All language subtitles for The.Six.Million.Dollar.Man.S05E17.The.Madonna.Caper.1080p.BluRay.FLAC2.0.H.264-BTN (1)_track5_[eng]

[Edward] And though,
no one in the State Department

is willing to make
an official confirmation,

I'm told this exhibition
of Russian masterpieces

is being viewed
by both governments

as much more than a vehicle
for cultural exchange.

That, in an unprecedented
expression of openness and trust

the Soviet Union
has given new meaning

to the concept of detente by
allowing us this intimate look

at its people, traditions,
mind, and heart.

[applause]

The applause
is for Countess Korischeva,

world renowned curator
and art restorer,

who has so brilliantly prepared
this exhibition.

Maybe we can get a word
with her.

Countess. Countess Korischeva.
Countess, I'd like to--

Oh, please, call me Lysandra,
or Miss Korischeva,

Ms. Korischeva, take your pick,
but not countess, hm?

Certainly,
but you are a descendant

of a Latvian royal family.

Yes, but there aren't any
royal families

in my country now,
just families

and people in a climate
for cultural development.

- Excuse me, please.
- Thank you.

[applause]

And that was
Miss Lysandra Korischeva.

And this is Edward Alvin,
ABS News,

at the National Gallery
in Washington.

[laughs]
Countess.

What a pleasure
to see you again.

You look as beautiful
as ever.

[laughs]
Oscar. Thank you.

My, what an evening.

What a turnout.

That's a beautiful, um, what...

Oh, the sculpture.

You can assume
we're being watched.

Cigarette, countess?

Take one and put the microdot
in the case.

I'm sorry, Mr. Goldman,
I don't smoke.

Oh, forgive me,
I thought that you, um,

you liked
American cigarettes.

- I did.
- What happened?

It was becoming hazardous
to my health.

Anything serious?

I'm afraid it is.

Well, perhaps,
we can go somewhere

and, uh,
discuss the problem.

If we stay here,
I can show you.

[dramatic music]

Ah, the "Byzantine Madonna."

And beautifully restored,
countess, just beautiful.

You're a genius.

Thank you, Mr. Goldman.

[chuckles]

You know, there used
to be a little, round chip

missing right there.

[Oscar] That's where
the microdot is, huh?

You know, all these paintings
are fragile and priceless.

Arrangements for their safety
are extensive.

So I noticed.

Can't you find, uh,
some excuse to work on it alone?

Yes,
but that's not the answer.

A security guard
will be with me all the time.

How much time would you need?

Ten minutes
would be very productive.

- Really?
- Yes.

[laughs]

I'll see
if I can arrange them.

[Man 1] It looks good
at NASA One.

[Man 2] Roger.
BCS Arm Switch is on.

[Man 1] Okay, Victor.

[Man 2] Landing Rocket
Arm switch is on.

Here comes the throttle.
Circuit breakers in.

- [Steve] We have separation.
- [Man 1] Roger.

[Man 2] Inboards and outboards
are on.

I'm coming forward
with the side stick.

- [Man 1] All looks good.
- [Man 2] Uh, Roger.

[Steve] I've got a blowout,
damper three!

- [Man 1] Get your pitch to zero.
- [Steve] Pitch is out!

[Steve] I can't hold altitude!

[Man 2] Correction,
Alpha hold is off.

Turn selectors... Emergency!

[Steve] Flight Com,
I can't hold it!

She's breaking up.
She's breaking...

[whirring]

[explosion]

[Rudy] Steve Austin,
astronaut.

A man barely alive.

[Oscar] Gentlemen,
we can rebuild him.

We have the technology.

We have the capability to make
the world's first bionic man.

Steve Austin
will be that man.

Better than he was before.

Better, stronger,

faster.

[whirring]

[theme music]

[mysterious music]

Steal a painting?

Oh, just for ten minutes,
Steve.

The microdot
we've been expecting, Steve.

With the Warsaw Pact
missile deployment system.

It's hidden in a painting?

Beneath layers of paint.

Our contact is a restorer.

It was the only way
that she could get it out.

Where's the painting now?

The National Gallery,
Steve.

It's part of an exhibition
at The Hermitage.

That sounds delicate,
and difficult.

This museum was chosen

because of its extensive
security operations.

Alright.

The painting's right here,
in this alcove,

behind an inch of glass,
surrounded

by a stainless steel frame.

