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These are the user uploaded subtitles that are being translated: 1 00:00:10,000 --> 00:00:13,280 (CHIRRUPING AND ANIMAL CALLS) 2 00:00:13,280 --> 00:00:15,640 (SQUAWKING AND CHIRPING) 3 00:00:15,640 --> 00:00:19,160 DAVID ATTENBOROUGH: The natural world is filled with sound. 4 00:00:19,160 --> 00:00:21,280 (THUNDERCLAP) 5 00:00:21,280 --> 00:00:23,200 (CLUCKING) 6 00:00:23,200 --> 00:00:25,200 (BELLOWS AND SCREECHES) 7 00:00:25,200 --> 00:00:27,240 (ROARS HOARSELY) 8 00:00:27,240 --> 00:00:31,280 But so far, we've been hearing only part of it. 9 00:00:31,280 --> 00:00:32,520 (CHIRRUPS AND CLICKS) 10 00:00:32,520 --> 00:00:33,840 (PULSATING SQUEAKS) 11 00:00:33,840 --> 00:00:36,360 The most advanced audio technology 12 00:00:36,360 --> 00:00:39,800 can now record sounds that we can't even hear. 13 00:00:39,800 --> 00:00:41,200 (DEEP VIBRATING HUM) 14 00:00:41,200 --> 00:00:43,000 (RATTLING) 15 00:00:43,000 --> 00:00:47,080 (WHOOPING CALL) 16 00:00:47,080 --> 00:00:49,600 (SOFT CLICKING) 17 00:00:49,600 --> 00:00:51,440 (CHIRPS) 18 00:00:52,360 --> 00:00:55,880 For some animals, sound is the key to survival. 19 00:00:55,880 --> 00:00:57,040 (BUZZING) 20 00:00:57,040 --> 00:00:58,280 (CLICKS AND SQUEAKS) 21 00:00:59,200 --> 00:01:01,320 They use sound to hunt... 22 00:01:01,320 --> 00:01:03,360 (FRANTIC SCREECHING) 23 00:01:03,360 --> 00:01:05,240 (DEEP GROWLING) 24 00:01:05,240 --> 00:01:06,760 ...and escape. 25 00:01:06,760 --> 00:01:08,800 (PADDING AND RUSTLING) 26 00:01:08,800 --> 00:01:10,600 (SOFT THUDDING) 27 00:01:13,960 --> 00:01:17,760 Sound can make the difference between life and death. 28 00:01:19,000 --> 00:01:20,360 (SCUFFING) 29 00:01:20,360 --> 00:01:21,920 (SCUFFING AND PATTERING) 30 00:01:21,920 --> 00:01:23,400 (HISSES) 31 00:01:23,400 --> 00:01:25,960 It's time to open your ears 32 00:01:25,960 --> 00:01:29,280 to life as you've never heard it before. 33 00:01:29,280 --> 00:01:32,520 (GRUMBLING AND TRUMPETING) 34 00:01:36,920 --> 00:01:38,920 (CHIRRUPING AND TWITTERING) 35 00:01:39,960 --> 00:01:42,400 (SQUAWKING AND SCREECHING) 36 00:01:42,400 --> 00:01:44,440 (DEEP RUMBLING GROWL) 37 00:01:48,800 --> 00:01:49,800 (CHIRRUPING) 38 00:01:52,120 --> 00:01:54,120 (SQUAWKING AND SCREECHING) 39 00:01:55,080 --> 00:01:57,440 (GRUNTING) 40 00:01:57,440 --> 00:01:59,480 (CHITTERING AND CROAKING) 41 00:02:01,480 --> 00:02:03,480 (CACOPHONY OF ANIMAL CALLS) 42 00:02:06,120 --> 00:02:08,120 (SOFT MOANING) 43 00:02:10,960 --> 00:02:12,960 (CHIRPS) 44 00:02:14,120 --> 00:02:17,800 Dawn on the African savanna. 45 00:02:17,800 --> 00:02:19,880 (GRUNTING) 46 00:02:19,880 --> 00:02:21,440 (BELLOWING) 47 00:02:22,560 --> 00:02:24,560 (GRUNTING AND BELLOWING) 48 00:02:28,920 --> 00:02:31,640 It's the best time of the day 49 00:02:31,640 --> 00:02:35,240 for lions to broadcast their message. 50 00:02:36,040 --> 00:02:37,040 (GRUNTS) 51 00:02:38,240 --> 00:02:39,360 (BELLOWS HOARSELY) 52 00:02:41,840 --> 00:02:43,960 (BELLOWS HOARSELY) 53 00:02:43,960 --> 00:02:46,240 (BELLOWING CONTINUES) 54 00:02:46,240 --> 00:02:51,400 As the sun rises, cold air is trapped near the ground. 55 00:02:52,640 --> 00:02:54,560 Because it's denser than warm air, 56 00:02:54,560 --> 00:02:58,000 it allows sound to travel further before dissipating. 57 00:02:58,000 --> 00:02:59,640 (GRUNTING ECHOES) 58 00:02:59,640 --> 00:03:00,680 (GRUNTS) 59 00:03:03,720 --> 00:03:06,440 It's a declaration to other prides 60 00:03:06,440 --> 00:03:09,000 of his ownership of these hunting grounds... 61 00:03:11,240 --> 00:03:14,840 ...and the key to his and his pride's survival. 62 00:03:14,840 --> 00:03:16,520 (RUMBLING GROWL) 63 00:03:16,520 --> 00:03:18,400 (BELLOWS) 64 00:03:18,400 --> 00:03:22,520 It's one of the greatest acoustic displays of power in nature. 65 00:03:22,520 --> 00:03:24,360 (HIGH-PITCHED BELLOW) 66 00:03:26,040 --> 00:03:27,240 (DEEP RUMBLING ROAR) 67 00:03:30,680 --> 00:03:31,720 (GRUNTS AND ROARS) 68 00:03:34,560 --> 00:03:35,600 (GRUNTS AND ROARS) 69 00:03:37,400 --> 00:03:39,320 (GRUNTS) 70 00:03:39,320 --> 00:03:42,600 He can be heard up to five miles away. 71 00:03:42,600 --> 00:03:44,520 (RUMBLING ROAR) 72 00:03:44,520 --> 00:03:46,000 (DEEP GRUNTING) 73 00:03:46,000 --> 00:03:47,920 But even this isn't far enough 74 00:03:47,920 --> 00:03:50,280 to reach the boundaries of their territory. 75 00:03:53,160 --> 00:03:57,000 It spans over 150 square miles. 76 00:03:58,320 --> 00:04:00,800 To defend an area as immense as this, 77 00:04:00,800 --> 00:04:03,720 the pride must roam and roar. 78 00:04:03,720 --> 00:04:05,760 (SONOROUS RUMBLING ROAR) 79 00:04:09,920 --> 00:04:13,480 But some members are too small to get very far. 80 00:04:13,480 --> 00:04:15,800 (YOWLS) 81 00:04:19,480 --> 00:04:23,040 This pride is protected by three brothers. 82 00:04:25,680 --> 00:04:28,560 Together, they head off on patrol. 83 00:04:33,480 --> 00:04:38,400 A lion's roar sends a clear message to other prides. 84 00:04:42,680 --> 00:04:46,320 But sound can also be used in more subtle ways. 85 00:04:46,320 --> 00:04:48,360 (CHIRRUPING) 86 00:04:49,040 --> 00:04:51,000 (TWITTERING AND CHIRPING) 87 00:04:51,000 --> 00:04:53,040 (LOW BUZZING) 88 00:04:53,920 --> 00:04:55,920 (BUZZING CONTINUES) 89 00:04:57,600 --> 00:04:59,600 (BUZZING AND HUMMING) 90 00:05:05,800 --> 00:05:07,480 (INTENSE BUZZING) 91 00:05:08,480 --> 00:05:13,200 This garden is filled with the sound of the buzzing of bees. 92 00:05:13,200 --> 00:05:18,200 It's a sign that the plants have been successful in attracting pollinators 93 00:05:18,200 --> 00:05:20,360 with their brightly-coloured flowers 94 00:05:20,360 --> 00:05:22,400 and seductive smells. 