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male announcer: Previously in the duels...
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Two acts entered. Only one survived.
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[both screaming]
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[dramatic music]
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The acts will go head-to-head... [all cheer]
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And battle for a spot in the next round...
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You're going into the lion's den right now,
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and you have to go for blood.
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♪ ♪
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It's a battle royal.
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Bring it on.
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Ooh! Ooh-hoo-hoo-hoo-hoo.
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This is how you win a competition.
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I wouldn't wanna follow that.
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Now we have a dance battle on our hands.
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announcer: And...
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We've saved the most intense duel for last.
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♪ ♪
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Three acts enter...
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[cheers and applause]
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Only one survives.
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Leaving the competition now is...
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♪ ♪
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audience: Oh!
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♪ ♪
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Okay, guys, welcome to the duels.
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Just as a reminder, the act with the highest score
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from the qualifying round will pick first.
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Kinjaz, who do you pick?
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We respectfully choose Stroll Groove.
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[cheers and applause]
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[laughter]
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announcer: For the first duel of the night,
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the top scorers in the teams division, Kinjaz,
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chose 10th place stepping team Stroll Groove.
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♪ ♪
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["High For This" by Deliver the Funk]
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Kinjaz is one of the most exciting teams to watch
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in the competition.
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In their first round, they created movements
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that was so riveting to watch.
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Our style is influenced by, like, a ninja culture.
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It allows us to transform into anything.
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You didn't need big, crazy tricks
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to keep it interesting, and I was, like, locked in.
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[cheers and applause]
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[soulful dramatic music]
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[cheers and applause]
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♪ ♪
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Stroll Groove was a big surprise for me.
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♪ ♪
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It's not always about technique.
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Sometimes it's just about the passion of it.
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♪ You're zestful every day ♪
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Our group is here
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to bring the unity back through this art form.
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You know, people are always like, "Oh, it's just singing.
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It's just dancing." But it's not.
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Love is what it's all about.
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[cheers and applause]
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["Jungle" by X Ambassadors]
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♪ Into the jungle ♪
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Yeah!
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These are two very different teams
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with two very different styles.
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♪ Kinjaz ♪
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Wait, what is this? - Couple props
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to help us with our performance.
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- Oh, wow. - One, two, three, four.
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Kinjaz, they're gonna try and be even more cinematic
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to create this illusion of a temple.
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It's mesmerizing, but only if things line up perfectly.
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You're stepping it up and you're bringing these panels,
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and I know you guys are literally the cleanest.
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Just don't lose that.
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♪ ♪
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Kinjaz are bringing the fire,
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but it's irrelevant.
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♪ Follow me... ♪
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We're still gonna bring it hardcore, raw.
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Yes, that was so good! That was so good.
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For Stroll Groove, choosing a '90s party anthem
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is a fantastic choice.
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That last little breakdown that you guys did,
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if there's any way to do just, like, a tiny bit more.
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I think that they would all be like...
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"Ah!" [laughs]
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♪ Ain't no God on these streets ♪
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♪ In the heart of the jungle ♪
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Our round one performance is like...
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[hums]
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Our round two performance is like...
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[grunts] [laughter]
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♪ Won't you follow me ♪
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♪ Into the jungle ♪
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It feels like a battle royal.
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Kinjaz, we got you.
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We're gonna bring it Stroll Groove style.
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Period.
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First up, Kinjaz.
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[cheers and applause]
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♪ Oh that's what I got ♪
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♪ ♪
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♪ Oh that's what I got ♪
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♪ Oh ♪
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♪ Oh that's what I got ♪
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♪ Oh that's what I got, oh that's what I got ♪
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Kinjaz pride.
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[cheers and applause]
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♪ ♪
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♪ Oh no, no you don't ♪
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♪ ♪
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Hey!
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♪ No, no, no, no, no, no ♪ - Kinjaz pride.
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♪ Oh no ♪
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♪ ♪
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[cheers and applause]
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♪ What you, what you got? ♪
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♪ Huh? ♪
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♪ ♪
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♪ Oh that's what I got ♪
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♪ ♪
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♪ Oh no, no you don't, no ♪
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♪ Oh that's what I got, oh that's what I got ♪
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♪ Oh that's what I got ♪
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Kinjaz pride.
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♪ ♪
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Kinjaz pride. - Hey!
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♪ ♪
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♪ Oh no, no you ♪
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♪ ♪
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Kinjaz.
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♪ ♪
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Kinjaz pr-pride.
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Kinjaz pride.
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♪ ♪
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[cheers and applause]
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Kinjaz. Bra-bra.
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[cheers and applause]
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This, to me, is how you win a competition.
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Every move is dynamic.
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Being something small, something big.
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It's not easy to be subtle and explosive at the same time,
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and y'all have mastered that.
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[cheers and applause]
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You use the group
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in a very kind of a calculated way
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that plays to all of your strengths.
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It's not about all of us out here all the time.
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You guys are putting together a performance, a show.
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I really, really enjoyed it.
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[cheers and applause]
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You guys are, like, the masters of illusion.
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It was incredible.
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One of your advantages is that you guys have an identity.
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You have a theme. It's very clear.
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You have--like, I want one of those jackets.
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You know what I mean? Like, I'm like--literally--
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Me too. [laughter]
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If you're giving out jackets.
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She's got enough jackets. Don't worry about her.
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I don't have one that says "Kinjaz."
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So we said this before,
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that we're looking for the million dollar routine.
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I think that was a million dollar routine.
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[cheers and applause]
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We'll have to see how this round goes
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'cause this is-- this is crazy right now.
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Let's lock it in.
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[dramatic music]
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♪ ♪
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Are we good? - We're good.
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Next up, Stroll Groove.
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[cheers and applause]
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["My Prerogative" by Bobby Brown]
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♪ ♪
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Get busy.
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♪ Everybody's talkin' ♪
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♪ All this stuff about me ♪
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♪ Why don't they just let me live? ♪
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♪ ♪
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♪ I don't need permission ♪
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♪ Make my own decisions ♪
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♪ That's my prerogative ♪
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♪ ♪
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♪ About a brother ♪
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♪ Trying hard to make it right ♪
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♪ Not long ago ♪
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♪ Before I win this fight ♪ - Sing!
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♪ I don't need permission ♪
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♪ Make my own decisions ♪
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♪ It's my prerogative ♪
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[cheers and applause]
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There was more stepping in that.
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I love that. The sound was so fantastic.
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It's so powerful. It's so energetic.
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Thank you.
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Kinjaz picked you guys. How'd that make you feel?
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You know, Kinjaz, they're a world-class crew, obviously.
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But then we were like, you know what?
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We're gonna give you guys a run for their money.
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[cheers and applause] - All right, yeah.
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I like the performance.
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It was definitely energy from start to finish.
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It felt like a house party, but steppin' is what y'all do.
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Give me something real quick. - Let's go!
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[all shouting]
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[cheers and applause]
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[laughs]
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You see what you just did right there?
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No music, just you by yourself?
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That was more dynamic than you guys' performance.
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When you're battling somebody,
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you're going into the lion's den,
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and you have to go for blood. both: Right.
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[cheers and applause]
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So I think we're gonna go and, uh, do the scores now.
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- Ready to lock-in? - Ready to lock it in.
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We'll see what happens.
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[dramatic music]
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♪ ♪
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The scores are locked.
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It's the moment of truth.
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Let's find out who's going through to the next round.
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♪ ♪
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Kinjaz...
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91.3.
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[cheers and applause]
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♪ ♪
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Stroll Groove...
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81.3.
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Kinjaz, you're moving on to the next round.
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[cheers and applause]
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["Irresistible" by Fall Out Boy]
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♪ Whoa-oh-oh-oh ♪
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♪ Whoa-oh-oh oh-oh-oh-oh yeah ♪ - Let's hear it one more time
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for Stroll Groove.
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♪ I love the way ♪
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♪ I love the way you hurt me baby... ♪
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Kinjaz, you guys are incredible.
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Just keep it coming, man. - Keep raising the bar.
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[cheers and applause]
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[together] We got Kinjaz pride!
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[electronic dance music]
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♪ ♪
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Whoo-hoo-hoo-hoo-hoo!
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It's the personality.
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It's the faces that you make.
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All I know is that I wouldn't wanna follow that.
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If somebody gets in the way, somebody's gonna get hurt.
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[cheers and applause]
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That was, like, a Super Bowl halftime show.
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♪ ♪
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That's what I'm talking about. This is a battle.
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♪ ♪
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male announcer: Next up, in the upper division
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Canadian cabaret act Luka and Jenalyn
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chose traditional ballroom duo DNA.
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[dramatic music]
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[cheers and applause]
261
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Luka and Jenalyn are doing cabaret,
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which is like ballroom with a lot of tricks
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and acrobatics and a lot of lifts,
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and they gave us one heck of a first round.
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We're here working out butt off to...
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Kind of prove that, like, anything is possible really
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as long as you put your mind to it.
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- That was really cute. - Aww, thanks.
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I'm sorry, that was just adorable.
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[cheers and applause]
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It was like a lift/trick clinic,
272
00:11:29,633 --> 00:11:32,000
and the transitions were seamless and very creative,
273
00:11:32,000 --> 00:11:34,267
which made them more interesting to watch.
274
00:11:34,267 --> 00:11:37,000
♪ Don't tell me what to do ♪
275
00:11:37,000 --> 00:11:39,200
[cheers and applause]
276
00:11:39,200 --> 00:11:40,833
["Powerful" by Major Lazer] ♪ There's a energy ♪
277
00:11:40,833 --> 00:11:42,467
♪ When you hold me ♪
278
00:11:42,467 --> 00:11:44,567
DNA's qualifier performance incorporated
279
00:11:44,567 --> 00:11:47,233
a lot of ballet lifts, a lot of contemporary moves.
