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male announcer: Last week.
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The acts went head to head
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in the most dramatic part of the competition yet:
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the duels.
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[cheers and applause]
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That made me want to just get up
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and move my little hips.
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You are like a beautiful creature
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creating movements that are inhuman.
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Fik-Shun!
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Eva Igo!
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Keone and Mari.
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[indistinct shouting]
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announcer: It's round two of the duels.
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It's a dance battle, baby.
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announcer: And half of the acts will be going home.
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Whoa. This is what the competition's about.
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You guys rose, man. That was awesome.
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Thank you.
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My mind is blown right now.
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announcer: Two will enter the arena.
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I'm bringing in the fierce side of me.
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announcer: Only one survives.
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It's do or die.
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I either go big, or I go home.
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announcer: This...
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[all screaming]
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Is...
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Okay, guys, so just as a reminder,
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the judges will score both performances,
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and whoever gets the most points
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will move on.
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Okay, Diana.
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Tell me who you pick.
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I pick...
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The Posse.
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all: Ohhhh!
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[applause]
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announcer: For the first duel of the night,
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small but mighty 11-year-old Diana Pombo
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versus the young girls with a powerful message,
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The Posse.
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[Alessia Cara's "Scars to Your Beautiful"]
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♪ Oh she don't see her perfect ♪
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♪ She don't understand ♪
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The Posse delivered an incredibly emotional performance
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with a big message, and it really landed.
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♪ There's a hope that's waiting for you in the dark ♪
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♪ You should know you're beautiful ♪
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As long as you love yourself,
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you're beautiful no matter what people think of you.
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Beautiful sense of unity.
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I really felt the emotion.
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I loved it. It's great.
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♪ Your beautiful ♪
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♪ We're stars, and we're beautiful ♪
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Diana is a standout.
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♪ Oh, but there's a scream inside ♪
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♪ That we all try to hide ♪
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Her technique and her athleticism,
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way beyond her years.
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It wasn't just all the flexibility you had.
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It wasn't all the strength you had.
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It was the passion
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that you put into every move.
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Ms. JLo, you are my idol.
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You inspire people, and you inspire me as well.
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Oh, my God.
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Don't cry.
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♪ I found myself in my melodies ♪
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♪ I shout it out like a bird set free ♪
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[soft dramatic music]
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[overlapping chatter]
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This duel is going to be a real heartbreaker.
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Both of these acts have something really special.
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Diana executes difficult moves with such passion.
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And she somehow managed to check every box
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on that scoring sheet.
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But The Posse has a lot more girls
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to create visuals onstage.
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♪ ♪
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The Posse are taking a risk by bringing in a prop
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that they've never used before.
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I think it's a really smart move that you picked these ropes.
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It'll take it from great to amazing.
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all: Thank you.
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- Yes. - How are you feeling?
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A little nervous, but I'm feeling good.
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You're by yourself, so that's a whole different thing.
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- Yes. - You don't have, literally,
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a posse around you.
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Diana's starting to feel the pressure of competition.
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I know from being a competitive soloist
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that when you're by yourself,
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it can feel a little lonely.
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♪ ♪
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Even though it's gonna be a big challenge for us
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to beat Diana, people are stronger in numbers.
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♪ ♪
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I'm feeling a little nervous,
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but I'm bringing in the fierce side of me.
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I think this duel will be pretty intense.
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[cheers and applause]
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First up, The Posse.
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Okay, here we go.
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[Martin Garrix & Bebe Rexha'sbr/"In the Name of Love"]
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♪ If I told you this was only gonna hurt ♪
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♪ If I warned you ♪
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♪ That the fire's gonna burn ♪
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♪ Would you walk in? ♪
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♪ Would you let me do it first? ♪
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♪ Do it all in the name of love ♪
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♪ In the name of love ♪
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♪ Name of love ♪
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♪ Name of ♪
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♪ ♪
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♪ In the name ♪
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♪ ♪
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♪ I wanna testify ♪
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♪ You bring me back to life ♪
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♪ And it's all in the name of love ♪
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♪ The name of love ♪
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♪ The name of ♪
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♪ ♪
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♪ The name of ♪
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♪ Love ♪
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[cheers and applause]
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Wow.
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- I loved it. - Yeah.
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[chanting indistinctly]
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That was great.
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Thinking about what you guys did with the labels
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on the sweatshirts and being yourselves,
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and this, being held in the ropes
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and in pulling you back and forth
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and struggling through life--
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it's becoming what you're about.
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It gives me so many feels.
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[laughter] Thank you.
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You guys's skill level at your age
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is so impressive to me.
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There's something about a piece that means something.
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- So good. - You know what I mean?
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Just enough difficulty. Very tight, very clean.
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This is a very, very powerful performance.
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- Thank you. - Derek, what do you think?
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It was creative. It was emotional.
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And also risky. - Yeah.
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Because you can get tangled up in those ropes.
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Excellent job on the difficulty of that, yeah.
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Difficulty, creativity.
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It had everything. - Thank you.
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- Should we lock it in? - Yeah, let's lock it.
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Let's do it.
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[percussive music]
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♪ ♪
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Diana, it's your turn.
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Let's go.
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[cheers and applause]
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Whoo!
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Up next, Diana Pombo.
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[Katy Perry's "Rise"]
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♪ ♪
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♪ I won't just survive ♪
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both: Whoa!
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♪ You will see me thrive ♪
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♪ Can't write my story ♪
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- What?! - Whoa.
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♪ Oh ♪
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♪ Ye of so little faith ♪
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♪ Don't doubt it, don't doubt it ♪
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♪ Victory is in my veins ♪
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♪ I know it, I know it ♪
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♪ And I will not negotiate ♪
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♪ I'll fight it, I'll fight it ♪
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♪ I will transform ♪
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♪ ♪
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♪ When ♪
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♪ When the fire's at my feet again ♪
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♪ And the vultures all start circling ♪
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♪ They're whispering ♪
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♪ Don't be surprised ♪
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♪ I will still rise ♪
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♪ ♪
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[cheers and applause]
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Yes!
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[all cheering]
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What? Yes!
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This piece was technically impressive.
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It was difficult. I loved it.
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Were you afraid of going up against a group?
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I was a little nervous. But I chose them because
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I wanted a challenge.
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You're a warrior princess.
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Diana, you have a very special ability
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to connect to the song and to the music
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and to the audience.
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That's something that's very hard to teach.
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That's just something that you're born with that is within.
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Thank you.
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You have a seamless quality
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between your moves that I love.
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You are just something so incredibly different
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and special.
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- Thank you. - Don't forget that.
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The thing with this type of competition is that
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week after week, you have to come up with something new
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that surprises everybody,
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so this is gonna be a very, very tough decision.
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We're gonna lock in our scores and see what happens, okay?
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[tense music]
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♪ ♪
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We are locked.
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[cheers and applause]
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- The scores are locked.
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Let's find out who's going through to the next round.
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♪ ♪
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The Posse...
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86.
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Diana Pombo...
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♪ ♪
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91.3.
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Diana, you're going through.
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[MO's "Final song"]
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♪ Don't let this be our final song ♪
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♪ ♪
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♪ So hear me out before you say the night is over ♪
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You guys have been so great.
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It's unreal how much potential there is in this group.
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So I need you guys to come back next year.
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Let's hear it one more time for The Posse.
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[cheers and applause]
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Diana, hopefully, you know, you can keep upping your routine
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and really, really creating amazing performances.
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You're a very special talent.
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One more time for Diana Pombo.
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♪ Don't let this be our final song ♪
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♪ ♪
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♪ Don't let this be our final song ♪
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♪ ♪
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♪ Don't let this be our final song ♪
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You did it.
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[techno music]
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♪ ♪
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Whoa!
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Whenever you get JLo to tap-dance under the table,
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you're doing something right.
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That's the spirit of the battle:
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two people going, "Can I beat them?
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Yes, I can."
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It takes risk to move forward
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in this competition.
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[screaming]
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announcer: In this duel, fourth place world champ
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B-boys Super Cr3w
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have chosen seventh place contemporary newcomers
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Royal Flux.
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[dramatic musical flourish]
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Super Cr3w gave us something totally unique
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in their qualifier.
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So here we have these B-boys
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putting together moves in ways
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that we've never seen before, completely in sync,
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to music that you would never expect them to be dancing to.
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Those alpha kicks--you guys were perfectly in sync together.
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I was like, dang.
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For anybody here that doesn't know what it is
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to be a B-boy, they make it look so easy.
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The difficulty of some of the things that you guys are doing
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is like, God!
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We are... Royal Flux.
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And we are a contemporary dance company
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based in Los Angeles.
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We like to incorporate different props and accessories
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just to make dance a bit more exciting.
