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["Get Down Tonight" br/by KC & The Sunshine Band]
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male announcer: For the last three weeks...
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♪ Do a little dance, make a little love ♪
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announcer: The best dancers in the world...
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announcer: Have lit up the "World of Dance" stage.
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But tonight...
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It gets serious.
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It's the Duels.
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The acts go head-to-head for a place
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in the next round...
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The Cut. - It's a dance battle, baby.
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♪ ♪
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announcer: It's the biggest...
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announcer: Toughest...
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most intense round of the competition yet.
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Whoa! [screams]
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That's what I'm talking about!
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When we said the "World of Dance"
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was the biggest dance competition in the world,
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we told you we were not playing.
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♪ ♪
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announcer: The acts will be awarded points
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from 0 to 20 in each of the 5 categories--
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Performance...
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Technique...
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Choreography...
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Creativity...
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and Presentation--
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for a maximum possible score of 100.
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The act with the highest score in each Duel
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wins a place in the next round, the Cut.
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The loser is eliminated.
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The stakes have never been higher.
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You're going into the lion's den right now...
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♪ ♪
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And you have to go for blood.
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♪ ♪
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announcer: Pressure is on.
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I wouldn't want to follow that.
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♪ ♪
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announcer: Two acts enter...
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Let's see who made it to the next round.
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announcer: Only one survives.
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You're through to the next round!
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Congratulations!
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[cheers and applause]
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[upbeat music]
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announcer: Please welcome your host,
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Jenna Dewan Tatum.
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Your judges,
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Derek Hough...
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NE-YO...
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and Jennifer Lopez.
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Tonight, we are turning up the heat.
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The top-scoring acts from the Qualifiers
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have chosen who they want to face in the Duels.
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The Duels start now.
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[cheers and applause]
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Okay, guys, congrats for getting through the Qualifiers.
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[cheers and applause] Good job!
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Fik-Shun, as the second-highest scorer,
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it's time to make your decision.
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Who do you pick?
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As a soloist, I picked another soloist.
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Nick Daniels. - Awesome!
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[applause] Whoo!
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announcer: For the first Duel of the competition,
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former "So You Think You Can Dance?" winner Fik-Shun,
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chose contemporary dancer, Nick Daniels.
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What we loved about Fik-Shun's first performance
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was the surprise of it, actually.
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You don't normally see hip-hop soloists
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doing something so vulnerable.
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♪ I'm a little unsteady ♪
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My parents have always been separated.
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I just always tried to be the one in the middle
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to bring them together.
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[cheers and applause]
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["Secrets" by OneRepublic]
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Now, Nick, he also blew us away.
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♪ Tell me what you want to hear ♪
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Here's a kid out of nowhere.
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Crazy flexibility, ridiculous strength.
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Your range of movement is endless.
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Parts that I connected to the most, you just lost control.
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He doesn't just match Fik-Shun in raw emotion,
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he might outshine him.
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What was the thought behind that dance?
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About three years ago, my dad passed away.
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This dance was releasing
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all the negativity it's brought to me.
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♪ All my secrets away ♪
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[cheers and applause]
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["Human" by Rag'n'Bone Man]
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♪ Some people got the real problems ♪
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♪ Some people out of luck ♪
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Are you nervous about anything?
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I'm, like, taking a risk because the meat of it
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is gonna be more freestyle.
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That's just, like, who you are.
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No one can freestyle like you can.
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Fik-Shun picked a song that has a breakdown in the middle,
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which will allow him to show off his faster work,
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his precision, and really bring that "wow" factor.
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That's a smart move.
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♪ I'm only human after all ♪
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Nick is pushing himself and his amazingly flexible body
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to the limit.
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Whoo! Ay-yi-yi!
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And he's trying to cram in as many power moves as he can
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to rack up points.
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Did you have to change your dance around?
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- Absolutely. - Did you do any--you did?
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I added a lot of more "wow" moments,
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more emotion, and everything.
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♪ I'm only human after all ♪
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♪ Don't put your blame on me ♪
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Nick is an amazing dancer.
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I'm really thinking like, "Man, like,
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I could have just picked my doom."
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♪ I'm only human, I make mistakes ♪
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Fik-Shun has such a big name in the dance world,
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so I have to rise up to the occasion.
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It cannot end here.
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They couldn't be more different competitors.
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announcer: First up, Fik-Shun.
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[cheers and applause]
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["Fragile" by Tech N9ne]
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♪ I never thought I'd be so fragile ♪
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♪ You're not alone ♪
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♪ If it didn't break before ♪
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♪ It's about to ♪
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♪ We've been here before ♪
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♪ I don't ever want to change ♪
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♪ I'm fragile ♪
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♪ I don't ever ♪
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♪ Some of the people appointed to give an opinion ♪
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♪ Ya never do get it, I want you to come on ♪
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♪ And gobble a jimmy and die ♪
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♪ N9na be givin' the remedy and why? ♪
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♪ Gifted, effin' incredible, get fanned away ♪
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♪ With grands to pay... ♪ - God!
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♪ Deaf and impeccable, write a rhyme ♪
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♪ And I put everything in a flow, I'm the N9ne ♪
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♪ I'ma look very mean when a foe scribe a line ♪
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♪ But he has never been at a show ♪
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♪ By the times it'll be better, leave it in the sto' ♪
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♪ 'Cause they wrote nothin' but lies ♪
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♪ Quotes stuck in my eyes, amateur writer dissin' ♪
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♪ He's a beginner and hopes for your demise ♪
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♪ Folks I'ma despise, never do try to listen ♪
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[cheers and applause]
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♪ ♪
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♪ Putting my heart and my soul in these lines ♪
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♪ Tellin' me platinum and gold all the time ♪
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♪ Lookin' to bury a deep hole for mine ♪
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♪ ♪
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♪ Fragile ♪
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♪ Wish I'd have known ♪
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♪ If it didn't break before, it's about to ♪
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♪ We've been here before ♪
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♪ I'm fragile ♪
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♪ I don't ever ♪
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[song ends]
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[cheers and applause]
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Whoo!
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Fik-Shun, the control that you have over your body
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is unprecedented.
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I'm like, "What?"
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That little backbend head thing?
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That was awesome.
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The most awesome part about that
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is that you knew how sick it was
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and you just stayed down there for a minute.
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You know what I mean?
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And I love the way you play with the music.
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Your musicality might be the best in the competition.
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[cheers and applause]
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How much of what you do is freestyle versus choreographed?
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Uh...80%.
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Um-- - Jeez!
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Would you say that this routine
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was more freestyle than your last routine?
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- Yes. - See, I felt that.
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And I don't necessarily want to feel that
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all the time, you know what I mean?
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But you brought the energy, definitely.
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Great job. - All right.
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Time to lock in the score.
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[suspenseful music]
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♪ ♪
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Nick, go show us what you got.
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[singsong] Nick, you got your work cut out.
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♪ ♪
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["Wicked Game" by RAIGN]
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♪ I never dreamed ♪
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♪ That I'd meet somebody like you ♪
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♪ No, I don't want to fall in love ♪
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♪ ♪
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♪ No, I don't want to fall in love ♪
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♪ ♪
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♪ With you ♪
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♪ ♪
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♪ What a wicked game to play ♪
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♪ To make me dream of you ♪
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♪ What a wicked thing to say ♪
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♪ You never felt this way ♪
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♪ What a wicked thing to do ♪
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♪ To make me dream of you ♪
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♪ And I don't want to fall in love ♪
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♪ ♪
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[song ends]
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[cheers and applause]
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Yes!
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[both pounding on table]
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[cheers and applause]
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That's what a Duel is about.
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This piece was technically impressive,
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but at the same time, there was emotion there.
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I could--like, these moments here
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were almost as strong as when you put your leg
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behind your head, over, and twisted it.
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- Thank you. - Yeah.
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Nick, you, like, defy limits of anatomy.
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The acrobatics of it? [exhales]
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I'm, like--I loved it, and I'm also in pain.
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- Me too. - It makes sense,
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'cause what you're doing should not be real.
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- Thank you. - Watching something like that,
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you're like, "Is this humanly possible
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what this person is doing right now?"
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But, again, all of the flexibility
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means nothing without the emotion,
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and it really elevated your game.
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It's his body control versus your lack of bones,
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and it's just like--it's-- it's just--
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- Both amazing. - Both amazing, both standouts.
