All language subtitles for Gomer Pyle U S M C S03E23 Lou Ann Poovie Sings Again 1080p BluRay FLAC2 0 H 264-BTN_track5_[eng]

[marching band plays]

[male announcer] Gomer Pyle - USMC.

Starring Jim Nabors as Gomer Pyle.

Also starring Frank Sutton
as Sergeant Carter.

[music continue]

Hey, Gom, you got any shaving cream?
I just ran out.

Yeah, sure.

Ooh, how about some of that hair tonic?
Can I use a little of that?

Oh, sure.

Uh, do you have any cologne?

- No, I don't.
- Boy, you never have anything.

Hey, Pyle.

- Yeah?
- You got a visitor in the rec room.

I have? Who is it?

I don't know, but [whistles]
she's really something.

- You better get over there.
- Hey, who can that be?

- A dame for you?
- I don't know.

Hey, wait a minute,
Gomer, I'll go with you.

Well, for goodness sake!

Surprise, surprise, surprise.

I can't believe it.

Look who's here. Lou Ann Poovie.

I mean Mrs. Lou Ann Eford.
Where's your husband? Is he here with you?

- No, Gomer.
- He's not?

Well, are you here alone?

Well, actually, I don't have a husband.

You mean you didn't marry Monroe Eford,
the boy whose daddy run the feed store?

Well, actually, I didn't.

Well, the last time you were here,

you went home
specifically to marry Monroe.

I know.

But actually, the wedding
just never came off.

Well, why? What happened?

Well we were right there in the church,

and the preacher
got to that part that says

"Do you take this man forever and ever
till death do you part?"

- And I got to thinking.
- Uh-huh.

Well, that's an awful long time.

So I asked him to repeat the question.

Well, what happened then?

Well, when he asked me again,

"Do you take this man
forever and ever till death do you part?"

I just said "Well, actually, no."

You didn't?

Uh-huh, and I'm not sorry.

Monroe was making unkind remarks
about how I wore too much mascara.

And he was forever reminding me
about the foolish thing I'd done,

coming off to California
to look for a career in show business.

Well, you know how important
my singing is to me, Gomer.

Oh, I do.

Well, guess what?

I got my old job back at the Congo Club.

And I'll be singing there tonight.

Will you come?

Why, I'd like to very much.

Oh! Well, I'll be darned.

Look who's here Miss Lou Ann Poovie.

I mean, Mrs. Lou Ann Eford.
That was it, Eford, wasn't it?

- Well, actually
- She ain't married, Duke.

She never did marry Monroe.
Her name's still Lou Ann Poovie.

You didn't? How come?

Well, actually

She just changed her mind's what.
She just changed her mind.

She's got her old job back
singing at the Congo Club.

Ain't that nice?

Yeah, isn't it ever?

Oh, my goodness, I'd better be going.

I just wanted to stop in and say hey

on account of you boys
are the best friends I've got here.

Oh, I am, I am. I mean, we are, we are.

And, listen, Lou Ann, we'll walk you back
to the gate and get you a taxi.

Oh, thank you.

[Gomer] Look, Lou Ann,
it's Sergeant Carter.

Hello, Sergeant Carter.

Is it really you? I can't believe my eyes.

Lou Ann Poover. Poovie.

Yeah, but now it's Mrs. Lou Ann

Still Poovie.
She never did get married, Sergeant.

You didn't? How come?

Well, actually, she just changed
her mind at the last minute.

You know what they say, Sergeant Carter,

it's a woman's prerogative
to change her mind.

Yeah.

Yeah, well, don't you ever lose
that little old prerogative.

And she's back here to live, Sergeant.
She's back singing at the Congo Club.

Isn't that something?

Is that so?

Singing and single, huh?

That's right, Sergeant Carter,

I'm just a free as a little old sparrow.

Wonderful, wonderful.
Well, where are you going now?

Oh, I just dropped in to say hey
and the boys were walking me to the gate

to get me a taxi.

Oh.

Well, that's very thoughtful of them.

But, apparently, they forgot about
a little detail they were on.

- What detail, Sarge?
- You mean I forgot to tell you?

The windows in my office, they're a sight.
You mean, I didn't tell you?

No, Sergeant, you didn't tell us.

How about that.

Well, that's the detail, my windows.
So you boys get right on it, will you?

And I'll walk Lou Ann to the gate.

- So long, boys.
- Bye, Gomer. Bye, Duke.

[both] Bye, Lou Ann.

See you all later.

So, you're free as
a little old sparrow, huh?

