All language subtitles for S14E07 - Stuffed Olives; Astrolabes; Western Saddles (1080p AMZN WEB-DL x265 Garshasp)_track3_[eng]

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek Download
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:53,133 --> 00:00:55,000 >> narrator: several millennia 2 00:00:55,000 --> 00:00:56,567 Before it ever adorned a 3 00:00:56,567 --> 00:00:58,467 Martini, the olive and its oil 4 00:00:58,467 --> 00:01:00,333 Were central to many ancient 5 00:01:00,333 --> 00:01:01,133 Economies. 6 00:01:01,133 --> 00:01:03,067 Today, olives remain as popular 7 00:01:03,067 --> 00:01:03,800 As ever. 8 00:01:03,800 --> 00:01:05,800 Not only are they tasty, they're 9 00:01:05,800 --> 00:01:07,633 Also healthy, low in calories 10 00:01:07,633 --> 00:01:09,367 And cholesterol and high in 11 00:01:09,367 --> 00:01:17,133 Dietary fiber and iron. 12 00:01:17,133 --> 00:01:18,900 Olives are inedible unless 13 00:01:18,900 --> 00:01:20,067 They're pickled. 14 00:01:20,067 --> 00:01:22,167 These gourmet olives are stuffed 15 00:01:22,167 --> 00:01:23,867 By hand with all kinds of 16 00:01:23,867 --> 00:01:25,967 Fillings, from almonds to garlic 17 00:01:25,967 --> 00:01:29,167 Cloves, even blue cheese. 18 00:01:29,167 --> 00:01:30,933 Straight from the field, they go 19 00:01:30,933 --> 00:01:32,233 Into barrels of brine. 20 00:01:32,233 --> 00:01:33,933 For nine months, they ferment. 21 00:01:33,933 --> 00:01:35,467 Their hard and bitter flesh 22 00:01:35,467 --> 00:01:39,533 Becoming softer and sweeter. 23 00:01:39,533 --> 00:01:41,167 Then it's on to a conveyor that 24 00:01:41,167 --> 00:01:42,867 Takes them to the cleaning area, 25 00:01:42,867 --> 00:01:44,500 Where workers remove leaves and 26 00:01:44,500 --> 00:01:53,733 Other debris. 27 00:01:53,733 --> 00:01:55,800 Next, they drop on to a belted 28 00:01:55,800 --> 00:02:01,167 Conveyor. 29 00:02:01,167 --> 00:02:03,067 The openings between the belts 30 00:02:03,067 --> 00:02:04,167 Gradually widen. 31 00:02:04,167 --> 00:02:06,067 As an olive reaches an opening 32 00:02:06,067 --> 00:02:07,900 Exceeding its width, it falls 33 00:02:07,900 --> 00:02:17,367 Through into a barrel below. 34 00:02:17,367 --> 00:02:19,333 By the time the olives reach the 35 00:02:19,333 --> 00:02:21,333 End of the conveyor, they're all 36 00:02:21,333 --> 00:02:23,133 Sorted by size, from small to 37 00:02:23,133 --> 00:02:25,100 Extra large. 38 00:02:33,133 --> 00:02:34,833 The next stop is the pitting 39 00:02:34,833 --> 00:02:38,300 Room. 40 00:02:38,300 --> 00:02:40,067 The first phase of the pitting 41 00:02:40,067 --> 00:02:41,667 Operation is a spinning drum 42 00:02:41,667 --> 00:02:43,433 With olive-sized pockets lining 43 00:02:43,433 --> 00:02:47,400 Its perimeter. 44 00:02:47,400 --> 00:02:49,733 As the drum rotates, an olive 45 00:02:49,733 --> 00:02:54,533 Settles into each pocket. 46 00:02:54,533 --> 00:02:56,400 This lines them up so that they 47 00:02:56,400 --> 00:02:58,100 Exit the drum in a line onto 48 00:02:58,100 --> 00:02:59,800 The conveyor that transports 49 00:02:59,800 --> 00:03:03,867 Them to the pitting machine. 50 00:03:03,867 --> 00:03:06,067 The machine pits 900 olives per 51 00:03:06,067 --> 00:03:07,700 Minute. 52 00:03:07,700 --> 00:03:09,467 Let's slow it down to show you 53 00:03:09,467 --> 00:03:10,367 What happens. 