All language subtitles for Gomer Pyle U S M C S05E06 All You Need is One Good Break 1080p BluRay FLAC2 0 H 264-BTN_track5_[eng]

[marching band plays]

[male announcer] Gomer Pyle - USMC.

Starring Jim Nabors as Gomer Pyle.

Also starring Frank Sutton
as Sergeant Carter.

Slater... what's that?

Oh.

Shaving cream. I was down at the PX
and I picked up a couple of things

to take with us on our trip to Hollywood.

After all, might as well take advantage
of PX prices, Sarge.

No, no, no. What's this?

Oh. These are dark glasses.

I understand the sun
is very bright in Hollywood.

I mean, the glare is very bad for you.
You can burn your retina by...

Knock it off, Slater.

Boy, leave it to you to be
the first one to go Hollywood.

Hollywood? What do you mean, Sarge?

The movie stars wear dark glasses,

- so you got to wear dark glasses.
- Oh, no, Sarge.

I've got very sensitive pupils.

Hollywood, Hollywood.

You've gone Hollywood
and we ain't even there yet.

Look, Slater.
We're going there on an assignment.

Not to play around.
This movie is just another job.

Now go finish your packing.

And take them dumb things
off your sensitive pupils.

Right, Sarge.

Ah, look, Slater.

Why don't you go in the back
and get some DD-224s.

- You're going to need a lot of them.
- Right, Sarge.

- Here they are, Sarge.
- That isn't nearly enough.

You're going to need twice that many.

Right, Sarge.

[Gomer] Sergeant Carter?

- What is it, Pyle?
- I just wanted to show you something

I'm taking along on the trip.

What's that?

It's my autograph book.

And I sure do hope
to add some illustrious names

to the ones I've already got in there.

Swell.

You want to see some of the
illustrious names I've got in here?

- No.
- I've really got some good ones.

Look. Minnie Pearl.

Tex Ritter.

Lynton Johnson.

The president?

No, not Lyndon.

Lynton, with a T.

Who's he?

Well, you know that ice-skating show
that travels around the country,

- The Ice Show?
- Yeah.

Well, they was through my hometown
about seven years ago.

So who's Lynton Johnson?

Well he's the feller
that sharpens everybody's skates.

He let me watch him do it once.

Did you ever see a skate sharpener
at work, Sergeant?

Golly, the sparks just fly.

Pyle, knock it off.
Are you all packed and ready to go?

Yes, sir, I sure am.

Do you know whose autograph
I hope to get more than anybody else's?

Lon Chaney Jr.'s.

- Lon Chaney Jr.?
- Mm-hmm.

He's my favorite actor.
I've seen all of his pictures.

The WOLFMAN. The Ape Man.

The Return of the WOLFMAN.

- The Return of the Ape Man...
- Look, Pyle.

This ain't gonna be a vacation.
It's gonna be a lot of hard work.

So there won't be time
for autograph hunting. You got that?

Well, yeah, Sergeant, but...

Now, are the men all packed
and ready to move out?

- Yes, Sergeant.
- Okay. Get back to the barracks.

Slater, go get them loaded up.

Right, Sergeant.

You know something? I think I'd rather
watch a skate sharpener than a barber.

All right you men, wait here.

Sergeant Carter and party, United States
Marine Corps, Camp Henderson.

If you want to take the studio tour,
that's gate three.

No, no, no. We don't want to take a tour.
We're working here.

Oh, extras, huh?

- Gate six.
- No, we're not extras.

We're Marines working on a picture.

Eh, maybe you didn't hear me.
Sergeant Carter, Camp Henderson.

We got an appointment to see
John Fenton, the producer.

Oh, well, why didn't you just say so
in the first place?

Well, wait a minute here. Let me see.

Oh, yeah, here it is.

Sergeant Carter, United States
Marine Corps, from Camp Henderson.

- Hey, that's you.
- I told you that.

Well, you got to speak up.
I'm not a mind-reader.

All right, all right.

- Now, where do we go?
- Ah, just a minute now. Don't rush me.

There's more here.

Mr. Fenton is in conference.
He'll meet you at 2:00.

He says for you to have lunch
in the commissary.

Okay. Where is the commissary?

You're working on a picture,
you don't know where the commissary is?

