All language subtitles for The Bionic Woman S02E21 The Night Demon aka Daemon Creature 1080p BluRay FLAC2 0 H 264-BTN (1)_track5_[eng]

[rattling]

- Thomas.
- Mm-hmm?

Look at this.

Yeah, it's very good.

How would you catalog this?

Fetish of the chase.

- Yeah.
- Badger god?

[Thomas] Close. White wolf.

Oh. White wolf, yeah.

Let's--let's see if I remember
the, uh--the quote.

Uh, let's see.

Then said the creator Pochienki
to the white wolf,

"You are stout of heart.

Therefore I make thee master
and guardian of the east.

For thy coat is white and gray,
the color of the dawn on a day."

[laughter]

Hey, what have we got here?

Hey, what is it?

From the way the knots are tied,

I'd guess it was the skin of the mane
of the white buffalo.

It symbolizes the triumph of wisdom,

love, and truth
over the powers of darkness.

You see, tied in this particular way,
it neutralized the forces of evil.

Volcanic, glass, obsidian.

The local Indians never had
obsidian of this quality.

Massau?

Massau?

Massau?
You mean the night demon?

You know this creature?

Yeah.

Yeah.

It's--

"Therefore I cast thee into lower regions,
making you guardian of the dead.

Thy coat is black, the color
of the fear that clutches men's hearts."

Just wrap it up and put it back, Thomas.

Thomas, come on.
This is a burial ground.

The ancients put that symbol
there to invoke

the presence of the night demon
if its dead were disturbed.

I don't want any part of it.
Put it back.

But we already touched it.

And if you know the legend,
you know that reburying it

won't do any good.

Besides, it's only a legend.

Come on, lad.

We've done enough for today.

We'll come back tomorrow about noon.

Lyle. Come on.

[howling]

[neighing fearfully]

[neighing fearfully]

[neighing fearfully]

[clattering]

[growling]

[theme music]

[car radio playing]

[car radio playing]

[honk]

Hi.

Well, now what can I do for you, missy?

Uh, fill it up, please.

Well, why not?

That's what I say.

That's what you want.
That's what you gonna get.

You, uh--one of them Vegas showgirls?

Huh?

You're pretty enough for it.

[laughter]

A couple hundred miles
of twists and turns will get you there.

We're kinda on the back roads to it,
you know?

Uh, which one of them
hotels you at, then?

Uh, you got it wrong.
I'm a school teacher.

Sure you are.

Uh, could you tell me where the, uh,

turn off for the Mount Harding
Observation Station is?

About, uh, two miles down the road.

But they don't want no visitors there.

I mean, they kicked me off
from hunting there.

Got restricted signs all over the place.

Well, they might let me in.

You know, I believe they will.

Them Vegas showgirls get just
about anything they want.

You know where Thomas Bearclaw lives?

Sure.

He lives right on the Mount Harding Road.

- You know old Thomas, do you?
- Mm hmm.

Well now.

I didn't know that, uh--old Tom
had been to Vegas lately.

Look.

Thomas is an old and dear
friend of mine.

He used to teach at the college
that I went to.

He taught Indian folklore
and now he lectures to my classes.

[clears throat disbelievingly]

He's given me a standing invitation

to come study with him whenever I like,
so here I am.

Yeah, well.

Thomas is one of them
good old boys all right.

We ain't close, but sociable.

I even tried to buy that
old place off of him

a few months ago.

You know, with a good well,
make paths with alfalfa land.

But he's keeping it on account
of that old burial ground.

Crazy old Indian.
I mean, he won't grow nothing.

And he won't sell none of them
trinkets he finds either.

Ah, I could sure unload a bunch
of them on to tourists

if he'd just talk a little bit of sense.

No.

Oh, that ain't--hey.
That ain't working.

I got some, uh--beer on ice.

- Now you want a beer?
- Uh, no.

Thank you.

Took $9.50.

Come on in.
I'll get you your change.

Well, come on.
I ain't gonna bite you.

[gasps]

[laughter]

He's something, ain't he?

I used to have to keep him
chained up out back.

He's a mean old dude,
all right.

