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1
00:00:03,200 --> 00:00:04,533
- PREVIOUSLY ON
SOUTHERN CHARM...
2
00:00:04,533 --> 00:00:06,000
- A SOUTHERN GENTLEMAN ALWAYS
3
00:00:06,000 --> 00:00:07,600
BRINGS A LADY COFFEE
IN THE MORNING.
4
00:00:07,600 --> 00:00:09,600
- BUT THOMAS DECIDED
KATHRYN WAS TOO YOUNG,
5
00:00:09,600 --> 00:00:12,133
AND SET HIS SIGHTS
ON SHEP'S EX DANNI.
6
00:00:12,133 --> 00:00:14,667
- LOOKING GOOD THERE.
LOOKING REAL GOOD.
7
00:00:14,667 --> 00:00:18,000
- MEANWHILE, SHEP'S ATTENTION
WAS FULLY FOCUSED ON M.J.
8
00:00:18,000 --> 00:00:20,633
- I LIKE WHEN YOUR HAIR'S,
LIKE, TOTALLY NATURAL CURLY.
9
00:00:20,633 --> 00:00:22,266
- THANK YOU.
-YEAH.
10
00:00:22,266 --> 00:00:24,266
- AND WHITNEY'S FOCUS
WAS ALL BUSINESS...
11
00:00:24,266 --> 00:00:26,033
- SO WE LOOKED
AT THIS ONE RESTAURANT
12
00:00:26,033 --> 00:00:28,066
I THINK YOU'D BE
UNDERWHELMED BY.
13
00:00:28,066 --> 00:00:29,734
- DESPITE HIS MOTHER'S
OBJECTIONS.
14
00:00:29,734 --> 00:00:32,133
- WELL, I'M UNDERWHELMED
BY THE WHOLE IDEA.
15
00:00:32,133 --> 00:00:35,700
IT'S KIND OF PEDESTRIAN
AND BANAL.
16
00:00:35,700 --> 00:00:38,033
AND CRAIG WAS STARTING
TO FALL FOR KATHRYN.
17
00:00:38,033 --> 00:00:39,433
- I HAVE A KINDERGARTEN
CRUSH ON HER.
18
00:00:39,433 --> 00:00:41,166
- REDHEADED KATHRYN?
19
00:00:41,166 --> 00:00:42,667
- YES, THAT KATHRYN.
20
00:00:42,667 --> 00:00:45,567
UNTIL SHEP SWOOPED IN
AND BROKE BRO CODE 101.
21
00:00:45,567 --> 00:00:47,100
- YOU HOOKED UP WITH HER
LAST NIGHT.
22
00:00:47,100 --> 00:00:48,700
- SO WHAT?
23
00:00:48,700 --> 00:00:52,033
- THEN THOMAS AND KATHRYN--
YES, THAT KATHRYN--
24
00:00:52,033 --> 00:00:53,533
HAD A PREGNANCY SCARE...
25
00:00:53,533 --> 00:00:54,667
- KATHRYN.
26
00:00:54,667 --> 00:00:57,133
AND SHE'S TWO WEEKS LATE
ON HER PERIOD.
27
00:00:58,433 --> 00:00:59,700
- MAN.
28
00:00:59,700 --> 00:01:02,500
- AND NOW THEY'RE ACTUALLY
FALLING FOR EACH OTHER.
29
00:01:02,500 --> 00:01:04,533
- AIN'T LOVE CRAZY?
30
00:01:05,667 --> 00:01:07,066
[It's Easy by Mia Sable]
31
00:01:07,066 --> 00:01:08,066
- ♪ MM-HMM ♪
32
00:01:08,066 --> 00:01:10,100
♪ HE'S GOT MONEY ♪
33
00:01:10,100 --> 00:01:11,767
♪ HE'S IN MAGAZINES ♪
34
00:01:11,767 --> 00:01:13,467
♪ HE'S GOT MORE HONEYS ♪
35
00:01:13,467 --> 00:01:15,533
♪ THAN ANY HONEYBEE ♪
36
00:01:15,533 --> 00:01:18,066
♪ BA, BA-DOO ♪
37
00:01:18,066 --> 00:01:19,567
♪ BA-BA, DEE-EE-EE ♪
38
00:01:19,567 --> 00:01:21,300
♪ IT'S EASY ♪
39
00:01:21,300 --> 00:01:23,734
♪ AS THE BIRDS AND THE BEES
AND THE ONE TWO THREES ♪
40
00:01:23,734 --> 00:01:25,700
♪ BA, BA-DOO ♪
41
00:01:30,667 --> 00:01:32,367
- KATHRYN.
- YEAH?
42
00:01:32,367 --> 00:01:33,600
- I'M HUNGRY.
43
00:01:33,600 --> 00:01:36,600
I THINK I WANT MY EGGS
KIND OF OVER EASY.
44
00:01:36,600 --> 00:01:39,367
I CAN HANDLE THE TOAST
AND BACON.
45
00:01:39,367 --> 00:01:41,333
- SO WEDNESDAY IS J.D.'S FORMAL.
46
00:01:41,333 --> 00:01:42,734
- IT'S KIND OF A SUMMER FORMAL.
47
00:01:42,734 --> 00:01:45,166
SO I'M GONNA GO WHITE JACKET,
48
00:01:45,166 --> 00:01:47,667
AND MAYBE WE GET YOU A DRESS.
49
00:01:47,667 --> 00:01:51,166
- SO WHAT KIND OF DRESS
SHOULD I GET, DO YOU THINK?
50
00:01:51,166 --> 00:01:54,100
- I WAS THINKING, LIKE,
A LITTLE BLACK DRESS.
51
00:01:54,100 --> 00:01:57,633
SOMETHING THAT YOU CAN WEAR,
YOU KNOW, BRALESS.
52
00:01:57,633 --> 00:02:00,734
I WANT TO ACCENTUATE
EVERY NOOK AND CRANNY
53
00:02:00,734 --> 00:02:02,333
OF YOUR BEAUTIFUL PHYSIQUE,
54
00:02:02,333 --> 00:02:04,367
AT GREAT ADVANTAGE.
55
00:02:04,367 --> 00:02:05,533
WHAT DO YOU THINK?
56
00:02:05,533 --> 00:02:07,533
- NO, THEY LOOK GOOD.
57
00:02:09,767 --> 00:02:12,667
SO, GOING TO THIS THING
ON WEDNESDAY,
58
00:02:12,667 --> 00:02:14,400
WHAT DO YOU THINK
PEOPLE ARE GONNA SAY?
59
00:02:14,400 --> 00:02:16,133
- I'M NOT REALLY
WORRIED ABOUT IT.
60
00:02:16,133 --> 00:02:18,433
- 'CAUSE YOU KNOW YOU'RE GONNA
GET QUESTIONED BY EVERYONE.
61
00:02:18,433 --> 00:02:20,233
- MM-HMM.
62
00:02:20,233 --> 00:02:22,200
- SHOULD I BE NERVOUS
FOR WEDNESDAY?
63
00:02:22,200 --> 00:02:24,100
- NO.
UNH-UNH.
64
00:02:24,100 --> 00:02:26,266
ONE OF THE THINGS I LIKE
ABOUT YOU--
65
00:02:26,266 --> 00:02:29,467
YOU'RE UNAFRAID OF OTHER PEOPLE,
66
00:02:29,467 --> 00:02:31,533
WHAT PEOPLE THINK.
67
00:02:31,533 --> 00:02:33,400
GREATEST OF ALL VIRTUES
IS COURAGE.
68
00:02:33,400 --> 00:02:34,533
- VERY TRUE.
69
00:02:34,533 --> 00:02:36,600
- DURING THE PREGNANCY SCARE,
70
00:02:36,600 --> 00:02:39,133
I FELT THAT SHE HAD HANDLED
HERSELF WITH A LOT OF POISE,
71
00:02:39,133 --> 00:02:41,033
AND QUITE ADMIRABLE.
72
00:02:41,033 --> 00:02:43,066
SHE'S SMART.
SHE'S FUNNY.
73
00:02:43,066 --> 00:02:46,667
I SEE IN HER A POTENTIAL
FOR BEING--WHO KNOWS?
74
00:02:46,667 --> 00:02:49,100
SHE'S GOT A LOT OF POTENTIAL.
75
00:02:59,066 --> 00:03:01,200
- HEY, WHITNEY.
- HEY, CAM.
76
00:03:01,200 --> 00:03:03,567
- WHY DO YOU ALWAYS SOUND
COUNTRY WHEN YOU SAY MY NAME?
77
00:03:03,567 --> 00:03:05,266
- HEY, DARLING.
HOW ARE YOU?
78
00:03:05,266 --> 00:03:07,133
- HOW ARE YOU?
- GOOD.
79
00:03:07,133 --> 00:03:08,700
DON'T MIND A BIT OF CIGAR.
80
00:03:08,700 --> 00:03:10,500
- THAT IS TERRIBLE.
81
00:03:10,500 --> 00:03:11,567
- IT'S GOOD FOR YOU.
82
00:03:11,567 --> 00:03:13,033
- NO, IT'S NOT.
IT STINKS.
83
00:03:13,033 --> 00:03:14,166
- IT GROWS HAIR ON YOUR CHEST.
84
00:03:14,166 --> 00:03:15,433
- YOU HAVE HAIR ON YOUR CHEST?
85
00:03:15,433 --> 00:03:17,433
- A LITTLE BIT.
- IS THAT WHY YOU'RE SMOKING IT?
86
00:03:17,433 --> 00:03:20,200
- LITTLE BRISTLES
AROUND THE NIPPLES.
87
00:03:20,200 --> 00:03:22,066
- HOW ARE YOU DOING?
- GOOD. HOW ARE YOU DOING?
88
00:03:22,066 --> 00:03:23,133
- DOING VERY WELL.
89
00:03:23,133 --> 00:03:24,400
CAN I GET YOU ANYTHING
TO DRINK?
90
00:03:24,400 --> 00:03:26,200
- I'LL HAVE--I'LL HAVE
A GLASS OF RIESLING.
91
00:03:26,200 --> 00:03:28,300
- GLASS OF RIESLING, OKAY.
AND ARE YOU STILL GOOD TO GO?
92
00:03:28,300 --> 00:03:29,700
- ANOTHER DOUBLE ESPRESSO,
PLEASE.
93
00:03:29,700 --> 00:03:31,500
- DOUBLE ESPRESSO.
ALL RIGHT, NOT A PROBLEM.
94
00:03:31,500 --> 00:03:32,533
- THANK YOU VERY MUCH.
95
00:03:32,533 --> 00:03:34,200
- UM, I HAVE AN IDEA.
96
00:03:34,200 --> 00:03:35,500
- DO YOU?
97
00:03:35,500 --> 00:03:37,433
- I THINK YOU'RE SECRETLY
IN LOVE WITH BRANDI.
98
00:03:37,433 --> 00:03:40,033
- OH, REALLY?
- YOUR ASSISTANT.
99
00:03:40,033 --> 00:03:42,333
I WAS TELLING WHITNEY, I DON'T
KNOW HOW HE WORKS AROUND YOU
100
00:03:42,333 --> 00:03:43,500
AND HE'S NOT IN LOVE WITH YOU.
101
00:03:43,500 --> 00:03:45,600
- YOU CAN'T MIX BUSINESS
AND PLEASURE.
102
00:03:45,600 --> 00:03:48,400
- IT'S STRICTLY PROFESSIONAL.
- LIAR.
103
00:03:48,400 --> 00:03:52,033
DO YOU EVER FANTASIZE
ABOUT HER AT NIGHT?
104
00:03:52,033 --> 00:03:53,533
- WHO WOULDN'T?
105
00:03:53,533 --> 00:03:56,500
- I THINK WHITNEY HIRED BRANDI
AS A PERSONAL ASSISTANT
106
00:03:56,500 --> 00:03:59,066
BECAUSE SHE'S HOT--
SHE HAS A GREAT BODY--
107
00:03:59,066 --> 00:04:01,266
BUT I DON'T KNOW
108
00:04:01,266 --> 00:04:04,567
REALLY WHAT WHITNEY NEEDS
A PERSONAL ASSISTANT TO DO.
109
00:04:06,100 --> 00:04:08,000
I DON'T KNOW.
110
00:04:08,000 --> 00:04:11,233
WOULD YOU EVER WANT
TO ASK HER ON A DATE?
111
00:04:11,233 --> 00:04:13,333
- [clears throat]
THINK THAT'D BE APPROPRIATE?
112
00:04:13,333 --> 00:04:16,133
- I THINK YOU SHOULD BRING HER
AS YOUR DATE TO CAROLINA DAY.
113
00:04:16,133 --> 00:04:17,500
YOUR CLOCK IS TICKING.
114
00:04:17,500 --> 00:04:19,200
- HAVE YOU BEEN WINDING
THIS CLOCK?
115
00:04:19,200 --> 00:04:20,467
- IT'S TIME TO MAKE BABIES.
116
00:04:20,467 --> 00:04:23,200
SETTLE DOWN IN CHARLESTON,
JOIN THE YACHT CLUB.
117
00:04:23,200 --> 00:04:25,467
SHE CAN JOIN THE JUNIOR LEAGUE.
IT'D BE PERFECT.
118
00:04:25,467 --> 00:04:27,467
- I DON'T THINK THE YACHT CLUB
WOULD LIKE ME.
119
00:04:29,700 --> 00:04:31,333
- THERE YOU GO.
- THANK YOU VERY MUCH.
120
00:04:31,333 --> 00:04:32,633
- GET THAT OUT OF YOUR WAY.
- THANKS.
121
00:04:32,633 --> 00:04:34,333
- NO PROBLEM.
122
00:04:34,333 --> 00:04:37,734
- SO I WANT YOU TO HIRE ME
AS YOUR REAL ESTATE AGENT,
123
00:04:37,734 --> 00:04:40,166
AND LET ME SELL YOU A HOUSE.
124
00:04:40,166 --> 00:04:41,767
- OKAY.
125
00:04:41,767 --> 00:04:44,633
- I KNOW YOU'RE LOADED.
