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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,001 --> 00:00:04,004 [♪] 2 00:00:13,361 --> 00:00:16,407 [♪] 3 00:00:57,970 --> 00:01:00,538 [wind chimes twinkling] 4 00:01:01,670 --> 00:01:04,194 [keys clacking] 5 00:01:35,834 --> 00:01:38,881 [♪] 6 00:01:59,989 --> 00:02:01,947 [door creaks] 7 00:02:03,906 --> 00:02:06,256 How did you get in, Sebastian? 8 00:02:08,084 --> 00:02:10,521 [door creaks] 9 00:02:17,006 --> 00:02:20,052 [Nico] My name is Nico. I'’m a journalist. 10 00:02:20,096 --> 00:02:21,837 At least, I'’m trying to be. 11 00:02:21,880 --> 00:02:23,795 But here I am again at 5:00 in the morning 12 00:02:23,839 --> 00:02:25,580 in my rented studio in Puebla, 13 00:02:25,623 --> 00:02:28,191 not sleeping and not writing a single paragraph. 14 00:02:28,235 --> 00:02:30,150 I think of everything, obsessively, 15 00:02:30,193 --> 00:02:31,542 except the article I have to write. 16 00:02:31,586 --> 00:02:32,891 [birds chirping] 17 00:02:32,935 --> 00:02:34,676 This is how my story began. 18 00:02:34,719 --> 00:02:37,896 Coming back. From England to Mexico. 19 00:02:37,940 --> 00:02:40,464 I was just 17 when I came here, alone, 20 00:02:40,508 --> 00:02:42,423 dying to finally see the gigantic city 21 00:02:42,466 --> 00:02:46,644 where my mother said I was born: Mexico City. 22 00:02:46,688 --> 00:02:49,256 I'’ve been a bundle of contradictions ever since. 23 00:02:49,299 --> 00:02:51,867 At 17, I was still a sad kid, 24 00:02:51,910 --> 00:02:55,262 a little arrogant, maybe, but also awkward. 25 00:02:55,305 --> 00:02:58,526 Now I spend my days walking, looking at everything, 26 00:02:58,569 --> 00:03:01,529 turning over rocks, trying to write a good story. 27 00:03:01,572 --> 00:03:05,315 For me, London reemerges everywhere I look in Mexico. 28 00:03:05,750 --> 00:03:08,188 [speaking Spanish] 29 00:03:13,758 --> 00:03:15,412 [chuckles] 30 00:03:15,456 --> 00:03:17,109 I live here in Puebla, 31 00:03:17,153 --> 00:03:19,503 and I travel to Mexico City once a week to work, 32 00:03:19,547 --> 00:03:22,332 so I get the best of both worlds: beautiful Puebla, 33 00:03:22,376 --> 00:03:25,335 and Joint Visions , a cool new journal based in el D.F., 34 00:03:25,379 --> 00:03:27,294 where I managed to land a job. 35 00:03:27,337 --> 00:03:28,730 [♪] 36 00:03:52,057 --> 00:03:55,104 [♪] 37 00:03:55,757 --> 00:03:57,498 [cars passimg] 38 00:03:57,541 --> 00:04:00,022 [birds chirping] 39 00:04:09,858 --> 00:04:11,642 [indistinct chatter] 40 00:04:11,686 --> 00:04:14,254 I'’m from here. I was born here. 41 00:04:14,297 --> 00:04:16,517 Hm, how ironic. 42 00:04:16,560 --> 00:04:19,128 I could'’ve stayed in London, but for what? 43 00:04:19,171 --> 00:04:20,738 They wouldn'’t even let me see my mother. 44 00:04:20,782 --> 00:04:23,263 What kind of person does that to a 16-year-old? 45 00:04:24,655 --> 00:04:27,876 I'’m a hybrid, thinking in English and Spanish, 46 00:04:27,919 --> 00:04:31,140 a product of development and underdevelopment, 47 00:04:31,183 --> 00:04:35,275 sometimes coherent, but usually incoherent. 48 00:04:35,318 --> 00:04:37,712 And then...there'’s Monica. 49 00:04:40,323 --> 00:04:42,238 Monica is Chilean. 50 00:04:42,282 --> 00:04:44,240 I met her studying journalism in Puebla, 51 00:04:44,284 --> 00:04:45,676 and she is the best thing that'’s happened to me 52 00:04:45,720 --> 00:04:48,157 since I came here. 53 00:04:48,200 --> 00:04:51,943 But like all dreams, love is subject to brutal awakenings 54 00:04:51,987 --> 00:04:55,817 into silence, fear, a lack of something more. 55 00:04:55,860 --> 00:04:58,907 [tense music] 56 00:05:06,088 --> 00:05:07,132 [pop] 57 00:05:07,176 --> 00:05:08,482 [children screaming] 58 00:05:08,525 --> 00:05:09,874 [child laughs] 59 00:05:09,918 --> 00:05:12,964 [♪] 60 00:05:30,025 --> 00:05:32,593 [birds twittering] 61 00:05:44,126 --> 00:05:45,345 [doorbell buzzes] 62 00:05:49,523 --> 00:05:51,829 [cars passing] 63 00:05:54,266 --> 00:05:56,268 [doorbell buzzing] 64 00:06:19,814 --> 00:06:22,469 [people chattering, laughter] 65 00:06:45,187 --> 00:06:46,754 [Nico] Ah! Fuck! 66 00:06:46,797 --> 00:06:49,626 [speaking Spanish] 67 00:06:49,670 --> 00:06:52,716 [♪] 68 00:06:53,195 --> 00:06:55,980 [cars passing, indistinct chatter] 69 00:06:57,678 --> 00:07:00,681 [♪] 70 00:07:02,944 --> 00:07:04,728 [speaking Spanish] 71 00:07:04,772 --> 00:07:07,165 Not this guy in the hat who'’s always staring. 72 00:07:08,863 --> 00:07:11,779 I guess it'’s only fair. I deserve some payback 73 00:07:11,822 --> 00:07:13,824 for sticking my nose into other people'’s lives. 74 00:07:24,139 --> 00:07:26,968 [both speaking Spanish] 75 00:07:44,376 --> 00:07:47,423 [♪] 76 00:07:55,953 --> 00:07:57,520 [Monica speaking Spanish] 77 00:08:21,588 --> 00:08:24,329 [dramatic music] 78 00:08:24,373 --> 00:08:27,550 [Nico] And that'’s how Monica disappeared from my life. 79 00:08:27,594 --> 00:08:31,293 She got sick of me, simple as that. 80 00:08:31,336 --> 00:08:34,992 She'’ll go back to Chile after she'’s finished studying here. 81 00:08:35,036 --> 00:08:39,301 I'’m sure she'll do well, unlike my mother. 82 00:08:39,344 --> 00:08:42,739 What happened to my mother could never happen to Monica. 83 00:08:42,783 --> 00:08:44,132 What could be worse than ending up 84 00:08:44,175 --> 00:08:46,221 in a mental institution in London, 85 00:08:46,264 --> 00:08:48,005 the cold city of London, 86 00:08:48,049 --> 00:08:51,748 with its cold streets and its equally cold psychiatrists. 87 00:08:54,795 --> 00:08:56,666 Monica. 88 00:08:56,710 --> 00:08:59,495 Monica always seems to find the story that needs telling, 89 00:08:59,539 --> 00:09:01,584 those particular angles I always miss. 90 00:09:01,628 --> 00:09:04,239 She says Chile is an island with only seven faces, 91 00:09:04,282 --> 00:09:05,849 and hers is one of them. 92 00:09:05,893 --> 00:09:07,155 I think she got that from reading 93 00:09:07,198 --> 00:09:08,939 about the films of Raul Ruiz. 94 00:09:08,983 --> 00:09:11,159 [people on radio speaking Spanish] 95 00:09:32,876 --> 00:09:34,095 [radio crackling] 96 00:09:35,705 --> 00:09:37,838 [man on radio] ...Grateful to God that he allowed me 97 00:09:37,881 --> 00:09:40,623 to be born in the United States of America. 98 00:09:40,667 --> 00:09:44,627 I love this country. I love this country! And... 99 00:09:44,671 --> 00:09:47,674 [♪] 100 00:10:01,949 --> 00:10:03,341 [radio crackling] 101 00:10:03,385 --> 00:10:05,605 [man on radio] Beginning at 9:00 a.m., 102 00:10:05,648 --> 00:10:07,215 - when the new President gives his inaugural speech... - [phone ringing] 103 00:10:07,258 --> 00:10:08,912 Members of congress talk about... 