[jazz music plays]

[people applauding]

Hello, Sergeant. Hello, Corporal.

So nice to see you all.

Oh, hey, boys. Come on down.

Hey, wait, there ain't room for everybody.

Oh, well, we'll make room.
I've only got a minute to visit.

We'll just all squeeze together.

That's fun.

You don't mind being
a little crowded, do you?

I sure don't mind.

It's more fun this way.

Now if you boys want to order,
you just go right ahead.

I don't think I'll have time for anything.

Oh, actually, I better be getting back
to the orchestra now.

But I'll see you later.

Bye.

Bye, Lou Ann.

Bye, hon.

Hold it, boys.

I have a little announcement to make.

What's that, Sergeant?

Well, we're all standing up, right?

Now here's the way it's gonna be.

All those who sit down are going to stay.

Sit down, Boyle.

All those who remain standing
are going to remain standing.

Or move to another table.
Or better yet, return to the base.

In any case, those who remain standing

will not resume
their seated position at this table.

You want us to go, Sergeant?

You have got a good head
on your shoulders, Pyle.

- Bye, Pyle. Good-bye, Slater.
- But, Sarge, we just--

Look, Slater, two's company,
three's a crowd.

Four's not allowed,
and five's dumb, stupid and ridiculous.

Good-bye, Slater.

Come on, Gomer.

Okay, bye, Sergeant.

Would you please explain to Miss Lou Ann
why we had to leave,

about how we remained standing?

Yeah, yeah, I'll tell her about it.

Just go, go, go.

Surprised you let me stay.

Well, as a matter of fact,
I'm glad you brought that up, Boyle.

Now you want me to go, too?

I didn't say that.

But if you did just
happen to want to leave,

I would not insist you stay.

This time, there are gonna be no mistakes.

This time, it's just gonna
be me and Lou Ann all alone.

Just us, the night and the music.

[singing off key] ♪ C'est si bon ♪

♪ Lovers say that in France ♪

Still here, Boyle?

♪ When they thrill to romance ♪

♪ It means that it's so good ♪

I tell you, Gomer, the more
I think about it, the madder I get.

Come on, Duke, forget about it.

Let's go to a movie.

The last show don't
start for ten minutes yet.

We got plenty of time.

No, I'm not going to the movie.
I'm going back inside.

Golly, Duke.

I wouldn't after what Sergeant Carter said
about remaining standing.

Yeah, but he didn't say
we had to go back to the base.

No, that's true.

- But if you do go back in there
- Huh?

Remain standing.

See you later, Gomer.

♪ It's so good ♪

♪ Nothing else can replace ♪

♪ Just your slightest embrace ♪

♪ And if you only would ♪

♪ Be my own ♪

♪ For the rest of my days ♪

♪ I will whisper this phrase ♪

♪ My darling, C'est si bon ♪

♪ I mean, it's, oh, so good ♪

♪ When I say C'est si bon ♪

- Hey, buddy.
- Huh?

We're closing up.

- What?
- We're closing up.

Hey, Sarge.

[imitates bugle call]

Well, Sarge, we got to close up.

Where is everybody?

- Where's Miss Poovie, the singer?
- She left a little while ago.

She what?

Golly, Sergeant.

These files sure are messed up.

Looks just like somebody come in here

and shuffled them all
up like a deck of cards.

Yeah, they're in awful shape, aren't they?

That's why I picked you two guys
to straighten them out.

I know you'll do a very careful job
even if it takes you till midnight.

Don't you worry, Sergeant,
we won't let you down.

But how in the world these
get mixed up like this anyway?

Who knows?

Just do a good job.

However it happened,

it's remarkable that the sergeant
trusts only us to fix it back up.

Oh, shut up, Gomer, just shut up.

[chuckling]

Thank you very much
for walking me home, Sergeant Carter.

It's my pleasure.

Well, good night.

Say, what about tomorrow night?

Tomorrow night?

Well, yeah, it's your night off, ain't it?
Didn't you say?

- Well, yes.
- Great.

I was thinking we'd go out
to dinner tomorrow night,

you know, to celebrate your coming back.

Well you know, actually,
that does sound like a nice idea.

- A celebration.
- Yeah.

Where would you like to go? You name it.

Well, actually, we could have dinner
right here at my place.

It'd be more fun
that way, don't you think?

Yeah, yeah, that's great.

Shall we say seven-thirty?

- That'd be fine.
- Perfect.

And, listen, don't buy any wine
because that's my department.

All right. Good night, Sergeant Carter.

- Lou Ann.
- Yes?

