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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,605 --> 00:00:06,974 THE OTHER SIDE. WITH REPUBLICANS? 2 00:00:07,041 --> 00:00:09,743 NO, LATELY, I'VE BEEN HAVING THESE DARK PREMONITIONS. 3 00:00:09,810 --> 00:00:10,778 OH, ABOUT WHAT? 4 00:00:10,844 --> 00:00:13,647 DEAD COW. DEAD COW. 5 00:00:13,714 --> 00:00:15,749 THAT'S WEIRD. HE'S ALWAYS WEIRD. 6 00:00:15,816 --> 00:00:18,286 NO, I MEAN, MY PREMONITIONS HAVE BEEN ABOUT DEATH. 7 00:00:18,352 --> 00:00:20,321 ABOUT MY DEATH. I DON'T WANT TO HEAR THIS. 8 00:00:20,388 --> 00:00:23,657 AND THE THING IS, THEY'RE ALL SILLY. WHAT DO YOU MEAN, SILLY? 9 00:00:23,724 --> 00:00:27,195 IN ONE, I SLIP ON A BANANA PEEL AND FALL INTO WHIPPED CREAM. 10 00:00:27,261 --> 00:00:29,730 SILLY AND FATTENING. IN ANOTHER, A TURTLE EATS ME. 11 00:00:29,797 --> 00:00:31,665 A TURTLE? HOW? VERY SLOWLY. 12 00:00:31,732 --> 00:00:32,933 THERE'S LOTS OF CHEWING. 13 00:00:33,000 --> 00:00:34,502 AND YOU DIDN'T RUN AWAY 14 00:00:34,568 --> 00:00:37,338 FROM WHAT IS PERHAPS THE SLOWEST LAND ANIMAL ON THE EARTH? 15 00:00:37,405 --> 00:00:39,373 HIS FIRST BITE INJECTS ME WITH IMMOBILIZING POISON. 16 00:00:39,440 --> 00:00:40,808 YOU LEFT THAT PART OUT. 17 00:00:40,874 --> 00:00:43,311 THIS LAST ONE'S MORE GORY. I'M OUT HUNTING -- 18 00:00:43,377 --> 00:00:45,213 A FAVORITE LORELAI GILMORE PASTIME. 19 00:00:45,279 --> 00:00:46,614 AND MY SHOTGUN BACKFIRES. 20 00:00:46,680 --> 00:00:49,317 MY WHOLE FACE SPINS AROUND A BUNCH OF TIMES 21 00:00:49,383 --> 00:00:52,720 AND WINDS UP IN THE BACK OF MY HEAD LIKE DAFFY DUCK! 22 00:00:52,786 --> 00:00:54,855 NOW, YOU GOTTA PROMISE TO MOVE MY FACE 23 00:00:54,922 --> 00:00:58,326 BACK TO THE FRONT OF MY HEAD LIKE DAFFY DID WITH HIS BEAK. 24 00:00:58,392 --> 00:00:59,793 I SHOULD BE WRITING THIS DOWN. 25 00:00:59,860 --> 00:01:03,597 YOU CAN REMEMBER TO MOVE MY FACE TO THE FRONT OF MY HEAD. 26 00:01:03,664 --> 00:01:05,633 HELLO, STARS HOLLOW! ARE YOU READY TO ROCK? 27 00:01:05,699 --> 00:01:07,301 LET ME GUESS -- BAND PRACTICE TONIGHT? 28 00:01:07,368 --> 00:01:10,003 YES, WE'RE GOING TO LEARN OUR FOURTH SONG. 29 00:01:10,070 --> 00:01:11,639 THAT'S PRACTICALLY A SET. 30 00:01:11,705 --> 00:01:12,740 MMM! I'M IMPRESSED. 31 00:01:12,806 --> 00:01:15,176 ONCE WE HAVE A SET, WE'LL GET A GIG, 32 00:01:15,243 --> 00:01:18,045 AND ONCE WE GET A GIG, WE'LL GET A RECORD DEAL. 33 00:01:18,112 --> 00:01:19,513 AND THEN AFTER THAT, 34 00:01:19,580 --> 00:01:21,949 WE'LL GET REALLY FAMOUS AND GIVE ALL OF THESE INTERVIEWS 35 00:01:22,015 --> 00:01:26,420 ABOUT HORRIBLE IT IS TO BE REALLY FAMOUS AND HOW ALL WE CARE ABOUT IS THE MUSIC, 36 00:01:26,487 --> 00:01:28,055 AND FAME IS GONNA TEAR US APART. 37 00:01:28,122 --> 00:01:30,791 AND REHEARSING IN THE MUSIC SHOP'S BEEN WORKING OUT? 38 00:01:30,858 --> 00:01:32,326 IT'S TOTALLY TIME EFFICIENT. 