104 00:10:08,956 --> 00:10:10,087 [Sebastian] Hello? 105 00:10:10,131 --> 00:10:11,611 [Paige] Hi, where are you? 106 00:10:11,654 --> 00:10:13,613 [Sebastian] Hey, I'’m still in Oklahoma. 107 00:10:13,656 --> 00:10:15,136 [Paige] You'’re still here? Why? 108 00:10:15,179 --> 00:10:16,877 [Sebastian] I told you I was gonna go follow 109 00:10:16,920 --> 00:10:19,096 in my parents' footsteps and took some back roads. 110 00:10:19,140 --> 00:10:21,708 I can'’t find anything to listen to out here. 111 00:10:21,751 --> 00:10:23,535 [Paige] Babe, you can'’t follow in your parents' footsteps. 112 00:10:23,579 --> 00:10:25,320 They travelled 20 years ago. 113 00:10:25,363 --> 00:10:27,975 - [Sebastian] I know, but I can try. - [Paige] Yeah. 114 00:10:28,018 --> 00:10:30,455 [Sebastian] And then, another 10 hours to Mexico. 115 00:10:30,499 --> 00:10:34,546 But hey, I'’m driving. I'’ll send you a message later? 116 00:10:34,590 --> 00:10:36,505 [Paige] Okay, I love you. 117 00:10:36,548 --> 00:10:37,854 [Sebastian] Love you. 118 00:10:37,898 --> 00:10:39,160 [radio crackling] 119 00:10:39,203 --> 00:10:40,901 [woman on radio speaking Spanish] 120 00:10:40,944 --> 00:10:42,467 [radio crackling] 121 00:10:44,644 --> 00:10:46,907 [man on radio] ...It'’s Marxism re-written 122 00:10:46,950 --> 00:10:49,692 and cut to fit a Black context. 123 00:10:49,736 --> 00:10:51,041 [radio crackling] 124 00:10:51,085 --> 00:10:53,087 [woman on radio speaking Spanish] 125 00:10:53,130 --> 00:10:55,002 [man on radio] ...With the baptism of the holy spirit, 126 00:10:55,045 --> 00:10:56,699 evidence shows they were speaking in... 127 00:10:56,743 --> 00:10:58,701 [radio crackling, light music plays] 128 00:10:58,745 --> 00:11:00,616 [man on radio] Criticized by the president elect, 129 00:11:00,660 --> 00:11:02,836 who called climate change a hoax. 130 00:11:02,879 --> 00:11:05,273 [man 2] I do not believe that climate change is a hoax. 131 00:11:05,316 --> 00:11:08,145 [man 3] Okay, that'’s important for the president to hear. 132 00:11:08,189 --> 00:11:09,146 [man 1] Taking it further, Johnson told Ferris that if... 133 00:11:09,190 --> 00:11:10,670 [sirens wailing] 134 00:11:10,713 --> 00:11:12,106 [Sebastian] My country is falling apart, 135 00:11:12,149 --> 00:11:14,674 and here I am heading south to Mexico. 136 00:11:14,717 --> 00:11:16,980 What if they build that damn wall while I am there? 137 00:11:17,024 --> 00:11:19,330 It could be for the best, really. 138 00:11:19,374 --> 00:11:21,942 Maybe staying in that country that I don'’t even know 139 00:11:21,985 --> 00:11:23,291 is just what I need. 140 00:11:23,334 --> 00:11:25,162 [Katie Williams's "Flavor Blonde"] 141 00:11:25,206 --> 00:11:28,775 ♪ Well, Lord knows That I remember ♪ 142 00:11:28,818 --> 00:11:31,995 ♪ The day the word came down 143 00:11:32,039 --> 00:11:35,651 ♪ In my ear Like a force of nature♪ 144 00:11:35,695 --> 00:11:38,698 ♪ Knocking me To the ground ♪ 145 00:11:38,741 --> 00:11:42,179 ♪ Why, oh, why Did I cry?♪ 146 00:11:42,223 --> 00:11:45,748 ♪ Maybe I'll never know 147 00:11:45,792 --> 00:11:48,969 ♪ Was it because You loved me truly? ♪ 148 00:11:49,012 --> 00:11:53,800 ♪ That I know for sure 149 00:11:53,843 --> 00:11:57,151 ♪ 'Cause Donny thinks There's something out there ♪ 150 00:11:57,194 --> 00:12:00,154 ♪ Past the great beyond♪ 151 00:12:00,197 --> 00:12:03,766 ♪ I'll be here sipping Darker whiskey ♪ 152 00:12:03,810 --> 00:12:07,988 ♪ Never did care For the flavor blonde ♪ 153 00:12:08,031 --> 00:12:12,470 ♪ No, I never did care For the flavor blonde ♪ 154 00:12:12,514 --> 00:12:14,081 [Sebastian] Dad, I am on my way to Mexico, 155 00:12:14,124 --> 00:12:17,171 wondering what made you and mom settle there. 156 00:12:17,214 --> 00:12:19,521 It's ridiculous that I'm Mexican! 157 00:12:19,564 --> 00:12:21,218 It's ridiculous that you insist 158 00:12:21,262 --> 00:12:25,092 that my name has a written accent over the á . 159 00:12:25,135 --> 00:12:28,008 If you only would'’ve had the decency of telling me more 160 00:12:28,051 --> 00:12:29,749 and not just focus on that, 161 00:12:29,792 --> 00:12:32,403 with your bizarre jokes, honestly. 162 00:12:34,797 --> 00:12:35,972 [engine shuts off] 163 00:12:54,164 --> 00:12:56,297 What if I was to say to my brother: 164 00:12:56,340 --> 00:12:59,909 "Nico, I started a letter for you, but... 165 00:12:59,953 --> 00:13:02,216 "I--I don'’t know what to say. I'm so torn. 166 00:13:02,259 --> 00:13:04,305 How will I approach you when I get to Mexico City?" 167 00:13:04,348 --> 00:13:06,742 I don'’t know. I feel that that'’s a little too dramatic. 168 00:13:06,786 --> 00:13:08,700 Why don't you just say, 169 00:13:08,744 --> 00:13:11,791 "Hey, this is your brother Sebastian from Oklahoma?" 170 00:13:12,835 --> 00:13:14,489 Okay, that won'’t work. 171 00:13:14,532 --> 00:13:16,317 Uh, you could just say, "What'’s up jerk?" 172 00:13:16,360 --> 00:13:18,580 [chuckles] Sure, I could say that. 173 00:13:18,623 --> 00:13:20,625 [Paige] Or I don'’t know, just show up at his work. 174 00:13:20,669 --> 00:13:22,410 What is it? Joint Visions? 175 00:13:22,453 --> 00:13:23,977 [Sebastian] Yeah, that'’s where he works. 176 00:13:24,020 --> 00:13:25,674 That was the only thing I was able to find online. 177 00:13:25,717 --> 00:13:27,807 I mean, for sure. 178 00:13:27,850 --> 00:13:31,027 Wow, and now you're on your way to Mexico City. 179 00:13:31,071 --> 00:13:32,594 Does your dad know? 180 00:13:32,637 --> 00:13:34,248 [Sebastian] No, I went to his house this morning, 181 00:13:34,291 --> 00:13:38,121 and of course, he was there gloomy and mean, as usual. 182 00:13:38,905 --> 00:13:40,384 Uh, can you please just look up 183 00:13:40,428 --> 00:13:42,082 the address for Joint Visions again? 184 00:13:42,125 --> 00:13:45,085 Yeah, sure, um, I actually have it right here. 185 00:13:45,128 --> 00:13:49,741 It'’s on Avenida Juarez and Revilla...? 186 00:13:49,785 --> 00:13:53,397 How do you say that? Um, Revillagigedo? 187 00:13:53,441 --> 00:13:55,660 [cars passing] 188 00:13:58,881 --> 00:14:00,056 [Nico speaking Spanish] 189 00:14:16,986 --> 00:14:18,335 I'’ve got to get back to Puebla. 