Light beams project across
the alcove to the other side,

twelve inches apart.

One break
and the alarms go off.

The cone-shaped device, is that
part of the alarm system too?

That device is sensitive
to air movement.

A moth would set it off.

TV surveillance
scanning the entire gallery,

monitored
by a security guard.

Now, the alarms are set

the minute the museum
is closed.

Do the guards make rounds
after the museum's closed?

As unnecessary
as it sounds, yes.

Well, we'll have to get copies
of the schedule.

No way. They change it
every day, Steve.

Is that it?

The floors are sensitive
to weight.

Any change
and the bells start ringing.

That's it.

But do we have somebody
inside?

Uh, somebody at the museum?

Yes.

Our contact has an office

in the museum for the duration
of the exhibition.

She is arranging
for a malfunction

of the air conditioning system

so that you can end up
in this area right here.

You see,
right above the picture.

What about cooperation
from museum personnel?

No way. Security was provided
by both sides.

And we can't risk
the Russians finding out.

Exactly,
the secretary is steaming

that we're using this exhibit
for espionage purposes.

So it's just me.

And the countess.

[suspenseful music]

Excuse me, I'm Steve Austin.

Lysandra Korischeva.

We don't have much time,
Mr. Austin.

This must be done quickly,
as quickly as possible.

How long will the exhibition
be here?

Three weeks.

But we have only three days.

The director of the Hermitage,
Viktor Bellushyn,

arrives at the museum
in 72 hours

for a reception
in his honor.

And you think he could spot
the microdot beneath the paint?

He's given lectures, written
books about that painting.

He knows every square millimeter
of its surface.

He'll know something
isn't right.

And if he finds
the microdot,

he'll know
that you put it there.

Yes.

Well, we'll have to get it out
before he does.

[dramatic music]

- Do something for you?
- Uh, Maintain-Temp.

I got a service call here.

Oh, yeah,
they said you were coming.

Uh, what's that?

Oh, that's a humidity tester.

It, uh, it co-evaluates
the negative pressure

on the barometric sensor discs

with the air filtration
control diodes

among other things.

Sure, buddy.

[music continues]

[whistling]

- Are you gonna be long?
- Well, let me check it out.

- And I'll let you know.
- Okay.

[whistling]

[music continues]

[music continues]

Well, it could be a while.

The trouble's down below.

Okay.

[whistling]

[yawns]

[music continues]

[music continues]

[music continues]

[music continues]

[beeping]

[music continues]

[music continues]

[door lock clanks]

[music continues]

[music continues]

[music continues]

[creaking]

[music continues]

[dial tone]

A maintenance guy, huh?

Yeah, he's in there working
on the HVAC.

[Russell]
Did you get a notice on that?

Of course, it came through
this afternoon.

Well, okay, listen, uh...
I gotta make the rounds.

Uh, you hustle up and check out
that access door, will ya?

I couldn't get it open before.

Oh. Alright. I'm on my way.

[telephone ringing]

Security, main desk, Russell.

Mr. Russell,
this is Miss Korischeva.

Yes, ma'am.
What can I do for you?

I can't find my passport.

I--I think I might
have left it in my desk,

the drawer on the right side.

Could you check it for me,
please?

Well, ma'am,
I'm late for rounds now. Uh...

Oh, Mr. Russell,
you know the problems

I could have if I lost it.

Yes, ma'am.

You hang on
and I'll be right back.

[dramatic music]

[music continues]

[music continues]

[door closes]

[Korischeva] I've got it.

[music continues]

Steve, it's incredible.

I never expected
such complete data.

- You did a terrific job.
- Thank you.

The countess had
a lot to do with it.

[intercom beeps]

- Yes?
- [Woman] Mr. Goldman.

[Woman]
I have the undersecretary

of the State Department
waiting out here,

Mrs. Arthur Cummings.

Well... show her in.

Well, good morning,
Mrs. Cummings.

May I present
Colonel Steve Austin.

Mrs. Arthur Cummings,
of the State Department.

Gentlemen,
I understand you were involved

in a little operation

at the National Gallery
last night.

And a very highly
successful one, I might add.

I'm afraid not, Mr. Goldman.

My input indicates
it was miserably bungled.

Bungled?

The data in that microdot

is priceless, Mrs. Cummings.

It's worthless if you started
World War III getting it!