95 00:05:24,320 --> 00:05:26,320 (INTENSE BUZZING) 96 00:05:27,200 --> 00:05:30,400 The buzzing sound we associate with bees 97 00:05:30,400 --> 00:05:35,240 is a by-product created by the beating wings as they fly. 98 00:05:35,240 --> 00:05:37,280 (BUZZING) 99 00:05:38,360 --> 00:05:40,360 (BUZZING) 100 00:05:40,360 --> 00:05:43,960 But some bees take advantage of their buzz, 101 00:05:43,960 --> 00:05:47,440 and use it, in a surprisingly sophisticated way, 102 00:05:47,440 --> 00:05:50,960 to get to a supply of food that others can't reach. 103 00:05:51,840 --> 00:05:53,840 (BUZZING) 104 00:06:00,080 --> 00:06:03,240 One such bee lives underground. 105 00:06:06,480 --> 00:06:08,480 (BUZZING THRUM) 106 00:06:09,960 --> 00:06:14,000 These are buff-tailed bumblebees. 107 00:06:15,600 --> 00:06:17,440 For the colony to survive, 108 00:06:17,440 --> 00:06:20,520 each worker must collect as much pollen as she can 109 00:06:20,520 --> 00:06:22,560 with which to feed their young. 110 00:06:22,560 --> 00:06:24,680 (CONTINUOUS BUZZING THRUM) 111 00:06:25,560 --> 00:06:28,520 Searching for it is a constant preoccupation. 112 00:06:33,360 --> 00:06:35,320 (SOFT RUSTLING) 113 00:06:35,320 --> 00:06:37,160 (INTREPID MUSIC) 114 00:06:42,800 --> 00:06:44,800 (BUZZING) 115 00:06:50,480 --> 00:06:52,680 It's spring in England... 116 00:06:55,720 --> 00:06:57,640 (BUZZING) 117 00:06:57,640 --> 00:06:59,120 (SOFT FLUTTERING) 118 00:07:00,720 --> 00:07:02,200 (FLUTTERING AND CLICKING) 119 00:07:02,200 --> 00:07:03,720 (GENTLE BUZZING) 120 00:07:03,720 --> 00:07:07,080 ...and she is not the only one in search of food. 121 00:07:09,080 --> 00:07:12,560 Competition for pollen and nectar is high. 122 00:07:14,320 --> 00:07:17,480 And poppies are putting on a show. 123 00:07:19,800 --> 00:07:21,640 Packed full of pollen, 124 00:07:21,640 --> 00:07:25,360 they flaunt it at the top of long filaments called anthers. 125 00:07:26,720 --> 00:07:28,720 (BUZZING) 126 00:07:29,440 --> 00:07:31,800 These flowers are a free-for-all... 127 00:07:33,280 --> 00:07:35,960 ...and everyone is seeking a share of the bounty. 128 00:07:35,960 --> 00:07:38,000 (BUZZING) 129 00:07:40,440 --> 00:07:43,080 (HARMONIOUS BUZZING) 130 00:07:53,880 --> 00:07:57,240 But she doesn't need to compete with other species 131 00:07:57,240 --> 00:08:00,680 if she can find a particular kind of flower. 132 00:08:02,240 --> 00:08:04,240 (SOFT FLUTTERING) 133 00:08:11,440 --> 00:08:14,000 She's found what she's been looking for... 134 00:08:14,000 --> 00:08:16,240 (SOFT BUZZING AND FLUTTERING) 135 00:08:16,240 --> 00:08:18,080 ...a type of nightshade. 136 00:08:18,880 --> 00:08:20,880 (BUZZING) 137 00:08:25,000 --> 00:08:27,600 Its flowers are less striking 138 00:08:27,600 --> 00:08:29,280 and, unlike poppies, 139 00:08:29,280 --> 00:08:33,000 its pollen is locked up inside long yellow anthers. 140 00:08:35,680 --> 00:08:39,560 The only way for it to escape is through tiny holes. 141 00:08:43,800 --> 00:08:45,800 The bumblebee holds the key 142 00:08:45,800 --> 00:08:48,360 that unlocks this treasury of pollen. 143 00:08:50,120 --> 00:08:51,840 Sound. 144 00:08:52,960 --> 00:08:54,880 Locking in her wings, 145 00:08:54,880 --> 00:08:58,280 she uses her flight muscles to vibrate her whole body, 146 00:08:58,280 --> 00:09:02,000 buzzing up to 370 times a second. 147 00:09:02,000 --> 00:09:05,240 (INTENSE BUZZING) 148 00:09:09,560 --> 00:09:13,560 This sonic assault blasts the pollen loose. 149 00:09:13,560 --> 00:09:15,600 (BUZZING CONTINUES) 150 00:09:25,000 --> 00:09:29,600 She then grooms the pollen down into sticky sacs on her legs 151 00:09:29,600 --> 00:09:31,640 and flies off to the next flower. 152 00:09:31,640 --> 00:09:33,680 (INTENSE BUZZING) 153 00:09:38,600 --> 00:09:42,560 Very few species can buzz-pollinate in this way, 154 00:09:42,560 --> 00:09:48,080 so bumblebees have nearly exclusive access to the nightshades' pollen. 155 00:09:48,080 --> 00:09:50,120 (INTENSE BUZZING) 156 00:09:55,640 --> 00:09:58,440 The bee's pollination buzz is higher pitched 157 00:09:58,440 --> 00:10:00,480 than that made during flight. 158 00:10:03,320 --> 00:10:06,600 It's the same frequency as the musical note D. 159 00:10:06,600 --> 00:10:08,640 (HIGH-PITCHED BUZZING) 160 00:10:13,960 --> 00:10:16,440 She's like a living tuning fork. 161 00:10:18,240 --> 00:10:21,720 Some buzz pollinators can vary their pitch, 162 00:10:21,720 --> 00:10:24,680 fine-tuning it to suit different flowers. 163 00:10:24,680 --> 00:10:28,480 So pollen is released in the most efficient way. 164 00:10:33,560 --> 00:10:36,680 Fully loaded, she returns to the hive. 165 00:10:44,200 --> 00:10:46,560 She has successfully used sound 166 00:10:46,560 --> 00:10:49,600 to help secure the pollen her colony needs. 167 00:10:49,600 --> 00:10:52,000 (CONTINUOUS HUMMING) 168 00:10:56,640 --> 00:10:58,880 We tend to take bees for granted... 169 00:10:59,680 --> 00:11:04,040 but it's not just plants that depend on them, we do too. 170 00:11:05,200 --> 00:11:08,240 Many of our crops rely on pollinators 171 00:11:08,240 --> 00:11:10,720 like bees and other insects. 172 00:11:12,120 --> 00:11:15,360 Worryingly, bee populations, 173 00:11:15,360 --> 00:11:18,720 together with those of many other insect pollinators, 174 00:11:18,720 --> 00:11:22,560 are in serious decline around the world. 175 00:11:23,520 --> 00:11:25,360 And with their numbers plummeting, 176 00:11:25,360 --> 00:11:29,920 both the natural world and our own food supplies are in danger. 