126
00:04:44,633 --> 00:04:46,333
AND I NEED CASH.
127
00:04:46,333 --> 00:04:48,734
AND YOU CAN PROVIDE THAT CASH
FOR ME.
128
00:04:48,734 --> 00:04:50,166
- I CAN--I'M A PROVIDER.
129
00:04:50,166 --> 00:04:52,000
- IF YOU BUY A HOUSE THROUGH ME.
130
00:04:52,000 --> 00:04:53,200
I'LL CUT YOU A DEAL, TOO.
131
00:04:53,200 --> 00:04:55,400
- I AM LOOKING TO BUY A HOUSE.
132
00:04:55,400 --> 00:04:57,100
I LOVE MOM--
133
00:04:57,100 --> 00:04:59,367
- BUT YOU CAN'T BRING A GIRL
BACK THERE WITH YOUR MOM THERE.
134
00:04:59,367 --> 00:05:02,000
- WELL, I'M IN A SEPARATE WING,
SO I CAN KIND OF--
135
00:05:02,000 --> 00:05:05,000
YOU KNOW, I CAN PUSH HER OUT
THE SERVICE ENTRANCE.
136
00:05:05,000 --> 00:05:06,400
[chuckles]
137
00:05:06,400 --> 00:05:08,400
NO, NO, NO, I'M SAYING,
IT'S A BIT LIKE NORMAN--
138
00:05:08,400 --> 00:05:10,133
NORMAN BATES.
139
00:05:10,133 --> 00:05:11,700
- I DON'T KNOW WHO
NORMAN BATES IS.
140
00:05:11,700 --> 00:05:13,734
- THE MOVIE PSYCHO.
141
00:05:13,734 --> 00:05:16,200
"MOTHER..."
142
00:05:16,200 --> 00:05:18,667
YOU KNOW--YEAH.
- OH, YEAH.
143
00:05:18,667 --> 00:05:22,133
I WOULD NEVER WANT
TO RELATE MY DATING LIFE
144
00:05:22,133 --> 00:05:24,000
TO SOMETHING CALLED PSYCHO.
145
00:05:24,000 --> 00:05:25,400
I DON'T KNOW.
146
00:05:25,400 --> 00:05:27,433
OKAY, BUT, NO,
ON A SERIOUS NOTE,
147
00:05:27,433 --> 00:05:29,433
THERE'S THIS ONE HOUSE
THAT I KNOW OF,
148
00:05:29,433 --> 00:05:31,667
BUT IT'S $7 MILLION.
149
00:05:31,667 --> 00:05:34,066
BUT IT'S GORGEOUS.
150
00:05:34,066 --> 00:05:35,200
IT COULD BE YOURS.
- OKAY.
151
00:05:35,200 --> 00:05:38,600
- THAT MEANS MY COMMISSION WOULD
BE ROUGHLY--
152
00:05:38,600 --> 00:05:40,467
- DON'T TALK ABOUT MONEY,
DARLING.
153
00:05:40,467 --> 00:05:43,533
- OH, PSHAW, WHITNEY.
154
00:05:43,533 --> 00:05:47,200
I JUST NEED TO KNOW THAT
I'M GONNA BE YOUR AGENT.
155
00:05:47,200 --> 00:05:48,467
- YOU CAN BE MY AGENT.
156
00:05:48,467 --> 00:05:50,100
- I'M YOUR GIRL.
157
00:05:50,100 --> 00:05:51,467
IN THE SOUTH,
THIS MEANS A LOT.
158
00:05:51,467 --> 00:05:52,734
- IT DOES.
- THIS IS YOUR WORD.
159
00:05:52,734 --> 00:05:54,667
YOU'RE GIVING ME YOUR WORD.
OKAY.
160
00:05:54,667 --> 00:05:57,300
DON'T YOU WORRY.
YOU'RE IN GOOD HANDS.
161
00:05:57,300 --> 00:05:59,200
BUT YOU NEED TO STOP
SMOKING THAT CIGAR.
162
00:06:06,433 --> 00:06:08,300
- ARE YOU TEXTING HIM?
- YEAH, I JUST TEXTED HIM.
163
00:06:08,300 --> 00:06:09,433
- THANK YOU.
164
00:06:09,433 --> 00:06:10,600
- YOU WANT TO SIT DOWN,
TALK BIZ FOR A BIT?
165
00:06:10,600 --> 00:06:12,033
- ALL RIGHT, LET'S DO IT.
166
00:06:12,033 --> 00:06:14,633
- I OWN SEVERAL BUSINESSES
HERE IN CHARLESTON.
167
00:06:14,633 --> 00:06:17,567
A COUPLE RESTAURANTS,
A BARBER SHOP, AND A JAZZ CLUB.
168
00:06:17,567 --> 00:06:19,033
EVERY CHANCE I GET,
169
00:06:19,033 --> 00:06:21,333
I LOVE TO CELEBRATE
WHAT MAKES THIS TOWN GREAT.
170
00:06:21,333 --> 00:06:23,433
YEAH, DINNER STARTS AT 7:00.
171
00:06:23,433 --> 00:06:26,700
FIRST PLATE SHOULD BE HITTING
THE TABLE BY 7:15 TO 7:30.
172
00:06:26,700 --> 00:06:28,433
I LOVE HOSTING PARTIES.
173
00:06:28,433 --> 00:06:30,166
CAROLINA DAY IS COMING UP.
174
00:06:30,166 --> 00:06:33,133
IT'S KIND OF A SOUTH CAROLINA
4TH OF JULY.
175
00:06:37,133 --> 00:06:38,400
- NO, THERE'S MUSIC.
176
00:06:38,400 --> 00:06:40,433
IT'LL BE LIKE A LITTLE
JAZZ QUARTET.
177
00:06:40,433 --> 00:06:41,700
EXCUSE ME FOR ONE SEC.
178
00:06:41,700 --> 00:06:43,433
GENTS BARBERSPA,
THIS IS JOHN DAVID.
179
00:06:43,433 --> 00:06:44,734
HOW CAN I HELP YOU?
180
00:06:46,700 --> 00:06:49,066
T-RAVE!
- HEY!
181
00:06:49,066 --> 00:06:50,600
HOW'S IT GOING, MAN?
- WHAT'S UP, BROTHER?
182
00:06:50,600 --> 00:06:52,266
PSYCHED TO SEE YOU
ON THE LIST THERE.
183
00:06:52,266 --> 00:06:53,367
- YEAH.
184
00:06:53,367 --> 00:06:54,767
- LET'S GET YOU STARTED
ON A HAIRCUT.
185
00:06:54,767 --> 00:06:56,400
THOMAS, HAVE YOU MET KAREN
BEFORE?
186
00:06:56,400 --> 00:06:57,500
- HEY, THOMAS.
- HEY, KAREN.
187
00:06:57,500 --> 00:06:59,100
- KAREN, THIS IS THOMAS.
- HOW ARE YOU?
188
00:06:59,100 --> 00:07:01,467
- HE'S COMING IN FOR
A SIGNATURE HAIRCUT.
189
00:07:01,467 --> 00:07:04,200
WE READY FOR A LITTLE
CAROLINA DAY?
190
00:07:04,200 --> 00:07:05,467
- YEAH.
191
00:07:05,467 --> 00:07:07,467
I WENT AND I BOUGHT ME
A WHITE DINNER JACKET,
192
00:07:07,467 --> 00:07:10,033
BECAUSE IT'S A BLACK TIE
SUMMER FORMAL.
193
00:07:10,033 --> 00:07:12,266
- THAT'S RIGHT, GOT TO HAVE
YOUR WHITE DINNER JACKET.
194
00:07:12,266 --> 00:07:15,300
I'M NOT ONE OF THOSE GUYS
THAT HATES DONNING THE TUX.
195
00:07:15,300 --> 00:07:16,700
I'M THE GUY THAT HAS IT
READY TO GO.
196
00:07:16,700 --> 00:07:19,133
YOU DON'T HAVE TO BRUSH
THE DUST OFF A TUX IN OUR HOUSE.
197
00:07:19,133 --> 00:07:21,233
HOLD ON ONE SECOND.
I'LL BE RIGHT BACK.
198
00:07:21,233 --> 00:07:23,734
- ANY GRAY--
ELIMINATE IT.
199
00:07:23,734 --> 00:07:26,166
- REALLY?
- BEAT IT, TERMINATE IT.
200
00:07:26,166 --> 00:07:28,200
- I DON'T SEE ANY.
- GOOD.
201
00:07:29,767 --> 00:07:31,133
- I'M SLAMMED RIGHT NOW,
202
00:07:31,133 --> 00:07:33,000
SO I WAS JUST GONNA
CALL AND TOUCH BASE.
203
00:07:33,000 --> 00:07:34,300
CAMERAN'S NOT BRINGING A DATE.
204
00:07:34,300 --> 00:07:36,300
ARE YOU BRINGING A DATE,
OR NO?
205
00:07:38,233 --> 00:07:41,133
- I THINK THAT'S GREAT.
206
00:07:41,133 --> 00:07:43,700
- ALL RIGHT, THANKS, JENNA.
TALK TO YOU LATER.
207
00:07:43,700 --> 00:07:46,433
- YOU LIKE IT?
- YEAH, IT'S GOOD.
208
00:07:46,433 --> 00:07:48,333
- WOW, LOOK AT YOU GUYS.
- ALL RIGHT.
209
00:07:48,333 --> 00:07:49,533
- HE LOOK GOOD?
210
00:07:49,533 --> 00:07:51,333
- YOU GOT TIME TO HANG OUT
FOR A MINUTE OR TWO?
211
00:07:51,333 --> 00:07:53,233
- YES.
212
00:07:53,233 --> 00:07:55,266
ANYWAY, SO--
213
00:07:55,266 --> 00:07:57,266
- KATHRYN--YOU LIKE HER?
214
00:07:57,266 --> 00:07:59,200
- YEAH, I THINK SHE'S
A GREAT GAL.
215
00:07:59,200 --> 00:08:01,400
- THOMAS TOLD ME ABOUT
THE PREGNANCY SCARE,
216
00:08:01,400 --> 00:08:03,133
AND I'VE GOT MIXED FEELINGS
ABOUT IT NOW,
217
00:08:03,133 --> 00:08:05,100
BECAUSE PART OF ME
WOULD BE EXCITED
218
00:08:05,100 --> 00:08:07,133
FOR MY KIDS TO HAVE
HIS KIDS TO PLAY WITH.
219
00:08:07,133 --> 00:08:10,166
- I MEAN, SHE HAS ALL THE
QUALITIES I LOOK FOR IN A WOMAN.
220
00:08:10,166 --> 00:08:12,166
- THE OTHER PART OF ME
IS KIND OF RELIEVED,
221
00:08:12,166 --> 00:08:14,200
BECAUSE IT'S COMPLICATED
HAVING CHILDREN,
222
00:08:14,200 --> 00:08:15,734
AND IT'S A LOT EASIER
IF YOU'RE DOING THAT
223
00:08:15,734 --> 00:08:18,433
WITH SOMEBODY THAT
YOU PLANNED IT OUT WITH.
224
00:08:18,433 --> 00:08:20,166
- I'M INVITING HER TO THE PARTY.
225
00:08:20,166 --> 00:08:22,667
- I THINK YOU SHOULD.
I THINK SHE'D BE GREAT.
226
00:08:22,667 --> 00:08:24,433
- I CAN ANTICIPATE PEOPLE
WILL SAY,
227
00:08:24,433 --> 00:08:27,100
"IS HE OUT WITH HIS DAUGHTER
OR HIS NIECE?"
228
00:08:27,100 --> 00:08:28,333
BUT I CAN'T WORRY ABOUT THAT.
229
00:08:28,333 --> 00:08:30,066
I THINK I NEED TO CONCENTRATE
ON MY OWN LIFE
230
00:08:30,066 --> 00:08:31,567
AND MY OWN HAPPINESS.
231
00:08:31,567 --> 00:08:33,100
I NEED TO PAY HERE?
232
00:08:33,100 --> 00:08:34,333
- WE'LL PUT IT ON YOUR TAB.
233
00:08:34,333 --> 00:08:36,600
- ALL RIGHT.
WELL, THE PRICE IS RIGHT.
234
00:08:36,600 --> 00:08:38,467
- THE PRICE IS RIGHT, YEAH.
235
00:08:48,433 --> 00:08:51,300
- M.J. AND I HAVE BEEN
ON A COUPLE DATES.
236
00:08:51,300 --> 00:08:53,033
I THOUGHT SHE WAS WONDERFUL,
237
00:08:53,033 --> 00:08:56,166
BUT WHEN CRAIG TOLD ME
THAT M.J. WAS HANGING OUT
238
00:08:56,166 --> 00:08:58,367
WITH HER EX-BOYFRIEND...
239
00:08:58,367 --> 00:09:00,033
- I WAS THERE.
WE BOTH SAW HIM.
240
00:09:00,033 --> 00:09:01,633
AND THEN WE WERE LIKE,
"OH, THAT'S M.J.,"
241
00:09:01,633 --> 00:09:03,467
AND THEN YOU COULD TELL
THEY WERE--
242
00:09:03,467 --> 00:09:05,633
YOU KNOW,
THEY WERE OUT TOGETHER.
243
00:09:05,633 --> 00:09:08,467
- IT'S JUST, LIKE, A SLAP
IN THE FACE A LITTLE BIT.
244
00:09:10,266 --> 00:09:12,700
I'M WAITING FOR M.J.
TO EXPLAIN HERSELF.
245
00:09:12,700 --> 00:09:14,400
I WANT ANSWERS, MAN.
246
00:09:14,400 --> 00:09:15,533
[knocking on window]
247
00:09:15,533 --> 00:09:17,066
- SHEP?
248
00:09:17,066 --> 00:09:18,200
- HEY.
249
00:09:18,200 --> 00:09:21,033
I BOUGHT BEER TOO.
- OH, MAN.
250
00:09:21,033 --> 00:09:22,600
NICE ONE.
- THERE YOU GO.
251
00:09:22,600 --> 00:09:24,633
I'M JEALOUS OF YOUR BEER,
BUT I GOT TO FINISH MINE.
