All language subtitles for The Joy of Painting S03E02 720p WEBRip X264-iPlayerTV (1)_track3_[eng]

Hi. Welcome back.

Today, I thought
we'd do a little seascape.

It's right off of the
California, Oregon coast,

and I've taken the liberty because
we do have time restraints here

of going ahead and covering a black
canvas with transparent colour.

Now, what I've done, in the centre
here, I've put Alizarin Crimson,

right in the centre
and going out in both directions.

And around that, Phthalo Blue.

And on the bottom, same thing,
so we have a circle here of crimson

protruding in both directions
and blue around the edges.

OK?
Now, let's take the one-inch brush

and a little bit of Titanium White
paint and let's figure out here

where we want the sun to be,

and we're going to start say
right about here and we make little

tiny Xs or criss-cross strokes
and just begin working them out.

Never going back toward the centre,
always working outward

because you're going to soon be
picking up the blue colour.

And let that run right on out
like so. There we go.

See now how it's picking
up the blue?

OK.

Now, let me clean the brush

and we can brighten it up just
a little bit more.

OK. A little more Titanium White.
Be sure your brush is clean and dry.

Right into the centre,
working outward.

There we go.
Look at that son of a gun shine now.

Work it all the way out to
the outside edges here.

OK.

Now, with a large brush,
we're going to go in and blend this,

still making the criss-cross
strokes.

There we go. Gentle.

Just let it go back and forth,
just to blend the colours together.

There.

Now, very carefully,
take the brush marks out.

OK.
Let's wash this old big brush out.

There we go.

Now, if you wanted to make it
a little bit brighter,

we can add just the slightest
amount of Cad Yellow and white.

Now, you have to be very
careful with this

because if the yellow touches
the blue, we've got a green sky.

So all we want to do is right around
in here, put a little bit of yellow.

Just a tiny bit.

There. That's enough because we're
getting very close to the blue.

Now, once again with a large brush,
we'll blend this out.

OK, take out the brush strokes.

There, we've got the beginnings
of a beautiful little sunset here.

Let's use the fan brush
and we'll take some Van Dyke Brown

and add it to a little
bit of Alizarin Crimson.

Brown and Alizarin Crimson.

And we'll make some happy little
clouds floating round up

here in the sky.
So, let's go right along here

and we'll start with a little cloud
coming right across the sun, maybe.

There we go. Push this paint
into the canvas. Really work it.

Maybe there's a big old
cloud up here.

There.

The clouds are very free.
Just let them float and have fun.

There we go.

One of the freest things in nature.
Maybe there's a little one here.

Once again, just sort of let
your imagination go crazy

and wherever you see a little cloud,
just drop it in.

This is your world, your sunset.

Maybe there's another one
right in here.

And maybe up in here. There we go.

Have a big old dark one that's
just hiding up here.

OK. That gives us some basic cloud
shapes to work with.

Now, we need to highlight these
happy little clouds

and let some sunlight play on them.

So, let's take...a little
bit of yellow.

This is Cad Yellow.

And the smallest
amount of Permanent Red.

Just mix them together here.

There we go. We'll make you some
bright, sparkly little clouds.

A lot of paint on the fan brush.

Now, just right above the dark,
touch the canvas.

Maybe a tiny bit
more of the Permanent Red.

We'll brighten them up a little.

Just touching the canvas,
lay a little bit of this colour,

right on top of the dark.

There.

Just push it off the fan brush.

Mm.

There we go.

Lots of little things
happen in some of these clouds.

Now, this one will be
highlighted on the bottom,

since the light source is below it.

Don't let that little
rascal fool you.

There,
we'll put some light down here.

And maybe there's just a little
trickle hitting

up on top of this cloud somewhere.

Just here and there,
little tiny bits.

And we have this big dark one
that's hiding way up here.

So we'll put some little
highlights on him, too.

Don't want this one as bright. He's
farther away from the light source.

There we go.

Now...

Now, let's see...

You can, with a big brush...

All we're going to do is just
gently wipe across this

and watch what happens.

Just bringing all this together.

There we go.

Look at those son of a guns!
Isn't that something?

And you can fluff them up,
move them around.

But you must have a paint that's
very firm that's underneath.

If you're using a thin oily
paint, you become a mud mixer.

Okey-dokey.

And a nice, simple,
very effective little sky.

So, let's move right along here.

We'll take a little
bit of Titanium White,

with the least little
touch of Cad Yellow in it.

Very, very small amount

and figure out where your water
line's going to be here.

Maybe right about here. We'll just
begin by touching the canvas.

Just touch.

Allow the paint to be
pulled off onto the canvas.

And start into the sun
and work outwards,

so automatically,
it gets darker as it goes out.

There.

And this line needs to be
pretty straight.

If it's got crooks and bumps in it,
it'll sort of bother you.

We'll lay a little colour
right here.

A little bit of the light's just
reflecting through the water.

There we go.

Just let it...play and have fun.

OK.

Now, we need the big brush
and very gently,

we're just going to blend right
across this and bring it together.

