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- Tonight,
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its haunting images captivated
millions around the world.
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- Many people believe this is
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the cloth that wrapped
Jesus of Nazareth
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after his crucifixion.
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- It is a bloodstained image
that is forensically accurate.
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It's an anatomically
perfect human being.
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- But is the Shroud of
Turin a genuine holy relic
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or something very different?
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- The image on the shroud
reflects what the Bible says
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about the beating, the torture,
and the crucifixion of Christ.
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- If you look at
the image carefully,
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you'll see some inconsistencies.
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- Millions of people die.
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We have nothing else like this
for any other human being.
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- Now, we explore
the top theories
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behind the origin of
one of the world's
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most mysterious objects.
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- We don't know how
this image was created.
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It's not painted.
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There's no way to tell how this
image ends up on the shroud.
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- To replicate the shroud image,
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you would need 14,000 lasers
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all going off instantaneously
at the same time.
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- How did this image come to be?
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And is it truly
an image of Jesus?
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(tense dramatic music)
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- [Laurence] Jerusalem, 33 AD.
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According to the gospels,
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after years of preaching
and gathering disciples
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throughout the Holy Land,
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the life of Jesus of Nazareth
reaches a pivotal moment.
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- For many Christians,
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the story of Holy Week
begins with Jesus on Sunday
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entering into
Jerusalem in triumph.
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Here he is in the most
important city for Jews.
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He's in this temple,
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the sacred place
for Jewish worship,
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and he's appalled by
what he finds there.
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- The gospels have Jesus
going into the temple complex
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and overturning the tables
of the money changers there.
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He's condemning the abuse
of people that are poor.
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He's condemning
the abuse of people
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that might want to go to the
temple to actually worship.
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- He says, "You've
taken something
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that is holy and beautiful,
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and you've made this
a den of thieves."
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- When your control is
being threatened, you act.
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And so what the
aristocratic priest do
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is they bring Jesus
in for a hearing.
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And they're not
so much interested
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in hearing what he has to say
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but imposing charges on him
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that he was threatening
to damage the temple.
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- When Jesus is arrested,
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they argue that he
has disrupted Judaism,
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that he is claiming to be God
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and hasn't been mindful
of secular authority.
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- What Jesus is
doing in Jerusalem
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is absolutely upsetting
the status quo,
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and they're just not sure
what to do with this guy.
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The Jewish aristocratic
leadership,
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they are not the
most senior members
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in the status quo
power of Jerusalem,
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the Romans are,
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so they need to take Jesus
to the civil authority.
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- [Laurence] The Jewish
authorities arrest Jesus
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and hand him over to the Romans.
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The Roman governor,
Pontius Pilate,
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declares that Jesus's claim
to be king amounts to treason
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and sentences him to
death by crucifixion.
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- Crucifixion is not
a noble form of death.
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Crucifixion is brutal.
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He was to carry his own cross
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to transport the
instrument of his death
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to the location
where he would die.
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His hands are
nailed to the cross.
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His feet are nailed
to the cross.
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- Above his head is this phrase,
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"Jesus of Nazareth,
The King of the Jews,"
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crowned not with a
crown but with thorns.
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This is partly punishment.
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This is partly to
humiliate Jesus.
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- The Romans use
crucifixion as a deterrent
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and what better deterrent
than one that causes death
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in a slow, agonizing,
and painful way.
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For the Romans, this is
a public way of saying,
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"If you mess with us, if you
mess with the Roman Empire,
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this is what will happen to you.
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You will die and you will
die horribly and publicly."
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- It takes roughly six
hours for Jesus to die.
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Once he's dead,
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he's taken off the cross
and wrapped in cloth
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and taken to a borrowed tomb.
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- Jesus' death at three
o'clock in the afternoon
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means that burial needs to
occur very, very quickly
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because the setting of the
sun and the start of Sabbath
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is going to be on them
very, very quickly.
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So there's a sense of urgency
about moving Jesus' body
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from the execution site
to the burial site.
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- There could be no work
done on the Sabbath,
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so there was a rush to get
him enshrouded and entombed.
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And that is why, of course,
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the women were returning on
Sunday morning after the Sabbath
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so that they could finish
the anointing of his body.
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- What happens is, of course,
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the great event in
Christianity, the resurrection.
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Jesus isn't there.
His body isn't there.
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He has been resurrected.
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- All that remains
is the linen cloth
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that once covered the body.
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- [Laurence] Jesus's
burial cloth
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aren't mentioned
again in the gospels
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and what happens to
them is a mystery.
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The next chapter in
the story of the shroud
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doesn't happen for more
than a thousand years.
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- The next time we see it
showing up in history is 1355,
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where a Christian knight who
has been part of the Crusades
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obtains this cloth,
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brings it back to
his home church,
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and he claims that it
is the burial shroud
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that held the body of Jesus
before his resurrection.
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- Because this knight
fought in the Crusades,
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there was reason for
folks to believe
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that he may have been
able to secure this cloth
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in the Holy Land and
bring it to his church.
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- There's no good
reason to suspect
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he wasn't able to find something
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while he was there in
Jerusalem, in the Holy Land.
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There's obviously a direct
connection between this man
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and the treasures that
he may have discovered
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while he was in those Crusades.
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- [Laurence] The knight
is Geoffroi de Charny
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and a close examination
of the cloth
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seems to confirm his story.
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- The shroud is roughly
14 feet long, 3 feet wide,
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and it contains the image of
a man who has been tortured.
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You see his front
as well as his back.
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And what really captures
the imagination of folks
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is that the shroud
seems to contain
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a tremendous amount of blood
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in areas that would
suggest crucifixion.
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The image seems to suggest that
this person had been whipped
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and the blood around the
head seems to suggest
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something placed on the head,
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perhaps along the lines
of the crown of thorns
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the Bible says was placed
on the head of Jesus.
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Wounds on the wrist,
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wounds on the feet suggest
a narrative very similar
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to what we have been told about
the crucifixion of Christ.
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- [Laurence] The shroud is
the subject of veneration
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and speculation
for many centuries.
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- This cloth comes
into knowledge in 1355.
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It stays in the Charny family
for about a hundred years.
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Eventually, it's sold
to the House of Savoy,
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which has jurisdiction ruling
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over what is now
France and Italy.
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- The Savoy family
actually provides
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the perfect historical construct
for us to piece together
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most of the documented
history of the shroud.
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The Savoy family came into
possession of the cloth in 1453.
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- The Savoy family
would take it with them
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and display it in different
churches over the years,
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particularly when they
were still in France.
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When they moved it
to Turin in 1578,
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that sort of became the seed
of the Savoy family's power.
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- When the last of
the House of Savoy,
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the last king of Italy,
Umberto II, dies in 1983,
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he wills the shroud
to the living Pope,
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who was at the time,
Pope John Paul II.
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It was with the stipulation
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that the shroud would be
the property of the Pope,
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whoever the Pope is,
as an individual,
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and would not belong to the
institutional Catholic Church.
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- [Laurence] More than 600 years
after the shroud first appears,
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scientists are granted a
chance to uncover the answers.
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- The shroud itself was moved
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amidst conditions
of great secrecy.
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It was done at midnight,
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no cameras were allowed in,
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and the Roman Catholic priests
who are the normal custodians
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took a solemn oath
afterwards that the cloth,
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which was placed in
the display cabinet,
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was indeed the Holy Shroud.
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- The Shroud of Turin
Research Project, or STURP,
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was a group of 33
scientists and researchers
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who came together in 1978
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to perform an in-depth
scientific examination
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of the Shroud of Turin.
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- In their report, the
STURP team concludes
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that there was no scientific
explanation for the image
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that could be accounted for
by any known scientific means.
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- [Laurence] In
the decades since,
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hundreds of scientists have
studied the data collected
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by the Shroud of Turin
Research Project,
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but one professor has
proposed a unique explanation
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for the appearance of
the image on the shroud.
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- Giovanni Fazio is a researcher
out of Messina in Italy,
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and in 2015, he comes up
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with this really
interesting hypothesis
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that maybe what's caused the
image to appear on the shroud
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would've been on the body as
it was prepared for burial.
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(tense music)
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- [Laurence] According
to Fazio's theory,
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the process begins in
the hours after Jesus
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is lowered from the cross.
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- Jesus was Jewish
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and traditionally
in Jewish burials,
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you should be buried
within 24 hours of death.
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So what you did was
you used substances,
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oils, ointments, myrrh.
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You wrapped the body in cloth
partly to avoid this to smell,
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partly to counter the fact
you've had a decomposing body
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in the hot sun.
