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1
00:00:03,037 --> 00:00:05,206
NOT EVEN A WORD,
JUST A...
2
00:00:05,273 --> 00:00:06,674
LIKE I'M HER CABANA BOY.
3
00:00:06,740 --> 00:00:09,510
NEXT THING YOU KNOW, INSTEAD
OF WALKING OUT OF THE ROOM,
4
00:00:09,577 --> 00:00:11,445
SHE'LL MAKE ME BOW
AND BACK OUT.
5
00:00:11,512 --> 00:00:13,881
IMPERIOUS ATTITUDE.
SHE NEVER GIVES IT A REST.
6
00:00:13,947 --> 00:00:17,485
I SCHLEPPED HER TO THE DOCTOR
THE OTHER DAY --
BY COMMAND, NOT REQUEST --
7
00:00:17,551 --> 00:00:20,954
AND THE ELEVATOR OPERATOR THERE
GREETED US NICE AND FRIENDLY.
8
00:00:21,021 --> 00:00:22,623
HER DOCTOR'S
ON THE SECOND FLOOR,
9
00:00:22,690 --> 00:00:26,527
AND BY THE TIME WE GOT THERE,
THAT OPERATOR WAS IN TEARS.
10
00:00:27,695 --> 00:00:29,830
WHEW!
WHAT?
11
00:00:29,897 --> 00:00:32,466
WELL, MOM, YOU JUST DID
20 STRAIGHT MINUTES ON GRAN.
12
00:00:32,533 --> 00:00:34,535
IT WASN'T 20 MINUTES.
IT WAS GETTING THERE.
13
00:00:34,602 --> 00:00:37,405
HOW ABOUT A MORATORIUM
ON THE GRAN STORIES FOR A BIT?
14
00:00:37,471 --> 00:00:40,241
FINE. I'D RATHER NOT SPOIL
THE MEAL WITH TALK OF HER.
15
00:00:40,308 --> 00:00:42,810
GOOD.
I SHOULD JUST WASH MY HANDS.
16
00:00:42,876 --> 00:00:45,012
OKAY.
WE'LL WAIT.
17
00:00:45,079 --> 00:00:47,615
I MEAN, OF HER.
OH, GOOD. WASH THOSE HANDS.
18
00:00:47,681 --> 00:00:49,817
SHE SUCKS HER OLIVE PITS...
SHORT MORATORIUM.
19
00:00:49,883 --> 00:00:52,986
TRYING TO EXTRACT EVERY LAST
OUNCE OF FLAVOR OUT OF THEM,
20
00:00:53,053 --> 00:00:54,155
LIKE SHE DOES PEOPLE.
21
00:00:54,222 --> 00:00:55,656
SHE SUCKS FLAVOR
OUT OF PEOPLE?
22
00:00:55,723 --> 00:00:58,259
CAN WE
CHANGE THE SUBJECT?
LIFE, NOT FLAVOR.
23
00:00:58,326 --> 00:01:00,261
HEY, YOU KNOW WHAT
GRAN NEEDS?
WHAT?
24
00:01:00,328 --> 00:01:02,196
A FELLA.
WITH OR WITHOUT
AN UMBRELLA.
25
00:01:02,263 --> 00:01:05,866
HE'D HAVE TO LOOK
LIKE AN OLIVE PIT.
IT'S LIKE A DEAN MARTIN ROAST.
26
00:01:05,933 --> 00:01:07,901
THOSE ARE NEVER
FUNNY TO ME.
THEY'RE MEAN.
27
00:01:07,968 --> 00:01:10,471
EXCEPT FOR DON RICKLES.
TOTALLY EXCEPT FOR RICKLES.
28
00:01:10,538 --> 00:01:14,808
I THINK SHE HAD A MAN
FOR A TIME SQUIRING HER AROUND
TO HER BIDDY AFFAIRS.
29
00:01:14,875 --> 00:01:18,346
RICHARD THOUGHT SO, TOO.
IT HORRIFIED HIM.
DIDN'T WANT A NEW DADDY, HUH?
30
00:01:18,412 --> 00:01:20,414
THEN HE SEEMED SUDDENLY
OUT OF THE PICTURE.
31
00:01:20,481 --> 00:01:22,516
SO GREAT-GRANDMA NEVER
TALKED ABOUT HIM?
NEVER.
32
00:01:22,583 --> 00:01:25,819
EVEN THOUGH I COULD TELL
PRACTICALLY THE DAY
SHE STOPPED SEEING HIM.
33
00:01:25,886 --> 00:01:27,888
THOSE KINDS OF THINGS
ARE ALWAYS OBVIOUS.
34
00:01:27,955 --> 00:01:31,159
YEAH, I GUESS.
WHEN A COUPLE IS IN
A RELATIONSHIP,
35
00:01:31,225 --> 00:01:32,326
AND THEN SUDDENLY ISN'T.
36
00:01:32,393 --> 00:01:34,128
RIGHT.
RIGHT.
37
00:01:35,796 --> 00:01:37,665
IS SHE STILL LOOKING?
38
00:01:37,731 --> 00:01:39,500
YEP.
RIGHT.
39
00:01:39,567 --> 00:01:42,370
UM, YOU KNOW, GRANDMA,
DID I MENTION THAT,
40
00:01:42,436 --> 00:01:44,238
UNFORTUNATELY,
I'M NOT WITH DEAN ANYMORE?
41
00:01:44,305 --> 00:01:46,407
NO, YOU DIDN'T.
WELL, I'M NOT.
42
00:01:46,474 --> 00:01:48,676
WELL, YES, I'VE KNOWN
FOR WEEKS, ACTUALLY,
43
00:01:48,742 --> 00:01:51,312
BUT IT'S GOOD THAT
YOU CONFIRMED IT.
HOW DID YOU KNOW?
44
00:01:51,379 --> 00:01:55,416
YOU ABRUPTLY STOPPED MENTIONING
HIM 11 DINNERS AGO, SO I FIGURED
THAT WAS THE CASE.
45
00:01:55,483 --> 00:01:57,117
11 DINNERS?
YOU KEPT COUNT?
46
00:01:57,185 --> 00:01:58,386
11.
11.
47
00:01:58,452 --> 00:02:00,321
I'M SORRY I DIDN'T
TELL YOU, GRANDMA.
48
00:02:00,388 --> 00:02:01,722
I THINK YOU SHOULD HAVE.
49
00:02:01,789 --> 00:02:03,957
WHAT IF I HAD INVITED DEAN
TO AN EVENT,
50
00:02:04,024 --> 00:02:07,861
AND YOU WERE NO LONGER WITH HIM,
IT WOULD'VE BEEN EMBARRASSING.
51
00:02:07,928 --> 00:02:10,331
WHAT KINDA EVENT
WOULD YOU HAVE INVITED DEAN TO?
52
00:02:10,398 --> 00:02:12,400
I DON'T KNOW. A WEDDING.
FOR WHO?
53
00:02:12,466 --> 00:02:13,867
A MUTUAL FRIEND OR SOMETHING.
54
00:02:13,934 --> 00:02:16,870
YOU AND DEAN HAVE MUTUAL FRIENDS
IN COMMON THAT WE DON'T?
55
00:02:16,937 --> 00:02:20,541
WHO WOULD THAT BE?
THE TALBOTTS, OR THAT SENIOR
PARTNER AT DELOITTE AND TOUCHE?
56
00:02:20,608 --> 00:02:23,611
YOU KNOW WHAT I MEANT. IT'S
ALWAYS BEST TO TELL EACH OTHER
57
00:02:23,677 --> 00:02:25,979
MAJOR LIFE EVENTS SO THAT
THERE'S NO AWKWARDNESS.
58
00:02:26,046 --> 00:02:29,783
WELL, GRANDMA, I PROBABLY ALSO
FAILED TO MENTION THAT
I'M SEEING SOMEONE ELSE.
59
00:02:29,850 --> 00:02:31,252
WHO?
JESS.
60
00:02:31,319 --> 00:02:34,655
JESS.
LUKE'S NEPHEW.
LUKE FROM THE DINER.
61
00:02:34,722 --> 00:02:36,224
OH.
62
00:02:36,290 --> 00:02:37,925
I SEE.
63
00:02:37,991 --> 00:02:41,229
AM I GOING TO
GET TO MEET HIM SOON?
OH, I DON'T KNOW.
64
00:02:41,295 --> 00:02:44,298
YEAH, THAT MIGHT BE
HARD TO ARRANGE.
HOW HARD CAN IT BE?
65
00:02:44,365 --> 00:02:47,134
BRING HIM OVER
FOR DINNER SOMETIME.
HOW ABOUT NEXT FRIDAY?
66
00:02:47,201 --> 00:02:48,469
OH, I DON'T KNOW.
67
00:02:48,536 --> 00:02:50,871
YEAH, MOM, THAT MIGHT BE
HARD TO ARRANGE.
68
00:02:50,938 --> 00:02:53,741
IT'S PERFECT TIMING. RICHARD
WILL STILL BE OUT OF TOWN,
69
00:02:53,807 --> 00:02:56,577
IT'LL BE NICE TO ROUND
OFF THE GROUP WITH A FOURTH.
70
00:02:56,644 --> 00:02:59,213
HE WORKS FRIDAYS, DOESN'T HE?
YEAH, THAT'S HIS USUAL NIGHT.
71
00:02:59,280 --> 00:03:00,548
IT'S A BAD NIGHT.
72
00:03:00,614 --> 00:03:02,115
OH. OKAY.
73
00:03:02,182 --> 00:03:05,219
I SUPPOSE I'LL EVENTUALLY MEET
HIM SOMEDAY AT SOME FUNCTION.
74
00:03:05,286 --> 00:03:08,756
PERHAPS A WEDDING.
OR RORY'S GRADUATION.
75
00:03:08,822 --> 00:03:10,090
THAT'S GOOD.
76
00:03:10,157 --> 00:03:12,393
THAT WAY, WE'LL ALL GET
TO MEET HIM --
77
00:03:12,460 --> 00:03:14,728
MYSELF, RICHARD, GRAN.
78
00:03:14,795 --> 00:03:17,365
MAYBE I'LL BRING
THE GIRLS FROM THE D.A.R.
79
00:03:17,431 --> 00:03:19,433
REVEREND MAHONEY
MIGHT LIKE TO COME ALSO.
80
00:03:19,500 --> 00:03:24,104
YOU KNOW WHAT, GRANDMA.
NOW THAT I THINK ABOUT IT, JESS
DOES HAVE NEXT FRIDAY NIGHT OFF.
81
00:03:24,171 --> 00:03:26,507
REALLY?
LET'S MAKE IT A FOURSOME.
82
00:03:26,574 --> 00:03:28,842
THAT'LL BE NICE.
YEAH, IT WILL BE NICE,
83
00:03:28,909 --> 00:03:31,279
RIGHT, GRANDMA?
VERY NICE. WE'LL HAVE LAMB.
84
00:03:31,345 --> 00:03:33,447
SO, IT'LL BE NICE
FOR EVERYBODY?
85
00:03:33,514 --> 00:03:36,183
EVERYBODY WILL BE NICE
TO EVERYBODY,
86
00:03:36,250 --> 00:03:37,318
KEYWORD BEING "NICE"?
87
00:03:37,385 --> 00:03:38,852
YES, VERY NICE.
88
00:03:38,919 --> 00:03:40,354
REALLY, REALLY NICE?
89
00:03:40,421 --> 00:03:42,523
OF COURSE.
THAT'S WHAT I JUST SAID.
90
00:03:42,590 --> 00:03:44,525
GOOD. NICE WILL BE NICE.
91
00:03:44,592 --> 00:03:46,327
AND A NICE NIGHT IT'LL BE.
92
00:03:46,394 --> 00:03:48,596
WELL, NOT SO NICE FOR THE LAMB.
93
00:03:50,898 --> 00:03:54,602
* IF YOU'RE OUT
ON THE ROAD *
94
00:03:54,668 --> 00:03:59,540
* FEELIN' LONELY
AND SO COLD *
95
00:03:59,607 --> 00:04:03,477
* ALL YOU HAVE TO DO
IS CALL MY NAME *
96
00:04:03,544 --> 00:04:07,781
* AND I'LL BE THERE
ON THE NEXT TRAIN *
97
00:04:07,848 --> 00:04:12,520
* WHERE YOU LEAD,
I WILL FOLLOW *
98
00:04:12,586 --> 00:04:16,890
* ANYWHERE THAT YOU TELL ME TO *
99
00:04:16,957 --> 00:04:18,759
* IF YOU NEED *
* IF YOU NEED *
100
00:04:18,826 --> 00:04:21,395
* YOU NEED ME TO BE WITH YOU *
101
00:04:21,462 --> 00:04:23,230
* I WILL FOLLOW *
102
00:04:23,297 --> 00:04:25,433
* OH, OH, OH *
103
00:04:25,499 --> 00:04:30,538
* WHERE YOU LEAD,
I WILL FOLLOW *
104
00:04:30,604 --> 00:04:34,875
* ANY, ANYWHERE
THAT YOU TELL ME TO *
105
00:04:34,942 --> 00:04:36,710
* IF YOU NEED *
* IF YOU NEED *
106
00:04:36,777 --> 00:04:39,547
* YOU NEED ME TO BE WITH YOU *
107
00:04:39,613 --> 00:04:43,651
* I WILL FOLLOW WHERE YOU LEAD *
108
00:04:47,655 --> 00:04:49,390
OKAY. SATURDAY MORNING,
109
00:04:49,457 --> 00:04:51,224
I'VE GOT HAIR APPOINTMENT,
NAILS, AND JIM.
110
00:04:51,291 --> 00:04:52,660
YOU DON'T GO TO THE GYM.
111
00:04:52,726 --> 00:04:55,095
JIM IS COMING HERE
TO FIX THE GARBAGE DISPOSAL.
112
00:04:55,162 --> 00:04:56,263
JIM DUNNING. GOT IT.
113
00:04:56,330 --> 00:04:57,765
I ALSO HAVE
"RESHAPLABASHAM."
114
00:04:57,831 --> 00:04:59,800
WHAT?
I DON'T KNOW.
I CAN'T READ IT.
115
00:04:59,867 --> 00:05:01,402
SHOULDN'T YOU CHANGE
YOUR SYSTEM?
116
00:05:01,469 --> 00:05:03,337
GO ELECTRONIC OR SOMETHING?
YOU'RE A BUSY WOMAN.
117
00:05:03,404 --> 00:05:07,107
UH, HEY, MY SYSTEM WORKS.
TELL THAT TO THE GUY WHO
CALLS TOMORROW BECAUSE
118
00:05:07,174 --> 00:05:08,709
YOU MISSED YOUR
"RESHAPLABASHAM" APPOINTMENT.
119
00:05:08,776 --> 00:05:10,811
I HATE THAT WE HAVE TO
COORDINATE SCHEDULES.
120
00:05:10,878 --> 00:05:12,846
IF WE DON'T WE'LL
NEVER SEE EACH OTHER.
121
00:05:12,913 --> 00:05:15,082
WE NEVER USED TO DO THIS.
WE'RE BUSIER NOW.
122
00:05:15,148 --> 00:05:17,117
LET'S RUN AWAY
AND LEAVE ALL THIS BEHIND.
123
00:05:17,184 --> 00:05:19,553
YOU MEAN OUR HOUSE?
NO, WE'LL TAKE THE HOUSE.
124
00:05:19,620 --> 00:05:21,789
WE'LL LEAVE EVERYTHING ELSE.
