Original subtitles

.

[dramatic music]

- It's really nice to have someone who cares.

- To get back down here,

I had to cross some powerful people.

[dart whooshing] Ah!

- Petra was worried that they'd come after her.

They must be from the base.

- I want to expand your mind

and guide you to the memories you've lost.

- I think I was stealing some kind of microchip.

- The military was weaponizing time travel.

That microchip contains all the code to make it possible.

The chip is the key to all of it.

- You said you didn't know

why your program was interested in me.

What else have you been lying about?

I'm gonna tell him what's happening.

- You're not going anywhere.

- Where's Scott?

- I tried to fight them off,

but they took him.

It was the people from the base.

- We came up with a plan

to dismantle the project from the inside.

Kevin, I'm your sister.

You're the only family I have in this world.

We have to shut down the project,

and to do that, we have to go to 1965.

- We need to get that microchip back to 10,000 BC.

Eve's life depends on it.

* *

- With this,

we're one step closer to bringing Eve back.

[ominous music]

* *

[bird calling]

* *

- [sighs]

- Izzy said I might find you here.

- It's funny.

In a few thousand years,

this is gonna be Eve's favorite spot.

It's called the Wisdom Tree.

She used to like to come up here

because it would help her see things clearly.

[scoffs]

You know, I appreciate you getting me this.

But now I need to figure out what the hell to do with it.

- Well, the plan was to trade it for Eve.

- Yeah, it is.

I honestly don't know if we can trust

whoever's on the other side of that computer.

- No, we can't.

But it's all we have.

- I'm so close to getting her back.

If I play this wrong, I lose everything.

* *

- Look, it's likely

the person reaching out is related to that program

that you were a part of.

Is there anything else you can remember about it?

- No.

It's a bunch of memories coming back,

but they're all to do with my sister.

* *

Hey, look, did you, uh, hear anything back about Paara?

- She should have returned from her trip days ago.

- I'm sorry.

- You know, I fought so hard to get back here to her.

Now I have a terrible feeling it was all for nothing.

- No. No, no, no.

Every step of this journey has seemed impossible,

and somehow, we've always found a way.

- [chuckles]

- All I know is I'm not gonna stop

until I get my family back.

And I don't think you will, either.

* *

- You're right about that.

* *

[indistinct chatter]

* *

- Hey, Veronica.

Can I ask your advice about something?

- Of course. What's up?

- It's about Leyla.

She offered to take me on an overnight stargazing trip.

- And do you like Leyla?

Then that sounds amazing and romantic.

What's the problem?

- There's so much going on right now

with the microchip and my mom

and--and learning Josh is in 1965.

- So you said no?

- Yeah.

But I feel terrible.

You know, Leyla is the first person

I've felt this serious about,

and I'm worried I screwed things up.

- Izzy, if you both like each other,

I'm sure you'll find the right time to go stargazing.

[soft music]

- What if there isn't a right time?

I mean, how do you and Lucas make it work down here?

* *

- We figure it out one day at a time.

That's all you can do.

So I say trust your instincts,

and the right moment will show itself.

- Izzy.

[tense music]

* *

This came in a few minutes ago.

- Yeah. It's pretty convenient.

It's like they already know we have it.

- Yeah, I agree.

But I think we need to see where it goes.

- Yeah.

- Yes.

[rapid beeping]

"Bring the chip to Cahuenga Peak before sunset..."

* *

"And you get Eve."

* *

- Ask for some kind of assurance

that they'll actually bring her.

* *

[beeping]

[dramatic music]

* *

Gavin, I don't know.

- Hey, look, as much as I want to get Eve back,

this feels like some kind of a trap.

* *

- Hey.

What's happening?

- They want to make a trade today.

- Okay.

That's good news, right?

You hand it over.

You--you get your wife back.

- I don't know.

* *

- What are you debating?

* *

- You know, I just need some time to think.

So let's meet back here in 10 minutes.

Then we make a decision.

* *

[insects chirping]

[birds chirping]

- Lucas.

- Sam?

- Wait up.

- What the hell are you doing out here?

- I could ask the same thing, except I know the answer.

- Is that right?

- Yeah.

You're pissed about Scott.

But you can't storm that base alone.

- Dude, I'm not storming some damn base.

- Okay.

Well, what the hell are you doing out here?

- I just came out here to see my mom.

[somber music]

Helps me think.

- I'm sorry.

I didn't realize. I'll go.

- You're right about one thing.

I mean, I am pissed about Scott.