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- [Laurence] A biblical passage
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describes what happened
with Jesus's body.
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- The gospel
according to St. John
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is the one that gives
us the most detail.
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- In John's gospel,
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there's an interesting
character, Nicodemus,
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who brings about 75
pounds of oil, aloes,
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to help prepare Jesus's
body for its burial.
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- This is enough to
bury several kings.
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- [Laurence] But
how could this oil
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have created the image seen
on the Shroud of Turin?
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00:11:02,667 --> 00:11:07,125
- It is possible that there
can be residues left on cloths
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from certain ointments or oils,
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00:11:09,208 --> 00:11:12,375
particularly ones that
are very, very dense,
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very thick in their composition.
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- One of the really interesting
things that Fazio raises
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is that if you
look at the shroud,
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the image on the back
is a little bit darker.
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This makes sense,
according to his theory,
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that the person being
laid on their back,
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the oils on the back would've
had a lot more chance
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to absorb into the
fabric of the shroud.
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- [Laurence] It seems like
a logical explanation,
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but some believe Fazio's theory
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contradicts the extensive
testing done in the 1970s.
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- That Shroud of
Turin Research Project
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relied heavily upon film
photography, use of x-ray,
242
00:11:48,375 --> 00:11:51,167
use of microscopic imaging
technologies as well,
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00:11:51,167 --> 00:11:53,375
to examine individual fibers.
244
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- They were able to
say from the x-ray,
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from the spectroscopy,
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00:11:56,875 --> 00:11:58,792
from all the other
analysis that they've done,
247
00:11:58,792 --> 00:12:01,708
there's no evidence of
any kind of oil or perfume
248
00:12:01,708 --> 00:12:02,875
on the shroud.
249
00:12:03,875 --> 00:12:06,125
In 1532, there's a
fire that breaks out
250
00:12:06,125 --> 00:12:08,375
in the chapel where
the shroud was held.
251
00:12:08,375 --> 00:12:11,542
This is what Fazio thinks is
the reason why there's no oil,
252
00:12:11,542 --> 00:12:14,792
that given the heat, given
what happened with the fire,
253
00:12:14,792 --> 00:12:18,000
that those oils and perfumes
would've evaporated.
254
00:12:18,000 --> 00:12:20,167
- The fire may have
changed the shroud
255
00:12:20,167 --> 00:12:24,458
in ways that are picked up
by the scientific testing
256
00:12:24,458 --> 00:12:26,458
and warp the findings.
257
00:12:26,458 --> 00:12:29,125
- [Laurence] Despite
Fazio's explanation,
258
00:12:29,125 --> 00:12:31,542
other experts remain skeptical.
259
00:12:31,542 --> 00:12:33,083
- A problem with the theory
260
00:12:33,083 --> 00:12:35,417
is that we do have cloths
from that time period
261
00:12:35,417 --> 00:12:36,750
where these oils were used,
262
00:12:36,750 --> 00:12:39,250
but they don't make an
image on that shroud.
263
00:12:42,958 --> 00:12:44,917
- [Laurence] The Shroud
of Turin has been
264
00:12:44,917 --> 00:12:46,792
an object of fascination
since its emergence
265
00:12:46,792 --> 00:12:48,667
in the mid-14th century.
266
00:12:48,667 --> 00:12:53,167
- The Savoy family gets the
shroud from the Charny family.
267
00:12:53,167 --> 00:12:55,833
In 1532, there's a
fire that breaks out
268
00:12:55,833 --> 00:12:58,083
in the chapel where
the shroud was held.
269
00:12:58,083 --> 00:12:59,875
- It was rescued from the fire
270
00:12:59,875 --> 00:13:02,292
and the image itself
was not damaged.
271
00:13:02,292 --> 00:13:04,792
But the shroud was folded
into a metal reliquary
272
00:13:04,792 --> 00:13:07,250
and so the heat from the fire
273
00:13:07,250 --> 00:13:09,750
left the parallel
set of scorch marks
274
00:13:09,750 --> 00:13:11,625
that run the length
of the shroud.
275
00:13:11,625 --> 00:13:13,833
(tense music)
276
00:13:14,833 --> 00:13:18,292
And the Savoy family
regularly displayed it.
277
00:13:18,292 --> 00:13:22,042
They would hang it from the
balcony of their royal palace.
278
00:13:22,042 --> 00:13:24,417
They displayed it
at royal weddings.
279
00:13:24,417 --> 00:13:28,417
And more importantly, for
the provenance of it,
280
00:13:28,417 --> 00:13:30,750
every time it was
publicly displayed,
281
00:13:30,750 --> 00:13:32,250
they commissioned an artwork.
282
00:13:33,208 --> 00:13:35,125
- [Laurence] The Savoy
family's involvement
283
00:13:35,125 --> 00:13:39,083
kept fascination with the
shroud alive for centuries,
284
00:13:39,083 --> 00:13:43,083
but the origins of its ghostly
image remain a mystery.
285
00:13:43,083 --> 00:13:46,333
Burial oil stains could
be one possible cause.
286
00:13:47,375 --> 00:13:50,375
But in 2003, one
of the scientists
287
00:13:50,375 --> 00:13:53,792
on the 1978 Shroud of
Turin Research Project
288
00:13:53,792 --> 00:13:56,375
suggests a new possibility.
289
00:13:57,375 --> 00:14:00,708
- Dr. Ray Rogers is one of the
original STURP team members,
290
00:14:00,708 --> 00:14:02,375
brilliant chemist who was with
291
00:14:02,375 --> 00:14:04,667
Los Alamos National
Laboratories,
292
00:14:04,667 --> 00:14:06,333
and he had an interesting theory
293
00:14:06,333 --> 00:14:10,375
that this could be the
product of a natural process.
294
00:14:10,375 --> 00:14:12,500
(tense music)
295
00:14:16,167 --> 00:14:17,625
- [Laurence]
According to Rogers,
296
00:14:17,625 --> 00:14:21,333
the key is a phenomenon we
experience when we cook.
297
00:14:21,333 --> 00:14:24,000
- Dr. Rogers thinks that
the image may be caused
298
00:14:24,000 --> 00:14:25,750
by the Maillard reaction,
299
00:14:25,750 --> 00:14:28,667
which has to do with a
chemical reaction that happens
300
00:14:28,667 --> 00:14:33,250
when amino acids and
sugars interact with heat.
301
00:14:33,250 --> 00:14:35,500
We see an example of
the Maillard reaction
302
00:14:35,500 --> 00:14:37,208
when bread is baked,
303
00:14:37,208 --> 00:14:40,208
the sugars, the yeast, the
amino acids in the bread
304
00:14:40,208 --> 00:14:42,167
combined with the
heat of the baking
305
00:14:42,167 --> 00:14:46,250
to form that nice, crispy,
brown crust on the bread.
306
00:14:46,250 --> 00:14:48,083
- The Maillard reaction
is very similar
307
00:14:48,083 --> 00:14:49,625
to toasting a piece of bread.
308
00:14:49,625 --> 00:14:50,917
You get a different coloration
309
00:14:50,917 --> 00:14:52,875
on perhaps the very
top of the bread.
310
00:14:52,875 --> 00:14:55,375
But you haven't done
anything to change,
311
00:14:55,375 --> 00:14:58,958
in a permanent, lasting
way, the bread itself.
312
00:15:00,000 --> 00:15:01,375
- [Laurence]
According to Rogers,
313
00:15:01,375 --> 00:15:04,292
all the necessary elements
would have been present
314
00:15:04,292 --> 00:15:06,500
following Jesus's crucifixion.
315
00:15:07,875 --> 00:15:09,333
- A few hours after death,
316
00:15:09,333 --> 00:15:12,042
the body starts to break
down and decomposes,
317
00:15:12,042 --> 00:15:14,917
and there's well over
30 kinds of amino acids
318
00:15:14,917 --> 00:15:17,375
that are released from
the body after death.
319
00:15:17,375 --> 00:15:19,625
After you have these
amino acid compounds
320
00:15:19,625 --> 00:15:20,750
coming off the body,
321
00:15:20,750 --> 00:15:22,458
what you then need is the sugar
322
00:15:22,458 --> 00:15:25,375
that has to combine to
create this reaction.
323
00:15:25,375 --> 00:15:27,250
- [Laurence] Rogers
believed that sugar
324
00:15:27,250 --> 00:15:29,583
comes from the cloth itself.
