All language subtitles for T.L.W.S03E04.True.Spirit.WEB-DL.H264.AAC.SNAKE_track3_[eng]

(MultiCom Jingle)

(eerie music)

(dinosaur growling)

(eerie music)

- [Ned] Veronica.

This way.

- Ned?

- Over here.

- Ned.

Don't go.

(dramatic music)

(dinosaur growls)

Ned wait for me.

(dramatic music)

- [Ned] You're safe now.

- Ned you ran so fast I couldn't keep up.

- I'd never leave you behind.

- Come on it's time to go
back to the tree house.

- That's why I had to
talk to you this way.

I finally discovered how to get back

but I'm gonna need your help.

- Get back from where?

- Veronica, do you know
where we are right now?

- Ned it doesn't matter.

All I know is that I've missed you.

Nothing's been the same since...

Since you...

- Say it, since I died.

(breathing heavily)

- I really do miss you.

(contemplative music)

- Veronica, help me.

- Ned?

(suspenseful music)

- [Narrator] At the
dawn of the last century

a band of explorers searched
for a prehistoric world.

Driven by ambition, secret desires,

a thirst for adventure, and
seeking the ultimate story.

They are befriended by an untamed beauty.

Stranded in a strange and savage land

each day is a desperate search

for a way out of The Lost World.

(dramatic music)

(calm music)

- Look out Challenger here it comes.

Morning Marguerite.

- Time to greet another
magnificent day with--

(electricity sparks)

haa, fresh toast.

- Unusual to see one outside of its cave

during hibernation season I must say.

- I heard that.

- This could be one for your
science journals George.

Rare species spot on remote plateau.

Observers life endangered by--

- Coffee.

There's no coffee.

- Well there's plenty in
the storage shed Marguerite.

I brought it back from
the Zanga village myself.

Those beans are green Roxton
you have roasted them yet.

- That's not my chore Marguerite.

- I sew for all of us.

Challenger smelts metal ingots
to trade with the Zanga.

Veronica tends the gardens and the goat.

You smoke the meat and roast the coffee.

- And count the bullets
and load the cartridges.

- Poor you, coffee's still your job.

- Come along now Marguerite
you know full well

that since Malone went missing we've had

to adjust the division of labor.

- Missing?

Why can't anybody come out
and say what really happened?

- Marguerite I'm sorry
but you had Veronica

did agreed to take on more
of the food preparation.

Coffee's not food it's a necessity.

- And you're its main consumer.

- Which is another reason
I wish Malone wasn't dead.

Whatever.

Cheeky American drank more of
the vile stuff then I ever did

he got me started on
it in the first place.

- [Veronica] He's not dead.

- Good morning Veronica.

- Veronica.

- Jungle 30 leaves no
substitute for Zanga espresso.

- I saw him last night.

(contemplative music)

- We all have dreams
about Malone Veronica.

Not the same dreams we had
about some of you of course.

- Right here.

I mean I dream about him too but

when I woke up he was just standing there.

Challenger he was pleading for my help.

- Then where did he go?

- [Assai] Veronica, Professor Challenger.

- That's alright.

Assai.

- Professor Challenger my people
ask that you come at once.

- No you're not going anywhere.

You've got all that work to do on

the new test balloon so we can go home.

- What's wrong Assai, what's happened?

- Well that's just it
Professor we do not know.

It could be a sign from
the heavens or elsewhere.

- When she puts it like
that how can we resist?

- Watch me.

- I could see she was most unhappy.

Because of Malone?

- And she's getting worse.

Past few days she's
mostly stayed in her room.

She keeps rereading Malone's journals.

- It's a pity she wouldn't
come with us today.

It would have done her good to

talk to an old friend like you.

- Veronica is strong.

Her sorrows only make her stronger.

(birds singing)

- Veronica as difficult as it may be

to believe I would like to apologize.

- You're right.

It is difficult to believe.