54 00:03:10,367 --> 00:03:12,200 A coring knife enters one end of 55 00:03:12,200 --> 00:03:13,967 The olive, pushing the pit out 56 00:03:13,967 --> 00:03:21,967 The other end. 57 00:03:21,967 --> 00:03:23,933 As the pit exits, it creates a 58 00:03:23,933 --> 00:03:25,767 Hole that's just the perfect 59 00:03:25,767 --> 00:03:27,733 Size for the stuffing. 60 00:03:53,067 --> 00:03:56,233 Next, a quality inspection. 61 00:03:56,233 --> 00:03:58,067 Workers weed out any olives that 62 00:03:58,067 --> 00:04:00,100 Aren't perfect. 63 00:04:08,433 --> 00:04:09,833 Then it's off to the stuffing 64 00:04:09,833 --> 00:04:16,167 Department. 65 00:04:16,167 --> 00:04:18,300 These beauties are being stuffed 66 00:04:18,300 --> 00:04:20,133 With pickled garlic gloves. 67 00:04:20,133 --> 00:04:22,267 The stuffer cuts the gloves into 68 00:04:22,267 --> 00:04:24,333 Hole-sized pieces, then inserts 69 00:04:24,333 --> 00:04:33,167 One piece into each olive. 70 00:04:33,167 --> 00:04:35,233 It's the same procedure with 71 00:04:35,233 --> 00:04:37,067 Other stuffings, such as 72 00:04:37,067 --> 00:04:39,067 JalapeƱo peppers, sun-dried 73 00:04:39,067 --> 00:04:41,067 Tomatoes, habanero peppers, 74 00:04:41,067 --> 00:04:45,533 Onions, almonds, and more. 75 00:04:45,533 --> 00:04:47,267 Workers empty the baskets of 76 00:04:47,267 --> 00:04:49,100 Stuffed olives onto a table of 77 00:04:49,100 --> 00:04:50,733 Empty jars, spreading them 78 00:04:50,733 --> 00:04:52,700 Around until every jar is full. 79 00:05:03,500 --> 00:05:05,100 On their way to the capping 80 00:05:05,100 --> 00:05:06,700 Machine, the open jars pass 81 00:05:06,700 --> 00:05:08,367 Under nozzles that fill them 82 00:05:08,367 --> 00:05:14,300 With fresh brine. 83 00:05:14,300 --> 00:05:16,333 An air jet blows off just a bit 84 00:05:16,333 --> 00:05:21,333 To help the cap go on easily. 85 00:05:21,333 --> 00:05:22,867 From there, it's into the 86 00:05:22,867 --> 00:05:24,733 Capping machine, which twists a 87 00:05:24,733 --> 00:05:26,633 Lid on each jar, heat-sealing it 88 00:05:26,633 --> 00:05:29,300 For an airtight fit... 89 00:05:29,300 --> 00:05:31,067 Then stamping on a lot number 90 00:05:31,067 --> 00:05:33,733 For tracking purposes. 91 00:05:33,733 --> 00:05:35,400 Finally, the jars head into a 92 00:05:35,400 --> 00:05:36,833 Machine that rolls on an 93 00:05:36,833 --> 00:05:39,800 Adhesive label. 94 00:05:39,800 --> 00:05:41,667 The brine serves as a natural 95 00:05:41,667 --> 00:05:43,367 Preservative, giving these 96 00:05:43,367 --> 00:05:45,100 Delectable gourmet olives a 97 00:05:45,100 --> 00:05:47,067 Two-year shelf life. 98 00:06:01,067 --> 00:06:02,900 >> narrator: in the middle ages, 99 00:06:02,900 --> 00:06:04,667 Navigators looked to the stars 100 00:06:04,667 --> 00:06:06,433 And planets to find their way, 101 00:06:06,433 --> 00:06:08,200 And for that, they relied on a 102 00:06:08,200 --> 00:06:10,067 Scientific instrument called the 103 00:06:10,067 --> 00:06:10,833 Astrolabe. 104 00:06:10,833 --> 00:06:12,467 Using this instrument, they 105 00:06:12,467 --> 00:06:13,967 Could measure the angular 106 00:06:13,967 --> 00:06:15,600 Distances between celestial 107 00:06:15,600 --> 00:06:17,367 Objects to calculate latitude. 108 00:06:17,367 --> 00:06:19,133 It was the medieval equivalent 109 00:06:19,133 --> 00:06:25,433 Of gps. 110 00:06:25,433 --> 00:06:27,233 Today, craftsmen still make 111 00:06:27,233 --> 00:06:29,167 Astrolabes to celebrate their 112 00:06:29,167 --> 00:06:30,433 Place in history. 