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1
00:00:02,036 --> 00:00:03,404
MORNING.
MORNING.
2
00:00:03,471 --> 00:00:05,439
SOMEONE WOKE UP
IN PROJECT MOOD TODAY.
3
00:00:05,506 --> 00:00:07,875
I GET MORE DONE BEFORE
9:00 IN THE MORNING
4
00:00:07,941 --> 00:00:11,612
THAN OTHERS GET DONE ALL DAY.
AS LONG AS YOU DON'T
ABANDON IT MIDPROJECT.
5
00:00:11,679 --> 00:00:13,947
I DO NOT DO THAT.
MAKE-YOUR-OWN
SEASHELL CANDLES.
6
00:00:14,014 --> 00:00:17,951
OH. NOT FAIR.
THE PLACED SMELLED LIKE MELTED
CRAYONS FOR THREE WEEKS.
7
00:00:18,018 --> 00:00:19,087
THIS IS DIFFERENT.
8
00:00:19,153 --> 00:00:21,655
FINE.
WHAT'S THE PROJECT?
9
00:00:21,722 --> 00:00:25,526
THIS IS A PILE OF
EVERY CATALOG WE'VE RECEIVED
FOR THE LAST THREE MONTHS.
10
00:00:25,593 --> 00:00:27,561
OKAY.
I'VE GATHERED THEM ALL TOGETHER,
11
00:00:27,628 --> 00:00:30,231
AND I WILL NOW PROCEED TO CALL
ALL THE COMPANIES
12
00:00:30,298 --> 00:00:32,466
THAT ARE SENDING US DUPLICATES
AND TELL THEM TO STOP.
13
00:00:32,533 --> 00:00:36,537
THAT'S VERY ENVIRONMENTAL.
IT'S GETTING RIDICULOUS.
WE GET EIGHT OF SOME OF THESE.
14
00:00:36,604 --> 00:00:38,372
YOU'RE KIDDING.
CHECK THIS OUT.
15
00:00:38,439 --> 00:00:40,674
THIS IS A STACK
OF IDENTICAL CATALOGS
16
00:00:40,741 --> 00:00:44,545
MAILED TO LORELAI GILMORE,
RORY GILMORE,
LORELAI RORY GILMORE,
17
00:00:44,612 --> 00:00:47,014
LORELAI V. GILMORE,
LORELAI VICTORIA GILMORE,
18
00:00:47,081 --> 00:00:49,350
LORELAI GILMO, LORELAI GIL,
19
00:00:49,417 --> 00:00:51,419
AND SQUEEGY BECKINHEIM.
HOW'D THAT GET IN THERE?
20
00:00:51,485 --> 00:00:53,654
I TOLD A STORE MY NAME
WAS SQUEEGY BECKINHEIM
21
00:00:53,721 --> 00:00:56,490
TO SEE HOW MANY CATALOGS
THEY WOULD SELL MY NAME TO.
22
00:00:56,557 --> 00:00:57,991
MY NAME IS
TO CATALOG COMPANIES
23
00:00:58,058 --> 00:01:00,261
WHAT BROOKE SHIELDS' PICTURE
IS TO CHINESE RESTAURANTS.
24
00:01:00,328 --> 00:01:01,395
HOW MANY?
TEN.
25
00:01:01,462 --> 00:01:02,930
WOW.
INCLUDING ONE WE WERE
26
00:01:02,996 --> 00:01:04,465
ALREADY GETTING
7 CATALOGS FROM.
27
00:01:04,532 --> 00:01:07,000
SO YOU MADE
THE PROBLEM WORSE.
UNINTENTIONALLY.
28
00:01:07,067 --> 00:01:10,338
THIS ONE IS ADDRESSED TO
TOOKIE CLOTHESPIN.
I FORGOT MY CODE NAME
29
00:01:10,404 --> 00:01:13,807
AT THE SECOND STORE I TESTED,
SO I SAID IT WAS
TOOKIE CLOTHESPIN.
30
00:01:13,874 --> 00:01:16,677
WHICH MEANS WE GET
EVEN MORE CATALOGS.
AGAIN, IT WAS UNINTENTIONAL.
31
00:01:16,744 --> 00:01:18,946
WHEN YOU START A FOREST FIRE
UNINTENTIONALLY,
32
00:01:19,012 --> 00:01:21,249
IT'S STILL YOUR FAULT.
YOU'RE PUTTING CALLING MYSELF
33
00:01:21,315 --> 00:01:22,916
SQUEEGY BECKINHEIM
AND TOOKIE CLOTHESPIN
34
00:01:22,983 --> 00:01:24,752
ON A LEVEL WITH STARTING
A FOREST FIRE?
35
00:01:24,818 --> 00:01:27,388
IT'S KILLING TREES.
YOU'RE DEPRESSING ME.
36
00:01:27,455 --> 00:01:29,957
STOP THE MADNESS.
THAT'LL CHEER YOU UP.
37
00:01:30,023 --> 00:01:31,959
I NEED COFFEE.
THERE'S MORE COFFEE.
38
00:01:32,025 --> 00:01:33,427
I SHOULD GET READY, TOO.
39
00:01:33,494 --> 00:01:35,263
YOU'RE STOPPING MIDPROJECT.
40
00:01:35,329 --> 00:01:36,997
I'M BORED.
THEN DON'T START
THESE PROJECTS.
41
00:01:37,064 --> 00:01:39,633
I'LL FINISH. I JUST WANT TO
CHECK ON THE SEASHELLS.
42
00:01:39,700 --> 00:01:41,735
THESE CATALOGS WILL BE
SITTING HERE FOREVER.
43
00:01:41,802 --> 00:01:43,637
NO, THEY'RE BIODEGRADABLE.
44
00:01:43,704 --> 00:01:45,906
I'LL CALL HALF,
AND YOU CALL HALF.
45
00:01:45,973 --> 00:01:48,209
OKAY.
OKAY.
46
00:01:48,276 --> 00:01:50,244
YOU DO YOURS FIRST,
THEN I'LL DO MINE.
47
00:01:50,311 --> 00:01:51,679
HEY...
WE ONLY HAVE ONE PHONE.
48
00:01:51,745 --> 00:01:53,113
YOU'RE YOUNG.
YOU'LL DIAL FASTER!
49
00:01:53,181 --> 00:01:54,448
SQUEEGY!
50
00:02:03,424 --> 00:02:08,429
* FEELIN' LONELY
AND SO COLD *
51
00:02:08,496 --> 00:02:12,400
* ALL YOU HAVE TO DO
IS CALL MY NAME *
52
00:02:12,466 --> 00:02:17,070
* AND I'LL BE THERE
ON THE NEXT TRAIN *
53
00:02:17,137 --> 00:02:21,442
* WHERE YOU LEAD,
I WILL FOLLOW *
54
00:02:21,509 --> 00:02:25,846
* ANYWHERE THAT YOU TELL ME TO *
55
00:02:25,913 --> 00:02:27,948
* IF YOU NEED *
* IF YOU NEED *
56
00:02:28,015 --> 00:02:30,484
* YOU NEED ME TO BE WITH YOU *
57
00:02:30,551 --> 00:02:32,186
* I WILL FOLLOW *
58
00:02:32,253 --> 00:02:34,555
* OH, OH, OH *
59
00:02:34,622 --> 00:02:39,460
* WHERE YOU LEAD,
I WILL FOLLOW *
60
00:02:39,527 --> 00:02:43,831
* ANYWHERE
THAT YOU TELL ME TO *
61
00:02:43,897 --> 00:02:45,999
* IF YOU NEED *
* IF YOU NEED *
62
00:02:46,066 --> 00:02:48,469
* YOU NEED ME TO BE WITH YOU *
63
00:02:48,536 --> 00:02:52,673
* I WILL FOLLOW WHERE YOU LEAD *
64
00:02:55,443 --> 00:02:56,844
ARE LANDING ATOP
THE STREETLIGHTS
65
00:02:56,910 --> 00:02:59,447
AND RELIEVING THEMSELVES ON
HELPLESS PASSERSBY.
66
00:02:59,513 --> 00:03:02,850
SOME OF THESE BIRDS SEEM TO BE
DOING IT ON PURPOSE.
67
00:03:02,916 --> 00:03:05,353
YOU GET DUMPED ON,
TAYLOR?
IT'S NOT JUST ME.
68
00:03:05,419 --> 00:03:09,557
IF ANYBODY HAS A PICTURE
OF TAYLOR GETTING DUMPED ON,
I'LL PAY TOP DOLLAR.
69
00:03:09,623 --> 00:03:12,460
TAYLOR, ALL ANIMALS
HAVE TO...YOU KNOW.
70
00:03:12,526 --> 00:03:14,695
HOW ARE YOU GONNA STOP BIRDS
FROM DOING THAT?
71
00:03:14,762 --> 00:03:18,031
EASY. YOU PUT SHARP METAL SPIKES
ON THE TOP OF THE FIXTURES.
72
00:03:18,098 --> 00:03:20,268
THEN, WHEN THEY LAND, POW!
THEY'RE SHISH KEBOB.
73
00:03:20,334 --> 00:03:22,370
THAT'S CRUEL.
YOU CAN'T DO THAT.
74
00:03:22,436 --> 00:03:24,405
I'D RATHER HAVE BIRD
CRAP ON MY HEAD.
75
00:03:24,472 --> 00:03:26,440
THERE --
OUR NEW TOWN SLOGAN!
I LIKE IT.
76
00:03:26,507 --> 00:03:27,741
I SEE COFFEE MUGS,
T-SHIRTS.
77
00:03:27,808 --> 00:03:29,710
DON'T FORGET THE STUFFED
SHISH-KEBOB BIRDS.
78
00:03:29,777 --> 00:03:32,613
THAT MOAN WHEN
YOU SQUEEZE THEM.
79
00:03:32,680 --> 00:03:34,214
[ Spanish accent ]
UH, EXCUSE ME.
80
00:03:34,282 --> 00:03:37,017
MAY I HELP YOU, SIR?
YES, I WAS LOOKING FOR --
81
00:03:37,084 --> 00:03:39,487
AH, THERE SHE IS -- PATRICIA.
82
00:03:39,553 --> 00:03:41,355
[ Spanish accent ] PATRICIA!
WELL, WELL, WELL!
83
00:03:41,422 --> 00:03:43,190
OOOH! OOOH!
OOOH! OOOH!
84
00:03:43,257 --> 00:03:44,925
OH, NOW, STOP IT.
ARE YOU READY?
85
00:03:44,992 --> 00:03:47,160
I'M RIGHT IN THE MIDDLE
OF SOMETHING, JESUS,
86
00:03:47,227 --> 00:03:49,263
BUT I'LL BE RIGHT OUT --
PATIENCE.
87
00:03:49,330 --> 00:03:51,499
OKAY.
88
00:03:51,565 --> 00:03:53,100
NOW, AS WE WERE SAYING --
89
00:03:53,166 --> 00:03:55,503
WHO'S THE FOX, PATTY?
EXCUSE ME...
90
00:03:55,569 --> 00:03:59,507
I MET HIM AT A FUNERAL.
GREAT GUY, GOOD DANCER -- LATIN!
91
00:03:59,573 --> 00:04:00,841
OOOH! OOOH!
OOOH! OOOH!
92
00:04:00,908 --> 00:04:02,543
PEOPLE, ORDER, PLEASE!
93
00:04:02,610 --> 00:04:04,011
HE BETTER TREAT YOU RIGHT.
94
00:04:04,077 --> 00:04:06,680
HOW WELL DO YOU KNOW HIM?
I JUST MET HIM.
95
00:04:06,747 --> 00:04:10,784
I CAN LOOK HIM UP
ON THE INTERNET.
PEOPLE, PLEASE!
96
00:04:10,851 --> 00:04:12,920
NOW, DUE TO THE LACK
OF RESPONSE,
97
00:04:12,986 --> 00:04:15,122
WE'LL HOLD OFF
ON THE BIRD SPIKES.
98
00:04:15,188 --> 00:04:16,990
GOOD.
LET MISS PATTY'S DATE BEGIN!
99
00:04:19,793 --> 00:04:22,596
IT'S A DIGITAL.
I WANT A FULL VISUAL ACCOUNT.
100
00:04:22,663 --> 00:04:24,832
Taylor: HOLD IT.
THERE'S ONE MORE ISSUE
101
00:04:24,898 --> 00:04:27,267
THAT MUST BE ADDRESSED
BEFORE WE CAN ADJOURN.
102
00:04:28,502 --> 00:04:31,004
ALRIGHT. NOW, THAT WEIRD,
TACITURN FELLOW
103
00:04:31,071 --> 00:04:33,607
WHO'S ALWAYS WALKING AROUND
WITH HIS BACKPACK
104
00:04:33,674 --> 00:04:35,676
HAS PUT IN AN ABSURD REQUEST
105
00:04:35,743 --> 00:04:38,479
TO STAGE A PROTEST
IN THE TOWN SQUARE.
106
00:04:38,546 --> 00:04:40,714
THE TOWN LONER?
THAT GUY STILL LIVES
AROUND HERE?
107
00:04:40,781 --> 00:04:43,150
SOMEWHERE IN THE HILLS, RIGHT?
THOUGHT HE WAS LONG GONE.
108
00:04:43,216 --> 00:04:45,786
HE VISITED THE BOOKSTORE A FEW
TIMES AND SAID NOTHING.
109
00:04:45,853 --> 00:04:47,688
IT'S A BIT CREEPY.
VERY CREEPY.
110
00:04:47,755 --> 00:04:50,758
BUT HE'S OUR BOO RADLEY,
AND WE DON'T HAVE A BOO RADLEY.
111
00:04:50,824 --> 00:04:53,961
UNLESS YOU COUNT THE
TROUBADOUR OR THE GUY
WHO TALKS TO MAILBOXES.
112
00:04:54,027 --> 00:04:57,197
EVERY TOWN NEEDS AS MANY
BOO RADLEYS AS THEY CAN GET.
113
00:04:57,264 --> 00:04:58,566
YES, THAT'S MY POINT.
114
00:04:58,632 --> 00:05:00,067
WHAT'S HE PROTESTING,
TAYLOR?
115
00:05:00,133 --> 00:05:02,436
WELL, THAT'S NOT INDICATED
HERE, BUT IT DOESN'T MATTER.
116
00:05:02,503 --> 00:05:06,440
PROTESTING IS NOT ALLOWED IN
THE TOWN SQUARE. PERIOD.
IT'S UN-AMERICAN.
117
00:05:06,507 --> 00:05:08,976
LIKE THE REVOLUTIONARY WAR?
AND ROSA PARKS?
118
00:05:09,042 --> 00:05:11,812
THAT'S DIFFERENT. THEY WERE
AGAINST THE BRITISH AND BUSES.
