Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:06,960 --> 00:00:09,000
Theme music playing
2
00:00:20,600 --> 00:00:27,000
Why should I? Why should I?
3
00:00:29,200 --> 00:00:33,079
'Come on, find it, its real
shape. Let's see it. Let's see it.'
4
00:00:33,080 --> 00:00:35,120
let's see it!
5
00:00:41,880 --> 00:00:44,359
Sapphire?
6
00:00:44,360 --> 00:00:48,680
I'm sorry, I can't do any
more. There's a... a barrier.
7
00:00:50,080 --> 00:00:52,119
Look, I'm sorry.
8
00:00:52,120 --> 00:00:54,599
You're sorry? What do
you mean, you're sorry?
9
00:00:54,600 --> 00:00:56,640
You almost had
it. I mean, it was...
10
00:00:58,240 --> 00:01:00,279
Well, at least we
know what it is.
11
00:01:00,280 --> 00:01:02,919
We haven't seen it yet,
but we know what it is,
12
00:01:02,920 --> 00:01:06,360
so let's try and
find it. Come on.
13
00:01:41,080 --> 00:01:43,560
Whatever you did, you
certainly caused havoc.
14
00:01:45,400 --> 00:01:47,560
In every photograph
that ever was.
15
00:01:49,040 --> 00:01:51,200
Well, who is he
in this one? Him?
16
00:01:53,240 --> 00:01:55,959
Him? Him?
17
00:01:55,960 --> 00:01:57,799
No, they have their own faces.
18
00:01:57,800 --> 00:02:00,399
The figure we're looking
for will always be half seen.
19
00:02:00,400 --> 00:02:02,479
Or turned away, like that one.
20
00:02:02,480 --> 00:02:04,559
Or not even seen at all.
21
00:02:04,560 --> 00:02:06,600
What about that one?
22
00:02:08,600 --> 00:02:11,759
Could be behind the fence
or in the street beyond.
23
00:02:11,760 --> 00:02:13,199
Or in the next room.
24
00:02:13,200 --> 00:02:15,240
But always in there
somewhere? Yes.
25
00:02:17,400 --> 00:02:20,719
So every photograph is
a photograph of infinity.
26
00:02:20,720 --> 00:02:24,520
Children laughing
27
00:02:41,360 --> 00:02:43,400
Children laughing
28
00:02:46,800 --> 00:02:48,480
laughter intensifies
29
00:03:23,560 --> 00:03:26,759
See saw sacradown,
30
00:03:26,760 --> 00:03:29,400
which is the way to London town?
31
00:03:41,400 --> 00:03:43,439
'All irregularities
will be handled
32
00:03:43,440 --> 00:03:46,200
'by the forces controlling
each dimension.
33
00:03:49,040 --> 00:03:53,679
'Transuranic heavy elements
may not be used where there is life.
34
00:03:53,680 --> 00:03:56,479
'Medium atomic
weights are available.
35
00:03:56,480 --> 00:03:59,960
'Gold, Mercury, copper,
36
00:04:01,280 --> 00:04:03,759
'jet, diamond, radium,
37
00:04:03,760 --> 00:04:06,520
'sapphire, silver and steel.
38
00:04:08,040 --> 00:04:11,320
'Sapphire and steel
have been assigned.'
39
00:04:17,440 --> 00:04:20,119
Paper bubbles.
40
00:04:20,120 --> 00:04:21,960
Paper parasols.
41
00:04:28,040 --> 00:04:29,400
Paper children?
42
00:04:40,240 --> 00:04:42,439
Photograph...
43
00:04:42,440 --> 00:04:45,160
'Look behind you.'
44
00:04:49,400 --> 00:04:53,200
'not yet. Tell me what you see.'
45
00:04:54,200 --> 00:04:57,399
'what I see? Well, I see
the same as what you see.'
46
00:04:57,400 --> 00:04:59,000
'describe his face.'
47
00:05:01,000 --> 00:05:02,799
'well, it's a youngish face.
48
00:05:02,800 --> 00:05:05,559
'Dark hair, narrow
eyes, pointed chin.'
49
00:05:05,560 --> 00:05:06,960
'it's not the face
I'm looking at.
50
00:05:14,640 --> 00:05:16,400
'Where are you going?'
51
00:05:18,400 --> 00:05:23,359
'you stay there. Watch him.
I'm going to take a closer look.'
52
00:05:23,360 --> 00:05:24,999
'excuse me.