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[cheers and applause]
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With that said, let's lock in the scores.
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[suspenseful music]
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♪ ♪
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- Hard. - Do not wanna be you guys.
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It is. It's close. It is tight.
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♪ ♪
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Who has the potential to give us more?
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'Cause just pure on a-- [sighs] God.
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Yikes!
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Do you wanna just lock that in and see what happens?
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Yeah, that is the score.
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♪ ♪
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The scores are locked. This is it.
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Only one act is staying.
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Let's see who's moving on to the next round.
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["The Days" by Avicii]
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announcer: Nick Daniels...
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87.7.
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Fik-Shun...
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90.7.
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Fik-Shun, you're going through.
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Congratulations.
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♪ Slam that door ♪
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Nick, you just danced for your life up there.
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You are magnificent.
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I feel like you're gonna grow into something
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that is gonna shock the world, honestly.
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You are freaking amazing!
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Like, dude...
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[cheers and applause]
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00:11:29,200 --> 00:11:31,267
Let's hear it one more time for Nick Daniels, everybody.
271
00:11:31,267 --> 00:11:32,733
[cheers and applause]
272
00:11:32,733 --> 00:11:34,267
Coming into this competition,
273
00:11:34,267 --> 00:11:36,200
I wanted to start something new
274
00:11:36,200 --> 00:11:37,500
and break some walls down, and I definitely feel
275
00:11:37,500 --> 00:11:38,567
like I've done that.
276
00:11:38,567 --> 00:11:40,033
One more time for Fik-Shun.
277
00:11:40,033 --> 00:11:43,067
[cheers and applause]
278
00:11:47,267 --> 00:11:50,267
[upbeat music]
279
00:11:50,267 --> 00:11:56,067
♪ ♪
280
00:11:56,067 --> 00:11:57,500
- Hey! - I feel like
281
00:11:57,500 --> 00:11:59,533
I have to strap myself in 'cause I know the energy
282
00:11:59,533 --> 00:12:02,033
is gonna be insane.
283
00:12:02,033 --> 00:12:05,400
Literally a party from beginning to end!
284
00:12:05,400 --> 00:12:07,100
We got a battle.
285
00:12:07,100 --> 00:12:10,467
You guys epitomize power and subtlety.
286
00:12:10,467 --> 00:12:12,067
[all shout]
287
00:12:12,067 --> 00:12:14,200
[cheers and applause]
288
00:12:14,200 --> 00:12:15,200
Great job!
289
00:12:15,200 --> 00:12:18,000
♪ ♪
290
00:12:23,067 --> 00:12:24,100
announcer: In this Duel, it's Colombian salsa troupe
291
00:12:25,333 --> 00:12:28,667
Swing Latino versus elite amateurs Miami All Stars.
292
00:12:28,667 --> 00:12:31,533
[upbeat music]
293
00:12:31,533 --> 00:12:33,633
♪ ♪
294
00:12:33,633 --> 00:12:35,700
[lively Latin music]
295
00:12:35,700 --> 00:12:38,633
This Duel is gonna be amazing.
296
00:12:38,633 --> 00:12:41,500
Two big Latin teams going head-to-head.
297
00:12:41,500 --> 00:12:43,433
What can I say about Swing Latino?
298
00:12:43,433 --> 00:12:45,533
The world has never seen salsa like this before.
299
00:12:45,533 --> 00:12:47,333
They're explosive.
300
00:12:47,333 --> 00:12:50,500
The speed of their footwork is unreal.
301
00:12:50,500 --> 00:12:54,700
And their tricks are honestly death-defying.
302
00:12:54,700 --> 00:12:56,500
This competition is about proving that you are
303
00:12:56,500 --> 00:12:58,067
the best dancers on the face of the planet,
304
00:12:58,067 --> 00:12:59,133
and I feel like y'all did that.
305
00:13:00,233 --> 00:13:03,267
__
306
00:13:04,400 --> 00:13:07,600
♪ ♪
307
00:13:07,600 --> 00:13:11,133
♪ Nobody knows what I'm feeling inside ♪
308
00:13:11,133 --> 00:13:13,200
The Miami All Stars are different.
309
00:13:13,200 --> 00:13:16,200
These aren't full-time dancers. They're teachers and lawyers
310
00:13:16,200 --> 00:13:18,200
chasing a dream that they have as well.
311
00:13:18,200 --> 00:13:20,700
They have true passion, and I love that dedication.
312
00:13:20,700 --> 00:13:23,400
♪ This would be a perfect world ♪
313
00:13:23,400 --> 00:13:26,333
♪ We'd be together then ♪
314
00:13:26,333 --> 00:13:30,167
There is an unbridled enthusiasm.
315
00:13:30,167 --> 00:13:33,200
It was why I wanted to be involved in this whole thing,
316
00:13:33,200 --> 00:13:34,667
because of dancers like you.
317
00:13:34,667 --> 00:13:36,333
Thank you, thank you.
318
00:13:36,333 --> 00:13:39,133
♪ And love and dance again ♪
319
00:13:39,133 --> 00:13:40,600
[cheers and applause]
320
00:13:40,600 --> 00:13:43,400
["Light It Up" by Major Lazer]
321
00:13:43,400 --> 00:13:47,633
♪ ♪
322
00:13:47,633 --> 00:13:48,633
How you guys feeling?
323
00:13:48,633 --> 00:13:49,633
- Good. - Excited.
324
00:13:49,633 --> 00:13:51,533
- I see you guys are choosing
325
00:13:51,533 --> 00:13:53,133
to go a different way. - We have to.
326
00:13:53,133 --> 00:13:54,667
We know what Swing Latino is here...
327
00:13:54,667 --> 00:13:56,200
- Yeah. - And we need to make sure
328
00:13:56,200 --> 00:13:57,467
that we jump higher. - That I like.
329
00:13:57,467 --> 00:13:59,700
- If that makes sense. - That makes me excited.
330
00:13:59,700 --> 00:14:03,067
Both of these groups are pushing themselves to the max.
331
00:14:03,067 --> 00:14:05,000
Six, seven, eight, one, two.
332
00:14:05,000 --> 00:14:06,733
Miami All Stars are going with a swing routine
333
00:14:06,733 --> 00:14:08,467
because they want to stand out,
334
00:14:08,467 --> 00:14:11,000
and they're gonna throw in every trick they can think of.
335
00:14:11,000 --> 00:14:13,000
- Six, seven, eight, yeah! - Whoo!
336
00:14:13,000 --> 00:14:14,667
♪ I want to see everywhere ♪
337
00:14:14,667 --> 00:14:16,467
Swing Latino has been watching Miami rehearse,
338
00:14:16,467 --> 00:14:18,333
and for every trick that they do,
339
00:14:18,333 --> 00:14:20,500
Swing is adding in another trick.
340
00:14:21,400 --> 00:14:23,589
__
341
00:14:24,122 --> 00:14:26,222
__
342
00:14:26,400 --> 00:14:27,417
__
343
00:14:29,200 --> 00:14:30,200
Yay!
344
00:14:30,200 --> 00:14:34,843
__
345
00:14:35,210 --> 00:14:37,045
Sorry. Adios!
346
00:14:37,471 --> 00:14:38,633
♪ Light it up ♪
347
00:14:38,733 --> 00:14:41,433
When Swing Latino picked us, I think they made a mistake.
348
00:14:41,433 --> 00:14:42,700
We're changing up everything.
349
00:14:42,700 --> 00:14:44,000
The stage is gonna explode tonight.
350
00:14:44,000 --> 00:14:45,000
It's gonna be crazy.
351
00:14:45,000 --> 00:14:48,167
♪ ♪
352
00:14:48,167 --> 00:14:50,467
announcer: First up, Swing Latino!
353
00:14:50,467 --> 00:14:52,200
[cheers and applause]
354
00:14:52,200 --> 00:14:53,700
Let's battle. Let's get it.