PUT IT ON YOUR LIST.
125
00:05:21,855 --> 00:05:24,892
WHAT YOU DOING TOMORROW?
HANGING OUT WITH JESS,
STUDYING AT NIGHT.
126
00:05:24,958 --> 00:05:27,327
COOL. ALEX AND I ARE HAVING
DINNER TOMORROW NIGHT.
127
00:05:27,395 --> 00:05:30,864
THAT'LL MAKE IT NICE AND QUIET
FOR WHEN I STUDY.
I'M THAT LOUD?
128
00:05:30,931 --> 00:05:33,367
YES. WHEN YOU DANCE AROUND
SINGING "RORY'S STUDYING" SONGS.
129
00:05:33,434 --> 00:05:35,235
WHAT'S THIS I HAVE
DOWN FOR SUNDAY?
130
00:05:35,302 --> 00:05:38,271
"LATHE BANG TRAFFICKING"?
"LANE'S BAND PRACTICING."
131
00:05:38,338 --> 00:05:40,140
UNDERNEATH IT --
"NET FRAX"?
132
00:05:40,207 --> 00:05:41,375
"GET SNACKS."
RIGHT!
133
00:05:41,442 --> 00:05:44,044
FOR THE BAND!
SEE, SEE, IT WORKS!
134
00:05:44,111 --> 00:05:47,080
SO, YOU'RE ACTUALLY BRINGING
JESS TO DINNER ON FRIDAY?
135
00:05:47,147 --> 00:05:48,716
IT'S AS GOOD A TIME AS ANY.
136
00:05:48,782 --> 00:05:50,884
THERE'LL ONLY BE ONE GRANDPARENT
TO CONTEND WITH.
137
00:05:50,951 --> 00:05:53,320
THAT WAS SOME STEALTHY LITTLE
MANEUVER SHE PULLED THERE, HUH?
138
00:05:53,387 --> 00:05:56,156
APPLYING THE GUILT OVER NOT
KNOWING ABOUT THE DEAN BREAKUP,
139
00:05:56,223 --> 00:05:57,691
MAKING YOU ALL WEAK.
140
00:05:57,758 --> 00:06:00,961
AND THEN USING THAT TO GET JESS
TO COME TO DINNER ON FRIDAY.
141
00:06:01,028 --> 00:06:03,363
SHE'S LIKE LYNDON JOHNSON
WITH THE SENATE -- EFFORTLESS.
142
00:06:03,431 --> 00:06:05,165
SO, SUNDAY'S FOR US,
RIGHT?
143
00:06:05,232 --> 00:06:08,602
OH, YEAH, YEAH. YEAH.
I HAVE YOU DOWN RIGHT HERE.
144
00:06:08,669 --> 00:06:10,871
"COKIE."
GOOD. HEY, IT'S STILL EARLY.
145
00:06:10,938 --> 00:06:14,542
DO YOU WANNA WATCH
THE EXTRA STUFF
ON THE "LORD OF THE RINGS" DVD?
146
00:06:14,608 --> 00:06:16,777
NO. IT'S JUST DRAWINGS
AND THAT FAT GUY TALKING.
147
00:06:16,844 --> 00:06:20,347
WELL, LET'S WATCH
"FOOTLOOSE" AGAIN.
YEAH.
148
00:06:20,414 --> 00:06:21,782
YOU DROPPED
SOME OF YOUR NOTES.
149
00:06:21,849 --> 00:06:24,518
WHO CARES.
YOU CAN'T READ THEM ANYWAY.
150
00:06:24,585 --> 00:06:26,353
DO YOU LOVE IT?
IT'S GREAT.
151
00:06:26,420 --> 00:06:27,921
"THE HOLY BARBARIANS."
WHAT A TITLE.
152
00:06:27,988 --> 00:06:30,023
AND IT'S BY
A VENICE BEACH BEATNIK
153
00:06:30,090 --> 00:06:32,460
ABOUT VENICE BEACH BEATNIKS,
AND TO TOP IT OFF,
154
00:06:32,526 --> 00:06:34,662
THE BEATNIK IS THE FATHER OF THE
GUY
155
00:06:34,728 --> 00:06:36,797
THAT DOES THOSE "ACTORS STUDIO"
INTERVIEWS ON TV.
156
00:06:36,864 --> 00:06:39,500
THE GUY WITH THE BEARD?
YEAH, THE POINTY BEARD.
157
00:06:39,567 --> 00:06:41,268
THAT'S HIS DAD
WRITING AT HIS DESK.
158
00:06:41,334 --> 00:06:44,438
IT'S WEIRD THAT A BEATNIKY GUY
WOULD HAVE A CONSERVATIVE SON.
159
00:06:44,505 --> 00:06:45,906
MAYBE HE'S
NOT THAT CONSERVATIVE.
160
00:06:45,973 --> 00:06:48,642
MAYBE AT NIGHT HE TAKES OFF
HIS CLOTHES AND PARTIES.
161
00:06:48,709 --> 00:06:50,878
OH, MAN, GET THAT PICTURE
OUT OF MY HEAD.
162
00:06:50,944 --> 00:06:54,281
IT'S A COOL BOOK,
YOU'VE GOT TO ADMIT.
IT IS. THANKS.
163
00:06:54,347 --> 00:06:56,016
I'M NOT LENDING IT.
I'M NOT DONE.
164
00:06:56,083 --> 00:06:58,852
WHY'D YOU SHOW IT?
I LIKE SHOWING YOU
WHAT I'M READING.
165
00:06:58,919 --> 00:07:01,489
YOU KNEW I'D WANNA READ
IT. YOU'RE A BOOK TEASE.
166
00:07:01,555 --> 00:07:04,558
YOU'LL GET IT WHEN I'M DONE.
CRUEL WOMAN.
167
00:07:04,625 --> 00:07:06,226
SO, YOU GOING TO
WORK NOW?
168
00:07:06,293 --> 00:07:07,695
BACK TO THE SALT MINES.
169
00:07:07,761 --> 00:07:09,930
YOU'RE NOT TIED TO
THE HOURS YOU HAVE, RIGHT?
170
00:07:09,997 --> 00:07:12,365
YOU CAN TRADE IF YOU WANT TO?
THERE'S SOME FLEXIBILITY.
171
00:07:12,432 --> 00:07:14,802
YOU GOT ANY FLEXIBILITY
NEXT FRIDAY NIGHT?
YEAH, WHY?
172
00:07:14,868 --> 00:07:17,237
I THOUGHT YOU COULD
COME TO DINNER WITH US.
173
00:07:17,304 --> 00:07:18,739
"US"?
TO MY GRANDMA'S.
174
00:07:18,806 --> 00:07:20,307
TO MEET YOUR GRANDMOTHER.
175
00:07:20,373 --> 00:07:21,742
YEAH, SHE'LL BE THERE,
SO, YEAH,
176
00:07:21,809 --> 00:07:24,377
IT'LL BE RUDE NOT TO
INTRODUCE THE TWO OF YOU.
177
00:07:24,444 --> 00:07:25,679
I CAN'T. I GOTTA WORK.
178
00:07:25,746 --> 00:07:27,715
YOU SAID YOU COULD.
DIDN'T KNOW WHAT FOR.
179
00:07:27,781 --> 00:07:28,882
JESS...
NO.
180
00:07:28,949 --> 00:07:31,585
I ALREADY KIND OF AGREED.
OH, MAN.
181
00:07:31,652 --> 00:07:34,054
SO I'M JAMMED.
DOES SHE KNOW WHAT I LOOK LIKE?
182
00:07:34,121 --> 00:07:36,924
I DON'T THINK SO.
PERFECT. FIND SOMEONE WHO
VAGUELY RESEMBLES ME,
183
00:07:36,990 --> 00:07:39,527
JUST DON'T KISS HIM GOODNIGHT.
THAT'S NOT GONNA WORK.
184
00:07:39,593 --> 00:07:41,662
ANDY WARHOL DID IT
ALL THE TIME.
185
00:07:46,834 --> 00:07:49,469
WE'RE JUST FIVE BUCKS
AWAY FROM A DEAL.
186
00:07:52,673 --> 00:07:54,007
THAT'S WORTH FIVE
AT LEAST.
187
00:07:54,074 --> 00:07:56,844
YOU GILMORES THINK
A LOT OF YOURSELVES.
188
00:07:56,910 --> 00:07:59,379
OKAY.
THANK YOU, THANK YOU,
THANK YOU.
189
00:07:59,446 --> 00:08:01,114
MMM.
190
00:08:01,181 --> 00:08:02,750
MANIPULATOR!
191
00:08:04,017 --> 00:08:05,653
RORY, GET IN HERE.
WHAT?
192
00:08:05,719 --> 00:08:07,354
GET IN HERE NOW.
NO QUESTIONS.
193
00:08:07,420 --> 00:08:08,689
OKAY.
194
00:08:13,661 --> 00:08:16,096
Miss Patty: OKAY, NOW,
FOR THOSE WHO JUST ARRIVED,
195
00:08:16,163 --> 00:08:18,866
I'M TRYING OUT SOME MATERIAL
FOR MY ONE-WOMAN SHOW,
196
00:08:18,932 --> 00:08:20,801
AND I NEED SOME FEEDBACK.
197
00:08:20,868 --> 00:08:24,337
YOU ARE MY RANDOMLY PICKED
AUDIENCE.
198
00:08:24,404 --> 00:08:25,806
RANDOMLY SHANGHAIED.
199
00:08:25,873 --> 00:08:29,009
IT'S PART STORIES,
PART SONGS,
200
00:08:29,076 --> 00:08:31,344
KINDA LIKE WHAT ELAINE STRITCH
DID ON BROADWAY,
201
00:08:31,411 --> 00:08:32,880
BUT WITHOUT THE BITTERNESS.
202
00:08:32,946 --> 00:08:37,417
MY WORKING TITLE --
"BUCKLE UP, I'M PATTY."
203
00:08:37,484 --> 00:08:38,852
HOW LONG HAVE YOU
BEEN HERE?
204
00:08:38,919 --> 00:08:41,321
AN HOUR.
POOR THING.
205
00:08:41,388 --> 00:08:44,424
IT'S BEEN MOSTLY HER AND KIRK
ARGUING ABOUT STUFF.
206
00:08:44,491 --> 00:08:45,993
APPARENTLY,
HE'S THE DIRECTOR.
207
00:08:46,059 --> 00:08:47,928
PATTY, LET'S TRY ONE OF YOUR
REMINISCENCES.
208
00:08:47,995 --> 00:08:49,563
THAT'S WHAT I'M
LOOKING FOR, KIRK.
209
00:08:49,630 --> 00:08:53,100
SORRY I DIDN'T SAVE YOU. DIDN'T
SEE YOU UNTIL IT WAS TOO LATE.
210
00:08:53,166 --> 00:08:55,135
I DON'T THINK ANYBODY
COULD'VE SAVED ME.
211
00:08:55,202 --> 00:08:58,138
OKAY, HERE WE GO. HEY.
212
00:08:58,205 --> 00:09:02,843
DID YOU KNOW THAT I ONCE MET
THE GREAT BETTE DAVIS?
213
00:09:02,910 --> 00:09:07,547
I WAS A CHORUS GIRL IN A BUS AND
TRUCK TOUR OF "GUYS AND DOLLS."
214
00:09:07,615 --> 00:09:10,383
BEANTOWN -- I LOVE THAT TOWN!
215
00:09:10,450 --> 00:09:13,654
AND THERE I WAS, ME AND THE
GIRLS BACKSTAGE AFTER THE SHOW,
216
00:09:13,721 --> 00:09:16,489
AND IN SHE COMES.
217
00:09:16,556 --> 00:09:20,227
AND WHO DOES SHE WALK RIGHT UP
TO BUT LITTLE OLD ME.
218
00:09:21,662 --> 00:09:23,764
AND SHE SIZED ME UP,
219
00:09:23,831 --> 00:09:26,299
EXHALED SOME SMOKE FROM THAT
REGAL MOUTH OF HERS,
220
00:09:26,366 --> 00:09:27,901
AND SAID...
221
00:09:27,968 --> 00:09:29,536
[ Imitating Bette Davis ]
"DOLL...
222
00:09:29,603 --> 00:09:34,007
YOU DON'T GOT THE HIGH NOTES,
BUT YOU SURE GOT THE GAMS."
223
00:09:34,074 --> 00:09:37,010
I'LL ALWAYS TREASURE
THAT MOMENT WITH BETTE,
224
00:09:37,077 --> 00:09:39,446
AND I WANNA DEDICATE
THIS SONG TO HER.
225
00:09:39,512 --> 00:09:40,948
UH, ETHEL, KEY OF "D."
226
00:09:41,014 --> 00:09:43,083
WE'RE GONNA HAVE TO
REWRITE THAT.
WHAT?
227
00:09:43,150 --> 00:09:45,218
IT GOT NO RESPONSE.
IT NEEDS A REWRITE.
228
00:09:45,285 --> 00:09:48,956
KIRK, IT'S MY REMINISCENCE.
I CAN'T REWRITE IT.
229
00:09:49,022 --> 00:09:51,959
HOW ABOUT IF SHE SAYS,
"DOLL, YOU'VE GOT THE GAMS,
230
00:09:52,025 --> 00:09:54,594
BUT I'VE GOT A BODY
IN THE TRUNK OF MY CAR"
231
00:09:54,662 --> 00:09:58,131
WHY WOULD SHE SAY THAT?
BECAUSE SHE'S A MURDERER.
I THINK IT WORKS.
232
00:09:58,198 --> 00:10:00,500
I'M NOT REWRITING
MY MEMORIES, KIRK.
233
00:10:00,567 --> 00:10:02,235
IT DIED.
BUILD A COFFIN FOR IT.
234
00:10:02,302 --> 00:10:04,672
PUT SOME PENNIES ON
ITS EYES,
THAT STIFF AIN'T BREATHING.
235
00:10:04,738 --> 00:10:08,341
I THINK WE SHOULD
DISCUSS THIS LATER.
GO BACK TO YOUR LIGHT BOOTH.
236
00:10:08,408 --> 00:10:10,443
FINE. START THE SONG.
237
00:10:10,510 --> 00:10:13,613
[ INTRODUCTION TO
"ONE FOR MY BABY" PLAYS ]
238
00:10:15,148 --> 00:10:18,952
* IT'S A QUARTER TO 3:00 *
239
00:10:19,019 --> 00:10:23,390
* THERE IS NO ONE IN THE PLACE *
240
00:10:23,456 --> 00:10:25,926
* EXCEPT YOU AND ME *
241
00:10:27,027 --> 00:10:28,561
KIRK, WOULD YOU FIX THIS?!
242
00:10:28,628 --> 00:10:30,831
FIX WHAT?
THIS FLASHING!
243
00:10:30,898 --> 00:10:32,632
THAT'S MY CHOICE
FOR THE SONG.
244
00:10:32,700 --> 00:10:33,901
IT'S DISCO!
245
00:10:33,967 --> 00:10:35,936
I'M TRYING TO SUBVERT
EXPECTATIONS.
246
00:10:36,003 --> 00:10:38,706
WELL, DON'T!
JUST GIVE ME A SIMPLE SPOT!
247
00:10:38,772 --> 00:10:40,540
SOMETHING MORE OBVIOUS.
GOT IT.
248
00:10:40,607 --> 00:10:42,509
THIS IS A HIT.