If you don't mind, I'd rather not come in.

What?

You'd probably like me to stay
so that we can talk for a while.

- Well--
- But I'm not the pushy type.

Good night, Sergeant Carter.

It's a little late
so I'd better not come in.

[knocking on door]

Yes?

[Carter] Lou Ann, you don't mind
my not coming in, do you?

Oh, no, Sergeant, really.

Hard to get,
that's the way I played it, Boyle.

Hard to get.

And, boy, did she go for it.

She was dying for me to come in.

But I played it cool and distant.

Cool and distant.

- What's this?
- Huh?

That's a bottle of wine.

"Bottled in Warsaw 1961 ."

Yeah, you don't find much
of that stuff around anymore.

Yeah, you got a good price on it too
89 cents.

Hey, give me that.

You know, Boyle,
what I needed was a campaign.

This playing hard to get,
that was the secret.

You should've seen her last night
standing there with the door open.

I didn't budge an inch.

That must've taken a lot of willpower.

Not willpower, strategy.

You give a little and gain a lot.

She's inviting me to dinner.

Good.

Well, don't wait up for me.

[knocking]

C'est si bon.

Why, Sergeant Carter.

Flowers, candy, wine.
Have I forgotten anything?

Oh, my gracious, no.

Aren't you sweet and thoughtful.

Well, that's the name
of the game, ain't it?

Come on in.

Okay, boys.

Huh?

Hey, Sergeant. You're just in time.

- The food just came out of the oven.
- Hi, Sarge.

What are you guys doing here?

Why, don't you remember, Sergeant?

It was your idea
to celebrate my coming back.

Just leave it to you, Sergeant,
just leave it to you

to think of something
thoughtful like this.

Thoughtful, thoughtful, thoughtful.

Yeah.

You got it, huh?

Right.

You see, Boyle, as long as
these two creeps are around,

I'll never get a chance
to turn on the steam with this girl.

So?

So, why wait to be alone with her
to turn on the steam?

Let 'em be around.

What better way is there
for her to compare us?

Huh?

Instead of trying to
get rid of those crumbs,

I encourage them to hang around.

Let her see the three of us together.

Slater, Pyle and me

Two wishy-washy nothings
and me, understand?

No.

It's like in advertising.

They show you Brand X, Y and Z together.

And then they prove Brand X
is better than Y and Z.

And you?

Brand X.

[singing off key] ♪ Night and day♪

♪ You are the one ♪

♪ Only you beneath
The moon and under the sun ♪

Hey, Duke, look, there's Sergeant Carter.

Yeah.

♪ Whether near to me or far ♪

Uh-oh, he's coming over here.

Let's beat it.

Hey, where you going, boys?

Well, Sergeant, it's a little crowded,
so we thought we'd leave.

Leave?

Well, why don't you come
over and sit down at my table

since it's so crowded.

Your table, Sarge?

- You really mean that, Sergeant?
- Well, of course I do.

You're here to see Lou Ann,
and I'm here to see Lou Ann.

So why don't we sit down together.

And later on, when she's finished,
we can all walk her home.

How does that sound to you?

Come on, come on.

He's drunk, Gomer He cockeyed drunk.

♪ In the silence of my lonely room ♪

♪ I think of you ♪

♪ Night and day♪

Sure a nice night for walking, ain't it?

Come on, boys, don't lag behind.

Well, it is, but why did we come
this way, Sergeant Carter?

This neighborhood
frightens me a little bit.

It does? How come?

I don't like it much either, Sergeant.

Huh?

What?

What's the matter, Sarge?

Nothing.

Just thought he said something.

Tell you the truth, Sergeant, I always
try to avoid this part of town myself.

- So do I.
- What's the matter with you people?

Are you scared?

You see, Lou Ann, that's the difference
between some guys and other guys.

Some guys are afraid of their own shadows,
other guys are afraid of nothing.

[whistles]

Wait a minute.

What's the matter, Sarge?

Did you hear that?

That guy whistled.

- I didn't hear anything, Sergeant.
- Me neither.

Well, you just wait right here.

Look, buddy, watch that, you understand?
That's a lady we got with us.

- What'd I do?
- You know what you did.

So just watch it
for next time, you got that?

Look, Sarge, you shouldn't
get yourself involved like this.

Now after all, you're an NCO.
Now I can handle this guy.

Now you watch it, fella

- Look, Slater, you don't have to--
- Wait a minute, fellas, wait a minute.

You want to know what I think?

I think this whole thing
was based on a misunderstanding.