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On the surface, Royal Flux couldn't seem more different.
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But to be honest with you, these groups
278
00:11:43,167 --> 00:11:44,467
actually have a lot in common.
279
00:11:44,467 --> 00:11:46,533
♪ Maybe we should love somebody ♪
280
00:11:46,533 --> 00:11:48,367
They both had tons of unexpected elements
281
00:11:48,367 --> 00:11:50,333
and just pure, raw athleticism.
282
00:11:50,333 --> 00:11:52,400
The harnesses--great concept.
283
00:11:52,400 --> 00:11:54,433
You did some of the most beautiful pictures
284
00:11:54,433 --> 00:11:56,333
I've seen so far.
285
00:11:56,333 --> 00:11:58,233
It was innovative. It was risky.
286
00:11:58,233 --> 00:12:00,333
There was something about being on the edge of my seat.
287
00:12:00,333 --> 00:12:01,400
It was exciting for me.
288
00:12:01,400 --> 00:12:04,567
[cheers and applause]
289
00:12:04,567 --> 00:12:07,333
[Imagine Dragons's "Believer"]
290
00:12:07,333 --> 00:12:08,600
♪ I was broken from a young age ♪
291
00:12:08,600 --> 00:12:10,700
♪ Taking my sulking to the masses ♪
292
00:12:10,700 --> 00:12:12,500
♪ Writing my poems for the few ♪
293
00:12:12,500 --> 00:12:14,067
♪ That looked at me, took to me, shook to me ♪
294
00:12:14,067 --> 00:12:16,167
♪ Feeling me, singing from... ♪
295
00:12:16,167 --> 00:12:17,400
For us, it was pretty intimidating,
296
00:12:17,400 --> 00:12:18,733
because they are Super Cr3w.
297
00:12:18,733 --> 00:12:20,300
They're named Super Cr3w for a reason.
298
00:12:20,300 --> 00:12:22,633
They can do super amazing tricks.
299
00:12:22,633 --> 00:12:24,333
Bigger, bigger.
300
00:12:24,333 --> 00:12:26,533
We're trying to stay in the same playing field as them.
301
00:12:26,533 --> 00:12:28,467
We're both very athletic teams.
302
00:12:28,467 --> 00:12:29,667
They're just complete opposite
303
00:12:29,667 --> 00:12:30,733
sides of the spectrum.
304
00:12:30,733 --> 00:12:33,133
Contemporary, and then B-boy.
305
00:12:33,133 --> 00:12:34,667
Solid, dude.
306
00:12:34,667 --> 00:12:37,200
This round, our dance is a little bit more exciting.
307
00:12:37,200 --> 00:12:39,000
The music's a little bit more energized
308
00:12:39,000 --> 00:12:40,267
and a little bit more high-energy.
309
00:12:40,267 --> 00:12:42,100
Royal Flux, they put in a couple new tricks.
310
00:12:42,100 --> 00:12:43,333
And if they can pull that off,
311
00:12:43,333 --> 00:12:45,567
that will be a real wow moment.
312
00:12:45,567 --> 00:12:49,600
♪ Pain! You made me a, you made me a believer ♪
313
00:12:49,600 --> 00:12:51,112
Here we go. Solid.
314
00:12:51,400 --> 00:12:53,100
Do it again. Do it again.
315
00:12:53,100 --> 00:12:58,167
♪ Pain! I let the bullets fly, oh let them rain ♪
316
00:12:58,167 --> 00:12:59,733
Our energy's gonna blow them out the water.
317
00:12:59,733 --> 00:13:01,200
We're bringing a special treat.
318
00:13:01,200 --> 00:13:03,233
We have this whole Michael Jackson theme.
319
00:13:03,233 --> 00:13:04,633
They're dancing to Michael Jackson.
320
00:13:04,633 --> 00:13:06,133
It could be genius.
321
00:13:06,133 --> 00:13:07,467
But if you dance to Michael Jackson,
322
00:13:07,467 --> 00:13:09,567
you get compared to Michael Jackson.
323
00:13:09,567 --> 00:13:14,367
♪ Pain! You made me a, you made me a believer ♪
324
00:13:14,367 --> 00:13:16,200
They've already created a name
325
00:13:16,200 --> 00:13:17,433
and a following for themselves.
326
00:13:17,433 --> 00:13:19,133
We look up to them in that way.
327
00:13:19,133 --> 00:13:20,600
And it's our turn to do that.
328
00:13:20,600 --> 00:13:24,133
♪ Believer, believer ♪
329
00:13:24,133 --> 00:13:26,567
We battle on a daily basis.
330
00:13:26,567 --> 00:13:28,600
That's what B-boying is.
331
00:13:28,600 --> 00:13:30,033
♪ Pain ♪
332
00:13:30,033 --> 00:13:31,467
First to take the stage,
333
00:13:31,467 --> 00:13:32,567
Super Cr3w.
334
00:13:32,567 --> 00:13:34,367
Let's do it!
335
00:13:34,367 --> 00:13:36,367
[cheers and applause]
336
00:13:36,367 --> 00:13:37,700
Let's go.
337
00:13:37,700 --> 00:13:40,633
[Michael Jackson's "Workin' Day and Night"]
338
00:13:40,633 --> 00:13:47,233
♪ ♪
339
00:13:47,233 --> 00:13:49,733
♪ Ooh, my sugar ♪
340
00:13:49,733 --> 00:13:52,100
♪ You got me workin' day and night ♪
341
00:13:52,100 --> 00:13:54,400
♪ ♪
342
00:13:54,400 --> 00:13:58,467
♪ You got me workin' day and night ♪
343
00:13:58,467 --> 00:14:00,067
♪ And I'll be workin' ♪
344
00:14:00,067 --> 00:14:03,567
♪ From sun up to midnight ♪
345
00:14:03,567 --> 00:14:05,700
♪ Midnight ♪
346
00:14:05,700 --> 00:14:08,200
♪ You got me workin', workin' day and night ♪
347
00:14:08,200 --> 00:14:09,633
♪ ♪
348
00:14:09,633 --> 00:14:11,700
♪ You got me workin', workin' day and night ♪
349
00:14:11,700 --> 00:14:13,233
♪ ♪
350
00:14:13,233 --> 00:14:15,767
♪ You say that workin' ♪
351
00:14:15,767 --> 00:14:17,700
♪ Is what a man's supposed to do ♪
352
00:14:17,700 --> 00:14:20,367
♪ ♪
353
00:14:20,367 --> 00:14:23,333
♪ And I say it ain't right ♪
354
00:14:23,333 --> 00:14:25,200
♪ If I can't give sweet love to you ♪
355
00:14:25,200 --> 00:14:32,200
♪ ♪
356
00:14:42,233 --> 00:14:43,500
♪ Ah, ah ♪
357
00:14:43,500 --> 00:14:45,567
♪ ♪
358
00:14:45,567 --> 00:14:47,133
♪ Ah, ah ♪
359
00:14:47,133 --> 00:14:51,767
♪ ♪
360
00:14:51,767 --> 00:14:53,200
♪ Yeah ♪
361
00:14:53,200 --> 00:14:54,433
♪ Ah, ah ♪
362
00:14:54,433 --> 00:14:56,300
♪ ♪
363
00:14:56,300 --> 00:14:58,000
[singing indistinctly]
364
00:14:58,000 --> 00:14:59,467
♪ You got me workin', workin' day and night ♪
365
00:14:59,467 --> 00:15:01,067
♪ Yeah ♪
366
00:15:01,067 --> 00:15:03,400
♪ You got me workin', workin' day and night ♪
367
00:15:03,400 --> 00:15:06,467
[cheers and applause]
368
00:15:16,100 --> 00:15:19,333
Okay, windmill on the elbow.
369
00:15:19,333 --> 00:15:21,067
Hardest trick ever.
370
00:15:21,067 --> 00:15:22,300
Right?
371
00:15:22,300 --> 00:15:23,633
Human elbows don't do that.
372
00:15:23,633 --> 00:15:25,067
Bruh, that's not...
373
00:15:25,067 --> 00:15:26,633
And then the slide-- - The slide.
374
00:15:26,633 --> 00:15:29,033
There's no more sequins on this side of your jacket
375
00:15:29,033 --> 00:15:31,300
with that slide.
376
00:15:31,300 --> 00:15:34,333
This very much feels like studio versus street.
377
00:15:34,333 --> 00:15:35,600
You guys take elements of what they do
378
00:15:35,600 --> 00:15:37,133
and brought it to B-boyism.
379
00:15:37,133 --> 00:15:38,600
Like, this is what this competition is about.
380
00:15:38,600 --> 00:15:41,133
[cheers and applause]
381
00:15:41,133 --> 00:15:42,233
My mind is blown.
