All language subtitles for The Joy of Painting - 1x05 - _track3_[eng]

Hi, welcome back.

Certainly glad you
could join me today.

Let's start out and have
them graphically run

all the colours across the screen

that you need to do
this painting with me.

And, as usual, they'll come
across in exactly the same order

as I have them laid out
on the palette,

starting with a white
and working around.

Today, we have something a little
different, a little unusual up here.

I've taken an 18 x 24 inch canvas,

and I have it vertical.
That's up and down.

And the bottom half here.

Probably... Oh, it's not.
It's below half.

I've covered with black gesso,

and the top half then
is just left white.

Now, I've covered the whole
top half with liquid white.

It's nice and wet and ready
to go as usual.

The bottom half,

I've started up here with a alizarin
crimson and phthalo blue mixture.

It makes a lavender.

Graduate it into a mixture
of Prussian blue

and a little bit of
yellow ochre in it

to give it sort of a greenish hue,

and then graduate it on into
phthalo blue and phthalo green.

So we have a lavender, a dark green,
and then a brighter green.

And this is going to be
a happy little seascape.

So let's...let's take off
here and have some fun.

Think you'll enjoy this one.

We'll start off today
with a phthalo blue.

Reach over here and grab
some midnight black

and mix them together.

So I have blue and black.

Blue and black, or black and blue,
whichever way.

There we go. That's how I always
look when I get home late.

Black and blue.

All right. Let's go
right up in here,

and let's just drop in
some happy little sky areas.

Just using little
crisscross strokes,

and we'll have some
big clouds today.

I think we'll do some
fantastic big clouds.

So I'll make the sky maybe a little
bit darker than I usually do,

just so that the clouds
will stand out.

Just drop in some basic shapes.

I'm leaving some areas open here.

And in those open areas,
we'll come back

and we'll put all
the little clouds in,

let them dance around
and have fun.

There.

And maybe it comes right on down
like... It doesn't matter.

And if you get down here into
this colour, that's OK, too.

No big deal. We don't make mistakes.

We have happy accidents.

OK. There.

I know. You're sitting
at home saying,

"Why, that's sure is a weird-looking
cloud Bob's making today!"

And we'll see if we can
straighten him out.

OK, then we wash the old brush.

We'll wash our brush with just
odourless paint thinner.

Shake it off.

Just beat the devil out of it.

Now, then, with a clean,
dry brush, go back,

and then we'll soften this,

and it's all right if you pull
a little bit of this colour

into the light area.

There we go.

Just soften it and
bring it together.

Just bring it together.

Our basic little cloud
shape is still there.

There.

OK, now, then.

Now, then, let's have some fun.

There we go. Take out
the brush strokes.

Same old dirty brush.

Don't even have to clean
it this time.

I'm going to go right
into some bright red.

Take it and go into midnight black.

So I have bright red
and midnight black,

and just tap the brush
into the colour.

Just tap it. OK?
Let's go back up here.

Now then, we have to make
some decisions.

Where is our shadows living here?

I'm going to have
a shadow right here,

right against the water.

And we'll just let that work,
right on up.

Like so.

Just a happy little shadow
that lives in there.

Big clouds today.

So we put the shadows in first,

and then we'll come back and
we'll put some highlights on 'em.

Just sort of look around here
and make a big decision.

Where do you think the shadows
will live in this cloud?

There they are.

Boy, that's a son of
a gun of a cloud.

Just wherever.

And it's not a big deal,

because if you put a shadow
here you don't like,

then we'll just cover it up.

We can fix anything.

Wash the brush.

Shake him off. This is the fun part.

HE CHUCKLES

It's crazy.

Now, then.

I get carried away with
this brush cleaning.

Now, then, let's take
a little bright red

and go right into
the titanium white.

Just the littlest little amount
of bright red. See?

Pull that brush through there.
Load a lot of paint into it.

OK, let's go up here.

Now then, let's go up to the top

and just begin making all those
fluffy, little...little things

on top of the cloud.

Let that brush just
dance around there

and play in tiny, little circles.

Tiny, little circles.

We're making all those little
fluffies that live in the clouds.

And bring it right on down
into the dark here.

Right on down.

Now, if you pick up too much
of the dark colour,

just stop and wash your brush.

Nothing wrong with
washing your brush.

There we go. Now then.

Let's put some light area
right in there.

Right in there.

See there?

Told you that it would be easy.

There comes a nice little fluffer.

Clouds are free.

They just float around the sky
all day and have fun.

They're one of the freest
things in nature.

There we are.

There.

Mm, told you we was going
to make a big cloud today.

This is going to be a big cloud.

Here he comes, right on down.

There.

Going, "But I ate up a whole canvas
with clouds."

That's all right.

If you learn how to make a cloud,

then it's worth all the effort.

Learn.