252
00:09:24,633 --> 00:09:26,333
NOTHING GOES TO WASTE
AROUND HERE.
253
00:09:26,333 --> 00:09:30,233
I WANTED M.J. TO SAY I'M SORRY
FOR ALL THE CONFUSION
254
00:09:30,233 --> 00:09:31,400
AND THE [bleep].
255
00:09:31,400 --> 00:09:33,467
SO ANYWAY,
256
00:09:33,467 --> 00:09:35,400
I DON'T WANT TO MAKE
A BIG DEAL,
257
00:09:35,400 --> 00:09:39,400
BUT CRAIG SAID THAT THEY SAW YOU
WITH YOUR EX OUT ON THE TOWN.
258
00:09:41,600 --> 00:09:44,166
YOU SHOULD JUST TELL ME
THESE THINGS.
259
00:09:44,166 --> 00:09:47,400
- I MEAN, YEAH, WE HANG OUT.
260
00:09:47,400 --> 00:09:50,667
- I FELT LIKE I GOT PUNCHED
IN THE STOMACH, THAT'S ALL.
261
00:09:53,467 --> 00:09:55,500
WHAT AM I SUPPOSED TO THINK?
262
00:09:55,500 --> 00:09:58,000
- IT WASN'T A BIG DEAL.
263
00:09:58,000 --> 00:10:00,667
- YOU CAN JUST DIFFUSE THE BOMB
BEFORE IT GOES OFF,
264
00:10:00,667 --> 00:10:02,300
YOU KNOW WHAT I MEAN?
265
00:10:02,300 --> 00:10:04,266
MY HEAD SWIMS AFTER
I HEAR STUFF LIKE THAT...
266
00:10:04,266 --> 00:10:05,734
- WELL--
- AND MAYBE IT SHOULDN'T.
267
00:10:05,734 --> 00:10:07,367
AND MAYBE I DON'T HAVE
A LEG TO STAND ON.
268
00:10:07,367 --> 00:10:10,233
AND WE'RE NOT, LIKE,
SERIOUS TOGETHER, I KNOW THAT.
269
00:10:10,233 --> 00:10:12,633
BUT AT THE SAME TIME,
YOU KNOW,
270
00:10:12,633 --> 00:10:14,233
WHAT AM I SUPPOSED TO THINK?
271
00:10:14,233 --> 00:10:16,100
JUST--LET'S BE HONEST
AND TALK ABOUT IT.
272
00:10:16,100 --> 00:10:19,100
- I MEAN, I DON'T HAVE
ANYTHING TO TELL YOU.
273
00:10:19,100 --> 00:10:21,600
I'M ALLOWED TO HANG OUT
WITH WHOEVER I WANT.
274
00:10:21,600 --> 00:10:24,100
- HONESTLY,
WE ALMOST NEVER HANG OUT.
275
00:10:24,100 --> 00:10:26,734
I KNOW YOU'RE TEACHING,
BUT LIKE I SAID,
276
00:10:26,734 --> 00:10:28,567
IF YOU WANT TO REALLY
HANG OUT WITH SOMEBODY,
277
00:10:28,567 --> 00:10:30,433
YOU REALLY HANG OUT
WITH SOMEBODY.
278
00:10:30,433 --> 00:10:32,233
I KNOW WE PROBABLY
DO THINGS DIFFERENTLY.
279
00:10:32,233 --> 00:10:35,100
IS THAT WHAT--
YOU THINK THAT'S WHAT IT IS?
280
00:10:35,100 --> 00:10:37,533
- I--YEAH.
281
00:10:37,533 --> 00:10:39,300
- I'M MORE MENTALLY FRUSTRATED
282
00:10:39,300 --> 00:10:41,633
THAN I AM SEXUALLY FRUSTRATED
AT THIS POINT.
283
00:10:41,633 --> 00:10:44,400
IT HAS TO DO WITH EGO
AND PRIDE.
284
00:10:44,400 --> 00:10:46,300
- WE HAVEN'T REALLY KNOWN
EACH OTHER THAT LONG.
285
00:10:46,300 --> 00:10:49,000
I DON'T KNOW WHY YOU--
ARE YOU, LIKE, ULTIMATUM-ING ME?
286
00:10:49,000 --> 00:10:50,533
- I JUST WANT ANSWERS.
287
00:10:50,533 --> 00:10:52,467
- I DON'T REALLY KNOW
WHAT TO SAY NOW THAT YOU'RE
288
00:10:52,467 --> 00:10:54,633
ASKING THESE QUESTIONS AFTER,
LIKE, WHAT, FIVE DATES?
289
00:10:54,633 --> 00:10:56,266
- HOW LONG DO PEOPLE
USUALLY ASK THAT--
290
00:10:56,266 --> 00:10:57,467
- I DON'T KNOW.
291
00:10:57,467 --> 00:10:59,333
I GUESS PEOPLE USUALLY
SIT ON YOUR COUCH MORE,
292
00:10:59,333 --> 00:11:00,567
BUT I DON'T KNOW.
293
00:11:00,567 --> 00:11:02,533
- SHOOT, AFTER TWO DATES,
IT'S USUALLY--
294
00:11:02,533 --> 00:11:04,233
I CAN'T KEEP MY HANDS
OFF SOMEONE.
295
00:11:04,233 --> 00:11:07,667
- HONESTLY, I MEAN,
IT'S BEEN A LOT TONIGHT,
296
00:11:07,667 --> 00:11:10,533
SO I THINK I'M JUST GONNA LEAVE.
297
00:11:10,533 --> 00:11:12,367
- MAYBE THAT'S BEST.
- YEAH.
298
00:11:12,367 --> 00:11:14,100
- OKAY.
299
00:11:19,600 --> 00:11:21,000
- COMING UP...
300
00:11:21,000 --> 00:11:23,266
- INSTEAD OF IMPREGNATING
21 YEAR OLDS,
301
00:11:23,266 --> 00:11:26,266
YOU MIGHT REFOCUS,
IS ALL I'M SUGGESTING.
302
00:11:26,266 --> 00:11:28,300
[laughter]
303
00:11:44,633 --> 00:11:46,600
- YES, MOM, LET'S GO HERE.
304
00:11:49,767 --> 00:11:52,300
- WELL, AS YOU KNOW,
I'M A GIN DRINKER.
305
00:11:52,300 --> 00:11:55,000
- I KNOW.
- AND IT'S TIME FOR MY MEDICINE.
306
00:11:55,000 --> 00:11:56,300
- HI.
HOW ARE Y'ALL DOING TONIGHT?
307
00:11:56,300 --> 00:11:57,667
- GOOD, HOW ARE YOU DOING?
- HI THERE.
308
00:11:57,667 --> 00:11:59,333
WELL, I KNOW WHAT I WANT.
- GO AHEAD, MOM.
309
00:11:59,333 --> 00:12:01,767
- CLASSIC GIN, BEEFEATER,
MARTINI,
310
00:12:01,767 --> 00:12:05,166
UP, WITH A TWIST,
WITH ICE ON THE SIDE, PLEASE.
311
00:12:05,166 --> 00:12:06,166
- OKAY.
312
00:12:06,166 --> 00:12:08,300
I'M GONNA GET YOUR J. BOWMAN...
313
00:12:08,300 --> 00:12:10,066
- OKAY.
- ON THE ROCK.
314
00:12:10,066 --> 00:12:12,333
THAT COMES WITH
THE SPHERICAL ICE--
315
00:12:12,333 --> 00:12:14,333
- WE CAN DO THE SPHERE, SURE.
- LET'S DO THE SPHERE.
316
00:12:14,333 --> 00:12:15,734
- THANK YOU.
- THANK YOU.
317
00:12:15,734 --> 00:12:18,100
- SO WHAT'S UP WITH THE BALL
TOMORROW NIGHT?
318
00:12:18,100 --> 00:12:21,200
- WELL, IT'S NOT TRUMAN CAPOTE'S
BLACK AND WHITE BALL.
319
00:12:21,200 --> 00:12:23,333
- WHY DOES THAT NOT COME
AS A SURPRISE?
320
00:12:23,333 --> 00:12:24,600
WHO ARE YOU GOING TO TAKE?
321
00:12:24,600 --> 00:12:26,266
- THE ONE GIRL I WANTED TO TAKE
HAS TO WORK.
322
00:12:26,266 --> 00:12:29,333
- YOU HAVE SOMEBODY THAT WORKS.
323
00:12:29,333 --> 00:12:30,700
- AT LEAST, THAT WAS HER EXCUSE.
324
00:12:30,700 --> 00:12:32,600
- THANK YOU SO MUCH.
- YOU'RE WELCOME.
325
00:12:32,600 --> 00:12:34,333
- THERE'S MY BALL.
- JOHN BOWMAN ON A SPHERE.
326
00:12:34,333 --> 00:12:36,000
- AWESOME, THANK YOU.
- YOU'RE WELCOME.
327
00:12:36,000 --> 00:12:38,200
- THAT'S PRETTY COOL.
- Y'ALL ENJOY.
328
00:12:38,200 --> 00:12:39,767
- I THINK THOMAS
IS DUE SHORTLY.
329
00:12:39,767 --> 00:12:42,667
PERHAPS YOU CAN GIVE HIM SOME
MOTHERLY COUNSEL ABOUT KATHRYN.
330
00:12:42,667 --> 00:12:44,400
- OH, I WOULD BE...
- YOUR THOUGHTS.
331
00:12:44,400 --> 00:12:46,500
- HAPPY TO EXPRESS
MY FEELINGS.
332
00:12:46,500 --> 00:12:48,500
YOU THINK IT WOULD DO ANY GOOD?
333
00:12:51,166 --> 00:12:52,567
- HEY.
- THERE HE IS.
334
00:12:52,567 --> 00:12:54,000
- GOOD TO SEE YOU.
DON'T GET UP.
335
00:12:54,000 --> 00:12:56,600
GOOD TO SEE YOU.
ALWAYS A PLEASURE.
336
00:12:56,600 --> 00:12:57,767
YOU LOOK LOVELY.
337
00:12:57,767 --> 00:13:01,367
- SO I'M CURIOUS.
- ABOUT WHAT? OKAY.
338
00:13:01,367 --> 00:13:04,367
- WHAT IS GOING ON?
339
00:13:04,367 --> 00:13:05,500
- MOM DOESN'T MINCE WORDS.
340
00:13:05,500 --> 00:13:06,767
SHE GETS RIGHT TO THE POINT.
341
00:13:06,767 --> 00:13:08,767
- YOU KNOW, THIS GIRL KATHRYN--
342
00:13:08,767 --> 00:13:10,767
DELIGHTFUL YOUNG LADY.
343
00:13:10,767 --> 00:13:13,233
SHE COMES FROM
A VERY POWERFUL FAMILY.
344
00:13:13,233 --> 00:13:15,233
- SOUTHERN FAMILY.
- SOUTHERN FAMILY.
345
00:13:15,233 --> 00:13:16,700
- HER GREAT, GREAT,
GREAT GRANDFATHER
346
00:13:16,700 --> 00:13:18,033
IS JOHN C. CALHOUN,
347
00:13:18,033 --> 00:13:19,567
THE VICE PRESIDENT
OF THE UNITED STATES.
348
00:13:19,567 --> 00:13:22,133
- CALHOUN IS AN IMPORTANT NAME
IN THE SOUTH.
349
00:13:22,133 --> 00:13:23,233
- YES.
- IT IS.
350
00:13:23,233 --> 00:13:24,667
- YOU'VE MET HER.
SHE'S A VERY...
351
00:13:24,667 --> 00:13:27,367
- SHE'S VERY PRETTY.
- DIFFICULT WOMAN TO RESIST.
352
00:13:27,367 --> 00:13:28,633
AND, UM--
353
00:13:28,633 --> 00:13:30,367
- HOW OLD IS SHE?
354
00:13:30,367 --> 00:13:32,100
- SHE'LL BE 22 IN AUGUST.
355
00:13:32,100 --> 00:13:33,433
- OH, OH.
356
00:13:33,433 --> 00:13:35,100
- WAIT A MINUTE--
- MY POINT--
357
00:13:35,100 --> 00:13:37,367
- IS SHE THE ONE
WITH THE RED HAIR?
358
00:13:37,367 --> 00:13:39,533
NOT AUBURN--
- THAT'S--SHE'S BOLD.
359
00:13:39,533 --> 00:13:41,100
- IT'S LIKE, CLOWN--
- IT'S LIKE--
360
00:13:41,100 --> 00:13:42,734
- CLOWN COLOR.
361
00:13:42,734 --> 00:13:45,066
- KATHRYN--
WHEN I FIRST MET HER,
362
00:13:45,066 --> 00:13:47,767
SHE WAS IN THE KITCHEN
AT 9:00 IN THE MORNING
363
00:13:47,767 --> 00:13:50,133
WHEN I CAME DOWN
FOR A CUP OF COFFEE.
364
00:13:53,166 --> 00:13:54,567
HMM.
365
00:13:54,567 --> 00:13:57,033
LET ME JUST SAY SOMETHING.
366
00:13:57,033 --> 00:13:58,667
I DON'T THINK THAT
YOU SHOULD BE SEEN...
367
00:13:58,667 --> 00:14:00,100
- MM-HMM.
368
00:14:00,100 --> 00:14:02,133
- CAVORTING WITH THESE
21-YEAR-OLD...
369
00:14:02,133 --> 00:14:03,266
- MM-HMM.
370
00:14:03,266 --> 00:14:04,633
- COLLEGE GIRLS.
- I AGREE.
371
00:14:04,633 --> 00:14:09,100
- WHY WOULD YOU EVEN GET INTO
THAT SITUATION TO BEGIN WITH?
372
00:14:09,100 --> 00:14:13,033
I JUST DON'T SEE KATHRYN
MEASURING UP TO THOMAS.
373
00:14:13,033 --> 00:14:15,567
I THINK HE NEEDS
A MAJOR WOMAN,
374
00:14:15,567 --> 00:14:20,000
AND I WOULD REALLY HATE
TO SEE HIM MAKE A MAJOR MISTAKE.