280
00:11:47,233 --> 00:11:49,433
They did a really great job of infusing
281
00:11:49,433 --> 00:11:51,433
different elements of dance within ballroom,
282
00:11:51,433 --> 00:11:53,515
which makes for a very exciting performance.
283
00:11:54,145 --> 00:11:56,611
The lifts looked like you were working a little hard.
284
00:11:57,131 --> 00:11:58,822
If you gotta get in the gym, bruh, and get a more--
285
00:11:58,941 --> 00:12:00,475
get a little bit-- whatever it is.
286
00:12:00,475 --> 00:12:03,241
We're supposed to be amazed at how effortless you make it look.
287
00:12:03,241 --> 00:12:05,145
But they had so much intensity.
288
00:12:05,441 --> 00:12:07,575
This is kind of what I want ballroom to look like.
289
00:12:07,575 --> 00:12:08,941
[cheers and applause]
290
00:12:08,941 --> 00:12:10,241
Are you guys an actual couple?
291
00:12:10,241 --> 00:12:12,008
We just got married.
292
00:12:12,008 --> 00:12:13,441
So romantic.
293
00:12:13,441 --> 00:12:15,941
[cheers and applause]
294
00:12:15,941 --> 00:12:17,308
["Built for This Time" by Zayde Wolf]
295
00:12:17,308 --> 00:12:20,741
♪ Standin' there on the edge ♪
296
00:12:20,741 --> 00:12:23,108
This duel is going to rock the house.
297
00:12:23,108 --> 00:12:24,875
One is bringing wow dancing
298
00:12:24,875 --> 00:12:26,975
and the other is bring wow tricks.
299
00:12:26,975 --> 00:12:29,341
I can't wait to see these two styles head-to-head.
300
00:12:29,341 --> 00:12:31,875
The judges, last time they loved
301
00:12:31,875 --> 00:12:33,708
the wow factor of all the lifts,
302
00:12:33,708 --> 00:12:35,375
so is your strategy a little bit,
303
00:12:35,375 --> 00:12:37,608
like, bringing more of that into this?
304
00:12:37,608 --> 00:12:39,475
Now, for this round, we have to do tricks
305
00:12:39,475 --> 00:12:41,175
that we've never done and that no one's seen.
306
00:12:41,175 --> 00:12:42,641
Yeah. Luka and Jenalyn
307
00:12:42,641 --> 00:12:44,075
have some incredible tricks.
308
00:12:44,075 --> 00:12:45,841
They have put together a head spin
309
00:12:45,841 --> 00:12:47,508
that is legitimately dangerous.
310
00:12:47,508 --> 00:12:49,575
- Whoo! - And she's let go.
311
00:12:49,575 --> 00:12:51,041
If they pull that off,
312
00:12:51,041 --> 00:12:54,475
maybe they will score high enough to beat DNA.
313
00:12:54,475 --> 00:12:56,341
Whoo! Beautiful leg.
314
00:12:56,341 --> 00:12:57,575
Yeah.
315
00:12:57,575 --> 00:12:59,008
Yes! Yes!
316
00:12:59,008 --> 00:13:00,775
[exhales sharply] You guys are on fire.
317
00:13:00,775 --> 00:13:03,308
Like, level ten. You guys are coming to compete.
318
00:13:03,308 --> 00:13:06,341
Our next performance will be more powerful,
319
00:13:06,341 --> 00:13:07,975
aggressive at times. - Yeah.
320
00:13:07,975 --> 00:13:09,875
And we are putting some lifts as well.
321
00:13:09,875 --> 00:13:12,775
I don't know if people understand how hard that is.
322
00:13:12,775 --> 00:13:14,608
It's essentially bench pressing someone.
323
00:13:17,175 --> 00:13:18,975
- ♪ Keep the blood pumpin'... ♪
324
00:13:18,975 --> 00:13:22,275
This time... I think I'm more ready than--
325
00:13:22,275 --> 00:13:24,541
Now I feel like they are more ready...
326
00:13:24,541 --> 00:13:25,908
[chuckles] This time.
327
00:13:25,908 --> 00:13:27,908
- I'm going to the gym. - Both of these acts
328
00:13:27,908 --> 00:13:30,075
are pushing their boundaries with ballroom dancing.
329
00:13:30,075 --> 00:13:32,508
The question is: Which of them are best able
330
00:13:32,508 --> 00:13:34,108
to take it up a notch?
331
00:13:34,108 --> 00:13:35,775
♪ ♪
332
00:13:35,775 --> 00:13:37,175
We have so much riding on this.
333
00:13:37,175 --> 00:13:38,908
We put so much work and effort in.
334
00:13:38,908 --> 00:13:42,275
We feel like this is the time for us to shine.
335
00:13:42,275 --> 00:13:43,808
♪ Keep the blood pumpin' ♪
336
00:13:43,808 --> 00:13:45,675
♪ I was built for this ♪
337
00:13:45,675 --> 00:13:47,275
♪ Built for this time... ♪
338
00:13:47,275 --> 00:13:49,108
We've been dancing for ten years.
339
00:13:49,108 --> 00:13:53,141
Our competition experience could really help us in this.
340
00:13:53,141 --> 00:13:54,875
Bring it on.
341
00:13:54,875 --> 00:13:57,241
This one is good. This is a good battle.
342
00:13:57,241 --> 00:14:00,108
♪ I was built for this time ♪ First up, Luka and Jenalyn.
343
00:14:00,108 --> 00:14:03,175
[cheers and applause]
344
00:14:06,541 --> 00:14:09,541
["Don't Let Me Down" by The Chainsmokers]
345
00:14:09,541 --> 00:14:13,308
♪ ♪
346
00:14:13,308 --> 00:14:14,775
♪ Crashing ♪
347
00:14:14,775 --> 00:14:16,375
♪ Hit a wall ♪
348
00:14:16,375 --> 00:14:18,808
♪ Right now I need a miracle ♪
349
00:14:18,808 --> 00:14:22,241
♪ Hurry up now, I need a miracle ♪
350
00:14:22,241 --> 00:14:23,375
♪ ♪
351
00:14:23,375 --> 00:14:25,208
[cheers and applause]
352
00:14:25,208 --> 00:14:26,808
♪ Stranded ♪
353
00:14:26,808 --> 00:14:28,341
♪ Reaching out ♪
354
00:14:28,341 --> 00:14:31,408
♪ I call your name but you're not around ♪
355
00:14:31,408 --> 00:14:34,408
♪ I say your name but your now around ♪
356
00:14:34,408 --> 00:14:36,641
♪ ♪
357
00:14:36,641 --> 00:14:40,241
♪ I need ya, I need ya, I need you right now ♪
358
00:14:40,241 --> 00:14:42,441
♪ I need you right now ♪
359
00:14:42,441 --> 00:14:44,208
♪ So don't let me, don't let me ♪
360
00:14:44,208 --> 00:14:45,875
♪ Don't let me down ♪
361
00:14:45,875 --> 00:14:47,775
♪ I think I'm losing my mind now ♪
362
00:14:47,775 --> 00:14:50,775
♪ It's in my head darling I hope ♪
363
00:14:50,775 --> 00:14:53,941
♪ That you'll be here when I need you the most ♪
364
00:14:53,941 --> 00:14:56,175
♪ So don't let me, don't let me ♪
365
00:14:56,175 --> 00:14:58,141
♪ Don't let me down ♪
366
00:14:58,141 --> 00:15:00,008
♪ D-don't let me down ♪
367
00:15:00,008 --> 00:15:01,475
♪ Don't let me down ♪
368
00:15:01,475 --> 00:15:04,441
♪ ♪
369
00:15:04,441 --> 00:15:07,141
♪ Don't let me down, down, down ♪
370
00:15:07,141 --> 00:15:10,475
♪ ♪
371
00:15:10,475 --> 00:15:13,041
♪ Don't let me down, down, down ♪
372
00:15:13,041 --> 00:15:14,708
♪ ♪
373
00:15:14,708 --> 00:15:16,008
♪ Ooh-ooh-ooh ♪
374
00:15:16,008 --> 00:15:17,841
♪ I think I'm losing my mind now ♪
375
00:15:17,841 --> 00:15:18,975
♪ Yeah ♪
376
00:15:18,975 --> 00:15:20,975
♪ ♪
377
00:15:20,975 --> 00:15:22,541
♪ Yeah ♪
378
00:15:22,541 --> 00:15:24,575
♪ Don't let me down ♪
379
00:15:24,575 --> 00:15:28,141
♪ I need ya, I need ya, I need you right now ♪
380
00:15:28,141 --> 00:15:30,241
♪ Yeah I need you right now ♪
381
00:15:30,241 --> 00:15:33,341
[cheers and applause]
382
00:15:42,775 --> 00:15:44,208
Your first routine, you had so many,
383
00:15:44,208 --> 00:15:46,075
like, tricks and movements that I was like,
384
00:15:46,075 --> 00:15:47,608
"I don't know, did we see their best?
385
00:15:47,608 --> 00:15:49,275
Do they have anything more?"
386
00:15:49,275 --> 00:15:52,475
Uh, yeah, you do, and we just saw it.
387
00:15:52,475 --> 00:15:54,708
- Thank you. - The tricks were remarkable.
388
00:15:54,708 --> 00:15:57,575
The fact that you're balancing her on your head, no hands,
389
00:15:57,575 --> 00:16:00,075
and then finding front after that.
390
00:16:00,075 --> 00:16:02,208
That's--that's difficult. That was amazing.
