All language subtitles for The Addams Family (1964) — 1x14 — Art and the Addams Family

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These are the user uploaded subtitles that are being translated: 1 00:00:17,476 --> 00:00:19,394 They're creepy and they're kooky 2 00:00:19,478 --> 00:00:21,396 Mysterious and spooky 3 00:00:21,480 --> 00:00:23,398 They're altogether ooky 4 00:00:23,482 --> 00:00:25,150 The Addams family 5 00:00:25,526 --> 00:00:27,402 The house is a museum 6 00:00:27,528 --> 00:00:29,488 When people come to see 'em 7 00:00:29,571 --> 00:00:31,365 They really are a scream 8 00:00:31,532 --> 00:00:33,116 The Addams family 9 00:00:34,409 --> 00:00:35,452 MAN: Neat. 10 00:00:36,370 --> 00:00:37,412 Sweet. 11 00:00:40,374 --> 00:00:41,458 Petite. 12 00:00:41,542 --> 00:00:43,335 So get a witch 's shawl on 13 00:00:43,418 --> 00:00:45,337 A broomstick you can crawl on 14 00:00:45,420 --> 00:00:47,130 We're gonna pay a call on 15 00:00:47,422 --> 00:00:51,134 The Addams family 16 00:01:03,897 --> 00:01:05,941 That Zen-Yogi is so interesting. 17 00:01:06,567 --> 00:01:09,194 Not only good for your feet but your head, too. 18 00:01:09,444 --> 00:01:12,281 That's right. It's really very cultural, isn't it? 19 00:01:12,656 --> 00:01:14,658 Mama can have her painting. 20 00:01:15,659 --> 00:01:18,954 - Painting? - She's gotten so, so arty. 21 00:01:19,037 --> 00:01:21,331 She can't wait till you see it, Gomez. 22 00:01:21,623 --> 00:01:23,584 Very well. Coming up. 23 00:01:25,460 --> 00:01:26,920 Alley-oop! Oop! 24 00:01:30,924 --> 00:01:35,220 By George, Mama! This new technique of yours is a dandy. 25 00:01:35,512 --> 00:01:38,849 It does give me a feeling of release. 26 00:01:43,687 --> 00:01:47,524 - That's it. You've done it. - Not quite. 27 00:01:48,192 --> 00:01:50,736 It still needs a little something. 28 00:01:50,819 --> 00:01:53,488 Mama, I beg you, don't tamper with perfection. 29 00:01:53,780 --> 00:01:55,407 Oh, trust Mama. 30 00:02:04,625 --> 00:02:06,001 GOMEZ: Superb. 31 00:02:06,168 --> 00:02:09,004 It should be on exhibit at the Metropolitan Museum. 32 00:02:09,087 --> 00:02:10,756 You're too kind. 33 00:02:10,839 --> 00:02:14,384 But what I need is the eye of a critic. 34 00:02:14,968 --> 00:02:16,929 - A critic? - Yes. 35 00:02:17,012 --> 00:02:19,973 Someone who'd give an unbiased opinion of my work. 36 00:02:20,057 --> 00:02:22,184 If you don't believe me you can ask Uncle Fester. 37 00:02:22,267 --> 00:02:25,729 Well, he's sweet, but he has an axe to grind. 38 00:02:25,812 --> 00:02:27,523 That's just for recreation. 39 00:02:27,606 --> 00:02:31,693 What I need is an outsider. 40 00:02:33,362 --> 00:02:37,491 Very well, Mama. I'll call in my friend, Bosley Swain. 41 00:02:41,703 --> 00:02:43,622 Well, Bosley, what do you say? 42 00:02:45,332 --> 00:02:46,542 Unbelievable. 43 00:02:46,750 --> 00:02:48,794 I told you I knew great art. 44 00:02:48,877 --> 00:02:52,589 Mr. Swain, am I expressing the real me? 45 00:02:52,798 --> 00:02:54,424 Oh, it's the real you. 46 00:02:55,384 --> 00:02:57,135 Couldn't be anybody else. 47 00:02:57,344 --> 00:02:58,971 How sweet of you to say so. 48 00:02:59,471 --> 00:03:02,307 What would you suggest as my next step? 49 00:03:02,808 --> 00:03:03,934 A teacher. 