113 00:06:30,433 --> 00:06:32,300 Without it, columbus may not 114 00:06:32,300 --> 00:06:34,333 Have discovered the americas in 115 00:06:34,333 --> 00:06:36,533 1492. 116 00:06:36,533 --> 00:06:38,533 Back then, astrolabes were 117 00:06:38,533 --> 00:06:40,800 Hand-forged and hand-engraved. 118 00:06:40,800 --> 00:06:43,067 Today, these instruments take 119 00:06:43,067 --> 00:06:45,267 Shape in two-part rubber molds 120 00:06:45,267 --> 00:06:50,933 And closed in a metal drum. 121 00:06:50,933 --> 00:06:52,400 The operator ladles molten 122 00:06:52,400 --> 00:06:54,133 Pewter into the mold through an 123 00:06:54,133 --> 00:06:57,667 Opening in the drum's lid. 124 00:06:57,667 --> 00:06:59,800 Inside, the mold spins, forcing 125 00:06:59,800 --> 00:07:01,967 Pewter into every part of this 126 00:07:01,967 --> 00:07:04,067 Astrolabe plate, complete with 127 00:07:04,067 --> 00:07:06,067 Geometric engravings on both 128 00:07:06,067 --> 00:07:08,133 Sides. 129 00:07:08,133 --> 00:07:10,067 He molds the dial and pointers 130 00:07:10,067 --> 00:07:14,133 The same way. 131 00:07:14,133 --> 00:07:16,533 He slices off excess pewter. 132 00:07:16,533 --> 00:07:20,267 It will be remelted and reused. 133 00:07:20,267 --> 00:07:22,067 He then sands the ragged edges 134 00:07:22,067 --> 00:07:23,567 Of the plate for a smoother 135 00:07:23,567 --> 00:07:31,867 Circumference. 136 00:07:31,867 --> 00:07:34,067 Next, he pours an acidic liquid 137 00:07:34,067 --> 00:07:36,133 Onto the astrolabe plate, which 138 00:07:36,133 --> 00:07:38,300 Blackens the pewter. 139 00:07:38,300 --> 00:07:40,300 He swishing the blackening agent 140 00:07:40,300 --> 00:07:42,300 Around to ensure it covers every 141 00:07:42,300 --> 00:07:44,267 Surface completely. 142 00:07:52,800 --> 00:07:54,733 He places the blackened plate in 143 00:07:54,733 --> 00:07:56,667 A barrel full of gritty, plastic 144 00:07:56,667 --> 00:08:02,467 Cones, soap, and water. 145 00:08:02,467 --> 00:08:04,167 As it revolves, everything 146 00:08:04,167 --> 00:08:06,233 Tosses about inside to scrub the 147 00:08:06,233 --> 00:08:08,200 Surface of the astrolabe plate, 148 00:08:08,200 --> 00:08:10,067 Believe the engraved designs 149 00:08:10,067 --> 00:08:11,800 Black. 150 00:08:11,800 --> 00:08:13,833 This process adds definition to 151 00:08:13,833 --> 00:08:14,833 The markings. 152 00:08:14,833 --> 00:08:16,800 In columbus's time, they would 153 00:08:16,800 --> 00:08:18,767 Have used a pumice stone and a 154 00:08:18,767 --> 00:08:20,733 Lot of elbow grease to achieve 155 00:08:20,733 --> 00:08:23,400 This effect. 156 00:08:23,400 --> 00:08:25,333 Next, the astrolabe plate goes 157 00:08:25,333 --> 00:08:26,967 For a tumble with bits of 158 00:08:26,967 --> 00:08:28,967 Ceramic to buff the pewter to a 159 00:08:28,967 --> 00:08:33,800 Glossy shine. 160 00:08:33,800 --> 00:08:35,500 Against the shiny pewter 161 00:08:35,500 --> 00:08:37,667 Backdrop, the geometric markings 162 00:08:37,667 --> 00:08:38,767 Now stand out. 163 00:08:38,767 --> 00:08:40,867 Clearly visible on the front is 164 00:08:40,867 --> 00:08:42,967 A map of the sky and the zodiac 165 00:08:42,967 --> 00:08:43,800 Calendar. 166 00:08:43,800 --> 00:08:45,267 And on the back, the 167 00:08:45,267 --> 00:08:46,900 Mathematical scales are 168 00:08:46,900 --> 00:08:49,700 Now clearly defined. 169 00:08:49,700 --> 00:08:51,533 The elaborate dial undergoes the 170 00:08:51,533 --> 00:08:53,267 Same processing to enhance its 171 00:08:53,267 --> 00:08:57,367 Celestial engravings. 