190 00:14:18,379 --> 00:14:21,599 I get so paranoid here in el D.F. 191 00:14:21,643 --> 00:14:24,994 or Mexico City, or CDMX, 192 00:14:25,038 --> 00:14:26,953 or whatever they want to call it next. 193 00:14:26,996 --> 00:14:28,563 [bus rumbling, horn honks] 194 00:14:31,392 --> 00:14:34,438 [♪] 195 00:14:42,533 --> 00:14:44,709 In theRear Window, Jefferies also spied 196 00:14:44,753 --> 00:14:47,799 on his front neighbors, or did he? 197 00:14:47,843 --> 00:14:50,759 In Hitchcock'’s film, Jefferies was a photographer 198 00:14:50,802 --> 00:14:53,544 whose life was paused because of a broken leg. 199 00:14:53,588 --> 00:14:55,851 I'’m more like some disturbed voyeur, 200 00:14:55,895 --> 00:14:57,461 digging into people'’s lives 201 00:14:57,505 --> 00:14:59,855 thanks to lack of sleep and a mental block. 202 00:14:59,899 --> 00:15:02,640 Or in order to turn my back on my own, 203 00:15:02,684 --> 00:15:06,514 let'’s say... [speaking Spanish] 204 00:15:06,557 --> 00:15:08,820 That'’s what my favorite writer, Leila Guerriero, 205 00:15:08,864 --> 00:15:11,345 would call the things inside these four walls: 206 00:15:11,388 --> 00:15:15,218 a chair, a table, a kitchen [inside a closet,] 207 00:15:15,262 --> 00:15:18,134 a bed, and random piles of books and clothes. 208 00:15:18,178 --> 00:15:20,180 Oh, and the cat of course, 209 00:15:20,223 --> 00:15:22,182 but she is far from a private misery. 210 00:15:22,225 --> 00:15:23,748 [laughs] 211 00:15:23,792 --> 00:15:25,272 What if I sorted out all my clothes 212 00:15:25,315 --> 00:15:27,883 in my kitchen drawers like Slavoj Zizek? 213 00:15:27,927 --> 00:15:30,930 He says it adds something special to his life. 214 00:15:32,975 --> 00:15:34,977 The Hitchcockian characters across the street 215 00:15:35,021 --> 00:15:37,240 seem to live normal lives. 216 00:15:37,284 --> 00:15:39,634 I hope no one sees me and decides to say hello. 217 00:15:39,677 --> 00:15:41,984 I can'’t hold a normal conversation. 218 00:15:42,028 --> 00:15:45,031 [♪] 219 00:15:46,510 --> 00:15:48,295 Here I am again at 5:00 in the morning, 220 00:15:48,338 --> 00:15:50,906 not sleeping and not writing a single paragraph. 221 00:16:19,152 --> 00:16:22,894 What if I wrote about that building and the people in it? 222 00:16:22,938 --> 00:16:25,636 I could start with that kid, staring into space, 223 00:16:25,680 --> 00:16:28,204 looking for something in the stratosphere. 224 00:16:28,248 --> 00:16:30,685 That could be the start of a beautiful story. 225 00:16:33,601 --> 00:16:34,950 [door creaks softly] 226 00:16:36,517 --> 00:16:37,909 [birds squawking, people chattering] 227 00:16:37,953 --> 00:16:40,738 [indistinct dialogue] 228 00:16:43,480 --> 00:16:47,615 [Nico] We walk, we move, but we never leave home. 229 00:16:47,658 --> 00:16:49,138 This watch is the same one I asked my mum 230 00:16:49,182 --> 00:16:51,749 to buy for me in London, a long time ago. 231 00:16:51,793 --> 00:16:54,839 [♪] 232 00:16:56,493 --> 00:16:58,713 [no audible dialogue] 233 00:17:13,684 --> 00:17:15,860 [Nico] Leila Guerreiro quotes Rafael Gumucio 234 00:17:15,904 --> 00:17:17,949 fromAgainst Flaubert. 235 00:17:17,993 --> 00:17:19,690 For Flaubert, he says, 236 00:17:19,734 --> 00:17:22,867 Madame Bovary is a vengeance against her father, 237 00:17:22,911 --> 00:17:26,523 against her uncles, against the entire city of Ruan, 238 00:17:26,567 --> 00:17:30,353 against books, against nuns, against Republicans-- 239 00:17:30,397 --> 00:17:32,877 almost against everything. 240 00:17:32,921 --> 00:17:36,098 The argument is unsettling to me, but also intriguing, 241 00:17:36,142 --> 00:17:38,013 like so many others from Gumucio, 242 00:17:38,057 --> 00:17:41,016 or Leila, or Caparrós, or Villoro, 243 00:17:41,060 --> 00:17:43,279 or Cadena Martínez, who I read obsessively. 244 00:18:00,818 --> 00:18:02,864 [♪] 245 00:18:20,229 --> 00:18:21,796 [phone buzzes, car horns blaring] 246 00:18:30,413 --> 00:18:32,067 Ugh. [chuckles] 247 00:18:32,807 --> 00:18:35,462 [car horns blaring] 248 00:18:36,245 --> 00:18:37,942 [indistinct chatter] 249 00:18:37,986 --> 00:18:41,032 [♪] 250 00:18:59,007 --> 00:19:00,835 [Nico] Today was a good day. 251 00:19:03,316 --> 00:19:04,752 I wasn'’t able to start the story 252 00:19:04,795 --> 00:19:06,275 of the kid staring into space, 253 00:19:06,319 --> 00:19:09,191 but something supernatural did happen. 254 00:19:09,235 --> 00:19:11,933 I finally spoke to Alberto Cadena Martínez, 255 00:19:11,976 --> 00:19:13,239 all the way from Colombia. 256 00:19:13,282 --> 00:19:15,763 [speaking Spanish] 257 00:19:21,247 --> 00:19:22,596 He called me out though. 258 00:19:22,639 --> 00:19:25,990 Hm, "me retó," as Monica would say. 259 00:19:26,034 --> 00:19:28,602 Good thing too, since I have such writer's block. 260 00:19:29,907 --> 00:19:32,083 [indistinct chatter] 261 00:19:32,127 --> 00:19:34,173 Alberto says the key to writing a good story 262 00:19:34,216 --> 00:19:36,218 is a particular point of view, 263 00:19:36,262 --> 00:19:38,612 which doesn'’t just magically emerge out of research, 264 00:19:38,655 --> 00:19:40,570 out of what I'’ve been doing. 265 00:19:40,614 --> 00:19:42,268 I do fuck all. 266 00:19:42,311 --> 00:19:44,661 I walk around not even knowing what to look for. 267 00:19:44,705 --> 00:19:48,448 But they say that can be an advantage for good writers too. 268 00:19:48,491 --> 00:19:50,319 The truth is, my effort at this story 269 00:19:50,363 --> 00:19:52,321 has become like a tornado sweeping me along. 270 00:19:52,365 --> 00:19:53,366 [man speaking in Spanish] 271 00:19:53,409 --> 00:19:54,932 [Nico] Like in Oklahoma. 272 00:19:56,978 --> 00:19:58,675 [indistinct chatter continues] 273 00:19:58,719 --> 00:20:01,765 [♪] 274 00:20:06,683 --> 00:20:07,902 [Nico speaking Spanish] 275 00:20:07,945 --> 00:20:09,599 [wind chimes twinkling] 276 00:20:12,254 --> 00:20:13,908 You'’re right, Alberto. 277 00:20:13,951 --> 00:20:15,301 I'’ve got to put an end to this neurosis 278 00:20:15,344 --> 00:20:17,694 and think--think calmly. 279 00:20:17,738 --> 00:20:20,001 [train screeching] 280 00:20:24,484 --> 00:20:27,487 [♪] 281 00:20:30,316 --> 00:20:32,492 [bell ringing] 282 00:20:36,060 --> 00:20:38,193 [ringing grows louder] 283 00:20:43,067 --> 00:20:45,331 [car engine sputtering softly] 284 00:20:47,942 --> 00:20:50,988 [♪] 285 00:20:58,169 --> 00:21:00,868 [leaves rustling] 286 00:21:05,612 --> 00:21:07,483 [door creaks] 287 00:21:11,792 --> 00:21:14,795 [light piano music] 288 00:21:19,887 --> 00:21:21,845 [glasses clinking] 289 00:21:25,022 --> 00:21:26,981 - Good day. - [Leam] Yeah. 290 00:21:27,024 --> 00:21:28,330 The usual? 291 00:21:28,374 --> 00:21:29,549 Yeah. 292 00:21:40,864 --> 00:21:42,344 Salud. 293 00:21:44,303 --> 00:21:46,348 Oh, are you from Mexico? 294 00:21:47,480 --> 00:21:49,090 Do I look Mexican? 