382
00:15:42,233 --> 00:15:43,733
Seriously blown right now.
383
00:15:43,733 --> 00:15:47,067
It just got more and more and more better,
384
00:15:47,067 --> 00:15:49,167
and something else, and different, right?
385
00:15:49,167 --> 00:15:50,200
She almost rolled off the stage.
386
00:15:50,200 --> 00:15:52,200
Like, ahhhh!
387
00:15:52,200 --> 00:15:53,467
When we said that "World of Dance"
388
00:15:53,467 --> 00:15:56,133
was the biggest dance competition in the world,
389
00:15:56,133 --> 00:15:57,633
we told you we were not playing.
390
00:15:57,633 --> 00:15:58,700
Yeah.
391
00:15:58,700 --> 00:16:00,333
[indistinct]
392
00:16:00,333 --> 00:16:03,700
To see you guys bring a level of cleanliness
393
00:16:03,700 --> 00:16:07,133
to B-boy, where B-boy is generally more loose
394
00:16:07,133 --> 00:16:08,200
and kind of freestyle--
395
00:16:08,200 --> 00:16:09,433
and the fact that you guys bring--
396
00:16:09,433 --> 00:16:11,333
and refining it, you guys are elevating it
397
00:16:11,333 --> 00:16:13,700
to another level, which is amazing to see.
398
00:16:13,700 --> 00:16:15,033
Really great.
399
00:16:15,033 --> 00:16:17,433
We really owe that to Royal Flux.
400
00:16:17,433 --> 00:16:19,300
We saw them rehearsing, and we saw how clean they were.
401
00:16:19,300 --> 00:16:21,700
So they definitely pushed us to our limits,
402
00:16:21,700 --> 00:16:24,200
and as B-boys, we love to battle.
403
00:16:24,200 --> 00:16:26,700
Battling is encoded in our DNA.
404
00:16:26,700 --> 00:16:28,700
So anytime we see competition,
405
00:16:28,700 --> 00:16:30,367
we invite that challenge.
406
00:16:30,367 --> 00:16:32,700
- Well, you worked for it. - Great job.
407
00:16:32,700 --> 00:16:33,733
All right, I think we should lock in our score.
408
00:16:33,733 --> 00:16:34,733
[indistinct] Yes.
409
00:16:34,733 --> 00:16:35,733
Let's lock 'em in.
410
00:16:35,733 --> 00:16:38,733
[suspenseful music]
411
00:16:38,733 --> 00:16:45,567
♪ ♪
412
00:16:45,567 --> 00:16:48,000
Okay, the scores are locked.
413
00:16:48,000 --> 00:16:50,533
announcer: Next up, Royal Flux.
414
00:16:50,533 --> 00:16:53,667
[dramatic music]
415
00:16:53,667 --> 00:16:55,500
♪ ♪
416
00:16:55,500 --> 00:16:57,067
Go get it, go get it!
417
00:17:06,700 --> 00:17:08,700
announcer: Next up, Royal Flux.
418
00:17:10,567 --> 00:17:12,000
Go get it, go get it!
419
00:17:12,000 --> 00:17:15,000
[Matt Corby's "Brother"]
420
00:17:15,000 --> 00:17:19,533
♪ ♪
421
00:17:19,533 --> 00:17:23,600
♪ Sleep now under my skin ♪
422
00:17:23,600 --> 00:17:29,267
♪ Make sure you'll try to ♪
423
00:17:29,267 --> 00:17:31,300
♪ Conjure the wind ♪
424
00:17:31,300 --> 00:17:35,733
♪ And ease my mind ♪
425
00:17:35,733 --> 00:17:39,333
♪ ♪
426
00:17:39,333 --> 00:17:41,700
♪ Somebody call out to your brother ♪
427
00:17:41,700 --> 00:17:43,700
♪ He's calling out your name ♪
428
00:17:43,700 --> 00:17:45,767
♪ Oh, oh, oh ♪
429
00:17:45,767 --> 00:17:49,200
♪ ♪
430
00:17:49,200 --> 00:17:51,533
♪ Hiding under the covers ♪
431
00:17:51,533 --> 00:17:53,567
♪ With no one else to blame ♪
432
00:17:53,567 --> 00:17:56,533
♪ Oh, oh, oh ♪
433
00:17:56,533 --> 00:17:57,700
Wow.
434
00:17:57,700 --> 00:18:00,567
♪ You cower in the corner ♪
435
00:18:00,567 --> 00:18:03,233
♪ Confide in your father ♪
436
00:18:03,233 --> 00:18:05,233
♪ Let it out and say ♪
437
00:18:05,233 --> 00:18:07,333
♪ You cower in the corner ♪
438
00:18:07,333 --> 00:18:10,067
♪ Confide in your father ♪
439
00:18:10,067 --> 00:18:13,100
♪ Let it break your day ♪
440
00:18:13,100 --> 00:18:15,267
♪ ♪
441
00:18:15,267 --> 00:18:17,700
♪ Let it out and say ♪
442
00:18:17,700 --> 00:18:22,000
♪ ♪
443
00:18:22,000 --> 00:18:25,067
♪ Oh, you couldn't help out your own neighbor ♪
444
00:18:25,067 --> 00:18:27,100
♪ You couldn't tell it to his face ♪
445
00:18:27,100 --> 00:18:30,367
♪ You were [...] up by the blame ♪
446
00:18:30,367 --> 00:18:33,333
♪ ♪
447
00:18:33,333 --> 00:18:34,333
[cheers and applause]
448
00:18:34,333 --> 00:18:36,233
- Yeah! - Wow.
449
00:18:36,233 --> 00:18:39,300
[cheers and applause]
450
00:18:47,100 --> 00:18:48,600
You know what I love about you guys
451
00:18:48,600 --> 00:18:50,700
is that you guys are true to who you are,
452
00:18:50,700 --> 00:18:53,367
but also, I feel like you knew your competition.
453
00:18:53,367 --> 00:18:55,133
Who picked who to battle against?
454
00:18:55,133 --> 00:18:56,333
Super Cr3w chose us.
455
00:18:56,333 --> 00:18:58,000
How do you feel about that?
456
00:18:58,000 --> 00:19:00,233
When we first found out, we were a little intimidated,
457
00:19:00,233 --> 00:19:02,133
because we knew what we were up against.
458
00:19:02,133 --> 00:19:06,033
And we loved that challenge.
459
00:19:06,033 --> 00:19:07,600
Fear. Face everything and rise.
460
00:19:07,600 --> 00:19:09,433
You guys rose, man. That was awesome.
461
00:19:09,433 --> 00:19:10,767
That was great. - Thank you so much.
462
00:19:10,767 --> 00:19:11,767
Thank you.
463
00:19:11,767 --> 00:19:13,333
I've got to say, when I heard that you guys
464
00:19:13,333 --> 00:19:14,333
were up against them,
465
00:19:14,333 --> 00:19:15,467
I was scared for you.
466
00:19:15,467 --> 00:19:18,267
- Yeah. - That fear went away.
467
00:19:18,267 --> 00:19:19,700
I know you're not supposed to ask a magician
468
00:19:19,700 --> 00:19:20,700
how they do their tricks.
469
00:19:20,700 --> 00:19:22,133
[laughter]
470
00:19:22,133 --> 00:19:24,567
You guys lifted up, and she floated up.
471
00:19:24,567 --> 00:19:26,400
It's magic.
472
00:19:26,400 --> 00:19:27,400
However you did it,
473
00:19:27,400 --> 00:19:28,400
it was amazing.
474
00:19:28,400 --> 00:19:30,267
Thank you.
475
00:19:30,267 --> 00:19:32,367
I can honestly say this routine
476
00:19:32,367 --> 00:19:34,300
had magic, literally.
477
00:19:34,300 --> 00:19:35,467
Death-defying feats and all of this--
478
00:19:35,467 --> 00:19:36,700
You were flying!
479
00:19:36,700 --> 00:19:38,333
It was--she flew, and she floated,
480
00:19:38,333 --> 00:19:40,200
and it was beautiful.
481
00:19:40,200 --> 00:19:41,467
And you pushed the limits
482
00:19:41,467 --> 00:19:44,100
of what contemporary is
483
00:19:44,100 --> 00:19:47,067
and what dance is.
484
00:19:47,067 --> 00:19:49,533
This is what is great about this competition--
485
00:19:49,533 --> 00:19:51,667
two people going, "Can I beat them?
486
00:19:51,667 --> 00:19:53,333
"Yes, I can.
487
00:19:53,333 --> 00:19:55,633
If I want to, I can."
488
00:19:55,633 --> 00:19:58,200
That's what this is about. It's a dance battle, baby.