177 00:11:29,920 --> 00:11:31,640 (CONTINUOUS BUZZING) 178 00:11:31,640 --> 00:11:34,240 Bees need our help 179 00:11:34,240 --> 00:11:37,320 and without them and the sound of their buzz, 180 00:11:37,320 --> 00:11:40,400 the future for us all would look bleak. 181 00:11:42,160 --> 00:11:44,160 (INTENSE BUZZING) 182 00:11:48,240 --> 00:11:51,120 Sound provides the key to this partnership 183 00:11:51,120 --> 00:11:53,320 between bumble bees and plants. 184 00:11:55,840 --> 00:11:59,240 But not all relationships in nature are as harmonious. 185 00:11:59,240 --> 00:12:01,360 (BIRDSONG) 186 00:12:01,360 --> 00:12:03,400 (DISTANT BIRD CALLS) 187 00:12:04,480 --> 00:12:07,160 The Bahama Islands in the Caribbean. 188 00:12:14,720 --> 00:12:17,000 The sand flats here are the home 189 00:12:17,000 --> 00:12:19,600 of garden eels and razorfish. 190 00:12:19,600 --> 00:12:21,640 (WATER BURBLES GENTLY) 191 00:12:26,760 --> 00:12:29,240 (FAINT SQUEAKING) 192 00:12:29,240 --> 00:12:32,120 But there is trouble in paradise. 193 00:12:32,120 --> 00:12:34,160 (ECHOEY CLICKING AND SQUEAKING) 194 00:12:36,280 --> 00:12:38,600 The sound of approaching danger. 195 00:12:38,600 --> 00:12:42,560 (ECHOEY RHYTHMIC SQUEAKING) 196 00:12:42,560 --> 00:12:44,600 It's a cue to hide. 197 00:12:44,600 --> 00:12:47,160 (ECHOEY WHISTLING AND SQUEAKING) 198 00:12:52,280 --> 00:12:54,440 (SQUEAKING AND CLICKING) 199 00:12:54,440 --> 00:12:58,640 A mixed groups of spotted and bottlenose dolphins. 200 00:12:58,640 --> 00:13:00,880 (SQUEAKING AND WHISTLING) 201 00:13:03,520 --> 00:13:07,800 Their whistles and squeaks are part of their continuous conversations... 202 00:13:07,800 --> 00:13:09,480 (CLICKING) 203 00:13:09,480 --> 00:13:13,520 ...with a range of frequencies seven times greater than ours. 204 00:13:13,520 --> 00:13:15,560 (HIGH-PITCHED SQUEAKING) 205 00:13:16,720 --> 00:13:18,720 (CLICKING AND SQUEAKING) 206 00:13:25,760 --> 00:13:28,400 To hunt for food, they must split up. 207 00:13:28,400 --> 00:13:30,960 (CLICKING AND WHISTLING) 208 00:13:30,960 --> 00:13:35,440 Each dolphin needs 15 kilograms of fish a day. 209 00:13:36,600 --> 00:13:39,080 (CHIRRUPING) 210 00:13:39,080 --> 00:13:41,400 But, thanks to their rowdy arrival, 211 00:13:42,360 --> 00:13:44,360 there isn't a morsel in sight. 212 00:13:47,080 --> 00:13:49,080 The hunt is on. 213 00:13:51,240 --> 00:13:54,200 (LOW GRUMBLING) 214 00:13:56,245 --> 00:13:58,240 (LOW GRUMBLING) 215 00:13:59,240 --> 00:14:01,640 (CLICKING AND CHIRRUPING) 216 00:14:01,640 --> 00:14:04,880 The bottlenose dolphins now switch from whistles 217 00:14:04,880 --> 00:14:07,240 to bursts of fast clicks, 218 00:14:07,240 --> 00:14:09,440 up to 200 per second. 219 00:14:09,440 --> 00:14:11,480 (RAPID CLICKING) 220 00:14:14,240 --> 00:14:16,280 (INTENSE HIGH-FREQUENCY CLICKING) 221 00:14:18,600 --> 00:14:22,880 These high-frequency clicks are sent out like a sonar beam 222 00:14:22,880 --> 00:14:25,880 through an organ in the forehead called a melon, 223 00:14:25,880 --> 00:14:28,720 with which they can scan the ocean floor. 224 00:14:28,720 --> 00:14:30,760 (RAPID CLICKING) 225 00:14:38,520 --> 00:14:42,400 When the beam of sound hits a fish hiding beneath the sand, 226 00:14:42,400 --> 00:14:46,400 it's reflected back, revealing its location. 227 00:14:46,400 --> 00:14:47,920 (CLICKING) 228 00:14:47,920 --> 00:14:49,560 Using echolocation, 229 00:14:49,560 --> 00:14:52,640 the dolphins are able to create a visual map 230 00:14:52,640 --> 00:14:54,880 of what is hidden under the sea floor. 231 00:14:54,880 --> 00:14:57,560 (RAPID CLICKING) 232 00:15:06,360 --> 00:15:09,280 Some of these clicks are ten times higher 233 00:15:09,280 --> 00:15:12,160 than the sounds our ears can detect. 234 00:15:12,160 --> 00:15:14,400 (HIGH-PITCHED CLICKING) 235 00:15:14,400 --> 00:15:15,760 (SILENCE) 236 00:15:15,760 --> 00:15:19,840 High-frequency sounds are most effective at close range, 237 00:15:19,840 --> 00:15:24,240 enabling the dolphins to pinpoint their prey with great precision. 238 00:15:31,920 --> 00:15:36,720 But there is more to these pirouettes than meets the eye. 239 00:15:36,720 --> 00:15:38,840 (CLICKING) 240 00:15:38,840 --> 00:15:43,560 Scientists have recently discovered that bottlenose dolphins 241 00:15:43,560 --> 00:15:46,880 favour their right side when scanning the seabed. 242 00:15:49,360 --> 00:15:54,040 The right side of the head usually produces the sonar clicks. 243 00:15:54,040 --> 00:15:58,360 And the right side is also better at detecting the returning echo. 244 00:15:58,360 --> 00:16:00,400 (CLICKING) 245 00:16:01,480 --> 00:16:03,480 (MELLIFLUOUS MUSIC) 246 00:16:11,920 --> 00:16:15,840 The only evidence that there has been a sonar search here 247 00:16:15,840 --> 00:16:18,720 are small craters in the sand. 248 00:16:33,080 --> 00:16:36,000 Dolphins use sound with great effect 249 00:16:36,000 --> 00:16:38,040 to find their food. 250 00:16:38,880 --> 00:16:41,960 But in other places, a quieter approach 251 00:16:41,960 --> 00:16:44,240 is the key to a successful hunt. 252 00:16:45,800 --> 00:16:47,800 (DISTANT SQUAWKING) 253 00:16:48,800 --> 00:16:50,840 (DISTANT CHIRRUPING) 254 00:16:50,840 --> 00:16:52,640 (SQUAWKING) 255 00:16:52,640 --> 00:16:54,680 (SOFT RUSTLING) 256 00:16:55,320 --> 00:16:58,160 In the forests of Manitoba in Canada, 257 00:16:58,160 --> 00:17:02,560 the great grey owl is a master of silence. 258 00:17:11,480 --> 00:17:13,840 Specially-adapted flight feathers 259 00:17:13,840 --> 00:17:16,280 allow him to approach silently. 260 00:17:17,000 --> 00:17:19,000 (WIND GUSTS GENTLY) 261 00:17:28,320 --> 00:17:31,920 His prey is hidden under a blanket of snow. 262 00:17:38,640 --> 00:17:40,640 (SOFT SNUFFLING) 263 00:17:43,000 --> 00:17:44,920 Voles. 