- I have lost a lot of
people in my life too.

Family, friends, more than friends.

I do know how you feel.

Was it really that hard
to accept that I could

care about something other
than gold and diamonds?

- Yes.

- One of your more endearing
and annoying traits

is that you never lie to me
just as I've never lied to you.

About important things.

Now I apologize for not
saying sooner that I know

Malone means as much to all
of us as he does to you.

- Well now you've said it.

(somber music)

Alright what is it?

- It's called a Ouija board.

All the rage in Europe and London.

- What does it do?

- Think of it as a telephone
for very long distance calls.

(speaking in foreign language)

- I have brought the outsider.

(contemplative music)

Yesterday it was just a field.

Last night it was touched by
a force beyond this world.

- Someone made that in just one night.

- Someone, something.

- I've read about telephones before.

Do you actually think we can
contact Malone through this?

- To be honest I don't know.

Put your hands here where mine are.

- Have you ever used one of these before?

- Yeah a few times in London.

- And did it work?

- Let's just see if it works now.

- What do we do?

- Put your fingers here
as lightly as you can.

(exhales)

We wish to contact Edward T. Malone.

Are you out there Ned?

Malone we know you've been trying

to contact Veronica
here's your big chance.

Are you here with us?

(dramatic music)
(pointer sliding)

- You did that.

- No, you were touching it too.

Why don't you ask him a question?

- Malone where are you?

See I told--

- Whoa!

H

E

L

- P, help.

- M, help me.

- That's what he said to me last night.

Do you actually think it could be him?

- Well if he said it
before maybe it could be.

- Maybe we should ask
him another question.

- I don't think we have to.

- [Both] G O

T O.

- Go to.

- Where the,

go to where the

P A T H.

- Go to where the path is.

(dishes clatter)

(loud thumping)

- Who's there?

(both gasping)

- Marguerite?

(both gasping)

If it's like a telephone
how do you hang it up?

(Marguerite crying)

- Look out I'm gonna blow!

- Marguerite what have you done?

- I don't know.

(dramatic music)

(glass shattering)

(contemplative music)

Okay okay.

- Does this always happen in London?

- I wish, might have made...

(Marguerite screams)

- Marguerite what is it?

What is that?

(dramatic music)

- Well, let's see
Challenger explain this one.

(speaking in foreign language)

- It's an agriglyph.

- Well of course it is George.

What else would it be?

- It's the name given to any inexplicable

pattern or marking in
a field of vegetation.

Variations include crop encirclement

where the vegetation has been flattened

and pyroglyphs where
the vegetation appears

to have been burned with
remarkable precision.

- So you've seen one of these before?

- Never.

Though they are quite common
in the vicinity of Avery

back in England, have
been for generations.

- Well that's where my family's estate is

it's surrounded by fields of old

standing stones dating back to the Druids.

But I've never seen or heard
of one of these pyroglyphs.

- Farmers don't like to talk about them.

They believe they're connected
to some supernatural power.

The circles of stones, circles in fields.

Supposedly marking power spots where

lines of unexplained force intersect.

There's no sign of kerosene or any

other fire accelerant being used.

- So no one knows how this
type of thing gets made.

- Our Shaman refuses to
set foot in this field.

He says he knows too well why
it has been visited upon us.

My Shaman says that Soras is
returning, this is his sign.

- Soras?

- He's a legend among my people,

a fierce war load who dismembered

those who opposed him
and drank their blood.

- His last name wouldn't be
Cruel by any chance would it?

- Soras lived and died
hundreds of years ago

consumed by flames, cursing
those who rose against him,

swearing to return from
the realm beyond death

to take vengeance on the living.

- The realm beyond death?

Tell me in the Zanga tradition is

it possible to return from this realm?

- Our Shaman says the
proof is all around us

painted by the hand of Soras himself.

- Is that so?

If this is paint from beyond the grave

I want to analyze its pigment.