There we go.

OK.

Clean up our brush here.

RATTLES BRUSH LOUDLY

That is fun! That's better than
arguing with your spouse!

OK.

Take the almighty fan brush...

I'm going to put a little tiny
bit of Magic White with it.

Tiniest little bit.

OK. Now...

We're going to begin making some
little wave actions in here,

so just touch and every once in
a while, give it a little push,

so it bends upward.

A tiny little push.

You want it to bend upward, though.

See how it picks up the crimson
that's underneath?

Makes all those pretty little things
happen automatically.

You don't have to worry about them.

There we go.

Just let it get darker and darker
toward the edges over here.

And we're beginning to see some
little things happen,

so even put a little more
detail in some of these waves.

And you can see now it's beginning
to pick up the blue that's

underneath there.

Mm!
A super way to make little waves.

Now, if we're going to make
a California, Oregon-type

seascape here, let's start putting
some little rocks in the water.

Maybe way back here, there's a
little stone out here in the water.

It's really a big stone
that's far away,

but it looks small, perspective.

There.

Let's highlight this
with some Burnt Umber

and the least little
touch of yellow in it.

Very,
very small amount of yellow in it.

There we go.

Just barely touch it.

Just let the paint break.

And now then, we can splash some
water up on that rock.

We'll take the fan brush again,

a little bit of the Magic White
with it to thin it,

and we'll just begin bringing some
water right up here and let it

hit and splash and have fun and sort
of give it a little pull upward.

OK.

Let's have another little
rock in there.

Maybe he comes right along here,
like that.

There we go.

This is just Van Dyke Brown with
a little bit of Burnt Umber in it.

OK.

And we'll lay some
highlights on that one. Same colour.

Burnt Umber with a little
bit of yellow.

Just here and there.

And maybe this one's a little
bigger. Maybe...

Maybe there's a little grass
that grows out there.

We're going to have some vegetation
on these rocks. They're quite large.

So we'll make a little Sap Green,
yellow and a little bit of...

A little tiny
bit of Permanent Red in it.

Just to dull it down a little

and then just pop some little grassy
things out here on this.

There.

Don't want them too bright.
Don't want them too bright.

Be careful they don't get
so bright you can't stand them.

Want to keep it quite dark.

Getting behind in my brush cleaning!

Now, I'll take a little
Van Dyke Brown and the Burnt Umber,

just mixed on the fan brush here.

And let's put... Let's put a few
little trees back here on this one.

All we're going to do is just touch.

All we're looking for
is silhouettes.

So just touch here and there.

There we go.

Just a few little happy things.

And I'll use the liner brush

with a little bit of thin oil in it.

And just turn that brush,
so it gets real sharp. There we go.

And we'll put a few little
trunks on those trees.

These may be quite hard
for you to see, but they are here.

And when you
do your painting at home,

you'll want to have all this
little detail in here.

It really makes
the painting stand out.

OK.

Now, let's highlight those little
trees, just a tiny bit.

We'll use a little bit of ochre
with Permanent Red, Yellow Ochre

with a little
touch of Permanent Red in it.

And just highlight them. Just
a little. Just so they stand out.

And these trees have quite flat
tops on them. There!

That's good.

A little bit more of the wave action
here. Just touch and bend.

Push it up the mountain. Shoo!

And let it spin up here.

Right up the rocks.

And maybe there's another
wave right here.

Shoo!

Make little stories up when you're
doing this, little sounds, think

you're at the ocean, think how it
sounds, how the wave feels,

the wind blowing in your face.

All these things help put you in the
mood to do paintings like these.

Shoo! There we go.

Let these little waves happen.

Don't let them
get too bright on you again.

OK.

Let's make a bigger stone. Same
colour, Van Dyke Brown, Burnt Umber.

And maybe this one comes
way up like this.

And maybe we're up above, looking
down, off one of the big cliffs.

There we go.

Let's really go crazy.
Let's put one out here like so.

And just let him
wander on down. There.

I'm just filling all this in
with the Van Dyke Brown

and a little bit of Burnt Umber.

OK.

This painting's a little different
to things we've done in the past.

But it gives you a whole new... A
whole new bunch of ideas to go with.

Always look for new ways to do this.

All I want to do here is give you
the basic technique

and turn you loose on the world.

But always believe in yourself
and believe in your ability

and what you can do.

There we go. All that's covered
now in just brown.

Let's put a few little
highlights in here.

This is Burnt Umber with yellow.

And a little
touch of Permanent Red in it.

And let's turn this into some
almighty big stones here.

Just let that paint run down there
and break.

That's what I mean by breaking,

it when the paint has all the holes
and stuff in it.

Just let it come down here and play.

There.

Look at all those things happening.

OK. Right here, maybe a little
light striking... Shoo!

And it's playing through here.

Mm!

Mix up just a touch more
colour here.

A little bit of Permanent Red in it.

A little bit of light on this
stone over here.

There we go.

Let these things happen.

OK.

Maybe... Maybe, maybe...

