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These are the user uploaded subtitles that are being translated: 1 00:00:10,000 --> 00:00:13,320 (ANIMALS HOOT AND CHATTER) 2 00:00:15,320 --> 00:00:19,160 The natural world is filled with sound. 3 00:00:19,160 --> 00:00:21,280 (THUNDERCLAP) 4 00:00:21,280 --> 00:00:24,760 But so far, we've been hearing only part of it. 5 00:00:24,760 --> 00:00:26,560 (CHITTERS) 6 00:00:26,560 --> 00:00:28,560 (GROWLS) 7 00:00:28,560 --> 00:00:30,880 (CHIRPS) (BUZZES) 8 00:00:30,880 --> 00:00:36,640 New audio technology now captures sounds that we can't even hear. 9 00:00:36,640 --> 00:00:39,440 (DEEP, RESONANT RUMBLING) 10 00:00:42,080 --> 00:00:46,480 For some animals, sound is the key to finding a mate... 11 00:00:46,480 --> 00:00:48,920 (CHIRPS) 12 00:00:50,840 --> 00:00:52,400 ...to impress others... 13 00:00:52,400 --> 00:00:55,320 (CHIRPING, WHISTLING) 14 00:00:55,320 --> 00:00:58,000 (RUMBLING, POPPING) 15 00:00:58,000 --> 00:01:00,320 ...and to warn off the competition. 16 00:01:01,400 --> 00:01:03,880 (BELLOWS) 17 00:01:11,600 --> 00:01:15,000 (ANIMALS CHIRP AND CALL) 18 00:01:23,080 --> 00:01:25,080 (TWEETS) 19 00:01:26,160 --> 00:01:29,920 (CHIRPS, CHITTERS) 20 00:01:37,640 --> 00:01:39,640 (SINGS) 21 00:01:40,760 --> 00:01:43,360 (BIRDS CHIRP AND WHISTLE) 22 00:01:48,480 --> 00:01:51,120 (SINGS, CHIRPS) 23 00:01:51,120 --> 00:01:54,680 A British woodland in spring. 24 00:01:54,680 --> 00:01:59,440 The air is filled with the sound of bird song. 25 00:01:59,440 --> 00:02:04,760 It's a sound that brings a lot of people a lot of pleasure... 26 00:02:04,760 --> 00:02:06,840 including me. 27 00:02:06,840 --> 00:02:11,320 And all these birds are singing for two reasons... 28 00:02:11,320 --> 00:02:14,680 one - to establish a territory, 29 00:02:14,680 --> 00:02:18,000 and two - to attract a mate. 30 00:02:18,000 --> 00:02:20,040 (BIRDS SING AND CHIRP) 31 00:02:23,240 --> 00:02:26,960 Song travels well in an open woodland. 32 00:02:28,360 --> 00:02:33,400 But making yourself heard can be more challenging in a noisier environment. 33 00:02:35,600 --> 00:02:39,520 And there is one creature here that has risen to that challenge. 34 00:02:46,520 --> 00:02:51,520 This delightful little bird is a white-throated dipper. 35 00:02:52,840 --> 00:02:54,840 For most birds of its size, 36 00:02:54,840 --> 00:02:58,920 living beside streams is rather a dangerous place. 37 00:03:03,080 --> 00:03:05,960 Feathers, when they are wet, on a bird of this size, 38 00:03:05,960 --> 00:03:08,560 aren't much good for flying, 39 00:03:08,560 --> 00:03:11,680 but the dipper knows how to deal with that. 40 00:03:13,440 --> 00:03:16,080 As it searches for food between the rocks, 41 00:03:16,080 --> 00:03:21,120 it stops frequently to cover its feathers with oil from a preen gland 42 00:03:21,120 --> 00:03:23,800 so that they stay waterproof and dry. 43 00:03:27,360 --> 00:03:30,200 Reaching your food underwater... 44 00:03:30,200 --> 00:03:33,040 is just one of the problems faced by the dipper. 45 00:03:33,040 --> 00:03:35,920 Another is how do you send messages 46 00:03:35,920 --> 00:03:40,560 above the noise of the fast-flowing stream by which you live? 47 00:03:41,360 --> 00:03:44,280 But the dipper has a way of dealing with that as well. 48 00:03:46,320 --> 00:03:48,480 It's the breeding season... 49 00:03:49,800 --> 00:03:53,600 ...and this male uses his voice to find a partner. 50 00:03:54,600 --> 00:03:56,600 (WATER RUSHING, SOFT CHIRPING) 51 00:03:59,040 --> 00:04:02,240 To our ears, his singing can hardly be heard 52 00:04:02,240 --> 00:04:04,920 above the sound of the water. 53 00:04:07,880 --> 00:04:11,040 But eliminating the sounds of the river 54 00:04:11,040 --> 00:04:15,840 reveals a surprisingly complex and melodious song. 55 00:04:15,840 --> 00:04:18,880 (ARTICULATED CHIRPS) 56 00:04:25,520 --> 00:04:28,040 Most of the dipper's notes are higher-pitched 57 00:04:28,040 --> 00:04:30,480 than the noise of the water. 58 00:04:30,480 --> 00:04:32,960 (MELODIC CHIRPING) 59 00:04:34,800 --> 00:04:38,400 This allows others to hear his song more easily. 60 00:04:43,680 --> 00:04:47,680 He has attracted the attention of a female. 61 00:04:47,680 --> 00:04:51,720 (ELABORATE CHIRPING) 62 00:04:56,720 --> 00:05:01,600 Only males in peak condition can sing complex tunes like this. 63 00:05:07,440 --> 00:05:10,600 (SINGING) 64 00:05:10,600 --> 00:05:12,640 His song has impressed, 65 00:05:12,640 --> 00:05:16,320 and his new mate will stay with him for the rest of the year 66 00:05:16,320 --> 00:05:18,760 and help him defend this territory. 