39 00:01:32,393 --> 00:01:35,062 BEING A 30-SECOND COMMUTE, WE PRACTICE FOR TWO HOURS, 40 00:01:35,129 --> 00:01:39,233 I'M HOME IN TIME TO WATCH RERUNS OF JOHNNY YUNE'S TALK SHOW WITH MY MOM, 41 00:01:39,300 --> 00:01:43,504 WHO THINKS I HOOKED UP WITH YOU GUYS, WHICH I DID, SO I'M NOT EVEN LYING. 42 00:01:43,571 --> 00:01:46,774 YOU'RE KINDA LYING. I'M FIBBING, BUT A FIB IS NOT A LIE. 43 00:01:46,840 --> 00:01:48,075 I'D SAY IT'S A FIB/LIE. 44 00:01:48,142 --> 00:01:50,311 IT'S NOT A LIE, AND I CAN ALWAYS TELL 45 00:01:50,378 --> 00:01:52,346 'CAUSE THE FEW TIMES I'VE LIED TO MY MOTHER, 46 00:01:52,413 --> 00:01:56,417 I GET THIS FEELING IN MY GUT LIKE A WILD ANIMAL IS BURROWING INTO IT. 47 00:01:56,484 --> 00:01:57,885 WILD ANIMALS BURROWING INTO MY STOMACH -- 48 00:01:57,951 --> 00:01:59,853 ANOTHER ONE OF MY PREMONITIONS. PRETTY SPOOKY. 49 00:01:59,920 --> 00:02:02,156 I'VE GOTTA GO. I'M SINGLE-HANDEDLY IMPROVING THE REPUTATION 50 00:02:02,223 --> 00:02:06,026 OF DRUMMERS EVERYWHERE BY BEING ON TIME FOR EVERY REHEARSAL. THANKS FOR THE FOOD. 51 00:02:06,093 --> 00:02:08,596 UH, EXCUSE ME. LANE TOOK MINE. 52 00:02:08,662 --> 00:02:11,098 THIS BAND THING IS NOT WORKING OUT FOR ME. 53 00:02:11,165 --> 00:02:14,168 LET'S GO. SEE YA, LUKE. 54 00:02:14,235 --> 00:02:15,936 SEE YA. 55 00:02:16,003 --> 00:02:18,906 TURN SIDEWAYS. 56 00:02:18,972 --> 00:02:20,541 THAT GIRL'S A FREAK. 57 00:02:25,746 --> 00:02:27,448 MAKE A HOLE. 58 00:02:33,354 --> 00:02:36,490 * IF YOU'RE OUT ON THE ROAD * 59 00:02:36,557 --> 00:02:41,562 * FEELIN' LONELY AND SO COLD * 60 00:02:41,629 --> 00:02:45,733 * ALL YOU HAVE TO DO IS CALL MY NAME * 61 00:02:45,799 --> 00:02:50,371 * AND I'LL BE THERE ON THE NEXT TRAIN * 62 00:02:50,438 --> 00:02:54,608 * WHERE YOU LEAD, I WILL FOLLOW * 63 00:02:54,675 --> 00:02:59,012 * ANYWHERE THAT YOU TELL ME TO * 64 00:02:59,079 --> 00:03:00,514 * IF YOU NEED * 65 00:03:00,581 --> 00:03:04,285 * IF YOU NEED * * YOU NEED ME TO BE WITH YOU * 66 00:03:04,352 --> 00:03:05,753 * I WILL FOLLOW * 67 00:03:05,819 --> 00:03:07,855 * OH, OH, OH * 68 00:03:07,921 --> 00:03:12,593 * WHERE YOU LEAD, I WILL FOLLOW * 69 00:03:12,660 --> 00:03:17,231 * ANY, ANYWHERE THAT YOU TELL ME TO * 70 00:03:17,298 --> 00:03:19,132 * IF YOU NEED * 71 00:03:19,199 --> 00:03:22,002 * YOU NEED ME TO BE WITH YOU * 72 00:03:22,069 --> 00:03:25,939 * I WILL FOLLOW WHERE YOU LEAD * 73 00:03:31,679 --> 00:03:33,714 [ INTRO TO "LONDON CALLING" PLAYS ] 74 00:03:41,389 --> 00:03:44,692 * LONDON CALLING TO THE FARAWAY TOWN * 75 00:03:44,758 --> 00:03:48,396 * NOW THAT THE WAR'S DECLARED AND BATTLE COME DOWN * 76 00:03:48,462 --> 00:03:51,832 * LONDON CALLING TO THE UNDERWORLD * 77 00:03:51,899 --> 00:03:54,735 * COME OUT OF THE CUPBOARD, YOU BOYS AND GIRLS * 78 00:03:54,802 --> 00:03:57,037 WHOA, WHOA, WHOA. YOU GUYS, HOLD IT. 79 00:03:57,104 --> 00:03:58,205 IT DOESN'T SOUND RIGHT. 