Lookie here.

I got a little bit too
close one day when I was feeding him.

He almost took my arm off.

So you killed him?

Oh, no, lady.
I wouldn't kill old boy for that.

No.
He got hit by a car right after he bit me.

Had to get me a bunch of them
rabbit shots too.

Oh, thank you.

I got me a big old sidewinder.
You wanna see it?

Uh, some other time, thank you.

Ahh.

[Lyle] Call me crazy,
but I heard something

outside my house last night.

I admit it. I'm scared.

You know, I might have
seen something myself.

And I'm not even sure I was awake.

What was it?

Oh, probably a figment
of my imagination.

The power of suggestion run wild.

Nothing more than a nightmare.

- [Lyle] Are you sure?
- Come on, Lyle.

This is 1977.

I believe in my people's traditions
not in their ancient superstitions.

Jaime.

Thomas.
Get her out of here.

[ear beeping]

[Lyle] I'm not crazy
or seeing things and neither are you.

I don't know if I believe in Massau.

But whatever it is, we're in it together.

Lyle, you really mean
what you're saying?

Yeah.
Enough to--listen, Thomas.

Hawkins made me an offer
in my place.

You're that frightened?

[Lyle] Aren't you?

Not enough to sell my land.

- Jaime.
- Hi, Thomas.

Listen, could you handle a house guest
for a couple of days?

I mean, I haven't picked a bad time
or anything, have I?

Considering I've been trying to get you
our here for a few years, you couldn't.

Jaime Sommers, my neighbor, Lyle Cannon.

- How do you do?
- Ms. Sommers.

Now did you come all this way
just to see an old man?

Well, I tell you.

I have to deliver this, uh-- package
to the observation station.

So I had a great excuse
to come visit you.

- Come inside.
- Okay.

Thomas.

I think we should talk about
this a little further.

Maybe tomorrow.

This is, uh--really unusual.

Oh, I just found that yesterday.

It's, uh, Massau.
The night demon.

It's a very important find.

Huh. Night demons usually are.

They're real attention getters, you know?

What would you like to do
while you're here?

I'd really like to cram in just
as much as I possibly could.

Fine.
Where do you like to start?

How about that guy?

[Thomas] That guy?

All right.

In early tribal mythology,
first man created the universe.

In his concept, the ideal state
was that in which all parts,

each with its power for good and evil,
are maintained in interrelated harmony.

The balance is precarious at best,

but may be upset intentionally by ghosts,
witches, and people who do evil.

Or unintentionally by persons
who break some religious taboo.

Well, how does he fit into the scheme?

[Thomas] He's a Satanic figure
with slight variations.

His good is that he protects
the rest of the dead.

His bad is that when once
aroused, he, um--

Kinda does his own thing?

Sort of.

Here.

This is pretty heavy reading.

But if you really want to know.

You gonna quiz me on
this in the morning?

I'll quiz you on it in the morning.

Oh, a fellow at the gas station
told me that you'd found a burial ground.

Is that true?

Yes.

What are my chances on
getting to see that?

Maybe tomorrow.

Come.
I'll show you to your room.

[howling]

"At birth, each person receives
a guardian spirit

from Aariko the mother of all.

In death, the spirit makes the journey
to the entrance of the underworld,

where the least virtuous pass
under the sway of Massau,

also called black wolf or night demon.

The Massau was condemned--

[Thomas] --by the
Aariko, who ruled in the black darkness

of the holes and caves of the earth.

Therefore,
I cast you into the lower regions

and make you guardians
of the dead.

For thy coat is black,

the color of night and the fear that
clutches men's hearts."

[howling]

[neighing fearfully]

[growling]

[gasps]

[growling]

[growling]

[thud]

[ear beeping]

Jaime? What is it?

Are you all right?

Where does this road go?

It's toward the mountain,
past the burial ground.

What did you see?

Well, I'll tell you as soon
as I catch up with it.

Jaime!

Jaime!

Jaime, come back here!

[ear beeping]

Hey. You all right?

I--I don't know what it was.

Something came at me
from out of the night.