172 00:08:57,367 --> 00:08:59,100 He now inserts a brash bushing 173 00:08:59,100 --> 00:09:00,667 In the center hole of the 174 00:09:00,667 --> 00:09:02,367 Astrolabe plate and twists it 175 00:09:02,367 --> 00:09:05,900 Into position. 176 00:09:05,900 --> 00:09:07,867 This bushing will act as a pivot 177 00:09:07,867 --> 00:09:11,700 For the dial and pointers. 178 00:09:11,700 --> 00:09:13,700 Once the dial is in position, he 179 00:09:13,700 --> 00:09:15,633 Installs a pointer on each side 180 00:09:15,633 --> 00:09:21,667 Of the plate. 181 00:09:21,667 --> 00:09:23,333 These pointers can be turned 182 00:09:23,333 --> 00:09:25,100 Like the hands of a clock, and 183 00:09:25,100 --> 00:09:26,900 The user measures the angle of 184 00:09:26,900 --> 00:09:28,367 The stars and planets in 185 00:09:28,367 --> 00:09:29,933 Relation to the horizon to 186 00:09:29,933 --> 00:09:34,233 Calculate his location. 187 00:09:34,233 --> 00:09:36,133 He caps the bushing with a screw 188 00:09:36,133 --> 00:09:37,833 On one side and a nut on the 189 00:09:37,833 --> 00:09:42,600 Other. 190 00:09:42,600 --> 00:09:44,300 He secures the assembly with a 191 00:09:44,300 --> 00:09:45,900 Specific amount of torque to 192 00:09:45,900 --> 00:09:47,600 Allow the dial and pointers to 193 00:09:47,600 --> 00:09:51,500 Move freely. 194 00:09:51,500 --> 00:09:53,100 He slips a metal ring through 195 00:09:53,100 --> 00:09:54,867 The top hole of the astrolabe so 196 00:09:54,867 --> 00:09:56,600 This instrument can be linked to 197 00:09:56,600 --> 00:10:02,267 A chain if the owner wishes. 198 00:10:02,267 --> 00:10:03,833 He spins the dial and pointers 199 00:10:03,833 --> 00:10:05,433 To confirm that they don't snag 200 00:10:05,433 --> 00:10:06,700 On the outer lip of the 201 00:10:06,700 --> 00:10:11,200 Instrument. 202 00:10:11,200 --> 00:10:12,967 Centuries after its heyday, 203 00:10:12,967 --> 00:10:15,033 This incredible instrument still 204 00:10:15,033 --> 00:10:15,933 Fascinates. 205 00:10:15,933 --> 00:10:17,900 The amount of information that 206 00:10:17,900 --> 00:10:19,833 Can be gleamed from holding it 207 00:10:19,833 --> 00:10:24,433 To the sky is astounding. 208 00:10:24,433 --> 00:10:26,000 More than latitude, the 209 00:10:26,000 --> 00:10:27,933 Astrolabe can be used to tell 210 00:10:27,933 --> 00:10:29,800 Time, determine seasons, and 211 00:10:29,800 --> 00:10:31,367 Predict the future with 212 00:10:31,367 --> 00:10:32,300 Horoscopes. 213 00:10:32,300 --> 00:10:34,100 Of course, it takes a basic 214 00:10:34,100 --> 00:10:35,267 Understanding of 215 00:10:35,267 --> 00:10:37,200 Geometry and astronomy to use 216 00:10:37,200 --> 00:10:41,033 It. 217 00:10:41,033 --> 00:10:42,733 To the trained eye, this 218 00:10:42,733 --> 00:10:44,767 Astrolabe now reads 1:00 p.M., 219 00:10:44,767 --> 00:10:46,667 Proving that this instrument 220 00:10:46,667 --> 00:10:48,133 From another era can 221 00:10:48,133 --> 00:10:50,167 Still provide up-to-the-moment 222 00:10:50,167 --> 00:10:52,167 Information. 223 00:11:09,067 --> 00:11:10,667 >> narrator: in the american 224 00:11:10,667 --> 00:11:12,367 Wild west, cowboys spent long 225 00:11:12,367 --> 00:11:14,167 Days in the saddle, which could 226 00:11:14,167 --> 00:11:15,967 Leave them too sore to ride off 227 00:11:15,967 --> 00:11:17,067 Into the sunset. 228 00:11:17,067 --> 00:11:18,800 And that led to the development 229 00:11:18,800 --> 00:11:20,133 Of the western saddle. 