80 00:03:58,272 --> 00:03:59,440 SOUNDED GOOD TO ME. 81 00:03:59,507 --> 00:04:01,008 NO, IT'S WRONG. SOMETHING'S MISSING. 82 00:04:01,074 --> 00:04:02,543 YEAH -- VOLUME. 83 00:04:02,610 --> 00:04:04,912 WE CAN'T PLAY ANY LOUDER. THAT'S THE AGREEMENT. 84 00:04:04,978 --> 00:04:07,348 FREE PRACTICE SPACE, BUT WE HAVE TO PLAY QUIETLY. 85 00:04:07,415 --> 00:04:08,816 TRY AND LIVE WITH IT, ZACK. 86 00:04:08,882 --> 00:04:11,084 DUDE, BRIAN'S BREATHING IS LOUDER THAN THE SONG. 87 00:04:11,151 --> 00:04:12,453 I'VE GOT A DEVIATED SEPTUM. 88 00:04:12,520 --> 00:04:15,088 ALL THE WOMEN IN MY FAMILY AND ME HAVE IT. 89 00:04:15,155 --> 00:04:16,457 WELL, IT'S THROWING ME OFF. 90 00:04:16,524 --> 00:04:18,191 HOLD YOUR BREATH, BRIAN. THERE, PROBLEM SOLVED. 91 00:04:18,258 --> 00:04:21,295 OKAY, COME ON, NOW, LET'S ROCK. ONE, TWO, THREE -- 92 00:04:21,362 --> 00:04:22,996 WAIT. THE BOTTOM LINE HERE 93 00:04:23,063 --> 00:04:25,999 IS BREATHING SHOULD NOT BE LOUDER THAN A ROCK BAND. 94 00:04:26,066 --> 00:04:27,668 AM I RIGHT OR AM I RIGHT? 95 00:04:27,735 --> 00:04:30,137 RYGALSKI, WE NEED TO CRANK IT UP. 96 00:04:30,203 --> 00:04:32,440 JUST LISTEN HARDER. THAT'LL MAKE IT SOUND LOUDER. 97 00:04:32,506 --> 00:04:34,107 CAN'T WE TURN IT UP AT ALL? 98 00:04:34,174 --> 00:04:37,578 WELL, WE COULD POSSIBLY TURN THE AMPS UP FROM 3 TO 3 1/2, 99 00:04:37,645 --> 00:04:39,413 BUT THAT'S IT. FORGET IT. 100 00:04:39,480 --> 00:04:40,948 ZACK, WE JUST GOT STARTED. 101 00:04:41,014 --> 00:04:43,216 DUDE, LAWRENCE WELK CRANKED LOUDER THAN THIS. 102 00:04:43,283 --> 00:04:44,585 IT'S A WASTE OF TIME. 103 00:04:44,652 --> 00:04:46,920 WAIT, ZACK, NO, YOU DON'T UNDERSTAND. 104 00:04:46,987 --> 00:04:49,657 WE CAN'T PLAY LOUDER. MY MOM HAS THIS SPECIAL ANTENNA 105 00:04:49,723 --> 00:04:53,361 THAT CAN PICK UP NON-CHRISTIAN MUSIC BEING PLAYED, WITHIN A FOOTBALL FIELDS DISTANCE 106 00:04:53,427 --> 00:04:55,028 AND SHE'D IMMEDIATELY COME LOOKING FOR ME 107 00:04:55,095 --> 00:04:57,264 IN ORDER TO SHIELD ME FROM THE PERVERSION. 108 00:04:57,331 --> 00:04:58,599 IF ZACK'S GOING, I'M GOING. 109 00:04:58,666 --> 00:05:00,968 NO, BRIAN, I'M NOT EXAGGERATING! 110 00:05:01,034 --> 00:05:03,070 ONCE, A GUY IN OUR TOWN NAMED KIRK 111 00:05:03,136 --> 00:05:05,205 WAS PRACTICING "BOHEMIAN RHAPSODY," WITH HIS BAND 112 00:05:05,272 --> 00:05:07,375 AND MY MOM SHUT THEM DOWN SO FAST 113 00:05:07,441 --> 00:05:09,643 THAT THE BAND FLED WITHOUT THEIR INSTRUMENTS. 114 00:05:09,710 --> 00:05:12,546 TO THIS DAY, KIRK CAN'T LISTEN TO QUEEN WITHOUT TEARING UP. 115 00:05:12,613 --> 00:05:15,282 HAVING A FREE PRACTICE SPACE WAS COOL AND ALL, 116 00:05:15,349 --> 00:05:16,617 BUT NOT LIKE THIS. 117 00:05:16,684 --> 00:05:18,786 WE SHOULD JUST RENT A SPACE IN HARTFORD. 118 00:05:18,852 --> 00:05:20,854 HARTFORD. CONNECTICUT? 119 00:05:20,921 --> 00:05:22,590 IT'S NOT THAT FAR. 120 00:05:22,656 --> 00:05:25,025 OR MAYBE HOW ABOUT FRANCE? WE COULD PRACTICE IN FRANCE. 