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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,786 --> 00:00:02,295 PREVIOUSLY ON "NYPD BLUE"... 2 00:00:02,362 --> 00:00:06,329 WHAT ASSHOLE HAS THE NERVE TO SEND BOXES BEFORE YOU'RE GONE? 3 00:00:06,395 --> 00:00:08,962 GENTLEMEN AND LADIES OF THE 15th, I HAVE ARRIVED. 4 00:00:09,029 --> 00:00:11,995 PERMISSION TO BOARD, LIEUTENANT. 5 00:00:12,062 --> 00:00:13,862 THOSE ARE YOUR BOXES? OF COURSE THEY ARE. 6 00:00:13,929 --> 00:00:15,329 YOU'RE THE NEW C. O.? 7 00:00:15,395 --> 00:00:16,995 THE CHIEF OF DETECTIVES DIDN'T GIVE YOU A HEADS UP? 8 00:00:17,062 --> 00:00:18,262 NO. 9 00:00:18,329 --> 00:00:20,029 THIS IS APRIL FOOL'S, RIGHT? 10 00:00:20,095 --> 00:00:22,995 I WISH YOU LUCK AND ALL THE BEST IN YOUR NEW JOB, 11 00:00:23,062 --> 00:00:25,429 BUT, UH, KEEP IN TOUCH. 12 00:00:25,495 --> 00:00:27,562 HEAR! HEAR! HEAR! HEAR! HEAR! HEAR! HEAR! HEAR! 13 00:00:27,629 --> 00:00:29,262 THANKS. 14 00:00:42,562 --> 00:00:43,729 WHAT DO WE GOT? 15 00:00:43,795 --> 00:00:46,562 TONY DEKEYS, SHOT REPEATEDLY. 16 00:00:46,629 --> 00:00:47,862 WHO CALLED IT IN? 17 00:00:47,929 --> 00:00:49,962 OLD LADY LIVES ACROSS THE STREET. 18 00:00:50,029 --> 00:00:51,462 SHE HEARD THE SHOTS, 19 00:00:51,529 --> 00:00:53,762 BUT SHE DIDN'T LOOK IN TIME TO SEE WHO DID IT. 20 00:00:53,829 --> 00:00:55,695 IT DOESN'T LOOK LIKE A ROBBERY. HE WAS SHOT THROUGH THE WINDOW. 21 00:00:55,762 --> 00:00:58,829 HE'S WEARING COLORS?? COULD BE GANG?RELATED. 22 00:00:58,895 --> 00:01:00,762 WORTH LOOKING INTO. HEY, WHO'S THIS? 23 00:01:00,829 --> 00:01:01,995 HEY. I'M HATCHER. 24 00:01:02,062 --> 00:01:03,629 AND? 25 00:01:03,695 --> 00:01:04,529 STAN HATCHER. 26 00:01:04,595 --> 00:01:06,262 THE BOROUGH'S ASSIGNED ME TO YOUR SQUAD. 27 00:01:06,329 --> 00:01:07,729 EFFECTIVE WHEN? TODAY. 28 00:01:07,795 --> 00:01:09,662 YOU DIDN'T KNOW ABOUT THIS? NAH, FIRST WE'VE HEARD. 29 00:01:09,729 --> 00:01:12,029 I TALKED TO YOUR BOSS YESTERDAY AND THIS MORNING. 30 00:01:12,095 --> 00:01:13,895 HE'S THE ONE WHO TOLD ME TO RESPOND TO THIS. 31 00:01:13,962 --> 00:01:15,729 GIBSON. 32 00:01:15,795 --> 00:01:18,229 LOOK, I DON'T WANT TO STEP ON ANY TOES HERE. 33 00:01:18,295 --> 00:01:20,462 HEY, MAN, DON'T WORRY ABOUT IT. JOHN CLARK. 34 00:01:20,529 --> 00:01:22,462 GOOD TO MEET YOU. ANDY SIPOWICZ. 35 00:01:22,529 --> 00:01:25,062 STAN HATCHER. WHERE DO I KNOW THAT NAME FROM? 36 00:01:25,129 --> 00:01:26,595 THE SCHOOL BUS OF BLIND KIDS 37 00:01:26,662 --> 00:01:29,562 THAT WERE SAVED FROM PLUNGING OFF THE BRIDGE?? 38 00:01:29,629 --> 00:01:31,129 THAT WAS ME. 39 00:01:31,195 --> 00:01:33,862 GREG MEDAVOY. HEY, HOW'S IT GOING? 40 00:01:33,929 --> 00:01:36,129 BALDWIN JONES. WHAT'S UP, MAN? 41 00:01:36,195 --> 00:01:38,829 WHERE WERE YOU BEFORE THIS, STAN? 42 00:01:38,895 --> 00:01:41,362 THE 7?2. 43 00:01:41,429 --> 00:01:43,129 SO, WHAT ARE WE LOOKING AT HERE? 44 00:01:43,195 --> 00:01:44,195 D.O.A., BLACK MALE. 45 00:01:44,262 --> 00:01:46,229 NO WITNESSES, NO SIGNS OF A ROBBERY. 46 00:01:46,295 --> 00:01:48,329 WEARING THOSE COLORS, GOTTA BE A BLOOD. 47 00:01:48,395 --> 00:01:49,995 WE PICKED UP ON THAT, YEAH. 48 00:01:50,062 --> 00:01:52,195 SOMEBODY SHOULD TALK TO THE LATIN KINGS. 49 00:01:52,262 --> 00:01:53,429 WHY THEM? THE WORD I'M HEARING 50 00:01:53,495 --> 00:01:55,195 IS SOME BLOOD MADE INAPPROPRIATE REMARKS 51 00:01:55,262 --> 00:01:57,129 TO THE GIRLFRIEND OF A HIGH?UP LATIN KING. 52 00:01:57,195 --> 00:01:59,095 LOTS OF THREATS GOING BACK AND FORTH SINCE. 53 00:01:59,162 --> 00:02:00,362 AND YOU GOT THIS WORD HOW? 54 00:02:00,429 --> 00:02:01,962 I USED TO WORK THE GANG UNIT. 55 00:02:02,029 --> 00:02:03,862 STILL KEEP MY EAR TO THE GROUND. 56 00:02:03,929 --> 00:02:04,862 RUN WITH IT. DONE. 57 00:02:04,929 --> 00:02:06,762 Jones: WE'LL GET A CANVASS STARTED. 58 00:02:10,895 --> 00:02:12,762 SEEMS ALL RIGHT. 59 00:02:12,829 --> 00:02:15,695 STAN HATCHER?? I KNOW THAT NAME FROM SOMEWHERE. 60 00:02:15,762 --> 00:02:19,095 YEAH, HE'S THE ONE WHO SAVED THE SCHOOL BUS. 61 00:03:33,462 --> 00:03:35,795 HOW'S THE NEW GUY? WITTY. 62 00:03:35,862 --> 00:03:37,229 HE DIDN'T RAISE ANY FLAGS. 63 00:03:37,295 --> 00:03:40,162 REGARDLESS, HOW ABOUT MAKING A CALL TO THE 7?2?? 64 00:03:40,229 --> 00:03:42,695 SEE WHAT THEY GOT ON THIS GUY STAN HATCHER? 65 00:03:42,762 --> 00:03:44,262 RUN A CREDIT CHECK, TOO? 66 00:03:45,629 --> 00:03:46,729 I'LL SEE WHAT I CAN DO. 67 00:03:46,795 --> 00:03:47,729 [ SQUAWKING ] 68 00:03:47,795 --> 00:03:49,029 WHAT THE HELL WAS THAT? 69 00:03:49,095 --> 00:03:50,395 AFRICAN GRAY PARROT. 70 00:03:50,462 --> 00:03:52,529 SERGEANT GIBSON BROUGHT IT IN THIS MORNING. 71 00:03:52,595 --> 00:03:55,095 IT'S QUITE VOCAL. 72 00:03:55,162 --> 00:03:56,295 WHAT HAVE WE GOT? 73 00:03:56,362 --> 00:03:57,929 UH... 74 00:03:57,995 --> 00:03:59,795 D.O.A. BLACK MALE, MAY BE GANG?RELATED. 75 00:03:59,862 --> 00:04:01,129 WHAT'S WITH THE BIRD? 76 00:04:01,195 --> 00:04:02,595 WHO, HIM? YEAH. 77 00:04:02,662 --> 00:04:05,029 OH, THAT'S THE COLONEL. I'VE HAD HIM FOR YEARS. 78 00:04:05,095 --> 00:04:06,595 FRIENDLY AS A DOG. KEEPING HIM HERE? 79 00:04:06,662 --> 00:04:08,929 YEAH, BUT, TRUST ME?? AFTER A COUPLE HOURS, 80 00:04:08,995 --> 00:04:10,395 YOU'LL COMPLETELY TUNE HIM OUT. 81 00:04:10,462 --> 00:04:12,395 NATURAL MIMICS, THE AFRICAN GRAY. 82 00:04:12,462 --> 00:04:14,895 THEY HEAR SOMETHING?? THEY PICK IT RIGHT UP. 83 00:04:14,962 --> 00:04:18,062 WHEN THE COLONEL SAYS HELLO, YOU'D SWEAR IT WAS THE WIFE. 84 00:04:18,129 --> 00:04:19,862 THIS IS A WORK PLACE, GIBSON. 85 00:04:19,929 --> 00:04:21,495 GIVE HIM TIME. YOU'LL FALL IN LOVE. 86 00:04:24,162 --> 00:04:25,829 YOU MUST BE HATCHER. 87 00:04:25,895 --> 00:04:27,195 SERGEANT EDWARD GIBSON. 88 00:04:27,262 --> 00:04:29,195 WELCOME TO THE BEST SQUAD IN THE CITY. 89 00:04:29,262 --> 00:04:30,395 GLAD TO BE HERE. 90 00:04:30,462 --> 00:04:31,595 JOHN IRVIN. 91 00:04:31,662 --> 00:04:33,495 WHAT'S UP, MAN? 92 00:04:33,562 --> 00:04:35,629 HEY...MAN. NOT MUCH. 93 00:04:35,695 --> 00:04:36,962 HI. UH, CONNIE McDOWELL. 94 00:04:37,029 --> 00:04:38,795 LOOK AT YOU?? READY TO POP. 95 00:04:38,862 --> 00:04:40,262 YEAH, YEAH, A MONTH AWAY. 96 00:04:40,329 --> 00:04:43,295 WITH THE HELP OF CERTAIN PEOPLE WHO SHALL NOT BE NAMED. 97 00:04:43,362 --> 00:04:45,762 SO, HOW 'BOUT GETTING HIM SET UP, GIBSON? 98 00:04:45,829 --> 00:04:47,329 ME AND ANDY GO WAY BACK, 99 00:04:47,395 --> 00:04:50,295 WHICH IS WHY HE CALLS ME "GIBSON" INSTEAD OF "SERGEANT." 100 00:04:50,362 --> 00:04:52,795 YEAH, SO, I'M ASSUMING THIS IS GONNA BE YOUR DESK, 101 00:04:52,862 --> 00:04:54,062 BUT THIS IS MY LAST DAY 102 00:04:54,129 --> 00:04:56,062 BEFORE I START MY MATERNITY LEAVE, SO... 103 00:04:56,129 --> 00:04:58,062 I DON'T SPEND MUCH TIME AT THE DESK ANYWAY. 104 00:04:58,129 --> 00:04:59,795 HEY. RITA ORTIZ. 105 00:04:59,862 --> 00:05:01,662 HEY. STAN HATCHER. 106 00:05:01,729 --> 00:05:02,829 SO, WHERE ARE WE AT? 107 00:05:02,895 --> 00:05:04,295 I RAN HIM THROUGH THE GANG UNIT. 108 00:05:04,362 --> 00:05:06,062 THE D. O. A. WAS A HARD?CORE GANGBANGER 109 00:05:06,129 --> 00:05:07,395 WITH THE AVENUE D BLOODS. 110 00:05:07,462 --> 00:05:09,729 MY CONTACT SAYS ONE OF THE D. O. A.'s HOMEBOYS 111 00:05:09,795 --> 00:05:12,929 MADE A MOVE ON THE GIRLFRIEND OF A GUY NAMED WILMER LOPEZ. 112 00:05:12,995 --> 00:05:14,895 A LATIN KING. BINGO. 113 00:05:14,962 --> 00:05:16,729 WILMER GOES BY THE NAME "KING JAZZ." 114 00:05:16,795 --> 00:05:17,929 WE'LL HEAD OUT TO TALK TO HIM. 115 00:05:17,995 --> 00:05:20,362 SOUNDS GOOD. 116 00:05:22,195 --> 00:05:24,062 THIS KID'S SHARP, HUH? 117 00:05:24,129 --> 00:05:25,295 [ PARROT SQUAWKING ] 118 00:05:25,362 --> 00:05:28,395 KEEP THE DOOR CLOSED, OR I'M GETTING SOME DUCT TAPE. 119 00:05:29,662 --> 00:05:32,195 ED BOYANOVICH. I NEED TO TALK TO SOMEBODY. 120 00:05:32,262 --> 00:05:34,362 MY DAUGHTER'S BEEN... KIDNAPPED. 121 00:05:37,629 --> 00:05:40,495 DETECTIVES JONES, MEDAVOY. LET'S GO TALK IN HERE. 122 00:05:47,562 --> 00:05:49,929 WHAT'S YOUR DAUGHTER'S NAME, MR. BOYANOVICH? 123 00:05:49,995 --> 00:05:51,729 CARLA. 124 00:05:51,795 --> 00:05:54,129 SHE'S 15. 125 00:05:54,195 --> 00:05:56,929 SHE'S BEEN SEEING THIS BOY, CHARLES SLOCUM. 126 00:05:56,995 --> 00:05:58,962 THEY GO TO THE KENDALL SCHOOL. 127 00:05:59,029 --> 00:06:01,862 SHE'S A SOPHOMORE. HE'S A SENIOR?? RICH KID. 128 00:06:01,929 --> 00:06:04,162 DOES THAT FACTOR IN? HE FACTORS IN. 129 00:06:04,229 --> 00:06:06,829 HE'S TAKING HER TO NIGHTCLUBS, PARTIES. 130 00:06:06,895 --> 00:06:09,295 SHE STARTS COMING HOME AFTER CURFEW. 131 00:06:09,362 --> 00:06:12,229 I CALL TO TALK TO HIS PARENTS. THEY'RE NOT AROUND. 