ape unearthly architecture...
252
00:17:56,080 --> 00:18:01,120
...and so I looked at all the books I could find
of... you know, to be inspired.
253
00:18:01,320 --> 00:18:07,440
And I found in Turkey there's
a troglodyte city carved into a mountain.
254
00:18:07,880 --> 00:18:12,280
And I liked the shapes and that was
a very strange place. And that was it.
255
00:18:12,480 --> 00:18:16,120
It was like "That's what we're gonna do.
I don't know how."
256
00:18:16,320 --> 00:18:20,560
But we had our meeting with the director
and Arthur and they said "Yeah!"
257
00:18:21,240 --> 00:18:24,040
(Roddy McDowall)
With the start of filming drawing near...
258
00:18:24,240 --> 00:18:29,360
...the production was hit by the unexpected
loss of actor Edward G Robinson.
259
00:18:29,560 --> 00:18:32,920
Voicing concerns over
the lengthy makeup process...
260
00:18:33,120 --> 00:18:36,200
...he decided to withdraw
from the role of Dr Zaius.
261
00:18:36,400 --> 00:18:40,280
When we got to make the picture and
we said "Eddy, we gotta have a go"...
262
00:18:40,480 --> 00:18:43,520
...he said "Guys, I can't do it."
263
00:18:43,720 --> 00:18:48,200
He said "My heart's shot."
He said "I'm too old."
264
00:18:48,400 --> 00:18:50,880
And he said "That makeup
just drove me crazy."
265
00:18:51,080 --> 00:18:56,320
He said "I couldn't possibly do that,
day after day." He said "I gotta pass."
266
00:18:57,160 --> 00:19:00,200
(Roddy McDowall)
Studio executives were also concerned...
267
00:19:00,400 --> 00:19:03,720
...this time over the film's escalating budget.
268
00:19:03,920 --> 00:19:08,600
On April 28th, only three weeks
before filming was set to begin...
269
00:19:08,800 --> 00:19:14,040
...the studio cut the production's
55-day shooting schedule by ten days.
270
00:19:14,240 --> 00:19:16,600
All aspects of the production were affected...
271
00:19:16,800 --> 00:19:19,720
...with the exception of the makeup
and wardrobe budget...
272
00:19:19,920 --> 00:19:24,120
...which remained at almost
one million dollars.
273
00:19:25,560 --> 00:19:30,760
Jacobs and the studio finally settled
on a budget of $5.8 million.
274
00:19:31,120 --> 00:19:34,760
And, on May 21st, 1967...
275
00:19:35,120 --> 00:19:37,680
...Planet of the Apes
went before the cameras...
276
00:19:37,880 --> 00:19:41,320
...and Hollywood history
was about to be made.
277
00:19:49,320 --> 00:19:53,800
In less than an hour we'll finish
our sixth month out of Cape Kennedy.
278
00:19:54,000 --> 00:19:58,520
The earth has aged nearly 700 years
since we left it.
279
00:19:59,160 --> 00:20:01,400
While we've aged hardly at all.
280
00:20:02,240 --> 00:20:07,320
Seen from out here, space is... boundless.
281
00:20:07,840 --> 00:20:09,920
It squashes a man's ego.
282
00:20:11,800 --> 00:20:13,800
I feel lonely.
283
00:20:16,120 --> 00:20:20,920
I leave the 20th century with no regrets.
But... one more thing:
284
00:20:21,840 --> 00:20:28,240
Does man, that marvel of the universe, that
glorious paradox who sent me to the stars...
285
00:20:28,440 --> 00:20:31,120
...still make war against his brother?
286
00:20:32,920 --> 00:20:37,320
Following a prologue establishing
the character of astronaut George Taylor...
287
00:20:37,520 --> 00:20:42,440
...the film's opening sequence
depicted a dramatic spaceship crash.
288
00:20:47,720 --> 00:20:52,440
Striving for realism,
Franklin Schaffner and William Creber...
289
00:20:52,640 --> 00:20:56,200
...came up with a simple
yet effective visual approach.
290
00:20:56,400 --> 00:20:59,280
I convinced Frank to do it subjective...
291
00:20:59,480 --> 00:21:02,840
...as though you were looking out
the front of the spaceship.
292
00:21:06,840 --> 00:21:09,960
A whole montage
of kind of tumbling, crashing.
293
00:21:13,600 --> 00:21:16,280
You just see the hurtling at the water.
294
00:21:20,120 --> 00:21:22,880
And then the screen goes black,
and when it comes up...
295
00:21:23,080 --> 00:21:26,720
...the camera pulls back,
you're inside the spaceship.
296
00:21:44,320 --> 00:21:47,400
She's sinking! Dodge! Read the atmosphere.
297
00:21:47,600 --> 00:21:50,520
(Roddy McDowall)
To show the astronauts' escape...
298
00:21:50,720 --> 00:21:55,600
...a full-size mock-up of the ship's nose
section was constructed out of plywood.
299
00:21:55,800 --> 00:22:03,480
It was 24 feet long or longer, and we took that
to Lake Powell and I anchored it in the lake.
300
00:22:03,680 --> 00:22:05,280
Blow the hatch!
301
00:22:07,200 --> 00:22:08,760
Abandon ship!
302
00:22:12,720 --> 00:22:16,080
So those scenes with the guys
comin' out of it, we rigged it all.
303
00:22:16,280 --> 00:22:19,120
They could get inside and jump off of it.
304
00:22:24,120 --> 00:22:26,520
It was in 300 feet of water.
305
00:22:28,760 --> 00:22:31,720
(Roddy McDowall) A miniature
and a detailed matte painting...
306
00:22:31,920 --> 00:22:34,200
...were used for the shots of the sinking ship.
307
00:22:34,400 --> 00:22:36,400
Going.
308
00:22:37,920 --> 00:22:39,720
Going.
309
00:22:42,800 --> 00:22:44,120
Gone.
310
00:22:48,160 --> 00:22:50,880
OK, we're here to stay.
311
00:22:52,800 --> 00:22:56,120
(Roddy McDowall)
The first sequences to actually be filmed...
312
00:22:56,320 --> 00:23:01,320
...depicted the surviving astronauts'
trek across a desert wilderness.
313
00:23:02,720 --> 00:23:07,480
They were shot in a remote area surrounding
the Colorado River in Utah and Arizona...
314
00:23:07,680 --> 00:23:10,600
...by director of photography Leon Shamroy.
315
00:23:13,640 --> 00:23:16,720
The location was desolate and treacherous.
316
00:23:19,080 --> 00:23:24,320
Camera and sound equipment arrived
by helicopter, foot and mule-pack team.
317
00:23:27,800 --> 00:23:31,880
Jeff Burton, who played astronaut Dodge,
fainted from the heat...
318
00:23:32,480 --> 00:23:35,720
...which often reached 120 degrees.
319
00:23:36,080 --> 00:23:37,360
You're no seeker.
320
00:23:37,560 --> 00:23:41,640
You thought life on Earth was meaningless.
You despise people.
321
00:23:41,840 --> 00:23:43,960
So what did you do? You ran out.
322
00:23:44,160 --> 00:23:47,000
No, no. It's not like that, Landon.
323
00:23:47,480 --> 00:23:49,600
I'm a seeker too.
324
00:23:49,800 --> 00:23:54,280
But my dreams aren't like yours. I can't help
thinking somewhere in the universe...
325
00:23:54,480 --> 00:23:58,320
...there has to be something
better than man. Has to be.
326
00:23:58,520 --> 00:24:03,360
(Mort Abrahams) At the beginning of the film,
little figures move across the landscape.
327
00:24:03,560 --> 00:24:06,480
The shooting went for days and days.
328
00:24:07,920 --> 00:24:13,320
I said "Frank, why are you so particular
about the opening sequence?"
329
00:24:14,720 --> 00:24:20,440
He said "It sets the mood, the tone
and the objective of the film."
330
00:24:26,080 --> 00:24:28,520
We're going.
We don't know where we're going.
331
00:24:28,720 --> 00:24:31,600
We have no idea of what's going to happen.
332
00:24:31,800 --> 00:24:33,800
Scarecrows?
333
00:24:34,800 --> 00:24:36,800
Let's see.
334
00:24:37,400 --> 00:24:40,200
And that sets the body of the film.
335
00:24:45,480 --> 00:24:47,480
To hell with the scarecrows!
336
00:24:48,720 --> 00:24:53,480
(Roddy McDowall) Most of the filming was
at the Fox Ranch, where this scene was shot.
337
00:24:53,680 --> 00:24:57,680
- Whoo-Hoo!
- Hey! Yay! Yay!
338
00:24:57,880 --> 00:25:03,400
This swimming hole was originally
created for Arthur Jacobs' Dr Dolittle.
339
00:25:03,920 --> 00:25:07,280
But the waterfall was enhanced
for this production...
340
00:25:07,480 --> 00:25:12,240
...courtesy of two dozen
carefully hidden fire hoses.
341
00:25:13,600 --> 00:25:15,600
Taylor, look!
342
00:25:22,880 --> 00:25:28,880
Obviously the intent here was to show
the astronauts from the touchdown...
343
00:25:29,080 --> 00:25:33,120
...very gradually going into the green area.
344
00:25:35,920 --> 00:25:39,120
(Taylor) They look more or less human
but I think they're mute.
345
00:25:39,320 --> 00:25:44,440
The logistics were tough.
For example, we had to grow a field.
346
00:25:44,640 --> 00:25:50,280
The location we selected on the ranch
was perfectly equipped to grow corn.
347
00:25:50,480 --> 00:25:54,840
If this is the best they've got around here,
in six months we'll be running this planet.
348
00:25:55,040 --> 00:25:57,360
(William Creber)
Franklin wanted the corn six feet high.
349
00:25:57,560 --> 00:26:00,440
(roaring)
350
00:26:01,120 --> 00:26:03,120
We had, like, ten weeks.
351
00:26:05,160 --> 00:26:08,800
We had sprinklers, you know,
goin' 24 hours a day watering it.
352
00:26:09,000 --> 00:26:14,120
And we'd fertilise the whole field
with special fertiliser and, you know...
353
00:26:14,320 --> 00:26:18,200
...everything to pump this stuff up
because of the amount of time we had.
354
00:26:18,400 --> 00:26:22,520
And about three days before shooting,
we had eight feet.
355
00:26:23,120 --> 00:26:26,000
So I went back to Franklin Schaffner
on the set.
356
00:26:26,200 --> 00:26:31,240
I said "Hey, Frank, we got the corn. It's
gonna be eight feet." He said "I said six feet."
357
00:26:31,440 --> 00:26:34,880
And I said "What do you want me to do?"
He says "Mow it at six feet"...
358
00:26:35,080 --> 00:26:40,040
...you know, then smiled and puffed his cigar.
That was his sense of humour.
359
00:26:40,880 --> 00:26:43,080
He destroyed that field of corn.
360
00:26:44,920 --> 00:26:48,160
(Roddy McDowall) The cornfield hunt
offered one of the most powerful...
361
00:26:48,360 --> 00:26:50,360
...and disturbing sequences.
362
00:26:54,600 --> 00:26:57,160
That sequence really had to grip you...
363
00:26:57,800 --> 00:27:01,200
...and convince you right away
what you were gonna see...
364
00:27:01,400 --> 00:27:03,280
...was going to be extraordinary...
365
00:27:03,480 --> 00:27:08,560
...was going to be shocking, was going to be
unlike anything you'd ever seen before.
366
00:27:13,480 --> 00:27:16,360
I knew right away we'd made
the right decision with Schaffner...
367
00:27:16,560 --> 00:27:19,880
...when I saw how he was shooting
that sequence. He hit it.
368
00:27:22,920 --> 00:27:26,480
(Roddy McDowall) Helping to create
an eerie, otherworldly atmosphere...
369
00:27:26,680 --> 00:27:31,600
...was the experimental music score
composed by Jerry Goldsmith.
370
00:27:34,600 --> 00:27:38,840
Goldsmith utilised unusual instruments,
like metal mixing bowls...
371
00:27:39,040 --> 00:27:41,040
...a ram's horn...
372
00:27:43,800 --> 00:27:48,320
...and a Brazilian cuica,
which could recreate eight vocalisations.
373
00:28:13,720 --> 00:28:15,960
At the conclusion of the hunt...
374
00:28:16,160 --> 00:28:18,560
...Taylor is taken captive.
375
00:28:25,320 --> 00:28:28,160
- Smile.
- (all chuckle)
376
00:28:30,240 --> 00:28:32,880
Now a prisoner of the apes...
377
00:28:33,080 --> 00:28:37,160
...Taylor attempts to make contact
with a sympathetic female chimpanzee...
378
00:28:37,360 --> 00:28:39,240
...named Dr Zira.
379
00:28:39,440 --> 00:28:42,840
Well, Bright Eyes. ls our throat feeling better?
380
00:28:44,800 --> 00:28:47,280
That Bright Eyes is remarkable.
381
00:28:47,480 --> 00:28:50,120
He keeps trying to form words.
382
00:28:50,320 --> 00:28:53,320
You know what they say.
Human see, human do.
383
00:28:55,080 --> 00:28:57,440
Zira was played by Kim Hunter...
384
00:28:57,640 --> 00:29:00,920
...best known for her Academy
Award-winning performance as Stella...
385
00:29:01,120 --> 00:29:03,200
...in A Streetcar Named Desire.
386
00:29:03,400 --> 00:29:06,320
My agent sent me a copy of the script...
387
00:29:06,520 --> 00:29:10,040
...wanted to know whether I was interested,
should he pursue it.
388
00:29:10,240 --> 00:29:12,120
And I thought it was fascinating.
389
00:29:12,320 --> 00:29:18,920
Eventually it came through and they flew me
out to LA for the costume tests.
390
00:29:19,320 --> 00:29:22,200
So I figured I'd be going
to the costume department, right?
391
00:29:22,400 --> 00:29:25,960
No. Went to John Chambers' department.
392
00:29:26,160 --> 00:29:30,880
And I couldn't believe it. What we had
to go through to get all of that on.
393
00:29:31,080 --> 00:29:33,920
It took about five hours, the first time.
394
00:29:35,080 --> 00:29:38,520
Not only in appliances,
but all the other stuff that went with it.
395
00:29:38,720 --> 00:29:42,200
The wig. We had fur on our hands.
396
00:29:42,400 --> 00:29:44,400
I had to wear brown nail polish.
397
00:29:44,600 --> 00:29:49,880
The only thing that was not covered
in some way or another were my eyeballs.
398
00:29:50,640 --> 00:29:54,120
We then, you know, did tests
out in front of camera.
399
00:29:58,000 --> 00:30:04,520
People asked me a lot "As an actress, didn't
it bother you that they couldn't see you?"
400
00:30:04,720 --> 00:30:08,720
Well, they saw the character I was playing.
That's all I care about.
401
00:30:09,760 --> 00:30:11,240
Julius!
402
00:30:11,440 --> 00:30:14,120
I loved the character - Dr Zira.
403
00:30:14,320 --> 00:30:17,920
- I told you what you'd get!
- Julius, don't hurt him!
404
00:30:18,400 --> 00:30:21,000
And I thought the script had much to say.
405
00:30:21,200 --> 00:30:22,360
Julius!
406
00:30:22,560 --> 00:30:28,440
Everybody seems afraid around those
creatures that are different from us.
407
00:30:28,640 --> 00:30:30,880
Natural-born thieves, aren't they?
408
00:30:32,080 --> 00:30:37,120
Zira, as a psychologist, of course,
was interested in finding out about them.
409
00:30:44,120 --> 00:30:46,760
Get me a collar and leash.
410
00:30:49,720 --> 00:30:52,960
(Roddy McDowall) Another leading
ape role was that of Cornelius...
411
00:30:53,160 --> 00:30:55,720
...Zira's archaeologist husband.
412
00:30:57,440 --> 00:30:59,920
What about your theory?
413
00:31:00,720 --> 00:31:04,040
The existence of someone
like Taylor might prove it.
414
00:31:04,240 --> 00:31:06,040
Do you want to get my head chopped off?
415
00:31:06,240 --> 00:31:09,880
A missing link between
the unevolved primate...
416
00:31:10,080 --> 00:31:12,640
- ...and the ape.
- (Taylor bangs table)
417
00:31:13,520 --> 00:31:16,720
- Touchy, isn't he?
- Hm.
418
00:31:16,920 --> 00:31:19,320
"I am not a missing link."
419
00:31:19,520 --> 00:31:23,920
Well, if he were a missing link, the sacred
scrolls wouldn't be worth their parchment.
420
00:31:24,120 --> 00:31:26,720
Well, maybe they're not.
421
00:31:26,920 --> 00:31:30,920
(laughs) Oh, no, thank you.
I'm not going to get into that battle.
422
00:31:34,400 --> 00:31:37,640
(Roddy McDowall) Jacobs personally
offered me the part of Cornelius...
423
00:31:37,840 --> 00:31:40,480
...on a plane flight back from London.
424
00:31:40,920 --> 00:31:44,240
I accepted immediately,
intrigued by the technical challenge...
425
00:31:44,440 --> 00:31:47,760
...of acting inside the elaborate ape makeup.
426
00:31:50,520 --> 00:31:56,680
I remember Roddy McDowall saying that
the trick for acting behind those makeups...
427
00:31:56,880 --> 00:31:59,600
...was to overact with your face.
428
00:31:59,800 --> 00:32:02,760
Then it would bleed through the makeup.
429
00:32:02,960 --> 00:32:06,840
(Kim Hunter) If we didn't
keep the appliances moving...
430
00:32:07,040 --> 00:32:09,480
...they began to look like masks.
431
00:32:09,680 --> 00:32:13,360
I got very used to
making them move all the time.
432
00:32:13,560 --> 00:32:18,680
We were doing all kinds of crazy things with
our face all the time, to keep them moving.
433
00:32:21,080 --> 00:32:24,520
Roddy and I had to kiss.
And we had no sense of feeling.
434
00:32:24,720 --> 00:32:29,280
We had to really work hard to make it look
as if we were properly kissing each other...
435
00:32:29,480 --> 00:32:32,240
...without squishing the appliances.
436
00:32:34,240 --> 00:32:36,240
Cornelius!
437
00:32:36,560 --> 00:32:39,680
Man has no understanding.
438
00:32:39,880 --> 00:32:43,680
He can be taught a few simple tricks.
Nothing more.
439
00:32:43,880 --> 00:32:49,040
To suggest that we can learn anything
about the simian nature...
440
00:32:49,240 --> 00:32:51,760
...from the study of man is sheer nonsense.
441
00:32:54,640 --> 00:32:58,360
(Roddy McDowall) One of the pivotal
ape characters in the film was Dr Zaius...
442
00:32:58,560 --> 00:33:00,520
...the elder orangutan statesman.
443
00:33:00,720 --> 00:33:03,600
Inheriting the role
after Edward G Robinson's departure...
444
00:33:03,800 --> 00:33:08,720
...was the noted Shakespearean stage
and screen actor, Maurice Evans.
