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Zulu
FLIGHT ATTENDENT: Ladies and gentlemen,
we are starting our approach.
PILOT: We lost both engines.
[radio chatter]
MAN: Mayday.
Mayday.
FLIGHT ATTENDANT: Brace for impact!
[chatter]
MAN: He's gonna crash!
[engine roaring]
Buenas noches, señor.
American 965 leaving 230--
NARRATOR: In 1995, days before Christmas,
an American Airlines Boeing 757 is on its final approach
to Cali, Colombia.
Cali approach, American 965.
NARRATOR: The pilots are calm and relaxed.
They don't know they've made a terrible mistake.
AIR TRAFFIC CONTROL (ON RADIO): 965, altitude?
965, 9,000 feet.
NARRATOR: They're more than 10 miles off course
and have no clue where they are.
[siren buzzing]
AUTOMATED VOICE: Too low.
Terrain.
Pull up, baby.
NARRATOR: In complete darkness, the jet carrying 163 passengers
and crew is in mortal danger.
OK, easy.
I think we knew that something imminent was--
was around the corner.
Up, baby.
More! more!
OK.
Up, up, up!
[alarm buzzing]
NARRATOR: Flight 965 crashed into a 9,000 foot mountain,
sending reverberations through the aviation industry.
How could one of the world's most technologically advanced
aircraft, with a state of the art navigation system
and flown by some of the most skilled pilots,
crash into a mountain?
[somber music]
On December 20, 1995, American Airlines
flight 965 prepares to depart from Miami
International Airport.
Its destination is Cali, Colombia.
Flight 965 is scheduled to depart Miami at 4:40 PM,
but has already been delayed for 30 minutes
to allow for connecting passengers.
Surely, gonna call us any second now.
NARRATOR: The Dussans only just make it.
In Miami they tell us that we have to rush
because the plane gonna--
gonna leave to Cali very soon.
[chatter]
Definitely we were very happy because we know
we're gonna fly that night.
So you made it.
Just in time.
[chuckles]
NARRATOR: Mercedes Ramirez, along with her mother
and father, managed to get on the flight at the last minute.
We were on standby, so we weren't sure
if our names were gonna be called off
to actually get on that flight.
We heard our names, and we were excited 'cause we're like,
yes, we got on the flight.
But it's very old American, you know.
NARRATOR: Flight 965 finally leaves the gate
at 5:14 PM, 34 minutes late.
But the problems aren't over yet.
As they taxi toward the runway, the tower informs
them of yet another delay.
AIR TRAFFIC CONTROL (ON RADIO): American 965, standby.
NARRATOR: Heavy seasonal traffic clogs the runways,
and they're forced to wait another hour
and 20 minutes on the tarmac.
We'll go when they're ready.
That's all there is to it.
Waiting and--
AIR TRAFFIC CONTROL (ON RADIO): American 965.
NARRATOR: Finally, two hours late, flight 965
is cleared for takeoff.
AIR TRAFFIC CONTROL (ON RADIO): Fly the runway heading.
Cleared for takeoff.
Merry Christmas.
Cleared for takeoff, 27 right, American 965.
You do a great job.
Good night.
NARRATOR: Captain Nicholas Tafuri, aged 57,
is in charge of flight 965.
He's one of American Airlines' premiere pilots
with more than 13,000 hours of flying time, over 2,000 of them
in the 757.
He'd flown to Cali only six days earlier.
200, the heading, climbed to 16.
AIR TRAFFIC CONTROL (ON RADIO): That's 16, American 965.
NARRATOR: At the controls as first officer
Donnie R. Williams, age 39.
Although he's been flying for American for nine years,
flight 965 is his first trip to Cali.
[ominous music]
MERCEDES RAMIREZ: Everybody on that plane was either
going back home for the Christmas holidays
to visit their family.
So I think everybody was just happy and excited to go back.
NARRATOR: Today, December 20, is a very special day
for passenger Mercedes Ramirez.
Mercedes is a university student from Missouri.
