All language subtitles for Waking the Dead S01E04 Burn Out - Part 2.DVDRip.NonHI.en.BBC

Yeah, well, when will Mike Coleman
be fit enough to be interviewed?

Is it going to be today, next
week, next year, next month?

You know...

Yeah. Yeah.

Well, got no choice, have I?

- Who's he talking to?
- The Met.

- About last night.
- They'll be worried.

They like footprints and
chewing gum at the crime scene.

So they know it's
someone with feet and teeth.

- That rules you out.
- Cheeky bugger! These are my own.

- Great.
- Most of them, anyway.

We can interview
Coleman. He's fit enough.

That is fantastic.

So what's the connection between Mike
being attacked and Perry Coleman's death?

- There has to be a connection.
- I hope so.

You've based the
whole case on a hunch.

This is a cold case. That's what we
do. We are a cold case squad, Mel.

Can we just get on with it?

Yes, all right. Nine
years ago, Perry

Coleman was killed
when his car caught fire.

We thought it was an
accident. What changed that?

- Daughter's obsession.
- The fact that the hazards were turned on

after impact, then the
discovery of a suicide letter.

So the second
explanation was suicide.

I ran some pretty
routine tests on the letter.

The ESDA test
revealed imprints of

handwriting found on
another piece of paper,

which was on top
of the suicide note.

It was for a job application advertised
in the local press in June 1996,

three years after Perry died.

The post was filled by Mike Coleman,
Perry Coleman's younger brother.

Who has a relationship
with the dead man's wife.

Every suicide has its unique
method and motivation,

but my feeling is that Perry Coleman
would not have wanted to die in this way.

After his experiences in the war,
he may have suffered blackouts,

periods of destructive rage,

but he was not in the frame of mind
to plan a cold, premeditated suicide,

let alone write a
letter expressing it.

So a third possible explanation
for Perry Coleman's death is...

- Murder.
- Murder.

But shouldn't the Met be
questioning Mike Coleman?

I want him, so we question him.
And you are doing the questioning.

What did Mike say
about last night?

Sticking to the burglary story. We
can rule out Gwen as an accomplice.

We'll see about that. We've
got Mel on Mike Coleman.

Grace'll do Gwen. I'll coordinate.
Frankie, search the house.

And, Spence, I want you to use
your charm on Marina Coleman.

Keep her right out of the
way, away from everything.

Frankie, we should go
for an exhumation order.

Well, the change in
the cause of death will

be impossible to
establish after nine years.

But Mike and Gwen don't know that.
It might panic them into something.

- Yeah.
- OK. Set the process in motion.

- OK.
- All right.

Thanks for a very
constructive meeting.

Are you sure you're
well enough for this?

Do we have a choice?

Hi, how are you doing?

Why are Mum and Mike
are being questioned?

- Let's go for a drive.
- Why can't we talk here?

OK. I see.

- Am I under caution?
- Not officially, but we can arrange it.

In which case, I
need a lawyer present.

Mel, Mel, take it easy with him. Just
soften him up and start with the crash.

Let's go through the events leading
up to your brother's death in 1992.

- That's a long time ago.
- The last occasion you saw your brother,

what kind of frame
of mind was Perry in?

Well, not too bad, considering.

- He was going to meet Marina...
- So Perry had been staying

with his brother in the
weeks before the accident?

He was looking for
somewhere to live.

- Oh, you'd separated.
- It was over.

The marriage had been over for
years, but we just didn't face up to it.

Then when he started
behaving violently,

well, what was the point?

I asked him to move out.

So, let's go back to the
Sunday it all happened.

Well, Perry was supposed to
be taking Marina out for lunch,

but he turned up
early to get some stuff,

saying he couldn't take Marina out because
he was meeting an old friend, Rod Brogan.

Perry moved in with me...

Mel, check if he was meeting
anyone and what he was carrying.

He didn't have
anywhere else to go.