391
00:16:02,208 --> 00:16:05,108
All I know is that I wouldn't wanna follow that.
392
00:16:05,108 --> 00:16:07,841
[cheers and applause]
393
00:16:07,841 --> 00:16:10,275
Man, y'all make it look so easy.
394
00:16:10,275 --> 00:16:13,075
I'ma go home and try to spin my wife on my head,
395
00:16:13,075 --> 00:16:14,408
and we both gonna wind up in the hospital.
396
00:16:14,408 --> 00:16:16,441
That's what's gonna happen. [laughter]
397
00:16:16,441 --> 00:16:17,841
Quality. You should be proud of yourself.
398
00:16:17,841 --> 00:16:20,341
[cheers and applause]
399
00:16:20,341 --> 00:16:22,408
When you dance together with a partner,
400
00:16:22,408 --> 00:16:24,708
you actually have to have a real relationship,
401
00:16:24,708 --> 00:16:26,875
and you're starting to appreciate what she does
402
00:16:26,875 --> 00:16:28,708
and she's starting to trust you so much,
403
00:16:28,708 --> 00:16:30,675
and that's why this was a different level
404
00:16:30,675 --> 00:16:32,308
than what we saw the first time. - Yes.
405
00:16:32,308 --> 00:16:34,241
And I would just say, the in between steps
406
00:16:34,241 --> 00:16:35,875
is what's gonna-- makes all of those moves
407
00:16:35,875 --> 00:16:37,175
even more and more dynamic.
408
00:16:37,175 --> 00:16:38,675
It's like, "Crashing, hit a wall.
409
00:16:38,675 --> 00:16:40,941
"Are you gonna be there? I need you right now.
410
00:16:40,941 --> 00:16:42,675
Or else I'm gonna fall and crack my head open."
411
00:16:42,675 --> 00:16:45,141
Right? So--you're not gymnasts, right?
412
00:16:45,141 --> 00:16:46,808
So, you're not acrobats.
413
00:16:46,808 --> 00:16:48,908
You're dancers. So don't forget that.
414
00:16:48,908 --> 00:16:50,741
Make sure you're dancing the whole time.
415
00:16:50,741 --> 00:16:52,341
both: Thank you. [cheers and applause]
416
00:16:52,341 --> 00:16:54,541
- We ready to lock it in? - Let's lock 'em in.
417
00:16:54,541 --> 00:16:57,541
[dramatic music]
418
00:16:57,541 --> 00:17:04,608
♪ ♪
419
00:17:05,708 --> 00:17:07,275
The scores are locked in.
420
00:17:07,275 --> 00:17:09,041
Okay, DNA, it is your turn.
421
00:17:09,041 --> 00:17:11,608
Go show us what you got.
422
00:17:13,975 --> 00:17:15,275
That's what it's gonna take.
423
00:17:15,275 --> 00:17:19,641
♪ ♪
424
00:17:25,175 --> 00:17:25,575
[cheers and applause]
425
00:17:27,875 --> 00:17:29,541
[dramatic music]
426
00:17:29,541 --> 00:17:31,308
Yeah!
427
00:17:31,308 --> 00:17:33,375
Next up, DNA.
428
00:17:33,375 --> 00:17:35,108
[cheers and applause]
429
00:17:35,108 --> 00:17:38,108
["Love Runs Out" by OneRepublic]
430
00:17:38,108 --> 00:17:39,875
audience: Ooh. ♪ I'll be your ghost ♪
431
00:17:39,875 --> 00:17:42,375
♪ Your game, your stadium ♪
432
00:17:42,375 --> 00:17:46,241
♪ I'll be your 50,000 clapping like one ♪
433
00:17:46,241 --> 00:17:48,475
♪ And I feel all right ♪
434
00:17:48,475 --> 00:17:52,375
♪ And I feel all right 'cause I worked it out ♪
435
00:17:52,375 --> 00:17:54,441
♪ I'll be doin' this ♪
436
00:17:54,441 --> 00:17:56,341
♪ If you have a doubt ♪
437
00:17:56,341 --> 00:18:00,241
♪ Till the love runs out, till the love runs out ♪
438
00:18:00,241 --> 00:18:02,541
♪ I got my mind made up ♪
439
00:18:02,541 --> 00:18:04,308
♪ And I can't let go ♪
440
00:18:04,308 --> 00:18:06,575
♪ I'm killin' every second ♪
441
00:18:06,575 --> 00:18:07,999
♪ Till it saves my soul ♪
442
00:18:08,389 --> 00:18:09,108
[together] ♪ Ooh-ooh-ooh-ooh ♪
443
00:18:09,108 --> 00:18:09,929
♪ I'll be runnin' ♪
444
00:18:10,504 --> 00:18:11,075
[together] ♪ Ooh-ooh-ooh-ooh ♪
445
00:18:11,075 --> 00:18:14,275
♪ I'll be runnin' till the love runs out ♪
446
00:18:14,275 --> 00:18:16,341
♪ Till the love runs out ♪
447
00:18:16,341 --> 00:18:18,341
♪ And we'll start a fire ♪
448
00:18:18,341 --> 00:18:20,275
♪ And we'll shut it down ♪
449
00:18:20,275 --> 00:18:21,908
♪ Till the love runs out ♪
450
00:18:21,908 --> 00:18:26,008
♪ Till the love runs out ♪
451
00:18:26,008 --> 00:18:29,141
♪ Oh-oh ooh-oh-oh-oh ♪
452
00:18:29,141 --> 00:18:32,575
♪ We all want the same thing ♪
453
00:18:32,575 --> 00:18:34,575
♪ For God, for fate ♪
454
00:18:34,575 --> 00:18:36,541
♪ For love, for hate ♪
455
00:18:36,541 --> 00:18:38,575
♪ For gold or rust ♪
456
00:18:38,575 --> 00:18:40,575
♪ For diamonds or dust ♪
457
00:18:40,575 --> 00:18:44,341
♪ I'll be your light, your match, your burning sun ♪
458
00:18:44,341 --> 00:18:48,341
♪ I'll be the bright in black that's making you run ♪
459
00:18:48,341 --> 00:18:50,375
♪ ♪
460
00:18:50,375 --> 00:18:52,575
♪ I got my mind made up ♪
461
00:18:52,575 --> 00:18:54,408
♪ And I can't let go ♪
462
00:18:54,408 --> 00:18:58,375
♪ I'm killin' every second till it saves my soul ♪
463
00:18:58,375 --> 00:19:00,075
♪ Ooh-ooh-ooh I'll be runnin' ♪
464
00:19:00,075 --> 00:19:02,341
♪ Till the love runs out ♪
465
00:19:02,341 --> 00:19:06,675
♪ Till the love runs out ♪
466
00:19:06,675 --> 00:19:09,741
[cheers and applause]
467
00:19:17,641 --> 00:19:18,975
All right.
468
00:19:18,975 --> 00:19:21,675
DNA, you guys are beautiful ballroom dancers.
469
00:19:21,675 --> 00:19:23,275
Really, really, beautiful.
470
00:19:23,275 --> 00:19:25,541
I feel like you had a little bit of a hiccup right at the top.
471
00:19:25,541 --> 00:19:27,941
[breathing heavily] Right? No?
472
00:19:27,941 --> 00:19:29,475
[laughter]
473
00:19:29,475 --> 00:19:31,641
Yes. both: Yes.
474
00:19:31,641 --> 00:19:32,975
- Yes. - Doesn't matter.
475
00:19:32,975 --> 00:19:35,241
You guys danced beautifully.
476
00:19:35,241 --> 00:19:36,875
The footwork that you did back there,
477
00:19:36,875 --> 00:19:38,241
the ganchos. - Yeah, it was amazing.
478
00:19:38,241 --> 00:19:40,341
It was really outstanding. Yeah, it was sick.
479
00:19:40,341 --> 00:19:42,608
There were a couple of little hiccups,
480
00:19:42,086 --> 00:19:44,053
and you have to smash your competitor,
481
00:19:44,053 --> 00:19:45,219
so we'll see.
482
00:19:45,219 --> 00:19:46,853
[cheers and applause]
483
00:19:46,853 --> 00:19:49,686
Yes, out of the double spiral into the double turn,
484
00:19:49,686 --> 00:19:51,419
you fell out of it, but you kept going.
485
00:19:51,419 --> 00:19:54,619
You picked yourself back up. You guys are better technicians,
486
00:19:54,619 --> 00:19:57,286
and the quality of dance, like, the in between moments,
487
00:19:57,286 --> 00:19:59,119
you guys are better. Like I thought they were, like--
488
00:19:59,119 --> 00:20:00,486
"Oh, they--you're going into, like, a fish,
489
00:20:00,486 --> 00:20:02,119
an Argentine tango fish," and then--but you didn't.
490
00:20:02,119 --> 00:20:03,153
you went into something different
491
00:20:03,153 --> 00:20:04,386
and it was a different line.
492
00:20:04,386 --> 00:20:05,686
So I appreciated that so much.
493
00:20:05,686 --> 00:20:06,886
It was so wonderful to watch.
494
00:20:06,886 --> 00:20:08,853
[cheers and applause]
495
00:20:08,853 --> 00:20:10,519
I remember the last time we saw you,
496
00:20:10,519 --> 00:20:12,219
I said to you that
497
00:20:12,219 --> 00:20:14,319
when you're doing your lifts and your tricks and things,
498
00:20:14,319 --> 00:20:15,819
it needs to look easy.
499
00:20:15,819 --> 00:20:17,386
I feel like you took the note,
500
00:20:17,386 --> 00:20:18,953
but then again, there were a couple places
501
00:20:18,953 --> 00:20:20,353
where there were little mishaps here and there,
502
00:20:20,353 --> 00:20:22,453
but other than that, quality.