119
00:05:11,879 --> 00:05:15,516
NO ONE LIKES THE BRITISH
OR BUSES.
120
00:05:15,583 --> 00:05:16,784
YES, DEAR. WHAT IS IT?
121
00:05:16,850 --> 00:05:19,219
OH, I'M SORRY.
I THOUGHT I HEARD MY NAME.
122
00:05:19,286 --> 00:05:21,121
HE SAID "BUSES," DEAR,
NOT "JESUS."
123
00:05:21,188 --> 00:05:22,490
SOUNDED LIKE "JESUS."
124
00:05:23,724 --> 00:05:25,793
COULD THIS MEETING
BE ANY MORE DISRUPTED?
125
00:05:25,859 --> 00:05:29,463
I COULD DO A SOFT-SHOE.
WHILE I POUND OUT
A BEAT ON THE BONGOS.
126
00:05:29,530 --> 00:05:31,699
SOUNDS LIKE FUN.
I GOT BONGOS IN THE BACK.
127
00:05:31,765 --> 00:05:35,035
SEEING AS HOW OUR ATTENTION
SPANS ARE GNATLIKE TONIGHT,
128
00:05:35,102 --> 00:05:39,840
AS TOWN SELECTMAN,
I AM REFUSING THE TOWN LONER'S
REQUEST TO PROTEST,
129
00:05:39,907 --> 00:05:42,075
AND I AM ADJOURNING
THIS MEETING.
130
00:05:42,142 --> 00:05:44,612
SHE'S ALL YOURS, JESUS.
131
00:05:44,678 --> 00:05:46,447
NOTHING OF SUBSTANCE
DONE IN THIS MEETING.
132
00:05:46,514 --> 00:05:47,748
AND THE TRADITION STANDS.
133
00:05:49,182 --> 00:05:51,318
WHAT DO YOU KNOW
ABOUT THIS TOWN-LONER GUY?
134
00:05:51,385 --> 00:05:53,954
JUST KIND OF SKULKS AROUND WITH
THAT BACKPACK, NEVER SMILES.
135
00:05:54,021 --> 00:05:55,889
DOES HE ALSO MAKE
CHEESEBURGERS
136
00:05:55,956 --> 00:05:58,726
AND HARBOR A DESIRE TO WEAR
A BACKWARDS BASEBALL CAP?
WHAT?
137
00:05:58,792 --> 00:06:00,861
* THEY'RE COUSINS,
IDENTICAL COUSINS *
138
00:06:00,928 --> 00:06:02,262
STOP IT.
139
00:06:02,329 --> 00:06:03,497
WELL...
140
00:06:05,633 --> 00:06:07,668
LOOK WHO'S BACK BEHIND
THE WHEEL -- LOVELY.
141
00:06:07,735 --> 00:06:10,504
MOM, I'M GONNA GET GOING.
I'VE GOT SOME STUDYING TO DO.
142
00:06:10,571 --> 00:06:12,039
OKAY. I'LL CATCH UP
WITH YOU.
143
00:06:12,105 --> 00:06:15,008
WHEN DID JESS GET A CAR?
OH, UH, RECENTLY.
144
00:06:15,075 --> 00:06:19,212
WHERE'D HE GET IT?
UH, FROM A GUY
AROUND HERE AT A PLACE.
145
00:06:19,279 --> 00:06:21,849
YOU HAD NO IDEA,
DID YOU?
NOT IN THE LEAST.
146
00:06:21,915 --> 00:06:23,684
WAY TO HAVE A HANDLE
ON THINGS.
147
00:06:23,751 --> 00:06:26,319
HE DOESN'T SHARE MUCH WITH ME,
AND HE'S GOT A LICENSE.
148
00:06:26,386 --> 00:06:28,956
STOP HIM BEFORE HE KILLS.
HE'S NOT GONNA KILL ANYONE.
149
00:06:29,022 --> 00:06:31,592
HE'S GOT A BAD TRACK RECORD
WITH CARS.
I KNOW.
150
00:06:31,659 --> 00:06:33,026
I'M NOT EXACTLY THRILLED
WITH THIS.
151
00:06:33,093 --> 00:06:35,429
I'M SORRY.
I'LL JUST BUTT OUT NOW.
152
00:06:35,496 --> 00:06:36,897
WHERE'D HE GET THE MONEY?
WHAT?
153
00:06:36,964 --> 00:06:39,700
FOR THE CAR.
I DON'T KNOW.
WORKING AT TH DINER?
154
00:06:39,767 --> 00:06:42,335
I CAN BARELY AFFORD A CAR
ON THE MONEY I GET.
155
00:06:42,402 --> 00:06:45,372
PROBABLY A GIFT FROM SOMEONE WHO
DOESN'T KNOW IT'S GONE YET.
156
00:06:45,439 --> 00:06:47,240
THANKS.
I'M HELPFUL, AREN'T I?
157
00:06:47,307 --> 00:06:48,576
BYE.
BYE.
158
00:06:53,280 --> 00:06:55,182
HEY.
HEY.
159
00:06:55,248 --> 00:06:56,817
SO, YOU GOT A CAR.
160
00:06:56,884 --> 00:06:59,052
MOTOR TREND'S NOT GONNA BE
GIVING IT ANY AWARDS,
161
00:06:59,119 --> 00:07:02,490
IT'LL GET ME AROUND.
I GUESS IT'LL GET YOU AROUND.
162
00:07:02,556 --> 00:07:05,726
SO, UH, WHERE'D YOU GET
THE MONEY FOR IT?
163
00:07:05,793 --> 00:07:06,927
MUGGED AN OLD LADY.
164
00:07:06,994 --> 00:07:08,796
JESS...
IT DIDN'T COST THAT MUCH.
165
00:07:08,862 --> 00:07:10,598
WHAT'S "NOT MUCH"?
LESS THAN "A LOT."
166
00:07:10,664 --> 00:07:14,802
WHERE DID YOU GET THE MONEY?
YOU KNOW THAT HASH
YOU SLING AT THE DINER?
167
00:07:14,868 --> 00:07:19,139
I SCRAPE IT OFF THE PLATES.
I WORK FOR YOU?
YEAH, I KNOW YOU DO.
168
00:07:19,206 --> 00:07:22,242
I ALSO KNOW I DON'T PAY YOU
ENOUGH TO BUY THE CAR.
169
00:07:22,309 --> 00:07:26,547
I SAVED UP AND BOUGHT
THE CAR FROM GYPSY'S.
SHE GAVE ME A GOOD DEAL.
170
00:07:26,614 --> 00:07:28,081
OKAY, SO YOU BOUGHT A CAR.
171
00:07:28,148 --> 00:07:30,951
NOW, THE PRICE OF THE CAR
IS JUST ONE SMALL THING.
172
00:07:31,018 --> 00:07:32,953
IT'S JUST THE BEGINNING.
OH, YEAH?
173
00:07:33,020 --> 00:07:35,188
DID YOU TAKE THE ADDITIONAL
EXPENSES INTO ACCOUNT?
174
00:07:35,255 --> 00:07:36,790
LIKE?
INSURANCE.
175
00:07:36,857 --> 00:07:38,692
I'M IN GOOD HANDS.
LIABILITY,
UNINSURED MOTORIST?
176
00:07:38,759 --> 00:07:40,661
ALL THE PAPER WORK'S
IN THE GLOVE COMPARTMENT.
177
00:07:40,728 --> 00:07:44,397
MONEY FOR GAS?
THIS DIDN'T COME WITH
A NEVER-EMPTYING MAGICAL TANK?
178
00:07:44,464 --> 00:07:46,534
JESS...
I FACTORED THAT IN.
179
00:07:46,600 --> 00:07:51,004
YOU'RE GONNA HAVE REPAIRS.
I CAN FIX MOST OF THEM MYSELF
AND SAVE UP FOR THE REST.
180
00:07:51,071 --> 00:07:53,440
PLUS, I'M GONNA REPLACE THE OIL
EVERY COUPLE MONTHS.
181
00:07:53,507 --> 00:07:57,110
I BET YOU DIDN'T THINK OF THAT.
I'M THE ONE
THAT BROUGHT IT UP.
182
00:07:57,177 --> 00:08:00,213
YOU'RE THE ONE
THAT DIDN'T THINK OF IT.
NO, BUT I...
183
00:08:01,048 --> 00:08:02,683
SIGN THIS.
184
00:08:02,750 --> 00:08:04,151
REGISTRATION?
185
00:08:04,217 --> 00:08:08,388
I'M STILL A MINOR.
I DON'T HAVE A PEN.
186
00:08:08,455 --> 00:08:11,058
IT'S OKAY THAT SOMEBODY'S
NAME IS CROSSED OUT ON IT
187
00:08:11,124 --> 00:08:12,893
AND THAT YOURS IS WRITTEN IN.
YEP.
188
00:08:12,960 --> 00:08:16,029
JUST CHECKING.
THANKS.
GLAD WE HAD THIS TALK.
189
00:08:16,096 --> 00:08:18,065
YEAH. SAME HERE.
190
00:08:21,434 --> 00:08:24,371
HELLO.
I'M IN HERE.
191
00:08:24,437 --> 00:08:28,441
WOW. YOU BEAT ME HOME BY
TWO MINUTES, AND YOUR NOSE
IS ALREADY IN THE BOOKS.
192
00:08:28,508 --> 00:08:33,547
I CAN GO FROM ZERO TO STUDYING
IN LESS THAN 60 SECONDS.
VERY IMPRESSIVE. MAIL CALL.
193
00:08:33,614 --> 00:08:37,184
WHAT'S THIS?
MORTGAGE PAYMENT. YOU MIND
PICKING IT UP THIS MONTH?
194
00:08:37,250 --> 00:08:39,887
NO, NOT AT ALL.
JUST SOMETHING ADDRESSED TO YOU.
195
00:08:40,688 --> 00:08:42,489
IT'S AN INVITATION.
196
00:08:42,556 --> 00:08:44,091
OH.
AN INVITATION TO WHAT?
197
00:08:44,157 --> 00:08:46,927
IS IT THE WHITE HOUSE AGAIN?
THOSE BOYS NEVER GIVE UP.
198
00:08:46,994 --> 00:08:48,328
IT'S TO SHERRY'S
BABY SHOWER.
199
00:08:48,395 --> 00:08:52,065
WHO?
SHERRY TINSDALE --
DAD'S SHERRY.
200
00:08:52,132 --> 00:08:53,166
YOU'RE KIDDING?
201
00:08:53,233 --> 00:08:55,402
IT'S AT HER AND DAD'S HOUSE
ON SUNDAY.
202
00:08:55,468 --> 00:08:59,573
WELL, THAT IS VERY WEIRD.
WE HAVEN'T HAD CONTACT WITH
CHRISTOPHER IN MONTHS.
203
00:08:59,640 --> 00:09:01,809
SHE MUST KNOW WE'RE
ON THE OUTS WITH HIM.
204
00:09:01,875 --> 00:09:03,844
SHE MAY NOT KNOW
HOW ON THE OUTS.
205
00:09:03,911 --> 00:09:06,246
ZERO CONTACT IS
MAXIMUM ON THE OUTS.
206
00:09:06,313 --> 00:09:10,283
YEAH. ALTHOUGH
THERE MAY HAVE BEEN SOME.
207
00:09:10,350 --> 00:09:12,586
SOME WHAT?
SOME CONTACT.
208
00:09:14,054 --> 00:09:16,256
OH. YOU'VE BEEN IN CONTACT
WITH CHRISTOPHER?
209
00:09:16,323 --> 00:09:19,326
YEAH. I'M SORRY.
NO, DON'T APOLOGIZE.
210
00:09:19,392 --> 00:09:22,630
YOU'VE ALWAYS BEEN TOTALLY
FREE TO TALK TO HIM
WHENEVER YOU WANT.
211
00:09:22,696 --> 00:09:24,197
I MEAN, HE'S YOUR DAD,
RIGHT?
212
00:09:24,264 --> 00:09:27,835
SO DON'T APOLOGIZE.
OKAY, I TAKE
THE APOLOGY BACK.
213
00:09:27,901 --> 00:09:29,670
IT'S GOOD YOU'VE BEEN
TALKING TO HIM.
214
00:09:29,737 --> 00:09:31,504
IT IS WEIRD
YOU DIDN'T TELL ME.
215
00:09:31,571 --> 00:09:34,241
YEAH, I'M SORRY.
STOP APOLOGIZING.
216
00:09:34,307 --> 00:09:38,111
EVEN WHEN I FEEL I SHOULD
APOLOGIZE, I CAN'T?
YEAH. IT'S A LITTLE ANNOYING.
217
00:09:38,178 --> 00:09:39,279
SORRY.
RORY...
218
00:09:39,346 --> 00:09:41,314
I'M TRYING TO
LIGHTEN THE MOOD.
IT IS.
219
00:09:41,381 --> 00:09:44,251
I JUST HATE THAT YOU
HAD TO HIDE THAT FROM ME.
220
00:09:44,317 --> 00:09:46,654
I JUST FELT LIKE I WAS
BETRAYING YOU.
221
00:09:46,720 --> 00:09:48,756
WELL, YOU WEREN'T.
I KNOW THAT NOW.
222
00:09:52,159 --> 00:09:54,361
SO, HOW MUCH CONTACT
HAVE YOU HAD WITH HIM?
223
00:09:54,427 --> 00:09:57,831
NOT TONS. HE E-MAILED ME A MONTH
AGO, I E-MAILED HIM BACK,
224
00:09:57,898 --> 00:09:59,867
AND NOW WE OCCASIONALLY TALK
ON THE PHONE.
225
00:09:59,933 --> 00:10:01,601
DOES HE EVER ASK
ABOUT ME?
226
00:10:01,669 --> 00:10:04,638
WHAT ANSWER WILL
FREAK YOU OUT THE LEAST?
THE HONEST ONE.
227
00:10:04,705 --> 00:10:06,173
YES, HE ASKS ABOUT YOU,
228
00:10:06,239 --> 00:10:09,810
BECAUSE DAD WILL ALWAYS CARE FOR
YOU VERY MUCH YOU KNOW THAT.
229
00:10:09,877 --> 00:10:13,681
DO YOU WANT ME TO SAY HELLO
FOR YOU NEXT TIME WE TALK?
NO.
230
00:10:13,747 --> 00:10:16,984
FINE. WHAT SHOULD I DO
ABOUT THIS?
231
00:10:17,050 --> 00:10:19,219
IT'S YOUR CALL.
I GUESS BEING IN DAD'S WORLD
232
00:10:19,286 --> 00:10:21,088
AUTOMATICALLY MEANS
BEING IN SHERRY'S.