The guy's basically my best friend.

And--and these people

just find them in the middle of a fire?

Right? They find Levi.

They find Petra.

I mean, come on.

It's almost like somebody's feeding them

information, right?

[tense music]

* *

- You think it's someone at the Fort?

- But hey, I got no leads,

and--and I want to start knocking heads.

But you know, that obviously wouldn't

be great for Veronica.

So I am just out here

trying to calm the hell down.

* *

- I get it.

Why don't you come back with me,

help me figure out what's going on

without breaking any noses?

* *

- I'll--I'll catch up.

Gotta tell my mom the one piece of good news, right?

About the baby?

* *

- Of course.

For what it's worth,

she would have been proud of you.

* *

- Gavin.

Hey.

Gavin, I thought we were gonna talk this through.

You just left.

- Yeah.

But it's my wife's life on the line,

so it's my call.

- Hey, look, I get it, okay?

I get it.

And if I were in your shoes, if it were Petra,

I would do the same thing.

In fact, I came out here to help you make the trade.

- You got it all wrong.

I'm not out here to make a trade.

I'm here to destroy it.

[dramatic music]

- Why would you do that?

- Because too many people have already been hurt for this.

And no one should have this kind of power.

I'll have to find another way to save Eve's life.

* *

- I can't let you do that.

* *

- Maya, what are you doing?

- I'm taking back what's mine.

* *

.

- I'm gonna need the chip now.

- Yeah, that's not gonna happen.

[dramatic music]

- Hey!

* *

Bag.

Now.

* *

- You knew it was me sending those messages.

- You showed your hand,

running in the second the chat

ended, trying to convince me

to make the trade.

Then I realized all your help--

how you triggered my memories--

you were just using me to get the microchip.

- You are clever, playing on

our deepest fears about our families.

- You see, the thing about being separated

from your family is,

you'll do whatever it takes to get them back.

Now you--

you're gonna tell me exactly where my wife is.

* *

[hollow clunk]

[banging]

[tense music]

* *

[dramatic music]

* *

- What the hell?

- Hey.

- I found something in the council hut--

a radio from the Ladera Air Base.

* *

- Gavin and Sam were convinced Maya was our only problem.

- Yeah, but Maya never set foot in that hut.

Only members of the council are allowed.

* *

I don't get it.

Why would someone on the council work with the base?

- I don't know...

but I'm sure as hell gonna get some answers.

[horn sounding]

- Council's starting.

* *

Let me try to figure this out.

- Just be careful.

* *

[rotors thrumming]

[dramatic music]

* *

- Scott.

* *

- [breathing shakily]

Levi?

You're alive.

[sighs]

- More or less. [grunts]

It's not exactly the Four Seasons in here.

Are you all right?

- Depends on your definition of "all right."

What is this place?

What do they want with us?

- I don't know.

They keep interrogating me,

asking me questions about Gavin and some microchip.

- What about Petra?

Is she okay?

- I don't know.

They separated us as soon as we got here.

- Yeah, we need to get out.

All of our friends, they're in danger.

[dramatic music]

- What do you mean?

- I mean, we found Petra's mom,

Maya Schmidt,

but she lied to us.

She's working with these people.

- Did they ask you anything?

- Yeah, just about a research paper

I wrote on a fossilized plant.

- Do you think that if you gave them something,

they may let you go?

- I gave them everything I could,

which is absolutely nothing.

I was very high when I wrote that paper.

- Scott, you have to think.

If there is anything, anything at all

you didn't tell them, it could help us.

- Uh...no, sorry.

I--I've got nothing.

- [sighs]

Okay.

We can figure this out.

- Yeah.

- We can still get out of here.

But I'm gonna need your help.

[door creaking]

- [gasps]

No, wait.

* *

Levi! Levi!

* *

- I'm only gonna ask you one more time.

Where's Eve?

[tense music]

- You can threaten me all you want.

But the problem is, you've lost your leverage.

* *

See my watch?

* *

In 10,000 BC,

time doesn't serve much purpose.

- It's a tracking device.

- Nobody move!

[dramatic music]

Guns down now!

On your knees.

* *

Get on your knees!

- Okay.

* *

[gunshot]

[gunshots]

* *

- Helena.

* *

.

- How did you get here?

- I went through the Aurora you did

right before it winked out.

Did Maya get that chip?

- There was nothing we could do.

- I can't believe this.

You have no clue what that woman is capable of.

- Why don't you enlighten us?

