Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:04,605 --> 00:00:06,974
THE OTHER SIDE.
WITH REPUBLICANS?
2
00:00:07,041 --> 00:00:09,743
NO, LATELY, I'VE BEEN HAVING
THESE DARK PREMONITIONS.
3
00:00:09,810 --> 00:00:10,778
OH, ABOUT WHAT?
4
00:00:10,844 --> 00:00:13,647
DEAD COW.
DEAD COW.
5
00:00:13,714 --> 00:00:15,749
THAT'S WEIRD.
HE'S ALWAYS WEIRD.
6
00:00:15,816 --> 00:00:18,286
NO, I MEAN, MY PREMONITIONS
HAVE BEEN ABOUT DEATH.
7
00:00:18,352 --> 00:00:20,321
ABOUT MY DEATH.
I DON'T WANT
TO HEAR THIS.
8
00:00:20,388 --> 00:00:23,657
AND THE THING IS,
THEY'RE ALL SILLY.
WHAT DO YOU MEAN, SILLY?
9
00:00:23,724 --> 00:00:27,195
IN ONE, I SLIP ON A BANANA
PEEL AND FALL INTO
WHIPPED CREAM.
10
00:00:27,261 --> 00:00:29,730
SILLY AND FATTENING.
IN ANOTHER,
A TURTLE EATS ME.
11
00:00:29,797 --> 00:00:31,665
A TURTLE? HOW?
VERY SLOWLY.
12
00:00:31,732 --> 00:00:32,933
THERE'S LOTS OF CHEWING.
13
00:00:33,000 --> 00:00:34,502
AND YOU DIDN'T RUN AWAY
14
00:00:34,568 --> 00:00:37,338
FROM WHAT IS PERHAPS THE SLOWEST
LAND ANIMAL ON THE EARTH?
15
00:00:37,405 --> 00:00:39,373
HIS FIRST BITE INJECTS ME WITH
IMMOBILIZING POISON.
16
00:00:39,440 --> 00:00:40,808
YOU LEFT THAT PART OUT.
17
00:00:40,874 --> 00:00:43,311
THIS LAST ONE'S MORE GORY.
I'M OUT HUNTING --
18
00:00:43,377 --> 00:00:45,213
A FAVORITE LORELAI GILMORE
PASTIME.
19
00:00:45,279 --> 00:00:46,614
AND MY SHOTGUN BACKFIRES.
20
00:00:46,680 --> 00:00:49,317
MY WHOLE FACE SPINS AROUND
A BUNCH OF TIMES
21
00:00:49,383 --> 00:00:52,720
AND WINDS UP IN THE BACK
OF MY HEAD LIKE DAFFY DUCK!
22
00:00:52,786 --> 00:00:54,855
NOW, YOU GOTTA PROMISE
TO MOVE MY FACE
23
00:00:54,922 --> 00:00:58,326
BACK TO THE FRONT OF MY HEAD
LIKE DAFFY DID WITH HIS BEAK.
24
00:00:58,392 --> 00:00:59,793
I SHOULD BE WRITING
THIS DOWN.
25
00:00:59,860 --> 00:01:03,597
YOU CAN REMEMBER TO MOVE MY FACE
TO THE FRONT OF MY HEAD.
26
00:01:03,664 --> 00:01:05,633
HELLO, STARS HOLLOW!
ARE YOU READY TO ROCK?
27
00:01:05,699 --> 00:01:07,301
LET ME GUESS --
BAND PRACTICE TONIGHT?
28
00:01:07,368 --> 00:01:10,003
YES, WE'RE GOING TO LEARN OUR
FOURTH SONG.
29
00:01:10,070 --> 00:01:11,639
THAT'S PRACTICALLY A SET.
30
00:01:11,705 --> 00:01:12,740
MMM!
I'M IMPRESSED.
31
00:01:12,806 --> 00:01:15,176
ONCE WE HAVE A SET, WE'LL
GET A GIG,
32
00:01:15,243 --> 00:01:18,045
AND ONCE WE GET A GIG, WE'LL
GET A RECORD DEAL.
33
00:01:18,112 --> 00:01:19,513
AND THEN AFTER THAT,
34
00:01:19,580 --> 00:01:21,949
WE'LL GET REALLY FAMOUS AND GIVE
ALL OF THESE INTERVIEWS
35
00:01:22,015 --> 00:01:26,420
ABOUT HORRIBLE IT IS TO BE
REALLY FAMOUS AND HOW ALL WE
CARE ABOUT IS THE MUSIC,
36
00:01:26,487 --> 00:01:28,055
AND FAME IS GONNA TEAR
US APART.
37
00:01:28,122 --> 00:01:30,791
AND REHEARSING IN THE MUSIC
SHOP'S BEEN WORKING OUT?
38
00:01:30,858 --> 00:01:32,326
IT'S TOTALLY TIME EFFICIENT.
39
00:01:32,393 --> 00:01:35,062
BEING A 30-SECOND COMMUTE,
WE PRACTICE FOR TWO HOURS,
40
00:01:35,129 --> 00:01:39,233
I'M HOME IN TIME TO WATCH
RERUNS OF JOHNNY YUNE'S
TALK SHOW WITH MY MOM,
41
00:01:39,300 --> 00:01:43,504
WHO THINKS I HOOKED UP
WITH YOU GUYS, WHICH I DID,
SO I'M NOT EVEN LYING.
42
00:01:43,571 --> 00:01:46,774
YOU'RE KINDA LYING.
I'M FIBBING,
BUT A FIB IS NOT A LIE.
43
00:01:46,840 --> 00:01:48,075
I'D SAY
IT'S A FIB/LIE.
44
00:01:48,142 --> 00:01:50,311
IT'S NOT A LIE,
AND I CAN ALWAYS TELL
45
00:01:50,378 --> 00:01:52,346
'CAUSE THE FEW TIMES
I'VE LIED TO MY MOTHER,
46
00:01:52,413 --> 00:01:56,417
I GET THIS FEELING IN
MY GUT LIKE A WILD ANIMAL
IS BURROWING INTO IT.
47
00:01:56,484 --> 00:01:57,885
WILD ANIMALS BURROWING
INTO MY STOMACH --
48
00:01:57,951 --> 00:01:59,853
ANOTHER ONE
OF MY PREMONITIONS.
PRETTY SPOOKY.
49
00:01:59,920 --> 00:02:02,156
I'VE GOTTA GO.
I'M SINGLE-HANDEDLY
IMPROVING THE REPUTATION
50
00:02:02,223 --> 00:02:06,026
OF DRUMMERS EVERYWHERE BY BEING
ON TIME FOR EVERY REHEARSAL.
THANKS FOR THE FOOD.
51
00:02:06,093 --> 00:02:08,596
UH, EXCUSE ME.
LANE TOOK MINE.
52
00:02:08,662 --> 00:02:11,098
THIS BAND THING IS NOT
WORKING OUT FOR ME.
53
00:02:11,165 --> 00:02:14,168
LET'S GO.
SEE YA, LUKE.
54
00:02:14,235 --> 00:02:15,936
SEE YA.
55
00:02:16,003 --> 00:02:18,906
TURN SIDEWAYS.
56
00:02:18,972 --> 00:02:20,541
THAT GIRL'S A FREAK.
57
00:02:25,746 --> 00:02:27,448
MAKE A HOLE.
58
00:02:33,354 --> 00:02:36,490
* IF YOU'RE OUT
ON THE ROAD *
59
00:02:36,557 --> 00:02:41,562
* FEELIN' LONELY
AND SO COLD *
60
00:02:41,629 --> 00:02:45,733
* ALL YOU HAVE TO DO
IS CALL MY NAME *
61
00:02:45,799 --> 00:02:50,371
* AND I'LL BE THERE
ON THE NEXT TRAIN *
62
00:02:50,438 --> 00:02:54,608
* WHERE YOU LEAD,
I WILL FOLLOW *
63
00:02:54,675 --> 00:02:59,012
* ANYWHERE THAT YOU TELL ME TO *
64
00:02:59,079 --> 00:03:00,514
* IF YOU NEED *
65
00:03:00,581 --> 00:03:04,285
* IF YOU NEED *
* YOU NEED ME TO BE WITH YOU *
66
00:03:04,352 --> 00:03:05,753
* I WILL FOLLOW *
67
00:03:05,819 --> 00:03:07,855
* OH, OH, OH *
68
00:03:07,921 --> 00:03:12,593
* WHERE YOU LEAD,
I WILL FOLLOW *
69
00:03:12,660 --> 00:03:17,231
* ANY, ANYWHERE
THAT YOU TELL ME TO *
70
00:03:17,298 --> 00:03:19,132
* IF YOU NEED *
71
00:03:19,199 --> 00:03:22,002
* YOU NEED ME TO BE WITH YOU *
72
00:03:22,069 --> 00:03:25,939
* I WILL FOLLOW WHERE YOU LEAD *
73
00:03:31,679 --> 00:03:33,714
[ INTRO TO "LONDON CALLING"
PLAYS ]
74
00:03:41,389 --> 00:03:44,692
* LONDON CALLING
TO THE FARAWAY TOWN *
75
00:03:44,758 --> 00:03:48,396
* NOW THAT THE WAR'S DECLARED
AND BATTLE COME DOWN *
76
00:03:48,462 --> 00:03:51,832
* LONDON CALLING
TO THE UNDERWORLD *
77
00:03:51,899 --> 00:03:54,735
* COME OUT OF THE CUPBOARD,
YOU BOYS AND GIRLS *
78
00:03:54,802 --> 00:03:57,037
WHOA, WHOA, WHOA.
YOU GUYS, HOLD IT.
79
00:03:57,104 --> 00:03:58,205
IT DOESN'T SOUND RIGHT.
80
00:03:58,272 --> 00:03:59,440
SOUNDED GOOD TO ME.
81
00:03:59,507 --> 00:04:01,008
NO, IT'S WRONG.
SOMETHING'S MISSING.
82
00:04:01,074 --> 00:04:02,543
YEAH -- VOLUME.
83
00:04:02,610 --> 00:04:04,912
WE CAN'T PLAY ANY LOUDER.
THAT'S THE AGREEMENT.
84
00:04:04,978 --> 00:04:07,348
FREE PRACTICE SPACE, BUT WE
HAVE TO PLAY QUIETLY.
85
00:04:07,415 --> 00:04:08,816
TRY AND LIVE WITH IT,
ZACK.
86
00:04:08,882 --> 00:04:11,084
DUDE, BRIAN'S BREATHING IS
LOUDER THAN THE SONG.
87
00:04:11,151 --> 00:04:12,453
I'VE GOT A DEVIATED SEPTUM.
88
00:04:12,520 --> 00:04:15,088
ALL THE WOMEN IN MY
FAMILY AND ME HAVE IT.
89
00:04:15,155 --> 00:04:16,457
WELL, IT'S THROWING ME OFF.
90
00:04:16,524 --> 00:04:18,191
HOLD YOUR BREATH, BRIAN.
THERE, PROBLEM SOLVED.
91
00:04:18,258 --> 00:04:21,295
OKAY, COME ON, NOW, LET'S ROCK.
ONE, TWO, THREE --
92
00:04:21,362 --> 00:04:22,996
WAIT.
THE BOTTOM LINE HERE
93
00:04:23,063 --> 00:04:25,999
IS BREATHING SHOULD NOT BE
LOUDER THAN A ROCK BAND.
94
00:04:26,066 --> 00:04:27,668
AM I RIGHT OR AM I RIGHT?
95
00:04:27,735 --> 00:04:30,137
RYGALSKI, WE NEED TO
CRANK IT UP.
96
00:04:30,203 --> 00:04:32,440
JUST LISTEN HARDER.
THAT'LL MAKE IT SOUND LOUDER.
97
00:04:32,506 --> 00:04:34,107
CAN'T WE TURN IT UP
AT ALL?
98
00:04:34,174 --> 00:04:37,578
WELL, WE COULD POSSIBLY TURN
THE AMPS UP FROM 3 TO 3 1/2,
99
00:04:37,645 --> 00:04:39,413
BUT THAT'S IT.
FORGET IT.
100
00:04:39,480 --> 00:04:40,948
ZACK,
WE JUST GOT STARTED.
101
00:04:41,014 --> 00:04:43,216
DUDE, LAWRENCE WELK CRANKED
LOUDER THAN THIS.
102
00:04:43,283 --> 00:04:44,585
IT'S A WASTE OF TIME.
103
00:04:44,652 --> 00:04:46,920
WAIT, ZACK, NO, YOU DON'T
UNDERSTAND.
104
00:04:46,987 --> 00:04:49,657
WE CAN'T PLAY LOUDER.
MY MOM HAS THIS
SPECIAL ANTENNA
105
00:04:49,723 --> 00:04:53,361
THAT CAN PICK UP NON-CHRISTIAN
MUSIC BEING PLAYED, WITHIN A
FOOTBALL FIELDS DISTANCE
106
00:04:53,427 --> 00:04:55,028
AND SHE'D IMMEDIATELY COME
LOOKING FOR ME
107
00:04:55,095 --> 00:04:57,264
IN ORDER TO SHIELD ME
FROM THE PERVERSION.
108
00:04:57,331 --> 00:04:58,599
IF ZACK'S GOING,
I'M GOING.
109
00:04:58,666 --> 00:05:00,968
NO, BRIAN,
I'M NOT EXAGGERATING!
110
00:05:01,034 --> 00:05:03,070
ONCE, A GUY IN OUR TOWN
NAMED KIRK
111
00:05:03,136 --> 00:05:05,205
WAS PRACTICING
"BOHEMIAN RHAPSODY,"
WITH HIS BAND
112
00:05:05,272 --> 00:05:07,375
AND MY MOM SHUT THEM DOWN
SO FAST
113
00:05:07,441 --> 00:05:09,643
THAT THE BAND FLED WITHOUT
THEIR INSTRUMENTS.
114
00:05:09,710 --> 00:05:12,546
TO THIS DAY, KIRK CAN'T LISTEN
TO QUEEN WITHOUT TEARING UP.
115
00:05:12,613 --> 00:05:15,282
HAVING A FREE PRACTICE
SPACE WAS COOL AND ALL,
116
00:05:15,349 --> 00:05:16,617
BUT NOT LIKE THIS.
117
00:05:16,684 --> 00:05:18,786
WE SHOULD JUST RENT A SPACE
IN HARTFORD.
118
00:05:18,852 --> 00:05:20,854
HARTFORD.
CONNECTICUT?
119
00:05:20,921 --> 00:05:22,590
IT'S NOT THAT FAR.
120
00:05:22,656 --> 00:05:25,025
OR MAYBE HOW ABOUT FRANCE?
WE COULD PRACTICE IN FRANCE.
121
00:05:25,092 --> 00:05:26,927
OR ICELAND!
THE MOON'S PROBABLY AVAILABLE!
122
00:05:26,994 --> 00:05:29,363
WE COULD CRANK IT WAY
UP ON THE MOON!
123
00:05:29,430 --> 00:05:30,798
A WORD, PLEASE?