375
00:14:20,000 --> 00:14:21,233
- KATHRYN--
376
00:14:21,233 --> 00:14:23,700
SHE CAN COME ACROSS
WITH AS MUCH POISE
377
00:14:23,700 --> 00:14:26,000
AS PROBABLY ANYONE
YOU'VE MET IN HOLLYWOOD.
378
00:14:26,000 --> 00:14:28,266
- SHE'S [bleep] 21.
379
00:14:28,266 --> 00:14:31,166
AND SHE PLAYS LIKE
SHE'S 12 YEARS OLD.
380
00:14:31,166 --> 00:14:33,166
YOU NEED TO--
[clicks tongue]
381
00:14:33,166 --> 00:14:34,300
CUT IT OUT.
382
00:14:34,300 --> 00:14:36,033
IF YOU WANT TO RUN,
YOU TURN THE LEAF.
383
00:14:36,033 --> 00:14:37,400
YOU CAN'T BE HANGING OUT
WITH 21--
384
00:14:37,400 --> 00:14:38,633
LIKE, 19 YEAR OLDS,
OR WHATEVER.
385
00:14:38,633 --> 00:14:40,033
- YEAH.
- IT'S DEEMED SMART.
386
00:14:40,033 --> 00:14:42,300
- INSTEAD OF IMPREGNATING
21 YEAR OLDS,
387
00:14:42,300 --> 00:14:45,133
YOU MIGHT REFOCUS,
IS ALL I'M SUGGESTING.
388
00:14:45,133 --> 00:14:47,133
[laughter]
389
00:14:49,300 --> 00:14:50,433
AWW.
390
00:14:50,433 --> 00:14:52,433
- I FEEL THAT
THEY'RE OUT OF LINE,
391
00:14:52,433 --> 00:14:54,700
BUT IT'S NOT MY STYLE
TO PUSH BACK TO PATRICIA.
392
00:14:54,700 --> 00:14:56,033
I'LL BE POLITE.
393
00:14:56,033 --> 00:14:58,166
I WILL LISTEN TO HER
RESPECTFULLY.
394
00:14:58,166 --> 00:15:00,600
BUT AT THE END OF THE DAY,
I'M GONNA DO WHAT I WANT TO DO.
395
00:15:00,600 --> 00:15:03,133
ANYWAY, LISTEN,
I GOT TO TAKE OFF HERE.
396
00:15:03,133 --> 00:15:04,533
- THANK YOU, DARLING.
- MM.
397
00:15:04,533 --> 00:15:07,000
- I DIDN'T MEAN TO GIVE YOU
A HARD TIME,
398
00:15:07,000 --> 00:15:09,233
BUT I WANT YOU TO PREVAIL.
399
00:15:09,233 --> 00:15:11,200
- ALL RIGHT, BYE-BYE.
400
00:15:11,200 --> 00:15:12,767
- YOU DON'T THINK HE FELT
AMBUSHED?
401
00:15:12,767 --> 00:15:15,200
- HE NEEDS TO BE AMBUSHED.
HE'S A MORON.
402
00:15:15,200 --> 00:15:17,467
- I DON'T KNOW ABOUT YOU,
BUT I'M DRUNK.
403
00:15:36,133 --> 00:15:38,400
- HELLO.
HOW ARE YOU?
404
00:15:38,400 --> 00:15:39,633
- HOW ARE YOU?
- GOOD TO SEE YOU.
405
00:15:39,633 --> 00:15:41,100
- GOOD TO SEE YOU.
406
00:15:41,100 --> 00:15:43,266
I'LL TAKE A BELVEDERE
AND FRESH-SQUEEZED ORANGE JUICE,
407
00:15:43,266 --> 00:15:44,367
IF YOU'VE GOT IT.
408
00:15:44,367 --> 00:15:45,400
- TELL ME SOMETHING GOOD.
409
00:15:45,400 --> 00:15:46,500
WHAT HAPPENED TODAY?
410
00:15:46,500 --> 00:15:49,133
- I MET WITH WHITNEY
AND HIS MOTHER.
411
00:15:49,133 --> 00:15:52,033
YOU KNOW THEY'RE TRYING
TO INFLUENCE ME.
412
00:15:52,033 --> 00:15:53,734
THEY'RE TRYING TO POO-POO
OUR RELATIONSHIP.
413
00:15:53,734 --> 00:15:55,567
- OF COURSE.
- THEY GAVE ME THEIR ROUTINE.
414
00:15:55,567 --> 00:15:57,433
I WAS GETTING DOUBLE-TEAMED
A LITTLE BIT.
415
00:15:57,433 --> 00:15:59,433
- BY HIS MOM, TOO?
- YEAH.
416
00:15:59,433 --> 00:16:01,133
- SHE'S INTIMIDATING.
417
00:16:01,133 --> 00:16:02,667
- WELL, THEY WERE CRITIQUING,
I MEAN,
418
00:16:02,667 --> 00:16:05,333
EVERYTHING FROM
YOUR HAIR TO YOUR AGE.
419
00:16:05,333 --> 00:16:08,433
- UNFAIR, IN MY OPINION,
FOR THEM TO BE JUDGING ME
420
00:16:08,433 --> 00:16:10,433
SPECIFICALLY BASED OFF MY AGE.
421
00:16:10,433 --> 00:16:12,600
MAYBE I'M YOUNG--COOL,
422
00:16:12,600 --> 00:16:15,600
BUT DO YOU THINK
I'M ANY DUMBER THAN WHITNEY?
423
00:16:15,600 --> 00:16:16,734
HELL, NO.
424
00:16:16,734 --> 00:16:18,767
I'M JUST AS SMART.
425
00:16:18,767 --> 00:16:20,533
CONTINUE.
426
00:16:20,533 --> 00:16:23,100
- AGE INAPPROPRIATE,
TOO IMMATURE, TOO YOUNG--
427
00:16:23,100 --> 00:16:25,467
- FOR WHAT, POLITICS?
428
00:16:25,467 --> 00:16:28,367
- YEAH.
- [bleep], [bleep], [bleep].
429
00:16:28,367 --> 00:16:31,133
- WHAT MAKES REDHEADS
SO ALLURING
430
00:16:31,133 --> 00:16:33,400
IS THAT THEY ARE VERY FIERY.
431
00:16:33,400 --> 00:16:36,767
I LIKE THE FACT THAT SHE'S
IN THERE FIGHTING FOR HERSELF.
432
00:16:36,767 --> 00:16:38,367
I LIKE THAT.
433
00:16:38,367 --> 00:16:41,533
I'M GONNA DO
WHAT I WANT TO DO
434
00:16:41,533 --> 00:16:43,533
AND BE WITH WHOM
I WANT TO BE WITH.
435
00:16:43,533 --> 00:16:45,667
I'M NOT GOING TO BE
INTIMIDATED BY THEM.
436
00:16:45,667 --> 00:16:48,066
- I APPRECIATE THAT.
THANK YOU.
437
00:16:48,066 --> 00:16:49,533
- WE CAN JUST LET IT GO.
THAT'S ALL IT WAS.
438
00:16:49,533 --> 00:16:51,300
DOESN'T MEAN--
- COMPLEMENTS OF THE CHEF.
439
00:16:51,300 --> 00:16:52,633
- OH, NICE.
440
00:16:52,633 --> 00:16:55,367
- I THINK IT'S RUDE
FOR WHITNEY TO BE JUDGING ME,
441
00:16:55,367 --> 00:16:59,000
BECAUSE HE HIMSELF WAS TELLING
ME HOW GOOD OF A GIRL I WAS.
442
00:16:59,000 --> 00:17:01,066
I DON'T UNDERSTAND THAT.
443
00:17:01,066 --> 00:17:03,734
THAT'S WHY I'M LIKE,
"REALLY, WHITNEY?
444
00:17:03,734 --> 00:17:06,600
"YOU'RE GONNA SAY ALL OF THIS
ABOUT ME TO THOMAS?
445
00:17:06,600 --> 00:17:07,734
"FINE.
446
00:17:07,734 --> 00:17:10,600
YOU JUST OPENED UP
A WHOLE NEW DOOR."
447
00:17:10,600 --> 00:17:12,633
- LET ME JUST ASK
A QUICK QUESTION.
448
00:17:12,633 --> 00:17:16,000
WHEN WAS WHITNEY
TALKING TO YOU?
449
00:17:16,000 --> 00:17:18,033
- HE INVITED ME OVER
TO GIVE ME A MAKEOVER.
450
00:17:18,033 --> 00:17:20,433
HE SET UP AN APPOINTMENT
TO REDO MY HAIR.
451
00:17:20,433 --> 00:17:22,567
- HE SET UP AN APPOINTMENT
HIMSELF TO DO THAT?
452
00:17:22,567 --> 00:17:25,567
- YUP, AND THEN HE WANTED ME
TO, YOU KNOW,
453
00:17:25,567 --> 00:17:28,033
STOP WEARING AS MUCH MAKEUP
AS I DID,
454
00:17:28,033 --> 00:17:30,600
WEAR THIS, NOT WEAR THAT,
YOU KNOW.
455
00:17:30,600 --> 00:17:32,700
- BUT WHERE WERE YOU?
456
00:17:35,600 --> 00:17:37,600
- I WENT TO HIS PLACE,
WHATEVER,
457
00:17:37,600 --> 00:17:40,633
AND...
458
00:17:40,633 --> 00:17:42,600
- WHERE, UP TO HIS BEDROOM?
459
00:17:44,500 --> 00:17:45,600
- YES.
460
00:17:49,633 --> 00:17:51,633
WHY, IS THAT WEIRD?
461
00:17:51,633 --> 00:17:55,166
- WHAT DID HE TRY--
I'M--
462
00:17:55,166 --> 00:17:57,300
DID YOU KISS HIM?
463
00:17:57,300 --> 00:17:59,400
- FOR A MOMENT, AND THEN...
- YOU DID KISS HIM?
464
00:17:59,400 --> 00:18:01,700
- AND THEN I STOPPED
AND--
465
00:18:01,700 --> 00:18:03,467
- DID YOU FRENCH KISS HIM?
466
00:18:03,467 --> 00:18:05,000
- HELL, NO.
467
00:18:05,000 --> 00:18:07,233
I'M NOT ATTRACTED TO WHITNEY.
I THOUGHT HE WAS GAY.
468
00:18:07,233 --> 00:18:10,066
SORRY.
469
00:18:10,066 --> 00:18:11,333
- WELL, AT THAT POINT
470
00:18:11,333 --> 00:18:13,467
I DON'T THINK HE KNEW
ABOUT OUR LITTLE HISTORY.
471
00:18:13,467 --> 00:18:15,667
- OH, HE DID.
- MM-HMM?
472
00:18:15,667 --> 00:18:17,467
- HE KNEW GOOD AND WELL.
473
00:18:17,467 --> 00:18:19,200
- WELL, WE WERE DATING
AT THAT POINT.
474
00:18:19,200 --> 00:18:22,333
- WEREN'T DATING, BUT, WHAT
THE HELL, I MEAN, EVERYONE KNEW.
475
00:18:22,333 --> 00:18:24,767
- BUT HE WAS CLEARLY MAKING
THE MOVES ON YOU, THOUGH.
476
00:18:24,767 --> 00:18:27,767
- OH, YEAH.
NO DOUBT ABOUT THAT.
477
00:18:27,767 --> 00:18:29,767
- THAT SON OF A BITCH.
478
00:18:29,767 --> 00:18:32,367
- YEAH, HE'S A [bleep]
SON OF A BITCH,
479
00:18:32,367 --> 00:18:33,734
YOU'RE TOTALLY RIGHT.
480
00:18:33,734 --> 00:18:35,467
- HE'S SORT OF A SNAKE,
481
00:18:35,467 --> 00:18:38,200
AND HERE HE IS JUDGING ME
FOR BEING WITH A WOMAN
482
00:18:38,200 --> 00:18:40,500
THAT HE'S TRYING
TO PUT THE MOVES ON.
483
00:18:40,500 --> 00:18:42,367
SHAME ON HIM.
484
00:18:48,166 --> 00:18:50,166
- [sighs]
485
00:18:52,166 --> 00:18:53,533
- COMING UP...
486
00:18:53,533 --> 00:18:56,500
- YOU ATTACK ME, AND YOU WANT
TO SIT AT A TABLE WITH ME?
487
00:18:56,500 --> 00:18:58,133
LEAVE THE [bleep] TABLE, DUDE.
488
00:18:58,133 --> 00:18:59,300
GET AWAY FROM ME
489
00:18:59,300 --> 00:19:01,333
BEFORE I BITCH SLAP YOU
RIGHT NOW.
490
00:19:16,166 --> 00:19:18,166
[buzzing]
491
00:19:20,567 --> 00:19:22,033
- YOU RANG, MADAME?
492
00:19:22,033 --> 00:19:24,300
- IT'S TIME FOR MY MEDICINE,
IF YOU PLEASE.
493
00:19:24,300 --> 00:19:26,266
HAVE YOU SEEN WHITNEY AROUND?
494
00:19:26,266 --> 00:19:27,667
- I THINK HE'S PLAYING
HIS GUITAR.
495
00:19:27,667 --> 00:19:29,367
- WOULD YOU ASK HIM
IF HE'D COME DOWN?
496
00:19:29,367 --> 00:19:30,533
- CERTAINLY.
- THANK YOU.
497
00:19:36,000 --> 00:19:37,400
- HOW ARE YOU?
498
00:19:37,400 --> 00:19:40,500
- YOU WERE PLAYING YOUR GUITAR,
AS MICHAEL SAID?
499
00:19:40,500 --> 00:19:42,266
- TAKING A LITTLE GUITAR BREAK.
500
00:19:42,266 --> 00:19:44,533
- YEAH?
OH, THANK YOU, MICHAEL.
501
00:19:44,533 --> 00:19:46,633
- YOUR ELIXIR.
MAY I BRING YOU SOMETHING, SIR?
502
00:19:46,633 --> 00:19:48,767
- YES, VODKA ON THE ROCKS,
SPLASH OF SODA, PLEASE.
503
00:19:48,767 --> 00:19:51,000
- VERY GOOD.