264 00:17:47,480 --> 00:17:51,080 Finding them in this vast, snow-covered landscape 265 00:17:51,080 --> 00:17:53,480 seems an impossible task. 266 00:17:57,040 --> 00:17:59,960 To combat the extreme cold, 267 00:17:59,960 --> 00:18:02,680 he must catch seven voles a day. 268 00:18:04,440 --> 00:18:07,320 His ears will be his most effective weapon. 269 00:18:09,920 --> 00:18:11,680 (SNUFFLES AND SQUEAKS) 270 00:18:13,240 --> 00:18:16,080 Voles need to feed continuously 271 00:18:16,080 --> 00:18:18,040 or they will freeze to death. 272 00:18:18,840 --> 00:18:20,840 (HIGH-PITCHED SQUEAKING) 273 00:18:21,640 --> 00:18:23,840 (PATTERING FOOTSTEPS) 274 00:18:23,840 --> 00:18:28,040 They constantly dig tunnels to find new food supplies... 275 00:18:29,800 --> 00:18:32,120 ...unaware of the danger above. 276 00:18:32,120 --> 00:18:34,160 (SNUFFLING AND SCUFFLING) 277 00:18:37,200 --> 00:18:40,400 Hidden under a face covered by feathers, 278 00:18:40,400 --> 00:18:42,880 the owl's ears are positioned 279 00:18:42,880 --> 00:18:46,720 at slightly different levels on either side of his head. 280 00:18:49,040 --> 00:18:51,640 Sound will hit one ear before the other, 281 00:18:51,640 --> 00:18:55,600 allowing him to pinpoint his prey with great accuracy. 282 00:19:01,640 --> 00:19:04,360 His acoustic arsenal doesn't stop there. 283 00:19:07,680 --> 00:19:10,040 The large facial ruff, 284 00:19:10,040 --> 00:19:13,440 formed from feathers that are particularly stiff and dense, 285 00:19:13,440 --> 00:19:17,480 help to amplify sound and funnel it towards the ears. 286 00:19:26,440 --> 00:19:28,440 (RUSTLING AND SQUEAKING) 287 00:19:30,800 --> 00:19:33,280 Through half a metre of snow, 288 00:19:33,280 --> 00:19:37,000 the sound of scampering feet is inaudible to us. 289 00:19:40,400 --> 00:19:42,680 But it's loud enough for him. 290 00:19:48,440 --> 00:19:50,440 With the help of a specialist camera 291 00:19:50,440 --> 00:19:54,720 equipped with 60 highly-sensitive microphones, 292 00:19:54,720 --> 00:19:57,480 we can reveal what the owl is hearing. 293 00:19:58,480 --> 00:19:59,880 (FAINT SCUFFLING) 294 00:19:59,880 --> 00:20:03,920 The camera visualises where the vole is beneath the snow. 295 00:20:06,680 --> 00:20:07,680 (SNUFFLES) 296 00:20:18,720 --> 00:20:20,720 And he's off. 297 00:20:24,880 --> 00:20:26,720 (SCUFFLES AND SNIFFS) 298 00:20:31,800 --> 00:20:33,800 (CRUNCHING) 299 00:20:38,200 --> 00:20:40,280 This time he's missed. 300 00:20:46,560 --> 00:20:48,560 (RUSTLING) 301 00:20:49,840 --> 00:20:54,920 Despite his acute hearing, hunting in snow is a challenge. 302 00:20:57,920 --> 00:21:00,440 The snow not only muffles sound, 303 00:21:00,440 --> 00:21:02,480 it bends it too. 304 00:21:05,400 --> 00:21:08,280 While it appears as if the vole is here, 305 00:21:08,280 --> 00:21:10,320 it's actually over there. 306 00:21:15,160 --> 00:21:18,800 The only way to defeat this acoustic illusion, 307 00:21:18,800 --> 00:21:22,240 is for the owl to get directly above the vole, 308 00:21:22,240 --> 00:21:25,280 where sound is no longer distorted by the snow. 309 00:21:25,280 --> 00:21:27,320 (WIND GUSTS SOFTLY) 310 00:21:37,720 --> 00:21:41,880 As he flies, he tracks the sound as it changes. 311 00:21:43,880 --> 00:21:45,960 (SUSPENSEFUL MUSIC) 312 00:21:49,280 --> 00:21:53,160 The closer he gets, the less the sound is bent. 313 00:21:55,720 --> 00:21:59,760 Directly above the vole, he can pinpoint his target. 314 00:22:06,080 --> 00:22:07,440 (VOLE SQUEAKS) 315 00:22:18,520 --> 00:22:20,520 The great grey owl's hearing 316 00:22:20,520 --> 00:22:23,000 is its key to securing a meal. 317 00:22:25,160 --> 00:22:28,880 For others, it's crucial to avoid being eaten. 318 00:22:29,920 --> 00:22:32,320 (CHIRRUPING) 319 00:22:32,320 --> 00:22:35,680 In the Arizona desert, it's the height of summer. 320 00:22:38,560 --> 00:22:42,520 Daytime temperatures are over 40 degrees Celsius. 321 00:22:43,840 --> 00:22:46,520 So it's best to be active at night. 322 00:22:48,640 --> 00:22:51,960 Filming under infra-red lights with a specialist camera... 323 00:22:53,240 --> 00:22:55,240 ...we can see everything. 324 00:22:55,240 --> 00:22:57,040 (WIND GUSTS SOFTLY) 325 00:22:59,160 --> 00:23:01,520 But to a kangaroo rat, 326 00:23:01,520 --> 00:23:03,560 it's nearly pitch black. 327 00:23:06,960 --> 00:23:10,720 In the dark, her most valuable ally is sound. 328 00:23:10,720 --> 00:23:12,760 (WIND GUSTS AND PLANTS RUSTLE) 329 00:23:13,720 --> 00:23:15,280 (SNIFFS) 330 00:23:19,560 --> 00:23:23,560 Her mission tonight is to collect as many seeds as she can. 331 00:23:26,680 --> 00:23:28,680 But food is scarce... 332 00:23:30,720 --> 00:23:32,720 ...and competition fierce. 333 00:23:33,720 --> 00:23:35,080 (SNIFFS) 334 00:23:36,760 --> 00:23:39,800 And, in the dark, it's hard to spot danger. 335 00:23:40,560 --> 00:23:42,200 (SCUFFLING) 336 00:23:42,200 --> 00:23:44,240 (FOREBODING MUSIC) 337 00:23:45,440 --> 00:23:47,520 (SOFT RUSTLING) 338 00:23:48,600 --> 00:23:52,040 Her ears are 90 times more sensitive than ours... 339 00:23:52,800 --> 00:23:54,800 and hollow spaces in her skull 340 00:23:54,800 --> 00:23:56,840 act like an echo chamber, 341 00:23:56,840 --> 00:23:59,400 amplifying the faintest of sounds. 342 00:23:59,400 --> 00:24:01,240 (RUSTLING) 343 00:24:02,760 --> 00:24:04,440 (RUSTLING) 344 00:24:05,640 --> 00:24:07,840 But she has another problem tonight. 