124
00:05:30,864 --> 00:05:33,701
DAVE, TALK TO THEM!
YOU'RE THE LEADER!
125
00:05:33,767 --> 00:05:35,703
THAT'S INSUBORDINATION
GOING ON IN THERE!
126
00:05:35,769 --> 00:05:38,472
THEY SHOULD BE FLOGGED, STRUNG
UP FROM THE HIGHEST YARDARM!
127
00:05:38,539 --> 00:05:39,873
NO, I CAN'T.
WHY?
128
00:05:39,940 --> 00:05:41,909
BECAUSE WE'RE SUPPOSED
TO BE A ONE-FOR-ALL BAND.
129
00:05:41,975 --> 00:05:43,977
LIKE THE CLASH OR U2.
IT'S A DEMOCRACY.
130
00:05:44,044 --> 00:05:46,614
DEMOCRACIES ARE OVERRATED. GET
IN THERE AND KICK SOME BUTTS!
131
00:05:46,680 --> 00:05:48,449
I'LL FIX BRIAN'S DEVIATED
SEPTUM.
132
00:05:48,516 --> 00:05:50,684
I'LL RAM ONE OF MY STICKS
UP HIS NOSE!
133
00:05:50,751 --> 00:05:52,686
DO YOU REALLY BELIEVE
THIS IS WORKING?
134
00:05:52,753 --> 00:05:55,623
NO, IT'S NOT WORKING.
WE SOUND LIKE A BUNCH OF
WANKERS.
135
00:05:55,689 --> 00:05:57,991
WE NEED TO BE ABLE TO
REALLY PLAY.
136
00:05:58,058 --> 00:06:01,028
WOULDN'T YOU LIKE TO BE ABLE TO
HIT BOTH THE CYMBALS?
137
00:06:01,094 --> 00:06:02,496
THEN WE NEED TO DO THIS.
138
00:06:02,563 --> 00:06:04,632
I JUST DON'T WANT TO
LEAVE THE BAND.
139
00:06:04,698 --> 00:06:06,066
WHAT?
YOU CAN'T LEAVE THE BAND.
140
00:06:06,133 --> 00:06:08,135
THAT'S NOT WHAT ANYBODY WANTS,
ESPECIALLY ME.
141
00:06:08,201 --> 00:06:10,337
LANE, YOU'RE PERFECT FOR US.
IT'S WORKING.
142
00:06:10,404 --> 00:06:12,573
SO I HAVE TO FIGURE OUT
A WAY
143
00:06:12,640 --> 00:06:15,375
TO REHEARSE IN HARTFORD
TWO OR THREE NIGHTS A WEEK.
144
00:06:15,443 --> 00:06:16,910
THAT'S NOT SO TOUGH.
145
00:06:16,977 --> 00:06:20,748
NO, AND MAYBE AT THE SAME TIME,
I'LL MASTER QUANTUM PHYSICS,
146
00:06:20,814 --> 00:06:22,382
AND THROW SANSKRIT IN
THERE, TOO.
147
00:06:22,450 --> 00:06:24,418
DO YOUR BEST --
NOT WITH THE SANSKRIT THING,
148
00:06:24,485 --> 00:06:25,753
BUT WITH THE BAND.
149
00:06:25,819 --> 00:06:26,987
I'LL TRY.
150
00:06:27,054 --> 00:06:29,423
THERE'S NO WAY YOU'RE GONNA
BECOME OUR PETE BEST.
151
00:06:29,490 --> 00:06:30,858
THERE'S NO WAY.
152
00:06:30,924 --> 00:06:32,259
YOU'RE SWEET.
153
00:06:32,325 --> 00:06:33,794
WE SHOULD GET BACK
IN THERE.
154
00:06:33,861 --> 00:06:36,430
OKAY, UM, I'LL BE IN
IN A MINUTE.
155
00:06:43,003 --> 00:06:45,305
WRACK YOUR BRAINS.
WE'VE REALLY GOTTA THINK HERE.
156
00:06:45,372 --> 00:06:46,707
IT'S QUITE A PICKLE.
157
00:06:46,774 --> 00:06:49,142
NO, RORY, THIS IS MUCH BIGGER
THAN A PICKLE.
158
00:06:49,209 --> 00:06:51,044
OKAY, LET'S STOP SAYING
THE WORD "PICKLE."
159
00:06:51,111 --> 00:06:54,815
HOW MANY NIGHTS A WEEK WOULD
YOU HAVE TO GO TO HARTFORD
TO PRACTICE?
160
00:06:54,882 --> 00:06:56,517
TWO PLUS A WEEKEND
AFTERNOON.
161
00:06:56,584 --> 00:06:59,587
SO THAT'S THREE BIG BLOCKS OF
TIME YOU'D HAVE TO ACCOUNT FOR.
162
00:06:59,653 --> 00:07:03,223
PLUS YOU HAVE NO CAR TO
TRANSPORT YOUR DRUMS
ANYWHERE AS OF YET.
163
00:07:03,290 --> 00:07:06,059
OR A DRIVER'S LICENSE.
OR ANY DRUMS BECAUSE YOU'RE
BORROWING THEM.
164
00:07:06,126 --> 00:07:08,629
TEMPORARILY UNTIL
I CAN BUY MY OWN SET
165
00:07:08,696 --> 00:07:11,098
WITH MONEY THAT I DON'T KNOW
WHERE I'M GONNA GET.
166
00:07:11,164 --> 00:07:14,234
THAT'S MORE THAN A PICKLE.
YOU'RE MAKING LIGHT.
NOW STOP AND FOCUS.
167
00:07:14,301 --> 00:07:16,704
AND TURN DOWN THE CORNERSHOP.
IT'S DISTRACTING.
168
00:07:16,770 --> 00:07:18,772
NO, YOUR COLTRANE IS
DISTRACTING.
TURN THAT DOWN.
169
00:07:18,839 --> 00:07:22,843
I'M IN ANGST HERE, AND
COLTRANE SPEAKS TO MY SOUL.
I CAN TURN IT DOWN.
170
00:07:22,910 --> 00:07:26,013
FINE, IN DEFERENCE TO YOUR SOUL,
I'LL TURN MINE DOWN.
171
00:07:26,079 --> 00:07:27,715
HEY, HERE'S A CRAZY
THOUGHT --
172
00:07:27,781 --> 00:07:29,817
HOW ABOUT YOU TELL YOUR
MOM THE TRUTH
173
00:07:29,883 --> 00:07:32,452
AND INSIST THAT SHE LET YOU
PLAY WITH THE BAND
174
00:07:32,520 --> 00:07:33,887
AND REHEARSE IN STARS HOLLOW
LOUDLY
175
00:07:33,954 --> 00:07:35,789
AS LONG AS YOUR SCHOOLWORK
DOESN'T SUFFER?
176
00:07:35,856 --> 00:07:38,859
I'M SORRY, WAS THAT
A SERIOUS SUGGESTION?
HEY, IT'S WORTH A SHOT.
177
00:07:38,926 --> 00:07:43,130
NO, YOU'RE THINKING YOUR MOM.
IF I SAID THAT, SHE'D START
WAVING A CRUCIFIX AT ME.
178
00:07:43,196 --> 00:07:46,800
IF SHE SAYS NO, SHE SAYS NO,
BUT RIGHT NOW,
YOU'RE OUT OF OPTIONS.
179
00:07:46,867 --> 00:07:48,836
WE HAVE ANOTHER CALL.
JUST THINK ABOUT IT?
180
00:07:48,902 --> 00:07:51,672
OKAY, I WILL, AND, HEY,
YOU KNOW I LIKE CORNERSHOP.
181
00:07:53,106 --> 00:07:54,141
HELLO?
182
00:07:54,207 --> 00:07:55,676
HI, RORY?
YES.
183
00:07:55,743 --> 00:07:58,746
THIS IS DEBBIE FINCHER, KATHY'S
MOM FROM STARS HOLLOW HIGH.
184
00:07:58,812 --> 00:08:01,582
OH, HI, MRS. FINCHER.
HI RIGHT BACK TO YOU.
185
00:08:01,649 --> 00:08:05,485
WE MISS YOU SINCE YOU STARTED
THAT FANCY SCHOOL OF YOURS.
IS IT FUN?
186
00:08:05,553 --> 00:08:08,488
IT'S HARD, BUT I LIKE IT.
OH, WELL, SUPER.
187
00:08:08,556 --> 00:08:10,057
LISTEN, IS YOUR MOM HOME?
188
00:08:10,123 --> 00:08:13,093
OH, SURE, JUST A SECOND.
SAY HI TO KATHY FOR ME.
189
00:08:13,160 --> 00:08:14,728
HOLD ON.
190
00:08:16,897 --> 00:08:18,098
PHONE.
191
00:08:18,165 --> 00:08:19,432
IT'S DEBBIE FINCHER.
192
00:08:19,499 --> 00:08:20,834
WHO?
193
00:08:20,901 --> 00:08:22,803
FROM STARS HOLLOW HIGH.
KATHY FINCHER'S MOM.
194
00:08:22,870 --> 00:08:24,437
OH, I REMEMBER KATHY.
195
00:08:24,504 --> 00:08:27,975
YOU MET DEBBIE MANY TIMES, HAD
MANY CONVERSATIONS WITH HER
196
00:08:28,041 --> 00:08:30,143
AT BAKE SALES,
SCHOOL PLAYS, THE PTA.
197
00:08:30,210 --> 00:08:31,411
NOT RINGING A BELL.
198
00:08:31,478 --> 00:08:34,447
I USED TO GO SWIMMING AT HER
HOUSE ALL THE TIME.
199
00:08:34,514 --> 00:08:36,917
NO. NO.
200
00:08:36,984 --> 00:08:41,188
BLOND HAIR, MEDIUM HEIGHT,
DROVE A RANGE ROVER.
201
00:08:41,254 --> 00:08:43,156
DOES SHE ALSO BREATHE AND
HAVE TOES?
202
00:08:43,223 --> 00:08:46,093
NARROW IT DOWN TO LESS THAN
8,000 POSSIBILITIES.
203
00:08:46,159 --> 00:08:48,629
I DID WITH THE SWIMMING.
I REMEMBER THE WATER.
204
00:08:48,696 --> 00:08:52,165
COME ON -- BLOND HAIR,
MEDIUM HEIGHT.
205
00:08:52,232 --> 00:08:55,035
SEE? EVEN YOU CAN'T THINK OF
ANOTHER WAY TO DESCRIBE HER.
206
00:08:55,102 --> 00:08:56,904
YOU HAVE NO MEMORY OF
THIS WOMAN?
207
00:08:56,970 --> 00:08:58,606
ALL THOSE STARS HOLLOW MOMS
LOOKED ALIKE
208
00:08:58,672 --> 00:09:02,075
EXCEPT FOR LANE'S MOM AND THAT
ONE WITH THE FREAKY GLASS EYE.
209
00:09:02,142 --> 00:09:03,744
TAKE THE PHONE.
210
00:09:03,811 --> 00:09:05,012
HI, DEBBIE, HOW ARE YOU?
211
00:09:05,078 --> 00:09:07,247
GREAT, LORELAI.
AND YOURSELF?
212
00:09:07,314 --> 00:09:08,849
JUST FINE, THANKS.
213
00:09:08,916 --> 00:09:11,919
THE GANG AND I HAVE MISSED YOU
SO MUCH AT SCHOOL EVENTS.
214
00:09:11,985 --> 00:09:13,587
YOU WERE ALWAYS SUCH
A KICK.
215
00:09:13,654 --> 00:09:15,756
WELL, I'VE REALLY MISSED YOU
AND THE GANG.
216
00:09:15,823 --> 00:09:18,391
HEY, LISTEN, I HAVE
A PROPOSITION FOR YOU.
217
00:09:18,458 --> 00:09:21,461
THE PTA LIKES TO ASK PROMINENT
LOCALS IN BUSINESS
218
00:09:21,528 --> 00:09:23,096
IF THEY COULD TALK TO THE
STUDENTS
219
00:09:23,163 --> 00:09:25,132
ABOUT HOW THEY GOT TO WHERE
THEY ARE,
220
00:09:25,198 --> 00:09:28,035
ALL THE HARD WORK IT TAKES,
AND WE THOUGHT ABOUT YOU.
221
00:09:28,101 --> 00:09:30,370
TO SUGGEST PEOPLE I KNOW WHO
HAVE SUCCESS STORIES?
222
00:09:30,437 --> 00:09:33,373
NO, SILLY, WE'D LIKE FOR YOU
TO ADDRESS THE CLASS.
223
00:09:33,440 --> 00:09:35,042
ME? REALLY?
224
00:09:35,108 --> 00:09:38,111
YES! YOU'RE A YOUNG WOMAN, AND
YOU RUN THAT BEAUTIFUL INN.
225
00:09:38,178 --> 00:09:41,815
IT'S A HUGE RESPONSIBILITY, AND
YOU DO IT WITH SUCH STYLE.
226
00:09:41,882 --> 00:09:43,116
WOW, WELL,
THAT'S REALLY SWEET.
227
00:09:43,183 --> 00:09:45,152
IT'S ALWAYS NICE
TO BE WELL THOUGHT OF.
228
00:09:45,218 --> 00:09:47,587
BEFORE WE GO ANY FURTHER, I'M
DYING TO KNOW --
229
00:09:47,655 --> 00:09:49,389
HOW'S KATHY?
WHAT'S SHE UP TO?
230
00:09:49,456 --> 00:09:52,893
SHE IS JUST TERRIFIC.
SHE'S APPLIED TO A COUPLE OF
SCHOOLS IN CALIFORNIA,
231
00:09:52,960 --> 00:09:54,828
SO SHE'S REALLY EXCITED...
232
00:09:54,895 --> 00:09:58,531
SO, SHE WANTS ME TO SPEAK
TO SOME KIDS
ABOUT MY BUSINESS SUCCESS.
233
00:09:58,598 --> 00:10:00,600
REALLY?
THAT'S GREAT.
234
00:10:00,668 --> 00:10:02,435
WHAT ARE YOU DOING
WITH THE PHONE?
235
00:10:02,502 --> 00:10:03,804
SHE'S BLABBING ABOUT
HER KID.
236
00:10:03,871 --> 00:10:05,873
WE PROBABLY GOT ANOTHER 30
SECONDS OR SO.
237
00:10:05,939 --> 00:10:08,541
YOU'RE AWFUL.
NO, I'M A KICK.
SHOULD I DO IT?
238
00:10:08,608 --> 00:10:09,977
TOOT YOUR OWN HORN A LITTLE.
239
00:10:10,043 --> 00:10:11,611
I'M A SUCCESS.
WHO'D HAVE THOUGHT?
240
00:10:11,679 --> 00:10:13,246
I SUSPECTED YOU HAD IT
IN YOU.
241
00:10:13,313 --> 00:10:15,548
I WONDER WHY LARRY KING
HASN'T CALLED.
242
00:10:15,615 --> 00:10:17,017
MOM -- DEBBIE, PLEASE?