355
00:14:53,700 --> 00:14:55,533
♪ Yeah, light it up ♪
356
00:14:58,200 --> 00:15:01,200
[upbeat Latin music]
357
00:15:01,200 --> 00:15:07,633
♪ ♪
358
00:15:07,633 --> 00:15:10,633
[men singing in Spanish]
359
00:15:10,633 --> 00:15:17,667
♪ ♪
360
00:15:27,033 --> 00:15:29,733
[cheers and applause]
361
00:15:29,733 --> 00:15:37,000
♪ ♪
362
00:16:08,533 --> 00:16:10,200
[song ends]
363
00:16:10,200 --> 00:16:12,533
[screams and laughs]
364
00:16:12,533 --> 00:16:15,467
[cheers and applause]
365
00:16:16,600 --> 00:16:21,000
That made me want to just get up and move my little hips!
366
00:16:21,000 --> 00:16:22,333
You guys were performing, and all the sudden,
367
00:16:22,333 --> 00:16:24,700
I had JLo's booty right here. I was like, "Oh!"
368
00:16:24,700 --> 00:16:27,367
[laughter and cheering] My skirt's way too short.
369
00:16:27,367 --> 00:16:28,467
Anyway... [laughs]
370
00:16:28,467 --> 00:16:29,700
Okay.
371
00:16:29,700 --> 00:16:32,667
__
372
00:16:35,067 --> 00:16:37,467
[cheers and applause]
373
00:16:37,467 --> 00:16:39,433
Translate this. [imitates explosion booming]
374
00:16:39,433 --> 00:16:41,367
[cheering and laughter]
375
00:16:41,367 --> 00:16:43,400
- Gracias. - Couple cleanliness issues
376
00:16:43,400 --> 00:16:45,167
here and there. Nothing major.
377
00:16:45,167 --> 00:16:46,333
You guys should be proud of this performance.
378
00:16:46,333 --> 00:16:48,067
[cheers and applause]
379
00:16:48,067 --> 00:16:50,400
I feel like I have to strap myself in and get ready
380
00:16:50,400 --> 00:16:51,733
for your performance 'cause I know the energy
381
00:16:51,733 --> 00:16:54,467
is gonna be insane, it's explosive.
382
00:16:54,467 --> 00:16:57,500
But also, your tricks, they're, like, death-defying.
383
00:16:57,500 --> 00:16:59,733
Like, if you drop her, she's gonna break her neck,
384
00:16:59,733 --> 00:17:01,133
like, literally.
385
00:17:01,133 --> 00:17:03,100
And then that last move, that's so cool.
386
00:17:03,100 --> 00:17:04,967
Like, that was, like, 8 feet in the air you chucked her,
387
00:17:05,627 --> 00:17:06,229
and he catches her like,
388
00:17:06,261 --> 00:17:06,613
"What's up? Bam!"
389
00:17:06,633 --> 00:17:10,067
- Upside down! - It's...it's so good!
390
00:17:10,499 --> 00:17:11,467
Thank you. [cheers and applause]
391
00:17:11,567 --> 00:17:13,200
__
392
00:17:13,200 --> 00:17:14,367
[cheering continues]
393
00:17:14,367 --> 00:17:16,367
- Lock it in. - Locking it in.
394
00:17:16,367 --> 00:17:19,367
[suspenseful music]
395
00:17:19,367 --> 00:17:25,200
♪ ♪
396
00:17:25,200 --> 00:17:27,100
- The scores are locked.
397
00:17:27,100 --> 00:17:28,700
All right, Miami All Stars, let's go.
398
00:17:28,700 --> 00:17:30,600
Go light up that stage!
399
00:17:30,600 --> 00:17:31,633
Come on, guys! Come on!
400
00:17:35,067 --> 00:17:38,333
♪ ♪
401
00:17:41,067 --> 00:17:44,067
["Jumpin' Jack" by Big Bad Voodoo Daddy]
402
00:17:44,067 --> 00:17:51,133
♪ ♪
403
00:18:02,300 --> 00:18:04,067
♪ When you hit the dance floor ♪
404
00:18:04,067 --> 00:18:05,990
♪ You gotta be jumpin' Jack ♪
405
00:18:06,029 --> 00:18:07,638
♪ Jump on in, jump with your baby ♪
406
00:18:07,700 --> 00:18:10,100
♪ Roll right on your track. Whoa, whoa ♪
407
00:18:10,100 --> 00:18:11,567
♪ Watch it, watch it ♪
408
00:18:11,567 --> 00:18:12,567
♪ Hey ♪
409
00:18:12,567 --> 00:18:13,567
♪ ♪
410
00:18:13,567 --> 00:18:14,567
♪ Hey ♪
411
00:18:14,567 --> 00:18:21,567
♪ ♪
412
00:18:23,333 --> 00:18:24,600
Whoo!
413
00:18:24,600 --> 00:18:31,633
♪ ♪
414
00:18:33,733 --> 00:18:35,433
Woo-hoo-hoo-hoo!
415
00:18:35,433 --> 00:18:38,133
♪ ♪
416
00:18:38,133 --> 00:18:39,367
Hey!
417
00:18:39,367 --> 00:18:42,500
♪ ♪
418
00:18:42,500 --> 00:18:43,500
♪ Hey ♪
419
00:18:43,500 --> 00:18:44,500
♪ ♪
420
00:18:44,500 --> 00:18:45,500
♪ Hey ♪
421
00:18:45,500 --> 00:18:46,500
♪ ♪
422
00:18:46,500 --> 00:18:47,500
♪ Hey ♪
423
00:18:47,500 --> 00:18:51,133
♪ ♪
424
00:18:51,133 --> 00:18:52,233
[song ends]
425
00:18:52,233 --> 00:18:55,033
[cheers and applause]
426
00:18:55,033 --> 00:18:56,333
- Yeah! - Hey!
427
00:18:56,333 --> 00:18:59,200
[cheers and applause]
428
00:19:01,467 --> 00:19:02,533
You guys stepped it up.
429
00:19:02,533 --> 00:19:04,333
- Yes. - Big time.
430
00:19:04,333 --> 00:19:06,033
B-boy moves, then you had the flairs,
431
00:19:06,033 --> 00:19:08,400
the fouette turns, you had some swing.
432
00:19:08,400 --> 00:19:10,233
It had everything you could have wanted.
433
00:19:10,233 --> 00:19:11,367
Dynamics, group visuals.
434
00:19:11,367 --> 00:19:13,033
I could go on and on. Great job.
435
00:19:13,033 --> 00:19:14,633
Fantastic. - Yes!
436
00:19:14,633 --> 00:19:16,567
- Here we go.
437
00:19:16,567 --> 00:19:18,700
I feel like I'm watching a Broadway performance.
438
00:19:18,700 --> 00:19:20,033
This is-- - Yeah!
439
00:19:20,033 --> 00:19:21,300
This is, like, that good.
440
00:19:21,300 --> 00:19:24,100
Literally a party from beginning to end.
441
00:19:24,100 --> 00:19:26,133
You guys executed it beautifully.
442
00:19:26,133 --> 00:19:28,200
We had a battle. - I feel like this competition
443
00:19:28,200 --> 00:19:29,633
needs you both. - Yeah.
444
00:19:29,633 --> 00:19:32,667
This is the level of-- of dance we need.
445
00:19:32,667 --> 00:19:34,100
[cheers and applause]
446
00:19:34,100 --> 00:19:35,200
All right, let's score this thing.
447
00:19:35,200 --> 00:19:36,533
Here we go.
448
00:19:36,533 --> 00:19:40,633
[suspenseful music]
449
00:19:40,633 --> 00:19:42,333
Come on, guys.
450
00:19:42,333 --> 00:19:49,367
♪ ♪
451
00:19:51,167 --> 00:19:52,333
We're good to go.
452
00:19:52,333 --> 00:19:55,067
All right, the scores are locked.
453
00:19:55,067 --> 00:19:56,433
It's the moment of truth.
454
00:19:56,433 --> 00:20:00,400
["Green Light" by Lorde]
455
00:20:00,400 --> 00:20:02,067
announcer: Swing Latino...
456
00:20:02,067 --> 00:20:04,667
91.7.
457
00:20:04,667 --> 00:20:06,700
[cheers and applause]
458
00:20:06,700 --> 00:20:08,633
♪ ♪
459
00:20:08,633 --> 00:20:11,267
Miami All Stars...
460
00:20:19,067 --> 00:20:19,600
All right, the scores are locked.
461
00:20:21,467 --> 00:20:23,100
It's the moment of truth.
462
00:20:23,100 --> 00:20:26,100
["Green Light" by Lorde]
463
00:20:26,100 --> 00:20:27,333
♪ ♪
464
00:20:27,333 --> 00:20:29,333
announcer: Swing Latino...