You see, when you whistled,

the Sergeant here thought
you were being disrespectful.

But I don't. I think you were just trying

to pay Miss Poovie
over there a nice compliment.

Huh?

That's right, Miss Poovie
is a very beautiful young lady.

And I don't blame
any man for whistling at her

when he sees her.

But then misunderstandings
happen all the time

and I think we all ought to
be big enough to realize it.

So come on, Sergeant.

Good night, sir,
and it was nice talking to you.

What did you butt in for, Pyle?

And you, too, Slater.

That guy didn't scare me.

Maybe he scared you,
but he didn't scare me.

I know, Sergeant, but why fight
if you don't have to?

Why?

Because chivalry ain't dead.

That's why, Pyle.

[dance music plays]

Is that any way to dance with a girl?

What does she get out of it?

Does she feel a strong arm around her?

Does she feel authority,
firmness, strength?

She might as well be dancing alone.

That's the way they
dance these days, Sarge.

Oh, don't give me that.

A man is still a man
and a woman's still a woman aren't they?

Just keep your eye on me.

May I?

Is something the matter?

Well, actually,
I'm just trying to catch my breath.

Oh, well, sometimes I--
I don't know my own strength.

- [music ends]
- [people applauding]

Say, Pyle, why don't
you dance with Lou Ann.

You haven't danced with her yet.

I don't know, Sergeant,
maybe she's too tired.

Aw, come on, Pyle,
she's danced with Slater and me.

Now it's your turn.

All right.
Would you like to dance, Miss Lou Ann?

Fine.

See that, Boyle?
Did you see me out there dancing with her?

Yeah, I saw you.

She said she couldn't get her breath.
Did you hear that?

She told me she couldn't get her breath.

Look, Sarge.

[jazz music playing]

Ain't that disgusting?

That's just what a girl hates,
an exhibitionist.

Look at that, she's so embarrassed,
she can't even say anything to him.

Sure has been some kind of an evening.
I really did enjoy it.

How about you, Lou Ann?
Did you have a nice time this evening?

Oh, just wonderful. Thank you.

Me, too. I just had--

Tell me, Lou Ann, about this evening,

anybody, uh, anything in particular
you liked about it?

Oh, I just liked all of it.

[Carter] Yeah, huh?

Well, listen,
suppose two of us couldn't have made it.

Which one would you have
liked to have been left with?

Oh, you really want to know that?

Well, sure.

Well like I said, I like all of you.

Well, I think of us as being
one great big happy family.

But suppose it had to be one,
just suppose.

There must be one you'd pick.

Well, actually

I suppose if I got right down to it,

there is.

Then tell us. They're men enough

I mean, we're men enough
to take it, right, Slater?

Yeah, sure.

- Well Duke
- Yeah?

You certainly are thoughtful and sweet.

And I like you a lot.

Yeah? Yeah?

Well, I think of you
just like my own brother.

Your brother?

[chuckles] Hey, that's great.

Slater's a real brotherly guy.

And you, Sergeant Carter.

Vince, Vince.

- Vince
- Yeah?

Well, you're so strong
and forceful and firm.

When I'm around you, I feel so safe.

Uh-huh?

It's just as if you were my own daddy.

Your daddy?

Mm-hmm. When I'm with you,
it's just like being with my daddy.

Your daddy?

Now, would you like to hear about Gomer?

Ma'am?

Well, after watching
Gomer these past few days,

and seeing how beautifully he handles
just about every situation

Huh?

Well actually, he's the one

I'd like to have for my beau.

Huh?

And I think a beau ought
to walk a girl home at night.

Come on, Gomer.

Golly.

Bye, boys.

Oh, brother.

Oh, Daddy.

Gomer, I hope you don't think
I was being too presumptuous

selecting you as my beau.

But Sergeant Carter kept
on insisting on knowing.

Well, no, I was flattered.

You were?

'Cause I never really
did give you a chance

to say how you felt about me.

Golly, Lou Ann,
you know how I feel about you.

No, I don't, Gomer. How?

Well I like you.

- You do?
- Uh-huh.

Well, you can kiss me good night, Gomer

if you want to.

Okay, Pyle, hold it right there!

Sergeant Carter, Duke.

Boys, what are you doing here?

Well, you said we were like
your father and your brother, didn't you?

Yes, but--

Well, as your father and your brother,
it's up to us to look out after you

and see that you get to bed on time.

Sergeant Carter.

And another thing

We're awfully particular
about who you go out with.

And I don't think Pyle's exactly right,

do you, Brother?

Definitely not, Dad.