243
00:10:17,084 --> 00:10:18,952
SO THE INTERNSHIP
WILL KEEP HER LOCAL,
244
00:10:19,019 --> 00:10:21,789
WHICH IS A NICE BONUS FOR BILL
AND ME, YOU KNOW?
245
00:10:21,855 --> 00:10:24,424
WELL, BE SURE TO SAY HI TO HER
AND TO BILL,
246
00:10:24,491 --> 00:10:28,095
AND BY THE WAY, YES, I'D BE
HAPPY TO TALK TO THE CLASS.
TERRIFIC!
247
00:10:28,161 --> 00:10:29,997
OH, THE GANG WILL BE
SO THRILLED!
248
00:10:30,063 --> 00:10:33,366
NOW, THERE'LL PROBABLY BE A
SECOND SPEAKER WITH YOU.
DO YOU MIND?
249
00:10:33,433 --> 00:10:35,969
WE HAVE SOME SUGGESTIONS,
BUT DO YOU KNOW ANYONE?
250
00:10:36,036 --> 00:10:39,472
WELL, MY FRIEND THE SULTAN OF
BRUNEI IS SO HARD TO PIN DOWN.
251
00:10:39,539 --> 00:10:41,675
THERE'S THAT SENSE OF HUMOR.
252
00:10:41,742 --> 00:10:44,177
WE WERE CONSIDERING
LUKE DANES,
253
00:10:44,244 --> 00:10:46,046
BUT HE USUALLY TURNS THESE
THINGS DOWN.
254
00:10:46,113 --> 00:10:49,149
I COULD TALK TO HIM.
THAT WOULD BE JUST
TERRIFIC.
255
00:10:49,216 --> 00:10:52,452
THE TWO OF YOU TOGETHER
WOULD BE A KICK.
256
00:10:52,519 --> 00:10:56,724
WELL, THEN I'LL JUST KICK HIM
TILL HE AGREES TO DO IT.
HOW DOES THAT SOUND?
257
00:10:56,790 --> 00:10:58,959
THURSDAY AT 4:00 P.M. --
IS THAT OKAY?
258
00:10:59,026 --> 00:11:01,194
OH, YOU RAT!
YOU RAT!
WHAT?
259
00:11:01,261 --> 00:11:04,597
YOU REMEMBERED HOW MUCH I HATE
BEING CALLED DEB!
260
00:11:04,664 --> 00:11:07,300
I'M WICKED.
[ LAUGHS ]
261
00:11:07,367 --> 00:11:10,704
WELL, THANK YOU, LORELAI, AND
I'LL TALK TO YOU SOON.
262
00:11:10,771 --> 00:11:12,105
OKAY.
BYE.
263
00:11:12,172 --> 00:11:14,507
SHE HATES
BEING CALLED DEB.
264
00:11:14,574 --> 00:11:16,209
I'LL MAKE A MENTAL NOTE.
265
00:11:16,276 --> 00:11:17,911
OW! OW! OW!
266
00:11:17,978 --> 00:11:20,213
I'M SO PROUD OF MY LITTLE
SUCCESS.
267
00:11:20,280 --> 00:11:21,681
[ CHUCKLES ]
268
00:11:41,769 --> 00:11:43,236
STOP IT.
DON'T RUN.
269
00:11:43,303 --> 00:11:45,873
JUST WALK IN THERE AND TELL
HER WHAT YOU WANT.
270
00:11:45,939 --> 00:11:48,308
SHE'S YOUR MOTHER,
AND SHE WANTS YOU TO BE HAPPY
271
00:11:48,375 --> 00:11:50,343
ON SOME LEVEL, I THINK.
MAYBE NOT.
272
00:11:50,410 --> 00:11:51,578
WHAT ARE YOU DOING?
273
00:11:51,644 --> 00:11:53,814
DO NOT BACK OFF.
JUST MOVE.
C'MON, MOVE.
274
00:11:53,881 --> 00:11:55,248
MOVE YOUR FOOT.
MOVE YOUR FOOT.
275
00:11:55,315 --> 00:11:57,584
ONE FOOT.
LANE! MOVE YOUR FOOT!
276
00:11:57,650 --> 00:11:59,319
LANE!
YEAH?
277
00:11:59,386 --> 00:12:01,321
COME WITH ME.
OKAY.
278
00:12:03,356 --> 00:12:05,492
SIT. SIT.
279
00:12:05,558 --> 00:12:08,695
YOU WANT TEA?
280
00:12:08,762 --> 00:12:10,630
MAMA, I WANT --
SIT.
281
00:12:10,697 --> 00:12:12,299
SORRY.
282
00:12:13,500 --> 00:12:15,803
I WANTED TO TALK TO YOU
ABOUT SOMETHING,
283
00:12:15,869 --> 00:12:20,040
AN IDEA I HAD -- HAVE --
FOR ME TO DO SOMETHING
284
00:12:20,107 --> 00:12:22,675
THAT WOULD BE VERY BENEFICIAL TO
ME AND YOU BY EXTENSION,
285
00:12:22,742 --> 00:12:25,612
BECAUSE IF ONE PERSON IS HAPPY,
THE OTHER PERSON IS HAPPY,
286
00:12:25,678 --> 00:12:29,917
AND SO I HAD AN IDEA
OF HOW I COULD BE,
AND THEN YOU COULD BE --
287
00:12:29,983 --> 00:12:31,952
TEA WOULD BE GOOD.
288
00:12:34,822 --> 00:12:37,390
HERE.
I WANT YOU TO FILL THESE OUT.
289
00:12:37,457 --> 00:12:39,759
WHAT ARE THESE?
COLLEGE APPLICATIONS.
290
00:12:39,827 --> 00:12:41,995
DON'T WORRY -- EVERY ONE
IN THIS PILE
291
00:12:42,062 --> 00:12:43,763
APPROVED BY ME AND
REVEREND MELLMEN.
292
00:12:43,831 --> 00:12:45,899
I HAVEN'T HEARD OF ONE OF
THESE SCHOOLS.
293
00:12:45,966 --> 00:12:47,267
THEY'RE ALL GOOD RELIGIOUS
PROGRAMS,
294
00:12:47,334 --> 00:12:49,102
AND I'VE ALREADY THROWN OUT
THE ONES
295
00:12:49,169 --> 00:12:52,539
THAT LET BOYS AND GIRLS SIT IN
THE CAFETERIA TOGETHER.
296
00:12:52,605 --> 00:12:54,574
OH.
GREAT.
297
00:12:54,641 --> 00:12:56,209
I WILL HELP YOU
FILL THEM OUT,
298
00:12:56,276 --> 00:12:59,179
AND WE'LL MAIL THEM ON THE
WAY TO CHOIR PRACTICE, OKAY?
299
00:12:59,246 --> 00:13:02,015
GOOD, NOW, "IF YOU MEET JESUS
WALKING ON THE STREET,
300
00:13:02,082 --> 00:13:05,585
WHAT ARE THE THREE QUESTIONS
YOU WOULD LIKE TO ASK?"
301
00:13:05,652 --> 00:13:07,054
AH!
302
00:13:10,023 --> 00:13:11,758
YOUR SPEECH FOR THAT CLASS?
303
00:13:11,825 --> 00:13:13,360
JUST SOME TALKING POINTS.
304
00:13:13,426 --> 00:13:16,964
AND THIS SPEECH IS ABOUT YOUR
SUCCESS IN BUSINESS, YES?
305
00:13:17,030 --> 00:13:18,465
PRETTY MUCH.
306
00:13:18,531 --> 00:13:21,368
YOU MUST FEEL VERY FORTUNATE
TO LIVE IN A TINY TOWN
307
00:13:21,434 --> 00:13:23,170
WHERE PEOPLE MAKE
VERY LITTLE MONEY.
308
00:13:23,236 --> 00:13:25,705
IT ELEVATES YOU BY
COMPARISON.
309
00:13:25,772 --> 00:13:29,276
I WONDER WHO THEIR LAST
SPEAKER WAS,
THE FELLOW IN SHORT PANTS
310
00:13:29,342 --> 00:13:32,245
THAT WALKS UP AND DOWN THE
SQUARE WITH A METAL DETECTOR?
311
00:13:32,312 --> 00:13:36,449
I WOULDN'T KNOW.
AND IF THEY FIND SOMEONE WHO
DRIVES A CAR
312
00:13:36,516 --> 00:13:39,286
THAT IS LESS THAN EIGHT YEARS
OLD, WHAT WILL THEY DO,
313
00:13:39,352 --> 00:13:41,221
CROWN HIM KING OF SUCCESSFUL
PEOPLE?
314
00:13:41,288 --> 00:13:43,656
UNLESS IT'S A WOMAN.
THEN THEY'LL CROWN HER QUEEN.
315
00:13:43,723 --> 00:13:46,126
AND IF THEY --
GO AWAY.
316
00:13:46,193 --> 00:13:47,527
INDEPENDENCE INN.
LORELAI SPEAKING.
317
00:13:47,594 --> 00:13:50,197
I'M BACKING OUT.
TOO LATE.
SORRY.
318
00:13:50,263 --> 00:13:52,599
I'M NOT SPEAKING
TO THAT STUPID CLASS.
319
00:13:52,665 --> 00:13:53,833
YOU AGREED.
320
00:13:53,901 --> 00:13:55,668
I'M OUT. CASE CLOSED.
NO DEBATE.
321
00:13:55,735 --> 00:13:57,170
GREAT, FINE, DO WHAT
YOU WANT.
322
00:13:57,237 --> 00:13:59,739
I GUESS I'M JUST OUT
THE $1,000 DEPOSIT.
323
00:13:59,806 --> 00:14:01,774
WHAT DEPOSIT?
FOR THE ROOM.
324
00:14:01,841 --> 00:14:03,043
WHAT ROOM?
325
00:14:03,110 --> 00:14:05,278
FOR THE THING.
FOR THE AFTERWARDS THING.
326
00:14:05,345 --> 00:14:08,815
YOU'RE TRYING TO CONFUSE ME,
AREN'T YOU?
AREN'T YOU?
327
00:14:08,882 --> 00:14:10,350
WHAT?
WHO?
328
00:14:10,417 --> 00:14:11,484
STOP.
BYE!
329
00:14:11,551 --> 00:14:14,187
HOLD ON A SEC!
I AGREED TO THIS UNDER COERCION.
330
00:14:14,254 --> 00:14:15,889
YOU SAID YES ON YOUR OWN.
331
00:14:15,956 --> 00:14:17,757
I SAID YES BECAUSE WHEN
I SAID NO,
332
00:14:17,824 --> 00:14:20,593
YOU TALKED BABY TALK LOUDLY IN
FRONT OF ALL MY CUSTOMERS
333
00:14:20,660 --> 00:14:25,065
UNTIL I GOT SO SICK OF IT,
I JUST AGREED TO DO IT
TO SHUT YOU UP.
334
00:14:25,132 --> 00:14:26,900
IT'S NOT A BINDING AGREEMENT.
IT'S COERCION.
335
00:14:26,967 --> 00:14:28,601
WELL, YOU GAVE IN JUST
IN TIME
336
00:14:28,668 --> 00:14:31,238
BECAUSE I WAS ABOUT TO
TRANSITION OUT OF BABY TALK
337
00:14:31,304 --> 00:14:32,805
AND INTO MY LOUIS ARMSTRONG
VOICE,
338
00:14:32,872 --> 00:14:36,109
AND THAT, MY FRIEND, IS A WHOLE
LOT WORSE THAN BABY TALK.
339
00:14:36,176 --> 00:14:37,978
I HATE THAT BUILDING.
340
00:14:38,045 --> 00:14:41,714
WHAT, THE SCHOOL?
THREE YEARS OF GOING THERE, I
HAVE NO GOOD MEMORIES.
341
00:14:41,781 --> 00:14:45,518
NONE. KIDS WERE AS DUMB
THEN AS THEY ARE NOW.
I THINK YOU'LL ENJOY THIS.
342
00:14:45,585 --> 00:14:50,223
THINK ABOUT GOING BACK TO YOUR
HIGH SCHOOL TO GIVE A TALK.
HOW WOULD THAT FEEL?
343
00:14:50,290 --> 00:14:52,225
OKAY, NOT ALL YOUR POINTS
ARE BAD,
344
00:14:52,292 --> 00:14:54,461
BUT IT'S NOT MY SCHOOL.
AND IF YOU CANCEL,
345
00:14:54,527 --> 00:14:57,564
THIS WHOLE TOWN WILL KNOW, AND
WHEN YOU WALK DOWN THE STREET,
346
00:14:57,630 --> 00:15:00,000
PEOPLE WILL POINT AND WHISPER,
"THERE GOES THAT LUKE.
347
00:15:00,067 --> 00:15:02,402
HE'S A REAL
TALK-CANCELER GUY."
348
00:15:02,469 --> 00:15:03,603
OUCH.
349
00:15:03,670 --> 00:15:04,938
PLUS, I PROMISED THE PTA,
350
00:15:05,005 --> 00:15:07,340
SO MY FRAGILE REPUTATION
IS ON THE LINE.
351
00:15:07,407 --> 00:15:09,876
I THINK YOU'LL LIVE. NO!
OH, LUKE --
352
00:15:09,943 --> 00:15:12,779
[ As Louis Armstrong ]
* HELLO...DOLLY *
STOP THAT.
353
00:15:12,845 --> 00:15:15,515
* THIS IS LOUIS,
DOLLY *
I'LL JUST HANG UP.
354
00:15:15,582 --> 00:15:19,652
* I'LL BE COMIN' ROUND THE DINER
SINGIN'...SO-O-O-NGS *
355
00:15:19,719 --> 00:15:21,454
HAVE YOU BEEN DIAGNOSED?
356
00:15:21,521 --> 00:15:23,690
[ Normal voice ]
SEE YOU TOMORROW AT 4:00!
357
00:15:23,756 --> 00:15:25,525
[ COUGHS ]
358
00:15:25,592 --> 00:15:29,062
OH, IT WAS A FINE COLLECTION.
SHE MADE YOU APPLY TO
EVERY ONE?
359
00:15:29,129 --> 00:15:30,897
AND MEASURED MY HEAD
FOR A WIMPLE.
360
00:15:30,964 --> 00:15:33,133
THERE WASN'T ONE YOU MIGHT
WANT TO GO TO?
361
00:15:33,200 --> 00:15:34,901
DEPENDS ON WHAT I'M
LOOKING FOR.
362
00:15:34,968 --> 00:15:38,138
OF COURSE, ALL THE GREAT
SEVENTH-DAY ADVENTIST
SCHOOLS WERE REPRESENTED
363
00:15:38,205 --> 00:15:41,208
WITH THEIR BAN ON DANCING,
GUM CHEWING, AND BOWLING.
364
00:15:41,274 --> 00:15:43,276
QUAKER COLLEGE
WAS A DELIGHTFUL SURPRISE
365
00:15:43,343 --> 00:15:45,012
WITH ITS SPECIAL APPEAL
FOR RICHARD NIXON,
366
00:15:45,078 --> 00:15:47,614
WHO'S DEAD BUT STILL DEEPLY
INVOLVED IN CAMPUS RECRUITING.