489
00:19:58,200 --> 00:20:01,067
[uplifting music]
490
00:20:01,067 --> 00:20:05,233
♪ ♪
491
00:20:05,233 --> 00:20:06,467
Say no more. Let's, uh--
492
00:20:06,467 --> 00:20:08,400
let's lock our scores in, shall we?
493
00:20:08,400 --> 00:20:11,467
[suspenseful music]
494
00:20:11,467 --> 00:20:18,467
♪ ♪
495
00:20:18,467 --> 00:20:20,067
The scores are locked.
496
00:20:20,067 --> 00:20:21,667
Let's find out who's going through to the next round.
497
00:20:21,667 --> 00:20:26,200
♪ ♪
498
00:20:26,200 --> 00:20:29,600
announcer: Royal Flux, 86.3.
499
00:20:29,600 --> 00:20:34,300
♪ ♪
500
00:20:34,300 --> 00:20:35,400
Super Cr3w...
501
00:20:35,400 --> 00:20:37,067
♪ ♪
502
00:20:37,067 --> 00:20:38,467
89.
503
00:20:38,467 --> 00:20:40,067
Super Cr3w!
504
00:20:40,067 --> 00:20:42,400
♪ Don't think twice ♪
505
00:20:42,400 --> 00:20:44,700
♪ Give yourself to another night ♪
506
00:20:44,700 --> 00:20:46,733
♪ Hold on tight ♪
507
00:20:46,733 --> 00:20:49,567
♪ Hope that you make it out alive ♪
508
00:20:49,567 --> 00:20:52,067
♪ Ohh ♪
509
00:20:52,067 --> 00:20:54,567
♪ We are the beautiful ones ♪
510
00:20:54,567 --> 00:20:57,200
The level of innovation and creativity that you guys have,
511
00:20:57,200 --> 00:20:59,500
it was gonna take a super crew to beat you.
512
00:20:59,500 --> 00:21:01,133
So please do not walk away from this
513
00:21:01,133 --> 00:21:02,133
feeling like you lost.
514
00:21:02,133 --> 00:21:04,467
You did not lose anything.
515
00:21:04,467 --> 00:21:06,167
♪ Don't be ashamed ♪
516
00:21:06,167 --> 00:21:09,167
♪ Honey, one day this will fade ♪
517
00:21:09,167 --> 00:21:11,633
♪ We are the beautiful ones ♪
518
00:21:11,633 --> 00:21:13,567
♪ We are the, we are the ♪
519
00:21:13,567 --> 00:21:15,367
♪ We are the beautiful ones ♪
520
00:21:15,367 --> 00:21:16,433
You guys are amazing.
521
00:21:16,433 --> 00:21:19,100
Amazing. I'm anxious to see what--
522
00:21:19,100 --> 00:21:20,700
what else you guys could possibly do.
523
00:21:20,700 --> 00:21:23,100
I'm really, really intrigued. I have no idea.
524
00:21:23,100 --> 00:21:24,567
And that excites the hell out of me.
525
00:21:24,567 --> 00:21:26,033
So congratulations.
526
00:21:26,033 --> 00:21:27,467
We will see you guys in the next round.
527
00:21:27,467 --> 00:21:29,167
Congratulations.
528
00:21:29,167 --> 00:21:30,600
♪ We are the, we are the ♪
529
00:21:30,600 --> 00:21:33,700
♪ We are the beautiful ones ♪
530
00:21:33,700 --> 00:21:36,500
♪ ♪
531
00:21:36,500 --> 00:21:38,200
We're standing in the circle.
532
00:21:38,200 --> 00:21:41,067
I never would've imagined I'd be standing here with you guys.
533
00:21:41,067 --> 00:21:43,533
♪ We are the beautiful ones ♪
534
00:21:43,533 --> 00:21:45,633
- Both, yeah, were like-- - So good.
535
00:21:45,633 --> 00:21:47,067
- Again. - That was so impressive.
536
00:21:47,067 --> 00:21:48,667
- Royal Flux, so good. - So impressive.
537
00:21:48,667 --> 00:21:51,567
[techno music]
538
00:21:51,567 --> 00:21:54,233
♪ ♪
539
00:21:54,233 --> 00:21:55,333
Whoa!
540
00:21:55,333 --> 00:21:56,700
You guys are so little,
541
00:21:56,700 --> 00:21:59,100
but just like, little pieces of dynamite, all of you.
542
00:22:00,700 --> 00:22:04,267
I cannot count anybody out of this competition.
543
00:22:12,567 --> 00:22:13,133
announcer: In this duel,
544
00:22:14,200 --> 00:22:16,100
the top scorers from the junior division,
545
00:22:16,100 --> 00:22:18,133
The Lab, take on jazz troupe
546
00:22:18,133 --> 00:22:20,033
Boys of Temecula.
547
00:22:23,700 --> 00:22:26,733
The Lab is one of my favorite little groups.
548
00:22:26,733 --> 00:22:30,100
They're so exciting. They just tore it up.
549
00:22:30,100 --> 00:22:32,067
♪ Going nowhere ♪
550
00:22:32,067 --> 00:22:35,333
♪ We can't be stopped now ♪
551
00:22:35,333 --> 00:22:38,033
A lot of the people on this team come from families
552
00:22:38,033 --> 00:22:40,400
that have been split up or have had hardships.
553
00:22:40,400 --> 00:22:41,700
We really rely on each other.
554
00:22:41,700 --> 00:22:44,000
You got to come out here and attack like a beast.
555
00:22:44,000 --> 00:22:46,400
And they did that. - They set the bar.
556
00:22:46,400 --> 00:22:47,667
Whoo!
557
00:22:47,667 --> 00:22:50,333
♪ It's bad boy for life ♪
558
00:22:50,333 --> 00:22:53,100
The Boys of Temecula are just charming
559
00:22:53,100 --> 00:22:54,200
and took us by surprise.
560
00:22:54,200 --> 00:22:55,567
They were very clean,
561
00:22:55,567 --> 00:22:58,400
considering how many boys were onstage.
562
00:22:58,400 --> 00:23:02,300
We are... The Boys of Temecula.
563
00:23:02,300 --> 00:23:03,700
A lot of people underestimate us
564
00:23:03,700 --> 00:23:05,200
just because we dance.
565
00:23:05,200 --> 00:23:06,533
All of us have experience
566
00:23:06,533 --> 00:23:08,467
being bullied being a male dancer.
567
00:23:08,467 --> 00:23:10,467
And we just love to do what we do.
568
00:23:10,467 --> 00:23:11,733
You guys are great at it.
569
00:23:11,733 --> 00:23:14,533
You need one brain, one mind, one body,
570
00:23:14,533 --> 00:23:16,233
and that's exactly what you guys have.
571
00:23:16,233 --> 00:23:17,300
Thank you.
572
00:23:18,667 --> 00:23:20,267
[Charli XCX's "Boom Clap"]
573
00:23:20,267 --> 00:23:22,267
♪ Boom clap, the sound of my heart ♪
574
00:23:22,267 --> 00:23:24,067
This is a great matchup.
575
00:23:24,067 --> 00:23:26,067
They have energy through the roof,
576
00:23:26,067 --> 00:23:28,533
and even though they are some of our youngest competitors,
577
00:23:28,533 --> 00:23:30,200
they both have a shot at this.
578
00:23:30,200 --> 00:23:32,667
♪ Come on to me, come on to me now ♪
579
00:23:32,667 --> 00:23:34,367
The Lab have set themselves a really high bar,
580
00:23:34,367 --> 00:23:36,200
because they have these incredibly
581
00:23:36,200 --> 00:23:38,400
impressive tricks.
582
00:23:38,400 --> 00:23:40,500
I wonder if they have a second performance
583
00:23:40,500 --> 00:23:42,200
that's just as strong as their first.
584
00:23:45,400 --> 00:23:47,233
♪ I feel your love ♪
585
00:23:47,233 --> 00:23:49,300
Boys of Temecula have fantastic technique,
586
00:23:49,300 --> 00:23:53,067
which is really important in jazz-based performances.
587
00:23:53,067 --> 00:23:54,467
It sounds like an army.
588
00:23:54,467 --> 00:23:57,100
If one or two of the boys don't hit a turn cleanly,
589
00:23:57,100 --> 00:23:59,100
your eye is drawn right to it.
590
00:23:59,100 --> 00:24:01,567
We added a bunch of tricks to our dance.
591
00:24:01,567 --> 00:24:05,067
I get throw like ten feet in the air.
592
00:24:05,067 --> 00:24:07,600
If they land it, it is super impressive.
593
00:24:07,600 --> 00:24:10,733
♪ Come on to me, come on to me now ♪
594
00:24:10,733 --> 00:24:14,067
Having a boxing theme is gonna have us even more motivated
595
00:24:14,067 --> 00:24:16,633
to show that we are the team to beat.
