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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,200 --> 00:00:04,533 - PREVIOUSLY ON SOUTHERN CHARM... 2 00:00:04,533 --> 00:00:06,000 - A SOUTHERN GENTLEMAN ALWAYS 3 00:00:06,000 --> 00:00:07,600 BRINGS A LADY COFFEE IN THE MORNING. 4 00:00:07,600 --> 00:00:09,600 - BUT THOMAS DECIDED KATHRYN WAS TOO YOUNG, 5 00:00:09,600 --> 00:00:12,133 AND SET HIS SIGHTS ON SHEP'S EX DANNI. 6 00:00:12,133 --> 00:00:14,667 - LOOKING GOOD THERE. LOOKING REAL GOOD. 7 00:00:14,667 --> 00:00:18,000 - MEANWHILE, SHEP'S ATTENTION WAS FULLY FOCUSED ON M.J. 8 00:00:18,000 --> 00:00:20,633 - I LIKE WHEN YOUR HAIR'S, LIKE, TOTALLY NATURAL CURLY. 9 00:00:20,633 --> 00:00:22,266 - THANK YOU. -YEAH. 10 00:00:22,266 --> 00:00:24,266 - AND WHITNEY'S FOCUS WAS ALL BUSINESS... 11 00:00:24,266 --> 00:00:26,033 - SO WE LOOKED AT THIS ONE RESTAURANT 12 00:00:26,033 --> 00:00:28,066 I THINK YOU'D BE UNDERWHELMED BY. 13 00:00:28,066 --> 00:00:29,734 - DESPITE HIS MOTHER'S OBJECTIONS. 14 00:00:29,734 --> 00:00:32,133 - WELL, I'M UNDERWHELMED BY THE WHOLE IDEA. 15 00:00:32,133 --> 00:00:35,700 IT'S KIND OF PEDESTRIAN AND BANAL. 16 00:00:35,700 --> 00:00:38,033 AND CRAIG WAS STARTING TO FALL FOR KATHRYN. 17 00:00:38,033 --> 00:00:39,433 - I HAVE A KINDERGARTEN CRUSH ON HER. 18 00:00:39,433 --> 00:00:41,166 - REDHEADED KATHRYN? 19 00:00:41,166 --> 00:00:42,667 - YES, THAT KATHRYN. 20 00:00:42,667 --> 00:00:45,567 UNTIL SHEP SWOOPED IN AND BROKE BRO CODE 101. 21 00:00:45,567 --> 00:00:47,100 - YOU HOOKED UP WITH HER LAST NIGHT. 22 00:00:47,100 --> 00:00:48,700 - SO WHAT? 23 00:00:48,700 --> 00:00:52,033 - THEN THOMAS AND KATHRYN-- YES, THAT KATHRYN-- 24 00:00:52,033 --> 00:00:53,533 HAD A PREGNANCY SCARE... 25 00:00:53,533 --> 00:00:54,667 - KATHRYN. 26 00:00:54,667 --> 00:00:57,133 AND SHE'S TWO WEEKS LATE ON HER PERIOD. 27 00:00:58,433 --> 00:00:59,700 - MAN. 28 00:00:59,700 --> 00:01:02,500 - AND NOW THEY'RE ACTUALLY FALLING FOR EACH OTHER. 29 00:01:02,500 --> 00:01:04,533 - AIN'T LOVE CRAZY? 30 00:01:05,667 --> 00:01:07,066 [It's Easy by Mia Sable] 31 00:01:07,066 --> 00:01:08,066 - ♪ MM-HMM ♪ 32 00:01:08,066 --> 00:01:10,100 ♪ HE'S GOT MONEY ♪ 33 00:01:10,100 --> 00:01:11,767 ♪ HE'S IN MAGAZINES ♪ 34 00:01:11,767 --> 00:01:13,467 ♪ HE'S GOT MORE HONEYS ♪ 35 00:01:13,467 --> 00:01:15,533 ♪ THAN ANY HONEYBEE ♪ 36 00:01:15,533 --> 00:01:18,066 ♪ BA, BA-DOO ♪ 37 00:01:18,066 --> 00:01:19,567 ♪ BA-BA, DEE-EE-EE ♪ 38 00:01:19,567 --> 00:01:21,300 ♪ IT'S EASY ♪ 39 00:01:21,300 --> 00:01:23,734 ♪ AS THE BIRDS AND THE BEES AND THE ONE TWO THREES ♪ 40 00:01:23,734 --> 00:01:25,700 ♪ BA, BA-DOO ♪ 41 00:01:30,667 --> 00:01:32,367 - KATHRYN. - YEAH? 42 00:01:32,367 --> 00:01:33,600 - I'M HUNGRY. 43 00:01:33,600 --> 00:01:36,600 I THINK I WANT MY EGGS KIND OF OVER EASY. 44 00:01:36,600 --> 00:01:39,367 I CAN HANDLE THE TOAST AND BACON. 45 00:01:39,367 --> 00:01:41,333 - SO WEDNESDAY IS J.D.'S FORMAL. 46 00:01:41,333 --> 00:01:42,734 - IT'S KIND OF A SUMMER FORMAL. 47 00:01:42,734 --> 00:01:45,166 SO I'M GONNA GO WHITE JACKET, 48 00:01:45,166 --> 00:01:47,667 AND MAYBE WE GET YOU A DRESS. 49 00:01:47,667 --> 00:01:51,166 - SO WHAT KIND OF DRESS SHOULD I GET, DO YOU THINK? 50 00:01:51,166 --> 00:01:54,100 - I WAS THINKING, LIKE, A LITTLE BLACK DRESS. 51 00:01:54,100 --> 00:01:57,633 SOMETHING THAT YOU CAN WEAR, YOU KNOW, BRALESS. 52 00:01:57,633 --> 00:02:00,734 I WANT TO ACCENTUATE EVERY NOOK AND CRANNY 53 00:02:00,734 --> 00:02:02,333 OF YOUR BEAUTIFUL PHYSIQUE, 54 00:02:02,333 --> 00:02:04,367 AT GREAT ADVANTAGE. 55 00:02:04,367 --> 00:02:05,533 WHAT DO YOU THINK? 56 00:02:05,533 --> 00:02:07,533 - NO, THEY LOOK GOOD. 57 00:02:09,767 --> 00:02:12,667 SO, GOING TO THIS THING ON WEDNESDAY, 58 00:02:12,667 --> 00:02:14,400 WHAT DO YOU THINK PEOPLE ARE GONNA SAY? 59 00:02:14,400 --> 00:02:16,133 - I'M NOT REALLY WORRIED ABOUT IT. 60 00:02:16,133 --> 00:02:18,433 - 'CAUSE YOU KNOW YOU'RE GONNA GET QUESTIONED BY EVERYONE. 61 00:02:18,433 --> 00:02:20,233 - MM-HMM. 62 00:02:20,233 --> 00:02:22,200 - SHOULD I BE NERVOUS FOR WEDNESDAY? 63 00:02:22,200 --> 00:02:24,100 - NO. UNH-UNH. 64 00:02:24,100 --> 00:02:26,266 ONE OF THE THINGS I LIKE ABOUT YOU-- 65 00:02:26,266 --> 00:02:29,467 YOU'RE UNAFRAID OF OTHER PEOPLE, 66 00:02:29,467 --> 00:02:31,533 WHAT PEOPLE THINK. 67 00:02:31,533 --> 00:02:33,400 GREATEST OF ALL VIRTUES IS COURAGE. 68 00:02:33,400 --> 00:02:34,533 - VERY TRUE. 69 00:02:34,533 --> 00:02:36,600 - DURING THE PREGNANCY SCARE, 70 00:02:36,600 --> 00:02:39,133 I FELT THAT SHE HAD HANDLED HERSELF WITH A LOT OF POISE, 71 00:02:39,133 --> 00:02:41,033 AND QUITE ADMIRABLE. 72 00:02:41,033 --> 00:02:43,066 SHE'S SMART. SHE'S FUNNY. 73 00:02:43,066 --> 00:02:46,667 I SEE IN HER A POTENTIAL FOR BEING--WHO KNOWS? 74 00:02:46,667 --> 00:02:49,100 SHE'S GOT A LOT OF POTENTIAL. 75 00:02:59,066 --> 00:03:01,200 - HEY, WHITNEY. - HEY, CAM. 76 00:03:01,200 --> 00:03:03,567 - WHY DO YOU ALWAYS SOUND COUNTRY WHEN YOU SAY MY NAME? 77 00:03:03,567 --> 00:03:05,266 - HEY, DARLING. HOW ARE YOU? 78 00:03:05,266 --> 00:03:07,133 - HOW ARE YOU? - GOOD. 79 00:03:07,133 --> 00:03:08,700 DON'T MIND A BIT OF CIGAR. 80 00:03:08,700 --> 00:03:10,500 - THAT IS TERRIBLE. 81 00:03:10,500 --> 00:03:11,567 - IT'S GOOD FOR YOU. 82 00:03:11,567 --> 00:03:13,033 - NO, IT'S NOT. IT STINKS. 83 00:03:13,033 --> 00:03:14,166 - IT GROWS HAIR ON YOUR CHEST. 84 00:03:14,166 --> 00:03:15,433 - YOU HAVE HAIR ON YOUR CHEST? 85 00:03:15,433 --> 00:03:17,433 - A LITTLE BIT. - IS THAT WHY YOU'RE SMOKING IT? 86 00:03:17,433 --> 00:03:20,200 - LITTLE BRISTLES AROUND THE NIPPLES. 87 00:03:20,200 --> 00:03:22,066 - HOW ARE YOU DOING? - GOOD. HOW ARE YOU DOING? 88 00:03:22,066 --> 00:03:23,133 - DOING VERY WELL. 89 00:03:23,133 --> 00:03:24,400 CAN I GET YOU ANYTHING TO DRINK? 90 00:03:24,400 --> 00:03:26,200 - I'LL HAVE--I'LL HAVE A GLASS OF RIESLING. 91 00:03:26,200 --> 00:03:28,300 - GLASS OF RIESLING, OKAY. AND ARE YOU STILL GOOD TO GO? 92 00:03:28,300 --> 00:03:29,700 - ANOTHER DOUBLE ESPRESSO, PLEASE. 93 00:03:29,700 --> 00:03:31,500 - DOUBLE ESPRESSO. ALL RIGHT, NOT A PROBLEM. 94 00:03:31,500 --> 00:03:32,533 - THANK YOU VERY MUCH. 95 00:03:32,533 --> 00:03:34,200 - UM, I HAVE AN IDEA. 96 00:03:34,200 --> 00:03:35,500 - DO YOU? 97 00:03:35,500 --> 00:03:37,433 - I THINK YOU'RE SECRETLY IN LOVE WITH BRANDI. 98 00:03:37,433 --> 00:03:40,033 - OH, REALLY? - YOUR ASSISTANT. 99 00:03:40,033 --> 00:03:42,333 I WAS TELLING WHITNEY, I DON'T KNOW HOW HE WORKS AROUND YOU 100 00:03:42,333 --> 00:03:43,500 AND HE'S NOT IN LOVE WITH YOU. 101 00:03:43,500 --> 00:03:45,600 - YOU CAN'T MIX BUSINESS AND PLEASURE. 102 00:03:45,600 --> 00:03:48,400 - IT'S STRICTLY PROFESSIONAL. - LIAR. 103 00:03:48,400 --> 00:03:52,033 DO YOU EVER FANTASIZE ABOUT HER AT NIGHT? 104 00:03:52,033 --> 00:03:53,533 - WHO WOULDN'T? 105 00:03:53,533 --> 00:03:56,500 - I THINK WHITNEY HIRED BRANDI AS A PERSONAL ASSISTANT 106 00:03:56,500 --> 00:03:59,066 BECAUSE SHE'S HOT-- SHE HAS A GREAT BODY-- 107 00:03:59,066 --> 00:04:01,266 BUT I DON'T KNOW 108 00:04:01,266 --> 00:04:04,567 REALLY WHAT WHITNEY NEEDS A PERSONAL ASSISTANT TO DO. 109 00:04:06,100 --> 00:04:08,000 I DON'T KNOW. 110 00:04:08,000 --> 00:04:11,233 WOULD YOU EVER WANT TO ASK HER ON A DATE? 111 00:04:11,233 --> 00:04:13,333 - [clears throat] THINK THAT'D BE APPROPRIATE? 112 00:04:13,333 --> 00:04:16,133 - I THINK YOU SHOULD BRING HER AS YOUR DATE TO CAROLINA DAY. 113 00:04:16,133 --> 00:04:17,500 YOUR CLOCK IS TICKING. 114 00:04:17,500 --> 00:04:19,200 - HAVE YOU BEEN WINDING THIS CLOCK? 115 00:04:19,200 --> 00:04:20,467 - IT'S TIME TO MAKE BABIES. 116 00:04:20,467 --> 00:04:23,200 SETTLE DOWN IN CHARLESTON, JOIN THE YACHT CLUB. 117 00:04:23,200 --> 00:04:25,467 SHE CAN JOIN THE JUNIOR LEAGUE. IT'D BE PERFECT. 118 00:04:25,467 --> 00:04:27,467 - I DON'T THINK THE YACHT CLUB WOULD LIKE ME. 119 00:04:29,700 --> 00:04:31,333 - THERE YOU GO. - THANK YOU VERY MUCH. 120 00:04:31,333 --> 00:04:32,633 - GET THAT OUT OF YOUR WAY. - THANKS. 121 00:04:32,633 --> 00:04:34,333 - NO PROBLEM. 122 00:04:34,333 --> 00:04:37,734 - SO I WANT YOU TO HIRE ME AS YOUR REAL ESTATE AGENT, 123 00:04:37,734 --> 00:04:40,166 AND LET ME SELL YOU A HOUSE. 124 00:04:40,166 --> 00:04:41,767 - OKAY. 125 00:04:41,767 --> 00:04:44,633 - I KNOW YOU'RE LOADED. 126 00:04:44,633 --> 00:04:46,333 AND I NEED CASH. 127 00:04:46,333 --> 00:04:48,734 AND YOU CAN PROVIDE THAT CASH FOR ME. 128 00:04:48,734 --> 00:04:50,166 - I CAN--I'M A PROVIDER. 