Every time you practise,
you learn more.

Every painting you do,
you learn a little bit more,

and you know, in your heart,

that the next one's going
to be even better.

Each one gets better.

Now let's take a two-inch brush
and use just the top corner.

And we're just going to mix
up the bottom of this cloud.

Just gently, gently,
using tiny, little circles.

Mix it right into
that darker colour.

Don't touch the top
of the clouds yet.

We want them to stay strong
and bright, shiny right now.

If we begin picking up paint,

just beat the brush and that'll
remove the excess paint.

See? Just blend all that together.

Got a son of a gun of a cloud!

It's a big one.
Big ol' kind of cloud.

A happy cloud.

There.

There we go.

Look at that.

Right on down.

Right on down.

BRUSH HITS OFF EASEL

And as I say, that just removes
some of the excess paint.

You don't have to go through
the whole cleaning procedure.

Now we're going
to fluff this cloud.

Grab it and pull it.

Circle, so big, circular strokes.

If you pull straight up, hm, it's
going to look like it's raining up.

And that'll bother you
if it's raining up,

so try not to have it raining up.

Pull it in big circles.

Big, big circles.

Look at that. See?
BRUSH HITS OFF EASEL

Now, we'll come to the next
layer and lift it up.

Like so.

Just grab it...

..and lift it upward.

Lift it upward.
BRUSH HITS OFF EASEL

I'm continually beating
the paint out of this brush

so the brush remains dry and
relatively free of colour.

We want just a clean, dry brush.

Now, if you get too much, once
again, stop and wash your brush.

BRUSH HITS OFF EASEL

There's not a thing in the world
wrong with washing your brush.

There we go. Now, very lightly,
just blend it all together.

See there?

Just make this as soft
as you want it.

Like so.

Very lightly. Very, very lightly.

Three hairs and some air.

And that quick, boy,
you got one heck of a sky.

Now then, if you wanted
to add little details in it,

you could come back in here, see?

And you can still go back

and put little...little floaters
that float around in there

and still change the shape.

Anything you want to do,
you can do here.

Blend it.

See?

Give it a little fluff, and then
that cloud lays right out there,

right out there in front
of the rest of them.

He went to the front of the class.

OK.

All right.
Now we can wash our brush.

We got a little sky. That easy.

That easy.

Shake him off.
BRUSH HITS OFF EASEL

HE LAUGHS
There you go.

Now, go ahead and clean this
one-inch brush at the same time.

BRUSH HITS LIGHTLY OFF EASEL

OK.

We're going to a happy
little seascape today.

So maybe one of the easiest ways
that I have found

to do a little seascape is take...

This is a No 6 Filbert brush.

I'm going to put a little white
on it.

And I'm just going to go up here.

The thing that we're most concerned
about is the one big major wave.

I have so many letters saying,

"I want to do the big, crashing wave
with a transparent eye."

OK, let's go right here.

Now, decide where that big
transparency's going to be.

Maybe comes right down like this,

and the water comes... Tshhh...

Wherever you want it and then down.

Something like so.

This is just to give you an idea.
Sort of a guide.

You're really not committed.

That's all you need,
right about there.

That sort of gives us
something to work by.

OK, let's take a fan brush,

and we'll start with just
plain ol' titanium white.

Let's go right back here
in the background.

This is just plain white.

Now, remember there's colour
already on the canvas,

and it's wet.
Don't let that colour dry.

And we can go right back in here.

Look at that.

See here? Just make little...little
strokes like that.

And it mixes with the colour
that's on the canvas,

and all these beautiful little
effects will happen automatically.

Automatically.

I like to do seascapes
on black canvas

because all your dark
is already in there for you.

Watch here. Here's
something that's fun.

We'll just take white.

Maybe. Let's go right in here.

We'll do this.

Like... Look at that. See?

I know you're saying, "Oh, Bob,
you've done it this time."

You may be right.

Let's do it again, then.
What the heck?

There.

Right on out like that.

The only thing we're worried about
is in this part right here.

We don't care about
that right there.

We don't worry about that part.

You're just worried about the black.
So, watch.

Let me wipe this brush off and get
all the excess paint off of it.

Now, then.

See which way this is going,
that'll give you a guide.

Now, very lightly.

Very lightly.

Just blend that colour back.

This gives you the little trough,
as it's called.

Trough right in between these.
See there?

All of a sudden, it'll start
making sense now.

There we go. That easy.

That easy.

You can make just all kinds
of little wave things happening.

We'll clean the brush.

I'm just drying it
on a paper towel.

Go back into my white.

Now then, let's make
some big decisions.

Here this comes.. Zoop!

And then it comes like that.

And we'll do exactly
the same thing again.

Just very gently.

Very gently bring it back.

Very lightly.

Just barely caressing the canvas.