It's her 21st birthday, and this trip
is a gift from her parents.
Usually we spent Christmas in Kansas City at home,
but they wanted to do something special.
And we had never spent the holidays
with our family in Colombia, so it was a big deal for us.
Since we flew standby, I couldn't said with both my mom
and my dad all in one row.
So my mother and I were seated next to each other.
I was by the window.
She was in the middle.
And then there was a passenger who was about my age
who was in the aisle seat.
And then my father was in another row behind us.
And so nothing out of the ordinary
at all, just a normal flight.
NARRATOR: 19-year-old Mauricio Reyes
sits beside Mercedes' mother.
Reyes is a student at the University of Michigan.
You know, once we get there, we have to go see Victor.
NARRATOR: Gonzalo Dussan and his wife Nancy,
and their two children--
Michelle and Gonzalo Junior--
are seated nearby.
[ominous music]
GONZALO DUSSAN: We were very excited because the first time,
you know, we're going with my family to pass, you know,
Christmas over there in Cali.
We wanted to see our families members
and our brothers, sister, you know, to see our city again.
[ominous music]
NARRATOR: Two hours and 45 minutes into the flight,
the plane is cruising at 37,000 feet on a preprogrammed flight
path to Cali's airport.
Let's see.
We've got 136 miles.
NARRATOR: They're flying a Boeing 757--
a state of the art airplane equipped with
sophisticated computer systems.
When programmed, the onboard computer-- known as the flight
management system--
can control the aircraft from takeoff to landing.
It can be the pilot's best friend
or, in the case of flight 965, their worst nightmare.
An awkward moment an hour before they're scheduled arrival
makes Mercedes Ramirez change seats.
MERCEDES RAMIREZ: My mother had been talking to the college
student who was next to her, and I think she was trying to kind
of set me up with him. 'Cause she kept on saying,
oh, my daughter's in college, and my daughter is this,
and my daughter is that.
So I was very embarrassed.
I'm going to join Dad.
MERCEDES RAMIREZ (VOICEOVER): So I got up from my seat
and moved to the row behind us.
And I sat with my father.
NARRATOR: The seemingly trivial decision
will prove to be her lifesaver.
[ominous music]
It's a clear, moonless night with visibility
more than 6 miles.
And that's just how it works.
That's our scenario.
NARRATOR: But Captain Tafuri is now
getting concerned about their arrival time.
Debrief, one hour sign in, and you can't move that up at all
because it's an FAA thing.
NARRATOR: FAA regulations require
a minimum number of hours on the ground
before the cabin crew can fly again.
Any further delays will jeopardize their return flight
the next day.
[sighs] Well, let's see.
We got the 136 miles to the VOR and 32,000 feet
to lose and slow down to boot.
So we might as well get started.
NARRATOR: If they land within the next 25 minutes,
they'll beat the deadline.
All right, sir.
And if you'd keep the speed up on the descent,
it'd help us too.
OK?
OK.
OK, Gonzalito, let your sister sit beside the window.
NARRATOR: Gonzalo Dussan's children
quarrel over the window seat, not knowing that
the consequences will be dire.
And I remember I told him before Cali,
when the-- when the plane started to lose altitude,
so we're gonna see the valley, the city, very nice
with a lot of lights on it.
Because usually by December, by Christmas time,
they decorate, you know, the mountains
with different colors, lights, and everything.
Then they start to fight for the window side.
OK, Gonzalito, let your sister have a chance by the window.
And I'm like, oh, I want to see.
I want to see the lights.
I want to see the airport.
And he got mad.
ACTOR AS GONZALO DUSSAN: OK, Michelle,
you go sit by the window.
Ooh, sit with your cousin.
Good boy, Gonzalito.
OK, Michelle, take a look at the lights.
That's it.
Come sit here.
Come sit beside me.
We are almost there.
Michelle, can you see the lights outside the window?
ACTOR AS NICHOLAS TAFURI: Ladies and gentlemen,
this is your captain speaking.