230 00:11:20,133 --> 00:11:21,833 Large and sturdy, this saddle 231 00:11:21,833 --> 00:11:23,467 Was modeled on the type used 232 00:11:23,467 --> 00:11:25,333 By spanish conquistadors, and it 233 00:11:25,333 --> 00:11:27,167 Made chasing cows a less painful 234 00:11:27,167 --> 00:11:35,067 Experience. 235 00:11:35,067 --> 00:11:36,933 Today, riders still saddle up 236 00:11:36,933 --> 00:11:38,767 Western-style, which is more 237 00:11:38,767 --> 00:11:40,800 Relaxed than english-stile, with 238 00:11:40,800 --> 00:11:42,533 The reins held in one hand 239 00:11:42,533 --> 00:11:43,633 Instead of two. 240 00:11:43,633 --> 00:11:45,333 The contours of the saddle 241 00:11:45,333 --> 00:11:47,167 Seat are more pronounced for 242 00:11:47,167 --> 00:11:49,167 Added comfort. 243 00:11:49,167 --> 00:11:50,933 A western saddle also has a horn 244 00:11:50,933 --> 00:11:52,533 For looping rope, called the 245 00:11:52,533 --> 00:11:57,200 Lariat in cowboy lingo. 246 00:11:57,200 --> 00:11:59,400 It starts with the saddletree, 247 00:11:59,400 --> 00:12:01,300 Made from laminated wood 248 00:12:01,300 --> 00:12:05,300 Covered in sections of rawhide. 249 00:12:05,300 --> 00:12:06,733 An artisan cuts out the 250 00:12:06,733 --> 00:12:08,133 Saddle skirt and other 251 00:12:08,133 --> 00:12:09,833 Components using a hydraulic 252 00:12:09,833 --> 00:12:12,833 Press. 253 00:12:12,833 --> 00:12:14,633 He cuts the saddle seat by hand 254 00:12:14,633 --> 00:12:16,267 With this tool, called a head 255 00:12:16,267 --> 00:12:17,833 Knife. 256 00:12:17,833 --> 00:12:19,767 The seat gets special attention 257 00:12:19,767 --> 00:12:21,633 Because it's being custom-made 258 00:12:21,633 --> 00:12:23,100 For a particular horse. 259 00:12:23,100 --> 00:12:25,067 He shaves the edges of each cut 260 00:12:25,067 --> 00:12:26,900 Out so it can be tucked neatly 261 00:12:26,900 --> 00:12:28,200 Onto the saddletree. 262 00:12:28,200 --> 00:12:36,833 The technique is called skiving. 263 00:12:36,833 --> 00:12:38,400 He brushes glue on the 264 00:12:38,400 --> 00:12:40,567 Leather section that fits around 265 00:12:40,567 --> 00:12:42,500 The stem of the saddle horn. 266 00:12:42,500 --> 00:12:44,633 Then he works it into position, 267 00:12:44,633 --> 00:12:46,800 Creating a lip around the horn's 268 00:12:46,800 --> 00:12:54,333 Top. 269 00:12:54,333 --> 00:12:56,167 He presses the horn cap onto 270 00:12:56,167 --> 00:12:58,067 The leather-rimmed top, then 271 00:12:58,067 --> 00:13:03,367 Crimps the edges together. 272 00:13:03,367 --> 00:13:04,733 He collects tacks with a 273 00:13:04,733 --> 00:13:06,400 Magnetic tip of a hammer, then 274 00:13:06,400 --> 00:13:08,100 Pounds them through the leather 275 00:13:08,100 --> 00:13:17,467 Cap, securing it to the wood. 276 00:13:17,467 --> 00:13:19,067 A thick leather cutout hides 277 00:13:19,067 --> 00:13:24,733 The nail heads. 278 00:13:24,733 --> 00:13:26,600 He carves a groove around the 279 00:13:26,600 --> 00:13:28,300 Top of the horn and punches 280 00:13:28,300 --> 00:13:29,933 Holes through the leather. 281 00:13:29,933 --> 00:13:31,900 This will make it easier to sew 282 00:13:31,900 --> 00:13:40,433 The layers together. 283 00:13:40,433 --> 00:13:42,433 He uses two needles to interlock 284 00:13:42,433 --> 00:13:43,400 The stitches. 