How long you been on this lot?

We just got here.

Why didn't you say so?
Boy, for a sergeant you sure are quiet.

Now, look, you go down here to stage 12

and you turn to your left
and it's right there.

Stage 12 and to my left.

Thanks.

All right, you people. Follow me.

Actors!

They're so dumb.

I'm glad I gave it up.

[Marines murmuring]

All right, you people. Listen up.

Now, we're here on business.
Your business is to eat and get out.

I don't want to see no gawking,
loitering or fooling around.

You're Marines. So act like Marines.

Sergeant, we going to all try
and sit together?

Huh? What did you say, Pyle?

I said, we going to all try
and sit together?

Uh, oh, no.

Why don't we split up?

Everybody for himself.
Just grab a chair anywhere.

We've got to get out of here by two.

- It's a shame to have to separate.
- Go, go.

Hi there. Is this seat taken?

- No.
- Mind if I sit down?

Of course not.

[Carter chuckles]

Hi there. Is this seat taken?

You mind if I sit down?

No.

Thank you.

You're in pictures, huh?

I'm going to be making a movie here.

Me and my men.

I'm Sergeant Vincent Carter,
United States Marine Corps.

My friends call me Vince.

What do your friends call you?

Married.

Having trouble finding a seat?

Yes, ma'am. My buddies found a table,
but it wasn't big enough for all of us.

Well, you're welcome to sit here.
I'm alone.

Oh, well, thank you.

Candice Watson. You're Candice Watson.

No. I wish I were.

Well, you look just like her.

I know. I'm doubling for her today.

I'm a stunt girl.

Go-o-Olly!

You don't say! A stunt girl.

- What's your name?
- Linda Farrell.

Well, I'm Private First Class Gomer Pyle.

I once read all about stunt girls
in Modern Movie Magazine.

Sounds like a really exciting profession,
but dangerous.

I read where this one stunt girl
got run over in a buffalo stampede.

And to this day she's got a hoof print
right in the middle of her face.

That's why I hope this job
is just temporary.

I'm just doing this until I get a chance
to break in as an actress.

Well, I sure wish you a lot of luck.

Thank you.
Now tell me something about yourself.

Miss, mind if I join you?

I hope to do a lot of sightseeing
while I'm here making this picture.

Do you know where the wax museum is?

I'm just dying to see Buster Crabbe
in wax.

Well, Gomer, if you'd like,
I'd be happy to show you around town.

Golly! That's real friendly of you.

How about later this afternoon?
I'll be through shooting at four.

Well, fine.

Hey, you know what else I'd like to do?

Do you suppose we could drive by the house
where Lon Chaney Jr. was born?

I bet I've seen every picture that Lon
Chaney Jr. has made in his whole life.

Pyle.

Why, hey, Sergeant. You eaten already?

Eh, no, uh...

I'm having a little trouble
finding a seat.

Oh. Would you like to eat with us?
This is Miss Farrell.

- Hi.
- Hello there.

- Here's a chair back here.
- Hmm? Oh, yeah.

My friends call me Vince.

What do your friends call you?

I still can't get over it.

A dainty little girl like you
doing stunts.

I guess
you just handle the easy ones, huh?

No. They throw some pretty rough stuff
at me sometimes.

Yeah? What kind of stuff do you do?

Well, this picture I'm in right now
is a spy thriller.

- I do a lot of judo.
- You don't!

- Well, ain't that something.
- Judo?

You? This I gotta see.

- Show me some of your stuff.
- No, no, I couldn't.

No, come on, I'm curious.
You know, that's my racket, judo.

Come on. You can use me to demonstrate.

No, I don't think so.

Nah, nah. Don't be bashful.
Let me see how you work.

All right, but we'd better
get over to this grassy area

- where it's softer.
- Sure, sure.

Okay. Now, where do you want me to stand?

- Right about there.
- Okay.

- Now, let's pretend you're coming at me.
- Okay.

I'm going to get you!

[Carter chuckles]

Oww!

You all right, Sergeant?

[grunts] Yeah, yeah.

She threw you as if you weighed
no more than a sack of feathers.

Yeah, well.
You're lucky there wasn't two of us.

What?

Well, you were leaving yourself wide open

in case there was somebody
coming up from behind you.