We have begun our descent for landing at Cali.
It's a lovely evening.
As we'd expected, we'll pass a shower or two on the way in.
NARRATOR: This lovely evening is about to end.
In 30 seconds, the pilots will make the first of a series
of mistakes, which will result in the death
of nearly everyone on board.
[ominous music]
American Airlines flight 965 is on its final descent,
roughly 63 miles from Cali, Columbia.
[ominous music]
Cali's Aragón airport is situated
at the end of a long valley.
On both sides of the valley are towering mountain ranges,
almost 14,000 feet high.
It's a formidable sight.
To follow its proper pre-programmed flight path,
the aircraft must pass over a series of waypoints.
These are generally radio beacons at fixed
positions along the route.
The plane's computer picks up the signals from these beacons
and then guides the plane safely to its destination.
Flight 965 is now approaching the waypoint called Tulua--
the radio beacon at the head of the valley,
which leads to Cali.
After passing to Tulua, the plane
should fly over the final waypoint called Rozo.
Then it passes the airport, turns right,
and lands from the south.
ACTOR AS NICHOLAS TAFURI (ON RADIO):
Cali approach, American 965.
American 965, good evening.
Go ahead.
Buenos noches, señor.
American 965--
NARRATOR: Cali Air traffic controller Nelson Rivera
will oversee the final approach of flight 965,
but he has a problem.
Insurgents opposed to the Colombian government
have blown up the radar installation.
Rivera has no way of knowing where planes are until they
radio their position.
Your distance DME from Cali?
NARRATOR: Without radar, the air traffic controller
must rely on the pilots to provide
their distance to the runway.
The DME is 63.
NARRATOR: The DME is the distance measuring equipment
in the Boeing cockpit.
AIR TRAFFIC CONTROL (ON RADIO): Roger.
American 965 is cleared to Cali.
Descend and maintain one 5,000 feet.
Altimeter 3002.
Report on Tulua.
OK, understood.
Clear, direct to Cali.
VOR, report Tulua.
AIR TRAFFIC CONTROL (ON RADIO): Affirmative.
NARRATOR: It's a misunderstanding.
Captain Tafuri thinks he's been told to fly direct to Cali
and forget about Tulua.
But the controller needs him to report passing Tulua
so he knows where the airplane is.
NELSON RIVERA: [speaking spanish]
INTERPRETER: To me, the word directly means
that he was authorized to go directly to Cali,
that there was no delay.
Therefore, he had to inform us of his position in Tulua
because we don't have radar.
I needed him to inform me of that exact location.
NARRATOR: Tafuri punches direct to Cali into his computer.
Since the plane No longer has to pass over them,
all the waypoints between its present position and Cali
are erased, including Tulua, which
the plane is now approaching.
I put direct Cali for you in there.
OK.
Thank you.
Flight attendants, please prepare for landing.
Thank you.
GONZALO DUSSAN: And I remember they gave us the order to--
to put the back of the seat straight.
I remember that.
And everybody was, you know, so happy because we
were very close to the city.
[ominous music]
AIR TRAFFIC CONTROL (ON RADIO): 965.
NARRATOR: 11 minutes before their estimated time
of arrival--
965.
Go ahead, please.
Sir, the wind is calm.
NARRATOR: --air traffic control asks
the flight crew if they'd like to land on runway 19--
You want to shoot the 19 straight in?
NARRATOR: --instead of their planned approach to runway 01.
Yeah.
We won't have to scramble to get down.
We can do it.
Yes, sir, we'll need a lower altitude right away, though.
Roger.
American 965 is clear to VOR DME.
OK.
NARRATOR: The pilots are pleased.
Runway 19 is a straight in approach from the north.
They won't have to lose precious time by circling the airport.
But there isn't much time.
They need to get the plane down quickly.
Williams deploys the speed brakes.
The brakes are flaps on the top of the wings.
When raised they reduce lift and increase
the plane's rate of descent.
Approach runway 19.
Rozo, number one arrival.
