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1
00:00:00,786 --> 00:00:02,295
PREVIOUSLY ON "NYPD BLUE"...
2
00:00:02,362 --> 00:00:06,329
WHAT ASSHOLE HAS THE NERVE TO
SEND BOXES BEFORE YOU'RE GONE?
3
00:00:06,395 --> 00:00:08,962
GENTLEMEN AND LADIES OF THE
15th, I HAVE ARRIVED.
4
00:00:09,029 --> 00:00:11,995
PERMISSION TO BOARD, LIEUTENANT.
5
00:00:12,062 --> 00:00:13,862
THOSE ARE YOUR BOXES?
OF COURSE THEY ARE.
6
00:00:13,929 --> 00:00:15,329
YOU'RE THE NEW C. O.?
7
00:00:15,395 --> 00:00:16,995
THE CHIEF OF DETECTIVES DIDN'T
GIVE YOU A HEADS UP?
8
00:00:17,062 --> 00:00:18,262
NO.
9
00:00:18,329 --> 00:00:20,029
THIS IS APRIL FOOL'S,
RIGHT?
10
00:00:20,095 --> 00:00:22,995
I WISH YOU LUCK AND ALL THE BEST
IN YOUR NEW JOB,
11
00:00:23,062 --> 00:00:25,429
BUT, UH, KEEP IN TOUCH.
12
00:00:25,495 --> 00:00:27,562
HEAR! HEAR!
HEAR! HEAR! HEAR! HEAR! HEAR! HEAR!
13
00:00:27,629 --> 00:00:29,262
THANKS.
14
00:00:42,562 --> 00:00:43,729
WHAT DO WE GOT?
15
00:00:43,795 --> 00:00:46,562
TONY DEKEYS,
SHOT REPEATEDLY.
16
00:00:46,629 --> 00:00:47,862
WHO CALLED IT IN?
17
00:00:47,929 --> 00:00:49,962
OLD LADY LIVES ACROSS
THE STREET.
18
00:00:50,029 --> 00:00:51,462
SHE HEARD THE SHOTS,
19
00:00:51,529 --> 00:00:53,762
BUT SHE DIDN'T LOOK IN TIME
TO SEE WHO DID IT.
20
00:00:53,829 --> 00:00:55,695
IT DOESN'T LOOK LIKE A ROBBERY.
HE WAS SHOT THROUGH THE WINDOW.
21
00:00:55,762 --> 00:00:58,829
HE'S WEARING COLORS??
COULD BE GANG?RELATED.
22
00:00:58,895 --> 00:01:00,762
WORTH LOOKING INTO.
HEY, WHO'S THIS?
23
00:01:00,829 --> 00:01:01,995
HEY. I'M HATCHER.
24
00:01:02,062 --> 00:01:03,629
AND?
25
00:01:03,695 --> 00:01:04,529
STAN HATCHER.
26
00:01:04,595 --> 00:01:06,262
THE BOROUGH'S ASSIGNED ME
TO YOUR SQUAD.
27
00:01:06,329 --> 00:01:07,729
EFFECTIVE WHEN?
TODAY.
28
00:01:07,795 --> 00:01:09,662
YOU DIDN'T KNOW ABOUT THIS?
NAH, FIRST WE'VE HEARD.
29
00:01:09,729 --> 00:01:12,029
I TALKED TO YOUR BOSS YESTERDAY
AND THIS MORNING.
30
00:01:12,095 --> 00:01:13,895
HE'S THE ONE WHO TOLD ME TO
RESPOND TO THIS.
31
00:01:13,962 --> 00:01:15,729
GIBSON.
32
00:01:15,795 --> 00:01:18,229
LOOK, I DON'T WANT TO STEP ON
ANY TOES HERE.
33
00:01:18,295 --> 00:01:20,462
HEY, MAN, DON'T WORRY ABOUT IT.
JOHN CLARK.
34
00:01:20,529 --> 00:01:22,462
GOOD TO MEET YOU.
ANDY SIPOWICZ.
35
00:01:22,529 --> 00:01:25,062
STAN HATCHER.
WHERE DO I KNOW THAT NAME FROM?
36
00:01:25,129 --> 00:01:26,595
THE SCHOOL BUS OF BLIND KIDS
37
00:01:26,662 --> 00:01:29,562
THAT WERE SAVED FROM PLUNGING
OFF THE BRIDGE??
38
00:01:29,629 --> 00:01:31,129
THAT WAS ME.
39
00:01:31,195 --> 00:01:33,862
GREG MEDAVOY.
HEY, HOW'S IT GOING?
40
00:01:33,929 --> 00:01:36,129
BALDWIN JONES.
WHAT'S UP, MAN?
41
00:01:36,195 --> 00:01:38,829
WHERE WERE YOU BEFORE THIS,
STAN?
42
00:01:38,895 --> 00:01:41,362
THE 7?2.
43
00:01:41,429 --> 00:01:43,129
SO, WHAT ARE WE
LOOKING AT HERE?
44
00:01:43,195 --> 00:01:44,195
D.O.A., BLACK MALE.
45
00:01:44,262 --> 00:01:46,229
NO WITNESSES,
NO SIGNS OF A ROBBERY.
46
00:01:46,295 --> 00:01:48,329
WEARING THOSE COLORS,
GOTTA BE A BLOOD.
47
00:01:48,395 --> 00:01:49,995
WE PICKED UP ON THAT,
YEAH.
48
00:01:50,062 --> 00:01:52,195
SOMEBODY SHOULD TALK
TO THE LATIN KINGS.
49
00:01:52,262 --> 00:01:53,429
WHY THEM?
THE WORD I'M HEARING
50
00:01:53,495 --> 00:01:55,195
IS SOME BLOOD MADE
INAPPROPRIATE REMARKS
51
00:01:55,262 --> 00:01:57,129
TO THE GIRLFRIEND OF
A HIGH?UP LATIN KING.
52
00:01:57,195 --> 00:01:59,095
LOTS OF THREATS GOING BACK
AND FORTH SINCE.
53
00:01:59,162 --> 00:02:00,362
AND YOU GOT THIS WORD HOW?
54
00:02:00,429 --> 00:02:01,962
I USED TO WORK
THE GANG UNIT.
55
00:02:02,029 --> 00:02:03,862
STILL KEEP MY EAR
TO THE GROUND.
56
00:02:03,929 --> 00:02:04,862
RUN WITH IT.
DONE.
57
00:02:04,929 --> 00:02:06,762
Jones: WE'LL GET A CANVASS
STARTED.
58
00:02:10,895 --> 00:02:12,762
SEEMS ALL RIGHT.
59
00:02:12,829 --> 00:02:15,695
STAN HATCHER?? I KNOW
THAT NAME FROM SOMEWHERE.
60
00:02:15,762 --> 00:02:19,095
YEAH, HE'S THE ONE
WHO SAVED THE SCHOOL BUS.
61
00:03:33,462 --> 00:03:35,795
HOW'S THE NEW GUY?
WITTY.
62
00:03:35,862 --> 00:03:37,229
HE DIDN'T RAISE ANY FLAGS.
63
00:03:37,295 --> 00:03:40,162
REGARDLESS, HOW ABOUT MAKING
A CALL TO THE 7?2??
64
00:03:40,229 --> 00:03:42,695
SEE WHAT THEY GOT ON THIS GUY
STAN HATCHER?
65
00:03:42,762 --> 00:03:44,262
RUN A CREDIT CHECK, TOO?
66
00:03:45,629 --> 00:03:46,729
I'LL SEE WHAT I CAN DO.
67
00:03:46,795 --> 00:03:47,729
[ SQUAWKING ]
68
00:03:47,795 --> 00:03:49,029
WHAT THE HELL WAS THAT?
69
00:03:49,095 --> 00:03:50,395
AFRICAN GRAY PARROT.
70
00:03:50,462 --> 00:03:52,529
SERGEANT GIBSON BROUGHT IT IN
THIS MORNING.
71
00:03:52,595 --> 00:03:55,095
IT'S QUITE VOCAL.
72
00:03:55,162 --> 00:03:56,295
WHAT HAVE WE GOT?
73
00:03:56,362 --> 00:03:57,929
UH...
74
00:03:57,995 --> 00:03:59,795
D.O.A. BLACK MALE,
MAY BE GANG?RELATED.
75
00:03:59,862 --> 00:04:01,129
WHAT'S WITH THE BIRD?
76
00:04:01,195 --> 00:04:02,595
WHO, HIM?
YEAH.
77
00:04:02,662 --> 00:04:05,029
OH, THAT'S THE COLONEL.
I'VE HAD HIM FOR YEARS.
78
00:04:05,095 --> 00:04:06,595
FRIENDLY AS A DOG.
KEEPING HIM HERE?
79
00:04:06,662 --> 00:04:08,929
YEAH, BUT, TRUST ME??
AFTER A COUPLE HOURS,
80
00:04:08,995 --> 00:04:10,395
YOU'LL COMPLETELY
TUNE HIM OUT.
81
00:04:10,462 --> 00:04:12,395
NATURAL MIMICS,
THE AFRICAN GRAY.
82
00:04:12,462 --> 00:04:14,895
THEY HEAR SOMETHING??
THEY PICK IT RIGHT UP.
83
00:04:14,962 --> 00:04:18,062
WHEN THE COLONEL SAYS HELLO,
YOU'D SWEAR IT WAS THE WIFE.
84
00:04:18,129 --> 00:04:19,862
THIS IS A WORK PLACE,
GIBSON.
85
00:04:19,929 --> 00:04:21,495
GIVE HIM TIME.
YOU'LL FALL IN LOVE.
86
00:04:24,162 --> 00:04:25,829
YOU MUST BE HATCHER.
87
00:04:25,895 --> 00:04:27,195
SERGEANT EDWARD GIBSON.
88
00:04:27,262 --> 00:04:29,195
WELCOME TO THE BEST SQUAD
IN THE CITY.
89
00:04:29,262 --> 00:04:30,395
GLAD TO BE HERE.
90
00:04:30,462 --> 00:04:31,595
JOHN IRVIN.
91
00:04:31,662 --> 00:04:33,495
WHAT'S UP, MAN?
92
00:04:33,562 --> 00:04:35,629
HEY...MAN. NOT MUCH.
93
00:04:35,695 --> 00:04:36,962
HI. UH, CONNIE McDOWELL.
94
00:04:37,029 --> 00:04:38,795
LOOK AT YOU??
READY TO POP.
95
00:04:38,862 --> 00:04:40,262
YEAH, YEAH, A MONTH AWAY.
96
00:04:40,329 --> 00:04:43,295
WITH THE HELP OF CERTAIN PEOPLE
WHO SHALL NOT BE NAMED.
97
00:04:43,362 --> 00:04:45,762
SO, HOW 'BOUT GETTING HIM
SET UP, GIBSON?
98
00:04:45,829 --> 00:04:47,329
ME AND ANDY GO WAY BACK,
99
00:04:47,395 --> 00:04:50,295
WHICH IS WHY HE CALLS ME
"GIBSON" INSTEAD OF "SERGEANT."
100
00:04:50,362 --> 00:04:52,795
YEAH, SO, I'M ASSUMING THIS
IS GONNA BE YOUR DESK,
101
00:04:52,862 --> 00:04:54,062
BUT THIS IS MY LAST DAY
102
00:04:54,129 --> 00:04:56,062
BEFORE I START MY MATERNITY
LEAVE, SO...
103
00:04:56,129 --> 00:04:58,062
I DON'T SPEND MUCH TIME
AT THE DESK ANYWAY.
104
00:04:58,129 --> 00:04:59,795
HEY. RITA ORTIZ.
105
00:04:59,862 --> 00:05:01,662
HEY. STAN HATCHER.
106
00:05:01,729 --> 00:05:02,829
SO, WHERE ARE WE AT?
107
00:05:02,895 --> 00:05:04,295
I RAN HIM THROUGH
THE GANG UNIT.
108
00:05:04,362 --> 00:05:06,062
THE D. O. A. WAS
A HARD?CORE GANGBANGER
109
00:05:06,129 --> 00:05:07,395
WITH THE AVENUE D BLOODS.
110
00:05:07,462 --> 00:05:09,729
MY CONTACT SAYS ONE OF THE
D. O. A.'s HOMEBOYS
111
00:05:09,795 --> 00:05:12,929
MADE A MOVE ON THE GIRLFRIEND
OF A GUY NAMED WILMER LOPEZ.
112
00:05:12,995 --> 00:05:14,895
A LATIN KING.
BINGO.
113
00:05:14,962 --> 00:05:16,729
WILMER GOES BY THE NAME
"KING JAZZ."
114
00:05:16,795 --> 00:05:17,929
WE'LL HEAD OUT
TO TALK TO HIM.
115
00:05:17,995 --> 00:05:20,362
SOUNDS GOOD.
116
00:05:22,195 --> 00:05:24,062
THIS KID'S SHARP, HUH?
117
00:05:24,129 --> 00:05:25,295
[ PARROT SQUAWKING ]
118
00:05:25,362 --> 00:05:28,395
KEEP THE DOOR CLOSED, OR
I'M GETTING SOME DUCT TAPE.
119
00:05:29,662 --> 00:05:32,195
ED BOYANOVICH.
I NEED TO TALK TO SOMEBODY.
120
00:05:32,262 --> 00:05:34,362
MY DAUGHTER'S BEEN...
KIDNAPPED.
121
00:05:37,629 --> 00:05:40,495
DETECTIVES JONES, MEDAVOY.
LET'S GO TALK IN HERE.
122
00:05:47,562 --> 00:05:49,929
WHAT'S YOUR DAUGHTER'S NAME,
MR. BOYANOVICH?
123
00:05:49,995 --> 00:05:51,729
CARLA.
124
00:05:51,795 --> 00:05:54,129
SHE'S 15.
125
00:05:54,195 --> 00:05:56,929
SHE'S BEEN SEEING THIS BOY,
CHARLES SLOCUM.
126
00:05:56,995 --> 00:05:58,962
THEY GO TO
THE KENDALL SCHOOL.
127
00:05:59,029 --> 00:06:01,862
SHE'S A SOPHOMORE.
HE'S A SENIOR?? RICH KID.
128
00:06:01,929 --> 00:06:04,162
DOES THAT FACTOR IN?
HE FACTORS IN.
129
00:06:04,229 --> 00:06:06,829
HE'S TAKING HER
TO NIGHTCLUBS, PARTIES.
130
00:06:06,895 --> 00:06:09,295
SHE STARTS COMING HOME
AFTER CURFEW.