325
00:15:29,583 --> 00:15:31,208
- Rogers and his team,
326
00:15:31,208 --> 00:15:34,208
when they were looking at the
composition of the shroud,
327
00:15:34,208 --> 00:15:36,708
realized that in ancient times,
328
00:15:36,708 --> 00:15:39,708
they would've used
flowers to make the linen,
329
00:15:39,708 --> 00:15:42,083
and this particular kind
of flower, Saponaria,
330
00:15:42,083 --> 00:15:43,875
that has a fairly
high sugar content.
331
00:15:43,875 --> 00:15:45,875
So the sugar that
the amino acids
332
00:15:45,875 --> 00:15:47,208
would've been in touch with
333
00:15:47,208 --> 00:15:50,167
would've been in the fabric
of the shroud itself.
334
00:15:50,167 --> 00:15:54,958
- Rogers had a theory where
he suggested that the cloth
335
00:15:54,958 --> 00:15:58,500
was soaked in a solution
from the soapweed plant,
336
00:15:58,500 --> 00:16:02,250
and it acts as a
preservative and a fungicide
337
00:16:02,250 --> 00:16:06,667
but it would leave a very
thin sugar compound layer
338
00:16:06,667 --> 00:16:08,458
all over the cloth.
339
00:16:08,458 --> 00:16:10,333
- [Laurence] With two of
the three conditions met,
340
00:16:10,333 --> 00:16:12,500
Roger's next turns
to identifying
341
00:16:12,500 --> 00:16:15,583
a possible source of
heat in the cave.
342
00:16:15,583 --> 00:16:17,208
- After death, when
a body decomposes,
343
00:16:17,208 --> 00:16:18,542
you see a temperature spike.
344
00:16:18,542 --> 00:16:21,125
It may go as high
as 106 degrees,
345
00:16:21,125 --> 00:16:23,833
especially if the person
has died of dehydration.
346
00:16:23,833 --> 00:16:25,333
What's interesting here
347
00:16:25,333 --> 00:16:27,083
is that we know that Jesus
would've been dehydrated
348
00:16:27,083 --> 00:16:28,708
from his time on the cross,
349
00:16:28,708 --> 00:16:31,458
so it makes sense that his body
would've been able to reach
350
00:16:31,458 --> 00:16:34,458
that kind of
temperature after death.
351
00:16:34,458 --> 00:16:36,125
There would've been
just enough heat
352
00:16:36,125 --> 00:16:37,917
combining with
amino acids released
353
00:16:37,917 --> 00:16:39,292
from that decomposing body
354
00:16:39,292 --> 00:16:41,958
mixing with the
sugars in the shroud
355
00:16:41,958 --> 00:16:44,417
to create that brown image.
356
00:16:44,417 --> 00:16:47,125
- [Laurence] Rogers and his
team conduct an experiment
357
00:16:47,125 --> 00:16:49,625
to test the hypothesis.
358
00:16:49,625 --> 00:16:52,125
- Dr. Rogers realized you
can't use modern linen,
359
00:16:52,125 --> 00:16:53,625
which is bleached,
which is treated,
360
00:16:53,625 --> 00:16:56,750
so he was able to find
people who used techniques
361
00:16:56,750 --> 00:16:58,208
that go back 2,000 years
362
00:16:58,208 --> 00:17:00,958
to create the kind of cloth
that would've been used
363
00:17:00,958 --> 00:17:02,625
at the time of Jesus's burial.
364
00:17:02,625 --> 00:17:05,292
Using cloth that was made
in that traditional way,
365
00:17:05,292 --> 00:17:07,833
Rogers subjected it
to ammonia vapors,
366
00:17:07,833 --> 00:17:09,375
which would've simulated gases
367
00:17:09,375 --> 00:17:12,542
that would've been
coming off of a body.
368
00:17:12,542 --> 00:17:15,583
They turned up the heat
to about 106 degrees
369
00:17:15,583 --> 00:17:18,292
and they were able to get
the same kind of darker color
370
00:17:18,292 --> 00:17:20,500
that shows up on
the Shroud of Turin.
371
00:17:20,500 --> 00:17:23,042
- [Laurence] Biophysicist
John DeSalvo
372
00:17:23,042 --> 00:17:26,583
contends there could be
another agent at work:
373
00:17:26,583 --> 00:17:27,917
human sweat.
374
00:17:27,917 --> 00:17:29,458
- John DeSalvo realized
375
00:17:29,458 --> 00:17:31,417
that someone who died in
the way that Jesus did,
376
00:17:31,417 --> 00:17:33,583
his body would've been
covered with sweat.
377
00:17:33,583 --> 00:17:35,583
And that's where you get
the organic compounds
378
00:17:35,583 --> 00:17:38,250
that are able to make
these kinds of images.
379
00:17:38,250 --> 00:17:39,500
This also helps to explain
380
00:17:39,500 --> 00:17:41,542
some of the coloration
on the shroud,
381
00:17:41,542 --> 00:17:45,042
the darker areas were where
the sweat was in direct contact
382
00:17:45,042 --> 00:17:46,375
with the shroud.
383
00:17:46,375 --> 00:17:49,250
- There's a correlation
between the density
384
00:17:49,250 --> 00:17:51,417
or the darkness of the
image on the shroud
385
00:17:51,417 --> 00:17:54,333
and the distance it
would've been from the body.
386
00:17:54,333 --> 00:17:56,292
So whether it was
direct contact,
387
00:17:56,292 --> 00:17:57,708
the image on the shroud,
388
00:17:57,708 --> 00:17:59,125
tip of the nose,
top of the hands,
389
00:17:59,125 --> 00:18:00,708
the image is darkest.
390
00:18:00,708 --> 00:18:04,750
As the distance increases up
to about 3 1/2 centimeters,
391
00:18:04,750 --> 00:18:07,208
the image grows more faint.
392
00:18:07,208 --> 00:18:09,208
- So what you have is the
sweat sort of evaporating,
393
00:18:09,208 --> 00:18:11,458
not literally being
absorbed into the shroud,
394
00:18:11,458 --> 00:18:13,292
so you have this
interesting image
395
00:18:13,292 --> 00:18:15,167
of these light and dark areas.
396
00:18:16,042 --> 00:18:17,208
- [Laurence] But critics say
397
00:18:17,208 --> 00:18:20,208
there are still many
unanswered questions.
398
00:18:20,208 --> 00:18:22,458
- The Maillard
reaction hypothesis
399
00:18:22,458 --> 00:18:23,958
is interesting and intriguing
400
00:18:23,958 --> 00:18:28,042
in that it can
reproduce an image.
401
00:18:28,042 --> 00:18:30,583
It leaves an after effect,
402
00:18:30,583 --> 00:18:34,583
but it does not produce
something that is complex
403
00:18:34,583 --> 00:18:36,625
as the image on the shroud.
404
00:18:36,625 --> 00:18:39,125
- On the shroud, you see
the detail of the hair,
405
00:18:39,125 --> 00:18:41,208
the eyes, the areas of the face
406
00:18:41,208 --> 00:18:42,500
that weren't directly
touching the shroud.
407
00:18:42,500 --> 00:18:44,208
You don't get that
kind of detail
408
00:18:44,208 --> 00:18:46,042
with this sort of reaction.
409
00:18:46,042 --> 00:18:47,542
- Millions of people die.
410
00:18:47,542 --> 00:18:49,875
Millions of people
have been enshrouded,
411
00:18:49,875 --> 00:18:51,583
their bodies decompose.
412
00:18:51,583 --> 00:18:55,583
We have nothing else like this
for any other human being.
413
00:18:57,875 --> 00:18:59,125
their bodies decompose.)
414
00:18:59,542 --> 00:19:02,542
- [Laurence] Jesus's burial
cloth is lost for centuries,
415
00:19:02,542 --> 00:19:05,833
until it turns up with
Geoffroi de Charny
416
00:19:05,833 --> 00:19:07,750
in medieval France.
417
00:19:07,750 --> 00:19:10,875
- We do not have a record of
de Charny acquiring the shroud.
418
00:19:10,875 --> 00:19:13,500
We do not know how he
came to possess it.
419
00:19:13,500 --> 00:19:15,542
We know that he comes
from a chivalrous family.
420
00:19:15,542 --> 00:19:18,792
There have been a lot of
historical assumptions made
421
00:19:18,792 --> 00:19:21,958
that perhaps he had
been a crusader.
422
00:19:21,958 --> 00:19:23,542
- [Laurence] For centuries,
423
00:19:23,542 --> 00:19:26,792
it's assumed de Charny found
the shroud in Jerusalem.