- THANK YOU.
504
00:19:51,000 --> 00:19:53,400
- WHAT'S GOING ON WITH
THE RESTAURANT BUSINESS?
505
00:19:53,400 --> 00:19:56,367
- I DON'T KNOW A LOT OF PEOPLE--
INVESTORS HERE.
506
00:19:56,367 --> 00:19:58,500
THAT'S WHY I BROUGHT SHEP IN,
BUT HE HASN'T NECESSARILY
507
00:19:58,500 --> 00:20:00,500
STEPPED UP TO THE PLATE
WITH THAT.
508
00:20:00,500 --> 00:20:03,233
- IT DOESN'T SEEM FOCUSED TO ME.
509
00:20:03,233 --> 00:20:05,133
I HAVE A THOUGHT FOR YOU.
510
00:20:05,133 --> 00:20:08,066
BRYAN DID PLANET HOLLYWOOD.
511
00:20:08,066 --> 00:20:09,633
HE'S HERE IN CHARLESTON.
512
00:20:09,633 --> 00:20:13,467
WOULDN'T IT BE A GOOD IDEA
TO KIND OF ENGAGE HIS HELP?
513
00:20:13,467 --> 00:20:15,000
- BRYAN IS AN OLD FRIEND.
514
00:20:15,000 --> 00:20:16,767
HE WAS A FOUNDER
OF PLANET HOLLYWOOD.
515
00:20:16,767 --> 00:20:18,533
BRYAN HAS A PROVEN TRACK RECORD.
516
00:20:18,533 --> 00:20:20,166
HE KNOWS WHAT HE'S DOING.
517
00:20:20,166 --> 00:20:21,433
OH, THANK YOU, MICHAEL.
518
00:20:21,433 --> 00:20:23,734
- I THINK THAT IF BRYAN
WERE INVOLVED,
519
00:20:23,734 --> 00:20:25,700
IT WOULD FREE YOU UP
520
00:20:25,700 --> 00:20:28,767
TO PUT MORE TIME
INTO YOUR FILM PROJECT.
521
00:20:28,767 --> 00:20:32,266
- I MEAN, HE IS VERSED IN THE
RESTAURANT BUSINESS, FOR SURE.
522
00:20:32,266 --> 00:20:34,000
I THINK IF BRYAN AND I
HAD STARTED IT OUT,
523
00:20:34,000 --> 00:20:37,033
NOT SHEP AND I,
WE'D BE MUCH FARTHER ALONG.
524
00:20:37,033 --> 00:20:38,533
- I'M NOT SAYING
GET RID OF SHEP.
525
00:20:38,533 --> 00:20:41,433
I'M JUST SAYING, UTILIZE BRYAN.
526
00:20:41,433 --> 00:20:43,400
I MEAN, WHAT'S THE DOWNSIDE?
527
00:20:43,400 --> 00:20:47,400
MY HOPES AND DREAMS FOR WHITNEY
ARE MORE ELEVATED
528
00:20:47,400 --> 00:20:50,333
THAN BEING INVOLVED
IN FOOD SERVICE.
529
00:20:50,333 --> 00:20:53,734
BUT IF WHITNEY'S GONNA
INVEST MONEY IN THIS PROJECT,
530
00:20:53,734 --> 00:20:55,767
HE SHOULD DO IT SERIOUSLY.
531
00:20:55,767 --> 00:20:58,367
I'M JUST TRYING TO MAKE LIFE
EASY FOR YOU, HONEY.
532
00:20:58,367 --> 00:21:00,367
- THANK YOU, MOM.
THANK YOU, MOTHER.
533
00:21:00,367 --> 00:21:02,166
- [laughs]
534
00:21:02,166 --> 00:21:05,166
- OKAY, I HAVE TO GO GET DRESSED
FOR CAROLINA DAY.
535
00:21:05,166 --> 00:21:06,400
- ALL RIGHT.
536
00:21:20,000 --> 00:21:22,266
- IT'S ALL POSITIVE THINGS
COMING OUT OF YOUR MOUTH.
537
00:21:23,767 --> 00:21:25,500
YOU GUYS SHOULD BE UPSTAIRS,
READY.
538
00:21:27,633 --> 00:21:29,500
ARE WE PREPARED
FOR THE WHAT-IFS?
539
00:21:29,500 --> 00:21:32,133
THE BOTTLED TONIC, THE BOTTLED
SODA, THE BOTTLED GINGER?
540
00:21:32,133 --> 00:21:33,333
- MM-HMM.
- OKAY.
541
00:21:33,333 --> 00:21:35,133
I THINK THAT BEING
A CONTROL FREAK COMES OUT
542
00:21:35,133 --> 00:21:36,667
WHEN YOU HOST A PARTY.
543
00:21:36,667 --> 00:21:39,467
I'M VERY BIG ON GOING OVER
DETAILS WITH THE STAFF
544
00:21:39,467 --> 00:21:41,667
SO THAT WE'RE ALL
ON THE SAME PAGE.
545
00:21:46,400 --> 00:21:49,100
I WANT IT TO BE PERFECT
BEFORE IT BEGINS
546
00:21:49,100 --> 00:21:51,233
SO THAT I, TOO, CAN PARTY.
547
00:21:51,233 --> 00:21:53,367
THAT'S IMPORTANT.
548
00:21:56,367 --> 00:21:59,233
THIS TECHNOLOGY
OF FORMAL DRESS WEAR--
549
00:21:59,233 --> 00:22:02,166
I DON'T THINK IT'S EVOLVED
IN THE LAST 10,000 YEARS,
550
00:22:02,166 --> 00:22:04,133
BUT, YOU KNOW, YOU HAVE
TO SUFFER FOR FASHION,
551
00:22:04,133 --> 00:22:05,500
ACCORDING TO WHITNEY.
552
00:22:05,500 --> 00:22:07,600
- DID HE GIVE YOU
FASHION ADVICE FOR TONIGHT?
553
00:22:07,600 --> 00:22:09,500
- NO, NOT IN FASHION.
554
00:22:09,500 --> 00:22:11,066
HE SAVES ALL THAT FOR HIMSELF,
555
00:22:11,066 --> 00:22:12,767
BUT WHEN IT COMES TO
WHO I'M DATING
556
00:22:12,767 --> 00:22:14,767
AND WHAT I'M DOING
IN MY PERSONAL LIFE,
557
00:22:14,767 --> 00:22:16,533
HE IS FULL OF FREE ADVICE.
558
00:22:16,533 --> 00:22:19,266
- I'M SURE.
- UNSOLICITED.
559
00:22:19,266 --> 00:22:21,133
- DOESN'T HOLD BACK MUCH.
560
00:22:21,133 --> 00:22:23,633
- THINK I MIGHT HAVE TO GIVE HIM
A LITTLE PIECE OF MY MIND.
561
00:22:23,633 --> 00:22:25,300
- REALLY?
- WHAT DO YOU THINK?
562
00:22:25,300 --> 00:22:27,700
- IF THAT'S HOW YOU FEEL, THEN I
THINK THAT'S WHAT YOU SHOULD DO.
563
00:22:27,700 --> 00:22:30,667
- WHITNEY IS PROBABLY THE MOST
JUDGMENTAL PERSON I KNOW,
564
00:22:30,667 --> 00:22:34,033
AND I'M TIRED OF HIM
JUDGING ME AND KATHRYN.
565
00:22:34,033 --> 00:22:36,166
SOMETIMES YOU JUST GOT
TO SET 'EM STRAIGHT.
566
00:22:36,166 --> 00:22:37,600
[thunder crashes]
567
00:22:37,600 --> 00:22:39,333
- LOOK.
IT'S GOING TO POUR TONIGHT.
568
00:22:39,333 --> 00:22:41,667
- GOD.
[bleep].
569
00:22:41,667 --> 00:22:43,166
IT'S GONNA BE A GREAT NIGHT.
570
00:22:43,166 --> 00:22:44,533
- SO WHAT ARE YOU GONNA WEAR?
571
00:22:44,533 --> 00:22:47,000
- I'M SUPPOSED TO WEAR
WHITE TIE OR BLACK TIE.
572
00:22:47,000 --> 00:22:49,367
- YOU SHOULD WEAR JUST
A WHITE DINNER JACKET THEN, HUH.
573
00:22:49,367 --> 00:22:51,300
- YEAH, THAT'S BEAUTIFUL.
- DOUBLE-BREASTED?
574
00:22:51,300 --> 00:22:52,600
- YEAH, I LOVE THAT.
575
00:22:52,600 --> 00:22:54,100
- UM, CUFF LINKS, ALL RIGHT.
576
00:22:54,100 --> 00:22:57,300
- OH, THE ONES THE BELONGED
TO THE FRENCH COUNT.
577
00:22:57,300 --> 00:22:59,367
PRINCE--WHAT WAS IT?
- PRINCE WILHELM.
578
00:22:59,367 --> 00:23:00,500
- WILHELM.
579
00:23:00,500 --> 00:23:02,300
THE SWEDISH COUNT
OR THE FRENCH COUNT?
580
00:23:02,300 --> 00:23:03,433
- AUSTRIAN.
- AUSTRIAN, OH.
581
00:23:03,433 --> 00:23:05,567
- YEAH.
- THEY'RE BEAUTIFUL. WEAR THOSE.
582
00:23:05,567 --> 00:23:08,066
- WEAR THOSE?
- YEAH! FABULOUS.
583
00:23:08,066 --> 00:23:09,633
- HEY.
- HI.
584
00:23:09,633 --> 00:23:11,066
- HI, DARLING.
585
00:23:11,066 --> 00:23:12,533
- WHAT'S GOING ON?
YOU GETTING DRESSED?
586
00:23:12,533 --> 00:23:14,567
- I DON MY GAY APPAREL.
587
00:23:28,433 --> 00:23:31,000
- HEY, GIRL.
HOW HORRIBLE IS THIS RAIN?
588
00:23:36,066 --> 00:23:38,600
- DO YOU HAVE AN UMBRELLA?
589
00:23:38,600 --> 00:23:40,066
- OH, NO!
590
00:23:40,066 --> 00:23:42,433
PUT A PLASTIC BAG
OVER YOUR HEAD AND RUN.
591
00:23:42,433 --> 00:23:44,033
- [laughs]
592
00:23:44,033 --> 00:23:46,500
YOU'LL BE FINE.
ARE YOU STILL GONNA COME OVER?
593
00:23:50,300 --> 00:23:52,266
- ALL RIGHT, WELL, BE SAFE,
594
00:23:52,266 --> 00:23:54,300
AND I'LL SEE YOU
WHEN YOU GET HERE.
595
00:24:05,767 --> 00:24:09,433
- THIS IS SORT OF
OUR COMING OUT PARTY.
596
00:24:09,433 --> 00:24:10,767
SORT OF MAKES A STATEMENT.
597
00:24:10,767 --> 00:24:12,767
- WHAT KIND OF STATEMENT
YOU THINK WE'RE GONNA MAKE?
598
00:24:12,767 --> 00:24:15,233
- I THINK WHEN WE WALK IN THERE,
599
00:24:15,233 --> 00:24:17,467
WE'RE GONNA FEEL THE EYES...
- OH, YEAH.
600
00:24:17,467 --> 00:24:20,367
- UPON US.
- OH, YEAH.
601
00:24:20,367 --> 00:24:21,734
- WHITNEY!
602
00:24:21,734 --> 00:24:24,600
- WHITNEY, LET'S SEE WHAT
YOUR OUTFIT'S LIKE.
603
00:24:24,600 --> 00:24:26,700
- ♪ HERE COMES
MISTER AMERICA ♪
604
00:24:26,700 --> 00:24:29,033
- OH, I LOVE THAT.
THAT LOOKS HOT.
605
00:24:29,033 --> 00:24:30,567
- YOU LOOK GOOD.
- YOU LOOK REALLY GOOD.
606
00:24:30,567 --> 00:24:32,233
- YEAH?
- YEAH.
607
00:24:32,233 --> 00:24:33,533
- IT LOOKS GOOD.
I LOVE THAT JACKET.
608
00:24:33,533 --> 00:24:34,633
- YEAH, IT LOOKS REALLY GOOD.
609
00:24:34,633 --> 00:24:36,200
- I LOVE DOUBLE-BREASTED
JACKETS.
610
00:24:36,200 --> 00:24:38,033
- OKAY, WILL YOU HELP ME
PUT THE CUFFLINKS IN?
611
00:24:38,033 --> 00:24:39,000
- YEAH.
- LET'S--
612
00:24:39,000 --> 00:24:40,200
- WELL, SO--
613
00:24:40,200 --> 00:24:41,667
- SO JUST--
WE'RE THROWING WHATEVER--
614
00:24:41,667 --> 00:24:44,066
- THROWING WHATEVER.
- GOT TO WAIT 20 MINUTES.
615
00:24:48,667 --> 00:24:50,533
- 15 MINUTES TO THE SHOW,
PEOPLE.
616
00:24:52,667 --> 00:24:54,767
BUT I'D ALSO LIKE SHEP
TO BE IN THE BACK, TOO.
617
00:24:58,166 --> 00:25:01,266
SHOWTIME.
HERE WE GO.
618
00:25:04,333 --> 00:25:06,333
[laughs]
NO!
619
00:25:12,567 --> 00:25:14,700
SHEPPER!
- YES.
620
00:25:14,700 --> 00:25:16,500
- AND YOU LOOK DAPPER, SON.
621
00:25:16,500 --> 00:25:17,734
GET IN HERE.
- GOOD TO SEE YOU.
622
00:25:17,734 --> 00:25:19,133
- OH, GET IN HERE.
THERE YOU GO.
623
00:25:19,133 --> 00:25:20,400
- THANK YOU.
- I LIKE IT.
624
00:25:20,400 --> 00:25:22,133
- THIS IS COURTNEY.
- HEY, HOW ARE YOU?
625
00:25:22,133 --> 00:25:23,533
GOOD TO SEE YOU.
- GOOD, HOW ARE YOU?
626
00:25:23,533 --> 00:25:25,633
- I'M J.D. WELCOME, WELCOME.