132 00:06:12,295 --> 00:06:14,029 WHEN WAS THE LAST TIME YOU SAW YOUR DAUGHTER? 133 00:06:14,095 --> 00:06:16,195 TWO NIGHTS AGO. 134 00:06:16,262 --> 00:06:18,562 IT HAD BEEN REALLY SO CALM AROUND THE HOUSE 135 00:06:18,629 --> 00:06:19,529 THE LAST FEW WEEKS. 136 00:06:19,595 --> 00:06:22,362 SHE SAID HER AND SLOCUM BROKE UP. 137 00:06:22,429 --> 00:06:24,329 BUT THEN I GET HOME ABOUT 9:30, 138 00:06:24,395 --> 00:06:26,595 AND THERE'S A NOTE ON THE CHALKBOARD BY THE FRIDGE?? 139 00:06:26,662 --> 00:06:27,895 "YOU CAN'T STOP ME." 140 00:06:27,962 --> 00:06:29,862 DID YOU CALL SLOCUM'S PLACE? 141 00:06:29,929 --> 00:06:31,329 YES, I DID. NO ANSWER. 142 00:06:31,395 --> 00:06:32,962 SO I GO OVER HIS BUILDING. 143 00:06:33,029 --> 00:06:35,762 I WATCH THE DOORMAN TALK ON THE HOUSE PHONE 144 00:06:35,829 --> 00:06:37,295 FOR, LIKE, FIVE MINUTES, 145 00:06:37,362 --> 00:06:40,529 AND HE'S GOT THE BRASS TO TELL ME THAT NOBODY'S HOME? 146 00:06:40,595 --> 00:06:43,129 HE THREATENS TO CALL THE COPS ON ME. 147 00:06:43,195 --> 00:06:44,829 ALL RIGHT. WE'LL GO TALK TO SLOCUM. 148 00:06:44,895 --> 00:06:46,129 WHAT AM I SUPPOSED TO DO? 149 00:06:46,195 --> 00:06:48,429 THIS KID IS BASICALLY HOLDING MY DAUGHTER HOSTAGE. 150 00:06:48,495 --> 00:06:50,995 SIR, UNDERSTANDING HOW FRUSTRATING IT IS, 151 00:06:51,062 --> 00:06:54,195 WE WOULDN'T CALL IT A KIDNAPPING. 152 00:06:54,262 --> 00:06:56,395 IT'S MORE OF A RUNAWAY SITUATION. 153 00:06:56,462 --> 00:07:00,462 BUT YOU DON'T UNDERSTAND. CARLA IS A YOUNG 15. 154 00:07:00,529 --> 00:07:02,829 SHE ONLY JUST STARTED COMING OUT OF HER SHELL 155 00:07:02,895 --> 00:07:04,262 AFTER HER MOM DIED THREE YEARS AGO. 156 00:07:04,329 --> 00:07:07,995 THEN SHE MEETS THIS OLDER, RICH KID, 157 00:07:08,062 --> 00:07:10,362 AND SHE'S COMPLETELY STARRY?EYED. 158 00:07:10,429 --> 00:07:13,195 LET'S CONCENTRATE ON GETTING YOUR DAUGHTER HOME. 159 00:07:13,262 --> 00:07:16,362 BUT WHAT THIS SLOCUM KID IS DOING IS CRIMINAL, RIGHT? 160 00:07:16,429 --> 00:07:19,662 HUH? KEEPING HER FROM ME?? THAT'S BREAKING THE LAW. 161 00:07:19,729 --> 00:07:22,495 GIVE US SLOCUM'S ADDRESS. WE'LL TALK TO HIM. 162 00:07:22,562 --> 00:07:24,962 EVEN THOUGH HIS FAMILY HAS MONEY, 163 00:07:25,029 --> 00:07:27,762 HE DON'T GET NO SPECIAL TREATMENT, RIGHT? 164 00:07:27,829 --> 00:07:31,562 IF WE FIND SOMETHING CRIMINAL, HE'LL FACE CHARGES. 165 00:07:45,495 --> 00:07:48,595 WILMER LOPEZ? 166 00:07:48,662 --> 00:07:49,929 ARE YOU WILMER LOPEZ? 167 00:07:49,995 --> 00:07:51,429 I DON'T KNOW THAT NAME. 168 00:07:51,495 --> 00:07:54,229 WE CAN TALK HERE, OR WE CAN GO DOWN TO THE STATION HOUSE. 169 00:07:54,295 --> 00:07:55,795 WHAT'S IT GONNA BE? 170 00:07:57,529 --> 00:07:59,495 KING JAZZ, WE NEED A FEW MINUTES OF YOUR TIME. 171 00:07:59,562 --> 00:08:03,129 IT DOESN'T CONCERN YOUR MEN, SO IF YOU'D ASK THEM TO STEP ASIDE, 172 00:08:03,195 --> 00:08:05,729 WE'D APPRECIATE IT?? ALL RESPECT. 173 00:08:14,195 --> 00:08:15,562 SO, WHAT'S THIS ABOUT? 174 00:08:15,629 --> 00:08:18,095 YOU KNOW TONY DEKEYS? YEAH, WHAT ABOUT HIM? 175 00:08:18,162 --> 00:08:20,395 WE HEARD THERE WAS A DISPUTE WITH THE AVENUE D BLOODS 176 00:08:20,462 --> 00:08:22,095 OVER A WOMAN NAMED THERESA GUZMAN. 177 00:08:22,162 --> 00:08:23,562 THAT'S YOUR GIRLFRIEND, RIGHT? 178 00:08:23,629 --> 00:08:25,362 YEAH, BUT THERE'S NO DISPUTE WITH THE BLOODS. 179 00:08:25,429 --> 00:08:27,162 ONE OF THEM DIDN'T HIT ON YOUR GIRL? 180 00:08:27,229 --> 00:08:28,695 THERE WEREN'T THREATS MADE? NO. 181 00:08:28,762 --> 00:08:31,995 ALL RIGHT, LET'S GO. WE'LL TALK AT OUR OFFICE. 182 00:08:32,062 --> 00:08:34,229 ALL RIGHT. DISPUTE'S BEEN SETTLED. 183 00:08:34,295 --> 00:08:35,729 TRIBUTE'S BEEN PAID. 184 00:08:35,795 --> 00:08:39,329 ARE YOU SAYING THERE WAS NO TERMINATION ORDER ON DEKEYS? 185 00:08:39,395 --> 00:08:42,662 YOU SAYING THIS GUY GOT KILLED? YEAH. 186 00:08:42,729 --> 00:08:45,062 IT DIDN'T COME FROM US. TRIBUTE WAS PAID. 187 00:08:45,129 --> 00:08:47,662 WHERE WERE YOU THIS MORNING BETWEEN 8:00 AND 9:00? 188 00:08:47,729 --> 00:08:50,729 YOU'RE TREATING ME WITH RESPECT, SO I'LL TELL YOU. 189 00:08:50,795 --> 00:08:53,562 THIS MORNING AT 8:00 I TOOK MY MOM TO PHYSICAL THERAPY. 190 00:08:53,629 --> 00:08:54,529 SHE'S GOT A BAD HIP. 191 00:08:54,595 --> 00:08:55,895 WHERE'D YOU TAKE HER? 192 00:08:55,962 --> 00:08:56,929 TO A "Y" ON 6th. 193 00:08:56,995 --> 00:08:58,595 CAN ANYONE CONFIRM THAT? 194 00:08:58,662 --> 00:09:00,229 MY MOM, PEOPLE AT THE "Y." 195 00:09:00,295 --> 00:09:02,962 YOU DON'T KNOW ANYTHING ABOUT DEKEYS GETTING KILLED? 196 00:09:03,029 --> 00:09:04,862 WHATEVER HAPPENED TO THAT BLOOD, 197 00:09:04,929 --> 00:09:06,662 IT AIN'T NO BUSINESS OF THE KINGS. 198 00:09:06,729 --> 00:09:09,195 IF WE NEED ANYTHING ELSE, WE'LL LET YOU KNOW. 199 00:09:09,262 --> 00:09:11,062 APPRECIATE YOUR TIME. 200 00:09:11,129 --> 00:09:12,495 NO PROBLEM. 201 00:09:18,562 --> 00:09:20,095 HE'S LYING. 202 00:09:29,262 --> 00:09:31,595 CHARLIE SLOCUM? YEAH? 203 00:09:31,662 --> 00:09:33,529 DETECTIVES JONES AND MEDAVOY. CAN WE COME IN? 204 00:09:33,595 --> 00:09:35,795 I'M NOT SKIPPING SCHOOL. I'M JUST NOT FEELING WELL. 205 00:09:35,862 --> 00:09:37,029 THIS ISN'T ABOUT THAT. 206 00:09:37,095 --> 00:09:39,029 MIND IF WE COME IN? YOU WANT TO GET SICK? 207 00:09:39,095 --> 00:09:41,062 THERE A REASON YOU DON'T WANT US INSIDE? 208 00:09:41,129 --> 00:09:42,729 NO. COME ON IN. 209 00:09:44,695 --> 00:09:46,695 IT'S CHARLES, BY THE WAY. 210 00:09:46,762 --> 00:09:48,729 ALL RIGHT, CHARLES. 211 00:09:48,795 --> 00:09:50,129 YOU KNOW CARLA BOYANOVICH? 212 00:09:50,195 --> 00:09:53,029 SHE'S MY GIRLFRIEND. WHY? 213 00:09:53,095 --> 00:09:54,995 WHEN DID YOU SEE CARLA LAST? 214 00:09:55,062 --> 00:09:57,495 DAY BEFORE YESTERDAY AT SCHOOL. 215 00:09:57,562 --> 00:10:00,929 YOU HAVEN'T SEEN OR HEARD FROM HER SINCE? NO. 216 00:10:00,995 --> 00:10:02,829 SHE CALLED ME THAT NIGHT. 217 00:10:02,895 --> 00:10:04,162 WHAT'S GOING ON? SHE OKAY? 218 00:10:04,229 --> 00:10:06,329 YOU KNOW ANYTHING ABOUT HER RUNNING AWAY? 219 00:10:06,395 --> 00:10:08,129 NO. IS THAT WHAT SHE DID? 220 00:10:08,195 --> 00:10:10,395 DID SHE SAY ANYTHING ON THE PHONE THAT SEEMED OFF? 221 00:10:10,462 --> 00:10:12,562 SHE WAS BITCHING ABOUT HER DAD, AS USUAL. 222 00:10:12,629 --> 00:10:14,962 AND IF SHE RAN AWAY, I CAN UNDERSTAND WHY. 223 00:10:15,029 --> 00:10:16,362 HE'S A MAJOR?LEAGUE ASSHOLE. 224 00:10:16,429 --> 00:10:18,262 SO SHE'S NOT HERE WITH YOU? NO. 225 00:10:18,329 --> 00:10:19,695 WHERE ARE YOUR PARENTS? 226 00:10:19,762 --> 00:10:21,829 A BUDDHIST RETREAT IN WESTERN MASSACHUSETTS. 227 00:10:21,895 --> 00:10:25,162 THE MAID'S HERE, THOUGH, IF YOU WANT TO TALK TO HER. 228 00:10:25,229 --> 00:10:26,695 SO, IF WE TAKE A LOOK AROUND, 229 00:10:26,762 --> 00:10:29,562 WE'RE NOT GONNA FIND CARLA HIDING IN A BROOM CLOSET? 230 00:10:29,629 --> 00:10:31,495 I SWEAR, I DON'T KNOW WHERE SHE IS. 231 00:10:31,562 --> 00:10:34,029 ALL I KNOW IS HER DAD SHOULD EASE UP ON HER. 232 00:10:34,095 --> 00:10:36,329 THE SITUATION WITH YOU, CARLA, AND HER DAD?? 233 00:10:36,395 --> 00:10:38,029 WE'D RATHER NOT GET INVOLVED. 234 00:10:38,095 --> 00:10:40,162 BUT IF YOU'RE LYING, WE'RE GONNA HAVE TO. 235 00:10:40,229 --> 00:10:41,595 I'M NOT LYING. 236 00:10:41,662 --> 00:10:43,829 WE'RE GONNA TAKE THAT LOOK AROUND ANYWAY. 237 00:10:43,895 --> 00:10:45,362 BE MY GUEST. 238 00:10:59,444 --> 00:11:03,077 THAT WAS MY OLD BOSS WHO WORKED AT THE 7?2 WITH HATCHER. 239 00:11:03,144 --> 00:11:06,010 HE SAID HATCHER ONLY WORKED THERE A FEW MONTHS. 240 00:11:06,077 --> 00:11:08,044 WHY DID HE LEAVE? HE DIDN'T SAY, 241 00:11:08,110 --> 00:11:10,444 AND WHEN I ASKED HIM WHAT KIND OF GUY HATCHER WAS, 242 00:11:10,510 --> 00:11:11,577 HE SAID HE WAS FINE. 243 00:11:11,644 --> 00:11:13,010 FINE? WHAT DOES THAT MEAN? 244 00:11:13,077 --> 00:11:15,010 I GUESS IT MEANS HE WAS FINE. 245 00:11:15,077 --> 00:11:16,877 OR YOU'RE TALKING TO A BOSS 246 00:11:16,944 --> 00:11:19,310 WHO DOESN'T WANT TO BAD?MOUTH ANOTHER COP, 247 00:11:19,377 --> 00:11:22,110 SO HE THROWS OUT THIS MARSHMALLOW WORD LIKE "FINE." 248 00:11:22,177 --> 00:11:23,277 OR THAT. OKAY. 249 00:11:23,344 --> 00:11:26,444 WHERE DID THIS GUY WORK BEFORE THE 7?2? 250 00:11:26,510 --> 00:11:28,744 THE 5?0. DO I NEED TO PURSUE THIS? 251 00:11:28,810 --> 00:11:30,544 IF YOU HAVE SOME TIME. 252 00:11:30,610 --> 00:11:33,077 AHH! OOH! OOH! 253 00:11:33,144 --> 00:11:35,544 THIS IS THE FIRST TIME HE'S EVER BITTEN ANYONE 254 00:11:35,610 --> 00:11:36,810 OTHER THAN ME OR THE WIFE. 255 00:11:36,877 --> 00:11:39,344 I'M FINE. IT'S NOT BLEEDING...MUCH. 256 00:11:39,410 --> 00:11:41,110 I THINK I'LL WASH THIS OUT. 257 00:11:41,177 --> 00:11:42,177 THEY SENSE FEAR, 258 00:11:42,244 --> 00:11:44,544 SO YOU GOT TO BE REAL CONFIDENT AROUND THEM, 259 00:11:44,610 --> 00:11:45,577 ALMOST AGGRESSIVE. 