233
00:10:21,154 --> 00:10:23,423
IT IS YOUR HALF-BROTHER OR
SISTER SHE'S CARRYING --
234
00:10:23,490 --> 00:10:26,927
I KNOW. IT'S WEIRD.
A GOOD REASON TO MAKE
SOME CONNECTION WITH HER.
235
00:10:26,994 --> 00:10:29,162
IT'S GONNA BE ONE OF
THOSE BRUNCHY QUICHEY THINGS
236
00:10:29,229 --> 00:10:31,598
WHERE I DON'T KNOW ANYONE,
AND IT'S IN BOSTON.
237
00:10:31,665 --> 00:10:33,667
I'LL DRIVE YOU THERE.
REALLY?
238
00:10:33,734 --> 00:10:35,703
I'LL DO SOME SHOPPING
WHILE YOU QUICHE IT.
239
00:10:35,769 --> 00:10:39,172
WE CAN SET UP SOME S.O.S.
SIGNAL IF I WANT TO LEAVE?
240
00:10:39,239 --> 00:10:40,908
SURE.
WHAT SHOULD
THE SIGNAL BE?
241
00:10:40,974 --> 00:10:43,010
HOW ABOUT "S.O.S."?
PERFECT.
242
00:10:43,076 --> 00:10:44,845
SO YOU'RE GOING.
I GUESS I'M GOING.
243
00:10:44,912 --> 00:10:46,914
GOOD. I THINK YOU'VE MADE
THE RIGHT DECISION.
244
00:10:46,980 --> 00:10:50,383
SO DO I. AND I SHOULDN'T HAVE
HID THAT I'M TALKING TO DAD.
245
00:10:50,450 --> 00:10:52,452
I'M REALLY S--
UH...
246
00:10:52,519 --> 00:10:54,287
...STARVING.
I'LL GET SOME ICE CREAM.
247
00:11:00,694 --> 00:11:01,829
[ INSTRUMENTAL MUSIC ]
248
00:11:04,231 --> 00:11:06,767
YOU'RE UP EARLY.
GOT A FEW ERRANDS TO RUN.
249
00:11:06,834 --> 00:11:08,468
YOU GOT TIME BEFORE
SCHOOL?
250
00:11:08,535 --> 00:11:09,770
I GOT WHEELS.
RIGHT.
251
00:11:09,837 --> 00:11:12,272
RIGHT, YOU GOT WHEELS.
252
00:11:12,339 --> 00:11:15,008
LID.
BY THE WAY, I OWE YOU 10 BUCKS.
253
00:11:15,075 --> 00:11:16,844
WHEN DID I LOAN YOU
10 BUCKS?
254
00:11:16,910 --> 00:11:18,278
LAST NIGHT.
I WASN'T HERE.
255
00:11:18,345 --> 00:11:20,313
YOU'RE ALWAYS HERE,
UNCLE LUKE -- IN MY HEART.
256
00:11:20,380 --> 00:11:23,583
YOU TOOK MONEY
OUT OF THE REGISTER.
YOU'LL GET IT BACK TODAY.
257
00:11:23,650 --> 00:11:26,619
DO NOT TAKE MONEY
OUT OF THE REGISTER.
258
00:11:26,686 --> 00:11:27,721
GOTTA RUN.
259
00:11:27,788 --> 00:11:29,757
[ SIGHS ] LID.
260
00:11:34,261 --> 00:11:35,595
[ CLEARS THROAT ]
261
00:11:35,662 --> 00:11:39,532
OH, UH, WHAT CAN I
GET YOU, KIRK?
PATTY MELT AND A COKE.
262
00:11:39,599 --> 00:11:43,536
YOU WANT THE MELT CUT INTO
SQUARES OR STARS TODAY?
HALF AND HALF?
263
00:11:43,603 --> 00:11:45,839
OKAY, COMING RIGHT UP.
THANKS.
264
00:11:45,906 --> 00:11:47,841
MAN, THAT CAR'S A HONEY --
265
00:11:47,908 --> 00:11:51,244
DUAL PISTON CAMS, DIPLEX
OVERDRIVE WITH MAXIMUM TORQUE,
266
00:11:51,311 --> 00:11:54,782
16 LITER SIDE BY SIDE,
FIRING 3 ON 1 -- SWEET.
267
00:11:54,848 --> 00:11:57,350
KIRK, NONE OF THAT
MAKES ANY SENSE.
WHAT?
268
00:11:57,417 --> 00:12:00,187
I KNOW A LITTLE ABOUT CARS.
THAT WAS ALL GIBBERISH.
269
00:12:00,253 --> 00:12:03,556
OH. WELL, WOULD YOU MIND NOT
TELLING PEOPLE ABOUT THIS?
270
00:12:03,623 --> 00:12:06,159
I'VE CULTIVATED A REPUTATION
AS SORT OF A CAR AFICIONADO,
271
00:12:06,226 --> 00:12:10,430
IN REALITY, ALL I HAVE
IS A JAN AND DEAN RECORD.
I'LL KEEP IT TO MYSELF.
272
00:12:10,497 --> 00:12:13,266
I SHOULD PROBABLY
LISTEN TO IT AGAIN.
YEAH, I WOULD.
273
00:12:13,333 --> 00:12:14,467
[ ENGINE REVS ]
274
00:12:14,534 --> 00:12:17,304
MAN, I WISH MY MOM WOULD
LET ME HAVE A CAR...
275
00:12:17,370 --> 00:12:21,574
OR A BIKE...
OR MY ROLLER SKATES BACK.
276
00:12:21,641 --> 00:12:22,810
[ TIRES SQUEAL ]
277
00:12:23,877 --> 00:12:26,679
YOU DON'T TAKE CARE OF IT.
I DO!
278
00:12:26,746 --> 00:12:27,915
THIS TRUCK DOESN'T
LIKE YOU.
279
00:12:27,981 --> 00:12:29,616
IS IT TALKING TO YOU NOW?
280
00:12:29,682 --> 00:12:31,318
YOUR TRANSMISSION'S SHOT.
281
00:12:31,384 --> 00:12:34,654
I SHIFT UP AND DOWN A LOT.
MR. GRIND-IT-
TILL-YOU-FIND-IT, HUH?
282
00:12:34,721 --> 00:12:36,556
JUST TELL ME
WHAT NEEDS DOING.
283
00:12:36,623 --> 00:12:39,526
BE FASTER TO SAY
WHAT DOESN'T NEED DOING.
WHATEVER YOU WANT.
284
00:12:39,592 --> 00:12:42,395
YOU RIDE YOUR BRAKES --
BAD FOR THE TRUCK, GOOD FOR ME.
285
00:12:42,462 --> 00:12:44,998
I LIKE REPLACING BRAKES --
PAYS FOR THE CABLE TV.
286
00:12:45,065 --> 00:12:47,034
HOW ABOUT I JUST MAKE
THE CHECK OUT
287
00:12:47,100 --> 00:12:49,336
DIRECTLY TO YOUR CABLE COMPANY?
WOULD THAT BE EASIER?
288
00:12:49,402 --> 00:12:51,171
YEAH, THANKS, AND
GET SOME EXTRA CHECKS
289
00:12:51,238 --> 00:12:54,007
'CAUSE YOU'RE GONNA BE MAKING
ONE OUT TO MY MILKMAN, TOO.
290
00:12:54,074 --> 00:12:57,477
OH, AND LOOKY HERE.
YOU JUST BOUGHT ME A COUCH.
291
00:12:57,544 --> 00:13:00,047
HEY, LUKE.
HEY, GYPSY.
I DON'T WANT TO INTERRUPT.
292
00:13:00,113 --> 00:13:04,617
NO, PLEASE. I NEED A LITTLE
BREAK FROM THE GAIETY.
293
00:13:04,684 --> 00:13:08,088
WHAT CAN I DO FOR YOU?
WELL, JESS CAME HOME
WITH THIS CAR,
294
00:13:08,155 --> 00:13:10,057
AND HE BOUGHT IT FROM YOU.
295
00:13:10,123 --> 00:13:12,092
IT'S WORKING GREAT, IF THAT'S
WHAT YOU'RE WONDERING.
296
00:13:12,159 --> 00:13:16,596
I KNOW THAT. IT'S JUST, UH,
HE PAID YOU FOR IT, RIGHT?
297
00:13:16,663 --> 00:13:17,797
NOTHING'S FREE AT GYPSY'S.
298
00:13:17,865 --> 00:13:19,432
AND HE PAID CASH?
MOSTLY 20s.
299
00:13:19,499 --> 00:13:21,869
DID YOU MAKE SURE ANDREW JACKSON
WAS ON THE BILLS,
300
00:13:21,935 --> 00:13:24,504
NOT ALFRED E. NEWMAN
OR SOMEONE?
LOOKED REAL TO ME.
301
00:13:24,571 --> 00:13:28,341
WHEN HE TOOK THE MONEY OUT,
DID A MASK OR A GUN FALL OUT?
302
00:13:28,408 --> 00:13:32,512
NO, HE WAS CARRYING
IT IN A BAG WITH
A BIG DOLLAR SIGN ON IT.
303
00:13:32,579 --> 00:13:33,546
REALLY?
NO.
304
00:13:33,613 --> 00:13:35,248
GOOD.
GUYS ARE STUPID.
305
00:13:35,315 --> 00:13:37,584
WHAT?
YOU STRIP YOUR GEARS,
YOU RIDE YOUR BRAKES,
306
00:13:37,650 --> 00:13:42,255
IF WE DON'T LAUGH AFTER WE MAKE
A JOKE, YOU THINK WE'RE SERIOUS.
I DON'T RIDE MY BRAKES!
307
00:13:42,322 --> 00:13:44,691
I WANT TO MAKE SURE
IT WAS ON THE UP-AND-UP.
308
00:13:44,757 --> 00:13:47,961
I DON'T ASK WHERE MY CUSTOMERS
GET THEIR MONEY FROM, DO YOU?
309
00:13:48,028 --> 00:13:51,231
I GUESS I DON'T. THANKS.
ANYTIME.
310
00:13:51,298 --> 00:13:54,534
OH, GOODY!
A TRIP TO FLORIDA!
311
00:13:54,601 --> 00:13:55,735
[ SIGHS ]
312
00:13:55,802 --> 00:13:57,104
THIS IS OUTRAGEOUS.
313
00:13:57,170 --> 00:13:58,605
THE TOWN UNANIMOUSLY REFUSED
314
00:13:58,671 --> 00:14:01,808
TO LET THAT LONER FREAK
PROTEST IN THE SQUARE.
315
00:14:01,875 --> 00:14:05,879
WHY WOULD THE TWO OF YOU
CONSIDER ALLOWING HIM TO
DO IT FROM YOUR CHURCH?
316
00:14:05,946 --> 00:14:07,614
THE TOWN DIDN'T REFUSE HIM.
YOU DID.
317
00:14:07,680 --> 00:14:09,516
SO YOU'RE SPEARHEADING
THIS REVOLT?
318
00:14:09,582 --> 00:14:11,751
REVEREND SKINNER AND I SHARE
THE CHURCH FOR SERVICES.
319
00:14:11,818 --> 00:14:14,587
IF THERE'S GONNA BE A PROTEST,
IT'LL BE A JOINT DECISION.
320
00:14:14,654 --> 00:14:16,623
I CAN'T EVEN LOOK
AT THIS MAYONNAISE.
321
00:14:16,689 --> 00:14:18,058
I GOT IT, DAVID.
THANKS.
322
00:14:18,125 --> 00:14:20,894
I COULD BAN IT. I COULD GET
THE TOWN COUNCIL TOGETHER,
323
00:14:20,961 --> 00:14:22,996
FIND SOMETHING ON THE BOOKS.
THERE'S A WAY.
324
00:14:23,063 --> 00:14:25,232
THE CHURCH IS EXEMPT
FROM YOUR TOWN STATUTES.
325
00:14:25,298 --> 00:14:27,834
WE ANSWER TO A HIGHER
AUTHORITY -- LIKE THE HOT DOG.
326
00:14:27,901 --> 00:14:30,637
I LAUGH EVERY TIME
YOU SAY THAT.
FUNNY IS FUNNY.
327
00:14:30,703 --> 00:14:33,941
I CAN GUARANTEE THAT GOD
DOES NOT WANT THIS EITHER.
328
00:14:34,007 --> 00:14:35,375
DID YOU HEAR THAT, DAVID?
329
00:14:35,442 --> 00:14:37,410
TAYLOR DOOSE IS IN DIRECT
COMMUNICATION WITH GOD.
330
00:14:37,477 --> 00:14:40,047
30 YEARS, I HAVEN'T RECEIVED
SO MUCH AS A CARD.
331
00:14:40,113 --> 00:14:42,282
IS IT BY PHONE
THAT YOU SPEAK WITH HIM?
332
00:14:42,349 --> 00:14:44,184
DO YOU HAVE A GOD-PHONE?
RABBI, PLEASE.
333
00:14:44,251 --> 00:14:46,419
WHAT'S HE LIKE -- FOR US
WHO'VE NEVER MET HIM?
334
00:14:46,486 --> 00:14:48,255
SHORT? TALL?
DOES HE LIKE TO LAUGH?
335
00:14:48,321 --> 00:14:49,889
IS THE SHELLFISH THING
REALLY SERIOUS?
336
00:14:49,957 --> 00:14:51,791
BECAUSE SOME OF
THESE RED LOBSTER COMMERCIALS...
337
00:14:51,858 --> 00:14:55,128
THEY LOOK GOOD, HUH?
OH, WITH
THE MELTED BUTTER...
338
00:14:55,195 --> 00:14:57,697
CAN WE STAY SERIOUS
FOR A MINUTE HERE?
339
00:14:57,764 --> 00:15:00,968
YOU'RE TOO UPTIGHT.
NO MATTER HOW MUCH STEAM
BLOWS OUT OF YOUR EARS,
340
00:15:01,034 --> 00:15:05,272
OUR DECISION WILL BE FINAL.
IT'S HARDBALL, HUH? THE COUNCIL
GAVE YOU SPECIAL PERMISSION
341
00:15:05,338 --> 00:15:08,108
TO RUN BINGO OUT OF THAT
BUILDING. WE COULD WITHDRAW IT.
342
00:15:08,175 --> 00:15:09,609
AT YOUR PERIL.
MEANING?
343
00:15:09,676 --> 00:15:11,711
YOU'RE GONNA TELL
MY OLD LADIES, MY BUBBIES,
344
00:15:11,778 --> 00:15:14,581
YOU'RE SHUTTING DOWN
THEIR BINGO?
I'M NOT AFRAID OF THEM.
345
00:15:14,647 --> 00:15:18,451
GOD, THANK YOU FOR
LETTING ME BE IN THE ROOM
WHEN TAYLOR SAID THAT.