53
00:05:25,000 --> 00:05:28,599
'Would you prefer us to
communicate in this way?
54
00:05:28,600 --> 00:05:31,399
'Only, it doesn't make
much difference to me.
55
00:05:31,400 --> 00:05:35,680
'So, I'll tell you what
I'll do. I'll let you choose.
56
00:05:37,480 --> 00:05:39,520
'How's that?'
57
00:05:42,640 --> 00:05:45,999
all right. Let's communicate
like this, shall we?
58
00:05:46,000 --> 00:05:48,039
Why not?
59
00:05:48,040 --> 00:05:50,679
With our true voices. Fine.
60
00:05:50,680 --> 00:05:54,800
And our true faces?
These are ours.
61
00:05:56,080 --> 00:05:58,120
The only ones we
possess, I'm afraid.
62
00:06:05,840 --> 00:06:07,279
How about you?
63
00:06:07,280 --> 00:06:10,040
Me? Yes.
64
00:06:11,120 --> 00:06:15,599
We'd like to see your
true face. The real one.
65
00:06:15,600 --> 00:06:16,639
He scoffs
66
00:06:16,640 --> 00:06:18,679
I'm afraid this one
will just have to do.
67
00:06:18,680 --> 00:06:20,720
No, it won't. Not for us.
68
00:06:22,720 --> 00:06:25,279
But then again, maybe
you don't have a real face.
69
00:06:25,280 --> 00:06:28,199
Not the human kind. Am I right?
70
00:06:28,200 --> 00:06:31,320
I mean, you have millions
to choose from, don't you?
71
00:06:34,080 --> 00:06:36,360
But we'd really like to
see what you look like...
72
00:06:37,520 --> 00:06:40,279
..Before we send you
back where you came from.
73
00:06:40,280 --> 00:06:42,840
He scoffs that can't be done.
74
00:06:43,800 --> 00:06:44,999
Oh, it can.
75
00:06:45,000 --> 00:06:47,160
That's our job.
That's why we're here.
76
00:06:49,720 --> 00:06:52,759
Tell me about the children.
Why do you need them?
77
00:06:52,760 --> 00:06:54,680
Why have you brought
them back with you?
78
00:06:56,840 --> 00:06:59,400
And the people. People?
79
00:07:00,560 --> 00:07:02,599
Yes, the man and the woman.
80
00:07:02,600 --> 00:07:05,039
They belong in this
time, in this period.
81
00:07:05,040 --> 00:07:07,919
They don't belong in the
photograph you've chosen for them.
82
00:07:07,920 --> 00:07:10,399
So? So, before
we get rid of you,
83
00:07:10,400 --> 00:07:12,440
we'd like them returned.
84
00:07:14,160 --> 00:07:17,399
Well, perhaps you
could tell them that.
85
00:07:17,400 --> 00:07:20,079
What? Yes.
86
00:07:20,080 --> 00:07:21,880
When you join them.
87
00:07:22,840 --> 00:07:24,559
What do you mean, join them?
88
00:07:24,560 --> 00:07:27,399
Oh, you'll find out. Later.
89
00:07:27,400 --> 00:07:31,400
Children: 'I'm the king of the
castle, get down, you dirty rascal.'
90
00:07:40,000 --> 00:07:42,200
He's here.
91
00:07:45,360 --> 00:07:47,400
Now where? There.
92
00:07:55,440 --> 00:07:58,239
He must be somewhere.
Don't you mean anywhere?
93
00:07:58,240 --> 00:08:00,279
I mean, if he can
disappear into photographs
94
00:08:00,280 --> 00:08:02,319
like some kind of tunnel system,
95
00:08:02,320 --> 00:08:04,360
we can't follow him
into that thing, can we?
96
00:08:06,120 --> 00:08:07,279
What's wrong?
97
00:08:07,280 --> 00:08:09,920
"When you join them." I
wonder what he meant by that.
98
00:08:11,800 --> 00:08:14,600
All right. We'll destroy
every photograph in the place.
99
00:08:18,160 --> 00:08:20,399
Why not? Remember the house?
100
00:08:20,400 --> 00:08:22,759
It got into a picture, and
we destroyed the picture.
101
00:08:22,760 --> 00:08:25,680
We destroyed all the pictures.
That was one painting in one house.
102
00:08:26,720 --> 00:08:29,519
This is the whole process,
the entire art of photography.