260 00:11:45,644 --> 00:11:48,110 I'LL JUST KEEP MY DISTANCE. 261 00:11:48,177 --> 00:11:49,877 [ PARROT SQUAWKING ] 262 00:11:49,944 --> 00:11:51,844 IT WAS NOTHING?? A NICK. 263 00:11:51,910 --> 00:11:53,144 BUZZARD SHOULD BE PUT DOWN. 264 00:11:53,210 --> 00:11:55,177 HE JUST NEEDS TIME TO ACCLIMATE. 265 00:11:56,077 --> 00:11:56,977 HOW'D IT GO? 266 00:11:57,044 --> 00:11:58,844 LOPEZ SAYS THE KINGS AREN'T INVOLVED, 267 00:11:58,910 --> 00:12:00,010 BUT STAN'S GOT A THEORY. 268 00:12:00,077 --> 00:12:01,810 HE'S NOT COPPING TO NOTHING YET. 269 00:12:01,877 --> 00:12:04,077 I JUST WANTED TO GO DOWN THERE TO FEEL HIM OUT. 270 00:12:04,144 --> 00:12:06,644 WE'LL CHECK OUT HIS ALIBI AND GEAR UP FOR ROUND TWO. 271 00:12:06,710 --> 00:12:08,477 ONE OF THE D. O. A.'s NEIGHBORS CALLED IN. 272 00:12:08,544 --> 00:12:11,210 SHE SAW THE BUILDING SUPER RUN TO HIS CAR AND TAKE OFF 273 00:12:11,277 --> 00:12:12,344 RIGHT AFTER THE SHOTS. 274 00:12:12,410 --> 00:12:14,044 SUPER'S NAME IS LONNIE PARKER. 275 00:12:14,110 --> 00:12:16,477 HE'S 65, LOT OF ARRESTS BACK IN HIS DAY. 276 00:12:16,544 --> 00:12:18,577 HE DID 15 YEARS FOR A BANK ROBBERY?? 277 00:12:18,644 --> 00:12:20,744 FINISHED 3 YEARS AGO. 278 00:12:20,810 --> 00:12:23,810 SO, WE'RE GONNA GO LOOKING FOR A 65?YEAR?OLD PERP? 279 00:12:23,877 --> 00:12:26,410 WE'VE BEEN LOOKING. HE'S IN THE WIND. 280 00:12:26,477 --> 00:12:28,010 YEAH, HE'S GOT A SON, CALVIN. 281 00:12:28,077 --> 00:12:29,744 WORKS AT A SUPERMARKET ON 1st AND B. 282 00:12:29,810 --> 00:12:30,944 HE'S ON HIS WAY IN. 283 00:12:31,010 --> 00:12:33,510 WE'RE GONNA STAY ON THE LATIN KING ANGLE. 284 00:12:33,577 --> 00:12:35,177 IS THAT COOL? ABSOLUTELY. 285 00:12:35,244 --> 00:12:37,377 NOTHING WRONG COVERING ALL THE BASES. 286 00:12:37,444 --> 00:12:39,677 WHAT'S UP WITH THE MISSING GIRL? 287 00:12:39,744 --> 00:12:41,644 WE WENT THROUGH THE APARTMENT. 288 00:12:41,710 --> 00:12:43,077 SHE WASN'T THERE... 289 00:12:43,144 --> 00:12:45,977 WHICH DOESN'T MEAN THIS SLOCUM KID ISN'T LYING. 290 00:12:46,044 --> 00:12:48,177 WE GOT HER BEST FRIEND COMING IN. 291 00:12:48,244 --> 00:12:49,277 SOUNDS GOOD. 292 00:12:49,344 --> 00:12:50,110 THANK YOU. 293 00:12:50,177 --> 00:12:53,044 CALVIN PARKER'S ON HIS WAY UP. 294 00:12:53,110 --> 00:12:55,644 UH, RITA... 295 00:12:55,710 --> 00:12:57,077 HOW'D HE DO? 296 00:12:57,144 --> 00:12:58,277 OKAY. 297 00:12:58,344 --> 00:13:00,177 OKAY OR GOOD? 298 00:13:00,244 --> 00:13:02,344 FINE?? HE DID FINE. 299 00:13:02,410 --> 00:13:04,844 FINE. 300 00:13:06,977 --> 00:13:09,944 CALVIN PARKER? YEAH. 301 00:13:10,010 --> 00:13:11,910 DETECTIVES SIPOWICZ AND CLARK. 302 00:13:11,977 --> 00:13:14,410 WE JUST GOT A FEW QUESTIONS ABOUT YOUR DAD. 303 00:13:14,477 --> 00:13:15,677 SO, WHAT'S HE DONE NOW? 304 00:13:15,744 --> 00:13:16,877 WHY DO YOU SAY THAT? 305 00:13:16,944 --> 00:13:18,777 YOU'RE POLICE. YOU SHOULD KNOW. 306 00:13:18,844 --> 00:13:20,977 WE JUST WANT TO TALK TO HIM, CALVIN. 307 00:13:21,044 --> 00:13:24,144 YOU, UH?? YOU TRY THAT APARTMENT BUILDING HE WORKS AT? 308 00:13:24,210 --> 00:13:25,377 YEAH. HE'S NOT THERE. 309 00:13:25,444 --> 00:13:26,710 THEN I CAN'T HELP YOU. 310 00:13:26,777 --> 00:13:29,177 WHEN DID YOU HEAR FROM HIM LAST? 311 00:13:29,244 --> 00:13:30,877 FIVE, SIX MONTHS AGO. 312 00:13:30,944 --> 00:13:32,910 HE SAID, "MAYBE WE SHOULD GET TOGETHER." 313 00:13:32,977 --> 00:13:34,744 I SAID, "MAYBE WE SHOULDN'T." 314 00:13:34,810 --> 00:13:35,710 HAVEN'T HEARD SINCE. 315 00:13:35,777 --> 00:13:37,544 YOU CAN CALL YOURSELF A DAD. 316 00:13:37,610 --> 00:13:38,977 IT DON'T MAKE YOU A FATHER, RIGHT? 317 00:13:39,044 --> 00:13:41,010 ANY BROTHERS OR SISTERS? NO. 318 00:13:41,077 --> 00:13:43,010 WHAT ABOUT YOUR MOM? TAMPA. 319 00:13:43,077 --> 00:13:44,844 HE WOULDN'T DARE GO TO HER. 320 00:13:44,910 --> 00:13:48,010 ALL HE DID WAS CAUSE HER GRIEF?? BROKEN PROMISES. 321 00:13:48,077 --> 00:13:50,410 THAT'S WHEN HE WASN'T IN PRISON. 322 00:13:50,477 --> 00:13:53,344 IS THERE ANY PLACE YOU KNOW OF THAT WE CAN LOOK FOR HIM? 323 00:13:53,410 --> 00:13:54,444 NO IDEA. 324 00:13:54,510 --> 00:13:55,544 SO, WHAT'D HE DO? 325 00:13:55,610 --> 00:13:57,177 THERE WAS A SHOOTING. 326 00:13:57,244 --> 00:13:58,877 HE MIGHT HAVE SEEN IT. 327 00:13:58,944 --> 00:14:00,277 THE MAN IS 65 YEARS OLD 328 00:14:00,344 --> 00:14:02,177 AND HE'S STILL MIXED UP IN THAT BULLSHIT. 329 00:14:02,244 --> 00:14:05,110 WE'RE LOOKING AT HIM AS A POSSIBLE WITNESS. 330 00:14:05,177 --> 00:14:06,077 MM?HMM. 331 00:14:06,144 --> 00:14:08,377 SEEING AS YOU'RE HIS ONLY CLOSE RELATION, 332 00:14:08,444 --> 00:14:10,177 WE'RE JUST GONNA DOUBLE?CHECK 333 00:14:10,244 --> 00:14:12,210 THAT YOU WERE AT WORK THIS MORNING. 334 00:14:12,277 --> 00:14:15,777 NO, I GOT IT. ASK FOR FRANK. HE'S MY SUPERVISOR. 335 00:14:15,844 --> 00:14:17,710 BUT MAKE SURE HE DON'T THINK I'M INVOLVED IN SOMETHING. 336 00:14:17,777 --> 00:14:18,977 SURE. JUST WAIT HERE. 337 00:14:23,444 --> 00:14:25,377 THANKS FOR COMING IN, MADISON. 338 00:14:25,444 --> 00:14:28,110 SURE. 339 00:14:28,177 --> 00:14:31,010 NOW, TELL ME, HOW LONG HAVE YOU KNOWN CARLA BOYANOVICH? 340 00:14:31,077 --> 00:14:33,510 SINCE SHE STARTED AT KENDALL?? 341 00:14:33,577 --> 00:14:35,244 TWO YEARS AGO, I GUESS. 342 00:14:35,310 --> 00:14:36,777 WHY? 343 00:14:36,844 --> 00:14:39,177 IT LOOKS LIKE SHE MAYBE TOOK AN UNSCHEDULED VACATION 344 00:14:39,244 --> 00:14:41,844 WITHOUT TELLING HER DAD. YOU KNOW ANYTHING ABOUT IT? 345 00:14:41,910 --> 00:14:42,844 NO. 346 00:14:42,910 --> 00:14:44,210 WHAT KIND OF A GIRL IS SHE? 347 00:14:44,277 --> 00:14:47,277 KIND OF INNOCENT BECAUSE HER DAD'S SO OVERPROTECTIVE. 348 00:14:47,344 --> 00:14:48,977 MAYBE SHE'S SELF?CONSCIOUS BECAUSE HER FAMILY 349 00:14:49,044 --> 00:14:51,477 DOESN'T HAVE AS MUCH MONEY AS THE OTHER STUDENTS'. 350 00:14:51,544 --> 00:14:54,544 AS MUCH MONEY AS CHARLES SLOCUM'S FAMILY, FOR EXAMPLE? 351 00:14:54,610 --> 00:14:55,910 I GUESS. 352 00:14:55,977 --> 00:14:58,444 HAVE YOU SPOKEN WITH CARLA TODAY? NOPE. 353 00:14:58,510 --> 00:15:00,177 WHEN DID YOU SEE HER LAST? 354 00:15:00,244 --> 00:15:01,510 AT SCHOOL TWO DAYS AGO. 355 00:15:01,577 --> 00:15:03,644 DID SHE SAY ANYTHING ABOUT GOING AWAY 356 00:15:03,710 --> 00:15:04,544 OR TROUBLE AT HOME? 357 00:15:04,610 --> 00:15:07,077 NO. 358 00:15:07,144 --> 00:15:07,977 NO. 359 00:15:08,044 --> 00:15:09,644 IS SOMETHING ON YOUR MIND, MADISON? 360 00:15:09,710 --> 00:15:11,277 YOU THINK CARLA'S OKAY, RIGHT? 361 00:15:11,344 --> 00:15:13,544 WELL, AT THIS POINT, WE DON'T KNOW ANYTHING. 362 00:15:13,610 --> 00:15:14,944 WHY DO YOU ASK? 363 00:15:15,010 --> 00:15:17,277 IF YOU THOUGHT SOMETHING WAS WRONG, YOU'D SAY SO, RIGHT? 364 00:15:17,344 --> 00:15:20,677 THE ONLY WAY WE CAN DO THAT IS IF WE HAVE ALL THE INFORMATION. 365 00:15:20,744 --> 00:15:22,810 IF YOU KNOW ANYTHING, YOU SHOULD TELL US. 366 00:15:22,877 --> 00:15:25,344 ABOUT TWO WEEKS AGO, CARLA TOLD ME SHE WAS PREGNANT. 367 00:15:25,410 --> 00:15:27,510 IS CHARLES THE FATHER? 368 00:15:27,577 --> 00:15:29,844 YEAH. SHE'S PRETTY FREAKED OUT. 369 00:15:29,910 --> 00:15:32,410 IS SHE AFRAID TO TELL HER FATHER? YEAH, AND CHARLES. 370 00:15:32,477 --> 00:15:33,844 WHY IS SHE AFRAID OF CHARLES? 371 00:15:33,910 --> 00:15:35,810 BECAUSE SHE ISN'T GONNA HAVE AN ABORTION. 372 00:15:35,877 --> 00:15:37,510 SHE THOUGHT THAT MIGHT SCARE HIM AWAY. 373 00:15:37,577 --> 00:15:41,177 I TOLD HER CHARLES IS A GOOD GUY AND THAT SHE SHOULD TELL HIM. 374 00:15:41,244 --> 00:15:44,010 I GUESS SHE DID, BECAUSE THE NEXT TIME I ASKED, 375 00:15:44,077 --> 00:15:46,144 SHE SAID THEY WERE WORKING IT OUT. 376 00:15:46,210 --> 00:15:48,644 AND THAT'S THE LAST TIME YOU TALKED TO HER? 377 00:15:48,710 --> 00:15:50,877 NO, I GOT A CALL FROM HER TWO NIGHTS AGO. 378 00:15:50,944 --> 00:15:52,777 SHE SAID SHE WAS GONNA SEE CHARLES 379 00:15:52,844 --> 00:15:54,344 AND EVERYTHING WAS FINE. 380 00:15:54,410 --> 00:15:57,877 SHE TOLD ME SHE LOVED ME, WHICH WAS KIND OF WEIRD. 381 00:15:57,944 --> 00:16:00,844 DID SHE SAY WHERE SHE WAS GOING OR WHAT THEY WERE GOING TO DO? 382 00:16:00,910 --> 00:16:02,777 NO. 383 00:16:02,844 --> 00:16:04,910 YOU SWEAR YOU WON'T TELL ANYONE THIS 384 00:16:04,977 --> 00:16:06,877 UNLESS YOU ABSOLUTELY HAVE TO? 385 00:16:06,944 --> 00:16:08,510 YOU'RE DOING A GOOD THING. 