67 00:05:18,760 --> 00:05:21,600 (COMPLEX CHIRPING) 68 00:05:33,480 --> 00:05:36,920 Six weeks later, and the pair have been busy. 69 00:05:44,360 --> 00:05:48,160 Concealed behind the waterfall is their nest. 70 00:06:01,600 --> 00:06:05,200 To ensure a steady supply of food for the chicks, 71 00:06:05,200 --> 00:06:08,760 the pair have to defend their stretch of river from others. 72 00:06:10,440 --> 00:06:14,560 And its their song that acts as a warning to rivals. 73 00:06:14,560 --> 00:06:16,400 (SINGS) 74 00:06:23,840 --> 00:06:27,200 Together, they present a united front. 75 00:06:27,200 --> 00:06:29,800 (SINGING) 76 00:06:35,080 --> 00:06:39,120 For any intruders, the message is loud and clear. 77 00:06:39,120 --> 00:06:42,920 (ELABORATE CHIRPING AND SINGING) 78 00:06:51,880 --> 00:06:54,640 Keeping the chicks well-fed is crucial, 79 00:06:54,640 --> 00:06:57,440 and not just for their growth. 80 00:06:58,880 --> 00:07:01,960 It's needed to develop the part of the brain 81 00:07:01,960 --> 00:07:04,440 responsible for learning song. 82 00:07:06,120 --> 00:07:09,840 So, they will, one day, become proficient singers, 83 00:07:09,840 --> 00:07:11,880 like their parents. 84 00:07:17,160 --> 00:07:22,240 Two weeks on, and all three chicks have fledged successfully. 85 00:07:28,400 --> 00:07:30,280 (CHIRPING) 86 00:07:30,280 --> 00:07:34,480 These youngsters have had the best possible start in life... 87 00:07:36,600 --> 00:07:39,600 ...thanks to their parents and their song. 88 00:07:39,600 --> 00:07:41,680 (SINGS) 89 00:07:47,280 --> 00:07:49,600 When it comes to finding a mate, 90 00:07:49,600 --> 00:07:52,680 power, not melody, is sometimes needed. 91 00:07:56,720 --> 00:08:01,920 (HIGH-PITCHED CALLS) 92 00:08:04,000 --> 00:08:07,040 (RESONANT CALLS AND GRUNTS) 93 00:08:13,680 --> 00:08:17,440 Autumn in the Rocky Mountains of Canada. 94 00:08:17,440 --> 00:08:20,160 (SNORTS) 95 00:08:23,160 --> 00:08:25,400 (HIGH-PITCHED CALL) 96 00:08:32,800 --> 00:08:37,400 This bugling call of the elk marks the change of season... 97 00:08:37,400 --> 00:08:41,400 and the beginning of the annual rut. 98 00:08:48,280 --> 00:08:51,800 (DEEP VOCALISATIONS) 99 00:08:53,520 --> 00:08:57,560 This bull is in his prime, and over the next six weeks, 100 00:08:57,560 --> 00:09:02,240 he will push himself close to death in order to mate. 101 00:09:07,840 --> 00:09:12,640 The females will only accept the largest and strongest male. 102 00:09:15,520 --> 00:09:19,560 And his success will depend on the power of his voice. 103 00:09:23,040 --> 00:09:25,560 Stretching his vocal chords, 104 00:09:25,560 --> 00:09:29,880 he produces a high-pitched shriek through his nose. 105 00:09:34,400 --> 00:09:36,960 It travels over a mile... 106 00:09:36,960 --> 00:09:41,120 and announces his presence to distant females. 107 00:09:41,120 --> 00:09:44,320 (BELLOWS) 108 00:09:50,280 --> 00:09:53,800 At the same time, he makes a guttural groan... 109 00:09:53,800 --> 00:09:57,360 (RESONANT BELLOW) 110 00:09:57,360 --> 00:10:01,760 ...which signals his size and strength to nearby males. 111 00:10:03,840 --> 00:10:08,200 The deeper his voice, the bigger and stronger he is. 112 00:10:11,320 --> 00:10:14,480 And he backs it up with a physical display. 113 00:10:28,840 --> 00:10:33,160 (BELLOWS, CALLS) 114 00:10:37,040 --> 00:10:40,440 His goal is to gather as many females as possible... 115 00:10:40,440 --> 00:10:45,440 to ensure that his genes are the ones that are passed on. 116 00:10:45,440 --> 00:10:47,720 (BLEATING) 117 00:11:04,680 --> 00:11:06,880 (HIGH-PITCHED CALL) 118 00:11:06,880 --> 00:11:09,120 (DEEP, RESONANT VOCALISATIONS) 119 00:11:10,280 --> 00:11:13,120 Now he switches to a different call... 120 00:11:13,120 --> 00:11:15,520 (VOCALISATION CONTINUES) 121 00:11:16,400 --> 00:11:21,640 ...a low 'glunking' sound to encourage the females to join him. 122 00:11:25,280 --> 00:11:30,360 A successful bull can attract up to 20 females in one season. 123 00:11:30,360 --> 00:11:33,200 (DEEP VOCALISATIONS) 124 00:11:34,040 --> 00:11:36,760 Chemical cues, detected with his tongue, 125 00:11:36,760 --> 00:11:39,520 tell him which cows are fertile. 126 00:11:51,040 --> 00:11:55,600 But retaining so many females is easier said than done. 127 00:11:55,600 --> 00:11:57,640 (HIGH-PITCHED CALL) 128 00:12:05,520 --> 00:12:08,200 A rival enters the arena. 129 00:12:10,840 --> 00:12:14,080 (BELLOWING) 130 00:12:20,280 --> 00:12:23,800 Their bugles signal that they are equally matched. 131 00:12:26,080 --> 00:12:28,640 There's only one way to settle this. 132 00:12:28,640 --> 00:12:32,600 He must stand his ground or surrender his females. 