503
00:20:22,453 --> 00:20:25,053
That bench press though. [grunts]
504
00:20:25,053 --> 00:20:27,153
I saw that moment.
505
00:20:27,153 --> 00:20:28,819
All right, we're gonna lock in our scores.
506
00:20:28,819 --> 00:20:30,419
Let's lock 'em in.
507
00:20:30,419 --> 00:20:33,586
[dramatic music]
508
00:20:33,586 --> 00:20:36,619
♪ ♪
509
00:20:36,619 --> 00:20:38,019
[cheers and applause]
510
00:20:38,019 --> 00:20:39,653
The judges' scores are locked.
511
00:20:39,653 --> 00:20:42,986
Let's see which act is moving on to the next round.
512
00:20:42,986 --> 00:20:45,153
♪ ♪
513
00:20:45,153 --> 00:20:47,686
DNA...
514
00:20:47,686 --> 00:20:49,086
80.3.
515
00:20:49,086 --> 00:20:52,086
[cheers and applause]
516
00:20:52,086 --> 00:20:54,686
♪ ♪
517
00:20:54,686 --> 00:20:56,519
Luka and Jenalyn...
518
00:20:56,519 --> 00:20:57,986
88.7.
519
00:20:57,986 --> 00:21:00,486
Luka and Jenalyn, you're going through.
520
00:21:00,486 --> 00:21:02,519
[cheers and applause]
521
00:21:02,519 --> 00:21:05,686
♪ And I'm hangin' on a moment of truth ♪
522
00:21:05,686 --> 00:21:07,019
♪ I'm on the edge ♪
523
00:21:07,019 --> 00:21:08,453
You guys are amazing at what you do.
524
00:21:08,453 --> 00:21:10,286
Taking nothing away from you as dancers.
525
00:21:10,286 --> 00:21:13,053
You are incredible, but at this level of competition,
526
00:21:13,053 --> 00:21:15,853
this is a very, very narrow margin for error.
527
00:21:15,853 --> 00:21:17,519
Hope to see you guys next year. Thank you so much.
528
00:21:17,519 --> 00:21:19,953
[cheers and applause] both: Thank you.
529
00:21:19,953 --> 00:21:23,919
Unfortunately, on stage a few things went wrong.
530
00:21:23,919 --> 00:21:27,419
So just really disappointed that I didn't do...
531
00:21:27,419 --> 00:21:29,919
- It's okay. - A good job.
532
00:21:29,919 --> 00:21:31,819
♪ I'm on the edge with you ♪
533
00:21:31,819 --> 00:21:33,386
You guys delivered on the night,
534
00:21:33,386 --> 00:21:35,253
and that's what it takes. Congratulations.
535
00:21:35,253 --> 00:21:37,086
Thank you. Thank you for everything.
536
00:21:37,086 --> 00:21:38,619
Congratulations again.
537
00:21:38,619 --> 00:21:40,986
[cheers and applause]
538
00:21:40,986 --> 00:21:43,886
♪ And I'm hangin' on a moment of truth ♪
539
00:21:43,886 --> 00:21:45,119
[laughs] Just give me a high five.
540
00:21:45,119 --> 00:21:46,486
I'm very glad that
541
00:21:46,486 --> 00:21:47,786
he did not drop me. - It doesn't happen.
542
00:21:47,786 --> 00:21:48,953
Again, we take it very seriously.
543
00:21:48,953 --> 00:21:50,386
In the three years of our partnership,
544
00:21:50,386 --> 00:21:52,119
he's never dropped me once, which I'm very proud to say,
545
00:21:52,119 --> 00:21:53,919
and I'm very proud that we did a very good job.
546
00:21:53,919 --> 00:21:56,253
- We did it. - You know, it's unfortunate,
547
00:21:56,253 --> 00:21:58,686
and I-I-- - Nerves are tough, man.
548
00:21:58,686 --> 00:22:00,286
I mean, you--you hit it right on the head.
549
00:22:00,286 --> 00:22:02,053
You said--you said, "It's about delivering in the moment,"
550
00:22:02,053 --> 00:22:05,387
and they didn't. As great as they are, they didn't deliver in the moment.
551
00:22:06,653 --> 00:22:08,220
♪ ♪
552
00:22:10,450 --> 00:22:11,950
You have to go for blood
553
00:22:11,950 --> 00:22:14,650
for every single performance that you do.
554
00:22:14,650 --> 00:22:16,050
- Mwah! - Whoo!
555
00:22:16,050 --> 00:22:17,817
There's a reason why you are the Jabbawockeez.
556
00:22:17,817 --> 00:22:19,617
- Ooh! Ooh-hoo-hoo-hoo! - Now we have a dance battle
557
00:22:19,617 --> 00:22:20,783
on our hands.
558
00:22:20,783 --> 00:22:22,517
[cheers and applause]
559
00:22:27,150 --> 00:22:27,583
["Perm" by Bruno Mars]
560
00:22:29,583 --> 00:22:31,750
♪ ♪
561
00:22:36,283 --> 00:22:40,283
It's a hard round because we have great people battling,
562
00:22:40,283 --> 00:22:42,850
and we have to send one of those acts home.
563
00:22:42,850 --> 00:22:45,417
[cheers and applause]
564
00:22:45,417 --> 00:22:47,017
♪ ♪
565
00:22:47,017 --> 00:22:48,883
♪ What you can't dance, ain't got rhythm? ♪
566
00:22:48,883 --> 00:22:50,983
♪ What you got a man? I don't see you with him ♪
567
00:22:50,983 --> 00:22:52,717
♪ Put your phone down, let's get it ♪
568
00:22:52,717 --> 00:22:54,817
♪ Forget your Instagram and your Twitter ♪
569
00:22:54,817 --> 00:22:56,050
♪ Got me like whoa... ♪ - Whoa!
570
00:22:56,050 --> 00:22:57,583
It's the personality,
571
00:22:57,583 --> 00:22:59,917
it's the faces that you make,
572
00:22:59,917 --> 00:23:02,050
that really makes you guys stand out.
573
00:23:02,050 --> 00:23:03,617
Thank you. ♪ Throw some perm ♪
574
00:23:03,617 --> 00:23:04,883
♪ On your attitude ♪
575
00:23:04,883 --> 00:23:06,117
♪ ♪
576
00:23:06,117 --> 00:23:07,317
♪ Girl you gotta relax ♪
577
00:23:07,317 --> 00:23:08,550
♪ ♪
578
00:23:08,550 --> 00:23:10,650
- Whoo-hoo-hoo-hoo!
579
00:23:10,650 --> 00:23:12,783
♪ Let me show you what you got to do ♪
580
00:23:12,783 --> 00:23:13,917
♪ ♪
581
00:23:13,917 --> 00:23:15,650
♪ You gotta lay it back... ♪
582
00:23:15,650 --> 00:23:18,083
That's what I'm talking about. This is a battle.
583
00:23:18,083 --> 00:23:20,317
- If somebody gets in the way, somebody's gonna get hurt.
584
00:23:20,317 --> 00:23:22,317
That's how hard y'all hit every move,
585
00:23:22,317 --> 00:23:24,350
and I love that about y'all. We lockin' in?
586
00:23:24,350 --> 00:23:27,550
I hate this part. - ♪ You gotta lay it back ♪
587
00:23:27,550 --> 00:23:29,083
Here we go.
588
00:23:29,083 --> 00:23:31,417
Let's find out who's going through to the next round.
589
00:23:31,417 --> 00:23:33,817
♪ ♪
590
00:23:33,817 --> 00:23:35,783
[all scream] ImmaBEAST!
591
00:23:35,783 --> 00:23:38,183
[cheers and applause]
592
00:23:38,183 --> 00:23:40,017
♪ There's that smile I'm lookin' for... ♪
593
00:23:40,017 --> 00:23:42,083
The duels are kind of brutal.
594
00:23:42,083 --> 00:23:43,717
♪ ♪
595
00:23:43,717 --> 00:23:45,517
I feel like we're gonna lose a lot of great dancers.
596
00:23:45,517 --> 00:23:47,850
Come on! Show us why you're here!
597
00:23:47,850 --> 00:23:49,450
♪ Loosen them shoulders up ♪
598
00:23:49,450 --> 00:23:50,917
♪ Pour it up, let's work ♪
599
00:23:50,917 --> 00:23:53,017
♪ Throw some perm on your attitude ♪
600
00:23:53,017 --> 00:23:54,483
♪ ♪
601
00:23:54,483 --> 00:23:55,817
♪ Girl you gotta relax ♪
602
00:23:55,817 --> 00:23:56,950
♪ ♪
603
00:23:56,950 --> 00:23:59,450
♪ Ooh ♪ [grunts]
604
00:23:59,450 --> 00:24:01,517
I love the use of the prop, the lighting.
605
00:24:01,517 --> 00:24:03,250
Couple cleanliness issues here and there.
606
00:24:03,250 --> 00:24:05,450
Nothing major. - It was really affective.
607
00:24:05,450 --> 00:24:07,417
It was magical.
608
00:24:07,417 --> 00:24:08,850
♪ ♪
609
00:24:08,850 --> 00:24:11,183
[grunts] ♪ Show her how to lay it back ♪
610
00:24:11,183 --> 00:24:13,483
♪ ♪
611
00:24:13,483 --> 00:24:15,917
♪ Show her how to lay it back ♪
612
00:24:15,917 --> 00:24:17,450
Whoo! I've got goose bumps.
613
00:24:17,450 --> 00:24:19,017
♪ Show her how to lay it back ♪
614
00:24:19,017 --> 00:24:20,783
Definitely played up the passion.