- Maya Schmidt is the head of a private security company

called the Reisander Group.

The Air Force contracted her to create fighter planes

with time travel capability.

- You're telling me the military is backing this?

- No. It's black ops money.

Only a handful of people are aware it exists.

And no one knows her real plan:

to sell the planes to the highest bidder,

no questions asked.

We have to stop her.

We have to get to that base now.

* *

- Yeah, I remember Paara saying the Fort,

they keep rafts down by the river.

The current could get us there faster.

- What are we waiting for?

* *

- Hey, hold up.

I'm starting to remember, uh, how things ended

after we stole that microchip.

Listen, maybe we should talk about it.

- Gavin, I tried to give you a chance again.

Even then, you found a way to disappoint me.

We need to go.

- [sighs]

* *

- Something needs to be done about these abductions

before these soldiers take anyone else.

- It's only the newcomers they're after.

So maybe we should talk about our real problem...

and stop sheltering the people that bring us this trouble.

[tense music]

- If not for Veronica,

that fire would have destroyed our village.

- And now there's a new danger that threatens to destroy us.

I say we put it to a vote.

Do the refugees stay or go?

* *

- I understand your position.

But the greatest danger in this community

doesn't come from my people.

* *

It comes from someone in this room.

* *

I found this earlier today.

* *

[dramatic music]

- Who knows about this?

* *

- This is a serious accusation.

* *

I suggest we take a break, then return with clear heads.

* *

- Ruth?

[soft music]

* *

She's not here.

- Joseph saw her leaving the Fort

a couple of minutes ago.

- Where was she going?

- Apparently, she told him something about

an emergency diplomatic meeting

with another tribe.

- This doesn't feel right.

Do you really think she was using that radio?

- If it walks like a duck...

- Did Joseph see which way she went?

- He did.

Come on. Maybe we can catch up to her.

* *

- Hey, thanks for convincing me to come.

My stress is already lessened.

- I knew it would be.

- Hey, I should probably head back.

I--I want to be there when my dad gets back.

- No, please.

I haven't shown you what I brought you out here for.

[soft music]

After my brother and my father died,

I was lost.

But then I met you, and you talked about your life

back home, which made me think about

my own life and what I want from it.

I don't want to spend every day fighting to survive,

scared I'll lose more people that I love.

* *

Izzy, I think I found a way for us to just live.

And I want to show it to you

so you can tell me what you think.

* *

- I don't understand.

- You will.

It's not much further, really.

* *

- Okay.

- [laughs]

[flies buzzing]

- Wait.

[tense music]

My dad came in this direction.

* *

What if he was here?

* *

- I'm an excellent tracker.

Let me help you find him.

I'll get you through this.

[dramatic music]

* *

- Get this to the lab immediately.

- Yes, ma'am.

- Tell me about the other situation.

Where are we at with the prisoner?

- The officer doing Mr. Israni's interrogation

is here to brief you now.

* *

- Ma'am.

.

[beeping] [door clicks]

[dramatic music]

- Wait.

* *

[beeping]

What the hell?

You're a spy?

- Scott, shut up. We don't have much time.

So let's just skip the part where you don't trust me.

- Little hard to do when you're wearing

the bad guys' uniform.

Oh, and you've even got the freaking tattoo.

That's cute.

- Not for the reasons you might think.

When my wife and daughter died,

I was struggling,

and that's when I found out about Reisander,

that Maya had operations throughout time,

including 10,000 BC.

That was my best shot to get back down here and find James.

- [sighs]

So that helicopter was saving you, not capturing you.

- Yes.

- And they put you in that cell

to get information out of me.

- Because they still believe that

I'm on their side, which I am not.

Now, my allegiance is to my friends,

and that includes you.

- First, I wouldn't call us friends, okay?

All I know about you is that you slept with Gavin's wife

and tried to kill his dad.

And if you truly are on our side,

why are you still here?

You should be at the Fort where Gavin needs you.

- Gavin is the reason that I'm still here.

Look, I don't have the time to explain this all to you.

But you need to listen to exactly what I have to say.

Now, Maya's on her way right now to ask you

about that research paper.

- What is the big deal with that?

Why is she so interested in it?

- Apparently, it has something to do

with the fossilized plants you studied.

They're the key to making her time travel tech work.

Now, did you show that paper to anyone else?

- Why would I do that?

[door clanking]

- All right. Follow my lead.

[beeping] - What?

[grunting, coughing]

No more lies!

[dramatic music]

- Speed bumps, Captain Delgado?