I was on the way to Thomas's place
to tell him that--that one of my steers--

I don't know. Something killed it.

[gunshots]

[gasps] Don't shoot.

Well, if it isn't the showgirl.

Now what are you two doing out
here this time of night?

I could ask you the same thing.

Oh, I was just doing
a little jack lighting.

Thought I had me a cougar
there, too, or something.

I got off a couple of shots at him.

But I tell you, he was traveling.

- Did you see him?
- Well, not too good.

Like I said, lady.
He was flying kind of low.

- Those look like wolf tracks to me.
- I know. I was following it.

Well, they don't look like any,
uh, wolf tracks to me.

Animal that made them tracks had
to be walking on two feet.

- They stop.
- What do you mean stop?

They just disappear.

The trail just comes to an end.

Come on.
This is ridiculous.

Th--things just don't vanish.

Then you tell me what happened, lady.

[howling]

Thomas, we asked for trouble
and we got it.

What's the matter?

- Something killed one of my horses.
- Yeah. Just like my steer.

[sigh] Thomas, don't you
think it's about time to call the sheriff?

[laughter]

And report what?

I'm not interested in ending up
in the funny farm, you know.

If we say it's an Indian legend,
they'll just throw it back in my lap.

As the expert, they'll ask me what it was.

I have no answer.

Now look, I have to deliver this
to the observation station.

But I would like to talk to you
about it when I get back. Okay?

Thomas, did she touch the Massau?

It could be after her now.

- Lyle, shut up.
- Okay, okay. Fine.

But I've had it.

If Hawkins is still a fool enough
to want my place, he can have it.

- Oh, Thomas?
- Mm hmm?

That burial ground is on the way to the,
uh-- observation station, right?

- That's right.
- Okay.

Uh, Miss Sommers, I, uh--

I really don't think it's a very good idea
you're going up there.

Well, that's where this whole thing
started, isn't it?

Maybe there's some answers
up there, hm?

- See you.
- Bye-bye.

That girl's got guts going out there.

She'll be all right.

I hope so.

Thanks, Ms. Sommers Oscar Goldman
called and said you were bringing this.

I'm not sure I deserve
a special messenger.

It's okay. Captain?

- Yeah.
- Could you do me a favor you think?

Sure thing.
What can I do to help?

Could you possibly have this
developed and printed?

It'll take a few minutes if
you don't mind waiting.

No, I don't.
I would like to wait.

- Come on. You can watch.
- Okay.

- In a minute or two we can print these.
- All right.

Isn't that Lyle Cannon?

Yeah, that's Lyle.
Where do you know him from?

Well, he's just a friend of a friend.

But I didn't know he was in the service.

Well, he's not anymore.

He processed out a couple
months ago.

He used to say he'd
found a home here.

We were surprised when
he didn't re-enlist.

- He just up and left.
- Oh.

He said his dad needed
him back at the ranch.

Begged him to quit and come home
and help out.

Well, let's print these
and see what we have.

Goody. Okay.

Huh.

Look at that.

I saw it on the negative
but I figured I'd print it anyway.

What is that thing?
It looks like a skull.

Well, it is.

Where'd you take these pictures?

I took them in an old Indian burial
ground not too far from here.

Well, maybe the, uh, spirits
put a hex on them.

The last three negatives
were like this.

There's no sense in printing
the other two.

Well, what do you suppose
caused that?

Oh, lots of things.

Light I could have struck the film
when you were loading.

- A faulty camera. Radiation.
- Radiation?

Yeah. X-rays. Uranium.

But it couldn't be uranium,

because there are not hot ore deposits
in this area.

How do you know that?

Well, part of our job here
is processing satellite surveys.

It's a new experimental technique
for holographic research.

Proud of it.
Let me show you.

- Now this is the area we're in.
- [Jaime] Yeah.

It covers about 100 miles.

If there were any pay dirt around,
it would show.

Like this.

These are known deposits,
working mines.

We use these for comparisons
with the, uh, new plates.

Does your satellite ever make mistakes?

No.

And there's no chance for human error

because this is exactly the way
we processed it

when it came in from the satellite.