121 00:05:25,092 --> 00:05:26,927 OR ICELAND! THE MOON'S PROBABLY AVAILABLE! 122 00:05:26,994 --> 00:05:29,363 WE COULD CRANK IT WAY UP ON THE MOON! 123 00:05:29,430 --> 00:05:30,798 A WORD, PLEASE? 124 00:05:30,864 --> 00:05:33,701 DAVE, TALK TO THEM! YOU'RE THE LEADER! 125 00:05:33,767 --> 00:05:35,703 THAT'S INSUBORDINATION GOING ON IN THERE! 126 00:05:35,769 --> 00:05:38,472 THEY SHOULD BE FLOGGED, STRUNG UP FROM THE HIGHEST YARDARM! 127 00:05:38,539 --> 00:05:39,873 NO, I CAN'T. WHY? 128 00:05:39,940 --> 00:05:41,909 BECAUSE WE'RE SUPPOSED TO BE A ONE-FOR-ALL BAND. 129 00:05:41,975 --> 00:05:43,977 LIKE THE CLASH OR U2. IT'S A DEMOCRACY. 130 00:05:44,044 --> 00:05:46,614 DEMOCRACIES ARE OVERRATED. GET IN THERE AND KICK SOME BUTTS! 131 00:05:46,680 --> 00:05:48,449 I'LL FIX BRIAN'S DEVIATED SEPTUM. 132 00:05:48,516 --> 00:05:50,684 I'LL RAM ONE OF MY STICKS UP HIS NOSE! 133 00:05:50,751 --> 00:05:52,686 DO YOU REALLY BELIEVE THIS IS WORKING? 134 00:05:52,753 --> 00:05:55,623 NO, IT'S NOT WORKING. WE SOUND LIKE A BUNCH OF WANKERS. 135 00:05:55,689 --> 00:05:57,991 WE NEED TO BE ABLE TO REALLY PLAY. 136 00:05:58,058 --> 00:06:01,028 WOULDN'T YOU LIKE TO BE ABLE TO HIT BOTH THE CYMBALS? 137 00:06:01,094 --> 00:06:02,496 THEN WE NEED TO DO THIS. 138 00:06:02,563 --> 00:06:04,632 I JUST DON'T WANT TO LEAVE THE BAND. 139 00:06:04,698 --> 00:06:06,066 WHAT? YOU CAN'T LEAVE THE BAND. 140 00:06:06,133 --> 00:06:08,135 THAT'S NOT WHAT ANYBODY WANTS, ESPECIALLY ME. 141 00:06:08,201 --> 00:06:10,337 LANE, YOU'RE PERFECT FOR US. IT'S WORKING. 142 00:06:10,404 --> 00:06:12,573 SO I HAVE TO FIGURE OUT A WAY 143 00:06:12,640 --> 00:06:15,375 TO REHEARSE IN HARTFORD TWO OR THREE NIGHTS A WEEK. 144 00:06:15,443 --> 00:06:16,910 THAT'S NOT SO TOUGH. 145 00:06:16,977 --> 00:06:20,748 NO, AND MAYBE AT THE SAME TIME, I'LL MASTER QUANTUM PHYSICS, 146 00:06:20,814 --> 00:06:22,382 AND THROW SANSKRIT IN THERE, TOO. 147 00:06:22,450 --> 00:06:24,418 DO YOUR BEST -- NOT WITH THE SANSKRIT THING, 148 00:06:24,485 --> 00:06:25,753 BUT WITH THE BAND. 149 00:06:25,819 --> 00:06:26,987 I'LL TRY. 150 00:06:27,054 --> 00:06:29,423 THERE'S NO WAY YOU'RE GONNA BECOME OUR PETE BEST. 151 00:06:29,490 --> 00:06:30,858 THERE'S NO WAY. 152 00:06:30,924 --> 00:06:32,259 YOU'RE SWEET. 153 00:06:32,325 --> 00:06:33,794 WE SHOULD GET BACK IN THERE. 154 00:06:33,861 --> 00:06:36,430 OKAY, UM, I'LL BE IN IN A MINUTE. 155 00:06:43,003 --> 00:06:45,305 WRACK YOUR BRAINS. WE'VE REALLY GOTTA THINK HERE. 156 00:06:45,372 --> 00:06:46,707 IT'S QUITE A PICKLE. 157 00:06:46,774 --> 00:06:49,142 NO, RORY, THIS IS MUCH BIGGER THAN A PICKLE. 158 00:06:49,209 --> 00:06:51,044 OKAY, LET'S STOP SAYING THE WORD "PICKLE." 159 00:06:51,111 --> 00:06:54,815 HOW MANY NIGHTS A WEEK WOULD YOU HAVE TO GO TO HARTFORD TO PRACTICE? 160 00:06:54,882 --> 00:06:56,517 TWO PLUS A WEEKEND AFTERNOON. 