(contemplative music)

(elevator rumbling)

Good heavens.

- Redecorating are we?

- I made Veronica a Ouija board.

- Marguerite that is
a tool for charlatans.

- Maybe back in England.

- The board is controlled by its users.

There's not a whit of evidence to prove

that it could possibly work.

I'll be in my lab if I'm needed.

- [Assai] Are you okay?

- [Veronica] Oh Assai.

- So what really happened?

- The spirits were restless.

- The spirits were restless?

- Oh fine you keep your secret.

The point is no one got hurt playing

whatever little game you
two were amusing yourself--

- Do you really think we made this mess

for our own amusement?

- There's no telling what you're

capable of Marguerite without your coffee.

I mean if you can have this
much fun with a Ouija board

think what you can do
with a full blown seance.

- What is a seance?

(contemplative music)

- Nails, dry tubes, pyrometer,

PH tester, I've got the lot.

- A picnic basket by any other name.

- Sure you don't want
us to call you a taxi?

- No no just try to leave
the walls standing this time.

- [Challenger] Come on Roxton.

- Bye.

Alright they're gone now tell me

why we couldn't tell them
what we saw in the mirror.

- Because we are going to have a seance

and the first rule of a seance
is no nonbelievers allowed.

It caused the vibrations
of the etheric planes or

something like that.

- Veronica what did you see in the mirror?

- You know George a few days ago

you were convinced Malone's presence

was moving journals around to help us out

and then an hour ago you're

laughing at Margaret's Ouija board.

I mean what do you believe?

- Roxton I'm a scientist.

I don't let what I believe get
in the way of what I observe.

- Maybe so but just for
a moment forget science

forget logic and give me
your best gut instinct.

- Think of as best wildest guess.

Now what do you think made that pyroglyph?

- My best guess?

- Yeah.

- The pyroglyph is a series of hitherto

undocumented phenomenon that a series

of chemical analysis might explain.

- Sometimes Challenger
you are no fun at all.

(distant growling)
- Raptors.

(dramatic music)

- Stampede.

(music fades)

It's almost as if
something frightened them.

- But what in the hell
can frighten a raptor?

- There that is exactly
who we saw in the mirror.

- Marguerite did you also see this?

- Yes.

- You cannot do this.

This is a sign of Soras.

- Soras, that's who we saw?

- [Veronica] Who's Soras?

- Some bloodthirsty
warlord, he was burned alive

when his anger rose up against him.

- But we didn't try to reach Soras.

We called for Malone.

- And Malone heard us.

- [Veronica] He did?

- Well you said it yourself.

There were two spirits in the room.

- Unseen spirits.

- He was here we saw him in the mirror

and someone drove him away
before he could harm us, Malone.

But this time we're going to
get Malone back without Soras.

- Veronica no he's too dangerous.

- Would Malone wish you to endanger

the lives of all the Zanga?

- Listen we can't do anything
until midnight anyway.

That's the witching hour so would

either of you like a cup of coffee?

The roasting pan...

No fine well okay I'll make tea.

(dramatic music)

- Well now we know what
sends raptors on a stampede.

What do you say Challenger?

Bolt of lightening or some
kind of electrical whirlwind?

- That's not important look
at the pattern it's making.

That's identical to the first one

which means this is not a natural process.

Whatever that ball of light is

it's under intelligent control.

- Challenger this is the
one time I don't think

we'll find answers in your test tubes.

(contemplative music)

- We found a second pyroglyph.

- They are quite incredible.

We saw it being burned into a field.

- [Assai] You so who made it?

- No not a person only a sphere of light.

- I was only joking about
holding a seance Marguerite.

- This is no joke Roxton.

Veronica and I when we
used the Ouija board

we both saw this dead Zanga warlord.

- Soras.

And that's the same pattern
saw in the pyroglyphs.

- Well how's that for a
scientific observation?

- We proceed with the seance.

- Finally a voice of reason.