131
00:06:09,362 --> 00:06:12,229
I CALL TO TALK TO HIS PARENTS.
THEY'RE NOT AROUND.
132
00:06:12,295 --> 00:06:14,029
WHEN WAS THE LAST TIME
YOU SAW YOUR DAUGHTER?
133
00:06:14,095 --> 00:06:16,195
TWO NIGHTS AGO.
134
00:06:16,262 --> 00:06:18,562
IT HAD BEEN REALLY SO CALM
AROUND THE HOUSE
135
00:06:18,629 --> 00:06:19,529
THE LAST FEW WEEKS.
136
00:06:19,595 --> 00:06:22,362
SHE SAID HER AND SLOCUM
BROKE UP.
137
00:06:22,429 --> 00:06:24,329
BUT THEN I GET HOME ABOUT 9:30,
138
00:06:24,395 --> 00:06:26,595
AND THERE'S A NOTE ON THE
CHALKBOARD BY THE FRIDGE??
139
00:06:26,662 --> 00:06:27,895
"YOU CAN'T STOP ME."
140
00:06:27,962 --> 00:06:29,862
DID YOU CALL
SLOCUM'S PLACE?
141
00:06:29,929 --> 00:06:31,329
YES, I DID. NO ANSWER.
142
00:06:31,395 --> 00:06:32,962
SO I GO OVER HIS BUILDING.
143
00:06:33,029 --> 00:06:35,762
I WATCH THE DOORMAN
TALK ON THE HOUSE PHONE
144
00:06:35,829 --> 00:06:37,295
FOR, LIKE, FIVE MINUTES,
145
00:06:37,362 --> 00:06:40,529
AND HE'S GOT THE BRASS TO TELL
ME THAT NOBODY'S HOME?
146
00:06:40,595 --> 00:06:43,129
HE THREATENS TO CALL
THE COPS ON ME.
147
00:06:43,195 --> 00:06:44,829
ALL RIGHT.
WE'LL GO TALK TO SLOCUM.
148
00:06:44,895 --> 00:06:46,129
WHAT AM I SUPPOSED TO DO?
149
00:06:46,195 --> 00:06:48,429
THIS KID IS BASICALLY HOLDING
MY DAUGHTER HOSTAGE.
150
00:06:48,495 --> 00:06:50,995
SIR, UNDERSTANDING HOW
FRUSTRATING IT IS,
151
00:06:51,062 --> 00:06:54,195
WE WOULDN'T CALL IT
A KIDNAPPING.
152
00:06:54,262 --> 00:06:56,395
IT'S MORE OF
A RUNAWAY SITUATION.
153
00:06:56,462 --> 00:07:00,462
BUT YOU DON'T UNDERSTAND.
CARLA IS A YOUNG 15.
154
00:07:00,529 --> 00:07:02,829
SHE ONLY JUST STARTED COMING OUT
OF HER SHELL
155
00:07:02,895 --> 00:07:04,262
AFTER HER MOM DIED
THREE YEARS AGO.
156
00:07:04,329 --> 00:07:07,995
THEN SHE MEETS THIS OLDER,
RICH KID,
157
00:07:08,062 --> 00:07:10,362
AND SHE'S COMPLETELY
STARRY?EYED.
158
00:07:10,429 --> 00:07:13,195
LET'S CONCENTRATE ON GETTING
YOUR DAUGHTER HOME.
159
00:07:13,262 --> 00:07:16,362
BUT WHAT THIS SLOCUM KID IS
DOING IS CRIMINAL, RIGHT?
160
00:07:16,429 --> 00:07:19,662
HUH? KEEPING HER FROM ME??
THAT'S BREAKING THE LAW.
161
00:07:19,729 --> 00:07:22,495
GIVE US SLOCUM'S ADDRESS.
WE'LL TALK TO HIM.
162
00:07:22,562 --> 00:07:24,962
EVEN THOUGH HIS FAMILY
HAS MONEY,
163
00:07:25,029 --> 00:07:27,762
HE DON'T GET NO SPECIAL
TREATMENT, RIGHT?
164
00:07:27,829 --> 00:07:31,562
IF WE FIND SOMETHING CRIMINAL,
HE'LL FACE CHARGES.
165
00:07:45,495 --> 00:07:48,595
WILMER LOPEZ?
166
00:07:48,662 --> 00:07:49,929
ARE YOU WILMER LOPEZ?
167
00:07:49,995 --> 00:07:51,429
I DON'T KNOW THAT NAME.
168
00:07:51,495 --> 00:07:54,229
WE CAN TALK HERE, OR WE CAN GO
DOWN TO THE STATION HOUSE.
169
00:07:54,295 --> 00:07:55,795
WHAT'S IT GONNA BE?
170
00:07:57,529 --> 00:07:59,495
KING JAZZ, WE NEED A FEW
MINUTES OF YOUR TIME.
171
00:07:59,562 --> 00:08:03,129
IT DOESN'T CONCERN YOUR MEN, SO
IF YOU'D ASK THEM TO STEP ASIDE,
172
00:08:03,195 --> 00:08:05,729
WE'D APPRECIATE IT??
ALL RESPECT.
173
00:08:14,195 --> 00:08:15,562
SO, WHAT'S THIS ABOUT?
174
00:08:15,629 --> 00:08:18,095
YOU KNOW TONY DEKEYS?
YEAH, WHAT ABOUT HIM?
175
00:08:18,162 --> 00:08:20,395
WE HEARD THERE WAS A DISPUTE
WITH THE AVENUE D BLOODS
176
00:08:20,462 --> 00:08:22,095
OVER A WOMAN NAMED
THERESA GUZMAN.
177
00:08:22,162 --> 00:08:23,562
THAT'S YOUR GIRLFRIEND,
RIGHT?
178
00:08:23,629 --> 00:08:25,362
YEAH, BUT THERE'S NO DISPUTE
WITH THE BLOODS.
179
00:08:25,429 --> 00:08:27,162
ONE OF THEM DIDN'T HIT ON
YOUR GIRL?
180
00:08:27,229 --> 00:08:28,695
THERE WEREN'T
THREATS MADE? NO.
181
00:08:28,762 --> 00:08:31,995
ALL RIGHT, LET'S GO.
WE'LL TALK AT OUR OFFICE.
182
00:08:32,062 --> 00:08:34,229
ALL RIGHT.
DISPUTE'S BEEN SETTLED.
183
00:08:34,295 --> 00:08:35,729
TRIBUTE'S BEEN PAID.
184
00:08:35,795 --> 00:08:39,329
ARE YOU SAYING THERE WAS NO
TERMINATION ORDER ON DEKEYS?
185
00:08:39,395 --> 00:08:42,662
YOU SAYING THIS GUY
GOT KILLED? YEAH.
186
00:08:42,729 --> 00:08:45,062
IT DIDN'T COME FROM US.
TRIBUTE WAS PAID.
187
00:08:45,129 --> 00:08:47,662
WHERE WERE YOU THIS MORNING
BETWEEN 8:00 AND 9:00?
188
00:08:47,729 --> 00:08:50,729
YOU'RE TREATING ME WITH RESPECT,
SO I'LL TELL YOU.
189
00:08:50,795 --> 00:08:53,562
THIS MORNING AT 8:00 I TOOK
MY MOM TO PHYSICAL THERAPY.
190
00:08:53,629 --> 00:08:54,529
SHE'S GOT A BAD HIP.
191
00:08:54,595 --> 00:08:55,895
WHERE'D YOU TAKE HER?
192
00:08:55,962 --> 00:08:56,929
TO A "Y" ON 6th.
193
00:08:56,995 --> 00:08:58,595
CAN ANYONE CONFIRM THAT?
194
00:08:58,662 --> 00:09:00,229
MY MOM, PEOPLE AT THE "Y."
195
00:09:00,295 --> 00:09:02,962
YOU DON'T KNOW ANYTHING ABOUT
DEKEYS GETTING KILLED?
196
00:09:03,029 --> 00:09:04,862
WHATEVER HAPPENED
TO THAT BLOOD,
197
00:09:04,929 --> 00:09:06,662
IT AIN'T NO BUSINESS
OF THE KINGS.
198
00:09:06,729 --> 00:09:09,195
IF WE NEED ANYTHING ELSE,
WE'LL LET YOU KNOW.
199
00:09:09,262 --> 00:09:11,062
APPRECIATE YOUR TIME.
200
00:09:11,129 --> 00:09:12,495
NO PROBLEM.
201
00:09:18,562 --> 00:09:20,095
HE'S LYING.
202
00:09:29,262 --> 00:09:31,595
CHARLIE SLOCUM?
YEAH?
203
00:09:31,662 --> 00:09:33,529
DETECTIVES JONES AND MEDAVOY.
CAN WE COME IN?
204
00:09:33,595 --> 00:09:35,795
I'M NOT SKIPPING SCHOOL.
I'M JUST NOT FEELING WELL.
205
00:09:35,862 --> 00:09:37,029
THIS ISN'T ABOUT THAT.
206
00:09:37,095 --> 00:09:39,029
MIND IF WE COME IN?
YOU WANT TO GET SICK?
207
00:09:39,095 --> 00:09:41,062
THERE A REASON YOU
DON'T WANT US INSIDE?
208
00:09:41,129 --> 00:09:42,729
NO. COME ON IN.
209
00:09:44,695 --> 00:09:46,695
IT'S CHARLES, BY THE WAY.
210
00:09:46,762 --> 00:09:48,729
ALL RIGHT, CHARLES.
211
00:09:48,795 --> 00:09:50,129
YOU KNOW CARLA BOYANOVICH?
212
00:09:50,195 --> 00:09:53,029
SHE'S MY GIRLFRIEND.
WHY?
213
00:09:53,095 --> 00:09:54,995
WHEN DID YOU SEE
CARLA LAST?
214
00:09:55,062 --> 00:09:57,495
DAY BEFORE YESTERDAY
AT SCHOOL.
215
00:09:57,562 --> 00:10:00,929
YOU HAVEN'T SEEN OR
HEARD FROM HER SINCE? NO.
216
00:10:00,995 --> 00:10:02,829
SHE CALLED ME THAT NIGHT.
217
00:10:02,895 --> 00:10:04,162
WHAT'S GOING ON?
SHE OKAY?
218
00:10:04,229 --> 00:10:06,329
YOU KNOW ANYTHING ABOUT
HER RUNNING AWAY?
219
00:10:06,395 --> 00:10:08,129
NO. IS THAT WHAT SHE DID?
220
00:10:08,195 --> 00:10:10,395
DID SHE SAY ANYTHING ON THE
PHONE THAT SEEMED OFF?
221
00:10:10,462 --> 00:10:12,562
SHE WAS BITCHING ABOUT HER DAD,
AS USUAL.
222
00:10:12,629 --> 00:10:14,962
AND IF SHE RAN AWAY,
I CAN UNDERSTAND WHY.
223
00:10:15,029 --> 00:10:16,362
HE'S A MAJOR?LEAGUE ASSHOLE.
224
00:10:16,429 --> 00:10:18,262
SO SHE'S NOT HERE
WITH YOU? NO.
225
00:10:18,329 --> 00:10:19,695
WHERE ARE YOUR PARENTS?
226
00:10:19,762 --> 00:10:21,829
A BUDDHIST RETREAT IN
WESTERN MASSACHUSETTS.
227
00:10:21,895 --> 00:10:25,162
THE MAID'S HERE, THOUGH,
IF YOU WANT TO TALK TO HER.
228
00:10:25,229 --> 00:10:26,695
SO, IF WE TAKE A LOOK AROUND,
229
00:10:26,762 --> 00:10:29,562
WE'RE NOT GONNA FIND CARLA
HIDING IN A BROOM CLOSET?
230
00:10:29,629 --> 00:10:31,495
I SWEAR, I DON'T KNOW
WHERE SHE IS.
231
00:10:31,562 --> 00:10:34,029
ALL I KNOW IS HER DAD
SHOULD EASE UP ON HER.
232
00:10:34,095 --> 00:10:36,329
THE SITUATION WITH YOU, CARLA,
AND HER DAD??
233
00:10:36,395 --> 00:10:38,029
WE'D RATHER NOT GET INVOLVED.
234
00:10:38,095 --> 00:10:40,162
BUT IF YOU'RE LYING,
WE'RE GONNA HAVE TO.
235
00:10:40,229 --> 00:10:41,595
I'M NOT LYING.
236
00:10:41,662 --> 00:10:43,829
WE'RE GONNA TAKE THAT LOOK
AROUND ANYWAY.
237
00:10:43,895 --> 00:10:45,362
BE MY GUEST.
238
00:10:59,444 --> 00:11:03,077
THAT WAS MY OLD BOSS WHO WORKED
AT THE 7?2 WITH HATCHER.
239
00:11:03,144 --> 00:11:06,010
HE SAID HATCHER ONLY WORKED
THERE A FEW MONTHS.
240
00:11:06,077 --> 00:11:08,044
WHY DID HE LEAVE?
HE DIDN'T SAY,
241
00:11:08,110 --> 00:11:10,444
AND WHEN I ASKED HIM WHAT
KIND OF GUY HATCHER WAS,
242
00:11:10,510 --> 00:11:11,577
HE SAID HE WAS FINE.
243
00:11:11,644 --> 00:11:13,010
FINE?
WHAT DOES THAT MEAN?
244
00:11:13,077 --> 00:11:15,010
I GUESS IT MEANS
HE WAS FINE.
245
00:11:15,077 --> 00:11:16,877
OR YOU'RE TALKING
TO A BOSS
246
00:11:16,944 --> 00:11:19,310
WHO DOESN'T WANT TO
BAD?MOUTH ANOTHER COP,
247
00:11:19,377 --> 00:11:22,110
SO HE THROWS OUT THIS
MARSHMALLOW WORD LIKE "FINE."
248
00:11:22,177 --> 00:11:23,277
OR THAT. OKAY.
249
00:11:23,344 --> 00:11:26,444
WHERE DID THIS GUY WORK
BEFORE THE 7?2?
250
00:11:26,510 --> 00:11:28,744
THE 5?0.
DO I NEED TO PURSUE THIS?
251
00:11:28,810 --> 00:11:30,544
IF YOU HAVE SOME TIME.
252
00:11:30,610 --> 00:11:33,077
AHH! OOH! OOH!
253
00:11:33,144 --> 00:11:35,544
THIS IS THE FIRST TIME
HE'S EVER BITTEN ANYONE
254
00:11:35,610 --> 00:11:36,810
OTHER THAN ME OR THE WIFE.