345 00:24:08,520 --> 00:24:10,520 (WIND HOWLS) 346 00:24:11,880 --> 00:24:13,880 (WIND GUSTS AND SAND RUSTLES) 347 00:24:13,880 --> 00:24:15,200 Wind. 348 00:24:15,200 --> 00:24:17,200 (WIND HOWLS) 349 00:24:17,960 --> 00:24:20,160 (SAND RUSTLES) 350 00:24:23,200 --> 00:24:26,920 She might not hear a predator until it's too late. 351 00:24:32,080 --> 00:24:34,480 This time, it's just a stick. 352 00:24:36,080 --> 00:24:39,200 But, in the darkness, she's right to be cautious. 353 00:24:43,520 --> 00:24:46,760 Snakes can pick up the sounds of scampering feet 354 00:24:46,760 --> 00:24:48,760 through their lower jaw. 355 00:24:49,520 --> 00:24:51,080 (SOFT RUSTLING) 356 00:24:55,200 --> 00:24:56,200 (SNIFFS) 357 00:24:57,320 --> 00:25:00,320 She's made it to her favourite feeding spot. 358 00:25:01,800 --> 00:25:04,280 But she's not alone for long. 359 00:25:13,640 --> 00:25:19,600 She warns him to stay away by drumming her foot on the ground. 360 00:25:19,600 --> 00:25:21,640 (TAPPING) 361 00:25:24,880 --> 00:25:27,920 (TAPPING ECHOES) He can decipher her size and strength 362 00:25:27,920 --> 00:25:29,960 from her signal. 363 00:25:29,960 --> 00:25:32,000 (TAPPING) 364 00:25:35,320 --> 00:25:37,040 He drums back. 365 00:25:37,040 --> 00:25:39,280 (TAPPING) 366 00:25:39,280 --> 00:25:41,880 It's a battle of beats. 367 00:25:41,880 --> 00:25:43,920 (TAPPING ECHOES) 368 00:25:45,200 --> 00:25:47,520 (TAPPING CONTINUES) 369 00:25:50,560 --> 00:25:51,840 Stalemate. 370 00:25:52,840 --> 00:25:54,880 There's only one way to resolve this. 371 00:25:55,640 --> 00:25:57,640 (DRAMATIC ORCHESTRAL MUSIC) 372 00:26:17,040 --> 00:26:18,840 (MUSIC FADES) 373 00:26:21,800 --> 00:26:23,800 Dinner time at last. 374 00:26:36,080 --> 00:26:37,840 She hears something. 375 00:26:39,560 --> 00:26:41,560 (OMINOUS MUSIC) 376 00:26:45,200 --> 00:26:48,760 Just out of striking range, she drums again... 377 00:26:49,560 --> 00:26:51,560 (TAPPING) 378 00:26:52,800 --> 00:26:56,920 ...this time to alert the snake it's been spotted. 379 00:26:58,840 --> 00:27:00,840 But just to be sure... 380 00:27:00,840 --> 00:27:02,280 (SCUFFING AND RUSTLING) 381 00:27:04,120 --> 00:27:06,680 (RUSTLING) 382 00:27:06,680 --> 00:27:08,240 (HISSES) 383 00:27:11,640 --> 00:27:13,640 Message received. 384 00:27:20,760 --> 00:27:23,480 While kangaroo rats use the ground as a drum 385 00:27:23,480 --> 00:27:25,840 to drive their enemies away... 386 00:27:26,560 --> 00:27:29,840 others are summoned by seismic sounds. 387 00:27:33,880 --> 00:27:35,880 (LOW GRUMBLING) 388 00:27:38,881 --> 00:27:40,880 (LOW GRUMBLING) 389 00:27:41,880 --> 00:27:43,880 (WIND WHISTLES) 390 00:27:46,200 --> 00:27:48,200 (WHOOSHING) 391 00:27:50,720 --> 00:27:53,320 Amboseli National Park in Kenya. 392 00:27:54,920 --> 00:27:57,840 It hasn't rained here in nearly a year... 393 00:27:57,840 --> 00:27:59,880 (DEEP GRUMBLING) 394 00:28:01,160 --> 00:28:04,720 ...and the dry season has turned into a severe drought. 395 00:28:06,480 --> 00:28:08,800 (CACOPHONY OF SCREECHING AND SQUAWKING) 396 00:28:12,320 --> 00:28:15,520 For elephants, the situation is desperate. 397 00:28:15,520 --> 00:28:18,040 (LOW GRUMBLING) 398 00:28:19,040 --> 00:28:21,760 With no food or water for miles around, 399 00:28:21,760 --> 00:28:24,640 the matriarch must wait for a message... 400 00:28:25,680 --> 00:28:28,760 ...a sound that will travel through the ground. 401 00:28:29,520 --> 00:28:31,240 (LOW GRUMBLING) 402 00:28:31,240 --> 00:28:33,280 (HUFFING) 403 00:28:37,520 --> 00:28:40,800 If it arrives, it will guide them from disaster. 404 00:28:44,680 --> 00:28:47,520 The young calves are especially vulnerable. 405 00:28:49,480 --> 00:28:50,880 (GRUNTING) 406 00:28:51,680 --> 00:28:56,240 Their mother's milk will dry up if rain doesn't arrive soon. 407 00:28:58,680 --> 00:29:00,680 (WIND WHISTLES) 408 00:29:03,080 --> 00:29:05,080 (LOW GRUMBLING) 409 00:29:09,760 --> 00:29:11,560 (RUMBLING AND GUSTING) 410 00:29:11,560 --> 00:29:15,800 A hundred miles away, a storm has broken... 411 00:29:15,800 --> 00:29:17,840 (THUNDERCLAP) 412 00:29:21,440 --> 00:29:23,520 ...and the elephants have heard. 413 00:29:24,840 --> 00:29:26,040 (THUNDER RUMBLES) 414 00:29:26,040 --> 00:29:28,000 (LIGHTNING CRACKLES) 415 00:29:29,280 --> 00:29:31,280 Not with their ears... 416 00:29:32,960 --> 00:29:34,880 ...but with their feet. 417 00:29:35,600 --> 00:29:37,800 (RAIN SPLATTERS) 418 00:29:38,760 --> 00:29:42,040 The sound of the storm sends low-frequency vibrations 419 00:29:42,040 --> 00:29:44,480 through the ground. 420 00:29:44,480 --> 00:29:46,960 (AMPLIFIED RUMBLING) 421 00:29:48,800 --> 00:29:50,960 The herd picks up the vibrations 422 00:29:50,960 --> 00:29:54,560 through a network of nerves in the fatty pads of their feet. 423 00:29:54,560 --> 00:29:56,600 (AMPLIFIED RUMBLING) 424 00:29:57,600 --> 00:29:59,640 (HEAVY SPLASHING) 425 00:30:02,600 --> 00:30:04,160 By lifting one foot, 426 00:30:04,160 --> 00:30:07,400 they can make better contact on the ground with the other. 427 00:30:09,640 --> 00:30:12,040 (STEADY PATTERING) 428 00:30:12,040 --> 00:30:15,560 It's the message the matriarch has been waiting for. 429 00:30:15,560 --> 00:30:17,600 (LOW GRUMBLING) 430 00:30:18,640 --> 00:30:21,480 She gives a low "let's go" rumble. 431 00:30:22,960 --> 00:30:24,960 (LOW GRUMBLING) 432 00:30:25,640 --> 00:30:28,000 It's echoed by her sisters. 433 00:30:28,000 --> 00:30:30,040 (GRUNTING AND GRUMBLING) 434 00:30:34,080 --> 00:30:36,640 The journey ahead is treacherous... 435 00:30:38,080 --> 00:30:41,040 ...but the sound of the storm will be their guide. 