NARRATOR: This split second decision
to land on runway 19 sets off a chain of events
that will end in disaster.
We'll report VOR.
Thank you, sir.
Report Tulua, VOR.
Report Tulua.
I've got to give you a Tulua first of all.
You want to go right to Cali or to Tulua?
I thought he said the Rozo one arrival.
Yeah, he did.
We got time to pull that out?
NARRATOR: Events begin to unravel
very quickly in the cockpit.
The pilots have to locate the new charts for the approach
to 19, enter the new route into the computer,
and still fly the plane.
And Tulua one Rozo--
yeah, there it is.
See, that comes off Tulua.
NARRATOR: They are getting totally confused.
The controller keeps asking them to report
when they've passed Tulua.
But having erased it from their computer,
they've no idea where it is.
It's on your map.
Should be.
NARRATOR: Captain Tafuri asks the tower
if they can forget Tulua and fly directly
to Rozo, their last waypoint before the runway.
Can American Airlines 965 go direct to Rozo
and then do the Rozo arrival, sir?
Affirmative.
Take the Rozo one and runway 19.
And the wind is calm.
All right, Rozo.
The Rozo one to 19.
Thank you, American 965.
Report Tulua at 21 miles and 5,000 feet.
OK.
Report Tulua--
NARRATOR: The controller is still asking them to report
passing the Tulua beacon.
Without radar, he doesn't realize they've already
passed it and are speeding down the valley toward the airport.
Captain Tafuri now makes another fateful decision.
What the-- what happened here?
NARRATOR: Having decided to head for the Rozo waypoint,
he punches R into his computer.
[bell dings]
The computer database responds with a list of more than 10
waypoints to choose from.
Normally the nearest one, Rozo, would be at the top.
But tonight It's not.
Captain Tafuri doesn't notice, and pushes Execute.
[beeping]
At over 300 miles per hour, and descending at a rate
of approximately 1,300 feet per minute,
flight 965 begins to veer off on a new and deadly course.
[ominous music]
[speaking spanish]
INTERPRETER: I never imagined that they were deflecting
the route in addition to losing altitude,
because I didn't have radar.
NARRATOR: In the cockpit of flight 965,
the pilots are completely unaware of what they've done.
They're busy studying charts as their plane
crosses the mountains into unknown territory.
[ominous music]
For more than a minute, American Airlines flight 965 has been
turning into the mountains.
Captain Tafuri and First Officer Williams
suddenly notice that their aircraft
is taking them somewhere they don't want to go.
We're going out to--
Let's go right to Tulua first of all.
OK?
Yeah.
Where are we headed?
17, 7--
NARRATOR: Captain Tafuri is floundering
in the pitch darkness.
What happened here?
NARRATOR: If he can find the Tulua waypoint,
he can get his bearings.
He switches to another computer system
and enters the radio frequency for the Tulua beacon.
OK.
I'm getting it.
17, 7 just doesn't seem right on mine.
I don't know why.
Left turn.
So you want a left turn back around to ULQ.
Nah.
Hell, no.
Let's press on to--
Where we're-- press on to where, though?
Tulua.
NARRATOR: Hopelessly lost and less than two minutes
from impact, Tafuri decides to press
on with his doomed approach.
Let's go to Cali first of all, OK?
Come to the right, right now.
Come to the right, right now.
NARRATOR: The pilots don't know it.
But when the plane veered off course,
it crossed over the mountains.
They're now in another valley, parallel
to where they should be.
[suspenseful music]
The passengers are completely unaware that in less than 60
seconds the aircraft, traveling at more than 210 miles an hour,
is going to crash.
We're almost there, though.
Tulua, I'm not getting for some reason.
See, I can't-- OK.
Now-- no.
We don't want Tulua.
Let's just go to the extended center line of--
Which is Rozo.
--Rozo.
Well, why don't you just go direct to Roao then.
All right? - OK.
Let's--
I'm gonna put that over to you.