129 00:04:50,166 --> 00:04:52,000 - IF YOU BUY A HOUSE THROUGH ME. 130 00:04:52,000 --> 00:04:53,200 I'LL CUT YOU A DEAL, TOO. 131 00:04:53,200 --> 00:04:55,400 - I AM LOOKING TO BUY A HOUSE. 132 00:04:55,400 --> 00:04:57,100 I LOVE MOM-- 133 00:04:57,100 --> 00:04:59,367 - BUT YOU CAN'T BRING A GIRL BACK THERE WITH YOUR MOM THERE. 134 00:04:59,367 --> 00:05:02,000 - WELL, I'M IN A SEPARATE WING, SO I CAN KIND OF-- 135 00:05:02,000 --> 00:05:05,000 YOU KNOW, I CAN PUSH HER OUT THE SERVICE ENTRANCE. 136 00:05:05,000 --> 00:05:06,400 [chuckles] 137 00:05:06,400 --> 00:05:08,400 NO, NO, NO, I'M SAYING, IT'S A BIT LIKE NORMAN-- 138 00:05:08,400 --> 00:05:10,133 NORMAN BATES. 139 00:05:10,133 --> 00:05:11,700 - I DON'T KNOW WHO NORMAN BATES IS. 140 00:05:11,700 --> 00:05:13,734 - THE MOVIE PSYCHO. 141 00:05:13,734 --> 00:05:16,200 "MOTHER..." 142 00:05:16,200 --> 00:05:18,667 YOU KNOW--YEAH. - OH, YEAH. 143 00:05:18,667 --> 00:05:22,133 I WOULD NEVER WANT TO RELATE MY DATING LIFE 144 00:05:22,133 --> 00:05:24,000 TO SOMETHING CALLED PSYCHO. 145 00:05:24,000 --> 00:05:25,400 I DON'T KNOW. 146 00:05:25,400 --> 00:05:27,433 OKAY, BUT, NO, ON A SERIOUS NOTE, 147 00:05:27,433 --> 00:05:29,433 THERE'S THIS ONE HOUSE THAT I KNOW OF, 148 00:05:29,433 --> 00:05:31,667 BUT IT'S $7 MILLION. 149 00:05:31,667 --> 00:05:34,066 BUT IT'S GORGEOUS. 150 00:05:34,066 --> 00:05:35,200 IT COULD BE YOURS. - OKAY. 151 00:05:35,200 --> 00:05:38,600 - THAT MEANS MY COMMISSION WOULD BE ROUGHLY-- 152 00:05:38,600 --> 00:05:40,467 - DON'T TALK ABOUT MONEY, DARLING. 153 00:05:40,467 --> 00:05:43,533 - OH, PSHAW, WHITNEY. 154 00:05:43,533 --> 00:05:47,200 I JUST NEED TO KNOW THAT I'M GONNA BE YOUR AGENT. 155 00:05:47,200 --> 00:05:48,467 - YOU CAN BE MY AGENT. 156 00:05:48,467 --> 00:05:50,100 - I'M YOUR GIRL. 157 00:05:50,100 --> 00:05:51,467 IN THE SOUTH, THIS MEANS A LOT. 158 00:05:51,467 --> 00:05:52,734 - IT DOES. - THIS IS YOUR WORD. 159 00:05:52,734 --> 00:05:54,667 YOU'RE GIVING ME YOUR WORD. OKAY. 160 00:05:54,667 --> 00:05:57,300 DON'T YOU WORRY. YOU'RE IN GOOD HANDS. 161 00:05:57,300 --> 00:05:59,200 BUT YOU NEED TO STOP SMOKING THAT CIGAR. 162 00:06:06,433 --> 00:06:08,300 - ARE YOU TEXTING HIM? - YEAH, I JUST TEXTED HIM. 163 00:06:08,300 --> 00:06:09,433 - THANK YOU. 164 00:06:09,433 --> 00:06:10,600 - YOU WANT TO SIT DOWN, TALK BIZ FOR A BIT? 165 00:06:10,600 --> 00:06:12,033 - ALL RIGHT, LET'S DO IT. 166 00:06:12,033 --> 00:06:14,633 - I OWN SEVERAL BUSINESSES HERE IN CHARLESTON. 167 00:06:14,633 --> 00:06:17,567 A COUPLE RESTAURANTS, A BARBER SHOP, AND A JAZZ CLUB. 168 00:06:17,567 --> 00:06:19,033 EVERY CHANCE I GET, 169 00:06:19,033 --> 00:06:21,333 I LOVE TO CELEBRATE WHAT MAKES THIS TOWN GREAT. 170 00:06:21,333 --> 00:06:23,433 YEAH, DINNER STARTS AT 7:00. 171 00:06:23,433 --> 00:06:26,700 FIRST PLATE SHOULD BE HITTING THE TABLE BY 7:15 TO 7:30. 172 00:06:26,700 --> 00:06:28,433 I LOVE HOSTING PARTIES. 173 00:06:28,433 --> 00:06:30,166 CAROLINA DAY IS COMING UP. 174 00:06:30,166 --> 00:06:33,133 IT'S KIND OF A SOUTH CAROLINA 4TH OF JULY. 175 00:06:37,133 --> 00:06:38,400 - NO, THERE'S MUSIC. 176 00:06:38,400 --> 00:06:40,433 IT'LL BE LIKE A LITTLE JAZZ QUARTET. 177 00:06:40,433 --> 00:06:41,700 EXCUSE ME FOR ONE SEC. 178 00:06:41,700 --> 00:06:43,433 GENTS BARBERSPA, THIS IS JOHN DAVID. 179 00:06:43,433 --> 00:06:44,734 HOW CAN I HELP YOU? 180 00:06:46,700 --> 00:06:49,066 T-RAVE! - HEY! 181 00:06:49,066 --> 00:06:50,600 HOW'S IT GOING, MAN? - WHAT'S UP, BROTHER? 182 00:06:50,600 --> 00:06:52,266 PSYCHED TO SEE YOU ON THE LIST THERE. 183 00:06:52,266 --> 00:06:53,367 - YEAH. 184 00:06:53,367 --> 00:06:54,767 - LET'S GET YOU STARTED ON A HAIRCUT. 185 00:06:54,767 --> 00:06:56,400 THOMAS, HAVE YOU MET KAREN BEFORE? 186 00:06:56,400 --> 00:06:57,500 - HEY, THOMAS. - HEY, KAREN. 187 00:06:57,500 --> 00:06:59,100 - KAREN, THIS IS THOMAS. - HOW ARE YOU? 188 00:06:59,100 --> 00:07:01,467 - HE'S COMING IN FOR A SIGNATURE HAIRCUT. 189 00:07:01,467 --> 00:07:04,200 WE READY FOR A LITTLE CAROLINA DAY? 190 00:07:04,200 --> 00:07:05,467 - YEAH. 191 00:07:05,467 --> 00:07:07,467 I WENT AND I BOUGHT ME A WHITE DINNER JACKET, 192 00:07:07,467 --> 00:07:10,033 BECAUSE IT'S A BLACK TIE SUMMER FORMAL. 193 00:07:10,033 --> 00:07:12,266 - THAT'S RIGHT, GOT TO HAVE YOUR WHITE DINNER JACKET. 194 00:07:12,266 --> 00:07:15,300 I'M NOT ONE OF THOSE GUYS THAT HATES DONNING THE TUX. 195 00:07:15,300 --> 00:07:16,700 I'M THE GUY THAT HAS IT READY TO GO. 196 00:07:16,700 --> 00:07:19,133 YOU DON'T HAVE TO BRUSH THE DUST OFF A TUX IN OUR HOUSE. 197 00:07:19,133 --> 00:07:21,233 HOLD ON ONE SECOND. I'LL BE RIGHT BACK. 198 00:07:21,233 --> 00:07:23,734 - ANY GRAY-- ELIMINATE IT. 199 00:07:23,734 --> 00:07:26,166 - REALLY? - BEAT IT, TERMINATE IT. 200 00:07:26,166 --> 00:07:28,200 - I DON'T SEE ANY. - GOOD. 201 00:07:29,767 --> 00:07:31,133 - I'M SLAMMED RIGHT NOW, 202 00:07:31,133 --> 00:07:33,000 SO I WAS JUST GONNA CALL AND TOUCH BASE. 203 00:07:33,000 --> 00:07:34,300 CAMERAN'S NOT BRINGING A DATE. 204 00:07:34,300 --> 00:07:36,300 ARE YOU BRINGING A DATE, OR NO? 205 00:07:38,233 --> 00:07:41,133 - I THINK THAT'S GREAT. 206 00:07:41,133 --> 00:07:43,700 - ALL RIGHT, THANKS, JENNA. TALK TO YOU LATER. 207 00:07:43,700 --> 00:07:46,433 - YOU LIKE IT? - YEAH, IT'S GOOD. 208 00:07:46,433 --> 00:07:48,333 - WOW, LOOK AT YOU GUYS. - ALL RIGHT. 209 00:07:48,333 --> 00:07:49,533 - HE LOOK GOOD? 210 00:07:49,533 --> 00:07:51,333 - YOU GOT TIME TO HANG OUT FOR A MINUTE OR TWO? 211 00:07:51,333 --> 00:07:53,233 - YES. 212 00:07:53,233 --> 00:07:55,266 ANYWAY, SO-- 213 00:07:55,266 --> 00:07:57,266 - KATHRYN--YOU LIKE HER? 214 00:07:57,266 --> 00:07:59,200 - YEAH, I THINK SHE'S A GREAT GAL. 215 00:07:59,200 --> 00:08:01,400 - THOMAS TOLD ME ABOUT THE PREGNANCY SCARE, 216 00:08:01,400 --> 00:08:03,133 AND I'VE GOT MIXED FEELINGS ABOUT IT NOW, 217 00:08:03,133 --> 00:08:05,100 BECAUSE PART OF ME WOULD BE EXCITED 218 00:08:05,100 --> 00:08:07,133 FOR MY KIDS TO HAVE HIS KIDS TO PLAY WITH. 219 00:08:07,133 --> 00:08:10,166 - I MEAN, SHE HAS ALL THE QUALITIES I LOOK FOR IN A WOMAN. 220 00:08:10,166 --> 00:08:12,166 - THE OTHER PART OF ME IS KIND OF RELIEVED, 221 00:08:12,166 --> 00:08:14,200 BECAUSE IT'S COMPLICATED HAVING CHILDREN, 222 00:08:14,200 --> 00:08:15,734 AND IT'S A LOT EASIER IF YOU'RE DOING THAT 223 00:08:15,734 --> 00:08:18,433 WITH SOMEBODY THAT YOU PLANNED IT OUT WITH. 224 00:08:18,433 --> 00:08:20,166 - I'M INVITING HER TO THE PARTY. 225 00:08:20,166 --> 00:08:22,667 - I THINK YOU SHOULD. I THINK SHE'D BE GREAT. 226 00:08:22,667 --> 00:08:24,433 - I CAN ANTICIPATE PEOPLE WILL SAY, 227 00:08:24,433 --> 00:08:27,100 "IS HE OUT WITH HIS DAUGHTER OR HIS NIECE?" 228 00:08:27,100 --> 00:08:28,333 BUT I CAN'T WORRY ABOUT THAT. 229 00:08:28,333 --> 00:08:30,066 I THINK I NEED TO CONCENTRATE ON MY OWN LIFE 230 00:08:30,066 --> 00:08:31,567 AND MY OWN HAPPINESS. 231 00:08:31,567 --> 00:08:33,100 I NEED TO PAY HERE? 232 00:08:33,100 --> 00:08:34,333 - WE'LL PUT IT ON YOUR TAB. 233 00:08:34,333 --> 00:08:36,600 - ALL RIGHT. WELL, THE PRICE IS RIGHT. 234 00:08:36,600 --> 00:08:38,467 - THE PRICE IS RIGHT, YEAH. 235 00:08:48,433 --> 00:08:51,300 - M.J. AND I HAVE BEEN ON A COUPLE DATES. 236 00:08:51,300 --> 00:08:53,033 I THOUGHT SHE WAS WONDERFUL, 237 00:08:53,033 --> 00:08:56,166 BUT WHEN CRAIG TOLD ME THAT M.J. WAS HANGING OUT 238 00:08:56,166 --> 00:08:58,367 WITH HER EX-BOYFRIEND... 239 00:08:58,367 --> 00:09:00,033 - I WAS THERE. WE BOTH SAW HIM. 240 00:09:00,033 --> 00:09:01,633 AND THEN WE WERE LIKE, "OH, THAT'S M.J.," 241 00:09:01,633 --> 00:09:03,467 AND THEN YOU COULD TELL THEY WERE-- 242 00:09:03,467 --> 00:09:05,633 YOU KNOW, THEY WERE OUT TOGETHER. 243 00:09:05,633 --> 00:09:08,467 - IT'S JUST, LIKE, A SLAP IN THE FACE A LITTLE BIT. 244 00:09:10,266 --> 00:09:12,700 I'M WAITING FOR M.J. TO EXPLAIN HERSELF. 245 00:09:12,700 --> 00:09:14,400 I WANT ANSWERS, MAN. 246 00:09:14,400 --> 00:09:15,533 [knocking on window] 247 00:09:15,533 --> 00:09:17,066 - SHEP? 248 00:09:17,066 --> 00:09:18,200 - HEY. 249 00:09:18,200 --> 00:09:21,033 I BOUGHT BEER TOO. - OH, MAN. 250 00:09:21,033 --> 00:09:22,600 NICE ONE. - THERE YOU GO. 251 00:09:22,600 --> 00:09:24,633 I'M JEALOUS OF YOUR BEER, BUT I GOT TO FINISH MINE. 252 00:09:24,633 --> 00:09:26,333 NOTHING GOES TO WASTE AROUND HERE. 253 00:09:26,333 --> 00:09:30,233 I WANTED M.J. TO SAY I'M SORRY FOR ALL THE CONFUSION 254 00:09:30,233 --> 00:09:31,400 AND THE [bleep]. 