436 00:30:41,040 --> 00:30:42,480 (TRUMPETING) 437 00:30:44,160 --> 00:30:45,480 (GRUNTS AND SCREECHES) 438 00:30:47,920 --> 00:30:49,920 (LOW GRUMBLING) 439 00:30:53,800 --> 00:30:55,800 (WIND WHOOSHES) 440 00:30:56,520 --> 00:30:59,080 Finally, after two days on the move... 441 00:31:00,080 --> 00:31:02,080 ...they've made it. 442 00:31:04,880 --> 00:31:08,840 Their ability to detect sound a hundred miles away 443 00:31:08,840 --> 00:31:10,880 has saved the herd. 444 00:31:12,800 --> 00:31:14,800 (THUNDER RUMBLES) 445 00:31:16,760 --> 00:31:20,960 Elephants aren't the only ones who respond to the sound of rain. 446 00:31:23,920 --> 00:31:26,680 But sometimes sounds can be deceptive. 447 00:31:30,720 --> 00:31:34,600 In Vancouver, in Canada, it's also raining. 448 00:31:36,480 --> 00:31:39,080 (HISSING AND PATTERING) 449 00:31:46,160 --> 00:31:48,160 (STEADY PATTERING) 450 00:32:07,400 --> 00:32:11,800 Underground the soil is teeming with earthworms. 451 00:32:13,600 --> 00:32:18,160 Some rise to the surface in search of food or mates. 452 00:32:20,920 --> 00:32:24,760 But if the ground isn't wet enough, they risk drying out. 453 00:32:26,960 --> 00:32:30,080 Sound helps them pick the opportune moment. 454 00:32:31,680 --> 00:32:33,440 (SPLASHING) 455 00:32:33,440 --> 00:32:35,240 As the rain hits the ground, 456 00:32:35,240 --> 00:32:39,520 it creates vibrations that travel down into the soil. 457 00:32:44,720 --> 00:32:48,720 They are picked up by sensitive nerve cells in the worm's skin. 458 00:32:50,800 --> 00:32:54,120 As they rise, the tumultuous pitter-patter 459 00:32:54,120 --> 00:32:56,160 is music to their senses. 460 00:32:57,360 --> 00:32:59,360 (STEADY PATTERING) 461 00:33:01,240 --> 00:33:04,760 But it is also a sound that can seal their fate. 462 00:33:06,320 --> 00:33:09,760 Worms aren't the only ones on the move. 463 00:33:11,640 --> 00:33:13,440 (GULLS SQUAWKING) 464 00:33:13,440 --> 00:33:15,960 Outside the city, a flock of gulls 465 00:33:15,960 --> 00:33:19,200 are co-ordinating their morning departure from the roost. 466 00:33:19,200 --> 00:33:22,240 (CACOPHONY OF SQUAWKING AND SCREECHING) 467 00:33:32,040 --> 00:33:36,160 Thanks to the rain, they've got a special meal on the menu today. 468 00:33:37,600 --> 00:33:38,920 Worms! 469 00:33:40,760 --> 00:33:43,160 But by the time they arrive, 470 00:33:43,160 --> 00:33:45,480 the downpour is over... 471 00:33:48,640 --> 00:33:51,520 ...and the worms are already retreating. 472 00:33:56,000 --> 00:33:58,160 Dining options look scarce... 473 00:33:59,320 --> 00:34:02,080 ...but the gulls have a crafty trick. 474 00:34:04,280 --> 00:34:07,160 For it to work, they must find their rhythm. 475 00:34:07,840 --> 00:34:09,840 (SOFT RHYTHMIC TAPPING) 476 00:34:15,520 --> 00:34:20,520 Paddling creates vibrations that likely mimics the sound of rain. 477 00:34:24,520 --> 00:34:27,240 It's a dance of deception. 478 00:34:29,120 --> 00:34:32,360 (MUFFLED TAPPING) The worms rise once again. 479 00:34:32,360 --> 00:34:34,400 (MUFFLED TAPPING) 480 00:34:39,320 --> 00:34:42,440 They can't resist the rhythmic rain dance. 481 00:34:48,520 --> 00:34:50,000 (RHYTHMIC TAPPING) 482 00:35:00,880 --> 00:35:02,440 (STEADY PATTERING) 483 00:35:02,440 --> 00:35:06,280 Another shower brings an acoustic climax. 484 00:35:07,120 --> 00:35:08,760 (RHYTHMIC TAPPING) 485 00:35:14,560 --> 00:35:17,160 The rainy season will last all winter, 486 00:35:17,160 --> 00:35:20,320 so worms are on the menu until spring. 487 00:35:23,840 --> 00:35:27,040 For these gulls, the cunning use of sound 488 00:35:27,040 --> 00:35:29,280 helps them win an easy meal. 489 00:35:34,200 --> 00:35:36,200 But in other parts of the world, 490 00:35:36,200 --> 00:35:39,720 the stakes are higher for both predator and prey. 491 00:35:41,880 --> 00:35:43,880 (LOW GRUMBLING) 492 00:35:46,885 --> 00:35:48,880 (LOW GRUMBLING) 493 00:35:49,880 --> 00:35:51,200 (INSECTS CHIRRUPING) 494 00:35:51,200 --> 00:35:52,760 (LION GRUNTS) 495 00:35:52,760 --> 00:35:55,960 As night falls on the African savanna, 496 00:35:55,960 --> 00:36:00,080 the air is filled with sounds of a formidable hunter. 497 00:36:01,720 --> 00:36:03,440 (LIONS BELLOW) 498 00:36:04,760 --> 00:36:06,920 (BELLOWING CONTINUES) 499 00:36:07,960 --> 00:36:10,480 (BELLOWING) 500 00:36:11,360 --> 00:36:14,880 (DEEP RUMBLING GROWL) 501 00:36:14,880 --> 00:36:16,960 On the other side of the territory, 502 00:36:16,960 --> 00:36:20,320 the females of the pride are preparing to hunt. 503 00:36:22,280 --> 00:36:26,400 Over 30 strong, they must make a kill every night. 504 00:36:30,000 --> 00:36:32,000 (SOFT GROWLING) 505 00:36:32,000 --> 00:36:34,760 Close by, a hyena den. 506 00:36:34,760 --> 00:36:36,880 (SOFT SQUEAKING) 507 00:36:38,920 --> 00:36:42,840 The adults must also head out to find their next meal. 508 00:36:47,480 --> 00:36:51,080 Hyenas will often steal if the opportunity arises... 509 00:36:53,640 --> 00:36:56,360 ...even from their deadliest foes. 510 00:36:57,600 --> 00:37:02,040 But separated from the males, this pride is vulnerable. 511 00:37:06,280 --> 00:37:10,960 For a successful heist, the hyenas rely on sound. 512 00:37:13,560 --> 00:37:16,320 First, the lionesses need to make a kill. 513 00:37:16,320 --> 00:37:18,360 (GROWLING AND GRUNTING) 514 00:37:18,360 --> 00:37:21,880 With a noisy family in tow, that can be tricky. 515 00:37:21,880 --> 00:37:23,520 (YOWLING) 516 00:37:23,520 --> 00:37:25,400 (MOOING AND GRUNTING) 517 00:37:25,400 --> 00:37:28,160 Wildebeest have gathered together for safety. 518 00:37:28,160 --> 00:37:30,320 (MOOING AND GRUNTING) 519 00:37:34,120 --> 00:37:37,880 In the darkness, they have to rely on their hearing. 520 00:37:40,040 --> 00:37:42,040 (DISTANT MOOING AND GRUNTING) 521 00:37:50,720 --> 00:37:53,760 The lioness makes a stealthy approach... 