50 00:03:04,017 --> 00:03:07,062 Is there a teacher you could recommend for Mama? 51 00:03:10,983 --> 00:03:12,109 No. 52 00:03:15,404 --> 00:03:18,949 Really very nice of Bosley Swain, being so encouraging about Mama. 53 00:03:19,408 --> 00:03:21,535 Mama's painting is most unusual. 54 00:03:21,785 --> 00:03:24,580 Well, one thing is certain. She has her own technique. 55 00:03:24,663 --> 00:03:26,832 She throws that paint with a curve. 56 00:03:27,666 --> 00:03:31,253 If you do find a teacher for her, make sure he's got a good arm. 57 00:03:34,756 --> 00:03:37,092 Do you think the Zen-Yogi society 58 00:03:37,176 --> 00:03:39,845 will hang this picture of you in their office? 59 00:03:39,928 --> 00:03:42,681 It'll fit in so perfectly with the rest of their decor. 60 00:03:42,764 --> 00:03:45,684 You know, you and Mr. Swain are so flattering, 61 00:03:46,268 --> 00:03:49,354 but I wish he could have recommended a teacher for me. 62 00:03:50,564 --> 00:03:54,276 I've got it. The perfect teacher for you. Picasso! 63 00:03:54,776 --> 00:03:56,612 Picasso? For me? 64 00:04:01,158 --> 00:04:02,242 You rang? 65 00:04:02,326 --> 00:04:05,162 Lurch, do you have any idea where Picasso might be? 66 00:04:05,579 --> 00:04:06,663 Tahiti? 67 00:04:07,623 --> 00:04:09,958 No, Lurch, that was the other painter fellow. 68 00:04:10,042 --> 00:04:12,419 The one who hobnobbed with the native girls. 69 00:04:12,503 --> 00:04:15,088 See what you can do on the phone, Lurch. Try France. 70 00:04:15,172 --> 00:04:16,673 Yes, Mr. Addams. 71 00:04:17,758 --> 00:04:20,010 I wonder what Picasso's doing now. 72 00:04:20,093 --> 00:04:23,138 The last I heard, he was fiddling around with ceramics. 73 00:04:24,473 --> 00:04:26,975 - Paris. - Thank you, Lurch. 74 00:04:28,894 --> 00:04:31,855 Bonjour, mademoiselle. Comment ca va? 75 00:04:33,732 --> 00:04:36,610 Could you connect me with Mr. Picasso, the painter? 76 00:04:36,818 --> 00:04:38,820 Lurch told me you had Paris on the line. 77 00:04:38,904 --> 00:04:40,697 Could you switch me over to the Folies-Bergere? 78 00:04:40,781 --> 00:04:42,783 I'd like to talk to my French pen pal. 79 00:04:42,866 --> 00:04:45,494 - I thought Yvonne lived in a convent. - No, she moved. 80 00:04:46,662 --> 00:04:50,249 You don't talk to pen pals. You write to them. 81 00:04:50,958 --> 00:04:52,084 Darn. 82 00:04:52,167 --> 00:04:55,295 Oh. Well, thank you, operator. 83 00:04:57,506 --> 00:04:59,800 That's odd, she never even heard of Picasso. 84 00:05:01,176 --> 00:05:02,469 Mamacita! 85 00:05:04,012 --> 00:05:05,639 We forgot our ancestral land! 86 00:05:05,722 --> 00:05:07,015 Spain. 87 00:05:07,099 --> 00:05:08,600 It's 3:00 in the morning there. 88 00:05:08,684 --> 00:05:09,977 Do you suppose he'll be up? 89 00:05:10,060 --> 00:05:13,438 Certainly. Everyone in Spain is up half the night dancing and funning. 90 00:05:13,522 --> 00:05:14,648 Let me try it. 91 00:05:14,731 --> 00:05:16,775 - Would you like to? - I'd love to. 92 00:05:34,918 --> 00:05:36,044 Hello? 93 00:05:37,296 --> 00:05:39,673 Yes, operator, yes, yes. 94 00:05:39,923 --> 00:05:42,593 This is Picasso. Sam Picasso. 95 00:05:44,136 --> 00:05:45,262 All right. 96 00:05:46,513 --> 00:05:47,598 Hello? 97 00:05:47,890 --> 00:05:50,142 GRANDMAMA: Mr. Picasso, the artist? 