255 00:09:31,400 --> 00:09:33,467 SO ANYWAY, 256 00:09:33,467 --> 00:09:35,400 I DON'T WANT TO MAKE A BIG DEAL, 257 00:09:35,400 --> 00:09:39,400 BUT CRAIG SAID THAT THEY SAW YOU WITH YOUR EX OUT ON THE TOWN. 258 00:09:41,600 --> 00:09:44,166 YOU SHOULD JUST TELL ME THESE THINGS. 259 00:09:44,166 --> 00:09:47,400 - I MEAN, YEAH, WE HANG OUT. 260 00:09:47,400 --> 00:09:50,667 - I FELT LIKE I GOT PUNCHED IN THE STOMACH, THAT'S ALL. 261 00:09:53,467 --> 00:09:55,500 WHAT AM I SUPPOSED TO THINK? 262 00:09:55,500 --> 00:09:58,000 - IT WASN'T A BIG DEAL. 263 00:09:58,000 --> 00:10:00,667 - YOU CAN JUST DIFFUSE THE BOMB BEFORE IT GOES OFF, 264 00:10:00,667 --> 00:10:02,300 YOU KNOW WHAT I MEAN? 265 00:10:02,300 --> 00:10:04,266 MY HEAD SWIMS AFTER I HEAR STUFF LIKE THAT... 266 00:10:04,266 --> 00:10:05,734 - WELL-- - AND MAYBE IT SHOULDN'T. 267 00:10:05,734 --> 00:10:07,367 AND MAYBE I DON'T HAVE A LEG TO STAND ON. 268 00:10:07,367 --> 00:10:10,233 AND WE'RE NOT, LIKE, SERIOUS TOGETHER, I KNOW THAT. 269 00:10:10,233 --> 00:10:12,633 BUT AT THE SAME TIME, YOU KNOW, 270 00:10:12,633 --> 00:10:14,233 WHAT AM I SUPPOSED TO THINK? 271 00:10:14,233 --> 00:10:16,100 JUST--LET'S BE HONEST AND TALK ABOUT IT. 272 00:10:16,100 --> 00:10:19,100 - I MEAN, I DON'T HAVE ANYTHING TO TELL YOU. 273 00:10:19,100 --> 00:10:21,600 I'M ALLOWED TO HANG OUT WITH WHOEVER I WANT. 274 00:10:21,600 --> 00:10:24,100 - HONESTLY, WE ALMOST NEVER HANG OUT. 275 00:10:24,100 --> 00:10:26,734 I KNOW YOU'RE TEACHING, BUT LIKE I SAID, 276 00:10:26,734 --> 00:10:28,567 IF YOU WANT TO REALLY HANG OUT WITH SOMEBODY, 277 00:10:28,567 --> 00:10:30,433 YOU REALLY HANG OUT WITH SOMEBODY. 278 00:10:30,433 --> 00:10:32,233 I KNOW WE PROBABLY DO THINGS DIFFERENTLY. 279 00:10:32,233 --> 00:10:35,100 IS THAT WHAT-- YOU THINK THAT'S WHAT IT IS? 280 00:10:35,100 --> 00:10:37,533 - I--YEAH. 281 00:10:37,533 --> 00:10:39,300 - I'M MORE MENTALLY FRUSTRATED 282 00:10:39,300 --> 00:10:41,633 THAN I AM SEXUALLY FRUSTRATED AT THIS POINT. 283 00:10:41,633 --> 00:10:44,400 IT HAS TO DO WITH EGO AND PRIDE. 284 00:10:44,400 --> 00:10:46,300 - WE HAVEN'T REALLY KNOWN EACH OTHER THAT LONG. 285 00:10:46,300 --> 00:10:49,000 I DON'T KNOW WHY YOU-- ARE YOU, LIKE, ULTIMATUM-ING ME? 286 00:10:49,000 --> 00:10:50,533 - I JUST WANT ANSWERS. 287 00:10:50,533 --> 00:10:52,467 - I DON'T REALLY KNOW WHAT TO SAY NOW THAT YOU'RE 288 00:10:52,467 --> 00:10:54,633 ASKING THESE QUESTIONS AFTER, LIKE, WHAT, FIVE DATES? 289 00:10:54,633 --> 00:10:56,266 - HOW LONG DO PEOPLE USUALLY ASK THAT-- 290 00:10:56,266 --> 00:10:57,467 - I DON'T KNOW. 291 00:10:57,467 --> 00:10:59,333 I GUESS PEOPLE USUALLY SIT ON YOUR COUCH MORE, 292 00:10:59,333 --> 00:11:00,567 BUT I DON'T KNOW. 293 00:11:00,567 --> 00:11:02,533 - SHOOT, AFTER TWO DATES, IT'S USUALLY-- 294 00:11:02,533 --> 00:11:04,233 I CAN'T KEEP MY HANDS OFF SOMEONE. 295 00:11:04,233 --> 00:11:07,667 - HONESTLY, I MEAN, IT'S BEEN A LOT TONIGHT, 296 00:11:07,667 --> 00:11:10,533 SO I THINK I'M JUST GONNA LEAVE. 297 00:11:10,533 --> 00:11:12,367 - MAYBE THAT'S BEST. - YEAH. 298 00:11:12,367 --> 00:11:14,100 - OKAY. 299 00:11:19,600 --> 00:11:21,000 - COMING UP... 300 00:11:21,000 --> 00:11:23,266 - INSTEAD OF IMPREGNATING 21 YEAR OLDS, 301 00:11:23,266 --> 00:11:26,266 YOU MIGHT REFOCUS, IS ALL I'M SUGGESTING. 302 00:11:26,266 --> 00:11:28,300 [laughter] 303 00:11:44,633 --> 00:11:46,600 - YES, MOM, LET'S GO HERE. 304 00:11:49,767 --> 00:11:52,300 - WELL, AS YOU KNOW, I'M A GIN DRINKER. 305 00:11:52,300 --> 00:11:55,000 - I KNOW. - AND IT'S TIME FOR MY MEDICINE. 306 00:11:55,000 --> 00:11:56,300 - HI. HOW ARE Y'ALL DOING TONIGHT? 307 00:11:56,300 --> 00:11:57,667 - GOOD, HOW ARE YOU DOING? - HI THERE. 308 00:11:57,667 --> 00:11:59,333 WELL, I KNOW WHAT I WANT. - GO AHEAD, MOM. 309 00:11:59,333 --> 00:12:01,767 - CLASSIC GIN, BEEFEATER, MARTINI, 310 00:12:01,767 --> 00:12:05,166 UP, WITH A TWIST, WITH ICE ON THE SIDE, PLEASE. 311 00:12:05,166 --> 00:12:06,166 - OKAY. 312 00:12:06,166 --> 00:12:08,300 I'M GONNA GET YOUR J. BOWMAN... 313 00:12:08,300 --> 00:12:10,066 - OKAY. - ON THE ROCK. 314 00:12:10,066 --> 00:12:12,333 THAT COMES WITH THE SPHERICAL ICE-- 315 00:12:12,333 --> 00:12:14,333 - WE CAN DO THE SPHERE, SURE. - LET'S DO THE SPHERE. 316 00:12:14,333 --> 00:12:15,734 - THANK YOU. - THANK YOU. 317 00:12:15,734 --> 00:12:18,100 - SO WHAT'S UP WITH THE BALL TOMORROW NIGHT? 318 00:12:18,100 --> 00:12:21,200 - WELL, IT'S NOT TRUMAN CAPOTE'S BLACK AND WHITE BALL. 319 00:12:21,200 --> 00:12:23,333 - WHY DOES THAT NOT COME AS A SURPRISE? 320 00:12:23,333 --> 00:12:24,600 WHO ARE YOU GOING TO TAKE? 321 00:12:24,600 --> 00:12:26,266 - THE ONE GIRL I WANTED TO TAKE HAS TO WORK. 322 00:12:26,266 --> 00:12:29,333 - YOU HAVE SOMEBODY THAT WORKS. 323 00:12:29,333 --> 00:12:30,700 - AT LEAST, THAT WAS HER EXCUSE. 324 00:12:30,700 --> 00:12:32,600 - THANK YOU SO MUCH. - YOU'RE WELCOME. 325 00:12:32,600 --> 00:12:34,333 - THERE'S MY BALL. - JOHN BOWMAN ON A SPHERE. 326 00:12:34,333 --> 00:12:36,000 - AWESOME, THANK YOU. - YOU'RE WELCOME. 327 00:12:36,000 --> 00:12:38,200 - THAT'S PRETTY COOL. - Y'ALL ENJOY. 328 00:12:38,200 --> 00:12:39,767 - I THINK THOMAS IS DUE SHORTLY. 329 00:12:39,767 --> 00:12:42,667 PERHAPS YOU CAN GIVE HIM SOME MOTHERLY COUNSEL ABOUT KATHRYN. 330 00:12:42,667 --> 00:12:44,400 - OH, I WOULD BE... - YOUR THOUGHTS. 331 00:12:44,400 --> 00:12:46,500 - HAPPY TO EXPRESS MY FEELINGS. 332 00:12:46,500 --> 00:12:48,500 YOU THINK IT WOULD DO ANY GOOD? 333 00:12:51,166 --> 00:12:52,567 - HEY. - THERE HE IS. 334 00:12:52,567 --> 00:12:54,000 - GOOD TO SEE YOU. DON'T GET UP. 335 00:12:54,000 --> 00:12:56,600 GOOD TO SEE YOU. ALWAYS A PLEASURE. 336 00:12:56,600 --> 00:12:57,767 YOU LOOK LOVELY. 337 00:12:57,767 --> 00:13:01,367 - SO I'M CURIOUS. - ABOUT WHAT? OKAY. 338 00:13:01,367 --> 00:13:04,367 - WHAT IS GOING ON? 339 00:13:04,367 --> 00:13:05,500 - MOM DOESN'T MINCE WORDS. 340 00:13:05,500 --> 00:13:06,767 SHE GETS RIGHT TO THE POINT. 341 00:13:06,767 --> 00:13:08,767 - YOU KNOW, THIS GIRL KATHRYN-- 342 00:13:08,767 --> 00:13:10,767 DELIGHTFUL YOUNG LADY. 343 00:13:10,767 --> 00:13:13,233 SHE COMES FROM A VERY POWERFUL FAMILY. 344 00:13:13,233 --> 00:13:15,233 - SOUTHERN FAMILY. - SOUTHERN FAMILY. 345 00:13:15,233 --> 00:13:16,700 - HER GREAT, GREAT, GREAT GRANDFATHER 346 00:13:16,700 --> 00:13:18,033 IS JOHN C. CALHOUN, 347 00:13:18,033 --> 00:13:19,567 THE VICE PRESIDENT OF THE UNITED STATES. 348 00:13:19,567 --> 00:13:22,133 - CALHOUN IS AN IMPORTANT NAME IN THE SOUTH. 349 00:13:22,133 --> 00:13:23,233 - YES. - IT IS. 350 00:13:23,233 --> 00:13:24,667 - YOU'VE MET HER. SHE'S A VERY... 351 00:13:24,667 --> 00:13:27,367 - SHE'S VERY PRETTY. - DIFFICULT WOMAN TO RESIST. 352 00:13:27,367 --> 00:13:28,633 AND, UM-- 353 00:13:28,633 --> 00:13:30,367 - HOW OLD IS SHE? 354 00:13:30,367 --> 00:13:32,100 - SHE'LL BE 22 IN AUGUST. 355 00:13:32,100 --> 00:13:33,433 - OH, OH. 356 00:13:33,433 --> 00:13:35,100 - WAIT A MINUTE-- - MY POINT-- 357 00:13:35,100 --> 00:13:37,367 - IS SHE THE ONE WITH THE RED HAIR? 358 00:13:37,367 --> 00:13:39,533 NOT AUBURN-- - THAT'S--SHE'S BOLD. 359 00:13:39,533 --> 00:13:41,100 - IT'S LIKE, CLOWN-- - IT'S LIKE-- 360 00:13:41,100 --> 00:13:42,734 - CLOWN COLOR. 361 00:13:42,734 --> 00:13:45,066 - KATHRYN-- WHEN I FIRST MET HER, 362 00:13:45,066 --> 00:13:47,767 SHE WAS IN THE KITCHEN AT 9:00 IN THE MORNING 363 00:13:47,767 --> 00:13:50,133 WHEN I CAME DOWN FOR A CUP OF COFFEE. 364 00:13:53,166 --> 00:13:54,567 HMM. 365 00:13:54,567 --> 00:13:57,033 LET ME JUST SAY SOMETHING. 366 00:13:57,033 --> 00:13:58,667 I DON'T THINK THAT YOU SHOULD BE SEEN... 367 00:13:58,667 --> 00:14:00,100 - MM-HMM. 368 00:14:00,100 --> 00:14:02,133 - CAVORTING WITH THESE 21-YEAR-OLD... 369 00:14:02,133 --> 00:14:03,266 - MM-HMM. 370 00:14:03,266 --> 00:14:04,633 - COLLEGE GIRLS. - I AGREE. 371 00:14:04,633 --> 00:14:09,100 - WHY WOULD YOU EVEN GET INTO THAT SITUATION TO BEGIN WITH? 372 00:14:09,100 --> 00:14:13,033 I JUST DON'T SEE KATHRYN MEASURING UP TO THOMAS. 373 00:14:13,033 --> 00:14:15,567 I THINK HE NEEDS A MAJOR WOMAN, 374 00:14:15,567 --> 00:14:20,000 AND I WOULD REALLY HATE TO SEE HIM MAKE A MAJOR MISTAKE. 375 00:14:20,000 --> 00:14:21,233 - KATHRYN-- 376 00:14:21,233 --> 00:14:23,700 SHE CAN COME ACROSS WITH AS MUCH POISE 377 00:14:23,700 --> 00:14:26,000 AS PROBABLY ANYONE YOU'VE MET IN HOLLYWOOD. 