VERY GOOD TO HAVE YOU.
627
00:25:25,633 --> 00:25:27,133
- CAROLINA DAY, HUH?
628
00:25:27,133 --> 00:25:29,233
- HEY, MAN, WE JUST GOT
TO GET LOOSE AND STAY THERE.
629
00:25:29,233 --> 00:25:30,367
[laughter]
630
00:25:36,367 --> 00:25:37,367
BRANDI!
- HEY.
631
00:25:37,367 --> 00:25:39,200
- GET OVER HERE.
- HOW ARE YOU?
632
00:25:39,200 --> 00:25:40,367
- WELCOME.
633
00:25:40,367 --> 00:25:41,700
- I WANT TO PARTY
WITH THIS GUY, HUH?
634
00:25:41,700 --> 00:25:43,033
- HEY, YOU'RE ABOUT TO.
635
00:25:43,033 --> 00:25:44,500
- YOU GET YOUR BEAUTY SLEEP
LAST NIGHT?
636
00:25:44,500 --> 00:25:46,033
- NO, TOO MUCH BOURBON
LAST NIGHT.
637
00:25:46,033 --> 00:25:48,266
- OH, YOU WERE OUT?
- WHAT DID YOU DO?
638
00:25:48,266 --> 00:25:49,767
- WELL, NO,
I HAD DRINKS AT HUSK
639
00:25:49,767 --> 00:25:52,433
WITH MY MOTHER
AND THOMAS RAVENEL.
640
00:25:52,433 --> 00:25:55,400
MY MOTHER GAVE THOMAS
A NICE MOTHERLY LECTURE.
641
00:25:55,400 --> 00:25:57,300
SHE'S QUITE PRACTICED
WITH ME.
642
00:26:00,467 --> 00:26:02,200
- HELLO.
643
00:26:02,200 --> 00:26:04,200
- HEY.
- HOW'S IT LOOK?
644
00:26:04,200 --> 00:26:06,600
- YOU LOOK WONDERFUL.
I LOVE YOUR HAIR, TOO.
645
00:26:06,600 --> 00:26:08,600
YEAH.
YOU LOOK GOOD, TOO.
646
00:26:08,600 --> 00:26:10,600
- OH, THANKS.
WOW.
647
00:26:10,600 --> 00:26:12,600
- YOU THINK WHITNEY'S GONNA
CRITIQUE US THIS TIME
648
00:26:12,600 --> 00:26:14,200
ON OUR FASHIONS?
649
00:26:14,200 --> 00:26:16,133
- I DON'T THINK IT'S GONNA
MATTER WHAT HE THINKS.
650
00:26:16,133 --> 00:26:19,200
LET'S GET A LITTLE
CLOSER LOOK HERE.
651
00:26:19,200 --> 00:26:22,166
MM, DAMN.
- WHAT?
652
00:26:22,166 --> 00:26:24,166
- I LIKE THIS DRESS SO MUCH--
- I KNOW, RIGHT?
653
00:26:24,166 --> 00:26:26,333
- AND I NOW WANT YOU
TO JUST TAKE IT OFF.
654
00:26:26,333 --> 00:26:29,367
DO WE HAVE TIME?
- NO, IT'S STAYING ON ALL NIGHT.
655
00:26:34,734 --> 00:26:36,467
- HEY, YOU LOOK GREAT.
- YEAH?
656
00:26:36,467 --> 00:26:38,066
- YOU LOOK GORGE.
- IS THE HAIR OKAY?
657
00:26:38,066 --> 00:26:39,333
- LOOK AT YOU!
- HEY, BABY DOLL.
658
00:26:39,333 --> 00:26:40,734
- YEAH, I LIKE THIS JACKET
VERY MUCH--
659
00:26:40,734 --> 00:26:42,700
- LOOK HOW SEXY YOU LOOK.
- I DON'T LOOK SEXY!
660
00:26:42,700 --> 00:26:45,467
THIS IS HOW MOTHERS DRESS
FROM, LIKE, THE 1980s.
661
00:26:45,467 --> 00:26:48,600
- DON'T DO THAT.
DON'T--DON'T DO THAT.
662
00:26:48,600 --> 00:26:51,133
- HELLO, MY LOVE.
663
00:26:51,133 --> 00:26:53,100
- JENNA, WAY CONSERVATIVE
TONIGHT.
664
00:26:53,100 --> 00:26:54,233
- YOU LOOK HOT.
- I'M SHOCKED.
665
00:26:54,233 --> 00:26:57,233
- LOOK AT THESE BOOBS, DAMN.
BOOB-A-RELLA.
666
00:26:57,233 --> 00:26:59,233
- AND THEY'RE REAL.
667
00:27:03,266 --> 00:27:04,667
- HEY!
- HI.
668
00:27:04,667 --> 00:27:06,266
- BEFORE CAROLINA DAY,
669
00:27:06,266 --> 00:27:09,367
DANNI ASKED ME IF I WOULD
GO WITH HER TO THE PARTY...
670
00:27:10,600 --> 00:27:12,767
BUT AFTER THE WHOLE
M.J. THING,
671
00:27:12,767 --> 00:27:14,233
I DON'T WANT TO BE THE GUY
672
00:27:14,233 --> 00:27:15,767
THAT GETS BACK
WITH THE EX-GIRLFRIEND.
673
00:27:15,767 --> 00:27:18,367
I WAS LIKE, I KIND OF WANT
TO BRING THE THUNDER.
674
00:27:21,533 --> 00:27:23,333
- HEY!
- WHAT'S UP?
675
00:27:23,333 --> 00:27:25,066
- WHAT'S UP, CRAIG?
HOW YOU DOING, BUDDY?
676
00:27:25,066 --> 00:27:26,633
- BEEN WORKING THE PARTY.
- GOOD TO MEET YOU.
677
00:27:26,633 --> 00:27:28,400
- J.D. MADISON.
GOOD TO SEE YOU. WELCOME.
678
00:27:28,400 --> 00:27:30,066
- HE'S OUR WONDERFUL HOST.
- WELCOME.
679
00:27:30,066 --> 00:27:33,033
- CRAIG IS UNVERSED
ON THE SOUTHERN IDEALS
680
00:27:33,033 --> 00:27:35,166
OF ETIQUETTE AND DRESS.
681
00:27:35,166 --> 00:27:36,767
- IT LOOKS LIKE WE'RE IN
A WEDDING PARTY.
682
00:27:36,767 --> 00:27:39,166
- HE'S FROM DELAWARE.
HE DOESN'T KNOW.
683
00:27:39,166 --> 00:27:40,266
- EXCEPT US.
684
00:27:40,266 --> 00:27:42,200
[laughter]
685
00:27:42,200 --> 00:27:44,333
WE'RE JUST LIKE, SHOWING UP,
LIKE, "WHAT'S UP, GUYS?
686
00:27:44,333 --> 00:27:45,767
HEARD THERE WAS
SOMETHING GOING ON."
687
00:27:50,066 --> 00:27:52,066
- WHY NOT?
- SHE HATES THE SOUND.
688
00:27:52,066 --> 00:27:54,266
BUT I LOVE IT.
689
00:27:54,266 --> 00:27:56,300
[laughter]
690
00:28:01,333 --> 00:28:03,667
- WHAT'S UP?
- T. RAVENEL-CIONNE!
691
00:28:08,000 --> 00:28:10,266
WHAT'S HAPPENING, BABY?
- PARTY.
692
00:28:10,266 --> 00:28:12,400
- GOOD TO SEE YOU, BROTHER.
HEY, GET IN HERE.
693
00:28:12,400 --> 00:28:13,700
- HI.
694
00:28:13,700 --> 00:28:16,033
- I CAN'T BELIEVE THOMAS
ACTUALLY SHOWED UP WITH HER.
695
00:28:16,033 --> 00:28:17,166
- WELL, HE'S OWNING IT.
696
00:28:17,166 --> 00:28:18,700
HE'S REALLY PUTTING IT
OUT THERE.
697
00:28:18,700 --> 00:28:21,467
- I MEAN, THE MOST SHOCKING PART
ABOUT KATHRYN AND THOMAS
698
00:28:21,467 --> 00:28:22,734
IS THE AGE DIFFERENCE.
699
00:28:22,734 --> 00:28:24,500
I THINK IT'S WEIRD.
700
00:28:24,500 --> 00:28:27,233
I DON'T THINK A GIRL THAT'S 21
ACTUALLY LIKES A GUY THAT'S 50.
701
00:28:27,233 --> 00:28:29,500
WHY HE'S NOT TRYING TO KEEP
THIS RELATIONSHIP A SECRET
702
00:28:29,500 --> 00:28:30,700
IS BEYOND ME.
703
00:28:30,700 --> 00:28:32,166
- HEY, YOU LOOK GREAT!
704
00:28:32,166 --> 00:28:33,567
- I'M NOT REALLY SHOCKED
705
00:28:33,567 --> 00:28:36,100
BY THE FACT THAT THOMAS
IS WITH KATHRYN.
706
00:28:36,100 --> 00:28:38,066
I WOULD BE MORE SHOCKED
IF HE CAME IN
707
00:28:38,066 --> 00:28:39,433
WITH A WOMAN THAT WAS 51.
708
00:28:39,433 --> 00:28:41,100
THAT WOULD BE SHOCKING.
709
00:28:43,200 --> 00:28:45,166
- I KNOW.
SHE'S VERY PRETTY TONIGHT.
710
00:28:45,166 --> 00:28:47,233
- SHE LOOKS SO PRETTY.
711
00:28:47,233 --> 00:28:50,266
OH, MY GOD, AND THAT DRESS--
WHAT IS THIS, PROM?
712
00:28:50,266 --> 00:28:52,300
GOES WITH--MATCHES HER HAIR.
713
00:28:52,300 --> 00:28:54,333
- IT MATCHES HER ABORTION.
714
00:28:57,433 --> 00:29:00,000
- I JUST CANNOT BELIEVE
HOW MANY PEOPLE ARE GOSSIPING.
715
00:29:00,000 --> 00:29:03,066
IT'S JUST LIKE--
THE WHOLE ROOM IS ABUZZ.
716
00:29:03,066 --> 00:29:05,500
THE LOCAL CHARLESTON NEWSPAPERS
ARE GONNA HAVE A FIELD DAY
717
00:29:05,500 --> 00:29:07,333
WITH THIS [bleep] ONE.
718
00:29:07,333 --> 00:29:08,533
- COMING UP...
719
00:29:08,533 --> 00:29:10,266
- KATHRYN TOLD ME YOU WERE
TRYING TO HOOK--
720
00:29:10,266 --> 00:29:11,533
HOOK UP WITH HER YOURSELF.
721
00:29:11,533 --> 00:29:13,333
- SHE'S SAYING THAT?
THAT'S [bleep] CRAZY.
722
00:29:13,333 --> 00:29:17,600
- WELL, SHE'LL BE HERE
IN A SECOND.
723
00:29:18,600 --> 00:29:19,700
- I WANT TO SEE YOUR TITS.
724
00:29:19,700 --> 00:29:21,333
- YOU ARE NOT GONNA EVER
SEE MY TITS.
725
00:29:21,333 --> 00:29:22,700
- OH, MY GOD.
YOU'RE OUT OF CONTROL.
726
00:29:22,700 --> 00:29:24,000
LIKE, WHITNEY--
727
00:29:24,000 --> 00:29:25,500
- YOU ARE NOT GONNA EVER
SEE MY TITS.
728
00:29:25,500 --> 00:29:27,066
- REAL SLAP--
729
00:29:27,066 --> 00:29:29,100
- YOU PERVERT.
730
00:29:29,100 --> 00:29:30,633
- HE LIKES IT SECRETLY.
731
00:29:30,633 --> 00:29:33,066
[laughter]
732
00:29:33,066 --> 00:29:34,633
- WHITNEY, DO YOU LIKE THAT?
733
00:29:34,633 --> 00:29:37,633
- THAT'S NOT--DON'T.
734
00:29:37,633 --> 00:29:39,333
- LET'S JUST KICK HIS ASS.
735
00:29:39,333 --> 00:29:41,367
- YOU COULD DEFINITELY
KICK MY ASS.
736
00:29:41,367 --> 00:29:44,100
[laughter]
737
00:29:44,100 --> 00:29:45,667
- GO BACK TO DOING
WHATEVER YOU WERE DOING.
738
00:29:45,667 --> 00:29:47,633
- I HATE YOU.
739
00:29:47,633 --> 00:29:50,233
- NO!
DON'T FIGHT ME NOW!
740
00:29:58,767 --> 00:30:01,767
[indistinct chatter]
741
00:30:10,233 --> 00:30:13,233
[bagpipes playing
Scotland the Brave]
742
00:30:13,233 --> 00:30:21,433
♪ ♪
743
00:30:23,567 --> 00:30:24,700
- HEY!
744
00:30:24,700 --> 00:30:26,433
[cheering]
745
00:30:26,433 --> 00:30:28,433
WELCOME TO CAROLINA DAY.
746
00:30:28,433 --> 00:30:30,400
A VERY SPECIAL TIME.
747
00:30:30,400 --> 00:30:33,133
IN LATE JUNE, 1776,
748
00:30:33,133 --> 00:30:35,266
IN THE BATTLE
OF SULLIVAN'S ISLAND,
749
00:30:35,266 --> 00:30:38,033
THE BRITISH FLEET CAME KNOCKING.
750
00:30:38,033 --> 00:30:41,033
THE BATTLE ITSELF
LASTED OVER 16 HOURS,
751
00:30:41,033 --> 00:30:43,400
BUT THE TROOPS
PROTECTED CHARLESTON
752
00:30:43,400 --> 00:30:45,133
UNTIL THE BRITISH NAVY
RETREATED.
753
00:30:45,133 --> 00:30:46,133
- HERE, HERE.
754
00:30:46,133 --> 00:30:48,033
- BY MANY HISTORIANS,
755
00:30:48,033 --> 00:30:50,166
THIS WAS THE FIRST
SIGNIFICANT VICTORY
756
00:30:50,166 --> 00:30:52,033
IN THE REVOLUTIONARY WAR.