98 00:05:50,851 --> 00:05:53,020 Could be. Who wants to know? 99 00:05:53,353 --> 00:05:55,981 The name is Addams, from America. 100 00:05:56,523 --> 00:05:59,193 From America? America? Oh, that's... 101 00:06:00,527 --> 00:06:02,696 - Is this call collect? - Oh, no! 102 00:06:03,113 --> 00:06:06,033 I hope I haven 't caught you at a bad time. 103 00:06:06,700 --> 00:06:09,036 No. No, dear lady, no. 104 00:06:09,119 --> 00:06:12,748 As a matter of fact, I wasn't doing anything important tonight. 105 00:06:12,831 --> 00:06:14,208 Good. 106 00:06:14,291 --> 00:06:18,295 Then how about coming to America and living with us? 107 00:06:18,879 --> 00:06:22,424 Could be. But of my service, what did you have in mind? 108 00:06:22,508 --> 00:06:25,177 Babysitter? Gigolo? Gardener? 109 00:06:25,260 --> 00:06:27,137 Well, because I'm very good in all three of them. 110 00:06:27,221 --> 00:06:31,975 I want you to teach me to paint. 111 00:06:32,434 --> 00:06:36,271 Paint? Oh, paint! That's what I do better than best. 112 00:06:36,355 --> 00:06:40,150 - Well, how soon can you leave? - How soon can you send me the fare? 113 00:06:40,234 --> 00:06:42,528 - Immediately. - I'm leaving. 114 00:06:48,158 --> 00:06:50,869 Yankee Doodle went to town cha, cha, cha 115 00:06:50,953 --> 00:06:52,746 La, la, la, la, la, la, la 116 00:06:52,829 --> 00:06:55,499 La, la, la, la, la, la, la 117 00:07:15,435 --> 00:07:16,645 Hello. 118 00:07:17,479 --> 00:07:20,440 Hello. Who are you? 119 00:07:20,524 --> 00:07:22,109 I'm Wednesday. 120 00:07:23,402 --> 00:07:25,445 It's too bad what happened to your doll, eh? 121 00:07:25,529 --> 00:07:28,782 She isn't a doll. She's Mary, Queen of Scots. 122 00:07:29,116 --> 00:07:31,910 Grandmama was telling us what happened to her, 123 00:07:31,994 --> 00:07:34,955 and my brother Pugsley chopped off her head. 124 00:07:39,334 --> 00:07:40,669 PICASSO: "Marie Antoinette." 125 00:07:41,086 --> 00:07:42,629 "Little Red Riding Hood." 126 00:07:42,838 --> 00:07:44,214 Little Red Riding Hood? 127 00:07:44,298 --> 00:07:47,467 - She didn't die. - The way we play it she does. 128 00:07:49,469 --> 00:07:52,931 - Is your family home? - They're always at home. 129 00:07:53,473 --> 00:07:55,893 - I would like to see them. - You would? 130 00:07:55,976 --> 00:07:57,060 Yes. 131 00:07:59,646 --> 00:08:01,106 All right. Come on. 132 00:08:17,164 --> 00:08:18,332 Come on. 133 00:08:25,380 --> 00:08:26,548 Mother! 134 00:08:27,174 --> 00:08:29,259 Father, Mr... 135 00:08:29,426 --> 00:08:32,054 - Picasso. -...Picasso is here! 136 00:08:32,679 --> 00:08:35,516 Addams here. Welcome to America. 137 00:08:39,603 --> 00:08:42,856 - This is America? - Well, it's not all like this. 138 00:08:43,190 --> 00:08:45,108 Not everyone has it this good. 139 00:08:45,359 --> 00:08:48,529 Wednesday, run to Mr. Picasso's room and make sure the shades are drawn. 140 00:08:48,612 --> 00:08:49,738 Yes, Father. 141 00:08:51,365 --> 00:08:53,534 Here comes your pupil now, sir. 142 00:08:54,201 --> 00:08:57,371 Oh, maestro. I think I'm going to faint. 143 00:08:57,913 --> 00:08:59,873 Not before I do. 144 00:09:00,040 --> 00:09:01,959 Gomez, darling, what's all the excitement? 145 00:09:02,042 --> 00:09:05,671 My lovely wife, Morticia. The great Picasso. 