285 00:13:43,400 --> 00:13:45,333 This secures the cap and gives 286 00:13:45,333 --> 00:13:47,067 The saddle horn a tailored 287 00:13:47,067 --> 00:13:47,567 Look. 288 00:13:47,567 --> 00:13:49,167 To complete the horn, the 289 00:13:49,167 --> 00:13:51,067 Saddlemaker trims away excess 290 00:13:51,067 --> 00:13:52,833 Leather with a special forked 291 00:13:52,833 --> 00:13:57,400 Blade. 292 00:13:57,400 --> 00:13:58,933 Now the artisan builds up 293 00:13:58,933 --> 00:14:00,833 Sections of the saddletree with 294 00:14:00,833 --> 00:14:02,667 Strategically placed strips of 295 00:14:02,667 --> 00:14:05,667 Leather. 296 00:14:05,667 --> 00:14:07,367 He skives away some leather to 297 00:14:07,367 --> 00:14:10,167 Improve the form. 298 00:14:10,167 --> 00:14:12,067 Then he places a leather-backed 299 00:14:12,067 --> 00:14:13,867 Piece of tin over the built-up 300 00:14:13,867 --> 00:14:15,367 Areas and nails it down. 301 00:14:15,367 --> 00:14:17,200 This part will add strength to 302 00:14:17,200 --> 00:14:23,567 The seat. 303 00:14:23,567 --> 00:14:25,500 He continues shaping the seat, 304 00:14:25,500 --> 00:14:27,433 Then shaves the edges to blend 305 00:14:27,433 --> 00:14:33,300 It to the saddletree. 306 00:14:33,300 --> 00:14:35,233 The seat area gets one last 307 00:14:35,233 --> 00:14:36,967 Leather buildup and some 308 00:14:36,967 --> 00:14:43,333 Intensive skiving and sanding. 309 00:14:43,333 --> 00:14:44,900 Next, he glues the nail's 310 00:14:44,900 --> 00:14:46,733 Leather around the base of the 311 00:14:46,733 --> 00:14:48,367 Horn -- an area called the 312 00:14:48,367 --> 00:14:51,067 Swells. 313 00:14:51,067 --> 00:14:52,467 He then applies leather to the 314 00:14:52,467 --> 00:14:53,767 Back of the seat, called the 315 00:14:53,767 --> 00:14:59,300 Cantle. 316 00:14:59,300 --> 00:15:01,133 After cutting away surplus 317 00:15:01,133 --> 00:15:03,167 Leather, the artisan uses this 318 00:15:03,167 --> 00:15:05,167 Edging tool to trim the skirt. 319 00:15:05,167 --> 00:15:07,300 This makes it smooth so it won't 320 00:15:07,300 --> 00:15:16,067 Chafe the horse or the rider. 321 00:15:16,067 --> 00:15:17,767 Another worker immerses the 322 00:15:17,767 --> 00:15:19,433 Saddle seat in warm water. 323 00:15:19,433 --> 00:15:21,433 This makes the leather soft and 324 00:15:21,433 --> 00:15:23,100 Pliable, allowing it to be 325 00:15:23,100 --> 00:15:25,067 Shaped. 326 00:15:34,667 --> 00:15:36,167 He drapes the seat around the 327 00:15:36,167 --> 00:15:37,733 Built-up saddletree and straps 328 00:15:37,733 --> 00:15:39,967 It down. 329 00:15:39,967 --> 00:15:42,300 As it dries, it hardens into the 330 00:15:42,300 --> 00:15:46,400 Shape of the tree. 331 00:15:46,400 --> 00:15:48,067 He shapes the back section of 332 00:15:48,067 --> 00:15:49,833 The seat separately and pins the 333 00:15:49,833 --> 00:15:54,433 Wet leather to dry to the form. 334 00:15:54,433 --> 00:15:56,200 Then he glues the whole seat to 335 00:15:56,200 --> 00:15:59,533 The saddletree. 336 00:15:59,533 --> 00:16:00,967 But there is much more to be 337 00:16:00,967 --> 00:16:02,500 Done before it's ready for ranch 338 00:16:02,500 --> 00:16:04,467 Duty, so stay tuned. 339 00:16:18,300 --> 00:16:20,200 >> narrator: a western saddle 340 00:16:20,200 --> 00:16:22,100 Serves an important function, 341 00:16:22,100 --> 00:16:23,933 But it also sports elaborate 342 00:16:23,933 --> 00:16:26,067 Artwork engraved in the leather. 