All language subtitles for The Joy of Painting S03E06 720p WEBRip X264-iPlayerTV (1)_track3_[eng]

Hello. Well, here we go again.

You ready to paint
a fantastic picture with me?

I thought today we'd do something
out of the Rocky Mountain areas.

We've had a lot of requests
for some mountains that look

more like the Rocky mountains,
rather than the Alaskan mountains

that I do all the time.

So that's what we'll do today.

I've also asked them to graphically
run the colours that we use by,

so, in case you missed them
on the first or second show,

this way you'll have a chance
to pick up all the colours

that we have on the palette.

So, let's do it.

I'm going to start off here today
with a little bit of Prussian blue.

Just a tiny bit
of Prussian blue.

OK. And right at the very top,
we're going to start by making Xs.

Just all the way across the canvas.

There.

Now, here you're allowing the magic
white to mix with the colours

on your brush
and, automatically,

as you work downward, the sky gets
lighter as you near the horizon.

So, let your paint work,
let the brush work.

All right.

There we go.

Now, while I've got blue
on the brush here,

I want to add a tiny bit more blue
and a little bit of thalo green.

Just a little bit,
it's very, very strong.

And we'll put some water in here.

Now, pull your water from
the outside toward the centre.

And work from bottom to top.

And leave a little area open
in the centre right there, and it'll

create a happy little sheen of light
that plays across the water.

OK.

OK.

Now, let me wash the brush.

And we wash these brushes
with odourless paint thinner -

I mean, I'm pretty sure
it's odourless.

Hm!

OK, now, with a clean brush,
we're going to start

right in the light area
and work upward.

Just to blend the sky out.

Now, you don't want to take all
the little actions out,

that's the reason we make
these crisscross strokes.

Don't want to take them all out,
your sky will be very, very dull.

It'll look like you've pulled
the curtain down at night.

There.

And the water, we just go all
the way across very gently.

Just enough to bring it together.

OK.

Let's make some
almighty clouds today.

I want to take the Prussian blue...

..and Van Dyke brown
and a touch of alizarin crimson.

And we mix these on the brush,
just, just mix them on the brush.

All right.

Now, figure out where you
want your almighty clouds to be

and just begin working
in little circular patterns.

And when you first
touch your canvas, if it's not

the colour you want, stop and change
the colour, don't keep painting.

Because this is your world

and you can create anything
that you want in it.

Blue, brown,
little touch of crimson.

There we go. Just let these big old
clouds just float around in the sky

and have fun.

Clouds are about the freest
thing in nature.

There.

Blue, brown, touch of crimson.

Maybe there's another one
right over in here.

We'll put a couple in,
so you have practice

doing a couple of them.

OK. Now, clean the brush again.

OK, let's take a fan brush now,
and we'll take titanium white.

And, to that, I'm going to add
just the smallest,

smallest little bit
of permanent red.

This red is very, very strong.

Just want to put a little
sunlight on top of these clouds.

And go right above the dark,
making tiny little circles with

the corner of the brush and begin
building these almighty clouds.

Let them just flow
right off your fan brush.

But don't stand in one area
and keep working,

all you'll do is put a big
cotton ball up in the sky.

There.

Leave some darks in these clouds.

There we go.

And you've probably noticed by now,
we don't use any patterns or any

guidelines, we just let it flow
right out of us on to the canvas.

There.

This is such a free,
free style of painting.

All right, over here we'll
put some little highlights.

The only guidelines
we use in this style of painting

is our imagination.

OK.

Now, once again with a large brush,

we want to blend just the bottom out
and not touch the top yet.

We will later, but not yet.

Just the bottom.

Just the bottom.
Just blend it together a little bit.

Don't overwork it.
Very, very easy to overwork this.

Just enough to bring
it together a little.

BANGS BRUSH

OK, now I'm going to
fluff it up.

Just fluff it.

Now, when you fluff this thing up,

if you get these little strays up
in the sky, don't worry about them

because, when you blend it together,
they go away.

Don't overwork your clouds,
they're easy to destroy.

When I was atraditional painter,
clouds was one of the things that

really gave me a fit.

OK.

Now, today, we said
we were going to do some

big brown Rocky-type mountains.

So let's start with
straight Van Dyke brown.

Lot of paint on the knife.

And we'll come right up in here
and make an almighty peak.

Oh, there we go.

Lot of paint.

We're just pushing this
paint on to the canvas.

And decide where you want peaks.

As you're creating these mountains,

you can put peaks
and valleys wherever you want them.

Maybe there's another one
right in here.

OK.

Just get a basic shape
of the mountain.

Okey dokey.

Now, I'm going to use a large brush

and just blend this out
on the bottom.

Just blend it on the bottom.

Now, very gently, just lift upward.

There we go.

That's good.

And we'll clean the brush again.

BRUSH BANGS

Now, let's take... let's take
burnt umber and cad yellow

and mix it together.

Mix it together.

Let's throw a little
yellow ochre in there too.