Okay. Well, thank you very much
for these pictures.

And, uh, for the briefing.

And I guess I'm gonna have to have
my camera checked

- as soon as I get back into town.
- Yeah.

And watch out for those
burial ground spooks.

I sure will. Bye-bye.

Bye.

[tires squealing]

[tires squealing]

[crash]

[sigh]

Are you all right?

- Yeah.
- What happened?

I saw it again.

Saw what?

I saw Massau.
I was just driving the car.

And he started coming at me.
And I'm like.

You could have been killed.

This was my fault.

Oh.

There's no such thing.
Now, come on.

I've been thinking.

When Massau appeared among
the ancient people,

they abandoned their villages.
Moved away.

And the curse never followed them.

We might end it here if, uh--

Lyle thinks we both ought
to sell to Hawkins.

- That's kind of a dirty trick, isn't it?
- Oh, no.

Hawkins never touched the figurine.

Oh, Thomas.
You can't sell your land.

I know how much it
means to you.

It would be has hard on Lyle
as it is on me.

He loves the land as I do.

He didn't even sell when
his father died.

His father died?

Two years ago.

Two years ago?

- Yes. Why?
- Well...

the man at the observation station
told me--

Uh--

Where's--where's Lyle's ranch?

Just past the other side
of the burial ground.

But he went to Hawkins'.
I'm supposed to meet him there.

To sell your land?

No, Thomas. Look.

I--I don't know what I'm on to.

But don't do anything, please,
until I get back.

Can I borrow your pickup?

Well, of course.

Lyle?

[detector clicking]

It's on my shoes.

Where'd I pick that up?

Hm.

[detector clicking]

[detector clicking]

Oh, boy.

That's where I got it.

There is uranium on that burial ground.

[phone ringing]

Photo Lab.
Sargent Woods.

Hi, Sargent.
This Jaime Sommers.

Um, I got a couple more
questions for you.

Did Lyle Cannon work on
those holographic experiments with you?

He was in charge of it.

We processed film from the satellites

and then I helped him
repair the projectors.

I see.
Now--um, holography is

the projection of three-dimensional
images, right?

Yeah.

Hey, what's this all about?

Okay.
Thanks for all your help. I'll--

I'll tell you later, okay? Goodbye.

Well, you know you're waiving escrow
in this, don't you?

Yeah.

I just want out.

You are.

You ready, Thomas?

I feel we should tell you
why we're doing this.

[laughter]

Well, Lyle's already told me.

And the way I see it, between
you two and that thing up there,

ain't no reason in the world
why he oughta bother me.

You know, Thomas,

I'm real sorry that girl had
to get hurt to bring you to your senses?

Just sign right there, Thomas.

[scream]

Ah.

Oh.

Oh.

Oh.

Oh.

Oh, that's what dreams
are made of, huh?

[sigh]

[sigh]

[beeping]

Oh.

[beeping]

[beeping]

Oh. Oh.

Oh, boy.

[beeping]

[growling]

[Jaime yelps]

[beeping]

Very clever, Mr. Cannon.

Hawkins too.

Thomas.

There is a uranium deposit
under the burial ground.

Now Lyle has known about
this from processing

the satellite photos.

What he's done is alter the ones
that the Air Force still has

so he can keep it a secret.

He and Hawkins have been working
together to get your property.

It can't be.
We saw the demon.

Oh, they've been--they've
been frightening us with--

With a Halloween costume
and a holographic projector.

Oh, Lord, Jaime.

I sold the land an hour ago.

Oh. Well, look.

We--we can get it back.
Maybe--

It's too late.

They've won.

Oh, boy.

And now watch this.
This is what Lyle put on my car.

It came up so quickly.

Yeah.
It does in here.

Maybe the sunlight delays
the action.

It's gone now.

Probably a photochemical
reaction of some sort.

Yes.
Lyle would know about that.

He probably planted that
figurine of Massau, too,

knowing that I'd find it.

Look at this.

Excuse me, fellow.

This is the stuff that made
us foggy every time

we'd see that demon.

That's Hanson weed.