IT'LL RUN FOR YEARS.
249
00:10:42,575 --> 00:10:45,378
Kirk: SOMETHING ON THE NOSE
AND EXPECTED. GOT IT.
KIRK!
250
00:10:45,445 --> 00:10:48,015
IT WAS NICE OF YOU
TO STEP IN LIKE THAT.
251
00:10:48,081 --> 00:10:50,951
SHE COULD'VE HURT HERSELF TRYING
TO THROW THE PODIUM AT HIM.
252
00:10:51,018 --> 00:10:53,453
I THINK "WORK IN PROGRESS"
IS THE KEY PHRASE.
253
00:10:53,520 --> 00:10:54,922
I LIKE THAT SHE TRIES.
254
00:10:54,988 --> 00:10:56,957
THE WOMAN TAUGHT ME EVERYTHING
I'VE ALREADY FORGOTTEN
255
00:10:57,024 --> 00:10:59,592
ABOUT DANCING, BATON TWIRLING,
AND GYMNASTICS.
256
00:10:59,659 --> 00:11:01,695
WELL, I'M THIS WAY.
I'M THIS WAY.
257
00:11:01,762 --> 00:11:03,196
SEE YOU LATER.
SEE YOU.
258
00:11:03,263 --> 00:11:06,233
YOU KNOW...I KINDA LIKED THE
"BODY IN THE TRUNK" THING.
259
00:11:06,299 --> 00:11:07,667
ME TOO. PEPPIER.
260
00:11:07,735 --> 00:11:09,169
NIGHT.
NIGHT.
261
00:11:09,236 --> 00:11:12,339
...CONSUMER SPENDING
PARTICULARLY IN AN AUTO AREA
262
00:11:12,405 --> 00:11:15,743
IS SLOWING A BIT AND THAT
WILL PROBABLY LEAD TO..
263
00:11:15,809 --> 00:11:17,778
[ CREAKING ]
264
00:11:19,046 --> 00:11:20,380
[ THUD ]
265
00:11:26,186 --> 00:11:26,987
OH! SORRY!
266
00:11:27,054 --> 00:11:28,388
IT'S OKAY.
IT'S OKAY.
267
00:11:28,455 --> 00:11:31,458
I CAN JUST SHUT THE DOOR
SO YOU CAN CARRY ON.
268
00:11:31,524 --> 00:11:32,860
NO, WE'VE CARRIED ON
ENOUGH.
269
00:11:32,926 --> 00:11:35,428
YEAH. I'LL CALL YOU
ABOUT THE WEEKEND.
270
00:11:35,495 --> 00:11:37,297
OKAY, BYE.
BYE, RORY.
271
00:11:37,364 --> 00:11:39,532
GOODNIGHT.
272
00:11:39,599 --> 00:11:40,567
WE NEED A SIGNAL.
273
00:11:40,633 --> 00:11:41,802
A KISSING SIGNAL?
274
00:11:41,869 --> 00:11:43,136
SOMETHING TO AVOID THIS.
275
00:11:43,203 --> 00:11:44,838
HOW ABOUT I SHOOT OFF A FLARE
276
00:11:44,905 --> 00:11:48,108
WHEN I'M OUTSIDE
NECKING WITH A BOY?
YOU KNOW WHAT I MEAN.
277
00:11:48,175 --> 00:11:50,978
OR, I COULD BANG ON THE DOOR
AND YELL, "WE'RE NECKING."
278
00:11:51,044 --> 00:11:53,313
WE STILL NEED A SIGNAL.
WE'LL THINK OF SOMETHING.
279
00:11:53,380 --> 00:11:55,615
HEY, LISTEN, ALEX AND I
WERE TALKING ABOUT
280
00:11:55,682 --> 00:11:57,384
GOING TO NEW YORK
NEXT WEEKEND.
281
00:11:57,450 --> 00:11:58,585
FUN.
YEAH.
282
00:11:58,651 --> 00:12:00,220
HE'S GOT FOUR
TICKETS TO A SHOW,
283
00:12:00,287 --> 00:12:03,456
AND HE WANTS TO INVITE
SOOKIE AND JACKSON TOO.
284
00:12:03,523 --> 00:12:04,925
IS IT, "BUCKLE UP, I'M PATTY?"
285
00:12:04,992 --> 00:12:06,293
HUH?
NOTHING.
286
00:12:06,359 --> 00:12:08,796
WE'D HAVE TO LEAVE
FRIDAY DAY.
SO?
287
00:12:08,862 --> 00:12:12,565
MEANING IT'S JUST YOU
AND JESS ALONE AT DINNER
288
00:12:12,632 --> 00:12:13,867
WITH THE GLORIOUS EMILY.
289
00:12:13,934 --> 00:12:15,635
THAT'S TOTALLY FINE.
ARE YOU SURE?
290
00:12:15,702 --> 00:12:17,570
IT MIGHT EVEN MAKE THINGS
EASIER.
291
00:12:17,637 --> 00:12:18,972
WHAT DOES THAT MEAN?
NOTHING.
292
00:12:19,039 --> 00:12:22,042
JUST IT MIGHT MAKE IT
LESS PRESSURE-PACKED.
293
00:12:22,109 --> 00:12:25,178
SO, I'M LOUD WHEN YOU STUDY AND
MAKE SOCIAL GATHERINGS WORSE?
294
00:12:25,245 --> 00:12:27,014
OUT OF THE GOODNESS
OF YOUR HEART,
295
00:12:27,080 --> 00:12:29,049
YOU'D BE TRYING TO
SHIELD ME ALL NIGHT,
296
00:12:29,116 --> 00:12:31,284
AND THAT MIGHT MAKE THINGS
WORSE. OUT OF LOVE.
297
00:12:31,351 --> 00:12:33,320
I LOVE YOU,
I HOPE YOU KNOW THAT.
298
00:12:33,386 --> 00:12:36,356
OKAY. I THINK I GET IT.
I HAVE THE BEST INTENTIONS.
299
00:12:36,423 --> 00:12:39,059
BINGO.
300
00:12:39,126 --> 00:12:40,360
HELLO?
Jess: Hi.
301
00:12:40,427 --> 00:12:41,895
HEY, HOW WAS WORK?
302
00:12:41,962 --> 00:12:43,596
I TOTED THE BARGE,
LIFTED THE BALE.
303
00:12:43,663 --> 00:12:46,433
YOU'RE A GREAT BARGE TOTER.
I CAN ATTEST TO THAT.
304
00:12:46,499 --> 00:12:47,634
How was your day?
305
00:12:47,700 --> 00:12:48,969
FINE. A LOT OF STUDYING.
306
00:12:49,036 --> 00:12:50,838
OH, YEAH?
IS THAT ALL YOU DID?
307
00:12:50,904 --> 00:12:52,539
Yeah, basically.
BASICALLY?
308
00:12:52,605 --> 00:12:53,706
JESS, WHAT --
309
00:12:53,773 --> 00:12:55,843
I HEARD THAT YOU WERE
WITH DEAN TODAY.
310
00:12:55,909 --> 00:12:58,745
WHERE DID YOU HEAR THAT?
It's all over town.
311
00:12:58,812 --> 00:13:00,413
I WAS WITH HIM
FOR A WHILE,
312
00:13:00,480 --> 00:13:03,083
BUT WHAT DO YOU MEAN?
YOU HAVEN'T SEEN THE FLIERS?
313
00:13:03,150 --> 00:13:05,285
I'VE BEEN HOME ALL NIGHT.
WHAT FLIERS?
314
00:13:05,352 --> 00:13:07,420
IT SAYS,
"PEOPLE ARE ALREADY RAVING
315
00:13:07,487 --> 00:13:10,390
ABOUT MISS PATTY'S
ONE-WOMAN SHOW."
And?
316
00:13:10,457 --> 00:13:11,658
THERE'S SOME BLURBS.
317
00:13:11,724 --> 00:13:14,461
ONE SAYS, "RORY AND DEAN
COULDN'T STOP TALKING ABOUT IT."
318
00:13:14,527 --> 00:13:16,696
WE'RE ON A FLIER?
You and a few others.
319
00:13:16,763 --> 00:13:18,966
THE MAILMAN SAYS,
"EVEN WITHOUT PROPER POSTAGE,
320
00:13:19,032 --> 00:13:20,500
THIS SHOW DELIVERS."
321
00:13:20,567 --> 00:13:23,003
SHE'S MAKING THAT UP,
'CAUSE RALPH'S NOT THAT WITTY.
322
00:13:23,070 --> 00:13:24,838
WERE YOU HANGING OUT
THERE WITH DEAN?
323
00:13:24,905 --> 00:13:26,539
I WAS NOT HANGING OUT
WITH DEAN.
324
00:13:26,606 --> 00:13:29,376
WE WERE HAULED IN THERE
TO WATCH HER TRY OUT MATERIAL
325
00:13:29,442 --> 00:13:31,611
WE WERE SITTING TOGETHER
SO WE TALKED A LITTLE,
326
00:13:31,678 --> 00:13:35,282
THEN WE LEFT AT THE SAME TIME.
THAT WAS IT. IT WAS BY ACCIDENT.
327
00:13:35,348 --> 00:13:37,384
YEAH.
This is an old subject,
Jess.
328
00:13:37,450 --> 00:13:39,619
YOU KNOW THAT
WE'RE FRIENDLY.
I KNOW YOU'RE FRIENDLY
329
00:13:39,686 --> 00:13:41,654
THAT DOESN'T MEAN
I DON'T WANNA PUNCH HIM.
330
00:13:41,721 --> 00:13:44,892
THIS WAS NOT A PLAN.
I WAS KIDNAPPED BY MISS PATTY.
331
00:13:44,958 --> 00:13:46,259
SO WAS HE.
THAT'S IT.
332
00:13:46,326 --> 00:13:48,028
THEN YOU TWO SHOULD
PRESS CHARGES.
333
00:13:48,095 --> 00:13:49,596
I THINK WE SHOULD.
334
00:13:49,662 --> 00:13:51,531
JUST...
WHAT?
335
00:13:51,598 --> 00:13:56,469
TELL ME THESE THINGS FIRST
SO I DON'T HAVE TO READ ABOUT
THEM ON TELEPHONE POLES.
336
00:13:56,536 --> 00:13:57,637
I WILL. I PROMISE.
337
00:13:57,704 --> 00:13:59,472
OKAY.
OKAY.
338
00:13:59,539 --> 00:14:00,440
SO, HOW'S THE SHOW?
339
00:14:00,507 --> 00:14:02,409
IT'S GONNA NEED A LOT
OF POSTAGE.
340
00:14:02,475 --> 00:14:06,013
WHY DOES IT SAY, "NOT IN ANY WAY
AFFILIATED WITH KIRK"?
341
00:14:06,079 --> 00:14:08,548
THEY HAD A SHOWBIZ SPAT.
FILL ME IN.
342
00:14:10,683 --> 00:14:12,119
HELP YOURSELVES TO DRINKS
IN THE FRIDGE.
343
00:14:12,185 --> 00:14:13,720
WE'VE GOT CHIPS, PRETZELS,
AND, BRIAN,
344
00:14:13,786 --> 00:14:16,156
I REMEMBERED YOUR ALLERGIES,
SO HERE'S YOUR MELBA TOAST.
345
00:14:16,223 --> 00:14:18,058
THANKS.
WE GOT A LOT DONE TODAY.
346
00:14:18,125 --> 00:14:20,894
WE'VE ALMOST GOT A FULL SET.
YOU KNOW WHAT WE'RE MISSING?
347
00:14:20,961 --> 00:14:22,229
A STRAIGHT-AHEAD LOVE SONG.
348
00:14:22,295 --> 00:14:24,264
ALL OUR SONGS ARE ABOUT PROPERTY
DESTRUCTION
349
00:14:24,331 --> 00:14:26,099
AND A GENERAL DISLIKE
OF RIGHT-WING CAUSES.
350
00:14:26,166 --> 00:14:27,567
NOT ONE LOVE SONG, HUH?
351
00:14:27,634 --> 00:14:29,636
I THINK WE COULD ADD ONE OR TWO.
352
00:14:29,702 --> 00:14:33,506
YOU'D THINK LOVE SONGS ARE ALL
YOU AND LANE WOULD WANNA PLAY.
[ POTATO CHIP CRUNCHES ]
353
00:14:33,573 --> 00:14:37,710
MAN! THIS CRUNCH JUST NOW
SOUNDED LIKE THE DRUM FILL
IN "BABA O'RILEY."
354
00:14:37,777 --> 00:14:41,348
COOL. WAY TO GO, ZACK.
YEAH, ZACK, A MUSICAL MOUTH.
THAT'S AWESOME.
355
00:14:41,414 --> 00:14:44,484
BUT WHY WOULD DAVE AND LANE
WANNA PLAY JUST LOVE SONGS?
356
00:14:44,551 --> 00:14:46,853
BECAUSE, I WAS JUST THINKING,
YOU KNOW,
357
00:14:46,920 --> 00:14:48,488
WITH DAVE'S NAME -- DAVE --
358
00:14:48,555 --> 00:14:51,124
YOU'VE GOT THE LAST TWO LETTERS
IN "LOVE" -- "V," "E."
359
00:14:51,191 --> 00:14:52,759
WITH LANE'S NAME --
YOU HAVE THE "L,"
360
00:14:52,825 --> 00:14:56,029
THEN YOU DUMP THE "ANE"
AND ADD AN "O." THERE YOU GO.
361
00:14:56,096 --> 00:14:57,730
MAKES SENSE.
TOTALLY.
362
00:14:57,797 --> 00:15:00,567
LET'S START
BREAKING STUFF DOWN.
I GOTTA GET HOME FOR DINNER.
363
00:15:00,633 --> 00:15:02,402
SOON, YOU WON'T
GO HOME FOR DINNER.
364
00:15:02,469 --> 00:15:04,837
WHAT, I'LL BE DEAD?
NO, WE'LL BE ON TOUR!
365
00:15:04,904 --> 00:15:06,173
RIGHT, RIGHT.
366
00:15:06,239 --> 00:15:08,208
THAT WAS A NEGATIVE
"RIGHT, RIGHT," MAN.
367
00:15:12,212 --> 00:15:15,282
GUYS, I'M SO SORRY.
IT JUST SLIPPED OUT.
THAT'S OKAY.
368
00:15:15,348 --> 00:15:17,817
LUCKILY, ZACK AND BRIAN
ARE, WELL, ZACK AND BRIAN.
369
00:15:17,884 --> 00:15:21,288
HOW LONG WILL YOU
KEEP IT A SECRET?
FOR A WHILE. IT'S EASIER.
370
00:15:21,354 --> 00:15:23,356
YOU SURE IT'D BE BAD
IF THEY KNEW?
371
00:15:23,423 --> 00:15:25,258
KEEPING THIS A SECRET
SEEMS AWFULLY COMPLICATED.
372
00:15:25,325 --> 00:15:26,926
NOT REALLY,
WE'VE GOT A SYSTEM.
373
00:15:26,994 --> 00:15:29,229
SPEAKING OF WHICH...
IT'S 3:18.
374
00:15:29,296 --> 00:15:32,065
WE'LL HAVE THE STUFF PACKED
BY 3:40. WHAT'S THE SITUATION?
375
00:15:32,132 --> 00:15:34,701
AT 3:40, MY MOM WILL GO
TO THE YARN STORE
376
00:15:34,767 --> 00:15:37,337
FOR HER BIMONTHLY "SEWATHON"
WITH LACY SCHWARTZ AND BICK HO.