NARRATOR: They decide to give up on Tulua
and make straight for the airport.
They don't realize that there is now a wall of mountains
between them and Cali.
[suspenseful music]
965, altitude?
965, 9,000 feet.
AIR TRAFFIC CONTROL (ON RADIO): Roger.
Distance now?
[alarm buzzing]
NARRATOR: The plane's ground proximity
warning system is telling them they're about to crash.
965, this is Cali approach.
Can you hear me?
[speaking spanish]
INTERPRETER: He didn't answer.
He never answered again.
[alarm buzzing]
Easy does it.
Easy does it.
Nope.
I could feel that we were just violently just going up.
And I felt like I was on a roller
coaster ride or something.
[screaming]
And the turbulence was absolutely horrible.
And by that time, people were screaming.
And everybody knew on the flight that something was very wrong.
AUTOMATED VOICE: Too low.
Terrain.
Easy does it.
Easy does it.
Nope.
Up, baby.
MERCEDES RAMIREZ: Instinctively, I reached over
and I grabbed my father's hand.
And I pull my head in my lap.
[screaming]
In my mind I just kept on thinking, come
on, just straighten it out.
Straighten it out.
Up, baby.
More!
More!
Up! Up!
Up!
NARRATOR: These were the last words
on the cockpit voice recorder.
[crash]
[somber music]
AIR TRAFFIC CONTROL (ON RADIO): American 965,
this is Cali approach.
American 965, this is Cali approach.
Can you hear me?
[ominous music]
NELSON RIVERA: [speaking spanish]
INTERPRETER: I never experienced anything like this before.
This was the first time that I lost a plane and the crew
was not responding.
It is very difficult to grasp the moment.
When the plane didn't answer, I looked
outside from the control tower.
I could see from there the sky.
I started to look for the plane.
The night was clear, and I thought
I could see the plane coming.
But in this case, I never saw the plane.
[chatter]
NARRATOR: As the arrival time comes and goes,
rumors begin to circulate that air traffic control has
lost contact with flight 965.
[chatter]
In an instant, joy turns to shock
as cries that the plane is crashed
spread throughout the terminal.
[phone ringing]
Locals living near the town of Buga, north of Cali,
report hearing a massive explosion.
[sirens wailing]
Rescue teams raced to the town, which
lies near the base of a local mountain range with peaks
as high as 10,000 feet.
[suspenseful music]
At 3:00 AM, almost six hours after the plane disappeared,
a search and rescue team treks up the side
of El Diluvio Mountain.
[radio chatter]
[ominous music]
In the midst of tons of twisted and torn metal
lies 21-year-old Mercedes Ramirez.
Her last memory prior to impact is grabbing her father's
hand, and the deafening sound of the tail
section striking trees.
MERCEDES RAMIREZ: The next memory I have is the next day.
It's daylight.
I wake up and it's--
I see the sunlight around me.
And I don't know where I am.
And what's around me looks like a-- like a landfill,
like a trash dump.
And so, as I'm laying there, I'm thinking where in the world
am I.
NARRATOR: Mercedes is critically injured,
with severe internal injuries and a shattered leg.
Help!
Is anybody out there?
Help me!
NARRATOR: 19-year-old college student Mauricio Reyes
also survives the impact--
Can you hear me?
NARRATOR: --and responds to Mercedes' cry for help.
Can you move?
ACTOR AS MERCEDES RAMIREZ: Um, I can try.
I'm not sure.
My leg is bent backwards.
OK.
ACTOR AS MERCEDES RAMIREZ: Please help me.
OK. Hold on.
Hold on.
OK.
Help me, please.
OK.
MERCEDES RAMIREZ: The only way for me to get out
was having to drag myself over people.
And I remember this lady who I had to drag myself over.
And I'll-- I'll never forget her.
[groans]
Looking back, I think, oh, my goodness.
That was someone's mom or that was someone's sister
or someone's wife.
But at that time, she was just an object that I
needed to get over to get out.
ACTOR AS MERCEDES RAMIREZ: [groans]
Can you move?