295 00:21:51,092 --> 00:21:53,007 He says that all the time. 296 00:21:53,050 --> 00:21:54,225 [Syd] Why? 297 00:21:55,444 --> 00:21:58,099 He used to live in Mexico for the longest time. 298 00:21:58,839 --> 00:22:00,623 That'’s why he comes in here. 299 00:22:01,276 --> 00:22:02,843 The music. 300 00:22:02,886 --> 00:22:05,889 [piano continues playing] 301 00:22:15,551 --> 00:22:16,944 [Lloyd] Hey, Leam. 302 00:22:16,987 --> 00:22:18,554 How goes it? 303 00:22:22,515 --> 00:22:25,518 I liked it better when Luis played the old Mexican tunes. 304 00:22:25,561 --> 00:22:27,694 Get him to play the old Mexican songs. 305 00:22:27,737 --> 00:22:31,872 I'’m with you on that. I'’ll take your recommendation. 306 00:22:31,915 --> 00:22:33,090 [glasses clanking] 307 00:22:33,134 --> 00:22:34,570 [dramatic music building] 308 00:22:37,225 --> 00:22:39,749 [loud pop, children screaming] 309 00:22:39,793 --> 00:22:42,839 [♪] 310 00:22:49,629 --> 00:22:52,588 [Fiona] What inhabits this burning red earth? 311 00:22:52,632 --> 00:22:55,504 Is it abundance, or the vastness of a desert 312 00:22:55,548 --> 00:22:59,029 plagued by churches, oil, and highways 313 00:22:59,073 --> 00:23:01,902 that leads to an obscure border 314 00:23:01,945 --> 00:23:03,817 like a blind, mad animal 315 00:23:03,860 --> 00:23:06,646 that crashes into a wall it cannot see? 316 00:23:06,689 --> 00:23:09,475 The wind blows, and we are far away, 317 00:23:09,518 --> 00:23:11,912 and every border reminds us 318 00:23:11,955 --> 00:23:15,306 that we cross it only when we're searching for something; 319 00:23:15,350 --> 00:23:19,441 otherwise, every cage looks brilliantly tidy and clean, 320 00:23:19,485 --> 00:23:22,052 like this one, where I find myself. 321 00:23:26,535 --> 00:23:29,538 [♪] 322 00:23:37,851 --> 00:23:40,897 [♪] 323 00:23:45,859 --> 00:23:47,904 [cars passing] 324 00:23:49,558 --> 00:23:52,082 [engine revs] 325 00:23:57,044 --> 00:23:59,176 [indistinct chatter] 326 00:24:02,397 --> 00:24:04,704 [messages popping] 327 00:24:27,727 --> 00:24:30,120 [waitress] Are you hanging out or drinking or eating or...? 328 00:24:31,339 --> 00:24:33,297 I'll be back in a minute for you. 329 00:24:35,996 --> 00:24:38,912 [phone vibrating] 330 00:24:56,364 --> 00:24:58,148 [Sebastian] Nico. 331 00:24:58,192 --> 00:25:00,803 I'’ve been unable to write you a normal letter. 332 00:25:00,847 --> 00:25:02,196 So... 333 00:25:02,239 --> 00:25:04,067 Here's what I really wanna say. 334 00:25:04,111 --> 00:25:07,027 When I found out that you, Rose, and mom were gone, 335 00:25:07,070 --> 00:25:09,246 all I could do was imagine where you were. 336 00:25:09,290 --> 00:25:11,640 I spent hours looking in those geography magazines 337 00:25:11,684 --> 00:25:14,469 that mom brought home from England. 338 00:25:14,513 --> 00:25:15,949 I was looking for you guys in them. 339 00:25:15,992 --> 00:25:18,473 [♪] 340 00:25:18,517 --> 00:25:20,649 Remember that feeling we had 341 00:25:20,693 --> 00:25:24,392 that nothing would happen to us as long as dad was around? 342 00:25:24,435 --> 00:25:27,177 Well, now hewas the only one around, 343 00:25:27,221 --> 00:25:30,833 but I was six, and he had shut off completely. 344 00:25:30,877 --> 00:25:35,751 I don'’t know anything about you or if mom is in Mexico. 345 00:25:35,795 --> 00:25:38,058 But at least I know where you are. 346 00:25:38,101 --> 00:25:40,147 I'’ll find you guys. 347 00:25:40,190 --> 00:25:42,802 I can'’t wait to get down there, especially now. 348 00:25:42,845 --> 00:25:44,717 Have you seen what'’s happening in the US? 349 00:25:44,760 --> 00:25:47,415 Maybe you can get me a job down there. 350 00:25:54,640 --> 00:25:57,773 I also know that Latin American cities are gigantic, 351 00:25:57,817 --> 00:26:01,211 one of them being Mexico City, where I'm headed to find you. 352 00:26:02,256 --> 00:26:05,215 [♪] 353 00:26:05,259 --> 00:26:07,827 [wind whistling] 354 00:26:11,178 --> 00:26:17,271 Instead, Ava, our Oklahoma town is very, let'’s say, lonely. 355 00:26:17,314 --> 00:26:20,230 In Ava, you don'’t see many people walking, 356 00:26:20,274 --> 00:26:23,146 except those loners that traverse endless pathways 357 00:26:23,190 --> 00:26:26,933 seemingly going from one fast food joint to a dollar store. 358 00:26:26,976 --> 00:26:30,501 And while shiny cars drive through town anonymously, 359 00:26:30,545 --> 00:26:34,375 other lonely people hit one bar after the other. 360 00:26:34,418 --> 00:26:37,857 I might sound dramatic, but this is what I see. 361 00:26:37,900 --> 00:26:39,685 One of those people that hits those bars 362 00:26:39,728 --> 00:26:42,339 during the day is our father, Leam. 363 00:26:47,344 --> 00:26:50,391 [♪] 364 00:27:01,924 --> 00:27:04,971 [♪] 365 00:27:22,205 --> 00:27:25,034 [news jingle] 366 00:27:26,514 --> 00:27:29,778 [crackling] 367 00:27:29,822 --> 00:27:32,172 [newscaster] ...Drug lord is now in U.S. custody 368 00:27:32,215 --> 00:27:33,303 facing several charges... 369 00:27:33,347 --> 00:27:35,566 [newscaster 2 speaking Spanish] 370 00:27:35,610 --> 00:27:37,786 [crackling] 371 00:27:37,830 --> 00:27:40,441 [newscaster continues speaking Spanish] 372 00:27:40,484 --> 00:27:43,836 [♪] 373 00:27:43,879 --> 00:27:46,752 [siren wailing] 374 00:28:01,984 --> 00:28:04,378 [phone ringing] 375 00:28:05,858 --> 00:28:07,076 [phone vibrating] 376 00:28:07,120 --> 00:28:09,339 [phone ringing] 377 00:28:12,734 --> 00:28:15,302 [phone ringing] 378 00:28:19,436 --> 00:28:20,742 [voicemail] Your call has been forwarded-- 379 00:28:22,962 --> 00:28:26,269 [indistinct chatter] 380 00:28:30,186 --> 00:28:32,623 [indistinct chatter continues] 381 00:28:37,585 --> 00:28:40,109 [siren wailing] 382 00:28:44,026 --> 00:28:46,637 [wailing continues distantly] 383 00:28:46,681 --> 00:28:49,728 [♪] 384 00:29:03,263 --> 00:29:05,308 [newscaster] ...The storm initiated the conformation 385 00:29:05,352 --> 00:29:07,310 of a tornado that most likely will pass 386 00:29:07,354 --> 00:29:09,791 near the city of Moore in the State of Oklahoma. 387 00:29:09,835 --> 00:29:11,401 Residents are already taking the necessary... 388 00:29:11,445 --> 00:29:13,447 [dramatic music building] 389 00:29:24,980 --> 00:29:27,026 [wind chimes twinkling] 390 00:29:29,550 --> 00:29:32,596 [♪] 391 00:29:50,136 --> 00:29:52,965 [bird chirping] 392 00:29:59,928 --> 00:30:02,278 [trees rustling] 393 00:30:25,388 --> 00:30:26,781 [door creaks] 394 00:30:26,825 --> 00:30:29,828 [♪] 395 00:30:56,680 --> 00:30:59,596 [Fiona] On the other side, everything sparkles, 396 00:30:59,640 --> 00:31:02,599 bathed in a light that blinds our eyes. 397 00:31:02,643 --> 00:31:06,386 The lines curve, the roads become irregular, 398 00:31:06,429 --> 00:31:09,432 nature is wild and alive. 