103
00:08:29,520 --> 00:08:30,719
Do you have time to destroy
104
00:08:30,720 --> 00:08:32,720
every photograph
that exists in the world?
105
00:08:37,800 --> 00:08:39,840
Upbeat music playing
106
00:09:13,320 --> 00:09:15,360
Music stops
107
00:09:42,640 --> 00:09:45,399
You still here? Elizabeth Owen?
108
00:09:45,400 --> 00:09:47,439
How do you know
that? Take a look at this.
109
00:09:47,440 --> 00:09:48,999
I said, how did you know that?
110
00:09:49,000 --> 00:09:51,159
That name? I haven't
used that name for years.
111
00:09:51,160 --> 00:09:52,679
Take a look at this photograph.
112
00:09:52,680 --> 00:09:54,559
Liz dupree. That's my name.
113
00:09:54,560 --> 00:09:57,160
That's been my name for
the past... The photograph.
114
00:09:58,720 --> 00:10:01,079
Yeah, well, what about
it? It's just a photograph.
115
00:10:01,080 --> 00:10:03,319
There's hundreds
like it in this place.
116
00:10:03,320 --> 00:10:06,039
And I'm late for work.
Look closely at it.
117
00:10:06,040 --> 00:10:08,519
She sighs yeah. Very nice.
118
00:10:08,520 --> 00:10:10,999
Your friend, Ruth Phillips.
Yeah, that's her name.
119
00:10:11,000 --> 00:10:13,039
But I never told you. She
shared a room with you?
120
00:10:13,040 --> 00:10:16,279
Of course she shared a room
with me. Until a few months ago?
121
00:10:16,280 --> 00:10:18,319
Yes, I've already told you that.
122
00:10:18,320 --> 00:10:20,519
Can you see her
in the photograph?
123
00:10:20,520 --> 00:10:25,119
See her in it? In that thing?
How can I see her in that thing?
124
00:10:25,120 --> 00:10:27,239
That thing must be
a thousand years old.
125
00:10:27,240 --> 00:10:29,279
87. What?
126
00:10:29,280 --> 00:10:31,320
It's exactly 87 years
old, give or take a week.
127
00:10:33,200 --> 00:10:35,839
The building at the
far end of the street.
128
00:10:35,840 --> 00:10:38,200
The top floor in the window.
129
00:10:40,320 --> 00:10:43,960
I'm not sure. I mean,
it could be anybody.
130
00:10:45,720 --> 00:10:47,160
Here.
131
00:10:50,200 --> 00:10:52,399
All right, so it
looks a bit like her.
132
00:10:52,400 --> 00:10:53,959
Same shape face. It is Ruth.
133
00:10:53,960 --> 00:10:55,999
If this picture's 80
years old... Look here.
134
00:10:56,000 --> 00:10:58,039
..Then how the hell can
it...? I said, look there.
135
00:10:58,040 --> 00:11:01,480
So what am I looking
for this time? Just look.
136
00:11:04,560 --> 00:11:06,599
I don't believe it. Him?
137
00:11:06,600 --> 00:11:07,879
Williamson. Yeah.
138
00:11:07,880 --> 00:11:09,919
Your previous landlord.
That's right, yeah.
139
00:11:09,920 --> 00:11:13,319
Who disappeared about the same
time as your friend Ruth? Yeah.
140
00:11:13,320 --> 00:11:15,600
One, two.
141
00:11:16,920 --> 00:11:20,919
Now, wait a minute. Anyone
can play tricks with a photo, fake it.
142
00:11:20,920 --> 00:11:22,479
They can, yes.
143
00:11:22,480 --> 00:11:24,799
Especially if they
know what they're doing.
144
00:11:24,800 --> 00:11:26,959
If they're professional.
145
00:11:26,960 --> 00:11:30,599
And he was. Mr Williamson was.
146
00:11:30,600 --> 00:11:32,919
He probably did
that. Faked that thing.
147
00:11:32,920 --> 00:11:35,039
Why should he do that?
Listen, would you mind...
148
00:11:35,040 --> 00:11:37,519
Because it was his job, his
hobby. All of it was. Everything.
149
00:11:37,520 --> 00:11:39,559
Listen, I have to
work... 'Sapphire.'
150
00:11:39,560 --> 00:11:41,599
..to concentrate.
So would you mind?
151
00:11:41,600 --> 00:11:46,319
Would I what? Listen, you're
not the only one who has to work.
152
00:11:46,320 --> 00:11:49,640
Liz, will you come with
me? I need your help.
