All language subtitles for The Joy of Painting - 1x22 - _track3_[eng]

Hi! I'm certainly glad you could
join me today.

Let's do a fantastic painting
together today.

I thought today
we'd do a happy little seascape.

And I've got a black canvas
up here, as you can see.

And we make these black
canvases by covering them

completely with black gesso
and allowing that to dry.

And then, on top of that, I've
added, on the top portion here,

I've added a mixture
of midnight black

and a little bit of phthalo blue
mixed with it, and same thing down

here, except for one little strip,

I've added a little bit of
phthalo green.

So we got midnight black, phthalo
blue, a little midnight black

and phthalo green right in here.
I'm going to have a big wave,

I think, in here.

Right across here, slightly
above centre, I have a piece

of masking tape so that will give
us a nice, straight horizon.

Let's start out and have them run
all the colours across the screen

that you need to paint this picture.

And we'll go on up here
and get started.

Today, let's start out
with the old two-inch brush.

I'll show you a very simple
little sky.

Let's go right into titanium white.

Now once you put these
colours on the black canvas

that's covered with the black gesso,
don't allow these colours to dry.

This blue and black
that we have up here,

don't allow that to
dry before you start. OK.

I've got a little bit of titanium
white on the brush.

Let's go up here and maybe,
maybe there's a big,

look here, we'll just come

right along in here
and do something like that.

We're going to check you
out for bravery today!

Just bring it right in here.

Now see, it's going to pick up the
colour that's on the canvas.

And all kinds of fantastic little
things will happen.

Want that a little brighter,
right in there.

Now, I'm just going to start using
little Xs.

Little Xs.

And blend it.

Now this continually will mix with
the colour that's on the canvas

and things will happen.

Beautiful little things will happen.

Going to pull that straight down,
right here.

Like it's a little light coming out
from under this big cloud.

There.

See? Just pull it down.

Like so.

Mmm!

This is a nice, easy way to
make a very effective sky.

And you can also use
this for landscapes.

It's not only for seascapes,

it'll work with some of your
landscapes that you're doing, too.

Just using little crisscross
strokes. And blend it.

OK. I want this to be a little
brighter in here.

This is going to be my light source.

So I want this to be a little bit
brighter, right through here.

Like that.

See? That easy.

OK, now up in here,

up in here,
this is going to be a big old cloud.

So, it's going to be, the brightest
area's going to be right here,

if the light's behind this
big cloud.

So we'll start here
with our lightest colour.

And just let it blend outward.

But I want to retain this dark edge.

There we go.

Boy, this is going to be a
mean-looking old seascape.

The storm is coming.

Better get out your wading boots if
you're a little close to the ocean!

Mmm!

Good, dark sky. Mean sky.

And when you're painting,
make up little stories.

Think about,
think about little things

that are happening in your mind.

Just visualise little things.

And it'll help you create the
mood that you're looking for.

There we go.

Now then, maybe we'll
grab an old fan brush here.

Still using just titanium white.

Just load a little colour on here.

Back and forth.

Maybe there's a happy little
cloud that lives right up in here.

And just use the corner
of the brush.

Just the corner of the brush.

And you can put a little
cloud in there.

We'll just put a couple in
so you can see how to do them

and when you do your seascape, you
put as many, or as few in,

as you want. Maybe, there's one.

He lives right there.

He lives right there
and he's got a little friend.

Named George. He floats
right around out here.

There we go.

OK, now we can take the large brush.

And I just want to blend
the base of this cloud,

not touching the top yet at all.
See? Just the base.

Then give it a little upward flip

and lightly blend it. And that easy.

You got a super little cloud!

Little more here, little bit there.

Give it a little fluff.

Give it a little blend.

And there's a couple of more clouds.

And that easy.
You have a fantastic little sky.

I think you'll like this one.
It's a lot of fun.

You'll like cleaning the brush!

That's the most fun in this
whole technique.

Now then, as I said, we had a piece
of masking tape across here.

Now, when we pull this off, that'll
assure us that we have a

nice, straight horizon.

And it's one of the easiest ways
I've ever found of being sure

that your horizon's nice
and straight.

OK.

Now then, we can take a little of
the black and a little bit of the

blue and just rub a little colour,

right up from here.