Oh, that's nice.

Mix it so it's marbly,
don't mix it until it's dead.

Let all the little things
happen in the paint.

OK, now, let's put some
highlights on this mountain.

And all we're going to do is
touch the canvas and let it flow.

Just let it flow.

Let's go right up here.

There, let's brighten this one
a little bit. Oh, there!

That's what we're looking for.

And we need a highlight over here
on this happy little hill.

There we are.

Something right there.

Oops, I see a little light striking
that little thing right there.

And here we go, here's another one.

There. Isn't that fun?

Just let all these things happen.

But you can see
what's happening in here,

because you didn't
overmix the paint.

If you'd overmixed it,
you'd have had one solid colour.

You wouldn't have all these pretty
little things that are happening.

OK, now,
let's make some shadow colour.

We'll take a little bit of white,
some Prussian blue...

..Van Dyke brown...

Mix all that together.

Maybe a touch more white.

There, that's what I'm looking for.

And that's Prussian blue,
Van Dyke brown and white.

OK, now, let's put some
happy little shadows in here.

Maybe right along like this.

There.

Once again,
don't overmix your paint.

Allow all these little things
just to happen.

Let the paint break.

And by break, I mean leave
all these little open spots.

Just let it happen.

Look at that sun of a gun.

And we need a little shadow in here.

Don't want to forget him.

Every highlight needs
its own private shadow.

There.
And a couple in here and there.

Like so.

Now, we can go back with a little
more of the highlight colour

and begin building all kinds
of little happy things in here.

There.

Remember,
every highlight needs its shadow.

There's a highlight,
watch what happens

when we throw a little
shadow behind him.

He becomes a separate entity.

And maybe, maybe, maybe, maybe

there's a little bit of snow
still laying in some

of the little shadowy areas here.

So we take a little
bit of titanium white

and very gently, following
the contour of the mountain,

lay in a little bit of snow here.

Maybe there's a little
over in this little place too.

Just a tiny little bit.

OK, now I'm going to take a little
bit of the blue and white...

..and put a little shadow
right on here.

Just lay it right on the side.

Now, with a clean knife,
we just bring all this together.

Just bring it together.

There we go.

Bring this one right on back down.

OK. Something like so.

Now, I'm going to add
a little tiny bit of sap green.

And just drop it
right into the bottom area here.

Just like so.

Little bit of sap green.

And you'll see why here
in just a second.

OK.

All right.

Now, with a clean, dry one-inch
brush, I'm just going to begin

gently lifting up, just lift it up.

And do this in layers.

And work it right up
the side of the mountain.

There we go.

I'm going to add a little bit of
cad yellow to my brush,

so I can brighten
a few little spots.

There.

Little more yellow.
Just pop it in.

And you bend the bristles
and pop it. Dub, dub, dub.

Just right on up.

There we go.

OK, maybe...

..maybe there's another happy
little rock right out here.

Like so.

Just let these little things happen
wherever you think they should be.

Remember, this is your world.

And you control it.

Little highlight colour.

And a little tiny bit
of shadow here and there.

And then, once again with our
one-inch brush, we begin lifting.

Just to bring all this together.

There we go.

And, now, maybe from this
little projection

let's mix up some sap green,
Prussian blue,

Van Dyke brown.
Round about equal parts.

Green, brown, blue.

In about equal parts.

OK.

Now, then, with a fan brush,
let's put some little indication

of some little evergreens
back here.

Right about in here.

We just want indications,
I'm not looking for detail yet.

You know, when you're showing
distance in a painting,

the lack of detail is as important
as when you're showing something

that's very close to you.

In the foreground,
you want a lot of detail.

Lack of detail can be
very valuable too.

Just a little something like so.

And then back to our
little one-inch brush.

And we sort of bring
all that together.

There.

Now, now, that was so much fun,
let's do some more.

Maybe there's a little foothill
that runs right down through here.

So let's just start making these
little indications with a fan brush.

It's a good way to make
a lot of trees real quick.

And when we see trees
way off to the distance

you don't see a lot of detail.

You make out basic colours
and basic shapes but that's all.

You knew that, though, I know.

OK.
Maybe this climbs right on up here.

Maybe there's a nice
little hill here.

And while we've got this colour
on the fan brush,

we'll just throw in some little
grassy areas underneath it.

Just like so.

And maybe there's a few evergreens
here that are a little bit closer.

So they're going to be
a little bit more distinct.

So maybe there's one right here.

And we touch, touch, touch, touch

and just begin building
a little tree.

There he comes.

He's a little closer, so there's
a little more detail in him.

There.

Just a couple of those
here and there.

Now, I'm going
to take a little bit of sap green,

a little touch of yellow...

..and the tiniest, tiniest
little bit of magic white,

just to thin it a tiny, tiny bit.

And we'll begin putting
some details in here.

Just a little grassy areas
back in here.

Just running on up the hill.

Follow the lay of the land.

Now, with a large brush, grab
the bottom of this and pull down.