153
00:12:07,680 --> 00:12:09,720
Shutter clicks
154
00:12:10,920 --> 00:12:14,039
is Ruth interested in
photography? Oh, yeah.
155
00:12:14,040 --> 00:12:16,439
She couldn't take a picture,
though, to save her life.
156
00:12:16,440 --> 00:12:18,640
She likes watching,
though, seeing how it's done.
157
00:12:19,680 --> 00:12:23,439
She used to spend hours in
that darkroom with old Williamson.
158
00:12:23,440 --> 00:12:26,679
Hours and hours, just
watching the man as he worked.
159
00:12:26,680 --> 00:12:29,119
He used to fascinate her.
160
00:12:29,120 --> 00:12:31,760
It's only a cellar.
161
00:12:43,560 --> 00:12:45,600
Have you finished with me yet?
162
00:12:46,800 --> 00:12:49,079
Was Ruth in the
darkroom that night?
163
00:12:49,080 --> 00:12:51,319
What night? The
night she disappeared.
164
00:12:51,320 --> 00:12:54,160
Look, no-one's proved
she's disappeared.
165
00:12:56,080 --> 00:12:58,719
I don't know. I suppose
she must have been.
166
00:12:58,720 --> 00:13:02,399
I mean, she never took a coat,
so I doubt she'd have gone out.
167
00:13:02,400 --> 00:13:04,440
I suppose she must
have been there.
168
00:13:28,640 --> 00:13:31,959
Mr Williamson, what did he do?
169
00:13:31,960 --> 00:13:33,959
Do? Yeah.
170
00:13:33,960 --> 00:13:35,839
Well, he must have
done something wrong.
171
00:13:35,840 --> 00:13:37,479
Accidentally, yes.
172
00:13:37,480 --> 00:13:40,279
So, what was it?
173
00:13:40,280 --> 00:13:42,599
Something to do
with his photography?
174
00:13:42,600 --> 00:13:44,839
Yes. He let something in.
175
00:13:44,840 --> 00:13:46,519
From where?
176
00:13:46,520 --> 00:13:50,639
In the house? What? Just
what are you talking about?
177
00:13:50,640 --> 00:13:53,279
Well, we're hoping perhaps
Ruth will be able to tell us
178
00:13:53,280 --> 00:13:54,560
when we talk to her.
179
00:14:30,760 --> 00:14:32,800
Keys jangling
180
00:14:34,640 --> 00:14:37,079
if you reckon that Ruth
is stuck in some picture,
181
00:14:37,080 --> 00:14:38,879
then how are you
going to talk to her?
182
00:14:38,880 --> 00:14:40,039
You'll see.
183
00:14:40,040 --> 00:14:42,960
Nobody can talk to a
photograph and get an answer.
184
00:14:44,480 --> 00:14:47,599
It's not locked, just jammed.
185
00:14:47,600 --> 00:14:50,079
Something I do happen to know.
186
00:14:50,080 --> 00:14:52,360
I've spent half my
lifetime making quick exits.
187
00:14:54,680 --> 00:14:56,840
How about you?
188
00:14:59,480 --> 00:15:01,560
Back yard. Ok?
189
00:15:03,920 --> 00:15:06,439
Here, that's funny.
190
00:15:06,440 --> 00:15:09,199
Where's the kids?
191
00:15:09,200 --> 00:15:11,240
Oh, they must have gone.
192
00:15:12,440 --> 00:15:14,479
Oh, what a shame.
193
00:15:14,480 --> 00:15:17,039
They bring a bit of
life into the place,
194
00:15:17,040 --> 00:15:19,039
the sound of them
playing their games.
195
00:15:19,040 --> 00:15:22,280
Skipping and that.
Singing their funny songs.
196
00:15:24,280 --> 00:15:28,239
Know what's funny? I used to
think they were foreign or something.
197
00:15:28,240 --> 00:15:30,279
Or from the country.
198
00:15:30,280 --> 00:15:33,359
Their songs always
seemed sort of... old.
199
00:15:33,360 --> 00:15:35,399
Sort of old-fashioned.
200
00:15:35,400 --> 00:15:37,759
Do you know what I mean? Yes.
201
00:15:37,760 --> 00:15:40,959
It's funny, though. I've
never seen their parents.
202
00:15:40,960 --> 00:15:43,399
I mean, no-one comes to
look for them and take them in.