161 00:06:56,584 --> 00:06:59,587 SO THAT'S THREE BIG BLOCKS OF TIME YOU'D HAVE TO ACCOUNT FOR. 162 00:06:59,653 --> 00:07:03,223 PLUS YOU HAVE NO CAR TO TRANSPORT YOUR DRUMS ANYWHERE AS OF YET. 163 00:07:03,290 --> 00:07:06,059 OR A DRIVER'S LICENSE. OR ANY DRUMS BECAUSE YOU'RE BORROWING THEM. 164 00:07:06,126 --> 00:07:08,629 TEMPORARILY UNTIL I CAN BUY MY OWN SET 165 00:07:08,696 --> 00:07:11,098 WITH MONEY THAT I DON'T KNOW WHERE I'M GONNA GET. 166 00:07:11,164 --> 00:07:14,234 THAT'S MORE THAN A PICKLE. YOU'RE MAKING LIGHT. NOW STOP AND FOCUS. 167 00:07:14,301 --> 00:07:16,704 AND TURN DOWN THE CORNERSHOP. IT'S DISTRACTING. 168 00:07:16,770 --> 00:07:18,772 NO, YOUR COLTRANE IS DISTRACTING. TURN THAT DOWN. 169 00:07:18,839 --> 00:07:22,843 I'M IN ANGST HERE, AND COLTRANE SPEAKS TO MY SOUL. I CAN TURN IT DOWN. 170 00:07:22,910 --> 00:07:26,013 FINE, IN DEFERENCE TO YOUR SOUL, I'LL TURN MINE DOWN. 171 00:07:26,079 --> 00:07:27,715 HEY, HERE'S A CRAZY THOUGHT -- 172 00:07:27,781 --> 00:07:29,817 HOW ABOUT YOU TELL YOUR MOM THE TRUTH 173 00:07:29,883 --> 00:07:32,452 AND INSIST THAT SHE LET YOU PLAY WITH THE BAND 174 00:07:32,520 --> 00:07:33,887 AND REHEARSE IN STARS HOLLOW LOUDLY 175 00:07:33,954 --> 00:07:35,789 AS LONG AS YOUR SCHOOLWORK DOESN'T SUFFER? 176 00:07:35,856 --> 00:07:38,859 I'M SORRY, WAS THAT A SERIOUS SUGGESTION? HEY, IT'S WORTH A SHOT. 177 00:07:38,926 --> 00:07:43,130 NO, YOU'RE THINKING YOUR MOM. IF I SAID THAT, SHE'D START WAVING A CRUCIFIX AT ME. 178 00:07:43,196 --> 00:07:46,800 IF SHE SAYS NO, SHE SAYS NO, BUT RIGHT NOW, YOU'RE OUT OF OPTIONS. 179 00:07:46,867 --> 00:07:48,836 WE HAVE ANOTHER CALL. JUST THINK ABOUT IT? 180 00:07:48,902 --> 00:07:51,672 OKAY, I WILL, AND, HEY, YOU KNOW I LIKE CORNERSHOP. 181 00:07:53,106 --> 00:07:54,141 HELLO? 182 00:07:54,207 --> 00:07:55,676 HI, RORY? YES. 183 00:07:55,743 --> 00:07:58,746 THIS IS DEBBIE FINCHER, KATHY'S MOM FROM STARS HOLLOW HIGH. 184 00:07:58,812 --> 00:08:01,582 OH, HI, MRS. FINCHER. HI RIGHT BACK TO YOU. 185 00:08:01,649 --> 00:08:05,485 WE MISS YOU SINCE YOU STARTED THAT FANCY SCHOOL OF YOURS. IS IT FUN? 186 00:08:05,553 --> 00:08:08,488 IT'S HARD, BUT I LIKE IT. OH, WELL, SUPER. 187 00:08:08,556 --> 00:08:10,057 LISTEN, IS YOUR MOM HOME? 188 00:08:10,123 --> 00:08:13,093 OH, SURE, JUST A SECOND. SAY HI TO KATHY FOR ME. 189 00:08:13,160 --> 00:08:14,728 HOLD ON. 190 00:08:16,897 --> 00:08:18,098 PHONE. 191 00:08:18,165 --> 00:08:19,432 IT'S DEBBIE FINCHER. 192 00:08:19,499 --> 00:08:20,834 WHO? 193 00:08:20,901 --> 00:08:22,803 FROM STARS HOLLOW HIGH. KATHY FINCHER'S MOM. 194 00:08:22,870 --> 00:08:24,437 OH, I REMEMBER KATHY. 195 00:08:24,504 --> 00:08:27,975 YOU MET DEBBIE MANY TIMES, HAD MANY CONVERSATIONS WITH HER 196 00:08:28,041 --> 00:08:30,143 AT BAKE SALES, SCHOOL PLAYS, THE PTA. 197 00:08:30,210 --> 00:08:31,411 NOT RINGING A BELL. 198 00:08:31,478 --> 00:08:34,447 I USED TO GO SWIMMING AT HER HOUSE ALL THE TIME. 199 00:08:34,514 --> 00:08:36,917 NO. NO. 200 00:08:36,984 --> 00:08:41,188 BLOND HAIR, MEDIUM HEIGHT, DROVE A RANGE ROVER. 