133 00:13:00,000 --> 00:13:04,960 These battles can result in serious injury, even death. 134 00:13:07,040 --> 00:13:09,320 (HIGH-PITCHED CALL) 135 00:13:22,200 --> 00:13:24,520 For the moment, at least, 136 00:13:24,520 --> 00:13:27,360 his legacy is secure. 137 00:13:36,840 --> 00:13:39,845 (RUMBLING) 138 00:13:41,845 --> 00:13:44,840 (RUMBLING) 139 00:13:46,560 --> 00:13:49,240 On the vast grasslands of Alberta, 140 00:13:49,240 --> 00:13:51,920 it takes teamwork to get noticed. 141 00:13:52,800 --> 00:13:55,040 (COOING) 142 00:13:56,360 --> 00:13:58,720 (RESONANT RATTLING) 143 00:14:00,800 --> 00:14:02,600 Every spring, 144 00:14:02,600 --> 00:14:07,480 male sharp-tailed grouse gather on traditional breeding grounds... 145 00:14:07,480 --> 00:14:09,520 (RATTLING) 146 00:14:09,520 --> 00:14:13,280 ...practising for their most important performance of the year. 147 00:14:14,320 --> 00:14:16,720 (CLUCKING, RATTLING) 148 00:14:16,720 --> 00:14:19,040 And they have a remarkable array 149 00:14:19,040 --> 00:14:21,800 of musical instruments at their disposal. 150 00:14:26,160 --> 00:14:28,120 Feet are stamped, 151 00:14:28,120 --> 00:14:32,480 and tail feathers rattled, to produce a rhythmic beat. 152 00:14:38,320 --> 00:14:40,840 A low cooing sound, 153 00:14:40,840 --> 00:14:43,800 amplified by inflatable air sacs, 154 00:14:43,800 --> 00:14:47,040 provides the accompanying tune. 155 00:14:47,040 --> 00:14:48,880 (CLUCKING, RATTLING) 156 00:14:48,880 --> 00:14:52,720 And it's all to attract the attention of the females. 157 00:14:54,400 --> 00:14:58,320 The more males, the louder and more impressive their performance. 158 00:14:58,320 --> 00:15:01,560 (COOING, RATTLING) 159 00:15:01,560 --> 00:15:04,920 But sometimes, tensions boil over. 160 00:15:15,000 --> 00:15:18,200 (CLUCKING) 161 00:15:22,320 --> 00:15:25,400 They need to stop squabbling and work together. 162 00:15:25,400 --> 00:15:27,440 (RATTLING) 163 00:15:48,280 --> 00:15:52,480 Their combined song and dance has attracted a female. 164 00:15:54,880 --> 00:15:57,400 (CLUCKING) 165 00:15:58,520 --> 00:16:02,280 Time for the synchronised finale. 166 00:16:07,200 --> 00:16:09,800 They all freeze. 167 00:16:11,600 --> 00:16:15,400 She takes the opportunity to assess each male. 168 00:16:18,880 --> 00:16:20,920 (RATTLING RESUMES) 169 00:16:33,640 --> 00:16:37,800 Now she's looking for the fastest tail rattle. 170 00:16:43,080 --> 00:16:45,680 And a sound like the popping of a cork... 171 00:16:45,680 --> 00:16:48,480 (POPPING) 172 00:16:51,640 --> 00:16:54,320 ...which females find irresistible. 173 00:16:56,520 --> 00:17:00,360 Their display will help her find the fittest male in the group. 174 00:17:02,840 --> 00:17:05,480 And this one has caught her attention. 175 00:17:07,960 --> 00:17:11,880 But not everyone is sticking to the dance routine. 176 00:17:13,520 --> 00:17:16,160 A young, over-enthusiastic male 177 00:17:16,160 --> 00:17:19,240 is ruining the performance for everyone. 178 00:17:19,240 --> 00:17:21,480 (CLUCKS) 179 00:17:26,120 --> 00:17:28,080 She's seen enough. 180 00:17:28,080 --> 00:17:30,120 And she's off. 181 00:17:32,600 --> 00:17:34,600 (RATTLING) 182 00:17:36,000 --> 00:17:39,000 Today didn't go as planned. 183 00:17:39,000 --> 00:17:41,000 (CLUCKS) 184 00:17:41,000 --> 00:17:45,800 But tomorrow, they'll have the chance to do it all over again. 185 00:17:48,880 --> 00:17:52,160 While grouse benefit from joining forces, 186 00:17:52,160 --> 00:17:56,320 others must find a way to stand out from the crowd. 187 00:17:56,320 --> 00:17:58,360 (HIGH-PITCHED SHRIEKS) 188 00:18:01,720 --> 00:18:03,800 In the deserts of Arizona, 189 00:18:03,800 --> 00:18:08,080 temperatures can soar above 40 degrees Celsius. 190 00:18:10,320 --> 00:18:13,600 Rain hasn't fallen here for several months. 191 00:18:19,920 --> 00:18:22,640 But things are about to change. 192 00:18:22,640 --> 00:18:24,960 (THUNDER RUMBLES) 193 00:18:26,200 --> 00:18:28,480 (WIND HOWLS) 194 00:18:28,480 --> 00:18:30,520 (CRACKLES) 195 00:18:31,960 --> 00:18:34,600 (THUNDERCLAP) 196 00:18:50,520 --> 00:18:52,440 (THUNDERCLAP) 197 00:19:05,120 --> 00:19:08,600 Within hours, the rains flood the ground... 198 00:19:08,600 --> 00:19:11,320 and temporary pools appear. 199 00:19:16,560 --> 00:19:20,360 The thunder sends shockwaves through the ground... 200 00:19:20,360 --> 00:19:24,000 (THUNDERCLAP) 201 00:19:27,440 --> 00:19:30,480 ...which trigger an annual uprising. 202 00:19:45,120 --> 00:19:47,680 Breaking free from their underground vaults, 203 00:19:47,680 --> 00:19:51,240 desert frogs and toads emerge to breed. 