424
00:19:26,792 --> 00:19:31,458
In 1997, two scholars bring
that assumption into question.
425
00:19:31,458 --> 00:19:34,458
- Robert Lomas and Christopher
Knight have a theory
426
00:19:34,458 --> 00:19:38,542
that yes, the shroud is
evidence of a crucifixion.
427
00:19:38,542 --> 00:19:40,375
Yes, it is a burial cloth,
428
00:19:40,375 --> 00:19:42,292
but not for the
figure you think.
429
00:19:42,292 --> 00:19:44,500
(tense music)
430
00:19:48,458 --> 00:19:51,167
- After the Christians
reconquered Jerusalem
431
00:19:51,167 --> 00:19:52,458
during the Crusades,
432
00:19:52,458 --> 00:19:55,292
you have the creation
of the Knights Templar.
433
00:19:55,292 --> 00:19:57,958
This, in order to help
protect Christian pilgrims
434
00:19:57,958 --> 00:19:59,792
as they're going
to the Holy Land
435
00:19:59,792 --> 00:20:03,250
to visit these places that are
so important to Christians.
436
00:20:03,250 --> 00:20:04,833
- The Templars took their name
437
00:20:04,833 --> 00:20:06,958
from where their
barracks were located,
438
00:20:06,958 --> 00:20:10,208
on the grounds of Solomon's
temple in Jerusalem.
439
00:20:10,208 --> 00:20:12,250
And after the first Crusade,
440
00:20:12,250 --> 00:20:15,208
they actually became
a quite wealthy order.
441
00:20:15,208 --> 00:20:18,042
- They developed a
complex banking system
442
00:20:18,042 --> 00:20:21,917
and developed a network of
fortresses across Europe.
443
00:20:21,917 --> 00:20:27,375
They were powerful and
reported only to the Pope.
444
00:20:27,375 --> 00:20:29,500
- [Laurence] But by
the 14th century,
445
00:20:29,500 --> 00:20:32,583
the Templar's power and
prestige are declining
446
00:20:32,583 --> 00:20:34,875
and they've made
a powerful enemy:
447
00:20:34,875 --> 00:20:37,083
King Philip IV of France.
448
00:20:37,083 --> 00:20:41,333
- King Philip IV, who was
indebted to the Knights Templar,
449
00:20:41,333 --> 00:20:42,917
had borrowed money.
450
00:20:42,917 --> 00:20:44,750
Rather than paying it back,
451
00:20:44,750 --> 00:20:46,875
argued that they were heretics
452
00:20:46,875 --> 00:20:49,458
that did not practice
the faith properly
453
00:20:49,458 --> 00:20:51,625
and that the Pope
should end them.
454
00:20:52,958 --> 00:20:55,667
- Philip is, I think, concerned
that the Knights Templar
455
00:20:55,667 --> 00:20:58,250
are so powerful,
they're wealthy.
456
00:20:58,250 --> 00:21:00,333
Moreover, he's indebted to them.
457
00:21:00,333 --> 00:21:02,667
He's gone for the Knights
Templar to get money
458
00:21:02,667 --> 00:21:05,250
to help support his
wars against England.
459
00:21:05,250 --> 00:21:07,208
So he owes the
Knights Templar money
460
00:21:07,208 --> 00:21:08,875
and he sees them as a threat.
461
00:21:08,875 --> 00:21:11,083
What better way to
get rid of the threat
462
00:21:11,083 --> 00:21:12,500
and also to cancel your debt
463
00:21:12,500 --> 00:21:14,833
than to declare
them as heretics?
464
00:21:16,000 --> 00:21:17,625
- [Laurence] In 1307,
465
00:21:17,625 --> 00:21:20,375
King Philip has Templar
leader, Jacques de Molay,
466
00:21:20,375 --> 00:21:23,708
arrested on blasphemy
and heresy charges.
467
00:21:23,708 --> 00:21:27,292
de Molay is forced to face
the French Inquisition.
468
00:21:27,292 --> 00:21:28,708
- King Philip thought
469
00:21:28,708 --> 00:21:32,667
this punishment should
involve crucifixion.
470
00:21:32,667 --> 00:21:35,542
- The inquisitors would've
done to Jacque de Molay
471
00:21:35,542 --> 00:21:37,208
what had been done to Jesus,
472
00:21:37,208 --> 00:21:41,208
that he's stripped naked,
he's scourged, he's whipped,
473
00:21:41,208 --> 00:21:43,542
the crown of thorns
put on his head.
474
00:21:43,542 --> 00:21:45,542
- [Laurence] But Robert
Lomas and Christopher Knight
475
00:21:45,542 --> 00:21:48,875
see evidence of something
different in the shroud.
476
00:21:48,875 --> 00:21:51,875
- The position of the
arms is not identical
477
00:21:51,875 --> 00:21:56,375
to the description of how
Jesus is hung on the cross.
478
00:21:56,375 --> 00:21:59,042
The legs are also
positioned differently.
479
00:22:00,250 --> 00:22:02,167
- The book's
authors hypothesized
480
00:22:02,167 --> 00:22:03,958
that the pattern on the shroud
481
00:22:03,958 --> 00:22:05,542
isn't from someone
who's crucified
482
00:22:05,542 --> 00:22:06,875
in a normal kind of way,
483
00:22:06,875 --> 00:22:08,500
with their arms
stretched outright.
484
00:22:08,500 --> 00:22:11,042
It's someone who's
crucified very differently.
485
00:22:11,042 --> 00:22:12,458
And in this case,
486
00:22:12,458 --> 00:22:14,542
the pattern seems to match
someone who's crucified
487
00:22:14,542 --> 00:22:16,875
with their right arm
above their head bent
488
00:22:16,875 --> 00:22:19,458
and their left arm
stretched out on the side
489
00:22:19,458 --> 00:22:21,042
as if they're placed on a door.
490
00:22:21,042 --> 00:22:23,167
And this would be the
convenient way to do this
491
00:22:23,167 --> 00:22:24,792
if you don't have a cross.
492
00:22:26,042 --> 00:22:29,250
- The crucifixion of the
leader of the Knights Templar
493
00:22:29,250 --> 00:22:31,583
was not meant to kill him.
494
00:22:31,583 --> 00:22:33,917
It was meant to
produce enough pain
495
00:22:33,917 --> 00:22:38,375
to get him to admit he was
a heretic and to recant.
496
00:22:38,375 --> 00:22:40,458
And it did just that.
497
00:22:40,458 --> 00:22:42,042
- [Laurence] After
the confession,
498
00:22:42,042 --> 00:22:45,375
the inquisitors have
one final humiliation
499
00:22:45,375 --> 00:22:47,208
left for de Molay.
500
00:22:47,208 --> 00:22:48,833
- For the inquisitor,
501
00:22:48,833 --> 00:22:51,583
wrapping this knight in a shroud
502
00:22:51,583 --> 00:22:54,708
was meant to amplify
the embarrassment,
503
00:22:54,708 --> 00:22:57,417
to amplify the humiliation.
504
00:22:57,417 --> 00:23:00,500
He's left wrapped in
that shroud for 24 hours,
505
00:23:00,500 --> 00:23:03,500
long enough for the
blood and the sweat
506
00:23:03,500 --> 00:23:05,500
to soak in to the shroud
507
00:23:05,500 --> 00:23:07,542
and produce the image
that we now see.
508
00:23:08,500 --> 00:23:10,250
- [Laurence] Despite his ordeal,
509
00:23:10,250 --> 00:23:12,208
de Molay lives
another seven years,
510
00:23:12,208 --> 00:23:16,458
only to be burned at the stake
for renouncing his confession.
511
00:23:16,458 --> 00:23:18,542
But what happened to the shroud?
512
00:23:19,750 --> 00:23:23,542
- Jacques de Molay
is tortured in 1307.
513
00:23:23,542 --> 00:23:24,917
The hypothesis from the authors
514
00:23:24,917 --> 00:23:27,375
is that there's a
Templar, Jean de Charny,
515
00:23:27,375 --> 00:23:30,708
who takes this
shroud and keeps it.
516
00:23:30,708 --> 00:23:33,042
What's interesting
is Jean de Charny
517
00:23:33,042 --> 00:23:36,208
is the grandfather
of Geoffroi de Charny,
518
00:23:36,208 --> 00:23:38,667
who's the one that
we know in 1355,
519
00:23:38,667 --> 00:23:40,667
first brings the shroud
to our attention.