445
00:33:09,120 --> 00:33:12,560
(Richard Xanuck) People said
"Why spend all the money on the actors?"
446
00:33:12,760 --> 00:33:14,920
"You never see their faces."
447
00:33:15,320 --> 00:33:17,400
To be convincing...
448
00:33:17,600 --> 00:33:21,800
...and for the idea to work,
we had to have great actors.
449
00:33:23,320 --> 00:33:27,520
People weren't expecting
for a science fiction picture...
450
00:33:27,720 --> 00:33:30,320
...to find that kind of talent.
451
00:33:31,000 --> 00:33:35,040
And I think that was surprising
and impressive to audiences.
452
00:33:35,240 --> 00:33:38,280
And it certainly lent
to the credibility of the piece.
453
00:33:38,480 --> 00:33:44,400
You hear their voices, and it's their delivery.
That was the key - unmistakable. Voices.
454
00:33:44,600 --> 00:33:46,480
Man is a nuisance.
455
00:33:46,680 --> 00:33:49,920
He eats up his food supplies in the forest...
456
00:33:50,120 --> 00:33:54,720
...then migrates to our green belts
and ravages our crops.
457
00:33:57,400 --> 00:34:00,320
The sooner he is exterminated the better.
458
00:34:03,560 --> 00:34:04,800
The role of Taylor...
459
00:34:05,000 --> 00:34:08,920
...was one of the most physically
demanding of Charlton Heston's career.
460
00:34:09,640 --> 00:34:13,840
In Planet of the Apes he's running around
half-naked half the time.
461
00:34:14,040 --> 00:34:16,560
He's getting beaten up by gorillas.
462
00:34:18,600 --> 00:34:22,120
He's burned, he's almost lobotomised,
castrated, almost killed.
463
00:34:22,320 --> 00:34:25,520
Charlton Heston is not having
his best day on Planet of the Apes.
464
00:34:26,800 --> 00:34:29,880
If you look at a lot
of Charlton Heston's earlier films...
465
00:34:30,080 --> 00:34:33,600
...he's often playing
these larger-than-life characters.
466
00:34:34,120 --> 00:34:38,000
And he's a tremendous hero
and vision of strength.
467
00:34:39,400 --> 00:34:42,200
But in Planet of the Apes,
all that's out the window...
468
00:34:42,400 --> 00:34:45,960
and the audience's
point of identification changed.
469
00:34:46,160 --> 00:34:50,000
The Charlton Heston hero,
who used to be counted on to win the day...
470
00:34:50,200 --> 00:34:53,360
...all of a sudden is
in a much more precarious position.
471
00:34:53,560 --> 00:34:55,560
(ape screams)
472
00:34:56,840 --> 00:35:01,720
So there's this sense of things aren't as
secure and stable as we thought they were.
473
00:35:01,920 --> 00:35:03,360
(gunshot)
474
00:35:03,560 --> 00:35:06,440
Actors should be able
to accept the circumstances...
475
00:35:06,640 --> 00:35:10,080
...the premises of
whatever project they're doing.
476
00:35:13,160 --> 00:35:16,680
But it was a very unusual
acting challenge. Painful.
477
00:35:20,320 --> 00:35:22,800
So I could run apparently barefoot -
478
00:35:23,000 --> 00:35:27,520
they had rubber booties
that were moulded to be feet -
479
00:35:27,720 --> 00:35:30,280
and that protected me from thorns.
480
00:35:32,960 --> 00:35:36,080
We were doing some stuff
where I'm running through the shrubbery...
481
00:35:36,280 --> 00:35:38,160
...and people are throwing things at me.
482
00:35:38,360 --> 00:35:40,680
And I said to Joe Canutt, who doubled me...
483
00:35:40,880 --> 00:35:45,200
..."Would you mind just doing these last
couple of run-throughs?" He says "No."
484
00:35:45,400 --> 00:35:51,320
I said "What do you mean?" He said "You've
been working all afternoon in poison ivy."
485
00:35:51,520 --> 00:35:56,520
And so I was! He says
"You'll notice it tomorrow." And I did!
486
00:35:58,680 --> 00:36:01,160
(Roddy McDowall) Exhausted
by the relentless schedule...
487
00:36:01,360 --> 00:36:03,600
...and subjected to
extremes in temperature...
488
00:36:03,800 --> 00:36:08,720
...Heston came down with a bad case of the flu
just before shooting this scene.
489
00:36:14,000 --> 00:36:18,800
Fortunately, the actor's hoarse voice
actually enhanced his performance.
490
00:36:19,000 --> 00:36:22,800
- Taylor! Why did you run away?
- Security police.
491
00:36:23,000 --> 00:36:24,880
I'm in charge of this man.
492
00:36:25,080 --> 00:36:27,840
He is in the custody
of the ministry of science.
493
00:36:28,320 --> 00:36:30,680
Take your stinking paws off me...
494
00:36:30,880 --> 00:36:33,120
...you damn dirty ape!
495
00:36:43,040 --> 00:36:45,040
No one'll listen to me.
496
00:36:47,320 --> 00:36:49,320
Only you.
497
00:36:52,320 --> 00:36:54,320
You.
498
00:36:55,240 --> 00:36:57,240
Nova.
499
00:36:57,640 --> 00:37:00,120
You... Nova.
500
00:37:00,320 --> 00:37:02,320
No...
501
00:37:04,320 --> 00:37:06,840
Yeah. Me Tarzan, you Jane.
502
00:37:09,320 --> 00:37:14,240
(Roddy McDowall) The role of Nova,
Taylor's mate, went to lovely Linda Harrison.
503
00:37:14,840 --> 00:37:16,720
Linda, a former beauty queen...
504
00:37:16,920 --> 00:37:21,320
...had made an appearance
in the original Apes test film as Zira.
505
00:37:22,600 --> 00:37:26,320
I was under contract at Fox and...
506
00:37:27,200 --> 00:37:31,200
...I was also dating the head of the studio,
Richard Zanuck.
507
00:37:31,400 --> 00:37:35,120
And he said "I think there might be
a part for you in it."
508
00:37:35,320 --> 00:37:38,920
So I eventually got the part of Nova.
509
00:37:39,360 --> 00:37:41,520
Everybody that was involved in it...
510
00:37:41,720 --> 00:37:45,200
...they all realised that I was a neophyte.
511
00:37:45,400 --> 00:37:50,280
I was, like, 21 years old.
So they kind of took me under their wing.
512
00:37:52,160 --> 00:37:57,640
Since I hadn't done acting that much,
I think I went instinctively with her.
513
00:37:58,800 --> 00:38:01,200
I thought about animal instincts.
514
00:38:02,480 --> 00:38:07,480
The way she would move and react
would be more like an animal would react...
515
00:38:07,680 --> 00:38:09,560
...more from fear...
516
00:38:09,760 --> 00:38:11,760
Where are you taking her?
517
00:38:12,400 --> 00:38:14,920
...and would seem to be
what the director wanted.
518
00:38:15,120 --> 00:38:17,920
Damn you! You hairy scum!
519
00:38:18,880 --> 00:38:20,760
Shut up, you freak!
520
00:38:20,960 --> 00:38:23,720
- Julius, you...
- I said shut up!
521
00:38:23,920 --> 00:38:25,920
It's a madhouse!
522
00:38:26,600 --> 00:38:28,920
A madhouse!
523
00:38:32,720 --> 00:38:34,880
(Roddy McDowall)
The Ape City and its surroundings...
524
00:38:35,080 --> 00:38:37,800
...were constructed on the Fox Malibu ranch.
525
00:38:38,000 --> 00:38:43,160
Urethane foam was just getting started
in the film business...
526
00:38:43,360 --> 00:38:46,920
...and to be able to spray this foam
in shapes and carve it.
527
00:38:47,120 --> 00:38:48,720
So we dreamed up a system...
528
00:38:48,920 --> 00:38:54,640
...where we would sculpt the building
out of pencil-rod metal and weld it all up.
529
00:38:54,840 --> 00:39:00,120
And then we would cover the building with
cardboard and then get inside that structure...
530
00:39:00,320 --> 00:39:04,400
...and spray the foam against the cardboard
and let it set up...
531
00:39:04,600 --> 00:39:10,160
...and then peel the cardboard off so it left
this sort of cement, but in these odd forms.
532
00:39:10,360 --> 00:39:14,680
And I remember coming across an article
by MIT a year or two later...
533
00:39:14,880 --> 00:39:20,400
...how they'd come up with this system,
and we'd already put it in the movies.
534
00:39:30,480 --> 00:39:33,640
Do you acknowledge kinship
with any of these creatures?
535
00:39:33,840 --> 00:39:37,720
- With one of them, yes.
- Identify him, then. Speak to him.
536
00:39:39,480 --> 00:39:41,480
Landon?
537
00:39:42,800 --> 00:39:44,320
Landon.
538
00:39:50,640 --> 00:39:52,120
You did it.
539
00:39:52,320 --> 00:39:55,760
You cut up his brain, you bloody baboon!
540
00:39:55,960 --> 00:39:57,960
(president) Stop him!
541
00:39:58,160 --> 00:40:00,680
Comparative to the makeup for the apes...
542
00:40:00,880 --> 00:40:04,240
...there were other
makeup challenges on this film.
543
00:40:04,440 --> 00:40:05,680
Take him inside!
544
00:40:05,880 --> 00:40:11,000
They're small things, but I wanted
to make sure they were realistic.
545
00:40:12,120 --> 00:40:17,880
For instance, there was this one astronaut.
The apes took him and gave him a lobotomy.
546
00:40:18,080 --> 00:40:23,520
I went to my medical histories
and books of surgery.
547
00:40:24,000 --> 00:40:29,120
And I knew what the lobotomy scars
looked like. Minor things like that.
548
00:40:29,320 --> 00:40:31,520
Small, but done right.
549
00:40:34,240 --> 00:40:39,680
(Roddy McDowall) But it was the ape makeup
that created the biggest logistical problems.
550
00:40:39,880 --> 00:40:43,520
Up to 80 makeup artists, hairstylists
and wardrobe personnel...
551
00:40:43,720 --> 00:40:47,720
...were required for scenes
involving as many as 200 apes.
552
00:40:48,440 --> 00:40:52,960
The number of craftsman utilised resulted
in other Hollywood films being delayed...
553
00:40:53,160 --> 00:40:56,840
...due to the unavailability
of qualified makeup artists.
554
00:40:57,040 --> 00:41:01,680
The principal actors
got new appliances every day.
555
00:41:03,320 --> 00:41:06,680
So I taught everyone
how to run the foam rubber.
556
00:41:06,880 --> 00:41:10,360
I had 'em workin' night and day
for some weeks...
557
00:41:10,560 --> 00:41:15,000
...to run enough rubber
so we had enough to go around.
558
00:41:15,400 --> 00:41:18,000
(Roddy McDowall)
Eventually the makeup process...
559
00:41:18,200 --> 00:41:20,840
...which had originally taken up to six hours...
560
00:41:21,040 --> 00:41:23,400
...was streamlined to a mere three.
561
00:41:23,960 --> 00:41:27,880
But I had people
that I had trained in my laboratory...
562
00:41:28,080 --> 00:41:31,080
...and it flowed just like an assembly line.
563
00:41:31,720 --> 00:41:33,760
They knew what they were doing.
564
00:41:34,920 --> 00:41:40,280
(Roddy McDowall) Actors had refrigerated
trailers to preserve appliances between shots.
565
00:41:40,480 --> 00:41:44,920
We had to be very careful. In those days,
of course, many people smoked.
566
00:41:45,120 --> 00:41:48,920
And so we were all presented
with cigarette holders...
567
00:41:49,120 --> 00:41:52,440
...to keep the cigarettes
far enough away from us.
568
00:41:52,640 --> 00:41:59,520
And had to look into the mirror as we ate
so we didn't destroy the appliances at lunch.
569
00:42:01,000 --> 00:42:04,920
(John Chambers) The actor's chin
would pop loose if it was overworked.
570
00:42:05,480 --> 00:42:08,800
So we used to say,
when lunch would come...
571
00:42:09,000 --> 00:42:14,440
..."Don't get any hard foods that you have
to chew. Get milkshakes, soft foods."
572
00:42:14,640 --> 00:42:16,840
And when they'd come back from lunch...
573
00:42:17,040 --> 00:42:20,520
...the lower chin'd be layin' down,
and there was a...
574
00:42:21,320 --> 00:42:23,920
...a sac in there, you know - a space.
575
00:42:24,640 --> 00:42:27,520
And there would be peas and carrots in 'em.
576
00:42:28,400 --> 00:42:32,480
I didn't mind. It didn't take much time
to put 'em back on.
577
00:42:34,280 --> 00:42:39,080
(Roddy McDowall) Many on the set noticed
another unusual lunchtime occurrence.
578
00:42:39,280 --> 00:42:43,360
There was kind of a self-segregation.
The gorillas would all eat at one table...
579
00:42:43,560 --> 00:42:48,720
...the chimpanzees would eat at another,
and the orangutans would eat at another.
580
00:42:48,920 --> 00:42:52,480
I have no explanation for that whatsoever.
But it was true.
581
00:42:54,400 --> 00:42:59,280
The gorillas sort of hung together
and the chimps did and...
582
00:42:59,480 --> 00:43:03,360
I didn't really talk to Maurice Evans much,
as a matter of fact...
583
00:43:03,560 --> 00:43:06,120
...while we were on the set together.
584
00:43:06,320 --> 00:43:11,720
And I knew him fairly well but...
he was an orangutan. One of those others.
585
00:43:13,080 --> 00:43:15,640
The actors were never conscious of it.
586
00:43:15,840 --> 00:43:18,920
They just drifted to their companions.
To their...
587
00:43:19,120 --> 00:43:21,120
To the same...
588
00:43:21,960 --> 00:43:24,920
...groupings as in the film.
589
00:43:25,560 --> 00:43:26,880
Fascinating.
590
00:43:27,080 --> 00:43:31,200
(Roddy McDowall) Ironically, the issues
of class separation and prejudice...
591
00:43:31,400 --> 00:43:34,400
...are one of the film's main themes.
592
00:43:35,640 --> 00:43:38,320
You promised to speak to Dr Xaius about me.
593
00:43:38,520 --> 00:43:42,280
I did. You know how
he looks down his nose at chimpanzees.
594
00:43:42,480 --> 00:43:46,280
The ape's society is given
a distinct class structure.
595
00:43:46,480 --> 00:43:48,880
The orangutans are the politicians.
596
00:43:49,080 --> 00:43:52,280
Learned judges, my case is simple.
597
00:43:52,480 --> 00:43:55,200
It is based on our first article of faith.
598
00:43:55,400 --> 00:43:58,600
That the Almighty created the ape
in his own image.
599
00:43:58,800 --> 00:44:02,000
The chimpanzees are the scientists
and intellectuals.
600
00:44:02,200 --> 00:44:03,720
I discovered evidence...
601
00:44:03,920 --> 00:44:08,120
...of a simian culture that existed
long before the sacred scrolls were written.
602
00:44:08,360 --> 00:44:12,360
The gorillas are the labourers
and the military enforcers.
603
00:44:13,440 --> 00:44:15,440
It was an allegorical device...
604
00:44:15,640 --> 00:44:20,720
...used by the filmmakers to make some
pointed observations about human society.
605
00:44:20,920 --> 00:44:23,320
Why are all apes created equal?
606
00:44:24,720 --> 00:44:27,200
Some apes, it seems,
are more equal than others.
607
00:44:27,400 --> 00:44:30,480
Michael Wilson said
the key point of Planet of the Apes...
608
00:44:30,680 --> 00:44:34,040
...was that it was more about
the human predicament than about apes.
609
00:44:34,240 --> 00:44:37,040
When Wilson wrote
the final Planet of the Apes script...
610
00:44:37,240 --> 00:44:41,520
...he brought much more of a political edge
to it, reflecting his own experience:
611
00:44:41,720 --> 00:44:44,040
being blacklisted during the McCarthy era.
612
00:44:44,240 --> 00:44:47,280
The question is: have you ever been
a member of the Communist Party?
613
00:44:47,480 --> 00:44:49,520
You refuse to answer that question?
614
00:44:49,720 --> 00:44:51,520
- I have told you that I will...
- All right.
615
00:44:51,720 --> 00:44:54,960
- Stand away from the stand.
- ...fight for the Bill of Rights...
616
00:44:55,160 --> 00:44:57,280
Take this man away from the stand.
617
00:44:57,800 --> 00:45:00,520
- My name is Taylor!
- Bailiff! Silence the animal!
618
00:45:00,720 --> 00:45:04,920
Probably the best example of Wilson's
political perspective is the trial scene...
619
00:45:05,120 --> 00:45:09,800
...where basically it's an inquisition that's held
against Zira and Cornelius and Taylor.
620
00:45:10,000 --> 00:45:11,880
By your leave, Mr President...
621
00:45:12,080 --> 00:45:16,160
...this tribunal has not yet defined
the purpose for this inquiry.
622
00:45:16,360 --> 00:45:21,280
At the very least, this man has the right to
know whether there's a charge against him.
623
00:45:21,480 --> 00:45:26,080
The accused is a non-ape
and therefore has no rights under ape law.
624
00:45:26,280 --> 00:45:28,360
Then why is he called the accused?
625
00:45:28,560 --> 00:45:31,640
Your Honours must think him
guilty of something.
626
00:45:32,000 --> 00:45:33,680
Let us warn our friends...
627
00:45:33,880 --> 00:45:37,720
...that they endanger their own careers
by defending this animal.
628
00:45:37,920 --> 00:45:40,600
(Richard Xanuck) I saw this
more as an adventure piece.
629
00:45:40,800 --> 00:45:46,280
I didn't see it as any kind of breakthrough
piece, either politically, socially...
630
00:45:46,480 --> 00:45:51,160
People have dissected it and added
a lot of layers of meaning to it...
631
00:45:51,360 --> 00:45:57,080
...that we... at least I, as the head
of the studio, never thought of.
632
00:45:57,280 --> 00:46:00,240
You didn't want the audience
to go up the aisle...
633
00:46:00,440 --> 00:46:03,720
...thinking anything
but that they'd been entertained.
634
00:46:03,920 --> 00:46:06,720
Maybe I was... in the dark.
635
00:46:06,920 --> 00:46:10,280
Maybe there was
some kind of hidden message...
636
00:46:10,480 --> 00:46:16,520
...that Michael Wilson and Arthur Jacobs
and these guys were trying to sneak through.
637
00:46:16,720 --> 00:46:18,760
But I never saw it like that at all.
638
00:46:18,960 --> 00:46:21,200
Without ever saying it...
639
00:46:21,400 --> 00:46:23,720
...we were doing a political film.
640
00:46:24,880 --> 00:46:28,080
We never even said it
very loudly among ourselves...
641
00:46:28,280 --> 00:46:30,800
...because at that time we were in Vietnam.
642
00:46:32,320 --> 00:46:36,120
And a political picture was
the last kind of film that the studio wanted.
643
00:46:36,320 --> 00:46:39,720
The country was having
very serious problems.