204 00:19:52,920 --> 00:19:56,200 (CROAKS) 205 00:19:57,640 --> 00:20:00,720 (CACOPHONOUS CROAKING) 206 00:20:00,720 --> 00:20:04,440 They will have just one or two nights to find a mate. 207 00:20:04,440 --> 00:20:07,680 And there are hundreds of frogs in this one pool. 208 00:20:08,920 --> 00:20:11,280 (CROAKING CONTINUES) 209 00:20:16,600 --> 00:20:18,600 Not only that, 210 00:20:18,600 --> 00:20:23,000 at least five different species are all trying to make themselves heard. 211 00:20:25,760 --> 00:20:27,960 (CROAKS) 212 00:20:27,960 --> 00:20:32,160 How is a female to find a male of her own kind? 213 00:20:32,160 --> 00:20:35,160 (CROAKING) 214 00:20:35,160 --> 00:20:39,080 The answer, it seems, lies in their voice. 215 00:20:42,560 --> 00:20:45,680 Each species has its own distinctive call. 216 00:20:47,120 --> 00:20:50,360 (CROAKING, CHIRPING) 217 00:20:53,440 --> 00:20:54,760 (DEEP, RATTLING CROAK) 218 00:20:54,760 --> 00:20:56,880 (GROANS) 219 00:20:56,880 --> 00:21:01,440 And now we can see just how the females do it. 220 00:21:03,320 --> 00:21:06,960 A specialised acoustic camera shows sounds 221 00:21:06,960 --> 00:21:09,840 of different frequencies in different colours... 222 00:21:09,840 --> 00:21:12,440 (GROANING, CROAKING, CHIRPING) 223 00:21:14,120 --> 00:21:19,640 ...and reveals that each species favours different notes and rhythms, 224 00:21:19,640 --> 00:21:24,040 allowing females to pinpoint males of their own kind. 225 00:21:32,440 --> 00:21:34,440 When it comes to mating, 226 00:21:34,440 --> 00:21:37,800 it generally makes sense to stick with your own species. 227 00:21:40,880 --> 00:21:45,200 But desperate times can lead to desperate measures. 228 00:21:46,440 --> 00:21:48,440 On the other side of the valley, 229 00:21:48,440 --> 00:21:50,680 the rains have been less plentiful, 230 00:21:50,680 --> 00:21:53,840 and the pools here are dangerously shallow. 231 00:21:54,640 --> 00:21:57,040 (CROAKING) 232 00:21:57,040 --> 00:22:01,560 This plains spadefoot needs her young to develop quickly 233 00:22:01,560 --> 00:22:03,600 before the water disappears. 234 00:22:06,040 --> 00:22:08,320 It's a race against the clock, 235 00:22:08,320 --> 00:22:11,680 and the calls of two different species are deafening. 236 00:22:11,680 --> 00:22:13,880 (CROAKING, CHIRPING) 237 00:22:27,880 --> 00:22:32,280 She tunes into the calls of her own kind of male. 238 00:22:32,280 --> 00:22:35,760 (CROAKS RHYTHMICALLY) 239 00:22:43,600 --> 00:22:47,680 But surprisingly, she sidesteps them. 240 00:22:54,840 --> 00:22:58,360 The pulsing call of a Mexican spadefoot 241 00:22:58,360 --> 00:23:00,400 has attracted her attention. 242 00:23:05,000 --> 00:23:07,520 He belongs to a different species, 243 00:23:07,520 --> 00:23:12,120 but, remarkably, she can still mate with him if she so chooses. 244 00:23:14,960 --> 00:23:17,480 And in this case, she does... 245 00:23:17,480 --> 00:23:19,920 and for a specific reason. 246 00:23:22,680 --> 00:23:28,240 His tadpoles will develop faster than those fathered by her own kind 247 00:23:28,240 --> 00:23:33,040 and give her young a chance to reach maturity before the pond dries up. 248 00:23:35,200 --> 00:23:37,680 It's an unusual practice... 249 00:23:37,680 --> 00:23:39,720 but an effective one. 250 00:23:39,720 --> 00:23:43,040 And in an unpredictable and warming climate, 251 00:23:43,040 --> 00:23:46,520 solutions like this may help ensure their survival. 252 00:23:52,520 --> 00:23:55,800 But her decision comes at a price. 253 00:23:58,840 --> 00:24:03,880 Only female offspring produced from this liaison will be fertile. 254 00:24:05,960 --> 00:24:10,200 But she's ensured that at least some of her genes are passed on. 255 00:24:12,520 --> 00:24:15,523 (RUMBLING) 256 00:24:17,523 --> 00:24:20,520 (RUMBLING) 257 00:24:22,680 --> 00:24:24,680 Frogs aren't the only ones 258 00:24:24,680 --> 00:24:27,360 to use their voice under the cover of darkness. 259 00:24:28,200 --> 00:24:30,920 (RESONANT HUMMING) 260 00:24:36,920 --> 00:24:39,640 On the Pacific Coast of North America, 261 00:24:39,640 --> 00:24:43,600 the night air resonates with an eerie hum. 262 00:24:48,920 --> 00:24:52,600 It's a sound that baffled people for years. 263 00:24:59,640 --> 00:25:04,840 It coincides with the arrival of a fish from the open ocean... 264 00:25:09,800 --> 00:25:11,840 ...a plainfin midshipman. 265 00:25:15,280 --> 00:25:17,440 For the next three to four months, 266 00:25:17,440 --> 00:25:21,960 this male will risk his life in the shallow intertidal zone. 267 00:25:24,360 --> 00:25:28,120 He's searching for a suitable spot to make a nest. 268 00:25:41,400 --> 00:25:43,400 This one looks ideal. 