I'm afraid
I don't understand.

The "Byzantine Madonna."

- Yes?
- Yes.

I thought
that'd get through.

The painting
in the museum today

is not the one
that was there yesterday.

What?

It's been
switched with a fake.

The museum director,
Mr. Templeton

noticed it this morning
and thank God,

thank God he had
the good sense

to come to me first.

- Eh, that's impossible.
- It happened!

And I want to know
what's going on!

I don't know
what's going on, Mrs. Cummings.

But I'll tell you one thing.
I'm gonna find out!

Let's hope so.

You don't have much time.

- What happened?
- I don't know.

I mean, I took the painting
from the alcove,

handed it up to the countess.

She removed the microdot,

restored the painting,
and I put it back.

What you're saying then,
is the countess

is the only one
that could've made the switch.

I guess that's what
I'm saying, yeah.

- But I'll get it back.
- You'd better get it back.

The Russians are due here
in exactly 36 hours.

If we don't get that painting,
we might be back in a cold war!

Okay.

Then he won't listen
to reason.

Well, the man leaves me
very little choice.

Yeah, it's time to explain.
[doorbell rings]

He sticks to pushing
on the street

and keeps his fingers
out of my operation

or they get broken.

Wait a minute. Tell him I said
his future is in your hands.

Yeah, handle it.
I have an important meeting now.

Right.

Countess... Welcome.

Mr. Kane.

Ah.

[dramatic music]

Magnificent.

An experience
without precedent.

[sighs]

A $5 million experience,
Mr. Kane.

Ah.

[music continues]

I'm sure everything
is in order.

A pleasure, Mr. Kane.

Indeed, it is.

A rare one.

Share it with me
for a few moments.

Thank you, Mr. Kane,
but I really must go.

[sighs]

[music continues]

[knock on door]

Oh, Steve.

Oh, what a nice surprise.
Come in.

I'm looking for a painting.

That's wonderful.

Do you have a specific, uh,
period or style in mind?

The "Byzantine Madonna",
I want it back.

I don't have it now.

- Who does?
-Well...

I'm not at liberty to say.

Well, you picked
the magic words, at liberty.

How about ten years in jail?

For what?

You stole a painting.

Ah, correction,
you stole a painting.

Oh, correction, I borrowed
a painting for a few minutes.

You stole it.

Alright. I confess.

Let's go to the police, hm?

We'll tell them, the OSI
engineered this little caper.

And for what reason?

To get possession
of a microdot

containing the Warsaw powers'
missile locations.

You know, we could suggest
to your government

that they have a career diplomat
to stand by

to, uh, explain the situation
to the Russians.

Or we could just forget
the whole thing...

except the last part, I don't
want to forget I met you.

Would you zip me, please?

Thank you.

Like it?

Oh, it's beautiful.

Great camouflage
for your character.

Ah. So galant.

If you'll excuse me,
I have to meet someone.

[telephone ringing]

Hello.

[Gorney] This is Gorney,
I won't be able

to keep our appointment.

Would you, uh, hold on?

Would you please leave?

You must keep the appointment.

[Gorney] It would be meaningless
to meet.

I haven't been contacted yet.

Oh, but I was told the money
had to be delivered

no later
than midnight tomorrow.

[Gorney]
The deadline can be extended.

When I am informed where
the money is to be delivered,

I will contact you.

Be in your hotel room
at four o'clock.

Tell me who has the painting.

Sorry.

You know, there's a lot
about you that impressed me.

But you know the one thing
that impressed me the most?

You're coordinated.

Everything about you
is so perfectly coordinated,

except your, uh,
your luggage.

Now why wouldn't a woman so
in-sync have matching luggage?

Now if you tell me where
that painting is,

I won't satisfy my curiosity

about what's
in that attache case.

Steve, please.

I have been trusted.

Well,
you go in for trust a lot.

I trusted you.
Oscar trusted you. Did you--

Lives depend on my delivering
this attache case.

Okay. You've got a commitment.

Then you can appreciate mine.

Steve, please.

I sold the painting
for $5 million.

It's in this attache case.

Who did you sell it to?

Okay, if anything
goes wrong, if I can't deliver

this attache case...

Steve, the money in it
will buy the freedom

of hundreds of unjustly
imprisoned people.

It's true.

Please believe me, I beg you.

Oh, I believe ya.

Why didn't you go
a different route?