378 00:14:26,000 --> 00:14:28,266 - SHE'S [bleep] 21. 379 00:14:28,266 --> 00:14:31,166 AND SHE PLAYS LIKE SHE'S 12 YEARS OLD. 380 00:14:31,166 --> 00:14:33,166 YOU NEED TO-- [clicks tongue] 381 00:14:33,166 --> 00:14:34,300 CUT IT OUT. 382 00:14:34,300 --> 00:14:36,033 IF YOU WANT TO RUN, YOU TURN THE LEAF. 383 00:14:36,033 --> 00:14:37,400 YOU CAN'T BE HANGING OUT WITH 21-- 384 00:14:37,400 --> 00:14:38,633 LIKE, 19 YEAR OLDS, OR WHATEVER. 385 00:14:38,633 --> 00:14:40,033 - YEAH. - IT'S DEEMED SMART. 386 00:14:40,033 --> 00:14:42,300 - INSTEAD OF IMPREGNATING 21 YEAR OLDS, 387 00:14:42,300 --> 00:14:45,133 YOU MIGHT REFOCUS, IS ALL I'M SUGGESTING. 388 00:14:45,133 --> 00:14:47,133 [laughter] 389 00:14:49,300 --> 00:14:50,433 AWW. 390 00:14:50,433 --> 00:14:52,433 - I FEEL THAT THEY'RE OUT OF LINE, 391 00:14:52,433 --> 00:14:54,700 BUT IT'S NOT MY STYLE TO PUSH BACK TO PATRICIA. 392 00:14:54,700 --> 00:14:56,033 I'LL BE POLITE. 393 00:14:56,033 --> 00:14:58,166 I WILL LISTEN TO HER RESPECTFULLY. 394 00:14:58,166 --> 00:15:00,600 BUT AT THE END OF THE DAY, I'M GONNA DO WHAT I WANT TO DO. 395 00:15:00,600 --> 00:15:03,133 ANYWAY, LISTEN, I GOT TO TAKE OFF HERE. 396 00:15:03,133 --> 00:15:04,533 - THANK YOU, DARLING. - MM. 397 00:15:04,533 --> 00:15:07,000 - I DIDN'T MEAN TO GIVE YOU A HARD TIME, 398 00:15:07,000 --> 00:15:09,233 BUT I WANT YOU TO PREVAIL. 399 00:15:09,233 --> 00:15:11,200 - ALL RIGHT, BYE-BYE. 400 00:15:11,200 --> 00:15:12,767 - YOU DON'T THINK HE FELT AMBUSHED? 401 00:15:12,767 --> 00:15:15,200 - HE NEEDS TO BE AMBUSHED. HE'S A MORON. 402 00:15:15,200 --> 00:15:17,467 - I DON'T KNOW ABOUT YOU, BUT I'M DRUNK. 403 00:15:36,133 --> 00:15:38,400 - HELLO. HOW ARE YOU? 404 00:15:38,400 --> 00:15:39,633 - HOW ARE YOU? - GOOD TO SEE YOU. 405 00:15:39,633 --> 00:15:41,100 - GOOD TO SEE YOU. 406 00:15:41,100 --> 00:15:43,266 I'LL TAKE A BELVEDERE AND FRESH-SQUEEZED ORANGE JUICE, 407 00:15:43,266 --> 00:15:44,367 IF YOU'VE GOT IT. 408 00:15:44,367 --> 00:15:45,400 - TELL ME SOMETHING GOOD. 409 00:15:45,400 --> 00:15:46,500 WHAT HAPPENED TODAY? 410 00:15:46,500 --> 00:15:49,133 - I MET WITH WHITNEY AND HIS MOTHER. 411 00:15:49,133 --> 00:15:52,033 YOU KNOW THEY'RE TRYING TO INFLUENCE ME. 412 00:15:52,033 --> 00:15:53,734 THEY'RE TRYING TO POO-POO OUR RELATIONSHIP. 413 00:15:53,734 --> 00:15:55,567 - OF COURSE. - THEY GAVE ME THEIR ROUTINE. 414 00:15:55,567 --> 00:15:57,433 I WAS GETTING DOUBLE-TEAMED A LITTLE BIT. 415 00:15:57,433 --> 00:15:59,433 - BY HIS MOM, TOO? - YEAH. 416 00:15:59,433 --> 00:16:01,133 - SHE'S INTIMIDATING. 417 00:16:01,133 --> 00:16:02,667 - WELL, THEY WERE CRITIQUING, I MEAN, 418 00:16:02,667 --> 00:16:05,333 EVERYTHING FROM YOUR HAIR TO YOUR AGE. 419 00:16:05,333 --> 00:16:08,433 - UNFAIR, IN MY OPINION, FOR THEM TO BE JUDGING ME 420 00:16:08,433 --> 00:16:10,433 SPECIFICALLY BASED OFF MY AGE. 421 00:16:10,433 --> 00:16:12,600 MAYBE I'M YOUNG--COOL, 422 00:16:12,600 --> 00:16:15,600 BUT DO YOU THINK I'M ANY DUMBER THAN WHITNEY? 423 00:16:15,600 --> 00:16:16,734 HELL, NO. 424 00:16:16,734 --> 00:16:18,767 I'M JUST AS SMART. 425 00:16:18,767 --> 00:16:20,533 CONTINUE. 426 00:16:20,533 --> 00:16:23,100 - AGE INAPPROPRIATE, TOO IMMATURE, TOO YOUNG-- 427 00:16:23,100 --> 00:16:25,467 - FOR WHAT, POLITICS? 428 00:16:25,467 --> 00:16:28,367 - YEAH. - [bleep], [bleep], [bleep]. 429 00:16:28,367 --> 00:16:31,133 - WHAT MAKES REDHEADS SO ALLURING 430 00:16:31,133 --> 00:16:33,400 IS THAT THEY ARE VERY FIERY. 431 00:16:33,400 --> 00:16:36,767 I LIKE THE FACT THAT SHE'S IN THERE FIGHTING FOR HERSELF. 432 00:16:36,767 --> 00:16:38,367 I LIKE THAT. 433 00:16:38,367 --> 00:16:41,533 I'M GONNA DO WHAT I WANT TO DO 434 00:16:41,533 --> 00:16:43,533 AND BE WITH WHOM I WANT TO BE WITH. 435 00:16:43,533 --> 00:16:45,667 I'M NOT GOING TO BE INTIMIDATED BY THEM. 436 00:16:45,667 --> 00:16:48,066 - I APPRECIATE THAT. THANK YOU. 437 00:16:48,066 --> 00:16:49,533 - WE CAN JUST LET IT GO. THAT'S ALL IT WAS. 438 00:16:49,533 --> 00:16:51,300 DOESN'T MEAN-- - COMPLEMENTS OF THE CHEF. 439 00:16:51,300 --> 00:16:52,633 - OH, NICE. 440 00:16:52,633 --> 00:16:55,367 - I THINK IT'S RUDE FOR WHITNEY TO BE JUDGING ME, 441 00:16:55,367 --> 00:16:59,000 BECAUSE HE HIMSELF WAS TELLING ME HOW GOOD OF A GIRL I WAS. 442 00:16:59,000 --> 00:17:01,066 I DON'T UNDERSTAND THAT. 443 00:17:01,066 --> 00:17:03,734 THAT'S WHY I'M LIKE, "REALLY, WHITNEY? 444 00:17:03,734 --> 00:17:06,600 "YOU'RE GONNA SAY ALL OF THIS ABOUT ME TO THOMAS? 445 00:17:06,600 --> 00:17:07,734 "FINE. 446 00:17:07,734 --> 00:17:10,600 YOU JUST OPENED UP A WHOLE NEW DOOR." 447 00:17:10,600 --> 00:17:12,633 - LET ME JUST ASK A QUICK QUESTION. 448 00:17:12,633 --> 00:17:16,000 WHEN WAS WHITNEY TALKING TO YOU? 449 00:17:16,000 --> 00:17:18,033 - HE INVITED ME OVER TO GIVE ME A MAKEOVER. 450 00:17:18,033 --> 00:17:20,433 HE SET UP AN APPOINTMENT TO REDO MY HAIR. 451 00:17:20,433 --> 00:17:22,567 - HE SET UP AN APPOINTMENT HIMSELF TO DO THAT? 452 00:17:22,567 --> 00:17:25,567 - YUP, AND THEN HE WANTED ME TO, YOU KNOW, 453 00:17:25,567 --> 00:17:28,033 STOP WEARING AS MUCH MAKEUP AS I DID, 454 00:17:28,033 --> 00:17:30,600 WEAR THIS, NOT WEAR THAT, YOU KNOW. 455 00:17:30,600 --> 00:17:32,700 - BUT WHERE WERE YOU? 456 00:17:35,600 --> 00:17:37,600 - I WENT TO HIS PLACE, WHATEVER, 457 00:17:37,600 --> 00:17:40,633 AND... 458 00:17:40,633 --> 00:17:42,600 - WHERE, UP TO HIS BEDROOM? 459 00:17:44,500 --> 00:17:45,600 - YES. 460 00:17:49,633 --> 00:17:51,633 WHY, IS THAT WEIRD? 461 00:17:51,633 --> 00:17:55,166 - WHAT DID HE TRY-- I'M-- 462 00:17:55,166 --> 00:17:57,300 DID YOU KISS HIM? 463 00:17:57,300 --> 00:17:59,400 - FOR A MOMENT, AND THEN... - YOU DID KISS HIM? 464 00:17:59,400 --> 00:18:01,700 - AND THEN I STOPPED AND-- 465 00:18:01,700 --> 00:18:03,467 - DID YOU FRENCH KISS HIM? 466 00:18:03,467 --> 00:18:05,000 - HELL, NO. 467 00:18:05,000 --> 00:18:07,233 I'M NOT ATTRACTED TO WHITNEY. I THOUGHT HE WAS GAY. 468 00:18:07,233 --> 00:18:10,066 SORRY. 469 00:18:10,066 --> 00:18:11,333 - WELL, AT THAT POINT 470 00:18:11,333 --> 00:18:13,467 I DON'T THINK HE KNEW ABOUT OUR LITTLE HISTORY. 471 00:18:13,467 --> 00:18:15,667 - OH, HE DID. - MM-HMM? 472 00:18:15,667 --> 00:18:17,467 - HE KNEW GOOD AND WELL. 473 00:18:17,467 --> 00:18:19,200 - WELL, WE WERE DATING AT THAT POINT. 474 00:18:19,200 --> 00:18:22,333 - WEREN'T DATING, BUT, WHAT THE HELL, I MEAN, EVERYONE KNEW. 475 00:18:22,333 --> 00:18:24,767 - BUT HE WAS CLEARLY MAKING THE MOVES ON YOU, THOUGH. 476 00:18:24,767 --> 00:18:27,767 - OH, YEAH. NO DOUBT ABOUT THAT. 477 00:18:27,767 --> 00:18:29,767 - THAT SON OF A BITCH. 478 00:18:29,767 --> 00:18:32,367 - YEAH, HE'S A [bleep] SON OF A BITCH, 479 00:18:32,367 --> 00:18:33,734 YOU'RE TOTALLY RIGHT. 480 00:18:33,734 --> 00:18:35,467 - HE'S SORT OF A SNAKE, 481 00:18:35,467 --> 00:18:38,200 AND HERE HE IS JUDGING ME FOR BEING WITH A WOMAN 482 00:18:38,200 --> 00:18:40,500 THAT HE'S TRYING TO PUT THE MOVES ON. 483 00:18:40,500 --> 00:18:42,367 SHAME ON HIM. 484 00:18:48,166 --> 00:18:50,166 - [sighs] 485 00:18:52,166 --> 00:18:53,533 - COMING UP... 486 00:18:53,533 --> 00:18:56,500 - YOU ATTACK ME, AND YOU WANT TO SIT AT A TABLE WITH ME? 487 00:18:56,500 --> 00:18:58,133 LEAVE THE [bleep] TABLE, DUDE. 488 00:18:58,133 --> 00:18:59,300 GET AWAY FROM ME 489 00:18:59,300 --> 00:19:01,333 BEFORE I BITCH SLAP YOU RIGHT NOW. 490 00:19:16,166 --> 00:19:18,166 [buzzing] 491 00:19:20,567 --> 00:19:22,033 - YOU RANG, MADAME? 492 00:19:22,033 --> 00:19:24,300 - IT'S TIME FOR MY MEDICINE, IF YOU PLEASE. 493 00:19:24,300 --> 00:19:26,266 HAVE YOU SEEN WHITNEY AROUND? 494 00:19:26,266 --> 00:19:27,667 - I THINK HE'S PLAYING HIS GUITAR. 495 00:19:27,667 --> 00:19:29,367 - WOULD YOU ASK HIM IF HE'D COME DOWN? 496 00:19:29,367 --> 00:19:30,533 - CERTAINLY. - THANK YOU. 497 00:19:36,000 --> 00:19:37,400 - HOW ARE YOU? 498 00:19:37,400 --> 00:19:40,500 - YOU WERE PLAYING YOUR GUITAR, AS MICHAEL SAID? 499 00:19:40,500 --> 00:19:42,266 - TAKING A LITTLE GUITAR BREAK. 500 00:19:42,266 --> 00:19:44,533 - YEAH? OH, THANK YOU, MICHAEL. 501 00:19:44,533 --> 00:19:46,633 - YOUR ELIXIR. MAY I BRING YOU SOMETHING, SIR? 502 00:19:46,633 --> 00:19:48,767 - YES, VODKA ON THE ROCKS, SPLASH OF SODA, PLEASE. 503 00:19:48,767 --> 00:19:51,000 - VERY GOOD. - THANK YOU. 504 00:19:51,000 --> 00:19:53,400 - WHAT'S GOING ON WITH THE RESTAURANT BUSINESS? 