146 00:09:06,713 --> 00:09:08,966 I'm so glad you could come. 147 00:09:09,091 --> 00:09:10,467 You know, it's strange. 148 00:09:10,551 --> 00:09:14,304 I was under the impression that you were short and round and bald. 149 00:09:14,388 --> 00:09:17,558 Darling, he's short and round. You can't have everything. 150 00:09:18,267 --> 00:09:21,061 If there's anything you'd like, just name it. 151 00:09:21,770 --> 00:09:24,398 - What's for dinner? - I'll go see. 152 00:09:31,405 --> 00:09:33,031 Cocktails. 153 00:09:33,240 --> 00:09:38,078 Thank you, Lurch. That's very thoughtful of you. 154 00:09:38,745 --> 00:09:43,041 A vintage brew from the Addams wine cellars, Mr. Picasso. 155 00:09:43,125 --> 00:09:44,751 Especially for you. 156 00:09:49,131 --> 00:09:52,593 To Mr. Picasso. Long may he live. 157 00:09:52,843 --> 00:09:54,761 At least a couple more days. 158 00:10:09,693 --> 00:10:12,779 1916 was a great year for champagne. 159 00:10:16,283 --> 00:10:18,911 I thought you might like another little snack. 160 00:10:22,831 --> 00:10:24,625 - What's in it? - Pate of yak. 161 00:10:24,708 --> 00:10:27,127 - Sounds delicious. - It is. Try one. 162 00:10:34,468 --> 00:10:37,638 - Is different. - Yes. Yes, it is. 163 00:10:39,556 --> 00:10:42,559 By George, Mama, that is a dazzler! 164 00:10:42,935 --> 00:10:45,604 I never could have done it without Mr. Picasso. 165 00:10:46,522 --> 00:10:49,107 What shall I do next, Mr. Picasso? 166 00:10:50,108 --> 00:10:53,445 I would suggest, senora, that you practice your brushstrokes 167 00:10:53,529 --> 00:10:56,365 up and down, up and down. See how it's... 168 00:10:56,448 --> 00:10:58,867 Very bad. No, no, no. Your wrist is too stiff. 169 00:10:58,951 --> 00:11:00,994 Flexibility, flexibility. 170 00:11:03,831 --> 00:11:06,792 Oh, yes. To get a better view you've got to move back. 171 00:11:06,875 --> 00:11:09,962 As far back as upstairs. You come for dinner, eh? 172 00:11:10,337 --> 00:11:12,881 Very good, very good. Keep up, keep up. 173 00:11:14,132 --> 00:11:16,844 - Isn't he inspiring? - He certainly is. 174 00:11:17,594 --> 00:11:19,471 Not only that, he's the only guest we've ever had 175 00:11:19,555 --> 00:11:21,431 who appreciates pate of yak. 176 00:11:23,016 --> 00:11:25,644 I hope that's not the ladies from the charity bazaar. 177 00:11:25,727 --> 00:11:27,688 My paintings aren't nearly ready. 178 00:11:27,771 --> 00:11:29,064 It's probably Bosley Swain. 179 00:11:29,147 --> 00:11:32,150 I invited him over to see the improvement in your work. 180 00:11:33,527 --> 00:11:37,155 - Mr. Swain. - Swain, good to see you. 181 00:11:38,782 --> 00:11:42,160 I am terribly busy, but you said that your mother had a new teacher 182 00:11:42,244 --> 00:11:43,620 and that I was in for a big surprise. 183 00:11:43,704 --> 00:11:46,165 There it is, old man. Feast your eyes. 184 00:11:46,498 --> 00:11:49,626 Who is the culprit? I mean, teacher? 185 00:11:49,710 --> 00:11:52,254 - Mr. Picasso. - Picasso? 186 00:11:52,337 --> 00:11:54,965 Yes. Came clear over from Spain. 187 00:11:55,716 --> 00:11:58,719 Brought some of his own masterpieces. There it is. 188 00:11:59,052 --> 00:12:02,806 - A genuine Picasso. - Yes, a genuine Sam Picasso. 189 00:12:02,890 --> 00:12:06,101 Worth about 40 cents. This man is a bum. 190 00:12:06,226 --> 00:12:09,021 Been trading on the Picasso name for 20 years. 