- No, ma'am.

Just as I suspected, Mr. Israni here is claiming

that he didn't show the paper to anyone else.

But I don't believe him.

- Why not?

- Because I've spent enough time with this punk

to know that he's gonna run his mouth off

every chance he gets.

He can spend hours talking weather to a stranger,

so God knows he couldn't stay quiet

about something like this.

- Is that true, Scott?

* *

- [breathing shakily]

- You understand,

I need to be the sole owner of this technology,

which means I need to know who you told.

- [grunting]

- Tell us the truth.

Tell us who you told, now.

* *

- Uh--wait, okay. Yes. Yes, you're right.

You're right. I did tell some people.

* *

- Who?

* *

- Who?

Ah...

well, if you weren't such a monster,

maybe I'd give you some names.

But since you are, you can go screw yourself.

* *

[grunting]

[coughing]

- Keep working on him.

- Extracting this information might take some time.

Israni's friends are undoubtedly coming for him.

I think it'd be safer if we moved him offsite,

perhaps the long-term detention center.

- I wasn't aware you knew about that facility.

- I heard the other officers discussing it.

I think it's a smart solution.

* *

- Very well.

I'll arrange it.

* *

- That was perfect.

That was exactly what we wanted.

Great work.

* *

[birds chirping]

- Don't.

Whatever happened between us is water under the bridge.

- Look, I don't remember everything, okay,

just--just that I abandoned you.

What happened?

- [sighs]

We both knew we were in danger when we stole that chip.

So we came up with a pact to escape the country.

[soft music]

[scoffs]

I even found us this cute place

in Mexico that fit us all--

you, me, Eve, the kids.

You were gonna introduce them to me

when we got there,

tell Eve the truth about our work.

But you changed your mind.

You backed out of Mexico and let me take all the heat

for stealing that chip.

- Look, I can't imagine how--how difficult

that must have been for you.

- For years, I was on the run.

You had your family.

I had no one.

I've never had a real family.

So when you promised to include me in yours,

it was--

it was big.

* *

- Hey. Hey, I'm sorry.

I was a different person.

- Like I said, it's water under the bridge.

[ominous music]

* *

[water splashing]

- Guys. Quiet.

I think there's something in the water.

* *

[dramatic music]

* *

- Ah! Ah!

* *

- Helena! Where'd she go?

* *

Helena?

- Helena!

- Helena?

* *

- Gavin, she's there!

- [gasping]

- Helena, swim. - Come on.

- Swim faster. Come on!

* *

Swim, swim, swim, swim. - Come on.

* *

- [gasps]

* *

- Where'd she go?

- No. - Helena!

She's just gone.

* *

Gavin! Gavin!

.

[dramatic music]

- Gavin!

- You see them? - No.

* *

[both gasping]

- It's coming back! - Gavin, swim!

- Come on. Come on. - Come on.

* *

Come on.

* *

Come on, come on. Swim!

Swim! Give me your hand!

[all shouting indistinctly]

* *

- Shoot it. Go! - Now!

- Now!

[rapid gunfire]

* *

The base is this way.

- Hey...you okay?

- You could have died.

- Yeah, but...

after you sacrificed everything for me and my family,

I wasn't gonna let you get eaten

by some oversized alligator, now was I?

[somber music]

Hey, look.

When this is all over,

I'm gonna make it up to you, okay?

And introduce you to my family.

Our family.

* *

- Hold up.

* *

- What you got?

- There's tire marks.

It means we're getting closer to the base.

Everyone stay sharp.

[tense music]

* *

[birds chirping]

- Hey.

Don't move.

* *

- We're gonna talk this out.

- Why were you working with the base?

- I had my reasons.

- Those people took Levi, Petra, and Scott.

What possible reasons could you have?

- It's complicated.

But I am responsible.

* *

- This doesn't make any sense.

You care about your people.

You wouldn't endanger them like that.

* *

You're covering for someone.

Who is it?

[dramatic music]

* *

- Leyla, hang on.

Are you still following footsteps?

Where are you taking us?

[birds chirping]

[soft music]

- It was supposed to be here.

- What's supposed to be here?

Leyla, what's going on?

- She told me this is where

I'd find an Aurora to your time.

- My time?

- This is the place I was telling you about,

a place to start a new life.

It was supposed to be here.

- You wanted the two of us

to go through an Aurora by ourselves?

Leyla, we have friends and family here who need us.

- They'd be okay.

- No, you don't know that.

I know you want to escape from here,

but running is not the answer.