505 00:19:53,400 --> 00:19:56,367 - I DON'T KNOW A LOT OF PEOPLE-- INVESTORS HERE. 506 00:19:56,367 --> 00:19:58,500 THAT'S WHY I BROUGHT SHEP IN, BUT HE HASN'T NECESSARILY 507 00:19:58,500 --> 00:20:00,500 STEPPED UP TO THE PLATE WITH THAT. 508 00:20:00,500 --> 00:20:03,233 - IT DOESN'T SEEM FOCUSED TO ME. 509 00:20:03,233 --> 00:20:05,133 I HAVE A THOUGHT FOR YOU. 510 00:20:05,133 --> 00:20:08,066 BRYAN DID PLANET HOLLYWOOD. 511 00:20:08,066 --> 00:20:09,633 HE'S HERE IN CHARLESTON. 512 00:20:09,633 --> 00:20:13,467 WOULDN'T IT BE A GOOD IDEA TO KIND OF ENGAGE HIS HELP? 513 00:20:13,467 --> 00:20:15,000 - BRYAN IS AN OLD FRIEND. 514 00:20:15,000 --> 00:20:16,767 HE WAS A FOUNDER OF PLANET HOLLYWOOD. 515 00:20:16,767 --> 00:20:18,533 BRYAN HAS A PROVEN TRACK RECORD. 516 00:20:18,533 --> 00:20:20,166 HE KNOWS WHAT HE'S DOING. 517 00:20:20,166 --> 00:20:21,433 OH, THANK YOU, MICHAEL. 518 00:20:21,433 --> 00:20:23,734 - I THINK THAT IF BRYAN WERE INVOLVED, 519 00:20:23,734 --> 00:20:25,700 IT WOULD FREE YOU UP 520 00:20:25,700 --> 00:20:28,767 TO PUT MORE TIME INTO YOUR FILM PROJECT. 521 00:20:28,767 --> 00:20:32,266 - I MEAN, HE IS VERSED IN THE RESTAURANT BUSINESS, FOR SURE. 522 00:20:32,266 --> 00:20:34,000 I THINK IF BRYAN AND I HAD STARTED IT OUT, 523 00:20:34,000 --> 00:20:37,033 NOT SHEP AND I, WE'D BE MUCH FARTHER ALONG. 524 00:20:37,033 --> 00:20:38,533 - I'M NOT SAYING GET RID OF SHEP. 525 00:20:38,533 --> 00:20:41,433 I'M JUST SAYING, UTILIZE BRYAN. 526 00:20:41,433 --> 00:20:43,400 I MEAN, WHAT'S THE DOWNSIDE? 527 00:20:43,400 --> 00:20:47,400 MY HOPES AND DREAMS FOR WHITNEY ARE MORE ELEVATED 528 00:20:47,400 --> 00:20:50,333 THAN BEING INVOLVED IN FOOD SERVICE. 529 00:20:50,333 --> 00:20:53,734 BUT IF WHITNEY'S GONNA INVEST MONEY IN THIS PROJECT, 530 00:20:53,734 --> 00:20:55,767 HE SHOULD DO IT SERIOUSLY. 531 00:20:55,767 --> 00:20:58,367 I'M JUST TRYING TO MAKE LIFE EASY FOR YOU, HONEY. 532 00:20:58,367 --> 00:21:00,367 - THANK YOU, MOM. THANK YOU, MOTHER. 533 00:21:00,367 --> 00:21:02,166 - [laughs] 534 00:21:02,166 --> 00:21:05,166 - OKAY, I HAVE TO GO GET DRESSED FOR CAROLINA DAY. 535 00:21:05,166 --> 00:21:06,400 - ALL RIGHT. 536 00:21:20,000 --> 00:21:22,266 - IT'S ALL POSITIVE THINGS COMING OUT OF YOUR MOUTH. 537 00:21:23,767 --> 00:21:25,500 YOU GUYS SHOULD BE UPSTAIRS, READY. 538 00:21:27,633 --> 00:21:29,500 ARE WE PREPARED FOR THE WHAT-IFS? 539 00:21:29,500 --> 00:21:32,133 THE BOTTLED TONIC, THE BOTTLED SODA, THE BOTTLED GINGER? 540 00:21:32,133 --> 00:21:33,333 - MM-HMM. - OKAY. 541 00:21:33,333 --> 00:21:35,133 I THINK THAT BEING A CONTROL FREAK COMES OUT 542 00:21:35,133 --> 00:21:36,667 WHEN YOU HOST A PARTY. 543 00:21:36,667 --> 00:21:39,467 I'M VERY BIG ON GOING OVER DETAILS WITH THE STAFF 544 00:21:39,467 --> 00:21:41,667 SO THAT WE'RE ALL ON THE SAME PAGE. 545 00:21:46,400 --> 00:21:49,100 I WANT IT TO BE PERFECT BEFORE IT BEGINS 546 00:21:49,100 --> 00:21:51,233 SO THAT I, TOO, CAN PARTY. 547 00:21:51,233 --> 00:21:53,367 THAT'S IMPORTANT. 548 00:21:56,367 --> 00:21:59,233 THIS TECHNOLOGY OF FORMAL DRESS WEAR-- 549 00:21:59,233 --> 00:22:02,166 I DON'T THINK IT'S EVOLVED IN THE LAST 10,000 YEARS, 550 00:22:02,166 --> 00:22:04,133 BUT, YOU KNOW, YOU HAVE TO SUFFER FOR FASHION, 551 00:22:04,133 --> 00:22:05,500 ACCORDING TO WHITNEY. 552 00:22:05,500 --> 00:22:07,600 - DID HE GIVE YOU FASHION ADVICE FOR TONIGHT? 553 00:22:07,600 --> 00:22:09,500 - NO, NOT IN FASHION. 554 00:22:09,500 --> 00:22:11,066 HE SAVES ALL THAT FOR HIMSELF, 555 00:22:11,066 --> 00:22:12,767 BUT WHEN IT COMES TO WHO I'M DATING 556 00:22:12,767 --> 00:22:14,767 AND WHAT I'M DOING IN MY PERSONAL LIFE, 557 00:22:14,767 --> 00:22:16,533 HE IS FULL OF FREE ADVICE. 558 00:22:16,533 --> 00:22:19,266 - I'M SURE. - UNSOLICITED. 559 00:22:19,266 --> 00:22:21,133 - DOESN'T HOLD BACK MUCH. 560 00:22:21,133 --> 00:22:23,633 - THINK I MIGHT HAVE TO GIVE HIM A LITTLE PIECE OF MY MIND. 561 00:22:23,633 --> 00:22:25,300 - REALLY? - WHAT DO YOU THINK? 562 00:22:25,300 --> 00:22:27,700 - IF THAT'S HOW YOU FEEL, THEN I THINK THAT'S WHAT YOU SHOULD DO. 563 00:22:27,700 --> 00:22:30,667 - WHITNEY IS PROBABLY THE MOST JUDGMENTAL PERSON I KNOW, 564 00:22:30,667 --> 00:22:34,033 AND I'M TIRED OF HIM JUDGING ME AND KATHRYN. 565 00:22:34,033 --> 00:22:36,166 SOMETIMES YOU JUST GOT TO SET 'EM STRAIGHT. 566 00:22:36,166 --> 00:22:37,600 [thunder crashes] 567 00:22:37,600 --> 00:22:39,333 - LOOK. IT'S GOING TO POUR TONIGHT. 568 00:22:39,333 --> 00:22:41,667 - GOD. [bleep]. 569 00:22:41,667 --> 00:22:43,166 IT'S GONNA BE A GREAT NIGHT. 570 00:22:43,166 --> 00:22:44,533 - SO WHAT ARE YOU GONNA WEAR? 571 00:22:44,533 --> 00:22:47,000 - I'M SUPPOSED TO WEAR WHITE TIE OR BLACK TIE. 572 00:22:47,000 --> 00:22:49,367 - YOU SHOULD WEAR JUST A WHITE DINNER JACKET THEN, HUH. 573 00:22:49,367 --> 00:22:51,300 - YEAH, THAT'S BEAUTIFUL. - DOUBLE-BREASTED? 574 00:22:51,300 --> 00:22:52,600 - YEAH, I LOVE THAT. 575 00:22:52,600 --> 00:22:54,100 - UM, CUFF LINKS, ALL RIGHT. 576 00:22:54,100 --> 00:22:57,300 - OH, THE ONES THE BELONGED TO THE FRENCH COUNT. 577 00:22:57,300 --> 00:22:59,367 PRINCE--WHAT WAS IT? - PRINCE WILHELM. 578 00:22:59,367 --> 00:23:00,500 - WILHELM. 579 00:23:00,500 --> 00:23:02,300 THE SWEDISH COUNT OR THE FRENCH COUNT? 580 00:23:02,300 --> 00:23:03,433 - AUSTRIAN. - AUSTRIAN, OH. 581 00:23:03,433 --> 00:23:05,567 - YEAH. - THEY'RE BEAUTIFUL. WEAR THOSE. 582 00:23:05,567 --> 00:23:08,066 - WEAR THOSE? - YEAH! FABULOUS. 583 00:23:08,066 --> 00:23:09,633 - HEY. - HI. 584 00:23:09,633 --> 00:23:11,066 - HI, DARLING. 585 00:23:11,066 --> 00:23:12,533 - WHAT'S GOING ON? YOU GETTING DRESSED? 586 00:23:12,533 --> 00:23:14,567 - I DON MY GAY APPAREL. 587 00:23:28,433 --> 00:23:31,000 - HEY, GIRL. HOW HORRIBLE IS THIS RAIN? 588 00:23:36,066 --> 00:23:38,600 - DO YOU HAVE AN UMBRELLA? 589 00:23:38,600 --> 00:23:40,066 - OH, NO! 590 00:23:40,066 --> 00:23:42,433 PUT A PLASTIC BAG OVER YOUR HEAD AND RUN. 591 00:23:42,433 --> 00:23:44,033 - [laughs] 592 00:23:44,033 --> 00:23:46,500 YOU'LL BE FINE. ARE YOU STILL GONNA COME OVER? 593 00:23:50,300 --> 00:23:52,266 - ALL RIGHT, WELL, BE SAFE, 594 00:23:52,266 --> 00:23:54,300 AND I'LL SEE YOU WHEN YOU GET HERE. 595 00:24:05,767 --> 00:24:09,433 - THIS IS SORT OF OUR COMING OUT PARTY. 596 00:24:09,433 --> 00:24:10,767 SORT OF MAKES A STATEMENT. 597 00:24:10,767 --> 00:24:12,767 - WHAT KIND OF STATEMENT YOU THINK WE'RE GONNA MAKE? 598 00:24:12,767 --> 00:24:15,233 - I THINK WHEN WE WALK IN THERE, 599 00:24:15,233 --> 00:24:17,467 WE'RE GONNA FEEL THE EYES... - OH, YEAH. 600 00:24:17,467 --> 00:24:20,367 - UPON US. - OH, YEAH. 601 00:24:20,367 --> 00:24:21,734 - WHITNEY! 602 00:24:21,734 --> 00:24:24,600 - WHITNEY, LET'S SEE WHAT YOUR OUTFIT'S LIKE. 603 00:24:24,600 --> 00:24:26,700 - ♪ HERE COMES MISTER AMERICA ♪ 604 00:24:26,700 --> 00:24:29,033 - OH, I LOVE THAT. THAT LOOKS HOT. 605 00:24:29,033 --> 00:24:30,567 - YOU LOOK GOOD. - YOU LOOK REALLY GOOD. 606 00:24:30,567 --> 00:24:32,233 - YEAH? - YEAH. 607 00:24:32,233 --> 00:24:33,533 - IT LOOKS GOOD. I LOVE THAT JACKET. 608 00:24:33,533 --> 00:24:34,633 - YEAH, IT LOOKS REALLY GOOD. 609 00:24:34,633 --> 00:24:36,200 - I LOVE DOUBLE-BREASTED JACKETS. 610 00:24:36,200 --> 00:24:38,033 - OKAY, WILL YOU HELP ME PUT THE CUFFLINKS IN? 611 00:24:38,033 --> 00:24:39,000 - YEAH. - LET'S-- 612 00:24:39,000 --> 00:24:40,200 - WELL, SO-- 613 00:24:40,200 --> 00:24:41,667 - SO JUST-- WE'RE THROWING WHATEVER-- 614 00:24:41,667 --> 00:24:44,066 - THROWING WHATEVER. - GOT TO WAIT 20 MINUTES. 615 00:24:48,667 --> 00:24:50,533 - 15 MINUTES TO THE SHOW, PEOPLE. 616 00:24:52,667 --> 00:24:54,767 BUT I'D ALSO LIKE SHEP TO BE IN THE BACK, TOO. 617 00:24:58,166 --> 00:25:01,266 SHOWTIME. HERE WE GO. 618 00:25:04,333 --> 00:25:06,333 [laughs] NO! 619 00:25:12,567 --> 00:25:14,700 SHEPPER! - YES. 620 00:25:14,700 --> 00:25:16,500 - AND YOU LOOK DAPPER, SON. 621 00:25:16,500 --> 00:25:17,734 GET IN HERE. - GOOD TO SEE YOU. 622 00:25:17,734 --> 00:25:19,133 - OH, GET IN HERE. THERE YOU GO. 623 00:25:19,133 --> 00:25:20,400 - THANK YOU. - I LIKE IT. 624 00:25:20,400 --> 00:25:22,133 - THIS IS COURTNEY. - HEY, HOW ARE YOU? 625 00:25:22,133 --> 00:25:23,533 GOOD TO SEE YOU. - GOOD, HOW ARE YOU? 626 00:25:23,533 --> 00:25:25,633 - I'M J.D. WELCOME, WELCOME. VERY GOOD TO HAVE YOU. 627 00:25:25,633 --> 00:25:27,133 - CAROLINA DAY, HUH? 628 00:25:27,133 --> 00:25:29,233 - HEY, MAN, WE JUST GOT TO GET LOOSE AND STAY THERE. 