465
00:20:29,333 --> 00:20:31,333
91.7.
466
00:20:31,333 --> 00:20:33,400
[cheers and applause]
467
00:20:33,400 --> 00:20:35,067
Miami All Stars...
468
00:20:35,067 --> 00:20:37,767
♪ ♪
469
00:20:37,767 --> 00:20:40,167
88.3. - Swing Latino!
470
00:20:40,167 --> 00:20:42,700
Swing Latino, you're moving on to the next round.
471
00:20:42,700 --> 00:20:45,200
♪ But I can't let go, I'm waiting for it ♪
472
00:20:45,200 --> 00:20:46,606
Congratulations!
473
00:20:46,667 --> 00:20:50,033
♪ I want it, oh, I wish I could get my things ♪
474
00:20:50,033 --> 00:20:51,400
♪ And just let go ♪
475
00:20:51,400 --> 00:20:54,000
You guys came out here against a powerhouse,
476
00:20:54,000 --> 00:20:55,500
but you absolutely rose to the challenge,
477
00:20:55,500 --> 00:20:57,033
and you should be proud of yourselves.
478
00:20:57,033 --> 00:20:58,467
We love you guys. Thank you!
479
00:20:58,467 --> 00:21:01,267
♪ ♪
480
00:21:01,267 --> 00:21:02,633
Congratulations, you guys.
481
00:21:02,633 --> 00:21:04,333
[cheers and applause]
482
00:21:04,333 --> 00:21:06,233
I just feel like we've just seen the tip of the iceberg
483
00:21:06,233 --> 00:21:08,633
with what these guys can do. - Thank you so much.
484
00:21:08,633 --> 00:21:09,700
__
485
00:21:09,700 --> 00:21:11,300
[cheers and applause]
486
00:21:11,300 --> 00:21:14,033
One more time, Swing Latino! Great job!
487
00:21:14,033 --> 00:21:18,033
__
488
00:21:18,470 --> 00:21:21,841
__
489
00:21:21,841 --> 00:21:23,526
__
490
00:21:23,567 --> 00:21:25,467
I don't know what--what they could've done to beat--
491
00:21:25,467 --> 00:21:26,733
- I don't know. - Their energy.
492
00:21:26,733 --> 00:21:28,600
It's the energy of their performance.
493
00:21:28,600 --> 00:21:30,233
- Yeah. - They bring you up here,
494
00:21:30,233 --> 00:21:31,533
and that's hard to compete with. - Yeah.
495
00:21:31,533 --> 00:21:34,767
[all cheering]
496
00:21:34,767 --> 00:21:37,267
Swing Latino! Swing Latino!
497
00:21:38,567 --> 00:21:42,200
announcer: In this Duel, small-town powerhouse Eva Igo
498
00:21:42,200 --> 00:21:45,667
picked viral hip-hop sensation KynTay.
499
00:21:45,667 --> 00:21:48,533
["Stand and Deliver" by Bishop Briggs]
500
00:21:48,533 --> 00:21:50,700
♪ ♪
501
00:21:50,700 --> 00:21:53,567
This is the Duel of the tiny powerhouses.
502
00:21:53,567 --> 00:21:56,233
Eva Igo is a beast.
503
00:21:56,233 --> 00:21:59,467
She looks 6 feet tall when she dances.
504
00:21:59,467 --> 00:22:02,067
She has so much strength, so much power,
505
00:22:02,067 --> 00:22:03,633
way beyond her years.
506
00:22:03,633 --> 00:22:06,567
♪ Shut your mouth, baby, stand and deliver ♪
507
00:22:06,567 --> 00:22:09,200
What?
508
00:22:09,200 --> 00:22:10,567
Why do you love to dance?
509
00:22:10,567 --> 00:22:13,367
I can just let out any emotions inside of me
510
00:22:13,367 --> 00:22:15,133
and just be me.
511
00:22:15,133 --> 00:22:17,300
[cheers and applause]
512
00:22:19,233 --> 00:22:21,467
KynTay are the new faces of dance.
513
00:22:21,467 --> 00:22:24,233
They hit hard and they have huge attitude.
514
00:22:24,233 --> 00:22:26,233
♪ I got broads in Atlanta ♪
515
00:22:26,233 --> 00:22:27,733
♪ Twistin' dope, lean, and the Fanta ♪
516
00:22:27,733 --> 00:22:31,400
If you look on YouTube or any social media,
517
00:22:31,400 --> 00:22:33,400
you're gonna see their faces.
518
00:22:33,400 --> 00:22:36,067
They're clearly kids, but when it was time to be on it,
519
00:22:36,067 --> 00:22:38,000
they turn into little monsters.
520
00:22:38,000 --> 00:22:41,267
The sharpness of the moves and the attitude,
521
00:22:41,267 --> 00:22:43,633
you guys do it really, really well.
522
00:22:43,633 --> 00:22:48,267
[cheers and applause]
523
00:22:48,267 --> 00:22:51,433
["Just Like Fire" by Pink]
524
00:22:51,433 --> 00:22:54,400
[both grunting]
525
00:22:54,400 --> 00:22:56,467
♪ I know that I'm running out of time ♪
526
00:22:56,467 --> 00:22:59,333
From the outside, KynTay looks like the crowd favorite.
527
00:22:59,333 --> 00:23:01,000
They have the years of experience performing
528
00:23:01,000 --> 00:23:03,500
on some of the biggest stages in the world.
529
00:23:03,500 --> 00:23:06,100
I mean, they were on tour with Janet Jackson.
530
00:23:06,100 --> 00:23:07,667
♪ And I'm walking on a wire ♪
531
00:23:07,667 --> 00:23:10,167
♪ Trying to go higher, feels like I'm surrounded ♪
532
00:23:10,167 --> 00:23:11,700
- Whoo! Woo-hoo-hoo! - Ya!
533
00:23:11,700 --> 00:23:14,033
It's a huge challenge to be a soloist
534
00:23:14,033 --> 00:23:16,467
competing against two veteran performers.
535
00:23:16,467 --> 00:23:18,467
♪ We came here to run it ♪
536
00:23:18,467 --> 00:23:20,200
It's so amazing to be up there
537
00:23:20,200 --> 00:23:23,067
and to be the only one dancing because you can really showcase
538
00:23:23,067 --> 00:23:25,567
your style, and you have no one else
539
00:23:25,567 --> 00:23:27,467
to try and be in sync with.
540
00:23:27,467 --> 00:23:29,567
You can take the opportunity to really shine.
541
00:23:29,567 --> 00:23:31,700
♪ Just like fire, burning up the way ♪
542
00:23:31,700 --> 00:23:34,067
People might underestimate me,
543
00:23:34,067 --> 00:23:35,600
but they shouldn't.
544
00:23:35,600 --> 00:23:37,467
I'm not ready to go home.
545
00:23:37,467 --> 00:23:40,600
♪ No one can be just like me any way ♪
546
00:23:40,600 --> 00:23:44,067
♪ Just like magic, I'll be flying free ♪
547
00:23:44,067 --> 00:23:47,567
Eva Igo, she is technically perfect,
548
00:23:47,567 --> 00:23:51,067
but all of the experience that we've had together
549
00:23:51,067 --> 00:23:54,567
has definitely, um, made us a force to be reckoned with.
550
00:23:54,567 --> 00:23:58,233
[cheers and applause]
551
00:23:58,233 --> 00:24:00,533
announcer: First up, KynTay!
552
00:24:00,533 --> 00:24:02,367
Time to work!