399 00:31:09,476 --> 00:31:12,958 Like a party with no written end. 400 00:31:13,001 --> 00:31:15,874 Like an impossible and mysterious world. 401 00:31:33,326 --> 00:31:34,980 [bus passing] 402 00:31:38,897 --> 00:31:40,463 [Nico] Why did I decide to write 403 00:31:40,507 --> 00:31:42,726 about the world now, of all times, 404 00:31:42,770 --> 00:31:45,164 right at the start of the Post-Truth age-- 405 00:31:45,207 --> 00:31:48,123 hm--like Villoro said in his talk on Tuesday. 406 00:31:48,167 --> 00:31:49,429 Puebla belongs to another time. 407 00:31:49,472 --> 00:31:50,778 [operatic singing] 408 00:31:50,821 --> 00:31:52,345 It's like a Parisian city-scape, 409 00:31:52,388 --> 00:31:53,912 frozen in time, 410 00:31:53,955 --> 00:31:55,739 the cover of Benjamin'’s Arcade Project, 411 00:31:55,783 --> 00:31:57,045 but in Mexico. 412 00:31:57,089 --> 00:31:58,742 [indistinct chatter] 413 00:32:00,135 --> 00:32:02,529 There'’s no one like Walter Benjamin. 414 00:32:02,572 --> 00:32:06,576 He'’s unique, original, inexhaustible. 415 00:32:06,620 --> 00:32:08,317 And reading him does me good. 416 00:32:08,361 --> 00:32:10,711 I didn'’t know that the Parisian arcades he describes 417 00:32:10,754 --> 00:32:13,366 are so much like the ones here in Puebla. 418 00:32:13,409 --> 00:32:16,891 But these are tangled, baroque. 419 00:32:16,935 --> 00:32:18,980 Mexico is not the capital of the world 420 00:32:19,024 --> 00:32:20,677 like Paris was in the nineteenth century. 421 00:32:20,721 --> 00:32:22,027 [man shouting indistinctly] 422 00:32:22,070 --> 00:32:23,724 But why would anyone want to live 423 00:32:23,767 --> 00:32:25,508 in the center of the world, anyway? 424 00:32:25,552 --> 00:32:28,642 [♪] 425 00:32:33,255 --> 00:32:34,865 [keys clacking] 426 00:32:34,909 --> 00:32:36,519 [indistinct chatter] 427 00:32:46,965 --> 00:32:49,097 [speaking Spanish] 428 00:32:49,141 --> 00:32:51,578 [Nico] I'’d love to be like Benjamin, hm. 429 00:32:51,621 --> 00:32:55,016 To see the world through these urban surfaces. 430 00:32:55,060 --> 00:32:57,192 Here in Puebla, everything is exposed 431 00:32:57,236 --> 00:33:00,326 and concealed at the same time. 432 00:33:00,369 --> 00:33:04,765 And here, in Mexico City, even more. 433 00:33:04,808 --> 00:33:08,029 In this giant city, there'’s no time for fiction. 434 00:33:08,073 --> 00:33:11,511 Anyone who'’s not wide-awake gets lost, forever. 435 00:33:18,257 --> 00:33:20,433 [speaking Spanish] 436 00:33:25,742 --> 00:33:27,701 [woman speaking Spanish] 437 00:33:28,876 --> 00:33:31,922 [♪] 438 00:33:41,280 --> 00:33:43,717 [Fiona] My children, myself, 439 00:33:43,760 --> 00:33:47,242 are little more than seeds adrift. 440 00:33:47,286 --> 00:33:50,550 My children, swept away by the daily winds, 441 00:33:50,593 --> 00:33:55,555 ask themselves questions whose meaning they've yet to know. 442 00:33:55,598 --> 00:33:59,385 One day, they'’ll stop, and all the travelers you now see, 443 00:33:59,428 --> 00:34:01,822 passing other travelers on foreign soil, 444 00:34:01,865 --> 00:34:05,086 at bus stations, in the streets, 445 00:34:05,130 --> 00:34:08,350 will be the very proof that what hurls us into the world 446 00:34:08,394 --> 00:34:11,440 is what also forces us to endure, to return 447 00:34:11,484 --> 00:34:13,486 to the origin of all things 448 00:34:13,529 --> 00:34:16,315 when my seeds were newly bursting with light, 449 00:34:16,358 --> 00:34:19,187 like a blameless and brilliant gift. 450 00:34:21,885 --> 00:34:24,149 [man on P.A. speaking Spanish] 451 00:34:26,412 --> 00:34:28,849 [Sebastian and worker speaking Spanish] 452 00:34:39,686 --> 00:34:42,428 [man on P.A. speaking Spanish] 453 00:36:24,617 --> 00:36:26,575 [insects chirping] 454 00:36:30,536 --> 00:36:32,059 [door creaks] 455 00:36:35,454 --> 00:36:38,457 [light piano music playing] 456 00:36:46,116 --> 00:36:49,337 [Leam] You bribed him to play my Mexican music, huh? 457 00:36:50,469 --> 00:36:52,775 - [clears throat] Leam. - [Leam laughs] 458 00:36:52,819 --> 00:36:54,647 So, are you a Brit? 459 00:36:55,604 --> 00:36:57,476 Last time, you asked me if I was from Mexico. 460 00:36:57,519 --> 00:36:58,738 [Leam] Yeah. 461 00:36:59,869 --> 00:37:01,610 No, I'’m from Oklahoma. 462 00:37:01,654 --> 00:37:04,787 What I told you was last summer I went to England, for school. 463 00:37:07,007 --> 00:37:08,791 Were you in London? 464 00:37:08,835 --> 00:37:10,880 Uh, yeah, for about a month. 465 00:37:10,924 --> 00:37:13,622 I was, like, drinking a little too much. 466 00:37:13,666 --> 00:37:15,624 Um, why? Why do you ask? 467 00:37:15,668 --> 00:37:16,669 [glass clanks] 468 00:37:16,712 --> 00:37:18,410 [Lloyd] Don'’t ask. 469 00:37:18,453 --> 00:37:21,369 It'’s just a question. Why, Leam? 470 00:37:24,938 --> 00:37:26,113 What? 471 00:37:26,156 --> 00:37:29,159 [dramatic music building] 472 00:37:31,684 --> 00:37:33,903 [piano continues] 473 00:37:34,339 --> 00:37:35,470 [bird chirping] 474 00:37:35,514 --> 00:37:37,472 [Lloyd] In the late sixties... 475 00:37:38,299 --> 00:37:41,346 your dad became totally involved in the movement of the day. 476 00:37:43,348 --> 00:37:48,309 And after the Tlatelolco Massacre in Mexico... 477 00:37:50,398 --> 00:37:53,488 he kept going back, returning to cover 478 00:37:53,532 --> 00:37:56,361 the student protests against the government. 479 00:37:59,668 --> 00:38:01,453 Since he was persecuted here... 480 00:38:01,496 --> 00:38:03,063 [door creaks] 481 00:38:03,106 --> 00:38:05,935 He decided to stay there, in Mexico. 482 00:38:08,982 --> 00:38:12,028 - He was about your age. - I don'’t know-- 483 00:38:12,072 --> 00:38:15,118 [Lloyd] I know you don'’t know much about all this. 484 00:38:15,162 --> 00:38:17,686 Everything your dad, Leam, 485 00:38:17,730 --> 00:38:21,908 struggled for in the sixties and seventies. 486 00:38:21,951 --> 00:38:23,649 [bird chirping] 487 00:38:23,692 --> 00:38:27,130 Everything he wrote as a journalist was brilliant. 488 00:38:27,174 --> 00:38:30,220 [♪] 489 00:38:31,787 --> 00:38:34,399 And look at the world today, Sebastian. 490 00:38:35,051 --> 00:38:40,796 It'’s been real hard for me to witness your dad'’s downfall, 491 00:38:42,668 --> 00:38:44,234 when so much is happening... 492 00:38:44,278 --> 00:38:46,149 [door creaks] 493 00:38:46,193 --> 00:38:48,021 That needs to be analyzed, 494 00:38:48,064 --> 00:38:51,067 contested, 495 00:38:51,111 --> 00:38:52,939 with intelligence. 496 00:38:55,594 --> 00:38:56,856 Look! 497 00:39:05,604 --> 00:39:08,041 [Sebastian chuckles] What's this catnip stuff? 