You always got to be ready
for that too, you know.

- How?
- Well, if you're really interested,

you use the same principle of leverage.

But you use your hips
when you grab the arm, like this.

Uh! Huh?

- [Carter grunts]
- Oh, I see. Can I try it?

Sure.

Like this?

Yeah. Only, eh, you got your head down.

You got to keep your head up

in case there's somebody
coming from your blind side.

Oh. That didn't occur to me.

Yeah, well,
you ain't a trained jungle fighter.

No. Well, I better
get back to the set now.

- Thanks for the lesson, Sergeant.
- Sure.

Hey!

Maybe I can give you some private lessons.
Are you busy later?

Well, I already promised Gomer
I'd show him the town this afternoon.

Oh, yeah. I understand.
Two's company, three's a crowd.

So, Pyle, why don't you go see
the town by yourself?

Uh, no. I made a promise to Gomer
and I'm going to keep it.

Okay, okay.
We'll show him the town together.

Gomer, why don't we meet
out at the main gate at 4:00?

That'll be fine.

And we can decide later
the places we want to see.

Right. We can decide that later.

Thank you very much, Miss Farrell.

- Linda.
- Linda.

See you later, guys.

Pyle, do me a favor.

- Don't get in the way.
- Huh?

That's all I'm going to tell you.

Don't get in the way.

[inaudible]

[inaudible]

[inaudible]

[inaudible]

[inaudible]

[inaudible]

[inaudible]

Eh, Pyle.

Could I talk to you for a minute?

- Excuse us?
- Okay.

Look, Pyle. It's time to take Linda home.

And there's no point
in both of us doing it.

I know you must be real tired
after all the sightseeing.

Well, no, Sergeant. Not a bit.
I'm wide awake as can be.

Uh, no, Pyle. You're sleepy
and you ought to hit the sack.

- But really I'm not, Sergeant.
- No, Pyle.

You're sleepy, you understand?
Now, if you're too dumb

to know when you're sleepy
and when you're not sleepy, I'll tell you.

You're sleepy
and you're going back to the hotel.

Hey, sweetheart. You alone tonight?

No. I'm not.

- You look lonely.
- Now, look, fellas...

Well, all right, Sergeant, if you...

- Look, Sergeant!
- Hey!

Come here, baby. [groans]

Hey. What's going on here?

Grab that guy, Pyle.

[crowd chattering]

[Carter] Hold on to him, Pyle.

All right. Hold it, hold it.

- Okay. What's going on?
- We don't know.

A couple of wise guys, they tried
to get fresh with our friend here.

Art, get them in the car.

Boy, oh, boy.

[crowd chattering]

- Can I have your name and address, Miss?
- Linda Farrell, Sunset Apartments.

Linda Farrell, Sunset Apartments.

- Hey, what happened, lady?
- All right, everybody.

Move along, now. Come over here, fellas.

- Can I have your names?
- Sure.

I'm Sergeant Carter. This is Private Pyle.

Carter. Pyle.

We're staying at the Circle Hotel.

We're here in Hollywood
to make a Marine movie.

These kinds of guys are always a problem.

Takes a couple of Marines
to know how to handle them.

Well, we don't deserve any credit.
All we did was...

Yeah, all you did
was what any two normal guys

would do when a girl is being
bothered by a couple of creeps, huh?

- Really, Officer, we didn't do nothing.
- No need to be modest, Private.

Believe me, Officer, we didn't do a thing.

Yeah, sure.

Just like you didn't do anything
at Iwo Jima.

You did something today that
should have been done a long time ago.

Nice going, fellas.

But he thinks we did it, Sarge.
We should have told him.

I tried to tell him, Pyle. You heard me.

- But Sergeant...
- He wouldn't stand and listen.

What did you expect me to do?
Now just forget it.

- [knocking at door]
- Come in.

Good morning, Sergeant.

- Uh, Sergeant?
- You had your breakfast?

Yes sir. Sergeant...

- The other men ready downstairs?
- Yes, sir.

- Sergeant Carter?
- What is it, Pyle?

Well it's this newspaper here.

There's a story in it
about what happened last night.

Huh. Let me see that.

What does it say?

Well, it tells about
how we're some kind of heroes

for apprehending two vicious criminals.