553
00:24:04,367 --> 00:24:06,733
["Bang Bang" by Jessie J]
554
00:24:06,733 --> 00:24:09,700
♪ She got a body like an hourglass ♪
555
00:24:09,700 --> 00:24:13,567
♪ But I can give it to you all the time ♪
556
00:24:13,567 --> 00:24:16,200
♪ She got a booty like a Cadillac ♪
557
00:24:16,200 --> 00:24:18,700
♪ But I can send you into overdrive ♪
558
00:24:18,700 --> 00:24:20,233
♪ Oh ♪
559
00:24:20,233 --> 00:24:23,067
♪ You've been waiting for that ♪
560
00:24:23,067 --> 00:24:26,433
♪ Step on up, swing your bat ♪
561
00:24:26,433 --> 00:24:29,067
♪ See, anybody could be bad to you ♪
562
00:24:29,067 --> 00:24:32,567
♪ You need a good girl to blow your mind, yeah ♪
563
00:24:32,567 --> 00:24:35,000
♪ Bang bang there goes your heart ♪
564
00:24:35,000 --> 00:24:38,100
♪ I know you want it, back back seat of my car ♪
565
00:24:38,100 --> 00:24:39,467
♪ I'll let you have it ♪
566
00:24:39,467 --> 00:24:42,467
♪ Wait a minute, let me take you there ♪
567
00:24:42,467 --> 00:24:46,367
♪ Wait a minute till ya ♪
568
00:24:46,367 --> 00:24:48,200
♪ It's Myx Moscato, it's frizz in a bottle ♪
569
00:24:48,200 --> 00:24:49,767
♪ It's Nicki full throttle, it's oh, oh ♪
570
00:24:49,767 --> 00:24:51,400
♪ Swimming in the grotto, we winning in the lotto ♪
571
00:24:51,400 --> 00:24:53,067
♪ We dipping in the pot of blue foam ♪
572
00:24:53,067 --> 00:24:56,467
♪ B to the A to the N to the G to the unh ♪
573
00:24:56,467 --> 00:24:59,767
♪ B to the A to the N to the G to the hey ♪
574
00:24:59,767 --> 00:25:02,300
♪ See, anybody could be good to you ♪
575
00:25:02,300 --> 00:25:05,200
♪ You need a bad girl to blow your mind ♪
576
00:25:05,200 --> 00:25:07,700
♪ Your mind ♪
577
00:25:07,700 --> 00:25:09,767
♪ Bang bang there goes your heart ♪
578
00:25:09,767 --> 00:25:13,033
♪ I know you want it, back back seat of my car ♪
579
00:25:13,033 --> 00:25:14,333
♪ I'll let you have it ♪
580
00:25:14,333 --> 00:25:17,567
♪ Wait a minute, let me take you there ♪
581
00:25:17,567 --> 00:25:19,567
♪ Wait a minute till ya ♪
582
00:25:19,567 --> 00:25:20,667
♪ Ah hey ♪
583
00:25:20,667 --> 00:25:22,033
[song ends]
584
00:25:22,033 --> 00:25:25,067
[cheers and applause]
585
00:25:30,700 --> 00:25:33,467
You two make me so happy.
586
00:25:33,467 --> 00:25:35,667
The routine was adorable.
587
00:25:35,667 --> 00:25:37,767
You surprised us with the transition
588
00:25:37,767 --> 00:25:39,700
from moment to moment to moment to moment.
589
00:25:39,700 --> 00:25:41,100
I really, really enjoyed it.
590
00:25:41,100 --> 00:25:42,300
- Thank you. - Really did.
591
00:25:42,300 --> 00:25:43,467
There's a reason why you guys have
592
00:25:43,467 --> 00:25:45,167
millions of hits on YouTube.
593
00:25:45,167 --> 00:25:46,600
Because you guys are so fun to watch.
594
00:25:46,600 --> 00:25:48,433
Thank you.
595
00:25:48,433 --> 00:25:51,133
What is that sound? It's just too cute.
596
00:25:53,467 --> 00:25:55,500
You guys had a lot of impact, a lot of energy.
597
00:25:55,500 --> 00:25:59,633
And, again, you guys are, like, masters of the face.
598
00:25:59,633 --> 00:26:01,467
- Locking in. Ready? - Let's lock in.
599
00:26:01,467 --> 00:26:02,600
Let's get it.
600
00:26:02,600 --> 00:26:05,633
[suspenseful music]
601
00:26:05,633 --> 00:26:10,700
♪ ♪
602
00:26:10,700 --> 00:26:12,200
The scores are locked.
603
00:26:12,200 --> 00:26:14,467
Okay, Eva, go do your thing.
604
00:26:14,467 --> 00:26:16,333
[cheers and applause]
605
00:26:16,333 --> 00:26:19,300
- Whoo! - Go, Eva!
606
00:26:19,300 --> 00:26:23,200
♪ ♪
607
00:26:30,067 --> 00:26:30,300
[dramatic music]
608
00:26:33,733 --> 00:26:36,367
announcer: Next up onstage, Eva Igo!
609
00:26:36,367 --> 00:26:40,267
[cheers and applause]
610
00:26:40,267 --> 00:26:42,467
[female performing "It's a Man's Man's Man's World"]
611
00:26:42,467 --> 00:26:46,467
♪ This is a man's world ♪
612
00:26:46,467 --> 00:26:51,700
♪ This is a man's world ♪
613
00:26:51,700 --> 00:26:54,200
♪ But it would be nothing ♪
614
00:26:54,200 --> 00:26:57,667
♪ Nothing, yeah ♪
615
00:26:57,667 --> 00:27:01,233
♪ Without a woman or a girl ♪
616
00:27:01,233 --> 00:27:05,067
♪ ♪
617
00:27:05,067 --> 00:27:11,200
♪ You see, man thinks about our little bitty baby girls ♪
618
00:27:11,200 --> 00:27:14,633
♪ And our baby boys ♪
619
00:27:14,633 --> 00:27:18,333
♪ Man makes them happy ♪
620
00:27:18,333 --> 00:27:22,000
♪ 'Cause man made them toys ♪
621
00:27:22,000 --> 00:27:23,533
- Whoo!
622
00:27:23,533 --> 00:27:25,100
♪ And after man make everything ♪
623
00:27:25,100 --> 00:27:28,567
♪ Everything, everything he can ♪
624
00:27:28,567 --> 00:27:30,667
♪ ♪
625
00:27:30,667 --> 00:27:34,200
♪ You know that man makes money ♪
626
00:27:34,200 --> 00:27:38,033
♪ To buy, to buy from other man ♪
627
00:27:38,033 --> 00:27:43,300
♪ This is a man's, man's, man's world ♪
628
00:27:43,300 --> 00:27:47,267
♪ But it would be nothing, nothing ♪
629
00:27:47,267 --> 00:27:50,367
♪ Without a woman or a girl ♪
630
00:27:50,367 --> 00:27:54,767
♪ No, no ♪
631
00:27:54,767 --> 00:27:59,700
♪ He's lost in the wilderness ♪
632
00:27:59,700 --> 00:28:05,433
♪ He's lost in the bitterness ♪
633
00:28:05,433 --> 00:28:08,467
♪ 'Cause it's a man's ♪
634
00:28:08,467 --> 00:28:09,767
♪ ♪
635
00:28:09,767 --> 00:28:14,333
♪ World, world ♪
636
00:28:14,333 --> 00:28:19,467
♪ World ♪
637
00:28:19,467 --> 00:28:20,533
[song ends]
638
00:28:20,533 --> 00:28:24,467
[cheers and applause]
639
00:28:24,467 --> 00:28:26,167
Whoo!
640
00:28:26,167 --> 00:28:31,700
[cheers and applause]
641
00:28:31,700 --> 00:28:35,467
audience: [chanting] Eva! Eva! Eva! Eva! Eva! Eva!
642
00:28:35,467 --> 00:28:37,600
Eva! Eva! Eva! [cheering continues]
643
00:28:37,600 --> 00:28:40,567
Hey, Eva, the lyrics say it's a man's world.
644
00:28:40,567 --> 00:28:43,067
It's Eva's world.
645
00:28:43,067 --> 00:28:45,333
You were like a beautiful creature
646
00:28:45,333 --> 00:28:48,100
creating these movements that are inhuman.
647
00:28:48,100 --> 00:28:50,133
They're inhuman. - Thank you.
648
00:28:50,133 --> 00:28:52,200
[cheering continues]
649
00:28:52,200 --> 00:28:55,300
It's always a concern, a soloist versus a duo.
650
00:28:55,300 --> 00:28:57,233
You could beat 12 people if you felt like it.
651
00:28:57,233 --> 00:28:58,533
- Thanks! - You are the entire package
652
00:28:58,533 --> 00:28:59,700
alone.
653
00:28:59,700 --> 00:29:01,533
Thank you. Thanks so much.
654
00:29:01,533 --> 00:29:03,367
A really great dancer knows
655
00:29:03,367 --> 00:29:05,733
that every single move means something.