629 00:25:29,233 --> 00:25:30,367 [laughter] 630 00:25:36,367 --> 00:25:37,367 BRANDI! - HEY. 631 00:25:37,367 --> 00:25:39,200 - GET OVER HERE. - HOW ARE YOU? 632 00:25:39,200 --> 00:25:40,367 - WELCOME. 633 00:25:40,367 --> 00:25:41,700 - I WANT TO PARTY WITH THIS GUY, HUH? 634 00:25:41,700 --> 00:25:43,033 - HEY, YOU'RE ABOUT TO. 635 00:25:43,033 --> 00:25:44,500 - YOU GET YOUR BEAUTY SLEEP LAST NIGHT? 636 00:25:44,500 --> 00:25:46,033 - NO, TOO MUCH BOURBON LAST NIGHT. 637 00:25:46,033 --> 00:25:48,266 - OH, YOU WERE OUT? - WHAT DID YOU DO? 638 00:25:48,266 --> 00:25:49,767 - WELL, NO, I HAD DRINKS AT HUSK 639 00:25:49,767 --> 00:25:52,433 WITH MY MOTHER AND THOMAS RAVENEL. 640 00:25:52,433 --> 00:25:55,400 MY MOTHER GAVE THOMAS A NICE MOTHERLY LECTURE. 641 00:25:55,400 --> 00:25:57,300 SHE'S QUITE PRACTICED WITH ME. 642 00:26:00,467 --> 00:26:02,200 - HELLO. 643 00:26:02,200 --> 00:26:04,200 - HEY. - HOW'S IT LOOK? 644 00:26:04,200 --> 00:26:06,600 - YOU LOOK WONDERFUL. I LOVE YOUR HAIR, TOO. 645 00:26:06,600 --> 00:26:08,600 YEAH. YOU LOOK GOOD, TOO. 646 00:26:08,600 --> 00:26:10,600 - OH, THANKS. WOW. 647 00:26:10,600 --> 00:26:12,600 - YOU THINK WHITNEY'S GONNA CRITIQUE US THIS TIME 648 00:26:12,600 --> 00:26:14,200 ON OUR FASHIONS? 649 00:26:14,200 --> 00:26:16,133 - I DON'T THINK IT'S GONNA MATTER WHAT HE THINKS. 650 00:26:16,133 --> 00:26:19,200 LET'S GET A LITTLE CLOSER LOOK HERE. 651 00:26:19,200 --> 00:26:22,166 MM, DAMN. - WHAT? 652 00:26:22,166 --> 00:26:24,166 - I LIKE THIS DRESS SO MUCH-- - I KNOW, RIGHT? 653 00:26:24,166 --> 00:26:26,333 - AND I NOW WANT YOU TO JUST TAKE IT OFF. 654 00:26:26,333 --> 00:26:29,367 DO WE HAVE TIME? - NO, IT'S STAYING ON ALL NIGHT. 655 00:26:34,734 --> 00:26:36,467 - HEY, YOU LOOK GREAT. - YEAH? 656 00:26:36,467 --> 00:26:38,066 - YOU LOOK GORGE. - IS THE HAIR OKAY? 657 00:26:38,066 --> 00:26:39,333 - LOOK AT YOU! - HEY, BABY DOLL. 658 00:26:39,333 --> 00:26:40,734 - YEAH, I LIKE THIS JACKET VERY MUCH-- 659 00:26:40,734 --> 00:26:42,700 - LOOK HOW SEXY YOU LOOK. - I DON'T LOOK SEXY! 660 00:26:42,700 --> 00:26:45,467 THIS IS HOW MOTHERS DRESS FROM, LIKE, THE 1980s. 661 00:26:45,467 --> 00:26:48,600 - DON'T DO THAT. DON'T--DON'T DO THAT. 662 00:26:48,600 --> 00:26:51,133 - HELLO, MY LOVE. 663 00:26:51,133 --> 00:26:53,100 - JENNA, WAY CONSERVATIVE TONIGHT. 664 00:26:53,100 --> 00:26:54,233 - YOU LOOK HOT. - I'M SHOCKED. 665 00:26:54,233 --> 00:26:57,233 - LOOK AT THESE BOOBS, DAMN. BOOB-A-RELLA. 666 00:26:57,233 --> 00:26:59,233 - AND THEY'RE REAL. 667 00:27:03,266 --> 00:27:04,667 - HEY! - HI. 668 00:27:04,667 --> 00:27:06,266 - BEFORE CAROLINA DAY, 669 00:27:06,266 --> 00:27:09,367 DANNI ASKED ME IF I WOULD GO WITH HER TO THE PARTY... 670 00:27:10,600 --> 00:27:12,767 BUT AFTER THE WHOLE M.J. THING, 671 00:27:12,767 --> 00:27:14,233 I DON'T WANT TO BE THE GUY 672 00:27:14,233 --> 00:27:15,767 THAT GETS BACK WITH THE EX-GIRLFRIEND. 673 00:27:15,767 --> 00:27:18,367 I WAS LIKE, I KIND OF WANT TO BRING THE THUNDER. 674 00:27:21,533 --> 00:27:23,333 - HEY! - WHAT'S UP? 675 00:27:23,333 --> 00:27:25,066 - WHAT'S UP, CRAIG? HOW YOU DOING, BUDDY? 676 00:27:25,066 --> 00:27:26,633 - BEEN WORKING THE PARTY. - GOOD TO MEET YOU. 677 00:27:26,633 --> 00:27:28,400 - J.D. MADISON. GOOD TO SEE YOU. WELCOME. 678 00:27:28,400 --> 00:27:30,066 - HE'S OUR WONDERFUL HOST. - WELCOME. 679 00:27:30,066 --> 00:27:33,033 - CRAIG IS UNVERSED ON THE SOUTHERN IDEALS 680 00:27:33,033 --> 00:27:35,166 OF ETIQUETTE AND DRESS. 681 00:27:35,166 --> 00:27:36,767 - IT LOOKS LIKE WE'RE IN A WEDDING PARTY. 682 00:27:36,767 --> 00:27:39,166 - HE'S FROM DELAWARE. HE DOESN'T KNOW. 683 00:27:39,166 --> 00:27:40,266 - EXCEPT US. 684 00:27:40,266 --> 00:27:42,200 [laughter] 685 00:27:42,200 --> 00:27:44,333 WE'RE JUST LIKE, SHOWING UP, LIKE, "WHAT'S UP, GUYS? 686 00:27:44,333 --> 00:27:45,767 HEARD THERE WAS SOMETHING GOING ON." 687 00:27:50,066 --> 00:27:52,066 - WHY NOT? - SHE HATES THE SOUND. 688 00:27:52,066 --> 00:27:54,266 BUT I LOVE IT. 689 00:27:54,266 --> 00:27:56,300 [laughter] 690 00:28:01,333 --> 00:28:03,667 - WHAT'S UP? - T. RAVENEL-CIONNE! 691 00:28:08,000 --> 00:28:10,266 WHAT'S HAPPENING, BABY? - PARTY. 692 00:28:10,266 --> 00:28:12,400 - GOOD TO SEE YOU, BROTHER. HEY, GET IN HERE. 693 00:28:12,400 --> 00:28:13,700 - HI. 694 00:28:13,700 --> 00:28:16,033 - I CAN'T BELIEVE THOMAS ACTUALLY SHOWED UP WITH HER. 695 00:28:16,033 --> 00:28:17,166 - WELL, HE'S OWNING IT. 696 00:28:17,166 --> 00:28:18,700 HE'S REALLY PUTTING IT OUT THERE. 697 00:28:18,700 --> 00:28:21,467 - I MEAN, THE MOST SHOCKING PART ABOUT KATHRYN AND THOMAS 698 00:28:21,467 --> 00:28:22,734 IS THE AGE DIFFERENCE. 699 00:28:22,734 --> 00:28:24,500 I THINK IT'S WEIRD. 700 00:28:24,500 --> 00:28:27,233 I DON'T THINK A GIRL THAT'S 21 ACTUALLY LIKES A GUY THAT'S 50. 701 00:28:27,233 --> 00:28:29,500 WHY HE'S NOT TRYING TO KEEP THIS RELATIONSHIP A SECRET 702 00:28:29,500 --> 00:28:30,700 IS BEYOND ME. 703 00:28:30,700 --> 00:28:32,166 - HEY, YOU LOOK GREAT! 704 00:28:32,166 --> 00:28:33,567 - I'M NOT REALLY SHOCKED 705 00:28:33,567 --> 00:28:36,100 BY THE FACT THAT THOMAS IS WITH KATHRYN. 706 00:28:36,100 --> 00:28:38,066 I WOULD BE MORE SHOCKED IF HE CAME IN 707 00:28:38,066 --> 00:28:39,433 WITH A WOMAN THAT WAS 51. 708 00:28:39,433 --> 00:28:41,100 THAT WOULD BE SHOCKING. 709 00:28:43,200 --> 00:28:45,166 - I KNOW. SHE'S VERY PRETTY TONIGHT. 710 00:28:45,166 --> 00:28:47,233 - SHE LOOKS SO PRETTY. 711 00:28:47,233 --> 00:28:50,266 OH, MY GOD, AND THAT DRESS-- WHAT IS THIS, PROM? 712 00:28:50,266 --> 00:28:52,300 GOES WITH--MATCHES HER HAIR. 713 00:28:52,300 --> 00:28:54,333 - IT MATCHES HER ABORTION. 714 00:28:57,433 --> 00:29:00,000 - I JUST CANNOT BELIEVE HOW MANY PEOPLE ARE GOSSIPING. 715 00:29:00,000 --> 00:29:03,066 IT'S JUST LIKE-- THE WHOLE ROOM IS ABUZZ. 716 00:29:03,066 --> 00:29:05,500 THE LOCAL CHARLESTON NEWSPAPERS ARE GONNA HAVE A FIELD DAY 717 00:29:05,500 --> 00:29:07,333 WITH THIS [bleep] ONE. 718 00:29:07,333 --> 00:29:08,533 - COMING UP... 719 00:29:08,533 --> 00:29:10,266 - KATHRYN TOLD ME YOU WERE TRYING TO HOOK-- 720 00:29:10,266 --> 00:29:11,533 HOOK UP WITH HER YOURSELF. 721 00:29:11,533 --> 00:29:13,333 - SHE'S SAYING THAT? THAT'S [bleep] CRAZY. 722 00:29:13,333 --> 00:29:17,600 - WELL, SHE'LL BE HERE IN A SECOND. 723 00:29:18,600 --> 00:29:19,700 - I WANT TO SEE YOUR TITS. 724 00:29:19,700 --> 00:29:21,333 - YOU ARE NOT GONNA EVER SEE MY TITS. 725 00:29:21,333 --> 00:29:22,700 - OH, MY GOD. YOU'RE OUT OF CONTROL. 726 00:29:22,700 --> 00:29:24,000 LIKE, WHITNEY-- 727 00:29:24,000 --> 00:29:25,500 - YOU ARE NOT GONNA EVER SEE MY TITS. 728 00:29:25,500 --> 00:29:27,066 - REAL SLAP-- 729 00:29:27,066 --> 00:29:29,100 - YOU PERVERT. 730 00:29:29,100 --> 00:29:30,633 - HE LIKES IT SECRETLY. 731 00:29:30,633 --> 00:29:33,066 [laughter] 732 00:29:33,066 --> 00:29:34,633 - WHITNEY, DO YOU LIKE THAT? 733 00:29:34,633 --> 00:29:37,633 - THAT'S NOT--DON'T. 734 00:29:37,633 --> 00:29:39,333 - LET'S JUST KICK HIS ASS. 735 00:29:39,333 --> 00:29:41,367 - YOU COULD DEFINITELY KICK MY ASS. 736 00:29:41,367 --> 00:29:44,100 [laughter] 737 00:29:44,100 --> 00:29:45,667 - GO BACK TO DOING WHATEVER YOU WERE DOING. 738 00:29:45,667 --> 00:29:47,633 - I HATE YOU. 739 00:29:47,633 --> 00:29:50,233 - NO! DON'T FIGHT ME NOW! 740 00:29:58,767 --> 00:30:01,767 [indistinct chatter] 741 00:30:10,233 --> 00:30:13,233 [bagpipes playing Scotland the Brave] 742 00:30:13,233 --> 00:30:21,433 ♪ ♪ 743 00:30:23,567 --> 00:30:24,700 - HEY! 744 00:30:24,700 --> 00:30:26,433 [cheering] 745 00:30:26,433 --> 00:30:28,433 WELCOME TO CAROLINA DAY. 746 00:30:28,433 --> 00:30:30,400 A VERY SPECIAL TIME. 747 00:30:30,400 --> 00:30:33,133 IN LATE JUNE, 1776, 748 00:30:33,133 --> 00:30:35,266 IN THE BATTLE OF SULLIVAN'S ISLAND, 749 00:30:35,266 --> 00:30:38,033 THE BRITISH FLEET CAME KNOCKING. 750 00:30:38,033 --> 00:30:41,033 THE BATTLE ITSELF LASTED OVER 16 HOURS, 751 00:30:41,033 --> 00:30:43,400 BUT THE TROOPS PROTECTED CHARLESTON 752 00:30:43,400 --> 00:30:45,133 UNTIL THE BRITISH NAVY RETREATED. 753 00:30:45,133 --> 00:30:46,133 - HERE, HERE. 754 00:30:46,133 --> 00:30:48,033 - BY MANY HISTORIANS, 755 00:30:48,033 --> 00:30:50,166 THIS WAS THE FIRST SIGNIFICANT VICTORY 756 00:30:50,166 --> 00:30:52,033 IN THE REVOLUTIONARY WAR. 757 00:30:52,033 --> 00:30:54,667 OUR GREAT STATE, OUR GREAT NATION, 758 00:30:54,667 --> 00:30:56,467 WE SALUTE YOU. 759 00:30:56,467 --> 00:30:58,166 all: HERE, HERE! 760 00:30:58,166 --> 00:31:00,033 - WE'RE GONNA START SOME MUSIC AGAIN. 