757
00:30:52,033 --> 00:30:54,667
OUR GREAT STATE,
OUR GREAT NATION,
758
00:30:54,667 --> 00:30:56,467
WE SALUTE YOU.
759
00:30:56,467 --> 00:30:58,166
all: HERE, HERE!
760
00:30:58,166 --> 00:31:00,033
- WE'RE GONNA START
SOME MUSIC AGAIN.
761
00:31:00,033 --> 00:31:02,033
PLEASE, MAKE YOUR WAY
TO YOUR SEATS.
762
00:31:02,033 --> 00:31:05,033
[light jazz music]
763
00:31:05,033 --> 00:31:09,333
♪ ♪
764
00:31:09,333 --> 00:31:11,333
- BEST TABLE EVER.
765
00:31:13,700 --> 00:31:16,433
SIMULTANEOUS POUR.
766
00:31:16,433 --> 00:31:18,500
THANK YOU.
767
00:31:18,500 --> 00:31:21,500
- ♪ HAVE A DRINK OF CHAMPAGNE ♪
768
00:31:21,500 --> 00:31:22,734
- HERE'S TO CAROLINA DAY.
769
00:31:22,734 --> 00:31:24,633
- THANK YOU FOR INVITING US.
770
00:31:24,633 --> 00:31:26,367
- COULDN'T IMAGINE DOING IT
WITHOUT YOU.
771
00:31:26,367 --> 00:31:28,300
- YOU'RE QUITE THE HOST.
772
00:31:40,333 --> 00:31:42,467
- TO THE GOOD LIFE.
- TO THE GOOD LIFE!
773
00:31:42,467 --> 00:31:44,500
- MAY IT LAST A LONG TIME.
774
00:31:47,333 --> 00:31:50,433
- SMILE!
SHEPPY!
775
00:31:50,433 --> 00:31:52,066
ONE, TWO, THREE.
776
00:31:52,066 --> 00:31:53,467
CAMERAN, IF YOU'RE MY DATE,
777
00:31:53,467 --> 00:31:55,066
WHY AREN'T YOU SITTING
BESIDE ME?
778
00:31:55,066 --> 00:31:56,200
- I KNOW.
WHAT'S GOING ON?
779
00:31:56,200 --> 00:31:57,700
I THINK BECAUSE IF WE DID,
780
00:31:57,700 --> 00:31:59,600
THEN THEY COULDN'T SIT
BESIDE EACH OTHER.
781
00:31:59,600 --> 00:32:02,633
- I WAS JUST GONNA FINGER YOU
UNDERNEATH THE TABLE.
782
00:32:02,633 --> 00:32:04,700
- [laughs]
783
00:32:10,433 --> 00:32:12,066
- HOW ARE YOU DOING?
784
00:32:12,066 --> 00:32:13,133
- FABULOUS.
785
00:32:13,133 --> 00:32:14,667
- LOOK LIKE A 1940--
786
00:32:14,667 --> 00:32:16,433
WHO WAS THE ACTRESS
THAT WAS MARRIED
787
00:32:16,433 --> 00:32:18,667
TO ORSON WELLES IN THE '40s?
788
00:32:18,667 --> 00:32:20,233
RED HAIR.
- OH.
789
00:32:20,233 --> 00:32:23,100
- RITA HAYWORTH.
YOU KNOW RITA HAYWORTH?
790
00:32:23,100 --> 00:32:24,300
BEFORE MY TIME.
791
00:32:24,300 --> 00:32:26,033
YOU SHOULD KNOW WHO SHE IS,
BUT YOU DON'T.
792
00:32:26,033 --> 00:32:28,400
- I'M A CHILD, RIGHT, SO--
793
00:32:28,400 --> 00:32:30,033
I'M NOT, LIKE--
794
00:32:30,033 --> 00:32:32,066
IT'S NOT LIKE I DON'T KNOW
THE STARS FROM THE '40s,
795
00:32:32,066 --> 00:32:33,367
BUT I MEAN, JESUS CHRIST.
796
00:32:33,367 --> 00:32:34,500
- IT'S A COMPLIMENT.
797
00:32:34,500 --> 00:32:36,200
- THANK YOU VERY MUCH.
798
00:32:36,200 --> 00:32:39,066
- SHE PROBABLY SHOULD KNOW
WHO RITA HAYWORTH IS,
799
00:32:39,066 --> 00:32:41,767
BUT, YOU KNOW,
SHE'S BEING OVERLY SENSITIVE.
800
00:32:51,467 --> 00:32:53,000
- SOMETIMES.
- SOMETIMES?
801
00:32:53,000 --> 00:32:55,033
- ALL THE TIME.
- CONTAGIOUS, ISN'T IT?
802
00:32:55,033 --> 00:32:57,567
- SHEP WAS REALLY
HEARTBROKEN ABOUT M.J.
803
00:32:57,567 --> 00:33:00,734
FOR, LIKE, 12 HOURS.
804
00:33:07,266 --> 00:33:09,400
- I'M STARVING.
805
00:33:14,133 --> 00:33:16,100
- I'M GONNA DO A PARTY, TOO.
- GOOD.
806
00:33:16,100 --> 00:33:17,533
- YOU TWO ARE ALSO INVITED.
807
00:33:17,533 --> 00:33:19,533
I'M HAVING A SIT-DOWN
DINNER PARTY AT MY HOUSE,
808
00:33:19,533 --> 00:33:21,033
OF MAYBE 12.
809
00:33:21,033 --> 00:33:22,533
I'VE GOT SOME GOOD ADVICE
FOR THE BOYS.
810
00:33:22,533 --> 00:33:25,066
I'M TALKING ABOUT
SOME OF THESE YOUNG BUCKS,
811
00:33:25,066 --> 00:33:26,367
LIKE THAT GUY.
812
00:33:26,367 --> 00:33:27,600
LOOK AT THAT GUY.
813
00:33:27,600 --> 00:33:30,233
SHEP--
HE'S 17 YEARS YOUNGER THAN ME.
814
00:33:30,233 --> 00:33:33,500
- THOMAS GIVING OUT LIFE ADVICE
815
00:33:33,500 --> 00:33:36,066
IS AN EXERCISE IN ABSURDITY.
816
00:33:36,066 --> 00:33:38,166
- I'M GONNA HAVE SOME ADVICE
FOR THESE GUYS.
817
00:33:38,166 --> 00:33:39,400
- SOUNDS LIKE A BAD IDEA.
818
00:33:39,400 --> 00:33:41,133
- WELL, YOU KNOW WHAT,
IF YOU'RE THERE,
819
00:33:41,133 --> 00:33:43,200
YOU'RE GONNA HAVE TO BE QUIET
WHILE I'M TALKING.
820
00:33:43,200 --> 00:33:44,333
[laughter]
821
00:33:44,333 --> 00:33:46,500
OR YOU WILL BE ESCORTED
TO THE DOOR.
822
00:33:46,500 --> 00:33:48,400
- IF YOU CAN GET
MORE THAN FOUR PEOPLE THERE,
823
00:33:48,400 --> 00:33:50,033
THEN I WILL SHOW UP.
824
00:33:52,066 --> 00:33:55,633
- I COULD FILL THAT HOUSE UP
WITH 500 PEOPLE IF I WANTED TO.
825
00:33:57,533 --> 00:34:00,700
- NO, YOU COULDN'T.
I'LL BET YOU.
826
00:34:00,700 --> 00:34:03,467
$5,000.
827
00:34:03,467 --> 00:34:05,500
- YOU ATTACK ME,
828
00:34:05,500 --> 00:34:08,500
SAYING I CAN'T GET
FOUR PEOPLE TO MY HOUSE,
829
00:34:08,500 --> 00:34:10,200
AND YOU WANT TO
SIT AT A TABLE WITH ME?
830
00:34:10,200 --> 00:34:11,734
LEAVE THE [bleep] TABLE, DUDE.
831
00:34:11,734 --> 00:34:13,133
GET AWAY FROM ME
832
00:34:13,133 --> 00:34:15,200
BEFORE I BITCH SLAP YOU
RIGHT NOW.
833
00:34:15,200 --> 00:34:16,767
- HEY.
WHAT?
834
00:34:16,767 --> 00:34:18,734
- I'LL BITCH SLAP YOU
IN FRONT OF THESE PEOPLE.
835
00:34:18,734 --> 00:34:21,734
- ARE YOU SERIOUS?
IS THIS REALLY GOING ON?
836
00:34:21,734 --> 00:34:23,767
- WHAT IS WRONG WITH THE TABLE
OVER THERE?
837
00:34:23,767 --> 00:34:25,533
- YOU CAN'T ANTAGONIZE
THE SITUATION
838
00:34:25,533 --> 00:34:26,767
AND EXPECT THIS NOT TO HAPPEN.
839
00:34:26,767 --> 00:34:28,367
- I DON'T WANT TO SIT THERE
AND, LIKE,
840
00:34:28,367 --> 00:34:29,734
GRAB YOU BY YOUR
LITTLE [bleep] HAIR
841
00:34:29,734 --> 00:34:32,467
AND START SLAPPING YOU
IN THE FACE.
842
00:34:32,467 --> 00:34:34,033
I'M NOT GONNA PUT UP WITH THIS.
843
00:34:34,033 --> 00:34:36,200
- YOU SHOULDN'T REALLY GIVE
A [bleep] WHAT I THINK OR CARE.
844
00:34:36,200 --> 00:34:40,066
- I DISMISS 90% OF WHAT
YOU SAY TO ME, OKAY?
845
00:34:40,066 --> 00:34:41,500
- OH, LADIES.
846
00:34:41,500 --> 00:34:43,500
- I WANT TO COME, TOO.
847
00:34:50,500 --> 00:34:52,200
- MY GOD.
848
00:34:52,200 --> 00:34:54,000
WHAT DID JUST HAPPEN?
849
00:34:54,000 --> 00:34:56,533
WHITNEY'S SENSE OF HUMOR
SOMETIMES--
850
00:34:56,533 --> 00:34:58,633
- CAN CATCH THOMAS
THE WRONG WAY?
851
00:34:58,633 --> 00:35:00,500
- I THINK, YOU KNOW...
- YEAH.
852
00:35:00,500 --> 00:35:03,066
- SOMETIMES PEOPLE
DON'T KNOW IF HE'S JOKING
853
00:35:03,066 --> 00:35:06,066
OR IF HE'S BEING SARCASTIC
OR IF HE'S BEING SERIOUS.
854
00:35:07,767 --> 00:35:09,600
- KATHRYN TOLD ME YOU WERE
TRYING TO HOOK--
855
00:35:09,600 --> 00:35:10,734
HOOK UP WITH HER YOURSELF.
856
00:35:10,734 --> 00:35:13,500
- I DID NOT--
THAT'S ABSOLUTE [bleep].
857
00:35:13,500 --> 00:35:15,500
I DID NOT--
I DID NOT BANG YOUR FRIEND.
858
00:35:15,500 --> 00:35:18,166
- YOU TRIED TO.
DID YOU NOT?
859
00:35:18,166 --> 00:35:20,133
- SHE'S SAYING THAT?
THAT'S [bleep] CRAZY.
860
00:35:20,133 --> 00:35:22,633
- I THINK THAT WHITNEY CLEARLY
TRIED TO SLEEP WITH HER.
861
00:35:22,633 --> 00:35:24,433
HE TRIES TO SLEEP WITH
EVERYBODY.
862
00:35:24,433 --> 00:35:26,300
AND SHE REJECTED HIS ADVANCES.
863
00:35:26,300 --> 00:35:28,300
SO AT THIS MOMENT,
I BELIEVE HER.
864
00:35:28,300 --> 00:35:30,100
COME ON, COME CLEAN.
865
00:35:30,100 --> 00:35:31,467
WELL, SHE'LL BE HERE
IN A SECOND.
866
00:35:31,467 --> 00:35:32,767
- OKAY, PLEASE.
867
00:35:32,767 --> 00:35:35,066
I'LL WELCOME ANY DISCUSSION
ABOUT THAT.
868
00:35:39,300 --> 00:35:41,567
- SO WHAT DID YOU GUYS FIND OUT?
- NOTHING MUCH.
869
00:35:49,166 --> 00:35:52,000
- AND HE HAS NO IDEA.
I MEAN, IT SUCKS.
870
00:35:52,000 --> 00:35:53,266
HE GOT PLAYED.
871
00:35:53,266 --> 00:35:55,066
THAT'S--HE GOT PLAYED.
- YEAH.
872
00:35:55,066 --> 00:35:57,300
- I MEAN, THOMAS MIGHT
FALL FOR KATHRYN,
873
00:35:57,300 --> 00:35:59,367
BUT I DON'T THINK
SHE'S FALLING FOR HIM.
874
00:35:59,367 --> 00:36:01,166
I THINK SHE'S GOT SOME
HIDDEN AGENDA,
875
00:36:01,166 --> 00:36:03,600
AND THE FACT THAT THEY BOTH
DIDN'T RUN AWAY FROM EACH OTHER
876
00:36:03,600 --> 00:36:05,000
AFTER A PREGNANCY SCARE,
877
00:36:05,000 --> 00:36:06,667
I MEAN, THE WHOLE THING
IS JUST SUPER WEIRD.
878
00:36:06,667 --> 00:36:09,400
HE DOESN'T GET THAT PEOPLE
ARE ALL MAKING FUN OF HIM.
879
00:36:09,400 --> 00:36:11,133
- I FEEL LIKE SOMEONE
NEEDS TO HAVE, LIKE,
880
00:36:11,133 --> 00:36:12,667
A SERIOUS, LIKE,
INTERVENTION WITH HIM.
881
00:36:12,667 --> 00:36:14,333
- BUT DO YOU THINK IT WOULD--
IT WOULD--
882
00:36:14,333 --> 00:36:17,166
I DON'T THINK--
I DON'T KNOW IF HE WOULD GET IT.
883
00:36:19,400 --> 00:36:23,100
- THANK YOU VERY MUCH.
884
00:36:23,100 --> 00:36:25,567
- SORRY.
I APOLOGIZE.
885
00:36:25,567 --> 00:36:27,333
- WHAT?