191 00:12:09,438 --> 00:12:10,689 Nonsense. 192 00:12:11,190 --> 00:12:16,153 If this isn't Pablo Picasso, then we've discovered a great new talent. 193 00:12:17,196 --> 00:12:20,365 Oh, come now. I'll admit he showed promise as a young man, 194 00:12:20,449 --> 00:12:23,619 but he hasn't painted anything but wallpaper in years now. 195 00:12:23,702 --> 00:12:25,996 Someday that wallpaper will be worth a fortune. 196 00:12:26,079 --> 00:12:29,708 You take my advice. If you want a teacher, you throw this freeloader out 197 00:12:29,791 --> 00:12:33,128 and take a correspondence course. 198 00:12:37,341 --> 00:12:40,552 How unprofessional jealousy can twist a man's mind. 199 00:12:40,636 --> 00:12:43,347 I never thought old Bosley would sink that low. 200 00:12:43,430 --> 00:12:47,059 With his influence he could turn the whole art world against poor Sam. 201 00:12:47,142 --> 00:12:48,727 Ruin his reputation. 202 00:12:49,186 --> 00:12:51,605 - We have got to help him. - How? 203 00:12:52,064 --> 00:12:55,359 We're gonna make him work, work, work 204 00:12:55,567 --> 00:12:59,738 till he reveals himself to the world as the true genius that he is. 205 00:13:00,864 --> 00:13:04,034 Mr. Picasso. Mr. Picasso. 206 00:13:07,371 --> 00:13:09,498 - Dinner is served? - Work. 207 00:13:09,915 --> 00:13:12,042 Oh, senor. Gosh, you going to ruin my appetite. 208 00:13:12,125 --> 00:13:14,753 No, no, no. As a starter we'll find something simple. 209 00:13:14,837 --> 00:13:15,921 Let's see. What'll it be? 210 00:13:16,004 --> 00:13:18,507 Kitty! Kitty! Kitty! 211 00:13:32,938 --> 00:13:34,898 You want me to work? 212 00:13:35,107 --> 00:13:38,443 You're a genius, Picasso. I won't permit you to waste your talent. 213 00:13:38,527 --> 00:13:41,363 From now on you're going to paint, paint, paint. 214 00:13:41,446 --> 00:13:46,034 But this is ridiculous. I cannot be turned on like a kitchen faucet. 215 00:13:46,118 --> 00:13:48,287 You must, old boy. You owe it to posterity. 216 00:13:48,370 --> 00:13:51,081 Please, I owe enough already. Senor Gomez, believe me, 217 00:13:51,165 --> 00:13:55,836 I cannot paint a stroke without brushes made from goats' hair from Tibet. 218 00:13:56,628 --> 00:14:00,924 Perfect. I'll write my friend, the high lama. He'll send us all the goats we need. 219 00:14:01,758 --> 00:14:04,928 And what about the canvas? You do not know, of course not, 220 00:14:05,012 --> 00:14:07,723 that I use canvasses made from Egyptian cotton. 221 00:14:08,599 --> 00:14:11,810 I'll have the family helicopter pick some up on the way back from Tibet. 222 00:14:11,894 --> 00:14:15,147 It's still no good. I cannot paint in a living room. 223 00:14:15,230 --> 00:14:16,273 - No. - No! 224 00:14:16,356 --> 00:14:17,399 - No. - No! 225 00:14:17,482 --> 00:14:21,361 - We fixed up a special studio just for you. - Thank you. 226 00:14:23,530 --> 00:14:24,698 Come on. 227 00:14:29,369 --> 00:14:32,623 Voila! You can work here without any distraction. 228 00:14:33,081 --> 00:14:36,793 Won't you believe me? I love distractions. 229 00:14:36,877 --> 00:14:39,630 Mr. Picasso, we'll have all your meals sent in. 230 00:14:39,713 --> 00:14:43,425 - Senor, but where will I sleep? - Sleep, you say? 231 00:14:44,760 --> 00:14:46,803 This one. 232 00:14:46,887 --> 00:14:49,097 This is an instrument of torture. 