343 00:16:26,067 --> 00:16:27,833 This custom goes back to the 344 00:16:27,833 --> 00:16:29,800 Wild west, when a saddle was a 345 00:16:29,800 --> 00:16:31,833 Status symbol and ornate art and 346 00:16:31,833 --> 00:16:33,633 Decorative silver signified 347 00:16:33,633 --> 00:16:42,767 That a cowboy was riding high. 348 00:16:42,767 --> 00:16:44,433 The saddlemaker now shapes the 349 00:16:44,433 --> 00:16:46,200 Seat right up to the back of the 350 00:16:46,200 --> 00:16:48,500 Cantle. 351 00:16:48,500 --> 00:16:50,267 He crimps the edge to build up a 352 00:16:50,267 --> 00:16:54,200 Part called the cheyenne roll. 353 00:16:54,200 --> 00:16:55,800 He maps out its precise 354 00:16:55,800 --> 00:16:58,633 Dimensions with a compass... 355 00:16:58,633 --> 00:17:00,400 Then trims the part following 356 00:17:00,400 --> 00:17:07,933 His scratch line. 357 00:17:07,933 --> 00:17:09,500 With a wooden dowel, he 358 00:17:09,500 --> 00:17:11,433 Again presses the leather seat 359 00:17:11,433 --> 00:17:13,400 To the saddle's contours for a 360 00:17:13,400 --> 00:17:14,467 Final shaping. 361 00:17:14,467 --> 00:17:16,467 He sews through four layers of 362 00:17:16,467 --> 00:17:18,133 Leather to finish off the 363 00:17:18,133 --> 00:17:19,200 Cheyenne roll. 364 00:17:19,200 --> 00:17:20,967 The thread is an artificial 365 00:17:20,967 --> 00:17:22,800 Sinew -- a superstrong nylon 366 00:17:22,800 --> 00:17:24,700 That makes the seam virtually 367 00:17:24,700 --> 00:17:30,333 Indestructible. 368 00:17:30,333 --> 00:17:31,967 The focus now moves to the 369 00:17:31,967 --> 00:17:33,700 Leather saddle skirts, as an 370 00:17:33,700 --> 00:17:39,800 Artist engraves a floral design. 371 00:17:39,800 --> 00:17:41,967 The artist uses a wide range of 372 00:17:41,967 --> 00:17:44,067 Tools with expertise, like this 373 00:17:44,067 --> 00:17:45,967 One, called a back rounder, 374 00:17:45,967 --> 00:17:48,067 Which he uses to carve recesses 375 00:17:48,067 --> 00:17:53,833 Around the design. 376 00:17:53,833 --> 00:17:55,667 A spray of water softens the 377 00:17:55,667 --> 00:17:57,533 Leather, making it easier to 378 00:17:57,533 --> 00:18:04,467 Engrave. 379 00:18:04,467 --> 00:18:06,433 Next, he installs metal plates 380 00:18:06,433 --> 00:18:08,300 On either side of each skirt. 381 00:18:08,300 --> 00:18:10,067 They're part of the saddle 382 00:18:10,067 --> 00:18:12,067 Rigging, which will be used to 383 00:18:12,067 --> 00:18:14,067 Secure the saddle to the horse, 384 00:18:14,067 --> 00:18:15,767 So it's crucial that these 385 00:18:15,767 --> 00:18:17,733 Plates be firmly entrenched in 386 00:18:17,733 --> 00:18:21,367 The leather. 387 00:18:21,367 --> 00:18:23,067 He secures each plate to the 388 00:18:23,067 --> 00:18:24,933 Skirt with several rivets, then 389 00:18:24,933 --> 00:18:26,800 Rounds them off, getting rid of 390 00:18:26,800 --> 00:18:28,400 Any sharp edges that would 391 00:18:28,400 --> 00:18:31,967 Irritate the horse. 392 00:18:31,967 --> 00:18:33,600 The saddlemaker then brushes 393 00:18:33,600 --> 00:18:35,400 Glue on the back of the skirt to 394 00:18:35,400 --> 00:18:37,067 Attach a leather part with a 395 00:18:37,067 --> 00:18:42,567 Rear cinch ring riveted to it. 396 00:18:42,567 --> 00:18:44,300 Here, he glues and rivets the 397 00:18:44,300 --> 00:18:45,833 Top part to this skirt to 398 00:18:45,833 --> 00:18:50,600 The main section. 399 00:18:50,600 --> 00:18:51,933 He arranges a piece of 400 00:18:51,933 --> 00:18:56,067 Sheepskin facedown... 