386 00:16:08,577 --> 00:16:09,710 IT DOESN'T FEEL LIKE IT. 387 00:16:09,777 --> 00:16:11,477 ALL RIGHT. THANKS A LOT. 388 00:16:11,544 --> 00:16:13,810 CALVIN WAS AT WORK ALL DAY. 389 00:16:13,877 --> 00:16:15,077 YOU THINK HE'S TELLING THE TRUTH 390 00:16:15,144 --> 00:16:16,644 ABOUT NOT KNOWING WHERE THE DAD IS? 391 00:16:16,710 --> 00:16:18,210 WE BELIEVE HIM AND THE DAD ARE ON THE OUTS. 392 00:16:18,277 --> 00:16:19,977 WHERE YOU GUYS AT WITH THE LATIN KING? 393 00:16:20,044 --> 00:16:22,310 THE "Y" CONFIRMED THAT LOPEZ DROPPED OFF HIS MOTHER. 394 00:16:22,377 --> 00:16:24,677 STILL, LOPEZ HAS AT LEAST 50 GANGBANGERS UNDER HIM. 395 00:16:24,744 --> 00:16:26,410 HE EASILY COULD HAVE PUSHED A BUTTON. 396 00:16:26,477 --> 00:16:27,677 I LIKE THE SUPER, 397 00:16:27,744 --> 00:16:29,410 AND THE FACT THAT WE CAN'T PUT OUR HANDS ON HIM 398 00:16:29,477 --> 00:16:30,577 ONLY REINFORCES IT. 399 00:16:30,644 --> 00:16:32,710 LET'S PUT AN ALARM OUT ON HIM AND HIS CAR. 400 00:16:32,777 --> 00:16:34,410 I'LL PUT WORD OUT WE WANT HIM BROUGHT IN 401 00:16:34,477 --> 00:16:36,744 AS A POTENTIAL WITNESS, BUT I DON'T WANT A BIG FUSS. 402 00:16:36,810 --> 00:16:38,110 WE'LL KICK THE SON. 403 00:16:38,177 --> 00:16:41,177 WE'RE NOT GONNA DOUBLE UP ON THIS GUY FIRST? 404 00:16:41,244 --> 00:16:42,344 WHAT DOES THAT MEAN? 405 00:16:42,410 --> 00:16:43,910 WE ALWAYS LET A FRESH FACE 406 00:16:43,977 --> 00:16:45,777 GO IN ON THE SECOND INTERVIEW 407 00:16:45,844 --> 00:16:47,677 IF THE FIRST TEAM CAME UP EMPTY 408 00:16:47,744 --> 00:16:48,910 OR THE GUY'S RELUCTANT. 409 00:16:48,977 --> 00:16:50,744 WE DIDN'T COME UP EMPTY, STAN. 410 00:16:50,810 --> 00:16:52,044 DON'T TAKE ME WRONG. 411 00:16:52,110 --> 00:16:54,277 THAT'S THE WAY I'M USED TO PLAYING IT, 412 00:16:54,344 --> 00:16:55,244 AND IT'S NEVER HURT. 413 00:16:55,310 --> 00:16:57,710 WHAT HAPPENED TO THE LATIN KING ANGLE 414 00:16:57,777 --> 00:16:58,977 YOU WERE SO BIG ON? 415 00:16:59,044 --> 00:17:00,577 WELL, ALL I WANT IS THE SHOOTER, 416 00:17:00,644 --> 00:17:02,644 WHOEVER IT IS, RIGHT? 417 00:17:02,710 --> 00:17:04,144 HIT IT. 418 00:17:04,210 --> 00:17:05,544 RIGHT ON. 419 00:17:05,610 --> 00:17:07,644 AND, LISTEN, IT GOES BOTH WAYS. 420 00:17:07,710 --> 00:17:09,577 IF YOU EVER WANT TO REINTERVIEW ONE OF MY GUYS, 421 00:17:09,644 --> 00:17:10,644 JUMP ON IN. 422 00:17:10,710 --> 00:17:12,110 SOUNDS GOOD. 423 00:17:20,544 --> 00:17:22,077 LET'S GO SEE WHAT HE'S GOT. 424 00:17:28,644 --> 00:17:30,010 HOW'S IT GOING, MAN? 425 00:17:30,077 --> 00:17:30,844 STAN HATCHER. 426 00:17:30,910 --> 00:17:32,744 CAN I GET BACK TO WORK NOW? 427 00:17:32,810 --> 00:17:34,510 JUST HEAR ME OUT FIRST, ALL RIGHT? 428 00:17:34,577 --> 00:17:36,110 OKAY. 429 00:17:38,410 --> 00:17:41,877 MY DAD AND ME, WE DON'T SPEAK?? NOT SINCE I WAS 16. 430 00:17:41,944 --> 00:17:44,377 HE'S GOT HIS THING, I'VE GOT MINE, 431 00:17:44,444 --> 00:17:46,177 AND THAT'S JUST THE WAY IT IS. 432 00:17:46,244 --> 00:17:47,377 I HEAR YOU. 433 00:17:47,444 --> 00:17:50,044 STILL, A COUPLE OF PHONE CALLS, I'D KNOW WHERE TO FIND HIM. 434 00:17:50,110 --> 00:17:52,810 I DON'T EVEN KNOW WHAT THE HELL IS GOING ON. 435 00:17:52,877 --> 00:17:54,610 WE'RE STILL TRYING TO PUT IT TOGETHER. 436 00:17:54,677 --> 00:17:56,777 BASICALLY, A BLOOD GOT SHOT UP, 437 00:17:56,844 --> 00:18:00,010 WE THINK BY SOME LATIN KINGS?? BIG FIGHT OVER THIS HO. 438 00:18:00,077 --> 00:18:01,910 WHAT THE HELL IS HE TELLING HIM THAT FOR? 439 00:18:01,977 --> 00:18:03,577 THIS IS ABOUT A GANG SHOOTING? 440 00:18:03,644 --> 00:18:05,010 WE'RE PRETTY CONFIDENT. 441 00:18:05,077 --> 00:18:07,544 MY DAD AIN'T NO GANGBANGER. THAT MUCH I KNOW. 442 00:18:07,610 --> 00:18:09,310 WE KNOW HE WAS THERE, THOUGH. 443 00:18:09,377 --> 00:18:12,177 WE FIGURE HE SAW IT GO DOWN AND GOT SCARED. 444 00:18:12,244 --> 00:18:14,344 ALL WE WANT TO DO IS TALK TO HIM. 445 00:18:14,410 --> 00:18:15,310 OKAY. 446 00:18:15,377 --> 00:18:17,510 A GUY LIKE YOUR DAD?? HE KNOWS PEOPLE, RIGHT? 447 00:18:17,577 --> 00:18:19,077 I GUESS. HE'S IN TROUBLE. 448 00:18:19,144 --> 00:18:21,477 THERE'S GOTTA BE SOMEBODY HE'S GONNA REACH OUT TO, RIGHT? 449 00:18:21,544 --> 00:18:22,810 THERE MIGHT BE. 450 00:18:22,877 --> 00:18:25,877 I'M THINKING YOU MIGHT KNOW A COUPLE OF NAMES, 451 00:18:25,944 --> 00:18:27,910 KEEPING IN MIND THAT THE KINGS ARE PROBABLY LOOKING FOR HIM, 452 00:18:27,977 --> 00:18:29,944 AND AIN'T NOBODY GONNA LIKE WHAT THEY DO 453 00:18:30,010 --> 00:18:31,410 WHEN THEY CATCH UP TO HIM. 454 00:18:31,477 --> 00:18:33,710 I REALLY DON'T WANT TO GET BACK INTO DEALING WITH HIM. 455 00:18:33,777 --> 00:18:34,810 YOU HAVE TO. 456 00:18:34,877 --> 00:18:37,844 AND THEN YOU'LL BE DONE WITH IT. 457 00:18:39,577 --> 00:18:42,110 I MIGHT KNOW ONE OR TWO GUYS. 458 00:18:42,177 --> 00:18:43,377 I COULD GET IN TOUCH WITH THEM. 459 00:18:43,444 --> 00:18:44,377 I'LL TELL THEM WHAT YOU SAID. 460 00:18:44,444 --> 00:18:46,277 I MEAN, I'LL TRY. 461 00:18:46,344 --> 00:18:48,110 ALL WE CAN ASK. 462 00:18:53,977 --> 00:18:55,310 GOT A LITTLE LUCKY, I GUESS. 463 00:18:55,377 --> 00:18:57,444 ARE YOU SURE YOU DON'T WANT TO JUST HAND HIM THE CASE FILE 464 00:18:57,510 --> 00:18:58,577 BEFORE HE GETS OUT THE DOOR? 465 00:18:58,644 --> 00:19:00,110 HE HAD TO KNOW WE AREN'T LOOKING AT HIS DAD 466 00:19:00,177 --> 00:19:01,444 OR HE WASN'T GONNA SAY ANYTHING. 467 00:19:01,510 --> 00:19:03,644 BUT WE ARE LOOKING AT HIS DAD. 468 00:19:03,710 --> 00:19:06,077 I THOUGHT THE JOB WAS TO GET THE OLD MAN IN. 469 00:19:06,144 --> 00:19:08,377 ONCE HE IS, WE GO AT HIM, RIGHT? 470 00:19:08,444 --> 00:19:11,244 ARE WE NOT CLOSER THAN WE WERE 10 MINUTES AGO? 471 00:19:11,310 --> 00:19:12,577 [ SIGHS ] 472 00:19:12,644 --> 00:19:14,510 DON'T LOOK AT ME. 473 00:19:14,577 --> 00:19:16,077 LETTING HIM IN THERE WAS YOUR IDEA. 474 00:19:20,777 --> 00:19:23,644 TELL US WHERE CARLA IS, YOU CAN WALK OUT OF HERE, 475 00:19:23,710 --> 00:19:25,744 WE'LL FORGET THIS WHOLE THING. 476 00:19:25,810 --> 00:19:27,644 I TOLD YOU, I DON'T KNOW. 477 00:19:27,710 --> 00:19:30,210 BUT YOU KNEW SHE WAS PREGNANT WITH YOUR KID. 478 00:19:30,277 --> 00:19:31,410 WHO TOLD YOU THAT? 479 00:19:31,477 --> 00:19:34,310 WE'RE CHECKING YOUR HOME PHONE AND YOUR CELL RIGHT NOW. 480 00:19:34,377 --> 00:19:37,044 IF YOU'VE HAD ANY CONTACT WITH CARLA, WE WILL KNOW. 481 00:19:37,110 --> 00:19:39,877 WE KNOW THAT CARLA DOESN'T WANT TO HAVE AN ABORTION, 482 00:19:39,944 --> 00:19:41,777 SO IF YOU'VE PUT HER UP SOMEWHERE 483 00:19:41,844 --> 00:19:43,944 TO TRY AND TALK HER INTO ONE 484 00:19:44,010 --> 00:19:45,610 OR IF YOU TOOK HER SOMEPLACE TO HAVE ONE, 485 00:19:45,677 --> 00:19:47,377 WE WON'T JUDGE THAT. NO! NO! 486 00:19:47,444 --> 00:19:49,910 IT'S A BIG THING WHEN YOUR GIRL GETS PREGNANT. 487 00:19:49,977 --> 00:19:52,244 ALL SORTS OF STUFF CAN GO THROUGH YOUR HEAD 488 00:19:52,310 --> 00:19:53,510 AND CLOUD YOUR JUDGMENT. 489 00:19:53,577 --> 00:19:55,544 I DIDN'T WANT CARLA TO HAVE AN ABORTION. 490 00:19:55,610 --> 00:19:56,610 THEN WHERE IS SHE? 491 00:19:56,677 --> 00:19:58,644 BECAUSE WHATEVER'S GOING ON HERE, 492 00:19:58,710 --> 00:20:00,177 CARLA'S GOTTA GO HOME?? PERIOD. 493 00:20:00,244 --> 00:20:02,810 WE HAVEN'T BROUGHT UP CRIMINAL CHARGES, 494 00:20:02,877 --> 00:20:04,344 BUT IF YOU KEEP STONEWALLING US, 495 00:20:04,410 --> 00:20:06,910 WE CAN TALK ABOUT KIDNAPPING, STATUTORY RAPE, 496 00:20:06,977 --> 00:20:08,744 OBSTRUCTION OF JUSTICE. 497 00:20:08,810 --> 00:20:10,910 YOU DON'T UNDERSTAND. 498 00:20:12,510 --> 00:20:13,844 IT WAS NOTHING LIKE THAT. 499 00:20:13,910 --> 00:20:16,277 WHAT WAS NOTHING LIKE THAT? 500 00:20:16,344 --> 00:20:19,244 I'M GONNA GET PISSED HERE IN ABOUT TWO SECONDS. 501 00:20:21,877 --> 00:20:24,344 WE WANTED TO DO SOMETHING BEAUTIFUL, 502 00:20:24,410 --> 00:20:25,544 BUT I COULDN'T DO IT. 503 00:20:25,610 --> 00:20:26,610 DO WHAT? 504 00:20:26,677 --> 00:20:29,777 WE?? WE HAD?? HAD?? HAD A PACT. 505 00:20:29,844 --> 00:20:32,644 WE?? WE TALKED IT OVER, AND...WE MADE A PACT. 506 00:20:33,744 --> 00:20:35,277 WHAT KIND OF PACT? 507 00:20:35,344 --> 00:20:36,844 IF CARLA HAD THE BABY, 508 00:20:36,910 --> 00:20:39,910 HER FATHER WOULD NEVER LET US BE TOGETHER, 509 00:20:39,977 --> 00:20:42,644 AND WE COULDN'T GET RID OF THE BABY, 510 00:20:42,710 --> 00:20:43,944 SO WE MADE A PACT. 511 00:20:44,010 --> 00:20:46,410 CHARLES, IS CARLA OKAY? 512 00:20:46,477 --> 00:20:48,644 [ CRYING ] 513 00:20:48,710 --> 00:20:50,444 SHE WANTED TO GO FIRST. 