522 00:38:02,760 --> 00:38:05,000 ...but there is a problem 523 00:38:05,000 --> 00:38:07,440 (SNUFFLING AND RATTLING) 524 00:38:07,440 --> 00:38:11,480 A porcupine is a playful distraction for the youngsters. 525 00:38:11,480 --> 00:38:13,240 (QUILLS RATTLE) 526 00:38:13,240 --> 00:38:16,160 The sound of shaking quills is a warning... 527 00:38:16,160 --> 00:38:17,600 (QUILLS RATTLE) 528 00:38:17,600 --> 00:38:19,800 (SNARLING) 529 00:38:19,800 --> 00:38:21,480 (YOWLING) 530 00:38:22,240 --> 00:38:24,720 ...and the wildebeest have heard the commotion. 531 00:38:29,240 --> 00:38:31,240 (THUNDERING HOOVES) 532 00:38:35,160 --> 00:38:37,160 They have blown it for her. 533 00:38:38,960 --> 00:38:40,440 (GRUNTING AND GROWLING) 534 00:38:40,440 --> 00:38:44,320 They will take the rattle of shaking quills more seriously next time. 535 00:38:46,280 --> 00:38:48,400 (MOOING AND GRUNTING) 536 00:38:54,360 --> 00:38:57,520 The pride have detected another opportunity. 537 00:39:00,200 --> 00:39:02,200 A warthog burrow. 538 00:39:08,920 --> 00:39:10,080 (GROWLING) 539 00:39:10,080 --> 00:39:12,120 (WARTHOG SCREECHES) 540 00:39:12,120 --> 00:39:14,120 (SNARLING) 541 00:39:14,120 --> 00:39:16,160 (WARTHOG SCREECHES) 542 00:39:17,680 --> 00:39:19,680 (SLURPING AND CRUNCHING) 543 00:39:20,520 --> 00:39:24,920 The sound of their feast carries far in the cool night air... 544 00:39:26,920 --> 00:39:29,320 ...and the hyenas have heard. 545 00:39:30,440 --> 00:39:32,440 (CRUNCHING AND SLURPING) 546 00:39:38,200 --> 00:39:42,840 But there are too many lions here to steal this meal alone. 547 00:39:46,920 --> 00:39:49,480 She will need the full force of her clan. 548 00:39:50,480 --> 00:39:52,920 (LOW WHOOPING CALL) 549 00:39:52,920 --> 00:39:56,000 She sends a message to rally her troops. 550 00:39:56,000 --> 00:39:58,040 (WHOOPING CALL) 551 00:40:02,440 --> 00:40:04,440 (WHOOPING CALL) 552 00:40:05,920 --> 00:40:09,840 Directed at the ground, her message resonates further and faster 553 00:40:09,840 --> 00:40:11,720 than it would through air. 554 00:40:11,720 --> 00:40:13,280 (CHITTERING AND SQUEAKING) 555 00:40:13,280 --> 00:40:15,320 (CHITTERING) 556 00:40:16,720 --> 00:40:18,720 (HIGH-PITCHING SQUEAKING) 557 00:40:20,720 --> 00:40:22,160 (CHITTERING) 558 00:40:22,160 --> 00:40:24,560 Even with numbers now on their side, 559 00:40:24,560 --> 00:40:27,680 sound is critical if they're to steal this meal. 560 00:40:27,680 --> 00:40:29,720 (WHOOPING AND CHITTERING) 561 00:40:31,320 --> 00:40:33,760 (SNARLING) 562 00:40:33,760 --> 00:40:36,200 Calling unites the clan. 563 00:40:36,200 --> 00:40:38,360 They must approach as a tight-knit group, 564 00:40:38,360 --> 00:40:40,720 making as much noise as they can. 565 00:40:40,720 --> 00:40:43,000 (CACOPHONY OF WHOOPING AND CHITTERING) 566 00:40:48,000 --> 00:40:49,840 (LOW GROWL) 567 00:40:49,840 --> 00:40:51,880 (HYENAS SCREECH) 568 00:40:55,360 --> 00:40:57,360 (HYENA SCREECHES) 569 00:40:59,800 --> 00:41:01,800 (LION SNARLS) 570 00:41:03,600 --> 00:41:05,120 (YELPING AND WHIMPERING) 571 00:41:05,120 --> 00:41:06,840 (SNARLS) 572 00:41:07,680 --> 00:41:09,680 (SCREECHING AND ROARING) 573 00:41:11,200 --> 00:41:14,680 The noise of the battle has alerted more lions. 574 00:41:16,080 --> 00:41:17,440 (SNARLING) 575 00:41:17,440 --> 00:41:18,760 (FRANTIC SCREECHING) 576 00:41:19,640 --> 00:41:21,640 (YOWLING) 577 00:41:22,360 --> 00:41:23,960 (YELPING) 578 00:41:23,960 --> 00:41:25,240 (LOW GROWL) 579 00:41:25,240 --> 00:41:28,120 It's game over for the hyenas. 580 00:41:28,120 --> 00:41:30,000 (HIGH-PITCHED SCREECHING) 581 00:41:30,880 --> 00:41:32,880 The brothers have returned. 582 00:41:33,720 --> 00:41:35,960 (YELPING) 583 00:41:42,720 --> 00:41:44,720 (BIRDS TWITTERING) 584 00:41:49,880 --> 00:41:54,040 After a successful night, the pride is well fed. 585 00:41:57,560 --> 00:42:00,120 Some will spend the day dozing. 586 00:42:03,200 --> 00:42:06,480 But for others, it's time to reaffirm 587 00:42:06,480 --> 00:42:08,880 the prides' ownership of their territory. 588 00:42:08,880 --> 00:42:09,960 (GROWLS HOARSELY) 589 00:42:15,000 --> 00:42:16,000 (GRUNTS) 590 00:42:23,760 --> 00:42:26,520 We are only just beginning to understand 591 00:42:26,520 --> 00:42:29,560 the many ways that animals use sound. 592 00:42:32,480 --> 00:42:35,160 For us, the sound of the natural world 593 00:42:35,160 --> 00:42:38,080 is a source of peace and tranquillity. 594 00:42:40,120 --> 00:42:44,280 For other animals, it's a tool they have to master 595 00:42:44,280 --> 00:42:47,160 in order to hunt and survive. 596 00:43:06,680 --> 00:43:09,400 MAN: Yep. WOMAN: It is so cold out here. 597 00:43:10,240 --> 00:43:13,120 MAN: I think just over here to the left looks pretty good. 598 00:43:13,120 --> 00:43:15,640 OK. We have picture. 599 00:43:15,640 --> 00:43:19,240 Our film crew have come to Manitoba in Canada 600 00:43:19,240 --> 00:43:21,560 in search of the great grey owl. 601 00:43:23,120 --> 00:43:26,920 Yeh, that looks like - a promising spot. - Oh, OK. 602 00:43:27,880 --> 00:43:30,280 I think there were some owls here last week. 603 00:43:32,120 --> 00:43:33,920 But, like many of our shoots, 604 00:43:33,920 --> 00:43:37,520 we rely on the work of others who've come before us. 605 00:43:39,280 --> 00:43:41,840 For years, scientists have wondered 606 00:43:41,840 --> 00:43:46,640 exactly how the owl penetrates the layers of snow that conceal its prey. 607 00:43:51,040 --> 00:43:55,080 Biologists Chris Clark and Jim Duncan are on a mission. 