Can you stand up?
I think my leg is broken.
- OK, well try-- - OK.
--on three.
OK.
One, two, three.
[screams] No, I can't!
I can't!
MERCEDES RAMIREZ: And when he lifted me was when--
the first time I actually felt pain.
It just felt like an electrical current going up--
up and down my leg.
So he laid me back down.
And then he went off to-- to try to find help.
I'm going to the village.
OK? OK.
Just stay here. - OK.
OK.
OK.
OK.
OK.
NARRATOR: At first light, the Colombian Air Force
starts the search for the crash site, delayed because they
have no night vision equipment.
GONZALO DUSSAN: When I wake up, I start
to feel the pain in my back.
Then, when I hear this sound of the helicopters,
I realize something happened.
I started, you know, to feel panic.
Help me!
Someone please help me!
ACTOR AS MICHELLE DUSSAN: Daddy, I'm here.
Papa!
Michelle?
NARRATOR: Gonzalo Dussan's six-year-old daughter,
Michelle, still strapped in her seat--
Michelle, call me.
NARRATOR: --answers her father's desperate call for help.
Keep talking to me.
OK?
Michelle?
GONZALO DUSSAN: So I realized that my daughter was alive too.
Then I started to crawl to try to look
for my-- where the voice of my daughter coming from.
Michelle, please.
I'm coming.
Where are you?
NARRATOR: Dussan struggles to crossed
through the broken and twisted cabin to reach his daughter.
Michelle.
NARRATOR: But she's pinned beneath the wreckage.
- Let me help you. - Ow.
Ow.
My leg hurts.
When the plane crashed, my legs--
I had my seat belt on.
And I-- I guess the crash were so deep that my legs,
like, speared into the ground.
You OK?
MICHELLE DUSSAN (VOICEOVER): I'd try to move myself,
but my legs hurt.
They hurt really bad.
I couldn't pick myself up. - Ow!
Daddy, it hurts.
OK.
OK, Michelle.
I'm going to get-- get some water for you
soon and bring it back.
OK?
Then I try to crawl more to try to get out.
NARRATOR: Despite a severe back injury,
Dussan manages to crossed towards a small open section
of the fuselage.
GONZALO DUSSAN: I saw a hole behind me,
and I said inside me--
I said, God, help me to get out from here.
NARRATOR: The survivors of flight 965
realize they have no option but to wait for help, unsure
if it will arrive in time.
The temperatures have fallen dramatically.
And without protective clothing they could
die of exposure within hours.
Since beginning their search at first light,
the Colombian Air Force has yet to spot the crash site.
Michelle!
Over here!
Over here!
I could see the helicopters perfectly from where I was at.
And even though I could see them perfectly,
I didn't know if they could-- if they could see me.
Help us!
When-- when I saw the helicopter very close
to the trees, to the top of the trees,
I start moving the blanket.
I start to move the blanket, then so I say,
oh, they saw-- they saw me.
They saw me.
WOMAN: Here!
Help us!
Help us!
NARRATOR: More than eight hours after impact,
and after enduring life threatening injuries
and near-freezing temperatures, the survivors of flight 965
are about to be rescued.
MERCEDES RAMIREZ: People finally know that we're here,
and they're finally here to-- to rescue us
after so many hours of being stuck
on that side of that mountain.
So seeing them was one of the greatest things ever.
[hopeful music]
GONZALO DUSSAN: They came and they throw a rope,
and the people start to descend.
And, you know, I was so happy because I feel,
you know, that they--
they're going to help us.
NARRATOR: College student Mauricio
Reyes is the first to be airlifted off the mountain.
[somber music]
But low cloud cover delays the removal
of the remaining survivors.
[speaking spanish]
Fearing that six-year-old Michelle
Dussan may not survive, volunteers
take a calculated risk.
[speaking spanish]
They fashion a stretcher from a piece of the wreckage
and begin to evacuate Michelle off the mountain by foot.
Shortly after, the weather clears.