514 00:20:50,510 --> 00:20:54,110 SHE SAID SHE COULDN'T WATCH ME. 515 00:20:55,677 --> 00:20:58,410 BUT WHEN I REACHED FOR THE GUN... 516 00:20:58,477 --> 00:21:00,177 [ SOBS ] 517 00:21:00,244 --> 00:21:02,677 ...I?? I COULDN'T DO IT. 518 00:21:02,744 --> 00:21:04,277 WHERE IS SHE? 519 00:21:04,344 --> 00:21:05,644 A BUILDING ON 3rd. 520 00:21:05,710 --> 00:21:06,844 LET'S GO. 521 00:22:08,542 --> 00:22:11,109 SO... 522 00:22:11,175 --> 00:22:14,075 CARLA WANTED TO GO FIRST. YEAH. 523 00:22:14,142 --> 00:22:16,642 SHE PUT THE GUN TO HER HEAD, AND SHE PULLED THE TRIGGER. 524 00:22:16,709 --> 00:22:17,875 YEAH. 525 00:22:17,942 --> 00:22:19,142 THEN WHAT HAPPENED? 526 00:22:19,209 --> 00:22:21,042 I PICKED UP THE GUN, 527 00:22:21,109 --> 00:22:24,142 BUT I SAW HER LYING THERE WITH... 528 00:22:24,209 --> 00:22:26,742 BLOOD POURING OUT OF HER HEAD, 529 00:22:26,809 --> 00:22:28,409 AND I JUST RAN AWAY. 530 00:22:28,475 --> 00:22:30,575 SO YOU DIDN'T FIRE THE GUN AFTER SHE DID? 531 00:22:30,642 --> 00:22:31,842 NO. 532 00:22:31,909 --> 00:22:35,909 I PUT IT ON THE FLOOR AND JUST...RAN OFF. 533 00:22:35,975 --> 00:22:39,442 WE GOT A BIG PROBLEM, CHARLES. 534 00:22:39,509 --> 00:22:41,209 WE JUST TALKED TO CRIME SCENE, 535 00:22:41,275 --> 00:22:43,075 AND THEY FOUND TWO SHELL CASINGS AND TWO SLUGS, 536 00:22:43,142 --> 00:22:44,775 AND THEY BOTH CAME FROM THAT MAC?10. 537 00:22:44,842 --> 00:22:46,275 THAT'S NOT POSSIBLE. 538 00:22:46,342 --> 00:22:48,609 CARLA SHOOTING HERSELF TWICE IS IMPOSSIBLE, YEAH, 539 00:22:48,675 --> 00:22:50,275 WHICH LEADS TO ANOTHER SCENARIO. 540 00:22:50,342 --> 00:22:51,975 NO, IT'S A MISTAKE. SHE WAS PREGNANT. 541 00:22:52,042 --> 00:22:53,509 SHE WOULDN'T GET AN ABORTION, 542 00:22:53,575 --> 00:22:55,642 YOU ARGUED WITH HER, SHE WOULDN'T LISTEN?? 543 00:22:55,709 --> 00:22:57,509 NO, I DIDN'T ARGUE ABOUT?? YOU KILLED HER, 544 00:22:57,575 --> 00:22:59,409 AND THEN YOU STAGED THIS "ROMEO AND JULIET" SCENE 545 00:22:59,475 --> 00:23:01,009 WITH THE FLOWERS AND THE CANDLES. 546 00:23:01,075 --> 00:23:02,375 I WOULDN'T SHOOT HER. I COULDN'T! 547 00:23:02,442 --> 00:23:04,975 WE'RE TALKING FIRST?DEGREE MURDER NOW. 548 00:23:05,042 --> 00:23:06,542 THAT'S THE DEATH PENALTY. 549 00:23:06,609 --> 00:23:08,742 TELL THE TRUTH, AND MAYBE YOU CAN SAVE YOUR LIFE. 550 00:23:08,809 --> 00:23:11,175 CARLA AND I TALKED ABOUT THIS FOR DAYS. 551 00:23:11,242 --> 00:23:12,909 WE DISCUSSED IT. WE PLANNED. 552 00:23:12,975 --> 00:23:15,942 WE WROTE E?MAILS. CHECK MY LAPTOP...AND HERS. 553 00:23:16,009 --> 00:23:17,175 YOU'LL SEE. 554 00:23:17,242 --> 00:23:19,875 WE STILL AREN'T HEARING AN EXPLANATION 555 00:23:19,942 --> 00:23:21,109 FOR THE TWO BULLETS. 556 00:23:21,175 --> 00:23:22,475 I DON'T HAVE ONE. 557 00:23:22,542 --> 00:23:25,275 MAYBE SOMEBODY ELSE CAME BY AFTERWARDS AND... 558 00:23:25,342 --> 00:23:26,342 FIRED THE GUN. 559 00:23:26,409 --> 00:23:28,175 CHARLES, THAT'S PATHETIC. 560 00:23:28,242 --> 00:23:30,375 BE A MAN AND ADMIT WHAT YOU DID. 561 00:23:30,442 --> 00:23:33,309 SHE PULLED THE TRIGGER AND COLLAPSED. 562 00:23:33,375 --> 00:23:35,809 I PICKED THE GUN UP, THEN SET IT DOWN AND RAN. 563 00:23:35,875 --> 00:23:39,275 THAT'S WHAT HAPPENED, I SWEAR TO GOD! 564 00:23:39,342 --> 00:23:40,575 WHAT DID THEY SAY? 565 00:23:40,642 --> 00:23:42,875 SHE SAID SHE DIDN'T KNOW HATCHER THAT WELL. 566 00:23:42,942 --> 00:23:44,342 BUT SHE WORKED WITH HIM? 567 00:23:44,409 --> 00:23:46,875 YEAH, AS FAR AS THAT GOES, SHE SAID HE WAS?? 568 00:23:46,942 --> 00:23:48,075 SHE USED THE WORD "FINE." 569 00:23:48,142 --> 00:23:49,175 SEE? SEE? 570 00:23:49,242 --> 00:23:50,575 NO, I DON'T, ACTUALLY. 571 00:23:50,642 --> 00:23:52,209 NOBODY WANTS TO TALK ABOUT THIS GUY. 572 00:23:52,275 --> 00:23:54,175 OR HE'S JUST BEEN FLYING UNDER THE RADAR. 573 00:23:54,242 --> 00:23:55,509 NO WAY. WHEN YOU GET A GUY 574 00:23:55,575 --> 00:23:57,742 THAT WORKED A FEW MONTHS HERE, A FEW MONTHS THERE, 575 00:23:57,809 --> 00:23:59,909 THERE'S A REASON HE'S ALWAYS GETTING THE BOOT, 576 00:23:59,975 --> 00:24:01,175 BECAUSE A GOOD DETECTIVE?? 577 00:24:01,242 --> 00:24:02,809 HIS BOSS MAKES SURE HE STAYS PUT. 578 00:24:02,875 --> 00:24:04,075 WHERE'S ORTIZ AND STAN? 579 00:24:04,142 --> 00:24:05,242 RE?CANVASSING. 580 00:24:05,309 --> 00:24:06,709 HE'S STICKING TO HIS STORY. 581 00:24:06,775 --> 00:24:09,642 WE'RE GONNA GET TARU TO PULL E?MAILS OFF THEIR COMPUTERS. 582 00:24:09,709 --> 00:24:11,542 YOU SAID THE GIRL USED A MAC?10? 583 00:24:11,609 --> 00:24:13,409 WHERE DO TWO PRIVATE?SCHOOL KIDS 584 00:24:13,475 --> 00:24:15,375 GET AHOLD OF A CANNON LIKE THAT? 585 00:24:15,442 --> 00:24:17,509 WHERE DO THEY GET COKE AND LIMOS AND POUNDS OF WEED? 586 00:24:17,575 --> 00:24:18,842 THIS SLOCUM KID'S GOT MONEY. 587 00:24:18,909 --> 00:24:20,042 Irvin: 15th SQUAD. 588 00:24:20,109 --> 00:24:22,209 A.T.F. IS TRYING TO TRACE THE GUN. 589 00:24:22,275 --> 00:24:24,275 UNIFORM JUST PICKED UP LONNIE PARKER 590 00:24:24,342 --> 00:24:25,575 FOR TAKING A RED LIGHT. 591 00:24:25,642 --> 00:24:27,842 THEY'RE BRINGING HIM IN. ALL RIGHT. 592 00:24:27,909 --> 00:24:28,842 [ GRUNTS ] 593 00:24:30,342 --> 00:24:31,675 JUST DO ME A FAVOR. 594 00:24:31,742 --> 00:24:33,875 I'M NOT CALLING ANYBODY ELSE ON HATCHER. 595 00:24:33,942 --> 00:24:35,309 [ PARROT SQUAWKING ] 596 00:24:35,375 --> 00:24:38,342 YOU HEAR THAT? THAT'S ME. THAT'S MY LAUGH. 597 00:24:38,409 --> 00:24:40,742 KEEP THE DOOR CLOSED OR THE BEAK GETS TAPED. 598 00:24:49,142 --> 00:24:51,342 THE 15th. 599 00:24:51,409 --> 00:24:54,009 PLACE LOOKS EXACTLY LIKE IT WAS IN '71. 600 00:24:54,075 --> 00:24:55,542 YEAH. 601 00:24:57,542 --> 00:25:00,475 'CAUSE I TELL YOU, I WENT TO THIS BARBERSHOP 602 00:25:00,542 --> 00:25:03,109 I USED TO GO TO OVER ON 3rd AVENUE. 603 00:25:03,175 --> 00:25:06,209 THE WHOLE DAMN BLOCK IS DESIGNER SHOES NOW. 604 00:25:06,275 --> 00:25:09,342 IT'S NICE TO KNOW SOME THINGS HAVEN'T CHANGED. 605 00:25:09,409 --> 00:25:12,542 WE HAD A HARD TIME FINDING YOU TODAY, LONNIE. 606 00:25:12,609 --> 00:25:14,242 YEAH. SOMETIMES I JUST CHECK OUT. 607 00:25:14,309 --> 00:25:15,442 THAT'S STILL LEGAL, RIGHT? 608 00:25:15,509 --> 00:25:16,742 WELL, THAT ALL DEPENDS 609 00:25:16,809 --> 00:25:18,942 ON WHAT YOU WERE DOING BEFORE YOU CHECKED OUT. 610 00:25:19,009 --> 00:25:22,209 I DID SOME CHORES?? GOT A CALL AROUND 8:00 A. M., 611 00:25:22,275 --> 00:25:24,875 HEADED UP TO THE BRONX TO PICK UP SOME PVC. 612 00:25:24,942 --> 00:25:27,875 THIS GUY ON GLENHILL ROAD GIVES ME A PRICE. 613 00:25:27,942 --> 00:25:29,842 YOU SEE ANYTHING BEFORE YOU GOT IN YOUR CAR? 614 00:25:29,909 --> 00:25:30,875 NO. 615 00:25:30,942 --> 00:25:32,242 YOU KNOW TONY DEKEYS? 616 00:25:32,309 --> 00:25:33,442 SURE, HE'S A TENANT. 617 00:25:33,509 --> 00:25:35,275 YOU GOT A PROBLEM WITH HIM? 618 00:25:35,342 --> 00:25:36,909 HE'S NEW, SO NOT TOO MUCH. 619 00:25:36,975 --> 00:25:40,175 I GOT NO BEEF WITH HIM, IF THAT'S WHAT YOU MEAN. 620 00:25:40,242 --> 00:25:42,275 DID YOU SEE HIM THIS MORNING? 621 00:25:42,342 --> 00:25:43,875 I DON'T BELIEVE I DID. 622 00:25:43,942 --> 00:25:46,609 LONNIE, YOU GOT SIX YEARS OF PAROLE TO GET THROUGH, RIGHT? 623 00:25:46,675 --> 00:25:48,609 NOW, WHY ARE YOU ASKING ABOUT THAT? 624 00:25:48,675 --> 00:25:50,609 BECAUSE I DON'T BUY A WORD YOU'RE SAYING TO US, 625 00:25:50,675 --> 00:25:52,509 AND UNTIL YOU START TELLING THE TRUTH, 626 00:25:52,575 --> 00:25:53,642 I'M GONNA SPEND MY TIME 627 00:25:53,709 --> 00:25:55,875 THINKING OF HOW TO VIOLATE YOUR PAROLE. 628 00:25:55,942 --> 00:25:57,642 IT'S UP TO YOU. 629 00:25:57,709 --> 00:26:01,275 SEE, WE KNOW YOU MADE A RUN FOR YOUR CAR THIS MORNING. 630 00:26:01,342 --> 00:26:02,809 WANT TO TELL US WHY? 631 00:26:04,809 --> 00:26:06,042 I CAN'T GET INVOLVED. 632 00:26:06,109 --> 00:26:07,075 YOU ALREADY ARE. 633 00:26:07,142 --> 00:26:08,875 IN MY DAY, THERE WAS A BEEF, 634 00:26:08,942 --> 00:26:11,509 YOU HANDLED IT WITH FISTS OR A KNIFE MAYBE. 635 00:26:11,575 --> 00:26:13,875 BUT YOUNG CATS TODAY?? THEY GOT NO MERCY. 636 00:26:13,942 --> 00:26:16,275 SO, WHAT WAS THIS BEEF YOU HAD WITH DEKEYS? 637 00:26:16,342 --> 00:26:17,875 I DIDN'T HAVE NONE. 638 00:26:17,942 --> 00:26:21,742 BUT, APPARENTLY, HE HAD A BEEF WITH SOMEONE ELSE. 639 00:26:21,809 --> 00:26:23,075 YOU SEE WHERE I'M GOING? 640 00:26:23,142 --> 00:26:25,175 WELL, WE'LL KEEP YOU OUT OF IT IF WE CAN 641 00:26:25,242 --> 00:26:26,742 AND WE'LL PROTECT YOU IF WE CAN'T. 642 00:26:26,809 --> 00:26:29,575 I DON'T WANT TO GET MIXED UP WITH THESE KIDS. 643 00:26:29,642 --> 00:26:32,409 LONNIE, WE CAN LOCK YOU UP RIGHT NOW AS A MATERIAL WITNESS. 644 00:26:32,475 --> 00:26:34,109 THAT MAKE YOU FEEL ANY BETTER? 645 00:26:34,175 --> 00:26:36,342 YOU'LL GIVE ME PROTECTION? 646 00:26:36,409 --> 00:26:39,242 IF IT'S WARRANTED, ABSOLUTELY. 