Just bring it forward
to the day of the crash.

Was he planning on
meeting anyone else that day?

- He didn't mention it.
- Carrying anything with him?

- The usual, probably.
- The usual?

Cameras, film, photographic equipment. He
always had a camera. That was his living.

Then why were no cameras or photographic
equipment recovered from the car crash?

Search me.

We'll start from the
top and work down.

I want loft, ceiling cavity, water
pipes, air vents, everything checked.

And remember, some
of the crucial evidence

was returned to the family
after the investigation,

so try and think of
places where they might

have hidden the
things we're looking for -

one identity tag, partially damaged,
one roll of film, badly damaged,

one wristwatch, badly burnt...

and one washing bag, also burnt.

So, tell me about
the suicide note.

Oh, it was about five years ago.

Mike had moved in and I still
hadn't touched a thing of Perry's.

- Where did you find it?
- Mike found it.

In the bureau with
Marina's birth certificate

and our marriage
certificate and stuff like that.

Oh.

- Were you with him when he found it?
- No, actually.

I was out. He showed
it to me when I got back.

What reason did he give for
searching through the bureau?

He said he was clearing it. He said it
would be good to put the past behind us.

It must have been in the summer,
about four years after Perry's death.

- How long had you been in Perry's house?
- Gwen's house, you mean?

I don't know. A few months.

- Ask him why he was clearing the bureau.
- Why did you look in the bureau then?

Not sure if I can remember.
Looking for envelopes, probably.

Pathetic. Hit him with
the insurance details.

This was four years after Perry's
death, just when the insurance company

finally agreed on a sum
for Perry's accidental death.

Confront them both
with the letter now.

Gwen... I think you ought to know...
we've done some tests on the suicide note.

The letter could only have
been written five years ago.

The ink wasn't
manufactured before then.

And from other marks on the paper,
we know that the letter was faked.

- How do you feel?
- You've got it wrong.

We know that you wrote that letter.
We have forensic evidence to prove it.

- Well, your tests are wrong.
- Very minimum, it's insurance fraud.

I can see where this is heading.

So what did you do after
your brother left that afternoon?

- I'm not saying anything else.
- Do you have an alibi for that day?

- He's clamming up, Mel.
- You made the accident look like suicide.

I put it to you, you wanted
your own brother dead.

No, Mel.

This looks promising.

Well, whatever was
in there isn't any more.

Burnt plastic.

I've called the duty
solicitor. Is that OK?

Chin all right? You're sticking
to the burglary story, are you?

It's OK.

I've had suspects lose the power
of speech for days, you know.

It doesn't really bother me...

..because I'm an
extremely patient man.

We're going to dig
up your brother's body.

Well... we're going to dig up
what's left of your brother's body.

We've had the coroner's
permission to do that.

You don't approve?

No. Well, it's not a very
pleasant thing to do, but then...

..you're not a very
pleasant man, are you?

Hmm?

The way you've lied
to those two women...

..for years.

The way you've used
Gwen... for years.

Five years. Why
did you...? I mean...

Were you so jealous of your
brother? Did you feel so inadequate?

Pathetic. Just a
useless lump of...

..nothing.

Hmm?

Did it make you feel something
when you slept with your brother's wife?

I wonder if she felt anything.

Or I wonder if she just missed
your brother... all the time.

I mean, did you match up?

Hmm?

Probably didn't, did you?

You can tell me. Just...

Were you as useless in that area as
you have been in the rest of your life?

Hmm?

OK. Well, we've got a lot
to talk about, haven't we?

Let's, um... Let's have
a cup of tea. Yeah?

- Why do you need to take my DNA?
- Open up, please.

You don't think I'm
a suspect, do you?

Of course not.

It's just to check
any traces relating to

your father. You share
half your DNA with him.

It's not all I share with him.

He was stubborn, headstrong...
never knew when to stop either.

Right, yeah.