So it's all covered.

There we are.

And we're ready.

Now, I get to wash the brush one
more time.

Beat the devil out of it!

Let's take an old
number six Filbert brush.

One of the easiest ways I've found
of making seascapes is to just

take and put in a very loose

and basic sketch of where you
want your major wave to be.

So, come right down here and let's
make a big decision.

Maybe right in here.

We'll touch.

And let's just put in a big old wave
that lives right along there.

He comes up here and maybe he,
choo, will crash over right there.

Put that out, like so.
And that's really all you need.

That'll give you, give you,
sort of, a guide to work from.

Wash my little Filbert.

OK.

Let's take a fan brush.
We'll put a little white on it.

And we'll make some of these
little waves that are way

back in the distance, here. This
is your light area, right in here.

So I'll start here.

Just begin rubbing
a little bit of colour.

This is just straight titanium white

but it's picking up the colour
that's on the canvas.

So all these little things will just
automatically happen.

And just,

just let your hand,
sort of, rock here.

So you get little openings in there.

There we go. A little
few of them over here.

Let it just work, right on out.

If this is our light area,
start here

and work toward the side,
allowing it to get darker

and darker as you work away from
under that light area.

There we go.
See how easy that is?

And it makes a beautiful little,

looks like a little ocean
back in there.

There we are. Just right on out.

OK. Now then, we need some big,
strong waves in there.

Little more white on the brush,

figure out where they're going
to be and we come right up in here.

And go, bloop,

got to make those little noises!

And maybe it comes right on back
here. Somewhere back in there.

What the devil, we don't care!

Maybe we'll have one more,
right here?

Wherever you think they should live.

Like so.

OK, now I'm going to
wipe off the paint,

wipe the paint off my fan brush.

And very, very lightly here,

I just want to grab this

and begin blending it back.

Just begin blending it back.

Like so.

See?

But the angle here is very,
very important. Very important.

And see that little dark
edge, right there,

that's what makes it settle out.

OK? Now, we'll do that right here.

And then a super, neat little way
to make some happy little waves.

And it's very easy. Very easy.

Let's put a little more
paint right in here.

Like so. And then, we can do the
same thing here, on this one.

Just blend it back.

There we go. There we go.

See, seascapes don't have to
be all that hard.

OK. Same thing in here.
A little paint.

Soop! I like this part.

That's the part that really
crashes in there.

Blend it back also.

Little bit right in there.

And you can see how that's
beginning to make all your little

wave effects, and we'll come back
and we'll highlight that,

really bring some of them son of a
guns out a little later on

but right now, we're just looking
for background material.

Wash your fan brush.

And I have some paper towels over
here that I dry the brush against.

Just wash them in paint thinner
and then

dry them on a paper towel.

Let's take...

..we'll take some white

and the least,
least little touch of yellow.

I'm using the Filbert brush here,
but white,

and the least touch of Cad yellow.

Still should almost look white

but there is a little
bit of yellow in there.

OK, let's make the fun part.

Let's make the eye of the wave
here, or the transparency,

whatever you want to call it.

OK, just scrub in a little
bit of colour.

Whoo!

And then let it start working back,
back, back, back.

Darker, darker,
darker as it gets away from it.

Darker, darker, darker.

Right on round.

OK? Now then.

You may want to do this step
several times

to achieve a desired lightness.

And you can do it over and over
and over, until it gets as light,

and as bright, as you want it.

OK. Let's go back,

throw in a little more colour.

Each time you do it,
it's going to get a little brighter.

Little bit brighter.

But each time,

clean your brush before you take it
back into that, to the transparency.

Otherwise it'll drag that old
dirty colour right back in there

and you'll be unhappy.

One more time.

Mmm!

That son of a gun's
going to shine now.

That's what we're looking for.

OK.

Of course, you become an expert
brush washer

by the time this one's over!

Good, dry, two-inch brush.

Now I want to go in here, and here,

all we're doing is just
barely grazing it.

Just barely, barely caressing it.

We want to soften that.

Very gentle. And as we come out
here, we can begin

working on the shape of this wave.

See?

Like that.

See there?

And just grab it.

And begin, begin forming
this son of a gun.

Isn't that easy?
I know you can do it!

It's one of the nicest little ways
to make seascapes I've ever seen.