647 00:26:39,309 --> 00:26:42,642 I COME OUT OF MY BUILDING, SAW TONY IN HIS CAR, 648 00:26:42,709 --> 00:26:46,009 AND THESE TWO SPANISH KIDS WALK UP TO HIM. 649 00:26:46,075 --> 00:26:49,575 NOT A WORD?? NOTHING. 650 00:26:51,742 --> 00:26:53,275 I HIGHTAILED IT OUT OF THERE. 651 00:26:53,342 --> 00:26:54,842 YOU RECOGNIZE THE TWO SPANISH GUYS? 652 00:26:54,909 --> 00:26:57,275 DON'T KNOW THEIR NAMES. I'VE SEEN THEM. 653 00:26:57,342 --> 00:26:58,542 THEY'RE LATIN KINGS. 654 00:26:58,609 --> 00:27:00,609 I FIGURED IT WAS SOME GANG THING. 655 00:27:00,675 --> 00:27:03,009 EVERYBODY KNOWS TONY WAS A BLOOD. 656 00:27:03,075 --> 00:27:05,042 WE'LL NEED YOU TO STICK AROUND?? 657 00:27:05,109 --> 00:27:06,275 SHOW YOU SOME PHOTOS. 658 00:27:06,342 --> 00:27:08,109 YEAH, ALL RIGHT. 659 00:27:08,175 --> 00:27:11,109 YOU SPEAK TO YOUR SON RECENTLY, LONNIE? 660 00:27:11,175 --> 00:27:12,175 CALVIN? 661 00:27:12,242 --> 00:27:14,275 HAVEN'T HEARD FROM HIM IN MONTHS. 662 00:27:14,342 --> 00:27:16,509 WHY? IS HE OKAY? 663 00:27:16,575 --> 00:27:18,442 YEAH. 664 00:27:20,042 --> 00:27:21,309 HEY. 665 00:27:21,375 --> 00:27:24,009 HE SAYS IT WAS TWO LATIN KINGS. 666 00:27:24,075 --> 00:27:25,209 DOESN'T KNOW THEIR NAMES, 667 00:27:25,275 --> 00:27:27,109 BUT HE'S GONNA LOOK AT SOME MUG SHOTS. 668 00:27:27,175 --> 00:27:28,942 WE'RE GONNA GET HIM UP TO ANTICRIME. 669 00:27:33,342 --> 00:27:35,342 WE'LL GO GET WILMER LOPEZ. 670 00:27:35,409 --> 00:27:38,609 [ As Arnold Schwarzenegger ] WE'LL BE BACK. 671 00:27:38,675 --> 00:27:39,675 [ CHUCKLES ] 672 00:27:41,009 --> 00:27:42,175 HE'S ENTHUSIASTIC. 673 00:27:42,242 --> 00:27:43,609 LET'S DUMP CALVIN'S PHONES. 674 00:27:43,675 --> 00:27:45,909 I WANT TO KNOW IF HIS DAD CALLED HIM. 675 00:27:45,975 --> 00:27:49,009 CHECK ON ANY PAY PHONES AROUND THE SUPERMARKET, TOO. 676 00:27:49,075 --> 00:27:50,609 WHAT'S UP? 677 00:27:50,675 --> 00:27:52,442 I JUST TALKED TO BALLISTICS ON YOUR SUICIDE. 678 00:27:52,509 --> 00:27:54,209 THE MAC?10 THAT YOU FOUND AT THE SCENE?? 679 00:27:54,275 --> 00:27:55,909 IT WAS MODIFIED FOR AUTOMATIC FIRE. 680 00:27:55,975 --> 00:27:59,075 THEY'RE SAYING ONE TRIGGER PULL COULD HAVE FIRED TWO BULLETS. 681 00:27:59,142 --> 00:28:00,709 SO, MAYBE SHE DID SHOOT HERSELF. 682 00:28:00,775 --> 00:28:02,275 ALSO, I RAN THE GUN THROUGH A. T. F. 683 00:28:02,342 --> 00:28:04,042 THEY SAID THE GUN WAS FROM A SHIPMENT 684 00:28:04,109 --> 00:28:05,642 THAT WAS STOLEN OUT OF PROVIDENCE. 685 00:28:05,709 --> 00:28:07,775 THEY PICKED UP THE GUN DEALER A FEW MONTHS BACK. 686 00:28:07,842 --> 00:28:08,809 IS THERE A CONNECTION? 687 00:28:08,875 --> 00:28:10,775 PETER SLOCUM WAS ARRESTED IN PROVIDENCE 688 00:28:10,842 --> 00:28:13,509 FOR DEALING METH OUT OF HIS DORM ROOM TWO YEARS AGO, 689 00:28:13,575 --> 00:28:15,709 SO PROVIDENCE P. D. IS GONNA TAKE THE BROTHER'S PHOTO, 690 00:28:15,775 --> 00:28:18,209 SHOW IT TO THE GUN DEALER, SEE IF HE PICKS IT OUT. 691 00:28:18,275 --> 00:28:19,909 WELL, LET US KNOW WHEN THEY GET BACK TO YOU. 692 00:28:19,975 --> 00:28:22,509 WE'RE STILL WORKING WITH TARU ON GETTING THE E?MAILS. 693 00:28:22,575 --> 00:28:24,809 OKAY. 694 00:28:27,775 --> 00:28:30,109 HEY, THIS AIN'T RIGHT. I DIDN'T DO NOTHING. 695 00:28:30,175 --> 00:28:32,409 WE DON'T APPRECIATE BEING LIED TO, WILMER. 696 00:28:32,475 --> 00:28:35,042 TURNS OUT DEKEYS WAS KILLED BY SOME LATIN KINGS. 697 00:28:35,109 --> 00:28:36,842 THAT'S NOT TRUE. WE HAVE A WITNESS. 698 00:28:36,909 --> 00:28:39,275 ASK ANYBODY. ASK THE BLOODS. ASK THERESA. 699 00:28:39,342 --> 00:28:41,209 WE SETTLED IT, JUST LIKE I TOLD YOU. 700 00:28:41,275 --> 00:28:43,775 THEN MAYBE YOU HAD SOME OTHER BEEF WITH HIM. 701 00:28:43,842 --> 00:28:45,509 LOOK, WE SETTLE SOMETHING, IT'S SETTLED. 702 00:28:45,575 --> 00:28:47,275 DID YOU TALK TO THE "Y"? OH, YEAH. 703 00:28:47,342 --> 00:28:48,942 THEY TOLD YOU I WAS THERE, DIDN'T THEY? 704 00:28:49,009 --> 00:28:51,175 WILMER, WE'RE NOT SAYING YOU PULLED THE TRIGGER, 705 00:28:51,242 --> 00:28:52,742 BUT WE BELIEVE YOU KNOW WHO DID. 706 00:28:52,809 --> 00:28:54,509 THIS WASN'T THE KINGS. WE GOT HONOR. 707 00:28:54,575 --> 00:28:56,575 WE DON'T TAKE ACTION WITHOUT GOOD CAUSE, 708 00:28:56,642 --> 00:28:58,575 AND IF IT WAS A MURDER INVOLVING THE KINGS, 709 00:28:58,642 --> 00:29:00,109 THEN IT WENT DOWN FREELANCE. 710 00:29:00,175 --> 00:29:02,075 WILL YOU LISTEN TO HOW THIS GUY 711 00:29:02,142 --> 00:29:04,175 TALKS ABOUT HIS GREASER THUGS? 712 00:29:04,242 --> 00:29:06,042 WILMER, YOU'RE SO FULL OF CRAP. 713 00:29:06,109 --> 00:29:07,409 IT'S NO WONDER YOUR SKIN IS BROWN. 714 00:29:07,475 --> 00:29:10,342 [ SPEAKING SPANISH ] 715 00:29:10,409 --> 00:29:12,409 START TALKING ENGLISH, ASSHOLE! 716 00:29:12,475 --> 00:29:13,575 I KNOW YOU DID THIS, 717 00:29:13,642 --> 00:29:16,542 AND WE'RE STAYING RIGHT HERE TILL YOU ADMIT IT. 718 00:29:22,509 --> 00:29:24,375 WE'RE GONNA GIVE YOU A MINUTE, 719 00:29:24,442 --> 00:29:27,309 AND WHEN WE COME BACK IN HERE, WE WANT THE REAL STORY. 720 00:29:27,375 --> 00:29:28,709 I ALREADY TOLD IT TO YOU. 721 00:29:35,075 --> 00:29:36,675 DON'T DO THAT AGAIN. 722 00:29:36,742 --> 00:29:38,875 I DIDN'T MEAN ANYTHING BY THE "BROWN SKIN" COMMENT. 723 00:29:38,942 --> 00:29:41,209 I'M TALKING ABOUT SMACKING A GUY IN CUFFS. 724 00:29:41,275 --> 00:29:43,375 SOMETIMES IT GETS PHYSICAL IN THE ROOM, RITA. 725 00:29:43,442 --> 00:29:45,342 NOT WHEN A GUY'S IN CUFFS. I DON'T WORK THAT WAY. 726 00:29:45,409 --> 00:29:48,009 OKAY. LET'S GO UNCUFF HIM, THEN. 727 00:29:48,075 --> 00:29:49,409 WOULD THAT MAKE YOU HAPPY? 728 00:29:49,475 --> 00:29:53,475 DO SOMETHING LIKE THAT AGAIN, YOU'RE DONE WORKING WITH ME. 729 00:29:53,542 --> 00:29:55,375 NOW, THIS INTERVIEW'S OVER FOR YOU. 730 00:29:55,442 --> 00:29:57,109 GO GET SOME FRESH AIR. 731 00:29:57,175 --> 00:29:58,942 [ SCOFFS ] 732 00:30:01,909 --> 00:30:03,542 [ SIGHS ] 733 00:30:11,175 --> 00:30:13,442 "THE PLACE WE'RE GOING IS A GARDEN, 734 00:30:13,509 --> 00:30:15,309 "GREEN AND FILLED WITH LIFE. 735 00:30:15,375 --> 00:30:17,909 "THE PATH IS HARD, BUT ONCE THERE, 736 00:30:17,975 --> 00:30:21,075 ME AND THE BABY WILL BE ENTOMBED IN BLISS FOREVER." 737 00:30:21,142 --> 00:30:23,075 YOU TRYING TO WOO ME THERE, MISSY? 738 00:30:23,142 --> 00:30:24,709 ACTUALLY, IT'S AN E?MAIL 739 00:30:24,775 --> 00:30:26,975 FROM CHARLES SLOCUM TO THE D. O. A. GIRL. 740 00:30:27,042 --> 00:30:29,109 OH, OKAY. 741 00:30:29,175 --> 00:30:30,475 IT'S HARD BEING A TEEN. 742 00:30:30,542 --> 00:30:33,075 YEAH, SO FAR, MOST OF THE E?MAILS ARE FROM CHARLES. 743 00:30:33,142 --> 00:30:36,475 HE WROTE HER ABOUT FIVE TIMES AS MANY MESSAGES AS CARLA. 744 00:30:36,542 --> 00:30:38,909 IT LOOKS LIKE THEY WERE BOTH THINKING ABOUT SUICIDE, 745 00:30:38,975 --> 00:30:41,242 BUT HE WAS THINKING ABOUT IT A WHOLE LOT MORE. 746 00:30:41,309 --> 00:30:43,942 TARU PULLED THAT OFF THEIR COMPUTERS? YEAH. 747 00:30:49,709 --> 00:30:50,609 HOW'D IT GO? 748 00:30:50,675 --> 00:30:53,009 LOPEZ STILL SAYS IT'S NOT THE KINGS. 749 00:30:53,075 --> 00:30:54,642 I'M STARTING TO BELIEVE HIM. 750 00:30:54,709 --> 00:30:56,509 WHERE'S HATCHER? I DON'T KNOW. 751 00:30:56,575 --> 00:30:58,975 HOW WAS HE IN THE ROOM? AND DON'T SAY "FINE." 752 00:30:59,042 --> 00:31:02,942 HE'S GOT A DIFFERENT STYLE, BUT WE'LL WORK IT OUT. 753 00:31:03,009 --> 00:31:04,942 UH?HUH. 754 00:31:05,009 --> 00:31:06,575 SEE? SEE? 755 00:31:06,642 --> 00:31:07,775 SEE WHAT? 756 00:31:07,842 --> 00:31:10,175 HE'S GOT HER THROWING OUT MARSHMALLOWS, TOO. 757 00:31:10,242 --> 00:31:11,342 THIS GUY'S A PROBLEM. 758 00:31:11,409 --> 00:31:12,942 ANDY, PHONE DUMPS CAME IN. 759 00:31:13,009 --> 00:31:15,575 A BUNCH OF CALLS BETWEEN CALVIN AND HIS DAD'S CELL. 760 00:31:15,642 --> 00:31:18,109 THE FIRST WAS 15 MINUTES AFTER THE SHOOTING. 761 00:31:18,175 --> 00:31:19,575 HOW ABOUT AFTER WE TALKED TO CALVIN? 762 00:31:19,642 --> 00:31:21,142 YEAH, CALLS BACK AND FORTH THEN, TOO. 763 00:31:21,209 --> 00:31:23,409 WHO DO WE GO AT FIRST?? THE SON? 764 00:31:23,475 --> 00:31:24,742 YEAH, DEFINITELY. 765 00:31:24,809 --> 00:31:27,942 HEY. HERE'S A FEW MORE E?MAILS OFF THOSE COMPUTERS. 766 00:31:28,009 --> 00:31:29,009 THANK YOU. 767 00:31:29,075 --> 00:31:32,775 HEY. YOU'RE FROM TARU? YEAH. 768 00:31:32,842 --> 00:31:34,342 COME WALK WITH ME HERE. 769 00:31:34,409 --> 00:31:37,775 CHECK THIS OUT?? E?MAIL RECEIPT FOR CHARLES SLOCUM. 770 00:31:37,842 --> 00:31:39,275 THE DEALER IN PROVIDENCE 771 00:31:39,342 --> 00:31:42,542 CONFIRMED HE SOLD THE MAC?10 TO SLOCUM'S BROTHER. 772 00:31:42,609 --> 00:31:45,542 WE GOT A LOT TO TALK ABOUT WITH CHARLES. 773 00:31:50,042 --> 00:31:52,409 YOU A MUSIC FAN, CHARLES? 774 00:31:52,475 --> 00:31:53,409 I DON'T UNDERSTAND. 