615
00:24:20,783 --> 00:24:22,183
The kiss felt real.
616
00:24:22,183 --> 00:24:24,250
So did she-- did she, like, die?
617
00:24:24,250 --> 00:24:26,117
So, she died? - She died of a broken heart,
618
00:24:26,117 --> 00:24:27,483
and she was playing the castanets,
619
00:24:27,483 --> 00:24:29,383
and it was her heartbeat. - Thank you, Jennifer.
620
00:24:29,383 --> 00:24:31,117
Oh. [laughs]
621
00:24:31,117 --> 00:24:32,517
- Are we lockin' in? - Yes.
622
00:24:32,517 --> 00:24:33,950
- All right, let's do it.
623
00:24:33,950 --> 00:24:35,783
- ♪ Silky smooth and snap ♪
624
00:24:35,783 --> 00:24:37,317
♪ Now lean with it ♪♪ Lean ♪
625
00:24:37,317 --> 00:24:38,550
Pasión!
626
00:24:38,550 --> 00:24:40,650
[cheers and applause]
627
00:24:40,650 --> 00:24:42,150
♪ Pat till it's flat ♪
628
00:24:42,150 --> 00:24:43,883
♪ One more time you need to... ♪
629
00:24:43,883 --> 00:24:45,517
In the duels, it's more intense
630
00:24:45,517 --> 00:24:48,917
because... it's direct competition.
631
00:24:48,917 --> 00:24:50,250
♪ ♪
632
00:24:50,250 --> 00:24:52,383
You can see them and they can see you.
633
00:24:52,383 --> 00:24:53,950
I don't envy them at all in the realm of it.
634
00:24:53,950 --> 00:24:55,917
Super duper clean. We could hear every tap.
635
00:24:55,917 --> 00:24:57,683
- Thank you. - The competitive spirit.
636
00:24:57,683 --> 00:24:59,883
Like, you jumped over there, took it straight to them.
637
00:24:59,883 --> 00:25:02,283
That's what a duel is about. [cheers and applause]
638
00:25:02,283 --> 00:25:04,817
♪ Let me show you what you got to do ♪
639
00:25:04,817 --> 00:25:06,583
♪ You gotta lay it back ♪
640
00:25:06,583 --> 00:25:09,450
Matter of fact, band, show her how to lay it...
641
00:25:09,450 --> 00:25:11,183
♪ Back ♪
642
00:25:11,183 --> 00:25:13,117
That was like a Super Bowl halftime show.
643
00:25:13,117 --> 00:25:15,617
Yeah.
644
00:25:15,617 --> 00:25:17,050
Lockin' in.
645
00:25:17,050 --> 00:25:18,817
♪ Show her how to lay it back now ♪
646
00:25:18,817 --> 00:25:19,917
Ow!
647
00:25:19,917 --> 00:25:21,683
Chapkis Dance Family.
648
00:25:21,683 --> 00:25:24,550
[cheers and applause]
649
00:25:24,550 --> 00:25:27,283
[together] Chapkis family! Chapkis family!
650
00:25:27,283 --> 00:25:29,150
[upbeat Latin music]
651
00:25:29,150 --> 00:25:32,117
Next up on stage, D'Angelo and Amanda...
652
00:25:32,117 --> 00:25:33,583
[cheers and applause]
653
00:25:33,583 --> 00:25:35,550
Me and Amanda did set a really high bar for us
654
00:25:35,550 --> 00:25:37,083
in the last round. - We're just hoping
655
00:25:37,083 --> 00:25:38,750
that this round, we can do even better.
656
00:25:38,750 --> 00:25:40,217
♪ ♪
657
00:25:40,217 --> 00:25:42,883
Versus the Mihacevich Sisters.
658
00:25:42,883 --> 00:25:44,750
We definitely fell like underdogs.
659
00:25:44,750 --> 00:25:47,183
We're just three sisters from Cleveland, Ohio.
660
00:25:47,183 --> 00:25:48,617
♪ ♪
661
00:25:48,617 --> 00:25:50,450
And this experience has been so amazing,
662
00:25:50,450 --> 00:25:52,517
and we're not ready for it to end yet.
663
00:25:52,517 --> 00:25:55,050
First up, D'Angelo and Amanda.
664
00:25:55,050 --> 00:25:58,350
Whoa! [cheers and applause]
665
00:25:58,877 --> 00:26:01,177
["Hip Hip Chin Chin" by Club Des Belugas]
666
00:26:01,177 --> 00:26:03,877
The subject for tonight's lecture is rhythm.
667
00:26:03,877 --> 00:26:10,977
♪ ♪
668
00:26:20,710 --> 00:26:23,210
The subject for tonight's lecture is rhythm.
669
00:26:23,210 --> 00:26:26,544
♪ ♪
670
00:26:26,544 --> 00:26:29,544
[cheers and applause]
671
00:26:29,544 --> 00:26:34,610
♪ ♪
672
00:26:34,610 --> 00:26:37,310
[cheers and applause]
673
00:26:37,310 --> 00:26:39,010
Okay, the last time we saw you,
674
00:26:39,010 --> 00:26:41,544
you blew us away, so you set a bar for yourself.
675
00:26:41,544 --> 00:26:43,844
You came in a little under that bar for me this time.
676
00:26:43,844 --> 00:26:45,544
You have to go for blood
677
00:26:45,544 --> 00:26:47,710
every single performance that you do.
678
00:26:47,710 --> 00:26:50,144
Okay?
679
00:26:50,144 --> 00:26:51,777
["Unstoppable" by Sia]
680
00:26:50,144 --> 00:26:51,777
♪ Yeah ♪
681
00:26:51,777 --> 00:26:53,710
♪ I put my armor on ♪
682
00:26:53,710 --> 00:26:57,244
♪ Show you how strong I am ♪
683
00:26:57,244 --> 00:26:59,310
♪ I put my armor on ♪
684
00:26:59,310 --> 00:27:03,077
♪ I'll show you that I am ♪
685
00:27:03,077 --> 00:27:05,444
♪ I'm unstoppable ♪
686
00:27:05,444 --> 00:27:08,477
♪ I'm a Porsche with no brakes ♪
687
00:27:08,477 --> 00:27:10,910
♪ I'm invincible ♪
688
00:27:10,910 --> 00:27:14,110
♪ Yeah I win every single day ♪
689
00:27:14,110 --> 00:27:16,910
♪ I'm unstoppable today ♪
690
00:27:16,910 --> 00:27:19,910
♪ Unstoppable today ♪
691
00:27:19,910 --> 00:27:22,210
♪ Unstoppable today ♪
692
00:27:22,210 --> 00:27:25,444
[cheers and applause]
693
00:27:25,444 --> 00:27:28,377
What I do love about this group
694
00:27:28,377 --> 00:27:30,144
is that you do dance as one,
695
00:27:30,144 --> 00:27:33,210
and that moves me... - Thank you so much.
696
00:27:33,210 --> 00:27:35,045
But I don't wanna see the same thing
697
00:27:35,153 --> 00:27:36,588
each time you guys come out here.
698
00:27:36,865 --> 00:27:39,631
I wanna see you push yourselves. Okay?
699
00:27:39,631 --> 00:27:41,565
I love your guys' connection with each other,
700
00:27:41,565 --> 00:27:43,665
but I believe the audience reacted more
701
00:27:43,665 --> 00:27:45,498
to the other couple. - Crowd appeal and impact
702
00:27:45,498 --> 00:27:47,165
is one of our categories. - Absolutely.
703
00:27:47,165 --> 00:27:48,831
So great job overall. We'll just see if it's enough.
704
00:27:48,831 --> 00:27:51,398
Thank you. [cheers and applause]
705
00:27:51,398 --> 00:27:53,098
Let's lock those scores.
706
00:27:53,098 --> 00:27:58,065
♪ ♪
707
00:27:58,065 --> 00:28:00,431
- D'Angelo and Amanda...
708
00:28:00,431 --> 00:28:01,965
78.7.
709
00:28:01,965 --> 00:28:04,798
♪ ♪
710
00:28:04,798 --> 00:28:08,531
- Mihacevich Sisters...
711
00:28:08,531 --> 00:28:10,265
81.
712
00:28:10,265 --> 00:28:11,931
[cheers and applause]
713
00:28:11,931 --> 00:28:15,131
♪ Unstoppable today... ♪ Mihacevich Sisters.
714
00:28:15,131 --> 00:28:17,465
♪ Unstoppable today ♪
715
00:28:17,465 --> 00:28:20,065
♪ I'm unstoppable today ♪
716
00:28:21,098 --> 00:28:24,365
[electronic dance music]
717
00:28:26,065 --> 00:28:28,665
Ooh! Ooh-hoo-hoo-hoo!
718
00:28:28,665 --> 00:28:30,565
Took it right to your opponents,
719
00:28:30,565 --> 00:28:32,098
and that's what a duel is about.
720
00:28:32,098 --> 00:28:33,698
♪ ♪
721
00:28:33,698 --> 00:28:35,431
Now we have a dance battle on our hands,
722
00:28:35,431 --> 00:28:37,465
and that's what it should be.
723
00:28:44,198 --> 00:28:46,099
Okay, guys, the picking is done.
724
00:28:46,531 --> 00:28:48,498
So we have three acts remaining,
725
00:28:48,498 --> 00:28:49,665
Jabbawockeez,
726
00:28:49,665 --> 00:28:51,165
Ian Eastwood and the Young Lions,
727
00:28:51,165 --> 00:28:54,298
and Rouge will go head-to-head.