520
00:23:44,167 --> 00:23:46,542
- The haunting image
on the Shroud of Turin
521
00:23:46,542 --> 00:23:48,458
has been an enigma since the day
522
00:23:48,458 --> 00:23:52,542
it was first publicly
unveiled 700 years ago.
523
00:23:52,542 --> 00:23:54,708
And while millions are convinced
524
00:23:54,708 --> 00:23:57,125
it's the imprinted
image of Jesus,
525
00:23:57,125 --> 00:24:01,125
the shroud's authenticity
remains in debate.
526
00:24:01,125 --> 00:24:05,125
Historians often
cite one big question
527
00:24:05,125 --> 00:24:07,250
as a reason for doubt:
528
00:24:07,250 --> 00:24:09,292
why was it missing for so long?
529
00:24:10,292 --> 00:24:14,542
- The 14th century is a long
way away from the event itself,
530
00:24:14,542 --> 00:24:15,833
in the first century.
531
00:24:15,833 --> 00:24:18,000
You know, you're talking
about 1,300 years.
532
00:24:18,000 --> 00:24:20,583
You would think, if this
were important to the story,
533
00:24:20,583 --> 00:24:22,958
it was important to
communicating that story,
534
00:24:22,958 --> 00:24:25,583
it would've shown up somewhere.
535
00:24:25,583 --> 00:24:27,042
And it simply doesn't.
536
00:24:28,208 --> 00:24:29,625
- [Laurence] Skeptics also note
537
00:24:29,625 --> 00:24:31,958
that the shroud may not
match the description
538
00:24:31,958 --> 00:24:35,042
of Jesus's burial
cloth in the Bible.
539
00:24:35,042 --> 00:24:38,958
- In the earliest accounts,
we do have cloth mentioned,
540
00:24:38,958 --> 00:24:40,875
and not in the
singular but plural.
541
00:24:40,875 --> 00:24:44,542
We have cloths
that are mentioned.
542
00:24:44,542 --> 00:24:46,167
- When you're looking
at the Shroud of Turin,
543
00:24:46,167 --> 00:24:48,125
you're looking at one
long piece of cloth,
544
00:24:48,125 --> 00:24:51,333
14 feet long, that
covers the entire body.
545
00:24:51,333 --> 00:24:53,917
But these would've been
several pieces of cloth,
546
00:24:53,917 --> 00:24:55,875
according to the
biblical accounts.
547
00:24:55,875 --> 00:24:58,750
- [Laurence] And there
appear to be inconsistencies
548
00:24:58,750 --> 00:25:00,958
in the imagery itself.
549
00:25:00,958 --> 00:25:04,708
- The front and the
back don't line up.
550
00:25:04,708 --> 00:25:07,625
If this were actually
the imprint of Jesus,
551
00:25:07,625 --> 00:25:09,458
wouldn't those line up?
552
00:25:09,458 --> 00:25:11,667
- If the shroud was
wrapped over Jesus
553
00:25:11,667 --> 00:25:13,750
and you have the image of
the front and the back,
554
00:25:13,750 --> 00:25:15,792
why is it these images
are two different lengths?
555
00:25:15,792 --> 00:25:18,250
It means that his front
side is a different length
556
00:25:18,250 --> 00:25:19,667
than his backside.
557
00:25:19,667 --> 00:25:21,708
- [Laurence] There is
one possible explanation,
558
00:25:21,708 --> 00:25:25,000
one that would shatter
a long-held illusion.
559
00:25:25,000 --> 00:25:27,083
(tense music)
560
00:25:30,750 --> 00:25:32,375
- The sudden appearance
of the shroud
561
00:25:32,375 --> 00:25:35,875
coincides with a period in
which relics are important.
562
00:25:35,875 --> 00:25:37,458
You have all sorts of relics,
563
00:25:37,458 --> 00:25:39,875
you have all sorts of churches
that have things on display
564
00:25:39,875 --> 00:25:42,042
that they claim to
connect back to Jesus
565
00:25:42,042 --> 00:25:43,917
or the early
Christian community.
566
00:25:43,917 --> 00:25:46,542
Relics play an important
part in the church.
567
00:25:46,542 --> 00:25:48,667
People come to give
money to visit these,
568
00:25:48,667 --> 00:25:50,208
people donate for this,
569
00:25:50,208 --> 00:25:53,208
and so this is a source
of revenue for the church.
570
00:25:53,208 --> 00:25:55,667
But we know that
relics can be faked.
571
00:25:55,667 --> 00:25:58,250
- If you stood to
benefit financially
572
00:25:58,250 --> 00:26:00,000
from relics in general,
573
00:26:00,000 --> 00:26:02,583
you stood to benefit
extraordinarily
574
00:26:02,583 --> 00:26:04,500
from a relic like
the Shroud of Turin.
575
00:26:05,500 --> 00:26:10,208
- I think that it is proper
for anyone to be suspicious
576
00:26:10,208 --> 00:26:14,708
about any relic that has a
footprint in the Middle Ages.
577
00:26:15,875 --> 00:26:18,667
In an age when you
could go into a pasture
578
00:26:18,667 --> 00:26:21,042
and pick up the bone of a cow
579
00:26:21,042 --> 00:26:24,458
and pass it off as
the femur of a saint,
580
00:26:24,458 --> 00:26:29,083
I think we are right to be
suspicious about anything
581
00:26:30,042 --> 00:26:32,500
that we can even link
to the Middle Ages.
582
00:26:32,500 --> 00:26:34,667
- [Laurence] When the French
knight, Geoffroi de Charny,
583
00:26:34,667 --> 00:26:38,750
first appears with
the shroud about 1355,
584
00:26:38,750 --> 00:26:41,333
it immediately goes on
display in his church.
585
00:26:42,500 --> 00:26:44,167
- If you wanted to
encourage pilgrims
586
00:26:44,167 --> 00:26:46,583
to come to your church,
to come to your abbey,
587
00:26:46,583 --> 00:26:47,833
to come to your village,
588
00:26:47,833 --> 00:26:49,500
it was important that
you have a relic.
589
00:26:49,500 --> 00:26:53,792
Hence, the proliferation of
relics in an age when perhaps,
590
00:26:53,792 --> 00:26:56,750
I think it's fair to say,
that in many occasions,
591
00:26:56,750 --> 00:27:00,000
the supply might have
outstripped the demand.
592
00:27:00,000 --> 00:27:02,042
- If relics are
like trading cards,
593
00:27:02,042 --> 00:27:03,542
they're not all
of the same value.
594
00:27:03,542 --> 00:27:04,750
And there are some relics
595
00:27:04,750 --> 00:27:06,375
that are going to
be of minor value
596
00:27:06,375 --> 00:27:09,917
and some that are of
extraordinarily major value,
597
00:27:09,917 --> 00:27:12,708
and I gotta put a relic
like the Shroud of Turin
598
00:27:12,708 --> 00:27:14,875
at the top of that list.
599
00:27:14,875 --> 00:27:16,667
- [Laurence] Even at the outset,
600
00:27:16,667 --> 00:27:19,583
not everyone's convinced
it's the real thing.
601
00:27:19,583 --> 00:27:23,000
- In 1389, Bishop
Pierre d'Arcis,
602
00:27:23,000 --> 00:27:25,625
of the Diocese of
Troyes in France,
603
00:27:25,625 --> 00:27:29,792
writes to Pope
Clement VII in Avignon
604
00:27:29,792 --> 00:27:32,125
that he knows that this shroud
605
00:27:32,125 --> 00:27:34,750
that is being displayed in Liray
606
00:27:34,750 --> 00:27:37,792
is in fact an artwork.
607
00:27:37,792 --> 00:27:40,042
He claims he knows the artists.
608
00:27:40,042 --> 00:27:43,625
He claims that this
is an exhibition
609
00:27:43,625 --> 00:27:45,958
that needs to be
stopped immediately.
610
00:27:45,958 --> 00:27:48,208
- He's saying that
this is a forgery,
611
00:27:48,208 --> 00:27:50,583
that an artist has
confessed to painting
612
00:27:50,583 --> 00:27:52,375
this image on the shroud.
613
00:27:52,375 --> 00:27:54,042
d'Arcis is scandalized,
614
00:27:54,042 --> 00:27:56,750
and his letter to Pope
Clement talks about
615
00:27:56,750 --> 00:27:58,375
how scandalized he is
616
00:27:58,375 --> 00:28:00,375
by these pilgrims
who've been swindled,
617
00:28:00,375 --> 00:28:02,625
where this money has
been rung out of them
618
00:28:02,625 --> 00:28:04,417
under false pretenses.