When the investigation
was over, er...

what happened to your
father's personal possessions?

Most of them went to my mum.

I got a penknife...

..and I got this.

- You won't find anything at their house.
- What do you mean?

I saw Mike a couple of hours ago...
going down to the dump with a plastic bag.

Why didn't you tell us?

Didn't want to interfere.
Thought I'd leave it to the experts.

Frankie? Bad news.

Yeah. Mike's removed
evidence from the house.

He's taken it down to the dump.

- Apparently, she didn't want to interfere.
- Then I had second thoughts.

- Hold on.
- Followed Mike down to the dump

and picked this up when he left.

Frankie, I think we
may be in luck, though.

I can't believe there's
anything still in there.

Well, it must have been
thrown clear by the explosion.

The dampness of the contents
would have protected it from the heat.

OK.

That looks like a cross
and possibly a roll of film.

Yeah, and that looks like
a disposable razor blade.

- Can we get any DNA from the razor?
- Let's find out.

It has been dried out by the heat,
but plastic is a pretty good seal.

Remember that mosquito
in "Jurassic Park"?

- Sealed in amber?
- Oh, yeah.

This molten plastic
has acted a bit like that.

Here, look. You can see.

These hair fragments
are perfectly preserved.

It is a bit rusty, but I might get some
mitochondrial DNA or even some skin.

Could you identify
that as being Perry's?

We could cross-match
it with Marina's swab.

Great.

- Have you got that cross?
- Er... Mm-hmm.

Just look... at this.

- It looks exactly the same.
- This is Rod Brogan.

What's Brogan's cross
doing in Perry's washbag?

Gwen said that Brogan went to
meet Perry on the day of the crash.

- Brogan's in the army.
- So find out about Brogan.

And that film, we need
to see what's on that.

Right, Brogan was a fellow
soldier with Coleman in the Paras.

Both joined in the
early '80s. Both left '89.

Apparently, the Paras still
have a blood sample in storage.

- Do you want it?
- Could be nothing, but let's check anyway.

So what are we going
to do about the brother?

- We still can't put him at the scene.
- Let's get a DNA swab from him.

- See if that loosens him up.
- What if he objects?

Say we're trying to eliminate
him from our enquiries.

OK. This is the film
from the sponge bag.

Our only hope is that the casing wasn't so
corroded that the images are overexposed.

Hmm... Looks like
our luck just ran out.

Unless he was taking
photographs of black cats in the dark.

Or white cats in the snow. This
is a negative. Here, hold that.

- Where does that leave us?
- Well,

can you see these scratch
marks and striations here?

- Those just came from the camera casing.
- Exactly.

They are as unique in their own
way as the scratch marks on a bullet.

They can tell us which
camera was used.

So if I could get some original
negatives of Perry Coleman's,

we'd know if these were
shot on the same camera?

- Yeah. Go for it.
- Brilliant.

I can't find any negs. I
haven't got any either.

I wish I did. Worth
some money now.

Hang on. Maybe the
scratches will show up on a print.

Here you go.

Take this.

- Was it taken with your dad's Leica?
- Yeah. He's holding it.

Him and that camera
were inseparable.

Look after it. It's the
last thing he gave me.

Really?

- Do you think Mike ki...?
- Marina.

It doesn't matter what we think. We
just go where the evidence leads us.

Thanks.

Couldn't get any negatives,
but this print might do.

Mm-hmm.

You got a blood
sample from the army?

Yeah.

And it matches the DNA. The
washbag was definitely Rod Brogan's.

So Brogan's our prime suspect.

Hmm...

Coleman, Brogan, friends in the
army. They left about the same time.

Perry became a photographer,
Brogan a mercenary.

They meet up in Yugoslavia at the
beginning of the Serb-Croat war in '91.

From what we gather, Brogan's
connections with Serb paramilitaries

gave Coleman and his
camera access to the front line.

OK. Spence?