233 00:14:49,181 --> 00:14:53,727 Nonsense, Mr. Picasso. Great art is born of great suffering. 234 00:14:54,019 --> 00:14:56,772 This should bring something precious out of you. 235 00:14:56,855 --> 00:14:57,940 Blood. 236 00:14:58,023 --> 00:15:00,609 - That's the spirit, old boy. Carry on. - But... 237 00:15:01,318 --> 00:15:03,529 If you want anything, just shriek. 238 00:15:39,147 --> 00:15:42,526 Let me out of here. Please. Please help. Help! 239 00:15:44,152 --> 00:15:47,364 Now, now, Mr. Picasso, mustn't be lazy. 240 00:15:47,447 --> 00:15:50,701 Back to your easel and just paint, paint, paint. 241 00:15:52,661 --> 00:15:55,539 - How's Michelangelo doing? - He's getting comfortable. 242 00:15:55,622 --> 00:15:58,876 We're gonna make a great artist out of him if it kills him. 243 00:15:59,668 --> 00:16:01,503 FESTER: Hey, that's a good idea. 244 00:16:03,881 --> 00:16:06,633 You know, no artist is famous until his death. 245 00:16:07,050 --> 00:16:08,802 Maybe we could arrange it. 246 00:16:08,927 --> 00:16:11,388 MORTICIA: No, I don't think we should, Uncle Fester. 247 00:16:11,513 --> 00:16:16,393 We want Mr. Picasso to suffer for his art, but dying is going a little too far. 248 00:16:52,721 --> 00:16:55,098 Mr. Picasso, relaxing from your labors? 249 00:16:55,432 --> 00:16:59,603 Isn't that sweet? He and Cleopatra have found each other. 250 00:16:59,686 --> 00:17:02,272 Don't get too close, old man, she's an ear nibbler. 251 00:17:02,356 --> 00:17:06,068 Now, now, Cleopatra, this is no time for romance. 252 00:17:07,903 --> 00:17:09,696 Mr. Picasso has work to do. 253 00:17:09,988 --> 00:17:11,198 She nearly crushed me. 254 00:17:11,281 --> 00:17:12,574 Quite a feather in your cap. 255 00:17:12,658 --> 00:17:15,118 She's not usually so affectionate with strangers. 256 00:17:15,202 --> 00:17:17,746 Now, Mr. Picasso, back to your studio. 257 00:17:18,330 --> 00:17:19,456 Studio. 258 00:17:19,540 --> 00:17:22,417 Come, old man. You know you're just dying to get back to work. 259 00:17:22,501 --> 00:17:25,128 Senor, please, don't use that word again. 260 00:17:25,420 --> 00:17:26,505 Thank you. 261 00:17:28,173 --> 00:17:29,466 Querida. 262 00:17:42,479 --> 00:17:45,399 Here I am, Mr. Picasso. Are you ready? 263 00:17:45,774 --> 00:17:47,109 Por favor, Senor. 264 00:17:47,192 --> 00:17:50,654 Give me time to write a letter to my poor little old mother. 265 00:17:50,737 --> 00:17:52,155 You can do that later. 266 00:17:52,239 --> 00:17:55,325 You'd better get me now while I'm in the mood to model. 267 00:17:56,577 --> 00:17:58,245 You came here to model? 268 00:17:58,662 --> 00:18:02,457 Well, sure. I've modeled all of Gomez's Halloween pumpkins. 269 00:18:02,791 --> 00:18:05,252 He's quite a talented pumpkin carver. 270 00:18:05,502 --> 00:18:09,173 Well, I'm sorry, sir. You see, I only paint apples. 271 00:18:10,507 --> 00:18:11,633 Darn. 272 00:18:16,513 --> 00:18:19,183 No use, Lurch. He's only painting apples. 273 00:18:28,859 --> 00:18:30,027 Lunch. 274 00:18:31,737 --> 00:18:34,948 Nice big boy, maybe we can make a deal? 275 00:18:35,240 --> 00:18:37,493 - Deal? - To get me out of here. 276 00:18:54,635 --> 00:18:57,304 - Where did you come from? - Pugsley's tunnel. 