596
00:24:16,633 --> 00:24:19,400
Boys of Temecula should, like, step into the ring,
597
00:24:19,400 --> 00:24:21,133
and, pew.
598
00:24:21,133 --> 00:24:23,267
♪ Boom clap, you make me feel good ♪
599
00:24:23,267 --> 00:24:24,367
♪ Come on to me ♪
600
00:24:24,367 --> 00:24:26,067
The Lab, we're ready.
601
00:24:26,067 --> 00:24:27,667
♪ Boom clap ♪
602
00:24:27,667 --> 00:24:29,767
♪ The sound of my heart, the beat goes on and on ♪
603
00:24:29,767 --> 00:24:31,400
Look at the little mama in the front.
604
00:24:31,400 --> 00:24:32,533
Lookit.
605
00:24:32,533 --> 00:24:34,133
♪ Make me feel good ♪
606
00:24:34,133 --> 00:24:36,233
First up, The Lab.
607
00:24:36,233 --> 00:24:38,233
♪ Come on to me now ♪
608
00:24:41,067 --> 00:24:43,667
[DJ Khaled's "All I Do is Win"]
609
00:24:43,667 --> 00:24:46,333
♪ Hey, yeah ♪
610
00:24:46,333 --> 00:24:49,467
♪ All I do is win win win no matter what ♪
611
00:24:49,467 --> 00:24:52,567
♪ Got that money on my mind, I can never get enough ♪
612
00:24:52,567 --> 00:24:55,233
♪ And every time I step up in the building ♪
613
00:24:55,233 --> 00:24:58,467
♪ Everybody hands go up ♪
614
00:24:58,467 --> 00:25:05,500
♪ ♪
615
00:25:05,500 --> 00:25:07,167
♪ And they stay there ♪
616
00:25:07,167 --> 00:25:09,300
♪ ♪
617
00:25:09,300 --> 00:25:12,167
♪ Say yeah, and they stay there ♪
618
00:25:12,167 --> 00:25:13,767
♪ Ludacris goin' in on the verse ♪
619
00:25:13,767 --> 00:25:15,467
♪ 'Cause I never been defeated and I won't stop now ♪
620
00:25:15,467 --> 00:25:17,000
♪ Keep your hands up, get 'em in the sky ♪
621
00:25:17,000 --> 00:25:18,133
♪ For the homies that didn't make it ♪
622
00:25:18,133 --> 00:25:19,733
♪ And the folks locked down ♪
623
00:25:19,733 --> 00:25:22,567
♪ Can't never count me out, y'all better count me in ♪
624
00:25:22,567 --> 00:25:24,433
♪ Got 20 bank accounts ♪
625
00:25:24,433 --> 00:25:26,500
♪ Accountants count me in ♪
626
00:25:26,500 --> 00:25:29,333
♪ All I do is win win win no matter what ♪
627
00:25:29,333 --> 00:25:32,533
♪ Got that money on my mind, I can never get enough ♪
628
00:25:32,533 --> 00:25:35,467
♪ And every time I step up in the building ♪
629
00:25:35,467 --> 00:25:38,433
♪ Everybody hands go up ♪
630
00:25:38,433 --> 00:25:40,433
♪ And they stay there ♪
631
00:25:40,433 --> 00:25:42,067
♪ And they say yeah ♪
632
00:25:42,067 --> 00:25:43,267
♪ And they stay there ♪
633
00:25:43,267 --> 00:25:45,200
♪ Up down, up down, up down ♪
634
00:25:45,200 --> 00:25:48,767
♪ 'Cause all I do is win win win ♪
635
00:25:48,767 --> 00:25:52,067
♪ And if you goin' in, put your hands in the air ♪
636
00:25:52,067 --> 00:25:54,200
♪ And they stay there ♪
637
00:25:54,200 --> 00:25:55,467
[bell dings]
638
00:25:55,467 --> 00:25:58,533
[cheers and applause]
639
00:26:00,167 --> 00:26:01,300
All right.
640
00:26:01,300 --> 00:26:04,033
Whoo!
641
00:26:04,033 --> 00:26:06,367
Whenever you get JLo to tap-dance under the table...
642
00:26:06,367 --> 00:26:09,200
- Yeah. - You're doing something right.
643
00:26:09,200 --> 00:26:11,033
One of the things I love about this group
644
00:26:11,033 --> 00:26:12,300
is the attack.
645
00:26:12,300 --> 00:26:14,300
You're like little sticks of dynamite, all of you.
646
00:26:14,300 --> 00:26:16,067
Just like super-small, but boom!
647
00:26:16,067 --> 00:26:17,467
Like just...
648
00:26:17,467 --> 00:26:19,567
if I had to critique one thing,
649
00:26:19,567 --> 00:26:22,267
it's like, okay, I see what the gimmick was,
650
00:26:22,267 --> 00:26:24,433
but that, to me, almost took away.
651
00:26:24,433 --> 00:26:25,600
Like, you didn't need it.
652
00:26:25,600 --> 00:26:28,533
It was... oh, you. - Boo, NE-YO, boo.
653
00:26:30,600 --> 00:26:32,000
I'm just kidding.
654
00:26:32,000 --> 00:26:33,067
We done? Okay, cool.
655
00:26:33,067 --> 00:26:34,467
[laughter]
656
00:26:34,467 --> 00:26:36,033
I love a good concept.
657
00:26:36,033 --> 00:26:37,733
I love a show, so...
658
00:26:37,733 --> 00:26:40,233
I felt you all played your parts
659
00:26:40,233 --> 00:26:41,467
really well.
660
00:26:41,467 --> 00:26:43,567
The girls were just like the hype, man.
661
00:26:43,567 --> 00:26:45,100
Come on, girls.
662
00:26:45,100 --> 00:26:48,567
Just super, super, like grimy and in it,
663
00:26:48,567 --> 00:26:50,033
and like, we got this.
664
00:26:50,033 --> 00:26:52,467
You guys delivered on every single level.
665
00:26:52,467 --> 00:26:53,500
And you should be very proud.
666
00:26:53,500 --> 00:26:55,233
All right. - Thank you.
667
00:26:55,233 --> 00:26:56,567
[cheers and applause]
668
00:26:56,567 --> 00:26:58,600
I loved you guys's group visuals.
669
00:26:58,600 --> 00:27:00,133
Things just surprised us, you know.
670
00:27:00,133 --> 00:27:01,233
We thought, oh, it's gonna go this place.
671
00:27:01,233 --> 00:27:02,633
No, it didn't. Boom, there it went.
672
00:27:02,633 --> 00:27:04,133
Great job, and no pun intended,
673
00:27:04,133 --> 00:27:05,500
but you guys didn't pull any punches.
674
00:27:05,500 --> 00:27:07,700
[cheers and applause]
675
00:27:07,700 --> 00:27:09,233
- Let's lock it. - Let's get it.
676
00:27:09,233 --> 00:27:12,367
[percussive music]
677
00:27:12,367 --> 00:27:19,433
♪ ♪
678
00:27:22,433 --> 00:27:24,067
Boys of Temecula, it is your turn.
679
00:27:24,067 --> 00:27:25,133
Let's go!
680
00:27:25,133 --> 00:27:27,100
[cheers and applause]
681
00:27:27,100 --> 00:27:28,600
♪ ♪
682
00:27:28,600 --> 00:27:29,600
All right.
683
00:27:29,600 --> 00:27:33,067
Let's see your opponents.
684
00:27:33,067 --> 00:27:37,633
♪ ♪
685
00:27:37,633 --> 00:27:40,633
[Walk the Moon's "Shut Up and Dance"]
686
00:27:40,633 --> 00:27:44,700
♪ ♪
687
00:27:44,700 --> 00:27:47,467
♪ We were victims of the night ♪
688
00:27:47,467 --> 00:27:51,600
♪ The chemical, physical, kryptonite ♪
689
00:27:51,600 --> 00:27:53,300
♪ Helpless to the bass ♪
690
00:27:53,300 --> 00:27:55,100
♪ And the fading light ♪
691
00:27:55,100 --> 00:27:58,367
♪ Oh, we were bound to get together ♪
692
00:27:58,367 --> 00:28:00,333
♪ Bound to get together ♪
693
00:28:00,333 --> 00:28:02,567
♪ She took my arm ♪
694
00:28:02,567 --> 00:28:04,267
♪ I don't know how it happened ♪
695
00:28:04,267 --> 00:28:07,133
♪ We took the floor and she said ♪
696
00:28:07,133 --> 00:28:09,133
♪ Oh don't you dare look back ♪
697
00:28:09,133 --> 00:28:10,733
♪ Just keep your eyes on me ♪
698
00:28:10,733 --> 00:28:12,600
♪ I said you're holding back ♪
699
00:28:12,600 --> 00:28:15,567
♪ She said shut up and dance with me ♪
700
00:28:15,567 --> 00:28:22,533
♪ ♪
701
00:28:28,333 --> 00:28:30,667
♪ Shut up and dance with me ♪
702
00:28:30,667 --> 00:28:32,133
♪ ♪
703
00:28:32,133 --> 00:28:34,467
♪ Shut up and dance with me ♪
704
00:28:34,467 --> 00:28:39,200
♪ ♪
705
00:28:39,200 --> 00:28:41,667
[cheers and applause]
706
00:28:43,100 --> 00:28:44,500
Thank you. Thank you so much.