656
00:29:05,733 --> 00:29:08,233
And you understand that very well,
657
00:29:08,233 --> 00:29:11,000
and it goes to show the strength of subtlety.
658
00:29:11,000 --> 00:29:13,167
We were screaming just as loud back here
659
00:29:13,167 --> 00:29:15,567
when you did the shoulder thing. - The turning.
660
00:29:15,567 --> 00:29:18,033
[cheers and applause] It just goes to show you
661
00:29:18,033 --> 00:29:20,600
it's about making people feel something,
662
00:29:20,600 --> 00:29:22,567
and you absolutely do that when you dance.
663
00:29:22,567 --> 00:29:24,400
It was a really, really great routine.
664
00:29:24,400 --> 00:29:26,533
- Amazing. - Thank you so much.
665
00:29:26,533 --> 00:29:28,067
Let's lock 'em in.
666
00:29:28,067 --> 00:29:31,067
[suspenseful music]
667
00:29:31,067 --> 00:29:38,067
♪ ♪
668
00:29:40,467 --> 00:29:43,467
Okay, the scores are locked. It's the moment of truth.
669
00:29:43,467 --> 00:29:46,333
Let's find out who's going through to the next round.
670
00:29:46,333 --> 00:29:49,367
♪ ♪
671
00:29:49,367 --> 00:29:51,700
announcer: KynTay...
672
00:29:51,700 --> 00:29:53,700
82.7.
673
00:29:53,700 --> 00:29:55,633
[cheers and applause]
674
00:29:55,633 --> 00:29:57,733
♪ ♪
675
00:29:57,733 --> 00:30:00,567
Eva Igo...
676
00:30:00,567 --> 00:30:01,567
89.
677
00:30:01,567 --> 00:30:02,767
Eva!
678
00:30:02,767 --> 00:30:06,200
♪ I'm alive ♪
679
00:30:06,200 --> 00:30:08,033
You're moving on to the next round.
680
00:30:08,033 --> 00:30:12,133
♪ I'm alive ♪
681
00:30:12,133 --> 00:30:13,333
- Thank you. - We love you!
682
00:30:13,333 --> 00:30:15,300
["Alive" by Sia]
683
00:30:15,300 --> 00:30:19,000
You guys are this new generation of dancer.
684
00:30:19,000 --> 00:30:20,167
Great job.
685
00:30:20,167 --> 00:30:21,300
Hope to see you guys next year.
686
00:30:21,300 --> 00:30:22,767
Thank you.
687
00:30:22,767 --> 00:30:24,700
Let's hear it one more time for KynTay.
688
00:30:24,700 --> 00:30:26,700
♪ You took it all, but I'm still breathing ♪
689
00:30:26,700 --> 00:30:28,000
♪ You took it all ♪
690
00:30:28,000 --> 00:30:29,400
Oh, congrats, Eva!
691
00:30:29,400 --> 00:30:31,400
♪ Took it all, but I'm still breathing ♪
692
00:30:31,400 --> 00:30:33,567
As we get older, we lose the little girl,
693
00:30:33,567 --> 00:30:35,000
the little girl with all the hope,
694
00:30:35,000 --> 00:30:36,700
and I always try to stay in touch with that.
695
00:30:36,700 --> 00:30:38,033
That's one of my secrets.
696
00:30:38,033 --> 00:30:40,433
I always think about that girl
697
00:30:40,433 --> 00:30:43,200
who went to dance class and stayed later than everybody else
698
00:30:43,200 --> 00:30:46,667
and did everything, and I am just inspired by your spirit.
699
00:30:46,667 --> 00:30:49,433
It's a beautiful thing to see, and I thank you.
700
00:30:49,433 --> 00:30:52,067
Thank you so much.
701
00:30:52,067 --> 00:30:55,000
Congratulations. We'll see you in the next round!
702
00:30:55,000 --> 00:30:56,433
♪ I'm still breathing ♪
703
00:30:56,433 --> 00:30:59,067
♪ I'm still breathing ♪
704
00:30:59,067 --> 00:31:02,167
♪ I'm alive ♪
705
00:31:02,167 --> 00:31:03,600
♪ Took it all, but I'm still breathing ♪
706
00:31:03,600 --> 00:31:06,500
♪ I'm alive ♪
707
00:31:06,500 --> 00:31:08,333
-laughs]
708
00:31:08,333 --> 00:31:10,467
I can't believe that I'm moving on to the next round.
709
00:31:10,467 --> 00:31:14,267
I'm feeling really honored because they're so incredible,
710
00:31:14,267 --> 00:31:16,300
and I never thought, like, any of this was,
711
00:31:16,300 --> 00:31:18,500
like, even, like, possible,
712
00:31:18,500 --> 00:31:20,233
so I'm very proud of myself.
713
00:31:20,233 --> 00:31:22,233
- Her control is... - Her strength is crazy.
714
00:31:22,233 --> 00:31:24,333
It's what makes it
715
00:31:24,333 --> 00:31:25,533
I love her. She's my fave. - Standout. Yeah.
716
00:31:25,533 --> 00:31:26,567
She's my fave so far.
717
00:31:32,600 --> 00:31:33,500
announcer: For the last Duel of the night,
718
00:31:34,767 --> 00:31:37,167
former "Norway's Got Talent" winners Quick Style
719
00:31:37,167 --> 00:31:39,200
go up against their former teachers,
720
00:31:39,200 --> 00:31:41,300
married choreographers, Keone and Mari.
721
00:31:41,300 --> 00:31:44,167
[dramatic music]
722
00:31:44,167 --> 00:31:47,700
As the last two remaining acts in the Upper Division,
723
00:31:47,700 --> 00:31:50,000
you guys will be dueling.
724
00:31:50,000 --> 00:31:52,267
[cheers and applause]
725
00:31:52,267 --> 00:31:54,667
Oh, my God! How did this happen?
726
00:31:54,667 --> 00:31:57,300
We all just went, "Ugh!" and hugged each other,
727
00:31:57,300 --> 00:31:59,000
because those are our friends
728
00:31:59,000 --> 00:32:00,367
and, like, our little brothers.
729
00:32:00,367 --> 00:32:02,400
♪ ♪
730
00:32:02,400 --> 00:32:04,200
[upbeat music]
731
00:32:04,200 --> 00:32:06,467
In the first round, Keone and Mari's performance
732
00:32:06,467 --> 00:32:08,567
had it all.
733
00:32:08,567 --> 00:32:11,500
The beauty in their moves is their simplicity.
734
00:32:11,500 --> 00:32:14,200
Put together so cleverly that you have no choice
735
00:32:14,200 --> 00:32:15,767
but to be just sucked into their world.
736
00:32:15,767 --> 00:32:22,133
♪ ♪
737
00:32:22,133 --> 00:32:23,767
Goosey.
738
00:32:23,767 --> 00:32:25,533
Musicality, those little like...
739
00:32:25,533 --> 00:32:28,100
[scatting] Like, it's amazing.
740
00:32:28,100 --> 00:32:31,133
That connection makes your work so special.
741
00:32:31,133 --> 00:32:32,500
♪ ♪
742
00:32:32,500 --> 00:32:34,533
[cheers and applause]
743
00:32:34,533 --> 00:32:36,533
If anybody can beat Keone and Mari,
744
00:32:36,533 --> 00:32:38,200
it's probably Quick Style.
745
00:32:38,200 --> 00:32:40,467
Their Qualifier performance was super in-sync,
746
00:32:40,467 --> 00:32:44,200
super polished, completely brilliant.
747
00:32:44,200 --> 00:32:46,467
Dance is not a big thing in Norway.
748
00:32:46,467 --> 00:32:50,133
It's very rare for men to be dancing in Norway.
749
00:32:50,133 --> 00:32:52,400
♪ Jolene ♪
750
00:32:52,400 --> 00:32:55,333
The song choice was risky, but, man, did it pay off.
751
00:32:55,333 --> 00:32:57,500
You guys were probably one of the cleanest.
752
00:32:57,500 --> 00:33:02,000
♪ Jolene, Jolene, Jolene ♪
753
00:33:02,000 --> 00:33:05,367
["Paris" by The Chainsmokers]
754
00:33:05,367 --> 00:33:12,200
♪ ♪
755
00:33:13,300 --> 00:33:15,067
Watching these two acts rehearse this week
756
00:33:15,067 --> 00:33:18,100
has been riveting and also very emotional.
