All language subtitles for Term 4 - Color Light 1

Open to this class on colour in light Theory

When trying for painting

White can only take you so far it's really

By looking at

Three main properties of colours including values

Hughes and saturation

Next orange juice light and shadows to the next witches really what is going to allow us to perceive colours in the first

Understand how colours are appeared to change based on their environment

And is usually what will give to the shapes their third dimension

This is the first of two classes on common lights old is relatively simple

But will also learn to create simple colour palette

Start to experiment on the on the right with understanding

Is the censure

For I listen to something that you'll be using for your entire life

What are you planning to be in illustrator

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Graphic designer concert artists matt paint or comic artists in a whatever it may be

Colours are not only important based on how

Often

Have to work with them

But they are but they will also

Often make or break

Before we dive into the various properties

Let's take a look

Had a few beers

That you should definitely know

Before we can understand the rest

As we seen previously

The inner surfaces of your eye

Contains photoreceptors

Specialised cells that are sensitive to light in really messages to your brain

Two types of photoreceptors coins which are sensitive to colour

Which are more sensitive to intense

You're able to see an object when light from the object enters your eye

These photoreceptor

Some objects are luminous and give off their own light

But all other objects can only be seen if they reflect light into your eye

Humans

Can only see visible

A narrow band of the electromagnetic spectrum

Which also include

Non visible radio waves infrared light ultraviolet light x-rays and Gamma

It's only a very small portion of that

In terms of wavelength

Are the visible light

Rangers from above

400mm to 700mm

Different waves

Of lights are perceived as

Colours for example light with a wavelength of about 400 NM is seen as a verb

In life with the boys

700

It is not

Typical to seal

Single

So you're able to see

And perceive all colours because there are three sets of coins in your eye

One said that is most sensitive to waves

Responding to red light

Another that is more sensitive to green light and 8/3 that is most sensitive to

This is where coloured can get a little confusing for some people

Start to basically models that you need to learn if you ever want to master

Colours

Is tomorrow's art

Lights

Colour Primary

Collett family

Fairlight primary this is very

Match what we are going to use and what's going to be relevant for us

Digital artist because

Is the red green and blue channels

Does century what make up the pixels that you're seeing on the screen and then there's also the pigment colour Primary

Does it need to be for print Media so sign magenta yellow

You can probably

I remember the dose of the colours that you find in your printers in on top of black of course

Does it going to be enough for anything that's physical Where the Light

From

From the Sun or from you know from a light source in your house or and wherever you are

Is dancing

Of the surface that you looking and then into your eyes

The screen

Actually shooting the light directly into the eye

Does need to bounce off of any

Now if you've ever looked into college lol but you might be wondering

Why aren't we talking about the blue red and yellow model and isn't that

What's the pigment colour primaries model

What the

Reality is that yes a lot of love School teach you no red blue red and yellow

And this is also what a lot of pizza will use as their primary colours when it comes to mixing the colours

But the reality is just

In older model that doesn't really

Accurately or scientific

Address the true range of Spa

So you know this is a bunch of discoveries that were made ever since the original model using blue red and yellow

And now what actually

Works best for the human eye

Is

The what printers use

But indeed in i3

When we look at the colour wheel or if you ever

If you have a buyer a creative colour wheel is going to be based off of the red blue and yellow model because this is what is going to

Typically be in store

Still

And most of the books most of the art

Also use

In a little bit more

Look at those two different models

Let's start with added of course

Is it going to be

Always based off of light

The red

Green and blue primary colour

Of light that can be combined in different proportions to make all other

Colours for example

Red light and green light added together are seen as yet

This

Additive colour system is used by light sources such as televisions in old computer monitors I can't just mention

Yeah I know the cream by

Range

Colours

And different proportions of

Green and blue light enter your eye your brain is able to interpret

The different combinations as different colour

Equal amount of red

Green and blue light create

White light

With subtractive colours which is the other method the other more

Is it going to be based off of real pain

The primary colours of pigments are magenta yellow and cyan

But this is also commonly simplified as red yellow and blue by pay

Payments

Chemicals that absorb selective waves

And that prevents sun waves

Flight from being transmitted or received

Because paint contain

When white lights which is composed of

Green light

Shines on

Coloured paint only some of the wavelengths of light

Sian Payne

Absorbs red light that reflects blue and green

Yellow paint absorbs blue light but ref

Red and green

If sign painters mix with yellow paint

You see Green

Pete because both red and blue light are absorbed and only green light is reflect

So to recap when Pete's arm

The colours absorb every colour except the waves

That we see you

Back

The more colour

That you that you add together so mixing more and more different pink colour

Will resort

In darker and darker colours

All the Way to Blue

As my frequency

Absorb

So there we go as far as it's very important that we know the difference between

Additive and subtractive Colour

The name itself can make cities

How to understand to remember so I did have colour again this is going to be based off

Lights and the more you add together the more wavelengths that you're that you add together The Brighter the result will be

And the closer to White

Go

As opposed to subjective colours words the complete opposite

And the more

Add different colours to mix together

The closer there is

What's in Blackpool appear Black 2

The brass artist obviously that will use the most is going to be the added of colour mod

That include

All three lights colour primaries which is

Red

Green and blue

Ardee

Look at the three properties of colours I briefly mentioned in the first

In order of importance

Hughes

Values and saturation

And so very similar to the elements of art that we covered in the visual communication class

This is going to be the main tools that we have at our disposition when working with colour

You can take them as as different parameters that will be

Play round

To essentially be able to generate

All the colours

Daddy

Now before we take a look at all the properties and more detail that sticker look at the different colour mod

Their associated

Colour wheel

Stop really quickly starting from the left

We have the red yellow and blue model so this one's going to be the one used by Mo

Traditional painter

This is the the older model that's been around for hundreds of years now

And it

Not as accurate scientifically

But it's still going to be the one

Probably found in the majority of hard work

The one that a lot of Hearts called

That's fine art school still

And so just because it's still around you and support that we know what

This is all about

And so we know when buying an art book for example learning how to paint and things like that

This is probably that doesn't promote the colours that she'll be working with

Now on centre here on the other hand we have the updated the model so I can see that

Pretty similar dostum

Are going to be the ones that are pigment

Best soap

Pink or

And those are going to be the one that this is going to be the one 4

Modern day printers

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And so it's going to be the science magenta in yellow

Model and the case and for black cyan magenta yellow now on the far right here we have

The one that is most relevant to us

Ardee

Tomorrow which is going to be based off of light and

So this one is

In a way

Make the colours here are in the way a lot more pure because there is no relying on pigment on physical

Does not relying on physical surfaces or anything like that

It's a much more direct way to interact with the colour

It's

Right from the computer screen

Directly into your eyes so they will appear a lot more pure

Then the other two here

The other tomorrow's that are based off

Pigment

And the main reason really it is the surface that

You know that that goes colours

Have to be painted on

The only way to really interact with

Colours is to see them

On a surface

And have lights potentially reflect off of that surface in an insert

And this is how I able to see them but no service is perfect which is why I know there's cos I'm never going to be

As pure never appear to be at

At the concert parts in the lights based on

Stop

But not looking at the actual

The actual colour wheel here to understanding what's in the centre

The centre of the three colours in the centre in a forming this big triangle that's going to

The primary colours

For for any of those particular models of the considered changes

But I saw in the centre here for this

CMYK model will have

The yellow

The magenta

And the sign in does it going to be

Three primary colours

There are also represented here on a colour wheel

Soft

And then

The triangles here on the outside this is going to be

Secondary colours

So it's what happens when you mix two of the primary colours together

Yoga

This colour instead

And sorting

Yellow and magenta and then we still have

Another set of colours which is going to be the tertiary colour

So it's essentially a colour a mix of colour between

A primary colour

And a secondary colours on his get if you mix yellow

A primary colour with red a secondary colour

You get

8:30

Now the same applies on all the different colour wheels is just to know the colours insulted going to be slightly different

And like we've seen those paint here

Nose pigment

Based colours

What's the result in car is always going to be a little bit darker so as you can see you're mixing a bright yellow

With a bright magenta

It turns into a slightly darker

Read it even more can't hear when you mix the blue and magenta together

Get this darker colour here this dark blue

This is going to be the difference

The more I miss together the data because but also probably important that we mentioned here found

The CMYK

And the kids week like we seen it stands for Black and this is

He necessity is important that we add

And we should probably added to this model as well this is just because

It's impossible to get a pure Black by mixing all of these Colours together by mixing all the primary colours

So you'll get the best a dark grey in really dark grey but you'll never be able to get a pure black and that's it

Has to do with

The physical properties of

Colours here so there are always going to be

You know pizza or printed on a surface

And that service is never going to be perfect in a weather

It's people whatever it is

There's always going to be some slight imperfections on

On the surface of cells that is always going to be some sort of imperfections in the inner core and the paint itself

The weather is the oil that is used maybe it's not completely transparent or maybe the pigments themselves are not in order

Top quality even if they're the best quality

The way that the paint will dry

Is not going to be Easter

Perfect surface tiles going to reflect light

You know perfectly there's always going to be

Some sort of imperfections at some point

And so as a result you'll never be able to get it pure black which is why we need

To added an obviously this is going to be in contrast with

The light base model RT

Because

A black is simply in that case an absence of light

So if you switch off a pixel if you switch off

The screen you have

Because there's no like thing I made

From the dead

And so now that we are aware

Are the difference between the different colour models let's take a look

Add the first colour properties the most important of them all

So I can see that he was the most important property

Because that

Really what more people refer to when describing and colours

If you describe the colour yellow free sample

If you talk about the evil red car you really going to be describing the red

Hue of that colour not so much

The saturation of the Colour and also match the the value of that

The who really is going to be

The colours in

Purest form so if you buy a tube of yellow paint for example it's going to be the paint

Play comes out of the two

Without any added black or red white to it

In the case

The light

The light model

What this is going to be a little bit different but it's actually

The hue of the car is going to represent a particular wavelength

Think of a red colour for example

What the weather is going to be associated with a 700 or something like that 7

NM wavelength and that wavelength itself is going to

Deeds the hue of the Colour now if we open the Photoshop colour picker or in a whenever

You're probably find something like there's two different variants of this but really this one to represent