And the remaining survivors are airlifted to a base camp
halfway down the mountain, and then to the hospital.
[speaking spanish]
More than 13 hours after the crash of flight 965,
Michelle Dussan is the last survivor
to emerge from the jungle of El Diluvio alive.
ACTOR AS MICHELLE DUSSAN: Mommy.
I don't think that there is any medical explanation
or scientific explanation.
There is no explanation that out of people that were stronger
and, like, tough, that me, a little girl--
a six-year-old girl-- could survive out of so many people
that were so much stronger than me.
I just thank God so much.
NARRATOR: Of the 163 aboard flight 965, 159 were lost.
Only four survived.
All of the survivors were seated within two
rows of one another--
just above the wing and above huge girders,
that make the area the plane's strongest section.
Despite this, Mercedes Ramirez has lost both her parents
on her 21st birthday.
MERCEDES RAMIREZ: December 20, 1995,
my life changed forever, and has never been the same ever since.
There was 160 people on that flight who,
the moment that plane hit that mountain, all their hopes
and dreams were instantly lost.
But for some reason, I've been given a second chance at life.
And so I'm gonna try to make the best of it.
NARRATOR: The evacuation of survivors
gives way to the gruesome task of recovering
the bodies of the 159 souls who perished
on the summit of Mount Diluvio.
Investigators now descend to try to find out how one of the most
sophisticated airliners equipped with state of the art
technology could veer off course and crash more
than 35 miles from the airport.
[suspenseful music]
The investigation into the crash of flight 965
was led by Columbia's Aeronautica Civil.
Assisting the Colombians were investigators
from the US National Transportation Safety Board,
including Dave Ivey.
DAVID IVEY: The wreckage and debris report indicated
that the airplane actually impacted the eastern side
of the mountain as it was trying to proceed back
west to get into the valley.
And the main body of the wreckage
cleared the mountain top or the ridge,
I should say, and landed over on the western side, which
is inside the valley area.
[ominous music]
NARRATOR: Also following the investigation
was Dave Simmon, an airline captain who
knew the Cali approach well.
DAVE SIMMON: In the days that followed the crash,
the industry was shocked.
They were shocked because they didn't know
how could a sophisticated airplane like the 757,
flown by a well-respected international carrier
like American Airlines, with well-trained crews,
get so far off course.
Nobody could figure out how did it happen, why did it happen.
[somber music]
NARRATOR: Sabotage and mechanical malfunction
were soon ruled out.
Attention turned to the actions of the flight crew.
The discovery of the black boxes enabled investigators
to follow the final moments of American Airlines flight 965.
There is never one single item that--
or error that typically brings an airplane down.
There's an error chain.
And a chain is made up of many links.
The airplane was en route to Cali.
As they were approaching from a distance out,
the controller offered them a straight in landing.
Are you able to approach runway 19?
Would you like to shoot the 19 straight in?
Uh, yeah.
We'll have to scramble to get down.
We can do it.
When they first accepted the approach,
the first officer remarked that we
do need to get down in a hurry in order to accomplish this.
Yes, sir.
We'll need a lower altitude right away, though.
At the time the crew accepted the approach to runway 19,
they were too high, too fast, and too close
in to safely make this approach.
NARRATOR: To lose altitude, the first officer
deploys the speed brakes--
an action that will prove disastrous in the final segment
of the flight.
The fact that they accepted that runway put the crew
in a rushed and hurried manner.
Maybe at Tulua first of all.
You want to go right to Cali or to Tulua?
I thought he said the Rozo one arrival.
Yeah, he did.
We got time to pull that out?
NARRATOR: The flight crew now must study the approach charts
and reprogram the computer.
Meanwhile, the airplane is moving at more
than 5 miles per minute.
Because they're rushed, and in a hurry, and scrambling,
they then make a dangerous request.
Can American Airlines 965 go director to Rozo
and then do the Rozo arrivals, sir?
Affirmative.
Take the Rozo one and runway 19.