619
00:28:04,417 --> 00:28:08,208
In the 1300s, crucifixion
paintings were quite popular,
620
00:28:08,208 --> 00:28:10,333
so there's no
surprise here to think
621
00:28:10,333 --> 00:28:13,167
that someone might
have painted this image
622
00:28:13,167 --> 00:28:14,958
and that it would've been used
623
00:28:14,958 --> 00:28:16,875
to raise funds for the church.
624
00:28:17,792 --> 00:28:19,750
- [Laurence] Was
the Bishop right?
625
00:28:19,750 --> 00:28:21,875
Is the shroud a painting?
626
00:28:21,875 --> 00:28:26,250
It will take nearly 600
years to get an answer.
627
00:28:26,250 --> 00:28:27,833
- The Shroud of Turin
Research Project
628
00:28:27,833 --> 00:28:31,375
was given access to
the shroud in 1978
629
00:28:31,375 --> 00:28:34,833
and they were allowed to
analyze it 'round the clock.
630
00:28:34,833 --> 00:28:36,667
- [Laurence] After
a battery of tests,
631
00:28:36,667 --> 00:28:39,583
the research team
releases its findings.
632
00:28:39,583 --> 00:28:41,125
- Painting, in the
High Middle Ages
633
00:28:41,125 --> 00:28:42,792
and certainly by the time
of the Late Middle Ages,
634
00:28:42,792 --> 00:28:45,125
was a highly developed craft
635
00:28:45,125 --> 00:28:47,250
and we know a lot about
the pigments and dyes
636
00:28:47,250 --> 00:28:50,208
that were used in
those processes.
637
00:28:50,208 --> 00:28:52,208
But the Shroud of
Turin Research Project
638
00:28:52,208 --> 00:28:55,708
demonstrated conclusively,
in peer reviewed science,
639
00:28:55,708 --> 00:28:59,417
that there is not a trace of a
pigment, or a dye, or a paint
640
00:28:59,417 --> 00:29:00,958
on that linen anywhere.
641
00:29:00,958 --> 00:29:02,208
- The research team concluded
642
00:29:02,208 --> 00:29:04,708
that they don't know how
this image got there.
643
00:29:04,708 --> 00:29:08,250
It wasn't paint, the
bloodstains are real.
644
00:29:08,250 --> 00:29:10,708
They don't know how
that image got there.
645
00:29:10,708 --> 00:29:12,500
They don't know how
the blood got there.
646
00:29:12,500 --> 00:29:17,375
- In an age when relics did
not have to be sophisticated,
647
00:29:17,375 --> 00:29:20,833
in an age when people
did not ask the questions
648
00:29:20,833 --> 00:29:23,375
that the modern mind asks,
649
00:29:23,375 --> 00:29:28,083
why did this image have
to be that sophisticated?
650
00:29:29,042 --> 00:29:30,875
And how, importantly,
651
00:29:30,875 --> 00:29:33,375
did that image get there
in the first place?
652
00:29:37,167 --> 00:29:40,208
- [Laurence] For centuries,
visitors to the Shroud of Turin
653
00:29:40,208 --> 00:29:42,417
were only able to
see a faint image
654
00:29:42,417 --> 00:29:46,542
of what is allegedly Jesus
after the crucifixion.
655
00:29:46,542 --> 00:29:49,208
But with the advent
of modern photography,
656
00:29:49,208 --> 00:29:52,375
the shroud would reveal
yet another secret.
657
00:29:53,375 --> 00:29:56,667
Barrie Schwortz was the official
documenting photographer
658
00:29:56,667 --> 00:30:01,125
for the Shroud of Turin
Research Project in 1978.
659
00:30:01,125 --> 00:30:02,625
- So in its early days,
660
00:30:02,625 --> 00:30:05,750
there were people of faith
who were aware of the shroud.
661
00:30:05,750 --> 00:30:07,083
Science, on the other hand,
662
00:30:07,083 --> 00:30:09,167
I don't think was
very interested
663
00:30:09,167 --> 00:30:12,542
until 1898 when the first
photograph of the shroud
664
00:30:12,542 --> 00:30:14,167
was permitted.
665
00:30:14,167 --> 00:30:17,875
Italian lawyer and amateur
photographer named Secondo Pia
666
00:30:17,875 --> 00:30:20,000
made this first
photograph of the shroud
667
00:30:20,000 --> 00:30:22,083
and that ushered
in the beginning
668
00:30:22,083 --> 00:30:25,917
of the scientific
era of shroud study.
669
00:30:25,917 --> 00:30:27,542
- [Laurence] When Secondo Pia
670
00:30:27,542 --> 00:30:30,833
develops his photographic
plates of the Shroud of Turin,
671
00:30:30,833 --> 00:30:32,542
he's shocked by what he sees.
672
00:30:32,542 --> 00:30:34,208
(pensive music)
673
00:30:34,208 --> 00:30:36,167
- Of course, not
knowing that it was
674
00:30:36,167 --> 00:30:37,708
going to spark a controversy,
675
00:30:37,708 --> 00:30:41,875
he went into the dark room
to process his glass plate.
676
00:30:41,875 --> 00:30:43,542
This is 19th
century photography,
677
00:30:43,542 --> 00:30:46,667
so we're talking about
a prolonged process.
678
00:30:46,667 --> 00:30:48,292
- And it was that moment
679
00:30:48,292 --> 00:30:51,458
when he processed that
glass plate and held it up
680
00:30:51,458 --> 00:30:54,458
that the image on the
shroud itself is a negative
681
00:30:54,458 --> 00:30:56,833
and when inverted,
he had a much more
682
00:30:56,833 --> 00:30:59,250
natural-looking
result in his hands
683
00:30:59,250 --> 00:31:01,417
than what was on
the cloth itself.
684
00:31:01,417 --> 00:31:03,667
- It's one of those really
interesting paradoxes
685
00:31:03,667 --> 00:31:05,208
that if you look at the shroud,
686
00:31:05,208 --> 00:31:06,875
you don't see the detail.
687
00:31:06,875 --> 00:31:08,250
If you look in the negative,
688
00:31:08,250 --> 00:31:11,875
you see the detail of
the face, of the beard.
689
00:31:11,875 --> 00:31:13,750
It's almost as if this
was meant to be seen
690
00:31:13,750 --> 00:31:15,750
in a photograph of the image,
691
00:31:15,750 --> 00:31:17,500
not the image itself.
692
00:31:17,500 --> 00:31:19,708
- [Laurence] It's as
if the shroud itself
693
00:31:19,708 --> 00:31:21,375
is a photographic negative,
694
00:31:21,375 --> 00:31:24,000
a concept that boggles the mind.
695
00:31:24,000 --> 00:31:25,708
- There's no precedent for it.
696
00:31:25,708 --> 00:31:27,208
There isn't another image
697
00:31:27,208 --> 00:31:30,292
that I've seen in my 50-year
professional experience
698
00:31:30,292 --> 00:31:32,708
that even comes close to
having these properties.
699
00:31:32,708 --> 00:31:35,083
(tense music)
700
00:31:38,250 --> 00:31:40,500
We know that photography
701
00:31:40,500 --> 00:31:44,708
didn't exist until
about 1826 or 1827.
702
00:31:44,708 --> 00:31:48,375
Consequently, there was no way
that someone in medieval times
703
00:31:48,375 --> 00:31:51,125
could have created a
photographic image.
704
00:31:51,125 --> 00:31:54,667
On the other hand, artists
back in medieval times
705
00:31:54,667 --> 00:31:57,792
did use a technique
called camera obscura.
706
00:31:57,792 --> 00:32:00,125
So what they did was they
would make a little hole
707
00:32:00,125 --> 00:32:01,833
at one end of the room
708
00:32:01,833 --> 00:32:03,833
and put, say, a canvas
at the other end,
709
00:32:03,833 --> 00:32:06,292
and the hole acted like a lens
710
00:32:06,292 --> 00:32:09,792
to focus what was outside
that camera obscura onto that
711
00:32:09,792 --> 00:32:12,875
and then the artist could
then paint or illustrate
712
00:32:12,875 --> 00:32:15,292
what the camera was pointing at.
713
00:32:15,292 --> 00:32:16,958
- Camera obscura is ancient.
714
00:32:16,958 --> 00:32:19,375
I mean, we do know it
from the ancient texts.
715
00:32:19,375 --> 00:32:21,292
It is a very simple principle.
716
00:32:22,292 --> 00:32:25,792
- The earliest evidence we
have of a camera obscura
717
00:32:25,792 --> 00:32:29,083
is by a Chinese writer, Mo Tzu.