707
00:28:49,167 --> 00:28:50,567
Boys of Temecula,
708
00:28:50,567 --> 00:28:52,200
that routine was fun.
709
00:28:52,200 --> 00:28:53,667
The way you guys interpreted the music
710
00:28:53,667 --> 00:28:55,067
and added things to it
711
00:28:55,067 --> 00:28:56,167
to help the choreography and--
712
00:28:56,167 --> 00:28:57,467
it was great.
713
00:28:57,467 --> 00:28:59,467
That head slide you did, man, that was awesome.
714
00:28:59,467 --> 00:29:00,467
That was sick.
715
00:29:00,467 --> 00:29:02,367
Great job.
716
00:29:02,367 --> 00:29:04,333
I'm always partial to sharply dressed,
717
00:29:04,333 --> 00:29:06,167
so I got to give you points for that.
718
00:29:06,167 --> 00:29:08,200
Oh, there you go. There you go.
719
00:29:08,200 --> 00:29:10,200
Very clean. Super fun.
720
00:29:10,200 --> 00:29:12,333
But there was a point in the choreography
721
00:29:12,333 --> 00:29:14,633
that it started feeling a little chorus line.
722
00:29:14,633 --> 00:29:16,700
But then the music changed and you fell out of it,
723
00:29:16,700 --> 00:29:18,000
and that helped you.
724
00:29:18,000 --> 00:29:19,267
- Thank you. - I love it.
725
00:29:19,267 --> 00:29:22,067
I thought you guys did a great job.
726
00:29:22,067 --> 00:29:23,700
I love how you use the stage.
727
00:29:23,700 --> 00:29:25,533
It doesn't just become flat.
728
00:29:25,533 --> 00:29:27,200
There's all kinds of formations
729
00:29:27,200 --> 00:29:28,633
and all kinds of things going on.
730
00:29:28,633 --> 00:29:30,333
I think you guys did a really awesome job.
731
00:29:30,333 --> 00:29:32,433
And you gave them a run for their money.
732
00:29:32,433 --> 00:29:35,000
Thank you so much.
733
00:29:35,000 --> 00:29:36,467
All right, we're gonna lock in our scores.
734
00:29:36,467 --> 00:29:37,467
Let's do it.
735
00:29:37,467 --> 00:29:40,467
[suspenseful music]
736
00:29:40,467 --> 00:29:47,500
♪ ♪
737
00:29:50,133 --> 00:29:52,700
The scores are locked.
738
00:29:52,700 --> 00:29:54,333
It's the moment of truth.
739
00:29:54,333 --> 00:29:57,333
Let's find out who's going through to the next round.
740
00:29:57,333 --> 00:30:01,667
♪ ♪
741
00:30:01,667 --> 00:30:05,033
announcer: Boys of Temecula,
742
00:30:01,667 --> 00:30:05,033
84.7.
743
00:30:05,033 --> 00:30:09,133
♪ ♪
744
00:30:09,133 --> 00:30:10,133
The Lab...
745
00:30:10,133 --> 00:30:12,167
♪ ♪
746
00:30:12,167 --> 00:30:13,433
89.7.
747
00:30:13,433 --> 00:30:15,300
The Lab, you're moving on.
748
00:30:15,300 --> 00:30:18,300
[upbeat pop music]
749
00:30:18,300 --> 00:30:25,333
♪ ♪
750
00:30:29,367 --> 00:30:32,067
Boys of Temecula, oh, you guys.
751
00:30:32,067 --> 00:30:33,733
You guys have been so, so great.
752
00:30:33,733 --> 00:30:34,733
Hey, you, uh-uh.
753
00:30:34,733 --> 00:30:35,733
Don't do that. Don't do that.
754
00:30:35,733 --> 00:30:37,367
Lift the head.
755
00:30:37,367 --> 00:30:39,033
'Cause this is not a loss.
756
00:30:39,033 --> 00:30:41,200
You win, or you learn.
757
00:30:41,200 --> 00:30:43,367
You never lose.
758
00:30:43,367 --> 00:30:45,567
If you were not incredible, you wouldn't be here
759
00:30:45,567 --> 00:30:47,167
in the duel.
760
00:30:47,167 --> 00:30:48,467
Keep your heads high.
761
00:30:48,467 --> 00:30:50,200
Do not stop doing what you're doing.
762
00:30:50,200 --> 00:30:51,333
Come back next year.
763
00:30:51,333 --> 00:30:52,400
All right?
764
00:30:52,400 --> 00:30:53,400
Fantastic.
765
00:30:53,400 --> 00:30:55,167
Yes, yes.
766
00:30:55,167 --> 00:30:56,367
- Thank you, guys. - Good job, guys.
767
00:30:56,367 --> 00:31:00,767
♪ ♪
768
00:31:00,767 --> 00:31:02,233
Congrats to The Lab.
769
00:31:02,233 --> 00:31:05,200
You guys, ohh.
770
00:31:05,200 --> 00:31:06,200
You got what it takes.
771
00:31:06,200 --> 00:31:07,233
Keep pushing.
772
00:31:07,233 --> 00:31:08,267
Great job, guys. Good job.
773
00:31:08,267 --> 00:31:09,333
- Thank you. - All right.
774
00:31:09,333 --> 00:31:12,467
We'll see you guys in the next round.
775
00:31:12,467 --> 00:31:14,700
Just because we passed two rounds
776
00:31:14,700 --> 00:31:16,467
doesn't mean we can stop working hard.
777
00:31:16,467 --> 00:31:19,167
We have to work even harder than we did the first round
778
00:31:19,167 --> 00:31:20,367
and the second round.
779
00:31:20,367 --> 00:31:23,033
all: Yeah!
780
00:31:23,033 --> 00:31:24,167
all: Ahoo!
781
00:31:32,100 --> 00:31:33,033
announcer: For the last duel of the night,
782
00:31:34,100 --> 00:31:36,067
first place Parisian hip-hop duo Les Twins
783
00:31:36,067 --> 00:31:39,267
have chosen to take ninth place world tap champion
784
00:31:39,267 --> 00:31:40,467
Kyle Van Newkirk
785
00:31:40,467 --> 00:31:41,700
into the ring.
786
00:31:41,700 --> 00:31:44,600
[hip-hop music]
787
00:31:44,600 --> 00:31:48,767
♪ ♪
788
00:31:48,767 --> 00:31:50,300
Les Twins really brought it
789
00:31:50,300 --> 00:31:51,533
with their first performance.
790
00:31:51,533 --> 00:31:53,200
They connection they have
791
00:31:53,200 --> 00:31:57,600
really translates into this kind of indescribable style
792
00:31:57,600 --> 00:32:00,467
that sets them apart from all the rest of the contestants.
793
00:32:00,467 --> 00:32:04,533
♪ ♪
794
00:32:04,533 --> 00:32:06,733
This was a little more emotional than I've seen you.
795
00:32:06,733 --> 00:32:08,467
A girl named Jessica...
796
00:32:10,600 --> 00:32:12,167
Hey, come on, man!
797
00:32:16,267 --> 00:32:19,300
[light pop music]
798
00:32:19,300 --> 00:32:20,667
♪ ♪
799
00:32:20,667 --> 00:32:23,600
Now, Kyle is a world champion.
800
00:32:23,600 --> 00:32:26,067
And he showed some really impressive skills in his
801
00:32:26,067 --> 00:32:27,433
in his first performance.
802
00:32:27,433 --> 00:32:33,033
♪ ♪
803
00:32:33,033 --> 00:32:34,200
Your sounds were amazing.
804
00:32:34,200 --> 00:32:35,467
The technique was great.
805
00:32:35,467 --> 00:32:37,300
Remember that there's an audience out here
806
00:32:37,300 --> 00:32:38,433
that maybe doesn't know tap.
807
00:32:38,433 --> 00:32:39,767
You have to be a showman.