201 00:08:41,254 --> 00:08:43,156 DOES SHE ALSO BREATHE AND HAVE TOES? 202 00:08:43,223 --> 00:08:46,093 NARROW IT DOWN TO LESS THAN 8,000 POSSIBILITIES. 203 00:08:46,159 --> 00:08:48,629 I DID WITH THE SWIMMING. I REMEMBER THE WATER. 204 00:08:48,696 --> 00:08:52,165 COME ON -- BLOND HAIR, MEDIUM HEIGHT. 205 00:08:52,232 --> 00:08:55,035 SEE? EVEN YOU CAN'T THINK OF ANOTHER WAY TO DESCRIBE HER. 206 00:08:55,102 --> 00:08:56,904 YOU HAVE NO MEMORY OF THIS WOMAN? 207 00:08:56,970 --> 00:08:58,606 ALL THOSE STARS HOLLOW MOMS LOOKED ALIKE 208 00:08:58,672 --> 00:09:02,075 EXCEPT FOR LANE'S MOM AND THAT ONE WITH THE FREAKY GLASS EYE. 209 00:09:02,142 --> 00:09:03,744 TAKE THE PHONE. 210 00:09:03,811 --> 00:09:05,012 HI, DEBBIE, HOW ARE YOU? 211 00:09:05,078 --> 00:09:07,247 GREAT, LORELAI. AND YOURSELF? 212 00:09:07,314 --> 00:09:08,849 JUST FINE, THANKS. 213 00:09:08,916 --> 00:09:11,919 THE GANG AND I HAVE MISSED YOU SO MUCH AT SCHOOL EVENTS. 214 00:09:11,985 --> 00:09:13,587 YOU WERE ALWAYS SUCH A KICK. 215 00:09:13,654 --> 00:09:15,756 WELL, I'VE REALLY MISSED YOU AND THE GANG. 216 00:09:15,823 --> 00:09:18,391 HEY, LISTEN, I HAVE A PROPOSITION FOR YOU. 217 00:09:18,458 --> 00:09:21,461 THE PTA LIKES TO ASK PROMINENT LOCALS IN BUSINESS 218 00:09:21,528 --> 00:09:23,096 IF THEY COULD TALK TO THE STUDENTS 219 00:09:23,163 --> 00:09:25,132 ABOUT HOW THEY GOT TO WHERE THEY ARE, 220 00:09:25,198 --> 00:09:28,035 ALL THE HARD WORK IT TAKES, AND WE THOUGHT ABOUT YOU. 221 00:09:28,101 --> 00:09:30,370 TO SUGGEST PEOPLE I KNOW WHO HAVE SUCCESS STORIES? 222 00:09:30,437 --> 00:09:33,373 NO, SILLY, WE'D LIKE FOR YOU TO ADDRESS THE CLASS. 223 00:09:33,440 --> 00:09:35,042 ME? REALLY? 224 00:09:35,108 --> 00:09:38,111 YES! YOU'RE A YOUNG WOMAN, AND YOU RUN THAT BEAUTIFUL INN. 225 00:09:38,178 --> 00:09:41,815 IT'S A HUGE RESPONSIBILITY, AND YOU DO IT WITH SUCH STYLE. 226 00:09:41,882 --> 00:09:43,116 WOW, WELL, THAT'S REALLY SWEET. 227 00:09:43,183 --> 00:09:45,152 IT'S ALWAYS NICE TO BE WELL THOUGHT OF. 228 00:09:45,218 --> 00:09:47,587 BEFORE WE GO ANY FURTHER, I'M DYING TO KNOW -- 229 00:09:47,655 --> 00:09:49,389 HOW'S KATHY? WHAT'S SHE UP TO? 230 00:09:49,456 --> 00:09:52,893 SHE IS JUST TERRIFIC. SHE'S APPLIED TO A COUPLE OF SCHOOLS IN CALIFORNIA, 231 00:09:52,960 --> 00:09:54,828 SO SHE'S REALLY EXCITED... 232 00:09:54,895 --> 00:09:58,531 SO, SHE WANTS ME TO SPEAK TO SOME KIDS ABOUT MY BUSINESS SUCCESS. 233 00:09:58,598 --> 00:10:00,600 REALLY? THAT'S GREAT. 234 00:10:00,668 --> 00:10:02,435 WHAT ARE YOU DOING WITH THE PHONE? 235 00:10:02,502 --> 00:10:03,804 SHE'S BLABBING ABOUT HER KID. 236 00:10:03,871 --> 00:10:05,873 WE PROBABLY GOT ANOTHER 30 SECONDS OR SO. 237 00:10:05,939 --> 00:10:08,541 YOU'RE AWFUL. NO, I'M A KICK. SHOULD I DO IT? 238 00:10:08,608 --> 00:10:09,977 TOOT YOUR OWN HORN A LITTLE. 