728
00:28:54,298 --> 00:28:55,898
[cheers and applause]
729
00:28:55,898 --> 00:28:57,531
male announcer: With only one spot remaining
730
00:28:57,531 --> 00:28:58,898
in the next round...
731
00:29:04,965 --> 00:29:06,931
Will be dancing for their lives
732
00:29:06,931 --> 00:29:09,131
in the ultimate three-way duel.
733
00:29:09,131 --> 00:29:12,598
Rouge is a fiery group of unapologetic,
734
00:29:12,598 --> 00:29:14,131
fearless women.
735
00:29:14,131 --> 00:29:16,431
Rouge, here's what I love, girls that can give you
736
00:29:16,431 --> 00:29:18,265
that hard-hitting,
737
00:29:18,265 --> 00:29:20,465
that attitude, that energy.
738
00:29:20,465 --> 00:29:23,065
Rouge, all there.
739
00:29:23,065 --> 00:29:24,965
They also made quite an impression on Jennifer.
740
00:29:24,965 --> 00:29:26,698
I wanna just take you on tour with me.
741
00:29:26,698 --> 00:29:28,998
The--all of you. [all scream]
742
00:29:31,065 --> 00:29:32,631
["Chunky" by Bruno Mars]
743
00:29:32,631 --> 00:29:34,165
Ian Eastwood and the Young Lions,
744
00:29:34,165 --> 00:29:36,965
super smooth performance, very slick,
745
00:29:36,965 --> 00:29:39,131
but if Ian Eastwood and the Young Lions
746
00:29:39,131 --> 00:29:40,965
are gonna go all the way in this competition,
747
00:29:40,965 --> 00:29:42,765
they're gonna need to be a little less chill,
748
00:29:42,765 --> 00:29:44,131
a little more dynamic.
749
00:29:44,131 --> 00:29:45,665
They need a little more wow in the routine.
750
00:29:45,665 --> 00:29:47,198
♪ Slide with your boy... ♪
751
00:29:47,198 --> 00:29:48,831
Competitively, we're the underdog.
752
00:29:48,831 --> 00:29:50,765
A lot of us don't compete that often,
753
00:29:50,765 --> 00:29:54,298
and we are putting ourselves out there to be judged,
754
00:29:54,298 --> 00:29:56,331
and that's scary.
755
00:29:56,331 --> 00:29:57,631
♪ ♪
756
00:29:57,631 --> 00:29:59,465
It felt like an artist's performance.
757
00:29:59,465 --> 00:30:01,431
Again, this isn't a presentation,
758
00:30:01,431 --> 00:30:03,665
this is a competition. - The routine itself needed
759
00:30:03,665 --> 00:30:06,631
to be just a little bit more exciting.
760
00:30:06,631 --> 00:30:09,065
♪ Yeah you baby ♪
761
00:30:09,065 --> 00:30:11,265
[hip-hop music]
762
00:30:11,265 --> 00:30:14,398
♪ Whoo the whole room is feelin' me ♪
763
00:30:14,398 --> 00:30:16,398
The Jabbawockeez, hands down
764
00:30:16,398 --> 00:30:18,298
one of the most well-known crews in the competition.
765
00:30:18,298 --> 00:30:20,065
Their first performance, though,
766
00:30:20,065 --> 00:30:22,031
they--they didn't give us classic Jabbawockeez.
767
00:30:22,031 --> 00:30:23,465
They were a little more-- a little more chill.
768
00:30:23,465 --> 00:30:27,665
♪ ♪
769
00:30:27,665 --> 00:30:29,398
It felt like there was more groove,
770
00:30:29,398 --> 00:30:30,731
and a little less, like, isolation.
771
00:30:30,731 --> 00:30:31,865
Call me old school, I don't know,
772
00:30:31,865 --> 00:30:33,798
but I loved the--the isolation.
773
00:30:33,798 --> 00:30:35,931
Why come and put yourselves on the line?
774
00:30:35,931 --> 00:30:37,431
We come from nothing.
775
00:30:37,431 --> 00:30:38,965
We do this, we live this,
776
00:30:38,965 --> 00:30:41,365
and we only wanna grow.
777
00:30:41,365 --> 00:30:44,431
[cheers and applause]
778
00:30:45,298 --> 00:30:47,965
This is gonna be one of the most exciting duels so far.
779
00:30:47,965 --> 00:30:49,931
♪ ♪
780
00:30:49,931 --> 00:30:52,131
And it's going to be hard to not only lose one,
781
00:30:52,131 --> 00:30:53,731
but two of our teams.
782
00:30:53,731 --> 00:30:55,698
♪ Call it what you want shorty what you need... ♪
783
00:30:55,698 --> 00:30:57,365
The Jabbawockeez...
784
00:30:57,365 --> 00:30:58,865
♪ We ain't never leave ♪
785
00:30:58,865 --> 00:31:01,431
Who had to redefine being clean and precise.
786
00:31:01,431 --> 00:31:02,965
Come on, Joe, you gotta get those arms right.
787
00:31:02,965 --> 00:31:05,065
The judges wanted to see the classic Jabbawockeez.
788
00:31:05,065 --> 00:31:07,065
But we're a type of crew that
789
00:31:07,065 --> 00:31:08,865
we wanna bring the unexpected every single time.
790
00:31:08,865 --> 00:31:10,231
Everyone's gunning for us.
791
00:31:10,231 --> 00:31:11,865
Judges already have expectations for us.
792
00:31:11,865 --> 00:31:13,298
It will be interesting to see,
793
00:31:13,298 --> 00:31:15,531
will the Jabbawockeez stick with this new groove
794
00:31:15,531 --> 00:31:17,831
or if they're gonna bring that old school Jabbawockeez
795
00:31:17,831 --> 00:31:19,033
and what they're really known for.
796
00:31:19,162 --> 00:31:20,898
♪ All the way up, just left the big house ♪
797
00:31:20,898 --> 00:31:22,465
♪ To a bigger house ♪
798
00:31:22,465 --> 00:31:23,765
Honestly, we were all very nervous.
799
00:31:23,765 --> 00:31:25,365
They are both very established crews,
800
00:31:25,365 --> 00:31:27,531
but at the same time, this is what we came for.
801
00:31:27,531 --> 00:31:29,731
We're just gonna bring it.
802
00:31:29,731 --> 00:31:31,298
Rouge's strength is their choreography.
803
00:31:31,298 --> 00:31:32,831
♪ And you should stay up ♪
804
00:31:32,831 --> 00:31:34,765
They know how to balance hard-hitting moves
805
00:31:34,765 --> 00:31:36,498
with that feminine energy.
806
00:31:36,498 --> 00:31:38,465
♪ Say I'm showin' off new things... ♪
807
00:31:38,465 --> 00:31:40,731
Ian has really taken the judges' comments to heart.
808
00:31:40,731 --> 00:31:42,065
We look at last week as like,
809
00:31:42,065 --> 00:31:44,198
"Okay, well, we have to really step it up."
810
00:31:44,198 --> 00:31:45,531
They definitely wanna deliver
811
00:31:45,531 --> 00:31:47,865
all sorts of new dynamics in this routine.
812
00:31:47,865 --> 00:31:50,965
Jabbawockeez are the best dancers on the planet.
813
00:31:50,965 --> 00:31:53,898
This situation is for sure not ideal.
814
00:31:53,898 --> 00:31:55,665
♪ I'm all the way up, call it what you want ♪
815
00:31:55,665 --> 00:31:57,731
♪ Shorty what you need ♪
816
00:31:57,731 --> 00:32:01,465
We are not going to underestimate them at all.
817
00:32:01,465 --> 00:32:02,798
We're here for the competition.
818
00:32:02,798 --> 00:32:04,965
We're here to get the job done.
819
00:32:04,965 --> 00:32:07,098
This three-way is gonna be really tough,
820
00:32:07,098 --> 00:32:08,798
but we're ready for this battle.
821
00:32:08,798 --> 00:32:11,831
Even though we're not Jabbawockeez or Ian Eastwood,
822
00:32:11,831 --> 00:32:14,065
we deserve to be here.
823
00:32:14,065 --> 00:32:15,565
♪ I'm all the way up ♪
824
00:32:15,565 --> 00:32:18,098
Next up on stage, Jabbawockeez
825
00:32:18,098 --> 00:32:20,231
versus Ian Eastwood and the Young Lions
826
00:32:20,231 --> 00:32:22,265
versus Rouge.
827
00:32:22,265 --> 00:32:24,031
♪ I'm all the way up ♪
828
00:32:24,031 --> 00:32:25,298
♪ ♪
829
00:32:25,298 --> 00:32:27,798
First up, Rouge.
830
00:32:27,798 --> 00:32:30,631
[cheers and applause]
831
00:32:30,631 --> 00:32:31,865
[dramatic music]
832
00:32:31,865 --> 00:32:33,798
Let's go, ladies!
833
00:32:33,798 --> 00:32:36,998
♪ ♪
834
00:32:38,865 --> 00:32:41,965
["Trini Dem Girls" by Nicki Minaj]
835
00:32:41,965 --> 00:32:43,231
[blades scrape]
836
00:32:44,931 --> 00:32:46,631
Mwah!