255
00:11:36,877 --> 00:11:39,344
I'M FINE.
IT'S NOT BLEEDING...MUCH.
256
00:11:39,410 --> 00:11:41,110
I THINK I'LL WASH THIS OUT.
257
00:11:41,177 --> 00:11:42,177
THEY SENSE FEAR,
258
00:11:42,244 --> 00:11:44,544
SO YOU GOT TO BE REAL
CONFIDENT AROUND THEM,
259
00:11:44,610 --> 00:11:45,577
ALMOST AGGRESSIVE.
260
00:11:45,644 --> 00:11:48,110
I'LL JUST KEEP MY DISTANCE.
261
00:11:48,177 --> 00:11:49,877
[ PARROT SQUAWKING ]
262
00:11:49,944 --> 00:11:51,844
IT WAS NOTHING?? A NICK.
263
00:11:51,910 --> 00:11:53,144
BUZZARD SHOULD BE PUT DOWN.
264
00:11:53,210 --> 00:11:55,177
HE JUST NEEDS TIME
TO ACCLIMATE.
265
00:11:56,077 --> 00:11:56,977
HOW'D IT GO?
266
00:11:57,044 --> 00:11:58,844
LOPEZ SAYS THE KINGS
AREN'T INVOLVED,
267
00:11:58,910 --> 00:12:00,010
BUT STAN'S GOT A THEORY.
268
00:12:00,077 --> 00:12:01,810
HE'S NOT COPPING
TO NOTHING YET.
269
00:12:01,877 --> 00:12:04,077
I JUST WANTED TO GO DOWN THERE
TO FEEL HIM OUT.
270
00:12:04,144 --> 00:12:06,644
WE'LL CHECK OUT HIS ALIBI AND
GEAR UP FOR ROUND TWO.
271
00:12:06,710 --> 00:12:08,477
ONE OF THE D. O. A.'s
NEIGHBORS CALLED IN.
272
00:12:08,544 --> 00:12:11,210
SHE SAW THE BUILDING SUPER
RUN TO HIS CAR AND TAKE OFF
273
00:12:11,277 --> 00:12:12,344
RIGHT AFTER THE SHOTS.
274
00:12:12,410 --> 00:12:14,044
SUPER'S NAME
IS LONNIE PARKER.
275
00:12:14,110 --> 00:12:16,477
HE'S 65, LOT OF ARRESTS
BACK IN HIS DAY.
276
00:12:16,544 --> 00:12:18,577
HE DID 15 YEARS
FOR A BANK ROBBERY??
277
00:12:18,644 --> 00:12:20,744
FINISHED 3 YEARS AGO.
278
00:12:20,810 --> 00:12:23,810
SO, WE'RE GONNA GO LOOKING
FOR A 65?YEAR?OLD PERP?
279
00:12:23,877 --> 00:12:26,410
WE'VE BEEN LOOKING.
HE'S IN THE WIND.
280
00:12:26,477 --> 00:12:28,010
YEAH,
HE'S GOT A SON, CALVIN.
281
00:12:28,077 --> 00:12:29,744
WORKS AT A SUPERMARKET
ON 1st AND B.
282
00:12:29,810 --> 00:12:30,944
HE'S ON HIS WAY IN.
283
00:12:31,010 --> 00:12:33,510
WE'RE GONNA STAY
ON THE LATIN KING ANGLE.
284
00:12:33,577 --> 00:12:35,177
IS THAT COOL?
ABSOLUTELY.
285
00:12:35,244 --> 00:12:37,377
NOTHING WRONG
COVERING ALL THE BASES.
286
00:12:37,444 --> 00:12:39,677
WHAT'S UP WITH
THE MISSING GIRL?
287
00:12:39,744 --> 00:12:41,644
WE WENT THROUGH
THE APARTMENT.
288
00:12:41,710 --> 00:12:43,077
SHE WASN'T THERE...
289
00:12:43,144 --> 00:12:45,977
WHICH DOESN'T MEAN THIS SLOCUM
KID ISN'T LYING.
290
00:12:46,044 --> 00:12:48,177
WE GOT HER BEST FRIEND
COMING IN.
291
00:12:48,244 --> 00:12:49,277
SOUNDS GOOD.
292
00:12:49,344 --> 00:12:50,110
THANK YOU.
293
00:12:50,177 --> 00:12:53,044
CALVIN PARKER'S
ON HIS WAY UP.
294
00:12:53,110 --> 00:12:55,644
UH, RITA...
295
00:12:55,710 --> 00:12:57,077
HOW'D HE DO?
296
00:12:57,144 --> 00:12:58,277
OKAY.
297
00:12:58,344 --> 00:13:00,177
OKAY OR GOOD?
298
00:13:00,244 --> 00:13:02,344
FINE?? HE DID FINE.
299
00:13:02,410 --> 00:13:04,844
FINE.
300
00:13:06,977 --> 00:13:09,944
CALVIN PARKER?
YEAH.
301
00:13:10,010 --> 00:13:11,910
DETECTIVES SIPOWICZ
AND CLARK.
302
00:13:11,977 --> 00:13:14,410
WE JUST GOT A FEW QUESTIONS
ABOUT YOUR DAD.
303
00:13:14,477 --> 00:13:15,677
SO, WHAT'S HE DONE NOW?
304
00:13:15,744 --> 00:13:16,877
WHY DO YOU SAY THAT?
305
00:13:16,944 --> 00:13:18,777
YOU'RE POLICE.
YOU SHOULD KNOW.
306
00:13:18,844 --> 00:13:20,977
WE JUST WANT TO TALK
TO HIM, CALVIN.
307
00:13:21,044 --> 00:13:24,144
YOU, UH?? YOU TRY THAT
APARTMENT BUILDING HE WORKS AT?
308
00:13:24,210 --> 00:13:25,377
YEAH. HE'S NOT THERE.
309
00:13:25,444 --> 00:13:26,710
THEN I CAN'T HELP YOU.
310
00:13:26,777 --> 00:13:29,177
WHEN DID YOU HEAR
FROM HIM LAST?
311
00:13:29,244 --> 00:13:30,877
FIVE, SIX MONTHS AGO.
312
00:13:30,944 --> 00:13:32,910
HE SAID, "MAYBE WE SHOULD
GET TOGETHER."
313
00:13:32,977 --> 00:13:34,744
I SAID,
"MAYBE WE SHOULDN'T."
314
00:13:34,810 --> 00:13:35,710
HAVEN'T HEARD SINCE.
315
00:13:35,777 --> 00:13:37,544
YOU CAN CALL YOURSELF A DAD.
316
00:13:37,610 --> 00:13:38,977
IT DON'T MAKE YOU A FATHER,
RIGHT?
317
00:13:39,044 --> 00:13:41,010
ANY BROTHERS
OR SISTERS? NO.
318
00:13:41,077 --> 00:13:43,010
WHAT ABOUT YOUR MOM?
TAMPA.
319
00:13:43,077 --> 00:13:44,844
HE WOULDN'T DARE GO TO HER.
320
00:13:44,910 --> 00:13:48,010
ALL HE DID WAS CAUSE HER
GRIEF?? BROKEN PROMISES.
321
00:13:48,077 --> 00:13:50,410
THAT'S WHEN HE WASN'T
IN PRISON.
322
00:13:50,477 --> 00:13:53,344
IS THERE ANY PLACE YOU KNOW OF
THAT WE CAN LOOK FOR HIM?
323
00:13:53,410 --> 00:13:54,444
NO IDEA.
324
00:13:54,510 --> 00:13:55,544
SO, WHAT'D HE DO?
325
00:13:55,610 --> 00:13:57,177
THERE WAS A SHOOTING.
326
00:13:57,244 --> 00:13:58,877
HE MIGHT HAVE SEEN IT.
327
00:13:58,944 --> 00:14:00,277
THE MAN IS 65 YEARS OLD
328
00:14:00,344 --> 00:14:02,177
AND HE'S STILL MIXED UP
IN THAT BULLSHIT.
329
00:14:02,244 --> 00:14:05,110
WE'RE LOOKING AT HIM AS
A POSSIBLE WITNESS.
330
00:14:05,177 --> 00:14:06,077
MM?HMM.
331
00:14:06,144 --> 00:14:08,377
SEEING AS YOU'RE HIS
ONLY CLOSE RELATION,
332
00:14:08,444 --> 00:14:10,177
WE'RE JUST GONNA
DOUBLE?CHECK
333
00:14:10,244 --> 00:14:12,210
THAT YOU WERE AT WORK
THIS MORNING.
334
00:14:12,277 --> 00:14:15,777
NO, I GOT IT. ASK FOR FRANK.
HE'S MY SUPERVISOR.
335
00:14:15,844 --> 00:14:17,710
BUT MAKE SURE HE DON'T THINK
I'M INVOLVED IN SOMETHING.
336
00:14:17,777 --> 00:14:18,977
SURE. JUST WAIT HERE.
337
00:14:23,444 --> 00:14:25,377
THANKS FOR COMING IN,
MADISON.
338
00:14:25,444 --> 00:14:28,110
SURE.
339
00:14:28,177 --> 00:14:31,010
NOW, TELL ME, HOW LONG HAVE
YOU KNOWN CARLA BOYANOVICH?
340
00:14:31,077 --> 00:14:33,510
SINCE SHE STARTED
AT KENDALL??
341
00:14:33,577 --> 00:14:35,244
TWO YEARS AGO, I GUESS.
342
00:14:35,310 --> 00:14:36,777
WHY?
343
00:14:36,844 --> 00:14:39,177
IT LOOKS LIKE SHE MAYBE TOOK
AN UNSCHEDULED VACATION
344
00:14:39,244 --> 00:14:41,844
WITHOUT TELLING HER DAD.
YOU KNOW ANYTHING ABOUT IT?
345
00:14:41,910 --> 00:14:42,844
NO.
346
00:14:42,910 --> 00:14:44,210
WHAT KIND OF A GIRL IS SHE?
347
00:14:44,277 --> 00:14:47,277
KIND OF INNOCENT BECAUSE
HER DAD'S SO OVERPROTECTIVE.
348
00:14:47,344 --> 00:14:48,977
MAYBE SHE'S SELF?CONSCIOUS
BECAUSE HER FAMILY
349
00:14:49,044 --> 00:14:51,477
DOESN'T HAVE AS MUCH MONEY
AS THE OTHER STUDENTS'.
350
00:14:51,544 --> 00:14:54,544
AS MUCH MONEY AS CHARLES
SLOCUM'S FAMILY, FOR EXAMPLE?
351
00:14:54,610 --> 00:14:55,910
I GUESS.
352
00:14:55,977 --> 00:14:58,444
HAVE YOU SPOKEN
WITH CARLA TODAY? NOPE.
353
00:14:58,510 --> 00:15:00,177
WHEN DID YOU SEE HER LAST?
354
00:15:00,244 --> 00:15:01,510
AT SCHOOL TWO DAYS AGO.
355
00:15:01,577 --> 00:15:03,644
DID SHE SAY ANYTHING
ABOUT GOING AWAY
356
00:15:03,710 --> 00:15:04,544
OR TROUBLE AT HOME?
357
00:15:04,610 --> 00:15:07,077
NO.
358
00:15:07,144 --> 00:15:07,977
NO.
359
00:15:08,044 --> 00:15:09,644
IS SOMETHING ON YOUR MIND,
MADISON?
360
00:15:09,710 --> 00:15:11,277
YOU THINK CARLA'S OKAY,
RIGHT?
361
00:15:11,344 --> 00:15:13,544
WELL, AT THIS POINT,
WE DON'T KNOW ANYTHING.
362
00:15:13,610 --> 00:15:14,944
WHY DO YOU ASK?
363
00:15:15,010 --> 00:15:17,277
IF YOU THOUGHT SOMETHING WAS
WRONG, YOU'D SAY SO, RIGHT?
364
00:15:17,344 --> 00:15:20,677
THE ONLY WAY WE CAN DO THAT IS
IF WE HAVE ALL THE INFORMATION.
365
00:15:20,744 --> 00:15:22,810
IF YOU KNOW ANYTHING,
YOU SHOULD TELL US.
366
00:15:22,877 --> 00:15:25,344
ABOUT TWO WEEKS AGO,
CARLA TOLD ME SHE WAS PREGNANT.
367
00:15:25,410 --> 00:15:27,510
IS CHARLES THE FATHER?
368
00:15:27,577 --> 00:15:29,844
YEAH.
SHE'S PRETTY FREAKED OUT.
369
00:15:29,910 --> 00:15:32,410
IS SHE AFRAID TO TELL
HER FATHER? YEAH, AND CHARLES.
370
00:15:32,477 --> 00:15:33,844
WHY IS SHE AFRAID
OF CHARLES?
371
00:15:33,910 --> 00:15:35,810
BECAUSE SHE ISN'T GONNA HAVE
AN ABORTION.
372
00:15:35,877 --> 00:15:37,510
SHE THOUGHT THAT MIGHT
SCARE HIM AWAY.
373
00:15:37,577 --> 00:15:41,177
I TOLD HER CHARLES IS A GOOD GUY
AND THAT SHE SHOULD TELL HIM.
374
00:15:41,244 --> 00:15:44,010
I GUESS SHE DID,
BECAUSE THE NEXT TIME I ASKED,
375
00:15:44,077 --> 00:15:46,144
SHE SAID THEY WERE
WORKING IT OUT.
376
00:15:46,210 --> 00:15:48,644
AND THAT'S THE LAST TIME
YOU TALKED TO HER?
377
00:15:48,710 --> 00:15:50,877
NO, I GOT A CALL FROM HER
TWO NIGHTS AGO.
378
00:15:50,944 --> 00:15:52,777
SHE SAID SHE WAS GONNA SEE
CHARLES
379
00:15:52,844 --> 00:15:54,344
AND EVERYTHING WAS FINE.
380
00:15:54,410 --> 00:15:57,877
SHE TOLD ME SHE LOVED ME,
WHICH WAS KIND OF WEIRD.
381
00:15:57,944 --> 00:16:00,844
DID SHE SAY WHERE SHE WAS GOING
OR WHAT THEY WERE GOING TO DO?
382
00:16:00,910 --> 00:16:02,777
NO.
383
00:16:02,844 --> 00:16:04,910
YOU SWEAR YOU WON'T TELL
ANYONE THIS
384
00:16:04,977 --> 00:16:06,877
UNLESS YOU ABSOLUTELY
HAVE TO?
385
00:16:06,944 --> 00:16:08,510
YOU'RE DOING A GOOD THING.