718
00:32:29,083 --> 00:32:30,917
The ancient Greeks
knew about this.
719
00:32:30,917 --> 00:32:32,792
And so in the medieval world,
720
00:32:32,792 --> 00:32:34,208
certainly even in
the first century,
721
00:32:34,208 --> 00:32:36,708
people would've
known about this.
722
00:32:36,708 --> 00:32:40,250
- [Laurence] In 1993, art
historian Nicholas Allen
723
00:32:40,250 --> 00:32:42,083
proposes a radical theory:
724
00:32:42,083 --> 00:32:44,750
a medieval forger could have
used an ancient technique
725
00:32:44,750 --> 00:32:47,042
known as camera obscure
726
00:32:47,042 --> 00:32:49,708
to create the world's
first photograph.
727
00:32:49,708 --> 00:32:52,167
- In order to make the
cloth photo sensitive,
728
00:32:52,167 --> 00:32:55,417
you would have to coat
it with silver nitrate.
729
00:32:57,042 --> 00:32:59,083
- You would've coated
the cloth with this
730
00:32:59,083 --> 00:33:01,417
and then when light
hits the cloth,
731
00:33:01,417 --> 00:33:04,458
it would expose the silver
nitrate and leave a dark pattern
732
00:33:04,458 --> 00:33:06,792
like the negative
on a photograph.
733
00:33:06,792 --> 00:33:08,167
- [Laurence] Theoretically,
734
00:33:08,167 --> 00:33:09,875
the chemicals needed
to produce an image
735
00:33:09,875 --> 00:33:12,375
were available in
the Middle Ages.
736
00:33:12,375 --> 00:33:16,250
But when analyzed, the cloth
was missing one vital element.
737
00:33:17,375 --> 00:33:20,500
- We were looking for silver
nitrate on the shroud,
738
00:33:20,500 --> 00:33:23,167
and we could detect
one part per billion,
739
00:33:23,167 --> 00:33:25,708
and we didn't find any silver
anywhere on the shroud.
740
00:33:25,708 --> 00:33:30,042
Nicholas Allen says he soaked
his cloth in a silver solution
741
00:33:30,042 --> 00:33:32,958
to create his
light-sensitive emulsion,
742
00:33:32,958 --> 00:33:36,042
so they would be
permeated with silver.
743
00:33:36,042 --> 00:33:39,625
We found zero silver
anywhere on the shroud.
744
00:33:39,625 --> 00:33:42,083
- [Laurence] What would
prompt a medieval inventor
745
00:33:42,083 --> 00:33:45,333
to create an image
like the shroud?
746
00:33:45,333 --> 00:33:48,417
- There's no evidence that
anyone used the camera obscura
747
00:33:48,417 --> 00:33:51,042
in the fashion that
Nicholas Allen proposes.
748
00:33:51,042 --> 00:33:52,375
And if he had,
749
00:33:52,375 --> 00:33:54,875
I think we'd be seeing a
lot more examples of it.
750
00:33:56,000 --> 00:33:58,167
- Art history itself tells us
751
00:33:58,167 --> 00:34:01,458
that this is not something
that some medieval artist
752
00:34:01,458 --> 00:34:04,667
would've even thought to
do or even cared to do
753
00:34:04,667 --> 00:34:09,042
when a simpler attempt at
depicting Jesus on a cross
754
00:34:09,042 --> 00:34:10,542
would've been plenty acceptable
755
00:34:10,542 --> 00:34:13,917
by everybody in the
medieval world anyway.
756
00:34:13,917 --> 00:34:15,542
- What's the motivation
757
00:34:15,542 --> 00:34:19,000
for creating something that's
a pious fraud on the public?
758
00:34:19,000 --> 00:34:20,375
I can make money from it.
759
00:34:20,375 --> 00:34:24,125
I become more prestigious
because of it.
760
00:34:24,125 --> 00:34:27,333
I have a souvenir
that no one else has.
761
00:34:27,333 --> 00:34:29,667
There's a lot of things
that could motivate
762
00:34:29,667 --> 00:34:33,250
the development of something
like the Shroud of Turin.
763
00:34:33,250 --> 00:34:35,542
Did they? That's the question.
764
00:34:39,208 --> 00:34:41,625
- [Laurence] In 1988, the
Shroud of Turin undergoes
765
00:34:41,625 --> 00:34:45,458
what many consider to be
a definitive analysis.
766
00:34:45,458 --> 00:34:49,375
These carbon dating tests make
headlines around the world.
767
00:34:49,375 --> 00:34:53,042
They indicate the cloth
was made between 1260
768
00:34:53,042 --> 00:34:55,875
and just before French
knight, de Charny,
769
00:34:55,875 --> 00:34:57,667
brought it to his church.
770
00:34:57,667 --> 00:35:00,000
(tense music)
771
00:35:00,000 --> 00:35:03,417
But not everyone
believes the findings.
772
00:35:03,417 --> 00:35:05,500
- There was a fire in 1532
773
00:35:05,500 --> 00:35:07,333
and there was repair
done to the shroud
774
00:35:07,333 --> 00:35:09,417
by the Poor Clares,
this order of nuns.
775
00:35:09,417 --> 00:35:12,375
Could this have
contaminated the shroud?
776
00:35:12,375 --> 00:35:15,958
Is this carbon dating
not of the actual shroud
777
00:35:15,958 --> 00:35:17,917
but of the material from 1532?
778
00:35:19,958 --> 00:35:22,208
- [Laurence] And in early 2022,
779
00:35:22,208 --> 00:35:25,125
new evidence centered
around the age of the cloth
780
00:35:25,125 --> 00:35:27,542
may support that belief.
781
00:35:27,542 --> 00:35:30,708
Researchers present a
surprising observation.
782
00:35:30,708 --> 00:35:34,375
- They had about a dozen
samples of other linen cloths
783
00:35:34,375 --> 00:35:36,917
dating all the way
back to 5000 BC
784
00:35:36,917 --> 00:35:40,208
and they could assess the
amount of natural aging
785
00:35:40,208 --> 00:35:41,542
in all these other cloths.
786
00:35:41,542 --> 00:35:44,708
And the only cloth that
had a comparable amount
787
00:35:44,708 --> 00:35:47,542
of natural aging as
fibers from the shroud
788
00:35:47,542 --> 00:35:50,958
was taken from Masada,
which is in Israel,
789
00:35:50,958 --> 00:35:52,708
circa first century.
790
00:35:52,708 --> 00:35:56,708
And so this then becomes a
very strong piece of evidence
791
00:35:56,708 --> 00:35:59,708
that suggests, just
based on natural aging,
792
00:35:59,708 --> 00:36:03,500
that the cloth is far
older than the 700 years
793
00:36:03,500 --> 00:36:06,167
ascribed by the carbon lapse.
794
00:36:06,167 --> 00:36:08,625
- That leaves us with a
very real possibility,
795
00:36:08,625 --> 00:36:11,875
we could be talking about
a first century cloth.
796
00:36:11,875 --> 00:36:13,583
- [Laurence] And in 2011,
797
00:36:13,583 --> 00:36:18,208
a finding by Italian physicist,
Dr. Paolo Di Lazzaro,
798
00:36:18,208 --> 00:36:21,042
may offer believers
further support.
799
00:36:21,042 --> 00:36:25,125
- In 2011, he published
in a peer reviewed journal
800
00:36:25,125 --> 00:36:29,375
how they've been experimenting
with ultraviolet excimer lasers.
801
00:36:29,375 --> 00:36:31,708
These are high powered,
these are industrial lasers.
802
00:36:31,708 --> 00:36:34,333
These are not some
kind of pointer.
803
00:36:34,333 --> 00:36:39,333
And they determined
a 40 nanosecond burst
804
00:36:39,333 --> 00:36:42,458
achieves the very same
depth and coloration
805
00:36:42,458 --> 00:36:45,167
as we see on the shroud.
806
00:36:45,167 --> 00:36:47,708
This experimentally
shows how the image
807
00:36:47,708 --> 00:36:50,875
could indeed be the
result of light.
808
00:36:51,875 --> 00:36:54,042
- [Laurence] But it would take
an incredible amount of power
809
00:36:54,042 --> 00:36:57,417
to generate the light needed
to create the shroud image
810
00:36:57,417 --> 00:36:59,458
in a split second.
811
00:36:59,458 --> 00:37:01,583
- To replicate the shroud image,
812
00:37:01,583 --> 00:37:04,625
you would need 14,000 lasers
813
00:37:04,625 --> 00:37:08,333
all going off instantaneously,
at the same time.