837
00:32:46,631 --> 00:32:48,598
♪ Which them girls let me part the pum pum? ♪
838
00:32:48,598 --> 00:32:50,831
♪ I'ma wind up them waist, I'ma part the pum pum ♪
839
00:32:50,831 --> 00:32:53,765
[distorted voice]
840
00:32:53,765 --> 00:32:56,031
♪ He tryna kick it like a ninja ♪
841
00:32:56,031 --> 00:32:58,265
♪ He tryna stick it like syringes ♪
842
00:32:58,265 --> 00:32:59,898
♪ He don't know I play the benches ♪
843
00:32:59,898 --> 00:33:01,665
♪ I'ma let him touch it if he playin' with some inches ♪
844
00:33:01,665 --> 00:33:03,698
♪ Which them girls let me part the pum pum? ♪
845
00:33:03,698 --> 00:33:06,198
♪ I'ma wind up them waist, I'ma part the pum pum ♪
846
00:33:06,198 --> 00:33:07,798
♪ ♪
847
00:33:07,798 --> 00:33:11,498
♪ All the bad boys try to push up on me ♪
848
00:33:11,498 --> 00:33:14,998
♪ He want a bad girl to come and spend his money ♪
849
00:33:14,998 --> 00:33:16,765
♪ ♪
850
00:33:16,765 --> 00:33:18,231
Whoo!
851
00:33:18,231 --> 00:33:25,331
♪ ♪
852
00:33:27,665 --> 00:33:30,731
[cheers and applause]
853
00:33:34,298 --> 00:33:37,765
Rouge, repping for the ladies. I like it!
854
00:33:37,765 --> 00:33:40,831
It's hard to compete with that female sexy energy.
855
00:33:40,831 --> 00:33:42,131
I love a good booty shake. Everybody know that.
856
00:33:42,131 --> 00:33:43,531
Hey, when in doubt, shake it out.
857
00:33:43,531 --> 00:33:45,065
Know what I'm saying? - Everybody knows that.
858
00:33:45,065 --> 00:33:47,531
You're all great dancers, but at the same time,
859
00:33:47,531 --> 00:33:50,998
the choreography could have been just a tiny bit better.
860
00:33:50,998 --> 00:33:52,198
I love the confidence.
861
00:33:52,198 --> 00:33:53,431
You guys definitely had the tack.
862
00:33:53,431 --> 00:33:54,931
There were a couple moments
863
00:33:54,931 --> 00:33:56,265
where you lost me a little bit, but other than that,
864
00:33:56,265 --> 00:33:57,798
I thought it-- I thought it was good.
865
00:33:57,798 --> 00:33:59,998
I feel like a diagonal line, it didn't quite hit it.
866
00:33:59,998 --> 00:34:01,965
It just felt a little bit sloppy in areas,
867
00:34:01,965 --> 00:34:04,798
but you made up for that in your energy,
868
00:34:04,798 --> 00:34:06,198
and we'll keep that in mind, so...
869
00:34:06,198 --> 00:34:08,331
Are we lockin' in?
870
00:34:08,331 --> 00:34:11,331
[dramatic music]
871
00:34:11,331 --> 00:34:15,065
♪ ♪
872
00:34:15,065 --> 00:34:17,931
Next up, Jabbawockeez.
873
00:34:17,931 --> 00:34:19,098
Okay, here we go.
874
00:34:19,098 --> 00:34:20,965
[cheers and applause]
875
00:34:20,965 --> 00:34:23,031
Wow.
876
00:34:27,531 --> 00:34:30,531
[remix of "Scenario" by A Tribe Called Quest]
877
00:34:30,531 --> 00:34:34,398
♪ ♪
878
00:34:34,398 --> 00:34:37,031
Drop, drop, drop, drop.
879
00:34:37,031 --> 00:34:39,231
♪ As I combine all the juice from the mind ♪
880
00:34:39,231 --> 00:34:41,865
♪ Heel up, wheel up, bring it back, come, rewind ♪
881
00:34:44,365 --> 00:34:46,531
♪ ♪
882
00:34:46,665 --> 00:34:48,965
♪ Powerful impact, boom from the cannon ♪
883
00:34:48,965 --> 00:34:51,399
♪ Not bragging... ♪ Ooh-hoo-hoo-hoo!
884
00:34:51,399 --> 00:34:53,665
- ♪ Vo-cab-u-lary's necessary ♪
885
00:34:53,665 --> 00:34:56,165
♪ When digging in the mind library ♪
886
00:34:56,165 --> 00:34:58,465
♪ Oh my gosh, oh my gosh ♪
887
00:34:58,465 --> 00:34:59,665
♪ Uh, pardon me, uh ♪
888
00:34:59,665 --> 00:35:00,899
♪ As I come back ♪
889
00:35:00,899 --> 00:35:07,965
♪ ♪
890
00:35:12,565 --> 00:35:14,932
♪ Chockity Choco, the chocolate chicken ♪
891
00:35:14,932 --> 00:35:17,465
♪ The rear gone diesel, butt cheeks they were kickin' ♪
892
00:35:17,465 --> 00:35:19,665
♪ Yo bust it out before the Busta bust another rhyme ♪
893
00:35:19,665 --> 00:35:21,999
♪ The rhythm is in sync, the rhymes are on time ♪
894
00:35:21,999 --> 00:35:24,432
♪ Ripping up the sound just like Horatio ♪
895
00:35:24,432 --> 00:35:26,732
♪ Observe the, observe the, drop the scenario ♪
896
00:35:26,732 --> 00:35:28,432
♪ Check it ♪
897
00:35:28,432 --> 00:35:29,599
♪ Check, check ♪
898
00:35:29,599 --> 00:35:31,565
♪ So what's the scenario ♪
899
00:35:31,565 --> 00:35:33,765
[cheers and applause]
900
00:35:33,765 --> 00:35:37,299
♪ ♪
901
00:35:37,299 --> 00:35:38,732
♪ We got the vibe ♪
902
00:35:38,732 --> 00:35:40,265
[distorted voice] Check on the word.
903
00:35:40,265 --> 00:35:43,265
[alarm blaring]
904
00:35:43,265 --> 00:35:46,332
[cheers and applause]
905
00:35:52,265 --> 00:35:55,832
That performance really felt like those break dance battles
906
00:35:55,832 --> 00:35:57,599
from the '80s or something.
907
00:35:57,599 --> 00:35:59,232
It was so authentic.
908
00:35:59,232 --> 00:36:01,065
I'm getting really to see you up close and personal
909
00:36:01,065 --> 00:36:02,365
for the first time,
910
00:36:02,365 --> 00:36:05,632
and your details is what I-- is riveting.
911
00:36:05,632 --> 00:36:07,599
[cheers and applause]
912
00:36:07,599 --> 00:36:09,699
I think you guys are kind of at a disadvantage.
913
00:36:09,699 --> 00:36:11,565
Because we know you, we know your work,
914
00:36:11,565 --> 00:36:13,932
we know you're amazing, the bar is high for you guys.
915
00:36:13,932 --> 00:36:16,565
We're competing against our old catalogue,
916
00:36:16,565 --> 00:36:19,065
and that's kind of hard, right? Because we kinda set that bar.
917
00:36:19,065 --> 00:36:20,473
There's a reason why you are the Jabbawockeez.
918
00:36:20,856 --> 00:36:22,356
You guys came in and you, like--
919
00:36:22,356 --> 00:36:24,023
you took it right to your opponents,
920
00:36:24,023 --> 00:36:26,390
and that's what a duel is about. I love the subtlety,
921
00:36:26,390 --> 00:36:28,623
but the most dynamic part of it for me was the cannon.
922
00:36:28,623 --> 00:36:30,023
Boom! Like, when that happened,
923
00:36:30,023 --> 00:36:32,490
I was like, "Okay, we're here to do it."
924
00:36:32,490 --> 00:36:34,623
- Okay, we're gonna lock in. - All right, lock in.
925
00:36:34,623 --> 00:36:35,823
Okay?
926
00:36:35,823 --> 00:36:38,823
[dramatic music]
927
00:36:38,823 --> 00:36:42,256
♪ ♪
928
00:36:42,256 --> 00:36:43,956
We are locked.
929
00:36:43,956 --> 00:36:45,390
Ian Eastwood and the Young Lions,
930
00:36:45,390 --> 00:36:46,523
are you ready? - Ready.
931
00:36:46,523 --> 00:36:47,990
- Let's go! - Cool.
932
00:36:47,990 --> 00:36:50,990
[cheers and applause]
933
00:36:50,990 --> 00:36:56,290
♪ ♪
934
00:36:56,290 --> 00:36:58,923
[electronic dance music] Coming up...
935
00:37:00,256 --> 00:37:02,156
The judges have locked their scores.
936
00:37:02,156 --> 00:37:04,156
In third place
937
00:37:04,156 --> 00:37:07,356
and leaving the competition now is...
938
00:37:07,356 --> 00:37:09,623
♪ ♪
939
00:37:14,356 --> 00:37:14,790
[soft dramatic music]
940
00:37:17,156 --> 00:37:20,756
♪ ♪
941
00:37:20,756 --> 00:37:23,023
We feel like we have something to prove.
942
00:37:23,023 --> 00:37:24,756
♪ ♪
943
00:37:24,756 --> 00:37:26,223
We're prepared,
944
00:37:26,223 --> 00:37:28,990
but now everything's a question: is this enough?
945
00:37:28,990 --> 00:37:31,456
It could go, really, any direction.
946
00:37:31,456 --> 00:37:34,556
Next up, Ian Eastwood and the Young Lions.
947
00:37:35,790 --> 00:37:37,656
["Hot in Herre" by Nelly]
948
00:37:37,656 --> 00:37:38,956
♪ Hot in ♪
949
00:37:38,956 --> 00:37:40,156
♪ ♪
950
00:37:40,156 --> 00:37:41,923
♪ So hot in here ♪
951
00:37:41,923 --> 00:37:43,023
♪ ♪
952
00:37:43,023 --> 00:37:44,556
♪ So hot in ♪
953
00:37:44,556 --> 00:37:46,023
♪ ♪
954
00:37:46,023 --> 00:37:47,323
[grunts]
955
00:37:47,323 --> 00:37:48,356
Oh!