775 00:31:53,475 --> 00:31:55,075 ARE YOU ONE OF THOSE GUYS 776 00:31:55,142 --> 00:31:56,942 THAT HEARS ABOUT A HOT CONCERT 777 00:31:57,009 --> 00:31:58,575 AND RUSHES OUT TO GET TICKETS? 778 00:31:58,642 --> 00:32:00,842 WHAT DOES THIS HAVE TO DO WITH ANYTHING? 779 00:32:00,909 --> 00:32:02,642 [ SIGHS ] 780 00:32:04,475 --> 00:32:06,442 WE FOUND THIS RECEIPT ON YOUR COMPUTER?? 781 00:32:06,509 --> 00:32:08,875 TWO TICKETS TO A CONCERT AT THE BEACON NEXT MONTH, 782 00:32:08,942 --> 00:32:10,609 BOUGHT THREE DAYS AGO. SO? 783 00:32:10,675 --> 00:32:13,042 SO IF YOU WERE GOING TO COMMIT SUICIDE THE NEXT DAY, 784 00:32:13,109 --> 00:32:15,309 WHY ARE YOU BUYING TICKETS FOR A CONCERT A MONTH FROM NOW? 785 00:32:15,375 --> 00:32:17,242 I WAS GONNA GIVE THEM TO A FRIEND. 786 00:32:17,309 --> 00:32:20,075 THIS E?MAIL SAYS THAT THE TICKETS WON'T ARRIVE 787 00:32:20,142 --> 00:32:21,942 UNTIL TWO DAYS FROM NOW, 788 00:32:22,009 --> 00:32:24,875 SO HOW WERE YOU PLANNING ON GIVING THEM TO YOUR FRIEND 789 00:32:24,942 --> 00:32:25,875 IF YOU WERE DEAD? 790 00:32:25,942 --> 00:32:29,442 YOU KNOW, MAYBE I WASN'T THINKING SO CLEARLY. 791 00:32:29,509 --> 00:32:31,475 OR YOU WERE NEVER GONNA KILL YOURSELF. 792 00:32:31,542 --> 00:32:34,442 CARLA TOLD YOU SHE WAS PREGNANT BUT WOULDN'T HAVE AN ABORTION, 793 00:32:34,509 --> 00:32:37,109 AND YOU WEREN'T UP FOR THAT, SO YOU SOLD HER ON THIS PACT, 794 00:32:37,175 --> 00:32:38,209 AND SHE BOUGHT IT. 795 00:32:38,275 --> 00:32:40,875 ALL I DID WAS FAIL TO COMMIT SUICIDE, 796 00:32:40,942 --> 00:32:42,242 WHICH IS NOT A CRIME. 797 00:32:42,309 --> 00:32:44,342 TO PROVE OTHERWISE, 798 00:32:44,409 --> 00:32:46,809 YOU'D HAVE TO KNOW WHAT WAS INSIDE MY HEAD. 799 00:32:46,875 --> 00:32:48,575 THIS TELLS US. 800 00:32:48,642 --> 00:32:50,775 I WAS UPSET. I DIDN'T KNOW WHAT I WAS DOING. 801 00:32:50,842 --> 00:32:52,009 IT DOESN'T PROVE A THING. 802 00:32:52,075 --> 00:32:55,009 WE CAN PROVE HOW YOU GOT THAT GUN FROM YOUR BROTHER. 803 00:32:55,075 --> 00:32:56,975 ALL I DID WAS BORROW IT FROM HIM. 804 00:32:57,042 --> 00:33:00,175 THAT'S TRANSPORTING A GUN ACROSS STATE LINES TO COMMIT A CRIME. 805 00:33:00,242 --> 00:33:02,075 THAT'S A FEDERAL OFFENSE?? 806 00:33:02,142 --> 00:33:03,809 GET YOU A MANDATORY MINIMUM OF 10 YEARS. 807 00:33:03,875 --> 00:33:06,009 AND THAT'S NOT INCLUDING WHAT YOU CAN GET 808 00:33:06,075 --> 00:33:08,342 FOR ASSISTING A SUICIDE. 809 00:33:08,409 --> 00:33:12,775 IF YOU WANT ANY CONSIDERATION, THIS IS YOUR LAST CHANCE. 810 00:33:12,842 --> 00:33:15,009 OKAY, LOOK... 811 00:33:15,075 --> 00:33:17,675 HONESTLY, I WAS 50/50 GOING INTO IT. 812 00:33:17,742 --> 00:33:20,309 HALF OF YOU KNEW THAT YOU'D MAKE IT TO THE CONCERT. 813 00:33:20,375 --> 00:33:22,642 YEAH, BUT HALF OF ME REALLY WANTED TO END IT ALL, 814 00:33:22,709 --> 00:33:24,542 GET AWAY FROM THIS WHOLE MESS. 815 00:33:24,609 --> 00:33:27,275 BUT YOU LET YOUR GIRLFRIEND THINK YOU WERE 100% BEHIND IT. 816 00:33:27,342 --> 00:33:28,509 MY GIRLFRIEND? 817 00:33:28,575 --> 00:33:31,309 SHE GOT PREGNANT TO GO AFTER MY FAMILY'S MONEY. 818 00:33:31,375 --> 00:33:33,542 SHE TOLD YOU THIS? NO, BUT COME ON. 819 00:33:35,775 --> 00:33:38,775 YOU'RE GONNA DO EVERY DAY OF THOSE 10 YEARS, CHARLES. 820 00:33:38,842 --> 00:33:40,275 I'M GONNA SEE TO IT. 821 00:33:43,842 --> 00:33:47,509 I HAVEN'T HEARD FROM MY DAD, IF THAT'S WHY I'M HERE. 822 00:33:47,575 --> 00:33:50,542 YOU GOT A FAMILY?? WIFE, KIDS? YEAH. 823 00:33:50,609 --> 00:33:52,642 AND YOU'RE INDEPENDENTLY WEALTHY, RIGHT, 824 00:33:52,709 --> 00:33:55,609 SO WHEN YOU GO TO JAIL, THAT WON'T BE A HICCUP 825 00:33:55,675 --> 00:33:58,109 AS FAR AS THEIR LIFESTYLE'S CONCERNED? 826 00:33:58,175 --> 00:33:59,342 WHAT THE HELL ARE YOU TALKING ABOUT? 827 00:33:59,409 --> 00:34:01,909 YOU LIED TO US, CALVIN. WE CHECKED YOUR CELL PHONE. 828 00:34:01,975 --> 00:34:04,242 WE KNOW YOU'VE BEEN TALKING TO YOUR DAD TODAY. 829 00:34:04,309 --> 00:34:06,242 OKAY, MAYBE I DID, BUT WHAT'S THE CRIME? 830 00:34:06,309 --> 00:34:08,475 OBSTRUCTION OF JUSTICE, ACCESSORY AFTER THE FACT, 831 00:34:08,542 --> 00:34:10,275 A COUPLE OF OTHER FANCY LEGAL TERMS 832 00:34:10,342 --> 00:34:12,009 THAT YOU'LL BE ABLE TO CONTEMPLATE 833 00:34:12,075 --> 00:34:13,475 DURING YOUR FIVE YEARS IN JAIL. 834 00:34:13,542 --> 00:34:15,342 FIVE YEARS? I DIDN'T DO ANYTHING. 835 00:34:15,409 --> 00:34:17,009 THEN WHAT WERE THE PHONE CALLS ABOUT? 836 00:34:17,075 --> 00:34:18,242 OKAY. 837 00:34:18,309 --> 00:34:19,542 FIRST TIME, HE CALLED. 838 00:34:19,609 --> 00:34:21,275 HE SAID THAT HE WAS IN TROUBLE. 839 00:34:21,342 --> 00:34:23,409 I SAID TO TURN HIMSELF IN. 840 00:34:23,475 --> 00:34:25,875 HE SAID THAT HE WOULD DIE IN PRISON IF HE DID. 841 00:34:25,942 --> 00:34:29,242 AFTER YOU TALKED TO US, WHAT DID YOU TELL YOUR DAD? 842 00:34:29,309 --> 00:34:31,375 FIVE YEARS, CALVIN?? NO JOKE. 843 00:34:31,442 --> 00:34:33,675 DID YOU TELL HIM TO PLAY UP THE WITNESS ANGLE? 844 00:34:35,542 --> 00:34:37,309 YEAH. 845 00:34:37,375 --> 00:34:38,742 AND THAT OTHER DETECTIVE 846 00:34:38,809 --> 00:34:41,242 SAID THAT IT MIGHT BE LATIN KINGS INVOLVED, 847 00:34:41,309 --> 00:34:43,142 SO I TOLD MY DAD HE MIGHT WANT TO USE THAT, TOO. 848 00:34:43,209 --> 00:34:45,542 YOU INVOLVED IN THIS, CALVIN? 849 00:34:45,609 --> 00:34:48,275 NO. NO. 850 00:34:48,342 --> 00:34:50,709 I'D NEVER KILL SOMEONE. 851 00:34:50,775 --> 00:34:52,142 I'M NOT LIKE MY DAD. 852 00:34:52,209 --> 00:34:53,642 THEN WHY YOU BEEN LYING? 853 00:34:53,709 --> 00:34:58,009 HE'S A SCREW?UP, AND I HATE HIM FOR IT, 854 00:34:58,075 --> 00:35:00,209 BUT HE'S MY DAD. 855 00:35:00,275 --> 00:35:02,409 I CAN'T JUST TURN MY BACK ON HIM. 856 00:35:03,175 --> 00:35:04,209 GET IN. 857 00:35:04,275 --> 00:35:05,509 I'M UNDER ARREST? 858 00:35:05,575 --> 00:35:07,709 YOU'RE STAYING HERE UNTIL WE TALK TO YOUR DAD. 859 00:35:13,709 --> 00:35:17,542 AM I LOOKING AT PICTURES OR A LINEUP? 860 00:35:20,842 --> 00:35:21,909 WHAT'S HE DONE? 861 00:35:21,975 --> 00:35:24,475 LIED TO US ALL DAY TRYING TO COVER YOUR ASS?? 862 00:35:24,542 --> 00:35:27,009 ADMITTED THAT HE GAVE YOU THE LATIN KING ALIBI. 863 00:35:27,075 --> 00:35:29,375 WHICH IS ENOUGH TO PUT HIM AWAY. 864 00:35:29,442 --> 00:35:32,642 THAT WASN'T NO ALIBI. THOSE SPANISH KIDS SHOT TONY. 865 00:35:32,709 --> 00:35:35,309 LONNIE, THAT'S YOUR SON IN THERE. 866 00:35:35,375 --> 00:35:37,675 YOU HAVEN'T BURNED HIM ENOUGH IN YOUR LIFETIME, 867 00:35:37,742 --> 00:35:39,575 NOW YOU'RE GONNA PUT HIM IN JAIL? 868 00:35:39,642 --> 00:35:41,642 OR IS HE MORE INVOLVED THAN HE'S SAYING, 869 00:35:41,709 --> 00:35:42,942 'CAUSE RIGHT NOW HE'S TAKING THE RIDE. 870 00:35:44,075 --> 00:35:45,475 OKAY, THEN. LET'S GO. 871 00:35:48,175 --> 00:35:50,509 IN THE JOINT, IN ORDER TO SURVIVE, 872 00:35:50,575 --> 00:35:53,109 THERE ARE CERTAIN THINGS YOU CAN'T LET SLIDE. 873 00:35:53,175 --> 00:35:55,542 PEOPLE CAN TALK ALL THEY WANT, 874 00:35:55,609 --> 00:35:57,742 CUT IN LINE, HOG THE PHONE, 875 00:35:57,809 --> 00:36:00,742 BUT THEY VIOLATE YOUR PERSONAL SPACE, 876 00:36:00,809 --> 00:36:02,109 YOU GOTTA REACT. 877 00:36:02,175 --> 00:36:05,309 YOUR LIFE AIN'T WORTH LIVING IF YOU DON'T. 878 00:36:08,875 --> 00:36:10,075 WHAT DID DEKEYS DO TO YOU? 879 00:36:10,142 --> 00:36:13,042 HE WAS A PRICK FROM DAY ONE?? 880 00:36:13,109 --> 00:36:16,375 LOUD MUSIC, LEAVING TRASH IN THE HALL, 881 00:36:16,442 --> 00:36:20,542 SMOKING WEED ON THE STOOP WITH FAMILIES WALKING IN. 882 00:36:20,609 --> 00:36:23,409 I TALKED TO HIM ABOUT ALL THAT, 883 00:36:23,475 --> 00:36:25,309 BUT I KEPT IT CIVIL. 884 00:36:25,375 --> 00:36:28,509 THIS MORNING, TAKING OUT THE GARBAGE, 885 00:36:28,575 --> 00:36:30,675 I FORGOT TO LOCK MY DOOR. 886 00:36:30,742 --> 00:36:34,509 I GET BACK, AND SOMEONE'S PISSED ON MY BED. 887 00:36:34,575 --> 00:36:38,642 I WALK OUT IN THE HALL, AND TONY IS SMILING AT ME. 888 00:36:40,075 --> 00:36:41,942 I CAN'T LET THAT SLIDE. 889 00:36:42,009 --> 00:36:43,509 WHERE'D YOU GET THE GUN? 890 00:36:43,575 --> 00:36:46,075 I KEPT ONE FOR PROTECTION, 891 00:36:46,142 --> 00:36:49,209 SO I GRABBED IT, WENT LOOKING FOR TONY. 892 00:36:49,275 --> 00:36:50,875 HE WAS IN HIS CAR. 893 00:36:50,942 --> 00:36:52,475 MADE SURE HE SAW ME, 894 00:36:52,542 --> 00:36:55,442 AND THEN I SHOT THAT SON OF A BITCH 895 00:36:55,509 --> 00:36:57,542 TILL I KNEW HE WAS DEAD. 896 00:36:59,242 --> 00:37:02,442 YOU'RE LETTING MY BOY GO, RIGHT? 897 00:37:02,509 --> 00:37:04,409 YEAH. 898 00:37:07,275 --> 00:37:08,909 NO WAY. 899 00:37:08,975 --> 00:37:11,509 SHE HAD AN S. A. T. PREP COURSE SHE WAS TAKING. 