367
00:15:47,680 --> 00:15:50,317
OH, AND THE
PIECE DE RESISTANCE --
368
00:15:50,383 --> 00:15:53,153
SHE FOUND AN AMISH SCHOOL
IN NICARAGUA.
369
00:15:53,220 --> 00:15:55,788
NICARAGUA!
A BIG SHOUT OUT TO
MAMA KIM ON THAT ONE!
370
00:15:55,855 --> 00:15:59,592
MAMA KIM ALWAYS STARTS
OUT SUPER SERIOUS BUT
THEN LIGHTENS WITH TIME.
371
00:15:59,659 --> 00:16:02,529
BUT I DON'T HAVE TIME.
SCHOOLS I LIKE
WILL FILL UP,
372
00:16:02,595 --> 00:16:05,498
AND MY BAND --
MY BELOVED BAND --
WILL FIND ANOTHER DRUMMER.
373
00:16:05,565 --> 00:16:08,635
JUST TRY TO CALM DOWN.
NO, CALM IS FOR LOSERS.
374
00:16:08,701 --> 00:16:11,238
I SPENT MY WHOLE LIFE
COMPROMISING
375
00:16:11,304 --> 00:16:14,307
AND BEING THE GOOD LITTLE GIRL
AND NOT DOING WHAT I WANT
376
00:16:14,374 --> 00:16:17,144
OR DOING WHAT I WANT
AND FEELING GUILTY FOR DOING IT,
377
00:16:17,210 --> 00:16:19,846
I EVEN LOST MY FIRST BOYFRIEND
BECAUSE OF ALL THIS!
378
00:16:19,912 --> 00:16:21,148
WHAT BOYFRIEND?
HENRY.
379
00:16:21,214 --> 00:16:22,415
OH, RIGHT -- HENRY.
380
00:16:22,482 --> 00:16:24,251
SEE? THAT'S HOW PATHETIC
MY LIFE IS.
381
00:16:24,317 --> 00:16:28,121
I'M CALLING A BOYFRIEND
A GUY I NEVER WENT
OUT ON A DATE WITH,
382
00:16:28,188 --> 00:16:29,956
AND THAT MY OWN BEST FRIEND
DOESN'T REMEMBER,
383
00:16:30,023 --> 00:16:32,625
WHICH IS NOT YOUR FAULT, BECAUSE
THERE'S NOTHING TO REMEMBER.
384
00:16:32,692 --> 00:16:35,728
SO BESIDES POWER WALKING, WHAT
ARE YOU GONNA DO ABOUT IT?
385
00:16:35,795 --> 00:16:39,232
LANE!
386
00:16:39,299 --> 00:16:41,000
LANE?
FOLLOW MY ANGER!
387
00:16:41,068 --> 00:16:44,104
WHAT ARE YOU DOING?
CHOOSING A COLOR!
388
00:16:44,171 --> 00:16:45,872
YOU'RE GONNA DYE
YOUR HAIR?
389
00:16:45,938 --> 00:16:50,077
YES. I AM.
LOTS OF CHOICES HERE.
HELP ME NARROW IT DOWN.
390
00:16:50,143 --> 00:16:52,312
AND WALK AROUND
IN A HOOD ALL THE TIME?
391
00:16:52,379 --> 00:16:54,347
HOW ARE GONNA HIDE THIS
FROM YOUR MOM?
392
00:16:54,414 --> 00:16:56,383
I'M NOT GONNA HIDE IT!
THAT'S THE POINT!
393
00:16:56,449 --> 00:16:58,151
THINK ABOUT THIS FOR A SECOND.
394
00:16:58,218 --> 00:17:00,253
I'VE BEEN THINKING ABOUT THIS
MY WHOLE LIFE.
395
00:17:00,320 --> 00:17:01,888
NOTHING'S GONNA CHANGE
UNLESS I CHANGE IT,
396
00:17:01,954 --> 00:17:04,724
AND NOW'S THE TIME.
I NEED TO MAKE
A CLEAR STATEMENT --
397
00:17:04,791 --> 00:17:07,827
ONE I CAN'T GO BACK ON
OR CHICKEN OUT ON,
398
00:17:07,894 --> 00:17:09,096
AND THIS IS MY INSTRUMENT.
399
00:17:09,162 --> 00:17:10,763
IT SAYS,
"THIS IS LANE KIM!"
400
00:17:10,830 --> 00:17:12,699
THAT IS YOU.
IT'S BLACK HAIR DYE.
401
00:17:12,765 --> 00:17:15,568
THIS IS MERELY A PROP UNTIL
WE FIND MY TRUE COLOR.
402
00:17:15,635 --> 00:17:17,404
NOW, WHAT DO YOU THINK?
PINK?
403
00:17:17,470 --> 00:17:20,039
OR IS THAT TOO PINK THE SINGER?
AND KELLY OSBOURNE?
404
00:17:20,107 --> 00:17:21,374
AND GWEN STEFANI?
405
00:17:21,441 --> 00:17:23,610
MAN, THERE'S A LOT OF CHEESE
ASSOCIATE WITH PINK.
406
00:17:23,676 --> 00:17:25,178
OKAY, PINK'S OUT.
THERE'S BLUE!
407
00:17:25,245 --> 00:17:28,215
WHAT ABOUT BLUE?
408
00:17:28,281 --> 00:17:30,317
BLUE'S PROBABLY NOT RIGHT
FOR YOUR SKIN TONE,
409
00:17:30,383 --> 00:17:32,185
AND I AGREE WITH YOU
ABOUT PINK.
410
00:17:32,252 --> 00:17:33,353
WHAT ABOUT PURPLE?
411
00:17:33,420 --> 00:17:35,422
YES! PURPLE!
YOU'RE BRILLIANT!
412
00:17:35,488 --> 00:17:37,056
AND BLEACH.
DON'T FORGET THE BLEACH.
413
00:17:37,124 --> 00:17:38,958
BLEACH! RIGHT!
OKAY, I'LL GET THE BLEACH!
414
00:17:39,025 --> 00:17:40,127
THANK YOU!
415
00:17:40,193 --> 00:17:44,063
AND MAKE SURE THAT
YOU GET SOME --
416
00:17:44,131 --> 00:17:46,032
GLOVES.
417
00:17:46,099 --> 00:17:47,967
GOT 'EM.
418
00:17:48,034 --> 00:17:51,003
GOOD, GOOD.
YOU ALRIGHT?
419
00:17:51,070 --> 00:17:52,972
YEAH, FINE.
LET'S GO.
420
00:17:53,039 --> 00:17:56,309
IT'S A GOOD DAY TODAY,
ISN'T IT?
MM-HMM. $12.52.
421
00:17:56,376 --> 00:18:01,348
AND I'VE GOT EXACT CHANGE
FOR YOU.
SUPER.
422
00:18:01,414 --> 00:18:02,482
YOU NEED SOMETHING?
423
00:18:02,549 --> 00:18:05,552
NO.
NO, I JUST, UM...
424
00:18:05,618 --> 00:18:08,655
I WAS WONDERING IF THERE'S
A MONEY-BACK GUARANTEE.
425
00:18:08,721 --> 00:18:11,691
YOU KNOW, IN CASE HER HAIR
FALLS OUT OR SOMETHING.
426
00:18:11,758 --> 00:18:15,262
SURE, IF YOUR HAIR FALLS OUT,
WE'LL GIVE YOU YOUR MONEY BACK.
427
00:18:15,328 --> 00:18:16,763
GOOD.
YOU HEARD THAT.
428
00:18:16,829 --> 00:18:19,866
THE SECOND YOU GO BALD, YOU CAN
COME GET YOUR MONEY BACK.
429
00:18:19,932 --> 00:18:22,302
RORY, YOU'RE PUTTING A DAMPER ON
MY INDEPENDENCE DAY.
430
00:18:22,369 --> 00:18:23,636
SORRY.
LET'S GO.
431
00:18:30,143 --> 00:18:33,213
LUCAS!
LA ESCUELA!
432
00:18:33,280 --> 00:18:35,682
HEY.
HEY.
DID YOU LOSE TRACK OF TIME?
433
00:18:35,748 --> 00:18:39,252
WHAT? WHY?
IT'S 4:00. WE'RE SUPPOSED TO BE
AT SCHOOL, LIKE, NOW.
434
00:18:39,319 --> 00:18:40,987
YOU'RE NOT READY.
435
00:18:41,053 --> 00:18:43,756
WHAT?
OH, RIGHT, RIGHT, SORRY.
436
00:18:43,823 --> 00:18:45,825
OKAY, I'M READY.
437
00:18:45,892 --> 00:18:48,528
AU CONTRAIRE.
YOU ARE SO NOT READY.
438
00:18:48,595 --> 00:18:50,997
WHAT ARE YOU TALKING
ABOUT?
THE GRUNGE LOOK IS OUT.
439
00:18:51,063 --> 00:18:53,900
HEY, I'M NOT DRESSING UP
FOR THIS.
YOU NEED SOMETHING BETTER.
440
00:18:53,966 --> 00:18:55,935
THE WHOLE POINT OF THIS STUPID
CLASS TALK
441
00:18:56,002 --> 00:18:58,805
WAS FOR US TO TALK ABOUT OUR
WORK AND OUR SUCCESS.
442
00:18:58,871 --> 00:19:01,040
THIS FLANNEL SHIRT IS MY MOST
SUCCESSFUL OUTFIT.
443
00:19:01,107 --> 00:19:03,109
I'VE CLOSED MANY A DEAL
IN THIS OUTFIT.
444
00:19:03,176 --> 00:19:05,245
IT'S MY POWER OUTFIT.
COME ON.
445
00:19:05,312 --> 00:19:07,980
HEY, LET GO. LET GO.
HEY, YOU'RE PINCHING ME!
446
00:19:08,047 --> 00:19:09,416
GO!
447
00:19:09,482 --> 00:19:10,850
I DON'T WANT TO CHANGE.
448
00:19:10,917 --> 00:19:14,421
I'LL BUY YOU A TOY AFTERWARD.
YOU WANT A TOY?
449
00:19:14,487 --> 00:19:16,456
SORRY TO BARGE IN.
NO PROBLEM.
450
00:19:16,523 --> 00:19:18,425
WHAT WAS THAT ABOUT
A TOY?
451
00:19:18,491 --> 00:19:20,660
LUKE IS GETTING ONE IF
HE'S A GOOD BOY.
452
00:19:20,727 --> 00:19:22,529
CAN WE MAKE THIS MORE
DEMEANING?
453
00:19:22,595 --> 00:19:25,298
HEY, WHY DON'T YOU GO DOWNSTAIRS
AND HELP OUT CAESAR?
454
00:19:25,365 --> 00:19:27,434
I THINK MY EDUCATION COMES
FIRST, DON'T YOU?
455
00:19:27,500 --> 00:19:30,870
OH, MY GOD.
JIMMY BUFFETT?
PUT THAT BACK.
456
00:19:30,937 --> 00:19:33,373
YOU LIKE JIMMY BUFFETT?
HE'S SO MELLOW.
457
00:19:33,440 --> 00:19:35,675
I'VE JUST BEEN TO A
FEW SHOWS. THAT'S ALL.
458
00:19:35,742 --> 00:19:38,411
A FEW SHOWS? OH, MY GOD,
YOU'RE A BUFFETT HEAD.
459
00:19:38,478 --> 00:19:40,680
IS THAT THE ONE YOU WANT
ME TO WEAR?
460
00:19:40,747 --> 00:19:42,349
SING "MARGARITAVILLE."
NO.
461
00:19:44,717 --> 00:19:46,085
WE'VE GOT OURSELVES A
WINNER.
462
00:19:46,152 --> 00:19:47,754
FINE, FINE.
COME ON.
463
00:19:47,820 --> 00:19:48,988
JUST CHANGE IN HERE.
464
00:19:49,055 --> 00:19:50,523
I'LL BE MORE COMFORTABLE
IN HERE.
465
00:19:50,590 --> 00:19:52,359
I'VE SEEN YOU SWIMMING
AT THE LAKE,
466
00:19:52,425 --> 00:19:54,461
SO I'VE SEEN YOU WITH
YOUR SHIRT OFF!
467
00:19:54,527 --> 00:19:56,396
LATELY? 'CAUSE HE'S REALLY
LET HIMSELF GO.
468
00:19:56,463 --> 00:19:58,565
LOSE THE BASEBALL CAP,
TOO.
469
00:19:58,631 --> 00:20:01,401
YOU RUN THE RISK OF HIS HEAD
FALLING OFF WITHOUT IT.
470
00:20:01,468 --> 00:20:02,835
I THINK HE'LL BE OKAY.
471
00:20:10,410 --> 00:20:11,578
SOMETHING WRONG?
472
00:20:11,644 --> 00:20:13,813
UH, NO.
473
00:20:13,880 --> 00:20:16,115
NO, I JUST --
NO.
474
00:20:16,182 --> 00:20:17,550
HAPPY?
475
00:20:17,617 --> 00:20:19,786
THRILLED. A TIE WITH
THAT WOULD BE JUST GREAT.
476
00:20:19,852 --> 00:20:23,089
WE'RE LEAVING. IT'S GOTTA
BE SOMETHING I DON'T
HAVE TO PUT TOGETHER.
477
00:20:23,155 --> 00:20:24,524
WHAT?
MY TOY.
478
00:20:24,591 --> 00:20:27,894
TALK GOOD.
WOW, WE'RE LATE.
479
00:20:27,960 --> 00:20:30,963
OH, BY THE WAY,
JESS HAD A GIRL
IN THE CLOSET.
480
00:20:31,030 --> 00:20:32,332
WHAT?
COME ON.
PIP PIP.
481
00:20:32,399 --> 00:20:35,635
WHO? WHAT WAS THAT?
WHAT ABOUT THE CLOSET?
482
00:20:38,438 --> 00:20:41,541
OKAY -- COMBS, RAGS,
INSTRUCTIONS,
TIMER, TOWELS, TUNES.
483
00:20:41,608 --> 00:20:44,444
ALL SYSTEMS ARE GO.
NOW, ARE YOU SURE ABOUT THIS?
484
00:20:44,511 --> 00:20:47,447
WILL YOU STOP?
I'LL SIGN A WAIVER IF YOU WANT.
485
00:20:47,514 --> 00:20:49,382
HIT PLAY, PLEASE.
486
00:20:49,449 --> 00:20:51,217
WE SHOULD OPEN A WINDOW,
SHOULDN'T WE?
487
00:20:51,284 --> 00:20:52,619
IT'S FREEZING OUTSIDE.
488
00:20:52,685 --> 00:20:54,854
THE BLEACH IS GONNA STINK UP
THE WHOLE HOUSE.
489
00:20:54,921 --> 00:20:58,725
LET IT BE THE FIRST CLUE THAT
SOMETHING'S HAPPENED
FOR WHEN MY MOM GETS HOME.