346
00:15:18,518 --> 00:15:21,955
I WOULD SINCERELY LIKE TO THANK
YOU FOR WASTING MY TIME.
347
00:15:22,022 --> 00:15:26,593
OUR PLEASURE.
I CAN'T BELIEVE THAT YOU,
REVEREND SKINNER OF ALL PEOPLE
348
00:15:26,659 --> 00:15:30,330
WOULD DO THIS TO ME, AFTER ALL
THE SUPPORT I'VE GIVEN YOU.
349
00:15:30,397 --> 00:15:32,432
ALL THE SUPPORT? TAYLOR,
YOU'RE A SUNDAY PROTESTANT.
350
00:15:32,499 --> 00:15:35,502
YOU COME IN, YOU SAY, "HI, GOD,"
YOU SING, AND YOU LEAVE.
351
00:15:35,568 --> 00:15:38,771
I ALWAYS LEAVE A DOLLAR.
FOR YOUR SINGING VOICE,
YOU SHOULD LEAVE $2.
352
00:15:38,838 --> 00:15:42,542
FINE, IF YOU FEEL LIKE THAT,
MAYBE I WILL JUST STOP
SHOWING UP ALTOGETHER.
353
00:15:42,609 --> 00:15:44,411
MAYBE I'LL CONVERT
TO SOMETHING ELSE
354
00:15:44,477 --> 00:15:46,246
AND GIVE THEM
MY GENEROUS WEEKLY DONATION.
355
00:15:46,313 --> 00:15:48,281
YOU WANT HIM?
NOT AFTER
THAT "BUBBIES" THING.
356
00:15:48,348 --> 00:15:51,051
MAYBE THE SHAKERS IN WOODBURY
WOULD TAKE HIM.
357
00:15:51,118 --> 00:15:52,852
CAN YOU MAKE FURNITURE?
358
00:15:52,919 --> 00:15:54,187
GOODBYE, GENTLEMEN!
359
00:15:54,254 --> 00:15:56,189
[ RABBI BARANS AND
REVEREND SKINNER LAUGH ]
360
00:16:00,493 --> 00:16:02,262
HOW'S IT GOING?
PRETTY SLOW.
361
00:16:02,329 --> 00:16:04,397
IS JESS UPSTAIRS?
I HAVEN'T SEEN HIM.
362
00:16:04,464 --> 00:16:05,698
OKAY, THANKS.
363
00:16:06,733 --> 00:16:08,535
[ INSTRUMENTAL MUSIC ]
364
00:16:11,471 --> 00:16:13,140
JESS?
365
00:16:24,217 --> 00:16:27,354
[ TELEPHONE RINGS ]
366
00:16:30,923 --> 00:16:32,225
HELLO?
367
00:16:32,292 --> 00:16:35,028
OH, HEY, RANDY.
WHAT'S UP?
368
00:16:35,095 --> 00:16:37,264
WELL, SOMEONE'S
GOTTA TAKE CARE OF IT.
369
00:16:37,330 --> 00:16:39,899
IT'S NOT GONNA TAKE CARE
OF ITSELF.
370
00:16:39,966 --> 00:16:42,802
I UNDERSTAND. I GET IT.
WHAT ELSE?
371
00:16:42,869 --> 00:16:44,271
UH-HUH.
372
00:16:44,337 --> 00:16:46,539
YOU THINK I GOT A GOOD GIFT?
IT'S FOOLPROOF.
373
00:16:46,606 --> 00:16:49,609
IT'S NOT VERY ORIGINAL.
A NEW MOTHER CAN'T HAVE
MANY BABY BLANKETS,
374
00:16:49,676 --> 00:16:52,879
NOT WITH SO MUCH STUFF OOZING
OUT OF A BABY'S EVERY ORIFICE.
375
00:16:52,945 --> 00:16:54,847
EW!
I CALL IT LIKE I SEE IT.
376
00:16:54,914 --> 00:16:58,385
CALL IT LESS GRAPHICALLY.
THE VERY CONCEPT OF CHILDBIRTH
IS VAGUELY DISTURBING.
377
00:16:58,451 --> 00:17:01,020
KIDS ARE COOL, BUT GETTING THERE
SEEMS LIKE A COSMIC JOKE.
378
00:17:01,088 --> 00:17:05,692
DEFINITELY THOUGHT UP BY A MAN.
MY MOM SAID THAT WHEN SHE TOLD
ME WHERE BABIES COME FROM.
379
00:17:05,758 --> 00:17:09,362
MY MOM HASN'T TOLD ME.
WHEN MY COUSIN GOT PREGNANT,
SHE SAID IT'S BECAUSE
380
00:17:09,429 --> 00:17:11,398
AN ANGEL BRUSHED ITS WINGS
AGAINST HER FACE.
381
00:17:11,464 --> 00:17:13,433
I CAN FILL YOU IN
ON THE DETAILS.
382
00:17:13,500 --> 00:17:16,669
NO, THANKS.
I PICKED IT UP OFF THE STREETS.
383
00:17:16,736 --> 00:17:18,538
THAT'S NEW.
IS IT?
384
00:17:18,605 --> 00:17:20,373
I HAVE NEVER SEEN IT
BEFORE,
385
00:17:20,440 --> 00:17:23,009
I'M VERY INTO
THE MINUTIA AROUND HERE.
THAT'S FOR SURE.
386
00:17:23,076 --> 00:17:24,844
DO YOU KNOW WHOSE IT IS?
YEP.
387
00:17:24,911 --> 00:17:26,713
WHOSE?
JESS'.
388
00:17:26,779 --> 00:17:29,982
JESS? THE GUY WHO WRECKED
YOUR CAR? HE'S GOT A CAR NOW?
389
00:17:30,049 --> 00:17:31,284
MM-HMM. LOOKS THAT WAY.
390
00:17:31,351 --> 00:17:32,752
THAT'S OUTRAGEOUS!
THAT'S A TRAVESTY!
391
00:17:32,819 --> 00:17:35,388
IT'S NOT THAT BIG A DEAL.
IT'S A HUMONGOUS DEAL.
392
00:17:35,455 --> 00:17:36,723
YOU'RE TAKING THIS
VERY HARD.
393
00:17:36,789 --> 00:17:39,058
BECAUSE, WE'RE BEST FRIENDS,
RORY, WE'RE LINKED.
394
00:17:39,126 --> 00:17:43,130
I FEEL WHAT YOU FEEL --
EXCEPT FOR NOW. YOU DON'T SEEM
TO BE FEELING ANYTHING.
395
00:17:43,196 --> 00:17:45,665
IT'S NOTHING TO GET
EXCITED ABOUT.
396
00:17:45,732 --> 00:17:47,167
HEY.
HEY, LANE.
397
00:17:47,234 --> 00:17:49,102
HEY, BACK AT YOU,
TOUGH GUY.
WHAT?
398
00:17:49,169 --> 00:17:50,170
SOMETHING WRONG?
399
00:17:50,237 --> 00:17:51,871
NO.
YES, YOU HAVE A CAR.
400
00:17:51,938 --> 00:17:54,006
I KNOW.
DON'T GIVE ME LIP.
401
00:17:54,073 --> 00:17:55,975
HOW'D YOU GET THE CAR?
I BOUGHT IT.
402
00:17:56,042 --> 00:17:59,212
I THOUGHT YOU BUILT IT FROM
PARTS FROM CARS YOU'VE TOTALED.
403
00:17:59,279 --> 00:18:01,448
WHAT IS YOUR PROBLEM?
YOU KNOW WHAT YOU DID.
404
00:18:01,514 --> 00:18:04,484
I GOTTA GO.
YES, DRIVE ON AWAY.
WE'LL KEEP WALKING.
405
00:18:04,551 --> 00:18:07,120
THAT'S ALL RORY'S BEEN ABLE TO
DO -- LOTS OF WALKING.
406
00:18:07,187 --> 00:18:08,755
SHE'S GOT BUNIONS
BECAUSE OF YOU.
407
00:18:08,821 --> 00:18:12,125
I DON'T HAVE BUNIONS.
SHE'S TOO NICE TO COMPLAIN.
408
00:18:12,192 --> 00:18:14,394
KNOCK IT OFF.
JUST GO, JESS.
409
00:18:14,461 --> 00:18:17,096
I DIDN'T START THIS.
YOU WRECKED RORY'S CAR.
410
00:18:17,164 --> 00:18:19,732
TELL HER
TO WALK IT OFF.
YOU WALK IT OFF.
411
00:18:19,799 --> 00:18:22,135
I'M TRYING TO DRIVE OFF.
THEN GO.
412
00:18:22,202 --> 00:18:23,970
JEEZ, HOW ANDY GRIFFITH
IS THIS TOWN
413
00:18:24,036 --> 00:18:25,805
THAT PEOPLE GET
SO EXCITED BY A CAR?
414
00:18:25,872 --> 00:18:28,040
IT'S NOT THE CAR.
IT'S WHO'S GOT THE CAR.
415
00:18:28,107 --> 00:18:31,344
FINE, TAKE IT.
I'M SICK OF THIS.
I DON'T WANT THIS JUNK.
416
00:18:31,411 --> 00:18:33,780
I SUPPOSE DEAN IS ALREADY
BUILDING YOU ANOTHER CAR --
417
00:18:33,846 --> 00:18:34,847
SOMETHING REALLY SNAZZY.
418
00:18:34,914 --> 00:18:36,749
SHUT UP AND GO.
GLADLY.
419
00:18:36,816 --> 00:18:39,085
LET'S GO.
GLADLY.
420
00:18:39,152 --> 00:18:42,755
OH, AND BY THE WAY, YOU LEFT
YOUR BRA IN THE BACK SEAT.
421
00:18:43,990 --> 00:18:46,193
[ ENGINE TURNS OVER, REVS ]
422
00:18:46,259 --> 00:18:49,162
[ INSTRUMENTAL MUSIC ]
423
00:18:51,764 --> 00:18:54,934
THIS MUST BE THE PLACE.
I THINK THE BALLOONS
CONFIRM IT.
424
00:18:55,001 --> 00:18:56,536
NO PINK, NO BLUE.
ALL GREEN.
425
00:18:56,603 --> 00:18:58,371
AREN'T BABY-SHOWER BALLOONS
SUPPOSED TO REFLECT
426
00:18:58,438 --> 00:19:01,241
THE SEX OF THE BABY --
BLUE FOR BOYS, PINK FOR GIRLS?
427
00:19:01,308 --> 00:19:03,976
YOU WOULD THINK.
WHAT'S GREEN FOR, ALIENS?
428
00:19:04,043 --> 00:19:05,612
I'LL ASK.
WE'RE ALL SET, RIGHT?
429
00:19:05,678 --> 00:19:08,448
ANYTIME YOU WANT OUT,
JUST SEND UP A FLARE.
I WILL.
430
00:19:08,515 --> 00:19:10,483
EVEN IF I'M HALF-NAKED
IN A CHANGING ROOM,
431
00:19:10,550 --> 00:19:12,485
I'LL GRAB EVERYTHING
AND RUSH OUT.
432
00:19:12,552 --> 00:19:14,721
YOU MAKING A HALF-NAKED
ENTRANCE WOULD BE FUNNY.
433
00:19:14,787 --> 00:19:15,855
HI!
WHOA!
434
00:19:15,922 --> 00:19:18,291
OH, I'M SORRY.
I TOTALLY SNUCK UP ON YOU.
435
00:19:18,358 --> 00:19:20,227
IT'S OKAY. HI.
HI, RORY.
436
00:19:20,293 --> 00:19:21,928
LORELAI, I'M SO EXCITED
YOU CAME.
437
00:19:21,994 --> 00:19:23,396
I'M JUST DROPPING RORY OFF.
438
00:19:23,463 --> 00:19:24,864
OH, DON'T GO. STAY.
WHAT?
439
00:19:24,931 --> 00:19:27,900
COME TO THE PARTY. PLEASE.
OH, I DON'T KNOW.
440
00:19:27,967 --> 00:19:30,337
I KNOW THAT YOU WEREN'T INVITED,
BUT IT'S 'CAUSE
441
00:19:30,403 --> 00:19:32,272
MY FRIENDS DIDN'T THINK
YOU'D BE COMFORTABLE.
442
00:19:32,339 --> 00:19:35,708
I TOLD THEM NOT TO WORRY.
THANKS, I'M NOT
DRESSED FOR IT.
443
00:19:35,775 --> 00:19:38,578
OH, PLEASE, YOU LOOK FINE.
WELL, UM...
444
00:19:38,645 --> 00:19:44,116
UM...MOM KIND OF HAS PLANS.
I GOT A COUPLE CREDIT CARDS
BURNING A HOLE IN MY WALLET.
445
00:19:44,183 --> 00:19:47,086
GO SHOPPING SOME OTHER TIME,
AND COME PLAY WITH US. PLEASE.
446
00:19:47,153 --> 00:19:49,922
THERE'S A BUNCH OF PEOPLE
IN THERE THAT RORY DOESN'T KNOW.
447
00:19:49,989 --> 00:19:52,559
HAVING YOU HERE WOULD MAKE HER
SO MUCH MORE COMFORTABLE.
448
00:19:52,625 --> 00:19:54,794
I DON'T MIND
NOT KNOWING ANYONE, REALLY.
449
00:19:54,861 --> 00:19:56,829
THAT'S NICE, HONEY,
BUT VERY UNCONVINCING.
450
00:19:56,896 --> 00:20:00,132
LORELAI, I MEANT TO EXTEND
THE INVITATION TO BOTH OF YOU.
451
00:20:00,199 --> 00:20:02,535
I JUST WASN'T SURE
IF YOU'D --
452
00:20:02,602 --> 00:20:04,604
YOU KNOW, THERE'S LOTS
OF FOOD
453
00:20:04,671 --> 00:20:08,575
AND BOOZE FOR THE LUCKY,
NONPREGNANT ONES -- AND CAKE.
IT'LL BE FUN.
454
00:20:08,641 --> 00:20:11,278
WELL...
I'LL BLOCK YOUR CAR
WITH MY STOMACH.
455
00:20:11,344 --> 00:20:13,079
NO, DON'T DO THAT.
456
00:20:13,145 --> 00:20:14,514
PLEASE. IT WOULD MEAN
SO MUCH.
457
00:20:14,581 --> 00:20:16,316
WELL, UM, OKAY. SURE.
458
00:20:16,383 --> 00:20:18,618
REALLY?
YEAH, LET'S HAVE A PARTY.
459
00:20:18,685 --> 00:20:20,119
YAY!
OOH, WATCH IT.
460
00:20:20,186 --> 00:20:22,154
YOU'LL JIGGLE THAT THING
RIGHT OUT OF YOU.