900 00:37:11,575 --> 00:37:13,942 SHE WAS GOING TO MUSIC CAMP THIS SUMMER, 901 00:37:14,009 --> 00:37:15,609 TO SEE THE BALLET NEXT MONTH, 902 00:37:15,675 --> 00:37:18,075 WHICH SHE WAS REALLY LOOKING FORWARD TO. 903 00:37:18,142 --> 00:37:20,409 THERE IS NO WAY THAT SHE KILLED HERSELF. 904 00:37:20,475 --> 00:37:23,509 WE'RE VERY SORRY, BUT IT LOOKS LIKE THAT'S THE CASE. 905 00:37:23,575 --> 00:37:25,909 HOW DO YOU KNOW HE DIDN'T GET MY LITTLE GIRL UP THERE 906 00:37:25,975 --> 00:37:28,575 AND PUT A BULLET IN HER HIMSELF AND MAKE IT LOOK LIKE SUICIDE? 907 00:37:28,642 --> 00:37:29,875 THE E?MAILS WE TOLD YOU ABOUT 908 00:37:29,942 --> 00:37:31,709 SHOWED YOUR DAUGHTER WAS PREPARING FOR THIS. 909 00:37:31,775 --> 00:37:34,142 THIS LITTLE PRICK HAS YOU CONNED. 910 00:37:34,209 --> 00:37:36,009 HE SET THIS WHOLE THING UP. 911 00:37:36,075 --> 00:37:37,142 AND HE'S GONNA FACE CHARGES. 912 00:37:37,209 --> 00:37:38,742 FOR A GUN VIOLATION? 913 00:37:38,809 --> 00:37:41,609 THIS GUY SHOULD BE GOING AWAY FOR MURDER. 914 00:37:41,675 --> 00:37:45,209 THERE'S WHAT WE THINK HAPPENED AND WHAT WE CAN PROVE, 915 00:37:45,275 --> 00:37:47,642 AND, UNFORTUNATELY, ALL WE CAN PROVE 916 00:37:47,709 --> 00:37:50,675 IS THE GUN VIOLATION AND ASSISTING A SUICIDE. 917 00:37:50,742 --> 00:37:53,542 BUT YOU HAVE MY WORD THAT THAT'LL STICK, 918 00:37:53,609 --> 00:37:56,909 AND I WILL STAY WITH THE CASE EVERY STEP OF THE WAY. 919 00:37:56,975 --> 00:38:00,009 WHILE HIS RICH FAMILY LAWYER SWEEPS IT UNDER THE RUG? 920 00:38:00,075 --> 00:38:02,742 CHARLES SLOCUM WILL DO 10 YEARS. 921 00:38:04,609 --> 00:38:07,309 I SHOULD HAVE PROTECTED HER FROM HIM. 922 00:38:07,375 --> 00:38:09,709 I SHOULD HAVE DONE MORE TO KEEP HER SAFE. 923 00:38:09,775 --> 00:38:11,375 SHE WAS 15 YEARS OLD. 924 00:38:11,442 --> 00:38:14,309 AT THAT POINT, THEY'RE MAKING THEIR OWN DECISIONS. 925 00:38:14,375 --> 00:38:16,375 OR DID I PROTECT HER TOO MUCH 926 00:38:16,442 --> 00:38:19,242 SO SHE WASN'T PREPARED FOR A GUY LIKE THIS? 927 00:38:19,309 --> 00:38:22,275 YOU LOVED HER, AND YOU PROVIDED FOR HER. 928 00:38:22,342 --> 00:38:24,542 THAT'S ALL ANY PARENT CAN DO. 929 00:38:31,775 --> 00:38:33,775 HEARD YOU COLLARED UP. 930 00:38:33,842 --> 00:38:35,109 YEAH. 931 00:38:35,175 --> 00:38:37,842 CONGRATS ON THAT. 932 00:38:37,909 --> 00:38:40,875 HEY, UH, ASKING AROUND BEFORE I GOT HERE, 933 00:38:40,942 --> 00:38:42,609 I WAS TOLD YOU'RE THE MAN, 934 00:38:42,675 --> 00:38:45,475 SO I'M COMING TO YOU IF YOU GOT A SECOND. 935 00:38:45,542 --> 00:38:47,442 WHAT'S YOUR QUESTION? 936 00:38:49,142 --> 00:38:51,575 ORTIZ?? SHE'S STAND?UP, RIGHT? 937 00:38:51,642 --> 00:38:54,242 'CAUSE WE HAD A LITTLE MISCOMMUNICATION EARLIER. 938 00:38:54,309 --> 00:38:55,842 I DON'T KNOW IF SHE TOLD YOU ANYTHING. 939 00:38:55,909 --> 00:38:57,542 SHE DIDN'T. 940 00:38:58,942 --> 00:39:03,809 IS THE BOOK ON HER LIKE SHE'S OVERLY SENSITIVE, OR?? 941 00:39:03,875 --> 00:39:05,409 NO. 942 00:39:05,475 --> 00:39:07,675 GOOD. THAT'S WHAT I FIGURED. 943 00:39:07,742 --> 00:39:11,142 I MAY HAVE GOTTEN A LITTLE TOO ENTHUSIASTIC IN THE ROOM. 944 00:39:11,209 --> 00:39:12,442 YOU KNOW HOW IT IS. 945 00:39:12,509 --> 00:39:13,875 YEAH, WELL, EITHER WAY, 946 00:39:13,942 --> 00:39:16,809 ORTIZ DIDN'T SAY ANYTHING TO ME ABOUT IT. 947 00:39:18,275 --> 00:39:19,542 SO, WORD I GOT WAS THAT THE PERP 948 00:39:19,609 --> 00:39:22,109 SNAPPED OVER SOME PRISON FLASHBACK? 949 00:39:22,175 --> 00:39:24,709 [ SIGHS ] 950 00:39:24,775 --> 00:39:26,509 WE BURNED HALF OUR DAY ON ACCOUNT OF YOU 951 00:39:26,575 --> 00:39:28,409 TELLING HIS SON ABOUT YOUR LATIN KING THEORY, 952 00:39:28,475 --> 00:39:31,075 WHICH HE PASSED ON TO HIS DAD AS AN ALIBI. 953 00:39:31,142 --> 00:39:33,275 I JUST WANTED TO GET THE DAD IN. 954 00:39:33,342 --> 00:39:34,775 DIDN'T WE COVER THIS ALREADY? 955 00:39:34,842 --> 00:39:36,842 YOU NEED TO LAY BACK AND SEE HOW THIS SQUAD WORKS, 956 00:39:36,909 --> 00:39:39,209 AND THAT WAS THE LAST DOUBLE?UP INTERVIEW 957 00:39:39,275 --> 00:39:41,509 YOU'RE GONNA DO ON ONE OF MY CASES. 958 00:39:41,575 --> 00:39:42,675 FINE. 959 00:39:42,742 --> 00:39:43,942 NO SWEAT. 960 00:39:46,375 --> 00:39:47,875 I'D LIKE TO FIT IN WITH THE TEAM HERE, 961 00:39:47,942 --> 00:39:50,675 SO HOW 'BOUT TOMORROW WE MAKE A FRESH START? 962 00:39:51,909 --> 00:39:52,942 COOL? 963 00:39:53,009 --> 00:39:54,542 SURE. 964 00:39:57,142 --> 00:39:58,509 HEARD A LOT OF GOOD THINGS ABOUT YOU. 965 00:39:58,575 --> 00:39:59,675 I KNOW I CAN LEARN A LOT. 966 00:39:59,742 --> 00:40:01,909 GOOD NIGHT. 967 00:40:04,475 --> 00:40:06,975 HATCHER FOUND YOU? 968 00:40:07,042 --> 00:40:09,075 TOMORROW HE STARTS FRESH. 969 00:40:09,142 --> 00:40:10,775 WELL, CONNIE'S GOT SOME NEWS ON HIM. 970 00:40:10,842 --> 00:40:12,775 OH, YEAH? NOTHING BIG. 971 00:40:12,842 --> 00:40:15,142 A FRIEND AT THE 2?3 TOLD ME HATCHER'S UNCLE 972 00:40:15,209 --> 00:40:16,542 IS THE CHIEF OF PERSONNEL. 973 00:40:16,609 --> 00:40:18,109 SO, EVERY TIME HE SCREWS UP, 974 00:40:18,175 --> 00:40:21,342 HE JUST GETS BOUNCED TO A NEW COMMAND. 975 00:40:21,409 --> 00:40:23,109 GIBSON GOT TO BE C. O. HERE 976 00:40:23,175 --> 00:40:26,042 'CAUSE HE'S A GOLF BUDDY WITH THE CHIEF OF PERSONNEL, RIGHT? 977 00:40:26,109 --> 00:40:27,242 YEAH. 978 00:40:27,309 --> 00:40:28,575 DO I NEED TO STAY HERE 979 00:40:28,642 --> 00:40:30,909 AND MAKE SURE YOU DON'T POUNCE ON HIM? 980 00:40:30,975 --> 00:40:31,909 I'M FINE. 981 00:40:31,975 --> 00:40:33,275 ALL RIGHT. 982 00:40:33,342 --> 00:40:35,275 WELL, IF ANYONE NEEDS ME OVER THE NEXT FEW MONTHS, 983 00:40:35,342 --> 00:40:37,842 I'LL BE AT HOME WITH MY FEET UP. 984 00:40:37,909 --> 00:40:39,375 ALL RIGHT. 985 00:40:39,442 --> 00:40:42,109 IF HIS COOKING GETS OLD, I'LL JUST RUSH OVER TAKEOUT. 986 00:40:42,175 --> 00:40:43,275 OKAY, GOOD TO KNOW. 987 00:40:43,342 --> 00:40:45,175 I'M GONNA LEAVE IN A LITTLE BIT. 988 00:40:45,242 --> 00:40:47,742 GREAT WORK, GUYS. TOP SHELF. 989 00:40:47,809 --> 00:40:50,275 SO, UH, YOU AND THE CHIEF OF PERSONNEL 990 00:40:50,342 --> 00:40:52,942 ARE BUDDIES, RIGHT, GIBSON? 991 00:40:53,009 --> 00:40:54,209 WE'RE FRIENDLY. 992 00:40:54,275 --> 00:40:56,575 CHIEF OF PERSONNEL, WHO'S HATCHER'S UNCLE? 993 00:40:56,642 --> 00:40:58,675 WHERE ARE YOU GOING WITH THIS, ANDY? 994 00:40:58,742 --> 00:41:00,642 YOU GETTING PROMOTED TO C. O. OF A SQUAD, 995 00:41:00,709 --> 00:41:02,442 WHICH WAS QUITE A JUMP, GIBSON?? 996 00:41:02,509 --> 00:41:04,942 DID THAT COME WITH THE CONDITION OF TAKING ON HATCHER, 997 00:41:05,009 --> 00:41:07,375 WHO'S BEEN TOSSED OUT OF EVERY OTHER SQUAD IN THIS CITY? 998 00:41:07,442 --> 00:41:09,909 WE WERE GONNA BE SHORT A MAN. STAN WAS AVAILABLE. 999 00:41:09,975 --> 00:41:13,475 WAS IT A NICE THING TO DO FOR A FRIEND? SURE. 1000 00:41:13,542 --> 00:41:16,475 DO YOU NOT HAVE FRIENDS? DO YOU NOT DO NICE THINGS? 1001 00:41:16,542 --> 00:41:18,342 THAT'S FINE, BUT IF THE DAY COMES 1002 00:41:18,409 --> 00:41:20,409 WHEN HE NEEDS TO GET TOSSED OUT OF HERE, 1003 00:41:20,475 --> 00:41:21,675 YOU BETTER HAVE THE SPINE. 1004 00:41:21,742 --> 00:41:23,975 I GOT SPINE ALL DAY LONG, ANDY. 1005 00:41:24,042 --> 00:41:24,975 DON'T QUESTION THAT. 1006 00:41:25,042 --> 00:41:26,342 THEN WE'RE SQUARE. 1007 00:41:26,409 --> 00:41:28,142 GOOD. GOOD. 1008 00:41:28,209 --> 00:41:29,409 GOOD NIGHT. GOOD NIGHT. 1009 00:41:29,475 --> 00:41:31,475 HELP YOU? YEAH, I'M HERE TO SEE HIM. 1010 00:41:31,542 --> 00:41:33,609 HE HERE WITH YOUR RABIES SHOT, ANDY? 1011 00:41:33,675 --> 00:41:36,409 GOOD NIGHT, GIBSON. SEE YOU, SARGE. 1012 00:41:40,242 --> 00:41:41,909 HE COOL? HE'S COOL. 1013 00:41:41,975 --> 00:41:45,409 THIS NEVER HAPPENED, AND WE NEVER MET, RIGHT? 1014 00:41:45,475 --> 00:41:47,575 I OWE YOU ONE. ANY TIME. 1015 00:41:50,609 --> 00:41:53,342 OH, MAN, YOU ARE GOING TO HELL FOR THIS. 1016 00:41:53,409 --> 00:41:56,742 IT'S ALWAYS BEEN MY HOPE GOD'S GOT A SENSE OF HUMOR. 1017 00:41:56,809 --> 00:41:58,375 [ WHISTLES ] 1018 00:41:58,442 --> 00:42:00,275 [ BIRD WHISTLES ] 1019 00:42:00,342 --> 00:42:02,009 [ TAPE RECORDER CLICKS ] DOUCHE BAG. 1020 00:42:02,075 --> 00:42:03,875 DOUCHE BAG. 1021 00:42:03,942 --> 00:42:05,975 DEEP, DEEP INTO HELL. 1022 00:42:06,042 --> 00:42:08,275 DOUCHE BAG. 1023 00:42:08,342 --> 00:42:10,775 DOUCHE BAG. 1024 00:42:10,842 --> 00:42:12,709 DOUCHE BAG. 1025 00:42:12,775 --> 00:42:15,075 DOUCHE BAG. 1026 00:42:15,142 --> 00:42:17,809 DOUCHE BAG. 1027 00:42:17,875 --> 00:42:19,842 DOUCHE BAG. 1028 00:42:19,909 --> 00:42:22,109 DOUCHE BAG. 1029 00:42:22,175 --> 00:42:23,675 DOUCHE BAG. 1030 00:42:23,725 --> 00:42:28,275 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 75234

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