490
00:20:58,791 --> 00:21:01,561
LET THE THICK SMELL OF BLEACH
MEET HER AT THE DOORWAY
491
00:21:01,628 --> 00:21:02,995
LIKE A FORCE THAT'LL
USHER HER
492
00:21:03,062 --> 00:21:05,097
INTO THE NEXT CHAPTER OF
LANE KIM'S LIFE!
493
00:21:05,164 --> 00:21:07,667
THE SMELL OF BLEACH IS
THE SMELL OF FREEDOM!
494
00:21:07,734 --> 00:21:09,168
YOU'RE VERY DRAMATIC TODAY.
495
00:21:09,235 --> 00:21:12,505
TO HELL WITH THE FLOOR!
OH, THAT FELT GOOD TO SAY.
496
00:21:12,572 --> 00:21:15,174
YOU DONE?
TAKE YOUR SEAT, PLEASE.
497
00:21:15,241 --> 00:21:19,379
AND HERE WE GO.
498
00:21:19,446 --> 00:21:20,780
HOW YOU DOING?
499
00:21:20,847 --> 00:21:21,848
FINE.
500
00:21:21,914 --> 00:21:22,949
FEELING GOOD?
501
00:21:23,015 --> 00:21:24,917
FEELING GREAT.
THIS IS SUCH A CATHARSIS.
502
00:21:24,984 --> 00:21:28,054
I HAVE NEVER FELT SO NATURALLY
HIGH IN MY LIFE.
503
00:21:28,120 --> 00:21:30,557
STINGS A LITTLE, THOUGH.
YEAH, THAT HAPPENS.
504
00:21:30,623 --> 00:21:32,859
BUT JUST A LITTLE.
NO BIGGIE.
505
00:21:32,925 --> 00:21:35,728
MORE THAN A LITTLE, ACTUALLY.
IT'S KIND OF A BIG LITTLE.
506
00:21:35,795 --> 00:21:38,798
JUST KEEP ME POSTED.
IN THAT CASE,
IT'S KIND OF A LOT.
507
00:21:38,865 --> 00:21:41,233
YEP, YEP, A LOT OF STING
HAPPENING HERE.
508
00:21:41,300 --> 00:21:43,102
TRY THINKING ABOUT SOMETHING
ELSE.
509
00:21:43,169 --> 00:21:44,671
GOD, THIS SMELLS AWFUL.
510
00:21:44,737 --> 00:21:46,339
OKAY, THINKING ABOUT
SOMETHING ELSE.
511
00:21:46,406 --> 00:21:49,075
SOMETHING ELSE.
THINKING ABOUT PUPPY DOGS.
512
00:21:49,141 --> 00:21:50,910
THINKING ABOUT GETTING THINGS
IN THE MAIL --
513
00:21:50,977 --> 00:21:53,580
I LOVE GETTING THINGS IN A MAIL.
LETTERS AND PACKAGES.
514
00:21:53,646 --> 00:21:55,214
GOT A PACKAGE!
WHAT'S THAT?
515
00:21:55,281 --> 00:21:56,883
JIM CAREY SAYS THAT
IN "ACE VENTURA."
516
00:21:56,949 --> 00:22:00,653
THINKING ABOUT WORLD EVENTS.
LOTS GOING ON THERE.
517
00:22:00,720 --> 00:22:02,922
THINKING ABOUT THE LAST
MOVIE I SAW.
518
00:22:02,989 --> 00:22:04,256
VIN DIESEL WAS IN IT.
519
00:22:04,323 --> 00:22:07,727
THINKING ABOUT WHERE VIN DIESEL
GOT THE NAME VIN DIESEL.
520
00:22:07,794 --> 00:22:09,929
THINKING ABOUT VIN DIESEL'S
MYSTERIOUS ETHNICITY.
521
00:22:09,996 --> 00:22:11,598
THINKING ABOUT HOW SURPRISING
IT IS
522
00:22:11,664 --> 00:22:14,033
TO HAVE SO MUCH TO THINK
ABOUT WITH VIN DIESEL.
523
00:22:14,100 --> 00:22:16,436
OKAY, NOW I'M JUST THINKING
ABOUT THE PAIN.
524
00:22:16,503 --> 00:22:18,070
BACK TO VIN DIESEL.
525
00:22:18,137 --> 00:22:20,773
I'VE EXHAUSTED VIN DIESEL, BUT
THE PAIN, THAT'S NOT EXHAUSTED.
526
00:22:20,840 --> 00:22:23,610
EVER LIGHT YOUR HEAD ON FIRE?
I KNOW HOW IT FEELS.
527
00:22:23,676 --> 00:22:24,844
I'LL RINSE IT OUT.
528
00:22:24,911 --> 00:22:26,779
WE'D HAVE TO START ALL
OVER AGAIN,
529
00:22:26,846 --> 00:22:28,448
AND I'LL CHICKEN OUT
FOR SURE!
530
00:22:28,515 --> 00:22:30,149
I'M GETTING DIZZY FROM
THE SMELL.
531
00:22:30,216 --> 00:22:31,418
READ THE BOTTLE.
532
00:22:31,484 --> 00:22:33,653
TELL ME WHAT TO DO IN
CASE OF PAIN!
533
00:22:33,720 --> 00:22:35,254
UM, BLAH, BLAH, BLAH.
534
00:22:35,321 --> 00:22:38,290
"DO NOT APPLY TO A BROKEN
SCALP." IS YOUR SCALP BROKEN?
535
00:22:38,357 --> 00:22:40,126
I DON'T KNOW MY SCALP
THAT WELL.
536
00:22:40,192 --> 00:22:41,794
THERE'S NOTHING ELSE
ABOUT PAIN.
537
00:22:41,861 --> 00:22:45,598
A GIRL TOLD ME ONCE IF YOUR
SCALP IS HURTING, DRINK A 7 UP.
538
00:22:45,665 --> 00:22:47,867
THE KIM HOUSEHOLD DOES NOT
HAVE SOFT DRINKS!
539
00:22:47,934 --> 00:22:49,936
WHAT DO YOU GOT?
SOMETHING CALLED
SALAD WATER.
540
00:22:50,002 --> 00:22:52,138
BELIEVE ME,
IT'S NOTHING LIKE 7 UP!
541
00:22:52,204 --> 00:22:53,706
WE HAVE TO OPEN
THIS WINDOW.
542
00:22:53,773 --> 00:22:56,375
I HAVE GOT TO DO
SOMETHING!
RUN AROUND THE BLOCK!
543
00:22:56,443 --> 00:22:57,944
GOOD ENOUGH FOR ME!
544
00:23:00,547 --> 00:23:02,915
IT'S SO GOOD OF YOU BOTH TO DO
THIS, REALLY.
545
00:23:02,982 --> 00:23:04,617
WE'RE HAPPY TO BE HERE.
RIGHT?
546
00:23:04,684 --> 00:23:05,952
ZIP-A-DEE DOO-DAH.
547
00:23:06,018 --> 00:23:09,255
IT MUST BE FUN TO BE BACK AT
YOUR OLD ALMA MATER.
548
00:23:09,321 --> 00:23:10,923
I'M FEELING ALL WARM
AND FUZZY HERE.
549
00:23:10,990 --> 00:23:13,860
HE TOLD ME HE WAS SO EXCITED
ABOUT TODAY,
550
00:23:13,926 --> 00:23:15,528
HE COULDN'T SLEEP
LAST NIGHT.
551
00:23:15,595 --> 00:23:16,929
WE'RE ALL EXCITED, TOO.
552
00:23:16,996 --> 00:23:19,198
IT'S BEEN SO LONG SINCE
WE SAW YOU, LORELAI.
553
00:23:19,265 --> 00:23:22,268
WE HAD SOME LAUGHS WITH THIS
ONE, LET ME TELL YOU.
554
00:23:22,334 --> 00:23:23,503
YEAH,
SHE'S A FUNNY ONE.
555
00:23:23,570 --> 00:23:24,871
THE BOOK FAIR IN '97 --
556
00:23:24,937 --> 00:23:27,707
WHAT YOU SAID TO
THAT ONE RUDE CUSTOMER --
557
00:23:27,774 --> 00:23:30,577
PRICELESS HOW YOU PUT HIM
IN HIS PLACE.
558
00:23:30,643 --> 00:23:33,145
YEAH, I PUT THAT MAN IN HIS
PLACE ALRIGHT. ZING!
559
00:23:33,212 --> 00:23:36,816
WHAT YOU SAID TO HIM!
HOW COULD ANYONE FORGET?
560
00:23:36,883 --> 00:23:38,885
"HEY, OLD MAN!
561
00:23:38,951 --> 00:23:41,020
"STICK A CROWBAR
IN YOUR WALLET
CROWBAR...WALLET...
562
00:23:41,087 --> 00:23:44,223
AND COUGH UP SOME DOUGH,
'CAUSE THIS IS FOR OUR KIDS!"
563
00:23:44,290 --> 00:23:45,858
YOU DO REMEMBER!
564
00:23:45,925 --> 00:23:48,427
IT'S EMBLAZONED UP HERE, DEBBIE,
ALL THOSE GOOD TIMES.
565
00:23:48,495 --> 00:23:51,130
DEFINITELY.
NOW, EVERYONE'S GATHERED.
566
00:23:51,197 --> 00:23:53,566
THE VICE PRINCIPAL WILL FINISH
UP IN A SECOND,
567
00:23:53,633 --> 00:23:55,267
AND THEN WE'LL CALL
YOU IN.
568
00:23:55,334 --> 00:23:56,736
LORELAI, YOU WANT TO
GO FIRST?
569
00:23:56,803 --> 00:23:59,171
YEAH, SURE.
IS THAT OKAY?
IT'S OKAY BY ME.
570
00:23:59,238 --> 00:24:01,173
GREAT.
SEE YOU IN A MINUTE.
571
00:24:01,240 --> 00:24:05,512
I COULDN'T PICK THAT WOMAN
OUT OF A LINEUP
IF MY LIFE DEPENDED ON IT.
572
00:24:09,916 --> 00:24:11,884
[ SIGHS ]
573
00:24:11,951 --> 00:24:14,887
WILL YOU LIGHTEN UP?
NO, I WON'T LIGHTEN UP.
574
00:24:14,954 --> 00:24:16,656
AWW.
I HATE THIS PLACE.
575
00:24:16,723 --> 00:24:19,025
STILL SMELLS THE SAME --
OLD, REPRESSIVE.
576
00:24:19,091 --> 00:24:21,994
BEING BACK HERE DOESN'T MAKE
YOU NOSTALGIC AT ALL?
577
00:24:22,061 --> 00:24:24,497
I LIKED THE FINAL BELL.
THAT'S ABOUT IT.
578
00:24:24,564 --> 00:24:25,665
WHAT ARE THOSE?
579
00:24:25,732 --> 00:24:27,534
THEY'RE MY NOTES
FOR THE TALK.
580
00:24:27,600 --> 00:24:28,768
YOU PUT THOUGHT INTO THIS?
581
00:24:28,835 --> 00:24:30,269
YEAH.
DON'T YOU HAVE NOTES?
582
00:24:30,336 --> 00:24:32,505
I RUN A DINER.
WHAT ARE MY NOTES?
583
00:24:32,572 --> 00:24:37,610
PEOPLE COME IN, THEY ORDER FOOD,
I COOK THE FOOD, I SERVE THE
FOOD, THEY EAT THE FOOD.
584
00:24:37,677 --> 00:24:39,378
WHERE I REFILL
COFFEE AND WATER.
585
00:24:39,445 --> 00:24:41,714
MY BIG FINALE
IS A DESCRIPTION
586
00:24:41,781 --> 00:24:45,084
OF THE WHOLE END-OF-THE-EVENING
MOPPING-UP CEREMONY.
587
00:24:45,151 --> 00:24:47,186
YOU'RE SURE YOU DON'T MIND ME
GOING FIRST?
588
00:24:47,253 --> 00:24:51,123
THERE'S A GOOD CHANCE
YOU'LL YAK SO MUCH
THEY WON'T EVEN GET TO ME.
589
00:24:51,190 --> 00:24:52,859
OH, MY GOD.
590
00:24:52,925 --> 00:24:54,360
WHAT?
591
00:24:54,426 --> 00:24:56,529
NOTHING.
NOTHING AT ALL...BUTCH.
592
00:24:56,596 --> 00:24:58,064
FOR THE LOVE OF --
593
00:24:58,130 --> 00:24:59,331
WHAT'S THAT DOING THERE?
594
00:24:59,398 --> 00:25:02,101
WHAT'S IT DOING?
IT'S YELLING, "MOCK ME!
MOCK ME!"
595
00:25:02,168 --> 00:25:03,269
IT SHOULDN'T BE THERE.
596
00:25:03,335 --> 00:25:04,804
NO, YOU'RE RIGHT.
597
00:25:04,871 --> 00:25:07,740
IT SHOULD HAVE ITS OWN SPECIAL
DISPLAY AT THE DINER.
598
00:25:07,807 --> 00:25:10,009
DON'T THEY NEED MY PERMISSION?
THIS SHOULD BE ILLEGAL.
599
00:25:10,076 --> 00:25:12,444
THOSE SHORTS WITH THAT TANK TOP
SHOULD BE ILLEGAL.
600
00:25:12,511 --> 00:25:13,746
OKAY, STOP NOW.
601
00:25:13,813 --> 00:25:15,548
WHAT WAS YOUR GIRLFRIEND'S NAME?
SISSY?
602
00:25:15,615 --> 00:25:17,149
AS A MATTER OF FACT, NO.
603
00:25:17,216 --> 00:25:21,187
"OH, THE GIRLS JUST SWOONED WHEN
BUTCH DANES TOOK THE FIELD."
604
00:25:21,253 --> 00:25:24,390
I KNEW THERE WAS ANOTHER GOOD
REASON NOT TO DO THIS.
605
00:25:24,456 --> 00:25:26,058
"OH, NO, DON'T WALK AWAY,
BUTCH!
606
00:25:26,125 --> 00:25:30,029
"IF I THOUGHT YOU DIDN'T CARE,
I'D DIE! I'D JUST DIE!"
607
00:25:32,899 --> 00:25:35,167
IT'S WEIRD.
LIKE STRAW.
608
00:25:35,234 --> 00:25:38,638
I FEEL LIKE I SHOULD BE SINGING,
"IF I ONLY HAD A BRAIN."
609
00:25:38,705 --> 00:25:40,807
NOW, YOU FEEL BETTER?
BURNING'S COMPLETELY GONE?
610
00:25:40,873 --> 00:25:43,209
COMPLETELY. I EVEN THINK
THE SALAD WATER'S HELPING.
611
00:25:43,275 --> 00:25:44,944
OKAY, HERE GOES NOTHING.
612
00:25:45,011 --> 00:25:47,814
SO, HAVE YOU MENTIONED DYEING
YOUR HAIR TO THE BAND YET?
613
00:25:47,880 --> 00:25:49,616
NO, BUT THEY'VE
ALL GOT TATTOOS.