498 00:39:08,084 --> 00:39:10,391 [Lloyd] Ah, the catnip stuff. 499 00:39:10,435 --> 00:39:13,176 [chuckles] It may sound funny. 500 00:39:13,220 --> 00:39:15,483 Even catnip was an issue. 501 00:39:18,573 --> 00:39:23,535 But you know, after he met your mom, 502 00:39:23,578 --> 00:39:26,102 your mother, 503 00:39:26,146 --> 00:39:28,278 their activism became stronger. 504 00:39:28,322 --> 00:39:30,455 She was even tougher. 505 00:39:30,498 --> 00:39:33,501 Fiona...incredible woman. 506 00:39:33,545 --> 00:39:36,199 A short time after you were born in Mexico, 507 00:39:36,243 --> 00:39:38,245 you and your brother, Nico, 508 00:39:39,246 --> 00:39:40,987 she was kidnapped. 509 00:39:41,030 --> 00:39:43,381 [Sebastian] How--how come my dad never told me about this? 510 00:39:43,424 --> 00:39:45,383 Why are you telling me this? 511 00:39:48,168 --> 00:39:49,735 [door creaks] 512 00:39:49,778 --> 00:39:52,999 'Cause there has been too much silence. 513 00:39:54,174 --> 00:39:56,916 We'’ve been quiet for too long. 514 00:40:03,226 --> 00:40:05,098 When y'’all came back from Mexico in... 515 00:40:05,141 --> 00:40:08,188 '98. That'’s when Mom was pregnant with Rose. 516 00:40:08,231 --> 00:40:10,582 In nine--yeah, that'’d be right. 517 00:40:11,800 --> 00:40:14,803 The nineties were difficult. Very difficult in Mexico. 518 00:40:14,847 --> 00:40:16,588 They had no money, 519 00:40:19,025 --> 00:40:23,508 but at least they had a house here--here in Oklahoma. 520 00:40:25,988 --> 00:40:28,600 And when they came back, 521 00:40:28,643 --> 00:40:30,950 everything seemed so great. 522 00:40:30,993 --> 00:40:32,995 [door creaks] 523 00:40:34,214 --> 00:40:37,260 You know, your brother, Nico... 524 00:40:37,304 --> 00:40:39,872 he loved that house, 525 00:40:39,915 --> 00:40:42,004 more so than you. 526 00:40:42,048 --> 00:40:43,832 Your dad... 527 00:40:43,876 --> 00:40:46,444 [♪] 528 00:40:46,487 --> 00:40:50,056 Seems him and little Nico were like--like this, you know? 529 00:40:51,623 --> 00:40:53,842 They were always playing at writing stories 530 00:40:53,886 --> 00:40:55,975 for the newspapers up in the attic. 531 00:40:57,455 --> 00:40:58,978 Remember? 532 00:40:59,021 --> 00:41:00,370 [Sebastian] No. 533 00:41:01,850 --> 00:41:04,853 But your parents would not stop, 534 00:41:04,897 --> 00:41:07,290 and vicious people are everywhere. 535 00:41:08,727 --> 00:41:10,990 Leam, Fiona... 536 00:41:11,947 --> 00:41:14,994 did not have a chance in Mexico, or even here. 537 00:41:15,037 --> 00:41:16,517 Why didn'’t she take me? 538 00:41:16,561 --> 00:41:19,128 Why did she only take Rose and Nico? 539 00:41:19,172 --> 00:41:22,523 She did take Nico, Sebastian... 540 00:41:24,394 --> 00:41:27,093 but she didn'’t take Rose. 541 00:41:30,444 --> 00:41:33,360 They came back from Mexico 542 00:41:33,403 --> 00:41:35,754 because of that house. 543 00:41:37,886 --> 00:41:39,366 That house! 544 00:41:39,409 --> 00:41:40,715 [tense music] 545 00:41:40,759 --> 00:41:41,716 What!? 546 00:41:41,760 --> 00:41:43,805 - [pop] - [screaming] 547 00:41:43,849 --> 00:41:46,155 [sirens wailing] 548 00:41:46,199 --> 00:41:48,723 [♪] 549 00:41:48,767 --> 00:41:51,160 [rain pattering] 550 00:41:51,204 --> 00:41:54,555 [newscaster] It happened on 321 Walnut Rd., in Ava. 551 00:41:54,599 --> 00:41:57,776 The victim has been identified as 2-year old Rose Gaertner. 552 00:41:57,819 --> 00:42:00,169 Around 6 a.m., police responded to a call 553 00:42:00,213 --> 00:42:02,650 of people screaming outside the Gaertner's home. 554 00:42:02,694 --> 00:42:04,130 When officers got to the scene, 555 00:42:04,173 --> 00:42:06,436 they found Rose lying on the sidewalk. 556 00:42:06,480 --> 00:42:08,438 She died at the scene. 557 00:42:08,482 --> 00:42:10,266 ...identified as 2-year old Rose Gaertner... 558 00:42:10,310 --> 00:42:12,312 [overlapping] Screaming outside--she died at the scene. 559 00:42:12,355 --> 00:42:13,748 The girl's parents have stated 560 00:42:13,792 --> 00:42:15,228 they were the target of the assault. 561 00:42:15,271 --> 00:42:16,621 They fear the lack of evidence-- 562 00:42:16,664 --> 00:42:17,883 the lack of evidence in the crime... 563 00:42:17,926 --> 00:42:20,973 [♪] 564 00:42:42,342 --> 00:42:44,170 [bells clanging] 565 00:42:44,213 --> 00:42:45,954 [choral singing] 566 00:42:45,998 --> 00:42:49,088 [rain pattering] 567 00:43:22,382 --> 00:43:25,428 [dramatic music building] 568 00:43:27,909 --> 00:43:29,607 [door creaks] 569 00:43:29,650 --> 00:43:31,913 [birds twittering] 570 00:43:41,793 --> 00:43:44,796 [choral singing continues] 571 00:43:53,761 --> 00:43:56,242 [no audible dialogue] 572 00:44:08,733 --> 00:44:11,518 [woman on radio speaking Spanish] 573 00:44:25,314 --> 00:44:27,665 [man on radio speaking Spanish] 574 00:44:31,538 --> 00:44:34,367 [man 2 on radio speaking Spanish] 575 00:44:34,410 --> 00:44:37,196 [woman on radio speaking Spanish] 576 00:44:52,907 --> 00:44:55,170 [man on radio speaking Spanish] 577 00:45:01,394 --> 00:45:04,440 [♪] 578 00:45:10,751 --> 00:45:11,752 [bell chimes] 579 00:45:11,796 --> 00:45:13,449 [indistinct shouting] 580 00:45:24,243 --> 00:45:26,724 [indistinct chatter] 581 00:45:43,305 --> 00:45:44,698 [man laughs] 582 00:45:50,182 --> 00:45:53,228 [♪] 583 00:46:12,900 --> 00:46:15,990 [bells chiming ominously] 584 00:46:19,864 --> 00:46:22,083 [indistinct chatter continues] 585 00:46:23,432 --> 00:46:26,087 [train rumbling, creaking] 586 00:46:26,784 --> 00:46:29,787 [♪] 587 00:46:39,927 --> 00:46:41,799 [train chirps] 588 00:46:48,675 --> 00:46:51,547 [train chirps] 589 00:46:57,466 --> 00:46:59,860 [indistinct chatter continues] 590 00:47:13,961 --> 00:47:16,529 [choral singing resumes] 591 00:47:29,237 --> 00:47:30,456 [brakes screech] 592 00:47:31,500 --> 00:47:34,547 [♪] 593 00:47:42,250 --> 00:47:43,861 [brakes screech] 594 00:47:46,689 --> 00:47:48,430 [train chirps] 595 00:47:59,441 --> 00:48:01,487 [trains squeals, hisses] 596 00:48:04,359 --> 00:48:07,014 [indistinct chatter continues] 597 00:48:09,408 --> 00:48:12,367 [bell chiming] 598 00:48:21,463 --> 00:48:24,510 [♪] 599 00:48:30,168 --> 00:48:31,909 [horn blares] 600 00:48:39,960 --> 00:48:41,919 [driver speaking Spanish] 601 00:48:45,574 --> 00:48:47,272 [horn blares] 602 00:49:38,671 --> 00:49:40,151 [Fernando laughs] 603 00:50:20,626 --> 00:50:21,975 [car horn chirps] 604 00:50:22,019 --> 00:50:24,978 [both speaking Spanish] 605 00:50:27,850 --> 00:50:30,897 [♪] 606 00:50:49,655 --> 00:50:51,135 [Nico speaking Spanish] 607 00:51:40,358 --> 00:51:42,360 [cars passing] 608 00:51:45,102 --> 00:51:46,886 [both speaking Spanish] 609 00:52:23,966 --> 00:52:26,143 [camera shutter clicking] 610 00:52:26,186 --> 00:52:29,189 [♪] 611 00:52:35,674 --> 00:52:38,067 [train rumbling] 612 00:52:38,111 --> 00:52:39,243 [Paige] Hello? 