There. All I'm doing is knocking
the loose paint off the brush.

There we are.

OK. I'm going
to grab my little fan brush.

Let's go into some of that white
with a little touch of yellow,

and I mean, just the smallest,
smallest amount possible.

Smallest amount of yellow.

And let's go right up in here.

And let's make this whole wave
crashing over. Poosh!

Think how the water would turn
over here and spill out.

OK. Here it comes again.

Choo!

If you don't make those little
sounds, it won't work!

Got to make those little sounds!

There it goes again.

OK? And right here.

Boy, that old water's just
pouring over here.

I like the water.

I was born and raised in Florida
but then I moved off to Alaska.

What a change!

Spent about 12 years
of my life in Alaska,

lived in Fairbanks for many,
many years.

Beautiful country.

Beautiful country.

Mmm!

OK.

Now then, let's put some foam out
here. I like to do the foam,

that's a lot of fun.

So for that, we get the old
Filbert brush.

I'm going to take a little bit of,

little bit of blue.
A little bit of blue.

And little touch of bright red.

Blue, little touch of bright red.

Like so. I'm going to make,
sort of, a lavender colour.

OK. Maybe a little bit of white
and oh, that's nice. That's nice.

There we go.

All right, let's start right up in
here and just, sort of,

scrub that in.

Just give it a little push.

Just, see? Push.

Choosh! Once again,
make those little noises!

This is just the shadow,
we'll come back

and put the nice parts on here
in just a second.

All we're doing now is just
laying in the shadow.

And this is going to come up here,
and it's going to crash and splash.

And we'll put a big stone in there.

But, right now, let's just have it,

all, just really raising the devil!

OK.

Now then.

Now we can put the frosting
on this cake!

Let's take a little bit of the...

..white with the least little

touch of Cad yellow into it.
The least little touch.

Just load that brush full,
both sides. OK. Let's go up here.

Now then, start right out in here.

And all you're doing
is just pushing.

Push on that upstroke, is when that
splash comes off the end,

turn the brush over,
use both sides of it.

OK.

Sometimes you have to wipe it off
and reload it.

But always wipe it when you reload
it, wipe it off so it's nice

and clean and you come back in
here and...

..splash some more.

Choo!

Just all kinds of big splashes
happening in here.

Look at them. Mmm!

Mmm-mm. There we go.

Waves just flying all up in the air.

Like so.

OK. Now then.

Back to our big old two-inch brush.

And we're going to use just the
corner of it, just the corner.

And very lightly, making tiniest,
tiniest, little circular strokes.

Tiniest little circular strokes,
we're going to blend that together.

Very lightly.

Make it very soft.

Just, just like so. There we go.

There. Now you can blend this so
much it'll go away and leave you.

Just want to blend it
until it gets nice and soft

and looks like it's really churning
and carrying on there.

OK.

OK. Now then, let's go back into
some white here,

let's have some fun.

Maybe down in here...

..right...

..yep, right here,
maybe there's a...

..choo!

Another little
wave that lives right in there.

Just be brave,
throw that son of a gun in.

Now then, I want to blend that back.

Now, you notice up here, that
phthalo green we put in,

really shines, but down here,
where it's in the shadow areas,

this is more in the shadows.

And blue

and black really work nice.

Sort of, sort of, have in your mind
what you're going to do.

And think about where you're laying
the colours,

when you lay them on there.

There we go.

See, now we can begin blending
this together.

Like that. Mmm!

And then, super nice,
easy little way to make a happy

little, happy little wave
right there,

maybe this wave comes up here.

And splashes right over here.

Maybe there's a big rock right
underneath here. Who knows?

Who knows?

In your world, you can do anything
that you want to do.

See? Maybe this comes down and...

..shoo! Splashes right up
through here.

I don't know.

Just wherever you want
it, just let the water go.

And all we're using here
is just titanium white.

That's all we're using.

Just let that water run up
through there.

Then blend it back, very softly.

See there? You can do it.

And maybe it comes here, maybe,
we said there was a big stone there.

Poosh!

There.

See? Just wherever you want it.

There.

Can almost see through that.

All kinds of things
happening under this water.

We don't know what's happening here.

OK.

Now we can begin creating some
little foamy things

that are just coming
right on down here.