644
00:46:41,320 --> 00:46:44,320
(Eric Greene) We had
the assassination of John Kennedy.
645
00:46:44,920 --> 00:46:48,760
We had the assassination of civil rights
leaders like Martin Luther king Jr.
646
00:46:49,640 --> 00:46:51,640
Race riots.
647
00:46:52,400 --> 00:46:56,680
There were a lot of shocks
to America's image of itself...
648
00:46:56,880 --> 00:47:00,280
...and to America's sense of itself
as a kind of stable democracy.
649
00:47:00,480 --> 00:47:02,440
Dr Xaius...
650
00:47:02,640 --> 00:47:04,800
...I know who I am.
651
00:47:05,000 --> 00:47:06,880
But who are you?
652
00:47:07,080 --> 00:47:11,040
How in hell did this upside-down
civilisation get started?
653
00:47:11,240 --> 00:47:14,400
Huh! You may well call it upside-down...
654
00:47:14,600 --> 00:47:18,200
...since you occupy its lowest level.
And deservedly so.
655
00:47:18,400 --> 00:47:24,120
Science fiction can be a way
of presenting controversial material...
656
00:47:24,320 --> 00:47:27,600
...without the material
being attacked as controversial...
657
00:47:27,800 --> 00:47:30,280
...because it is slightly disguised.
658
00:47:30,480 --> 00:47:34,040
You can hear "All humans look alike
to most apes" or "Human see, human do".
659
00:47:34,240 --> 00:47:36,160
And you can laugh it off if you want to.
660
00:47:36,360 --> 00:47:39,240
But at the same time
you can let it sink in as far as:
661
00:47:39,440 --> 00:47:42,120
what is this saying about
how groups interact...
662
00:47:42,320 --> 00:47:45,200
...and how people in power
view people who aren't in power?
663
00:47:45,400 --> 00:47:47,800
You can cut pieces out of me.
You've got the power.
664
00:47:48,000 --> 00:47:50,200
Return this creature to his cage.
665
00:47:50,480 --> 00:47:52,160
But you do it out of fear!
666
00:47:52,360 --> 00:47:56,800
Remember that! Because you're afraid of me!
What are you afraid of, Doctor?
667
00:47:57,800 --> 00:48:00,600
(Roddy McDowall) But serious
thematic content on the screen...
668
00:48:00,800 --> 00:48:03,440
...did not prohibit a sense of fun on the set.
669
00:48:03,640 --> 00:48:06,680
(Charlton Heston) I remember
when we did the courtroom scene...
670
00:48:06,880 --> 00:48:10,120
...where they take the filthy loincloth.
671
00:48:10,320 --> 00:48:13,600
These rags he's wearing
give off a stench that's offensive.
672
00:48:13,800 --> 00:48:15,880
I think that was my first nude scene...
673
00:48:16,080 --> 00:48:19,640
...and when they were setting up the shot...
674
00:48:19,840 --> 00:48:24,400
...one of the coffee girls passing coffee
around walked behind me and said...
675
00:48:24,600 --> 00:48:26,600
..."Mm, nice buns!"
676
00:48:28,640 --> 00:48:32,040
The lighting people
would speak of us as monkeys...
677
00:48:32,240 --> 00:48:35,320
...and then they'd kid us with...
bringing us bananas.
678
00:48:37,800 --> 00:48:41,320
I got to hate bananas
during the course of the film!
679
00:48:42,080 --> 00:48:46,720
There was a famous day when the gorillas
were being made up at the studio...
680
00:48:46,920 --> 00:48:50,880
...and then hauled out to Fox Ranch
in a station wagon.
681
00:48:51,080 --> 00:48:56,040
And they took over from the driver one day
and they pushed him down in the back seat.
682
00:48:56,240 --> 00:49:00,440
So you have this gorilla
drivin' the station wagon down PCH...
683
00:49:00,640 --> 00:49:03,160
...you know, stoppin' traffic.
684
00:49:03,800 --> 00:49:08,360
(Roddy McDowall) An off-the-cuff gag
on the set between Heston and Schaffner...
685
00:49:08,560 --> 00:49:11,760
...resulted in one of the film's
most famous scenes.
686
00:49:11,960 --> 00:49:15,840
Let us assume
that the prisoner's story is false.
687
00:49:16,040 --> 00:49:19,360
But if he did not come from another planet...
688
00:49:19,560 --> 00:49:22,640
...then surely he sprang from our own.
689
00:49:23,320 --> 00:49:25,680
While shooting this sequence,
the star joked...
690
00:49:25,880 --> 00:49:31,600
...that the director should film the ape tribunal
performing the oldest of simian clichés.
691
00:49:31,800 --> 00:49:36,960
I have found no physiological defect
to explain why humans are mute.
692
00:49:37,160 --> 00:49:39,040
- Objection!
- Sustained!
693
00:49:39,240 --> 00:49:44,280
(Zira) Their speech organs are adequate.
The flaw lies not in anatomy, but in the brain.
694
00:49:44,480 --> 00:49:46,360
- Objection!
- Sustained!
695
00:49:46,560 --> 00:49:49,200
(Mort Abrahams)
Frank said "I want you to see this."
696
00:49:49,400 --> 00:49:52,440
This was the examination
before the three judges.
697
00:49:55,400 --> 00:49:59,920
And of course, when the executives
looked at it, they said "Oh, my God!"
698
00:50:00,560 --> 00:50:05,960
And Frank said "You think it's too much?"
Then of course it appears in the final version.
699
00:50:06,240 --> 00:50:09,440
(Roddy McDowall) Schaffner had
a very specific vision for the film.
700
00:50:09,640 --> 00:50:14,280
And its success owed much to his
considerable abilities as a director.
701
00:50:14,480 --> 00:50:18,280
He was a visionary.
He was underrated as a director.
702
00:50:18,480 --> 00:50:21,280
This really was his first step up.
703
00:50:21,480 --> 00:50:24,800
We took a chance, really,
because he hadn't done anything.
704
00:50:25,000 --> 00:50:30,440
At least, I hadn't seen anything that indicated
that he could give it scope and meaning.
705
00:50:30,640 --> 00:50:36,160
And that's what it's all about. There's a lot
of guys that are technically competent...
706
00:50:36,360 --> 00:50:42,280
...but don't have a real vision,
or enthusiasm. But he did.
707
00:50:43,160 --> 00:50:44,280
(ape) Grab him!
708
00:50:46,280 --> 00:50:50,120
(Roddy McDowall) As the film draws
to its conclusion, Taylor escapes.
709
00:50:50,400 --> 00:50:53,040
- Who are you?
- So you can talk!
710
00:50:53,240 --> 00:50:57,040
I'm Dr Xira's nephew.
This abduction was her idea.
711
00:50:58,480 --> 00:51:00,120
Cornelius!
712
00:51:00,320 --> 00:51:03,640
He is pursued to an archaeological site
in the forbidden zone.
713
00:51:04,640 --> 00:51:07,880
- Lucius, don't fire at them!
- You're all under arrest!
714
00:51:12,120 --> 00:51:17,400
If there's any more shooting, Dr Xaius,
you'll be the first to go. You can count on it.
715
00:51:17,600 --> 00:51:20,040
There, an amazing discovery is made.
716
00:51:20,240 --> 00:51:24,120
One that challenges the ape's dominant role.
717
00:51:24,480 --> 00:51:27,920
You say these things were found
at the same level as that doll?
718
00:51:28,400 --> 00:51:31,040
Whoever owned them
must have been in pretty bad shape.
719
00:51:31,240 --> 00:51:33,800
He wore false teeth.
720
00:51:34,000 --> 00:51:36,040
And eyeglasses.
721
00:51:36,240 --> 00:51:39,120
I don't say he was a man
like I knew at home...
722
00:51:39,320 --> 00:51:43,600
...but he must have been a close relative.
He had all the same weaknesses.
723
00:51:43,800 --> 00:51:46,040
He was a weak...
724
00:51:46,240 --> 00:51:48,200
...fragile animal.
725
00:51:48,400 --> 00:51:50,440
But he was here before you...
726
00:51:50,640 --> 00:51:54,600
- ...and he was better than you are.
- That's lunacy!
727
00:51:54,800 --> 00:51:56,640
(doll) Mama!
728
00:52:03,520 --> 00:52:05,680
(doll) Mama!
729
00:52:08,000 --> 00:52:12,440
Dr Xaius, would an ape make a human doll...
730
00:52:12,640 --> 00:52:13,880
...that talks?
731
00:52:14,080 --> 00:52:17,760
It was a conflict of civilisations, if you like.
732
00:52:17,960 --> 00:52:21,200
What interested me particularly about it...
733
00:52:21,400 --> 00:52:26,320
...was the dichotomy of Taylor's character.
734
00:52:28,320 --> 00:52:31,920
He was a harsh, embittered man...
735
00:52:32,120 --> 00:52:36,720
...who had become so disenchanted
with his civilisation...
736
00:52:36,920 --> 00:52:39,360
...that he literally leaves the earth.
737
00:52:39,560 --> 00:52:43,000
You who are reading me now
are a different breed.
738
00:52:43,720 --> 00:52:45,720
I hope a better one.
739
00:52:47,600 --> 00:52:52,680
And then he finds himself
in an alien planet populated by apes.
740
00:52:55,320 --> 00:52:59,720
And he is alone
required to defend humankind.
741
00:52:59,920 --> 00:53:02,240
I oughta kill you right now.
742
00:53:02,440 --> 00:53:03,440
Come on!
743
00:53:03,680 --> 00:53:06,280
It's an interesting dichotomy and I...
744
00:53:06,480 --> 00:53:09,560
...I tried to get as much out of it as I could.
745
00:53:11,560 --> 00:53:15,200
(Roddy McDowall) The final scenes
were shot on the California coastline.
746
00:53:15,400 --> 00:53:17,800
At Zuma Beach near Malibu.
747
00:53:18,080 --> 00:53:25,160
Here, Taylor manages to subdue Dr Zaius
and they face off in one final confrontation.
748
00:53:25,360 --> 00:53:28,640
Don't try to follow us.
I'm pretty handy with this.
749
00:53:28,840 --> 00:53:30,720
Of that I'm sure.
750
00:53:30,920 --> 00:53:36,360
All my life I've awaited your coming
and dreaded it, like death itself.
751
00:53:36,560 --> 00:53:37,600
Why?
752
00:53:37,800 --> 00:53:41,360
I've terrified you from the first, Doctor.
I still do.
753
00:53:41,560 --> 00:53:44,400
You're afraid of me and you hate me. Why?
754
00:53:44,600 --> 00:53:46,840
Because you're a man.
755
00:53:47,040 --> 00:53:48,520
And you're right.
756
00:53:48,720 --> 00:53:51,920
I have always known about man.
757
00:53:52,480 --> 00:53:58,720
From the evidence, I believe his wisdom
must walk hand in hand with his idiocy.
758
00:53:58,920 --> 00:54:01,200
His emotions must rule his brain.
759
00:54:01,400 --> 00:54:04,120
He must be a warlike creature
who gives battle...
760
00:54:04,320 --> 00:54:07,200
...to everything around him, even himself.
761
00:54:07,400 --> 00:54:10,600
What evidence?
There were no weapons in that cave.
762
00:54:10,800 --> 00:54:13,960
The forbidden zone was once a paradise.
763
00:54:14,160 --> 00:54:18,400
Your breed made a desert of it... ages ago.
764
00:54:18,600 --> 00:54:20,600
It still doesn't give me the why.
765
00:54:20,800 --> 00:54:23,720
A planet where apes evolved from men.
766
00:54:25,000 --> 00:54:26,960
There's gotta be an answer.
767
00:54:27,160 --> 00:54:29,280
Don't look for it, Taylor.
768
00:54:30,080 --> 00:54:32,560
You may not like what you find.
769
00:54:34,560 --> 00:54:39,920
The film's ending was a source of
controversy for the studio and filmmakers.
770
00:54:41,000 --> 00:54:46,000
Shot, but later deleted, was a sequence
revealing Nova's pregnancy.
771
00:54:46,200 --> 00:54:49,280
We decided that the structure
would be badly affected...
772
00:54:49,480 --> 00:54:53,040
...changing her situation to a specific
such as her being pregnant...
773
00:54:53,240 --> 00:54:55,360
...cos you have to follow through.
774
00:54:55,560 --> 00:54:58,440
If she's pregnant,
that becomes an element of the story.
775
00:54:58,640 --> 00:55:02,720
And now we're off to...
something else entirely.
776
00:55:02,920 --> 00:55:06,000
If Taylor and Nova have a child,
will that child be able to speak?
777
00:55:06,200 --> 00:55:08,880
Will that child have the same kind
of intelligence as Taylor?
778
00:55:09,080 --> 00:55:13,600
What if they breed a new race of intelligent
humans? What could happen then?
779
00:55:16,920 --> 00:55:19,080
But when you take that notion out...
780
00:55:19,280 --> 00:55:23,320
...then this whole question about humans
being able to have some kind of rebirth...
781
00:55:23,520 --> 00:55:28,920
...gets eliminated, because really they weren't
telling a story of possible salvation.
782
00:55:41,720 --> 00:55:43,960
(Roddy McDowall)
The ending that was used...
783
00:55:44,160 --> 00:55:48,800
...had its genesis in one of Rod Serling's
early script drafts.
784
00:55:49,000 --> 00:55:52,040
It proved to be one of the most surprising...
785
00:55:52,240 --> 00:55:56,720
...memorable and chilling climaxes
in motion-picture history.
786
00:56:00,320 --> 00:56:02,320
Oh, my God!
787
00:56:03,080 --> 00:56:05,080
I'm back!
788
00:56:06,320 --> 00:56:08,320
I'm home.
789
00:56:08,880 --> 00:56:11,160
All the time, it was...
790
00:56:13,080 --> 00:56:16,320
We finally really did it.
791
00:56:16,520 --> 00:56:18,520
You maniacs!
792
00:56:19,920 --> 00:56:22,120
You blew it up!
793
00:56:22,320 --> 00:56:24,640
God damn you!
794
00:56:25,400 --> 00:56:29,520
God damn you all to hell!
795
00:56:38,120 --> 00:56:43,440
(Eric Greene) That final image is one of
the most memorable scenes of '60s cinema.
796
00:56:43,640 --> 00:56:49,360
The American hero is standing in front
of this fallen icon of American expectation.
797
00:56:49,560 --> 00:56:53,600
And it really speaks to
this sense of all America's aspirations...
798
00:56:53,800 --> 00:56:58,440
...the self-image that we had as defenders
of liberty and the beacon of hope.
799
00:56:58,640 --> 00:57:02,840
All of that now is laid waste - literally.
It's in ruins.
800
00:57:04,920 --> 00:57:07,920
It was really designed
not to send a message...
801
00:57:08,120 --> 00:57:15,080
...but to throw in a big surprise,
from an audience standpoint.
802
00:57:15,280 --> 00:57:19,520
So they say "Oh, my goodness!
Look where we've been all this time!"
803
00:57:21,800 --> 00:57:24,800
(Roddy McDowall) The haunting image
of a decayed Statue of Liberty...
804
00:57:25,000 --> 00:57:28,320
...entails some interesting
technical challenges.
805
00:57:29,520 --> 00:57:33,920
We found a location at the end of Zuma
Beach, which was about the right scale...
806
00:57:34,120 --> 00:57:37,120
...and it had rocks with moss on 'em
on the end of the beach...
807
00:57:37,320 --> 00:57:42,520
...that looked kind of like disintegrated...
bronze, or whatever.
808
00:57:42,720 --> 00:57:46,360
So we integrated those rocks
with the base of the statue...
809
00:57:46,560 --> 00:57:52,720
...which was a painting by Emil Kosa,
who was chief matte artist at the studio.
810
00:57:54,200 --> 00:57:58,240
And Frank was lamenting that he
just didn't want to cut to the master shot.
811
00:57:58,440 --> 00:58:03,080
He wanted to introduce the statue,
but you don't know what it is.
812
00:58:03,280 --> 00:58:08,920
And so I had envisioned, you know,
being up on the bluff on a dolly track...
813
00:58:09,120 --> 00:58:12,440
...and shooting down
over a foreground miniature.
814
00:58:12,640 --> 00:58:17,920
And what it entailed was building
the head and the torch, one half full-scale.
815
00:58:19,520 --> 00:58:22,120
I had the grips build a tower...
816
00:58:22,320 --> 00:58:24,320
...70 feet high...
817
00:58:25,160 --> 00:58:27,040
...to get the right perspective.
818
00:58:27,240 --> 00:58:32,320
Leon Shamroy was the cameraman
and Leon was close to 70...
819
00:58:32,520 --> 00:58:36,880
...and he looked at this 70-foot tower
and he says "I'm not goin' up there."
820
00:58:37,080 --> 00:58:38,800
So he didn't go up there.
821
00:58:39,000 --> 00:58:45,440
And the first assistant director was...
had acrophobia. He wasn't goin' up there.
822
00:58:45,640 --> 00:58:50,200
Frank handed me the megaphone. He says
"You build it. I'll meet you at the top."
823
00:58:50,400 --> 00:58:55,320
So Frank and I went up and made the shot.
The rest was history.
824
00:58:57,720 --> 00:59:01,440
(Roddy McDowall) Shooting was
completed on August 10th, 1967...
825
00:59:01,640 --> 00:59:05,720
...with the production coming in
on time and on budget.
826
00:59:09,440 --> 00:59:11,520
(trailer) Charlton Heston.
827
00:59:11,720 --> 00:59:14,080
The world he finds out in the galaxy...
828
00:59:14,280 --> 00:59:17,440
...will challenge every idea
you've ever had of civilisation.
829
00:59:19,240 --> 00:59:22,360
A planet where man
is the lowest order of living things...
830
00:59:22,720 --> 00:59:25,800
...and the superior beings are... apes.
831
00:59:26,000 --> 00:59:30,800
(Roddy McDowall) Planet of the Apes had
its world premiere on February 8th, 1968.
832
00:59:31,000 --> 00:59:34,640
It was a box-office smash,
grossing over $26 million...
833
00:59:34,840 --> 00:59:37,480
...and reaching audiences of all ages.
834
00:59:37,680 --> 00:59:42,280
They build the cities,
make the laws. The Gods.
835
00:59:42,480 --> 00:59:46,120
Adults responded to its intelligent
script and first-rate performances.
836
00:59:46,320 --> 00:59:48,800
Man has no understanding.
837
00:59:49,000 --> 00:59:52,120
Children thrilled to the film's
adventure and fantasy elements.
838
00:59:52,320 --> 00:59:56,320
Twentieth Century Fox transforms
the motion-picture screen into...
839
00:59:57,040 --> 01:00:01,160
The film also found favour with critics,
who praised its uniqueness...
840
01:00:01,360 --> 01:00:04,520
...timely political commentary
and entertainment value.
841
01:00:06,000 --> 01:00:09,120
Beyond your wildest dreams.
842
01:00:14,640 --> 01:00:18,040
Planet of the Apes was nominated
for two Academy Awards.