The different properties really really well so I really like this one to explain

In this case here what the Hughes are going to be this bad and the centre here

So all these colours in the centre when you drag this up and down you're going to be so I can do a few of the Colour and

Nothing else

This bands really is a colour wheel just straight

And I need to prove that you can see your the number changes here and is the number that's in degrees right

And each year so this is 8 for Hugh

So as to you changes

The degree also changes and it's going to be 3

160 so in this case you know when when dragging The Slider up and down

Each of those degrees here going to be associated with one particular colour

Or wanted to go

Waves

Which is going to intern b

Represented by a colour

I'm so this is really what you're choosing here

So that

Z4 for the hue

Is the Pure

Form of any colour

This brings us to the second property which is going to be the value of

The value

Really is going to be

Referring to the lightning

Or Darkness of a colour

It really indicates the quantity of light that is

And for a Pigman

Colours and four lights

Like primary school this is going to be the amount of brightness

Value is interesting and sounds that is

Pretty much independent of the colours them sell

So it's very

Very simple it's a range going from

Your brightness

So full white

24 black

And so this is going to be here on the left of the Colour

It's just

Different shades of grey

Pure black

And share

An indicator in Photoshop you can see that being represented here

In the little be here by looking at the process

Of the be here it's b stands for Brighton

You can see that change as I slide

Down or up

So when is completely white here is at 100%

If I slide it all the way down here is at 0%

Completely black

So when talking about photos or paintings I have a

Good range of values

This is going to

By referring to exactly dad so

Photo has a nice range of values it's often referring to the file is going to

Then a lot of different grazing between

And

Possibly also pure white

In it

So you're happy

Tyre range going from 0% brightness to 100% brightness

And you are of the different shades of grey in between

A painting or a photo that has

He Ltd

Valiant in this case what in might instead go from

Here to hear and that's it right so my Nintendo from something like

Completely random numbers

Something like 25% brightness

All the way up to maybe 70% by 70%

So that would be a photo or a painting with a limited Value Range

And this

Is often like a

Style cheat

Sometimes

Painters will like to have a limit

Range of values to play with

And this forces them to rely on other properties of the colours to create some interesting things so there's

Right or wrong way in that sense

When it comes to the value it's really that holidays it's the brightness of

Colour

And when you mix

With the hue of a colour then you're already able to

Have some really really interesting

Result

When it comes to pigments for example that would be the same as adding

So let's say you have again a yellow paint that you put on your pal

And the more black you add to it

The lower the value of your colour is going to be

Stop the more it goes

Towards the Black

The darker the value of the car

So if you don't if you don't add anything to your colour to your to your pain

Then is going to be

And full value 100% brightness in the case of

The light models of the RGB

This is going to be a little bit different but essential

It's a represented only as brightness with the brightness of the light

Right so if there's no brightness at all then it's completely black there's no there's no image there's nothing we're not going to be able to

Any colour but if it's sad

Full brightness

Then we'll see the colour as we see them right here on the colour wheel

Those are all at

100% as you can see her in as a dragon

As a colour pick them

You can see the little

Selecta here's always going to stay at the very top

Meaning

It has 100% brightness and you can also confirm that I just looking at the brightness number here

Is at 100% regardless of the colour that I'm colour picker

And finally this brings us to the la

Property of colour

Which is going to be the saturation so when this year's here is going to be represented by the as that you can see here so

I'm at 100% saturation here and really the saturation is going to be

You know we seen

This is the human race

From the top

From the bottom to the top this is going to be the values

And then saturation really is going to be from the left

Soothe

So this is going to be

The intensity of the car

And also referred to as a Chroma

A refers to the domina

Of

In the

Present when talking about

Pigments again in that case

The equivalent would be to add why

To your

Instead of adding black you would add white to the colour and that would change the saturation of the car

And of course you can have black on top

How to change the value as well

But

By adding white

2A

To a colour to a pure colour a pure pigment will you will the saturate

Colour as a

And then

Talking about

The light model to the rtb model it's really going to be the intensity of the hue

If the eu and he was really intense

If it's at it's maximum then will have maximum saturation

And as the hue becomes less and less intense notes and less dominant

Then this is what we will call

Laura and Laura satin

So now we're talking about saturation there is a couple more terms that love people use especially when it comes to

To the pigment pigment base colours

It's going to have to do

This little thing here

The

Portion here this is going to be four

Pigments

Colours pigment base colours and

This on the other hand is going to be a little bit less important but it's going to be based

On

Is b

You separation

And the smallest actually the same as you can see here

Yes

HSBC Brighton

Of the same thing

Super simple in comparison

Really

What we're looking at here at the top

It's meant to be

Three terms

So it's

Tone and shade

Andrea Lee

This is going to be more for photography or traditional painting

Aurora Princess and door

Three times are going to refer

2

The 10th is going to be the situation the town is going to be a mix of saturation and the Brighton

And the she's going to

Chorley

About

The brightness

Ardee

The value of a

Colour in

What we have here at the top

Is if we

You like this

So

Pure colour

Let's go with the same red and then we add

Especially will be changing the 10th of that

Colour

So the 10 of that car is going to be just a situation when I'm going to be

When are going to be changing the value of the car

We're not going to be able to change

The apportionment in the hue of the Colour it's really good

The situation that can prove this by

Colour picking this here

So if I change if I if we look at the saturation here this is the only thing that will change

The brightness will stay at a hundred percent

Click here

Separation at 800 when I click on

The most saturated apart of that red

To the right here

You can see the saturation go down and down and down and down and down

Until 0%

But still the brightness was 100 so really

Just talking

Saturation when playing around with the

The time then it's going to be a mix of the two

Start again

With a pure red

And then we add some

Mid-level

So you can see here I'm going to pick

All the way on the left

Make sure that

50%

I mean the number doesn't matter

In this case it's perfectly

Mid grey suit

Perth

Between a full white and 4 black

Then if I add that to the

Then I'll be changing the tone of that colour instead

Not the tin

And the tone of the colour wheel

It's two different things it's the brightness

And the statue

We are

So if you do the same exercise here and I stay

Fully saturated colour

Voice actor

Every look at separation and brightness

In theory the brightness build on all the way to

50%

And saturation sugar should go down all the way to 0

So slime

Slides

Slides

50% great what I started with

And it's good to hear down the situation is down to 0

But the value changed as well since I was using a grey

Set a time using a really really dark grey

Then I'll get the same as a

And the brightness will go down all the way

The lower

Brightness I've selected for that day

Now if we do the last one here

Again start

And add some black

All the way down 0%

If I add black to that

Then we're not going to be changing the saturation and this is

Maybe a little bit

Strange to hear back

By adding black not changing the situation all of the car

You just

Change

The Valley

Nice grade in here

And I will do the same thing again colour pick this

I can see the only thing that will change is going to be the value so star

Albrighton

Full volume here

Nulc that thing go down down down down down

As

Saturation remains the same but as the brightness

Start to go

And when I do this

I'll be

Changing the shade

Of

Colour of course

Then there's no saturation whatsoever

But as long as it's not completely

Pure black

As long as it's a sheet of Grey

Like it is right here

1%

Brightness

As long as there's a little

Brightness low

The situation will remain at the 100%

The main differences when talking about 10 to worry talking about saturation

When talking about shame we really talking about the values of the car

And the tone is kind of the one in between

The one that is a little bit

Misused often

And that is going to refer to both rice going to be the saturation

The value of the toilet will be changed

Then for the 8SB model

Is it going to be a little bit different actually going to be

The opposite

Instead of adding black instead of adding grains of adding white

Just removing things when it comes to light rights

I start at 100%

Everything

Percent saturation 100%

And if I want to

Sample of

That car

What I have to do

Reduce the brightness so I can just started go down down and down

And now I'm changing the shape

By Simply removing brightness

And if I want to

What I can do

Simply

Removing the intensity

Of

And so the situation goes down

And if I want to change the tone

What I have to do is kind of go in between resin

Not stick to that side night stick to the top and stay cocoa like anywhere in between

And as a result

The situation and the brightness will change and then I'll be changing the toner

Tell me the other way round I mean the same the same terms can be used as just a different way to talk about the exact

Not really quickly before we end the chapter I wanted to come

Here to the sea

What does colours look like once there

So there's not going to be much to say about

These two here for the pigs

Colour pigments but

You know

Especially not

That great of a

Because it's Photoshopped doing the mixing and Photoshop is not

Exactly like

Real pain so it doesn't behave the same way and I couldn't find

Blending mode that represent more than me

It's really

Get the point across where the

No the mix of all these colours is a darker colour

And that is not

Keep your black write-off we look at this colour here

Is

Still 17% brightness

It's still 9% brightness on it

So this one you're not so accurate but

I've made sure

The doors colours actually don't want to

And I would be output by Photoshop so this

Little bit closer to reality but it all goes to show that even though they are all combined and

Should be black the final result is not black so which is why he need the local which is why I need the added

When it comes to

Pigment

Colours of Pink

Now if we take a look at the RGB model please get a little bit

More interesting

If I look at the Red for example and take a look at the Brighton series already at 100

So all the primary colours

Are already at 100% so

The secondary colours are also and then

The white is also explained

The obvious difference in brightness when it looks when you

The White Hart

And

Are you then you know if you

The red and green figures of this yellow colour which is

The yellow and the red is a clear difference right and proceed

Brightness the yellow

Appears to be a lot brighter even though Photoshop tells me that it is

In the way to look at this

That each of these individual Cues so this you this you this you

Individually on their own there

100-percent they can get any brighter than that colour that was going to turn into a different car

So that green can get any more green I can't make that

Green Vienna

Puerile

It's

It's as bright as it will get but

Artist Dan

Doesn't really make any sense

For it to be a little bit more meaning for we have to look at the RGB down here so those values

Good morning

Of the actual

Perceived amount of brightness that we can see

These values go from 0 to 255 and 255 as a

It's a mathematical thing I just this resent

B

Each channel is a bit anyway so we can get into that really doesn't matter

35 the maximum or 100

If I click on red rose

All the other in the green channel and the blue channel or turned off only the red is at 100