613 00:52:39,286 --> 00:52:40,505 Hey. 614 00:52:40,548 --> 00:52:42,507 I got kicked out of Joint Visions. 615 00:52:42,550 --> 00:52:43,638 [Paige] Okay. 616 00:52:43,682 --> 00:52:45,205 [laughs] Yeah. 617 00:52:45,249 --> 00:52:46,902 But I know what I'm gonna do. I know the city. 618 00:52:46,946 --> 00:52:48,513 I'’ve been walking around. I'’ve been watching him. 619 00:52:48,556 --> 00:52:50,341 He hangs out with this group that looks like 620 00:52:50,384 --> 00:52:54,780 a modern fucking version of the Jack Kerouac-Neil Cassidy gang. 621 00:52:54,823 --> 00:52:57,652 They do some kind of activism or something. 622 00:52:57,696 --> 00:52:58,914 I think he saw me. 623 00:53:00,742 --> 00:53:02,875 - Hello? - [Paige] It'’s fine, Sebastian. 624 00:53:02,918 --> 00:53:04,703 Just do whatever you have to do. 625 00:53:04,746 --> 00:53:06,357 I'’ll talk to you soon, okay? 626 00:53:08,315 --> 00:53:10,491 [phone ringing] 627 00:53:10,535 --> 00:53:12,014 Hey, guys. This is Paige. 628 00:53:12,058 --> 00:53:13,146 Leave a message, and I'’ll get back 629 00:53:13,190 --> 00:53:14,539 with you as soon as I can. 630 00:53:16,410 --> 00:53:18,456 Hey guys, this is Paige. 631 00:53:18,499 --> 00:53:20,240 Leave a message and I'’ll get back with you as soon as I-- 632 00:53:20,284 --> 00:53:23,069 It'’s fine, Sebastian, just do whatever you have to do. 633 00:53:23,112 --> 00:53:24,418 I'’ll talk to you soon, okay? 634 00:53:24,462 --> 00:53:26,464 Hey, guys. This is Paige. 635 00:53:26,507 --> 00:53:28,292 Leave a message and I'’ll get back with you as soon as I-- 636 00:53:28,335 --> 00:53:30,119 It'’s fine, Sebastian; just do whatever you have to do. 637 00:53:30,163 --> 00:53:31,773 ♪ Just borders ♪ 638 00:53:31,817 --> 00:53:33,471 [crowd chattering] 639 00:53:33,514 --> 00:53:37,692 ♪ Hold you apart 640 00:53:37,736 --> 00:53:41,479 ♪ And I feel uneasiness ♪ 641 00:53:41,522 --> 00:53:45,222 ♪ In my heart 642 00:53:45,265 --> 00:53:47,702 ♪ And it hurts 643 00:53:49,487 --> 00:53:53,882 ♪ Hurts to breathe 644 00:53:53,926 --> 00:53:57,582 ♪ When you don'’t know What it'’ll be ♪ 645 00:53:57,625 --> 00:54:02,326 ♪ It was such A long way to here ♪ 646 00:54:02,369 --> 00:54:08,245 ♪ So close yet so far 647 00:54:10,551 --> 00:54:14,903 ♪ Raised by a different light 648 00:54:14,947 --> 00:54:18,385 ♪ Lived a different life 649 00:54:18,429 --> 00:54:24,304 ♪ Long years burned a scar 650 00:54:25,958 --> 00:54:29,701 ♪ Will it ever feel alright? 651 00:54:29,744 --> 00:54:33,661 ♪ And I feel uneasiness 652 00:54:33,705 --> 00:54:37,317 ♪ And I feel uneasiness... 653 00:54:37,361 --> 00:54:40,102 [crowd chattering loudly] 654 00:54:45,847 --> 00:54:47,371 [no audible dialogue] 655 00:54:47,414 --> 00:54:50,417 [tense music] 656 00:55:04,866 --> 00:55:06,085 This is awkward. 657 00:55:08,217 --> 00:55:09,349 Read this. 658 00:55:11,830 --> 00:55:14,659 [Sebastian] ...instead, Ava, our Oklahoma town, 659 00:55:14,702 --> 00:55:18,619 is very, let'’s say, lonely. 660 00:55:18,663 --> 00:55:21,230 In Ava, you don'’t see many people walking, 661 00:55:21,274 --> 00:55:24,233 except those loners that traverse endless pathways 662 00:55:24,277 --> 00:55:26,105 seemingly going from one fast food... 663 00:55:26,148 --> 00:55:27,715 ...one of those people that hits those bars 664 00:55:27,759 --> 00:55:30,152 during the day is our father, Leam. 665 00:55:30,196 --> 00:55:33,808 I really can'’t do this right now, okay? 666 00:55:34,461 --> 00:55:36,115 Maybe later. 667 00:55:36,158 --> 00:55:37,334 Okay. 668 00:55:37,943 --> 00:55:40,467 [♪] 669 00:55:40,511 --> 00:55:42,774 [Sebastian] I think, though, that, after all, 670 00:55:42,817 --> 00:55:44,471 my friends might be right when they say 671 00:55:44,515 --> 00:55:46,647 that the US is a better place than Mexico 672 00:55:46,691 --> 00:55:49,389 with all that violence, and narcos, and... 673 00:55:49,433 --> 00:55:51,696 but again, what consolation is that? 674 00:55:51,739 --> 00:55:54,263 Ava is a sad little town that cannot grow 675 00:55:54,307 --> 00:55:56,483 because of the backwardness of its people. 676 00:55:56,527 --> 00:55:58,311 My own backwardness has kept me here. 677 00:55:58,355 --> 00:55:59,834 [bird screeches] 678 00:56:01,445 --> 00:56:03,751 And Dad'’s contempt towards me 679 00:56:03,795 --> 00:56:06,450 is no more than his unbearable pain. 680 00:56:06,493 --> 00:56:08,582 I am just there to pick up the pieces. 681 00:56:08,626 --> 00:56:10,018 [bird screeches] 682 00:56:10,062 --> 00:56:11,106 [ominous wailing] 683 00:56:11,150 --> 00:56:12,499 [rain pattering] 684 00:56:12,543 --> 00:56:14,196 [thunder rumbles] 685 00:56:17,025 --> 00:56:20,638 [Fiona] In the end, our faces are reflected in a mirror 686 00:56:20,681 --> 00:56:24,250 covered in a dust that the rain cannot cleanse. 687 00:56:24,293 --> 00:56:27,601 A mirror like the one I see in this tidy and clean cell. 688 00:56:27,645 --> 00:56:30,822 [rain pattering, thunder rumbling] 689 00:56:31,910 --> 00:56:34,129 [choral singing resumes] 690 00:56:42,964 --> 00:56:46,011 [♪] 691 00:57:05,073 --> 00:57:07,424 [choral singing re-enters] 692 00:57:12,516 --> 00:57:15,040 [floorboards creaking] 693 00:57:21,307 --> 00:57:24,353 [♪] 694 00:57:32,187 --> 00:57:34,451 [keys clacking] 695 00:58:15,927 --> 00:58:18,973 [♪] 696 00:58:19,887 --> 00:58:22,673 [birds chirping] 697 00:58:31,856 --> 00:58:34,249 [train bell ringing, rumbles] 698 00:58:39,690 --> 00:58:42,040 [brakes screeching] 699 00:58:46,131 --> 00:58:48,655 [birds chirping] 700 00:58:55,793 --> 00:58:57,185 [dog barks] 701 00:59:03,844 --> 00:59:06,455 [birds continue chirping] 702 00:59:08,849 --> 00:59:11,156 [leaves rustling] 703 00:59:19,207 --> 00:59:21,906 [wind chimes twinkling] 704 00:59:21,949 --> 00:59:24,996 [♪] 705 00:59:29,348 --> 00:59:32,177 [rhythmic pulsing] 706 00:59:36,573 --> 00:59:38,313 [leaves rustling] 707 00:59:50,674 --> 00:59:52,023 [door creaks] 708 00:59:53,111 --> 00:59:56,157 [♪] 709 01:00:01,075 --> 01:00:03,164 [dog barking] 710 01:00:10,432 --> 01:00:13,435 [sentimental music begins softly] 711 01:00:25,230 --> 01:00:28,102 [bird cawing, wind chimes twinkling] 712 01:00:33,891 --> 01:00:36,676 [rhythmic pulsing] 713 01:00:53,737 --> 01:00:56,740 [♪] 714 01:01:32,645 --> 01:01:35,692 [♪] 715 01:01:58,410 --> 01:02:00,978 [birds chirping, wind chimes twinkling] 716 01:02:08,855 --> 01:02:10,944 [pilot] Welcome to skylines, flight 382 717 01:02:10,988 --> 01:02:12,641 to London Heathrow today. 