Yeah. So I see.

And how Miss Linda was real lucky
to have us there to protect her.

And how we we're a credit
to the Marine Corps.

I can read, Pyle, I can read.

But Sergeant,
we didn't do any of those things.

I was there, Pyle. Remember?

I know, Sergeant.
But it's still not the truth.

- What are we going to do?
- Do? About what?

Well, about this article.
We ought to call them and tell them.

You want to tell them that a little girl
about that high did our fighting for us?

Two Marines?
That's a credit to the Corps, huh?

And what about that cop?
You want to make a liar out of him?

- He just didn't understand is all.
- You were there, Pyle.

You heard me try to tell him.
Now, a man can only do so much.

Now, that's it. It's over.
Finished. Done with. So forget it.

- [phone rings]
- Get that, will you?

Hello?

Yes, ma'am. He's right here.

Who?

Yes, ma'am.

It's David Farnham.
He wants to talk to you.

- Who?
- David Farnham.

He has that TV interview show.

I wonder what he wants.

Hello?

Hello, Mr. Farnham.

I'm fine, thank you.

Yes, sir. You heard right.

We're here making a Marine movie.
Leathernecks of the Air.

Do what?

On your program?

Oh, yes, sir.
I'll be glad to talk about the picture.

Now, how did you know we were here?

Oh. You read the story in the paper.
Well, okay, Mr. Farnham.

We'll be there. Yes, sir.

At 10:00 at your studio. Right.

Okay. Thank you.

Are you going to be on
The David Farnham Show?

- He wants us both, Pyle.
- He does?

Yeah. He wants to ask us some questions.

You know, like what's it like
to be in Hollywood, being in a movie.

Golly. That's very exciting, Sergeant.

But there's just one thing.

- Huh?
- Well, if he read that story in the paper,

he might want to ask you
what happened last night. What'll you say?

- Pyle, you're always making problems.
- But he might, Sergeant. What'll you say?

Nothing.
I'll just keep talking about the picture.

Well, what if he keeps asking? What then?

Pyle, I'll cross that bridge
when I come to it.

And let's just hope we never come to it.
Now, get out of here and leave me alone!

And now our next guests are two Marines

who are part of a group brought here
to Hollywood from Camp Henderson.

They're going to be appearing in the
motion picture Leathernecks of the Air,

a John Fenton production
that begins shooting next week.

So ladies and gentlemen,
let's have a nice, warm welcome

for Sergeant Vincent Carter
and Private First Class Gomer Pyle.

- [applause]
- ♪♪

Come on in, fellas.
Take a seat right over there.

Over there.

Nice to have you here.
Welcome to Hollywood.

Huh? Oh. Thank you, sir.

You, uh, you guys enjoying your stay here?

- Well, yes, sir, we just...
- We certainly are.

It's a great town. A great town.

I understand
that John Fenton, your producer,

picked your platoon
to lend some authenticity

to Leathernecks of the Air.

And he was very pleasantly surprised
to find so much talent among you boys.

And Private Pyle,
my spy is telling me

that you have a fine singing voice.

And you're actually going to
be doing a solo in the movie.

Yes, sir, I...

We're all going to back him up, of course.

You see, it's kind of a glee club
I put together.

It took a lot of scouting and hard work,
but we came up with the right combination.

I see. Um, Private,
have you ever sung in public before?

Well, sir...

Last year, he sang
with the Marine band in Washington.

I entered him in the contest
that got him his chance.

Naturally, I was there in DC
to supervise everything.

And it all went off without a hitch.

Uh-huh. Maybe you could tell us
a little bit about this scene

you're going to be playing
in Leathernecks of the Air.

- Well, I...
- It's a contemporary story

with contemporary guys, you know,
like you and me.

It takes place in an air cadet school.
What you call your basic training.

I sort of play myself, a sergeant
in charge of a group of air cadets.

John figured...
John Fenton, he's my producer.

...that it would be better
to use me and my men

to give it a sense of reality.
Like in them foreign pictures.

Yeah, I see.

A musical documentary, with, perhaps,
just a touch of cinéma Vérité?

Oh, no. This is for the whole family.

I'm sure it will be a fine picture.