269 00:25:45,000 --> 00:25:47,240 Time for some housekeeping. 270 00:26:08,760 --> 00:26:10,880 One final mouthful... 271 00:26:14,600 --> 00:26:16,600 ...and it's complete. 272 00:26:19,760 --> 00:26:23,360 But the females are still in deeper water. 273 00:26:23,360 --> 00:26:26,640 He needs a way of attracting their attention. 274 00:26:28,600 --> 00:26:32,320 The onset of night is his cue. 275 00:26:32,320 --> 00:26:34,560 (DRONING HUM) 276 00:26:38,960 --> 00:26:42,200 By vibrating muscles attached to his swim bladder, 277 00:26:42,200 --> 00:26:45,320 he produces a low-frequency hum 278 00:26:45,320 --> 00:26:47,520 that travels well through water. 279 00:26:47,520 --> 00:26:50,080 (HUMMING CONTINUES) 280 00:26:52,160 --> 00:26:54,240 And he's not alone. 281 00:26:54,240 --> 00:26:56,320 (CHORUS OF HUMMING) 282 00:26:57,160 --> 00:26:59,600 He's joined by dozens of others. 283 00:27:10,920 --> 00:27:15,320 The sound reaches a staggering 110dB - 284 00:27:15,320 --> 00:27:18,480 as loud as a lion's roar... 285 00:27:18,480 --> 00:27:20,240 (HUMMING CONTINUES) 286 00:27:20,240 --> 00:27:23,480 ...giving rise to the mysterious drone 287 00:27:23,480 --> 00:27:27,360 that once puzzled the people who lived on these shores. 288 00:27:28,720 --> 00:27:31,520 (DRONING HUM) 289 00:27:36,160 --> 00:27:40,120 This sound is loud enough to be heard by the females. 290 00:27:46,240 --> 00:27:50,760 Guided by the hum, a female arrives, swollen with eggs. 291 00:27:52,400 --> 00:27:54,160 (DRONING HUM) 292 00:27:54,160 --> 00:27:57,960 The harmonics produced by each male are slightly different, 293 00:27:57,960 --> 00:28:01,080 like a sonic fingerprint, 294 00:28:01,080 --> 00:28:04,120 and help him stand out from the crowd. 295 00:28:08,640 --> 00:28:11,440 His song has drawn her this far, 296 00:28:11,440 --> 00:28:14,880 but now his nest is under scrutiny. 297 00:28:19,240 --> 00:28:21,280 It's to her liking. 298 00:28:24,560 --> 00:28:26,560 Hovering upside down, 299 00:28:26,560 --> 00:28:29,160 she lays her eggs on the roof. 300 00:28:43,960 --> 00:28:46,920 The next morning, she has gone. 301 00:28:48,560 --> 00:28:53,240 The male alone will protect the eggs for the next three months. 302 00:28:55,320 --> 00:28:59,400 During this time, he won't feed or leave them unattended. 303 00:29:03,480 --> 00:29:06,200 A crab... looking for a snack. 304 00:29:07,280 --> 00:29:10,240 (GROWLS) 305 00:29:10,240 --> 00:29:12,960 (GRUNTS) 306 00:29:12,960 --> 00:29:15,720 He sends a warning growl... 307 00:29:15,720 --> 00:29:17,920 (GROWLS) 308 00:29:17,920 --> 00:29:20,880 (GRUNTING) 309 00:29:22,000 --> 00:29:24,320 ...and a grunt. 310 00:29:24,320 --> 00:29:26,560 (GRUNTING) 311 00:29:26,560 --> 00:29:29,280 The crab finally gets the message. 312 00:29:32,880 --> 00:29:35,400 But the biggest challenge he faces 313 00:29:35,400 --> 00:29:38,680 comes with the daily changing of the tides. 314 00:29:50,720 --> 00:29:54,520 Midshipman fish are adapted to breathe air, 315 00:29:54,520 --> 00:29:57,760 but the low tide leaves him defenceless. 316 00:30:03,480 --> 00:30:07,280 With no means of escape, it's now down to luck. 317 00:30:33,480 --> 00:30:36,160 On this tide, he's made it. 318 00:30:37,160 --> 00:30:41,360 If he and his eggs can survive the hazardous months ahead, 319 00:30:41,360 --> 00:30:46,400 he will have helped father the next generation of midshipman singers. 320 00:30:50,520 --> 00:30:53,480 Sound travels well underwater. 321 00:30:56,280 --> 00:30:58,920 On land, however, it is often deflected, 322 00:30:58,920 --> 00:31:01,280 or absorbed, by the surroundings. 323 00:31:03,920 --> 00:31:08,720 Thick rainforests pose a particular challenge. 324 00:31:08,720 --> 00:31:10,760 (HOOTING, CHITTERING) 325 00:31:10,760 --> 00:31:14,480 The dense vegetation acts as a sound barrier... 326 00:31:15,640 --> 00:31:17,960 ...and despite the many voices, 327 00:31:17,960 --> 00:31:20,760 most messages don't travel far. 328 00:31:22,440 --> 00:31:24,680 (DEEP CHIRPING) 329 00:31:26,080 --> 00:31:29,080 (HOOTS) 330 00:31:32,600 --> 00:31:35,280 (CHIRPS) 331 00:31:35,280 --> 00:31:36,960 (CHIRPS SQUEAKILY) 332 00:31:38,200 --> 00:31:42,920 (CHITTERS) 333 00:31:42,920 --> 00:31:46,080 (HIGH-PITCHED CROAKS) 334 00:31:49,040 --> 00:31:53,480 In the forests of Southeast Asia, however, there is one animal 335 00:31:53,480 --> 00:31:56,440 that knows exactly how to make its message heard... 336 00:32:02,000 --> 00:32:05,320 ...a yellow-cheeked crested gibbon. 337 00:32:07,640 --> 00:32:12,560 He moves to a higher position where the canopy is less dense. 