377
00:15:37,404 --> 00:15:38,705
THE STORE'S ON PEACH?
PLUM.
378
00:15:38,771 --> 00:15:41,341
THAT CUTS US OFF FROM
OUR ROUTE TO THE INTERSTATE.
379
00:15:41,408 --> 00:15:44,411
THERE'S A BACK ROAD. BUT IT'S
GONNA BE MUDDY FROM THE RAINS.
380
00:15:44,477 --> 00:15:46,446
I'LL HAVE THE GUYS
TAKE THE USUAL ROUTE.
381
00:15:46,513 --> 00:15:49,216
I'LL WALK TO PEACH,
DOWN THE ALLEY, OVER THE FENCE,
382
00:15:49,282 --> 00:15:51,651
THEY CAN PICK ME UP
BY THE SHELL STATION.
383
00:15:51,718 --> 00:15:53,453
PERFECT.
384
00:15:54,988 --> 00:15:57,057
UH, THAT'S NOT COMPLICATED.
MM.
385
00:15:57,124 --> 00:16:00,160
SORRY I DOUBTED YOU.
OKAY, THEN.
386
00:16:03,896 --> 00:16:05,265
HEY!
387
00:16:05,332 --> 00:16:06,966
HEY, COFFEE?
PLEASE, AND HURRY.
388
00:16:07,034 --> 00:16:10,237
I'M GOING TO MANHATTAN, AND I
NEED TO SHOP FOR WARM CLOTHES.
389
00:16:10,303 --> 00:16:11,538
YOU ALREADY HAVE
WARM CLOTHES.
390
00:16:11,604 --> 00:16:13,340
I HAVE NOTHING.
WE'RE IN CONNECTICUT.
391
00:16:13,406 --> 00:16:15,375
IT GETS FREEZING HERE,
SAME AS NEW YORK.
392
00:16:15,442 --> 00:16:17,310
IT'S NOT'S THE SAME.
EXACTLY THE SAME.
393
00:16:17,377 --> 00:16:18,811
I HAVE NOTHING STYLISH ENOUGH.
394
00:16:18,878 --> 00:16:20,247
YOU GOT THE BLACK CASHMERE COAT.
395
00:16:20,313 --> 00:16:21,681
IT NEEDS CLEANING.
SO, CLEAN IT.
396
00:16:21,748 --> 00:16:24,217
I NEED SWEATERS, TOO.
YOU'VE GOT THE PURPLE,
397
00:16:24,284 --> 00:16:27,054
THE POWDER BLUE,
THREE SHADES OF RED,
A TON OF BLACK,
398
00:16:27,120 --> 00:16:28,688
WHICH WILL ALL GO
WITH THAT COAT,
399
00:16:28,755 --> 00:16:30,923
YOU'VE GOT A DOZEN SCARVES
TO MIX AND MATCH
400
00:16:30,990 --> 00:16:33,960
WITH ANY OF THOSE TOPS.
LET ME SHOP FOR SOME CLOTHES.
401
00:16:34,027 --> 00:16:36,163
OKAY. WHAT ARE YOU DOING
IN NEW YORK?
402
00:16:36,229 --> 00:16:39,699
UM, A BUNCH OF US ARE GOING.
IT'LL BE DINNER AND A SHOW.
403
00:16:39,766 --> 00:16:41,834
WHAT SHOW?
"LEVITTOWN." IT'S A NEW MUSICAL.
404
00:16:41,901 --> 00:16:44,771
IT'S IN PREVIEWS.
DOESN'T OFFICIALLY OPEN
FOR A COUPLE WEEKS.
405
00:16:44,837 --> 00:16:47,107
WOW, SO INFORMED.
NICOLE LIKES THE THEATER.
406
00:16:47,174 --> 00:16:48,875
HER FIRM HAS
AN OFFICE ON MADISON.
407
00:16:48,941 --> 00:16:51,711
I'VE MET HER THERE
A COUPLE TIMES.
SAW "HAIRSPRAY" LAST WEEK.
408
00:16:51,778 --> 00:16:53,546
I CANNOT PICTURE YOU
WATCHING "HAIRSPRAY."
409
00:16:53,613 --> 00:16:55,082
I LIKED
"THE PRODUCERS" BETTER.
410
00:16:55,148 --> 00:16:56,549
AREN'T YOU JUST
A BROADWAY BABY?
411
00:16:56,616 --> 00:16:58,685
GONNA HAVE TIME TO KILL THERE?
SOME.
412
00:16:58,751 --> 00:17:01,954
I'VE GOT A GREAT BOOK.
IT HAS WALKING TOURS OF
HISTORIC MANHATTAN --
413
00:17:02,021 --> 00:17:04,124
YOU KNOW, BEFORE DISNEY
GOT AHOLD OF IT.
414
00:17:04,191 --> 00:17:07,794
I LOVE STUFF LIKE THAT.
IT'S ON MY DRESSER
IF YOU WANT IT.
415
00:17:07,860 --> 00:17:09,596
COOL! THANKS!
416
00:17:13,433 --> 00:17:14,867
OH! OH!
417
00:17:14,934 --> 00:17:16,369
MOM!
SURPRISE.
418
00:17:16,436 --> 00:17:18,805
WHY ARE YOU HERE?
I'M HERE FOR A BOOK.
419
00:17:18,871 --> 00:17:20,039
A BOOK?
YEAH.
420
00:17:20,107 --> 00:17:21,874
LOT OF BOOKS HERE.
ANYTHING IN PARTICULAR?
421
00:17:21,941 --> 00:17:23,343
IT'S ONE OF LUKE'S.
422
00:17:23,410 --> 00:17:26,012
WELL, THAT NARROWS IT
DOWN A LOT.
423
00:17:26,079 --> 00:17:27,247
WALKING TOURS, NEW YORK.
424
00:17:27,314 --> 00:17:29,149
ON THE TABLE.
425
00:17:29,216 --> 00:17:31,984
GOOD, HERE IT IS.
OKAY. SO...
426
00:17:32,051 --> 00:17:33,052
THANKS. SORRY ABOUT THIS.
427
00:17:33,120 --> 00:17:34,787
IT'S OKAY.
428
00:17:34,854 --> 00:17:37,023
WE SHOULD COME UP
WITH A SYSTEM.
PROBABLY.
429
00:17:37,090 --> 00:17:38,625
DEJA VU, HUH?
DEJA VU.
430
00:17:38,691 --> 00:17:41,461
ALTHOUGH WHY I'D BE WALKING INTO
LUKE'S APARTMENT IN THE FUTURE,
431
00:17:41,528 --> 00:17:43,596
I DON'T KNOW,
SO IGNORE THE SYSTEM.
432
00:17:43,663 --> 00:17:45,031
OKAY.
OKAY.
433
00:17:45,098 --> 00:17:47,066
CARRY ON.
OR, SEE YA.
434
00:17:52,405 --> 00:17:54,341
DUDE.
HEY. FIND IT OKAY?
435
00:17:54,407 --> 00:17:56,008
I FOUND EVERYTHING,
INCLUDING A COUPLE COUPLING.
436
00:17:56,075 --> 00:17:59,279
RORY AND JESS?
NO, BEN AND J. LO.
YES, RORY AND JESS.
437
00:17:59,346 --> 00:18:01,348
GUESS I SHOULD'VE TOLD YOU.
YOU KNEW?
438
00:18:01,414 --> 00:18:03,216
THEY'RE THERE ALL THE TIME.
439
00:18:03,283 --> 00:18:05,685
ON THE COUCH?
HORIZONTAL, ON THE COUCH?
440
00:18:05,752 --> 00:18:07,954
THEY COME UP FOR AIR
EVERY SO OFTEN.
441
00:18:08,020 --> 00:18:09,489
AND YOU JUST ALLOW
THIS?! LUKE!
442
00:18:09,556 --> 00:18:11,358
SETTLE DOWN, I GO
THERE EVERY 10 MINUTES
443
00:18:11,424 --> 00:18:14,827
PRETENDING TO GET SOMETHING
TO KEEP THEM FROM DOING
SOMETHING WE DON'T WANT.
444
00:18:14,894 --> 00:18:18,398
"OOPS, I FORGOT MY POCKETKNIFE."
"OOPS, I'M OUT OF ONES."
445
00:18:18,465 --> 00:18:20,833
"HEY, YOU SEE A CASE
OF MUSTARD UP HERE?"
446
00:18:20,900 --> 00:18:22,535
I PUT THE STUFF IN A BOX.
447
00:18:22,602 --> 00:18:25,438
I TAKE THE BOX UPSTAIRS
EVERY COUPLE DAYS
448
00:18:25,505 --> 00:18:26,973
THEN START ALL OVER
AGAIN.
449
00:18:27,039 --> 00:18:28,508
AND YOU THINK
THAT SUFFICES?
450
00:18:28,575 --> 00:18:31,244
IT'S BETTER THEY'RE SAFE AND
UPSTAIRS THAN SOMEPLACE ELSE,
451
00:18:31,311 --> 00:18:33,880
AND YOU GOING THERE
JUST SAVED ME A TRIP, SO THANKS.
452
00:18:33,946 --> 00:18:37,116
GLAD TO BE OF SERVICE.
IT'S BEEN A GOOD SYSTEM.
IT WORKS.
453
00:18:37,184 --> 00:18:39,652
EVERY 10 MINUTES?
LIKE CLOCKWORK.
NEVER A MINUTE MORE.
454
00:18:39,719 --> 00:18:42,289
EVEN IF YOU'RE SERVING A
CUSTOMER, IT'S EVERY 10 MINUTES?
455
00:18:42,355 --> 00:18:44,524
IF I'M IN MID-POUR,
I STOP AND GO UP.
456
00:18:44,591 --> 00:18:46,293
[ SIGHS ]
10 MINUTES.
457
00:18:46,359 --> 00:18:49,596
YEP, THAT'S PRETTY MUCH THE TIME
IT TOOK TO CREATE RORY,
458
00:18:49,662 --> 00:18:51,097
AND THAT INCLUDED
GETTING DRESSED
459
00:18:51,164 --> 00:18:52,432
AND FRESHENING
MY LIPSTICK.
460
00:18:52,499 --> 00:18:55,468
WHAT?
THANKS FOR THE BOOK.
461
00:18:55,535 --> 00:18:57,704
CAESAR, COVER FOR ME.
Okay.
462
00:18:59,672 --> 00:19:02,309
Lorelai: RORY!
I'M COMING!
463
00:19:02,375 --> 00:19:05,578
TOUTE DE SUITE,
AND I DON'T MEAN THE CANDY!
464
00:19:05,645 --> 00:19:08,548
OKAY, WHAT'S
THE PACKING CRISIS?
465
00:19:08,615 --> 00:19:11,117
THAT'S THE THING.
I HAVE NO PACKING CRISIS.
466
00:19:11,184 --> 00:19:14,387
FOR THE FIRST TIME IN MY LIFE,
THERE IS NO PACKING CRISIS.
467
00:19:14,454 --> 00:19:16,022
THIS HAS NEVER
HAPPENED TO ME BEFORE.
468
00:19:16,088 --> 00:19:18,458
I'M ALL PACKED, READY TO GO,
AND FULLY CONFIDENT
469
00:19:18,525 --> 00:19:20,527
THAT I HAVE EVERYTHING
I'LL NEED OR DESIRE.
470
00:19:20,593 --> 00:19:22,629
SO YOU'RE CREATING A CRISIS
OUT OF NOSTALGIA?
471
00:19:22,695 --> 00:19:25,432
ALEX AND I TALKED ABOUT
EVERYTHING WE PLAN TO DO,
472
00:19:25,498 --> 00:19:28,067
HOW HE EXPECTED TO DRESS,
HOW I EXPECTED TO DRESS,
473
00:19:28,134 --> 00:19:29,569
AND WE COORDINATED
TO THE POINT
474
00:19:29,636 --> 00:19:32,205
WHERE I KNEW EACH PIECE OF
CLOTHING I HAD TO BRING,
475
00:19:32,272 --> 00:19:36,276
DOWN TO THE SPICE GIRLS NECKLACE
I PLAN TO WEAR SATURDAY MORNING.
476
00:19:36,343 --> 00:19:38,077
SO, NOT YOUR JONAS SALK
NECKLACE?
477
00:19:38,144 --> 00:19:41,548
I'M TRYING TO BECOME
A GOOD PLANNER LIKE YOU.
SO, WHAT'S THE PROBLEM?
478
00:19:41,614 --> 00:19:45,017
I HAVE NO IDEA WHAT TO WEAR
ON THE DRIVE! I WANNA LOOK GOOD,
479
00:19:45,084 --> 00:19:47,887
BUT NOT TOO GOOD THAT
IT STEPS ON MY NIGHT OUTFIT,
480
00:19:47,954 --> 00:19:50,723
I ALSO WANNA BE COMFORTABLE.
WHAT'S HE WEARING,
A JOGGING SUIT?
481
00:19:50,790 --> 00:19:53,460
YEAH, THEN HE AND PAULIE
ARE HITTING THE BADA BING.
482
00:19:53,526 --> 00:19:55,528
YOUR POINT BEING IT'S
NOT A RUNNING SUIT.
483
00:19:55,595 --> 00:19:57,364
RIGHT.
AND TONIGHT'S A DRESS?
484
00:19:57,430 --> 00:19:59,098
AND MY CASHMERE COAT
AND A HAT.
485
00:19:59,165 --> 00:20:01,934
YOUR STRETCHY JEANS
AND YOUR BUNNY RANCH T-SHIRT.
486
00:20:02,001 --> 00:20:05,405
COMFORT AND RAUNCH --
I LOVE IT. GOOD.
487
00:20:05,472 --> 00:20:09,342
SO, UM, HOW ARE YOU GUYS WORKING
THE LOGISTICS TONIGHT?
488
00:20:09,409 --> 00:20:10,977
I AM GOING TO
STUDY AT SCHOOL,
489
00:20:11,043 --> 00:20:13,012
THEN I'M GOING STRAIGHT
TO GRANDMA'S FROM THERE.
490
00:20:13,079 --> 00:20:15,782
JESS IS DRIVING FROM WORK,
THEN HE'S DRIVING ME HOME.
491
00:20:15,848 --> 00:20:18,418
HOME? HOME, HERE?
YEAH, HE'S GONNA
DROP ME OFF HERE.
492
00:20:18,485 --> 00:20:21,521
I GUESS THAT MAKES SENSE.
I THOUGHT SO.
493
00:20:21,588 --> 00:20:24,624
ALTHOUGH...HMM,
I DON'T KNOW.
494
00:20:24,691 --> 00:20:27,260
WHAT?
YOU SURE THAT'S
THE BEST WAY TO DO IT?
495
00:20:27,327 --> 00:20:28,695
YEAH, WHY?
496
00:20:28,761 --> 00:20:30,930
IT MEANS YOU'RE COMING HOME
TO AN EMPTY HOUSE.
497
00:20:30,997 --> 00:20:33,700
THAT'S YOUR DOING,
NOT MINE.
BUT IT MIGHT BE LONELY.
498
00:20:33,766 --> 00:20:36,403
DID YOU THINK ABOUT
STAYING AT MOM'S?
OVERNIGHT?
499
00:20:36,469 --> 00:20:38,705
THEY'VE GOT THOSE FANCY BEDS
THAT DON'T SAG,
500
00:20:38,771 --> 00:20:42,509
AND YOU'RE GUARANTEED A GREAT
NORMA DESMOND STYLE BREAKFAST
THE NEXT MORNING.