386
00:16:08,577 --> 00:16:09,710
IT DOESN'T FEEL LIKE IT.
387
00:16:09,777 --> 00:16:11,477
ALL RIGHT. THANKS A LOT.
388
00:16:11,544 --> 00:16:13,810
CALVIN WAS AT WORK ALL DAY.
389
00:16:13,877 --> 00:16:15,077
YOU THINK HE'S TELLING
THE TRUTH
390
00:16:15,144 --> 00:16:16,644
ABOUT NOT KNOWING
WHERE THE DAD IS?
391
00:16:16,710 --> 00:16:18,210
WE BELIEVE HIM AND THE DAD
ARE ON THE OUTS.
392
00:16:18,277 --> 00:16:19,977
WHERE YOU GUYS AT WITH
THE LATIN KING?
393
00:16:20,044 --> 00:16:22,310
THE "Y" CONFIRMED THAT LOPEZ
DROPPED OFF HIS MOTHER.
394
00:16:22,377 --> 00:16:24,677
STILL, LOPEZ HAS AT LEAST
50 GANGBANGERS UNDER HIM.
395
00:16:24,744 --> 00:16:26,410
HE EASILY COULD HAVE PUSHED
A BUTTON.
396
00:16:26,477 --> 00:16:27,677
I LIKE THE SUPER,
397
00:16:27,744 --> 00:16:29,410
AND THE FACT THAT WE CAN'T PUT
OUR HANDS ON HIM
398
00:16:29,477 --> 00:16:30,577
ONLY REINFORCES IT.
399
00:16:30,644 --> 00:16:32,710
LET'S PUT AN ALARM OUT
ON HIM AND HIS CAR.
400
00:16:32,777 --> 00:16:34,410
I'LL PUT WORD OUT WE WANT HIM
BROUGHT IN
401
00:16:34,477 --> 00:16:36,744
AS A POTENTIAL WITNESS,
BUT I DON'T WANT A BIG FUSS.
402
00:16:36,810 --> 00:16:38,110
WE'LL KICK THE SON.
403
00:16:38,177 --> 00:16:41,177
WE'RE NOT GONNA DOUBLE UP
ON THIS GUY FIRST?
404
00:16:41,244 --> 00:16:42,344
WHAT DOES THAT MEAN?
405
00:16:42,410 --> 00:16:43,910
WE ALWAYS LET
A FRESH FACE
406
00:16:43,977 --> 00:16:45,777
GO IN ON THE
SECOND INTERVIEW
407
00:16:45,844 --> 00:16:47,677
IF THE FIRST TEAM
CAME UP EMPTY
408
00:16:47,744 --> 00:16:48,910
OR THE GUY'S RELUCTANT.
409
00:16:48,977 --> 00:16:50,744
WE DIDN'T COME UP EMPTY,
STAN.
410
00:16:50,810 --> 00:16:52,044
DON'T TAKE ME WRONG.
411
00:16:52,110 --> 00:16:54,277
THAT'S THE WAY I'M USED
TO PLAYING IT,
412
00:16:54,344 --> 00:16:55,244
AND IT'S NEVER HURT.
413
00:16:55,310 --> 00:16:57,710
WHAT HAPPENED
TO THE LATIN KING ANGLE
414
00:16:57,777 --> 00:16:58,977
YOU WERE SO BIG ON?
415
00:16:59,044 --> 00:17:00,577
WELL, ALL I WANT
IS THE SHOOTER,
416
00:17:00,644 --> 00:17:02,644
WHOEVER IT IS, RIGHT?
417
00:17:02,710 --> 00:17:04,144
HIT IT.
418
00:17:04,210 --> 00:17:05,544
RIGHT ON.
419
00:17:05,610 --> 00:17:07,644
AND, LISTEN,
IT GOES BOTH WAYS.
420
00:17:07,710 --> 00:17:09,577
IF YOU EVER WANT TO REINTERVIEW
ONE OF MY GUYS,
421
00:17:09,644 --> 00:17:10,644
JUMP ON IN.
422
00:17:10,710 --> 00:17:12,110
SOUNDS GOOD.
423
00:17:20,544 --> 00:17:22,077
LET'S GO SEE WHAT HE'S GOT.
424
00:17:28,644 --> 00:17:30,010
HOW'S IT GOING, MAN?
425
00:17:30,077 --> 00:17:30,844
STAN HATCHER.
426
00:17:30,910 --> 00:17:32,744
CAN I GET BACK TO WORK NOW?
427
00:17:32,810 --> 00:17:34,510
JUST HEAR ME OUT FIRST,
ALL RIGHT?
428
00:17:34,577 --> 00:17:36,110
OKAY.
429
00:17:38,410 --> 00:17:41,877
MY DAD AND ME, WE DON'T SPEAK??
NOT SINCE I WAS 16.
430
00:17:41,944 --> 00:17:44,377
HE'S GOT HIS THING,
I'VE GOT MINE,
431
00:17:44,444 --> 00:17:46,177
AND THAT'S JUST THE WAY
IT IS.
432
00:17:46,244 --> 00:17:47,377
I HEAR YOU.
433
00:17:47,444 --> 00:17:50,044
STILL, A COUPLE OF PHONE CALLS,
I'D KNOW WHERE TO FIND HIM.
434
00:17:50,110 --> 00:17:52,810
I DON'T EVEN KNOW WHAT
THE HELL IS GOING ON.
435
00:17:52,877 --> 00:17:54,610
WE'RE STILL TRYING
TO PUT IT TOGETHER.
436
00:17:54,677 --> 00:17:56,777
BASICALLY,
A BLOOD GOT SHOT UP,
437
00:17:56,844 --> 00:18:00,010
WE THINK BY SOME LATIN KINGS??
BIG FIGHT OVER THIS HO.
438
00:18:00,077 --> 00:18:01,910
WHAT THE HELL IS HE
TELLING HIM THAT FOR?
439
00:18:01,977 --> 00:18:03,577
THIS IS ABOUT
A GANG SHOOTING?
440
00:18:03,644 --> 00:18:05,010
WE'RE PRETTY CONFIDENT.
441
00:18:05,077 --> 00:18:07,544
MY DAD AIN'T NO GANGBANGER.
THAT MUCH I KNOW.
442
00:18:07,610 --> 00:18:09,310
WE KNOW HE WAS THERE,
THOUGH.
443
00:18:09,377 --> 00:18:12,177
WE FIGURE HE SAW IT GO DOWN
AND GOT SCARED.
444
00:18:12,244 --> 00:18:14,344
ALL WE WANT TO DO
IS TALK TO HIM.
445
00:18:14,410 --> 00:18:15,310
OKAY.
446
00:18:15,377 --> 00:18:17,510
A GUY LIKE YOUR DAD??
HE KNOWS PEOPLE, RIGHT?
447
00:18:17,577 --> 00:18:19,077
I GUESS.
HE'S IN TROUBLE.
448
00:18:19,144 --> 00:18:21,477
THERE'S GOTTA BE SOMEBODY HE'S
GONNA REACH OUT TO, RIGHT?
449
00:18:21,544 --> 00:18:22,810
THERE MIGHT BE.
450
00:18:22,877 --> 00:18:25,877
I'M THINKING YOU MIGHT KNOW
A COUPLE OF NAMES,
451
00:18:25,944 --> 00:18:27,910
KEEPING IN MIND THAT THE KINGS
ARE PROBABLY LOOKING FOR HIM,
452
00:18:27,977 --> 00:18:29,944
AND AIN'T NOBODY GONNA LIKE
WHAT THEY DO
453
00:18:30,010 --> 00:18:31,410
WHEN THEY CATCH UP TO HIM.
454
00:18:31,477 --> 00:18:33,710
I REALLY DON'T WANT TO GET BACK
INTO DEALING WITH HIM.
455
00:18:33,777 --> 00:18:34,810
YOU HAVE TO.
456
00:18:34,877 --> 00:18:37,844
AND THEN YOU'LL BE DONE
WITH IT.
457
00:18:39,577 --> 00:18:42,110
I MIGHT KNOW
ONE OR TWO GUYS.
458
00:18:42,177 --> 00:18:43,377
I COULD GET IN TOUCH
WITH THEM.
459
00:18:43,444 --> 00:18:44,377
I'LL TELL THEM
WHAT YOU SAID.
460
00:18:44,444 --> 00:18:46,277
I MEAN, I'LL TRY.
461
00:18:46,344 --> 00:18:48,110
ALL WE CAN ASK.
462
00:18:53,977 --> 00:18:55,310
GOT A LITTLE LUCKY,
I GUESS.
463
00:18:55,377 --> 00:18:57,444
ARE YOU SURE YOU DON'T WANT
TO JUST HAND HIM THE CASE FILE
464
00:18:57,510 --> 00:18:58,577
BEFORE HE GETS OUT THE DOOR?
465
00:18:58,644 --> 00:19:00,110
HE HAD TO KNOW WE AREN'T
LOOKING AT HIS DAD
466
00:19:00,177 --> 00:19:01,444
OR HE WASN'T GONNA SAY
ANYTHING.
467
00:19:01,510 --> 00:19:03,644
BUT WE ARE LOOKING
AT HIS DAD.
468
00:19:03,710 --> 00:19:06,077
I THOUGHT THE JOB WAS
TO GET THE OLD MAN IN.
469
00:19:06,144 --> 00:19:08,377
ONCE HE IS,
WE GO AT HIM, RIGHT?
470
00:19:08,444 --> 00:19:11,244
ARE WE NOT CLOSER THAN WE WERE
10 MINUTES AGO?
471
00:19:11,310 --> 00:19:12,577
[ SIGHS ]
472
00:19:12,644 --> 00:19:14,510
DON'T LOOK AT ME.
473
00:19:14,577 --> 00:19:16,077
LETTING HIM IN THERE
WAS YOUR IDEA.
474
00:19:20,777 --> 00:19:23,644
TELL US WHERE CARLA IS,
YOU CAN WALK OUT OF HERE,
475
00:19:23,710 --> 00:19:25,744
WE'LL FORGET
THIS WHOLE THING.
476
00:19:25,810 --> 00:19:27,644
I TOLD YOU, I DON'T KNOW.
477
00:19:27,710 --> 00:19:30,210
BUT YOU KNEW SHE WAS PREGNANT
WITH YOUR KID.
478
00:19:30,277 --> 00:19:31,410
WHO TOLD YOU THAT?
479
00:19:31,477 --> 00:19:34,310
WE'RE CHECKING YOUR HOME PHONE
AND YOUR CELL RIGHT NOW.
480
00:19:34,377 --> 00:19:37,044
IF YOU'VE HAD ANY CONTACT
WITH CARLA, WE WILL KNOW.
481
00:19:37,110 --> 00:19:39,877
WE KNOW THAT CARLA DOESN'T WANT
TO HAVE AN ABORTION,
482
00:19:39,944 --> 00:19:41,777
SO IF YOU'VE PUT HER UP
SOMEWHERE
483
00:19:41,844 --> 00:19:43,944
TO TRY AND TALK HER INTO ONE
484
00:19:44,010 --> 00:19:45,610
OR IF YOU TOOK HER SOMEPLACE
TO HAVE ONE,
485
00:19:45,677 --> 00:19:47,377
WE WON'T JUDGE THAT.
NO! NO!
486
00:19:47,444 --> 00:19:49,910
IT'S A BIG THING WHEN YOUR GIRL
GETS PREGNANT.
487
00:19:49,977 --> 00:19:52,244
ALL SORTS OF STUFF
CAN GO THROUGH YOUR HEAD
488
00:19:52,310 --> 00:19:53,510
AND CLOUD YOUR JUDGMENT.
489
00:19:53,577 --> 00:19:55,544
I DIDN'T WANT CARLA
TO HAVE AN ABORTION.
490
00:19:55,610 --> 00:19:56,610
THEN WHERE IS SHE?
491
00:19:56,677 --> 00:19:58,644
BECAUSE WHATEVER'S GOING
ON HERE,
492
00:19:58,710 --> 00:20:00,177
CARLA'S GOTTA GO HOME??
PERIOD.
493
00:20:00,244 --> 00:20:02,810
WE HAVEN'T BROUGHT UP
CRIMINAL CHARGES,
494
00:20:02,877 --> 00:20:04,344
BUT IF YOU KEEP
STONEWALLING US,
495
00:20:04,410 --> 00:20:06,910
WE CAN TALK ABOUT KIDNAPPING,
STATUTORY RAPE,
496
00:20:06,977 --> 00:20:08,744
OBSTRUCTION OF JUSTICE.
497
00:20:08,810 --> 00:20:10,910
YOU DON'T UNDERSTAND.
498
00:20:12,510 --> 00:20:13,844
IT WAS NOTHING LIKE THAT.
499
00:20:13,910 --> 00:20:16,277
WHAT WAS NOTHING LIKE THAT?
500
00:20:16,344 --> 00:20:19,244
I'M GONNA GET PISSED HERE
IN ABOUT TWO SECONDS.
501
00:20:21,877 --> 00:20:24,344
WE WANTED TO DO SOMETHING
BEAUTIFUL,
502
00:20:24,410 --> 00:20:25,544
BUT I COULDN'T DO IT.
503
00:20:25,610 --> 00:20:26,610
DO WHAT?
504
00:20:26,677 --> 00:20:29,777
WE?? WE HAD?? HAD??
HAD A PACT.
505
00:20:29,844 --> 00:20:32,644
WE?? WE TALKED IT OVER,
AND...WE MADE A PACT.
506
00:20:33,744 --> 00:20:35,277
WHAT KIND OF PACT?
507
00:20:35,344 --> 00:20:36,844
IF CARLA HAD THE BABY,
508
00:20:36,910 --> 00:20:39,910
HER FATHER WOULD NEVER LET US
BE TOGETHER,
509
00:20:39,977 --> 00:20:42,644
AND WE COULDN'T GET RID
OF THE BABY,
510
00:20:42,710 --> 00:20:43,944
SO WE MADE A PACT.
511
00:20:44,010 --> 00:20:46,410
CHARLES, IS CARLA OKAY?
512
00:20:46,477 --> 00:20:48,644
[ CRYING ]
513
00:20:48,710 --> 00:20:50,444
SHE WANTED TO GO FIRST.
514
00:20:50,510 --> 00:20:54,110
SHE SAID SHE COULDN'T
WATCH ME.
515
00:20:55,677 --> 00:20:58,410
BUT WHEN I REACHED FOR
THE GUN...