I ran Brogan's name through various
databases. NCIS came up trumps.

1992, the year of Coleman's death, he
was under investigation for war crimes.

- What was the allegation?
- He was a foreign volunteer

for a paramilitary group
called the Black Wolves.

They were alleged to be
behind several atrocities,

including the one where Perry Coleman
took the photographs of the hospital.

So Perry and Brogan... were
together at the time of the massacre

and on the day of
Perry's death, right?

I haven't got a track on Brogan since
'93, but he boarded a plane to Canada

three days after Coleman died.

What if Coleman had evidence
incriminating Brogan in the massacre,

photographic evidence probably?

That would be enough motive
for Brogan to want him dead.

But if there's a smoking gun
somewhere linking Brogan to the killings,

why didn't Perry publish it?

Fear? Maybe he was
threatening Coleman or his family?

Misplaced loyalty to a friend?

Maybe he just couldn't go
through with the horror of it.

Perhaps that was the film
that was destroyed in the crash.

Hang on, though.

What would you do if you had something
that could put somebody away for years?

I'd have insurance.

- Back-up copy.
- Where would you hide it?

Or... or you'd give it to
somebody you could trust.

This is where Mike Coleman
comes in. He's involved somehow.

- You're wasting your time, you know.
- Why?

The scratches were on the back of the
negative. They won't come out in prints.

- Well, I've done it now.
- You'd better put it back.

- Frankie?
- Hmm?

Here they come.

It looks like the sequence
he won the awards for.

But this time we've
got the whole picture.

I don't think I like
the look of this.

- It's the massacre.
- Perry was there throughout it all.

Spence, come and
have a look at this.

So Brogan wasn't upset by what he'd
seen, he was upset by what he'd done.

Hang on. Stop there.

Zoom in on the nurse.
Look, it's the same cross.

I get it.

The cross is a
trophy for Brogan.

A trophy from one of his kills.

Someone like Brogan fights
for whoever pays the most.

He's not motivated by politics.
He enjoys killing for the sake of it.

You can call him a mercenary, but
he's really a serial killer in uniform.

I'd better get some
prints made up.

- You OK?
- No, not really.

He's still out there somewhere.

Just hope that Brogan's
back in the country.

I've got PNC, DVLA, DHSS, all the
agencies doing cross-searches and matches.

We'll get the bastard.

So there it is.

That's your brother's body.

After nine years, it's... it's
not going to look very good.

Did you have any breakfast?

I'm sorry. This must
be very upsetting.

Um...

Well, if there's one
thing Marina's taught me,

it's when things aren't properly
resolved, they never rest.

Before you go, I wondered if you could tell
me a little more about Roderick Brogan.

Um... Yeah. He was,
er... an old friend of Perry's.

He was best man at our wedding.

- They fell out.
- Oh? When was that?

I don't know. It was
something during the war.

Perry never talked
about it much.

If they fell out, why did Perry go to
meet Brogan on the day of his death?

I didn't ask. I just thought they
were trying to patch things up.

Did you see him again?

No, I reckoned he must
have gone back abroad.

I was a bit upset,
though. Yeah...

He didn't even
come to the funeral.

Are you ready?

Remember, that is
your brother in there.

When they unzip the bag, it's not
going to be very pleasant, so if...

..so if you want, the best thing you
can do, probably, is to take a deep breath.

- If you've got a handkerchief...
- Let's go.

Just wait here.

- Frankie, can we have an observer?
- What are you doing?

- I just want...
- No.

I'm not turning my path
lab into a bloody theatre.

- I'm sorry, Boyd.
- It's really important.

Get him out of my lab.

Get him out now!

- Sir?
- What?

We've got our smoking gun.
Photographs of Brogan during the massacre.

And we've traced Brogan
back to this country,

an address he used
up until a month ago.

Fantastic. Put an
arrest team on standby.

- What about Mike?
- Leave him to me. Grace?