461
00:20:22,221 --> 00:20:24,156
A MOTHER'S PERSPECTIVE.
THANKS.
462
00:20:24,223 --> 00:20:26,359
[ INSTRUMENTAL MUSIC ]
463
00:20:29,529 --> 00:20:31,264
COME IN, COME IN.
464
00:20:31,331 --> 00:20:33,165
NICE PLACE.
VERY NICE.
465
00:20:33,232 --> 00:20:34,601
WELL, IT'S
A WORK IN PROGRESS.
466
00:20:34,667 --> 00:20:36,102
IT WAS SO BACHELOR PAD
BEFORE --
467
00:20:36,168 --> 00:20:38,971
ROCK POSTERS, MODULAR FURNITURE,
MAGAZINES EVERYWHERE.
468
00:20:39,038 --> 00:20:42,842
I WOULD PICK UP A
TV GUIDE, AND IT WOULD
BE THREE MONTHS OLD.
469
00:20:42,909 --> 00:20:44,010
WELL, HERE'S THE GANG.
470
00:20:44,076 --> 00:20:46,546
HI. HI.
HI. HI.
471
00:20:46,613 --> 00:20:49,181
YOU'VE GOT GAIL, JODY, MAUREEN,
LINDA, SUSAN, AND ALICE.
472
00:20:49,248 --> 00:20:52,519
HI.
THIS IS CHRISTOPHER'S
DAUGHTER, THE FAMOUS RORY.
473
00:20:52,585 --> 00:20:54,153
AND I DID A LITTLE
ARM-TWISTING
474
00:20:54,220 --> 00:20:56,022
GOT HER MOTHER,
TO COME IN, TOO.
475
00:20:56,088 --> 00:20:58,458
THE MORE, THE MERRIER.
MOJITO?
476
00:20:58,525 --> 00:21:00,693
THAT YOU DON'T NEED
TO TWIST MY ARM FOR.
477
00:21:00,760 --> 00:21:04,163
RORY AND I WILL BE THE ONLY ONES
NOT IMBIBING -- AND G.G.
478
00:21:04,230 --> 00:21:06,633
WHO?
G.G. --
SHORT FOR GEORGIA.
479
00:21:06,699 --> 00:21:08,535
THAT'S CUTE.
SO IT'S A GIRL.
480
00:21:08,601 --> 00:21:10,570
YEAH. CHRISTOPHER WOULD HAVE
BEEN HAPPY WITH EITHER,
481
00:21:10,637 --> 00:21:13,340
BUT I REALLY WANTED
A BALLERINA.
482
00:21:13,406 --> 00:21:18,010
OH. AHH, WHAT'S THIS?
EVERYONE GETS A DIAPER PIN,
AND IF YOU SAY THE WORD "BABY,"
483
00:21:18,077 --> 00:21:20,847
THE PERSON CATCHING YOU SAYING
IT GETS TO KEEP YOUR PIN.
484
00:21:20,913 --> 00:21:22,515
MAUREEN'S THE INSTIGATOR
OF THIS SOIREE.
485
00:21:22,582 --> 00:21:24,551
SHE HAS HER OWN PUBLICITY FIRM
IN NEW YORK.
486
00:21:24,617 --> 00:21:28,621
SHE MEANT TO RUN ALL THOSE
PEOPLE DOWN, BUT YOU
DIDN'T HEAR IT FROM ME.
487
00:21:28,688 --> 00:21:30,623
OH. [ GASPS ]
OH, LOOK AT THIS.
488
00:21:30,690 --> 00:21:33,893
THE FAMOUS CD COLLECTION --
IN ALPHABETICAL ORDER, TOO.
489
00:21:33,960 --> 00:21:35,528
AND NOT STACKED UP
LIKE COASTERS.
490
00:21:35,595 --> 00:21:37,797
I HAD TO PUT AN END
TO THAT.
491
00:21:37,864 --> 00:21:40,633
I WOULD BE LOOKING
FOR MY WANG CHUNG OR BILLY JOEL,
492
00:21:40,700 --> 00:21:42,469
AND I WOULD HAVE TO
GIVE UP.
493
00:21:42,535 --> 00:21:44,337
SO NOW EVERYTHING
IS AT YOUR FINGERTIPS.
494
00:21:44,404 --> 00:21:46,272
SEE? WANG CHUNG.
WANG CHUNG.
495
00:21:46,339 --> 00:21:49,008
HEY, NO SUBGROUPS, SHERRY.
GET OVER HERE.
496
00:21:49,075 --> 00:21:51,010
MOJITO?
OH, THANK YOU.
497
00:21:51,077 --> 00:21:52,178
CLUB SODA?
THANK YOU.
498
00:21:52,244 --> 00:21:53,813
DON'T YOU HATE
THE WAY SHE LOOKS?
499
00:21:53,880 --> 00:21:56,383
SHERRY?
YOU CAN ONLY TELL
SHE'S PREGNANT IN PROFILE.
500
00:21:56,449 --> 00:21:58,250
NOTHING IN THE FACE,
NOTHING FROM BEHIND.
501
00:21:58,317 --> 00:22:00,119
YEAH, YOU LOOK AMAZING.
I DO NOT.
502
00:22:00,186 --> 00:22:02,955
WHEN I WAS CARRYING THIS ONE,
DOORWAYS HAD TO BE WIDENED.
503
00:22:03,022 --> 00:22:05,224
IT'S GOOD TO HAVE YOU HERE,
LORELAI.
504
00:22:05,291 --> 00:22:09,496
IT'S ONLY YOU THAT CAN
GIVE ME A MOTHERLY PERSPECTIVE.
OH, NONE OF YOU HAVE KIDS?
505
00:22:09,562 --> 00:22:11,130
WHO'S GOT THE TIME?
OR THE GUY?
506
00:22:11,197 --> 00:22:13,833
THERE AREN'T THAT MANY
CHRISTOPHERS IN THE WORLD.
507
00:22:13,900 --> 00:22:16,669
THAT'S TRUE.
YOU HAVE TO GIVE ME
YOUR LIST OF BOOKS --
508
00:22:16,736 --> 00:22:19,105
BOOKS?
THE ONES THAT YOU READ
WHEN YOU HAD RORY.
509
00:22:19,171 --> 00:22:22,208
OH, I THINK I WAS READING
"DEENIE" AT THE TIME.
510
00:22:22,274 --> 00:22:23,843
NO PARENTING BOOKS?
NO.
511
00:22:23,910 --> 00:22:26,413
WHERE'D YOU GET YOUR INFORMATION
ON CHILD-RAISING, YOUR MOM?
512
00:22:26,479 --> 00:22:27,847
NO. "FOR KEEPS."
513
00:22:29,281 --> 00:22:30,983
MOLLY RINGWALD,
RANDALL BATINKOFF --
514
00:22:31,050 --> 00:22:33,653
REALLY UNDERRATED LITTLE
POST-JOHN HUGHES FLICK.
515
00:22:33,720 --> 00:22:37,123
SHE WENT TO THE PROM FAT.
I FOUND IT REALLY INSPIRATIONAL.
516
00:22:37,189 --> 00:22:40,026
HEY, WHAT ARE WE ALL
SITTING AROUND HERE FOR?
517
00:22:40,092 --> 00:22:41,661
LET THE GAMES BEGIN!
518
00:22:41,728 --> 00:22:43,563
LET THE GAMES BEGIN!
GAMES?
519
00:22:43,630 --> 00:22:45,097
HELP ME MOVE THE COUCH.
520
00:22:45,164 --> 00:22:47,734
THEY'RE MOVING THE COUCH.
BLESS YOU FOR BEING HERE.
521
00:22:47,800 --> 00:22:49,736
UP, UP.
522
00:22:49,802 --> 00:22:53,005
FEED THE BABY!
COME ON, FEED THE BABY!
523
00:22:53,072 --> 00:22:54,507
GO, GO, GO!
524
00:22:54,574 --> 00:22:56,409
YOU'VE GOT
20 SECONDS.
525
00:22:56,476 --> 00:22:58,077
COME ON!
526
00:22:58,144 --> 00:22:59,746
FEED THE BABY!
527
00:23:02,348 --> 00:23:03,650
[ LAUGHTER ]
528
00:23:03,716 --> 00:23:05,752
[ Off-key ] * ...FACE *
529
00:23:05,818 --> 00:23:08,455
* YOU'VE GOT THE CUTEST
LITTLE -- *
530
00:23:08,521 --> 00:23:10,189
* ...FACE *
531
00:23:10,256 --> 00:23:14,226
* THERE'S NOT ANOTHER ONE
COULD TAKE YOUR PLACE *
532
00:23:14,293 --> 00:23:15,327
* ...FACE *
533
00:23:15,394 --> 00:23:17,129
* MY POOR HEART IS JUMPING *
534
00:23:17,196 --> 00:23:19,999
* YOU SURE HAVE STARTED
SOMETHING *
535
00:23:20,066 --> 00:23:21,033
* ...FACE *
536
00:23:22,469 --> 00:23:23,536
HORSERADISH.
537
00:23:23,603 --> 00:23:25,938
WRITE IT DOWN,
WRITE IT DOWN.
538
00:23:29,442 --> 00:23:30,677
HOPING IT'S AMMONIA.
539
00:23:30,743 --> 00:23:32,912
YOU'RE NOT SUPPOSED TO SAY.
WRITE IT DOWN.
540
00:23:32,979 --> 00:23:33,946
EW.
541
00:23:37,116 --> 00:23:38,551
BABY CRAP.
542
00:23:38,618 --> 00:23:41,921
ONE, TWO, THREE...
543
00:23:41,988 --> 00:23:42,955
PULL!
544
00:23:43,022 --> 00:23:44,491
WOW.
LOUD!
545
00:23:44,557 --> 00:23:47,326
KEEP OPENING,
KEEP OPENING.
YOU GUYS GOT ME TOO MUCH STUFF.
546
00:23:47,393 --> 00:23:49,996
YOU SHOULD HAVE CHIPPED IN
AND BOUGHT ME ONE THING.
547
00:23:50,062 --> 00:23:54,000
OH, IT'S A MOBILE.
I LOVE IT, GAIL.
548
00:23:54,066 --> 00:23:54,934
THANK YOU.
549
00:23:55,001 --> 00:23:56,836
GREEN AGAIN.
PRETTY GREEN, TOO.
550
00:23:56,903 --> 00:23:59,506
ISN'T IT SUPPOSED TO BE
PINK -- PINK FOR A GIRL?
551
00:23:59,572 --> 00:24:01,708
OH, PINK'S OUT.
IT'S LAST WEEK.
552
00:24:01,774 --> 00:24:04,043
IT'S IN ALL THE MAGAZINES.
GREEN'S THE NEW PINK.
553
00:24:04,110 --> 00:24:06,278
I DID NOT KNOW THAT.
DID YOU KNOW THAT?
554
00:24:06,345 --> 00:24:09,749
OH, SURE.
HEY, SHERRY, LET ME ASK YOU --
HOW ARE YOU GONNA FINISH
555
00:24:09,816 --> 00:24:11,851
THAT SPRING CAMPAIGN
YOU'RE WORKING ON?
556
00:24:11,918 --> 00:24:17,557
I HAVE THE FINAL PRESENTATION
ON THE 17th AT NOON, WHICH GIVES
ME TIME TO DO G.G. AT 5:00.
557
00:24:17,624 --> 00:24:19,158
"TO DO G.G."?
MY CAESAREAN.
558
00:24:19,225 --> 00:24:21,728
I SCHEDULED IT MONTHS AGO.
DIDN'T YOU SCHEDULE YOURS?
559
00:24:21,794 --> 00:24:24,463
NOT QUITE. A HALF-HOUR
BEFORE I HAD RORY,
560
00:24:24,531 --> 00:24:26,298
I WAS EATING A PEPPER SANDWICH,
WATCHING TV.
561
00:24:26,365 --> 00:24:28,568
YOU WERE ALMOST NAMED QUINCY.
THANKS FOR REFRAINING.
562
00:24:28,635 --> 00:24:31,103
SCHEDULING IT LIKE THIS
WAS BEYOND NECESSARY.
563
00:24:31,170 --> 00:24:32,772
I WOULD DIE WITHOUT
ORGANIZATION --
564
00:24:32,839 --> 00:24:35,407
WHICH IS WHY I WAS SO THROWN OFF
IN THE BEGINNING.
565
00:24:35,474 --> 00:24:39,045
WHAT DO YOU MEAN?
CHRISTOPHER AND I
DIDN'T PLAN FOR THIS.
566
00:24:39,111 --> 00:24:42,515
I THOUGHT I HAD THE FLU. I
VISITED THE DOCTOR AND HE SAID,
567
00:24:42,582 --> 00:24:44,551
HE HAD TO PICK ME UP
OFF THE FLOOR.
568
00:24:44,617 --> 00:24:48,721
I'M DRUNK, SO I'M TELLING YOU
THAT WE WERE SHOCKED
WHEN YOU TOLD US BECAUSE
569
00:24:48,788 --> 00:24:51,558
YOU ARE SO NOT A BABY PERSON.
OH, I'M STILL NOT.
570
00:24:51,624 --> 00:24:53,993
SHE'S ALL MINE WHEN
SHE'S GOT THE LEGS TO DANCE,
571
00:24:54,060 --> 00:24:56,428
BUT CHRISTOPHER'S
THE BABY PERSON.
SHE'S GOING TO BE BEAUTIFUL.
572
00:24:56,495 --> 00:24:59,331
YOU AND CHRISTOPHER ARE LIKE
A POSTER FOR ARYAN BREEDING.
573
00:24:59,398 --> 00:25:03,069
I HOPE G.G.'s AS BEAUTIFUL AS
RORY AND HALF AS SMART, TOO.
574
00:25:03,135 --> 00:25:05,071
SHE'S GOING TO HARVARD,
YOU KNOW.
REALLY?
575
00:25:05,137 --> 00:25:06,939
I'M NOT IN YET.
I'VE JUST APPLIED.
576
00:25:07,006 --> 00:25:09,375
SHE'S AS GOOD AS IN.
I'M NOT JUST SAYING THAT.
577
00:25:09,441 --> 00:25:12,845
I CAN ALSO SIGN IT, MIME IT,
DO AN INTERPRETIVE DANCE TO IT.
578
00:25:12,912 --> 00:25:15,514
IT'S GONNA BE HARVARD.
I CERTAINLY HOPE SO.
579
00:25:15,582 --> 00:25:17,449
IT'S JUST MINUTES FROM HERE.
MINUTES, REALLY?