843
01:00:18,240 --> 01:00:22,320
Best Costume Design
and Best Original Score.
844
01:00:24,480 --> 01:00:27,880
But special Academy recognition
was reserved...
845
01:00:28,080 --> 01:00:31,120
...for the innovative
makeup wizard, John Chambers...
846
01:00:31,320 --> 01:00:33,080
...who was awarded a special Oscar...
847
01:00:33,280 --> 01:00:36,880
...for his outstanding achievement
on Planet of the Apes.
848
01:00:37,080 --> 01:00:40,520
The award was presented to him
by Walter Matthau...
849
01:00:41,160 --> 01:00:43,160
...and friend.
850
01:00:44,480 --> 01:00:46,600
It's a madhouse!
851
01:00:46,800 --> 01:00:50,600
It's a madhouse! A madhouse!
It's a madhouse!
852
01:00:52,040 --> 01:00:57,320
Planet of the Apes had reached a pinnacle
of success that no one could have predicted.
853
01:00:57,520 --> 01:01:00,320
It was now officially a phenomenon.
854
01:01:01,080 --> 01:01:05,240
With audience interest at its peak, a meeting
was called at Twentieth Century Fox...
855
01:01:05,440 --> 01:01:08,840
...between the producers
and elated studio executives.
856
01:01:09,200 --> 01:01:12,880
Stan Huff, head of production, says
"You gotta do a sequel."
857
01:01:13,080 --> 01:01:16,680
I said "Stan, there's no way we can
do a sequel. There's no place to go."
858
01:01:16,880 --> 01:01:19,360
I don't wanna do a thing on Mars.
859
01:01:19,560 --> 01:01:21,920
He said "You have to find a way."
860
01:01:22,880 --> 01:01:25,160
I had never thought of a sequel.
861
01:01:25,360 --> 01:01:28,200
At the time of Planet of the Apes...
862
01:01:28,400 --> 01:01:32,920
...no one was talking sequels
very much, or at all.
863
01:01:34,520 --> 01:01:37,520
For Twentieth Century Fox,
at that period of time...
864
01:01:37,720 --> 01:01:44,120
...this started the notion
of recapturing the success of the first.
865
01:01:44,880 --> 01:01:47,800
As thoughts inevitably turned
towards a sequel...
866
01:01:48,000 --> 01:01:51,200
...the producers faced
an impossible challenge.
867
01:01:51,400 --> 01:01:56,600
That half-buried Statue of Liberty had
become a cinematic and cultural milestone...
868
01:01:56,800 --> 01:01:59,720
...and it cast a very long shadow.
869
01:02:00,320 --> 01:02:04,120
How could anyone go
beyond the film's apocalyptic vision?
870
01:02:04,320 --> 01:02:08,080
How could they go beyond
the Planet of the Apes?
871
01:02:09,800 --> 01:02:12,800
With studio pressure mounting for a sequel...
872
01:02:13,000 --> 01:02:18,800
...Jacobs returned to two of the men who had
helped make the original film so successful...
873
01:02:19,000 --> 01:02:21,720
...Rod Serling and Pierre Boulle.
874
01:02:22,320 --> 01:02:27,320
During the next few months, both men
submitted a wide range of proposals.
875
01:02:27,720 --> 01:02:29,360
Jacobs rejected them all...
876
01:02:29,560 --> 01:02:32,960
...feeling the concepts did not provide
the kind of visual shocks...
877
01:02:33,160 --> 01:02:35,920
...that had made the original so successful.
878
01:02:39,720 --> 01:02:43,440
Planet of the Apes was indeed
proving a hard act to follow...
879
01:02:43,640 --> 01:02:46,440
...until associate producer Mort Abrahams
went to London...
880
01:02:46,640 --> 01:02:51,320
...and met with Academy Award-winning
screenwriter and poet Paul Dehn.
881
01:02:52,240 --> 01:02:55,600
Dehn was known for his work
on Cold War suspense thrillers...
882
01:02:55,800 --> 01:02:58,400
...like The Spy Who Came in from the Cold.
883
01:02:58,600 --> 01:03:02,600
He was also famous for co-writing
the James Bond classic, Goldfiinger.
884
01:03:02,800 --> 01:03:07,040
I was in London on something else entirely,
and met with Paul...
885
01:03:07,240 --> 01:03:13,200
...and told him frankly I was having trouble
with this development of this idea.
886
01:03:13,400 --> 01:03:15,440
He said "Let me toss it around."
887
01:03:15,640 --> 01:03:21,720
He called me two or three days Later and said
"I think I have an idea how to do this."
888
01:03:23,980 --> 01:03:26,020
(Roddy McDowall) Working with Abrahams...
889
01:03:26,220 --> 01:03:30,380
...he submitted his first outline
in September 1968.
890
01:03:30,580 --> 01:03:32,460
Called Planet of the Apes Revisited...
891
01:03:32,660 --> 01:03:37,260
...it contained many ideas that would
find their way into the final film...
892
01:03:37,460 --> 01:03:39,980
...and one that would not:
893
01:03:40,380 --> 01:03:46,740
the conception of a half-ape, half-human
child, seen here in a rare screen test.
894
01:03:46,940 --> 01:03:50,620
Curiously, the studio feared that
the implied mating of species...
895
01:03:50,820 --> 01:03:55,380
...could lose the film a G rating
and take away their family audience.
896
01:03:56,700 --> 01:04:01,020
With Franklin Schaffner already committed
to Fox's big-budget epic, Patton...
897
01:04:01,220 --> 01:04:07,740
...the job was given to veteran film
and television director Ted Post.
898
01:04:07,940 --> 01:04:13,180
But just after Post signed to direct
the new Apes film, he threatened to resign...
899
01:04:13,380 --> 01:04:17,140
...when told that Charlton Heston
was unwilling to return as Taylor.
900
01:04:17,340 --> 01:04:21,500
I had told Arthur that I don't think
that a sequel will hold...
901
01:04:21,700 --> 01:04:24,220
...without the original star being in it.
902
01:04:24,420 --> 01:04:28,500
And they took a little bit of time
to scratch their heads about that...
903
01:04:28,700 --> 01:04:34,500
...and finally came up with a solution which
hooked Chuck Heston back into the sequel.
904
01:04:34,700 --> 01:04:40,100
Dick Zanuck called me. He said "Chuck, we
have to do a sequel. This film is enormous."
905
01:04:40,300 --> 01:04:44,660
I said "I don't wanna do a sequel.
That's like the Andy Hardy series."
906
01:04:44,860 --> 01:04:49,100
And he said "Chuck, I can't
make the sequel if you're not in it."
907
01:04:49,300 --> 01:04:52,420
And I said "Well, you got me, Richard...
908
01:04:52,620 --> 01:04:56,660
...because we couldn't have made this film
if you hadn't given it a go."
909
01:04:56,860 --> 01:05:01,460
"So how about if I'm in the sequel
but I get killed in the opening scene...
910
01:05:01,660 --> 01:05:06,420
...and you pay me whatever you want
and we'll give it to a school or something?"
911
01:05:06,620 --> 01:05:10,980
He said "Ok, that's a deal." Then,
as the script developed, he called and said...
912
01:05:11,180 --> 01:05:15,020
..."Chuck, how about if we have you
disappear in the first scene...
913
01:05:15,220 --> 01:05:17,780
...and then you're killed in the last scene?"
914
01:05:17,980 --> 01:05:22,020
And I said "Yeah, I guess.
Ok, fine. What the heck."
915
01:05:23,860 --> 01:05:29,540
(Roddy McDowall) With the crisis resolved,
the production team still faced a final hurdle:
916
01:05:29,740 --> 01:05:33,140
the studio's insistence on a reduced budget.
917
01:05:34,420 --> 01:05:36,860
Since the release of the original Apes film...
918
01:05:37,060 --> 01:05:39,740
...Fox had undergone
a troubled financial period...
919
01:05:39,940 --> 01:05:44,580
...where a string of big-budget musicals
had performed below expectations.
920
01:05:44,780 --> 01:05:47,780
Among them, Arthur Jacobs' Dr Dolittle.
921
01:05:48,780 --> 01:05:53,420
They had a couple of failures, and the board
of directors got very anxious about that.
922
01:05:53,620 --> 01:05:57,860
They didn't want to invest any more
than they had to. So the order came down:
923
01:05:58,060 --> 01:06:02,260
cut the budgets of every production
that was being made at that time.
924
01:06:03,780 --> 01:06:08,980
Settling on a budget of $3 million
- barely half that of the original film -
925
01:06:09,180 --> 01:06:14,420
Beneath the Planet of the Apes
began filming in February 1969.
926
01:06:14,620 --> 01:06:16,700
Don't look for it, Taylor.
927
01:06:17,500 --> 01:06:19,780
You may not like what you find.
928
01:06:19,980 --> 01:06:23,300
The story picked up
exactly where the first film left off.
929
01:06:23,500 --> 01:06:25,740
What will he find out there, Doctor?
930
01:06:25,940 --> 01:06:27,340
His destiny.
931
01:06:27,540 --> 01:06:31,140
Taylor rides off into the forbidden zone,
accompanied by Nova...
932
01:06:31,340 --> 01:06:33,580
...played once again by Linda Harrison.
933
01:06:35,260 --> 01:06:38,140
After encountering a series
of strange phenomenon...
934
01:06:38,340 --> 01:06:40,940
...Taylor mysteriously disappears.
935
01:06:42,460 --> 01:06:45,500
A new leading man then takes centre stage:
936
01:06:45,700 --> 01:06:52,380
Brent, the leader and lone survivor of an
astronaut rescue team sent to find Taylor.
937
01:06:54,900 --> 01:06:57,380
Although Burt Reynolds was approached...
938
01:06:57,580 --> 01:07:02,420
...the producers ultimately cast
popular television actor James Franciscus.
939
01:07:02,620 --> 01:07:03,860
Hey!
940
01:07:04,060 --> 01:07:07,060
No. No, no, I don't wanna hurt you. I...
941
01:07:08,620 --> 01:07:10,500
I just wanna know where I am.
942
01:07:10,700 --> 01:07:16,940
When Brent meets Nova, he realises she is
his only link to finding his lost comrade.
943
01:07:17,140 --> 01:07:18,780
Taylor!
944
01:07:19,060 --> 01:07:20,660
Is he hurt? Is he alive?
945
01:07:20,860 --> 01:07:26,020
I think they picked Jim because he was like
a version - a smaller version - of Heston.
946
01:07:26,580 --> 01:07:30,580
They kinda looked alike,
and a very strong voice and...
947
01:07:31,300 --> 01:07:32,700
...took it very seriously.
948
01:07:32,900 --> 01:07:36,740
You... take me... to Taylor.
949
01:07:37,380 --> 01:07:40,780
(Roddy McDowall) Brent and Nova's search
brings them to Ape City...
950
01:07:40,980 --> 01:07:44,140
...most of which was still standing
at the Fox Studio Ranch...
951
01:07:44,340 --> 01:07:46,420
It's a city of apes!
952
01:07:46,620 --> 01:07:50,660
...allowing the filmmakers to save
valuable dollars on set construction.
953
01:07:50,860 --> 01:07:54,700
The only thing
that counts in the end is power.
954
01:07:54,900 --> 01:07:57,380
Naked, merciless force!
955
01:07:59,180 --> 01:08:03,340
But budgetary constraints did become
evident in crowd scenes like this one...
956
01:08:03,540 --> 01:08:07,860
...where the background apes were portrayed
by extras in pull-over masks.
957
01:08:08,060 --> 01:08:11,740
A cost-cutting device
that proved a little too obvious.
958
01:08:12,300 --> 01:08:15,420
The role of the gorilla military leader,
General Ursus...
959
01:08:15,620 --> 01:08:18,980
...was originally offered
to Hollywood legend Orson Welles.
960
01:08:19,180 --> 01:08:24,100
But when Welles declined, the noted
character actor, James Gregory, stepped in...
961
01:08:24,300 --> 01:08:26,340
...and gave a rousing performance.
962
01:08:26,540 --> 01:08:28,540
The only good human...
963
01:08:28,740 --> 01:08:30,740
...is a dead human!
964
01:08:32,900 --> 01:08:34,820
Nova takes Brent into the city...
965
01:08:35,020 --> 01:08:38,860
...and the audience is reintroduced
to some familiar ape faces:
966
01:08:39,060 --> 01:08:41,460
Zira, once again played by Kim Hunter.
967
01:08:41,660 --> 01:08:43,420
Taylor?
968
01:08:43,660 --> 01:08:46,060
No, not... not Taylor. My name's Brent.
969
01:08:46,260 --> 01:08:48,060
You... talked.
970
01:08:48,260 --> 01:08:50,500
And Dr Zaius, played by Maurice Evans.
971
01:08:50,700 --> 01:08:52,620
As minister of science, it is my duty...
972
01:08:52,820 --> 01:08:55,580
...to find out
whether some other form of life exists.
973
01:08:55,780 --> 01:08:59,700
- Where are you going?
- Into the forbidden zone, with Ursus.
974
01:09:00,140 --> 01:09:03,860
As fate would have it, I was directing a film
in England at the time...
975
01:09:04,060 --> 01:09:06,860
...and was unable
to reprise my role of Cornelius.
976
01:09:07,060 --> 01:09:10,860
The part went instead
to British actor David Watson.
977
01:09:11,060 --> 01:09:15,780
With the help of makeup, it was hoped that
the audiences wouldn't notice the difference.
978
01:09:15,980 --> 01:09:19,300
If you are caught by the gorillas,
you must remember one thing.
979
01:09:19,500 --> 01:09:21,500
- What's that?
- Never to speak.
980
01:09:23,180 --> 01:09:26,420
As Brent and Nova go underground
in their search for Taylor...
981
01:09:26,620 --> 01:09:30,500
...the filmmakers hoped to give audiences
an even more impressive visual...
982
01:09:30,700 --> 01:09:33,140
...than the half-buried Statue of Liberty.
983
01:09:33,340 --> 01:09:37,620
Their solution:
bury the whole city of New York.
984
01:09:38,100 --> 01:09:40,620
(William Creber) It was done almost for free.
985
01:09:40,820 --> 01:09:42,740
I got photos out of books...
986
01:09:42,940 --> 01:09:47,260
...and kind of imagined
angles that would work...
987
01:09:47,460 --> 01:09:52,420
...and I wrote a letter
to the studio in New York...
988
01:09:52,620 --> 01:09:55,620
...and asked them to specifically
shoot these pictures.
989
01:09:57,780 --> 01:10:01,020
We made big blow-ups
and cut 'em up with a razor blade...
990
01:10:01,220 --> 01:10:04,220
...and then had the matte artist
kinda touch 'em up.
991
01:10:04,420 --> 01:10:07,180
And that was our matte shots.
992
01:10:09,460 --> 01:10:12,100
(Roddy McDowall)
Here, in the forgotten city,..
993
01:10:12,300 --> 01:10:15,420
...Brent and Nova
encounter a mutant civilisation.
994
01:10:15,620 --> 01:10:19,820
Genetically altered beings
who possess telepathic powers.
995
01:10:20,300 --> 01:10:22,740
Your lips... don't move...
996
01:10:23,540 --> 01:10:24,900
...but I can hear.
997
01:10:25,100 --> 01:10:26,580
I know what you're thinking.
998
01:10:26,780 --> 01:10:33,340
To save costs, this scene was actually shot
on a set previously used in Fox's Hello Dolly.
999
01:10:35,180 --> 01:10:37,500
- (rapid bleeps)
- No, wait! Wait a minute!
1000
01:10:39,300 --> 01:10:40,980
I can't understand you...
1001
01:10:41,180 --> 01:10:45,780
By the way, that's Natalie Trundy
playing the female mutant, Albina.
1002
01:10:46,460 --> 01:10:49,820
In real life, she was Mrs Arthur P Jacobs.
1003
01:10:50,220 --> 01:10:52,780
Are we to understand that
you were in the city of the apes?
1004
01:10:52,980 --> 01:10:55,740
- You're talking.
- Certainly we can talk.
1005
01:10:55,940 --> 01:10:58,860
It's a primitive accomplishment.
We use it when we must.
1006
01:10:59,060 --> 01:11:00,980
When we sing to our God.
1007
01:11:01,180 --> 01:11:04,100
Another Hello Dolly set
was also transformed...
1008
01:11:04,300 --> 01:11:08,820
...into this chapel, where the mutants
pray to a most unusual god.
1009
01:11:10,500 --> 01:11:12,740
The heavens declare the glory of the Bomb...
1010
01:11:12,940 --> 01:11:15,100
...and the firmament showeth His handiwork.
1011
01:11:15,300 --> 01:11:21,740
- I reveal my inmost self unto my God.
- Unto my God.
1012
01:11:23,460 --> 01:11:26,820
The mutant society raised
some new and unique makeup challenges...
1013
01:11:27,020 --> 01:11:30,380
...for director Ted Post
and makeup designer John Chambers.
1014
01:11:30,580 --> 01:11:36,060
(Chambers) It looked like tissue that was
destroyed by exposure to the atomic bomb.
1015
01:11:36,260 --> 01:11:41,460
It was challenging,
how far we should create the mutation.
1016
01:11:44,780 --> 01:11:50,100
(Ted Post) In the makeup room, they showed
me all the faces they had in mind...
1017
01:11:50,300 --> 01:11:52,500
...that would depict a mutant...
1018
01:11:52,700 --> 01:11:55,220
...with Cyclops one eye and three eyes...
1019
01:11:55,420 --> 01:11:57,580
...with the ear here, the ear there.
1020
01:11:57,780 --> 01:12:03,780
Everything was kind of jangled, mangled and
disjointed, etc. It looked terrible to me.
1021
01:12:05,060 --> 01:12:07,980
So I looked at a book of anatomy,
Gray's Anatomy...
1022
01:12:08,180 --> 01:12:12,340
...and saw a face that had been
stripped of the epidermis...
1023
01:12:12,540 --> 01:12:16,340
...and saw the dermal region,
with the vessels and the nerves.
1024
01:12:16,820 --> 01:12:21,300
I said "That's the kind of look
I think would make the mutants work for me."
1025
01:12:21,500 --> 01:12:23,580
And they went ahead and made it that way.
1026
01:12:23,780 --> 01:12:27,100
O God, bless, we pray You...
1027
01:12:27,300 --> 01:12:29,020
May the blessing of the Bomb Almighty...
1028
01:12:29,220 --> 01:12:32,740
...our great army
and its supreme commander...
1029
01:12:32,940 --> 01:12:34,580
...and the fellowship of the Holy Fallout...
1030
01:12:34,780 --> 01:12:36,580
...on the eve of a holy war...
1031
01:12:36,780 --> 01:12:39,220
...descend on us all this day...
1032
01:12:39,420 --> 01:12:40,340
Amen.
1033
01:12:43,620 --> 01:12:47,100
(Roddy McDowall) The subtle
social satire of the first Apes film...
1034
01:12:47,300 --> 01:12:51,140
...gave way to more obvious and direct
political commentary...