757
00:33:18,100 --> 00:33:19,567
Here are the teachers and their now-famous
758
00:33:19,567 --> 00:33:23,367
star students facing off.
759
00:33:23,367 --> 00:33:25,700
They are equally clean, equally polished,
760
00:33:25,700 --> 00:33:27,767
and equally musical.
761
00:33:27,767 --> 00:33:29,467
I feel like it's gonna come down
762
00:33:29,467 --> 00:33:31,767
to the creative choices each act is making.
763
00:33:31,767 --> 00:33:33,733
The one thing that we have up on them
764
00:33:33,733 --> 00:33:35,733
is that storytelling aspect.
765
00:33:35,733 --> 00:33:37,467
That's always been a game plan of ours,
766
00:33:37,467 --> 00:33:39,500
that our stories would be stronger
767
00:33:39,500 --> 00:33:41,200
and more relatable as we moved on.
768
00:33:41,200 --> 00:33:45,600
♪ If we go down then we go down together ♪
769
00:33:45,600 --> 00:33:49,667
The judges said doing hip-hop to a country song like "Jolene"
770
00:33:49,667 --> 00:33:53,733
was bold and brave, but, sure, it limited us.
771
00:33:53,733 --> 00:33:56,000
Next one, we also want to show
772
00:33:56,000 --> 00:33:57,633
how our style is on hip-hop. - Yes.
773
00:33:57,633 --> 00:33:59,600
Wow!
774
00:33:59,600 --> 00:34:02,733
We love you guys. [laughter]
775
00:34:02,733 --> 00:34:05,167
♪ Let's show them we are better ♪
776
00:34:05,167 --> 00:34:07,033
We're good friends with Keone and Mari,
777
00:34:07,033 --> 00:34:09,333
but now we're competitors.
778
00:34:09,333 --> 00:34:11,467
It is bittersweet.
779
00:34:11,467 --> 00:34:13,633
I mean, when do you get the opportunity to duel against
780
00:34:13,633 --> 00:34:15,467
some of your closest friends on a big platform
781
00:34:15,467 --> 00:34:17,300
such as "World of Dance"?
782
00:34:17,300 --> 00:34:20,300
- ♪ Let's show them we are better ♪
783
00:34:20,300 --> 00:34:22,233
It's just amazing.
784
00:34:22,233 --> 00:34:23,600
[cheers and applause]
785
00:34:23,600 --> 00:34:26,367
announcer: First up, Keone and Mari!
786
00:34:26,367 --> 00:34:30,500
[cheers and applause]
787
00:34:30,500 --> 00:34:33,500
["Like Real People Do" by Hozier]
788
00:34:33,500 --> 00:34:40,533
♪ ♪
789
00:34:41,733 --> 00:34:44,567
♪ I had a thought, dear ♪
790
00:34:44,567 --> 00:34:47,067
♪ However scary ♪
791
00:34:47,067 --> 00:34:49,133
♪ About that night ♪
792
00:34:49,133 --> 00:34:52,267
♪ The bugs and the dirt ♪
793
00:34:52,267 --> 00:34:54,700
♪ Why were you digging? ♪
794
00:34:54,700 --> 00:34:57,333
♪ What did you bury ♪
795
00:34:57,333 --> 00:35:02,533
♪ Before those hands pulled me from the earth? ♪
796
00:35:02,533 --> 00:35:07,567
♪ I will not ask and neither should you ♪
797
00:35:07,567 --> 00:35:10,533
♪ Honey, just put your... ♪
798
00:35:10,533 --> 00:35:12,700
♪ Sweet lips on my lips ♪
799
00:35:12,700 --> 00:35:17,133
♪ We should just kiss like real people do ♪
800
00:35:17,133 --> 00:35:24,167
♪ ♪
801
00:35:28,300 --> 00:35:33,333
♪ I could not ask you where you came from ♪
802
00:35:33,333 --> 00:35:38,567
♪ I could not ask and neither could you ♪
803
00:35:38,567 --> 00:35:43,633
♪ Honey, just put your sweet lips on my lips ♪
804
00:35:43,633 --> 00:35:48,567
♪ We could just kiss like real people do ♪
805
00:35:48,567 --> 00:35:55,567
♪ ♪
806
00:35:58,600 --> 00:36:01,467
[song ends]
807
00:36:01,467 --> 00:36:04,500
[cheers and applause]
808
00:36:06,467 --> 00:36:07,600
Man!
809
00:36:07,600 --> 00:36:10,467
[cheering continues]
810
00:36:10,467 --> 00:36:14,033
This is such a narrative about our world today--
811
00:36:14,033 --> 00:36:17,600
how we're so into our phones that we're forgetting
812
00:36:17,600 --> 00:36:19,400
that there's somebody right in front of you
813
00:36:19,400 --> 00:36:21,233
that you're just not connecting with,
814
00:36:21,233 --> 00:36:22,533
and that's what I got from that routine,
815
00:36:22,533 --> 00:36:23,733
and that's what I love about your guys' work,
816
00:36:23,733 --> 00:36:27,633
and it's a beautiful thing to watch.
817
00:36:27,633 --> 00:36:29,767
Uh, if you break down your movements, they're
818
00:36:29,767 --> 00:36:31,767
actually relatively simple.
819
00:36:31,767 --> 00:36:34,167
Some of them are just like-- just hand movements, right?
820
00:36:34,167 --> 00:36:35,733
But then when you put them together with intention,
821
00:36:35,733 --> 00:36:38,267
and they're just like, whew, unbelievable.
822
00:36:38,267 --> 00:36:41,267
[cheers and applause]
823
00:36:41,267 --> 00:36:44,267
You guys epitomize power and subtlety.
824
00:36:44,267 --> 00:36:46,500
You guys are just as dynamic as any big group
825
00:36:46,500 --> 00:36:49,233
with just the two of you. - Thank you.
826
00:36:49,233 --> 00:36:50,400
Great job. Let's lock in scores.
827
00:36:50,400 --> 00:36:51,733
Great job, great job.
828
00:36:51,733 --> 00:36:54,700
[suspenseful music]
829
00:36:54,700 --> 00:37:01,067
♪ ♪
830
00:37:01,067 --> 00:37:03,333
The judges have locked in their scores.
831
00:37:03,333 --> 00:37:05,700
Quick Style, go do your thing.
832
00:37:05,700 --> 00:37:07,467
[cheers and applause]
833
00:37:10,433 --> 00:37:11,467
- Yeah. - Come on, guys, come on!
834
00:37:11,467 --> 00:37:14,467
[upbeat music]
835
00:37:14,467 --> 00:37:19,033
♪ ♪
836
00:37:19,033 --> 00:37:22,333
You guys are, like, the dopest boy band I've ever seen.
837
00:37:22,333 --> 00:37:24,600
[cheers and applause]
838
00:37:29,500 --> 00:37:30,033
[suspenseful music]
839
00:37:32,000 --> 00:37:34,400
We're good friends with Keone and Mari,
840
00:37:34,400 --> 00:37:36,200
but we are still going full force.
841
00:37:36,200 --> 00:37:39,033
We know that they wouldn't want anything else from us,
842
00:37:39,033 --> 00:37:41,200
and we don't want to disappoint them.