Maybe there's a little light right
there. Maybe there's a little...

There! Look at that.

Look at that.

You can do it.

All right.

Now, let's take a little crimson...

..and a little bit of Van Dyke
Brown...

..and let's put some pretty little
bushes and stuff up here.

Maybe there's a little plant
that lives right here.

Now, the trees that live here
really catch the devil.

All of the wind beats on them
all the time,

so they're scrawny little trees.

Oh, they've been hurt! Looky there.

Flatten the tops out.

There.

Maybe there's one back in here
that grows on the ground too.

There.

And maybe up here...

I'll have a big,
tall one up here in the sky.

OK.

Let's see.

We'll take a little bit of yellow,
a little bit of Magic White...

..Permanent Red,

and then we'll go right into the...
Right into the Burnt Umber

to make a dark reddish-brown colour.

And with that, I'm going
to start highlighting some of these.

Gently touch the canvas.

There.

Ooh! Look at all those pretty
colours that happen automatically.

OK.

Maybe this one up here.

Don't let it get too bright.

Go all the way to the top.

Remember where your light's
coming from.

You want those sides to be brighter.

There we go.

A little bit right here.

There we are.

There we go. Now, then...

Let's take...
Wash out a fan brush here.

And we'll begin putting some
trunks on these trees.

And I'm going to use
the Van Dyke Brown and Burnt Umber.

Very dark.

And with the fan brush, use it
sideways, all we do here is touch

and gently begin
pulling in our general shapes.

Isn't that something?

OK. Put some...
Put a little down here.

Maybe it comes down...

Oh, poor old tree! Poor old tree.

Rough life.

They're all bent up.

Maybe we can see a little
bit of the stem back in here.

Now, I'll take a lighter colour,
this is some of the umber

and yellow I had left...

..and highlight one side.

Pull it down like so.

Just follow the curvature.

Just follow
the curvature of the tree.

OK.

Now, very gently, take the brush
and begin working that over,

so it gives a round
appearance to the tree.

Just barely touch it and pull it.

There we go.

OK.

Let's come right down here...

We're going to use some Sap Green
and a little bit of yellow

and Permanent Red and we'll just
make some little grassy areas

all around in here, just using the
fan brush, let it bounce and play.

You're going to pick up the dark
colour that's underneath

and automatically, this is going to
get darker in value for you.

Let it happen. Don't fight it.

Let all these little things happen.

Learn to use them.

Maybe there's grass and stuff that
comes right down here.

Remember this is your world.

You make all the decisions.

There.

Look at that.

OK. Let's see here.

Let's clean this up a little bit.

Like so.

We'll put a happy little
bush in front of the tree,

so it sits down in there.

There we go.

Now, we'll highlight those
little bushes

and I'll use some Permanent Red,
a little touch of yellow,

and some Magic White.

Put a little Permanent Red in there.

Still don't want it to get bright.

So I'll add just a touch of this
umber colour to it to dull it down.

And just touch.

Don't let it smear, touch,
bend the bristles, get away from it.

Maybe there's a happy little bush,
lives right here.

And wherever you want a little bush,
just drop one in.

There we go.

Now, we can take the knife, cut in
a few little sticks here and there.

Make that stone
come down a little sharper.

There we go.

Just a few little touches.

At home, you have unlimited time,
you can play with this,

put in tremendous detail.

Here, we're sort of limited,
so we have to just try to give you

an idea
and let you take it from there.

Put your dream on canvas.

Take a little more of the grass
colour here,

brighten up this little corner.

But it's absolutely unreal what
can be done on these black canvases.

All the colours that we put
underneath here were

transparent colours,
so it still looks black,

until you begin applying
colour to it.

Once you begin applying colour,

then the base colour that you
put on the transparent colours begin

picking up and showing all
the beautiful detail.

OK.

So, we could a few more little
details here and there,

if you wanted to, very quickly.

You know, maybe...

Maybe there's a little tree right
over here in the dark side.

Things like this.

This is the kind of things you can
do at home

when you have all this time
and you can just play...

Ooh, that is a nice one!

OK.

Then we can highlight him
a little bit.

Just a little.

Well...OK.

I think I'm starting to piddle.

And you know?

One of the hardest things in the
world is to figure out when to stop.

So I think I'm about ready to stop.

OK.

We'll take the liner brush, put a
small amount of the thin oil on it,

bring it to a nice sharp point.

And turn that brush
when you're doing that. Turn it.

People seem to have such difficulty
signing the painting.

Turn it.

And we'll sign this one.

There we go.

Once again,
it's nice to have a very short name.

I can sign these
paintings on the air for you,

so you can see them being signed.

Well, I think
this painting is finished

and I'm going to stop piddling
with it right now.

Next week, have a white canvas ready
and we'll do a fantastic scene,

using a white canvas.

I sincerely hope you've
enjoyed this.

Once again, it is
something a little bit different,

but it does stir the imagination.

So, with that,
we'll bring this show to a close.

We wish each and every one of you
happy painting. God bless.