There's a chance Brogan's still in
the country using the same name.

Why not? Until now, it
was accidental death.

Why is Mike helping Brogan to
cover up his brother's murder?

Search me. Maybe it's blackmail.

- Is that the best you can come up with?
- Yeah.

Yeah. Do you want to sack
me and get a better profiler?

That's a very good idea.

Very good.

OK, you're free to go. We're
not going to press charges.

What about the letter?

The CPS will decide
what to do about that.

- Can we give you a lift?
- No.

No, we'll give you a lift.

I apologise for what I put you through
earlier. I was on the wrong track.

Something new has come up. We've
located your brother's friend, Rod Brogan.

- Oh, really?
- Mmm.

I'll let you know what happens
in the next couple of hours.

Look, if it's all the same with you,
I'm gonna walk. Thanks, anyway.

Once again, I am sorry.

It's me. Get out now. Repeat,
get out now. They're on their way.

Spence? Hold on.

I want a printout of the last number
dialed from here. It's 02797 61325.

Read it back. That's
right. Plus an address.

Quick as you can.

Preliminary examinations
show arm and leg

fractures consistent
with a high-impact RTA.

We're going to start with
a positive identification.

There are several cavities in the teeth,
but in the absence of dental records...

Er... The body is
badly charred, so...

any chance of getting
DNA material is small.

What about the arm?

There might be some undamaged
muscle protected by the watch strap.

Caretaker saw a tenant named
R Brogan about an hour ago.

OK, let's go.

All clear!

Thank you.

Still cold. I'd say
about half an hour ago.

Mike must have tipped
him off. We're getting there.

We're getting closer.

Are you sure these samples
are from the daughter?

Can you take another sample
from the body to double-check?

- Fresh?
- Yeah.

What have you got?

Didn't know Brogan
was a photographer.

This is getting
weirder and weirder.

- It's Marina.
- Why's Brogan stalking Perry's daughter?

- She's getting closer to the truth.
- This is me.

- He's been following me.
- This is dangerous stuff.

- He's a psychopathic killer.
- Get Marina into protective custody.

- Why's he come out of hiding?
- I need a profile on this guy.

- Hi.
- Hi.

No wonder they were trigger-happy.
These mercenaries are all ex-gangsters.

Popping pills all day and
living on a diet of cola and milk.

- Are you OK?
- I'm having problems with the basic ID.

- You got DNA?
- Yeah, but it doesn't match Marina's.

- What do you mean?
- No way are that body and Marina related.

- I don't understand.
- The body's DNA doesn't match Marina's,

so either the body
isn't Perry Coleman...

- But we had a positive ID.
- ..or Perry is not Marina's father.

That would explain why
Brogan's following her now.

What are you talking about?

Well, if she's not Coleman's
kid, maybe she's Brogan's.

You must be joking.

He was best man at the wedding.

Maybe best man in
more ways than one.

- You've got a sick mind, Spence.
- You need one in this business.

John, yeah. OK. Great.
Let me just get a pen.

How am I going to do this?

How can I tell her that the man she
adored is not her biological father?

Or that it's not his
body and he's still alive.

I know which one
I'd rather hear.

- Do you want me to tell her?
- No.

The Chinese think
I'm responsible.

This DNA pattern looks familiar.
I'm sure I've seen it before.

Can you load up the Brogan file?

Where are the negatives
of the massacre?

Where they're meant to be.

Thanks.

It seems that your
father had this... evidence

that Brogan was involved
in war crimes in Yugoslavia.

And it's possible that he...

..might have killed your
father because of them.

I knew it. I knew that he wasn't
going to die by committing suicide

or by accident.

He was going to die for
something he believed in.

It's the same. I don't get it.

What are the same?

The scratch marks.

I don't believe
it. Where's Boyd?

- I think he's upstairs talking to Marina.
- That's what I was afraid of.

Oh, now I do.