338 00:32:14,640 --> 00:32:18,400 (HIGH-PITCHED HOOTING) 339 00:32:29,680 --> 00:32:31,720 Unobstructed by trees, 340 00:32:31,720 --> 00:32:36,080 his call carries for over a mile across the forest. 341 00:32:36,080 --> 00:32:38,200 (HIGH-PITCHED HOOTING CONTINUES) 342 00:32:40,080 --> 00:32:42,280 And he's not alone. 343 00:32:42,280 --> 00:32:45,040 His partner and baby are close by. 344 00:32:46,560 --> 00:32:50,760 The female now joins in with her own song. 345 00:32:50,760 --> 00:32:53,720 (HIGH-PITCHED HOOTING) 346 00:32:58,960 --> 00:33:03,520 Together, their duet sends a message to other gibbons. 347 00:33:03,520 --> 00:33:07,880 (HIGH-PITCHED HOOTING) 348 00:33:10,440 --> 00:33:13,920 It's a declaration that this patch is taken, 349 00:33:13,920 --> 00:33:16,520 and the fruiting trees within it. 350 00:33:16,520 --> 00:33:19,760 (HIGH-PITCHED HOOTING) 351 00:33:25,160 --> 00:33:27,480 (HIGH-PITCHED HOOTING) 352 00:33:30,760 --> 00:33:34,200 Their calls spark responses from other pairs, 353 00:33:34,200 --> 00:33:36,800 each protecting their own territory. 354 00:33:42,240 --> 00:33:46,360 It's a noisy but effective early-morning roll call 355 00:33:46,360 --> 00:33:49,080 to establish the order of the forest. 356 00:33:56,560 --> 00:34:00,080 While gibbons sing over the forest canopy... 357 00:34:01,960 --> 00:34:06,600 ...deep within the forest, some animals use the plants themselves 358 00:34:06,600 --> 00:34:08,720 to transmit their messages. 359 00:34:09,760 --> 00:34:13,120 It's a world of sound that we can't hear... 360 00:34:14,160 --> 00:34:16,240 ...but is clear to those that can. 361 00:34:24,000 --> 00:34:26,080 A male treehopper. 362 00:34:28,280 --> 00:34:30,200 Only half an inch long, 363 00:34:30,200 --> 00:34:34,840 it lives in an acoustic world entirely unlike our own. 364 00:34:36,960 --> 00:34:39,840 But with a special laser vibrometer, 365 00:34:39,840 --> 00:34:42,600 we can now hear these sounds. 366 00:34:42,600 --> 00:34:45,320 (DEEP, RESONANT RUMBLING) 367 00:34:51,120 --> 00:34:54,400 He shakes his abdomen a hundred times a second 368 00:34:54,400 --> 00:34:59,080 to produce a low sound that vibrates through the stem. 369 00:34:59,080 --> 00:35:01,400 (DEEP, RESONANT RUMBLING) 370 00:35:02,200 --> 00:35:06,920 It's a courtship song that spreads through every part of the plant. 371 00:35:18,120 --> 00:35:22,000 A female receives his message through her legs... 372 00:35:22,000 --> 00:35:24,120 loud and clear. 373 00:35:27,160 --> 00:35:30,800 She's ready to mate, and she answers back. 374 00:35:30,800 --> 00:35:33,440 (DEEP, RESONANT RUMBLING) 375 00:35:37,760 --> 00:35:40,920 But she could be anywhere on the plant. 376 00:35:43,600 --> 00:35:47,600 To find her, he needs to keep the conversation flowing. 377 00:35:47,600 --> 00:35:51,120 (DEEP, RESONANT RUMBLING) 378 00:36:00,760 --> 00:36:02,760 Using her sound to navigate, 379 00:36:02,760 --> 00:36:05,880 his direction of travel is determined 380 00:36:05,880 --> 00:36:09,920 by whether it hits his front or rear legs first. 381 00:36:16,200 --> 00:36:18,200 He must be quick. 382 00:36:18,200 --> 00:36:21,840 Her signal may be picked up by other males on the same plant. 383 00:36:28,560 --> 00:36:32,320 But this crossroad is proving hard to read. 384 00:36:36,040 --> 00:36:37,720 He checks for directions. 385 00:37:06,760 --> 00:37:09,240 (DEEP, RESONANT RUMBLING) 386 00:37:09,240 --> 00:37:12,280 Now the signal is coming from behind. 387 00:37:13,840 --> 00:37:16,480 He's taken a wrong turn. 388 00:37:23,680 --> 00:37:27,000 His detour has cost him valuable time. 389 00:37:33,920 --> 00:37:36,000 Found her at last. 390 00:37:37,440 --> 00:37:39,440 But he's too late. 391 00:37:39,440 --> 00:37:41,840 Another male has beaten him to it. 392 00:37:45,280 --> 00:37:49,520 However, there are plenty more treehoppers in the forest. 393 00:37:57,200 --> 00:38:00,201 (RUMBLING) 394 00:38:02,201 --> 00:38:05,160 (RUMBLING) 395 00:38:05,160 --> 00:38:07,200 (CHIRPING) 396 00:38:08,120 --> 00:38:12,400 Most animal calls are encoded in their DNA. 397 00:38:12,400 --> 00:38:16,840 But some can enhance their repertoire in other ways. 398 00:38:16,840 --> 00:38:20,200 (CHIRPS AND SINGS) 399 00:38:34,280 --> 00:38:36,360 A starling. 400 00:38:36,360 --> 00:38:39,600 Ah! Ooh, and a hungry one at that. 401 00:38:39,600 --> 00:38:44,080 They are, in fact, one of our most accomplished singers. 402 00:38:44,080 --> 00:38:47,760 And they not only have their own songs, 403 00:38:47,760 --> 00:38:52,200 but they can also mimic the songs of other species. 