516
00:20:58,477 --> 00:21:00,177
[ SOBS ]
517
00:21:00,244 --> 00:21:02,677
...I?? I COULDN'T DO IT.
518
00:21:02,744 --> 00:21:04,277
WHERE IS SHE?
519
00:21:04,344 --> 00:21:05,644
A BUILDING ON 3rd.
520
00:21:05,710 --> 00:21:06,844
LET'S GO.
521
00:22:08,542 --> 00:22:11,109
SO...
522
00:22:11,175 --> 00:22:14,075
CARLA WANTED
TO GO FIRST. YEAH.
523
00:22:14,142 --> 00:22:16,642
SHE PUT THE GUN TO HER HEAD,
AND SHE PULLED THE TRIGGER.
524
00:22:16,709 --> 00:22:17,875
YEAH.
525
00:22:17,942 --> 00:22:19,142
THEN WHAT HAPPENED?
526
00:22:19,209 --> 00:22:21,042
I PICKED UP THE GUN,
527
00:22:21,109 --> 00:22:24,142
BUT I SAW HER LYING THERE
WITH...
528
00:22:24,209 --> 00:22:26,742
BLOOD POURING OUT
OF HER HEAD,
529
00:22:26,809 --> 00:22:28,409
AND I JUST RAN AWAY.
530
00:22:28,475 --> 00:22:30,575
SO YOU DIDN'T FIRE THE GUN
AFTER SHE DID?
531
00:22:30,642 --> 00:22:31,842
NO.
532
00:22:31,909 --> 00:22:35,909
I PUT IT ON THE FLOOR
AND JUST...RAN OFF.
533
00:22:35,975 --> 00:22:39,442
WE GOT A BIG PROBLEM,
CHARLES.
534
00:22:39,509 --> 00:22:41,209
WE JUST TALKED
TO CRIME SCENE,
535
00:22:41,275 --> 00:22:43,075
AND THEY FOUND TWO SHELL CASINGS
AND TWO SLUGS,
536
00:22:43,142 --> 00:22:44,775
AND THEY BOTH CAME FROM
THAT MAC?10.
537
00:22:44,842 --> 00:22:46,275
THAT'S NOT POSSIBLE.
538
00:22:46,342 --> 00:22:48,609
CARLA SHOOTING HERSELF TWICE
IS IMPOSSIBLE, YEAH,
539
00:22:48,675 --> 00:22:50,275
WHICH LEADS
TO ANOTHER SCENARIO.
540
00:22:50,342 --> 00:22:51,975
NO, IT'S A MISTAKE.
SHE WAS PREGNANT.
541
00:22:52,042 --> 00:22:53,509
SHE WOULDN'T GET
AN ABORTION,
542
00:22:53,575 --> 00:22:55,642
YOU ARGUED WITH HER,
SHE WOULDN'T LISTEN??
543
00:22:55,709 --> 00:22:57,509
NO, I DIDN'T ARGUE
ABOUT?? YOU KILLED HER,
544
00:22:57,575 --> 00:22:59,409
AND THEN YOU STAGED THIS
"ROMEO AND JULIET" SCENE
545
00:22:59,475 --> 00:23:01,009
WITH THE FLOWERS AND
THE CANDLES.
546
00:23:01,075 --> 00:23:02,375
I WOULDN'T SHOOT HER.
I COULDN'T!
547
00:23:02,442 --> 00:23:04,975
WE'RE TALKING FIRST?DEGREE
MURDER NOW.
548
00:23:05,042 --> 00:23:06,542
THAT'S THE DEATH PENALTY.
549
00:23:06,609 --> 00:23:08,742
TELL THE TRUTH, AND MAYBE
YOU CAN SAVE YOUR LIFE.
550
00:23:08,809 --> 00:23:11,175
CARLA AND I TALKED
ABOUT THIS FOR DAYS.
551
00:23:11,242 --> 00:23:12,909
WE DISCUSSED IT.
WE PLANNED.
552
00:23:12,975 --> 00:23:15,942
WE WROTE E?MAILS.
CHECK MY LAPTOP...AND HERS.
553
00:23:16,009 --> 00:23:17,175
YOU'LL SEE.
554
00:23:17,242 --> 00:23:19,875
WE STILL AREN'T HEARING
AN EXPLANATION
555
00:23:19,942 --> 00:23:21,109
FOR THE TWO BULLETS.
556
00:23:21,175 --> 00:23:22,475
I DON'T HAVE ONE.
557
00:23:22,542 --> 00:23:25,275
MAYBE SOMEBODY ELSE CAME BY
AFTERWARDS AND...
558
00:23:25,342 --> 00:23:26,342
FIRED THE GUN.
559
00:23:26,409 --> 00:23:28,175
CHARLES, THAT'S PATHETIC.
560
00:23:28,242 --> 00:23:30,375
BE A MAN
AND ADMIT WHAT YOU DID.
561
00:23:30,442 --> 00:23:33,309
SHE PULLED THE TRIGGER
AND COLLAPSED.
562
00:23:33,375 --> 00:23:35,809
I PICKED THE GUN UP,
THEN SET IT DOWN AND RAN.
563
00:23:35,875 --> 00:23:39,275
THAT'S WHAT HAPPENED,
I SWEAR TO GOD!
564
00:23:39,342 --> 00:23:40,575
WHAT DID THEY SAY?
565
00:23:40,642 --> 00:23:42,875
SHE SAID SHE DIDN'T KNOW
HATCHER THAT WELL.
566
00:23:42,942 --> 00:23:44,342
BUT SHE WORKED WITH HIM?
567
00:23:44,409 --> 00:23:46,875
YEAH, AS FAR AS THAT GOES,
SHE SAID HE WAS??
568
00:23:46,942 --> 00:23:48,075
SHE USED THE WORD "FINE."
569
00:23:48,142 --> 00:23:49,175
SEE? SEE?
570
00:23:49,242 --> 00:23:50,575
NO, I DON'T, ACTUALLY.
571
00:23:50,642 --> 00:23:52,209
NOBODY WANTS TO TALK
ABOUT THIS GUY.
572
00:23:52,275 --> 00:23:54,175
OR HE'S JUST BEEN FLYING
UNDER THE RADAR.
573
00:23:54,242 --> 00:23:55,509
NO WAY.
WHEN YOU GET A GUY
574
00:23:55,575 --> 00:23:57,742
THAT WORKED A FEW MONTHS HERE,
A FEW MONTHS THERE,
575
00:23:57,809 --> 00:23:59,909
THERE'S A REASON HE'S ALWAYS
GETTING THE BOOT,
576
00:23:59,975 --> 00:24:01,175
BECAUSE A GOOD DETECTIVE??
577
00:24:01,242 --> 00:24:02,809
HIS BOSS MAKES SURE
HE STAYS PUT.
578
00:24:02,875 --> 00:24:04,075
WHERE'S ORTIZ AND STAN?
579
00:24:04,142 --> 00:24:05,242
RE?CANVASSING.
580
00:24:05,309 --> 00:24:06,709
HE'S STICKING TO HIS STORY.
581
00:24:06,775 --> 00:24:09,642
WE'RE GONNA GET TARU TO PULL
E?MAILS OFF THEIR COMPUTERS.
582
00:24:09,709 --> 00:24:11,542
YOU SAID THE GIRL USED
A MAC?10?
583
00:24:11,609 --> 00:24:13,409
WHERE DO TWO
PRIVATE?SCHOOL KIDS
584
00:24:13,475 --> 00:24:15,375
GET AHOLD OF A CANNON
LIKE THAT?
585
00:24:15,442 --> 00:24:17,509
WHERE DO THEY GET COKE AND LIMOS
AND POUNDS OF WEED?
586
00:24:17,575 --> 00:24:18,842
THIS SLOCUM KID'S GOT MONEY.
587
00:24:18,909 --> 00:24:20,042
Irvin: 15th SQUAD.
588
00:24:20,109 --> 00:24:22,209
A.T.F. IS TRYING TO TRACE
THE GUN.
589
00:24:22,275 --> 00:24:24,275
UNIFORM JUST PICKED UP
LONNIE PARKER
590
00:24:24,342 --> 00:24:25,575
FOR TAKING A RED LIGHT.
591
00:24:25,642 --> 00:24:27,842
THEY'RE BRINGING HIM IN.
ALL RIGHT.
592
00:24:27,909 --> 00:24:28,842
[ GRUNTS ]
593
00:24:30,342 --> 00:24:31,675
JUST DO ME A FAVOR.
594
00:24:31,742 --> 00:24:33,875
I'M NOT CALLING ANYBODY ELSE
ON HATCHER.
595
00:24:33,942 --> 00:24:35,309
[ PARROT SQUAWKING ]
596
00:24:35,375 --> 00:24:38,342
YOU HEAR THAT? THAT'S ME.
THAT'S MY LAUGH.
597
00:24:38,409 --> 00:24:40,742
KEEP THE DOOR CLOSED
OR THE BEAK GETS TAPED.
598
00:24:49,142 --> 00:24:51,342
THE 15th.
599
00:24:51,409 --> 00:24:54,009
PLACE LOOKS EXACTLY
LIKE IT WAS IN '71.
600
00:24:54,075 --> 00:24:55,542
YEAH.
601
00:24:57,542 --> 00:25:00,475
'CAUSE I TELL YOU,
I WENT TO THIS BARBERSHOP
602
00:25:00,542 --> 00:25:03,109
I USED TO GO TO OVER ON
3rd AVENUE.
603
00:25:03,175 --> 00:25:06,209
THE WHOLE DAMN BLOCK
IS DESIGNER SHOES NOW.
604
00:25:06,275 --> 00:25:09,342
IT'S NICE TO KNOW SOME THINGS
HAVEN'T CHANGED.
605
00:25:09,409 --> 00:25:12,542
WE HAD A HARD TIME FINDING YOU
TODAY, LONNIE.
606
00:25:12,609 --> 00:25:14,242
YEAH.
SOMETIMES I JUST CHECK OUT.
607
00:25:14,309 --> 00:25:15,442
THAT'S STILL LEGAL, RIGHT?
608
00:25:15,509 --> 00:25:16,742
WELL, THAT ALL DEPENDS
609
00:25:16,809 --> 00:25:18,942
ON WHAT YOU WERE DOING
BEFORE YOU CHECKED OUT.
610
00:25:19,009 --> 00:25:22,209
I DID SOME CHORES??
GOT A CALL AROUND 8:00 A. M.,
611
00:25:22,275 --> 00:25:24,875
HEADED UP TO THE BRONX
TO PICK UP SOME PVC.
612
00:25:24,942 --> 00:25:27,875
THIS GUY ON GLENHILL ROAD
GIVES ME A PRICE.
613
00:25:27,942 --> 00:25:29,842
YOU SEE ANYTHING BEFORE
YOU GOT IN YOUR CAR?
614
00:25:29,909 --> 00:25:30,875
NO.
615
00:25:30,942 --> 00:25:32,242
YOU KNOW TONY DEKEYS?
616
00:25:32,309 --> 00:25:33,442
SURE, HE'S A TENANT.
617
00:25:33,509 --> 00:25:35,275
YOU GOT A PROBLEM WITH HIM?
618
00:25:35,342 --> 00:25:36,909
HE'S NEW, SO NOT TOO MUCH.
619
00:25:36,975 --> 00:25:40,175
I GOT NO BEEF WITH HIM,
IF THAT'S WHAT YOU MEAN.
620
00:25:40,242 --> 00:25:42,275
DID YOU SEE HIM
THIS MORNING?
621
00:25:42,342 --> 00:25:43,875
I DON'T BELIEVE I DID.
622
00:25:43,942 --> 00:25:46,609
LONNIE, YOU GOT SIX YEARS OF
PAROLE TO GET THROUGH, RIGHT?
623
00:25:46,675 --> 00:25:48,609
NOW, WHY ARE YOU ASKING
ABOUT THAT?
624
00:25:48,675 --> 00:25:50,609
BECAUSE I DON'T BUY A WORD
YOU'RE SAYING TO US,
625
00:25:50,675 --> 00:25:52,509
AND UNTIL YOU START TELLING
THE TRUTH,
626
00:25:52,575 --> 00:25:53,642
I'M GONNA SPEND MY TIME
627
00:25:53,709 --> 00:25:55,875
THINKING OF HOW TO VIOLATE
YOUR PAROLE.
628
00:25:55,942 --> 00:25:57,642
IT'S UP TO YOU.
629
00:25:57,709 --> 00:26:01,275
SEE, WE KNOW YOU MADE A RUN
FOR YOUR CAR THIS MORNING.
630
00:26:01,342 --> 00:26:02,809
WANT TO TELL US WHY?
631
00:26:04,809 --> 00:26:06,042
I CAN'T GET INVOLVED.
632
00:26:06,109 --> 00:26:07,075
YOU ALREADY ARE.
633
00:26:07,142 --> 00:26:08,875
IN MY DAY,
THERE WAS A BEEF,
634
00:26:08,942 --> 00:26:11,509
YOU HANDLED IT WITH FISTS
OR A KNIFE MAYBE.
635
00:26:11,575 --> 00:26:13,875
BUT YOUNG CATS TODAY??
THEY GOT NO MERCY.
636
00:26:13,942 --> 00:26:16,275
SO, WHAT WAS THIS BEEF
YOU HAD WITH DEKEYS?
637
00:26:16,342 --> 00:26:17,875
I DIDN'T HAVE NONE.
638
00:26:17,942 --> 00:26:21,742
BUT, APPARENTLY, HE HAD A BEEF
WITH SOMEONE ELSE.
639
00:26:21,809 --> 00:26:23,075
YOU SEE WHERE I'M GOING?
640
00:26:23,142 --> 00:26:25,175
WELL, WE'LL KEEP YOU
OUT OF IT IF WE CAN
641
00:26:25,242 --> 00:26:26,742
AND WE'LL PROTECT YOU
IF WE CAN'T.
642
00:26:26,809 --> 00:26:29,575
I DON'T WANT TO GET MIXED UP
WITH THESE KIDS.
643
00:26:29,642 --> 00:26:32,409
LONNIE, WE CAN LOCK YOU UP RIGHT
NOW AS A MATERIAL WITNESS.
644
00:26:32,475 --> 00:26:34,109
THAT MAKE YOU FEEL
ANY BETTER?
645
00:26:34,175 --> 00:26:36,342
YOU'LL GIVE ME PROTECTION?
646
00:26:36,409 --> 00:26:39,242
IF IT'S WARRANTED,
ABSOLUTELY.