203
00:15:43,400 --> 00:15:45,599
I mean, they're out
here playing till all hours,
204
00:15:45,600 --> 00:15:47,799
and no-one comes and gets them.
205
00:15:47,800 --> 00:15:50,240
Anyway, they're
definitely not here now.
206
00:15:53,400 --> 00:15:58,560
Oh, there they are. They
must have been hiding.
207
00:16:00,920 --> 00:16:03,960
Here, what's the
matter with them?
208
00:16:05,200 --> 00:16:06,999
I frightened them.
209
00:16:07,000 --> 00:16:10,599
Frightened them? Do you
like frightening children?
210
00:16:10,600 --> 00:16:12,919
They're not exactly children.
211
00:16:12,920 --> 00:16:15,199
You don't entirely
believe me, do you?
212
00:16:15,200 --> 00:16:17,239
Well, not 100%, no.
213
00:16:17,240 --> 00:16:19,639
Go and look.
214
00:16:19,640 --> 00:16:21,039
I will.
215
00:16:21,040 --> 00:16:24,639
Small ghosts. Isn't that
what you once called them?
216
00:16:24,640 --> 00:16:26,680
Yeah, but I didn't mean these.
217
00:16:28,760 --> 00:16:29,960
The same?
218
00:16:31,240 --> 00:16:34,199
Ghosts? That's one
way of describing them.
219
00:16:34,200 --> 00:16:36,840
Except that these are
ghosts before death, not after.
220
00:16:39,240 --> 00:16:40,560
What's the matter with them?
221
00:16:42,280 --> 00:16:44,039
Their clothes?
222
00:16:44,040 --> 00:16:47,080
Their colour? That's
close enough. Let's go.
223
00:16:48,040 --> 00:16:51,400
Oh, poor little boy.
224
00:16:52,840 --> 00:16:55,240
Do you want your mum
and dad, do you? Liz.
225
00:16:56,520 --> 00:16:58,440
Poor little soul.
226
00:17:06,720 --> 00:17:09,240
Is that proof enough for you?
227
00:17:43,680 --> 00:17:45,760
'I'm ready.
228
00:17:46,840 --> 00:17:48,880
'I'm ready.'
229
00:17:52,760 --> 00:17:54,799
were those the clothes
she was wearing
230
00:17:54,800 --> 00:17:56,840
the night she disappeared?
231
00:17:59,040 --> 00:18:01,199
Photos?
232
00:18:01,200 --> 00:18:05,359
You mean, this man, he can
actually put people into photos? Yes.
233
00:18:05,360 --> 00:18:08,959
And take them out
again? Like those children?
234
00:18:08,960 --> 00:18:12,520
He can, yes. Poor Ruth.
235
00:18:14,240 --> 00:18:16,679
Now, I'm going to try to
communicate with her.
236
00:18:16,680 --> 00:18:19,399
Can I help? You just
sit there and be quiet.
237
00:18:19,400 --> 00:18:22,439
Sure I can't put myself
in a trance for you?
238
00:18:22,440 --> 00:18:24,479
I mean, that's my friend.
239
00:18:24,480 --> 00:18:26,519
My best friend.
You just sit there.
240
00:18:26,520 --> 00:18:29,160
If we need you to be put
into a trance, then she'll do it.
241
00:18:34,240 --> 00:18:36,280
Get on with it.
242
00:18:49,480 --> 00:18:50,680
Ruth?
243
00:18:53,280 --> 00:18:55,320
Ruth?
244
00:18:57,280 --> 00:18:58,920
Can you hear me, Ruth?
245
00:19:03,480 --> 00:19:05,160
Can you try to speak to me?
246
00:19:08,560 --> 00:19:10,600
Try, Ruth. Try it.
247
00:19:13,720 --> 00:19:15,840
Try to speak to
me with your mind.
248
00:19:17,920 --> 00:19:19,960
I can help you.
249
00:19:21,480 --> 00:19:24,920
Please, Ruth. Try very hard.
250
00:19:29,160 --> 00:19:31,479
'As I was going up the stair...'
251
00:19:31,480 --> 00:19:33,239
that's her! Her voice!
252
00:19:33,240 --> 00:19:35,279
Be quiet!
253
00:19:35,280 --> 00:19:36,560
'What is it?
254
00:19:37,720 --> 00:19:39,920
'A rhyme I knew
when I was a kid.
255
00:19:40,960 --> 00:19:43,079
'How did it go?' Tell us.
256
00:19:43,080 --> 00:19:46,040
'Hang on. I'm trying my best.