If I click on the blue

A sentence

On the green

The best way to look at this then

Each of these boxes here

You can see those

Flashlight

So if one flashlight is turned on

Out of 3

That is it the same amount of lights rights

1 flashlight warm

Green light

Another one hits

Red light and the other one come to by blue

Does three flashlights on their own the cat

Get any brighter

But if you have one flashlight

Turn down in the other 2 hour turn off

Sunlight out there

Turn on the flashlight at the same time

Get more

Because there's just more like

Particles coming

And this is kind of how we explain the apparent in

Higher brightness

4

Secondary colour

Even brighter

44 the white here where all the colours are mixed together

You can look at those numbers

And use those

As an indication of how bright something is going to be

So if you look at this in here only have £250 rights or turn in 50.849502

That's not bad but if I click on the yellow here

The owner has double that's what the five 510 points now

510.9 more than 255

Double

So it's double the brightness

Exactly

NN the same goes with

The white here so now it's even more points meaning it's even Brighter at least it appears bright

So the more

You have if you add all these three numbers

The higher the Torah

The Brighter the colour will appear to be

This is really in Ivan comparing this to

Flashlight

That's actually how it works with the pixels on

Each pixel is

Three different flashlight

Kind of

So one flashlight into the red another one another one green and so

You know if we look at the red colour here on the screen

To be able to see this red colour it means only one part

One third of the pixel is up the other two thirds of the Picts

Meaning you only have one third of the lights really coming through for all of these pics

As you can see here now if I turn on

The other another third of the pixels if I turn on the green port on the pixel now

Two-thirds of the pixels on and it's only one-third that is off and so is going to be significantly bread

As we can see here with the yellow and then if you turn on the

Third part of the pixel then

The entire

Three light the entire three portions

Are the pixels are turned on

And as result we get the brightest the brightest receipt colour

Because we get as much light as we pass

Even though Photoshop might be telling us that each of these colours are in fact at 800%

Which they are in terms of perceived light we have to look

Amount here

The amount

Flashlight on open in how much is flashlights are open so of course right now just looking at

0 and 200

5 but we can you know we can get any number in between us

And so it's the total of these three numbers added together

To give us a better idea

The total brightness right of the entire range should be from 04 black all the way up to 2

3500 + 1

706

5

Then we can pick any colour now

Let's see this guy here and we add those three numbers and this give us a total

Then we can see

How close is the total to the top how close is that total to 765 which is going to be

The brightest colour or how close is it to zero which is going to be the darkest colour in so this is going to hell

We can understand the perceived brightness a little bit better it's a little bit more useful than looking at the percentage

For the actual brightness for Eaton

Not each of those colours

And this is going to be pretty much here for this chapter 20 in the next hour

Lights and shadows

Now we have a pretty good understanding of the different properties

Colours

We should probably take a look at the one thing that is going to have the biggest impact on colour

That is going to be like this song

So when it comes to light

Is going to

The values

The colours

And then all that

Saturation to some degree

And also think the hues depending on the colour of the

So it is going to

Really affect a lot

Thing and it's one of the most

Important aspect of any painting you know light is

Search

For so many things and we're are going to take a

Add light in more detail

Later and how we can use that for

Composition in storytelling and all of those things before analysis keep things pretty basic

Take a look at what happens when objects are let by 1 lives

What happens to the Shadows as well

So let's start with how the diff

Properties of colour are affected by light

So we have a super bass

Set up here

As you can see we have

Big

White light source

In the shape of a sphere

And then we have this one object which is also is

Being directly live

Bye

And of course we have the shadow

Right underneath

Where do

This case you know

In real life

Actually once

Be like this so you would likely have some

Even though

Underneath he is not there

Play led by the light source would stop

Light bounces from that initial from that big lights off

Bouncing off the ground here

Being in a Bangor Hunter

The fear itself so the bottom portion here would be slightly late

Even though it's not directly late bye

The lights

No

I can show you the

Bye

Does increasing the quality here a little bit

And I'll make things a little bit more obvious when I mean

So if I enable can make the light bounces here

As you can see

I don't get that Darkness

The intensity of light

You can get a better idea

Resident Evil 7

I'm going from you now from life

To complete

Black

Instead

It goes from from

Almost

Starts to

To be a little bit brighter again because the light

Particles and bouncing of the ground

Back on

This fear

So light particles in all their particles so the bounce

This is

The cell of that we're going to work with

Pretty baby

The first property that will take a look at is going to be the one

Probably the most obvious

And that will be

The value

Sort the value here as we can see we have a really nice range and

That is going to be pretty much the case

4

Most

Most certainly

The the side letter

The closest to the lights

Inn On The Square

Saviour

That one is close

To the lights

Is going to be the

Of them all

In an as you move away from that point

Onto not on the surface here of the sphere

Towards the other side

And then once it's passed out the midpoint light is not going to be able to read

And sort the value

Continuously drop and drop and drop until I reach

300

Dark as your brightness on the other side hear

Unless

Are some light brown

But right now I have disabled them so that's a little bit

Easier to see

The value change so it's always going to be the same thing the faces

Everything have faces the lights

More directly and everything

Closer

To the light is always going to be a little bit

Now the neck

The next

Property is often going to be impacted

With light is going to be there

Hewitt

So I can see here if I

If I bring up

The actual colour for

What is this right here so it's coming this indigo colour but as you can see her on the side

Closer to the light source is switches to Canada

Magenta

Pink colour this is actually it was going to happen even if the light source itself is not predict

In a cold or warm and what I mean by that is

So if I bring this

Over here it's going to be the colour wheel again

All the colours that are on the left sides I have coming the

The White Lion here splitting this in half everything else on

What's going to be considered warm colours

For the yellows oranges reading the oldest colours are considered warm

And on the other sides are on the right side here does costa consider

And so this is going to

Corsa no impact

Can of the the colours she

And what's really really interesting here is

You know regardless of the colour that you have

Whenever you have a light source that is neutral like this one so this particular light source is not cool or warm

Neutral of a colour as possible

When it's like that

The majority of

Colour is the

Slightly towards a warmer

So it's not always the case but usually that

Any other colours here

This is going to be a little bit less of parenting on the less saturated your colours are

There's always meant to go towards a

Slightly lighter or slightly warmer

As you can see even the saturated starts in the end

Towards more

Pink

And so the same happens wheel of different colours you can even see it

No orange or we're gonna get like a dark Orange

So the orange this one here

Is the colour that we can find in this area but as it gets closer and closer to the lightest which is tomorrow

Yellow colour oftentimes you know there will be some slime

You chef so it's definitely not as drastic as

The value cheese and we can see her so I went from really really bright to really

But often is going to be

Samus Light change

Now of course

Considering

That the environment is as terrible as possible so there's no colours anywhere else right as you can see the

Around is completely white

There's no colours that there's no colours to to the rest of the environment

There's no sky or anything like that

And the light source itself is completely white

Even though there's nothing in affecting the sphere the still a slide sheet

You know I can imagine that

It was fear itself and I had a he red colour for example or

The blue colour a different kind of colours of course that is going to fly

The colour of

Fear

In more noticeable

But this isn't working keeping simple going to keep the light source white

And everything else why it's so that we can have a better understanding of the basic as fact that the light has on

This brings us to the last of the properties which is going to be a saturation

What we can see you're not going to be much of a change

If I bring up

The colours here we can

Pick the colours

To see the

So if I pick the colour right there right in the

You can see

Pretty saturated read if you look at the circle here in on the white circle

On the

Colour but we can notice from this

Is really the saturation stays in the same spot pretty much the whole time out so it stays on the same line on the same vertical line

What's this song

Which was well basically

Canada

The Original Factory standard for that colour right this is the saturation here

The square is another Scribe of the circle is right there

So it's not going to really move towards

Order

Order

It's going to

At is very similar saturation

Pretty much there

Maybe a little bit less here towards the top where is switches

To a lighter colour

But still very very sore

Of course when you get to your black or that something else is no separation nearby

As we can see who the light is not going to affect activation a whole lot

Other things might but the light itself not really so the biggest change in

The colour purple is going to have to do with values that we've seen so the values definitely definitely going to be impact

The big way

When it comes

Light sources

And other human might be affected a little bit

And maybe more depending on

The colour of the environment or of

Element in the sea

But the Heuer still going to be affected

I really really not so much

And then

The saturation on the other hand not going to be affected at all or at least not mashup

Negligible amount that we can almost ignore the main effect that the light has

Turn up the colour

Proper

Now

If we

Take our attention away from the actual colours

And start looking at the shadows

Is one thing that's really

To understand when it comes to Shadows and that is that there are two types of Shadow

You can also say there are two

There is going to be such a shadow

Hard Shadows or soft light and hard

I worked the little bit better

When we talk about

Actually work

A thought I was going to be war

DC right now right so it's going to be a soft transition between light

And darkness definitely change and there's two things are going to

Impacting that shadows actually making it softer or harder

One of those is going to be the distance of the light source

From the object has been

Add the site

Those two things

Can go hand in hand you know

The song being probably the best

Examples of a massive

Massive

Light source but it's really really far away

So you know the distance in this case is going to be the deciding Factor

In how the shadows

From the Sun are going to look like if you've ever noticed outside your own shadow actually is going to be really really

Crest really hard

So there's not going to be any kind of fuzziness going around there

That has to do with the mass of distance between the light source and

The

You in this case

And we can also replicate that massive distance

By making

The light source

I used to be pretty fuzzy when the light source was back now Shadows really crispy at the bigger or the club

What's the light source is

That it appears in comparison to the object

The softer the Shadows going as you can see her in a really really big light source

Relatively small

In this case

Shelves going to be super the

It's very very sore

And that has to do with the amount of light particles I can come in contact

With the the shape or x

You might like

Behind

As you can see

A few spots you of course

Each other spotters in infinity of them all over the surface

And each of these individuals

Shootout in Infinity

Of light particles

But in this case not I just make sure to pick a fuse

We can have a good day

Of what can retain what can treat behind

And so this really is what

Indicate

The softness of the show

If I take

This lights are the spot

All of the light razor

This but here is going to be able to

Let's say we limit it

Due to this side here so this is going to be tonight

That we decide for the light so there's no light particles

That are going to go any further left than

One hit

One hit here and another one right

And then if we do the same process all of

You know making sure that the land at the same spot you know that's not real

It's not like

Really organised version of Leon

What we can start to see his dad

On the outside

We're getting hit by a lot of different light

The Aura

The sign in

Purple

Particles hitting here here here here which is why I know this is really bad

Not really it's like the brightest to Great of the

To go towards

Stanley

Like flora and flora light rays are able to hit so as you can see here with this area here