- I wouldn't put reason and
seance in the same category.

Sometimes with extraordinary phenomena

there requires investigation
by extraordinary means.

- Professor Challenger
it is too dangerous.

- Not if Marguerite knows
exactly what she's doing.

- Don't I always?

- We've got some time before midnight

and that's the witching hour.

I've got things to square away in my lab.

(thunder rolling)

- You know everything is upside down.

You're the only one of us who
thought Malone was truly dead

and Challenger is the last
person to believe in seances.

- Truth is I don't know
what happened to Malone

and neither does Challenger which makes us

the only two with open minds around here.

- I think it's fair to
say I have an open mind.

- It's your heart that's open John.

You've been holding out
hope that if we keep looking

somewhere we might find Malone.

It's not because you totally believe it.

I don't want to take that
Hope away from Veronica.

- Perhaps you're right.

Don't you believe that there's

something more to life than here and now?

(contemplative music)

- Sometimes when I think about what

my life has given me here and now

I wonder what more I
could possibly ask for.

- [Veronica] Challenger says it's time.

(thunder rolling)

- Challenger I don't think this is

the right time for a group portrait.

- Right you are.

Oh Marguerite light
the candles with issue.

- Challenger how does a scientist

know so much about seances?

- I spent several months in Chicago

with a good friend of mine Harry Houdini.

- Harry, know it all Houdini?

Two bit meddling magician.

- I attended a dozen seances with Harry

and worked with him to
debunk the fraudulent

mediums and mystics who
prey upon gullible people.

I take it you're acquainted
with him as well.

- Let's just say that when
Houdini was in England

my seances survived his best
efforts and leave it at that.

- Why you actually took
money from grieving people

who thought you could talk to the dead.

- I call it giving people what they want.

And let's not forget that this
seance was Challengers idea.

- It's Roxton's actually
and it's not a bad idea.

- What?

- Are we all ready?

First join hands.

Okay close your eyes.

Clear your minds.

I call Edward T. Malone.

(thunder rolling)

Ned can you hear me are you there?

- Did you feel that?

- It's like the temperature
dropped 20 degrees.

- That means it's working.

I really something is going to happen.

(suspenseful music)

Malone if you're among us knock once.

(knife thuds)

One very exuberant knock.

- This is so wrong.

- Perhaps you could ask
him if we are at risk here.

- Ned, one knock for yes, two for no.

Are any of us in danger for
trying to contact you like this?

(furniture banging)

- Let's not get too
carried away Neddy boy.

- That's two knocks right?

I mean we're not in any danger.

- Try and channel him through you.

Ask him to speak through you.

- Okay.

Speak through me spirit.

Let all of us hear what you have to say.

(Marguerite gasps)

Do not open a path for me here.

Soras will try to take it.

Follow what I have written.

Do not try to open a path for me here.

- Malone?

(Marguerite growling)

- Upon your flesh shall I feast.

And in your blood shall I bathe.

- Soras.

- And in your broken body will
I lift your beating heart.

- You let her go.

- And your lands laid waste before my---

- [Roxton] Enough of this!

(music stops)

- Is it over?

- We've broken the circle.

That's supposed to be enough.

- Soras still has her.

- [Challenger] Marguerite!

(all shouting at once)

(dramatic music)

(camera flash pops)
(music stops)

- I never meant for this to happen.

I was trying to send you a message

to tell you where I was,
how to help bring me back.

But it's so hard trying to get
any of you to see or hear me.

And I didn't know that

by trying to open the path for me

you would endanger yourselves.

I won't let you risk your lives.

You mean too much to me.

So you've gotta let me go.

Bye Veronica.

I'm gonna miss you.

I will miss you all.

(calm music)

- What happened?

- Malone couldn't have done this.

Soras the butcher.

- Shaken but not hurt.

- Feel like I been kicked by a mule.

- [Challenger] A supernatural one at that.