614
00:25:49,682 --> 00:25:52,719
DAVE AND ZACK HAVE
MUSICAL THEMES,
AND BRIAN'S GOT A SNOOPY.
615
00:25:52,785 --> 00:25:54,687
HE'S A SLAMMING BASS
PLAYER.
616
00:25:54,754 --> 00:25:56,756
SO, YOU HAVEN'T EVEN
MENTIONED IT TO DAVE?
617
00:25:56,823 --> 00:25:59,425
I JUST SAID I DIDN'T
TELL THE BAND.
NOT EVEN DAVE?
618
00:25:59,491 --> 00:26:02,094
NO, NOT EVEN TO DAVE.
WHAT'S WITH ALL THE PRESSING?
619
00:26:02,161 --> 00:26:03,963
DAVE'S JUST DIFFERENT
FROM THE OTHER TWO.
620
00:26:04,030 --> 00:26:05,798
OF COURSE,
HE'S THE DE FACTO LEADER.
621
00:26:05,865 --> 00:26:08,234
I KNOW, BUT ALSO
FROM THE DAY YOU GUYS MET,
622
00:26:08,300 --> 00:26:09,869
THERE'S A LITTLE SOMETHING
HAPPENING THERE.
623
00:26:09,936 --> 00:26:11,704
I DON'T KNOW WHAT YOU'RE
TALKING ABOUT.
624
00:26:11,771 --> 00:26:13,840
YOU'RE ALWAYS TALKING
ABOUT HIM,
625
00:26:13,906 --> 00:26:16,008
AND NOW WITH THIS HAIR
EMANCIPATION OF YOURS,
626
00:26:16,075 --> 00:26:17,744
YOU'RE GOING TO UNHEARD-OF
LENGTHS
627
00:26:17,810 --> 00:26:19,378
TO MAKE A STATEMENT
TO YOUR MOTHER
628
00:26:19,445 --> 00:26:22,414
SO YOU CAN HAVE A SHOT AT
STAYING IN THE BAND.
629
00:26:22,481 --> 00:26:24,316
RORY, DAVE AND I ARE
PROFESSIONALS.
630
00:26:24,383 --> 00:26:25,885
I KNOW.
631
00:26:25,952 --> 00:26:27,987
THE ROCK-'N'-ROLL HIGHWAY
IS LITTERED WITH CASUALTIES
632
00:26:28,054 --> 00:26:30,823
OF BAND MEMBERS WHO HAVE DATED
AND BROKEN THE BAND APART.
633
00:26:30,890 --> 00:26:32,625
THAT'S A SENSIBLE ATTITUDE.
VERY SENSIBLE.
634
00:26:32,692 --> 00:26:36,929
DAVE AND I ARE VERY SENSIBLE
PEOPLE.
635
00:26:36,996 --> 00:26:38,831
I'M IN LOVE WITH HIM.
I KNOW!
636
00:26:38,898 --> 00:26:40,366
IS IT THAT OBVIOUS?
637
00:26:40,432 --> 00:26:43,235
ONLY TO A GUY WITH SUNGLASSES
AND A DOG SELLING PENCILS.
638
00:26:43,302 --> 00:26:45,171
HE'S SO CUTE AND SMART.
DEFINITELY CUTE!
639
00:26:45,237 --> 00:26:48,007
THAT'S SUCH A RARE PACKAGE.
IT'S USUALLY ONE OR THE OTHER.
640
00:26:48,074 --> 00:26:50,242
IT'S WRONG, BUT THAT'S THE WAY
IT USUALLY IS.
641
00:26:50,309 --> 00:26:52,879
IT INCREASES THE COMPETITION
FOR THE DAVES OF THE WORLD.
642
00:26:52,945 --> 00:26:54,180
YOU'RE RARE, TOO,
DON'T FORGET.
643
00:26:54,246 --> 00:26:56,215
I'VE NEVER REALLY FELT
THIS WAY BEFORE.
644
00:26:56,282 --> 00:26:59,318
I MEAN, HENRY, YES,
BUT WE NEVER SPENT ANY
REAL TIME TOGETHER.
645
00:26:59,385 --> 00:27:02,421
IT'S NOT JUST PUPPY LOVE.
IT'S DIFFERENT.
646
00:27:02,488 --> 00:27:05,257
I GET BUTTERFLIES IN MY STOMACH
WHEN I THINK ABOUT HIM,
647
00:27:05,324 --> 00:27:08,327
AND WHEN I CALL HIM TO WORK OUT
TIMES FOR BAND PRACTICE,
648
00:27:08,394 --> 00:27:10,830
THE RING OF HIS TELEPHONE
GETS ME REALLY EXCITED.
649
00:27:10,897 --> 00:27:12,865
AND LAST WEEK, SOMEONE SAID
"DAVE" AT SCHOOL.
650
00:27:12,932 --> 00:27:14,300
IT WASN'T
EVEN ABOUT MY DAVE,
651
00:27:14,366 --> 00:27:16,736
AND I ALMOST LOST IT,
I GOT SO SHAKY.
652
00:27:16,803 --> 00:27:18,637
"MY DAVE."
THAT'S SO CUTE.
STOP IT.
653
00:27:18,705 --> 00:27:20,172
THIS SOUNDS LIKE LOVE
TO ME.
654
00:27:20,239 --> 00:27:22,408
IT DOES, DOESN'T IT?
MY FIRST LOVE. WOW.
655
00:27:22,474 --> 00:27:23,876
YEAH, WOW.
656
00:27:23,943 --> 00:27:27,213
I FINALLY HAVE A FIRST LOVE,
LIKE WHAT YOU AND DEAN HAVE.
657
00:27:29,615 --> 00:27:31,617
RIGHT.
658
00:27:31,684 --> 00:27:33,085
EXACTLY.
659
00:27:33,152 --> 00:27:35,988
OF COURSE, I DON'T EXACTLY
HAVE WHAT YOU AND DEAN HAVE
660
00:27:36,055 --> 00:27:38,457
BECAUSE YOU LOVE DEAN
AND DEAN LOVES YOU BACK.
661
00:27:38,524 --> 00:27:40,026
IN MY SITUATION,
I LOVE DAVE,
662
00:27:40,092 --> 00:27:42,962
AND DAVE THINKS THAT I HAVE
A DECENT SENSE OF RHYTHM.
663
00:27:43,029 --> 00:27:44,263
DON'T MOVE.
YOU'LL DRIP.
664
00:27:44,330 --> 00:27:46,532
GOD, YOU'RE SO LUCKY
TO LOVE A GUY
665
00:27:46,598 --> 00:27:49,702
WHO ACTUALLY KNOWS YOU LOVE HIM
AND WHO LOVES YOU BACK.
666
00:27:49,769 --> 00:27:51,403
THAT'S GOTTA BE THE BEST
FEELING EVER.
667
00:27:51,470 --> 00:27:53,339
I THINK THIS PURPLE'S
GONNA LOOK GOOD.
668
00:27:53,405 --> 00:27:55,574
I WANT THAT.
I WANT THAT REALLY BAD.
669
00:27:55,641 --> 00:27:58,577
YOU WILL HAVE YOUR PERFECT FIRST
LOVE AND SECOND LOVE
670
00:27:58,644 --> 00:28:01,881
AND ANY OTHER LOVE YOU WANT
BECAUSE YOU'RE GREAT
671
00:28:01,948 --> 00:28:04,083
AND PURPLE HEADS WILL NOT BE
DENIED.
672
00:28:04,150 --> 00:28:06,552
NOW, THAT SHOULD HAVE BEEN
PUT ON THE BOX.
673
00:28:06,618 --> 00:28:08,354
OKAY, NOW HEAD DOWN,
PLEASE.
674
00:28:08,420 --> 00:28:10,222
[ SIGHS ]
675
00:28:10,289 --> 00:28:11,657
[ DOOR OPENS ]
676
00:28:11,724 --> 00:28:13,726
OKAY, WE'RE ALL READY
FOR YOU GUYS.
677
00:28:13,793 --> 00:28:16,763
GREAT.
EXCELLENT.
678
00:28:16,829 --> 00:28:20,666
OKAY, OH, LUKE, YOU CAN HAVE
A SEAT HERE WHILE LORELAI'S
TALKING, OKAY?
679
00:28:20,733 --> 00:28:24,203
WHAT'S THAT?
"LUKE PLUS SISSY."
START YOUR SPEECH.
680
00:28:24,270 --> 00:28:28,007
OKAY, EVERYONE, I THINK WE'RE
READY TO BEGIN.
681
00:28:28,074 --> 00:28:31,377
WE HAVE TWO LOCAL LUMINARIES
HERE TO TALK TO US TODAY.
682
00:28:31,443 --> 00:28:35,081
YOU PROBABLY ALL RECOGNIZE
LUKE DANES
FROM HIS FABULOUS DINER,
683
00:28:35,147 --> 00:28:37,249
BUT WE'RE REALLY EXCITED
TO BEGIN
684
00:28:37,316 --> 00:28:41,854
WITH A FORMER STARS HOLLOW
HIGH MOM, LORELAI GILMORE.
685
00:28:44,256 --> 00:28:47,526
NO, NO, SAVE IT FOR WHEN I WOW
YOU WITH MY BRILLIANCE.
686
00:28:47,593 --> 00:28:50,329
I'M REALLY HAPPY TO BE HERE
WITH YOU ALL TODAY.
687
00:28:50,396 --> 00:28:52,999
I RECOGNIZE A LOT OF YOU
FROM OVER THE YEARS,
688
00:28:53,065 --> 00:28:55,434
AND YOU'RE ALL GETTING TALLER
AND OLDER.
689
00:28:55,501 --> 00:28:57,203
STOP IT.
[ CHUCKLES ]
690
00:28:57,269 --> 00:29:00,039
ANYHOW, AS SOME OF YOU KNOW,
I RUN THE INDEPENDENCE INN.
691
00:29:00,106 --> 00:29:02,408
SOUNDS SIMPLE --
"RUNNING AN INN."
692
00:29:02,474 --> 00:29:05,344
WELL, THE SENTENCE IS SIMPLE.
THE JOB IS NOT.
693
00:29:05,411 --> 00:29:08,014
LIKE MOST JOBS, MINE INVOLVES
MANY OTHER PEOPLE,
694
00:29:08,080 --> 00:29:12,284
PEOPLE IT IS MY JOB TO HIRE,
TO TRAIN, AND TO INSPIRE,
695
00:29:12,351 --> 00:29:14,053
BECAUSE WHEN YOU HAVE GOOD
EMPLOYEES,
696
00:29:14,120 --> 00:29:15,454
IT MAKES YOU LOOK GOOD.
697
00:29:15,521 --> 00:29:17,489
OH, QUESTIONS ALREADY?
ARE QUESTIONS OKAY?
698
00:29:17,556 --> 00:29:18,891
THEY'RE ENCOURAGED.
YES?
699
00:29:18,958 --> 00:29:20,526
YOU'RE RORY GILMORE'S MOM,
AREN'T YOU?
700
00:29:20,592 --> 00:29:22,394
YES, I AM,
AND PROUD OF IT.
701
00:29:22,461 --> 00:29:23,729
OH.
702
00:29:23,796 --> 00:29:25,832
I HOPE ALL YOUR QUESTIONS
ARE THAT EASY.
703
00:29:25,898 --> 00:29:27,800
WHY IS IT NECESSARY
TO INSPIRE EMPLOYEES?
704
00:29:27,867 --> 00:29:31,270
WHY CAN'T YOU JUST TRAIN THEM
AND LET THEM DO THEIR JOBS?
705
00:29:31,337 --> 00:29:32,805
YES?
706
00:29:32,872 --> 00:29:34,874
DIDN'T YOU GET PREGNANT
WHEN YOU WERE 16?
707
00:29:34,941 --> 00:29:36,943
16.
IT WAS AROUND THAT AGE.
708
00:29:37,009 --> 00:29:38,610
16.
THAT'S SOUNDS RIGHT.
709
00:29:38,677 --> 00:29:40,546
OKAY.
[ CHUCKLES ]
710
00:29:40,612 --> 00:29:43,315
DIFFERENT PEOPLE WORKING FOR YOU
WILL HAVE DIFFERENT NEEDS.
711
00:29:43,382 --> 00:29:44,750
YEAH?
712
00:29:44,817 --> 00:29:46,252
WHAT ABOUT SCHOOL?
713
00:29:46,318 --> 00:29:48,888
DID YOU DROP OUT WHEN YOU GOT
PREGNANT WITH RORY?
714
00:29:48,955 --> 00:29:50,756
NO, TECHNICALLY, I DIDN'T
DROP OUT.
715
00:29:50,823 --> 00:29:52,825
I KEPT GOING AS LONG
AS I COULD,
716
00:29:52,892 --> 00:29:54,526
WHICH I WOULD RECOMMEND
TO ANY GIRL.
717
00:29:54,593 --> 00:29:57,396
NOT THE "GETTING PREGNANT"
PART, OBVIOUSLY.
718
00:29:57,463 --> 00:30:02,434
ALTHOUGH, IF THAT HAPPENS --
IT SHOULDN'T.
719
00:30:02,501 --> 00:30:05,337
I MEAN, IT COULD, BUT YOU SHOULD
TRY TO AVOID IT.
720
00:30:05,404 --> 00:30:08,440
ANYWAY, UH, I GOT MY G.E.D.
YEAH.
721
00:30:08,507 --> 00:30:11,377
LORELAI?
WHY DON'T WE MOVE THIS ALONG?
722
00:30:11,443 --> 00:30:14,313
YES, OH, MOVING IT ALONG.
OKAY, OKAY, OKAY.
723
00:30:14,380 --> 00:30:16,248
I SHOULD HAVE BEEN MORE
ORGANIZED HERE.
724
00:30:16,315 --> 00:30:17,917
ARE YOU SORRY YOU GOT
PREGNANT?
725
00:30:17,984 --> 00:30:19,651
NO.
IT BROUGHT ME RORY.
726
00:30:19,718 --> 00:30:23,022
BUT TIMING IS EVERYTHING.
I MEAN, I COULD HAVE --
727
00:30:23,089 --> 00:30:25,724
16.
YOU GUYS ARE 16, RIGHT?
728
00:30:25,791 --> 00:30:27,860
AND, HEY!
IS THAT CLOCK RIGHT?
729
00:30:27,927 --> 00:30:29,361
WHAT DO YOU MEAN
BY TIMING?
730
00:30:29,428 --> 00:30:32,298
IF YOU HAD WAITED AND HAD A BABY
WITH ANOTHER MAN --
731
00:30:32,364 --> 00:30:33,966
IT WOULDN'T HAVE BEEN RORY,
RIGHT?
732
00:30:34,033 --> 00:30:35,701
YOU KNOW WHAT'S FUN?
LATE CHECK OUT.
733
00:30:35,767 --> 00:30:38,604
BUT IT WAS GOOD YOU GOT PREGNANT
BECAUSE YOU GOT RORY.