What different route?

There are organizations,
Amnesty international,

Freedom groups,
communications media.

My people can't afford
the time that would take.

They're dying,
losing their sanity

in wretched prisons
every day.

Can you imagine
what it's like?

Damp, windowless cell...

always cold,
never enough food...

torture...

years without feeling the warmth
of another human being...

constantly brainwashed...

treated like an animal.

All because you dared to think,
or practice your religion,

or because you had
the courage to voice

an unpopular political view.

I understand.

But then,
you have to understand

why I must do
what I have to do.

Oh, Steve.

I sold the painting
to a collector...

a man named... Chilton Kane.

[dramatic music]

Thanks.

Oh, thank you.

Well, I'm sorry, Mr. Stacks.

I just, uh, can't imagine
where you got that information.

Well, my pipeline.
I am in oil, you know?

And, uh, well, that's what
we call it where I'm from.

You know, pipeline, uh,
grapevine, you get it?

Anyway, it only pumps out
top grade information.

I can guarantee you that.

Yes, well, it looks
like it's, uh, pumped out

some Oklahoma crude this time.

Like I told you,
I don't have the painting.

Well, Cezanne,

Ruben, Van Gogh...

and that, uh,
that fellow there.

- Rembrandt.
- Yeah, Rembrandt.

I once paid $7 million
for one of his paintings.

'Course,
nobody knows I got it.

Okay.
So you're a collector too.

Exactly.

That's why there'll
be no questions asked,

no bill of sale required,

and I'll pay $8 million
for it.

Look, Mr. Stacks, I don't
have the "Byzantine Madonna."

If I did, I wouldn't be
interested in any deals.

Well, you see,
there's this little lady I use.

Uh, she's a curator,
if you follow my meaning.

Of course,
she don't curate nothin'

until after she lines
up a buyer.

Well, just between you and me,

I didn't figure
that she could, uh,

well, bring in the well,
so to speak.

So I didn't bid
on the "Byzantine Madonna."

Now, what has that
got to do with me?

Well, you see, I think she
prefabricated that little story

about another bidder
just to,

just to pump up my interest
a little bit.

Ah, interesting.

But what made you
figure it that way,

that, uh, she wouldn't be

able to bring in the well.

Well,
the security in that museum

is tighter than a blowout
collar on a gusher.

I know, I've, uh,
dropped a bundle

on fancy surveillance systems
for my refineries.

So I figured the only way
to get that painting

would be to steal
the whole museum.

[both chuckle]

But I gotta hand it
to that little lady.

She sure pulled
off the impossible.

Well, uh, Mr. Kane.

Glad you came by.

I, uh, I'm, uh,
camped out over there

at the Ogner on M. Street.

If, uh, you give me a jingle,
uh, you get some time,

we'll have a couple of shooters,
you hear?

See ya.

[dramatic music]

[door closes]

[Tynan] Hello?

I wanna speak
to Richard Tynan.

- This is Richard Tynan.
- Chilton Kane.

I need your expert opinion
on a certain matter.

Well, of course.
That's my business, Mr. Kane.

[Kane] The National Gallery,
half an hour.

Very well, Mr. Kane.

I understand you people
do your homework.

But how did you know?

How could you know
that he would call me?

Mr. Tynan, you're an expert
on Byzantine art.

Yes, one of three
with international credentials.

Exactly.

Now,
there are only two others,

in Florence and Leningrad.

[dramatic music]

Magnificent.

It's the original?

Yes, of course it is.

You're sure of that?

Mr. Kane...

a man with your eye,

with your sensitivity

surely, you've noticed
the crisp brushstrokes,

the unmatched depth
of the glazes...

and the ambiance...

one can feel
from across the room.

My very conclusion.

A brilliant masterpiece.

I wondered that you could
have thought any different.

Well, let's just say
I was settling a bet.

Be sure and send me a bill.

[sighs]

[dramatic music]

Find her. Bring her to me.

[music continues]

How'd it go?

Tynan told him
it was the original.

Now if he'll take
the rest of the bait.

All phone calls
to that number you gave Kane

will be patched through
to my office.

You'd better get back there.

Countess,
Kane wants to see you.

Well,
I--I can't see him now.

Now!

[screaming]

Let go of me!

[tires screeching]

[intense music]

[music continues]

[tires screeching]

[music continues]

- Are you alright?
- Yes, I'm alright.