501
00:20:42,575 --> 00:20:44,544
YOU DON'T HAVE SCHOOL.
IT WORKS OUT PERFECTLY.
502
00:20:44,611 --> 00:20:46,145
I'D RATHER JUST COME HOME.
503
00:20:46,212 --> 00:20:48,381
OKAY. SURE.
504
00:20:48,448 --> 00:20:50,683
BUT, YOU KNOW,
STAYING AT YOUR GRANDMOTHER'S
505
00:20:50,750 --> 00:20:53,119
WOULD ALSO MEAN THAT JESS
WOULDN'T HAVE TO GO
506
00:20:53,185 --> 00:20:55,388
OUT OF HIS WAY
TO DROP YOU OFF.
507
00:20:55,455 --> 00:20:56,856
IT WOULD BE
CONVENIENT FOR HIM.
508
00:20:56,923 --> 00:20:59,692
OUR HOUSE IS TWO-TENTHS
OF A MILE OUT OF HIS WAY.
509
00:20:59,759 --> 00:21:02,128
YOU SURE HE'LL HAVE
ENOUGH GAS?
I'LL MAKE SURE.
510
00:21:02,194 --> 00:21:03,863
IF YOU CAN'T GET
AHOLD OF HIM,
511
00:21:03,930 --> 00:21:05,698
IT MIGHT BE SAFER
STAYING AT MOM'S.
512
00:21:05,765 --> 00:21:08,735
IF YOU RUN OUT OF GAS,
YOU'RE STUCK.
513
00:21:08,801 --> 00:21:11,438
MOM, WHY ARE YOU SO FREAKED?
THIS IS NOT FREAKED.
514
00:21:11,504 --> 00:21:15,308
IS IT BECAUSE YOU WON'T
BE HERE AND HE WILL?
THAT'S CROSSED MY MIND.
515
00:21:15,375 --> 00:21:16,943
AND WHAT ARE YOU WORRIED
ABOUT HAPPENING?
516
00:21:17,009 --> 00:21:18,978
WHAT YOU GUYS WERE ON
THE ON-RAMP FOR
517
00:21:19,045 --> 00:21:22,315
UP AT LUKE'S THE OTHER DAY,
YOUR BASIC BOY/GIRL STUFF,
518
00:21:22,382 --> 00:21:24,384
ESPECIALLY THIS
NEW BOY/YOU GIRL STUFF.
519
00:21:24,451 --> 00:21:27,019
THE BOY IS DIFFERENT,
BUT I'M STILL ME.
520
00:21:27,086 --> 00:21:31,023
YEAH, I KNOW.
I HAVE SO MUCH ON MY MIND,
SO MANY THINGS GOING ON,
521
00:21:31,090 --> 00:21:34,361
THAT I DON'T EVEN HAVE TIME
TO THINK ABOUT...THAT.
522
00:21:34,427 --> 00:21:35,762
NO THINKING...AT ALL?
523
00:21:35,828 --> 00:21:37,797
NONE. I SWEAR.
MM-HMM. SURE, SURE.
524
00:21:37,864 --> 00:21:40,266
AND WE TALK ABOUT EVERYTHING
TOGETHER, YOU AND ME, REMEMBER?
525
00:21:40,333 --> 00:21:43,336
IT'S NOT LIKE
SOMETHING WILL HAPPEN
THAT YOU WON'T KNOW ABOUT.
526
00:21:43,403 --> 00:21:44,504
GOOD.
527
00:21:44,571 --> 00:21:45,972
[ DOORBELL RINGS ]
528
00:21:46,038 --> 00:21:48,040
THAT'S ALEX.
COME ON.
529
00:21:50,443 --> 00:21:52,078
YOU KNOW, YOU DIDN'T
HAVE TO CHANGE.
530
00:21:52,144 --> 00:21:55,147
I FEEL DUMB
BEING IN MY UNIFORM
WHEN I'M NOT IN SCHOOL.
531
00:21:55,214 --> 00:21:58,818
YOU LOOK DARLING IN IT.
I'M GONNA MISS IT
WHEN YOU GO TO COLLEGE.
532
00:21:58,885 --> 00:22:02,822
YEAH, I AM, TOO. I LIKE
NOT HAVING TO THINK ABOUT
WHAT I'M GONNA WEAR.
533
00:22:02,889 --> 00:22:07,193
YOU'LL HAVE PLENTY OF YEARS TO
STRESS YOURSELF OUT ABOUT THAT.
534
00:22:07,259 --> 00:22:10,363
I'M SORRY HE'S LATE.
WE'RE FINE. DINNER WILL KEEP.
535
00:22:10,430 --> 00:22:12,732
I KNOW HOW YOU LIKE THINGS
TO BE PUNCTUAL.
536
00:22:12,799 --> 00:22:14,967
THERE WAS A BIG TIE-UP
ON THE 84 EARLIER.
537
00:22:15,034 --> 00:22:17,804
HE'S PROBABLY SMACK-DAB
IN THE MIDDLE OF THAT.
538
00:22:17,870 --> 00:22:19,906
WHY DON'T YOU TRY HIM
ON HIS CELLPHONE?
539
00:22:19,972 --> 00:22:22,174
HE DOESN'T HAVE ONE.
REALLY?
540
00:22:22,241 --> 00:22:23,543
HE DOESN'T BELIEVE IN THEM.
541
00:22:23,610 --> 00:22:26,145
WELL, I FIND THAT
REFRESHING.
542
00:22:26,212 --> 00:22:29,248
TECHNOLOGY IS ENCROACHING TOO
FAST ON EVERY ASPECT OF LIFE.
543
00:22:29,315 --> 00:22:31,884
IT'S GETTING TO THE POINT WHERE
PEOPLE WILL WANT ROBOTS
544
00:22:31,951 --> 00:22:33,920
TO CARRY THEM FROM PLACE
TO PLACE.
545
00:22:33,986 --> 00:22:35,021
[ DOORBELL RINGS ]
546
00:22:35,087 --> 00:22:36,523
THERE HE IS.
547
00:22:40,760 --> 00:22:42,562
WHAT?
SORRY I'M LATE.
548
00:22:42,629 --> 00:22:45,398
OH, THAT'S ALRIGHT.
COME IN. COME IN. IT'S COLD OUT.
549
00:22:46,966 --> 00:22:49,702
UM, GRANDMA, THIS
IS JESS.
550
00:22:49,769 --> 00:22:51,137
JESS, MY GRANDMOTHER.
551
00:22:51,203 --> 00:22:52,572
NICE TO MEET YOU.
SAME HERE.
552
00:22:52,639 --> 00:22:55,074
WHAT HAPPENED TO YOUR EYE?
IT'S A LONG STORY.
553
00:22:55,141 --> 00:22:56,709
THIS IS NEW?
BRAND-NEW.
554
00:22:56,776 --> 00:22:58,811
IT LOOKS BAD. DOES IT HURT?
I'M FINE.
555
00:22:58,878 --> 00:23:01,548
IS IT WHY YOU WERE LATE?
NO, 84 WAS JAMMED.
556
00:23:01,614 --> 00:23:03,983
WE KNEW THAT. THERE WAS
SOMETHING WITH A BIG RIG.
557
00:23:04,050 --> 00:23:06,419
THOSE THINGS -- THEY SCARE
THE LIFE OUT OF ME.
558
00:23:06,486 --> 00:23:08,120
APPARENTLY, ALL
THE MEN WHO DRIVE THEM
559
00:23:08,187 --> 00:23:09,956
ARE HOPPED UP ON BENNIES
AND GOOFBALLS.
560
00:23:10,022 --> 00:23:12,191
COME, COME.
HAVE A SEAT AT THE TABLE.
561
00:23:12,258 --> 00:23:14,026
I'LL GO CHECK ON DINNER.
562
00:23:14,093 --> 00:23:16,663
SHOULDN'T WE GO WITH HER?
WERE YOU IN A FIGHT?
563
00:23:16,729 --> 00:23:18,498
DINNER'S WAITING.
WERE YOU IN A FIGHT?
564
00:23:18,565 --> 00:23:20,867
I DON'T WANNA TALK ABOUT IT.
WHY?
565
00:23:20,933 --> 00:23:23,102
LOOK, RORY, I'M ALREADY
IN A CRAPPY MOOD.
566
00:23:23,169 --> 00:23:25,337
TRAFFIC SUCKED -- TRAFFIC
I HIT GOING TO A FUNCTION
567
00:23:25,404 --> 00:23:27,974
I DIDN'T PARTICULARLY WANT TO
GO TO -- AND I'M THIRSTY,
568
00:23:28,040 --> 00:23:31,177
AND I AM HUNGRY,
SO LET'S EAT.
569
00:23:36,549 --> 00:23:39,552
SO, DO WE EAT STANDING UP?
OVER THERE.
570
00:23:40,520 --> 00:23:42,254
THE ROAST LOOKS PERFECT.
571
00:23:42,321 --> 00:23:44,491
JESS, DO YOU EAT MEAT?
I FORGOT TO ASK.
572
00:23:44,557 --> 00:23:46,092
I'M A CARNIVORE.
GOOD.
573
00:23:46,158 --> 00:23:48,528
I DON'T SEE HOW ANYBODY
CAN RESIST EATING MEAT.
574
00:23:48,595 --> 00:23:50,096
THAT'S WHY WE HAVE TEETH.
575
00:23:50,162 --> 00:23:51,531
THAT'S HOW I FEEL.
576
00:23:51,598 --> 00:23:53,132
DINNER PARTIES
USED TO BE SIMPLE.
577
00:23:53,199 --> 00:23:57,269
NOW, I'VE TO RUN MY MENU DOWN
WITH EVERY PERSON ON THE LIST.
578
00:23:57,336 --> 00:23:58,705
IT'S TIRING.
579
00:23:58,771 --> 00:24:00,740
THIS ONE EATS
JUST ABOUT ANYTHING.
GRANDMA.
580
00:24:00,807 --> 00:24:03,175
I'M SORRY, BUT THE WAY
YOU AND YOUR MOTHER EAT
581
00:24:03,242 --> 00:24:05,812
AND THOSE SLIM FIGURES OF
YOURS -- IT'S A MEDICAL MARVEL.
582
00:24:05,878 --> 00:24:08,114
THEY SHOULD BE STUDIED.
I DON'T THINK SO.
583
00:24:08,180 --> 00:24:11,183
SO, RORY TELLS ME YOU'RE PART
OF THE WAL-MART CORPORATION.
584
00:24:11,250 --> 00:24:14,253
ONLY OUT OF NECESSITY.
THEY SOUND LIKE
WONDERFUL STORES.
585
00:24:14,320 --> 00:24:15,822
YEAH, I WANNA BE
BURIED THERE.
586
00:24:15,888 --> 00:24:18,658
WE'VE NEVER ACTUALLY BEEN INSIDE
ONE, BUT WE OWN THE STOCK.
587
00:24:18,725 --> 00:24:20,527
THANKS FOR THE PAYCHECK.
588
00:24:20,593 --> 00:24:22,695
OH. [ LAUGHS ]
THAT'S VERY FUNNY.
589
00:24:22,762 --> 00:24:24,330
DID YOU JUST GET IT?
HUH?
590
00:24:24,396 --> 00:24:25,865
THE EYE -- DID IT JUST HAPPEN?
591
00:24:25,932 --> 00:24:28,701
WE SHOULD EAT THESE SALADS
SO THE ROAST DOESN'T GET COLD.
592
00:24:28,768 --> 00:24:32,004
IT MUST BE SOMETIME
BETWEEN 9:00 LAST NIGHT AND NOW.
593
00:24:32,071 --> 00:24:33,540
HMM?
HIS EYE.
594
00:24:33,606 --> 00:24:35,041
YEAH, IT WAS SOMETIME
IN THERE.
595
00:24:35,107 --> 00:24:37,309
BUT YOU CAN'T NARROW
IT DOWN?
RORY, COME ON.
596
00:24:37,376 --> 00:24:40,346
THERE'S NO SALT AND PEPPER.
WE'LL NEED IT FOR THE MEAT.
597
00:24:40,412 --> 00:24:42,982
THEY ARE SUPPOSED TO BE
TRAINED BEFORE I GET THEM,
598
00:24:43,049 --> 00:24:45,484
BUT GOD KNOWS,
THAT'S NEVER THE CASE.
599
00:24:47,687 --> 00:24:48,955
WHAT IS YOUR PROBLEM?
600
00:24:49,021 --> 00:24:50,923
YOU'RE NOT TELLING
ME THE TRUTH.
601
00:24:50,990 --> 00:24:53,660
I DON'T WANNA GET INTO IT.
AND IT'S OBVIOUS WHY.
602
00:24:53,726 --> 00:24:55,895
IS IT?
YOU GOT INTO A FIGHT
WITH DEAN.
603
00:24:55,962 --> 00:24:57,730
UNBELIEVABLE.
IS THAT IT?
604
00:24:57,797 --> 00:24:59,599
IT ALWAYS COMES BACK
TO DEAN.
605
00:24:59,666 --> 00:25:02,068
BECAUSE YOU BRING IT THERE.
YOU BROUGHT UP DEAN.
606
00:25:02,134 --> 00:25:06,105
BECAUSE YOU GOT INTO
A FIGHT WITH HIM.
WHY ARE YOU PRESSING THIS?
607
00:25:06,172 --> 00:25:08,541
I'M TRYING TO MAKE SOME KIND OF
QUASI-POSITIVE IMPRESSION
608
00:25:08,608 --> 00:25:10,610
ON YOUR GRANDMOTHER
PER YOUR REQUEST,
609
00:25:10,677 --> 00:25:13,079
AND YOU'RE FORCING ME
TO DO OTHERWISE.
610
00:25:13,145 --> 00:25:15,715
AND WHAT THE HELL ARE RAISINS
DOING IN A SALAD?
611
00:25:15,782 --> 00:25:17,550
WHY CAN'T PEOPLE LEAVE
WELL ENOUGH ALONE?
612
00:25:17,617 --> 00:25:19,218
I DIDN'T HEAR YOU DENY IT.
613
00:25:19,285 --> 00:25:21,453
WE'VE GOT GREAT CHOICES
ON THE PRIME RIB.
614
00:25:21,520 --> 00:25:23,322
HOW DO YOU LIKE
YOUR PRIME RIB?
615
00:25:23,389 --> 00:25:25,692
COOKED.
HE'S NOT PICKY, GRANDMA.
616
00:25:25,758 --> 00:25:28,060
GOOD.
THAT'LL MAKE IT EASIER.
617
00:25:28,127 --> 00:25:29,762
SO, WHAT DID I MISS?
618
00:25:29,829 --> 00:25:31,363
NOTHING.
ABSOLUTELY NOTHING.
619
00:25:31,430 --> 00:25:34,901
WOULD IT BE ALRIGHT IF
I SPEAK TO JESS FOR A SECOND?
620
00:25:34,967 --> 00:25:36,903
WE'RE EATING.
WELL, I WANT TO TALK.
621
00:25:36,969 --> 00:25:39,338
YOU'RE BEING A LITTLE RUDE
TO YOUR GRANDMOTHER, RORY.
622
00:25:39,405 --> 00:25:41,007
I CAN LEAVE THE ROOM.
623
00:25:41,073 --> 00:25:43,242
NO, GRANDMA,
WE'LL BE RIGHT BACK.