734
00:30:38,670 --> 00:30:40,839
LOOK, YOU GUYS, THIS IS A VERY
IMPORTANT SUBJECT,
735
00:30:40,907 --> 00:30:45,111
AND IN ANOTHER TIME,
I WOULD LOVE TO TAKE YOU
ALL FOR A CUP OF COFFEE
736
00:30:45,177 --> 00:30:48,180
AND TALK ABOUT IF YOU SHOULD
EVEN BE ALLOWED TO DRINK COFFEE,
737
00:30:48,247 --> 00:30:50,449
BECAUSE COFFEE IS FOR OLDER --
[ SIGHS ]
738
00:30:50,516 --> 00:30:52,651
BUTCH DANES, EVERYBODY.
739
00:30:52,718 --> 00:30:54,453
[ ALL ASKING QUESTIONS ]
740
00:31:00,359 --> 00:31:01,360
[ SQUEALS ]
741
00:31:01,427 --> 00:31:03,896
WHAT?
IT'S PERFECT!
I LOVE IT!
742
00:31:03,963 --> 00:31:05,932
WELL, STOP PRIMPING AND
GET OUT HERE!
743
00:31:05,998 --> 00:31:07,833
WHOA!
744
00:31:07,900 --> 00:31:09,768
IT'S EVERYTHING I HOPED
IT WOULD BE.
745
00:31:09,835 --> 00:31:11,337
IT VERY ROCK 'N' ROLL.
746
00:31:11,403 --> 00:31:15,241
WE'VE GOTTA TAKE A PICTURE.
I AM A KODAK PICTURE SPOT.
747
00:31:15,307 --> 00:31:17,376
SHOULD I SCOWL OR SMILE?
SURPRISE ME.
748
00:31:17,443 --> 00:31:19,845
THIS IS THE MOST RADICAL THING
A KIM HAS DONE
749
00:31:19,912 --> 00:31:23,182
SINCE MY COUSIN NAM GOT CAUGHT
READING MAXIM AT SUMMER CAMP.
750
00:31:25,784 --> 00:31:27,553
THAT MUST BE YOUR MOM.
751
00:31:28,654 --> 00:31:30,356
LANE?
752
00:31:30,422 --> 00:31:33,192
LANE, YOU'RE TURNING WHITE.
WHAT'S WRONG?
753
00:31:33,259 --> 00:31:35,727
LANE!
I CAN'T DO THIS.
754
00:31:35,794 --> 00:31:37,196
CAN'T DO WHAT?
DYE MY HAIR.
755
00:31:37,263 --> 00:31:39,265
IT'S TOO LATE.
THIS IS GONNA KILL HER.
756
00:31:39,331 --> 00:31:41,333
IT WON'T KILL HER.
IT'LL JUST SHOCK HER.
757
00:31:41,400 --> 00:31:43,970
AND THEN SHE'LL KILL ME.
WE'RE TALKING BLOOD BATH HERE.
758
00:31:44,036 --> 00:31:46,238
WE'VE GOTTA PUT IT BACK
TO BLACK!
759
00:31:46,305 --> 00:31:47,873
RIGHT NOW! HURRY!
GO! GO!
760
00:31:47,940 --> 00:31:49,208
GO WHERE?
761
00:31:49,275 --> 00:31:51,843
BACK TO THE STORE TO GET THE
BLACK HAIR DYE!
762
00:31:51,910 --> 00:31:53,145
THIS IS INSANE.
763
00:31:53,212 --> 00:31:55,181
I JUST DRANK A GALLON OF
LIQUID SALAD.
764
00:31:55,247 --> 00:31:57,616
INSANITY IS A DAILY STAPLE AT
THE KIM HOUSE.
765
00:31:57,683 --> 00:31:59,518
OKAY, I'M GOING.
766
00:31:59,585 --> 00:32:02,188
WHERE ARE YOU GOING?
YOU'RE MESSING WITH MY
MIND HERE.
767
00:32:02,254 --> 00:32:05,024
YOU CAN'T GO OUT THAT WAY.
MY MOM WILL SEE YOU.
768
00:32:05,091 --> 00:32:07,659
IF SHE SEES YOU, SHE'LL COME
LOOKING FOR ME.
769
00:32:07,726 --> 00:32:10,729
YOU OWE ME.
BIG-TIME FOREVER.
NOW MAKE LIKE THE WIND.
770
00:32:10,796 --> 00:32:13,299
GO! GO!
GO, GO, GO, GO!
771
00:32:13,365 --> 00:32:15,167
[ LAUGHS ]
772
00:32:17,003 --> 00:32:19,271
UH-HUH.
773
00:32:19,338 --> 00:32:23,142
ALL I KNOW IS I DON'T HAVE IT,
SO IT'S GOTTA BE AT YOUR PLACE.
774
00:32:23,209 --> 00:32:24,410
YOU'RE NOT LOOKING FOR IT.
775
00:32:24,476 --> 00:32:26,512
YOU'RE WATCHING TV.
I CAN TELL.
776
00:32:26,578 --> 00:32:29,781
YEAH, WHATEVER.
I'LL JUST GET A NEW ONE.
777
00:32:29,848 --> 00:32:32,318
SO WHAT ARE WE DOING
TONIGHT?
778
00:32:32,384 --> 00:32:34,186
I DON'T KNOW.
I'M SICK OF EATING.
779
00:32:34,253 --> 00:32:36,655
I'VE BEEN EATING LIKE A PIG.
I FEEL ALL BLOATY.
780
00:32:36,722 --> 00:32:39,758
IT'S A WORD 'CAUSE I SAID IT.
THAT'S HOW WORDS GET INVENTED.
781
00:32:39,825 --> 00:32:42,394
'CAUSE PEOPLE SAY 'EM, AND THEN
OTHER PEOPLE SAY 'EM.
782
00:32:42,461 --> 00:32:45,497
YOU'RE SUCH A JERK SOMETIMES,
AND I'M ALWAYS NICE TO YOU.
783
00:32:45,564 --> 00:32:48,167
EXCUSE ME.
I GET OFF AT THE SAME
BORING TIME.
784
00:32:48,234 --> 00:32:49,968
EXCUSE ME?
I DON'T HAVE ALL DAY.
785
00:32:50,036 --> 00:32:54,006
HOLD ON A SEC.
WILL THIS BE ALL?
YEAH, THAT'LL BE ALL.
786
00:32:56,275 --> 00:32:58,577
I'M GROWING A BEARD HERE.
WHAT'S YOUR PROBLEM?
787
00:32:58,644 --> 00:33:01,213
WHAT'S YOUR PROBLEM?
I'M A CUSTOMER,
I'M IN A HURRY,
788
00:33:01,280 --> 00:33:02,848
AND YOU'RE SUPPOSED
TO ASSIST ME.
789
00:33:02,914 --> 00:33:04,516
I AM ASSISTING YOU.
790
00:33:04,583 --> 00:33:07,153
YEAH, AFTER YOU TOOK YOUR SWEET
TIME GETTING OFF THE PHONE,
791
00:33:07,219 --> 00:33:10,422
WHICH CLEARLY WAS NOT A
BUSINESS CALL.
UN-FREAKIN'-BELIEVABLE.
792
00:33:10,489 --> 00:33:14,793
YEAH, THE LEVEL OF SERVICE IN
THIS PLACE IS JUST THAT --
UN-FREAKIN'-BELIEVABLE.
793
00:33:14,860 --> 00:33:16,762
HAVE A NICE DAY.
794
00:33:16,828 --> 00:33:18,064
YEAH, THANKS.
YOU TOO.
795
00:33:18,130 --> 00:33:20,666
AND BY THE WAY, "BLOATY"
IS NOT A WORD.
796
00:33:20,732 --> 00:33:23,902
THERE'S "BLOATED," THERE'S
"BLOATING," BUT NO "BLOATY."
797
00:33:23,969 --> 00:33:25,604
THANKS.
THAT'S FASCINATING.
798
00:33:25,671 --> 00:33:29,041
FOR YOU, HOW ICE IS MADE IS
PROBABLY FASCINATING. SEE YA.
799
00:33:30,842 --> 00:33:32,378
[ DOOR SLAMS ]
800
00:33:33,479 --> 00:33:35,347
[ LAUGHING ]
801
00:33:35,414 --> 00:33:37,683
DON'T.
I'M TRYING NOT TO.
I SWEAR.
802
00:33:37,749 --> 00:33:40,719
I'M NOT TRYING HARD.
I'LL GRANT YOU THAT.
803
00:33:40,786 --> 00:33:43,789
WHAT WAS WITH THOSE KIDS, SO
CURIOUS, SO FULL OF QUESTIONS?
804
00:33:43,855 --> 00:33:45,524
SHOULDN'T THEIR BRAINS BE
COMPLETELY FRIED
805
00:33:45,591 --> 00:33:47,359
ON TV AND VIDEO GAMES
BY NOW?
806
00:33:47,426 --> 00:33:49,528
IT WASN'T FUNNY.
NOT FROM YOUR ANGLE.
807
00:33:49,595 --> 00:33:51,763
FROM MINE, IT WAS AN EVENING
AT THE IMPROV.
808
00:33:51,830 --> 00:33:55,234
I'M NOT GONNA BE ALLOWED WITHIN
A MILE OF THE SCHOOL EVER AGAIN.
809
00:33:55,301 --> 00:33:57,536
ON THE POSITIVE SIDE,
YOU DID ME A FAVOR.
810
00:33:57,603 --> 00:33:59,805
NOW I HAVE A PLEASANT MEMORY
FROM THAT SCHOOL --
811
00:33:59,871 --> 00:34:02,974
YOU BEING NAILED LIKE A 2x4 BY A
GROUP OF 16-YEAR-OLDS.
812
00:34:03,041 --> 00:34:05,043
OH, NO.
WHAT'S THIS?
813
00:34:05,111 --> 00:34:07,279
LOOKS LIKE HIGH NOON IN
STARS HOLLOW.
814
00:34:07,346 --> 00:34:09,615
THEY'RE NOT CARRYING TAR
AND FEATHERS, ARE THEY?
815
00:34:09,681 --> 00:34:11,617
OH, HI, EVERYBODY!
816
00:34:11,683 --> 00:34:14,453
WOW, IT'S THE WHOLE GANG!
WHAT'S UP?
817
00:34:14,520 --> 00:34:17,256
OH, I FELT OBLIGATED
TO TELL THE OTHER MOMS
818
00:34:17,323 --> 00:34:19,258
ABOUT YOUR LITTLE
PERFORMANCE AT SCHOOL
819
00:34:19,325 --> 00:34:20,926
BEFORE THEY HEARD ABOUT IT
ELSEWHERE.
820
00:34:20,992 --> 00:34:24,029
USUALLY, I LIKE TO MEET UP AT
SARDI'S AFTER A PERFORMANCE.
821
00:34:24,096 --> 00:34:26,998
WAIT FOR THE REVIEWS.
I HOPE THE TIMES LIKED ME.
822
00:34:27,065 --> 00:34:29,201
HUH! NOTHING, HUH?
823
00:34:29,268 --> 00:34:30,702
SO YOU'RE PREACHING
TO OUR DAUGHTERS
824
00:34:30,769 --> 00:34:32,938
THAT IT'S OKAY TO GET
PREGNANT AT 16.
825
00:34:33,004 --> 00:34:34,273
AM I GETTING THAT RIGHT?
826
00:34:34,340 --> 00:34:36,508
NO, NOT AT ALL.
I WAS ANSWERING THEIR QUESTIONS.
827
00:34:36,575 --> 00:34:38,377
IT'S YOUR ANSWERS WE
DIDN'T LIKE.
828
00:34:38,444 --> 00:34:40,246
I WAS TALKING ABOUT
MY JOB
829
00:34:40,312 --> 00:34:44,116
BUT YOUR KIDS KEPT ASKING
ABOUT MY PREGNANCY.
WHAT WAS I SUPPOSED TO DO?
830
00:34:44,183 --> 00:34:45,684
FEND THEM OFF!
CHANGE THE SUBJECT!
831
00:34:45,751 --> 00:34:49,020
THEY KEPT COMING AT ME LIKE I
WAS POLAND AND THEY WERE NAZIS.
832
00:34:49,087 --> 00:34:52,291
REMEMBER THE OLD DAYS, GIRLS,
WHEN I USED TO MAKE YOU LAUGH?
833
00:34:52,358 --> 00:34:53,659
THERE'S NOTHING FUNNY
ABOUT THIS.
834
00:34:53,725 --> 00:34:55,727
THEIR QUESTIONS
JUST THREW ME OFF, THAT'S ALL.
835
00:34:55,794 --> 00:34:57,563
SOUNDS LIKE YOU JUST FLAUNTED
YOUR MISTAKES.
836
00:34:57,629 --> 00:35:00,132
NOW, HOLD ON.
YOU HAVE NO RIGHT TO JUDGE ME.
837
00:35:00,199 --> 00:35:03,702
ALL I SAID WAS THAT FOR MY
PARTICULAR CIRCUMSTANCES,
THINGS WORKED OUT OKAY.
838
00:35:03,769 --> 00:35:07,306
I ADVOCATED NOTHING.
YOU'RE ALL ACTING LIKE
I WALKED INTO THAT ROOM
839
00:35:07,373 --> 00:35:08,740
TOSSING CONDOMS IN THE AIR.
840
00:35:08,807 --> 00:35:10,041
YOU MIGHT AS WELL HAVE.
841
00:35:10,108 --> 00:35:11,710
FINE, NEXT TIME,
I'LL BRING A BANANA,
842
00:35:11,777 --> 00:35:14,546
AND WE'LL HAVE A LITTLE
SHOW AND TELL!
HOW ABOUT THAT?
843
00:35:14,613 --> 00:35:16,215
WHAT KIND OF MOTHER
ARE YOU?
844
00:35:16,282 --> 00:35:17,849
THE KIND THAT DOESN'T GLOSS
OVER THINGS
845
00:35:17,916 --> 00:35:19,751
JUST BECAUSE THEY'RE A LITTLE
UNCOMFORTABLE.
846
00:35:19,818 --> 00:35:22,921
THIS WHOLE INCIDENT WAS
AWKWARD AND UNNECESSARY.
847
00:35:22,988 --> 00:35:26,658
NO, DEB, I'D SAY, DEB, THAT
WHAT'S AWKWARD AND UNNECESSARY,
848
00:35:26,725 --> 00:35:30,262
DEB, IS THAT YOU ALL SEEM TO GO
TO THE SAME LOUSY HAIRDRESSER.
849
00:35:30,329 --> 00:35:32,531
HOW ABOUT MIXING IT UP
A LITTLE, HUH, GIRLS?
850
00:35:32,598 --> 00:35:35,367
I GOTTA GET GOING.
YOU GOOD HERE?
YEAH, YEAH, I'M GOOD.
851
00:35:35,434 --> 00:35:36,935
DON'T TAKE THAT TONE.
852
00:35:37,002 --> 00:35:40,672
YOU AMBUSH ME, THEN YOU'RE
OFFENDED BY MY TONE?