761 00:31:00,033 --> 00:31:02,033 PLEASE, MAKE YOUR WAY TO YOUR SEATS. 762 00:31:02,033 --> 00:31:05,033 [light jazz music] 763 00:31:05,033 --> 00:31:09,333 ♪ ♪ 764 00:31:09,333 --> 00:31:11,333 - BEST TABLE EVER. 765 00:31:13,700 --> 00:31:16,433 SIMULTANEOUS POUR. 766 00:31:16,433 --> 00:31:18,500 THANK YOU. 767 00:31:18,500 --> 00:31:21,500 - ♪ HAVE A DRINK OF CHAMPAGNE ♪ 768 00:31:21,500 --> 00:31:22,734 - HERE'S TO CAROLINA DAY. 769 00:31:22,734 --> 00:31:24,633 - THANK YOU FOR INVITING US. 770 00:31:24,633 --> 00:31:26,367 - COULDN'T IMAGINE DOING IT WITHOUT YOU. 771 00:31:26,367 --> 00:31:28,300 - YOU'RE QUITE THE HOST. 772 00:31:40,333 --> 00:31:42,467 - TO THE GOOD LIFE. - TO THE GOOD LIFE! 773 00:31:42,467 --> 00:31:44,500 - MAY IT LAST A LONG TIME. 774 00:31:47,333 --> 00:31:50,433 - SMILE! SHEPPY! 775 00:31:50,433 --> 00:31:52,066 ONE, TWO, THREE. 776 00:31:52,066 --> 00:31:53,467 CAMERAN, IF YOU'RE MY DATE, 777 00:31:53,467 --> 00:31:55,066 WHY AREN'T YOU SITTING BESIDE ME? 778 00:31:55,066 --> 00:31:56,200 - I KNOW. WHAT'S GOING ON? 779 00:31:56,200 --> 00:31:57,700 I THINK BECAUSE IF WE DID, 780 00:31:57,700 --> 00:31:59,600 THEN THEY COULDN'T SIT BESIDE EACH OTHER. 781 00:31:59,600 --> 00:32:02,633 - I WAS JUST GONNA FINGER YOU UNDERNEATH THE TABLE. 782 00:32:02,633 --> 00:32:04,700 - [laughs] 783 00:32:10,433 --> 00:32:12,066 - HOW ARE YOU DOING? 784 00:32:12,066 --> 00:32:13,133 - FABULOUS. 785 00:32:13,133 --> 00:32:14,667 - LOOK LIKE A 1940-- 786 00:32:14,667 --> 00:32:16,433 WHO WAS THE ACTRESS THAT WAS MARRIED 787 00:32:16,433 --> 00:32:18,667 TO ORSON WELLES IN THE '40s? 788 00:32:18,667 --> 00:32:20,233 RED HAIR. - OH. 789 00:32:20,233 --> 00:32:23,100 - RITA HAYWORTH. YOU KNOW RITA HAYWORTH? 790 00:32:23,100 --> 00:32:24,300 BEFORE MY TIME. 791 00:32:24,300 --> 00:32:26,033 YOU SHOULD KNOW WHO SHE IS, BUT YOU DON'T. 792 00:32:26,033 --> 00:32:28,400 - I'M A CHILD, RIGHT, SO-- 793 00:32:28,400 --> 00:32:30,033 I'M NOT, LIKE-- 794 00:32:30,033 --> 00:32:32,066 IT'S NOT LIKE I DON'T KNOW THE STARS FROM THE '40s, 795 00:32:32,066 --> 00:32:33,367 BUT I MEAN, JESUS CHRIST. 796 00:32:33,367 --> 00:32:34,500 - IT'S A COMPLIMENT. 797 00:32:34,500 --> 00:32:36,200 - THANK YOU VERY MUCH. 798 00:32:36,200 --> 00:32:39,066 - SHE PROBABLY SHOULD KNOW WHO RITA HAYWORTH IS, 799 00:32:39,066 --> 00:32:41,767 BUT, YOU KNOW, SHE'S BEING OVERLY SENSITIVE. 800 00:32:51,467 --> 00:32:53,000 - SOMETIMES. - SOMETIMES? 801 00:32:53,000 --> 00:32:55,033 - ALL THE TIME. - CONTAGIOUS, ISN'T IT? 802 00:32:55,033 --> 00:32:57,567 - SHEP WAS REALLY HEARTBROKEN ABOUT M.J. 803 00:32:57,567 --> 00:33:00,734 FOR, LIKE, 12 HOURS. 804 00:33:07,266 --> 00:33:09,400 - I'M STARVING. 805 00:33:14,133 --> 00:33:16,100 - I'M GONNA DO A PARTY, TOO. - GOOD. 806 00:33:16,100 --> 00:33:17,533 - YOU TWO ARE ALSO INVITED. 807 00:33:17,533 --> 00:33:19,533 I'M HAVING A SIT-DOWN DINNER PARTY AT MY HOUSE, 808 00:33:19,533 --> 00:33:21,033 OF MAYBE 12. 809 00:33:21,033 --> 00:33:22,533 I'VE GOT SOME GOOD ADVICE FOR THE BOYS. 810 00:33:22,533 --> 00:33:25,066 I'M TALKING ABOUT SOME OF THESE YOUNG BUCKS, 811 00:33:25,066 --> 00:33:26,367 LIKE THAT GUY. 812 00:33:26,367 --> 00:33:27,600 LOOK AT THAT GUY. 813 00:33:27,600 --> 00:33:30,233 SHEP-- HE'S 17 YEARS YOUNGER THAN ME. 814 00:33:30,233 --> 00:33:33,500 - THOMAS GIVING OUT LIFE ADVICE 815 00:33:33,500 --> 00:33:36,066 IS AN EXERCISE IN ABSURDITY. 816 00:33:36,066 --> 00:33:38,166 - I'M GONNA HAVE SOME ADVICE FOR THESE GUYS. 817 00:33:38,166 --> 00:33:39,400 - SOUNDS LIKE A BAD IDEA. 818 00:33:39,400 --> 00:33:41,133 - WELL, YOU KNOW WHAT, IF YOU'RE THERE, 819 00:33:41,133 --> 00:33:43,200 YOU'RE GONNA HAVE TO BE QUIET WHILE I'M TALKING. 820 00:33:43,200 --> 00:33:44,333 [laughter] 821 00:33:44,333 --> 00:33:46,500 OR YOU WILL BE ESCORTED TO THE DOOR. 822 00:33:46,500 --> 00:33:48,400 - IF YOU CAN GET MORE THAN FOUR PEOPLE THERE, 823 00:33:48,400 --> 00:33:50,033 THEN I WILL SHOW UP. 824 00:33:52,066 --> 00:33:55,633 - I COULD FILL THAT HOUSE UP WITH 500 PEOPLE IF I WANTED TO. 825 00:33:57,533 --> 00:34:00,700 - NO, YOU COULDN'T. I'LL BET YOU. 826 00:34:00,700 --> 00:34:03,467 $5,000. 827 00:34:03,467 --> 00:34:05,500 - YOU ATTACK ME, 828 00:34:05,500 --> 00:34:08,500 SAYING I CAN'T GET FOUR PEOPLE TO MY HOUSE, 829 00:34:08,500 --> 00:34:10,200 AND YOU WANT TO SIT AT A TABLE WITH ME? 830 00:34:10,200 --> 00:34:11,734 LEAVE THE [bleep] TABLE, DUDE. 831 00:34:11,734 --> 00:34:13,133 GET AWAY FROM ME 832 00:34:13,133 --> 00:34:15,200 BEFORE I BITCH SLAP YOU RIGHT NOW. 833 00:34:15,200 --> 00:34:16,767 - HEY. WHAT? 834 00:34:16,767 --> 00:34:18,734 - I'LL BITCH SLAP YOU IN FRONT OF THESE PEOPLE. 835 00:34:18,734 --> 00:34:21,734 - ARE YOU SERIOUS? IS THIS REALLY GOING ON? 836 00:34:21,734 --> 00:34:23,767 - WHAT IS WRONG WITH THE TABLE OVER THERE? 837 00:34:23,767 --> 00:34:25,533 - YOU CAN'T ANTAGONIZE THE SITUATION 838 00:34:25,533 --> 00:34:26,767 AND EXPECT THIS NOT TO HAPPEN. 839 00:34:26,767 --> 00:34:28,367 - I DON'T WANT TO SIT THERE AND, LIKE, 840 00:34:28,367 --> 00:34:29,734 GRAB YOU BY YOUR LITTLE [bleep] HAIR 841 00:34:29,734 --> 00:34:32,467 AND START SLAPPING YOU IN THE FACE. 842 00:34:32,467 --> 00:34:34,033 I'M NOT GONNA PUT UP WITH THIS. 843 00:34:34,033 --> 00:34:36,200 - YOU SHOULDN'T REALLY GIVE A [bleep] WHAT I THINK OR CARE. 844 00:34:36,200 --> 00:34:40,066 - I DISMISS 90% OF WHAT YOU SAY TO ME, OKAY? 845 00:34:40,066 --> 00:34:41,500 - OH, LADIES. 846 00:34:41,500 --> 00:34:43,500 - I WANT TO COME, TOO. 847 00:34:50,500 --> 00:34:52,200 - MY GOD. 848 00:34:52,200 --> 00:34:54,000 WHAT DID JUST HAPPEN? 849 00:34:54,000 --> 00:34:56,533 WHITNEY'S SENSE OF HUMOR SOMETIMES-- 850 00:34:56,533 --> 00:34:58,633 - CAN CATCH THOMAS THE WRONG WAY? 851 00:34:58,633 --> 00:35:00,500 - I THINK, YOU KNOW... - YEAH. 852 00:35:00,500 --> 00:35:03,066 - SOMETIMES PEOPLE DON'T KNOW IF HE'S JOKING 853 00:35:03,066 --> 00:35:06,066 OR IF HE'S BEING SARCASTIC OR IF HE'S BEING SERIOUS. 854 00:35:07,767 --> 00:35:09,600 - KATHRYN TOLD ME YOU WERE TRYING TO HOOK-- 855 00:35:09,600 --> 00:35:10,734 HOOK UP WITH HER YOURSELF. 856 00:35:10,734 --> 00:35:13,500 - I DID NOT-- THAT'S ABSOLUTE [bleep]. 857 00:35:13,500 --> 00:35:15,500 I DID NOT-- I DID NOT BANG YOUR FRIEND. 858 00:35:15,500 --> 00:35:18,166 - YOU TRIED TO. DID YOU NOT? 859 00:35:18,166 --> 00:35:20,133 - SHE'S SAYING THAT? THAT'S [bleep] CRAZY. 860 00:35:20,133 --> 00:35:22,633 - I THINK THAT WHITNEY CLEARLY TRIED TO SLEEP WITH HER. 861 00:35:22,633 --> 00:35:24,433 HE TRIES TO SLEEP WITH EVERYBODY. 862 00:35:24,433 --> 00:35:26,300 AND SHE REJECTED HIS ADVANCES. 863 00:35:26,300 --> 00:35:28,300 SO AT THIS MOMENT, I BELIEVE HER. 864 00:35:28,300 --> 00:35:30,100 COME ON, COME CLEAN. 865 00:35:30,100 --> 00:35:31,467 WELL, SHE'LL BE HERE IN A SECOND. 866 00:35:31,467 --> 00:35:32,767 - OKAY, PLEASE. 867 00:35:32,767 --> 00:35:35,066 I'LL WELCOME ANY DISCUSSION ABOUT THAT. 868 00:35:39,300 --> 00:35:41,567 - SO WHAT DID YOU GUYS FIND OUT? - NOTHING MUCH. 869 00:35:49,166 --> 00:35:52,000 - AND HE HAS NO IDEA. I MEAN, IT SUCKS. 870 00:35:52,000 --> 00:35:53,266 HE GOT PLAYED. 871 00:35:53,266 --> 00:35:55,066 THAT'S--HE GOT PLAYED. - YEAH. 872 00:35:55,066 --> 00:35:57,300 - I MEAN, THOMAS MIGHT FALL FOR KATHRYN, 873 00:35:57,300 --> 00:35:59,367 BUT I DON'T THINK SHE'S FALLING FOR HIM. 874 00:35:59,367 --> 00:36:01,166 I THINK SHE'S GOT SOME HIDDEN AGENDA, 875 00:36:01,166 --> 00:36:03,600 AND THE FACT THAT THEY BOTH DIDN'T RUN AWAY FROM EACH OTHER 876 00:36:03,600 --> 00:36:05,000 AFTER A PREGNANCY SCARE, 877 00:36:05,000 --> 00:36:06,667 I MEAN, THE WHOLE THING IS JUST SUPER WEIRD. 878 00:36:06,667 --> 00:36:09,400 HE DOESN'T GET THAT PEOPLE ARE ALL MAKING FUN OF HIM. 879 00:36:09,400 --> 00:36:11,133 - I FEEL LIKE SOMEONE NEEDS TO HAVE, LIKE, 880 00:36:11,133 --> 00:36:12,667 A SERIOUS, LIKE, INTERVENTION WITH HIM. 881 00:36:12,667 --> 00:36:14,333 - BUT DO YOU THINK IT WOULD-- IT WOULD-- 882 00:36:14,333 --> 00:36:17,166 I DON'T THINK-- I DON'T KNOW IF HE WOULD GET IT. 883 00:36:19,400 --> 00:36:23,100 - THANK YOU VERY MUCH. 884 00:36:23,100 --> 00:36:25,567 - SORRY. I APOLOGIZE. 