1035
01:12:51,340 --> 01:12:56,100
...as the apes moved closer to a planned
military invasion of the forbidden zone.
1036
01:12:56,300 --> 01:13:00,980
It's the sense of this unnecessary war
that the people are being led into...
1037
01:13:01,180 --> 01:13:05,340
...that the liberal youth and many
of the intellectuals are opposed to...
1038
01:13:05,540 --> 01:13:08,340
...but that the political elite winds up backing.
1039
01:13:08,540 --> 01:13:11,460
There's one scene
where there is a chimpanzee protest...
1040
01:13:11,660 --> 01:13:14,500
...with the chimpanzees
carrying protest signs saying...
1041
01:13:14,700 --> 01:13:16,980
- Peace and freedom!
- Get 'em out of the way.
1042
01:13:17,220 --> 01:13:20,780
Very much like you would expect
to see at the anti-Vietnam rallies.
1043
01:13:20,980 --> 01:13:24,020
Not one of the more subtle uses
of political commentary...
1044
01:13:24,220 --> 01:13:28,940
...but a very direct paralleling of
what was going on in the US at the time.
1045
01:13:30,700 --> 01:13:32,700
Advance!
1046
01:13:33,060 --> 01:13:35,140
(Roddy McDowall) The apes declare war...
1047
01:13:35,340 --> 01:13:38,420
...and a battle between
mind and muscle begins.
1048
01:13:42,420 --> 01:13:44,900
Hold your positions!
1049
01:13:53,780 --> 01:13:57,660
Charlton Heston also makes his promised
appearance near the end of the film.
1050
01:13:58,300 --> 01:14:01,220
- Taylor!
- You're... Brent!
1051
01:14:01,420 --> 01:14:03,420
My God! Taylor!
1052
01:14:05,340 --> 01:14:07,820
And, as the ape-mutant war rages...
1053
01:14:10,780 --> 01:14:14,180
...the action moves towards
its apocalyptic finale.
1054
01:14:16,180 --> 01:14:17,860
Someone at the pillar!
1055
01:14:18,060 --> 01:14:20,340
(cry of pain)
1056
01:14:24,780 --> 01:14:27,420
The ending was suggested
by Heston himself...
1057
01:14:27,620 --> 01:14:31,100
...who was very wary of any more ape sequels.
1058
01:14:31,300 --> 01:14:32,900
It's Doomsday.
1059
01:14:33,100 --> 01:14:38,740
I said "How about if I set off this atom bomb
and blow up the whole earth?"
1060
01:14:39,300 --> 01:14:41,100
And they said "That's very good."
1061
01:14:41,300 --> 01:14:44,780
Man is evil,
capable of nothing but destruction!
1062
01:14:48,620 --> 01:14:51,300
And I thought, that's the end of the sequels.
1063
01:14:56,100 --> 01:15:00,380
(trailer) The Planet of the Apes was only the
beginning. What lies beneath may be the end.
1064
01:15:00,580 --> 01:15:02,580
Released on May 26th, 1970...
1065
01:15:03,020 --> 01:15:06,660
...Beneath the Planet of the Apes
opened to a mixed critical reaction.
1066
01:15:08,300 --> 01:15:10,260
Invade!
1067
01:15:10,460 --> 01:15:12,540
(trailer) The gorillas are on the march.
1068
01:15:12,740 --> 01:15:16,580
Human mutants strike back with new,
frightening weapons of the mind.
1069
01:15:16,780 --> 01:15:20,260
But there was no debating
its success at the box office.
1070
01:15:20,460 --> 01:15:23,300
The film made $14 million -
1071
01:15:23,500 --> 01:15:25,620
over three times its production cost.
1072
01:15:25,820 --> 01:15:28,580
(trailer) Can a planet long endure,
half ape, half human?
1073
01:15:28,780 --> 01:15:31,860
The answer lies
Beneath the Planet of the Apes.
1074
01:15:32,060 --> 01:15:33,500
Rated G.
1075
01:15:33,700 --> 01:15:39,140
I'd say we were moderately successful. I don't
know whether that's all we could have been.
1076
01:15:39,340 --> 01:15:40,940
But I think that's all we were.
1077
01:15:41,140 --> 01:15:46,140
Which is not to downplay the project at all,
but to be honest about it.
1078
01:15:47,420 --> 01:15:51,180
The surprise of the first picture
was not to be topped.
1079
01:15:52,180 --> 01:15:54,060
With Beneath the Planet of the Apes...
1080
01:15:54,260 --> 01:15:58,100
...the ape saga now seemed to have reached
a logical conclusion.
1081
01:15:58,300 --> 01:16:01,980
The prophecies of the apes'
sacred scrolls had come true.
1082
01:16:02,180 --> 01:16:06,060
The beast man had wielded
his final weapon of destruction.
1083
01:16:06,260 --> 01:16:09,860
But, just four months after the film's release,..
1084
01:16:10,060 --> 01:16:14,540
...screenwriter Paul Dehn
received a telegram from Arthur Jacobs.
1085
01:16:14,740 --> 01:16:17,820
"Apes exist. Sequel required."
1086
01:16:18,780 --> 01:16:23,100
Dehn was now faced with
a seemingly insurmountable task.
1087
01:16:23,300 --> 01:16:26,700
How do you carry on
after you've blown up the world?
1088
01:16:29,980 --> 01:16:34,340
While puzzling over the problem of
how to create a third Apes adventure...
1089
01:16:34,540 --> 01:16:39,420
...Paul Dehn thought of astronaut Taylor's
spaceship from the first film.
1090
01:16:44,180 --> 01:16:45,780
It gave him an idea.
1091
01:16:48,020 --> 01:16:50,260
- All right, open her up.
- Open it up!
1092
01:16:50,460 --> 01:16:55,580
What if, just prior to the world's destruction
in Beneath the Planet of the Apes...
1093
01:16:55,780 --> 01:16:59,780
...the abandoned craft had somehow
been salvaged and repaired?
1094
01:16:59,980 --> 01:17:01,940
Now the story could move forward...
1095
01:17:02,140 --> 01:17:04,540
Welcome, gentlemen, to the United St...
1096
01:17:06,180 --> 01:17:08,460
...by bringing the apes back in time.
1097
01:17:08,660 --> 01:17:11,260
And, through the magic of science fiction...
1098
01:17:11,460 --> 01:17:15,940
...that's exactly what happened
in Escape from the Planet of the Apes.
1099
01:17:17,060 --> 01:17:19,620
This time I was able to
take the role of Cornelius...
1100
01:17:19,820 --> 01:17:23,220
...with Kim Hunter also returning
as my wife, Zira.
1101
01:17:23,980 --> 01:17:28,060
There was also a third ape accompanying us
on the journey: Dr Milo.
1102
01:17:28,260 --> 01:17:33,660
He was played by Sal Mineo, acclaimed
for his role in Rebel Without a Cause.
1103
01:17:35,020 --> 01:17:39,540
Having only three apes made sense
storywise... and budgetwise.
1104
01:17:39,740 --> 01:17:42,700
The number of makeups and effects
was greatly reduced...
1105
01:17:42,900 --> 01:17:47,260
...and made it no problem to work
within the film's $2.5 million budget.
1106
01:17:47,460 --> 01:17:50,580
Because number two did not do
as well as number one did...
1107
01:17:50,780 --> 01:17:54,500
...number three should then
not probably do as well as number two did.
1108
01:17:54,700 --> 01:17:58,860
So you've got to look at something more
contained, which is what we tried to do.
1109
01:17:59,060 --> 01:18:00,820
Action! A little more on the left!
1110
01:18:01,460 --> 01:18:04,580
(Roddy McDowall)
Filming began on November 30th, 1970...
1111
01:18:04,780 --> 01:18:06,620
...under the direction of Don Taylor.
1112
01:18:06,820 --> 01:18:09,980
Hey, Bill Creber, take your cue on action!
1113
01:18:12,300 --> 01:18:17,500
You must realise that mine was
the third film of this particular series...
1114
01:18:17,700 --> 01:18:20,140
...and I inherited everything, practically.
1115
01:18:20,340 --> 01:18:23,220
I inherited the two actors, Roddy and Kim...
1116
01:18:23,580 --> 01:18:26,980
...who certainly knew more
about the characters than I did.
1117
01:18:27,180 --> 01:18:31,900
The only thing that I didn't inherit was
the plot. It was different. It was fresh.
1118
01:18:32,780 --> 01:18:37,140
(Roddy McDowall) The story showed the
ape-onauts brought back to a laboratory...
1119
01:18:37,340 --> 01:18:40,260
...and put under scientific examination.
1120
01:18:40,460 --> 01:18:43,780
The two animal psychiatrists
were played by Bradford Dillman...
1121
01:18:43,980 --> 01:18:49,300
...and Natalie Trundy, now making
her second appearance in an Apes film.
1122
01:18:59,500 --> 01:19:02,060
Well, why doesn't she take it?
1123
01:19:02,260 --> 01:19:04,260
Because I loathe bananas!
1124
01:19:04,460 --> 01:19:07,460
- Xira!
- I don't believe it.
1125
01:19:09,260 --> 01:19:11,380
Use your heads and start thinking.
1126
01:19:11,580 --> 01:19:15,140
Now that they know we can speak,
how much will we tell them?
1127
01:19:15,340 --> 01:19:16,300
Milo!
1128
01:19:19,060 --> 01:19:23,580
The character of Dr Milo
meets an untimely end early in the film...
1129
01:19:23,780 --> 01:19:27,620
...much to our disappointment,
and to Sal Mineo's relief.
1130
01:19:28,100 --> 01:19:30,500
We did have to hug Sal a lot.
1131
01:19:30,900 --> 01:19:33,340
It was very, very difficult for him...
1132
01:19:33,540 --> 01:19:36,500
...being confined in the appliances.
1133
01:19:36,700 --> 01:19:41,780
He was not comfortable at all
being a chimpanzee.
1134
01:19:42,060 --> 01:19:45,060
If you'll just be seated,
we'll get right down to business.
1135
01:19:45,500 --> 01:19:48,580
Dr Dixon. As a zoologist,
I know and respect your work...
1136
01:19:48,780 --> 01:19:51,580
...but if you want to turn
a Presidential Inquiry...
1137
01:19:51,780 --> 01:19:54,260
...into a ventriloquist's act,
I have to inform you...
1138
01:19:54,460 --> 01:19:58,780
And I have to inform you
that these apes have the power of speech.
1139
01:19:59,700 --> 01:20:01,980
It was during the filming of this scene...
1140
01:20:02,180 --> 01:20:05,540
...that Kim and I had
one of our most unusual experiences...
1141
01:20:05,740 --> 01:20:07,900
...while working on an Apes picture.
1142
01:20:08,340 --> 01:20:10,620
- Have you a name?
- Xira.
1143
01:20:10,820 --> 01:20:12,940
(public gasps)
1144
01:20:13,140 --> 01:20:16,820
- One might as well be talking to a parrot.
- A parrot?!
1145
01:20:17,020 --> 01:20:17,980
(laughter)
1146
01:20:18,180 --> 01:20:21,100
(Kim Hunter) We had to face
this Presidential Commission.
1147
01:20:21,300 --> 01:20:25,060
Roddy and I were facing the commission,
which was up on a stage...
1148
01:20:25,260 --> 01:20:27,100
...sort of in a semicircle.
1149
01:20:27,300 --> 01:20:30,500
And we were here,
and behind us were members of press.
1150
01:20:30,700 --> 01:20:33,180
Does the other one talk?
1151
01:20:34,580 --> 01:20:37,700
- Only when she lets me.
- (laughter)
1152
01:20:38,340 --> 01:20:40,500
So, in order to get rid of all those extras...
1153
01:20:40,700 --> 01:20:43,260
...of course, they shot us first.
1154
01:20:43,460 --> 01:20:49,580
Then the director said "Look, you and Roddy
can start getting the appliances off...
1155
01:20:49,780 --> 01:20:52,780
...because we won't be shooting you
the rest of the day."
1156
01:20:52,980 --> 01:20:57,140
"Just come back to be off camera
for the Presidential Commission...
1157
01:20:57,340 --> 01:21:01,740
...for their questions,
and respond to the other actors."
1158
01:21:01,940 --> 01:21:06,380
So it was marvellous. We started taking it off.
But it was so weird.
1159
01:21:06,580 --> 01:21:09,620
"Roddy," I said,
"are you feeling the same thing I'm feeling?"
1160
01:21:09,820 --> 01:21:16,500
It didn't feel like Zira and Cornelius
when they started taking this stuff off.
1161
01:21:16,700 --> 01:21:19,740
I finally said "Stop taking it all off."
1162
01:21:19,940 --> 01:21:22,580
"Leave on some."
1163
01:21:22,780 --> 01:21:24,620
"I've gotta have it."
1164
01:21:24,820 --> 01:21:28,140
It just didn't work without the appliances.
1165
01:21:28,340 --> 01:21:31,460
The character just... sort of disappeared.
1166
01:21:32,700 --> 01:21:35,500
Internally I was thinking
and feeling the same thing...
1167
01:21:35,700 --> 01:21:39,860
...but it didn't come out properly
without the appliances.
1168
01:21:40,060 --> 01:21:41,820
It was very strange.
1169
01:21:45,220 --> 01:21:48,860
(Roddy McDowall) The film was
primarily set in and around Los Angeles.
1170
01:21:49,060 --> 01:21:53,980
This helped the studio to control costs
and keep the production close to home.
1171
01:21:54,180 --> 01:21:56,180
Address, please?
1172
01:22:00,060 --> 01:22:01,820
- The zoo.
- (laughter)
1173
01:22:02,700 --> 01:22:07,020
It also gave us the opportunity to create
some of the film's most memorable scenes...
1174
01:22:07,220 --> 01:22:10,620
...as Cornelius and Zira
become media celebrities.
1175
01:22:10,820 --> 01:22:14,180
Dr Cornelius. Tell me,
how do you find our women?
1176
01:22:17,140 --> 01:22:19,220
- Very human.
- (laughter)
1177
01:22:19,420 --> 01:22:23,900
Many of these scenes were inspired by
episodes in the original Pierre Boulle novel.
1178
01:22:24,100 --> 01:22:26,100
How do you like it, Cornelius?
1179
01:22:27,260 --> 01:22:28,220
Beastly.
1180
01:22:28,420 --> 01:22:32,700
...and recaptured much of the original film's
humour and social satire.
1181
01:22:32,900 --> 01:22:35,100
- How is that?
- Soothing...
1182
01:22:36,180 --> 01:22:38,260
...but very wet.
1183
01:22:40,780 --> 01:22:43,700
But the light-hearted tone of the film
began to shift...
1184
01:22:43,900 --> 01:22:47,220
...when Zira offered this surprising revelation.
1185
01:22:54,140 --> 01:22:57,340
- It must have been the shock.
- Shock, my foot!
1186
01:22:58,140 --> 01:22:59,980
I'm pregnant.
1187
01:23:01,700 --> 01:23:05,820
Eventually, fearful government officials
put the apes into custody.
1188
01:23:06,020 --> 01:23:08,340
- Cornelius?
- (Cornelius) Xira!
1189
01:23:08,940 --> 01:23:11,940
They made me tell them everything,
Cornelius.
1190
01:23:12,820 --> 01:23:14,780
We can't live with lies.
1191
01:23:14,980 --> 01:23:18,140
After this, I doubt we shall
be allowed to live at all.
1192
01:23:18,580 --> 01:23:22,260
You have evidence, Mr President, that
one day talking apes will dominate Earth.
1193
01:23:22,460 --> 01:23:25,460
Now, what do you expect me to do about it?
1194
01:23:26,780 --> 01:23:30,780
Alter what you believe to be the future
by slaughtering two innocents...
1195
01:23:30,980 --> 01:23:33,860
...or rather three, now that
one of them is pregnant?
1196
01:23:34,060 --> 01:23:36,580
Herod tried that and Christ survived.
1197
01:23:36,780 --> 01:23:39,580
Do you want their progeny
to dominate the world?
1198
01:23:40,220 --> 01:23:43,540
The commission unanimously recommends...
1199
01:23:44,340 --> 01:23:48,460
...that the birth of the female ape's
unborn child should be prevented.
1200
01:23:49,540 --> 01:23:52,980
Savages! They are savages!
1201
01:23:53,180 --> 01:23:54,980
This is a major change in the series...
1202
01:23:55,180 --> 01:23:58,260
...because now the apes are
predominantly the heroes...
1203
01:23:58,460 --> 01:24:00,780
...and humans have become the antagonists.
1204
01:24:00,980 --> 01:24:04,860
And Zira and Cornelius, now they're
the strangers in a strange land.
1205
01:24:05,060 --> 01:24:07,860
Kind of an inverse of Taylor's situation.
1206
01:24:08,060 --> 01:24:11,100
They treated you like dirt.
1207
01:24:11,300 --> 01:24:13,980
Ma'am. Sir. Chow time.
1208
01:24:14,180 --> 01:24:18,460
You better have your soup and oranges
for the sake of that... little monkey...
1209
01:24:21,340 --> 01:24:22,940
The apes killed their orderly.
1210
01:24:23,140 --> 01:24:24,700
- Where are they?
- On the run.
1211
01:24:25,700 --> 01:24:28,580
Now they've killed,
and for that they must be killed.
1212
01:24:29,580 --> 01:24:32,260
Because they bring it back
to modern-day America...
1213
01:24:32,460 --> 01:24:37,140
...it shifts the focus away from the future
to the present, to the here and now.
1214
01:24:37,340 --> 01:24:40,220
- Cornelius, what have you done?
- I didn't mean to kill him.
1215
01:24:40,420 --> 01:24:43,580
- Please believe me.
- I do, Cornelius, I do. But they won't.
1216
01:24:43,780 --> 01:24:49,820
And it opens the door for a much more direct
address to the America of the time.
1217
01:24:50,020 --> 01:24:51,900
We'll catch 'em sooner or later.
1218
01:24:52,100 --> 01:24:56,140
That's what I'm worried about - later.
Later we'll do something about pollution.
1219
01:24:56,340 --> 01:24:58,860
Later we'll tackle the population explosion.
1220
01:24:59,060 --> 01:25:01,820
Later we'll do something about
the nuclear war.
1221
01:25:02,020 --> 01:25:04,340
We think we got all the time in the world.
1222
01:25:04,540 --> 01:25:06,300
How much time has the world got?
1223
01:25:07,900 --> 01:25:10,740
I think my pains have begun.
1224
01:25:12,140 --> 01:25:13,940
Let me get this straight.
1225
01:25:14,140 --> 01:25:19,500
You are asking me to risk imprisonment
for the sake of two fugitive apes?
1226
01:25:19,700 --> 01:25:22,780
The answer is a thousand times... yes.
1227
01:25:23,580 --> 01:25:28,420
(Roddy McDowall) Cornelius and Zira
find temporary refuge in a travelling circus.
1228
01:25:28,820 --> 01:25:31,420
Look. Look at Heloise.
1229
01:25:33,620 --> 01:25:36,460
She's showing an expectant mother
what to expect.