You get too much paint,
just wipe off the excess.

See there?

All right. All right.

I knew you could do that.

This is one of the nice,
easiest ways I have ever found

of making a happy little seascape.

LIQUID SLOSHES

There we go.

OK.

Now then.

Let's take...

And worry about this nice
transparency here.

So, for that, I going to take white,

white.

Titanium white, and
the least little touch...

The least little touch
of the cadmium yellow.

Just load this Filbert brush
full of paint. A lot of paint, OK?

Now then, decide where
your little transparency

or the light part's going to be,
and begin laying it in.

Scrub it in. Get tough with it.

Right along the top...

..and then gently, gently,
gently just blends right on out

to nothing. Then we need to...

You can do this as many
times as you want

to achieve the desired effect
or desired lightness.

Clean your brush each time
and reload it with paint,

cos you want this to be
a bright area right in here,

and you can add more paint to it.

And if you begin getting
a build-up of paint,

it begins getting too thick...

I'll show you. I'll show you.

Take your knife

and just scratch it off. See that?

The value remains on there.

LIQUID SLOSHES

And you can wash it.

Go back. See?

And, each time, it's going
to get a little brighter,

a little...little shinier,

and you can do this as many
times as you desire.

And here you begin worrying about
the shape of this major wave.

There we go.

Just like so.
LIQUID SLOSHES

I can wash the brush.

Get it good and dry.

OK. Now, then.

With a clean, dry, two-inch brush,

very lightly, very lightly,

I'm going to begin blending
this little transparency here.

And here I'm going to grab it

and begin working on the basic
shape of the wave.

As it goes out, it's going
to get flatter and flatter.

See there how easy that is?

Doesn't have to be hard.

There we go.

And that gives us some
of our initial shapes.

OK, going to clean that ol' brush.

BRUSH HITS OFF EASEL

Hm, and beat him dry.

Let me find another fan brush here.

OK.

Go right in to titanium white.

Right into it.

There's a little blue in that
colour, too, so it's not pure white.

A little tiny bit of blue that was
left over. Let's go up here.

Now, then, this wave's
going to be crashing over.

This comes over here
and goes, "Tschooo."

Got to make those little
noises or it won't work.

OK, reload it.

Reload it. Touch.

Tschoo...

Touch. See there, how easy that is?

If you pick up too much
of the under colour,

you may have to wash
your brush several times.

That's all right. That's all right.

OK, I'll wash this brush.

LIQUID SLOSHES

Now, then.

We go back and get
our little Filbert brush.

Take some white.

Some... Let's use some
alizarin crimson

and a little bit of the...little
bit of the phthalo blue.

More crimson and more blue.
I want it a little darker.

Ooh, and we're getting there.

There we go.
That's what I'm looking for.

A dark, lavender-looking colour.

Load the bristles full of paint.

Just really rub it in there.
OK, let's go up here.

Now, maybe there's some nice
foam splashing on here.

We're putting in the shadow
for the foam.

Just scrub it in.

Scrub it in. Scrub it in.

Hard.

But work on...work on
your basic shape here now.

Maybe it splashes. Tsch!
Way up like that.

Comes right around.
This is the shadow.

This is the shadow.

This is where you put the dark
part of your foam in.

Now we're cleaning the brush.

You'll be an expert brush-washer
by the time this is over.

Be sure the brush is dry, though.
That's most, most important.

OK.

Now, then, I'm going
to go back in to white

with the absolute least little touch
of the cadmium yellow.

Probably can't hardly
even see any in there,

but there's a little touch in there.

Least, least little touch.

OK, let's put some highlight
on this foam now.

Sort of hold the brush
to the side here

and give it a little upward push,
so that when it hits at the top,

then it makes all those
little splashies,

and as one side gets wore out,
all the colour's used, turn it over.

It's got two sides on it.

Wipe off the excess,

and you go back in there

and get you a little more.

There we go.

Just place that in there.

OK, wipe it between...

At least wipe it between
each application,

so you get that dark colour off.

OK. When it starts getting dirty,
give it a good, good wash.

There we go.

Pick up a little more white,

little touch of yellow in it.

There we go.

Now let's go right in here.
Tschoo...

Got to make the little noises.

There we go. We'll just let it come
right up here and break the horizon.

Tschoo...

All kinds of happy
little splashes, see?

There we go.

Little splash right there.

Mm, isn't that a super little wave
that'll make a happy seascape?

Now, find out if you have
a really delicate touch.

Just a corner of the brush.

Just the corner.

And just gently, gently,
just sort of wind it up.

Just little tiny,
tiniest little circles.

Barely touching.
The brush is hardly moving.

Just sort of blend it all together.

See how soft? And look
at that water churning.

Tschoo...

There.

BRUSH HITS OFF EASEL

You don't... As they say, you don't
have to be crazy to do this,

but it does help.