580
00:25:17,516 --> 00:25:20,086
I'VE ALREADY CLOCKED IT --
2.7 MILES, WHICH IS NOTHING.
581
00:25:20,152 --> 00:25:21,954
I'VE CHECKED OUT
THE BEST ROUTE
582
00:25:22,021 --> 00:25:24,190
FOR HER TO TAKE
TO COME OVER AFTER CLASSES.
583
00:25:24,256 --> 00:25:27,459
TO COME OVER HERE?
YOUR LITTLE SISTER
IS GOING TO DEMAND IT.
584
00:25:27,526 --> 00:25:28,861
YOU CAN EVEN SLEEP OVER.
585
00:25:28,928 --> 00:25:31,163
I'LL HAVE A DORM ROOM.
DORM ROOMS ARE AWFUL.
586
00:25:31,230 --> 00:25:33,065
YOU CAN EVEN SPEND
THE WEEKENDS, TOO.
587
00:25:33,132 --> 00:25:35,501
RIGHT. THE ONES SHE'S NOT
VISITING ME ON.
588
00:25:35,568 --> 00:25:36,969
THAT'S A GIVEN, LORELAI.
589
00:25:37,036 --> 00:25:39,038
REALLY, ANYTIME.
WE'VE GOT A KEY FOR YOU.
590
00:25:39,105 --> 00:25:40,673
THANK YOU.
I'LL DEFINITELY VISIT.
591
00:25:40,740 --> 00:25:43,109
YOU, TOO, LORELAI.
YOU'RE SORT OF G.G.'s AUNT.
592
00:25:43,175 --> 00:25:46,779
OH, I GUESS I KIND OF AM.
I'M GONNA GET SOME MORE
POTATO SALAD.
593
00:25:46,846 --> 00:25:49,015
ISN'T IT THE BEST?
I'M WANT
SOME MORE, TOO.
594
00:25:49,081 --> 00:25:51,651
NO, LET ME GET IT.
NO, THAT'S OKAY.
595
00:25:54,253 --> 00:25:55,688
[ POP! POP! ]
596
00:25:55,755 --> 00:25:59,558
I CAN'T BELIEVE MY APPETITE.
IT'S SO WEIRD WHAT
A BABY DOES TO YOU.
597
00:25:59,626 --> 00:26:03,562
YOU HAVE A LIFETIME
TO GET BACK AT 'EM.
RIGHT. THANKS FOR THAT.
598
00:26:03,630 --> 00:26:05,231
I'M GLAD YOU'RE HERE.
GOOD.
599
00:26:05,297 --> 00:26:07,066
CHRIS WOULD BE HAPPY
YOU'RE HERE, TOO.
600
00:26:07,133 --> 00:26:09,802
OH. GREAT.
I HAVE TO TELL YOU,
601
00:26:09,869 --> 00:26:12,438
HE HAS BEEN SO AMAZING
THE PAST FEW MONTHS --
602
00:26:12,504 --> 00:26:13,840
SO INVOLVED WITH THE BABY.
603
00:26:13,906 --> 00:26:16,208
GOOD, GOOD.
[ POP! ]
604
00:26:16,275 --> 00:26:18,911
YOU'D THINK THOSE THINGS
WOULD BE AGAINST THE LAW.
605
00:26:18,978 --> 00:26:20,613
HE TALKS TO IT EVERY NIGHT.
606
00:26:20,680 --> 00:26:22,281
WHO?
CHRISTOPHER --
TO THE BABY.
607
00:26:22,348 --> 00:26:24,050
HE SINGS, TOO.
THAT'S NICE.
608
00:26:24,116 --> 00:26:27,987
HE HAS A TERRIBLE VOICE,
BUT IT'S SWEET.
AND HE'S SO PROTECTIVE.
609
00:26:28,054 --> 00:26:30,623
IF HE WAS HERE NOW,
HE'D INSIST THAT I LIE DOWN.
610
00:26:30,690 --> 00:26:34,293
I KEEP KIDDING HIM THAT
HE'S GONNA COME HOME
WITH ONE OF THOSE SOFAS
611
00:26:34,360 --> 00:26:37,329
WITH THE POLE AND THE FOUR MEN
TO CARRY ME AROUND.
612
00:26:37,396 --> 00:26:39,365
FEEL FREE TO
SEND IT TO MY HOUSE.
613
00:26:39,431 --> 00:26:41,000
[ POP! POP! POP! POP! ]
614
00:26:41,067 --> 00:26:43,636
DID SHE GET A BULK RATE
ON THOSE THINGS OR WHAT?
615
00:26:43,703 --> 00:26:47,506
WHEN I FOUND OUT I WAS PREGNANT,
I WASN'T SURE HOW CHRISTOPHER
WOULD HANDLE IT,
616
00:26:47,573 --> 00:26:51,644
I NEVER EXPECTED HE'D BE LIKE
THIS. HE'S BEEN UNBELIEVABLE.
617
00:26:51,711 --> 00:26:53,579
THAT'S GREAT, SHERRY,
REALLY.
618
00:26:53,646 --> 00:26:55,481
YEAH, WELL, I WANTED TO
THANK YOU.
619
00:26:55,547 --> 00:26:58,384
THANK ME?
YEAH,
IT'S ALL BECAUSE OF YOU.
620
00:26:58,450 --> 00:27:01,053
WHAT?
I'VE BEEN WANTING TO
TELL YOU, ACTUALLY.
621
00:27:01,120 --> 00:27:02,889
CHRIS AND I HAD
A ROCKY STRETCH.
622
00:27:02,955 --> 00:27:05,124
I THOUGHT FOR SURE
HE WAS OUT THE DOOR.
623
00:27:05,191 --> 00:27:06,959
HE WAS SO DISTANT
AND HARDLY TALKED.
624
00:27:07,026 --> 00:27:09,395
I WASN'T SURE IF I'D
TELL HIM ABOUT THE BABY.
625
00:27:09,461 --> 00:27:12,665
I THOUGHT I'D EITHER GO IT ALONE
OR NOT GO THROUGH WITH IT.
626
00:27:12,732 --> 00:27:16,335
I WAS IN THE SAME POSITION
AS YOU WHEN YOU WERE PREGNANT,
YOU KNOW?
627
00:27:16,402 --> 00:27:20,039
YEAH, I GUESS.
I DECIDED I WOULD TELL HIM
BEFORE I MADE ANY DECISIONS.
628
00:27:20,106 --> 00:27:22,675
THAT WAS THE WEEKEND
HE WAS WITH YOU AND RORY.
629
00:27:22,742 --> 00:27:24,443
THERE WAS A WEDDING
OR SOMETHING.
630
00:27:24,510 --> 00:27:25,812
YES, I REMEMBER.
631
00:27:25,878 --> 00:27:28,681
WELL, I DON'T KNOW
WHAT HAPPENED OR WHAT YOU SAID,
632
00:27:28,748 --> 00:27:30,449
BUT WHATEVER IT WAS,
IT WORKED.
633
00:27:30,516 --> 00:27:32,151
HE CAME BACK A CHANGED MAN.
634
00:27:32,218 --> 00:27:34,787
ALL OF A SUDDEN, HE WAS
SO ATTENTIVE AND DEVOTED
635
00:27:34,854 --> 00:27:36,622
AND SO WILLING
TO MAKE IT WORK.
636
00:27:36,689 --> 00:27:38,657
HE SAID THAT HE HAD
MISSED OUT BEFORE
637
00:27:38,725 --> 00:27:40,492
AND HE DIDN'T WANT TO
MISS IT AGAIN.
638
00:27:40,559 --> 00:27:43,229
I JUST CREDIT
A GOOD PORTION OF THAT TO YOU.
639
00:27:43,295 --> 00:27:46,265
YES, WELL, I CAN BE
VERY PERSUASIVE.
640
00:27:46,332 --> 00:27:48,500
[ POP! POP! ]
I'M GETTING TO HATE
THOSE THINGS.
641
00:27:48,567 --> 00:27:49,736
COOL IT WITH THE POPPERS.
642
00:27:49,802 --> 00:27:51,237
PARTY POOPER.
POPPER POOPER!
643
00:27:51,303 --> 00:27:54,373
[ LAUGHS ]
THEY'RE CHILDREN.
644
00:27:54,440 --> 00:27:56,208
ARE YOU OKAY?
YEAH, YEAH, I'M FINE.
645
00:27:56,275 --> 00:27:58,410
UH, IT'S JUST
ONE HELL OF A MOJITO.
646
00:27:58,477 --> 00:28:00,446
COULD YOU POINT
THE WAY TO THE BATHROOM?
647
00:28:00,512 --> 00:28:02,882
JUST THROUGH THERE
AND TO THE RIGHT.
THANKS.
648
00:28:04,283 --> 00:28:06,485
[ POP! ]
649
00:28:06,552 --> 00:28:08,855
[ LAUGHTER ]
650
00:28:13,192 --> 00:28:14,160
[ SCOFFS ]
651
00:28:33,412 --> 00:28:34,480
[ KNOCK ON DOOR ]
652
00:28:34,546 --> 00:28:36,082
UH, JUST --
JUST A MINUTE.
653
00:28:36,148 --> 00:28:37,049
Rory: IT'S ME.
654
00:28:37,116 --> 00:28:38,951
COME IN. HI, THERE.
HI, THERE.
655
00:28:39,018 --> 00:28:40,987
ARE YOU OKAY?
I'VE BEEN BETTER.
656
00:28:41,053 --> 00:28:42,588
YOU REARRANGED
HER MEDICINE CABINET?
657
00:28:42,654 --> 00:28:44,423
YES. AND IT'S GOING TO
ROCK HER WORLD.
658
00:28:44,490 --> 00:28:46,258
ARE YOU HAVING
A MELTDOWN?
PRETTY MUCH.
659
00:28:46,325 --> 00:28:48,494
FROM SOMETHING SHERRY SAID?
FROM EVERYTHING SHERRY SAID.
660
00:28:48,560 --> 00:28:50,930
ABOUT MY VISITING HER?
OKAY, SURE, WE'LL START THERE.
661
00:28:50,997 --> 00:28:54,000
AS IF YOU'RE GONNA HAVE FREE
TIME TO PAL AROUND WITH HER.
662
00:28:54,066 --> 00:28:56,035
YOU'LL BE IN CLASSES.
SHE WAS JUST ASKING.
663
00:28:56,102 --> 00:28:58,470
WHAT WERE YOU AGREEING
TO COME OVER ALL THE TIME?
664
00:28:58,537 --> 00:29:01,107
I WAS JUST BEING POLITE.
BY BEING HERE EVERY WEEKEND?
665
00:29:01,173 --> 00:29:04,376
I DID NOT AGREE TO THAT.
YOU'RE SPENDING ALL
YOUR WEEKENDS WITH ME.
666
00:29:04,443 --> 00:29:08,047
SHE HAD TO HAVE A GIRL.
THAT KILLS ME.
THAT HER BABY'S A GIRL?
667
00:29:08,114 --> 00:29:11,017
YES, BECAUSE I HAVE A GIRL,
AND SHE'S JUST A COPYCAT.
668
00:29:11,083 --> 00:29:13,252
SHE CAN'T CONTROL
THE SEX OF HER BABY.
669
00:29:13,319 --> 00:29:16,455
LITTLE MISS "I'LL GIVE BIRTH
BEFORE 5:00"? I THINK SHE CAN.
670
00:29:16,522 --> 00:29:18,424
"ALL I WANT
IS A BALLERINA."
MOM...
671
00:29:18,490 --> 00:29:22,494
POOR THING'S GONNA POP OUT OF
HER WOMB AND LAND IN A TUTU.
I HOPE NOT.
672
00:29:22,561 --> 00:29:25,331
WHAT IS WITH
THAT NAME -- G.G.?
IT'S A CUTE NAME.
673
00:29:25,397 --> 00:29:27,233
YEAH, 'CAUSE SHE'S
COPYING ME THERE, TOO --
674
00:29:27,299 --> 00:29:30,636
RORY, G.G...RORY, G.G. --
THEY'RE IDENTICAL.
675
00:29:30,702 --> 00:29:34,206
THEY'RE NOT IDENTICAL.
TWO SYLLABLES, REPEATING
CONSONANTS.
676
00:29:34,273 --> 00:29:35,141
RORY. G.G.
677
00:29:35,207 --> 00:29:37,076
OPRAH. UMA.
DON'T MOCK.
678
00:29:37,143 --> 00:29:40,947
I'M TRYING TO JOKE YOU
DOWN OFF THAT LEDGE.
THAT MUSIC -- GOD, THAT MUSIC.
679
00:29:41,013 --> 00:29:42,982
YEAH, MUSIC'S DRIVING
ME CRAZY TOO.
680
00:29:43,049 --> 00:29:45,084
THEY'VE BEEN PLAYING
THE SAME NONDESCRIPT,
681
00:29:45,151 --> 00:29:48,120
SOFT, GENERIC JAZZ
FOR TWO STRAIGHT HOURS.
682
00:29:48,187 --> 00:29:51,623
WHO IS THAT PLAYING THAT
STUPID SAXOPHONE?
IT'S MUSIC YOU EAT BRUNCH TO.
683
00:29:51,690 --> 00:29:55,127
THANK YOU FOR FINALLY BEING
ON MY SIDE.
I'M ALWAYS ON YOUR SIDE.
684
00:29:55,194 --> 00:29:57,163
SHE PROBABLY MAKES CHRISTOPHER
LISTEN TO THAT GARBAGE.
685
00:29:57,229 --> 00:29:59,932
THEN THERE'S THE WHOLE THING
OF REARRANGING HIS CDs.
686
00:29:59,999 --> 00:30:02,835
TO HER, THEY'RE JUST IDENTICAL
LITTLE METAL DISCS
687
00:30:02,902 --> 00:30:06,205
FULL OF ANNOYING SOUNDS
THAT YOU ALPHABETIZE
LIKE FILES IN AN OFFICE.
688
00:30:06,272 --> 00:30:08,274
I'M WITH YOU ON THAT,
BUT CALM DOWN.
689
00:30:08,340 --> 00:30:10,309
I JUST WANT TO REARRANGE
HER WHOLE HOUSE.
690
00:30:10,376 --> 00:30:11,777
YOU CAN'T DO THAT.
PLEASE?
691
00:30:11,844 --> 00:30:13,545
LET ME JUST MESS UP HER BED.
692
00:30:13,612 --> 00:30:15,581
YOU MAKE A DISTRACTION,
LIKE SETTING A FIRE,
693
00:30:15,647 --> 00:30:17,616
AND I'LL RUN UP AND
UN-COLOR-COORDINATE HER SHEETS.
694
00:30:17,683 --> 00:30:20,052
THE FIRE WOULD BE
THE THING THAT SHE'D REMEMBER.