3 of those lines are able to

Because the purple one here

I can't cope

What's the share price of

The light particles I would

I may be lower than that what they would hit the sphere instead

So the only one that can actually read

Comes really

Closest your butt

And then this one can

All the way up here

The other one will be able to hear so three more three lines here three lines here 39030 but then what happens

The other scientists can actually read

The cause of particles not really science

In the skating on in this example

I thought the sign lying here

Pass

Going to be

Otherwise it

No lands right on the surface of

And so as you can see as we get closer and closer to the sea

The centre of the shape year

Fewer and fewer light rays of your light particles are

And all the way back here there's only kind

Is this one red that like particle that can read

And then be on that you know there's no more right so it's even if you had a point all the way done all the way up here it was

Which is why after is important

Dark

And then it started with the same thing again on the other side

Because this shape is so large

It's able to

Spray a lot

The particles in a bunch of different directions

And in this case

Bigger than the actual shape

Also able to shoot by Park

Behind

The difference

And the amount of light that are able to read behind here vs on the outside

Is gradual as you can see her it doesn't go from

Enough from for a gradual

Shifts

Goran floor as we go to

Towards the centre here

Are the show

This this gradual shift

What that indicates also

Try not to laugh

The Shadows

As there's less

Area

For July

To wrap around the abs

That shadow becomes sharper and sharper

But I really understand County the difference between the distance and the size

Mosquito going to reduce the size

The distance of the light source is still going to be as close as they used to

But as you can see her the light source

Significantly reduced so it's smaller

Or maybe not more about the same size or small

Then the other

It's all so there's not going to be any car

Light particle that can read

Behind the object like they could before

But still in this case send

The light source is

Fairly close will still get some

Soffits to the shadow Weaver

It might not be as much

As the force is not going

Perfectly sure

And the main isn't here again the same

For light particles

44444

And now it's easy

3

This

Purple

Particles can't read anymore because of the

Instead

And so we did we drop

Oliver

One4all alignment 3 and then to right away

Because now the same

Past this point

And after that there's nothing right

Your Darkness

Just a shadow

As you can see her

Between

Between the shadow

And between the light area here

As much light as possible

They're still going to be sunshine

So the switch is definitely more sudden

The softness already the fuzziness around the Shadows going to be much much tighter tighter than before

But there is still going to be some sort

So now to take the same light source

Not touch the size of it will actually increase the disk

Bring real real

Far away from that

Now he look at the shadow

What's it going to be

So far away

Crispr and there was a lot harder than you

Now I can see the difference

Then two more

Clear

Illustrate count

The impact of distance

Thursday is going to be something

Pretty different compared to what we've seen so far

What average wage it can be situation where

We have

Something similar to the

And the sons of course North London to be the same time because the distance

Is nothing in comparison to what it really is in real

But if I take my light source here and move it really really really far away

From the

Maybe something all the way up here

And what we can do now is we can take

The same

Light rays

Does the form them so bring them

Again

The originated from the lights

ASDA

Should there be something like this

Well we can see

It's not perfect

But

Really what you should be looking out now to help parallel all those lines are

Stop I'm not

Infinitely far from the subjects I'm still pretty far

But nothing compared to lights a

Earth and the sun right so

The actual sun is where we for the weather

Does light rays are actually originating from the sun

Instead of being slightly

No almost parallel at the all right now

They would all appear to be

So as a result of the light rays for example like these here like

The purple

That normally wouldn't be able to to hear do you know any further than this in the previous example

What now if you trace a line

The factories are lying

Going

Here all the way down

Now you can see that they actually

Is able to

Really really close

And then anything behind

Fear is not

And then we can do the same

Test

The sign lying here make

Start all the way to the top

Down down

Down down down down down

And see if I can

Anakin

Indeed

So before

Stop around this area now I can go all the way to the side

So with this

Why can we see

We can see that the for the light intensity was maxima

Starting from here

And outwards to the left right so we

Fortnite ratio that were able to hit

Has that lines up past this one line

There was

33333 until there are only two

And then one and then

But in this case as we can see here

If

The four

And

Thirds of the Sian and the purple can hit all the way here of course

Give me the Beacon Head here here here here here is you alright

There's no reason for

Nazi

The case

What this means that we have

Brightness

All the way up here

And then wants a shadow start

0 brightness of

Until this not going to any kind of a gradient in

100-percent

0%

And this is the only way

That you can achieve

Perfectly Chris

Shadow and that is something that is again you need two light sources are really really really far

So far away

That they're light particles of the light particles at the emit

Appear to be parallel to one another

As you can see

Those lines used to cross each other

In this case

Gorgeous

Hello 21 and go as you probably can guess this is

Shadowed is going to be pretty much uni

The song for that reason because the sun is the only light source that is so far away from us

That the light particle

Read us a tube

No parallel to one another

When it comes to the two types of Shadows

This is going to be

Pretty much so again

Light

The distance of the lights

And the size of the lights

Is it going to be the two main factors when it comes to the type of Shadows Italy

Moving on

There is something that's really really important

And this is what we are going to end this chapter

We're so now that we know all the logic AND

Theory behind

Now it's time to actually try

Draw your own shadow

Start again very very

With something is Super Bass

Again is fear so I'm in a different software and also have a sphere right here

I am going to light

Upbringing

Is spotlight here

So no don't pay attention

To the environment or anything like that

Trying to look at

Is really the shadow that we get

From this

Spotlight

Stop

Really

The main exercise right or the main the main goal with this is to be able to

Without having a 3D seem like this to be able to help us

Bye just drawing can't like this fear right there on a sheet of paper

And having a place light source in your environment

And you know that can be anything

What happens to elements now comes up

Figure out what the shadows

This is something that

Is incredibly hard it's really really hard

Brain

Exercise to do really

Definitely one of those

Harder

Hardest skills to developers in

What's the shadow is going to look

So now that I'm done scaring you

I want to mention that there are some things that we can do

To get our least help

Get stuffed

Shallow

And I'll show you all of that a little bit late

But for now I want to give you

Quick trick

Tips on how to

Treanor start training your brain

To see

How to see things different to see light differently and this is going to really help

Eventually you know figure out how the shower

The 13th I found a really really help me over the years

Is the Triton imagined

I myself

Abdoulaye

And I'm looking at the scene so instead of looking from

This point of view I'm instead looking at the scene

From the view of the light

Always try to imagine you are the

Looking at the environment and try to figure out

The picture on your brain

What is

And what you see is going to be in a where the lights are going to be applied and what you don't see

From data security go this is where the shadow are

Because there's not any light there going to be

Shine

That's it that's that's the end of the tree

Like I said more than exercise

Play something that you should definitely try to

As much as possible

Try to imagine you are the light

In the environment

Try to imagine what

What you don't see

Is going to be in the

Take this other example slightly more difficult

In this case I have two different spheres and one is kind of overlapping the other one

Casting shadow on the small one

So now you know from the side you here it's really hard to imagine you know she didn't have those Shadows a red

It makes things really really hard to figure out

Where is this going to land on my own

Laura Mike underground right now

If you try to imagine that you're the light looking at this whole scene

Then you can try to shift your point of you try to shift your perspective

And now you're imagining that ok I have

Fear

In the centre

Then have the smallest fear that's on the side here so this one is going to be pretty much half we covered by the Shadow of the Swan

Because again remember what I don't see is in the shades of since I am the

I know

The smallest fear they have

Half of it is going to be covered in shower

And as a result on the ground at half

A big

Circle or a big L

And I have a smaller l

And that's more letters going to star

Not quite in the centre of the bigger our lives but maybe a little bit further

So if we look at the

We can see here

Will I get it from the side

That's actually

Quite correct right we have this big

This other smaller lives it doesn't start quite at the halfway point

Butler

Pass that right is not

And also we can see

There's the two of us

Connected

And this one here is kind of overlapping the small

It's dead

Granted this is not an easy

Rain Bar exercises is super super advanced

But it's something that should

Try and practise every chance you get

Because it's only going to improve your

And when you're able to draw Shadows

Really really well

In your in your drawings in your painting

Whatever it is

This really

Really really really into

Your art in

Significant

So it's one of the things that even if everything else is

Cardiff

Bad or not bad

So so

In in your driving if you're able to create

Realistic

Believable Shadows it she's absolutely everything so this might be a little bit subjective this is definitely

It comes to you when it comes to the fore

Lighting

To me play such a big

It has such a high

Level of difficulty to execute properly that whenever it is executed properly in the penis

It really brings everything up with it

Significantly more than pretty much everything else good

It's all this is just come from my point of view but just looking over the years at what people respond

To the most when it comes to art

And it's always going to be those paintings or those drawings that have

Really amazing

Inshallah

This is going to be the end of this chapter on light and then in the next after we'll take a look at how to add

Apply what we've learnt so far

So that we can actually

Search practising this stuff because again as usual

Practise

Perfect so I'll see you in the loop

In this chapter

Focusing on

Shadow

So far we've seen the two types of Shadows

We've also seen from highlights

Interac

Will a simple volume in space

Is

Now it's time to act

Get in there and

Learn how to construct

A proper

Because you can actually

You're actually ways to

Properly constructed to that

In this case since this

The first

On colour in

We are going to be keeping

Pretty simple

So we'll start with those

Three different boxes in Nando's boxes

My Outlook

Try this one is floating so it's hovering above the ground

This one here is going to be the basic one

What's that word is just

Box Lane Underground

And this one

What the lights going to be

Front of the box and so probably cast a shadow on the wall

As well as

Overview with

Are the majority of

Situations that you're probably have to answer experiment

And once were done with the

Actually take a look at some more advanced shape

Still basic shares but more complicated than

But before we get there

Actually

Get started

What I have in a year

I have three different boxes that are in two point perspective here as they can see