956
00:37:48,356 --> 00:37:52,423
♪ ♪
957
00:37:52,423 --> 00:37:54,090
Just a little bit of...
958
00:37:54,090 --> 00:37:55,923
Just a little bit of...
959
00:37:55,923 --> 00:37:58,856
♪ I was like good gracious ass is bodacious ♪
960
00:37:58,856 --> 00:38:00,990
♪ Flirtatious trying to show faces ♪
961
00:38:00,990 --> 00:38:02,956
♪ I'm just lookin' for the right time to shoot my skeez ♪
962
00:38:02,956 --> 00:38:05,690
♪ You know me and the rest of my heathens ♪
963
00:38:05,690 --> 00:38:07,890
♪ Check it got it locked at the top of the Four Seasons ♪
964
00:38:07,890 --> 00:38:09,990
♪ No teasin' I need you ♪
965
00:38:09,990 --> 00:38:12,423
♪ To get up up on the dance floor ♪
966
00:38:12,423 --> 00:38:14,356
♪ Give that man what he askin' for ♪
967
00:38:14,356 --> 00:38:16,323
♪ Oh 'cause I feel like bustin' loose ♪
968
00:38:16,323 --> 00:38:18,256
♪ And I feel like touchin' you ♪
969
00:38:18,256 --> 00:38:21,656
♪ I said it's gettin' hot in here ♪
970
00:38:21,656 --> 00:38:23,590
♪ So take off all your clothes ♪
971
00:38:23,590 --> 00:38:27,856
♪ I am gettin' so hot I wanna take my clothes off ♪
972
00:38:27,856 --> 00:38:29,956
♪ Ah give a little bit of ♪
973
00:38:29,956 --> 00:38:31,423
♪ With a little bit of ♪
974
00:38:31,423 --> 00:38:32,923
♪ Let it hang all out ♪
975
00:38:32,923 --> 00:38:34,523
♪ With a little bit of ♪
976
00:38:34,523 --> 00:38:35,823
♪ And a sprinklin' of ♪
977
00:38:35,823 --> 00:38:37,356
♪ Let it just fall out ♪
978
00:38:37,356 --> 00:38:38,990
♪ I like it when you ♪
979
00:38:38,990 --> 00:38:41,190
♪ Girl baby make it ♪
980
00:38:41,190 --> 00:38:42,790
Oh!
981
00:38:42,790 --> 00:38:45,623
[cheers and applause]
982
00:38:46,556 --> 00:38:48,556
Okay!
983
00:38:49,856 --> 00:38:51,923
I feel like you guys took on
984
00:38:51,923 --> 00:38:54,390
some of the notes from the first time.
985
00:38:54,390 --> 00:38:55,956
You know, last performance felt a little bit
986
00:38:55,956 --> 00:38:57,456
like an artist's performance. You guys were kind of like
987
00:38:57,456 --> 00:38:59,156
the backing dancers. The details,
988
00:38:59,156 --> 00:39:00,456
the way you guys used your jacket at the end,
989
00:39:00,456 --> 00:39:01,823
that was super creative, really cool,
990
00:39:01,823 --> 00:39:03,490
and the formation changes, the group visuals,
991
00:39:03,490 --> 00:39:05,490
you guys raised your personal game
992
00:39:05,490 --> 00:39:06,990
from last week definitely, so good job.
993
00:39:06,990 --> 00:39:08,256
Thank you, thank you.
994
00:39:08,256 --> 00:39:09,423
I gotta admit when I saw the lineup,
995
00:39:09,423 --> 00:39:11,256
the Jabbawockeez are who they are.
996
00:39:11,256 --> 00:39:13,523
Rouge is really, really strong, so I was worried for you guys.
997
00:39:13,523 --> 00:39:15,956
I'm--I'm not worried for you guys anymore.
998
00:39:15,956 --> 00:39:17,723
- Well, thank you. - We have to look at
999
00:39:17,723 --> 00:39:19,890
how you guys perform in this round
1000
00:39:19,890 --> 00:39:22,623
with this audience, and see who...
1001
00:39:22,623 --> 00:39:24,590
you know, just, like, knocks it all the way down,
1002
00:39:24,590 --> 00:39:25,956
and really, really takes the round,
1003
00:39:25,956 --> 00:39:27,856
so now we have a dance battle on our hands,
1004
00:39:27,856 --> 00:39:29,956
and that's what it should be.
1005
00:39:29,956 --> 00:39:31,090
[cheers and applause]
1006
00:39:31,090 --> 00:39:32,523
Thank you. Thank you so much.
1007
00:39:32,523 --> 00:39:34,123
All right, we're gonna lock in our scores.
1008
00:39:34,123 --> 00:39:37,123
[dramatic music]
1009
00:39:37,123 --> 00:39:43,790
♪ ♪
1010
00:39:43,790 --> 00:39:45,990
The judges have locked their scores.
1011
00:39:45,990 --> 00:39:47,690
In third place
1012
00:39:47,690 --> 00:39:50,890
and leaving the competition now is...
1013
00:39:50,890 --> 00:39:56,890
♪ ♪
1014
00:39:56,890 --> 00:40:00,656
With a score of 80 points...
1015
00:40:00,656 --> 00:40:02,056
Rouge.
1016
00:40:02,056 --> 00:40:04,823
Guys, aww.
1017
00:40:04,823 --> 00:40:08,556
[cheers and applause]
1018
00:40:08,556 --> 00:40:10,323
I already miss you,
1019
00:40:10,323 --> 00:40:12,056
and I hope to see you guys again next year.
1020
00:40:12,056 --> 00:40:13,590
I really do.
1021
00:40:13,590 --> 00:40:20,090
♪ ♪
1022
00:40:20,090 --> 00:40:22,456
That leaves us with Jabbawockeez
1023
00:40:22,456 --> 00:40:24,556
and Ian Eastwood and the Young Lions.
1024
00:40:24,556 --> 00:40:26,690
Only one can stay.
1025
00:40:26,690 --> 00:40:28,990
Let's find out who made it to the next round.
1026
00:40:28,990 --> 00:40:33,623
♪ ♪
1027
00:40:33,623 --> 00:40:36,090
Jabbawockeez...
1028
00:40:36,090 --> 00:40:37,390
84.7.
1029
00:40:37,390 --> 00:40:40,456
[cheers and applause]
1030
00:40:41,956 --> 00:40:45,756
Ian Eastwood and the Young Lions...
1031
00:40:45,756 --> 00:40:47,056
85.7.
1032
00:40:47,056 --> 00:40:48,756
Ian Eastwood and the Young Lions.
1033
00:40:48,756 --> 00:40:50,690
all: Ooh!
1034
00:40:50,690 --> 00:40:52,023
You are through to the next round.
1035
00:40:52,023 --> 00:40:53,656
Congratulations.
1036
00:40:53,656 --> 00:40:56,490
["There's Nothing Holdin' Me Back" by Shawn Mendes]
1037
00:40:56,490 --> 00:40:58,256
♪ ♪
1038
00:40:58,256 --> 00:41:02,156
Jabbawockeez, this entire room is shocked right now.
1039
00:41:02,156 --> 00:41:03,990
I mean, it's heartbreaking to see them go
1040
00:41:03,990 --> 00:41:07,323
because they were the standard of what this is all about.
1041
00:41:07,323 --> 00:41:10,556
Give it up one more time for the Jabbawockeez.
1042
00:41:10,556 --> 00:41:13,056
[cheers and applause]
1043
00:41:13,056 --> 00:41:16,690
♪ Enough to keep me guessing ♪
1044
00:41:16,690 --> 00:41:18,756
♪ Oh ♪
1045
00:41:18,756 --> 00:41:22,790
♪ Maybe I should stop and start confessing ♪
1046
00:41:22,790 --> 00:41:26,356
You know, this is a battle, and that's what it came down to.
1047
00:41:26,356 --> 00:41:30,356
They just simply out-danced them in this particular routine.
1048
00:41:30,356 --> 00:41:31,723
Make some noise one more time
1049
00:41:31,723 --> 00:41:33,690
for Ian Eastwood and the Young Lions.
1050
00:41:33,690 --> 00:41:35,490
That was amazing.
1051
00:41:35,490 --> 00:41:36,856
♪ Oh I've been shaking ♪
1052
00:41:36,856 --> 00:41:39,090
♪ I love it when you go crazy ♪
1053
00:41:39,090 --> 00:41:42,023
To know that in a direct competition
1054
00:41:42,023 --> 00:41:44,656
we've sent people that we've looked up to home,
1055
00:41:44,656 --> 00:41:46,223
is a crazy thing to process.
1056
00:41:46,223 --> 00:41:47,690
Shock. Straight shock.
1057
00:41:47,690 --> 00:41:50,056
This is not the last stop for us.
1058
00:41:50,056 --> 00:41:51,523
We're moving forward.
1059
00:41:51,523 --> 00:41:53,890
We're gonna come back stronger and better than ever.
1060
00:41:53,890 --> 00:41:56,190
And hopefully go on the tour with J-Lo
1061
00:41:56,190 --> 00:41:58,756
'cause she--she promised us that last round.
1062
00:41:58,756 --> 00:42:00,856
It's just an honor to be able to take the stage with them
1063
00:42:00,856 --> 00:42:03,156
and actually be able to take that and move on.
1064
00:42:03,156 --> 00:42:05,456
- Good day. - Thank you, guys.
1065
00:42:05,456 --> 00:42:07,356
Thanks for coming out! - Thank you for your energy!
1066
00:42:07,356 --> 00:42:10,423
-Sync & corrections by QueenMaddie -= www.addic7ed.com =-
75439
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