624
00:25:48,180 --> 00:25:50,049
I TOLD YOU NOTHING
HAPPENED AT PATTY'S,
625
00:25:50,116 --> 00:25:51,483
BUT YOU WOULDN'T
BELIEVE IT.
626
00:25:51,550 --> 00:25:53,119
YOU GOT INTO
A FIGHT WITH DEAN
627
00:25:53,185 --> 00:25:54,887
RIGHT BEFORE
MEETING MY GRANDMOTHER.
628
00:25:54,954 --> 00:25:56,923
I DIDN'T GET INTO
A FIGHT WITH DEAN.
629
00:25:56,989 --> 00:25:58,758
BULL.
BELIEVE WHAT YOU WANT.
630
00:25:58,825 --> 00:26:00,559
I'M GONNA FIND OUT EVENTUALLY.
631
00:26:00,627 --> 00:26:03,830
WHAT IF DEAN HAD SUCKER-PUNCHED
ME AND I HAD TO DEFEND MYSELF?
632
00:26:03,896 --> 00:26:05,632
YOU'RE NOT EVEN CONSIDERING
THE POSSIBILITY?
633
00:26:05,698 --> 00:26:07,233
DEAN WOULDN'T DO THAT.
634
00:26:07,299 --> 00:26:09,669
NO, HE MIGHT GET HIS BIG,
WHITE STETSON DIRTY.
635
00:26:09,736 --> 00:26:11,303
YOU'RE BEING A JERK
TO MY GRANDMOTHER.
636
00:26:11,370 --> 00:26:15,141
I'M DOING MY BEST.
I DIDN'T EVEN WANT TO COME.
637
00:26:15,207 --> 00:26:18,845
NO ONE MADE YOU.
YOU MADE ME.
638
00:26:18,911 --> 00:26:21,781
NOW I'VE SEEN IT ALL.
639
00:26:21,848 --> 00:26:23,983
YOU EMBARRASSED ME
IN FRONT OF HER.
640
00:26:24,050 --> 00:26:26,318
THAT'S IT. I'VE HAD IT.
SO HAVE I.
641
00:26:26,385 --> 00:26:27,787
IF YOU HARP ON,
I'M LEAVING.
642
00:26:27,854 --> 00:26:30,222
NOW I HAVE TO EXPLAIN
TO HER WHY MY BOYFRIEND
643
00:26:30,289 --> 00:26:33,492
WHO SHOWED UP A HALF-HOUR LATE
WITH A BLACK EYE IS WALKING OUT.
644
00:26:33,559 --> 00:26:37,764
YOU LIKE MAKING UP STORIES IN
YOUR HEAD, SO THAT SHOULD BE
EASY FOR YOU.
645
00:26:45,905 --> 00:26:48,607
IS HE FETCHING SOMETHING
FROM HIS CAR?
646
00:26:48,675 --> 00:26:50,209
I DON'T THINK SO.
647
00:26:50,276 --> 00:26:52,144
[ ENGINE REVVING ]
648
00:26:52,211 --> 00:26:53,345
HE LEFT.
649
00:26:53,412 --> 00:26:55,214
YEAH, HE LEFT.
650
00:26:55,281 --> 00:27:00,019
WELL, YOU CAN TAKE SOME PRIME
RIB BACK FOR HIM IF YOU WANT.
651
00:27:00,086 --> 00:27:02,889
WHAT DO YOU SAY THE GIRLS
HAVE SOME DINNER, HUH?
652
00:27:12,164 --> 00:27:14,867
SO, GOOD --
GOOD SHOW.
653
00:27:14,934 --> 00:27:17,403
YEAH, ALEX, THANK YOU FOR
GETTING US THOSE TICKETS.
654
00:27:17,469 --> 00:27:18,905
GREAT
PRODUCTION VALUE.
655
00:27:18,971 --> 00:27:21,540
AMAZING. THE WAY THEY DO
THE LIGHTING ON THESE THINGS.
656
00:27:21,607 --> 00:27:23,242
IT'S MAGICAL.
IT'S MAGICAL.
657
00:27:23,309 --> 00:27:25,878
THIS IS THE WORST PIECE
OF CRAP I'VE EVER SEEN.
658
00:27:25,945 --> 00:27:28,514
WHAT?
I SAW "MOOSE MURDERS."
THIS STINKS WORSE.
659
00:27:28,580 --> 00:27:30,750
I THOUGHT IT WAS ME.
I WAS DYING.
660
00:27:30,817 --> 00:27:32,985
EVERY SONG IS THE SAME.
THE SAME TUNE NOTE.
661
00:27:33,052 --> 00:27:35,822
HOW DOES THAT HAPPEN?
* I FEEL SO VERY BAD *
662
00:27:35,888 --> 00:27:37,724
* YES, I FEEL SO VERY SAD *
663
00:27:37,790 --> 00:27:40,292
* I'M SAD, I'M MAD *
* I'M MAD, I'M SAD *
664
00:27:40,359 --> 00:27:42,328
I'M SORRY, THAT'S BETTER.
RENT A THEATER.
665
00:27:42,394 --> 00:27:44,563
I SAY WE HIT A BAR,
GET SOME DRINKS,
666
00:27:44,630 --> 00:27:46,999
CONTINUE PLOTTING OUT THIS
MUSICAL YOU GUYS ARE WRITING.
667
00:27:47,066 --> 00:27:49,601
WE'LL NEED PENS AND PAPER.
JUST MEMORIZE IT.
668
00:27:49,668 --> 00:27:51,670
* I'M MAD, I'M SAD, I'M MAD *
669
00:27:51,738 --> 00:27:54,707
WE'LL GRAB A CAB.
HEY, THAT FITS RIGHT IN.
670
00:27:56,408 --> 00:27:57,944
YOU'RE NICE.
671
00:27:58,010 --> 00:27:59,846
I TRY.
672
00:27:59,912 --> 00:28:01,047
WHO ARE YOU EXPECTING?
673
00:28:01,113 --> 00:28:02,882
RORY. NOT THAT
I'M EXPECTING A CALL,
674
00:28:02,949 --> 00:28:04,516
BECAUSE A CALL COULD MEAN
SOMETHING BAD,
675
00:28:04,583 --> 00:28:07,219
SO NOT GETTING A CALL
IS PROBABLY BEST.
PROBABLY.
676
00:28:07,286 --> 00:28:09,055
I'M JUST GONNA
GIVE HER A CALL.
677
00:28:09,121 --> 00:28:11,223
YOU MADE ME PROMISE
TO STOP YOU
678
00:28:11,290 --> 00:28:13,659
IF YOU'RE GONNA CALL RORY
FOR THE WRONG REASON.
679
00:28:13,726 --> 00:28:15,895
I LEFT THE IRON ON.
SHE'LL TURN IT OFF.
680
00:28:15,962 --> 00:28:17,629
SHE'S GOT THIS BOY.
I KNOW.
681
00:28:17,696 --> 00:28:19,465
I SHOULDN'T CALL HER.
IT'S UP TO YOU.
682
00:28:19,531 --> 00:28:23,069
HEY, GUYS, WE GOT A CAB, AND
THE DRIVER LIKES OUR SONG.
683
00:28:23,135 --> 00:28:26,105
PUTTING AWAY PHONE NOW.
GOOD GIRL.
684
00:28:26,172 --> 00:28:27,673
COME ON.
685
00:28:27,740 --> 00:28:29,942
[ CELLPHONE RINGS ]
686
00:28:35,514 --> 00:28:37,149
HELLO?
Lorelai: Good morning!
687
00:28:37,216 --> 00:28:40,186
HEY, IT'S EARLY.
WHY ARE YOU CALLING SO EARLY?
688
00:28:40,252 --> 00:28:42,221
I MUST HAVE SCREWED UP
THE TIME DIFFERENCE.
689
00:28:42,288 --> 00:28:45,057
WHAT TIME IS IT THERE?
THE SAME TIME IT IS THERE.
690
00:28:45,124 --> 00:28:46,625
Sorry.
HOW'S IT GOING?
691
00:28:46,692 --> 00:28:49,695
WE HAD PIZZA AT JOHN'S IN
THE VILLAGE AND WROTE A MUSICAL.
692
00:28:49,762 --> 00:28:52,331
GOOD FOR YOU.
WE PICKED THE SAME
DEAN MARTIN SONG
693
00:28:52,398 --> 00:28:54,366
ON THE JUKEBOX 25 TIMES,
PEOPLE STARTED COMPLAINING,
694
00:28:54,433 --> 00:28:57,003
SO WE PICKED THE BEE GEES'
"NEW YORK MINING DISASTER,"
695
00:28:57,069 --> 00:28:59,438
AND THEY BEGGED FOR
DEAN MARTIN BACK.
SOUNDS FUN.
696
00:28:59,505 --> 00:29:01,673
SO HOW'D THE DINNER GO?
697
00:29:01,740 --> 00:29:03,776
UH, NOT WELL.
FAR FROM WELL.
698
00:29:03,843 --> 00:29:05,812
WHAT?
I'M AT GRANDMA'S.
699
00:29:05,878 --> 00:29:07,847
YOU STAYED THE NIGHT?
Yep.
700
00:29:07,914 --> 00:29:10,082
WHAT DID SHE DO?
DID SHE MAKE YOU STAY?
701
00:29:10,149 --> 00:29:12,551
BECAUSE SHE DIDN'T WANT JESS
TO DRIVE YOU HOME?
702
00:29:12,618 --> 00:29:14,987
AND TO RUIN THIS DINNER --
I'M GONNA KILL HER.
703
00:29:15,054 --> 00:29:17,523
NO, GRANDMA WAS GREAT,
EVEN WHEN JESS WAS LATE.
704
00:29:17,589 --> 00:29:21,093
YOU'RE KIDDING.
SHE WAS A SAINT.
STAYING OVER WAS MY IDEA.
705
00:29:21,160 --> 00:29:24,363
WHY?
JESS AND I GOT INTO THE MOST
HORRIBLE FIGHT OF MY LIFE,
706
00:29:24,430 --> 00:29:27,433
AND IT WAS -- UGH!
I CAN'T EVEN SAY.
707
00:29:27,499 --> 00:29:28,700
I DON'T BELIEVE THIS.
708
00:29:28,767 --> 00:29:30,970
HE SHOWED UP WITH A BIG
BLACK EYE.
709
00:29:31,037 --> 00:29:33,940
A BLACK GUY?
EYE -- A BLACK EYE.
710
00:29:34,006 --> 00:29:35,774
HE GOT INTO A FIGHT.
WITH WHO? DEAN?
711
00:29:35,842 --> 00:29:39,178
HE WOULDN'T SAY, BUT YES, AND HE
WAS ALL STANDOFFISH ABOUT IT,
712
00:29:39,245 --> 00:29:42,214
AND THINGS GOT WORSE AND WORSE,
AND HE WALKED OUT.
713
00:29:42,281 --> 00:29:45,084
WOW, HONEY, I'M SORRY.
ARE YOU OKAY?
714
00:29:45,151 --> 00:29:46,853
I'M UPSET, BUT I'M OKAY.
715
00:29:46,919 --> 00:29:49,255
[ DOOR OPENS ]
716
00:29:49,321 --> 00:29:52,091
I THOUGHT I HEARD YOU UP.
HOW 'BOUT SOME BREAKFAST?
717
00:29:52,158 --> 00:29:54,193
SURE.
Is that Jess?
718
00:29:54,260 --> 00:29:56,095
NO, IT'S MOM.
Lorelai: put her on.
719
00:29:56,162 --> 00:29:59,365
SHE WANTS TO TALK TO YOU. BYE.
720
00:29:59,431 --> 00:30:01,233
See you tonight.
721
00:30:04,103 --> 00:30:06,238
HELLO?
MOM, HI. LISTEN.
722
00:30:06,305 --> 00:30:08,340
RORY KIND OF EXPLAINED
WHAT HAPPENED LAST NIGHT
723
00:30:08,407 --> 00:30:10,709
AND HOW YOU WERE REALLY
GREAT ABOUT IT.
724
00:30:10,776 --> 00:30:13,980
I JUST WANTED TO THANK YOU.
I DON'T KNOW ALL THE DETAILS,
725
00:30:14,046 --> 00:30:16,282
BUT I'M SURE IT ALL
COULD'VE BEEN WAY WORSE,
726
00:30:16,348 --> 00:30:20,719
AND YOU KEEPING YOUR COOL LIKE
THAT WAS REALLY, REALLY NICE.
727
00:30:20,786 --> 00:30:22,388
THANKS.
728
00:30:22,454 --> 00:30:25,992
HOW CAN YOU LET YOUR DAUGHTER
BE WITH THAT ABOMINABLE THUG?
729
00:30:26,058 --> 00:30:28,227
First, he arrives late.
How disrespectful is that?
730
00:30:28,294 --> 00:30:30,596
THEN HE'S RUDE TO RORY AND ME.
Mom.
731
00:30:30,662 --> 00:30:34,466
AND THAT ATTITUDE --
I WANTED TO SLAP THAT
MONOSYLLABIC MOUTH OF HIS.
732
00:30:34,533 --> 00:30:36,768
AND GOD FORBID THEY'RE IN
ANOTHER ACCIDENT TOGETHER
733
00:30:36,835 --> 00:30:38,604
OR HIS HEAP OF A CAR
BREAKS DOWN,
734
00:30:38,670 --> 00:30:41,040
AND LORD JIM HAS DECIDED
CELLPHONES ARE BENEATH HIM,
735
00:30:41,107 --> 00:30:44,110
AND THEY'RE STRANDED
IN THE MIDDLE OF NOWHERE.
736
00:30:44,176 --> 00:30:46,478
He had a black eye.
He belongs in jail.
737
00:30:46,545 --> 00:30:49,181
* IN A YOUNG MAN'S MIND
IT'S A SIMPLE WORLD *
738
00:30:49,248 --> 00:30:52,084
* THERE'S LITTLE ROOM FOR MUSIC
AND THE REST IS GIRLS *
739
00:30:52,151 --> 00:30:54,286
* IN A YOUNG MAN'S MIND -- *
740
00:30:54,353 --> 00:30:56,122
YO, DUDE,
THAT'S DISRESPECTFUL.
741
00:30:56,188 --> 00:30:58,157
WE'RE REALLY EARLY.
LET'S GET SOMETHING TO EAT.
742
00:30:58,224 --> 00:31:00,426
WHAT DO WE WANT?
I'VE ONLY GOT 3 BUCKS.
743
00:31:00,492 --> 00:31:02,294
YOU'VE ALWAYS ONLY GOT
3 BUCKS.
744
00:31:02,361 --> 00:31:05,764
YOU USE AN ATM THAT ONLY GIVES
OUT 3 BUCKS AT A TIME?
745
00:31:05,831 --> 00:31:07,599
LET'S JUST PICK.
WELL, I'M SICK OF BURGERS,
746
00:31:07,666 --> 00:31:09,835
SO A PLACE THAT
HAS MORE THAN BURGERS --
747
00:31:09,902 --> 00:31:13,305
WHAT DO YOU WANT,
A $3 SUSHI PLACE?
DOESN'T HAVE TO BE SUSHI.
748
00:31:13,372 --> 00:31:16,075
SHUT UP AND BE COOL.
DON'T SAY ANYTHING.
WHY?
749
00:31:16,142 --> 00:31:17,944
MRS. KIM, HELLO.
DAVID.