404 00:38:52,200 --> 00:38:55,520 And it's all done in order to impress the females. 405 00:38:56,800 --> 00:39:00,720 And they're not the only bird that can imitate others. 406 00:39:05,200 --> 00:39:07,920 The forests of Eastern Australia... 407 00:39:07,920 --> 00:39:11,440 are home to one of nature's most accomplished mimics... 408 00:39:14,920 --> 00:39:17,840 (CHIRPS) 409 00:39:22,640 --> 00:39:26,720 (MIMICS MECHANICAL SOUND) 410 00:39:26,720 --> 00:39:28,280 (CHIRPS) 411 00:39:29,960 --> 00:39:33,280 (CHIRPS) 412 00:39:35,840 --> 00:39:38,760 ...the superb lyrebird. 413 00:39:43,800 --> 00:39:47,360 And this mound of earth is his stage. 414 00:39:48,840 --> 00:39:50,840 (MIMICS MECHANICAL SOUND) 415 00:39:50,840 --> 00:39:52,880 (CHIRPS) 416 00:39:54,480 --> 00:39:56,400 (CHIRPS) 417 00:39:56,400 --> 00:39:59,480 This modest performance won't be enough. 418 00:40:00,320 --> 00:40:05,240 Female lyrebirds are fussy and demand more complex songs. 419 00:40:08,160 --> 00:40:10,240 But he has a solution. 420 00:40:10,240 --> 00:40:14,160 He listens carefully to the sounds around him... 421 00:40:14,160 --> 00:40:17,080 (MIMICS ANIMAL HOOTING) 422 00:40:17,080 --> 00:40:22,600 (MIMICS HOOTING AND HOLLERING) 423 00:40:22,600 --> 00:40:28,000 (CONTINUES HOOTING) 424 00:40:28,000 --> 00:40:30,360 ...and mimics them perfectly. 425 00:40:30,360 --> 00:40:33,560 (HIGH-PITCHED SINGING) 426 00:40:33,560 --> 00:40:38,800 (IMITATES BIRD SONG) 427 00:40:43,240 --> 00:40:45,520 (CHIRPS) 428 00:40:45,520 --> 00:40:47,800 (IMITATES CHIRPING) 429 00:40:51,120 --> 00:40:55,160 He can learn the songs of over 20 different birds. 430 00:40:56,040 --> 00:40:58,200 (SINGS) 431 00:40:59,760 --> 00:41:02,600 And he's not only a mimic - 432 00:41:02,600 --> 00:41:05,960 by stringing the songs together in his own way, 433 00:41:05,960 --> 00:41:08,120 he's also a composer. 434 00:41:09,440 --> 00:41:13,600 (WHISTLES, CHIRPS) 435 00:41:22,800 --> 00:41:26,360 (MIMICS MECHANICAL SOUND) 436 00:41:26,360 --> 00:41:30,920 No two lyrebirds sing exactly the same tune. 437 00:41:30,920 --> 00:41:34,120 (CHIRPS, HOOTS) 438 00:41:34,120 --> 00:41:37,800 With age, his songs become more intricate 439 00:41:37,800 --> 00:41:40,840 and give him greater success with the females. 440 00:41:40,840 --> 00:41:46,200 (HOOTS, CHIRPS, SINGS) 441 00:41:48,800 --> 00:41:51,720 But the lyrebird's world is changing, 442 00:41:51,720 --> 00:41:57,120 and urban settlements have replaced much of its natural home. 443 00:41:58,560 --> 00:42:00,920 (HORNS HONK) 444 00:42:00,920 --> 00:42:03,880 And with it have gone many of the songsters 445 00:42:03,880 --> 00:42:06,400 that he relied on for his tunes. 446 00:42:08,640 --> 00:42:13,120 Luckily, this bird is a virtuoso. 447 00:42:13,120 --> 00:42:15,880 (ALARM WAILS) 448 00:42:17,360 --> 00:42:19,400 A car alarm... 449 00:42:21,080 --> 00:42:24,560 (IMITATES ALARM) 450 00:42:24,560 --> 00:42:27,880 (IMITATES CAMERA SHUTTER CLICKING) 451 00:42:27,880 --> 00:42:30,520 ...a camera shutter... 452 00:42:31,360 --> 00:42:33,240 (BABY CRIES) 453 00:42:33,240 --> 00:42:36,200 ...and even a crying human baby. 454 00:42:36,200 --> 00:42:40,600 (IMITATES BABY CRYING) 455 00:42:41,520 --> 00:42:45,560 (WAILS) 456 00:42:45,560 --> 00:42:49,240 This sound... is anyone's guess. 457 00:42:54,360 --> 00:42:57,800 But it's done the trick and got him noticed... 458 00:42:59,280 --> 00:43:01,600 ...a female. 459 00:43:01,600 --> 00:43:04,960 He may have an unusual choice of tunes, 460 00:43:04,960 --> 00:43:08,960 but they add to his repertoire, and that's all matters. 461 00:43:08,960 --> 00:43:11,800 (CHIRPS) 462 00:43:11,800 --> 00:43:15,520 If she is impressed, she'll choose him to father 463 00:43:15,520 --> 00:43:19,480 the next generation of master songsters and mimics. 464 00:43:19,480 --> 00:43:22,920 (HOOTS, CHIRPS) 465 00:43:27,560 --> 00:43:30,320 (HONKING, CHIRPING) 466 00:43:30,320 --> 00:43:34,560 (ANIMALS CALL AND HOOT) 467 00:43:37,240 --> 00:43:41,720 Many of the sounds we hear in nature are the voices of animals. 468 00:43:44,400 --> 00:43:46,720 But some creatures are so quiet, 469 00:43:46,720 --> 00:43:49,800 they appear to be making no sound at all. 470 00:43:51,440 --> 00:43:55,400 We wanted to film one of these - the treehopper. 471 00:43:55,400 --> 00:43:58,400 But how do you record the sound of a creature 472 00:43:58,400 --> 00:44:00,280 we ourselves can't even hear? 473 00:44:02,440 --> 00:44:07,720 Dr Rex Cocroft is a biologist at the University of Missouri. 474 00:44:09,880 --> 00:44:15,480 He's fascinated by creatures that communicate using just vibrations. 