Steve, that man,
he was at Kane's.

Why is this happening?

Because I put you in danger.
It's my fault. I'm sorry.

Your fault? What do you mean?
That doesn't make any sense.

Well, because I made Kane think
that you sold him a fake.

I should have hid you away
someplace safe.

Look, I gotta hide you away
for a couple hours.

Oh, no, I'll be alright.

Just for a couple of hours.

I can't go into hiding. I...

They expect me inside the museum
to complete arrangements

for that reception
for the Russian delegation.

And then, I have to be back in
my hotel room at four o'clock.

Otherwise,
all that I did was for nothing.

One more favor,
when I get the painting,

I'm gonna need your help
to get it back into the museum.

[dramatic music]

- So it's a phony.
- [Boyle] Yes.

[chuckles] And it cost
you $5 million, Mr. Kane.

Um, I'm sorry, Mr. Kane.
I mean--

Relax, Boyle.
It didn't cost me a penny.

As a matter of fact,
it's an investment

that's gonna make me
$3 million.

Mr. Kane.

Well, come on, let's hear it.

Well, she, uh,
she had some guy work me over.

I don't care if she had some guy
work you over.

I told you to find her
and bring her here.

But, boss,
what do you care about her now?

You're gonna make
$3 million on the deal.

Eight million.

She's got $5 million of mine.

I'm going to get it back.

Nobody cheats me.

What are you waiting for?
Get moving!

[sighs]

I'm well aware that Bellushyn
is arriving at the airport.

I sent a limousine
to pick him up.

Yes, the painting will be at
the museum before he gets there.

Thank you.

If we get the call from Kane.

And if we're sure
that the countess

will be there to help us.

I got her word.

Good.

Thank you. Anything yet?

A lot of noise from everybody,
but Kane.

There's $8 million in here.

Now, that oughta be enough.

And here's a little
something I developed.

Now that should show up on all
the bills, rather suddenly,

in three hours.

Now you will be finished
with Kane by then?

Or we're finished, but good.

That reception
is in little more than an hour.

[telephone ringing]

That's our patch line.

Yeah.

Uh, sure enough.
You've got him.

Oh, I'm traveling already,
Mr. Kane.

I'll be there in a shake.

You bet.

We got him.

Good luck, pal.

[dramatic music]

[telephone ringing]

Yes?

[Gorney] Gorney.
- You've been contacted?

[Gorney] Yes. The ambassador
has been detained.

He's not coming here tonight?

[Gorney]
No, he's remaining in Geneva.

Well,
then I must go to Geneva.

[Gorney] Yes,
it's all been arranged.

You're booked
on the six o'clock flight.

You must be in Geneva
by noon tomorrow.

Six o'clock?
It's five o'clock now.

[Gorney] Don't miss it.

That's right decent of you
to do this so fast, Mr. Kane.

When I decide on a move,
I make it, Mr. Stacks.

Before I leap, I look,
Mr. Kane.

I don't see the objetuoi
in our presence.

I have it. It's here.

First we, uh, talk price.

Oh, first things first.
I like that.

Well, I managed to tap a couple
of wells on the way over here.

Course,
if it runs over $10 million,

I'll have to wire my banking
people back in Oklahoma.

Oh, that won't be necessary.

I won't be offended by
an offer of $9 million.

Well, I'm sure, as you can
recollect, I said no haggling.

I'm a man of my word.

How offended would you be, uh,
at seven?

[sighs]

You know, negotiating, uh,
I don't like it either.

I'm forced to accept
your offer of eight.

By golly, I knew you would.

That's why I gave my best shot
right off.

[laughs]

Well, okay.

Rest is yours, Mr. Kane.

And the "Byzantine Madonna"
is yours.

[dramatic music]

[knock on door]

Come in. There's a suitcase
in the bedroom, and these two.

[intercom buzzes]

- Yes.
- [Woman] Mr. Bellushyn is here.

Show him in.

Gentlemen, come in.

It's a pleasure to have you
here. My name is Oscar Goldman.

I'm coordinating this cultural
exchange with the Soviet Union.

Ah, Viktor Bellushyn.

Yes, I know. Pleasure.

Won't you, uh,
won't you sit down, please?

If you don't mind, Mr. Goldman,
we go to the museum now.

Now? But the reception
isn't until six o'clock.