Just pull it down, straight down.

There we go.

And then gently, go across
just to give it a reflection.

Like so.

OK. Now, we'll take
a little bit of magic white,

we'll put a very small amount
of Van Dyke brown in it,

just to dull it down.

And we'll make some happy
little water lines back here.

There.

And just let this water line travel
wherever you want it to go.

The lines need to remain
basically straight,

keep your water in the painting.

OK.

I'll tell you what, today, let's use
the big brush and play a little bit.

I'm going right back
into this colour

that I used to make the evergreens.

And this was equal parts of blue,
brown and sap green.

And load this brush full of paint,
a lot of paint on it.

So often, we avoid this big brush
and it will do fantastic things.

See there.

Now, let's make that into
a nice little evergreen tree.

Just use this old big brush.

Now, as I teach this
across the country,

one thing I've noticed, children
are so fantastic to work with.

Because they don't know
you don't paint an evergreen

with a two-and-a-half-inch brush.

You tell them to do it
and they do it.

This is such a fantastic style
for children.

My son, Steve, is 17 years old now

and he's been painting
since he was 12.

That son of a gun's
an almighty painter.

And he makes a happy buck or two.

OK, maybe we add another
little tree right there.

Just let these work right out
of your big brush.

OK, we'll put some little grassy
areas right out through here.

OK, now, let's go to
the other side of the canvas

and really make a big tree.

A lot of paint in the bristles,
let's get up here in the clouds.

There.

Look at that.

Did you ever think you could
make an itty-bitty tree

with a brush that big?

Pick it up and try it.
That's really all you have to do.

OK.

Now, maybe...
I don't want him to get lonely.

I'll give him a little friend there.

Maybe right there, yeah.

OK. While I've got
this dark paint on the brush,

we'll just bring a landmass
right down through here.

OK.

Now, with a clean, dry brush,
I'm just going to grab this

and pull straight down
and create some reflections.

Come across, very gently.

Let's put some little
tree trunks in here.

Use burnt umber...

..with a little tiny bit
of white in it.

And we'll come right along here
on these trees and just here

and there,
lay in a trunk indication.

There.

In case you missed the last show,
I'd like to re-mention again,

if there's something you want
to see, drop us a line, let us know.

We would really like to paint
the type of scenes

and the places that you want to see.

And you can drop us a line -
WIPB, Muncie, Indiana.

And we'll certainly be glad
to hear from you.

OK, now, let's take
a tiny bit of magic white,

a little yellow and sap green.

Yellow and sap green.

And let's put... let's put a few
little trees here and there.

There we go. Just let them fall in.

Maybe there's one lives
right out here. Like so.

There's one.

Just happy little things.

Let's take the large brush,

little magic white on it,

I'm going to go
right into this yellow.

Right into the yellow.

Load a lot of paint
into the bristles with sap green.

Put the yellow on first
and then the green on top.

And let's put some highlights
on these big trees here.

There.

Just let that brush bounce and play

where you think light's
going to strike these trees.

In your world,
you even control the light.

Oh! Look at them son of a guns!

There we go.

OK.

There we are.

Now, let's take a little more
of the green and yellow...

..and pop these reflections
right in down to the water.

Like so.

Now, I'm going back to my fan brush
with yellow and green on it.

And sort of begin bringing
all of this together.

Just touch, bend the brush upward.

Just like so.

We'll take a little of the Van Dyke
brown and burnt umber mixed

and create a little bank here.

There we go.

A little bit of highlight
out of brown and white

with the least,
least little touch of blue.

Just to give it a little flavour.

OK. A little magic white

and we'll throw a happy little
water line under here.

And with a nice clean dry brush,
pull this down a little.

Just to create some nice little
reflections.

And back to my fan brush, a little
magic white on to thin the paint.

And we'll bring a few little
things right down like that.

Isn't that something?

Now, let's go right over here.

Create some little grassy things up
here in the sunshine and...

There.

Oh, look at all those little things.

And they happen so quickly.

OK.

Maybe, maybe, maybe...

..maybe we can put a happy little
stone right out here on this.

This looks to me
like a good place for a stone.

And we'll take a little bit
of the mountain highlight colour

and just put a little
highlight on that stone.

Let a little bit
of it come downward.

Little bit of grass underneath it,
so it comes together.

And we'll take the point of a knife

and put a few little sticks
here and there.

Just a few.

And maybe...

..maybe I'll add one
little bush here.

Looks to me
like he needs another one.

Right in here,
just to separate these two.

There we go.

And we could put maybe
just a little dirt in here.

Little rocky thing showing
through here and there.

Put a little bit
of highlight on that.

And with our green and yellow,

just gently pop a few
little things in there.

Like so.

And I think we've just about
got that one finished.

The old clock on the wall's
telling me I got to get out of here,

so I'll sign this one...

I'd like to wish you happy painting.

Next week we'll do a white canvas.

So have your canvas on your easel
and be ready to go with us.

Happy painting.