This is rubbish familiar if you value of Gypsy in the prospective

This is

What will

At the very beginning is to do exactly that you know we can use any

Have to use two point perspective

Can you coronavirus

I just make sure that it

Samsung

Prospective

This is going to be a big help as well shortly

The one thing I was going to ring you

This is going to be

And why is there

This

Little thing here is going to be grounding the light in

Face really so this is also going to be something as important that will point

Weird

Let's connect

Because otherwise

If I don't have any ground for that lights won't light really good

Anywhere in space and I wouldn't be able to know

So if I only have come with this circle here

What is the light

Or is

Front here or is it

On the side of that

So there's really no waiting

Unless

Grounded answer

It's going to be pretty simple straightforward

The Shadows on the grass

And what

4 boxes like this

Going to have fun

Site and those sides are going to be

Are you different for

Depending on which side the light is on but in this case in the first case of the shadow

That one on the other side of the box

This one here's a 123

And these in rather going to be the one

Dry outside of the box

That creates the shadow

So this one here

Is closer to us

That one

Right there

And that other one

What does are going to be in the Shadows anyway

And you're sitting all that there's really no point to

Because I'm not going to cast any kind of Shadows

The are already going to be in the

Of course the one on the ground as well they don't catch anything they're already

They're already on

I'm going to start then

The first

Stepping in the first

Is the simplest of the most always want to be two different Lines

Super simple

And we'll start with

The ground here the ground for

And all will have to

Is trace a straight line starting from it

To the two corners

Of

Of the

This is going to be the two corners of that box you but it was like a cylinder will be coming too

Outside Xtra movies of that's Ireland

I'm going to do here

Touch the corner

And then continue the line

Do the same thing on the inside with the corner here

That I can kind of see in transparency

Continue the line as well

We are going to move on to the

Now and so this is going to be like here and we can imagine that

The sun

The start r line

Stunning at the very centre here

What I'm going to do

Tracer line connecting or touching

All four corners of the

Topside

One right here

Continue the line another one right here another one here

And

Finally the saw you in the back

So now I have a pretty

Start

What I need to figure out now is high

Close this shape right so I have

Now all my construction lines are pretty much done

2 more day to find out

To do then

Is work with

Corner here

For that box

What that colour is going to be

Discount rate

What's a straight line going from Blackwater to that to that point that intersection

So this point is going to reply

Dad

Now this corner here

Well I don't have anywhere right it doesn't it just keeps on going

And

So I need to figure out

How

Where is that intersection going to be here so where is that going to stop where is that corner

Going to be on that line

What I'm going to use the vanishing point that are already you

How to create the disability of something cannot see them still so the appointment to be right there as you can see her in matches

The side

When outside of the bar

And so if I'm trying to find

This

I'm here trying to find where this line is

On here

What we're going to use then is

Same vanishing point

Make sure I can I see you're right so this is it

And then all I have to do

Why did down

Until it interconnect with the other end

Just like that here

Connect

Other intersection here in red and now I will have my

You know that

Continue that lines winterland roundabout there

Provident

But anyway

This would be that side here of the Shadows

That's so that's why

And I have

The other to hear the other two

That other n

Can I have the other one

Same vanishing

As this one you're so he can see here if I'm looking

Find out where this man is

It's the same vanishing Point again

So all I have to do is again slide down slide down slide it down until

With the first corner like I did with this

Put the first corner in the sky

Is behind the box but this one here right when it connects to that line

Painting again

From here

Slide it down until I read

Until

You want to give me

Other side

All that I need

Then I have

One side

Tucson here for my shadow this one we're not going to be able to see because

Behind the boxes

But I should have pretty much everything I need

2

Fleet

Don't have this one here now this corner

Connect with the new line that we generated

You know the

The day the green corner here

I don't use the other one here the one on the outside and wants you

It's only to find

First corner

I have did I hear

And have this one here

That is

No I'm just ready to

The ship

Is all off

And I will have my

Final

Here to here

To hear

Go round the back

And dairy go and this is how you build Shadows really so he can see her

There's a couple extra lines to drop that really no shirt

Able to create the

Those boxes in the first place

Creating the tables for it to be really really sorry

Of course

This was an easy exam

So that we're going to move onto a

Slightly more

Complicated one

Surface years

So instead of having

Side five sides to arshad

Will probably have some more because there's going to be a break in the line

We want to start exactly the same way

With the two lines stunning here

The root of

Touching the £2

Until

Because it's going to change

No I'm

Poaching

Other corners because then the line would have to go through the boxing

Is no good

That's not how

Now I'm going to move on to the actual light itself appears to do the same thing here

Connect to

Kaunas

Portion of

Or the edges that are going to be projecting

The Shadows

This one here

The one on the side

This one right

1

5

So those are going to be the 5

Edges

ASDA Shaw

Leicester

With the corner

Just extend as much as I can hear

Going through all the different colours of that

You are the one behind here

And one

Is it good to start from the same points on my licence

Perfect

Stop now

I have these two points so this one's on speaker

And that one here work next

Amazon speaker

Swapz

These

I don't

Kaunas

Now I am going to need

Figure out

The line going from here

To hear what that looks like

On the

Find

Again I need

Find the original vanishing point I created those edges

Through the

Why did down until

Intersect

Blue.hair.dye

And so we'll have now

Deaths

The shuttle done

And dad's

But now

When it touches the wall

It's a of course you're going to change

And then so normally what I would do to find out how likely

The rest of the line is just continue that line here

Until I reach the intersection there

The world's changing angle all I have to do

Tuesday along with it and goes

Because the

In this Direction

Until I touch the line

So this is going to be

Here instead you know it's not going to be this one

Enough what I just have to do

Exact same thing

I need to find out

This one here where lands on the ground

I'm going to start

The one that created that

Slider down slider down until

Text Emma

And now I know

That

Shadow here on this side

Like this

Then

How to figure out the missing line which is going to be this line right here right I'm trying to find

Where is this going to go

And to find this

It's going to be that

Streamline

This

I'm trying to play

Because I already have

Is Conor here

The yellow then and

Orange corner

That I already have

To find the other side and say if I follow the line

It's going to be give me this caller ID

Now I can do

Here is trying to find a vanishing point

4

Lying for that

Of the box

And in this case that happens to be the vanishing point at a little bit further away

That's not right

What I can do now is Danny from here

I make sure that I'm right on to the right

The right Edge

That's good

Slide down slide down to attach the other side hear the other Orange

Going to give me

Top

Turn on my shadow

What

Continue continue here

All the way all the way here and there

Until touches that new line

Enclose the

And that would be the shadows

This particular

All the stuff in the back when I'm going to be

And then and now

What's the weather again

Dad's

Interact with two different

Services

The ground

The wall

Not too hard

Doesn't matter how many surfaces

As long as we follow the same rule

Things to

Gone to the last example

Going to be a little

Different

Love it more complicated than that

Because this was actually flooding of the ground was not touching

The first

Think when you have a floating object

It will have to do a will have to be to ground it

Sun disc

What would happen if this box were to drop straight

I just tried calling an arbitrary

Right here I could have been a little bit Laura doesn't really matter

This right here

Radio

Radio

Those are going to be

My corners

What a bastard

To drop

So if it wasn't flowing so I know that is falling by about any of this

Stop

The reason why we need this is because

The trees the initial two lines

For the ground yourself from the ground of the

We need those points to be ground

Because

It's the ground portion of the shadow

Has to be on the same level has to be on the ground of also won't be able to jump up in the air to touch that corner

This particular example instead of heavy

4

Science

Instead of having five sides like in the first example we saw

This one's going to have an extra one because

Do I have

This side here

That said there and have this idea on the side that side here on the other side

The back

Tired and then I'll have one more so this was coming the set-up that we have for the other boxes

Since this one is floating out actually be able to

I like this one as well because this is go

The shadow fight before I didn't because it was already

Resting on the ground but in this case it's flooding so

Things are love

I don't know exactly

Started From The Bottom

Extend those lines

That's the face

Corners for the corners that's at the box

I'm going to treat all the other Lines

Something here from the light

To all the

Kaunas

For the top of the box

That's gonna hear that corner there and extenders

20

Onside and of course

And the bottom here

Boxing

Which country should selectable industry set for every single corner and then you'll see

You as you work on it

That star some of those lines are not going to be used and so in overtime you'll just have to learn which ones to ignore

I'm going to colour code my corners again because I help

Quite a bit

The first colour is here

That we already have

The land right on that one here so have my

Two colours for The Shadows

I know

First Edge

This one here

This is the next one

Find this 1-hour

What is going to be

That's line hear that touches that one corner

That one line I need to find

This line continues continues continues and touch

So this is going to be the first corner next up is going to be this

So so far this want to hear

I've done this one

That white noise figure this lining

Here

I know this one is going to be coming

And I need to go to

Redcorn

So where is the right corner going to be anywhere here

What again like we've done so far to figure out

That line

What vanishing point

Made it and it's going to be alright here so have

The vanishing point

So all I have to do that

Trace the line

Indeed

Slide it down and

Connect

The blue door

And then if I fall the line here

Touching the red dot they should give me

The other location

Off the shed

I already have three

The only three more

And are we going to do the same process on the other side here so now I have this one of there and up my hero

I need to find

What's

Where is that other line is going to land

Lying

Where is that going to go

Where is that dog

What I can do

Here and a little bit later

Two more edges to go down

To find out the last one was going to be this Ed Sheeran's of the other side of the box that we can see

I need to find out what

Advancing

I used for that again

And it'll be the same here

This one

Then

Start from here

Play the downside the down to touches the yellow Dot

For that one corner

And

Our mission

The other side of the purple that right so I have the yellow dot already right here

Now if I continue that line here

And I continue that line here

Until these too much

Then I have

Other the other purple car

Can I have my two orange corners and my two purple car

And I can't

Candlelight the last line here for the show

And pretty straight

I can do from now

Is is closed

Like that and I have my shadow

What is flooding

Erasing all the out the other side here they're not going to be

2cn

Done

As you can see

Constructing Shadows is not that complicated

The shapes that were working with

Simple under stairs

Pretty pretty straight for

You should be able to do this in a crate

Shadows for

Types

Light sources different

WhatsApp

And the last thing I do hear really really really quickly

Is there a little bit of Shadows on tool boxes themselves what I'm going to do now