It's an old Indian medicine
for livestock.

Get this stuff in your eyes
and it distorts your vision.

Really?

Well, they thought of everything.

Oh, to be taken in like this.

I feel so foolish.

So degraded.

Thomas, look it.
They haven't beat us yet.

I mean, they're not home free

until they come back here
and destroy all this stuff.

You are going to do an acting job,
Thomas Bearclaw.

[laughter]

Now ain't that the prettiest
piece of paper you ever saw?

- Yep.
- Huh?

Now you got some more pretty paper for me,
don't you?

I do.

This is 5,000.
Thanks for your help.

You sure went to an awful lot
of trouble

just to buy some old range land.

He'd have never sold
out otherwise.

[laughter]

Dumb old Indian.

Putting on airs and thinking
he's such pure intellectual.

I'd like to tell him how
dumb he really is.

[laughter]

[laughter]

Okay. Okay.

Let's play it serious.

Cool him, lock down, get him out of here.

Thomas, you there?

- Lyle, I saw it.
- Saw what?

Massau.

It was here when I got back.

[laughter]

Now Thomas, you're just letting
your imagination run

clean away with you.

I'm not crazy.

It went up there.
I saw it, I tell you.

That proves we did the right
thing by selling out to you.

Thomas. Thomas, look.

I'm thinking of our own good.

Now the faster we get packed
and out of here,

the better.

You just go inside and rest, old friend.

Hawkins and I will wander
up that hill and see what's there.

Yes.

[laughter]

Now he's seeing them
where they ain't.

Let's just go clean
out the cave.

[laughter]

What was that?

S-s-s-search me.

Okay. We'll burn it.

[Hawkins] You can bet on that.

[growling]

Somebody's playing games.

That somebody's going to have
to be taught a lesson.

Whoa.

[coughing]

The thing's gotta be killed!

[gunshots]

[Hawkins] it ought to be dead.

That's solid steel.

W-What's going on?

No.

What are you?

I'm getting out of here.

It's coming.

Whoa.

Hey. Hey, wait.
Look.

Somebody's trying to con us
with our own scam.

Hey, man.
You saw it bend the shotgun.

I don't know what I saw in the dark.

But there's no way he can
do his tricks out here.

[Hawkins] What's it gonna do?
What's it gonna do?

[Lyle] I don't know.

[Hawkins] Whoa.

[crash]

Oh, Lord.

Wait. Wait for me.

Now stay away from me.
It was all his idea.

Don't you listen to him.

No way.
I didn't mean any harm.

Please don't hurt me.

Oh, Lord.

[Hawkins] That's solid rock.

[Lyle] I know it. I know it.

All right. All right.
Anything you say.

Wait.

Wait for me.

Lyle, wait.
Lyle, wait up.

Thomas! Thomas!

Thomas.
Thomas, we pulled a trick on you.

[ear beeping]

We conned you out of your land

because there's uranium underneath
the burial grounds.

Uranium.

What uranium?

You never told me about
no uranium.

Thomas, me too.

Now, wait a minute.
Wait a minute.

Tell a little more about
this uranium.

Don't forget what's after
us back there.

[Hawkins] I've been
searching these hills for--

For a strike and ain't
never found nothing.

[Lyle] Yeah, yeah.
Come on.

[Hawkins] Whoa.

[Lyle] Get back in here.
Come on. Come on.

[laughter]

[Thomas] If Hawkins fired twice,
why aren't there any bullet holes?

Because I dumped the pellets
out of the shells,

so they were just blanks.

Thomas this is gonna
make the greatest prop for your lectures.

It's insane.

It's only power was my belief in it.

That's usually the only
power there ever is.

Listen, what are you gonna do
now that you're a rich man?

- Hm?
- Well, I don't need much.

I guess I'll endow a scholarship
to the university

for the study of Indian lore.

Jaime,

since you won't take any money from me,

maybe you'd like some memento.

How about this?

Really? I--I-uh--no.

I don't think so.

I mean, it's not that I believe
in it or anything.

I just don't think that--

We gotta leave well
enough alone.

You got me.

[laughter]

[theme music]