695
00:30:20,119 --> 00:30:23,322
I COULD HAVE BEEN OUT BUYING
SHOES I'LL NEVER WEAR --
696
00:30:23,389 --> 00:30:26,492
AND ALL THAT STUFF
ABOUT ME AND THANKING ME...
697
00:30:26,558 --> 00:30:28,560
WHAT?
NOTHING.
698
00:30:28,627 --> 00:30:30,462
[ SIGHS ]
699
00:30:30,529 --> 00:30:32,631
I-I KNOW YOU'RE ALWAYS
ON MY SIDE.
700
00:30:32,698 --> 00:30:33,933
IT'S OKAY.
I'M SORRY.
701
00:30:34,000 --> 00:30:35,501
WE SHOULD PROBABLY
GET BACK.
702
00:30:35,567 --> 00:30:37,970
YEAH. PROBABLY.
703
00:30:38,037 --> 00:30:41,440
I'M GONNA TAKE ONE OF
MAUREEN'S LITTLE POPPERS
AND POP HER RIGHT --
704
00:30:41,507 --> 00:30:43,242
MOM...
LET'S GO.
705
00:30:43,309 --> 00:30:45,777
JUST --
GREEN'S THE NEW PINK?
706
00:30:45,844 --> 00:30:47,679
MOM...
COME ON.
707
00:30:47,746 --> 00:30:48,847
IT'S STUPID.
THANK YOU.
708
00:30:48,915 --> 00:30:50,349
LET'S GO.
709
00:30:57,323 --> 00:31:00,726
TOLD THE PEOPLE THAT WANTED
SOME THAT A FLY LANDED IN IT.
710
00:31:00,792 --> 00:31:02,161
YOU WERE GOING
THROUGH MY STUFF?
711
00:31:02,228 --> 00:31:04,230
HUH?
WHY'RE YOU GOING
THROUGH ALL MY STUFF?
712
00:31:04,296 --> 00:31:05,864
I'M NOT.
SO SOMEONE ELSE IS?
713
00:31:05,932 --> 00:31:07,099
I DID NOT.
714
00:31:07,166 --> 00:31:08,834
YOU SUCK AT LYING.
YOU'RE PARANOID.
715
00:31:08,901 --> 00:31:10,436
FINE, BUT
THAT DOESN'T MEAN
716
00:31:10,502 --> 00:31:12,871
YOU'RE NOT GOING
THROUGH MY STUFF.
GET THE FORKS.
717
00:31:12,939 --> 00:31:15,407
EVERYTHING I OWN
IS IN A DIFFERENT PLACE.
718
00:31:15,474 --> 00:31:18,911
NOW, WHY ARE YOU
GOING THROUGH MY STUFF?
FOR YOUR OWN GOOD.
719
00:31:18,978 --> 00:31:21,180
CAN WE BE A LITTLE MORE
TOTALITARIAN HERE?
720
00:31:21,247 --> 00:31:23,849
HOW ABOUT I ASK A QUESTION?
BE MY GUEST.
721
00:31:23,916 --> 00:31:25,717
HOW DID YOU PAY
FOR THE CAR?
WHAT?
722
00:31:25,784 --> 00:31:28,554
MONEY. FOR THE CAR.
I TOLD YOU,
I WORKED FOR IT.
723
00:31:28,620 --> 00:31:32,091
I KNOW WHAT I PAY YOU.
I DO JOBS AROUND TOWN.
724
00:31:32,158 --> 00:31:33,825
WHAT JOBS?
I CLEAN RAIN GUTTERS.
725
00:31:33,892 --> 00:31:36,762
IF YOU CLEANED EVERY RAIN GUTTER
FROM HERE TO VERMONT,
726
00:31:36,828 --> 00:31:40,099
YOU WOULDN'T BE ABLE TO AFFORD
IT. WHERE DID YOU GET THE MONEY?
727
00:31:40,166 --> 00:31:44,570
I'M NOT JUST DOING RAIN GUTTERS
WHEN I'M NOT WORKING HERE.
WHAT ARE YOU DOING?
728
00:31:44,636 --> 00:31:48,207
I GO TO, UH, A PLACE
THAT GIVES ME MONEY.
729
00:31:48,274 --> 00:31:50,676
FOR WHAT?
FOR MY SERVICES.
730
00:31:50,742 --> 00:31:54,146
WHAT SERVICES?
WHAT PLACE?
731
00:31:54,213 --> 00:31:56,315
JESS, ARE YOU A GIGOLO?
WHAT?
732
00:31:56,382 --> 00:31:59,585
YOU SAY YOU GO TO A PLACE
WHERE THEY GIVE YOU MONEY --
733
00:31:59,651 --> 00:32:02,088
WHERE?
WAL-MART.
734
00:32:02,154 --> 00:32:05,424
EXCUSE ME?
I'VE BEEN WORKING THERE
12 HOURS A WEEK
735
00:32:05,491 --> 00:32:07,426
TO GET EXTRA MONEY.
WAL-MART?
736
00:32:07,493 --> 00:32:08,860
YOU WORK AT WAL-MART?
YEAH.
737
00:32:08,927 --> 00:32:11,130
I CANNOT PICTURE YOU
WORKING AT WAL-MART.
738
00:32:12,698 --> 00:32:16,335
[ Laughing ] OH, MY GOD.
YOU WORK AT WAL-MART.
739
00:32:16,402 --> 00:32:18,404
LET'S DROP THIS NOW.
SURE. FINE.
740
00:32:18,470 --> 00:32:20,706
YOU'RE NOT THE GUY
GREETING PEOPLE, ARE YOU?
741
00:32:20,772 --> 00:32:22,474
WE WERE DROPPING THIS.
742
00:32:22,541 --> 00:32:24,743
I MOVE STOCK AROUND
ON A FORKLIFT.
743
00:32:24,810 --> 00:32:26,545
THAT TAKES A SPECIAL
LICENSE.
744
00:32:26,612 --> 00:32:30,616
I SPENT A SATURDAY TAKING THE
CLASS, AND I GOT IT LIKE THAT --
NO BIGGIE.
745
00:32:30,682 --> 00:32:32,584
WOW.
ARE WE DONE HERE?
746
00:32:32,651 --> 00:32:35,754
YEAH. YOU WEAR A VEST
AND EVERYTHING?
747
00:32:35,821 --> 00:32:37,256
IT'S THE UNIFORM.
I HAVE TO.
748
00:32:37,323 --> 00:32:39,291
YOU'VE BEEN SNEAKING OUT
WITH A LITTLE VEST?
749
00:32:39,358 --> 00:32:41,327
IT'S NOT A LITTLE VEST.
IS IT BLUE?
750
00:32:41,393 --> 00:32:43,195
WILL YOU STOP TALKING
ABOUT THE VEST?
751
00:32:43,262 --> 00:32:46,265
YOU GET A STORE DISCOUNT?
15%.
752
00:32:46,332 --> 00:32:48,167
AND IF YOU WANT 15% OFF
ANYTHING,
753
00:32:48,234 --> 00:32:52,038
YOU'RE NOT GETTING IT.
YOU'RE BEING A JERK.
MY ENJOYMENT IS WORTH THE LOSS.
754
00:32:52,104 --> 00:32:53,405
I'M EATING
AND IGNORING YOU.
755
00:32:53,472 --> 00:32:55,241
YOU'RE LIKE
THE ALL-AMERICAN BOY.
756
00:32:55,307 --> 00:32:56,875
CALL ME DIRK SQUAREJAW.
757
00:32:56,942 --> 00:32:57,976
LOOK AT YOU,
WHAT?
758
00:32:58,044 --> 00:32:59,011
EATING APPLE PIE.
759
00:32:59,078 --> 00:33:00,446
[ LAUGHS ]
760
00:33:00,512 --> 00:33:02,214
I'M OUTTA HERE.
761
00:33:02,281 --> 00:33:05,051
HEY, WAVE A FLAG AND SING
"GOD BLESS AMERICA," PLEASE.
762
00:33:05,117 --> 00:33:06,085
GOODBYE.
763
00:33:06,152 --> 00:33:07,653
YOU'RE OKAY TO DRIVE?
764
00:33:07,719 --> 00:33:10,356
I BARELY DRANK A THING.
I'M TALKING ABOUT
YOUR MOOD.
765
00:33:10,422 --> 00:33:12,958
MY MOOD IS FINE.
YOU'RE STILL MAD AT SHERRY.
766
00:33:13,025 --> 00:33:14,793
I'M FINE,
AND I'M FINE TO DRIVE.
767
00:33:14,860 --> 00:33:18,664
ALTHOUGH SOMETIMES, WHEN I'M
DRIVING AND IT'S DARK LIKE THIS,
768
00:33:18,730 --> 00:33:21,733
I GET THE SUDDEN URGE TO TURN
THE WHEEL INTO ONCOMING TRAFFIC.
769
00:33:21,800 --> 00:33:24,002
NO, DO NOT DO DUANE
FROM "ANNIE HALL"!
770
00:33:24,070 --> 00:33:26,238
I CAN SEE THE FLAMES
AND SMELL THE SMOKE.
771
00:33:26,305 --> 00:33:28,674
I HATE THIS BIT.
I'M CREEPING ME OUT, TOO.
772
00:33:28,740 --> 00:33:31,009
MOVE THOSE THINGS. THEY'RE
NOT THE MOST FRAGRANT FOOD.
773
00:33:31,077 --> 00:33:33,512
WE SHOULDN'T HAVE
TAKEN THEM.
WE HAD NO CHOICE.
774
00:33:33,579 --> 00:33:36,148
SHE WAS INSISTENT.
"TAKE THE DEVILED EGGS!"
775
00:33:36,215 --> 00:33:38,550
AND THEN HER DRUNKEN FRIENDS
HEAR IT,
776
00:33:38,617 --> 00:33:40,586
AND THEY'RE ALL SHOUTING,
"TAKE THE DEVILED EGGS!"
777
00:33:40,652 --> 00:33:42,854
EVERY ONE OF THOSE LADIES
WAS SLOBBERING DRUNK.
778
00:33:42,921 --> 00:33:45,491
MAUREEN AND SUSAN ALMOST
COMING TO BLOWS WAS WORTH IT.
779
00:33:45,557 --> 00:33:47,926
HOW DID THAT HAPPEN?
FROM WHAT I COULD TELL,
780
00:33:47,993 --> 00:33:51,230
SUSAN SAID,
"BLA RA UM DEB BLA,"
781
00:33:51,297 --> 00:33:52,698
AND MAUREEN TOOK
GREAT OFFENSE.
782
00:33:52,764 --> 00:33:54,100
WELL, YEAH!
783
00:33:54,166 --> 00:33:56,135
WE DIDN'T HAVE TO
STAY THAT LONG.
784
00:33:56,202 --> 00:33:58,504
SHERRY MADE A VERY
PERSUASIVE ARGUMENT
785
00:33:58,570 --> 00:34:02,174
THAT IF WE LEFT AT 6:00, THERE'D
BE AN EXTRA HOUR OF TRAFFIC.
786
00:34:02,241 --> 00:34:05,043
LEAVING AT 7:00,
IS THE SAME AS LEAVING AT 6:00.
787
00:34:05,111 --> 00:34:09,281
SHE'S VERY UP ON TRAFFIC FLOW
AND RUSH HOUR AND ALL THAT.
SHE'S RAND McNALLY.
788
00:34:09,348 --> 00:34:11,317
SHE SHOULD DO TRAFFIC REPORTS
ON THE RADIO.
789
00:34:11,383 --> 00:34:14,686
"LOOKS LIKE THERE'S A TIE-UP
ON THE BOULEVARD.
790
00:34:14,753 --> 00:34:17,356
"THEY APPEAR TO BE MOVING EVERY
BUILDING IN HARVARD UNIVERSITY,
791
00:34:17,423 --> 00:34:19,991
"SO NOW IT'S JUST
1.3 MILES FROM MY HOUSE.
792
00:34:20,058 --> 00:34:21,827
"NICE JOB, GUYS.
YOU'RE AWFUL.
793
00:34:21,893 --> 00:34:24,463
"OH, AND LOTS OF CARS
STOPPED AT A BLUE LIGHT
794
00:34:24,530 --> 00:34:26,298
"AT GARVEY AVENUE.
WHY A BLUE LIGHT?
795
00:34:26,365 --> 00:34:27,533
"'CAUSE BLUE'S
THE NEW RED."
796
00:34:27,599 --> 00:34:29,201
I LIKE THAT
YOU'RE FEELING BETTER.
797
00:34:29,268 --> 00:34:32,271
I'M NOT FEELING BETTER.
I'M STILL...GRRR.
798
00:34:32,338 --> 00:34:34,573
THAT MEDICINE CABINET
WAS NOT ENOUGH.
MOM...
799
00:34:34,640 --> 00:34:37,243
IT WAS TAME, AND ANY ONE
OF THOSE DRUNKEN YUPPIES
800
00:34:37,309 --> 00:34:39,445
COULD HAVE MESSED IT UP.
THEY WOULDN'T DARE.
801
00:34:39,511 --> 00:34:42,314
PLUS, WHEN I WENT BACK IN THERE,
I CLEANED IT UP.
802
00:34:42,381 --> 00:34:44,250
RORY...
LET IT GO.
803
00:34:44,316 --> 00:34:46,552
THAT WAS MY CATHARSIS.
LET IT GO.
804
00:34:46,618 --> 00:34:48,320
THAT WOMAN DOES
SOMETHING TO ME.
805
00:34:48,387 --> 00:34:50,021
YOU'VE GOTTA LIVE
AND LET LIVE.
806
00:34:50,088 --> 00:34:51,590
BRINGING UP CHRISTOPHER
LIKE THAT --
807
00:34:51,657 --> 00:34:53,825
SHE MUST KNOW
WHAT SHE'S DOING.
I'M NOT SURE.
808
00:34:53,892 --> 00:34:56,895
I ALMOST WISH SHE WAS DOING
ALL THIS ON PURPOSE.
809
00:34:56,962 --> 00:34:58,430
I JUST HOPE DAD'S HAPPY.
810
00:34:58,497 --> 00:35:01,867
HAPPY? WITH SHERRY AND G.G.,
THE 5:00 BALLERINA? NO WAY.
811
00:35:01,933 --> 00:35:05,337
AND TO THINK THAT I SENT HIM
BACK TO HER A NEW MAN?
812
00:35:05,404 --> 00:35:07,606
OH, MAN. [ SIGHS ]
813
00:35:07,673 --> 00:35:10,242
STOP THE CAR!
WHAT? WHY?
814
00:35:10,309 --> 00:35:12,077
YOU WANT CATHARSIS?
YES.
815
00:35:12,144 --> 00:35:13,912
I KNOW WHAT'LL DO IT
FOR YOU.