750
00:31:18,010 --> 00:31:19,378
DAVID?
751
00:31:19,445 --> 00:31:21,813
YOU'RE LANE'S MOM?
HOW DO YOU KNOW LANE?
752
00:31:21,880 --> 00:31:24,383
SHE'S A GREAT --
GIRL. WE ALL THINK SO.
753
00:31:24,450 --> 00:31:26,218
WHO ARE YOU?
WHAT IS ALL THIS?
754
00:31:26,285 --> 00:31:28,120
DAVID, WHO ARE ALL THESE
UNWASHED BOYS?
755
00:31:28,187 --> 00:31:31,490
WELL, SEE, ZACK AND BRIAN HERE
PLAY IN A COMBO WITH ME
756
00:31:31,557 --> 00:31:32,791
WHEN I DON'T PLAY SOLO.
757
00:31:32,858 --> 00:31:34,994
A COMBO?
A CHRISTIAN COMBO.
758
00:31:35,061 --> 00:31:37,629
OH, GOOD. WITH JUST GUITAR,
IT CAN SOUND THIN.
759
00:31:37,696 --> 00:31:39,531
WELL, THAT'S WHY WE
PLAY MUSIC TOGETHER.
760
00:31:39,598 --> 00:31:41,233
THE LIGHT'S TURNED.
WE SHOULD PROBABLY --
761
00:31:41,300 --> 00:31:43,970
WAIT. I WANT TO WARN YOU
ABOUT SOMETHING.
YES.
762
00:31:44,036 --> 00:31:46,105
LANE -- SHE HAS A CRUSH ON YOU.
SHE DOES?
763
00:31:46,172 --> 00:31:49,375
I THOUGHT YOU SHOULD KNOW.
SHE'S A GOOD GIRL BUT
FLIGHTY SOMETIMES.
764
00:31:49,441 --> 00:31:51,810
BE CAREFUL AROUND HER.
I KNOW YOU'RE A SERIOUS BOY.
765
00:31:51,877 --> 00:31:56,182
I DON'T WANT YOU TO BE SHOCKED.
OH, NO. THANK YOU.
I'LL BE VERY CAREFUL.
766
00:31:56,248 --> 00:32:00,852
OKAY. MAYBE I BOOK YOUR
COMBO SOMETIME.
MIX IT UP A LITTLE.
767
00:32:00,919 --> 00:32:02,854
IT'LL BE OUR PLEASURE,
RIGHT, GUYS?
768
00:32:02,921 --> 00:32:04,056
YEAH.
SURE.
769
00:32:04,123 --> 00:32:05,557
DON'T SPEED.
770
00:32:09,061 --> 00:32:12,398
OKAY, SO, UH, WHERE
DO WE WANT TO EAT?
771
00:32:23,442 --> 00:32:26,212
HEY.
HEY, THERE.
YOU SEE THOSE FLYERS?
772
00:32:26,278 --> 00:32:30,049
APPARENTLY, I CLICKED MY HEELS
FOR JOY AFTER ONE OF HER SONGS.
773
00:32:30,116 --> 00:32:31,483
I DON'T REMEMBER THAT.
ME NEITHER.
774
00:32:31,550 --> 00:32:34,320
CAN I TALK TO YOU FOR A SEC?
YEAH. WHAT'S WRONG?
775
00:32:34,386 --> 00:32:36,455
THIS FRIEND THING
WITH US ISN'T GONNA WORK
776
00:32:36,522 --> 00:32:38,324
IF WE'RE NOT HONEST
WITH EACH OTHER.
777
00:32:38,390 --> 00:32:41,160
I AGREE.
OKAY. ANYTHING YOU
WANNA TELL ME?
778
00:32:41,227 --> 00:32:42,528
CORN'S 2 FOR $1?
779
00:32:42,594 --> 00:32:44,563
JESS HAS A BLACK EYE.
OH, YEAH?
780
00:32:44,630 --> 00:32:48,034
ANY IDEA WHERE HE GOT IT?
THAT WOULD BE
AN EXTREMELY LONG LIST.
781
00:32:48,100 --> 00:32:49,335
IT WASN'T YOU?
NO.
782
00:32:49,401 --> 00:32:51,603
SWEAR?
I SWEAR.
DID HE SAY IT WAS ME?
783
00:32:51,670 --> 00:32:55,007
NO, HE'S NOT SAYING ANYTHING.
HE'S LESS TALKATIVE THAN SOME.
784
00:32:55,074 --> 00:32:58,144
YEAH. SORRY. I HAVE NO IDEA.
785
00:32:58,210 --> 00:32:59,578
I REALLY DON'T LIKE
TALKING ABOUT --
786
00:32:59,645 --> 00:33:02,414
I KNOW. SORRY.
I SHOULD GET BACK TO WORK.
787
00:33:02,481 --> 00:33:04,216
OKAY. THANKS.
788
00:33:04,283 --> 00:33:07,319
I'M SORRY I COULDN'T
SOLVE THE MYSTERY.
ME TOO.
789
00:33:10,589 --> 00:33:11,790
WHOA.
WHAT?
790
00:33:11,857 --> 00:33:14,626
YOU'RE PETEY THE DOG.
I DON'T WANNA TALK ABOUT THIS.
791
00:33:14,693 --> 00:33:17,896
IS THAT WHY YOU SNUCK IN
LAST NIGHT?
I DIDN'T SNEAK IN.
792
00:33:17,963 --> 00:33:19,731
COULD WE GET BACK TO WORK?
FINE.
793
00:33:19,798 --> 00:33:21,400
START CLEARING
SOME STUFF.
794
00:33:23,435 --> 00:33:25,604
WHEN DID YOU GET INTO
A FIGHT WITH DEAN?
795
00:33:25,671 --> 00:33:27,906
IT WASN'T A FIGHT WITH DEAN!
I JUST ASKED.
796
00:33:27,973 --> 00:33:30,342
WHAT'S WITH EVERYBODY MAKING
ASSUMPTIONS? I'M SICK OF IT.
797
00:33:30,409 --> 00:33:32,010
SO IT WASN'T DEAN.
NO.
798
00:33:32,078 --> 00:33:33,479
SO IT HAPPENED YESTERDAY?
YES.
799
00:33:33,545 --> 00:33:35,847
YOU WENT TO RORY'S
GRANDMOTHER'S. SHE PUNCH YOU?
800
00:33:35,914 --> 00:33:37,116
STOP.
WHERE'D YOU GET IT?
801
00:33:37,183 --> 00:33:38,417
SANTA CLAUS.
802
00:33:38,484 --> 00:33:40,719
SO YOU'RE NOT
GONNA TELL ME?
THAT'S RIGHT.
803
00:33:43,021 --> 00:33:44,190
HELLO?
804
00:33:44,256 --> 00:33:46,225
HEY, RORY.
HANG ON A SEC. IT'S RORY.
805
00:33:46,292 --> 00:33:47,593
I'M NOT HERE.
WHAT?
806
00:33:47,659 --> 00:33:49,428
GET A CLUE,
I DON'T WANNA TALK.
807
00:33:49,495 --> 00:33:52,364
YOU DON'T WANNA
TALK TO RORY?
808
00:33:52,431 --> 00:33:55,501
HEY, RORY?
HE JUST WENT SOMEPLACE.
809
00:33:55,567 --> 00:33:57,336
YEAH, I'LL TELL HIM.
BYE.
810
00:33:59,238 --> 00:34:00,806
COME ON.
HEY.
811
00:34:02,208 --> 00:34:05,077
WHAT IS THIS?
YOU'RE MY RESPONSIBILITY.
812
00:34:05,144 --> 00:34:06,512
YOU'RE EXHIBITING SIGNS
OF VIOLENT BEHAVIOR,
813
00:34:06,578 --> 00:34:08,547
I DON'T CARE IF YOU
DON'T WANNA TALK.
814
00:34:08,614 --> 00:34:11,350
NOW, TELL ME WHERE DID YOU
GET THE BLACK EYE?
815
00:34:11,417 --> 00:34:14,453
YOU WOULDN'T BELIEVE IT ANYWAY.
TRY ME, TOUGH GUY.
816
00:34:16,222 --> 00:34:18,390
A SWAN.
EXCUSE ME?
817
00:34:18,457 --> 00:34:21,793
I WAS ATTACKED BY
A SWAN, OKAY?
818
00:34:21,860 --> 00:34:24,663
YOU HAPPY?
A STUPID SWAN.
819
00:34:24,730 --> 00:34:27,299
[ CLEARS THROAT ]
NOW, HOW 'BOUT THE REAL STORY?
820
00:34:27,366 --> 00:34:29,067
THAT IS THE REAL STORY.
821
00:34:29,135 --> 00:34:30,636
IT HANGS OUT
BY LARSON'S DOCK.
822
00:34:30,702 --> 00:34:33,705
I WAS JUST WALKING BY, AND
THE THING CAME OUT OF NOWHERE
823
00:34:33,772 --> 00:34:36,742
AND BAM! BEAKED ME RIGHT
IN THE EYE.
IT BEAKED YOU?
824
00:34:36,808 --> 00:34:38,277
YOU STILL DON'T BELIEVE ME.
825
00:34:38,344 --> 00:34:41,347
I JUST NEVER HEARD ANYONE USE
THE WORD "BEAKED" AS A VERB.
826
00:34:41,413 --> 00:34:44,183
NO. THIS ISN'T FUNNY.
827
00:34:44,250 --> 00:34:47,018
THAT STUPID BIRD
ATTACKED ME.
828
00:34:47,085 --> 00:34:48,320
HE COULD HAVE BLINDED ME.
829
00:34:48,387 --> 00:34:50,522
IT'S A VICIOUS,
VICIOUS BIRD --
830
00:34:51,523 --> 00:34:53,792
FINE.
FORGET IT.
831
00:34:56,128 --> 00:34:58,297
[ DISHES CLATTERING ]
832
00:34:58,364 --> 00:35:00,732
WHAT ARE YOU DOING?
WHERE ARE YOU GOING?
833
00:35:00,799 --> 00:35:02,968
I'M GONNA DO A LITTLE
BEAKING OF MY OWN.
834
00:35:03,034 --> 00:35:06,138
JESS, NOT THE LADLE.
THAT'S A BRAND-NEW LADLE.
835
00:35:06,205 --> 00:35:07,739
TAKE THE BASTER.
836
00:35:10,209 --> 00:35:11,477
I DON'T SEE A SWAN.
837
00:35:11,543 --> 00:35:14,112
PUT YOUR OARS DOWN.
THEY DON'T LIKE OARS?
838
00:35:14,180 --> 00:35:16,482
JUST LAY LOW.
IT'LL COME.
839
00:35:16,548 --> 00:35:18,150
DOES IT ACT ALL PEACEFUL
AND BAMBI-LIKE
840
00:35:18,217 --> 00:35:20,952
AND THEN SUDDENLY ATTACK LIKE
THE RABBIT IN "MONTY PYTHON"?
841
00:35:21,019 --> 00:35:23,722
YOUR VOICE IS PROBABLY
SCARING IT AWAY.
OKAY.
842
00:35:25,191 --> 00:35:27,559
HOW'D YOU EXPLAIN THE BLACK
EYE TO THE GILMORES?
843
00:35:27,626 --> 00:35:30,229
I DIDN'T. THAT NIGHT SUCKED.
I'M HAPPY IT'S BEHIND ME.
844
00:35:30,296 --> 00:35:32,831
BEHIND YOU? YOU AIN'T GOT
NOTHING BEHIND YOU.
845
00:35:32,898 --> 00:35:35,867
WHAT DO YOU MEAN?
YOU GOT PLENTY MORE
EVENTS LIKE THAT.
846
00:35:35,934 --> 00:35:38,470
NO WAY.
WHEN YOU DATE
A GIRL LIKE RORY,
847
00:35:38,537 --> 00:35:40,105
YOU'RE INVOLVED WITH
HER WHOLE FAMILY.
848
00:35:40,172 --> 00:35:41,540
LIKE THAT LAST
GIRL YOU DATED --
849
00:35:41,607 --> 00:35:43,575
YOU WERE INVOLVED WITH
HER WHOLE PETRI DISH.
850
00:35:43,642 --> 00:35:46,445
SHE WAS EASY TO
FIGURE OUT.
YOU WERE BORED FROM DAY ONE.
851
00:35:46,512 --> 00:35:50,516
I'M DATING RORY, NOT HER FAMILY.
THESE PEOPLE COME IN
A PACKAGE WITH THIS GIRL.
852
00:35:50,582 --> 00:35:52,150
THE MOTHER COMES
WITH THIS GIRL.
853
00:35:52,218 --> 00:35:54,186
THE GRANDMOTHER COMES
WITH THIS GIRL.
854
00:35:54,253 --> 00:35:57,456
AND APPARENTLY, A BUNCH OF
OTHERS. EVERYBODY SHE'S
EVER MET, INCLUDING DEAN.
855
00:35:57,523 --> 00:35:59,958
SHE PICKED YOU.
GOD KNOWS WHY.
856
00:36:00,025 --> 00:36:02,060
SHE KNOWS.
THAT'S ALL THAT MATTERS.
857
00:36:02,127 --> 00:36:04,363
JESS, BEING JEALOUS
OF DEAN --
858
00:36:04,430 --> 00:36:05,997
I'M NOT JEALOUS OF DEAN.
859
00:36:06,064 --> 00:36:08,200
BEING JEALOUS OF DEAN
IS POINTLESS.
860
00:36:08,267 --> 00:36:10,202
YOU'RE JUST GONNA DRIVE
RORY AWAY.
861
00:36:10,269 --> 00:36:12,304
YOU WANNA HAVE
A RELATIONSHIP WITH SOMEONE?
862
00:36:12,371 --> 00:36:15,040
LEARN TO OPEN UP YOUR MOUTH
AND SAY SOMETHING.
863
00:36:15,106 --> 00:36:16,642
GIVE IT A REST, DR. PHIL.
864
00:36:16,708 --> 00:36:19,878
YOU CAN'T SHUT DOWN.
YOU CAN'T AVOID HER CALLS.
865
00:36:19,945 --> 00:36:21,146
DIDN'T WANT TO TALK.
866
00:36:21,213 --> 00:36:22,981
WHEN WOULD YOU WANNA TALK?
I DON'T KNOW.
867
00:36:23,048 --> 00:36:25,951
WHAT ARE YOU GONNA DO --
NEVER TAKE HER CALLS AGAIN?
868
00:36:26,017 --> 00:36:28,587
SHE'LL FIND ME EVENTUALLY.
IF SHE KEEPS LOOKING
FOR YOU.
869
00:36:28,654 --> 00:36:31,857
I WON'T BE
A WUSS LIKE DEAN.
HE HAD HER FOR TWO YEARS.
870
00:36:31,923 --> 00:36:34,693
YOU HAVE A LITTLE FIGHT AFTER
TWO MONTHS, AND IT'S OVER?
871
00:36:34,760 --> 00:36:37,095
I DON'T CARE.
YOU DON'T CARE.
THAT'S OBVIOUS.
872
00:36:37,162 --> 00:36:38,230
SHH! SHH! SHH!
873
00:36:38,297 --> 00:36:39,498
IS THAT THE ONE?
874
00:36:39,565 --> 00:36:41,166
THAT'S IT. WATCH HIM.
875
00:36:41,233 --> 00:36:43,769
I'M WATCHING IT.
IT'S PRETTY.
876
00:36:43,835 --> 00:36:45,404
SHH!