885 00:36:25,567 --> 00:36:27,333 - WHAT? 886 00:36:27,333 --> 00:36:28,600 - THANK YOU. 887 00:36:33,567 --> 00:36:35,533 - HE DENIED IT? - HE DENIED IT, YEAH. 888 00:36:35,533 --> 00:36:38,433 - DO YOU REALLY WANT TO CHECK MY PHONE RECORD THEN? 889 00:36:38,433 --> 00:36:39,700 - NO, I DON'T WANT TO CHECK IT. 890 00:36:39,700 --> 00:36:43,033 HEY, WHITNEY, THERE'S A DISPUTE GOING ON HERE. 891 00:36:43,033 --> 00:36:46,300 YOU SAID YOU DID NOT INVITE HER OVER-- 892 00:36:46,300 --> 00:36:50,033 - YOU PERSONALLY CALLED ME AND SAID, "HI, COME HERE." 893 00:36:50,033 --> 00:36:52,300 I SAID, "OKAY, I'LL BE THERE AT 12:30." 894 00:36:52,300 --> 00:36:55,033 - AT 12:30? - 12:30 AT NIGHT. 895 00:36:55,033 --> 00:36:57,100 - RIGHT. 896 00:36:57,100 --> 00:36:59,767 - WELL, THE ASSUMPTION THAT HE IMPARTED WAS THAT-- 897 00:36:59,767 --> 00:37:02,700 CALLED OVER AND I WAS HITTING ON YOU 898 00:37:02,700 --> 00:37:04,600 AND THAT WE HOOKED UP OR SOMETHING. 899 00:37:04,600 --> 00:37:06,433 IS THAT TRUE, OR NOT? - NO, NO-- 900 00:37:06,433 --> 00:37:07,734 - NO, YOU WEREN'T HITTING ON ME. 901 00:37:07,734 --> 00:37:10,033 YOU JUST INVITED ME OVER TO TALK ABOUT POLITICS. 902 00:37:10,033 --> 00:37:12,500 - YES. 903 00:37:12,500 --> 00:37:14,467 - SHE SAID THAT YOU HAD MADE A MOVE ON HER, THOUGH. 904 00:37:17,266 --> 00:37:20,066 - NO, NO, NO, NO, NO. 905 00:37:20,066 --> 00:37:21,467 OH, COME ON. 906 00:37:21,467 --> 00:37:24,033 I WENT TO HIS PLACE, WHATEVER... 907 00:37:24,033 --> 00:37:25,233 - WHERE, UP TO HIS BEDROOM? 908 00:37:25,233 --> 00:37:26,367 - YES. 909 00:37:26,367 --> 00:37:28,367 - DID YOU KISS HIM? - FOR A MOMENT. 910 00:37:28,367 --> 00:37:30,367 - HE WAS CLEARLY MAKING THE MOVES ON YOU, THOUGH. 911 00:37:30,367 --> 00:37:33,533 - OH, YEAH. NO DOUBT ABOUT THAT. 912 00:37:35,166 --> 00:37:37,700 - I'M A LITTLE ANNOYED THAT KATHRYN HAS CHANGED HER STORY, 913 00:37:37,700 --> 00:37:39,467 BUT I GUESS I CAN'T BLAME HER 914 00:37:39,467 --> 00:37:41,567 FOR TRYING TO DIFFUSE THE SITUATION. 915 00:37:41,567 --> 00:37:44,000 - YOU JUST ASKED ME TO COME OVER TO TALK ABOUT POLITICS, 916 00:37:44,000 --> 00:37:46,166 AND THAT'S WHAT I DID, AND WE TALKED ABOUT POLITICS. 917 00:37:46,166 --> 00:37:48,033 - I'M GONNA EXCUSE MYSELF REAL QUICK. 918 00:37:48,033 --> 00:37:49,333 - WHY? - I JUST-- 919 00:37:49,333 --> 00:37:52,200 - OH, REALLY-- 'CAUSE YOU'RE WRONG, [bleep]? 920 00:37:55,066 --> 00:37:57,266 - I'LL BE RIGHT-- I'LL BE RIGHT BACK. 921 00:38:05,633 --> 00:38:07,100 - IS EVERYTHING ALL RIGHT? 922 00:38:09,500 --> 00:38:11,300 I HAVEN'T HEARD ABOUT YOUR NEW GIRL. 923 00:38:11,300 --> 00:38:13,300 - YEAH, WELL... 924 00:38:18,600 --> 00:38:20,066 - YES, I KNOW. 925 00:38:20,066 --> 00:38:22,333 - ANYWAY... 926 00:38:22,333 --> 00:38:23,333 COME HERE. 927 00:38:23,333 --> 00:38:24,500 - NO, NO-- 928 00:38:24,500 --> 00:38:25,767 - WHY NOT? 929 00:38:25,767 --> 00:38:27,300 - STOP. 930 00:38:27,300 --> 00:38:28,767 - COME HERE. 931 00:38:39,033 --> 00:38:40,400 - I'M NOT. 932 00:38:46,133 --> 00:38:48,300 - YOU INSINUATED I WAS, LIKE, HITTING ON YOU [bleep]. 933 00:38:48,300 --> 00:38:50,000 - AND I HAVE MADE IT CLEAR-- DID I NOT? 934 00:38:50,000 --> 00:38:52,333 - MAKE IT CLEARER, PLEASE. - I WILL. 935 00:39:04,266 --> 00:39:06,667 - WHITNEY... 936 00:39:06,667 --> 00:39:10,133 I'VE BEEN THINKING ABOUT WHAT YOU SAID EARLIER. 937 00:39:10,133 --> 00:39:13,066 I DON'T WANT TO OFFEND THE LADIES HERE, 938 00:39:13,066 --> 00:39:15,066 BUT I'VE HAD A MOMENT TO REFLECT, 939 00:39:15,066 --> 00:39:17,500 AND I THINK THAT, UM, 940 00:39:17,500 --> 00:39:19,400 WE SHOULD STEP OUTSIDE, 941 00:39:19,400 --> 00:39:22,166 AND I WANT TO TELL YOU WHAT I'M NOW THINKING. 942 00:39:27,567 --> 00:39:28,700 - COMING UP... 943 00:39:28,700 --> 00:39:30,300 - AND HERE I AM WITH MY LADY, 944 00:39:30,300 --> 00:39:32,166 WHOM YOU TRIED TO, YOU KNOW, MAKE THE MOVE ON. 945 00:39:32,166 --> 00:39:33,700 - DIDN'T MAKE THE [bleep] MOVE ON YOUR [bleep] LADY, 946 00:39:33,700 --> 00:39:34,734 SO [bleep] YOU. 947 00:39:34,734 --> 00:39:36,100 I'M A WRESTLER. 948 00:39:36,100 --> 00:39:38,100 I'LL PUT YOU ON THE ASPHALT RIGHT NOW. 949 00:39:44,066 --> 00:39:47,300 I THINK THAT, UM, WE SHOULD STEP OUTSIDE, 950 00:39:47,300 --> 00:39:50,300 AND I WANT TO TELL YOU WHAT I'M NOW THINKING. 951 00:39:50,300 --> 00:39:51,767 - WE'RE AT THE HEAD TABLE. 952 00:39:51,767 --> 00:39:53,567 - WELL-- - WE NEED TO MIND OURSELVES. 953 00:39:53,567 --> 00:39:55,166 - WE'RE GONNA JUST TAKE A SECOND. 954 00:39:55,166 --> 00:39:57,200 LET'S JUST-- LET'S JUST DO THIS REAL-- 955 00:39:57,200 --> 00:39:58,700 WE'LL BE RIGHT BACK. 956 00:39:58,700 --> 00:40:01,500 - IF YOU GUYS DON'T MIND, MAKE SURE IT'S IN PRIVATE, 957 00:40:01,500 --> 00:40:03,200 AND NOT OUT FRONT. 958 00:40:03,200 --> 00:40:05,533 - YEAH, OKAY, WE'LL GO ON THE SIDE DOOR. 959 00:40:11,600 --> 00:40:13,600 - SO--SO WHAT'S ON YOUR MIND? 960 00:40:13,600 --> 00:40:15,567 - YOU'VE BEEN COMING AT ME A LOT LATELY, 961 00:40:15,567 --> 00:40:17,300 AND HERE I AM WITH MY LADY, 962 00:40:17,300 --> 00:40:19,133 WHOM YOU TRIED TO, YOU KNOW, MAKE THE MOVE ON. 963 00:40:19,133 --> 00:40:21,200 - DIDN'T MAKE THE [bleep] MOVE ON YOUR [bleep] LADY, 964 00:40:21,200 --> 00:40:22,333 SO [bleep] YOU. 965 00:40:22,333 --> 00:40:24,133 - LOOK, WE ARE FRIENDS. LIGHTEN UP THE TONE. 966 00:40:24,133 --> 00:40:25,734 - YOU'RE ACCUSING ME OF SOMETHING WHICH IS-- 967 00:40:25,734 --> 00:40:27,367 - I MEAN, IF YOU WANT TO SET UP THE TONE-- 968 00:40:27,367 --> 00:40:28,500 - IT'S CLEARLY WRONG. 969 00:40:28,500 --> 00:40:30,066 - YOU'RE A LOT SMALLER FRAME THAN ME. 970 00:40:30,066 --> 00:40:31,066 I'M A WRESTLER. 971 00:40:31,066 --> 00:40:32,400 I WILL PUT YOU DOWN IN TWO SECONDS. 972 00:40:32,400 --> 00:40:34,000 I'LL PUT YOU ON THE ASPHALT RIGHT NOW. 973 00:40:34,000 --> 00:40:35,467 - PLEASE DO IT. 974 00:40:35,467 --> 00:40:38,033 I'LL JUST CALL THE POLICE AND I'LL CHARGE YOU WITH ASSAULT. 975 00:40:38,033 --> 00:40:40,066 I'VE NEVER SEEN THOMAS THIS WORKED UP BEFORE. 976 00:40:40,066 --> 00:40:42,467 ANYWAY, GO AHEAD-- WELL, WHAT'S YOUR CONCERN? 977 00:40:42,467 --> 00:40:44,200 - WELL, COME AT ME WITH THIS COMMENT, 978 00:40:44,200 --> 00:40:45,767 I CAN'T GET FOUR PEOPLE TO MY HOUSE. 979 00:40:45,767 --> 00:40:47,767 YOU KNOW, YOU KIND OF HIT BELOW THE BELT THERE, 980 00:40:47,767 --> 00:40:49,633 BECAUSE I HAVE GONE THROUGH A LITTLE PUBLIC-- 981 00:40:49,633 --> 00:40:51,100 - DID I NOT APOLOGIZE? 982 00:40:51,100 --> 00:40:53,367 IT WAS SUPPOSED TO BE GOOD-NATURED RIBBING, 983 00:40:53,367 --> 00:40:56,467 AND I TOOK IT PERHAPS A BIT TOO FAR, AND I APOLOGIZE. 984 00:40:59,467 --> 00:41:01,633 YOU'RE THE ONE THAT NEEDS TO HEAR IT THE MOST. 985 00:41:03,633 --> 00:41:06,300 RIGHT NOW I DON'T KNOW WHO TO BELIEVE. 986 00:41:06,300 --> 00:41:08,000 YOU KNOW, I WANT TO BELIEVE KATHRYN, 987 00:41:08,000 --> 00:41:09,033 BUT I DON'T HAVE ANY PROOF. 988 00:41:09,033 --> 00:41:10,500 I DON'T HAVE PICTURES. 989 00:41:10,500 --> 00:41:14,367 SO I'M JUST GONNA LET IT GO FOR NOW AND HAVE A GOOD TIME. 990 00:41:22,467 --> 00:41:25,467 - THERE'S ONE THING THAT I ALWAYS-- 991 00:41:25,467 --> 00:41:28,500 I WANT TO SEE HAPPEN AT THE END OF A NIGHT. 992 00:41:28,500 --> 00:41:32,400 AND I PARDON FOR MY GREATEST IMPATIENCE OF ALL, 993 00:41:32,400 --> 00:41:35,533 BUT I DO LOVE TO DANCE. 994 00:41:35,533 --> 00:41:38,533 [upbeat jazz music] 995 00:41:38,533 --> 00:41:46,533 ♪ ♪ 996 00:42:16,367 --> 00:42:17,734 - OH! 997 00:42:24,300 --> 00:42:26,100 - NEXT TIME ON SOUTHERN CHARM... 998 00:42:26,100 --> 00:42:29,066 - LISTEN, I WANT TO INVITE YOU TO DINNER, AND... 999 00:42:34,734 --> 00:42:39,133 - IF ANYTHING, THIS WILL BE HIGHLY ENTERTAINING. 1000 00:42:39,133 --> 00:42:41,700 - DUDE, WE COULD REALLY USE YOUR HELP WITH THIS RESTAURANT. 1001 00:42:41,700 --> 00:42:45,467 - I WOULD BE AFRAID TO DO A HOT DOG STAND WITH SHEP. 1002 00:42:45,467 --> 00:42:47,467 - SLEEPING WITH THREE PEOPLE AT THIS TABLE 1003 00:42:47,467 --> 00:42:49,767 IN THE COURSE OF THREE WEEKS ISN'T CLASSY. 1004 00:42:49,767 --> 00:42:52,033 - OH, REALLY, THREE PEOPLE? NAME THEM. 1005 00:42:52,033 --> 00:42:54,734 - I DON'T NEED TO. - THAT'S DISGUSTING. 1006 00:42:54,734 --> 00:42:56,166 - YOU SAID IT. 1007 00:42:56,166 --> 00:42:57,734 - GO AWAY, AND YOU'RE NEVER INVITED AGAIN. 1008 00:42:57,734 --> 00:43:00,400 - IT'S NOT YOUR HOUSE. - STOP TALKING! 1009 00:43:00,400 --> 00:43:03,066 - OH, MY GOD. GIRLS ARE INSANE. 1010 00:43:03,066 --> 00:43:05,633 - YOU'RE [bleep] INSANE! 73498

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