Marina...

When you get involved
in DNA comparisons,

it can become complicated and...

- Can I have a word?
- I'm talking to Marina.

It's about that. Now, please.

I'm sorry, Marina.
Just give me a second.

- What a time to pick.
- I'm sorry, but...

The DNA pattern was familiar,

so I compared it with the
washbag hair and the blood sample.

- Sir?
- Hang on.

Just tell me whose
body is on the slab.

I can positively identify the body
we exhumed today as Rod Brogan's.

Oh, great!

- What's that?
- My psychological autopsy on Rod Brogan.

The negs in Brogan's flat, I've compared
them with the ones taken in the massacre.

Both were taken with the same
camera - Perry Coleman's Leica.

Wait... You're telling me
that Rod Brogan is dead?

Uh-huh.

Get everyone
together, all right?

- And make sure Marina Coleman gets home.
- I'll see to it.

Brogan is dead, but Perry
has been using his identity,

so Perry is still alive.

- Body switch.
- So Mike is happy for it to be murder,

accident, suicide, whatever,

because in all three,
his brother is protected.

But what I don't understand
is who attacked Mike.

- Maybe it was Perry.
- It's possible.

Brothers fall out.

Maybe Perry found out
about Mike and Gwen.

No. From what I gather, the
marriage was over before he left.

His main concern is Marina.

- We should bring Mike in for questioning.
- Why would he give up now?

Grace, what do you think?

Well, we now know Coleman was
somehow involved in the murder of Brogan.

He takes his identity,
flees the country.

Suddenly, for some
reason, he's come back

and he's secretly
visiting his daughter.

- Why?
- Why is he doing that?

Perry was the only one at
the car when Brogan died.

- So he must have killed him, yeah?
- Yeah, but by coming back,

he increases the danger
of the case being reopened.

He wants to stop his
daughter if she's on his trail.

Look at these pictures.

They're taken by a man who
needs to confront the truth.

My guess... guess...

is that he needed to come back to
face the one person who still admires him.

That's why he's
been stalking her.

- Is he a danger to her?
- He could be.

It's OK. You don't
have to say anything.

You're much more
beautiful than your photos.

- What photos?
- Mike sent me photos of you growing up.

Mike? Mike sent
you photos of me?

They were the only
thing that got me through.

Got you through?

What was supposed
to get me through?

I thought you were dead.

- We all thought you were dead.
- Shh! It's OK. I'm back.

No, it's not OK. I'm not a kid,
or have you not noticed that?

Nine years.

You disappeared for nine years.

Why have you come back?

The police are here.
You've got to go.

- It's over, Marina.
- No, it's not.

Come on.

Halt! Police! Show yourselves!

Clear!

Give me the keys.

You go round.

She's gone.

Me?

Yep.

It's blood.

Frankie? Frankie, I want
you to check this out for me.

- Leave it there. I'll do it in a minute.
- It is urgent.

It always is. I do
have other work to do.

It could be Perry
Coleman's blood.

I can't guarantee I'll
get it done quickly.

Well, quick as you can, eh?

Yeah, thanks, Frankie

Really appreciate it.

It's all right.

He's told me everything.

You realise Mike's an
accomplice to murder?

You helped cover up Brogan's death and
conspired to pervert the course of justice.

I don't know what
happened in the car.

Perry was in a real state. He couldn't
really explain the crash properly.

- He's my brother. I had to help him.
- You kept trying to block our enquiries.

Now, who attacked
you that night?

- Perry.
- Why? Had he found out about you and Gwen?

- What's so funny?
- You don't understand.

Well, enlighten us, please.

Perry wasn't like that.
He wasn't interested in me.

All he cared about was Marina.

- He thought that I was threatening her.
- Well, you were.

She had misgivings about her father's death
and you rubbished them to protect him.

No, you just don't understand.

I was doing it to protect her...

..from her father...
and from herself.