When the controller said affirmative, take the Rozo one,
he meant use the Rozo one arrival
procedure, although the crew thought
he meant to go direct to Rozo.
That's not a good idea.
Because to proceed direct to Rozo
is the last point just before the runway.
And Rozo is the last point before landing, not
the first point that you should be targeting.
And this miscommunication really dealt with the pilot
believing one thing and the air traffic controller
believing another.
That was another link, in my view--
ACTOR AS NICHOLAS TAFURI: What happened here?
DAVID IVEY: --that was part of the error chain.
Where are we?
DAVE SIMMON: The crew looks at their--
at their charts in front of them,
and they see the fixed Rozo.
And it is identified by the letter R.
So they naturally put R into the computer
thinking it will take them directly to Rozo.
NARRATOR: The computer offers a list to choose from.
But, unbeknownst to the pilots, none is Rozo.
Habit has shown--
and the system is designed to place the one that is
closest to your airplane first.
And so here was an R that showed up first and he selected that.
NARRATOR: A display in front of the pilot
shows the proposed course to the waypoint selected.
It will take the plane left, into the mountains.
DAVID IVEY: According to American Airlines procedure,
prior to executing an input such as this
to select the R, you confirm with the other pilot,
does this look correct to you.
965, 9,000 feet.
This clearly was not done.
If it had been, they would have seen a dotted line
showing a provisional path from the nose of the airplane,
turning, and going back to about their 7 o'clock position.
NARRATOR: Captain Tafuri hastily presses the Execute button.
DAVE SIMMON: Unfortunately, the crew
does not know that R stands for another fix that
is 132 miles away, behind them, at about their 7
o'clock position.
And that's where the airplane starts to go to.
DAVID IVEY: The plane was simply doing
what it was programmed to do.
In this case it's to fly out of Bogota, 130 miles away.
NARRATOR: More than a minute into the turn,
the pilots are unaware they're flying away from Cali
and dangerously off course.
DAVE SIMMON: The first officer is getting the charts out.
The captain's getting the charts out.
They don't know where we're headed.
DAVE SIMMON: They're trying to tune radios.
No one's flying the airplane.
No one's watching what happens.
And they assume that the automation
is gonna take care of 'em.
Sometimes it will, but in this case it didn't.
Uh, where are we?
We're going out to--
Let's go right to Tulua first of all, OK?
DAVID IVEY: In this case, the airplane got in front of them.
It was flying what was selected.
And, in fact, it was flying beyond the pilot's
recognition of where it was supposed to be traveling.
NARRATOR: The pilots had lost what's referred
to as situational awareness.
Left turn, so you want a left turn back around.
No. Hell, no.
Let's press onto--
Well, we're pressing to where, though?
Tulua.
That's a right U and--
Well, where are we going?
DAVE SIMMON: Once they became unsure of their position--
once they became confused and disoriented--
that's the time to click off the automation
and to basically abandon the approach,
climb to the minimum safe altitude, and to go to Cali.
965, altitude?
NARRATOR: Instead of abandoning the approach
and gaining altitude, flight 965 continued its deadly descent.
[suspenseful music]
[alarm buzzing]
When the warning sounded that the plane was about to crash--
[screaming]
--First Officer Williams disengaged the autopilot
within one second, but forgot to retract the speed
brakes he deployed earlier.
AIR TRAFFIC CONTROL (ON RADIO): 965, this is Cali Approach.
Can you hear me?
NARRATOR: According to the official report,
had he remembered to lower the speed brakes,
the plane could have cleared the mountain with room to spare.
A court eventually ruled that the pilots of flight 965
had shown willful misconduct on the approach to Cali.
Survivor Mercedes Ramirez, who lost both her parents,
continues to deal with the crash.
I think this was a classic textbook
case of everything you should not do when flying a plane.
Hopefully it's a wake up call to pilots that,
no matter how many times you've flown to a city,
you just have to be alert and aware.
Because every little move that you make,
you have the lives of people in your hands.
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