The site that is

So in this case

If I know that the light here

I want to touch the ground

Down here

The closest

The shortest distance to the box would be

Believe me to this side here which would be

This side of the

It won't be this one here

Because

To reach there I would have to come and go around

And I will be along a path

Sort the face

Of that box facing the lights on to be this one you're so this on the other hand is going to be the one that needs to have a look

So what I'm going to do and I'm going to change his situation

I'm not going to go left or right

All I'll do is colour pick the coloured already

Slide it down

Reduce the brightness

Aqua

Is in the shadows

Properly

I'm going to do the same thing you know the light is on the other side

Those two sides are going to be in the shade

As you can see what they are already connected to the shape so it's going to be pretty straightforward all I can do

Select

Colour pick the same colour slide down to modify the value reduce the price

And then I'm ready to add

Maybe to make a little bit better

I have one side here the one that

Sweetly opposite

Do the lights on this one here is

It's not as much as to say here

This one right there

What the same Dr here I know that I have my ground air and the closest distance

First face that I touch if I try

Direct line to the shape is going

This face right there's this one's not going

In the shade

Put that one on the side the one touching the shadows

Is Liam

Proper cast

Properly

Light source

A little bit more digging

Will you

Young as many construction lines will be a little bit more

Wing it

But I will you

Same idea and the same

But we have three different

Create

Shelves for especially since

Here here

And how can this weird

What I have now

It's the same as before have my lights on

The ground for my lights so I cannot know

Where is Sichuan space in the skating Airlines in front of all of

And so I also

Forum

And the other objects are

Already Grandad so no need

Then let's just get started with

The

It's going to be

Somewhat similar to what we done

Forward

The first thing you need to figure out

He is meant to be

Base

So have a vanishing Point here that I use

To create the cylinder

And somewhere to use that one

Do it

Another one

Another one based on the cylinder as well

Maybe

Again I want you to

Through the centre

Very good

Turn here there's a couple of things that we need to do before able to actually

Start working on the shadow side

Fig

The measurements

Some sort of measurements for the sphere

Sonic is not for building that's out of

A cube

We would have had all our

Measurements are done and everything would have been based on The Cube

Start

I feel like this

Which is me

Frog

Something that a little bit more convenient

What does

Couple things I will

Britain's first it's meant to be

What

That's shadow

Looks like you know to work LED from the

So we

To recreate that's fair here

How can I

A way to measure the difference between

In the

Stop to do that

From my

That's important world you is

Continue the line until it touches here the bottom

Garden Centre

Anchor

4

Other one right there

And that's something

And then

I am

These

Science you think I'm go all the way down

The centre of the triangle and then go through the middle here

Answer the other side

This distance is going to be the diameter of my

Fear

Seen from the front without any kind of perspective the store

To do that

Is there something from the vanishing

I'm going to

Please enter

Wonder

Another one there

And on the other side as well the touching the corner here

So what I'm left with them

It's going to be

And the reason why I want

The square

From here it's really really easy to figure

The actual service should

Are we have to do is use

The corners for

Boxer

The square Avengers

Rounding

And

So I'll be able to get Kelly the shed

This

Fear with cats

If the sun was shining star

So now with this what I can do

Is actually a

Back here

What I'll be able to find out a lot of things

First line that we are going to draw after this is

The one standing here from the root of the

And we'll go all the way

Through the centre of

The song

Like I seen you on the previous examples with the boxes I know that if I tried

Alliance time from the same spot here and touching the edges here

Of that

Science I

I know that

Myra's

14 of the resulting

Shadow the real one is going to be somewhere in

With this

What does science gives me the line especially the one in the centre going through the centre of

What

Give me

Is it going to be

On

Serco

If I extend this thing up

Like this

Here

In this respect

Would be

The kind of the front or one of the poles

4

I can do something here

Extend the door

And I was wondering about there and so what I can do with this

Is I have everything I need

To be able to

Create a note

Oval

And now I know that if I traced the line stone from here

Centre of

The Circle or the centre of the sphere

The intersection that I guess

This one

This is actually going to be

Spot

On my sphere normally do I get

Not a nice little indication here

Light spot on my sphere

Also going to give me

Starting point

For the next Alexander working on and so right now

Does Alexa super useful

The wonder

Find me the one that looks like this

The winners

Facing this life

Lights

Because that

Is the Alexa will be

Projecting onto the ground

This is going to be the Education here

Two dots

For this particular

Now I'm trying to figure out

How can I make it

To this language

Pretty easy I'm going to do it

Start with a perpendicular line

To that

Red Lion

And then I have my two

Newport

And what I can do

From here is Joe

Create a note

It's not going to win any prizes but it does

Really

All I need

Is

To project the actual shadow because I have all the stuff that I need

Stop

Let Me Explain

Why

So I have one point right

I have this one here

The cross-section from

This

Convert online

Have this other portrait here

Does it going to be in my two initial points I'll be projecting on there and then the other

That I'm interested in is going to be this one year in France

Is it going to be having to cross section

To this one and also cross section

Basing

This life

This

Which right there is of course

That

Up here

Those are

Going to be the point that I'm projecting onto

DS Lite

Now if I project those line

Source

From here and go through all those different

In this case you're the one to anime

I'm going to go on to that

Line

So have this one here land

Right back there

That one here land

And then we have

2 on the sides are going to

Learn on the side that already have

One here

And finally

The Swan year

The other line

And

Now

I have

1

2

3

That I'm able to

To give me a new

To give me

My actual

There's one more thing I want to do and that is meant to be

The outside so I'm just going to have one More Line so I know that this is going to be delivered

4

My shadow is longing to your pass

And has actually not

Even though I have

4.2

The shadow will have to go and touch her

In touch here

For it

Just

Make

Building the circle little bit

One more here

From this

Appointment and Siri these two points

Pretty much lying down

I made some

Slight mist

But no that are pretty

I can do

Jump into

Alex Rider

Perfect but

And so I can

Feel the same

And

My shadow my cash out

Whitby

Fleet

It's a little

More complicated than

The initial boxes

You can see here

Definite

Reconstruct

Without to

Go to hide

This

Because now we're going to

Actually shaded this is fear

So we have everything we need already so we don't need to do much more to it

I'm just going to make a selection here

But like I said

This point

Is going to be in

Paul read there this is going to be the Bride

Because it's the

Close

Turn the lights off

Andy

Opposite here on the other side of the ball where this is going to be the darker

Considering there's no bands like

Because it's going to be the complete opposite so we're going to be on the other side hear on

Dark

And then

What's this Purple Rain really mean

Everything that

This life

And that side

Is not going to

Receiving any kind

Because it's past

The halfway

Everything else is going to be

So I can feel the same and of course of The Separation between light and Shadow

As the fine so I can sort that out

I want to make sure

Is that this point here this is the Bride

Onion

Did we go

A shadow of this for we also got

The information that we need

As as

We have

Sharona

With the same information

That way we can collect

By building the shadow with been able to actually

Come up with the shading the accurate shading for

That particular particular

In this particular

Prospective

With this particular

This is how it's done for

Let's move on to

And as you will see it is a lot

And so

Going to be a few star

What we are

Start with

The lying here sunny from the light

Touching it

Each side of that cylinder

Decide

Outside

As you can see maybe now but I know

Can I transfer a really

I'm doing

Is trying to hug

Outside

I have one more that go

Down the centre

Now once we have that we need to split another along the other axis

So like this

Nice

Fortnite sequel

If they were

The word links

What I want to do also

Do something here and

Slide Deezer

Alarm

The sign of the cylinder

The frontier is not going to be really relevance

This one year

Dad

Edge

Someone's that point

And

The other two

For the outside

This one here

And the other ones are here

It's going to be the points that

To finish off

The Shadows African cities pretty

Free quick

All I have to do now is have them go through here

This one's going to land

Set alarm is one here on the outside line

And that one

And now I should have my three point

1.0.0 1PT

Here

I know that

This is mine

What's the time like this

If this

A circle

Behind the halfway point I just need to recreate

No that's same Curve

This year

Do something

No will do the shooting for

Cylinder and I can actually you ok

This point right here so the parts that I didn't really use before

The purple one now that is going to be blue now

This is

The one point

Closer

The slates

Tradeline

First point the receiver lighting with the Disco

Ed Sheeran This corner here especially and

Along the edge

This is going to receive the most

Turn off light

I can also

Along this

Gentle

This is also going to be

One side of the cylinder that receives the mo

Because it's

Be single light source

I must do

What this means then

Is that we can use that information

Mid grey colour before not too

Paint over to me

I can still have my guy line there

What's the top meal be a little bit later because it's done it a little bit more direct