647
00:26:39,309 --> 00:26:42,642
I COME OUT OF MY BUILDING,
SAW TONY IN HIS CAR,
648
00:26:42,709 --> 00:26:46,009
AND THESE TWO SPANISH KIDS
WALK UP TO HIM.
649
00:26:46,075 --> 00:26:49,575
NOT A WORD?? NOTHING.
650
00:26:51,742 --> 00:26:53,275
I HIGHTAILED IT
OUT OF THERE.
651
00:26:53,342 --> 00:26:54,842
YOU RECOGNIZE
THE TWO SPANISH GUYS?
652
00:26:54,909 --> 00:26:57,275
DON'T KNOW THEIR NAMES.
I'VE SEEN THEM.
653
00:26:57,342 --> 00:26:58,542
THEY'RE LATIN KINGS.
654
00:26:58,609 --> 00:27:00,609
I FIGURED IT WAS SOME
GANG THING.
655
00:27:00,675 --> 00:27:03,009
EVERYBODY KNOWS TONY
WAS A BLOOD.
656
00:27:03,075 --> 00:27:05,042
WE'LL NEED YOU
TO STICK AROUND??
657
00:27:05,109 --> 00:27:06,275
SHOW YOU SOME PHOTOS.
658
00:27:06,342 --> 00:27:08,109
YEAH, ALL RIGHT.
659
00:27:08,175 --> 00:27:11,109
YOU SPEAK TO YOUR SON
RECENTLY, LONNIE?
660
00:27:11,175 --> 00:27:12,175
CALVIN?
661
00:27:12,242 --> 00:27:14,275
HAVEN'T HEARD FROM HIM
IN MONTHS.
662
00:27:14,342 --> 00:27:16,509
WHY? IS HE OKAY?
663
00:27:16,575 --> 00:27:18,442
YEAH.
664
00:27:20,042 --> 00:27:21,309
HEY.
665
00:27:21,375 --> 00:27:24,009
HE SAYS IT WAS
TWO LATIN KINGS.
666
00:27:24,075 --> 00:27:25,209
DOESN'T KNOW THEIR NAMES,
667
00:27:25,275 --> 00:27:27,109
BUT HE'S GONNA LOOK
AT SOME MUG SHOTS.
668
00:27:27,175 --> 00:27:28,942
WE'RE GONNA GET HIM UP
TO ANTICRIME.
669
00:27:33,342 --> 00:27:35,342
WE'LL GO GET WILMER LOPEZ.
670
00:27:35,409 --> 00:27:38,609
[ As Arnold Schwarzenegger ]
WE'LL BE BACK.
671
00:27:38,675 --> 00:27:39,675
[ CHUCKLES ]
672
00:27:41,009 --> 00:27:42,175
HE'S ENTHUSIASTIC.
673
00:27:42,242 --> 00:27:43,609
LET'S DUMP CALVIN'S PHONES.
674
00:27:43,675 --> 00:27:45,909
I WANT TO KNOW
IF HIS DAD CALLED HIM.
675
00:27:45,975 --> 00:27:49,009
CHECK ON ANY PAY PHONES AROUND
THE SUPERMARKET, TOO.
676
00:27:49,075 --> 00:27:50,609
WHAT'S UP?
677
00:27:50,675 --> 00:27:52,442
I JUST TALKED TO BALLISTICS
ON YOUR SUICIDE.
678
00:27:52,509 --> 00:27:54,209
THE MAC?10 THAT YOU FOUND
AT THE SCENE??
679
00:27:54,275 --> 00:27:55,909
IT WAS MODIFIED
FOR AUTOMATIC FIRE.
680
00:27:55,975 --> 00:27:59,075
THEY'RE SAYING ONE TRIGGER PULL
COULD HAVE FIRED TWO BULLETS.
681
00:27:59,142 --> 00:28:00,709
SO, MAYBE SHE DID
SHOOT HERSELF.
682
00:28:00,775 --> 00:28:02,275
ALSO, I RAN THE GUN
THROUGH A. T. F.
683
00:28:02,342 --> 00:28:04,042
THEY SAID THE GUN WAS FROM
A SHIPMENT
684
00:28:04,109 --> 00:28:05,642
THAT WAS STOLEN OUT
OF PROVIDENCE.
685
00:28:05,709 --> 00:28:07,775
THEY PICKED UP THE GUN DEALER
A FEW MONTHS BACK.
686
00:28:07,842 --> 00:28:08,809
IS THERE A CONNECTION?
687
00:28:08,875 --> 00:28:10,775
PETER SLOCUM WAS ARRESTED
IN PROVIDENCE
688
00:28:10,842 --> 00:28:13,509
FOR DEALING METH OUT OF HIS
DORM ROOM TWO YEARS AGO,
689
00:28:13,575 --> 00:28:15,709
SO PROVIDENCE P. D. IS GONNA
TAKE THE BROTHER'S PHOTO,
690
00:28:15,775 --> 00:28:18,209
SHOW IT TO THE GUN DEALER,
SEE IF HE PICKS IT OUT.
691
00:28:18,275 --> 00:28:19,909
WELL, LET US KNOW WHEN
THEY GET BACK TO YOU.
692
00:28:19,975 --> 00:28:22,509
WE'RE STILL WORKING WITH TARU
ON GETTING THE E?MAILS.
693
00:28:22,575 --> 00:28:24,809
OKAY.
694
00:28:27,775 --> 00:28:30,109
HEY, THIS AIN'T RIGHT.
I DIDN'T DO NOTHING.
695
00:28:30,175 --> 00:28:32,409
WE DON'T APPRECIATE BEING
LIED TO, WILMER.
696
00:28:32,475 --> 00:28:35,042
TURNS OUT DEKEYS WAS KILLED
BY SOME LATIN KINGS.
697
00:28:35,109 --> 00:28:36,842
THAT'S NOT TRUE.
WE HAVE A WITNESS.
698
00:28:36,909 --> 00:28:39,275
ASK ANYBODY. ASK THE BLOODS.
ASK THERESA.
699
00:28:39,342 --> 00:28:41,209
WE SETTLED IT,
JUST LIKE I TOLD YOU.
700
00:28:41,275 --> 00:28:43,775
THEN MAYBE YOU HAD SOME OTHER
BEEF WITH HIM.
701
00:28:43,842 --> 00:28:45,509
LOOK, WE SETTLE SOMETHING,
IT'S SETTLED.
702
00:28:45,575 --> 00:28:47,275
DID YOU TALK
TO THE "Y"? OH, YEAH.
703
00:28:47,342 --> 00:28:48,942
THEY TOLD YOU I WAS THERE,
DIDN'T THEY?
704
00:28:49,009 --> 00:28:51,175
WILMER, WE'RE NOT SAYING
YOU PULLED THE TRIGGER,
705
00:28:51,242 --> 00:28:52,742
BUT WE BELIEVE YOU KNOW
WHO DID.
706
00:28:52,809 --> 00:28:54,509
THIS WASN'T THE KINGS.
WE GOT HONOR.
707
00:28:54,575 --> 00:28:56,575
WE DON'T TAKE ACTION
WITHOUT GOOD CAUSE,
708
00:28:56,642 --> 00:28:58,575
AND IF IT WAS A MURDER
INVOLVING THE KINGS,
709
00:28:58,642 --> 00:29:00,109
THEN IT WENT DOWN FREELANCE.
710
00:29:00,175 --> 00:29:02,075
WILL YOU LISTEN
TO HOW THIS GUY
711
00:29:02,142 --> 00:29:04,175
TALKS ABOUT
HIS GREASER THUGS?
712
00:29:04,242 --> 00:29:06,042
WILMER,
YOU'RE SO FULL OF CRAP.
713
00:29:06,109 --> 00:29:07,409
IT'S NO WONDER YOUR SKIN
IS BROWN.
714
00:29:07,475 --> 00:29:10,342
[ SPEAKING SPANISH ]
715
00:29:10,409 --> 00:29:12,409
START TALKING ENGLISH,
ASSHOLE!
716
00:29:12,475 --> 00:29:13,575
I KNOW YOU DID THIS,
717
00:29:13,642 --> 00:29:16,542
AND WE'RE STAYING RIGHT HERE
TILL YOU ADMIT IT.
718
00:29:22,509 --> 00:29:24,375
WE'RE GONNA GIVE YOU
A MINUTE,
719
00:29:24,442 --> 00:29:27,309
AND WHEN WE COME BACK IN HERE,
WE WANT THE REAL STORY.
720
00:29:27,375 --> 00:29:28,709
I ALREADY TOLD IT TO YOU.
721
00:29:35,075 --> 00:29:36,675
DON'T DO THAT AGAIN.
722
00:29:36,742 --> 00:29:38,875
I DIDN'T MEAN ANYTHING BY
THE "BROWN SKIN" COMMENT.
723
00:29:38,942 --> 00:29:41,209
I'M TALKING ABOUT
SMACKING A GUY IN CUFFS.
724
00:29:41,275 --> 00:29:43,375
SOMETIMES IT GETS PHYSICAL
IN THE ROOM, RITA.
725
00:29:43,442 --> 00:29:45,342
NOT WHEN A GUY'S IN CUFFS.
I DON'T WORK THAT WAY.
726
00:29:45,409 --> 00:29:48,009
OKAY.
LET'S GO UNCUFF HIM, THEN.
727
00:29:48,075 --> 00:29:49,409
WOULD THAT MAKE YOU HAPPY?
728
00:29:49,475 --> 00:29:53,475
DO SOMETHING LIKE THAT AGAIN,
YOU'RE DONE WORKING WITH ME.
729
00:29:53,542 --> 00:29:55,375
NOW, THIS INTERVIEW'S OVER
FOR YOU.
730
00:29:55,442 --> 00:29:57,109
GO GET SOME FRESH AIR.
731
00:29:57,175 --> 00:29:58,942
[ SCOFFS ]
732
00:30:01,909 --> 00:30:03,542
[ SIGHS ]
733
00:30:11,175 --> 00:30:13,442
"THE PLACE WE'RE GOING
IS A GARDEN,
734
00:30:13,509 --> 00:30:15,309
"GREEN AND FILLED WITH LIFE.
735
00:30:15,375 --> 00:30:17,909
"THE PATH IS HARD,
BUT ONCE THERE,
736
00:30:17,975 --> 00:30:21,075
ME AND THE BABY WILL BE
ENTOMBED IN BLISS FOREVER."
737
00:30:21,142 --> 00:30:23,075
YOU TRYING TO WOO ME THERE,
MISSY?
738
00:30:23,142 --> 00:30:24,709
ACTUALLY, IT'S AN E?MAIL
739
00:30:24,775 --> 00:30:26,975
FROM CHARLES SLOCUM
TO THE D. O. A. GIRL.
740
00:30:27,042 --> 00:30:29,109
OH, OKAY.
741
00:30:29,175 --> 00:30:30,475
IT'S HARD BEING A TEEN.
742
00:30:30,542 --> 00:30:33,075
YEAH, SO FAR, MOST OF THE
E?MAILS ARE FROM CHARLES.
743
00:30:33,142 --> 00:30:36,475
HE WROTE HER ABOUT FIVE TIMES
AS MANY MESSAGES AS CARLA.
744
00:30:36,542 --> 00:30:38,909
IT LOOKS LIKE THEY WERE BOTH
THINKING ABOUT SUICIDE,
745
00:30:38,975 --> 00:30:41,242
BUT HE WAS THINKING ABOUT IT
A WHOLE LOT MORE.
746
00:30:41,309 --> 00:30:43,942
TARU PULLED THAT OFF
THEIR COMPUTERS? YEAH.
747
00:30:49,709 --> 00:30:50,609
HOW'D IT GO?
748
00:30:50,675 --> 00:30:53,009
LOPEZ STILL SAYS
IT'S NOT THE KINGS.
749
00:30:53,075 --> 00:30:54,642
I'M STARTING TO BELIEVE HIM.
750
00:30:54,709 --> 00:30:56,509
WHERE'S HATCHER?
I DON'T KNOW.
751
00:30:56,575 --> 00:30:58,975
HOW WAS HE IN THE ROOM?
AND DON'T SAY "FINE."
752
00:30:59,042 --> 00:31:02,942
HE'S GOT A DIFFERENT STYLE,
BUT WE'LL WORK IT OUT.
753
00:31:03,009 --> 00:31:04,942
UH?HUH.
754
00:31:05,009 --> 00:31:06,575
SEE? SEE?
755
00:31:06,642 --> 00:31:07,775
SEE WHAT?
756
00:31:07,842 --> 00:31:10,175
HE'S GOT HER THROWING OUT
MARSHMALLOWS, TOO.
757
00:31:10,242 --> 00:31:11,342
THIS GUY'S A PROBLEM.
758
00:31:11,409 --> 00:31:12,942
ANDY, PHONE DUMPS CAME IN.
759
00:31:13,009 --> 00:31:15,575
A BUNCH OF CALLS BETWEEN CALVIN
AND HIS DAD'S CELL.
760
00:31:15,642 --> 00:31:18,109
THE FIRST WAS 15 MINUTES AFTER
THE SHOOTING.
761
00:31:18,175 --> 00:31:19,575
HOW ABOUT AFTER WE TALKED
TO CALVIN?
762
00:31:19,642 --> 00:31:21,142
YEAH, CALLS BACK
AND FORTH THEN, TOO.
763
00:31:21,209 --> 00:31:23,409
WHO DO WE GO AT FIRST??
THE SON?
764
00:31:23,475 --> 00:31:24,742
YEAH, DEFINITELY.
765
00:31:24,809 --> 00:31:27,942
HEY. HERE'S A FEW MORE E?MAILS
OFF THOSE COMPUTERS.
766
00:31:28,009 --> 00:31:29,009
THANK YOU.
767
00:31:29,075 --> 00:31:32,775
HEY. YOU'RE FROM TARU?
YEAH.
768
00:31:32,842 --> 00:31:34,342
COME WALK WITH ME HERE.
769
00:31:34,409 --> 00:31:37,775
CHECK THIS OUT?? E?MAIL
RECEIPT FOR CHARLES SLOCUM.
770
00:31:37,842 --> 00:31:39,275
THE DEALER IN PROVIDENCE
771
00:31:39,342 --> 00:31:42,542
CONFIRMED HE SOLD THE MAC?10
TO SLOCUM'S BROTHER.
772
00:31:42,609 --> 00:31:45,542
WE GOT A LOT TO TALK ABOUT
WITH CHARLES.
773
00:31:50,042 --> 00:31:52,409
YOU A MUSIC FAN, CHARLES?