277 00:18:57,387 --> 00:18:59,348 He has them all over the place. 278 00:19:00,807 --> 00:19:03,227 Of course. What is a home without a secret tunnel? 279 00:19:03,310 --> 00:19:05,187 I came to watch you paint. 280 00:19:05,270 --> 00:19:08,649 - You like to paint, eh, Wednesday? - Sure, painting's fun. 281 00:19:08,732 --> 00:19:10,192 - Watch. - Yes. 282 00:19:20,911 --> 00:19:23,330 - Yeah? - You like, Mr. Picasso? 283 00:19:23,413 --> 00:19:27,334 Oh, that's gorgeous, yes. By next year you will be a good Grandma Moses. 284 00:19:27,417 --> 00:19:30,045 Hey, wait a minute. You said something about a tunnel, no? 285 00:19:30,838 --> 00:19:34,633 Pugsley's a great tunneler. Some people think he's part gopher. 286 00:19:35,384 --> 00:19:37,928 Could be, could be. Why not? Tell me. 287 00:19:38,345 --> 00:19:41,890 - Where does your secret tunnel lead to? - Just outside. 288 00:19:42,474 --> 00:19:44,142 Just outside? 289 00:19:44,977 --> 00:19:46,728 Oh, you're right! 290 00:19:46,812 --> 00:19:49,731 I'm going to take a stroll just outside. 291 00:19:49,815 --> 00:19:52,234 Can I paint while you're gone? 292 00:19:52,317 --> 00:19:54,778 To your heart's content. 293 00:19:57,698 --> 00:20:00,033 - Kitty won't hurt you. - No? 294 00:20:00,159 --> 00:20:04,121 She once ate a zookeeper and got a upset stomach. So... 295 00:20:04,204 --> 00:20:07,291 - She's very careful now. - How did you know? 296 00:20:07,416 --> 00:20:09,960 A little birdie, a little birdie. 297 00:20:10,586 --> 00:20:12,796 A little vulture told me so. 298 00:20:12,880 --> 00:20:17,718 Well, you wish me luck, eh? And you paint. You paint any time you want. 299 00:20:33,442 --> 00:20:34,943 There. It's finished. 300 00:20:35,027 --> 00:20:37,905 That's a beautiful vase, Uncle Fester. 301 00:20:37,988 --> 00:20:39,948 That's not a vase, Gomez. 302 00:20:40,032 --> 00:20:42,493 That's an urn for Grandfather Malaprop. 303 00:20:42,576 --> 00:20:45,370 How thoughtful. He is getting on. 304 00:20:49,041 --> 00:20:50,626 What have we here? 305 00:20:51,543 --> 00:20:54,755 - Why, it's Mr. Picasso. - Where did you find him, Lurch? 306 00:20:54,838 --> 00:20:57,049 Sneaking through the henbane. 307 00:20:57,132 --> 00:21:01,136 Now, Mr. Picasso, we can't get our work done playing in the henbane, can we? 308 00:21:01,512 --> 00:21:04,056 You know what we're going to have to do now. 309 00:21:04,306 --> 00:21:06,016 Back to the pit. 310 00:21:19,488 --> 00:21:23,659 GOMEZ: Penniless, her little fingers bleeding from the tuna cans, 311 00:21:23,742 --> 00:21:26,161 she may return and say she's sorry. 312 00:21:28,288 --> 00:21:31,959 Why, Mr. Picasso! You have been busy. 313 00:21:35,838 --> 00:21:38,632 What sophistication, throwing these masterpieces around 314 00:21:38,715 --> 00:21:39,967 as though they were confetti. 315 00:21:40,050 --> 00:21:44,179 Superb. I knew if we worked hard we'd get it out of you. 316 00:21:44,555 --> 00:21:48,225 I have seen better things gotten out of a man with a scalpel. 317 00:21:49,351 --> 00:21:51,436 True genius. Never satisfied. 318 00:21:51,520 --> 00:21:55,148 Look, now that you got this out of me, can I get out of here? 319 00:21:55,232 --> 00:21:57,150 Nonsense, Mr. Picasso. 