Then then the sides

The One going to be disappointed

This

It doesn't to be pretty even between the top and the side of the box here

I would

10

2

Just at the top or receive a little bit more light

It's facing the light of love it more directly

But I

We can still

Use

Guidelines

Cylinder to India

To properly paint calendar grade of colour going from light

So it's as simple as that

This example

Really easy

And I know moving onto the last

Example

Like everything else we need

Turn this into a simple shape

So right now it's like this

Gate looking thing with a hole in centre

We are going to have a really hard time

Imagination

Project that on here

So what will need to do is turn that into a bot instead

The Prodigy

And then

After the bus is protected and will be able to add in the curve

Oh that are needed here for the top

The carefully inside

I'm going to add a little bit

More and more guidelines here or something to consider this is a

And the vanishing point

4

Start back here

This is going to be the vanishing point

This one is vanishing point

Backside of the

Backside here

Upwards like this

Do something on the inside

Anderson be a bit easier to work

This one I'm going to Alan is going to be the 14th

The opening here so where

Where is switches transitions from

Vertical line 2

Courier

So that's about

Right there

Somewhere to have another

Convert outlines

For that one

So I know

My battery

The all I have to do is all the things I've done so far

Figure out

The line for the bass here starting from the root of my life

So stunning from here

Align right there

So we can consider like the two legs

As two separate boxes

I have four lines in

The other side of

Can't hear

The back and so that's going to be the line that I used for

Does that come here and keep on going anything here

Discolour here and keep on going

And in the sky

Again this is going to be

Outermost corner

I am going to touch you

And

No it's not

Going to be

This one in front

And it's not going to be the one in front

What will I know

The Shadows going to start like this

Now what I need to figure out is how far

And what that trophy at the top is going

The next step is going to be

To move onto the light source here will be

Trace and figure out where does the corners hear the top of the box land on here

With a

I'm going to go ahead in touch

Off the corners that I

I would normally see so this one that one that one and that one

This one here

Switched

Colour instead so it's going to be lovely easier

I'm trying to figure out at work

That colour is

That colour is

That one is

And where that one is on the slide

Try to figure out this one

This point is going to be right

Define dissimilar

Then I can do the same size for the green one touch the Green

Touch the inside

The green is going to land right here in 10

Purple and violet

Then if you

The blue one here

What is not going to really

Be used for all because this one is not actually going to impact each other

What's so we can't ignore that one

Would you like to really

The outside

4

Tracy

So those two points

This

Here here

And then finally from there

Too well

Thank you

Outside of my

Predicting

And then what the

To figure out then is where this dislike here or this separation here

Is on

The ground

And so what to do that

Split my box in half

Halfway point here

Play that down the centre

So I can

And the Lion

Santa and

Up here until it touches

Starting From Here touching

Points

Where is Lanzarote Leon that's fine here until it connects

And I'll be there

So now

I

I know if I have the proper

Prospective here

So I know them

This line is going to be the same as 0.9

Really disappointed here on the site

Is it going to be the one

The Circle or the server is going to begin from there

When want to do is

Half like this

I know

This

Portion here

Top

Is it going to be there

It's going to be disappointed

And so I know that this

Top of my

Really where I can do

I also know that this is gonna here

Is that Connor there

I have booked your appointment

And

I just need to connect the dots now sign on at the Crescent

I'm something

Dashi

Back here

Add the club on the inside meant to be very similar

I'm so fat

To figure out in a word

Top portion is

Can you use the light again

Search until the

I know

Right there

Going to be the top

4

And then all I have to do

Really roughly

That would be home that would be kind of

How I can do

Is Queen

On separate layer

Hide all my guidelines and I should be

With

That's sure

So that

It's not too complicated constructionlines I mean this this decent

But this examples very very similar to the bottle that we've done

In the fur

Part of this chapter

And so yeah it's just more complex

Just a couple more steps after

We find out can I do basic stuff that

That we did

For the 3 bus

Examples of that we did at the beginning

Still the same process

And I know what I can do is try to figure

How the shooting on that thing

So again

Similar to what we done so far

Find out

Halfway point

A direct line then

From the lights

To the show

The centre of that shape

Top of

Kirby's

The display here in red

That is going to be the point

Closest to the

Like we know

Means I want to be the

Everything else is going to be darker Nana

And of course I

Science year of the box that are

No connecting with the Shard

Howard

The shed in the bottom here

So I know that this site is going

In the shadow

I know that sound inside as well

So I can't start with these

Then as it

Up here becomes more and more

To the light source will get dark in dark

Closer and closer to the lights

Get

Brighter and brighter

This

And then

Had a little bit of highlights

Are there bit of shade

The front will need the Purefoy

Edge

Because this is what

This Is the End

Of the volume is to receive the most like the most Direct

And as a result

The brightest

Basia in the front

Which is going to be North facing the light

It's going to be a more direct angle

And

We are so that's is going to be

For this

As you can see

Now we have a much better understanding at this more at least we should have a much greater understanding

How to cast Shadows

How to construct them properly

Especially

You all of these basic shapes and really was able to draw

Proper castles for simple shapes labels

Ancient me

Should be dead if a call to

Expense

All of

Objects

As they might be so you can always simplify any kind of shape

In two days

Into simple shapes like

Likes

Buses cylinders

And since we know how to construct

The shelves

In theory we should be able to construct out of 3

Of course

The more work you have to spend to construct a proper shed

But even as a starting point

It should really really

We also took like and how can be the light effect of shading in how to really figure out

Where the Light go to head first and as result

Create the proper shed

For our

You can always use this text

Natalie

You know how the Shadows into look

But to find

How the light

The surface of the volume

And how is going

Go from now

The dark

Very Alexa

That is going to conclude this chapter and I'll see you in a bit

This Final Chapter

Coming back to Collins once more

You seem so far are the different properties of colours we've seen how does properties

Can be affected when you mix in life

Now

Let's take a look at something that's a little bit more

Music

Swords

Past

Start applying Direct

Own work

And something that I

Highly recommend

Start practising

Colour harmony

Lights off

The colour Roses

Many many names for it but essentially what this is going to be in

Number of recipe

That have been around for a very very long time

And those recipes the go of those recipes

Call Loretta

Is going to

Produce

Aesthetically pleasing

I like to compare this to recipe

Friday yeah

Trying to

To learn

And at the very beginning what

Number of

The practise to master and then

You don't want to get rid of it

Then you can tell branch out on your own

Enjoy your own thing

Create your own

By the very beginning

It's very important

To have something to cheer

And this is going to be the perfect starting point of colour harmonies

Exam

Did they are dead

Perfect star

Now

Does this come from

Who came up with these rules

Who came up with these recipe

What is this

And why do you need

Starting from the beginning

Colour

Colours that you're not really colour theory

About those types

They have been around for a very very long time so this is something that started to be recognised

Seriously

An overtime things just got more and more refined

There are some

Harmonies that start to can stick around because it

Those are the ones that we find today so there are many more than this

And actually

Highly recommended to use

It's color.adobe.com

Once you want the website discount for Chelsea

And this is

That allows you to create

Your own car harmony your own colour chart

Or you some of them

Popular want some of the most

Time test

Colour harmony

That exist

Does recipes

Tend to

Bye

Those does recipes diet just added just recipes

Dislike

Real recipes just like a chef learning to learning to put together ingredients and

Create something

Delicious

Is the same here

The the recipe on its own means nothing the execution is absolutely ever

Not only the execution but

The time investment and practice that goes behind is really what is going to make those recipe

Turn out the Grey

Add to do that proper

There are some things that you should definitely know

The first

Of dust

Understanding the importance of

What is a

What the colour is essentially the colour that is the most

Important

In whatever peace you're working on

You know if you're working on a particular character and a character

You really want

Like a part of the character to have

Very important I like the colour maybe represent

Presents its life

Power something my dad in the case of the

The dominant holiday key colour for the hall

Is going to be the Green

Because that

The colour of skin that's the colour

Update

How do you tell a carrot

And so that is going to be the key colour in that case but the colour can defer and then you can

Number of different things in right there's no right or wrong

But you just have to know

That's

These colour harmonies to work

You always need to have one

Colour

If you have two key cut

He can potentially make it work but you're going to have a hard time and

Most likely not going to look

Dad's

Dad

So what do I mean then bye

Being the most important colour

To be the most important

To be the key colour you have to

More saturated you have to be brighter and you have to

More vivid essentially than the other colours

So that would be you and that will mean in Photoshop that have everything 100

100%

One of those colours

Have those proper

Then

That

Most likely the key colour in the

Of course your key colour don't have to be 100-percent everything

It just has to be more

Then the other colour

Parts that are part of the

The colour

And

The reason for that Yorkie colour is the main

We can think of a movie

If you have

To me it's a weird vibe there always fighting for attention

It just makes things a lot easier it makes things a lot more comfortable for people

When you pick the winner when you pick

By the main Direction the Met

Focus

And then

When all the other colours

Come with that

Just need

Follow right indeed.com

Let's take a look

The main one

Why does work

How we can use them

For your own

In this case here in the adult

Colour website

Basic one is going to be the one

So sure

Finchley weather is going to be

It's just different brightness

For the same

The saturation is not going to change

Number for right shades only impacts the brightness

Colour and so that's going to be the only one colour to choose from and then the other colours in the palace

Automatically colour selected

On the key card Renault

For you

Enough

Aesthetically pleasing

Coloured back to the show

This is harmony so this one I would not recommend

That you use it

Ever because it's really it's very limiting is what it is

Usually those colours are not going to give

Great result unless it's for a very particular a very specific

So you

No maybe some some types of

Consumer products

Maybe he is a particular scene in a movie where it's only going to be Caroline this one scene

And then it's over

So if it's temporary if it's in really small doses that works but

I know for working on an artwork

This is something

People will have all their attention

Not directed

It's not going to be something that they flip through to get to something

It's not going to be something those

Passing

Usually speaking the

Result is

Is the destination right and so

When you are

To make a statement

You're probably wants to find something that's a little bit more

Interesting a little bit more

Pleasing to the eye which is really the whole purpose

Moving on the floor

The show

Is Morocco

Very similar

But the main

Actually makes a big difference

In the resulting pallet is that we are going to be playing

Is that only shade

It's

Plus

So as you can see here

The virus that we get here is

It's a lot better there's a lot more stuff that we can do with this and this is a colour palette that you will find

Quite often in film

Various types of art

Because

Simple

But he was

And if you want to have

A particular

You know the single piece of art

That has a very dominant colour

Or make a very bold statement about something you not as opposed to using just sure

This is going to be much more

Successful

Usually

And so like we've mentioned I like I've mentioned before in this the sky

The key colour is going to be

Usually speaking the one that is the most saturated

Edward

The other colours

Cars taking more

Baxi

In terms of

Iteration

And bright

Now with that said this is a colour harmony that

Will only working

Some scenarios are not so much another

No character design like a palette for a character design so he can see you on the road

This doesn't really you know it doesn't really scream at you it's not something that's super interesting even if our to play

What are the values of a bit more

So making me more your son areas brighter than other

It's it would still

Kind of be liking something it's not

That might

Great however for some environment

Thought I'd say

If you want to convey a particular feeling

Definitely work in a number of scenarios

In our context in the context of milk reading arts creating something that

People can look at for a while and then move on to something else

This is not going to be something that we

What touched

That's because it's just not that interest

If you're trying to convey a very particular feeling

Hope you're trying to convey

Something like that then you might want to have

That almost all Reds monochromatic

But

Even then you'll still be very very restricted by the time

By the range of colours that you have this position so even if that was the goal in the you can definitely go for some other ones

Shortly because even in the examples that we've seen so far in all the images playing in the back

They tend to cheater love it was never completely monochromatic

The field will be for the images of Holly

Oldfield cottages 1

But they always cheater little bit adding some slight change of clothes here

So unless you're

No willing to bender Rosalyn

They're not really rules there more like suggestions recipes and you can always treat them if you want which is