1230
01:25:36,660 --> 01:25:38,860
Mama. Mama.
1231
01:25:39,060 --> 01:25:42,700
- Xira...
- I'm getting into practice.
1232
01:25:42,900 --> 01:25:47,780
The sympathetic circus owner, Armando,
was played by Ricardo Montalban.
1233
01:25:47,980 --> 01:25:51,140
I identify very much
with this man's compassion...
1234
01:25:51,340 --> 01:25:53,780
...for these so-called beasts...
1235
01:25:54,300 --> 01:25:57,900
...which were remarkably
good and wonderful and kind.
1236
01:25:58,100 --> 01:26:00,100
(Lewis) There, that's good.
1237
01:26:02,140 --> 01:26:03,220
Come on.
1238
01:26:03,420 --> 01:26:07,940
Because the message, to me,
was man's inhumanity to man...
1239
01:26:08,140 --> 01:26:10,300
...that we have not conquered prejudice.
1240
01:26:10,500 --> 01:26:13,300
Are we ever going to
conquer prejudice? Ever?
1241
01:26:13,900 --> 01:26:15,780
That's a very powerful theme.
1242
01:26:15,980 --> 01:26:19,580
You have done enough
to make us grateful to you for ever.
1243
01:26:19,780 --> 01:26:23,300
I did it because
I like chimpanzees best of all apes.
1244
01:26:25,100 --> 01:26:27,740
And you, the best of all chimpanzees.
1245
01:26:28,300 --> 01:26:30,940
And if it is man's destiny
one day to be dominated...
1246
01:26:31,140 --> 01:26:35,020
...then, oh, please God,
let him be dominated by such as you.
1247
01:26:35,220 --> 01:26:36,220
Thank you.
1248
01:26:37,820 --> 01:26:41,740
(Roddy McDowall) The climax of the film
takes place on an abandoned freighter...
1249
01:26:41,940 --> 01:26:45,060
...as Cornelius and Zira
are brutally hunted down.
1250
01:26:46,140 --> 01:26:47,700
Xira.
1251
01:26:47,900 --> 01:26:51,260
I want that baby.
If you won't give it to me, I'll shoot.
1252
01:26:56,820 --> 01:26:59,140
- My God, stop him!
- (gunshot)
1253
01:26:59,540 --> 01:27:03,580
(Ricardo Montalban) What's interesting to me
about the Planet of the Apes is that...
1254
01:27:03,780 --> 01:27:06,540
...the endings were really not happy.
1255
01:27:06,740 --> 01:27:08,740
- (gunshots)
- No!
1256
01:27:08,980 --> 01:27:09,860
(wails)
1257
01:27:10,060 --> 01:27:14,540
But in a science fiction film,
you have a little more margin...
1258
01:27:14,740 --> 01:27:17,060
...to be able to express certain things.
1259
01:27:17,260 --> 01:27:21,260
So the public accepted the unhappy ending
because it was truthful.
1260
01:27:21,460 --> 01:27:23,380
It wasn't just to make you sad.
1261
01:27:24,700 --> 01:27:26,300
It was: that's the way it is.
1262
01:27:29,300 --> 01:27:34,900
It's a love story. Paul and I - Paul Dehn,
that is - we both said that to each other.
1263
01:27:35,100 --> 01:27:37,380
He said "That's what I wrote."
1264
01:27:38,580 --> 01:27:41,580
And a love story always ends unhappily.
1265
01:27:41,780 --> 01:27:43,980
Most love stories do.
1266
01:27:44,180 --> 01:27:47,580
That's what makes them a love story.
So, there you are.
1267
01:27:48,260 --> 01:27:53,140
(Roddy McDowall) The film's ending caused
much debate amongst the production team...
1268
01:27:53,340 --> 01:27:58,180
...the biggest question being: what if
the studio asks for another sequel?
1269
01:27:58,580 --> 01:28:01,420
(Armando) All hands on the guy lines.
1270
01:28:01,620 --> 01:28:04,380
- Drop the bail ring!
- Come on, let's go!
1271
01:28:04,580 --> 01:28:09,780
As soon as you get that canvas packed,
I want every hand in the menagerie tent.
1272
01:28:09,980 --> 01:28:12,580
Producer Jacobs and screenwriter Dehn...
1273
01:28:12,780 --> 01:28:16,300
...decided not to paint themselves
into another corner this time.
1274
01:28:16,500 --> 01:28:18,500
Intelligent creature.
1275
01:28:19,900 --> 01:28:22,580
But then, so were your mother and father.
1276
01:28:27,780 --> 01:28:29,780
Mama.
1277
01:28:30,900 --> 01:28:33,740
Mama. Mama. Mama.
1278
01:28:34,300 --> 01:28:36,980
(trailer) Escape from the Planet of the Apes.
1279
01:28:38,100 --> 01:28:41,100
Their adventures are
completely fresh, completely new.
1280
01:28:41,300 --> 01:28:43,260
Released in May, 1971...
1281
01:28:43,460 --> 01:28:48,180
...Escape from the Planet of the Apes
proved to be another box-office success.
1282
01:28:48,380 --> 01:28:53,340
Adult audiences loved the humour
and subtle social commentary of the film...
1283
01:28:53,540 --> 01:28:58,380
...and the elements of fantasy and adventure
continued to captivate children.
1284
01:28:58,900 --> 01:29:03,420
The Apes films were still considered
ideal family entertainment.
1285
01:29:05,180 --> 01:29:08,220
Planet of the Apes was becoming
a full-grown franchise...
1286
01:29:08,420 --> 01:29:11,020
...and there seemed to be no end in sight.
1287
01:29:11,220 --> 01:29:13,100
Planning began for another instalment.
1288
01:29:13,300 --> 01:29:18,580
But, this time, the filmmakers would find
themselves going down a darker path...
1289
01:29:18,780 --> 01:29:20,580
...than they ever had before.
1290
01:29:20,780 --> 01:29:26,100
One that threatened to lose them
their loyal and profitable family audience.
1291
01:29:27,980 --> 01:29:33,140
The fourth Apes film
began shooting on January 31st, 1972...
1292
01:29:33,340 --> 01:29:35,940
...under the direction of J Lee Thompson.
1293
01:29:36,340 --> 01:29:38,340
You just take the book.
1294
01:29:38,620 --> 01:29:42,740
He was a prolific craftsman whose credits
included The Guns of Navarone...
1295
01:29:42,940 --> 01:29:44,540
...the original Cape Fear...
1296
01:29:44,740 --> 01:29:47,740
...and Arthur Jacobs'
first production, What a Way to Go.
1297
01:29:47,940 --> 01:29:50,340
(Thompson) keep low. keep low.
1298
01:29:54,380 --> 01:29:57,380
Once again, the script
was provided by Paul Dehn.
1299
01:29:58,420 --> 01:30:02,540
The title was
Conquest of the Planet of the Apes.
1300
01:30:05,380 --> 01:30:10,420
The film is set in a city of the future
which resembles an oppressive police state.
1301
01:30:10,620 --> 01:30:12,740
- Go!
- (screams)
1302
01:30:14,300 --> 01:30:18,340
A mysterious plague has wiped out
all dogs and cats from the face of the earth.
1303
01:30:18,540 --> 01:30:19,500
Do.
1304
01:30:19,700 --> 01:30:22,260
Apes have been domesticated
to take their place...
1305
01:30:22,460 --> 01:30:24,860
...and trained to perform like slaves.
1306
01:30:25,780 --> 01:30:26,580
No!
1307
01:30:28,420 --> 01:30:32,780
The main focus of the story
is on a new central ape character.
1308
01:30:32,980 --> 01:30:36,060
- Are you authorised to dress him like that?
- Oh, yes, sir.
1309
01:30:36,260 --> 01:30:40,660
He is Caesar, the now fully grown
child of Cornelius and Zira.
1310
01:30:40,860 --> 01:30:42,140
A circus ape, huh?
1311
01:30:42,340 --> 01:30:45,180
- Circuses are past history.
- Not while I live and breathe.
1312
01:30:45,380 --> 01:30:48,300
- All right, Senor Armando. Go ahead.
- Thank you.
1313
01:30:48,500 --> 01:30:50,060
Come, come.
1314
01:30:50,260 --> 01:30:54,260
Owing to the loyalty of Arthur P Jacobs,
I was given the leading role...
1315
01:30:54,460 --> 01:30:57,500
...and had the unique opportunity
of playing my own son.
1316
01:30:57,700 --> 01:31:01,100
That was the great leap for Roddy,
and that was wonderful because...
1317
01:31:01,300 --> 01:31:04,180
...it still brought his personality
to the character.
1318
01:31:04,380 --> 01:31:09,220
Maybe he's not the same exact individual,
but it's still his spirit coming through.
1319
01:31:09,420 --> 01:31:14,620
And then he became so identified with the
series that the continuity to an audience is:
1320
01:31:14,820 --> 01:31:16,580
"Roddy McDowall in Planet of the Apes."
1321
01:31:16,780 --> 01:31:18,780
Well, for heaven's sakes! A circus!
1322
01:31:18,980 --> 01:31:20,580
- (gorilla grunts)
- (Caesar screeches)
1323
01:31:20,780 --> 01:31:22,180
Home, Lisa.
1324
01:31:22,380 --> 01:31:26,060
Making her third appearance in the series
was Natalie Trundy.
1325
01:31:26,260 --> 01:31:32,660
This time, however, she joined me behind the
makeup for her role as the chimpanzee Lisa.
1326
01:31:32,860 --> 01:31:37,260
(Natalie Trundy) Arthur said "Natalina..."
He used to call me Natalina.
1327
01:31:37,460 --> 01:31:39,980
I said "I know what you're gonna ask."
1328
01:31:40,180 --> 01:31:45,100
I really didn't wanna play an ape,
having seen what everyone went through.
1329
01:31:46,060 --> 01:31:51,620
You know, for the makeup, there were
hours and hours of that... crap. (laughs)
1330
01:31:52,260 --> 01:31:53,660
Of course I did it.
1331
01:31:54,420 --> 01:31:59,740
(Roddy McDowall) Ricardo Montalban also
returned as kindly circus owner Armando...
1332
01:31:59,940 --> 01:32:02,260
...Caesar's mentor and conscience.
1333
01:32:02,460 --> 01:32:05,020
- Did I do all right?
- Yes, yes, yes.
1334
01:32:05,660 --> 01:32:08,900
But try to walk a little more
like a primitive chimpanzee.
1335
01:32:09,100 --> 01:32:13,020
After 20 years, you've picked up
evolved habits from me.
1336
01:32:13,220 --> 01:32:16,300
That could be dangerous. Even fatal.
1337
01:32:16,500 --> 01:32:20,380
(PA) Attention. Attention.
Disperse apes gathering in the mall.
1338
01:32:20,580 --> 01:32:25,100
(Ricardo Montalban) Facing Roddy, the way
he looked could be a little distracting.
1339
01:32:25,980 --> 01:32:30,820
So I had to concentrate more on thinking
of him as an actor, not as a monkey.
1340
01:32:33,100 --> 01:32:35,980
I remember very distinctly
the rapport with Roddy...
1341
01:32:36,180 --> 01:32:39,300
...when he's dying to speak in rebellion...
1342
01:32:39,500 --> 01:32:44,060
...of the mistreatment
of his brothers and sisters.
1343
01:32:44,420 --> 01:32:45,260
(ape moans)
1344
01:32:45,460 --> 01:32:47,420
Lousy human bastards!
1345
01:32:47,620 --> 01:32:52,940
The theme was so important to make
a parallel to the terrible thing of slavery.
1346
01:32:53,140 --> 01:32:55,140
Who said that?
1347
01:32:55,980 --> 01:32:57,980
I did.
1348
01:32:58,540 --> 01:33:00,740
He's a performing ape for my circus.
1349
01:33:00,940 --> 01:33:03,380
- A talking ape?
- It's right! The ape spoke!
1350
01:33:03,580 --> 01:33:05,820
- (crowd) Yeah!
- No! No, they're mistaken.
1351
01:33:06,020 --> 01:33:08,740
We better take him
to headquarters for interrogation.
1352
01:33:10,460 --> 01:33:14,060
When Armando is arrested,
Caesar hides among the ape servant class...
1353
01:33:14,260 --> 01:33:17,540
...and is subjected to a brutal training process.
1354
01:33:18,980 --> 01:33:21,300
Take a good look at this specimen.
1355
01:33:21,780 --> 01:33:26,020
Caesar soon finds himself
the prized object in a slave auction...
1356
01:33:26,220 --> 01:33:27,380
- Buy him.
- 1500!
1357
01:33:27,580 --> 01:33:29,780
1500 from Mr MacDonald!
1358
01:33:29,980 --> 01:33:32,580
For His Excellency, Governor Breck.
1359
01:33:32,780 --> 01:33:36,660
...and becomes a servant to the governor,
played by Don Murray.
1360
01:33:37,660 --> 01:33:39,660
Name yourself.
1361
01:33:45,900 --> 01:33:47,100
"Caesar."
1362
01:33:48,980 --> 01:33:51,060
A king.
1363
01:33:52,540 --> 01:33:55,700
Working in proximity
to the human seat of power...
1364
01:33:55,900 --> 01:33:58,020
...Caesar learns the value of power...
1365
01:33:58,220 --> 01:33:59,100
No!
1366
01:33:59,300 --> 01:34:00,820
...and force.
1367
01:34:01,020 --> 01:34:02,780
(screams)
1368
01:34:04,820 --> 01:34:09,460
About your sworn statement
that the circus ape is incapable of speech.
1369
01:34:09,660 --> 01:34:11,100
Hell, no!
1370
01:34:13,620 --> 01:34:16,140
Armando's death
at the hand of the government...
1371
01:34:16,340 --> 01:34:20,460
...kills any notion that Caesar has
of man's potential for good.
1372
01:34:20,660 --> 01:34:22,660
(roars)
1373
01:34:23,980 --> 01:34:26,020
He begins to plot a revolution...
1374
01:34:26,220 --> 01:34:29,540
...whose purpose is
the ultimate destruction of mankind.
1375
01:34:30,300 --> 01:34:32,300
(screaming)
1376
01:34:33,100 --> 01:34:34,260
Action!
1377
01:34:34,460 --> 01:34:39,940
With a budget of only $1.7 million, the
producers had difficulty finding a location...
1378
01:34:40,140 --> 01:34:43,780
...where they could film
an epic revolution in a city of the future.
1379
01:34:45,780 --> 01:34:47,660
But, as luck would have it...
1380
01:34:47,860 --> 01:34:51,660
...there was a recently completed
commercial and residential complex...
1381
01:34:51,860 --> 01:34:53,740
...right next to the studio.
1382
01:34:53,940 --> 01:34:55,380
Called Century City...
1383
01:34:55,580 --> 01:35:00,780
...it had been built on land that was formerly
part of Twentieth Century Fox's backlot.
1384
01:35:00,980 --> 01:35:06,940
It was pretty new and had a lot of
concrete stone and nice sharp angles.
1385
01:35:07,980 --> 01:35:11,660
So it became a kind of a natural thing
that, if we could shoot there...
1386
01:35:11,860 --> 01:35:15,980
...we could create a city of the future,
but not so far removed from today.
1387
01:35:19,540 --> 01:35:24,260
The main band of rioting apes are,
at this very moment, marching on the city.
1388
01:35:24,460 --> 01:35:26,740
Commander, I understand the situation.
1389
01:35:26,940 --> 01:35:29,620
Assemble as large a force
as you can and follow them.
1390
01:35:29,820 --> 01:35:33,540
(Roddy McDowall) Conquest also had
striking costume and colour design...
1391
01:35:33,740 --> 01:35:36,780
...making it look unlike
any other film in the series.
1392
01:35:36,980 --> 01:35:39,260
(Frank Capra Jr)
The black costumes conveyed...
1393
01:35:39,460 --> 01:35:43,500
...this rigid and
not-so-pleasant world of humans.
1394
01:35:43,700 --> 01:35:48,620
Not necessarily a dictatorship, but
it seemed to be a pretty controlled society.
1395
01:35:48,820 --> 01:35:51,860
- They've reached the Plaza.
- Good God! They're armed!
1396
01:35:52,060 --> 01:35:53,300
And organised.
1397
01:35:56,300 --> 01:35:57,300
No!
1398
01:35:59,020 --> 01:36:03,300
(J Lee Thompson) We definitely
set out to give it a city look.
1399
01:36:03,500 --> 01:36:08,500
I suppose you'd call it,
in its day, a modern look. And...
1400
01:36:09,700 --> 01:36:12,540
...we went for certain colours.
1401
01:36:12,740 --> 01:36:14,620
Ready!
1402
01:36:15,460 --> 01:36:20,940
Black and red were
the primary colours we used in the film.
1403
01:36:21,140 --> 01:36:22,580
Aim!
1404
01:36:23,420 --> 01:36:28,460
At night we would highlight
the costumes with cross-lighting...
1405
01:36:28,660 --> 01:36:32,220
...and opened it up as much as was possible.
1406
01:36:32,420 --> 01:36:37,260
And I think that helped the picture
look more expensive than it was.
1407
01:36:37,660 --> 01:36:38,820
Fire!
1408
01:36:43,300 --> 01:36:47,180
(Roddy McDowall) In the scenes where
the ape revolution reaches its zenith...
1409
01:36:47,380 --> 01:36:50,740
...director Thompson pushed
for a level of on-screen violence...
1410
01:36:50,940 --> 01:36:54,500
...that had never been seen
in an Apes film before.
1411
01:36:57,620 --> 01:37:00,260
In the first preview at Phoenix...
1412
01:37:00,780 --> 01:37:06,980
...mothers took their children, running down
the aisles, to get out of the theatre...
1413
01:37:07,780 --> 01:37:11,780
...because of the bloodiness of the riots.
1414
01:37:12,780 --> 01:37:14,660
Shoot them! Shoot them all!
1415
01:37:14,860 --> 01:37:16,220
(gunfiire)
1416
01:37:17,820 --> 01:37:22,020
(Frank Capra Jr) We made a conscious
decision to go to more action-adventure.
1417
01:37:23,260 --> 01:37:27,180
It was felt that that would be
a successful turn for the series.
1418
01:37:29,540 --> 01:37:33,420
We were always concerned about
the level of violence we could put in...
1419
01:37:33,620 --> 01:37:36,500
...because it was still a young people's picture.
1420
01:37:38,380 --> 01:37:42,420
The censor wouldn't
pass the film the first time.
1421
01:37:44,540 --> 01:37:47,140
Too much blood and too much gore.
1422
01:37:47,780 --> 01:37:52,420
Fox wanted to try and retain
the family audience...
1423
01:37:52,620 --> 01:37:55,980
...and they made us cut it a great deal.
1424
01:37:59,220 --> 01:38:01,260
It was a violent film...
1425
01:38:01,460 --> 01:38:04,460
...and politically very disturbing.
1426
01:38:09,540 --> 01:38:13,340
(Roddy McDowall) Dehn and Thompson
modelled the apes' revolt...