This helps form and shape
your waves.

Need some shape in here.

There.

Mmm! Just let them
climb right up the wave.

However you think they should go.

Just, sort of, follow the angles.

But you can just

lay in bright little highlights.

OK.

I'm going to take my liner brush now

and go right into titanium white
with a little paint thinner

on the bridge, a little paint
thinner just to thin the paint.

And let's go right up in here,

and let's begin adding
some of these nice little things.

This is paint thinner with
titanium white.

And we can put a little edge,
right out here on this wave.

Just a happy little edge and maybe,

there's all kinds
of little things just...

..splashing right on down here.

But your paint needs to be very,
very thin. The consistency of ink.

And then, you can just put all these
little rascals

wherever you want them.

But follow,
follow the basic shape here.

Even back in here.

Some little things happening.

And if you get one
that's a little bit bright,

all you have to do is just paint
over it a couple of times

and it will pick up the dark colours
underneath and it will blend out

to any degree of lightness
or darkness that you want.

See, put in little light areas
just by doing that.

Maybe right down
on the crest of this here...

..little things are happening.

There.

All kinds of little gooders.

OK. But once again,
I know you're tired of hearing it,

follow the basic angle in this way.

You don't just throw these on
at random. Let's go up in here.

Put on a few little gooders.

And put some little lines in here.

Now, at home, you have a lot of time

and you can put all these little
son-of-a-guns in that you want.

Just one after the other.

And you can make one fantastic
little seascape.

And it's quite easy doing it
this way.

Quite easy.
You'd be surprised what you can do.

There.

OK. Now, right into this light area,
you want your brightness.

As soon as you work out,
add more blue.

A little more of the phthalo blue.

So these out here aren't as bright.

Like so. Like so.

OK.

See? Just wherever you want them.

Now, then, tell you what, let's...
Let me find, let me find...

There it is, an old fan brush.

We'll go right into some
Van Dyke brown, little dark sienna.

Just mix them together
on the brush here.

We said we were going to have
a big old stone right here,

so let's come right along in here.

And maybe... Yep, there it is.

Right down into the crasher.

We have us a big, old stone
that lives right there.

Mm! Big, old stone.

He's stood here
for a thousand years or so,

and the waves have beat on him.

That's how I feel,

like I've been standing around for a
thousand years and getting beat on.

You know that feeling?
OK, now I'm going to take...

Huh! ..the least little touch...

That's not true.
..least little touch of bright red.

And just, just put the indication
here and there,

of a little bit of a highlight
sparkling on this.

I don't want to overdo.

This is the way you can form
all your rocks very easily.

Just decide where you think
they are, drop them in. See there?

Create all kinds of little...little
protrusions,

little things.
There they go, right there.

Right, now, here's another one.

Just whatever. Whatever.

And then we can take the brush
that has...

..has the white on it.

And we can come in here and we can
just sort of lift upward

and make the indication like there's
water spilling down through here.

Maybe back in here,
there's little things happening.

OK.

Now you can just begin adding
some little details here and there.

Tell you what...

..let's put another rock
over on this side.

Shoot, we don't want it left out.
Maybe there lives a rock here.

See? That's all there is to it.
Throw him in.

Just throw him in.
Van Dyke brown, dark sienna.

We'll take a little bright red.

We'll come right back in here.

And if this is our light source,
it would be highlighted

on the opposite side, like that.

Put in a few little gooders.

Back to our fan brush here
that has the white on it.

Look at all that water
just spilling all off here.

All kinds of little things
happening.

Take the liner brush and really
put some nice little water lines on

where it's all coming off.

You could put all kinds of
happy little details in here.

As I say, at home, you have all
kinds of time and you can just...

you can just work with this
and put all these little areas

and little highlight spots.

It will really make
a beautiful painting.

A beautiful painting.

You can even take a little colour
and punch in some holes,

like it looks like
there's holes in the foam.

That easy.

I think we got a painting here
that's ready for a signature.

Take a little bright red
on my liner brush,

thin it down with paint thinner,
and I'll sign this one.

I certainly hope you've enjoyed
this little seascape.

It will teach you a great deal, give
you hours and hours of pleasure.

And from all of us here,
I'd like to wish you happy painting

and God bless.