What's most people do but if you want to

Stick to

Purely monochromatic

Colour palette

You're probably not going to have that great of a result or that good of a time

Working with that because it feels really really restrict

And it's never a compliment when somebody tells you that your piece feels monochromatic

Can I have the negative connotation associated with

And for that reason

Some more that I feel arm

Much more interesting

The next type of colour harmony is going to be called complementary colours

And sort this is going to be two colours

On the colour

And so

Are always going to come in pair and this is one of the most popular

Turn off

Type of colour harmony it's found everywhere

It's actually kind

Easy to use which is why you'll see it every

And sort your fancy German all kinds of design

You're not in interior design it's every

The best way to

Complementary

Since they are always going to be in pairs

It's always very important

To have the ratio between the two colours

There's a lot of scenarios where you have actually two colours that are

Pretty in

A lot of the time that's going to have to do with lighting

So this is something a lot of movies use

Cold in a warm room

So as a result you have cannabis orange and blue

Complementary colour combination happening to the super Carmen

And the best way that I found to use at the best way that I recommend you use it is always to have one of the Colour

Of course the dominant one that the key colour the dominant one

And having the other colour

Very very detachering

The majority of the examples that I have here actually follow

This this guideline

The only exceptions I can think of is going to be when you have can a kid movies or things I need to be like really fun

Or are you know if you have something

For the general public

Make a note Christmas is a good example at you have very saturated greens and very saturated red

For an artwork

I would never recommend that because it doesn't look that great especially if you

Two very very saturated never works that that will because they fight with one and

But in most cases what you're fine again

One is going to be much more the saturated

What's the point of being great

And the ease of use for the

Particular harmonies also can I phone of it

Negative Aspects in a sentence

It's going to be everywhere this

Lights off

You don't really need

To know much about cars to be able to make this work

As long as you don't go for full saturation on all the colours

But all this is colour pairs

You'll find them really

Often so you know the green and red

The yellow and the blue the pink and the purple is super super Common

This is the One Dance out for me I think because

Whenever you use them as if you using cannot get cheap trick to make something to make something

Of course it's not always the case but

But this is

Complementary colours

They were

They always were

And you can find them everywhere

And before I move on to the next one which I think is a little bit more interesting and complementary colours

Just a quick note

When I talk about

It can be applied to absolutely anything right so it doesn't always apply to the entire image

It doesn't always apply to you know an object or

Play character can apply to absolutely everything is just a pen

On the planet depend on the gulf

In the case of a movie

Our film

You're probably wants the colour

Go to work for

For your frame as a whole because

That's

The format that your delivery

But in the case of a

Character concept artist exam

Is not going to have to worry about the entire frame

Only worrying about your own character

The colour palette in that case is going to be only applied to that carrot

And so they can be the same for absolutely everything else I can be

The colour palette for the environment

And separate colours

4

The characters in Anna separate color palette for different objects are the bosses are in a w

So it's not for one thing it's not fair

I can be

I can't you can use it however you want

So now I said that the company Terry colours

Easy to use and for that reason I'm not

Huge fan of them

But

There is one variant of complementary colours that really really like and I use all the time and I want to be

Split complementary colours in this app here it won't be called compound colour

But it is exactly the same thing and what it is is just a complementary colour instead of picking the colour right

Right next to that

So on either side

Sort for the same blue then in Split complementary you would have the options to go

Between orange or lime to go along with

Look a lot more

Possibilities and a makes it harder for people to easily pick up on the file that you're using that particular

Colour harmony

That particular time

Not as opposed to red and green which is really coming and everybody knows that

If you use red Ensign or red and connacht

Yellow

Yellow green

Stings a little bit more

And this is

Definitely my preferred way my preferred timer

Colour

So are you

In the exact same way as you would use a just compliment my heart

And so you'll have your key card being delayed add audio colours

Following along and

Helping support

Nap

One thing I want to mention

Is that it does not have to be the car that is in the Greater ratio it has nothing to do with

Is it the one colour that for you for your particular scenario for your particular case

Need

200

The most attention or command the most attention

So I can be absolutely anything for example if you have a painting on a canvas

All grey

And have one tiny dot

Of a bright blue summer

What the ratio here obviously is not in the favour of the blue door

But the

That the Blue Dot is more saturated

The flight of the blue dad has some sort of rarity compared to everything else

And also the

That it is

Completely different than the rear

That alone should be enough

Bring most people's attention to it on the Cedar the painting for the first time

And so this is exactly what you want your key colour

To do this is the role that

So you can go about getting that attention in many different ways

And I just want to make sure that you're the ratio of colour just because there's more of one colour does it make

The colour is something that you decide on

And

Independent of the amount

Are the quantity that you use

All about the relationship with all the surrounding colour

Alright so now we

Two more harmonies to cover

And the next one is going to be

Trying

Triad essentially they are going to be

A purse

Triangle on top of the car

We'll get a really really big range

Colours and this is

He can have it double-edged sword and

So you can make really really good use of that but it can also really backfire

What you doing two ways that I would

Are you you

The triads

The first one would be

To have

Primark like we've seen so far have

The main car decal

Lead the other two and have the other two colours be really really mute

So that they don't compete with one another and it's certainly don't compete with the keycard

So this can definitely work in actually brings a lot of risk

Into the

I delivered her to use because you have more colour

Play webcam

More ingredients to work

But in liquid some

Ritz

Colour combinations from ribs palette to work the second way that I would recommend using the trials would be too

The saturated all of them

So not have anyone that is

Dominant than the other one

Maybe is secondary colour palette that you use for other things so let's say for example

You have 3 different characters

In one character that is that is the leader and that character has

And then maybe the

That those characters are in

Is a 90 super mutant van in the dark maybe

It's a

No raining outside or something like that all the colours a little bit more the saturated in the same but this will be

Perfect occasion for the child's ear to work

If you want to bring in touch of colours

Without really disrupting everything

You can definitely the sachet

Those three colours and apply them on different secondary characters or maybe different objects in the sea

Things like that

To bring in more colours when it's needed

Now sometimes

Having all three colours supersaturated is going to be a delivery

Choice on the part of the artist and that can be united so you have something that needs to look

Childish

Then needs to

To look like

Chaotic or something like that

Ways to use them against or not against but use them in

Not quite

The right way but still make it work so it all goes back to

Does your nose harmonies not being rules or anything like that

It's just suggestions can't recipes that you can try and tweak if you want

All of this flexibility all of these options

Also make the title

Hard to work with

If you

Experience you know it's not

Definitely not one colour harmony that I would recommend you start playing with right away

Start with something simpler something that we seen at the beginning of the

And keep the tried for little bit later when you have more experience

And this is something that is

Going to be

Really really

Want to work with if you know what you're doing if you have that Xperia

But he can really mess things up if you don't use

The added complexity also makes it

A little bit

Harder for most people to identify when looking

The trousers are really fun to work with that being said let's move on to the final

Type of harmony

We're talking

Analogous

Is something that other people might also try to as related colours and this is

Really wet

You take your key colour and it's going to be

Colours right next to that one

So I can be the one you can go as far as you want

How about not passed out like the half

What halfway point of the colour wheel which really creative

This time

Harmony is

It's essentially taking a monochromatic heart

And making it much much

Better

So you'll find these types of harmony

In in a lot of

Scenarios

Most of them have to do with being

Comfortable

So be quite rare to have an action scene or something that that is really dynamic

Some sort of tension between between characters or something like

And have also analogous harmony because analogous harmony

Do the fibre or close together really

Create this comfortable

So you're fine and now it is hard

A lot

When looking at forest nature sees nature environment

Because you're not caught the trees are green and the sun is yellow and then you'll have maybe a little bit of water here and there

Related

Colours on the colour wheel they all next to each other

This usually creates on this this warm fuzzy feeling

Really really works well when trying to conceive

Comfy

Or what

One type of colour harmony that

I would recommend you to start with it would be that one it would be

Analogous harmony is because they are

Can't easy to start with you just pick a car and then you put the colours on either side or on both sides of that

Feels very natural progression regardless of where you are on a chromatic circle you can always go

You know left or right to get to get warmer or to get cool colours

And so this is what makes this particular harmony work so well

Is that

On each side

One site is going to work

Call the colours and the other side is going to war

Warmer colours

And so you have really the entire

Spectrum that you really need

When choosing a

Colour pack

I'm just wondering

Different in this case and it's going to have to do with the intensity of the Colour

That you can create that you cancel

One thing I've noticed

Personalised that you'll be able to get away with a lot more

Ivo saturation mistakes or not the saturating other colours to match

Enough

Or having a wee communal

Key colour

You'll be able to just keep a lot of the usual problems that you would normally have

Other types of harm

And you can see there's a lot in the example

But you often have some very very saturated red some very saturated

Battery

Purple

MP

All coexisting in the same and that's only because they are all bunched together in the chromatic

Never are going to fight head on

You probably know but if you

Two complementary colours

Together you get

Black

And so they cancel each other out

Talking about Pig

If you mix two complementary colours

Of light What You Get cured

So not having this Direct Confrontation between colours in Europe

Or in whatever it is you're working on

Really makes a big difference

And that you don't really need to rely on that one actor that lead role

That key

Colour because they're all aligned in the same direction all going towards the same goal together

Instead of instead of competing too much once again

Highly highly recommend that you test this out first

Or you can also start with chromatic if you don't know if you

But seeing as analogous harmonies are just and improve a better version of

This is what I would start and just like I've done with my own character

Colours there

Do the same thing for create a character of yours or an environment of yours or whatever drawing you have

That you can apply a colour palette

Generate them in here in Adobe colour CC

Or on your own if you want using the chromatic circle

In try applying those colours

In different situations different

Ratios on different pieces of your of your eye

To see what works what doesn't work

Try to to see no maybe find patterns of things that work well together while others don't

Experiment experiment experiment

Colours or such a complex

Off artist Summers to cover hear that of course

We are not going to be able to cover everything

In this first class but we have a follower class

Is second class on colour and light Theory

In the next time so this is where will really diving

And hopefully answer a lot of the questions that are going to come up as you start working on this on your own

So here we are this is going to wrap up this

First class on colour in life theory

Once again

Practise

Practise in practise

Perfect so

Do it