1427
01:38:13,540 --> 01:38:16,260
...on the 1965 Watts Riots...
1428
01:38:18,140 --> 01:38:22,220
...an event that had left an indelible
impression on the American landscape.
1429
01:38:26,780 --> 01:38:31,340
(Eric Greene) In 1972, there's no way
any major studio was gonna release a film...
1430
01:38:31,540 --> 01:38:34,700
...where the hero was
the leader of the Watts Riots.
1431
01:38:34,940 --> 01:38:40,780
But you could release a film where the leader
of an ape-slave revolution is your hero.
1432
01:38:43,260 --> 01:38:46,980
You can capture the audience's attention,
and try to get people...
1433
01:38:47,180 --> 01:38:51,020
...to maybe rethink the way they were
looking at the current events of the time.
1434
01:38:51,220 --> 01:38:54,540
That's one of the beauties of
well-done science fiction.
1435
01:38:56,900 --> 01:38:59,260
Why did you turn us into slaves?
1436
01:38:59,700 --> 01:39:02,460
Because your kind were once our ancestors.
1437
01:39:02,980 --> 01:39:06,220
And there's still an ape
curled up inside of every man.
1438
01:39:06,420 --> 01:39:09,940
The beast that must be
whipped into submission.
1439
01:39:10,220 --> 01:39:12,540
You are that beast, Caesar.
1440
01:39:13,100 --> 01:39:15,580
When we hate you, we're...
1441
01:39:15,780 --> 01:39:18,940
...we're hating the dark side of ourselves.
1442
01:39:19,900 --> 01:39:23,020
(J Lee Thompson)
We had quite a lot of discussion...
1443
01:39:23,220 --> 01:39:26,780
...about the political aspect of the film.
1444
01:39:26,980 --> 01:39:30,020
Eventually, we showed it in Inglewood...
1445
01:39:30,220 --> 01:39:33,340
...and a largely black audience cheered.
1446
01:39:33,660 --> 01:39:34,540
Caesar!
1447
01:39:34,740 --> 01:39:40,900
- By what right are you spilling blood?
- The slaves' right to punish his persecutors.
1448
01:39:41,100 --> 01:39:46,420
Caesar. I, a descendant of slaves,
am asking you to show humanity.
1449
01:39:46,940 --> 01:39:49,420
But I was not born human.
1450
01:39:49,620 --> 01:39:54,740
The African-American audience was very
vocal. They'd get up and yell and scream...
1451
01:39:54,940 --> 01:39:58,500
...all on the side of the apes.
It was like: revolution has come.
1452
01:39:58,940 --> 01:40:02,220
Where there is fire, there is smoke.
1453
01:40:02,420 --> 01:40:06,300
And, in that smoke, from this day forward...
1454
01:40:06,500 --> 01:40:09,740
...my people will crouch and conspire...
1455
01:40:09,940 --> 01:40:15,100
...and plot and plan
for the inevitable day of man's downfall.
1456
01:40:15,420 --> 01:40:20,300
And we shall build our own cities in which
there will be no place for humans...
1457
01:40:20,500 --> 01:40:22,300
...except to serve our ends.
1458
01:40:22,500 --> 01:40:26,140
And we shall found our own armies,
our own religion...
1459
01:40:26,340 --> 01:40:27,980
...our own dynasty!
1460
01:40:28,180 --> 01:40:32,780
And that day is upon you... now!
1461
01:40:32,980 --> 01:40:36,060
(Roddy McDowall)
As originally shot, Caesar's final speech...
1462
01:40:36,260 --> 01:40:38,700
...was a militant call for revolution.
1463
01:40:38,900 --> 01:40:41,620
(whimpers) No.
1464
01:40:42,380 --> 01:40:45,260
But, responding to test audience reaction...
1465
01:40:45,460 --> 01:40:50,660
...the studio and producer Jacobs decided
to alter this speech in postproduction.
1466
01:40:50,860 --> 01:40:56,220
I was called in to record some additional
lines, ending the film on a more hopeful note.
1467
01:40:56,420 --> 01:40:57,580
But now...
1468
01:40:57,780 --> 01:41:01,180
Now we will put away our hatred.
1469
01:41:01,380 --> 01:41:04,420
Now we will put down our weapons.
1470
01:41:08,020 --> 01:41:11,740
And we, who are not human...
1471
01:41:12,260 --> 01:41:15,260
...can afford to be humane.
1472
01:41:15,460 --> 01:41:19,260
If it is man's destiny to be dominated...
1473
01:41:19,460 --> 01:41:21,660
...it is God's will...
1474
01:41:21,860 --> 01:41:26,060
...that he be dominated with compassion.
1475
01:41:26,260 --> 01:41:29,980
So, cast out your vengeance.
1476
01:41:31,700 --> 01:41:34,900
Tonight, we have seen...
1477
01:41:35,100 --> 01:41:39,020
...the birth of the Planet of the Apes!
1478
01:41:39,220 --> 01:41:41,980
(screeching)
1479
01:41:45,860 --> 01:41:48,380
War, urban violence, racial unrest.
1480
01:41:50,100 --> 01:41:55,780
Issues that were strongly influencing
popular movie entertainment in 1972.
1481
01:41:57,860 --> 01:41:59,820
Films like Dirty Harry...
1482
01:42:00,020 --> 01:42:01,860
...The French Connection...
1483
01:42:02,220 --> 01:42:03,780
...Shaft, and yes...
1484
01:42:04,740 --> 01:42:07,900
...even Conquest of the Planet of the Apes.
1485
01:42:09,020 --> 01:42:11,980
(trailer) Watch the screen explode
as man faces ape...
1486
01:42:12,180 --> 01:42:16,020
...in the most horrifying spectacle
in the annals of science fiction.
1487
01:42:16,220 --> 01:42:22,340
But, despite the initial test reactions,
parental outcries and a final PG rating...
1488
01:42:22,540 --> 01:42:25,580
...Conquest still found
an audience at the box office.
1489
01:42:25,780 --> 01:42:31,220
This will be the end of human civilisation
and the world will belong to a planet of apes!
1490
01:42:35,660 --> 01:42:39,060
Once again, Fox was asking
for the inevitable sequel.
1491
01:42:39,260 --> 01:42:43,180
And, for the first time,
producer Arthur Jacobs and the studio...
1492
01:42:43,380 --> 01:42:46,020
...found themselves at a crossroads.
1493
01:42:46,220 --> 01:42:51,900
Had Conquest gone too far in succumbing
to the trend of escalating screen violence?
1494
01:42:52,100 --> 01:42:57,740
Was it possible to move the story forward
and still make a family picture?
1495
01:42:58,940 --> 01:43:02,060
Soon after Conquest's release in 1972...
1496
01:43:02,260 --> 01:43:05,060
...producer Arthur Jacobs
once again asked Paul Dehn...
1497
01:43:05,260 --> 01:43:09,060
...to develop and script the fifth Apes feature.
1498
01:43:09,260 --> 01:43:14,460
Dehn quickly submitted a treatment entitled
Battle for the Planet of the Apes.
1499
01:43:17,420 --> 01:43:21,420
It continued the story of Caesar as he
fights against a group of human rebels...
1500
01:43:21,620 --> 01:43:23,620
...who possess an atomic bomb.
1501
01:43:26,260 --> 01:43:29,540
Ultimately, Caesar is killed
by one of his own generals...
1502
01:43:29,740 --> 01:43:32,820
...and a group of ape politicians
and military commanders...
1503
01:43:33,020 --> 01:43:36,620
...hold final governance
over the Planet of the Apes.
1504
01:43:38,380 --> 01:43:43,020
But Dehn's outline was rejected. Arthur
thought it was too bleak and too violent...
1505
01:43:43,220 --> 01:43:46,900
...for the more upbeat film that
both he and the studio wanted to make.
1506
01:43:47,700 --> 01:43:50,340
Dehn reshaped the story and script.
1507
01:43:50,540 --> 01:43:54,340
But two new writers were also hired
to give a fresh perspective.
1508
01:43:54,540 --> 01:43:58,020
They were John and Joyce Corrington,
a husband-and-wife team...
1509
01:43:58,220 --> 01:44:01,340
...who had found science fiction success
with The Omega Man...
1510
01:44:01,540 --> 01:44:04,660
...a recent film
that had starred Charlton Heston.
1511
01:44:08,100 --> 01:44:11,140
Keeping the title
Battle for the Planet of the Apes...
1512
01:44:11,340 --> 01:44:16,700
...the fifth Apes film
went into production on January 2nd, 1973...
1513
01:44:16,900 --> 01:44:20,020
...with a budget of $1.8 million.
1514
01:44:20,980 --> 01:44:22,820
J Lee Thompson returned to direct...
1515
01:44:23,020 --> 01:44:27,180
...having impressed both Jacobs and
associate producer Frank Capra Jr...
1516
01:44:27,380 --> 01:44:31,420
...with the epic and visual flair
he had achieved on Conquest.
1517
01:44:31,620 --> 01:44:35,900
Right from the start, Arthur said
"We're gonna make a kid picture...
1518
01:44:36,540 --> 01:44:39,740
...and something that will appeal to families."
1519
01:44:39,940 --> 01:44:43,340
We had no real political implications.
1520
01:44:43,540 --> 01:44:47,100
It was simply a kids' science fiction film.
1521
01:44:47,940 --> 01:44:51,900
(Roddy McDowall) For me, it was back
to the makeup chair to play Caesar again.
1522
01:44:52,100 --> 01:44:56,700
I was anxious to do it because I'd enjoyed
the role even more than the part of Cornelius.
1523
01:44:57,500 --> 01:44:59,940
Seen only in a brief prologue and epilogue...
1524
01:45:00,140 --> 01:45:02,740
...the role of the Lawgiver
had little screen time...
1525
01:45:02,940 --> 01:45:06,340
...but proved a most notable casting choice:
1526
01:45:06,540 --> 01:45:10,820
legendary producer, writer,
director and actor, John Huston.
1527
01:45:11,020 --> 01:45:14,540
"In the beginning,
God created beast and man...
1528
01:45:14,740 --> 01:45:20,700
...so that both might live in friendship
and share dominion over a world of peace."
1529
01:45:22,460 --> 01:45:27,100
"The surface of the world
was ravaged by the vilest war."
1530
01:45:27,620 --> 01:45:31,260
"Our saviour led a remnant
of those who survived...
1531
01:45:31,460 --> 01:45:33,940
...in search of greener pastures...
1532
01:45:34,140 --> 01:45:38,500
...where ape and human might
forever live in friendship...
1533
01:45:38,700 --> 01:45:40,980
...according to divine will."
1534
01:45:42,140 --> 01:45:44,820
The story focused on the ape leader Caesar...
1535
01:45:45,020 --> 01:45:48,740
...just a few years after
he has led the ape revolution.
1536
01:45:48,940 --> 01:45:50,820
A nuclear war has occurred...
1537
01:45:51,020 --> 01:45:55,060
...and Caesar now rules over
a surviving band of apes and humans.
1538
01:45:55,260 --> 01:45:59,220
- No humans in Council!
- They are here because I sent for them.
1539
01:45:59,420 --> 01:46:03,660
The two species have forged
a fragile coexistence.
1540
01:46:04,020 --> 01:46:07,780
The apes are also working with the humans
to educate themselves...
1541
01:46:07,980 --> 01:46:10,540
...and have begun forming their own laws.
1542
01:46:11,380 --> 01:46:15,300
- Read me what I've written.
- "Ape shall never kill ape."
1543
01:46:15,500 --> 01:46:17,340
"Ape shall never kill ape."
1544
01:46:17,540 --> 01:46:20,260
Shall ape ever kill man?
1545
01:46:23,220 --> 01:46:26,900
Oh, if only my mother and father,
whom I was too young to remember...
1546
01:46:27,100 --> 01:46:28,980
...if only they'd lived.
1547
01:46:29,180 --> 01:46:33,180
Perhaps they would have taught me
if it was right to kill evil...
1548
01:46:34,100 --> 01:46:35,980
...so that good should prevail.
1549
01:46:36,180 --> 01:46:40,220
In keeping with Jacob's new concept,
Caesar's character was softened.
1550
01:46:40,420 --> 01:46:41,700
Cornelius.
1551
01:46:41,900 --> 01:46:44,220
He is no longer militant and angry...
1552
01:46:44,420 --> 01:46:45,540
Cornelius.
1553
01:46:45,740 --> 01:46:48,260
...but patient and benevolent.
1554
01:46:49,180 --> 01:46:51,180
Father.
1555
01:46:52,140 --> 01:46:56,540
- I'm going on a journey.
- Mm... What will you bring me back?
1556
01:46:57,500 --> 01:46:59,860
What would you like?
1557
01:47:02,020 --> 01:47:05,780
More nuts for my squirrel. He's growing fast.
1558
01:47:05,980 --> 01:47:07,980
So are you.
1559
01:47:09,460 --> 01:47:13,340
One day you will be as tall as a king.
1560
01:47:13,540 --> 01:47:17,460
This was very much part
of the arc of what we felt...
1561
01:47:17,660 --> 01:47:21,140
...seemed to be a logical situation for him.
1562
01:47:21,700 --> 01:47:24,420
And it was also
more attractive as a character...
1563
01:47:24,620 --> 01:47:28,980
...that he becomes a more paternalistic
and a sort of a healer...
1564
01:47:29,180 --> 01:47:31,780
...rather than a revolutionary character.
1565
01:47:33,060 --> 01:47:36,980
(Roddy McDowall) Natalie Trundy
again signed on to play my wife, Lisa.
1566
01:47:37,180 --> 01:47:40,180
This was the fourth Apes film for both of us.
1567
01:47:40,700 --> 01:47:44,620
I don't want to have to remember
my husband. I want to love him now.
1568
01:47:44,820 --> 01:47:48,820
Look. Virgil will be with us.
Now, we'll take good care.
1569
01:47:49,700 --> 01:47:52,540
There it is... or was.
1570
01:47:54,100 --> 01:47:57,860
Some carefully placed rubble
and a clever matte painting...
1571
01:47:58,060 --> 01:48:01,100
...created the illusion
of a bombed-out forbidden city...
1572
01:48:01,300 --> 01:48:05,020
...where a group of
radiation-scarred humans continued to live.
1573
01:48:05,220 --> 01:48:06,100
Governor, look!
1574
01:48:06,300 --> 01:48:08,980
Somebody's breached
the warning system at F6.
1575
01:48:09,620 --> 01:48:11,660
For the interior of the forbidden city...
1576
01:48:11,860 --> 01:48:16,900
...the producers used the Hyperion water
treatment plant located in Los Angeles.
1577
01:48:17,100 --> 01:48:22,500
This background radiation alone
will give us 300 roentgens per hour.
1578
01:48:23,060 --> 01:48:26,260
Another interesting casting note:
the orangutan Virgil...
1579
01:48:26,460 --> 01:48:29,780
...was played by
singer/songwriter Paul Williams.
1580
01:48:30,380 --> 01:48:33,100
Can anything live down here?
I mean, for long?
1581
01:48:33,300 --> 01:48:37,220
Oh, yes. But in the end, not recognisably.
1582
01:48:43,220 --> 01:48:46,660
(Frank Capra Jr) The series
began to be more and more human-orientated.
1583
01:48:46,860 --> 01:48:48,980
We were thinking in terms of time always...
1584
01:48:49,180 --> 01:48:54,220
...because these long makeup sessions
cut the time of filming down.
1585
01:48:54,420 --> 01:48:59,980
It was difficult to get enough apes because of
the time constraints of the makeup.
1586
01:49:02,300 --> 01:49:06,180
And actually audiences wanted to see
more and more ape-orientated shots.
1587
01:49:06,380 --> 01:49:08,780
So it worked counterproductively.
1588
01:49:12,780 --> 01:49:16,260
(Roddy McDowall) When the humans
from the forbidden city attack...
1589
01:49:16,780 --> 01:49:19,580
Aldo will make the future... with this!
1590
01:49:19,780 --> 01:49:24,900
...Caesar engages in a power struggle with the
commander of the military, General Aldo...
1591
01:49:25,100 --> 01:49:27,260
We want guns!
1592
01:49:27,460 --> 01:49:30,460
...played by the noted character actor,
Claude Akins.
1593
01:49:30,660 --> 01:49:36,140
We will smash the humans!
And then, we will smash Caesar!
1594
01:49:36,380 --> 01:49:38,220
Look!
1595
01:49:43,060 --> 01:49:44,060
Caesar's son.
1596
01:49:50,460 --> 01:49:51,460
Father!
1597
01:49:56,220 --> 01:49:57,220
To the barricade!
1598
01:49:59,780 --> 01:50:01,980
Like all the entries in the series...
1599
01:50:02,180 --> 01:50:07,340
...Battle for the Planet of the Apes contained
plenty of rousing action sequences.
1600
01:50:08,780 --> 01:50:12,060
(J Lee Thompson) It was very low-budget...
1601
01:50:12,260 --> 01:50:15,300
...so we had to reduce everything.
1602
01:50:15,660 --> 01:50:20,940
I had to come in closer,
not use so many people. Come in closer...
1603
01:50:21,300 --> 01:50:22,300
Here they come.
1604
01:50:22,500 --> 01:50:25,260
...and rely more on quick cuts.
1605
01:50:29,540 --> 01:50:35,180
Then, putting it all together, it gave
a feel of a lot of numbers and a big battle.
1606
01:50:36,820 --> 01:50:38,580
Fall back! Fall back!
1607
01:50:38,780 --> 01:50:43,180
It's a pity that they downgraded
the budget for each film...
1608
01:50:43,380 --> 01:50:46,660
...instead of trying to go bigger and better.
1609
01:50:47,780 --> 01:50:52,940
But that was a decision
taken by the money people...
1610
01:50:53,140 --> 01:50:55,020
...and we had to live with it.
1611
01:50:55,220 --> 01:50:57,260
Now! Fight like apes!
1612
01:51:00,180 --> 01:51:04,540
(Roddy McDowall) Near the film's conclusion
the mutant humans are defeated.
1613
01:51:04,740 --> 01:51:07,780
No! No, no, no! Don't kill them.
Take them prisoner.
1614
01:51:07,980 --> 01:51:13,300
But the action is tempered by a much more
pacifistic tone than in previous Apes films.
1615
01:51:14,700 --> 01:51:16,700
No.
1616
01:51:17,220 --> 01:51:19,220
No, Virgil.
1617
01:51:21,140 --> 01:51:23,020
(apes chanting) Ape has killed ape.
1618
01:51:23,220 --> 01:51:27,420
Caesar also discovers that Aldo
is responsible for the death of his son...
1619
01:51:29,380 --> 01:51:31,780
Ape has never killed ape...
1620
01:51:32,820 --> 01:51:35,940
...let alone an ape child.
1621
01:51:39,860 --> 01:51:43,500
...and one final battle
for the Planet of the Apes is fought.
1622
01:51:51,060 --> 01:51:52,620
Aaargh!
1623
01:52:01,020 --> 01:52:03,420
As I look at apes and humans...