808
00:32:39,767 --> 00:32:43,033
[cheers and applause]
809
00:32:45,667 --> 00:32:47,067
[Nina Simon's "Feeling Good"]
810
00:32:47,067 --> 00:32:48,700
♪ Fish in the sea ♪
811
00:32:48,700 --> 00:32:50,733
♪ You know how I feel ♪
812
00:32:50,733 --> 00:32:52,333
♪ ♪
813
00:32:52,333 --> 00:32:55,333
♪ River running free ♪
814
00:32:55,333 --> 00:32:56,500
You have to be impressed with Kyle.
815
00:32:56,500 --> 00:32:57,733
He's added props.
816
00:32:57,733 --> 00:32:59,333
He's working with space.
817
00:32:59,333 --> 00:33:02,433
Kyle wore out a brand new pair of tap shoes
818
00:33:02,433 --> 00:33:04,433
in one week.
819
00:33:04,433 --> 00:33:07,433
He's doing everything he can to win this duel.
820
00:33:12,868 --> 00:33:15,262
__
821
00:33:15,285 --> 00:33:18,381
__
822
00:33:18,626 --> 00:33:19,640
__
823
00:33:19,902 --> 00:33:20,497
__
824
00:33:20,545 --> 00:33:22,638
__
825
00:33:22,700 --> 00:33:24,067
Whoo!
826
00:33:24,067 --> 00:33:25,567
Like, I'm going up against somebody
827
00:33:25,567 --> 00:33:27,633
who is completely polar opposite from me,
828
00:33:27,633 --> 00:33:30,567
Les Twins, who are internationally famous.
829
00:33:30,567 --> 00:33:33,100
And you have me, from, like, Nebraska.
830
00:33:33,100 --> 00:33:34,567
♪ ♪
831
00:33:34,567 --> 00:33:36,067
♪ It's a new dawn ♪
832
00:33:36,067 --> 00:33:37,233
♪ It's a new day ♪
833
00:33:37,233 --> 00:33:38,667
♪ It's a new life ♪
834
00:33:38,667 --> 00:33:40,067
I have to lead everything out on the floor.
835
00:33:40,067 --> 00:33:41,333
This is a do-or-die.
836
00:33:41,333 --> 00:33:43,233
I either go big or I go home.
837
00:33:43,233 --> 00:33:44,767
♪ And I'm feeling good ♪
838
00:33:44,767 --> 00:33:52,033
♪ ♪
839
00:33:56,300 --> 00:34:00,400
[cheers and applause]
840
00:34:00,400 --> 00:34:02,267
announcer: First up, Kyle Van Newkirk.
841
00:34:02,267 --> 00:34:05,300
[cheers and applause]
842
00:34:08,733 --> 00:34:10,067
[Jidenna's "Classic Man"]
843
00:34:10,067 --> 00:34:11,500
♪ My name calling all night ♪
844
00:34:11,500 --> 00:34:14,067
♪ I could pull the wool while I'm being polite ♪
845
00:34:14,067 --> 00:34:16,333
♪ Like darling calling all night ♪
846
00:34:16,333 --> 00:34:18,733
♪ I can be a bull while I'm being polite ♪
847
00:34:18,733 --> 00:34:21,200
♪ Like oh me, oh me oh my ♪
848
00:34:21,200 --> 00:34:22,700
Yeah!
849
00:34:22,700 --> 00:34:24,033
♪ I know many women want to be in my life ♪
850
00:34:24,033 --> 00:34:26,067
♪ I'm a classic man ♪
851
00:34:26,067 --> 00:34:28,700
♪ You could be mean when you look this clean ♪
852
00:34:28,700 --> 00:34:31,200
♪ I'm a classic man ♪
853
00:34:31,200 --> 00:34:33,500
♪ Calling on me like a young OG ♪
854
00:34:33,500 --> 00:34:36,100
♪ I'm a classic man ♪
855
00:34:36,100 --> 00:34:39,067
♪ Keep my gloves dirty but my hands clean ♪
856
00:34:39,067 --> 00:34:41,567
♪ Got to keep the business in the family ♪
857
00:34:41,567 --> 00:34:43,333
♪ Team is a top general, oh ♪
858
00:34:43,333 --> 00:34:46,100
♪ Got to be ready for war, war ♪
859
00:34:46,100 --> 00:34:48,533
♪ Should they get into my door, door ♪
860
00:34:48,533 --> 00:34:50,733
♪ Get 'em, we'll get 'em, I know that we'll get 'em ♪
861
00:34:50,733 --> 00:34:53,033
♪ 'Cause I lived through this [...] before ♪
862
00:34:53,033 --> 00:34:55,167
♪ I'm a classic man ♪
863
00:34:55,167 --> 00:34:57,467
♪ Yeah baby, I'm a classic man ♪
864
00:34:57,467 --> 00:34:59,467
♪ ♪
865
00:34:59,467 --> 00:35:03,067
[cheers and applause]
866
00:35:03,067 --> 00:35:06,333
- Whoo! - Yeah!
867
00:35:06,333 --> 00:35:07,767
- Kyle. - Come through.
868
00:35:07,767 --> 00:35:11,000
Come through with the tap!
869
00:35:11,000 --> 00:35:12,500
This just goes to show you
870
00:35:12,500 --> 00:35:15,000
you cannot count anybody out
871
00:35:15,000 --> 00:35:16,467
on this competition.
872
00:35:16,467 --> 00:35:18,133
Hey!
873
00:35:18,133 --> 00:35:20,000
The sounds that were coming out of your feet were nuts!
874
00:35:20,000 --> 00:35:21,200
Crystal clean.
875
00:35:21,200 --> 00:35:22,633
- Okay. - Clean.
876
00:35:22,633 --> 00:35:24,567
How did you feel when you got picked by Les Twins?
877
00:35:24,567 --> 00:35:27,233
Um, the original reaction that I had
878
00:35:27,233 --> 00:35:28,700
was "Oh dear God."
879
00:35:28,700 --> 00:35:31,033
[laughter]
880
00:35:31,033 --> 00:35:32,700
'Cause it's like, we have two contrasting styles.
881
00:35:32,700 --> 00:35:34,100
So it's like... - Right.
882
00:35:34,100 --> 00:35:35,233
Apples and oranges at this point.
883
00:35:35,233 --> 00:35:36,600
Exactly.
884
00:35:36,600 --> 00:35:38,200
It's kind of like David versus Goliath a little bit.
885
00:35:38,200 --> 00:35:39,467
You know, but we were back here like,
886
00:35:39,467 --> 00:35:41,567
"Let's go, Kyle, let's go!"
887
00:35:41,567 --> 00:35:43,733
The use of the prop-- it was so cool.
888
00:35:43,733 --> 00:35:45,733
The way you used it to create other rhythms,
889
00:35:45,733 --> 00:35:48,467
just like little tricks, so smooth and so risky--
890
00:35:48,467 --> 00:35:50,067
which, by the way,
891
00:35:50,067 --> 00:35:52,567
it takes risk to move forward in this competition.
892
00:35:52,567 --> 00:35:55,167
There's been times when I had a choice
893
00:35:55,167 --> 00:35:57,233
of using a prop and opted out of it
894
00:35:57,233 --> 00:35:58,567
'cause I was too nervous I was gonna drop it
895
00:35:58,567 --> 00:36:00,100
or mess it up.
896
00:36:00,100 --> 00:36:02,067
So the fact that you did it is so awesome, man.
897
00:36:02,067 --> 00:36:04,700
I commend you on it. It's really great.
898
00:36:04,700 --> 00:36:07,400
Tap has struggled in this competition from the beginning.
899
00:36:07,400 --> 00:36:10,200
It's a little difficult for it to translate visually.
900
00:36:10,200 --> 00:36:11,700
And you decided to take that risk.
901
00:36:11,700 --> 00:36:13,700
That speaks volumes about what you are as an artist.
902
00:36:13,700 --> 00:36:14,700
Your heart.
903
00:36:14,700 --> 00:36:17,067
Thank you.
904
00:36:17,067 --> 00:36:18,233
- We locking in? - Let's lock in.
905
00:36:18,233 --> 00:36:19,233
Let's get it.
906
00:36:19,233 --> 00:36:22,233
[suspenseful music]
907
00:36:22,233 --> 00:36:25,200
♪ ♪
908
00:36:25,200 --> 00:36:28,200
Kyle Van Newkirk just tore up the stage right there.
909
00:36:28,200 --> 00:36:30,300
Les Twins, this is your time. Let's go.
910
00:36:30,300 --> 00:36:37,333
♪ ♪
911
00:36:42,567 --> 00:36:44,467
[screaming]
912
00:36:44,467 --> 00:36:46,733
That's the spirit of the battle.
913
00:36:46,733 --> 00:36:48,567
We're gonna lock in our scores.
914
00:37:01,533 --> 00:37:02,467
Kyle Van Newkirk just tore up the stage right there.
915
00:37:04,367 --> 00:37:06,700
Les Twins, this is your time. Let's go.