239 00:10:10,043 --> 00:10:11,611 I'M A SUCCESS. WHO'D HAVE THOUGHT? 240 00:10:11,679 --> 00:10:13,246 I SUSPECTED YOU HAD IT IN YOU. 241 00:10:13,313 --> 00:10:15,548 I WONDER WHY LARRY KING HASN'T CALLED. 242 00:10:15,615 --> 00:10:17,017 MOM -- DEBBIE, PLEASE? 243 00:10:17,084 --> 00:10:18,952 SO THE INTERNSHIP WILL KEEP HER LOCAL, 244 00:10:19,019 --> 00:10:21,789 WHICH IS A NICE BONUS FOR BILL AND ME, YOU KNOW? 245 00:10:21,855 --> 00:10:24,424 WELL, BE SURE TO SAY HI TO HER AND TO BILL, 246 00:10:24,491 --> 00:10:28,095 AND BY THE WAY, YES, I'D BE HAPPY TO TALK TO THE CLASS. TERRIFIC! 247 00:10:28,161 --> 00:10:29,997 OH, THE GANG WILL BE SO THRILLED! 248 00:10:30,063 --> 00:10:33,366 NOW, THERE'LL PROBABLY BE A SECOND SPEAKER WITH YOU. DO YOU MIND? 249 00:10:33,433 --> 00:10:35,969 WE HAVE SOME SUGGESTIONS, BUT DO YOU KNOW ANYONE? 250 00:10:36,036 --> 00:10:39,472 WELL, MY FRIEND THE SULTAN OF BRUNEI IS SO HARD TO PIN DOWN. 251 00:10:39,539 --> 00:10:41,675 THERE'S THAT SENSE OF HUMOR. 252 00:10:41,742 --> 00:10:44,177 WE WERE CONSIDERING LUKE DANES, 253 00:10:44,244 --> 00:10:46,046 BUT HE USUALLY TURNS THESE THINGS DOWN. 254 00:10:46,113 --> 00:10:49,149 I COULD TALK TO HIM. THAT WOULD BE JUST TERRIFIC. 255 00:10:49,216 --> 00:10:52,452 THE TWO OF YOU TOGETHER WOULD BE A KICK. 256 00:10:52,519 --> 00:10:56,724 WELL, THEN I'LL JUST KICK HIM TILL HE AGREES TO DO IT. HOW DOES THAT SOUND? 257 00:10:56,790 --> 00:10:58,959 THURSDAY AT 4:00 P.M. -- IS THAT OKAY? 258 00:10:59,026 --> 00:11:01,194 OH, YOU RAT! YOU RAT! WHAT? 259 00:11:01,261 --> 00:11:04,597 YOU REMEMBERED HOW MUCH I HATE BEING CALLED DEB! 260 00:11:04,664 --> 00:11:07,300 I'M WICKED. [ LAUGHS ] 261 00:11:07,367 --> 00:11:10,704 WELL, THANK YOU, LORELAI, AND I'LL TALK TO YOU SOON. 262 00:11:10,771 --> 00:11:12,105 OKAY. BYE. 263 00:11:12,172 --> 00:11:14,507 SHE HATES BEING CALLED DEB. 264 00:11:14,574 --> 00:11:16,209 I'LL MAKE A MENTAL NOTE. 265 00:11:16,276 --> 00:11:17,911 OW! OW! OW! 266 00:11:17,978 --> 00:11:20,213 I'M SO PROUD OF MY LITTLE SUCCESS. 267 00:11:20,280 --> 00:11:21,681 [ CHUCKLES ] 268 00:11:41,769 --> 00:11:43,236 STOP IT. DON'T RUN. 269 00:11:43,303 --> 00:11:45,873 JUST WALK IN THERE AND TELL HER WHAT YOU WANT. 270 00:11:45,939 --> 00:11:48,308 SHE'S YOUR MOTHER, AND SHE WANTS YOU TO BE HAPPY 271 00:11:48,375 --> 00:11:50,343 ON SOME LEVEL, I THINK. MAYBE NOT. 272 00:11:50,410 --> 00:11:51,578 WHAT ARE YOU DOING? 273 00:11:51,644 --> 00:11:53,814 DO NOT BACK OFF. JUST MOVE. C'MON, MOVE. 274 00:11:53,881 --> 00:11:55,248 MOVE YOUR FOOT. MOVE YOUR FOOT. 275 00:11:55,315 --> 00:11:57,584 ONE FOOT. LANE! MOVE YOUR FOOT! 276 00:11:57,650 --> 00:11:59,319 LANE! YEAH? 277 00:11:59,386 --> 00:12:01,321 COME WITH ME. OKAY. 278 00:12:03,356 --> 00:12:05,492 SIT. SIT. 279 00:12:05,558 --> 00:12:08,695 YOU WANT TEA? 280 00:12:08,762 --> 00:12:10,630 MAMA, I WANT -- SIT. 281 00:12:10,697 --> 00:12:12,299 SORRY. 