608 00:43:55,080 --> 00:43:57,720 This is excellent. There's a plunge hole right here 609 00:43:57,720 --> 00:44:00,200 where the great grey hit the snow. 610 00:44:01,840 --> 00:44:04,360 They are armed with a special tool. 611 00:44:04,360 --> 00:44:06,000 I'll grab the battery. OK. 612 00:44:06,000 --> 00:44:08,080 An acoustic camera. 613 00:44:08,080 --> 00:44:12,160 This version has 40 sensitive microphones 614 00:44:12,160 --> 00:44:17,680 that pinpoint sound, while a tiny camera films its exact location. 615 00:44:18,480 --> 00:44:21,720 It should allow them to see exactly what the owl is hearing. 616 00:44:21,720 --> 00:44:23,800 (RUSTLING) 617 00:44:23,800 --> 00:44:26,320 This camera is wonderful because it visualises 618 00:44:26,320 --> 00:44:28,280 where the sound is coming from. 619 00:44:28,280 --> 00:44:30,320 So I'm able to look and see, 620 00:44:30,320 --> 00:44:32,760 how does the environment affect the sound. 621 00:44:32,760 --> 00:44:34,320 (MUFFLED RUSTLING) 622 00:44:38,200 --> 00:44:40,560 Snow is a formidable barrier. 623 00:44:44,360 --> 00:44:47,840 For the vole, it's a cloak of invisibility. 624 00:44:47,840 --> 00:44:49,400 (SNUFFLING) 625 00:44:49,400 --> 00:44:54,480 To the owl, it's an obstacle that must be overcome by hearing alone. 626 00:44:55,640 --> 00:44:57,680 52cm? Yeah. 627 00:44:58,840 --> 00:45:01,920 The researchers bury a speaker under the snow 628 00:45:01,920 --> 00:45:04,640 which will play the sound of a foraging vole. 629 00:45:04,640 --> 00:45:06,680 (HIGH-PITCHED SQUEAKING) 630 00:45:07,560 --> 00:45:09,600 They will bury it at different depths 631 00:45:09,600 --> 00:45:13,640 and use the acoustic camera to see how the snow affects the sound. 632 00:45:15,520 --> 00:45:17,960 The speaker is now visible in the camera view. 633 00:45:17,960 --> 00:45:20,280 This black thing right here, that's the speaker. 634 00:45:20,280 --> 00:45:22,840 And the acoustic camera, that blob of colour, 635 00:45:22,840 --> 00:45:25,360 is localising the sound coming from the speaker. 636 00:45:27,600 --> 00:45:30,200 But the playback from the snow-covered speaker 637 00:45:30,200 --> 00:45:32,200 reveals a surprise 638 00:45:32,200 --> 00:45:36,160 the snow dramatically alters the location of the sound. 639 00:45:37,320 --> 00:45:41,160 (MUFFLED SQUEAKING) That metre stick is above the speaker 640 00:45:41,160 --> 00:45:44,320 and there's a blob of colour where the acoustic camera 641 00:45:44,320 --> 00:45:47,080 perceives the sound to be coming out of the snow. 642 00:45:47,080 --> 00:45:51,000 It's amazing. The snow is bending the path that the sound is taking. 643 00:45:51,800 --> 00:45:56,400 As a result, if an owl were to try to localise the sound of the vole, 644 00:45:56,400 --> 00:46:00,280 from where it hears the sound, it would miss and hit the wrong spot. 645 00:46:01,480 --> 00:46:05,960 But Chris realises there is a way for the owl to overcome this problem. 646 00:46:13,000 --> 00:46:14,600 As the owl is coming in, 647 00:46:14,600 --> 00:46:17,560 it's listening to pinpoint the location of the vole. 648 00:46:19,600 --> 00:46:22,880 Because of the snow, it sounds like the vole is here... 649 00:46:24,200 --> 00:46:26,200 ...when it's actually there. 650 00:46:28,680 --> 00:46:30,760 But as the owl gets closer, 651 00:46:30,760 --> 00:46:34,560 it starts to overcome the effect that snow has on the sound. 652 00:46:38,280 --> 00:46:43,240 For the first time Chris realises why, at this point in its attack, 653 00:46:43,240 --> 00:46:45,320 the great grey owl hovers. 654 00:46:46,880 --> 00:46:51,560 The acoustic camera reveals that it's now in the perfect position. 655 00:46:53,240 --> 00:46:56,360 The sweet spot for the owl is when it's right above the prey. 656 00:46:57,360 --> 00:47:00,400 Directly above the vole, the snow doesn't bend the sound 657 00:47:00,400 --> 00:47:02,760 so the owl can pinpoint exactly where the vole is. 658 00:47:04,480 --> 00:47:06,240 (SQUEAKING) 659 00:47:06,240 --> 00:47:09,080 Only then does the owl plunge. 660 00:47:10,360 --> 00:47:11,680 (VOLE SQUEAKS) 661 00:47:11,680 --> 00:47:13,080 Wow! 662 00:47:13,080 --> 00:47:16,160 It's completely amazing that these owls can localise their prey 663 00:47:16,160 --> 00:47:17,800 just by listening. 664 00:47:22,960 --> 00:47:25,840 I love doing this kind of research and, through that, 665 00:47:25,840 --> 00:47:28,520 understand the natural world and the amazing things 666 00:47:28,520 --> 00:47:31,160 that species like the great grey owl are doing. 667 00:47:33,480 --> 00:47:35,960 For decades, researchers had believed 668 00:47:35,960 --> 00:47:40,160 that there was more to discover about the great grey owl's acute hearing. 669 00:47:42,560 --> 00:47:45,560 Now they've finally uncovered the complex ways 670 00:47:45,560 --> 00:47:49,360 it uses sound to hunt its prey in snow. 671 00:47:52,560 --> 00:47:54,080 Alrighty. 672 00:47:56,280 --> 00:47:58,120 (THUNDERCLAP) (CROAKS) 673 00:47:58,800 --> 00:48:01,280 As the story of sound continues... 674 00:48:01,280 --> 00:48:02,560 (DEEP HUMMING) 675 00:48:03,560 --> 00:48:08,240 ...we reveal how animals use sound to fight off competition... 676 00:48:08,240 --> 00:48:09,320 (WHOOPING) 677 00:48:09,320 --> 00:48:11,120 (RAPID THUDDING) 678 00:48:11,120 --> 00:48:14,640 ...and use songs in their quest to win a mate. 679 00:48:14,640 --> 00:48:16,120 (STRIDENT SQUAWKS) 680 00:48:17,800 --> 00:48:19,360 (INSECTS CHIRRUPING) 681 00:48:21,000 --> 00:48:23,000 (SOFT RUMBLING ROAR) 682 00:48:23,000 --> 00:48:25,040 (SQUAWKING AND CHIRRUPING) 683 00:48:25,040 --> 00:48:27,080 (WHOOPING CALL) 684 00:48:29,000 --> 00:48:32,160 (ANIMAL SOUNDS CONTINUE) 685 00:48:33,800 --> 00:48:35,920 AccessibleCustomerService@sky.uk 45927

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