853
00:35:40,739 --> 00:35:42,040
HEY.
HEY.
854
00:35:42,107 --> 00:35:45,143
SO WHAT'S GOING ON OUT
THERE?
855
00:35:45,211 --> 00:35:48,580
OH, JUST LORELAI DEALING
WITH SOME WOMEN
856
00:35:48,647 --> 00:35:51,317
ABOUT SOMETHING
OR OTHER.
857
00:35:51,383 --> 00:35:53,585
SO I DID THAT THING
AT THE SCHOOL TODAY.
858
00:35:53,652 --> 00:35:55,854
YEAH,
IT WENT PRETTY WELL.
859
00:35:55,921 --> 00:35:58,790
ALL THE KIDS SEEMED
RELATIVELY UNARMED.
860
00:36:02,461 --> 00:36:04,863
I JUST TOLD 'EM ABOUT THE DINER
AND COOKING THINGS,
861
00:36:04,930 --> 00:36:09,235
AND I EXPECT KIDS ALL OVER TOWN
WILL RUSH OUT TOMORROW
862
00:36:09,301 --> 00:36:10,402
AND BUY A SPATULA.
863
00:36:10,469 --> 00:36:12,003
CHECKING FOR MONSTERS?
864
00:36:12,070 --> 00:36:15,341
NO, JUST DIDN'T WANT TO
ACCIDENTALLY BUMP INTO SOMEONE.
865
00:36:15,407 --> 00:36:16,842
WHAT ARE YOU TALKING
ABOUT?
866
00:36:16,908 --> 00:36:19,545
JESS, DID YOU HAVE A GIRL
STASHED IN THERE BEFORE?
867
00:36:19,611 --> 00:36:21,913
LORELAI SAID YOU WERE HIDING
SOMEONE HERE EARLIER.
868
00:36:21,980 --> 00:36:24,082
WERE YOU?
YES.
869
00:36:24,149 --> 00:36:26,117
JESS, YOU DON'T SHOVE A GIRL
IN A CLOSET.
870
00:36:26,184 --> 00:36:29,588
I DID NOT SHOVE
HER IN THE CLOSET.
SHE GOT IN VOLUNTARILY.
871
00:36:29,655 --> 00:36:30,856
OH, SURE.
872
00:36:30,922 --> 00:36:33,859
SHANE FREAKED, NEXT THING I
KNOW SHE'S IN THERE.
873
00:36:33,925 --> 00:36:36,695
I PERSONALLY DIDN'T CARE
IF YOU GUYS SAW US OR NOT.
874
00:36:36,762 --> 00:36:39,765
BUT, HEY, WOMEN, RIGHT?
YOU CAN'T LIVE WITH 'EM.
875
00:36:39,831 --> 00:36:42,234
YOU CAN'T KEEP 'EM
FROM JUMPING IN THE CLOSET.
876
00:36:42,301 --> 00:36:45,504
YOU AND I HAVE GOT TO HAVE
A LITTLE TALK.
877
00:36:45,571 --> 00:36:48,073
HEY, IF YOU'RE GONNA GET ALL
WARD CLEAVER ON ME,
878
00:36:48,139 --> 00:36:51,777
I GOTTA GO CALL EDDIE AND LUMPY
AND TELL 'EM I'M GONNA BE LATE.
879
00:36:51,843 --> 00:36:53,679
SHUT UP FOR A SECOND,
WOULD YA?
880
00:36:53,745 --> 00:36:57,148
LOOK, I KNOW YOU'RE AT AN AGE
WHERE THE WHOLE GIRL THING IS,
881
00:36:57,215 --> 00:36:58,950
YOU KNOW,
ON YOUR MIND A LOT,
882
00:36:59,017 --> 00:37:01,186
AND IT'S PROBABLY NOT HELPING
YOU TO THINK STRAIGHT
883
00:37:01,253 --> 00:37:03,922
WITH ALL THE HORMONES AND
OTHER THINGS THAT ARE RAGING.
884
00:37:03,989 --> 00:37:09,027
MY POINT IS, YOU GOTTA
THINK ABOUT THINGS A
LITTLE BETTER, YOU KNOW?
885
00:37:09,094 --> 00:37:10,662
THE WAY YOU ACT.
886
00:37:10,729 --> 00:37:15,100
IF YOU CARE ABOUT A GIRL THE WAY
YOU DO WITH THIS SHANE --
887
00:37:15,166 --> 00:37:16,835
I DON'T CARE ABOUT HER.
WHAT?
888
00:37:16,902 --> 00:37:18,704
I DON'T EVEN KNOW HER
LAST NAME.
889
00:37:18,770 --> 00:37:21,239
YOU'RE KIDDING.
SHE MENTIONED IT ONCE.
DIDN'T STICK.
890
00:37:21,307 --> 00:37:22,874
WHAT ARE YOU DOING
WITH HER?
891
00:37:22,941 --> 00:37:24,843
JUST HANGING WITH HER.
NO BIGGIE.
892
00:37:24,910 --> 00:37:27,279
YOU GOTTA BE DOING SOMETHING
MORE THAN HANGING WITH HER.
893
00:37:27,346 --> 00:37:31,750
YOU HAVE TO AT LEAST BE DOING
SOMETHING WITH HER
TO MAKE HER JUMP IN A CLOSET.
894
00:37:31,817 --> 00:37:33,885
RELAX, WILL YOU?
ALL'S GOOD.
895
00:37:33,952 --> 00:37:36,355
YOU CAN'T TREAT A GIRL
LIKE THIS, LIKE DIRT!
896
00:37:36,422 --> 00:37:38,390
SHE TREATS ME
LIKE DIRT, TOO.
897
00:37:38,457 --> 00:37:39,991
IT'S A PRETTY
SYMBIOTIC RELATIONSHIP.
898
00:37:40,058 --> 00:37:43,862
AND THAT'S FINE WITH YOU TO JUST
GO ALONG IN A RELATIONSHIP,
899
00:37:43,929 --> 00:37:46,898
YOU TREAT SOMEBODY BAD, AND THEY
TREAT YOU BAD BACK.
900
00:37:46,965 --> 00:37:48,133
THAT'S RIGHT.
901
00:37:48,199 --> 00:37:49,468
THAT MAKES YOU HAPPY?
902
00:37:49,535 --> 00:37:51,737
I'D DO BACKFLIPS,
BUT I AM WAY TOO COOL.
903
00:37:51,803 --> 00:37:53,405
THAT MAKES ABSOLUTELY
NO SENSE.
904
00:37:53,472 --> 00:37:55,040
DOESN'T HAVE TO MAKE
SENSE TO YOU.
905
00:37:55,106 --> 00:37:57,876
THERE ARE PLENTY OF OTHER GIRLS
OUT THERE IN THE WORLD.
906
00:37:57,943 --> 00:38:01,913
YOU COULD GO OUT AND
AT LEAST FIND ONE THAT
YOU ACTUALLY CARE ABOUT.
907
00:38:01,980 --> 00:38:03,214
LIKE IT'S THAT EASY.
908
00:38:03,281 --> 00:38:04,816
IT'S THAT EASY IF YOU TRY.
909
00:38:04,883 --> 00:38:07,686
THE GIRLS THAT I LIKE DON'T
GIVE A DAMN ABOUT ME,
910
00:38:07,753 --> 00:38:10,956
AND UNLIKE SOME OTHER
PEOPLE I KNOW, I'M NOT
GONNA SIT AROUND HOPING
911
00:38:11,022 --> 00:38:13,392
THAT THEY CHANGE THEIR MINDS
AND SUDDENLY NOTICE ME.
912
00:38:13,459 --> 00:38:14,660
WHAT'S THAT SUPPOSED
TO MEAN?
913
00:38:14,726 --> 00:38:16,194
YOU FIXED ANY NEIGHBOR'S
PORCHES LATELY
914
00:38:16,261 --> 00:38:19,465
OR YOU GO ON A PICNIC
OR YOU GET ROOKED INTO GIVING
915
00:38:19,531 --> 00:38:21,299
A RIDICULOUS SPEECH
AT A HIGH SCHOOL?
916
00:38:21,367 --> 00:38:23,201
AT LEAST I'VE GOT
A LITTLE SELF-ESTEEM.
917
00:38:23,268 --> 00:38:25,871
SHUT UP.
I'M NOT PLAYING GOLDEN
RETRIEVER HOPING SOMEDAY,
918
00:38:25,937 --> 00:38:27,906
SHE'LL TURN AROUND AND FALL
IN MY ARMS.
919
00:38:27,973 --> 00:38:30,542
IF SHE DOESN'T WANT TO
BE WITH ME, THEN FINE!
920
00:38:30,609 --> 00:38:32,678
YOU HAVE NO IDEA WHAT YOU'RE
TALKING ABOUT.
921
00:38:32,744 --> 00:38:34,413
WHATEVER.
I GOTTA GO. SHANE'S WAITING.
922
00:38:34,480 --> 00:38:36,147
YOU MEAN WHAT'S HER NAME?
923
00:38:36,214 --> 00:38:40,386
YEAH, I'LL BRING YOU A NEW LEASH
WHEN I GET BACK.
GET OUT OF HERE.
924
00:38:40,452 --> 00:38:41,820
[ DOOR CLOSES ]
925
00:38:43,321 --> 00:38:45,691
BUSY DAY.
BUSY DAY.
I'M PRETTY EXHAUSTED.
926
00:38:45,757 --> 00:38:50,195
I GUESS IT WAS JUST TOO BIG
OF A STATEMENT
FOR ME TO MAKE RIGHT NOW.
927
00:38:50,261 --> 00:38:51,830
MAYBE.
I JUST THOUGHT OF SOMETHING.
928
00:38:51,897 --> 00:38:55,000
TECHNICALLY,
YOU HAVE DYED HAIR.
929
00:38:55,066 --> 00:38:56,435
I DO, DON'T I?
YEAH.
930
00:38:56,502 --> 00:38:59,104
DYED MY NATURAL COLOR, YES,
BUT DYED NONETHELESS.
931
00:38:59,170 --> 00:39:01,973
NOT ONE STRAND OF REAL COLOR
ON THAT HEAD OF YOURS.
932
00:39:02,040 --> 00:39:05,444
SO, I GUESS THAT MEANS WE CAN
SCORE THIS AS A VICTORY, RIGHT?
933
00:39:05,511 --> 00:39:07,879
ABSOLUTELY.
PUT IT IN THE VICTORY COLUMN.
934
00:39:11,717 --> 00:39:13,452
THAT GIRL'S A FREAK.
935
00:39:15,020 --> 00:39:16,354
WHAT WAS THAT ABOUT?
936
00:39:16,422 --> 00:39:18,156
IT'S BEEN A VERY LONG
DAY.
937
00:39:18,223 --> 00:39:20,225
PEOPLE WHO LIKE ME!
GREAT!
938
00:39:20,291 --> 00:39:22,027
HOW WAS YOUR TALK AT
THE SCHOOL?
939
00:39:22,093 --> 00:39:24,329
JUST PEACHY.
IS YOUR HAIR BLACKER?
940
00:39:24,396 --> 00:39:25,997
I WISH YOU HADN'T HAVE
SAID THAT.
941
00:39:26,064 --> 00:39:28,333
IT'S NOT NOTICEABLE.
STAY OUT OF BRIGHT LIGHTING.
942
00:39:28,400 --> 00:39:29,635
WHAT HAPPENED?
943
00:39:29,701 --> 00:39:31,937
I DYED MY HAIR.
THEN I DYED IT BACK.
944
00:39:32,003 --> 00:39:34,573
BUT FOR A FULL 30 MINUTES,
I LOOKED LIKE THIS.
945
00:39:34,640 --> 00:39:36,742
WHOA! YOU LOOKED COOL.
YOU'RE INSANE.
946
00:39:36,808 --> 00:39:39,578
I GOT SANE AGAIN, BUT I WILL
ALWAYS HAVE THAT PICTURE.
947
00:39:39,645 --> 00:39:41,179
OH, HIDE IT AT YOUR
PLACE?
948
00:39:41,246 --> 00:39:43,849
I GOTTA GO, AND REMEMBER,
WE STILL NEED A PLAN.
949
00:39:43,915 --> 00:39:46,117
YES, WE DO.
WHY DO WE NEED A PLAN?
950
00:39:46,184 --> 00:39:48,954
A PLAN SO THAT LANE DOESN'T HAVE
TO QUIT HER BAND.
951
00:39:49,020 --> 00:39:52,424
LANE HAS TO GET FAMOUS AND
INTRODUCE ME TO BONO!
ALRIGHT, LET'S GO EAT.
952
00:39:52,491 --> 00:39:56,728
LET'S SEE IF WE CAN FIGURE
OUT A WAY TO SALVAGE
MY FUTURE AS A GROUPIE.
953
00:39:56,795 --> 00:39:58,363
LET'S GO TO
AL'S PANCAKE WORLD.
954
00:39:58,430 --> 00:40:00,031
HE'S DOING A SALUTE
TO JAMAICA AGAIN.
955
00:40:00,098 --> 00:40:02,501
AS LONG AS AL DOESN'T PLAY
THE KETTLE DRUMS.
956
00:40:02,568 --> 00:40:04,870
WE'LL HIDE HIS MALLETS
WHEN HE'S NOT LOOKING.
957
00:40:04,936 --> 00:40:07,138
SO, COME ON, TELL ME HOW
THE TALK WENT.
958
00:40:07,205 --> 00:40:10,976
IT WAS ONE MINUTE ON MY SUCCESS
IN THE BUSINESS WORLD,
959
00:40:11,042 --> 00:40:14,112
AND IT WAS 10 MINUTES
ON THE POSSIBILITY
960
00:40:14,179 --> 00:40:16,748
THAT IF I HAD HAD SEX
WITH A DIFFERENT MAN
961
00:40:16,815 --> 00:40:18,450
YOU WOULDN'T HAVE BEEN BORN.
962
00:40:18,517 --> 00:40:20,486
I KIND OF GOT OFF ON
A TANGENT.
963
00:40:20,552 --> 00:40:22,420
A BIG ONE.
HOW DID THAT HAPPEN?
964
00:40:22,488 --> 00:40:24,055
I'LL TELL YOU ABOUT IT
AT AL'S.
965
00:40:24,122 --> 00:40:26,892
JUST DON'T EXPECT TO BE INVITED
TO ANY MORE SWIM PARTIES.
966
00:40:26,958 --> 00:40:28,827
DON'T WAIT TILL AL'S.
TELL ME NOW.
967
00:40:28,894 --> 00:40:30,796
OH, I JUST LOVE
MY LITTLE FLUKE!
968
00:40:30,862 --> 00:40:32,531
COME ON, WHAT HAPPENED?
969
00:40:32,598 --> 00:40:35,901
ALRIGHT, WELL, IT STARTED
OFF REALLY GOOD,
AND THEN ALL THESE KIDS
970
00:40:35,967 --> 00:40:38,770
STARTED ASKING ME
ALL THESE QUESTIONS
YOU KNOW ABOUT LIKE...
76880
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.