718 01:02:12,685 --> 01:02:14,948 Welcome on board. Lovely to have you with us. 719 01:02:14,992 --> 01:02:16,689 As we leave towards the east this... 720 01:02:16,733 --> 01:02:18,343 [Nico] Dear, brother... 721 01:02:18,386 --> 01:02:19,910 Now, crossing the Atlantic, 722 01:02:19,953 --> 01:02:21,346 I can finally answer you, 723 01:02:21,389 --> 01:02:23,174 at least in my head, 724 01:02:23,217 --> 01:02:25,742 but with a sense that you can hear me. 725 01:02:25,785 --> 01:02:27,613 Images cloud my mind 726 01:02:27,656 --> 01:02:31,573 while that little Oklahoma town, Ava, appears in flashes. 727 01:02:31,617 --> 01:02:33,750 The reds and oranges are what I see the most. 728 01:02:36,665 --> 01:02:38,755 [Leam laughs] 729 01:02:42,236 --> 01:02:44,369 [Leam laughs] 730 01:02:46,545 --> 01:02:47,894 [pilot] So we anticipate pushing back 731 01:02:47,938 --> 01:02:50,288 a few minutes ahead of schedule. 732 01:02:50,331 --> 01:02:52,986 The cabin crew will demonstrate the safety equipment procedures 733 01:02:53,030 --> 01:02:55,206 of this aircraft, and we ask you to... 734 01:02:55,249 --> 01:02:57,686 [Nico] Now, crossing the Atlantic, I think of the wall 735 01:02:57,730 --> 01:03:00,385 that's someday meant to divide Mexico and the US. 736 01:03:00,428 --> 01:03:03,562 What a--hm--deplorable idea, 737 01:03:03,605 --> 01:03:07,784 but of course, not surprising. 738 01:03:07,827 --> 01:03:11,004 I'’m glad you came to Mexico, Sebastián. 739 01:03:11,048 --> 01:03:13,615 I'’m glad you saw a little of the place where you were born, 740 01:03:13,659 --> 01:03:16,227 although you came to save me, I know. 741 01:03:16,270 --> 01:03:18,403 Smart move. 742 01:03:18,446 --> 01:03:21,406 I'’m glad you didn't just send me a text, dear brother. 743 01:03:21,449 --> 01:03:23,451 And that your girlfriend understood, 744 01:03:23,495 --> 01:03:24,801 that she didn't give up. 745 01:03:51,871 --> 01:03:53,873 [♪] 746 01:03:53,917 --> 01:03:56,963 Violence can disrupt your life without even touching you, 747 01:03:57,007 --> 01:03:59,139 like the spinning winds of a tornado. 748 01:03:59,183 --> 01:04:00,880 While Monica heard horror stories 749 01:04:00,924 --> 01:04:02,969 about the brutality of Pinochet in her attic, 750 01:04:03,013 --> 01:04:04,884 in another attic, I invented stories 751 01:04:04,928 --> 01:04:07,104 with my father and Lloyd. 752 01:04:07,147 --> 01:04:08,845 Remember Lloyd?" 753 01:04:08,888 --> 01:04:10,672 [Lloyd] They were always playing at writing stories 754 01:04:10,716 --> 01:04:13,023 for the newspapers up in the attic. 755 01:04:13,066 --> 01:04:14,546 Remember? 756 01:04:16,635 --> 01:04:18,419 [Nico] It was like a game, not knowing 757 01:04:18,463 --> 01:04:20,204 that something devastating was coming our way. 758 01:04:21,553 --> 01:04:23,207 Seeing you has made me think again 759 01:04:23,250 --> 01:04:25,078 about the Tlatelolco Massacre, 760 01:04:25,122 --> 01:04:26,993 which our father reported, 761 01:04:27,037 --> 01:04:28,516 and the Oklahoma City bombing, 762 01:04:28,560 --> 01:04:30,475 which is somehow part of our own story. 763 01:04:30,518 --> 01:04:32,869 [newscaster] ... Believe that a 1,200-pound car-bomb is what 764 01:04:32,912 --> 01:04:36,046 ripped through the nine-story building shortly after 9:00 this morning. 765 01:04:36,089 --> 01:04:38,048 - Many of the victims... - [Nico] And years later, 766 01:04:38,091 --> 01:04:41,007 even dad'’s favorite bar in Ava burned down. 767 01:04:41,051 --> 01:04:43,053 - Hm. [newscaster] On Tuesday of last week, 768 01:04:43,096 --> 01:04:45,142 a lightning strike and the fire that followed... 769 01:04:45,185 --> 01:04:47,709 ...gutted Leam Gaertner'’s "happy place." 770 01:04:47,753 --> 01:04:51,496 Fire grew fast in this beloved bar of Ava with very little time to... 771 01:04:51,539 --> 01:04:52,976 [♪] 772 01:04:53,019 --> 01:04:54,716 [Nico] And thinking about our mother, 773 01:04:54,760 --> 01:04:56,675 put away in London for as long as I can remember, 774 01:04:56,718 --> 01:05:00,461 I think of what Tomás Eloy Martínez once said: 775 01:05:00,505 --> 01:05:03,160 'When we read that there were one hundred thousand victims 776 01:05:03,203 --> 01:05:05,162 'in a tsunami in Bangladesh, 777 01:05:05,205 --> 01:05:09,470 'the data shocks us, but it does not move us. 778 01:05:09,514 --> 01:05:11,908 'If we read, instead, the tragedy of a woman 779 01:05:11,951 --> 01:05:15,346 'who has been left alone in the world after a tsunami 780 01:05:15,389 --> 01:05:18,566 'and we followed step-by-step the history of her losses, 781 01:05:18,610 --> 01:05:21,656 'we'’d know everything there is to know about that tsunami 782 01:05:21,700 --> 01:05:23,702 'and all there is to know about chance 783 01:05:23,745 --> 01:05:26,923 'and about involuntary and sudden misfortunes.' 784 01:05:35,366 --> 01:05:39,065 Your road trip brought all of this to me, dear brother. 785 01:05:39,109 --> 01:05:42,286 It reminded me of the good life we had in Oklahoma. 786 01:05:43,026 --> 01:05:45,724 [keys clacking] 787 01:05:53,906 --> 01:05:56,604 But there are millions of other stories out there. 788 01:05:56,648 --> 01:05:58,824 Where did the 21st century go wrong? 789 01:05:58,867 --> 01:06:02,480 The planet is full of dictators, liars, weapons, 790 01:06:02,523 --> 01:06:04,134 and yet we cling to the illusion 791 01:06:04,177 --> 01:06:06,005 that we are moving forward. 792 01:06:06,049 --> 01:06:07,659 That'’s why I read Walter Benjamin. 793 01:06:07,702 --> 01:06:09,487 I don'’t believe in that progress either, 794 01:06:09,530 --> 01:06:12,011 especially when I walk, looking around obsessively, 795 01:06:12,055 --> 01:06:15,145 trying to understand... something. 796 01:06:15,188 --> 01:06:18,278 That'’s what drove Mónica away, I'’m sure. 797 01:06:18,322 --> 01:06:20,019 Maybe as I try to write, 798 01:06:20,063 --> 01:06:22,195 a nuclear bomb is crossing the Atlantic. 799 01:06:22,239 --> 01:06:24,241 Maybe, right now, as I walk, 800 01:06:24,284 --> 01:06:26,373 the world is turning into a mushroom cloud 801 01:06:26,417 --> 01:06:29,768 in which we all burn like delicate autumn leaves, 802 01:06:29,811 --> 01:06:31,422 slowly growing dark 803 01:06:31,465 --> 01:06:36,253 and turning into fragile, gray, absurd ashes. 804 01:06:36,296 --> 01:06:39,299 [♪] 805 01:07:24,214 --> 01:07:26,390 [wind whistling] 806 01:07:26,433 --> 01:07:29,480 [♪] 807 01:07:42,188 --> 01:07:45,191 [♪] 63064

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