And John Fenton couldn't have picked
better representatives

for the spirit
of the United States Marine Corps

- than you two gentlemen.
- Thank you, sir.

- It was a pleasure being here.
- Oh, but wait a minute.

And just how well these two gentlemen
exemplify that spirit

was demonstrated right here
on the streets of Hollywood last night.

I understand you two boys had
a little bit of unexpected excitement.

Isn't that correct?

Well, like I said, it's an exciting town.

It's been a great pleasure being here,
Mr. Farnham...

Now, wait a minute. You did have
an experience with a couple of hoodlums,

- didn't you?
- It wasn't much.

Well, that's not the way I hear it.
According to police reports,

you both were escorting
a young lady last night

and when these two hoodlums got fresh,

all you did was just step in
and hold them until the police came.

Isn't that correct?
Isn't that the way it happened?

- Well, not exactly, Mr. Farnham.
- No, Mr. Farnham. That's not right.

We didn't do anything to them fellers.

Before we even had a chance,
the girl that we was with,

she knocked them down herself.

The girl did it?

- Well, she's a stunt girl.
- That's right.

She's backstage. Her name's Linda Farrell,
if you want to introduce her.

She is? Miss Farrell, are you back there?

Well, come on out.

Pyle, what's she doing here?

I invited her, Sergeant.

I was hoping to get her on somehow.

She needs a break and you yourself said

that everybody in Hollywood
watches this show.

- Ladies and gentlemen, Miss Linda Farrell.
- [applause]

♪♪

Is this a put-on?

I mean, really.

It's pretty hard to believe
that a petite young thing like this

could handle those two hoodlums
that easily.

But that's just what she did.
Didn't she, Sergeant?

She's a judo expert.
Show him, Miss Farrell, show him.

- Oh, I don't think that's necessary.
- But it is. He don't believe it.

So go on.

Well, I need someone to do it with.

- Oh, don't look at me.
- [chuckles]

Well, how about the sergeant?

You all worked real fine together
yesterday.

Oh, that's a good idea. You don't mind
being on the receiving end for once,

- do you, Sergeant?
- Uh, well, uh...

Oh, go on. Come on. Don't you want to see
the sergeant, ladies and gentlemen?

- Come on. Come on. Come out there.
- [audience applauding]

You go right over there.

- Ready?
- Uh-huh.

Come on.

[Carter groans]

- You all right, Sergeant?
- Eh?

- Yeah, sure.
- [applause]

You see that? Being a stunt girl,
Miss Farrell knows all them tricks.

And not only that,
she's a real good actress.

And someday
she's going to be a real big star.

I wouldn't be a bit surprised.

- May I say something?
- Yeah, sure, go right ahead.

Well I am a stunt girl, but I don't know
very much about self-defense.

I didn't until the Sergeant was
kind enough to give me a few pointers.

And luckily the tips he gave me
yesterday afternoon helped.

So thanks to him, I was ready
for what happened last night.

Well, that makes you the hero
behind the heroine, doesn't it, Sergeant?

Let's hear it for Sergeant Carter,
ladies and gentlemen.

Thank you.

Thank you very much.

You know, actually, you can handle
as many as three men at a time

if you got the right defense.

It's all a matter of leverage.

You got to move like a cat.

A cat...

[inaudible]

Sergeant Carter! Sergeant Carter!

Oh, hi, Pyle.

Have I ever got the most wonderful news.

A big, important producer saw Miss Farrell
on the TV show last night.

And he's asked her to audition
for a part in his next picture.

- Good, good.
- Well, this could be it, Sergeant.

This could be the big break
she's been looking for.

I sure am happy about it,
ain't you, Sergeant?

Yeah. She's a sweet kid.

I sure am glad I invited her
to be on the TV show.

Why, she might never have...

Pyle, will you stop yakking?

I'm trying to concentrate
on finding a seat.

I'm sorry, Sergeant.

Oh, there's a seat right over there
opposite that girl.

Huh? Where?

Oh. I'll tell you what, Pyle.

Why don't you sit down by the girl?

But you was here before I was.

Well, I'm in no rush. You take the seat.

Well, thank you, Sergeant.

Excuse me, ma'am. You mind if I join you?

No. Not at all. Sit down.

It's real nice eating with you.

You know I find that...

[inaudible]