475 00:44:18,760 --> 00:44:22,200 There are at least 200,000 species out there 476 00:44:22,200 --> 00:44:25,280 singing in ways that are silent to us. 477 00:44:25,280 --> 00:44:29,440 And that's way more songs than if you add up all of the birds, 478 00:44:29,440 --> 00:44:32,760 and the fish and the whales, and the frogs out there. So... 479 00:44:32,760 --> 00:44:37,040 the majority of animal sounds are ones that we don't actually hear. 480 00:44:38,000 --> 00:44:40,600 Which makes them a challenge to study. 481 00:44:44,560 --> 00:44:49,360 But a special sound-recording device solved the problem. 482 00:44:51,520 --> 00:44:54,200 It's called a vibrometer... 483 00:44:54,200 --> 00:44:57,440 and uses a laser beam to detect the slightest vibrations 484 00:44:57,440 --> 00:44:59,760 on the surface of an object. 485 00:45:01,920 --> 00:45:03,920 By amplifying these sounds, 486 00:45:03,920 --> 00:45:08,960 the vibrometer allowed Rex to listen in on treehopper communication. 487 00:45:10,120 --> 00:45:12,520 (TREEHOPPER CHIRPING AND TAPPING) 488 00:45:14,200 --> 00:45:17,840 This little treehopper sounds like a tap-dancing monkey. 489 00:45:20,320 --> 00:45:23,760 (RHYTHMIC HOOTING) 490 00:45:23,760 --> 00:45:27,800 Another one sounded like an owl laughing at its own joke. 491 00:45:27,800 --> 00:45:29,760 (RHYTHMIC HOOTING) 492 00:45:29,760 --> 00:45:34,200 (CLUCKING) 493 00:45:34,200 --> 00:45:38,000 One male treehopper sounded like a clucking hen. 494 00:45:39,640 --> 00:45:41,520 (CLUCKS) 495 00:45:41,520 --> 00:45:44,320 (TREEHOPPER RATTLING) 496 00:45:44,320 --> 00:45:47,080 Another one sounded like a woodpecker... 497 00:45:47,080 --> 00:45:49,280 followed by a tiny car honking. 498 00:45:49,280 --> 00:45:53,240 (HONKS AND RATTLES) 499 00:45:53,240 --> 00:45:57,560 Oh, my gosh. I was just lost at that moment. 500 00:45:57,560 --> 00:46:02,080 There was no going back because I heard these wonderful... sounds 501 00:46:02,080 --> 00:46:05,080 that were right there in one small plant. 502 00:46:07,120 --> 00:46:10,320 Let me put this here. And how high do you want this? 503 00:46:10,320 --> 00:46:14,960 Rex's discovery proved irresistible to our film crew, 504 00:46:14,960 --> 00:46:18,000 led by Director Nalini Crack. 505 00:46:19,760 --> 00:46:23,880 Nalini wants to record the courtship duet of a treehopper. 506 00:46:28,080 --> 00:46:31,840 Helping her is Vikrant Palan from Polytec, 507 00:46:31,840 --> 00:46:34,760 with his company's most advanced vibrometer. 508 00:46:34,760 --> 00:46:36,520 Yeah. 509 00:46:36,520 --> 00:46:39,080 Getting there. Yeah. Good, good, good. Good, good. 510 00:46:39,080 --> 00:46:43,600 Nalini has placed a female on the stem of the plant. 511 00:46:43,600 --> 00:46:46,880 Let's try putting a male on there 512 00:46:46,880 --> 00:46:48,920 and see if we can get him calling. 513 00:46:52,880 --> 00:46:56,800 The male song will vibrate through the stem. 514 00:46:56,800 --> 00:47:00,600 If the female answers, he'll follow her call. 515 00:47:02,400 --> 00:47:04,400 Go on, little guy. 516 00:47:07,080 --> 00:47:09,120 (DEEP, RESONANT RUMBLING) 517 00:47:09,120 --> 00:47:11,800 (GASPS) Here he goes. - Yeah, that was it. - That was it? 518 00:47:11,800 --> 00:47:13,240 That was him. Yeah. 519 00:47:14,680 --> 00:47:16,760 (DEEP, RESONANT RUMBLING) - Wow! - Oh, my God! 520 00:47:21,240 --> 00:47:25,000 But his vibrations aren't having the desired effect. 521 00:47:26,040 --> 00:47:28,720 She doesn't want him. (LAUGHS) 522 00:47:28,720 --> 00:47:30,880 She's not into it. 523 00:47:32,280 --> 00:47:34,320 (DEEP, RESONANT RUMBLING) 524 00:47:37,320 --> 00:47:39,200 (FEMALE TREEHOPPER RUMBLES) Oh, wow. 525 00:47:39,200 --> 00:47:42,320 Finally, his love song is answered. 526 00:47:42,320 --> 00:47:44,000 (LAUGHS) It's amazing. 527 00:47:59,320 --> 00:48:01,760 These insects that sing silently 528 00:48:01,760 --> 00:48:04,440 are just as magical in their way. 529 00:48:06,800 --> 00:48:09,400 We're only just beginning to understand 530 00:48:09,400 --> 00:48:13,880 the secret sounds of nature's smallest creatures. 531 00:48:27,200 --> 00:48:30,320 The story of sound continues... 532 00:48:30,320 --> 00:48:32,440 (CHIRPING) 533 00:48:32,440 --> 00:48:36,240 ...as baby animals attempt to survive 534 00:48:36,240 --> 00:48:38,520 in a perilous world... 535 00:48:38,520 --> 00:48:41,400 with the help of their voices. (CHIRPS)(YELPS) 536 00:48:41,400 --> 00:48:44,880 (HOWLING) 537 00:48:47,280 --> 00:48:50,880 (WHISTLING, CHIRPING) 538 00:48:50,880 --> 00:48:53,920 AccessibleCustomerService@sky.uk 37764

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