401 00:18:56,067 --> 00:18:57,467 Then glues the back of the 402 00:18:57,467 --> 00:18:59,267 Saddle skirt to it so the woolly 403 00:18:59,267 --> 00:19:00,800 Side will rest against the 404 00:19:00,800 --> 00:19:02,933 Horse. 405 00:19:02,933 --> 00:19:04,133 This part is all about the 406 00:19:04,133 --> 00:19:09,500 Horse's creature comfort. 407 00:19:09,500 --> 00:19:11,333 The saddlemaker sews the skirt 408 00:19:11,333 --> 00:19:12,900 Onto the sheepskin using a 409 00:19:12,900 --> 00:19:14,400 Machine with a heavy-duty 410 00:19:14,400 --> 00:19:21,067 Needle. 411 00:19:21,067 --> 00:19:22,600 He then trims the excess 412 00:19:22,600 --> 00:19:24,500 Sheepskin following the line of 413 00:19:24,500 --> 00:19:28,367 The leather skirt. 414 00:19:28,367 --> 00:19:30,100 To remove some of the bulk, he 415 00:19:30,100 --> 00:19:31,767 Shears the wool, tapering it 416 00:19:31,767 --> 00:19:40,233 Around the edges. 417 00:19:40,233 --> 00:19:42,067 Next, he braids leather lace 418 00:19:42,067 --> 00:19:43,700 Into a tight weave called 419 00:19:43,700 --> 00:19:47,067 Latigo lace. 420 00:19:47,067 --> 00:19:48,567 It ties both halves of the 421 00:19:48,567 --> 00:19:50,400 Skirt together and will later be 422 00:19:50,400 --> 00:19:52,167 Used to fasten the skirt to the 423 00:19:52,167 --> 00:19:55,067 Saddle. 424 00:19:55,067 --> 00:19:56,500 He pulls the lace under the 425 00:19:56,500 --> 00:19:58,467 Weave to secure it. 426 00:20:06,633 --> 00:20:08,233 Next, he applies a generous 427 00:20:08,233 --> 00:20:09,833 Amount of glue to a leather 428 00:20:09,833 --> 00:20:11,967 Stirrup cover. 429 00:20:11,967 --> 00:20:13,700 The stirrup is meat of oak, 430 00:20:13,700 --> 00:20:15,500 Steamed into a "U" shape and 431 00:20:15,500 --> 00:20:17,433 Then reinforced with galvanized 432 00:20:17,433 --> 00:20:21,800 Tin. 433 00:20:21,800 --> 00:20:23,367 He presses leather into the 434 00:20:23,367 --> 00:20:24,633 Crook of the stirrup. 435 00:20:24,633 --> 00:20:26,233 Then he bolts a metal spacer 436 00:20:26,233 --> 00:20:28,933 Into the top. 437 00:20:28,933 --> 00:20:30,633 Now it's time to attach the 438 00:20:30,633 --> 00:20:33,667 Saddle skirts to the tree. 439 00:20:33,667 --> 00:20:35,500 He threads cinch strings through 440 00:20:35,500 --> 00:20:37,300 The cinch keeper and nails it to 441 00:20:37,300 --> 00:20:43,567 The saddle. 442 00:20:43,700 --> 00:20:45,700 Another worker now rubs special 443 00:20:45,700 --> 00:20:47,800 Oil into this western saddle to 444 00:20:47,800 --> 00:20:49,667 Add color to the leather and 445 00:20:49,667 --> 00:20:50,633 Preserve it. 446 00:20:50,633 --> 00:20:52,433 The oiling also exposes the 447 00:20:52,433 --> 00:20:54,067 Grain of the leather and 448 00:20:54,067 --> 00:21:00,467 Highlights the engraved designs. 449 00:21:00,467 --> 00:21:02,233 From start to finish, this 450 00:21:02,233 --> 00:21:04,067 Western saddle has taken 40 451 00:21:04,067 --> 00:21:05,967 Hours to make, but the modern 452 00:21:05,967 --> 00:21:07,800 Cowboy should get plenty of 453 00:21:07,800 --> 00:21:08,833 Mileage out of it. 454 00:21:09,800 --> 00:21:12,700 -- captions by vitac -- Www.Vitac.Com 455 00:21:22,233 --> 00:21:23,933 If you have any comments about 456 00:21:23,933 --> 00:21:25,567 The show or if you'd like to 457 00:21:25,567 --> 00:21:27,367 Suggest topics for future shows, 458 00:21:27,367 --> 00:21:29,400 Drop us a line at... 29814

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.