- Thank goodness everyone's alright.

You took a picture of what happened?

- A photograph of something.

- Well Challenger you and
nothing short of brilliant.

- So they say.

(contemplative music)

What have we got here?

(suspenseful music)

Look at this.

Absolutely uncanny.

- They were both here Malone and Soras.

- [Assai] Don't you
understand what happened?

- Yes I do we opened a path from Malone

and someone else took it.

- Veronica, promise me you'll stop

all attempts to reach Malone.

- Assai I can't promise that.

None of us can.

(contemplative music)

- Well if I cannot stop you

then there's nothing that can stop Soras.

I have to warn my people.

(contemplative music)

- [Marguerite] Looking for
something in particular?

- I can't stop thinking about what

Malone said when he spoke through you.

Do not open the path here
but follow what I've written.

But written where?

- It's gonna take weeks to read them all.

- I have read them all Marguerite.

If Malone would have written
anything about Soras or seances

I'd know about it.

- Challenger wants to try
another seance tonight.

Maybe it'll be easier for Malone

to talk to us the second time around.

- Marguerite?

- Veronica did you
really need to draw that?

- I didn't.

- Soras is still here.

- But why would Soras place his

patent in Veronica's sketchpad?

- What if we're wrong?

What if Soras didn't do this?

- [Challenger] Malone?

- He did say follow what he's written.

- Written?

So Soras didn't create the pyroglyphs.

- Malone did.

- If the pyroglyphs are Malone's writings

then he's obviously trying
to tell us something.

But what?

(eerie music)

Oh Malone that better be you.

- Marguerite don't
interrupt the phenomenon.

- It's a triangle.

- Three knives pointing, triangulation.

Coordinates for a specific location.

Somewhere there's a third pyroglyph.

(knives thud)

- It's gonna take days
to search all the fields

between here and the Zanga village.

- Not necessarily.

- George you make me nervous

when you get that look in your eye.

(dramatic music)

- Another 50 feet and I'll be able

to see over into the next valley.

- Careful Marguerite keep
the ropes nice and taut.

- So we follow the Simile
River to the Zanga village.

There's the first one.

- Thinking positively it looks like

Challengers new rubber formula

may have solved the embrittlement problem.

In a month or so that
new balloon will have

more carrying capacity and greater range.

And who knows it might even get us past

those updrafts at the plateaus edge.

- First the updrafts then home.

- Why Marguerite I thought a chance

out of this place would cheer you up.

- Me yes, don't know how
Veronica's gonna take it.

What?

What?

- Oh nothing just for a moment there

it actually sounded like you
were worried about Veronica.

- No.

I'm worried about our division of labor

if she decides to spend the next month

moping in her bedroom that's all.

- Oh my thought exactly.

- We came along the Malone rift.

There's the second one.

Maybe around to the south.

There's the Cruel Mountains.

(contemplative music)

There it is.

(suspenseful music)

(bird squawking)

- Challenger look out!

(dramatic music)
(bird squawking)

- Don't shoot the balloon.

- Or Challenger.

Come on.

(bird squawking)

(gun fires)

- The rope!

Help!

- Down.

- You actually enjoyed that didn't you?

- Well I lived through it and anyway

that's the enjoyment of every experience.

We found the third pyroglyph here.

That's describing a triangle,
this point as it's center.

- So that must be where
Malone wants us to go.

- It's a rocky outcrop in dense jungle

so you're gonna have to
move quickly in order

to cut a trail for us before midnight.

- I'll have to cut the trail?

- You and Marguerite.

I've got to go back to the
tree house and get Veronica

and a few items we might need.

- What do you know that
we don't know exactly?

- Now that I know where
Malone wants us to go

I realized we're not
dealing with just opening

a line of communication
to the other realm.

We have to create a physical connection.

- Will that be safe?

- No not at all.

I suspect we've already
opened a path for Soras

to gain a foothold in our world.