I thought maybe you'd like
to have some drinks

and hors d'oeuvres.

I am on a very tight schedule.

I would like to go
to the museum now.

But you've been
on a long flight.

I thought maybe you'd like
to relax, uh, you know...

I have no time
for relaxation.

Please, Mr. Goldman,
can we go?

Well, of course.

Uh, would you excuse me,
just for a moment?

I have to, uh,
make a telephone call

to make some arrangements.

Yes.

That's right.
We're moving it up.

- To when?
- We're leaving now.

Listen,
if you wanna cover that event,

you'd better get that camera
crew right over there.

Can't afford not to. Thanks.

Thanks a lot. On our way.

[tires screech]

- I got the painting.
- Steve, I'm sorry.

I've only half an hour
to get to the airport.

Look, I've only got a half hour
to get that painting

back to the museum.
I can't do that without you.

[sighs]
Steve, try to understand.

People's lives
are depending on me.

I've got to be in Geneva
by noon tomorrow.

Look, I'll fly you
to Geneva myself,

as soon as we're finished.

You're sure?

Trust me.

[dramatic music]

I don't wanna get to the museum
before six o'clock.

Nobody said a word
to me about it this time.

- I'm sorry.
- Yeah, but I got a call.

I mean,
it was an emergency call.

Look, buddy, I--I get a notice

from the chief, you get in.

I don't get a notice,
you don't get in.

I didn't get any notice.

Okay, okay. Forget it.

Uh, you mind signing
this right here, please?

- What's this?
- Uh, this is a release.

You see, tomorrow, when
the paint on those portraits

starts peeling because
the humidity's too high, well,

somebody's gonna be responsible.
And it ain't gonna be me.

Come on, just sign right here,
please.

Mr. Bellushyn, Edward Alvin,
ABS News.

Perhaps you,
as its guiding genius,

would explain
to the American people

what prompted
this exhibition.

Please, I have no time
for a statement now.

Well, surely, sir,
you can take out a few moments.

It might be a good idea
to say something.

This is a live broadcast.

The whole country
is watching.

Uh, yes, of course.

For many years now,
it has been my vision,

my dream,
to share with the...

[intense music]

I don't know how,
Mr. Russell,

but I'm afraid
I did it again.

Well, I'm sorry. You're gonna
have to wait this time.

Uh, but, Mr. Russell, uh, wait.
Y--you don't understand.

No, I can't. Call me back
in a half an hour.

[whirring]

Steve, the guard,
he wouldn't do it.

He's making his rounds again
in two minutes.

Make the switch.

American public,
the great wealth

of Soviet artistic genius...

[tense music]

And so, after much struggle
and persistence,

I have finally made
my vision come true

in this magnificent reality.

Thank you very much, Mr.--

Uh, Mr. Bellushyn,

your speech has furthered
the cause

of Soviet-American
cultural exchange.

- Very kind.
- Excellent job.

Very kind.
Thank you very much.

[whirring]

[music continues]

- Russell.
- Sir.

[Templeton]
Where are you going?

[Russell] I'm making my rounds,
sir.

Forget your rounds.
The Russians have arrived.

- Come with me.
- Yes, sir.

[intense music]

And at last, I am here.

Mr. Bellushyn,
I have waited years.

It is indeed,
my pleasure to welcome you.

- Thank you.
- Please.

Ah, yes, an honor, of course.

[creaking]

[music continues]

[Templeton]
If you gentlemen would wait

just a moment, please.

Go ahead, Russell.

Excuse me.

This way, gentlemen.

Yes.

Stunning. Yes.

You have done a very fine job,
mister.

[music continues]

[indistinct chatter]

Well, the jet will be ready
in a few minutes,

and we'll be on our way
to Geneva.

And, uh, that bird
is so fast,

we'll probably have time to
stop off for dinner somewhere.

Oh, that'll have to wait.

I'll feel a lot better
when those people are safe.

Then any place you say.

Well, I was thinking
about your country.

Behind the iron curtain.

Oh, won't be as much
fun as Paris or Rome.

But it's a lot safer.

You realize you'll have
to stay there a long time.

You mean because of Kane?

That's one of the few areas
in the world

where he can't get to you.

And before I leave you,
I wanna tuck you someplace safe.

Sounds delightful.

And will you untuck me
when it's safe to come out?

And probably a couple
of times in between.

[theme music]