814
00:37:08,333 --> 00:37:09,875
- I have to remind everybody,
815
00:37:09,875 --> 00:37:12,833
lasers weren't invented
until about 1946.
816
00:37:12,833 --> 00:37:17,500
So something of that
nature in medieval times,
817
00:37:17,500 --> 00:37:21,292
or even in the first century,
just couldn't exist.
818
00:37:21,292 --> 00:37:22,958
- [Laurence] But if
the shroud is truly
819
00:37:22,958 --> 00:37:24,708
from the first century,
820
00:37:24,708 --> 00:37:27,958
an event from the Bible
might reveal an answer.
821
00:37:27,958 --> 00:37:30,792
- Just before Jesus makes
his last trip to Jerusalem,
822
00:37:30,792 --> 00:37:33,250
he takes Peter, James,
and John with him
823
00:37:33,250 --> 00:37:34,833
up on a high mountain
824
00:37:34,833 --> 00:37:37,542
and is transfigured
before them.
825
00:37:37,542 --> 00:37:38,917
- Some turn to the Bible
826
00:37:38,917 --> 00:37:41,208
and point to the
transfiguration of Christ
827
00:37:41,208 --> 00:37:45,208
that took place when Christ
was praying with the disciples.
828
00:37:45,208 --> 00:37:46,708
They read scripture
829
00:37:46,708 --> 00:37:49,250
and they highlight the
passage that indicates
830
00:37:49,250 --> 00:37:52,292
that his face was
shining as the sun
831
00:37:52,292 --> 00:37:55,583
and his clothes
became bright white.
832
00:37:55,583 --> 00:37:57,417
- In the biblical account,
833
00:37:57,417 --> 00:38:01,708
Jesus is transfigured into
a form of energy or light.
834
00:38:01,708 --> 00:38:05,958
His disciples describe
him as his face glowing.
835
00:38:05,958 --> 00:38:08,667
His clothes dazzling white.
836
00:38:08,667 --> 00:38:10,875
- [Laurence] Di
Lazzaro hypothesizes
837
00:38:10,875 --> 00:38:14,583
that the transfiguration's
burst of light and energy
838
00:38:14,583 --> 00:38:16,417
could have repeated itself
839
00:38:16,417 --> 00:38:19,417
during another important
event in Christianity.
840
00:38:20,375 --> 00:38:22,458
- Following his transfiguration,
841
00:38:22,458 --> 00:38:26,500
Jesus tells his disciples
to not tell anyone
842
00:38:26,500 --> 00:38:29,750
until the son of man
has risen from the dead.
843
00:38:29,750 --> 00:38:31,542
So this clearly foreshadows
844
00:38:31,542 --> 00:38:34,875
something that is
going to happen,
845
00:38:34,875 --> 00:38:38,417
something that the disciples
are going to see again.
846
00:38:38,417 --> 00:38:39,708
- For many believers,
847
00:38:39,708 --> 00:38:41,667
the idea is that
this is a snapshot,
848
00:38:41,667 --> 00:38:45,542
this is literally the moment
of Jesus's resurrection.
849
00:38:45,542 --> 00:38:48,625
He's wrapped in this
cloth, he gets resurrected.
850
00:38:48,625 --> 00:38:50,875
There's this phenomenal
amount of energy
851
00:38:50,875 --> 00:38:52,333
that must've been
released in that.
852
00:38:52,333 --> 00:38:54,458
Is that what creates this image?
853
00:38:54,458 --> 00:38:56,792
(tense music)
854
00:39:00,542 --> 00:39:03,292
- The marks on the cloth
are not the result
855
00:39:03,292 --> 00:39:04,833
of a conventional type of heat
856
00:39:04,833 --> 00:39:06,625
or a light that
would generate heat.
857
00:39:06,625 --> 00:39:09,208
For instance, it's not
like you would get a scorch
858
00:39:09,208 --> 00:39:11,333
on an ironing
board, for instance.
859
00:39:11,333 --> 00:39:16,292
It's more analogous to a light
that might be from a laser.
860
00:39:16,292 --> 00:39:19,917
- Now, we know that the burns
clearly are the result of heat
861
00:39:19,917 --> 00:39:22,708
because they fluoresce
under ultraviolet light.
862
00:39:22,708 --> 00:39:25,417
But the body image
does not fluoresce,
863
00:39:25,417 --> 00:39:29,208
so it looks like a
scorch but it's not.
864
00:39:29,208 --> 00:39:30,708
- For di Lazzaro,
865
00:39:30,708 --> 00:39:32,750
he stopped short of
saying this is a miracle.
866
00:39:32,750 --> 00:39:34,792
But of course, this
is extraordinary
867
00:39:34,792 --> 00:39:37,792
because you don't have
that kind of ultraviolet
868
00:39:37,792 --> 00:39:41,375
light technology needed
in the first century.
869
00:39:41,375 --> 00:39:43,667
So if this actually
has happened,
870
00:39:43,667 --> 00:39:45,708
this is inexplicable.
871
00:39:46,667 --> 00:39:48,708
- Christians will argue
872
00:39:48,708 --> 00:39:51,708
that that kind of energy
was actually produced
873
00:39:51,708 --> 00:39:53,167
through the resurrection.
874
00:39:53,167 --> 00:39:57,667
For them, the amount of
energy needed isn't an issue.
875
00:39:57,667 --> 00:40:00,167
The resurrection was
such a powerful event
876
00:40:00,167 --> 00:40:03,208
that it could produce
what science cannot.
877
00:40:05,167 --> 00:40:07,375
- [Laurence] For many
Christians, the Shroud of Turin
878
00:40:07,375 --> 00:40:10,375
is proof of the cornerstone
in their faith,
879
00:40:10,375 --> 00:40:13,375
the death and
resurrection of Jesus.
880
00:40:13,375 --> 00:40:16,042
- For Christians, this
is an important symbol.
881
00:40:16,042 --> 00:40:19,458
It speaks to the death
and resurrection of Jesus,
882
00:40:19,458 --> 00:40:20,875
the center point,
883
00:40:20,875 --> 00:40:24,083
the fundamental
meaning of the gospel.
884
00:40:24,083 --> 00:40:28,417
Their argument is, until
science can tell them
885
00:40:28,417 --> 00:40:30,083
how this was produced,
886
00:40:30,083 --> 00:40:33,292
there is good reason to
believe that it is authentic.
887
00:40:33,292 --> 00:40:35,042
(tense music)
888
00:40:35,042 --> 00:40:39,708
- I don't think we can
exclude a physical process,
889
00:40:39,708 --> 00:40:42,375
but it is a physical process
that we do not understand
890
00:40:42,375 --> 00:40:44,708
and cannot replicate today.
891
00:40:44,708 --> 00:40:47,792
More academic scrutiny
has been brought to bear
892
00:40:47,792 --> 00:40:50,542
on this 14.5 foot strip of linen
893
00:40:50,542 --> 00:40:53,708
than any other
object in the world
894
00:40:53,708 --> 00:40:56,667
and we still can't
explain the image.
895
00:40:57,708 --> 00:40:59,708
That's a philosophical
challenge.
896
00:40:59,708 --> 00:41:02,167
When you confront the limits
of your human knowledge,
897
00:41:02,167 --> 00:41:03,500
your human capacity,
898
00:41:03,500 --> 00:41:06,542
where else do you
go for an answer?
899
00:41:08,125 --> 00:41:10,250
(rising dramatic music)
900
00:41:11,792 --> 00:41:13,708
- Over the course of many years,
901
00:41:13,708 --> 00:41:16,125
scientists have applied
the latest technology
902
00:41:16,125 --> 00:41:19,417
to unraveling the
mystery of the shroud.
903
00:41:19,417 --> 00:41:24,375
Yet the question of what the
image is and how it was made
904
00:41:24,375 --> 00:41:26,250
remains unsolved.
905
00:41:26,250 --> 00:41:27,708
For the skeptics,
906
00:41:27,708 --> 00:41:32,500
it's an incredibly
sophisticated medieval fraud.
907
00:41:32,500 --> 00:41:36,458
For the faithful, it's
a miraculous relic.
908
00:41:36,458 --> 00:41:39,042
Maybe one day, the
truth will be revealed.
909
00:41:40,167 --> 00:41:41,708
I'm Laurence Fishburne.
910
00:41:41,708 --> 00:41:45,708
Thank you for watching
"History's Greatest Mysteries".
72516
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