Unfortunately, it's a
bit late for that now.

Your daughter's either been kidnapped by
him or is assisting him in evading arrest.

Either way, she could
be in serious danger.

Have you any idea where
they might have gone?

- Of course not. We'd tell you.
- You've got to find her!

- We're trying our best.
- If Perry or Marina get in touch, call us.

Mel...

Come on.

Please promise
me you'll find her!

It's OK. It's OK.

- Any news?
- No, I've got surveillance teams

at the Colemans' house,
Marina's flat, Brogan's bedsit,

and I've heard
absolutely nothing.

What about the crash site?

What about it?

It's a strong compulsion to
revisit the scene of the crime.

Sometimes it's the
only way a victim

or a perpetrator can come to
terms with what's happened.

Think about it. What would
you do in that situation?

A father, apparently dead...

..comes back to his
daughter after nine years.

Imagine it.

If you could go back, what would
you do? What would you say?

Sorry.

That's all right, Grace.

I'd go back to the
last time I saw him.

Try to talk to him.

I'd go back to the time...

..and, yes...

..the place.

- Get your coat.
- You want me to leave?

Yep. With me.

- Boyd.
- Yeah?

- Good news or bad news?
- On what?

- On the urgent blood test.
- Oh, right. Come on, Grace.

Well, it's definitely
Perry Coleman's,

but I've noticed some
abnormalities in the white blood cells.

What does that mean?

I ran it by a friend
in hospital pathology,

and it looks like acute
myeloid leukaemia.

And?

Left untreated, I'd give
him less than six months.

- Why here, Marina?
- I'm doing what you taught me to do, Dad.

Face the truth, no
matter what the cost.

I'm not sure I can face this.

You met Rod Brogan.

He thought you were gonna expose
him over his role in the massacre.

You make it sound so
simple. You don't understand.

Don't... Don't patronise me!
Of course I don't understand!

Were you gonna
blackmail him? Is that it?

No, no. I wasn't trying to blackmail
him. He was trying to blackmail me.

You didn't pull the trigger.

All you did was take
photos. That's all you did.

That's it, Marina. That's
all I did, took pictures,

while innocent people were pleading
for their lives, people younger than you,

begging me to intervene,
begging me to be a braver man.

He jeered at me.

He said I'd made my name, my
money by other people's deaths.

He said I was as bad
as he was, a mercenary.

Brogan deserved
to die. You didn't.

I was as guilty as him, Marina.

You stand by, a witness,
you see enough dead faces,

you don't want to live any more.

The man you knew died here.

So you swapped identities?

Yeah.

- You ran away.
- Because of you. For you.

Why have you come back?

I needed to protect myself.

From?

From you.

From what you'd think of me.

It sounds pathetic... but I
need you to think well of me.

- That is pathetic.
- What do you want me to say?

That I love you? You're my
daughter? I'd do anything for you?

It's a start.

I can't go on running, Marina.

You've got to get on with your life.
Without me, just like you did before.

I won't be around much longer.

Marina!

No! No! No, not again,
Marina. Get away from the car!

- You get away!
- Watching a dead man die.

- Why aren't we arresting him?
- Spence!

No guns! Come
on. Be careful, now.

Please, just leave us alone.

Just leave him alone. He
hasn't done anything wrong.

- You're gonna blow us up.
- Run, Dad!

Marina, you'll blow us all
up if... Put your guns down!

- What's going on, sir?
- Put your guns down!

Your father's not going
anywhere. Ask him yourself!

- You're not running any more, are you?
- What's the matter with you?

- Just put your guns away! Now!
- Shit!

Why do you think he's
come back here now?

Why do you think he's not
running away? Ask him?

- Tell her!
- I don't know what's going on!

- There's no need for her to know!
- Give me the lighter, Marina. Come on!

Give me the lighter.
Talk to your father.

Marina... go and
talk to your father.

He's got something to tell you.