843
00:37:41,200 --> 00:37:44,233
[cheers and applause]
844
00:37:46,267 --> 00:37:48,067
["Guidance" by Travis Scott]
845
00:37:48,067 --> 00:37:51,467
♪ And I found out that you're bad for me ♪
846
00:37:51,467 --> 00:37:56,200
♪ I found out that you had someone ♪
847
00:37:56,200 --> 00:37:58,100
♪ Rolling up behind it ♪
848
00:37:58,100 --> 00:37:59,567
♪ You stay wildin' ♪
849
00:37:59,567 --> 00:38:01,400
♪ I guide, I guide you ♪
850
00:38:01,400 --> 00:38:02,700
♪ Like a pilot ♪
851
00:38:02,700 --> 00:38:06,133
♪ Haven't been around this year ♪
852
00:38:06,133 --> 00:38:09,067
♪ I like to see you change your gears ♪
853
00:38:09,067 --> 00:38:12,567
♪ To a motion that's more faster, babe ♪
854
00:38:12,567 --> 00:38:16,333
♪ I'm grippin' like I'm trying to catch up, babe ♪
855
00:38:16,333 --> 00:38:19,333
♪ Come through, follow me ♪
856
00:38:19,333 --> 00:38:21,500
♪ Do you like that? Follow me ♪
857
00:38:21,500 --> 00:38:24,767
♪ Nicest, follow me, backwoods, follow me ♪
858
00:38:24,767 --> 00:38:26,733
♪ Practice, follow me, yeah ♪
859
00:38:26,733 --> 00:38:28,667
♪ I roll up behind it ♪
860
00:38:28,667 --> 00:38:30,433
♪ I wanna try it ♪
861
00:38:30,433 --> 00:38:32,300
♪ Grip up your waist, bust up the place ♪
862
00:38:32,300 --> 00:38:34,400
♪ Tantalizing ♪
863
00:38:34,400 --> 00:38:36,733
- ♪ To a motion that's more faster, babe ♪
864
00:38:36,733 --> 00:38:40,067
♪ I'm grippin' like I'm trying to catch up, babe ♪
865
00:38:40,067 --> 00:38:42,500
♪ Found out that you're bad for me ♪
866
00:38:42,500 --> 00:38:45,467
♪ I found out that you had someone ♪
867
00:38:45,467 --> 00:38:47,500
♪ ♪
868
00:38:47,500 --> 00:38:51,133
♪ Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah ♪
869
00:38:51,133 --> 00:38:53,700
♪ Yeah, yeah, yeah, yeah, yeah, oh, oh ♪
870
00:38:53,700 --> 00:38:55,167
[song ends]
871
00:38:55,167 --> 00:38:58,333
Let's go! Let's go!
872
00:38:58,333 --> 00:39:00,700
[cheers and applause] So amazing!
873
00:39:00,700 --> 00:39:03,767
[cheers and applause]
874
00:39:03,767 --> 00:39:05,533
Whoo!
875
00:39:05,533 --> 00:39:07,667
Nice!
876
00:39:07,667 --> 00:39:09,467
[cheering continues]
877
00:39:09,467 --> 00:39:11,000
- I hate this! - Hate this.
878
00:39:11,000 --> 00:39:12,233
- What style? - So much!
879
00:39:12,233 --> 00:39:15,000
Um...aah!
880
00:39:15,000 --> 00:39:16,333
I don't know what to say!
881
00:39:16,333 --> 00:39:19,567
I mean, choices in choreography and moments--
882
00:39:19,567 --> 00:39:21,100
it was, like, perfect.
883
00:39:21,100 --> 00:39:22,333
The musicality was insane.
884
00:39:22,333 --> 00:39:24,700
The difficulty level was incredible.
885
00:39:24,700 --> 00:39:28,200
I mean, you guys are, like, the dopest boy band I've ever seen.
886
00:39:28,200 --> 00:39:31,433
[laughter and applause]
887
00:39:31,433 --> 00:39:33,100
I mean, you're so good.
888
00:39:33,100 --> 00:39:35,267
It sucks! It sucks that somebody has to go home.
889
00:39:35,267 --> 00:39:36,767
Perfection start to finish.
890
00:39:36,767 --> 00:39:38,433
You guys are easily one of the cleanest groups we have
891
00:39:38,433 --> 00:39:40,333
as far as just synchronicity.
892
00:39:40,333 --> 00:39:43,400
Every single picture is perfectly painted,
893
00:39:43,400 --> 00:39:45,367
you know what I mean? An amazing performance.
894
00:39:45,367 --> 00:39:47,400
This just really sucks. I can't--I can't--
895
00:39:47,400 --> 00:39:49,000
I can't say it enough. This sucks. This sucks.
896
00:39:49,000 --> 00:39:50,600
It is. It's a really tough choice.
897
00:39:50,600 --> 00:39:53,200
We've had a few battles that were like this,
898
00:39:53,200 --> 00:39:55,533
but this might be the toughest of them all.
899
00:39:55,533 --> 00:39:57,167
You really have a style.
900
00:39:57,167 --> 00:39:59,167
This piece was made in their house.
901
00:39:59,167 --> 00:40:00,467
Oh. [cheers and applause]
902
00:40:00,467 --> 00:40:03,467
And we've known each other forever,
903
00:40:03,467 --> 00:40:07,700
and we've grown a lot together, inspiring each other,
904
00:40:07,700 --> 00:40:10,333
and only shown through true love to each other.
905
00:40:10,333 --> 00:40:12,133
[cheers and applause] There you go.
906
00:40:12,133 --> 00:40:13,533
- I don't know. - I don't know what I'm gonna do.
907
00:40:13,533 --> 00:40:15,567
[stammers] I mean...
908
00:40:15,567 --> 00:40:17,333
You guys smashed that routine.
909
00:40:17,333 --> 00:40:19,733
So good!
910
00:40:19,733 --> 00:40:21,200
All right, let's score this thing.
911
00:40:21,200 --> 00:40:23,733
Here we go.
912
00:40:23,733 --> 00:40:25,300
- No, it sucks. - They're so good.
913
00:40:25,300 --> 00:40:28,400
- It really sucks. - But it's pretty clear to me.
914
00:40:28,400 --> 00:40:30,500
[sighs] That was so good though.
915
00:40:30,500 --> 00:40:32,667
We locking in? Let's see what happens.
916
00:40:32,667 --> 00:40:35,700
[suspenseful music]
917
00:40:35,700 --> 00:40:41,700
♪ ♪
918
00:40:41,700 --> 00:40:43,200
We're locked in.
919
00:40:43,200 --> 00:40:45,067
[cheers and applause]
920
00:40:45,067 --> 00:40:47,067
The scores are locked.
921
00:40:47,067 --> 00:40:48,567
One act will be moving on.
922
00:40:48,567 --> 00:40:50,500
Let's see who made it to the next round.
923
00:40:50,500 --> 00:40:53,600
♪ ♪
924
00:40:53,600 --> 00:40:56,667
announcer: Keone and Mari...
925
00:40:56,667 --> 00:40:59,200
91.3.
926
00:40:59,200 --> 00:41:02,200
♪ ♪
927
00:41:02,200 --> 00:41:04,033
Quick Style...
928
00:41:04,033 --> 00:41:05,367
♪ ♪
929
00:41:05,367 --> 00:41:06,600
89.3.
930
00:41:06,600 --> 00:41:09,067
Keone and Mari!
931
00:41:09,067 --> 00:41:10,067
You're going through!
932
00:41:10,067 --> 00:41:13,067
[dramatic music]
933
00:41:13,067 --> 00:41:16,700
♪ ♪
934
00:41:16,700 --> 00:41:18,567
I'm upset right now because you guys are easily
935
00:41:18,567 --> 00:41:20,200
one of the best groups here.
936
00:41:20,200 --> 00:41:23,767
If you were against anybody else, you would've took it.
937
00:41:23,767 --> 00:41:25,333
We need you to come back next year.
938
00:41:25,333 --> 00:41:27,600
We will come back harder than ever, for sure.
939
00:41:27,600 --> 00:41:29,400
- Respect. - For sure!
940
00:41:29,400 --> 00:41:34,200
♪ ♪
941
00:41:34,200 --> 00:41:37,700
Keone and Mari, congratulations, guys.
942
00:41:37,700 --> 00:41:39,567
You know, sometimes it's hard to judge,
943
00:41:39,567 --> 00:41:42,700
um, but what you can't measure is the way it makes you feel.
944
00:41:42,700 --> 00:41:45,733
And, for me, the way that routine made me personally feel
945
00:41:45,733 --> 00:41:47,567
was just inspired.
946
00:41:47,567 --> 00:41:49,333
- Thank you. - Thanks, Derek.
947
00:41:49,333 --> 00:41:51,367
One more time for Keone and Mari.
948
00:41:51,367 --> 00:41:53,167
♪ ♪
949
00:41:53,167 --> 00:41:57,133
Keone and Mari is the people that we wanted to lose against.
950
00:41:57,133 --> 00:42:01,200
It was a great loss, but also a great fight.
951
00:42:01,200 --> 00:42:05,067
They're so interpretive and so--such artists.
952
00:42:05,067 --> 00:42:08,267
[laughter]
953
00:42:08,267 --> 00:42:15,333
Sync & corrections by QueenMaddie -= www.addic7ed.com =-
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