774
00:31:52,475 --> 00:31:53,409
I DON'T UNDERSTAND.
775
00:31:53,475 --> 00:31:55,075
ARE YOU ONE OF THOSE GUYS
776
00:31:55,142 --> 00:31:56,942
THAT HEARS ABOUT
A HOT CONCERT
777
00:31:57,009 --> 00:31:58,575
AND RUSHES OUT
TO GET TICKETS?
778
00:31:58,642 --> 00:32:00,842
WHAT DOES THIS HAVE TO DO
WITH ANYTHING?
779
00:32:00,909 --> 00:32:02,642
[ SIGHS ]
780
00:32:04,475 --> 00:32:06,442
WE FOUND THIS RECEIPT
ON YOUR COMPUTER??
781
00:32:06,509 --> 00:32:08,875
TWO TICKETS TO A CONCERT AT
THE BEACON NEXT MONTH,
782
00:32:08,942 --> 00:32:10,609
BOUGHT THREE DAYS AGO.
SO?
783
00:32:10,675 --> 00:32:13,042
SO IF YOU WERE GOING TO COMMIT
SUICIDE THE NEXT DAY,
784
00:32:13,109 --> 00:32:15,309
WHY ARE YOU BUYING TICKETS FOR
A CONCERT A MONTH FROM NOW?
785
00:32:15,375 --> 00:32:17,242
I WAS GONNA GIVE THEM
TO A FRIEND.
786
00:32:17,309 --> 00:32:20,075
THIS E?MAIL SAYS THAT THE
TICKETS WON'T ARRIVE
787
00:32:20,142 --> 00:32:21,942
UNTIL TWO DAYS FROM NOW,
788
00:32:22,009 --> 00:32:24,875
SO HOW WERE YOU PLANNING ON
GIVING THEM TO YOUR FRIEND
789
00:32:24,942 --> 00:32:25,875
IF YOU WERE DEAD?
790
00:32:25,942 --> 00:32:29,442
YOU KNOW, MAYBE I WASN'T
THINKING SO CLEARLY.
791
00:32:29,509 --> 00:32:31,475
OR YOU WERE NEVER GONNA
KILL YOURSELF.
792
00:32:31,542 --> 00:32:34,442
CARLA TOLD YOU SHE WAS PREGNANT
BUT WOULDN'T HAVE AN ABORTION,
793
00:32:34,509 --> 00:32:37,109
AND YOU WEREN'T UP FOR THAT,
SO YOU SOLD HER ON THIS PACT,
794
00:32:37,175 --> 00:32:38,209
AND SHE BOUGHT IT.
795
00:32:38,275 --> 00:32:40,875
ALL I DID WAS FAIL
TO COMMIT SUICIDE,
796
00:32:40,942 --> 00:32:42,242
WHICH IS NOT A CRIME.
797
00:32:42,309 --> 00:32:44,342
TO PROVE OTHERWISE,
798
00:32:44,409 --> 00:32:46,809
YOU'D HAVE TO KNOW WHAT
WAS INSIDE MY HEAD.
799
00:32:46,875 --> 00:32:48,575
THIS TELLS US.
800
00:32:48,642 --> 00:32:50,775
I WAS UPSET.
I DIDN'T KNOW WHAT I WAS DOING.
801
00:32:50,842 --> 00:32:52,009
IT DOESN'T PROVE A THING.
802
00:32:52,075 --> 00:32:55,009
WE CAN PROVE HOW YOU GOT THAT
GUN FROM YOUR BROTHER.
803
00:32:55,075 --> 00:32:56,975
ALL I DID WAS BORROW IT
FROM HIM.
804
00:32:57,042 --> 00:33:00,175
THAT'S TRANSPORTING A GUN ACROSS
STATE LINES TO COMMIT A CRIME.
805
00:33:00,242 --> 00:33:02,075
THAT'S A FEDERAL OFFENSE??
806
00:33:02,142 --> 00:33:03,809
GET YOU A MANDATORY MINIMUM
OF 10 YEARS.
807
00:33:03,875 --> 00:33:06,009
AND THAT'S NOT INCLUDING
WHAT YOU CAN GET
808
00:33:06,075 --> 00:33:08,342
FOR ASSISTING A SUICIDE.
809
00:33:08,409 --> 00:33:12,775
IF YOU WANT ANY CONSIDERATION,
THIS IS YOUR LAST CHANCE.
810
00:33:12,842 --> 00:33:15,009
OKAY, LOOK...
811
00:33:15,075 --> 00:33:17,675
HONESTLY, I WAS 50/50
GOING INTO IT.
812
00:33:17,742 --> 00:33:20,309
HALF OF YOU KNEW THAT YOU'D
MAKE IT TO THE CONCERT.
813
00:33:20,375 --> 00:33:22,642
YEAH, BUT HALF OF ME REALLY
WANTED TO END IT ALL,
814
00:33:22,709 --> 00:33:24,542
GET AWAY
FROM THIS WHOLE MESS.
815
00:33:24,609 --> 00:33:27,275
BUT YOU LET YOUR GIRLFRIEND
THINK YOU WERE 100% BEHIND IT.
816
00:33:27,342 --> 00:33:28,509
MY GIRLFRIEND?
817
00:33:28,575 --> 00:33:31,309
SHE GOT PREGNANT TO GO AFTER
MY FAMILY'S MONEY.
818
00:33:31,375 --> 00:33:33,542
SHE TOLD YOU THIS?
NO, BUT COME ON.
819
00:33:35,775 --> 00:33:38,775
YOU'RE GONNA DO EVERY DAY
OF THOSE 10 YEARS, CHARLES.
820
00:33:38,842 --> 00:33:40,275
I'M GONNA SEE TO IT.
821
00:33:43,842 --> 00:33:47,509
I HAVEN'T HEARD FROM MY DAD,
IF THAT'S WHY I'M HERE.
822
00:33:47,575 --> 00:33:50,542
YOU GOT A FAMILY??
WIFE, KIDS? YEAH.
823
00:33:50,609 --> 00:33:52,642
AND YOU'RE INDEPENDENTLY
WEALTHY, RIGHT,
824
00:33:52,709 --> 00:33:55,609
SO WHEN YOU GO TO JAIL,
THAT WON'T BE A HICCUP
825
00:33:55,675 --> 00:33:58,109
AS FAR AS THEIR LIFESTYLE'S
CONCERNED?
826
00:33:58,175 --> 00:33:59,342
WHAT THE HELL ARE YOU
TALKING ABOUT?
827
00:33:59,409 --> 00:34:01,909
YOU LIED TO US, CALVIN.
WE CHECKED YOUR CELL PHONE.
828
00:34:01,975 --> 00:34:04,242
WE KNOW YOU'VE BEEN TALKING
TO YOUR DAD TODAY.
829
00:34:04,309 --> 00:34:06,242
OKAY, MAYBE I DID,
BUT WHAT'S THE CRIME?
830
00:34:06,309 --> 00:34:08,475
OBSTRUCTION OF JUSTICE,
ACCESSORY AFTER THE FACT,
831
00:34:08,542 --> 00:34:10,275
A COUPLE OF OTHER FANCY
LEGAL TERMS
832
00:34:10,342 --> 00:34:12,009
THAT YOU'LL BE ABLE
TO CONTEMPLATE
833
00:34:12,075 --> 00:34:13,475
DURING YOUR FIVE YEARS
IN JAIL.
834
00:34:13,542 --> 00:34:15,342
FIVE YEARS?
I DIDN'T DO ANYTHING.
835
00:34:15,409 --> 00:34:17,009
THEN WHAT WERE THE
PHONE CALLS ABOUT?
836
00:34:17,075 --> 00:34:18,242
OKAY.
837
00:34:18,309 --> 00:34:19,542
FIRST TIME, HE CALLED.
838
00:34:19,609 --> 00:34:21,275
HE SAID
THAT HE WAS IN TROUBLE.
839
00:34:21,342 --> 00:34:23,409
I SAID TO TURN HIMSELF IN.
840
00:34:23,475 --> 00:34:25,875
HE SAID THAT HE WOULD DIE
IN PRISON IF HE DID.
841
00:34:25,942 --> 00:34:29,242
AFTER YOU TALKED TO US,
WHAT DID YOU TELL YOUR DAD?
842
00:34:29,309 --> 00:34:31,375
FIVE YEARS, CALVIN??
NO JOKE.
843
00:34:31,442 --> 00:34:33,675
DID YOU TELL HIM TO PLAY UP
THE WITNESS ANGLE?
844
00:34:35,542 --> 00:34:37,309
YEAH.
845
00:34:37,375 --> 00:34:38,742
AND THAT OTHER DETECTIVE
846
00:34:38,809 --> 00:34:41,242
SAID THAT IT MIGHT BE
LATIN KINGS INVOLVED,
847
00:34:41,309 --> 00:34:43,142
SO I TOLD MY DAD HE MIGHT WANT
TO USE THAT, TOO.
848
00:34:43,209 --> 00:34:45,542
YOU INVOLVED IN THIS,
CALVIN?
849
00:34:45,609 --> 00:34:48,275
NO. NO.
850
00:34:48,342 --> 00:34:50,709
I'D NEVER KILL SOMEONE.
851
00:34:50,775 --> 00:34:52,142
I'M NOT LIKE MY DAD.
852
00:34:52,209 --> 00:34:53,642
THEN WHY YOU BEEN LYING?
853
00:34:53,709 --> 00:34:58,009
HE'S A SCREW?UP,
AND I HATE HIM FOR IT,
854
00:34:58,075 --> 00:35:00,209
BUT HE'S MY DAD.
855
00:35:00,275 --> 00:35:02,409
I CAN'T JUST TURN MY BACK
ON HIM.
856
00:35:03,175 --> 00:35:04,209
GET IN.
857
00:35:04,275 --> 00:35:05,509
I'M UNDER ARREST?
858
00:35:05,575 --> 00:35:07,709
YOU'RE STAYING HERE UNTIL
WE TALK TO YOUR DAD.
859
00:35:13,709 --> 00:35:17,542
AM I LOOKING AT PICTURES
OR A LINEUP?
860
00:35:20,842 --> 00:35:21,909
WHAT'S HE DONE?
861
00:35:21,975 --> 00:35:24,475
LIED TO US ALL DAY TRYING
TO COVER YOUR ASS??
862
00:35:24,542 --> 00:35:27,009
ADMITTED THAT HE GAVE YOU
THE LATIN KING ALIBI.
863
00:35:27,075 --> 00:35:29,375
WHICH IS ENOUGH
TO PUT HIM AWAY.
864
00:35:29,442 --> 00:35:32,642
THAT WASN'T NO ALIBI.
THOSE SPANISH KIDS SHOT TONY.
865
00:35:32,709 --> 00:35:35,309
LONNIE, THAT'S YOUR SON
IN THERE.
866
00:35:35,375 --> 00:35:37,675
YOU HAVEN'T BURNED HIM ENOUGH
IN YOUR LIFETIME,
867
00:35:37,742 --> 00:35:39,575
NOW YOU'RE GONNA PUT HIM
IN JAIL?
868
00:35:39,642 --> 00:35:41,642
OR IS HE MORE INVOLVED
THAN HE'S SAYING,
869
00:35:41,709 --> 00:35:42,942
'CAUSE RIGHT NOW HE'S TAKING
THE RIDE.
870
00:35:44,075 --> 00:35:45,475
OKAY, THEN.
LET'S GO.
871
00:35:48,175 --> 00:35:50,509
IN THE JOINT,
IN ORDER TO SURVIVE,
872
00:35:50,575 --> 00:35:53,109
THERE ARE CERTAIN THINGS
YOU CAN'T LET SLIDE.
873
00:35:53,175 --> 00:35:55,542
PEOPLE CAN TALK
ALL THEY WANT,
874
00:35:55,609 --> 00:35:57,742
CUT IN LINE,
HOG THE PHONE,
875
00:35:57,809 --> 00:36:00,742
BUT THEY VIOLATE
YOUR PERSONAL SPACE,
876
00:36:00,809 --> 00:36:02,109
YOU GOTTA REACT.
877
00:36:02,175 --> 00:36:05,309
YOUR LIFE AIN'T WORTH LIVING
IF YOU DON'T.
878
00:36:08,875 --> 00:36:10,075
WHAT DID DEKEYS DO TO YOU?
879
00:36:10,142 --> 00:36:13,042
HE WAS A PRICK
FROM DAY ONE??
880
00:36:13,109 --> 00:36:16,375
LOUD MUSIC,
LEAVING TRASH IN THE HALL,
881
00:36:16,442 --> 00:36:20,542
SMOKING WEED ON THE STOOP
WITH FAMILIES WALKING IN.
882
00:36:20,609 --> 00:36:23,409
I TALKED TO HIM
ABOUT ALL THAT,
883
00:36:23,475 --> 00:36:25,309
BUT I KEPT IT CIVIL.
884
00:36:25,375 --> 00:36:28,509
THIS MORNING,
TAKING OUT THE GARBAGE,
885
00:36:28,575 --> 00:36:30,675
I FORGOT TO LOCK MY DOOR.
886
00:36:30,742 --> 00:36:34,509
I GET BACK, AND SOMEONE'S
PISSED ON MY BED.
887
00:36:34,575 --> 00:36:38,642
I WALK OUT IN THE HALL,
AND TONY IS SMILING AT ME.
888
00:36:40,075 --> 00:36:41,942
I CAN'T LET THAT SLIDE.
889
00:36:42,009 --> 00:36:43,509
WHERE'D YOU GET THE GUN?
890
00:36:43,575 --> 00:36:46,075
I KEPT ONE FOR PROTECTION,
891
00:36:46,142 --> 00:36:49,209
SO I GRABBED IT,
WENT LOOKING FOR TONY.
892
00:36:49,275 --> 00:36:50,875
HE WAS IN HIS CAR.
893
00:36:50,942 --> 00:36:52,475
MADE SURE HE SAW ME,
894
00:36:52,542 --> 00:36:55,442
AND THEN I SHOT THAT
SON OF A BITCH
895
00:36:55,509 --> 00:36:57,542
TILL I KNEW HE WAS DEAD.
896
00:36:59,242 --> 00:37:02,442
YOU'RE LETTING MY BOY GO,
RIGHT?
897
00:37:02,509 --> 00:37:04,409
YEAH.
898
00:37:07,275 --> 00:37:08,909
NO WAY.
899
00:37:08,975 --> 00:37:11,509
SHE HAD AN S. A. T. PREP COURSE
SHE WAS TAKING.