The longer that path is
open the easier will be

for him to return with or
without our assistance.

- So then we have to close the path.

- As quickly as possible.

- Then how will Malone get back?

- To be honest I'm not sure he can.

(dramatic music)

Okay I've got it.

We found a third pyroglyph so now we know

exactly where Malone wants us to go.

- I knew Malone was trying
to tell us something.

But what does the photograph
have to do with it?

- It's for the seance
Marguerite's going to conduct.

It carries a physical imprint of Soras

which gives him a
psychometric link to our world

but by destroying the
plate at the proper time

in the proper place
that link can be broken.

- Malone's image is on that.

Won't his link be broken too?

- Not if you choose something
from your personal belongings

that has great meaning
to both you and Malone.

You are going to be his link to our world.

You are his only chance.

(dramatic music)

- X marks the spot.

- That's where Malone
wants us to go, a cave?

After you.

- If you insist.

- I do.

- Malone's handkerchief good.

- He left it on the
riverbank the day we first...

We went swimming and,
he was being so funny.

We were splashing around like...

I just know it's a day
that I'll always remember.

- We all know you and
Malone were, are very close.

- Well maybe we could be something more.

I don't really know.

But I'd like the chance to find out.

(dramatic music)

- What's so special about this cave?

How we gonna know when
we reach the right spot?

- I think this is the right spot.

- Yeah.

(dramatic music)

- These are standing stones
dating back to the Druids.

- They're much older than that.

- How do you know that?

- I just do.

It's like I've seen this place
before or somewhere like it.

- You have been to Avery?

- Yeah I used to live near there

as a child for a year or two.

That must be what I'm remembering.

Playing fairy wreath in standing stones.

- [Veronica] Why would Malone

lead us so deep into the jungle?

- I suspect he's directing us to

an extremely strong intersection
of Earth energy lines.

Perhaps the most powerful
on the entire plateau.

- Just what we need, a
more powerful seance.

- And a more powerful path for Malone.

(contemplative music)

Are you ready?

- [Roxton] Ask Marguerite.

She looks like she knows what she's doing.

- Now Marguerite you've already created

a link with Malone so call him again.

Use it in the seance.

- Won't that bring Soras?

- If Challenger's right
Soras is almost halfway here.

- I call Edward T. Malone.

(wind rushing)

You're making this look easy Malone.

- [Veronica] What's going on Challenger?

- The path between our
world and the other realm

is now completely opened.

- Over there through the light.

(dramatic music)

Is that Malone?

(Soras growling)

- Soras.

(gun fires)

(Soras growls)

- He likes being shot at.

- He's still part of the other world.

He hasn't completed his link.

- Now Challenger destroy it.

- And risk severing the link to Malone.

- Do what you got to do but do it fast.

- Call Malone.

- Pay attention Malone!

- Over there.

(punches landing)

(dramatic music)

Come back to us Malone, come back.

(dramatic music)

- [Challenger] Come on
Malone, concentrate.

- Hold back Soras, be patient.

- Focus on Malone.

(dramatic music)

- I'm gonna try and
weaken the link for Soras.

(Soras groans)

- Oh no.

- No.

(punches landing)

(dramatic music)

- Go now!

(Soras groaning)
(dramatic music)

(calm music)

- I'm back.

- [Veronica] Ned. (laughing nervously)

- You did it.

You did it.

(calm music)

It's a real mystery.

I don't know how I did this.

So much of what I experienced

seems like a dream or a nightmare.

I just can't remember the details.

- The important thing is that
you're back here with us.

- Where you belong.

- Looking better than ever I must say.

- Thank you.

And thank you all for not giving up on me.

- Oh not us.

- He means mainly us, all of us.

I bet you're starved.

- You know what I would love?

- What?

- Is there any coffee?

- Of course there is, around
here it's a necessity.

- Thank you.

- Challenger?

- Not with the Jungle 30 thank you.

(dramatic music)