320 00:21:57,234 --> 00:22:01,572 Not until we have our expert, Bosley Swain, look at your work. 321 00:22:03,282 --> 00:22:07,703 Senora, can I leave before you show to Mr. Bosley Swain? 322 00:22:07,786 --> 00:22:09,705 Certainly not. 323 00:22:09,913 --> 00:22:14,209 It's so rare for an artist to be present at his own personal triumph. 324 00:22:14,418 --> 00:22:17,963 Old man, this will be your finest hour. 325 00:22:20,465 --> 00:22:22,009 Or my last. 326 00:22:24,511 --> 00:22:26,972 Well, Bosley, what do you say now? 327 00:22:27,806 --> 00:22:29,016 Incredible. 328 00:22:32,186 --> 00:22:35,189 I didn't think you were capable of anything like this. 329 00:22:36,148 --> 00:22:39,193 You hit me and I will report you to the Spanish consul. 330 00:22:39,276 --> 00:22:42,821 Hit you. I want to congratulate you. 331 00:22:43,697 --> 00:22:47,075 - You mean to say you like them? - They're masterpieces! 332 00:22:47,659 --> 00:22:52,539 What childlike simplicity. And what unique subject matter. 333 00:22:52,706 --> 00:22:55,375 Trees with human heads. 334 00:22:55,626 --> 00:22:57,586 I told you he was great, Bosley. 335 00:22:57,669 --> 00:23:00,714 All he needed was the Addams influence to bring it out. 336 00:23:01,548 --> 00:23:04,218 Just think, someday they may put a plaque 337 00:23:04,301 --> 00:23:06,595 in the front of our house saying, 338 00:23:06,678 --> 00:23:08,931 "Sam Picasso slept here." 339 00:23:09,014 --> 00:23:10,182 Who slept? 340 00:23:10,724 --> 00:23:14,394 Sam, I am buying all of them. 341 00:23:14,686 --> 00:23:16,939 And I'll send my man to pick them up. 342 00:23:17,064 --> 00:23:18,899 This is just the beginning, Picasso. 343 00:23:18,982 --> 00:23:20,943 You can stay here and work as long as you like. 344 00:23:21,026 --> 00:23:23,237 Oh, no. I think I'll go back to Spain. 345 00:23:23,320 --> 00:23:26,532 - Paint, paint, paint? - No, fight bull fights. 346 00:23:26,615 --> 00:23:29,618 Is much safer. Adios, I think. 347 00:23:30,577 --> 00:23:32,830 Adios, Picasso. 348 00:23:40,420 --> 00:23:43,966 I tell you, querida, talent is contagious around here. 349 00:23:44,049 --> 00:23:47,261 Why, you're another Mama. 350 00:23:48,136 --> 00:23:49,721 Darling, thank you. 351 00:23:50,556 --> 00:23:53,767 Tish, when you bow that way you drive me wild. 352 00:23:56,311 --> 00:23:58,438 You mad Castilian. 353 00:23:59,857 --> 00:24:02,317 - Mail's in. - We've got all we need. 354 00:24:02,651 --> 00:24:04,653 I think I'd better get it, dear. 355 00:24:06,488 --> 00:24:07,865 Thank you, Thing. 356 00:24:11,243 --> 00:24:14,538 I think it's from Mr. Picasso in Spain. 357 00:24:14,621 --> 00:24:17,958 - Did he really go into fighting bulls? - Oh, yes. 358 00:24:18,292 --> 00:24:20,836 - Now he's back to painting them. - Wonderful. 359 00:24:20,919 --> 00:24:23,755 You know, darling, he was really a very good influence. 360 00:24:23,839 --> 00:24:27,384 Not only on Grandmama and on me, but on Wednesday. 361 00:24:27,467 --> 00:24:29,761 You know, she's started to paint exactly like him. 362 00:24:29,845 --> 00:24:31,722 Superb. 363 00:24:32,097 --> 00:24:33,682 Will you look at that? 364 00:24:44,193 --> 00:24:46,111 Nothing like environment. 28165

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