877
00:36:45,471 --> 00:36:46,905
IS IT GONNA DOUBLE BACK?
MAYBE.
878
00:36:46,972 --> 00:36:48,707
SO IT'S LULLING US
INTO COMPLACENCY.
879
00:36:48,774 --> 00:36:51,209
HE'S VICIOUS, I'M TELLING YOU.
ITS BUTT'S TERRIFYING.
880
00:36:51,277 --> 00:36:52,744
IT'S OUTNUMBERED.
THAT'S THE PROBLEM.
881
00:36:52,811 --> 00:36:55,814
IT KNOWS THERE'S
TWO OF US.
YOU WANT ME TO GET UNDERWATER,
882
00:36:55,881 --> 00:36:58,750
SWIM ALONG WITH THE BOAT,
BREATHE THROUGH A STRAW?
FORGET IT.
883
00:36:58,817 --> 00:37:00,819
MAYBE HE'S GONNA GET ANOTHER
SWAN, COME BACK,
884
00:37:00,886 --> 00:37:03,689
AND MAKE A FIGHT OF IT, HUH?
FORGET IT.
885
00:37:06,325 --> 00:37:08,059
HE'S NOT EVEN CALLING
YOU BACK?
886
00:37:08,126 --> 00:37:09,695
NO, I'M NOT SURE
WHAT TO DO.
887
00:37:09,761 --> 00:37:11,863
DAVE AND I HAVE
NEVER HAD A FIGHT
888
00:37:11,930 --> 00:37:13,699
BECAUSE WE HAVEN'T REALLY
TRULY BEGUN DATING,
889
00:37:13,765 --> 00:37:15,534
SO I HAVE NO PERSPECTIVE
ON THIS.
890
00:37:15,601 --> 00:37:18,169
YOU BETTER HURRY UP AND
START HAVING BAD BOY TROUBLES
891
00:37:18,236 --> 00:37:19,805
SO I CAN GET
SOME FEEDBACK.
892
00:37:21,440 --> 00:37:22,408
HEY, THERE.
HI GUYS.
893
00:37:22,474 --> 00:37:23,875
HOW'S IT GOING?
894
00:37:23,942 --> 00:37:25,544
IT'S GOING A LITTLE WEIRD.
895
00:37:25,611 --> 00:37:28,179
WHY?
WE NEED TO GET SOMETHING
OUT IN THE OPEN.
896
00:37:28,246 --> 00:37:30,115
DEFINITELY.
WE RAN INTO YOUR MOM.
897
00:37:30,181 --> 00:37:31,883
MY MOM?
OH, BOY.
898
00:37:31,950 --> 00:37:35,153
WE KNOW THERE'S A SITUATION HERE
THAT YOU GUYS HAVE BEEN HIDING.
899
00:37:35,220 --> 00:37:37,055
WE SHOULD GET IT OUT IN
THE OPEN.
900
00:37:37,122 --> 00:37:39,491
WE DIDN'T MEAN ANYTHING
BY HIDING IT, GUYS.
901
00:37:39,558 --> 00:37:42,828
WHAT PISSES US OFF IS THAT
YOU FELT YOU HAD TO HIDE IT.
902
00:37:42,894 --> 00:37:46,332
REALLY?
YEAH.
DAVE, YOU'RE A CHRISTIAN.
903
00:37:46,398 --> 00:37:49,100
SO WHAT? THAT'S COOL.
IT'S NOTHING TO HIDE.
904
00:37:49,167 --> 00:37:51,069
CHRISTIANS CAN STILL ROCK.
905
00:37:51,136 --> 00:37:52,771
THEY CAN?
906
00:37:52,838 --> 00:37:55,841
YEAH, YEAH, DAVE. CHRISTIANS
CAN STILL ROCK. DON'T HIDE IT.
907
00:37:55,907 --> 00:37:58,276
MARSHALL STACKS DON'T KNOW
CHRISTIANS FROM ATHEISTS.
908
00:37:58,344 --> 00:38:02,848
GOSH, I JUST WASN'T SURE IF YOU
GUYS WOULD BE ACCEPTING
OF MY DEVOUTNESS.
909
00:38:02,914 --> 00:38:05,984
IT'S A PART OF YOU. WE
THINK YOU'RE COOL, SO IT'S COOL.
910
00:38:06,051 --> 00:38:09,054
GREAT. THANKS, GUYS.
BUT NO WAY ARE WE PLAYING CREED.
911
00:38:09,120 --> 00:38:12,324
OF COURSE NOT.
OR AMY GRANT. THAT'S
WHERE WE DRAW THE LINE.
912
00:38:12,391 --> 00:38:13,692
THIS IS VERY ACCEPTING, GUYS.
913
00:38:13,759 --> 00:38:16,328
WE'D BE INTO PLAYING FOR YOUR
MOM IF IT PAYS.
914
00:38:16,395 --> 00:38:18,163
MRS. KIM PAYS.
SHE'S VERY GOOD ABOUT THAT.
915
00:38:18,229 --> 00:38:21,433
THAT'S MY MOM.
I'M GLAD THIS WORKED OUT.
YEAH, ME TOO.
916
00:38:26,304 --> 00:38:28,474
HEY.
OH, MY LITTLE DAUGHTER.
917
00:38:28,540 --> 00:38:32,644
I'M HAPPY TO SEE YOU.
THANKS FOR BRINGING HER
BACK IN ONE PIECE.
918
00:38:32,711 --> 00:38:34,346
NO PROBLEM.
I'M VERY WEAK.
919
00:38:34,413 --> 00:38:37,616
SHE HASN'T EATEN IN A WHILE.
DIDN'T YOU KEEP
A FEEDING SCHEDULE?
920
00:38:37,683 --> 00:38:39,918
I'M DRIFTING.
SHE WANTED
TO HAVE DINNER WITH YOU.
921
00:38:39,985 --> 00:38:41,820
THAT'S SWEET.
MUST HAVE FOOD NOW.
922
00:38:41,887 --> 00:38:43,655
I'LL TAKE IT FROM HERE.
THANKS.
923
00:38:43,722 --> 00:38:46,492
BYE.
YOU'RE NOT FOOD.
924
00:38:46,558 --> 00:38:49,227
REVIVE HER.
I WILL. I'M GONNA RUN
AND GET TAKEOUT.
925
00:38:49,294 --> 00:38:50,529
MAKE LIKE THE WIND.
926
00:38:50,596 --> 00:38:53,098
CAN YOU MAKE IT TO THE DOOR?
I'LL STRUGGLE.
927
00:38:57,969 --> 00:38:59,438
RORY?
OH, HEY.
928
00:38:59,505 --> 00:39:02,674
HEY. YOUR MOM HOME?
I'M BRINGING SUPPLIES.
929
00:39:02,741 --> 00:39:04,510
YOU SHOULD'VE BROUGHT A MULE.
WHAT?
930
00:39:04,576 --> 00:39:06,912
A PACK MULE TO CARRY IT.
OH, YEAH.
931
00:39:06,978 --> 00:39:09,581
SORRY I MISSED YOUR CALLS.
YOU WERE ALWAYS OUT.
932
00:39:09,648 --> 00:39:12,384
YEAH, I WAS GETTING READY TO
CALL YOU JUST NOW,
933
00:39:12,451 --> 00:39:14,119
BUT YOU WOULD HAVE BEEN OUT.
934
00:39:14,185 --> 00:39:15,521
IRONIC.
YEAH.
935
00:39:15,587 --> 00:39:17,989
SO, I KNOW THERE WAS
NO FIGHT WITH DEAN.
936
00:39:18,056 --> 00:39:20,726
REALLY? HOW?
937
00:39:20,792 --> 00:39:24,195
YOU ASKED DEAN.
IT WAS THE ONLY THING
I COULD THINK TO DO.
938
00:39:24,262 --> 00:39:25,964
GO TO THE SOURCE.
YEAH.
939
00:39:26,031 --> 00:39:29,034
I'M SORRY I DOUBTED YOU.
IT'S OKAY. I WOULD'VE
DOUBTED ME, TOO.
940
00:39:29,100 --> 00:39:31,570
I NEED TO TRUST YOU
LIKE I TRUSTED...
HIM.
941
00:39:31,637 --> 00:39:33,639
YEAH.
THIS BLACK EYE SCREWED
EVERYTHING UP.
942
00:39:33,705 --> 00:39:35,674
YEAH.
NEXT TIME I GO TO YOUR
GRANDMOTHER'S,
943
00:39:35,741 --> 00:39:38,076
I'LL TRY NOT TO HAVE ONE.
NEXT TIME?
944
00:39:38,143 --> 00:39:39,711
NEXT TIME.
945
00:39:43,014 --> 00:39:43,915
SO WHAT HAPPENED?
946
00:39:43,982 --> 00:39:46,718
I DON'T --
COME ON. IT WASN'T DEAN.
947
00:39:46,785 --> 00:39:49,087
WILL THAT MAKE YOU HAPPY?
YES, VERY.
948
00:39:49,154 --> 00:39:52,223
I'LL TELL YOU THE TRUTH.
SINCE WE'RE BOTH
TELLING THE TRUTH TONIGHT.
949
00:39:52,290 --> 00:39:54,593
THAT'S WHAT GOOD
RELATIONSHIPS ARE ABOUT, RIGHT?
950
00:39:54,660 --> 00:39:57,996
RIGHT.
YOU'VE GOT TO PROMISE
NOT TO MOCK ME EVER.
951
00:39:58,063 --> 00:40:00,365
AND PLEASE DON'T TELL
ANYONE ELSE.
952
00:40:00,432 --> 00:40:01,933
I PROMISE.
953
00:40:02,000 --> 00:40:04,135
[ EXHALES DEEPLY ]
954
00:40:05,904 --> 00:40:09,675
I WAS THROWING A FOOTBALL WITH
A BUDDY AND GOT HIT IN THE EYE.
955
00:40:09,741 --> 00:40:11,677
YOU POOR THING.
YEAH.
956
00:40:11,743 --> 00:40:13,011
BUT THAT'S NOT
EMBARRASSING.
957
00:40:13,078 --> 00:40:15,814
YEAH, NOW THAT YOU
MENTION IT, IT'S NOT.
958
00:40:28,560 --> 00:40:30,028
I HAVE TO GO.
DON'T GO.
959
00:40:30,095 --> 00:40:32,598
I DON'T WANT TO.
THEN DON'T.
LET'S GO SOMEWHERE.
960
00:40:32,664 --> 00:40:34,533
I'VE GOT TAKEOUT.
I'LL REIMBURSE YOU.
961
00:40:34,600 --> 00:40:36,134
MY MOM'S WAITING.
962
00:40:42,808 --> 00:40:44,342
KEEP THINKING WHAT
YOU'RE THINKING.
963
00:40:44,409 --> 00:40:46,745
I DON'T HAVE A CHOICE.
964
00:40:55,420 --> 00:40:57,523
MOM?
965
00:40:57,589 --> 00:40:59,357
[ Southern accent ]
IS THAT YOU, RHETT?
966
00:40:59,424 --> 00:41:00,826
I BRING FOOD.
967
00:41:00,892 --> 00:41:03,128
[ Normal voice ]
OH, THANK GOD!
968
00:41:03,194 --> 00:41:05,163
ONE OF EVERYTHING AT AL'S.
969
00:41:05,230 --> 00:41:07,633
BLESS YOU AND YOUR GLUTTONY.
970
00:41:08,333 --> 00:41:09,300
AREN'T YOU HUNGRY?
971
00:41:09,367 --> 00:41:10,836
YEAH.
972
00:41:11,603 --> 00:41:14,072
WELL, COME ON.
DIG IN.
973
00:41:16,575 --> 00:41:18,343
WHAT'S WRONG?
974
00:41:18,409 --> 00:41:20,078
NOTHING.
975
00:41:20,145 --> 00:41:22,581
UM...LISTEN.
976
00:41:24,482 --> 00:41:26,084
I'M LISTENING.
977
00:41:26,151 --> 00:41:30,021
WHEN I SAID BEFORE THAT I WAS
TOO BUSY TO THINK ABOUT IT,
978
00:41:30,088 --> 00:41:33,692
I REALIZED NOW THAT I'M NOT TOO
BUSY TO THINK ABOUT IT.
979
00:41:33,759 --> 00:41:35,894
THINK ABOUT IT?
ABOUT IT.
980
00:41:37,295 --> 00:41:38,930
OH. IT.
YEAH.
981
00:41:40,398 --> 00:41:41,900
IT.
982
00:41:41,967 --> 00:41:43,602
AH, IT.
983
00:41:43,669 --> 00:41:46,938
NOTHING'S HAPPENED YET,
BUT IT MIGHT...
984
00:41:48,006 --> 00:41:49,007
MAYBE.
985
00:41:49,074 --> 00:41:50,408
MAYBE?
986
00:41:50,475 --> 00:41:52,010
MAYBE.
987
00:41:52,077 --> 00:41:53,511
WITH JESS.
988
00:41:53,579 --> 00:41:57,148
WITH JESS.
YOU STILL WANT ME TO TELL YOU
EVERYTHING, RIGHT?
989
00:41:57,215 --> 00:41:59,317
YEAH. UH, NO.
WELL --
990
00:41:59,384 --> 00:42:00,586
WHICH IS IT?
991
00:42:00,652 --> 00:42:01,787
WE'RE DOING THIS NOW.
992
00:42:01,853 --> 00:42:03,989
YES. WHICH IS IT?
993
00:42:04,055 --> 00:42:04,923
I DON'T KNOW.
994
00:42:04,990 --> 00:42:07,659
YOU'LL LET ME KNOW?
YEAH.
995
00:42:07,726 --> 00:42:09,561
WAS THAT YEAH,
YOU'LL LET ME KNOW,
996
00:42:09,628 --> 00:42:11,897
OR YEAH, THAT'S YOUR ANSWER,
YOU WANNA KNOW?
997
00:42:11,963 --> 00:42:14,966
I GUESS I WANNA KNOW. YES.
OKAY.
998
00:42:15,033 --> 00:42:16,668
AND NOW. SURE.
999
00:42:16,735 --> 00:42:18,503
WELL, NOTHING'S HAPPENED.
1000
00:42:18,570 --> 00:42:19,537
I HEARD.
1001
00:42:19,605 --> 00:42:21,372
BUT IT MIGHT.
1002
00:42:21,439 --> 00:42:23,775
OKAY.
1003
00:42:23,842 --> 00:42:25,811
COULD YOU TELL ME
BEFORE IT DOES?
1004
00:42:25,877 --> 00:42:27,212
RIGHT BEFORE OR --
1005
00:42:27,278 --> 00:42:29,514
NO, JUST -- JUST BEFORE.
1006
00:42:29,581 --> 00:42:30,982
OKAY.
1007
00:42:31,049 --> 00:42:33,551
OKAY. GOOD.
1008
00:42:34,552 --> 00:42:35,587
IS THAT IT?
1009
00:42:35,654 --> 00:42:37,923
FOR TONIGHT, YEAH.
1010
00:42:37,989 --> 00:42:39,725
GOOD.
1011
00:42:39,791 --> 00:42:41,593
THIS -- THIS IS GOOD.
1012
00:42:41,660 --> 00:42:43,829
YEAH, IT IS GOOD.
1013
00:42:43,895 --> 00:42:46,031
OKAY, WELL, LET'S EAT.
1014
00:42:46,097 --> 00:42:48,199
GOOD.
79286
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