And who told you there was gonna be

an Aurora here anyway?

[leaves rustling]

- It was Maya Schmidt.

- But she lied to you, like she lies to everyone else.

* *

- Is it true? You're working with her?

* *

- She said no one would get hurt.

She said she'd help me get out.

And all I had to do was tell her about

the people who came to the Fort.

- People like my dad.

- You need to fix this.

* *

- I have an idea.

* *

This is what the base has been using to spy on us.

It's encrypted, but I bet you know

the code to unlock it.

That way, we can spy on them.

[tense music]

Come on.

* *

[beeping]

[static crackling]

[electronic warbling]

- Alpha 1, 1.

This is Bravo 2-5.

We have four targets acquired south by the river,

one female, three males.

- Copy that. Take the targets out.

- That could be my dad.

- We need to warn them.

* *

.

[brakes screeching]

[engine stops]

[tense music]

* *

- [sighs] Come on.

- The location's just ahead.

* *

- I'm sorry about those punches.

You did great.

- Oh, jeez. Cheers, Captain.

Now will you tell me why it's so important for us

to get to this site?

- It's where they're holding Eve.

- Eve's here?

- Yeah.

I overheard the other guards talking about it

when I first arrived to the base.

That's why I stayed.

I've been trying to find her ever since.

But I'm gonna go get her and make things right.

- You mean right for Gavin?

- And everyone else.

I stole your chance to get home.

I can't make up for that.

I'm hoping this'll at least-- [leaves rustling]

- Levi?

- Izzy?

[gun clicks]

[dramatic music]

[all grunting]

- [screaming]

* *

[panting]

- You all right? - Are you okay?

- Where's Dad?

- What do you mean?

- We heard a call.

Said he was spotted south by the river.

* *

We have to help him.

- No, Izzy, you have to stay here.

These are trained soldiers.

- No, I--I can do it.

- I promise you.

The next time you see me,

your dad's gonna be with me, okay?

* *

- Here we go. In position.

[suspenseful music]

* *

[gun cocks]

On my signal.

* *

- Over here!

[gunshots]

[dramatic music]

* *

[gun cocks]

* *

[gunshot]

- Levi!

* *

Dad! - [coughing]

- Levi.

* *

- Hey. Let me see.

* *

- It's a gunshot.

- No. Levi.

- Sam.

- [panting]

- No. No.

* *

- [gasping]

- No.

* *

- Can you, uh--

can you all give us a minute?

- [moaning]

[somber music]

- I'm sorry.

* *

- [gasping]

- No.

[crying]

Levi.

- Hey, kiddo.

- I love you, Uncle Levi.

* *

- [gasping]

* *

- What the hell did you think you were doing?

* *

- Eve's here.

She's--she's in long-term detention.

* *

- Are you sure?

- Scott and I were going to get her.

[gasping]

You're gonna find her here.

- Yeah, yeah, yeah.

We're gonna take care of you first.

- No.

I'm dying.

It's okay.

I've made peace with everything but you and me.

- Hey, hey.

None of that matters anymore.

You're my brother.

* *

- Brothers till the end.

- Yeah. Till the end.

* *

[somber music]

* *

- [sighs]

* *

He was a good man.

I know what he meant to you.

I'm sorry.

* *

- He said that Eve's here in long-term detention.

* *

- Scott just told me the same thing.

And he got the coordinates off one of the guards.

* *

We should get over there while we can.

It's only a matter of time

before Maya shows up with more soldiers.

- We can't just leave him.

- That's what he'd want, Dad.

* *

- Okay.

Okay. [both crying]

Okay.

* *

Let's go.

* *

- We should be getting close to the site.

[tense music]

* *

- What the hell?

[dramatic music]

- Whoa. A double Aurora.

* *

- Sam, what's going on?

- I don't know.

The detention center is supposed to be here.

- No, hold on. Look.

The note next to the longitude line says R-E-D, red.

That's the Aurora to '65.

* *

- You think that's where the detention center is?

- And Josh and Riley. - It makes sense.

Maya has a full operation in 1965

with a detention area too.

- Okay.

Then that's where we gotta go.

- Gavin, wait.

You need to save Eve,

but you also have to finish what we started.

When you get to '65,

you have to destroy Maya's infrastructure.

- How am I supposed to do that?

- I'll show you.

I'm coming with you.

- Okay.

Ready?

- Absolutely.

- Let's go get our families back.

[dramatic music]

* *

.

[dramatic music]

* *