257
00:19:47,240 --> 00:19:49,880
'Yes, that's it.
258
00:19:51,560 --> 00:19:55,360
'As I... as I was
going up the stair,
259
00:19:59,720 --> 00:20:02,440
'i met a man who wasn't there.
260
00:20:12,520 --> 00:20:14,600
'He wasn't there again today.
261
00:20:16,040 --> 00:20:20,160
'I wish, I wish he'd stay away.
262
00:20:21,680 --> 00:20:24,120
'Yes, that's it.
263
00:20:25,080 --> 00:20:27,120
'That's the one. I remember it.'
264
00:20:28,720 --> 00:20:30,760
why do you remember
that rhyme in particular?
265
00:20:31,800 --> 00:20:34,039
'Because I'm remembering
a lot of things these days,
266
00:20:34,040 --> 00:20:37,640
'like... like it's
like daydreaming.
267
00:20:38,600 --> 00:20:42,839
'Oh, no. I know why I
remember that. It was the man.
268
00:20:42,840 --> 00:20:44,240
'The man on the stair.
269
00:20:46,680 --> 00:20:47,720
'That's weird.
270
00:20:48,760 --> 00:20:50,960
'That seems like the
last memory I've ever had.
271
00:20:52,600 --> 00:20:54,680
'There's been nothing
to remember since.'
272
00:20:57,960 --> 00:21:00,400
do you know where you are? 'No.'
273
00:21:02,560 --> 00:21:03,800
can you see anything?
274
00:21:04,760 --> 00:21:07,279
'Not really, no.
275
00:21:07,280 --> 00:21:09,719
'Only my thoughts.
276
00:21:09,720 --> 00:21:11,879
'Things I remember.
277
00:21:11,880 --> 00:21:14,839
'It's, well, it's a bit
like being asleep,
278
00:21:14,840 --> 00:21:17,399
'like having an operation.
279
00:21:17,400 --> 00:21:20,240
'When I was a kid, I had an
operation. It's a bit like that.
280
00:21:21,280 --> 00:21:25,040
'Dreams and real things, they all
sort of get mixed up in my head.
281
00:21:26,280 --> 00:21:28,079
'Am I going to be all right?'
282
00:21:28,080 --> 00:21:30,119
Ruth!
283
00:21:30,120 --> 00:21:33,039
'The experiment. Ask
her about the experiment.'
284
00:21:33,040 --> 00:21:35,680
yes, you're going to
be all right. 'Oh, good.'
285
00:21:36,840 --> 00:21:39,359
Ruth, the man on the stair...?
286
00:21:39,360 --> 00:21:42,719
'He just appeared, that's
all. I was with mr Williamson.
287
00:21:42,720 --> 00:21:46,000
'He was working, and then a
man came. He just appeared.'
288
00:21:48,920 --> 00:21:52,919
what was mr Williamson working
on at that precise moment?
289
00:21:52,920 --> 00:21:56,240
'I don't know. Some
sort of photograph.
290
00:21:57,240 --> 00:22:00,000
'Are you sure I'm not in
danger?' Yes, I'm quite sure.
291
00:22:02,160 --> 00:22:05,519
Ruth, where was mr Williamson
working? In his photographic room?
292
00:22:05,520 --> 00:22:07,560
'Yeah, in the darkroom.'
293
00:22:09,440 --> 00:22:12,279
but you can't remember
exactly what he was doing?
294
00:22:12,280 --> 00:22:14,320
'No, not really.
295
00:22:15,280 --> 00:22:17,960
'He was very pleased, excited.
296
00:22:19,080 --> 00:22:21,559
'He said he'd
discovered something.
297
00:22:21,560 --> 00:22:24,720
'I said, "would it make him rich?"
And he laughed. I remember.
298
00:22:28,520 --> 00:22:30,919
'He was ever so pleased.
He said he'd found a way to...'
299
00:22:30,920 --> 00:22:32,760
clattering 'what's happening?
300
00:22:49,240 --> 00:22:52,120
'What's happening?
What's happening?
301
00:22:54,200 --> 00:22:57,080
'What's happening?
What's happening?
302
00:22:58,040 --> 00:23:00,239
'No! No!' She screams
303
00:23:00,240 --> 00:23:03,319
'no! No!'
304
00:23:03,320 --> 00:23:06,640
she screams
305
00:23:10,400 --> 00:23:13,040
subtitles by itv signpost
22465
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