Now, then.

Let's find... There we go.

Let's really get...
Let's get wild today.

We'll go right back in to the white.

Right back in.
Maybe right along in here.

Maybe there's a...there's another
little doer comes right out.

Tschoo... Like that.

And then we'll blend this one back,

and this begins making the shape...

..of the large wave here.

See there? It's picking up
that colour that's underneath,

all the beautiful
colours we had here.

We had... We're beginning
to hit the phthalo green

and phthalo blue mixture.

Just begin coming together.

This is where you create
the shape of that wave.

So angles are very important.

Pay attention to 'em here.

Very, very important.

'Course now, any big, nice
seascape needs a stone

for the...

..for the waves to be
crashing against.

We got us a splash, so let's
put a stone right here.

I want to break
the horizon with that

so it comes right on up.

Maybe this is a big, tall stone.

Tschoo...

Put a bump out here and wherever.

This is just straight
Van Dyke brown.

All you need is just a basic
little...little rocks.

Out here.

Whatever you think your rock
should look like,

that's what it'll look like.

There we go.

Now, then.

I'm going to take the fan brush.

And I'll take some paint thinner
on the fan brush

and go right in to straight, bright
red, but it's very thin. Very thin.

This is bright red that's thinned
with paint thinner. Very thin.

OK?

Now then, let's just take this

and go right over
the edge of the rock.

You can do this with a liner brush

and really put a lot
of detail into it.

I just don't have time
here to set into it.

One stroke at a time.

But at home, if you want
to really shape these rocks,

take a liner brush,

and you can just make all kinds
of beautiful little effects.

Maybe there's another little...
Uh. See there?

See there?

All kinds of happy little things.

And just sort of blend them out.

Just go on and on.
Maybe there's a...

See there? Just as many as you want.

Or as few.

Now we can take our brush
that has the white on it.

And just begin putting
some little splashers

down here at the bottom.

Doop! Lift it up.

Lift it up.

Now we can begin working on all
kinds of happy little things.

Tell you what I see.

I'm going to get the small knife.

I see, right in here,

another happy little stone.

He lives right there.

Right there.

And he's got a friend.

Well, tell you what.
I got...I got another idea.

I got another idea.

When you're painting these,
you just look up here

and you see all kinds
of things happening.

Let's put a little
highlight on here.

This is just a natural.
This is a natural.

Let me grab a little white.

Maybe this is another
little wave coming here,

and it's splashing up
against the bottom of this,

and there's just foam and
churning and carrying on.

Tschh...

See there? That easy.

Work in layers. Now maybe there's
another happy stone right there.

He's a little smaller.

And...we'll just use a knife.

We can put a little touch of
highlight right there on him.

Go back.

Put in some foam around his foot.

Rock needs some foam
with its churning over.

Now I have sort of blue
and white on here,

we can begin creating all kinds
of little foam patterns in here.

Just like so. All of
the angles in your wave.

It's most, most important.

Maybe here's one spilling over,
coming down.

Leave some little holes in there.

Just like so.

All kinds of little things.

Sometimes you can...
I like to use a fan brush,

cos you can just do beautiful
little effects with it.

Like so.

See how you can make it
look all like water?

All kinds of little things going on.

You can really get carried away
and spend a lot of time

making beautiful, beautiful effects.

Now, then, let's take...

And we'll take a touch
of paint thinner

right into the brightest colour,
that yellow and white,

and I want to highlight just
these little edges here,

Tschoo... Make it come
right on down. See there?

There we go.

And back in here,
where the light's striking.

Let's put all kinds of
little details back here.

This is what really, really
makes your seascape stand out.

All these little doers.

See? Let them wander
back up through here,

and you can...you can just take
and put hundreds of these in.

Just hundreds of them, just wherever
you think they ought to go.

See? Some in here.

Tschoo...

This is where you create
the shape of the wave.

Use a lot of paint thinner
so the paint is very thin.

Think where light
would strike in here.

See all the little details
you can just drop in?

That easy. That easy.

You can do it.

Did you ever think you could make
such a seascape so easy?

I like these black and white
canvases.

They open whole new worlds to you.

You can do all kinds of
beautiful little effects.

There we go.

All kinds of little...

..little things that are
happening in the water.

See there?

And you can take the blue and white
and put with a liner brush,

and put all kinds of little watery
things dribbling down the side here.

I think that'll give you a good idea

of how to do a fantastic
little seascape quite fast.

So I'll take a little
of the bright red.

We'll sign this one right here.

It's a good thing
I have a short name.

Doesn't take me just a second.

I hope you've enjoyed this,

and I hope you, too,
enjoy painting along

and doing a fantastic seascape.

And from all of us here,

I'd like to wish you
happy painting, God bless,

and I'll see you next time.