886
00:36:27,333 --> 00:36:28,600
- THANK YOU.
887
00:36:33,567 --> 00:36:35,533
- HE DENIED IT?
- HE DENIED IT, YEAH.
888
00:36:35,533 --> 00:36:38,433
- DO YOU REALLY WANT TO CHECK
MY PHONE RECORD THEN?
889
00:36:38,433 --> 00:36:39,700
- NO, I DON'T WANT
TO CHECK IT.
890
00:36:39,700 --> 00:36:43,033
HEY, WHITNEY,
THERE'S A DISPUTE GOING ON HERE.
891
00:36:43,033 --> 00:36:46,300
YOU SAID YOU DID NOT
INVITE HER OVER--
892
00:36:46,300 --> 00:36:50,033
- YOU PERSONALLY CALLED ME
AND SAID, "HI, COME HERE."
893
00:36:50,033 --> 00:36:52,300
I SAID, "OKAY, I'LL BE THERE
AT 12:30."
894
00:36:52,300 --> 00:36:55,033
- AT 12:30?
- 12:30 AT NIGHT.
895
00:36:55,033 --> 00:36:57,100
- RIGHT.
896
00:36:57,100 --> 00:36:59,767
- WELL, THE ASSUMPTION
THAT HE IMPARTED WAS THAT--
897
00:36:59,767 --> 00:37:02,700
CALLED OVER
AND I WAS HITTING ON YOU
898
00:37:02,700 --> 00:37:04,600
AND THAT WE HOOKED UP
OR SOMETHING.
899
00:37:04,600 --> 00:37:06,433
IS THAT TRUE, OR NOT?
- NO, NO--
900
00:37:06,433 --> 00:37:07,734
- NO, YOU WEREN'T HITTING ON ME.
901
00:37:07,734 --> 00:37:10,033
YOU JUST INVITED ME OVER
TO TALK ABOUT POLITICS.
902
00:37:10,033 --> 00:37:12,500
- YES.
903
00:37:12,500 --> 00:37:14,467
- SHE SAID THAT YOU HAD MADE
A MOVE ON HER, THOUGH.
904
00:37:17,266 --> 00:37:20,066
- NO, NO, NO, NO, NO.
905
00:37:20,066 --> 00:37:21,467
OH, COME ON.
906
00:37:21,467 --> 00:37:24,033
I WENT TO HIS PLACE,
WHATEVER...
907
00:37:24,033 --> 00:37:25,233
- WHERE, UP TO HIS BEDROOM?
908
00:37:25,233 --> 00:37:26,367
- YES.
909
00:37:26,367 --> 00:37:28,367
- DID YOU KISS HIM?
- FOR A MOMENT.
910
00:37:28,367 --> 00:37:30,367
- HE WAS CLEARLY MAKING
THE MOVES ON YOU, THOUGH.
911
00:37:30,367 --> 00:37:33,533
- OH, YEAH.
NO DOUBT ABOUT THAT.
912
00:37:35,166 --> 00:37:37,700
- I'M A LITTLE ANNOYED THAT
KATHRYN HAS CHANGED HER STORY,
913
00:37:37,700 --> 00:37:39,467
BUT I GUESS I CAN'T BLAME HER
914
00:37:39,467 --> 00:37:41,567
FOR TRYING TO DIFFUSE
THE SITUATION.
915
00:37:41,567 --> 00:37:44,000
- YOU JUST ASKED ME TO COME OVER
TO TALK ABOUT POLITICS,
916
00:37:44,000 --> 00:37:46,166
AND THAT'S WHAT I DID,
AND WE TALKED ABOUT POLITICS.
917
00:37:46,166 --> 00:37:48,033
- I'M GONNA EXCUSE MYSELF
REAL QUICK.
918
00:37:48,033 --> 00:37:49,333
- WHY?
- I JUST--
919
00:37:49,333 --> 00:37:52,200
- OH, REALLY--
'CAUSE YOU'RE WRONG, [bleep]?
920
00:37:55,066 --> 00:37:57,266
- I'LL BE RIGHT--
I'LL BE RIGHT BACK.
921
00:38:05,633 --> 00:38:07,100
- IS EVERYTHING ALL RIGHT?
922
00:38:09,500 --> 00:38:11,300
I HAVEN'T HEARD ABOUT
YOUR NEW GIRL.
923
00:38:11,300 --> 00:38:13,300
- YEAH, WELL...
924
00:38:18,600 --> 00:38:20,066
- YES, I KNOW.
925
00:38:20,066 --> 00:38:22,333
- ANYWAY...
926
00:38:22,333 --> 00:38:23,333
COME HERE.
927
00:38:23,333 --> 00:38:24,500
- NO, NO--
928
00:38:24,500 --> 00:38:25,767
- WHY NOT?
929
00:38:25,767 --> 00:38:27,300
- STOP.
930
00:38:27,300 --> 00:38:28,767
- COME HERE.
931
00:38:39,033 --> 00:38:40,400
- I'M NOT.
932
00:38:46,133 --> 00:38:48,300
- YOU INSINUATED I WAS, LIKE,
HITTING ON YOU [bleep].
933
00:38:48,300 --> 00:38:50,000
- AND I HAVE MADE IT CLEAR--
DID I NOT?
934
00:38:50,000 --> 00:38:52,333
- MAKE IT CLEARER, PLEASE.
- I WILL.
935
00:39:04,266 --> 00:39:06,667
- WHITNEY...
936
00:39:06,667 --> 00:39:10,133
I'VE BEEN THINKING ABOUT
WHAT YOU SAID EARLIER.
937
00:39:10,133 --> 00:39:13,066
I DON'T WANT TO OFFEND
THE LADIES HERE,
938
00:39:13,066 --> 00:39:15,066
BUT I'VE HAD A MOMENT
TO REFLECT,
939
00:39:15,066 --> 00:39:17,500
AND I THINK THAT, UM,
940
00:39:17,500 --> 00:39:19,400
WE SHOULD STEP OUTSIDE,
941
00:39:19,400 --> 00:39:22,166
AND I WANT TO TELL YOU
WHAT I'M NOW THINKING.
942
00:39:27,567 --> 00:39:28,700
- COMING UP...
943
00:39:28,700 --> 00:39:30,300
- AND HERE I AM WITH MY LADY,
944
00:39:30,300 --> 00:39:32,166
WHOM YOU TRIED TO, YOU KNOW,
MAKE THE MOVE ON.
945
00:39:32,166 --> 00:39:33,700
- DIDN'T MAKE THE [bleep] MOVE
ON YOUR [bleep] LADY,
946
00:39:33,700 --> 00:39:34,734
SO [bleep] YOU.
947
00:39:34,734 --> 00:39:36,100
I'M A WRESTLER.
948
00:39:36,100 --> 00:39:38,100
I'LL PUT YOU ON THE ASPHALT
RIGHT NOW.
949
00:39:44,066 --> 00:39:47,300
I THINK THAT, UM,
WE SHOULD STEP OUTSIDE,
950
00:39:47,300 --> 00:39:50,300
AND I WANT TO TELL YOU
WHAT I'M NOW THINKING.
951
00:39:50,300 --> 00:39:51,767
- WE'RE AT THE HEAD TABLE.
952
00:39:51,767 --> 00:39:53,567
- WELL--
- WE NEED TO MIND OURSELVES.
953
00:39:53,567 --> 00:39:55,166
- WE'RE GONNA JUST TAKE
A SECOND.
954
00:39:55,166 --> 00:39:57,200
LET'S JUST--
LET'S JUST DO THIS REAL--
955
00:39:57,200 --> 00:39:58,700
WE'LL BE RIGHT BACK.
956
00:39:58,700 --> 00:40:01,500
- IF YOU GUYS DON'T MIND,
MAKE SURE IT'S IN PRIVATE,
957
00:40:01,500 --> 00:40:03,200
AND NOT OUT FRONT.
958
00:40:03,200 --> 00:40:05,533
- YEAH, OKAY,
WE'LL GO ON THE SIDE DOOR.
959
00:40:11,600 --> 00:40:13,600
- SO--SO WHAT'S ON YOUR MIND?
960
00:40:13,600 --> 00:40:15,567
- YOU'VE BEEN COMING AT ME
A LOT LATELY,
961
00:40:15,567 --> 00:40:17,300
AND HERE I AM WITH MY LADY,
962
00:40:17,300 --> 00:40:19,133
WHOM YOU TRIED TO, YOU KNOW,
MAKE THE MOVE ON.
963
00:40:19,133 --> 00:40:21,200
- DIDN'T MAKE THE [bleep] MOVE
ON YOUR [bleep] LADY,
964
00:40:21,200 --> 00:40:22,333
SO [bleep] YOU.
965
00:40:22,333 --> 00:40:24,133
- LOOK, WE ARE FRIENDS.
LIGHTEN UP THE TONE.
966
00:40:24,133 --> 00:40:25,734
- YOU'RE ACCUSING ME OF
SOMETHING WHICH IS--
967
00:40:25,734 --> 00:40:27,367
- I MEAN, IF YOU WANT TO SET UP
THE TONE--
968
00:40:27,367 --> 00:40:28,500
- IT'S CLEARLY WRONG.
969
00:40:28,500 --> 00:40:30,066
- YOU'RE A LOT SMALLER FRAME
THAN ME.
970
00:40:30,066 --> 00:40:31,066
I'M A WRESTLER.
971
00:40:31,066 --> 00:40:32,400
I WILL PUT YOU DOWN
IN TWO SECONDS.
972
00:40:32,400 --> 00:40:34,000
I'LL PUT YOU ON THE ASPHALT
RIGHT NOW.
973
00:40:34,000 --> 00:40:35,467
- PLEASE DO IT.
974
00:40:35,467 --> 00:40:38,033
I'LL JUST CALL THE POLICE AND
I'LL CHARGE YOU WITH ASSAULT.
975
00:40:38,033 --> 00:40:40,066
I'VE NEVER SEEN THOMAS
THIS WORKED UP BEFORE.
976
00:40:40,066 --> 00:40:42,467
ANYWAY, GO AHEAD--
WELL, WHAT'S YOUR CONCERN?
977
00:40:42,467 --> 00:40:44,200
- WELL, COME AT ME
WITH THIS COMMENT,
978
00:40:44,200 --> 00:40:45,767
I CAN'T GET FOUR PEOPLE
TO MY HOUSE.
979
00:40:45,767 --> 00:40:47,767
YOU KNOW, YOU KIND OF HIT
BELOW THE BELT THERE,
980
00:40:47,767 --> 00:40:49,633
BECAUSE I HAVE GONE THROUGH
A LITTLE PUBLIC--
981
00:40:49,633 --> 00:40:51,100
- DID I NOT APOLOGIZE?
982
00:40:51,100 --> 00:40:53,367
IT WAS SUPPOSED TO BE
GOOD-NATURED RIBBING,
983
00:40:53,367 --> 00:40:56,467
AND I TOOK IT PERHAPS
A BIT TOO FAR, AND I APOLOGIZE.
984
00:40:59,467 --> 00:41:01,633
YOU'RE THE ONE THAT NEEDS
TO HEAR IT THE MOST.
985
00:41:03,633 --> 00:41:06,300
RIGHT NOW I DON'T KNOW
WHO TO BELIEVE.
986
00:41:06,300 --> 00:41:08,000
YOU KNOW,
I WANT TO BELIEVE KATHRYN,
987
00:41:08,000 --> 00:41:09,033
BUT I DON'T HAVE ANY PROOF.
988
00:41:09,033 --> 00:41:10,500
I DON'T HAVE PICTURES.
989
00:41:10,500 --> 00:41:14,367
SO I'M JUST GONNA LET IT GO
FOR NOW AND HAVE A GOOD TIME.
990
00:41:22,467 --> 00:41:25,467
- THERE'S ONE THING
THAT I ALWAYS--
991
00:41:25,467 --> 00:41:28,500
I WANT TO SEE HAPPEN
AT THE END OF A NIGHT.
992
00:41:28,500 --> 00:41:32,400
AND I PARDON FOR MY GREATEST
IMPATIENCE OF ALL,
993
00:41:32,400 --> 00:41:35,533
BUT I DO LOVE TO DANCE.
994
00:41:35,533 --> 00:41:38,533
[upbeat jazz music]
995
00:41:38,533 --> 00:41:46,533
♪ ♪
996
00:42:16,367 --> 00:42:17,734
- OH!
997
00:42:24,300 --> 00:42:26,100
- NEXT TIME ON SOUTHERN CHARM...
998
00:42:26,100 --> 00:42:29,066
- LISTEN, I WANT TO INVITE
YOU TO DINNER, AND...
999
00:42:34,734 --> 00:42:39,133
- IF ANYTHING, THIS WILL BE
HIGHLY ENTERTAINING.
1000
00:42:39,133 --> 00:42:41,700
- DUDE, WE COULD REALLY USE
YOUR HELP WITH THIS RESTAURANT.
1001
00:42:41,700 --> 00:42:45,467
- I WOULD BE AFRAID TO DO
A HOT DOG STAND WITH SHEP.
1002
00:42:45,467 --> 00:42:47,467
- SLEEPING WITH THREE PEOPLE
AT THIS TABLE
1003
00:42:47,467 --> 00:42:49,767
IN THE COURSE OF THREE WEEKS
ISN'T CLASSY.
1004
00:42:49,767 --> 00:42:52,033
- OH, REALLY, THREE PEOPLE?
NAME THEM.
1005
00:42:52,033 --> 00:42:54,734
- I DON'T NEED TO.
- THAT'S DISGUSTING.
1006
00:42:54,734 --> 00:42:56,166
- YOU SAID IT.
1007
00:42:56,166 --> 00:42:57,734
- GO AWAY,
AND YOU'RE NEVER INVITED AGAIN.
1008
00:42:57,734 --> 00:43:00,400
- IT'S NOT YOUR HOUSE.
- STOP TALKING!
1009
00:43:00,400 --> 00:43:03,066
- OH, MY GOD.
GIRLS ARE INSANE.
1010
00:43:03,066 --> 00:43:05,633
- YOU'RE [bleep] INSANE!
73498
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