900
00:37:11,575 --> 00:37:13,942
SHE WAS GOING TO MUSIC CAMP
THIS SUMMER,
901
00:37:14,009 --> 00:37:15,609
TO SEE THE BALLET
NEXT MONTH,
902
00:37:15,675 --> 00:37:18,075
WHICH SHE WAS REALLY
LOOKING FORWARD TO.
903
00:37:18,142 --> 00:37:20,409
THERE IS NO WAY
THAT SHE KILLED HERSELF.
904
00:37:20,475 --> 00:37:23,509
WE'RE VERY SORRY, BUT IT LOOKS
LIKE THAT'S THE CASE.
905
00:37:23,575 --> 00:37:25,909
HOW DO YOU KNOW HE DIDN'T GET
MY LITTLE GIRL UP THERE
906
00:37:25,975 --> 00:37:28,575
AND PUT A BULLET IN HER HIMSELF
AND MAKE IT LOOK LIKE SUICIDE?
907
00:37:28,642 --> 00:37:29,875
THE E?MAILS WE TOLD YOU ABOUT
908
00:37:29,942 --> 00:37:31,709
SHOWED YOUR DAUGHTER
WAS PREPARING FOR THIS.
909
00:37:31,775 --> 00:37:34,142
THIS LITTLE PRICK
HAS YOU CONNED.
910
00:37:34,209 --> 00:37:36,009
HE SET THIS WHOLE THING UP.
911
00:37:36,075 --> 00:37:37,142
AND HE'S GONNA FACE CHARGES.
912
00:37:37,209 --> 00:37:38,742
FOR A GUN VIOLATION?
913
00:37:38,809 --> 00:37:41,609
THIS GUY SHOULD BE GOING AWAY
FOR MURDER.
914
00:37:41,675 --> 00:37:45,209
THERE'S WHAT WE THINK HAPPENED
AND WHAT WE CAN PROVE,
915
00:37:45,275 --> 00:37:47,642
AND, UNFORTUNATELY,
ALL WE CAN PROVE
916
00:37:47,709 --> 00:37:50,675
IS THE GUN VIOLATION AND
ASSISTING A SUICIDE.
917
00:37:50,742 --> 00:37:53,542
BUT YOU HAVE MY WORD THAT
THAT'LL STICK,
918
00:37:53,609 --> 00:37:56,909
AND I WILL STAY WITH THE CASE
EVERY STEP OF THE WAY.
919
00:37:56,975 --> 00:38:00,009
WHILE HIS RICH FAMILY LAWYER
SWEEPS IT UNDER THE RUG?
920
00:38:00,075 --> 00:38:02,742
CHARLES SLOCUM
WILL DO 10 YEARS.
921
00:38:04,609 --> 00:38:07,309
I SHOULD HAVE PROTECTED HER
FROM HIM.
922
00:38:07,375 --> 00:38:09,709
I SHOULD HAVE DONE MORE
TO KEEP HER SAFE.
923
00:38:09,775 --> 00:38:11,375
SHE WAS 15 YEARS OLD.
924
00:38:11,442 --> 00:38:14,309
AT THAT POINT, THEY'RE MAKING
THEIR OWN DECISIONS.
925
00:38:14,375 --> 00:38:16,375
OR DID I PROTECT HER
TOO MUCH
926
00:38:16,442 --> 00:38:19,242
SO SHE WASN'T PREPARED
FOR A GUY LIKE THIS?
927
00:38:19,309 --> 00:38:22,275
YOU LOVED HER,
AND YOU PROVIDED FOR HER.
928
00:38:22,342 --> 00:38:24,542
THAT'S ALL ANY PARENT CAN DO.
929
00:38:31,775 --> 00:38:33,775
HEARD YOU COLLARED UP.
930
00:38:33,842 --> 00:38:35,109
YEAH.
931
00:38:35,175 --> 00:38:37,842
CONGRATS ON THAT.
932
00:38:37,909 --> 00:38:40,875
HEY, UH, ASKING AROUND
BEFORE I GOT HERE,
933
00:38:40,942 --> 00:38:42,609
I WAS TOLD YOU'RE THE MAN,
934
00:38:42,675 --> 00:38:45,475
SO I'M COMING TO YOU
IF YOU GOT A SECOND.
935
00:38:45,542 --> 00:38:47,442
WHAT'S YOUR QUESTION?
936
00:38:49,142 --> 00:38:51,575
ORTIZ??
SHE'S STAND?UP, RIGHT?
937
00:38:51,642 --> 00:38:54,242
'CAUSE WE HAD A LITTLE
MISCOMMUNICATION EARLIER.
938
00:38:54,309 --> 00:38:55,842
I DON'T KNOW IF SHE
TOLD YOU ANYTHING.
939
00:38:55,909 --> 00:38:57,542
SHE DIDN'T.
940
00:38:58,942 --> 00:39:03,809
IS THE BOOK ON HER LIKE SHE'S
OVERLY SENSITIVE, OR??
941
00:39:03,875 --> 00:39:05,409
NO.
942
00:39:05,475 --> 00:39:07,675
GOOD.
THAT'S WHAT I FIGURED.
943
00:39:07,742 --> 00:39:11,142
I MAY HAVE GOTTEN A LITTLE
TOO ENTHUSIASTIC IN THE ROOM.
944
00:39:11,209 --> 00:39:12,442
YOU KNOW HOW IT IS.
945
00:39:12,509 --> 00:39:13,875
YEAH, WELL, EITHER WAY,
946
00:39:13,942 --> 00:39:16,809
ORTIZ DIDN'T SAY ANYTHING
TO ME ABOUT IT.
947
00:39:18,275 --> 00:39:19,542
SO, WORD I GOT
WAS THAT THE PERP
948
00:39:19,609 --> 00:39:22,109
SNAPPED OVER SOME
PRISON FLASHBACK?
949
00:39:22,175 --> 00:39:24,709
[ SIGHS ]
950
00:39:24,775 --> 00:39:26,509
WE BURNED HALF OUR DAY
ON ACCOUNT OF YOU
951
00:39:26,575 --> 00:39:28,409
TELLING HIS SON ABOUT YOUR
LATIN KING THEORY,
952
00:39:28,475 --> 00:39:31,075
WHICH HE PASSED ON TO HIS DAD
AS AN ALIBI.
953
00:39:31,142 --> 00:39:33,275
I JUST WANTED
TO GET THE DAD IN.
954
00:39:33,342 --> 00:39:34,775
DIDN'T WE COVER THIS
ALREADY?
955
00:39:34,842 --> 00:39:36,842
YOU NEED TO LAY BACK AND
SEE HOW THIS SQUAD WORKS,
956
00:39:36,909 --> 00:39:39,209
AND THAT WAS THE LAST
DOUBLE?UP INTERVIEW
957
00:39:39,275 --> 00:39:41,509
YOU'RE GONNA DO
ON ONE OF MY CASES.
958
00:39:41,575 --> 00:39:42,675
FINE.
959
00:39:42,742 --> 00:39:43,942
NO SWEAT.
960
00:39:46,375 --> 00:39:47,875
I'D LIKE TO FIT IN WITH
THE TEAM HERE,
961
00:39:47,942 --> 00:39:50,675
SO HOW 'BOUT TOMORROW
WE MAKE A FRESH START?
962
00:39:51,909 --> 00:39:52,942
COOL?
963
00:39:53,009 --> 00:39:54,542
SURE.
964
00:39:57,142 --> 00:39:58,509
HEARD A LOT OF GOOD THINGS
ABOUT YOU.
965
00:39:58,575 --> 00:39:59,675
I KNOW I CAN LEARN A LOT.
966
00:39:59,742 --> 00:40:01,909
GOOD NIGHT.
967
00:40:04,475 --> 00:40:06,975
HATCHER FOUND YOU?
968
00:40:07,042 --> 00:40:09,075
TOMORROW HE STARTS FRESH.
969
00:40:09,142 --> 00:40:10,775
WELL, CONNIE'S GOT
SOME NEWS ON HIM.
970
00:40:10,842 --> 00:40:12,775
OH, YEAH?
NOTHING BIG.
971
00:40:12,842 --> 00:40:15,142
A FRIEND AT THE 2?3
TOLD ME HATCHER'S UNCLE
972
00:40:15,209 --> 00:40:16,542
IS THE CHIEF OF PERSONNEL.
973
00:40:16,609 --> 00:40:18,109
SO, EVERY TIME HE SCREWS UP,
974
00:40:18,175 --> 00:40:21,342
HE JUST GETS BOUNCED
TO A NEW COMMAND.
975
00:40:21,409 --> 00:40:23,109
GIBSON GOT TO BE C. O. HERE
976
00:40:23,175 --> 00:40:26,042
'CAUSE HE'S A GOLF BUDDY WITH
THE CHIEF OF PERSONNEL, RIGHT?
977
00:40:26,109 --> 00:40:27,242
YEAH.
978
00:40:27,309 --> 00:40:28,575
DO I NEED TO STAY HERE
979
00:40:28,642 --> 00:40:30,909
AND MAKE SURE YOU DON'T
POUNCE ON HIM?
980
00:40:30,975 --> 00:40:31,909
I'M FINE.
981
00:40:31,975 --> 00:40:33,275
ALL RIGHT.
982
00:40:33,342 --> 00:40:35,275
WELL, IF ANYONE NEEDS ME
OVER THE NEXT FEW MONTHS,
983
00:40:35,342 --> 00:40:37,842
I'LL BE AT HOME
WITH MY FEET UP.
984
00:40:37,909 --> 00:40:39,375
ALL RIGHT.
985
00:40:39,442 --> 00:40:42,109
IF HIS COOKING GETS OLD,
I'LL JUST RUSH OVER TAKEOUT.
986
00:40:42,175 --> 00:40:43,275
OKAY, GOOD TO KNOW.
987
00:40:43,342 --> 00:40:45,175
I'M GONNA LEAVE
IN A LITTLE BIT.
988
00:40:45,242 --> 00:40:47,742
GREAT WORK, GUYS.
TOP SHELF.
989
00:40:47,809 --> 00:40:50,275
SO, UH, YOU AND THE CHIEF
OF PERSONNEL
990
00:40:50,342 --> 00:40:52,942
ARE BUDDIES, RIGHT, GIBSON?
991
00:40:53,009 --> 00:40:54,209
WE'RE FRIENDLY.
992
00:40:54,275 --> 00:40:56,575
CHIEF OF PERSONNEL,
WHO'S HATCHER'S UNCLE?
993
00:40:56,642 --> 00:40:58,675
WHERE ARE YOU GOING
WITH THIS, ANDY?
994
00:40:58,742 --> 00:41:00,642
YOU GETTING PROMOTED TO C. O.
OF A SQUAD,
995
00:41:00,709 --> 00:41:02,442
WHICH WAS QUITE A JUMP,
GIBSON??
996
00:41:02,509 --> 00:41:04,942
DID THAT COME WITH THE CONDITION
OF TAKING ON HATCHER,
997
00:41:05,009 --> 00:41:07,375
WHO'S BEEN TOSSED OUT OF EVERY
OTHER SQUAD IN THIS CITY?
998
00:41:07,442 --> 00:41:09,909
WE WERE GONNA BE SHORT A MAN.
STAN WAS AVAILABLE.
999
00:41:09,975 --> 00:41:13,475
WAS IT A NICE THING TO DO
FOR A FRIEND? SURE.
1000
00:41:13,542 --> 00:41:16,475
DO YOU NOT HAVE FRIENDS?
DO YOU NOT DO NICE THINGS?
1001
00:41:16,542 --> 00:41:18,342
THAT'S FINE,
BUT IF THE DAY COMES
1002
00:41:18,409 --> 00:41:20,409
WHEN HE NEEDS TO GET TOSSED
OUT OF HERE,
1003
00:41:20,475 --> 00:41:21,675
YOU BETTER HAVE THE SPINE.
1004
00:41:21,742 --> 00:41:23,975
I GOT SPINE ALL DAY LONG,
ANDY.
1005
00:41:24,042 --> 00:41:24,975
DON'T QUESTION THAT.
1006
00:41:25,042 --> 00:41:26,342
THEN WE'RE SQUARE.
1007
00:41:26,409 --> 00:41:28,142
GOOD.
GOOD.
1008
00:41:28,209 --> 00:41:29,409
GOOD NIGHT.
GOOD NIGHT.
1009
00:41:29,475 --> 00:41:31,475
HELP YOU?
YEAH, I'M HERE TO SEE HIM.
1010
00:41:31,542 --> 00:41:33,609
HE HERE WITH YOUR
RABIES SHOT, ANDY?
1011
00:41:33,675 --> 00:41:36,409
GOOD NIGHT, GIBSON.
SEE YOU, SARGE.
1012
00:41:40,242 --> 00:41:41,909
HE COOL?
HE'S COOL.
1013
00:41:41,975 --> 00:41:45,409
THIS NEVER HAPPENED,
AND WE NEVER MET, RIGHT?
1014
00:41:45,475 --> 00:41:47,575
I OWE YOU ONE.
ANY TIME.
1015
00:41:50,609 --> 00:41:53,342
OH, MAN, YOU ARE GOING
TO HELL FOR THIS.
1016
00:41:53,409 --> 00:41:56,742
IT'S ALWAYS BEEN MY HOPE
GOD'S GOT A SENSE OF HUMOR.
1017
00:41:56,809 --> 00:41:58,375
[ WHISTLES ]
1018
00:41:58,442 --> 00:42:00,275
[ BIRD WHISTLES ]
1019
00:42:00,342 --> 00:42:02,009
[ TAPE RECORDER CLICKS ]
DOUCHE BAG.
1020
00:42:02,075 --> 00:42:03,875
DOUCHE BAG.
1021
00:42:03,942 --> 00:42:05,975
DEEP, DEEP INTO HELL.
1022
00:42:06,042 --> 00:42:08,275
DOUCHE BAG.
1023
00:42:08,342 --> 00:42:10,775
DOUCHE BAG.
1024
00:42:10,842 --> 00:42:12,709
DOUCHE BAG.
1025
00:42:12,775 --> 00:42:15,075
DOUCHE BAG.
1026
00:42:15,142 --> 00:42:17,809
DOUCHE BAG.
1027
00:42:17,875 --> 00:42:19,842
DOUCHE BAG.
1028
00:42:19,909 --> 00:42:22,109
DOUCHE BAG.
1029
00:42:22,175 --> 00:42:23,675
DOUCHE BAG.
1030
00:42:23,725 --> 00:42:28,275
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