816
00:35:13,979 --> 00:35:16,248
WHAT?
JESS' CAR.
817
00:35:16,315 --> 00:35:18,650
WHAT?
WE EGG JESS' CAR.
IT'S PERFECT.
818
00:35:18,717 --> 00:35:21,753
ARE YOU SERIOUS?
NO ONE'S AROUND.
819
00:35:21,820 --> 00:35:24,190
IF REARRANGING SHERRY'S
MEDICINE CABINET IS IMMATURE,
820
00:35:24,256 --> 00:35:25,491
WHAT'S THIS?
OFF THE CHART.
821
00:35:25,557 --> 00:35:27,726
WE CAN'T EGG HIS CAR.
SURE WE CAN.
822
00:35:27,793 --> 00:35:31,463
DOOSE'S IS CLOSED, AND WE DON'T
HAVE ANY EGGS AT HOME.
823
00:35:31,530 --> 00:35:35,100
YOU WANT TO DEVIL-EGG
JESS' CAR?
824
00:35:35,167 --> 00:35:38,136
AND HOW IS THAT GONNA MAKE ME
FEEL BETTER ABOUT SHERRY?
825
00:35:38,204 --> 00:35:40,172
BECAUSE IT'S ACTIVE.
IT'S AGGRESSIVE.
826
00:35:40,239 --> 00:35:42,574
IT'S DESTRUCTIVE
BUT NOT TOO DESTRUCTIVE.
827
00:35:42,641 --> 00:35:45,477
I DON'T KNOW.
CAN YOU MAKE SOMETHING UP?
LET'S DO IT.
828
00:35:45,544 --> 00:35:48,180
LEAVE THE ENGINE RUNNING.
GOOD THINKING.
829
00:35:48,247 --> 00:35:50,382
[ INSTRUMENTAL MUSIC ]
830
00:35:53,619 --> 00:35:55,254
YOU FIRST.
831
00:35:56,588 --> 00:35:57,489
[ THUMP ]
832
00:35:57,556 --> 00:35:59,458
WOW. NICE.
MADE A GOOD SOUND, TOO.
833
00:35:59,525 --> 00:36:01,593
HOW'D IT FEEL?
FANTASTIC.
834
00:36:01,660 --> 00:36:04,029
YOU'RE RIGHT.
THAT'S GOOD.
835
00:36:04,095 --> 00:36:07,899
I DON'T THINK THERE'S BEEN
A BETTER USE OF DEVILED EGGS
IN CULINARY HISTORY.
836
00:36:07,966 --> 00:36:09,501
[ BOTH LAUGHING ]
837
00:36:10,536 --> 00:36:11,937
THAT'S IT?
ALL OUT.
838
00:36:12,003 --> 00:36:14,373
DAMN THAT SHERRY FOR
NOT SENDING MORE WITH US.
839
00:36:14,440 --> 00:36:16,141
DON'T LOSE YOUR CATHARSIS.
RIGHT. SORRY.
840
00:36:16,208 --> 00:36:18,176
WAIT.
WHAT?
841
00:36:18,244 --> 00:36:20,246
IS THAT A SIREN?
I DON'T HEAR ANYTHING.
842
00:36:20,312 --> 00:36:22,481
ME NEITHER. IT SEEMED
THE COOL THING TO SAY.
843
00:36:22,548 --> 00:36:24,916
IT WAS.
HEY, LET'S RUN BACK
AND SPEED OFF
844
00:36:24,983 --> 00:36:28,387
LIKE WE DID SOMETHING AWFUL
AND THE COPS ARE AFTER US!
RUN!
845
00:36:30,222 --> 00:36:33,392
BE PREPARED, 'CAUSE I AM GONNA
SQUEAL OUT OF HERE.
GO!
846
00:36:40,266 --> 00:36:41,633
TRY AGAIN, TRY AGAIN.
847
00:36:44,603 --> 00:36:46,972
WE'LL JUST MAKE THE NOISE
OURSELVES.
GOOD DEAL.
848
00:36:47,038 --> 00:36:49,875
EEEEEEEEK!
RRRRRRR! EEEK!
849
00:36:55,981 --> 00:36:58,750
I WONDER
IF HE'S SEEN IT YET.
DOESN'T LOOK LIKE IT.
850
00:36:58,817 --> 00:37:01,387
MAYBE WE SHOULD HAVE HEADED
FOR THE BORDER.
WHICH BORDER?
851
00:37:01,453 --> 00:37:03,088
THE ONE BETWEEN AMERICA
AND SEPHORALAND.
852
00:37:03,154 --> 00:37:04,356
HEY, LUKE.
853
00:37:04,423 --> 00:37:06,592
I WAS JUST SEEING
WHAT THE MOB SCENE IS.
854
00:37:06,658 --> 00:37:08,694
THE PROTEST! COME ON!
WE ALMOST FORGOT.
855
00:37:10,262 --> 00:37:12,564
[ INDISTINCT CHATTER ]
856
00:37:12,631 --> 00:37:14,199
IT'S THE BIG DAY, HUH?
857
00:37:14,266 --> 00:37:15,701
IT'S SUPPOSED TO HAPPEN
ANY MINUTE.
858
00:37:15,767 --> 00:37:17,636
GOODY.
THIS IS HARDLY
A GOODY.
859
00:37:17,703 --> 00:37:19,371
ARE YOU LOCKED
AND LOADED, OFFICER?
860
00:37:19,438 --> 00:37:22,874
I'M A TIGER READY
TO POUNCE.
WHAT'S WITH HAVING THE LAW HERE?
861
00:37:22,941 --> 00:37:26,612
THIS PROTEST IS GONNA BE
VERY MELLOW, VERY PEACEFUL.
862
00:37:26,678 --> 00:37:28,747
YOU CAN HANG OUT
IN HAIGHT-ASHBURY
863
00:37:28,814 --> 00:37:31,350
AND DRINK AS MUCH
ELECTRIC KOOL-AID AS YOU WANT,
864
00:37:31,417 --> 00:37:32,784
BUT I'M PREPARING
FOR THE WORST.
865
00:37:32,851 --> 00:37:34,520
THERE HE IS.
WHAT'S HE CARRYING?
866
00:37:34,586 --> 00:37:36,855
SOMETHING ALL ROLLED UP.
PROBABLY A BODY.
867
00:37:36,922 --> 00:37:37,923
IT LOOKS HEAVY, TOO.
868
00:37:37,989 --> 00:37:39,625
BODIES ARE HEAVY.
THAT'S NOT FUNNY.
869
00:37:39,691 --> 00:37:41,059
SOMEBODY SHOULD GIVE HIM
A HAND.
870
00:37:41,126 --> 00:37:44,730
HERE COMES SOMEONE.
OH, GUESS HE DIDN'T WANT HELP.
871
00:37:44,796 --> 00:37:46,965
THERE'S A REASON HIS NAME ISN'T
"TOWN GREGARIOUS GUY."
872
00:37:47,032 --> 00:37:49,200
VERY TRUE.
DO YOU HAVE BULLETS
IN THAT THING?
873
00:37:49,267 --> 00:37:51,236
[ Sarcastically ] I'M READY
TO POP SOME CAPS HERE.
874
00:37:51,303 --> 00:37:54,172
THERE HE GOES.
THIS IS A VERY NICE
PROTEST SO FAR.
875
00:37:54,239 --> 00:37:57,676
ONE OF THE BEST I'VE BEEN TO.
IT'S FUN SEEING
EVERYBODY LIKE THIS.
876
00:37:57,743 --> 00:38:00,879
WE SEE EACH OTHER EVERY DAY.
WE DON'T ALL STAND
LIKE THIS.
877
00:38:00,946 --> 00:38:04,583
WE SHOULD HAVE BROUGHT FOOD.
WE'LL KNOW BETTER NEXT TIME.
878
00:38:04,650 --> 00:38:06,552
THERE HE IS!
IT'S A BANNER.
879
00:38:06,618 --> 00:38:08,354
PROBABLY LACED
WITH OBSCENITY.
880
00:38:08,420 --> 00:38:10,389
HE'S DROPPING IT!
THIS IS EXCITING!
881
00:38:12,624 --> 00:38:15,093
IT'S BLANK.
IT'S THE WRONG SIDE.
882
00:38:15,160 --> 00:38:17,396
TURN IT OVER!
883
00:38:17,463 --> 00:38:19,164
OH! OH!
OH! OH!
884
00:38:19,230 --> 00:38:20,265
ALL THAT WORK.
885
00:38:20,332 --> 00:38:21,733
DID ANYONE SEE
WHAT IT SAID?
886
00:38:21,800 --> 00:38:24,570
JUST THE FLASH OF A WORD.
IT STARTED WITH AN "R."
887
00:38:24,636 --> 00:38:27,205
WELL, THEN ALL WE HAVE TO DO
IS THINK OF EVERYTHING
888
00:38:27,272 --> 00:38:30,476
THAT SOMEONE COULD PROTEST
THAT STARTS WITH AN "R."
889
00:38:30,542 --> 00:38:33,044
RAGU.
HE COULD BE
PROTESTING RAGU.
890
00:38:33,111 --> 00:38:34,413
REPTILES.
THAT'S ANOTHER.
891
00:38:34,480 --> 00:38:35,881
ROBOTS.
COULD BE.
892
00:38:35,947 --> 00:38:37,916
IX CROSTI SONNICELLO!
893
00:38:37,983 --> 00:38:40,251
WHAT DID HE SAY?
HIS DICTION'S TERRIBLE.
894
00:38:40,318 --> 00:38:42,020
I HEARD SOMETHING
ABOUT JELLO.
895
00:38:42,087 --> 00:38:45,056
WELL, IS HE FOR JELLO
OR AGAINST JELLO?
IT'S NOT CLEAR.
896
00:38:45,123 --> 00:38:46,792
DOPBANOODLESTOOZ!
897
00:38:46,858 --> 00:38:49,395
HE SAID,
"STOP THE NOODLE SCOOZ."
898
00:38:49,461 --> 00:38:51,497
STOP THE NOODLE SCOOZ?
THAT'S NOT EVEN ENGLISH.
899
00:38:51,563 --> 00:38:53,532
WHAT DOES IT
HAVE TO DO WITH JELLO?
900
00:38:53,599 --> 00:38:55,266
I HEARD, "DROP
THE STUDENT SCHOOLS."
901
00:38:55,333 --> 00:38:58,303
THAT MUST BE IT.
BUT THAT DOESN'T MAKE
ANY SENSE EITHER.
902
00:38:58,370 --> 00:39:00,305
BENNIFROMASDAMARKISEL!
903
00:39:00,372 --> 00:39:01,940
WE HAVE TO STOP THIS.
904
00:39:02,007 --> 00:39:04,309
HE COULD BE SAYING HORRIBLE,
BLASPHEMOUS THINGS.
905
00:39:04,376 --> 00:39:05,644
BUT HOW WOULD YOU KNOW?
906
00:39:05,711 --> 00:39:07,278
WHAT'S THE HARM
IF WE CAN'T UNDERSTAND?
907
00:39:07,345 --> 00:39:11,316
MAYBE HE'S PROTESTING MAN'S
INABILITY TO COMMUNICATE
908
00:39:11,383 --> 00:39:14,586
BY NOT COMMUNICATING AND GETTING
US TO TALK ABOUT COMMUNICATION.
909
00:39:14,653 --> 00:39:16,455
WHOA. YOU ARE BLOWING
MY MIND HERE.
910
00:39:16,522 --> 00:39:17,956
I'M SEEING TRAILS.
911
00:39:21,960 --> 00:39:23,028
LUKE!
912
00:39:27,733 --> 00:39:29,868
YOU SEE THIS?
SEE WHAT? WHAT HAPPENED?
913
00:39:31,369 --> 00:39:33,639
SOMEONE EGGED MY CAR.
JEEZ, IT STINKS.
914
00:39:33,705 --> 00:39:35,874
IT'S GONNA TAKE ME FOREVER
TO CLEAN THIS UP.
915
00:39:35,941 --> 00:39:39,144
THESE EGGS ARE COOKED.
THEY LOOK LIKE DEVILED EGGS.
916
00:39:39,210 --> 00:39:41,847
SOMEONE DEVIL-EGGED MY CAR?
WELL, THAT IS PAPRIKA.
917
00:39:41,913 --> 00:39:46,317
SOMEONE PREPARED DEVILED EGGS
TO THROW AT MY CAR?
THEY MUST HATE YOU A LOT.
918
00:39:46,384 --> 00:39:49,988
MAYBE IT WAS THE GUY
IN THE GARDEN DEPARTMENT.
I'M GONNA CLEAN THIS UP.
919
00:39:50,055 --> 00:39:51,623
MAYBE IT WAS
THE ASSISTANT MANAGER.
920
00:39:51,690 --> 00:39:54,893
YOU GUYS HAVE WORDS
IN THE SNACK ROOM?
921
00:39:54,960 --> 00:39:58,329
PROTEST, VANDALISM --
MAKES YOU THINK ABOUT
LEAVING THIS TOWN.
922
00:39:58,396 --> 00:40:00,165
I NEVER WANT TO LEAVE
THIS TOWN.
923
00:40:00,231 --> 00:40:01,467
GUESS HE'S GIVEN UP.
924
00:40:01,533 --> 00:40:03,234
BACK TO THE HILLS,
TOWN LONER,
925
00:40:03,301 --> 00:40:04,836
TO PROTEST ANOTHER DAY.
926
00:40:05,937 --> 00:40:08,206
HE DOESN'T LITTER.
THAT'S NICE.
927
00:40:08,273 --> 00:40:10,542
HE LOOKS SO SAD.
HE'LL BE FINE.
928
00:40:10,609 --> 00:40:12,377
MRS. TOWN LONER
WILL CHEER HIM UP.
929
00:40:12,444 --> 00:40:15,881
WHEW! LET'S GET UPWIND
FROM JESS' CAR.
930
00:40:15,947 --> 00:40:17,483
OH!
931
00:40:17,549 --> 00:40:19,685
[ INSTRUMENTAL MUSIC ]
932
00:40:22,120 --> 00:40:23,088
BREAKFAST?
933
00:40:23,154 --> 00:40:25,356
ANYTHING BUT EGGS.
934
00:40:25,423 --> 00:40:27,358
I WAS HOME ALL NIGHT
LAST NIGHT.
935
00:40:27,425 --> 00:40:28,794
HA! SO WAS I.
936
00:40:28,860 --> 00:40:30,762
WE HAVE ALIBIS
AND EVERYTHING.
937
00:40:32,397 --> 00:40:34,733
[ INSTRUMENTAL MUSIC ]
938
00:40:40,906 --> 00:40:43,074
[ THEME MUSIC ]
75359
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