1624
01:52:04,100 --> 01:52:08,060
...living in friendship, harmony and at peace...
1625
01:52:09,060 --> 01:52:12,580
...now, some 600 years after Caesar's death...
1626
01:52:12,780 --> 01:52:15,860
...at least we wait with hope for the future.
1627
01:52:16,060 --> 01:52:19,140
Lawgiver, who knows about the future?
1628
01:52:21,620 --> 01:52:24,140
Perhaps only the dead.
1629
01:52:25,660 --> 01:52:29,700
Although Jacobs ultimately wanted
to send a positive social message...
1630
01:52:29,900 --> 01:52:33,180
...the film's final image is rather ambiguous.
1631
01:52:34,340 --> 01:52:40,620
Is the statue of Caesar crying a tear of joy
because man and ape are finally at peace?
1632
01:52:40,820 --> 01:52:43,140
- We have a destiny too.
- Respecting each other.
1633
01:52:43,340 --> 01:52:44,460
As equals.
1634
01:52:44,660 --> 01:52:48,780
Or is it a tear of sorrow because
he knows that is an impossibility?
1635
01:52:48,980 --> 01:52:51,580
The human way is violence and death.
1636
01:52:51,980 --> 01:52:54,020
These questions would never be resolved...
1637
01:52:54,220 --> 01:52:57,180
...because,
during the early stages of production...
1638
01:52:57,380 --> 01:53:02,460
...it had been decided that this would be
the final chapter in the Apes series.
1639
01:53:02,660 --> 01:53:08,420
And that is how it was advertised
when it reached theatres in May of 1973.
1640
01:53:09,300 --> 01:53:12,180
We felt like we had come pretty far.
1641
01:53:12,380 --> 01:53:15,780
Again, production-value wise,
we'd gotten to a point...
1642
01:53:15,980 --> 01:53:18,420
...where we'd practically boxed ourselves in.
1643
01:53:18,620 --> 01:53:22,340
If we went any further into the future
and told a continuing story...
1644
01:53:22,540 --> 01:53:25,090
...it would have been
a much more expensive picture.
1645
01:53:26,340 --> 01:53:28,460
(Roddy McDowall) But the story wasn't over.
1646
01:53:28,660 --> 01:53:31,580
Battle had done surprisingly well
at the box office...
1647
01:53:31,780 --> 01:53:35,300
...and the CBS network
had recently garnered tremendous ratings...
1648
01:53:35,500 --> 01:53:38,700
...with the broadcast premieres
of the first three films.
1649
01:53:38,900 --> 01:53:43,220
Although Jacobs and Fox briefly considered
producing another Apes movie...
1650
01:53:43,420 --> 01:53:47,340
...it was agreed that the future of the franchise
might best be explored...
1651
01:53:47,540 --> 01:53:50,780
...in the uncharted universe of television.
1652
01:53:50,980 --> 01:53:56,660
Jacobs had considered a Planet of the Apes
television series as early as 1971.
1653
01:53:56,860 --> 01:54:02,540
But the continued success of the theatrical
features delayed his plans for two years.
1654
01:54:02,740 --> 01:54:06,140
He had also been busy
on a number of non-Ape films...
1655
01:54:06,340 --> 01:54:09,140
...that included Woody Allen's
Play it Again, Sam...
1656
01:54:09,340 --> 01:54:13,740
...and family musicals like
Goodbye, Mr Chips and Tom Sawyer.
1657
01:54:14,660 --> 01:54:17,220
But during the production of his latest...
1658
01:54:17,420 --> 01:54:20,700
...a musical adaptation of
Mark Twain's Huckleberry Finn...
1659
01:54:20,900 --> 01:54:23,380
...Arthur Jacobs died of a heart attack.
1660
01:54:23,580 --> 01:54:25,820
He was only 51 years old.
1661
01:54:26,740 --> 01:54:31,140
Arthur was very, very tough.
But everybody loved him.
1662
01:54:31,860 --> 01:54:34,100
But he was always there. Always on the set.
1663
01:54:34,300 --> 01:54:37,460
I tell you, the man worked
29 hours, eight days a week.
1664
01:54:37,660 --> 01:54:39,660
He was with everything, all the time.
1665
01:54:39,860 --> 01:54:42,820
He was just wonderful.
He was an extraordinary man.
1666
01:54:43,020 --> 01:54:46,420
Arthur's strongest point...
1667
01:54:46,860 --> 01:54:50,620
...was his intense sense of the meticulous.
1668
01:54:50,820 --> 01:54:53,220
But it generated results.
1669
01:54:53,980 --> 01:54:57,460
He was one of a kind, and I do miss him.
1670
01:55:02,540 --> 01:55:05,860
(Roddy McDowall)
With Jacobs' death, the Apes TV series...
1671
01:55:06,060 --> 01:55:08,700
...was in the hands of Twentieth Century Fox.
1672
01:55:08,900 --> 01:55:12,100
With the help of writers
Anthony Wilson and Art Wallace...
1673
01:55:12,300 --> 01:55:15,380
...they began to hammer out
a workable concept.
1674
01:55:15,980 --> 01:55:19,100
And, on September 13th, 1974...
1675
01:55:19,300 --> 01:55:22,100
...Planet of the Apes premiered on CBS.
1676
01:55:24,340 --> 01:55:28,100
I starred,
along with Ron Harper and James Naughton.
1677
01:55:28,300 --> 01:55:31,420
They played
astronauts Alan Virdon and Peter Burke...
1678
01:55:31,620 --> 01:55:36,660
...who are propelled through a time warp
and land on Earth in the year 3085.
1679
01:55:37,660 --> 01:55:42,460
By the way, their vehicle was the same
plywood spaceship used in the original film.
1680
01:55:42,780 --> 01:55:45,140
Well, we could've landed in a worse place.
1681
01:55:49,180 --> 01:55:52,260
Soon they're captured
and find themselves face to face...
1682
01:55:52,460 --> 01:55:56,460
...with a favourite Apes
feature film character, Dr Zaius...
1683
01:55:56,660 --> 01:55:59,580
...now played by stage actor Booth Colman.
1684
01:55:59,780 --> 01:56:03,700
Do you want this sacrilege and heresy
to infect the rest of the humans?
1685
01:56:03,900 --> 01:56:05,940
Certainly not, Urko.
1686
01:56:06,140 --> 01:56:09,500
And by questioning them,
we will learn how to avoid it.
1687
01:56:10,500 --> 01:56:14,460
Galen, you want to visit
our time period, don't you?
1688
01:56:14,940 --> 01:56:19,580
Oh... Look, I really don't know about...
it would be interesting, wouldn't it?
1689
01:56:19,780 --> 01:56:22,660
Maybe the humans who made that grenade
are still on Earth.
1690
01:56:22,860 --> 01:56:25,340
- And maybe they have the knowledge to...
- To what?
1691
01:56:25,540 --> 01:56:27,620
Build a spaceship and a computer?
1692
01:56:27,820 --> 01:56:30,980
- Yeah! Maybe.
- What's a computer?
1693
01:56:31,820 --> 01:56:35,980
With the help of a sympathetic ape
named Galen, the astronauts escape.
1694
01:56:36,180 --> 01:56:38,020
Watch out!
1695
01:56:39,780 --> 01:56:44,060
We kind of became The Fugitive. Each week
we were caught, and then we escaped.
1696
01:56:44,260 --> 01:56:46,260
That's what each show was about.
1697
01:56:46,700 --> 01:56:51,060
And I think that television frequently
winds up in a kind of a formulaic role.
1698
01:56:51,260 --> 01:56:53,780
Who's the bad guy and how will you escape?
1699
01:56:54,620 --> 01:56:57,700
(Roddy McDowall)
Week after week, the trio was pursued...
1700
01:56:57,900 --> 01:57:01,100
...by the ape military commander,
General Urko.
1701
01:57:01,300 --> 01:57:05,980
I'll quarrel with anything
that keeps these two humans alive.
1702
01:57:06,380 --> 01:57:11,180
Urko was played by Mark Lenard, best known
for his portrayal of Mr Spock's father...
1703
01:57:11,380 --> 01:57:14,820
...in another famous science fiction series,
Star Trek.
1704
01:57:15,380 --> 01:57:19,700
The show tried to retain the elements that
had made the motion picture so successful.
1705
01:57:20,660 --> 01:57:21,540
Drama.
1706
01:57:21,740 --> 01:57:24,580
Urko! You kill me, you kill yourself!
1707
01:57:24,780 --> 01:57:26,020
A bit of humour.
1708
01:57:26,220 --> 01:57:29,380
- There's a smell about you.
- Well, nobody's perfect.
1709
01:57:29,580 --> 01:57:31,380
Some social commentary.
1710
01:57:31,580 --> 01:57:35,300
These humans,
they think they're as good as we are.
1711
01:57:36,740 --> 01:57:38,660
And plenty of action.
1712
01:57:38,860 --> 01:57:42,740
(James Naughton) We were always whackin'
some guy over the head with a stick...
1713
01:57:42,940 --> 01:57:45,500
...or drop-kicking a guy in a monkey suit.
1714
01:57:47,420 --> 01:57:49,980
We had apes Fallin' out of trees everyhere.
1715
01:57:51,020 --> 01:57:55,220
(Roddy McDowall) The television series'
most loyal audience were children.
1716
01:57:55,420 --> 01:58:01,340
But network executives claimed this was not
the audience advertisers wanted to attract.
1717
01:58:01,860 --> 01:58:06,500
The show was also scheduled up against two
of the highest-rated comedies of the day:
1718
01:58:06,700 --> 01:58:09,580
Sanford and Son and Chico and the Man.
1719
01:58:09,780 --> 01:58:12,780
It wasn't long before the inevitable happened.
1720
01:58:13,740 --> 01:58:19,300
On December 6th, 1974,
after only four months and 13 episodes...
1721
01:58:19,500 --> 01:58:21,620
...Planet of the Apes was cancelled.
1722
01:58:21,820 --> 01:58:27,980
And, for the first time in its history,
the future of Apes was uncertain.
1723
01:58:31,380 --> 01:58:34,820
(trailer) In the beginning,
there was Planet of the Apes.
1724
01:58:35,020 --> 01:58:39,260
And the most exciting series
in motion-picture history began.
1725
01:58:41,580 --> 01:58:46,220
Although the demise of the television series
had proved disappointing to fans...
1726
01:58:46,780 --> 01:58:49,900
...its premiere had been accompanied
by a media blitz...
1727
01:58:50,100 --> 01:58:55,420
...that included the re-release
of all five films to theatres in 1974.
1728
01:58:55,980 --> 01:58:58,380
(trailer) Now is your chance to go ape.
1729
01:59:01,700 --> 01:59:06,020
Twentieth Century Fox, long aware of
Apes' popularity with children...
1730
01:59:06,220 --> 01:59:09,980
...also launched an extensive
marketing and merchandising campaign...
1731
01:59:10,180 --> 01:59:13,940
...encouraging kids
all over the country to "Go ape".
1732
01:59:17,300 --> 01:59:19,260
It was phenomenally successful.
1733
01:59:19,460 --> 01:59:23,740
There were 60 companies that were licensed
to turn out something like 300 items...
1734
01:59:23,940 --> 01:59:26,820
...and just this flood
of Apes products on the market.
1735
01:59:27,220 --> 01:59:30,980
(Roddy McDowall) Ape action figures,
masks, posters, games...
1736
01:59:31,180 --> 01:59:33,220
...lunch boxes and colouring books.
1737
01:59:33,420 --> 01:59:36,820
There was even a Planet of the Apes
wastepaper basket.
1738
01:59:37,540 --> 01:59:42,620
(Eric Greene) I think Apes helped
pave the way for later films like Star Wars...
1739
01:59:42,820 --> 01:59:48,380
...where you had mass merchandising blitzes,
which are now common, not extraordinary.
1740
01:59:50,140 --> 01:59:52,340
(trailer) Return to the Planet of the Apes!
1741
01:59:53,740 --> 01:59:58,900
In 1975, NBC TV launched
Return to the Planet of the Apes...
1742
01:59:59,100 --> 02:00:01,660
...a half-hour Saturday morning
cartoon series...
1743
02:00:01,860 --> 02:00:04,660
...that depicted a more evolved simian culture.
1744
02:00:04,860 --> 02:00:08,220
- We got all of 'em, Urko.
- Good. Take them to Ape City.
1745
02:00:08,420 --> 02:00:12,820
As in the original novel,
apes were finally allowed to drive cars...
1746
02:00:14,060 --> 02:00:16,060
...and fly airplanes.
1747
02:00:19,980 --> 02:00:23,020
Though the animated series
lasted only one year...
1748
02:00:23,220 --> 02:00:26,700
...other Ape incarnations
proved to have greater longevity.
1749
02:00:26,900 --> 02:00:30,220
More than three decades
after the premiere of the first film...
1750
02:00:30,420 --> 02:00:34,980
...Apes references still manage to
find their way into American pop culture.
1751
02:00:35,180 --> 02:00:37,780
♪ THE SIMPSONS ♪
1752
02:00:37,980 --> 02:00:41,620
♪ I hate every ape I see ♪
1753
02:00:41,820 --> 02:00:45,620
♪ From chimpan A to chimpan X ♪
1754
02:00:45,860 --> 02:00:52,340
♪ No, you'll never make a monkey out of me ♪
1755
02:00:53,180 --> 02:00:55,180
(whistling)
1756
02:00:57,460 --> 02:01:01,100
From films and television
to merchandising and memorabilia...
1757
02:01:01,300 --> 02:01:03,820
...Planet of the Apes
and its numerous sequels...
1758
02:01:04,020 --> 02:01:07,180
...have conquered audiences
all over the world.
1759
02:01:07,380 --> 02:01:11,500
And people continue to be captivated,
for many different reasons.
1760
02:01:12,620 --> 02:01:18,260
I think it just struck people's imagination.
It was different. And it still is.
1761
02:01:18,580 --> 02:01:20,340
You led me around on a leash!
1762
02:01:20,540 --> 02:01:23,540
- We thought you were inferior.
- Now you know better.
1763
02:01:23,900 --> 02:01:26,660
They're just as valid now
as when they first came out.
1764
02:01:26,860 --> 02:01:29,100
They probably will be 30 years from now.
1765
02:01:29,620 --> 02:01:32,180
We have heads as well as hands.
1766
02:01:32,460 --> 02:01:35,460
I call upon men to let us use them.
1767
02:01:35,660 --> 02:01:40,780
Some of the social statements,
unfortunately, remain with us.
1768
02:01:41,740 --> 02:01:44,460
Planet of the Apes
brings them back to our attention.
1769
02:01:44,820 --> 02:01:49,260
- What's the difference? You're all monkeys.
- Please! Do not say "monkey".
1770
02:01:49,860 --> 02:01:53,220
The only thing that counts
in the end is power!
1771
02:01:54,180 --> 02:01:56,620
Naked, merciless force!
1772
02:01:56,820 --> 02:02:00,020
(Linda Harrison) The possibility
we could do something horrible...
1773
02:02:00,220 --> 02:02:02,340
...lurks in our consciousness.
1774
02:02:02,700 --> 02:02:06,940
To me, that is the element
which has stirred so much interest.
1775
02:02:07,140 --> 02:02:08,780
It's Doomsday.
1776
02:02:10,420 --> 02:02:16,460
The films hold up as a way of getting at those
issues in an accessible, entertaining way.
1777
02:02:16,660 --> 02:02:18,540
I'd like to kiss you goodbye.
1778
02:02:18,740 --> 02:02:20,620
You're so damned ugly.
1779
02:02:20,820 --> 02:02:24,180
(J Lee Thompson) Planet of the Apes
depended on characterisation...
1780
02:02:24,380 --> 02:02:26,140
...as well as adventure.
1781
02:02:26,340 --> 02:02:30,580
If you've got good characters,
they'll stand the test of time.
1782
02:02:31,060 --> 02:02:34,780
If man was superior, why didn't he survive?
1783
02:02:34,980 --> 02:02:38,300
Those particular stories
have had a kind of a timeless theme...
1784
02:02:38,500 --> 02:02:42,380
...with premises that were very,
very applicable to...
1785
02:02:42,580 --> 02:02:45,700
...what people were feeling,
what people should feel.
1786
02:02:47,300 --> 02:02:51,380
It has relevance in that it, as a film...
1787
02:02:52,100 --> 02:02:54,660
...took a step up in that genre.
1788
02:02:57,860 --> 02:03:00,500
(Don Taylor)
Apes is a trailblazer in this genre.
1789
02:03:00,700 --> 02:03:04,420
It probably helped to push into
the things that have happened since.
1790
02:03:05,140 --> 02:03:08,700
I think the makeup, of course,
is the most innovative.
1791
02:03:08,900 --> 02:03:13,900
For the first time, really,
these were actors working...
1792
02:03:14,100 --> 02:03:16,580
...and emotions coming through this makeup.
1793
02:03:17,420 --> 02:03:21,180
I was a guy that helped
make those pictures work...
1794
02:03:21,380 --> 02:03:24,660
...and it's a wonderful feeling,
to go that long...
1795
02:03:24,860 --> 02:03:28,660
...and that those pictures stand up
as well as they have.
1796
02:03:29,700 --> 02:03:31,460
I believe they have a life of their own.
1797
02:03:31,660 --> 02:03:34,700
I don't think you can kill totally
the Planet of the Apes.
1798
02:03:35,740 --> 02:03:37,540
There will always be an audience.
1799
02:03:37,980 --> 02:03:40,230
I still get fan mail from all over the world.
1800
02:03:40,780 --> 02:03:43,780
I think it's gonna carry, carry, carry, carry on.
1801
02:03:44,260 --> 02:03:46,140
It appeals to everybody.
1802
02:03:46,340 --> 02:03:49,820
Little kids, grown-ups, anybody...
1803
02:03:51,260 --> 02:03:54,980
...because it widens
the avenue of the imagination.
1804
02:04:01,420 --> 02:04:07,260
Ape and man, ancestors and brothers,
their fates hopelessly intertwined.
1805
02:04:07,460 --> 02:04:09,820
One holds the secret of the past...
1806
02:04:10,020 --> 02:04:13,020
...the other, the key to the future.
1807
02:04:13,220 --> 02:04:15,500
But which is which?
1808
02:04:16,060 --> 02:04:22,420
Planet of the Apes holds up a mirror
and asks us simply to look at ourselves.
1809
02:04:22,620 --> 02:04:24,820
At our fears and prejudices.
1810
02:04:25,020 --> 02:04:27,020
At our hopes and dreams.
1811
02:04:27,500 --> 02:04:30,020
But, as a new millennium dawns...
1812
02:04:30,220 --> 02:04:34,540
...can we expect more exciting adventures
on the Planet of the Apes?
1813
02:04:34,740 --> 02:04:37,740
Perhaps the answer lies
somewhere in the stars.
1814
02:04:38,140 --> 02:04:39,540
Or maybe...
1815
02:04:39,740 --> 02:04:41,540
...right here...
1816
02:04:41,740 --> 02:04:43,740
...on Earth.
164905
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