916
00:37:06,700 --> 00:37:09,700
[suspenseful music]
917
00:37:09,700 --> 00:37:17,000
♪ ♪
918
00:37:19,033 --> 00:37:20,400
[Monique Bingham's "Deep in the Bottom (of Africa)"]
919
00:37:20,400 --> 00:37:22,567
♪ I used to feel like ♪
920
00:37:22,567 --> 00:37:26,467
♪ ♪
921
00:37:26,467 --> 00:37:28,233
♪ Everywhere I'm the same ♪
922
00:37:28,233 --> 00:37:35,300
♪ ♪
923
00:37:47,500 --> 00:37:49,533
♪ I used to feel like ♪
924
00:37:49,533 --> 00:37:53,500
♪ ♪
925
00:37:53,500 --> 00:37:56,033
♪ Everywhere I'm the same ♪
926
00:37:56,033 --> 00:38:02,233
♪ ♪
927
00:38:02,233 --> 00:38:04,300
♪ I didn't know then ♪
928
00:38:04,300 --> 00:38:06,100
♪ What I know now ♪
929
00:38:06,100 --> 00:38:08,200
♪ ♪
930
00:38:08,200 --> 00:38:10,167
♪ A race is just a game ♪
931
00:38:10,167 --> 00:38:17,200
♪ ♪
932
00:38:22,300 --> 00:38:25,767
♪ It don't get deeper ♪
933
00:38:25,767 --> 00:38:26,767
- Nice.
934
00:38:26,767 --> 00:38:28,633
♪ ♪
935
00:38:28,633 --> 00:38:30,767
- ♪ I used to feel like ♪
936
00:38:30,767 --> 00:38:34,233
♪ ♪
937
00:38:34,233 --> 00:38:37,033
♪ Everywhere I'm the same ♪
938
00:38:38,467 --> 00:38:40,033
[screaming]
939
00:38:40,033 --> 00:38:43,067
[cheers and applause]
940
00:38:44,267 --> 00:38:46,233
[laughing]
941
00:38:51,700 --> 00:38:53,200
Wow, guys!
942
00:38:53,200 --> 00:38:57,100
That was pretty amazing. That was pretty amazing.
943
00:38:57,100 --> 00:39:00,533
Here's what's exciting about watching you guys.
944
00:39:00,533 --> 00:39:02,200
It's the spontaneity.
945
00:39:02,200 --> 00:39:05,133
You never know what's coming next.
946
00:39:05,133 --> 00:39:07,767
And that, for me as a performer,
947
00:39:07,767 --> 00:39:09,700
is so exciting.
948
00:39:09,700 --> 00:39:12,333
You just reminded me, like, Jen,
949
00:39:12,333 --> 00:39:14,067
next time you're onstage,
950
00:39:14,067 --> 00:39:17,300
don't do the same stuff over and over!
951
00:39:17,300 --> 00:39:18,667
And at the end,
952
00:39:18,667 --> 00:39:20,533
when you did the neck,
953
00:39:20,533 --> 00:39:22,100
that's the spirit of the battle.
954
00:39:22,100 --> 00:39:24,233
It's like, I love you and I respect you,
955
00:39:24,233 --> 00:39:26,567
but I'm going to annihilate you.
956
00:39:26,567 --> 00:39:28,700
You just showed everybody how the duel should be.
957
00:39:28,700 --> 00:39:31,700
[cheers and applause]
958
00:39:31,700 --> 00:39:33,200
I will say this.
959
00:39:33,200 --> 00:39:35,200
The confidence is borderline off-putting.
960
00:39:35,200 --> 00:39:36,467
A little bit, just borderline.
961
00:39:36,467 --> 00:39:38,067
- No. - No, no, no, no.
962
00:39:38,067 --> 00:39:39,200
Hold up, hold up, hold up.
963
00:39:41,067 --> 00:39:43,100
- No. - You didn't let me finish.
964
00:39:43,100 --> 00:39:45,000
- I can't let you finish! - Let me finish.
965
00:39:45,000 --> 00:39:46,733
- I won't let you finish! - Let me finish.
966
00:39:46,733 --> 00:39:50,200
Like I said, when there's a million dollars on the line,
967
00:39:50,200 --> 00:39:52,433
you have to be absolutely confident
968
00:39:52,433 --> 00:39:53,633
with everything you do.
969
00:39:53,633 --> 00:39:55,500
- Yeah. [inaudible] - So well done.
970
00:39:55,500 --> 00:39:57,500
Yeah. Question.
971
00:39:57,500 --> 00:40:00,700
I would like to know why you guys chose Kyle.
972
00:40:00,700 --> 00:40:02,500
Kyle is the only--
973
00:40:02,500 --> 00:40:04,067
deep down, the truth--
974
00:40:04,067 --> 00:40:07,333
he's the only man dances with his heart on his feet.
975
00:40:07,333 --> 00:40:10,533
He's better than everybody in this room.
976
00:40:10,533 --> 00:40:12,033
I understand.
977
00:40:12,033 --> 00:40:13,567
It's one thing to battle another hip-hop dancer.
978
00:40:13,567 --> 00:40:15,433
Okay, we do that; we already know what that's gonna be.
979
00:40:15,433 --> 00:40:18,333
It's another thing to go against somebody that you have no idea
980
00:40:18,333 --> 00:40:22,067
what that style is, so I applaud you for that.
981
00:40:22,067 --> 00:40:23,767
All right, we're gonna lock in our scores.
982
00:40:23,767 --> 00:40:26,700
[suspenseful music]
983
00:40:26,700 --> 00:40:33,467
♪ ♪
984
00:40:33,467 --> 00:40:35,467
The scores are locked.
985
00:40:35,467 --> 00:40:36,600
Here we go.
986
00:40:36,600 --> 00:40:38,200
Let's see who made it through
987
00:40:38,200 --> 00:40:39,467
to the next round.
988
00:40:39,467 --> 00:40:44,267
♪ ♪
989
00:40:44,267 --> 00:40:48,367
announcer: Kyle Van Newkirk, 86.
990
00:40:48,367 --> 00:40:53,000
♪ ♪
991
00:40:53,000 --> 00:40:54,600
Les Twins...
992
00:40:54,600 --> 00:40:56,167
92.
993
00:40:56,167 --> 00:40:58,400
Les Twins, you're moving on to the next round.
994
00:40:58,400 --> 00:41:01,467
[cheers and applause]
995
00:41:06,300 --> 00:41:08,633
Kyle, I hope you are so proud of yourself right now.
996
00:41:08,633 --> 00:41:10,200
Ah, yes.
997
00:41:10,200 --> 00:41:11,700
Especially difficult to step foot on this stage
998
00:41:11,700 --> 00:41:14,067
with somebody that has a name and a reputation like Les Twins.
999
00:41:14,067 --> 00:41:18,133
You came out here and you represented for yourself.
1000
00:41:18,133 --> 00:41:21,067
And it just came down to you doing the best you.
1001
00:41:21,067 --> 00:41:24,600
And I honestly felt your spirit, your heart, your passion.
1002
00:41:24,600 --> 00:41:27,267
You should be proud of yourself. I am proud of you.
1003
00:41:27,267 --> 00:41:29,067
- Thank you. - Let's hear it one more time
1004
00:41:29,067 --> 00:41:30,333
for Kyle Van Newkirk.
1005
00:41:30,333 --> 00:41:34,267
[cheers and applause]
1006
00:41:34,267 --> 00:41:36,067
This won't stop me from moving forward.
1007
00:41:36,067 --> 00:41:37,467
Being able to progress more--
1008
00:41:37,467 --> 00:41:40,767
like, that-- it's definitely pushed me,
1009
00:41:40,767 --> 00:41:44,433
as an artist, a human-- everything.
1010
00:41:44,433 --> 00:41:47,433
I really feel like you guys are going for the gold
1011
00:41:47,433 --> 00:41:49,133
every time you come out on this stage.
1012
00:41:49,133 --> 00:41:51,033
And it's just exciting to see the journey
1013
00:41:51,033 --> 00:41:53,067
and how much of your soul you're able to bear on the way.
1014
00:41:53,067 --> 00:41:54,067
Thank you so much.
1015
00:41:54,067 --> 00:41:57,300
Make some noise for Les Twins.
1016
00:41:57,300 --> 00:42:01,133
This is a battle. In a battle, you can't go easy.
1017
00:42:01,133 --> 00:42:03,067
My brother and me just gonna show them,
1018
00:42:03,067 --> 00:42:04,633
he didn't lose for no reason.
1019
00:42:04,633 --> 00:42:06,567
He just faced the best dancer in the world.
1020
00:42:07,135 --> 00:42:10,935
Sync & corrections by QueenMaddie -= www.addic7ed.com =-
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