282 00:12:13,500 --> 00:12:15,803 I WANTED TO TALK TO YOU ABOUT SOMETHING, 283 00:12:15,869 --> 00:12:20,040 AN IDEA I HAD -- HAVE -- FOR ME TO DO SOMETHING 284 00:12:20,107 --> 00:12:22,675 THAT WOULD BE VERY BENEFICIAL TO ME AND YOU BY EXTENSION, 285 00:12:22,742 --> 00:12:25,612 BECAUSE IF ONE PERSON IS HAPPY, THE OTHER PERSON IS HAPPY, 286 00:12:25,678 --> 00:12:29,917 AND SO I HAD AN IDEA OF HOW I COULD BE, AND THEN YOU COULD BE -- 287 00:12:29,983 --> 00:12:31,952 TEA WOULD BE GOOD. 288 00:12:34,822 --> 00:12:37,390 HERE. I WANT YOU TO FILL THESE OUT. 289 00:12:37,457 --> 00:12:39,759 WHAT ARE THESE? COLLEGE APPLICATIONS. 290 00:12:39,827 --> 00:12:41,995 DON'T WORRY -- EVERY ONE IN THIS PILE 291 00:12:42,062 --> 00:12:43,763 APPROVED BY ME AND REVEREND MELLMEN. 292 00:12:43,831 --> 00:12:45,899 I HAVEN'T HEARD OF ONE OF THESE SCHOOLS. 293 00:12:45,966 --> 00:12:47,267 THEY'RE ALL GOOD RELIGIOUS PROGRAMS, 294 00:12:47,334 --> 00:12:49,102 AND I'VE ALREADY THROWN OUT THE ONES 295 00:12:49,169 --> 00:12:52,539 THAT LET BOYS AND GIRLS SIT IN THE CAFETERIA TOGETHER. 296 00:12:52,605 --> 00:12:54,574 OH. GREAT. 297 00:12:54,641 --> 00:12:56,209 I WILL HELP YOU FILL THEM OUT, 298 00:12:56,276 --> 00:12:59,179 AND WE'LL MAIL THEM ON THE WAY TO CHOIR PRACTICE, OKAY? 299 00:12:59,246 --> 00:13:02,015 GOOD, NOW, "IF YOU MEET JESUS WALKING ON THE STREET, 300 00:13:02,082 --> 00:13:05,585 WHAT ARE THE THREE QUESTIONS YOU WOULD LIKE TO ASK?" 301 00:13:05,652 --> 00:13:07,054 AH! 302 00:13:10,023 --> 00:13:11,758 YOUR SPEECH FOR THAT CLASS? 303 00:13:11,825 --> 00:13:13,360 JUST SOME TALKING POINTS. 304 00:13:13,426 --> 00:13:16,964 AND THIS SPEECH IS ABOUT YOUR SUCCESS IN BUSINESS, YES? 305 00:13:17,030 --> 00:13:18,465 PRETTY MUCH. 306 00:13:18,531 --> 00:13:21,368 YOU MUST FEEL VERY FORTUNATE TO LIVE IN A TINY TOWN 307 00:13:21,434 --> 00:13:23,170 WHERE PEOPLE MAKE VERY LITTLE MONEY. 308 00:13:23,236 --> 00:13:25,705 IT ELEVATES YOU BY COMPARISON. 309 00:13:25,772 --> 00:13:29,276 I WONDER WHO THEIR LAST SPEAKER WAS, THE FELLOW IN SHORT PANTS 310 00:13:29,342 --> 00:13:32,245 THAT WALKS UP AND DOWN THE SQUARE WITH A METAL DETECTOR? 311 00:13:32,312 --> 00:13:36,449 I WOULDN'T KNOW. AND IF THEY FIND SOMEONE WHO DRIVES A CAR 312 00:13:36,516 --> 00:13:39,286 THAT IS LESS THAN EIGHT YEARS OLD, WHAT WILL THEY DO, 313 00:13:39,352 --> 00:13:41,221 CROWN HIM KING OF SUCCESSFUL PEOPLE? 314 00:13:41,288 --> 00:13:43,656 UNLESS IT'S A WOMAN. THEN THEY'LL CROWN HER QUEEN. 315 00:13:43,723 --> 00:13:46,126 AND IF THEY -- GO AWAY. 316 00:13:46,193 --> 00:13:47,527 INDEPENDENCE INN. LORELAI SPEAKING. 317 00:13:47,594 --> 00:13:50,197 I'M BACKING OUT. TOO LATE. SORRY. 318 00:13:50,263 --> 00:13:52,599 I'M NOT SPEAKING TO THAT STUPID CLASS. 319 00:13:52,665 --> 00:13:53,833 YOU AGREED. 320 00:13:53,901 --> 00:13:55,668 I'M OUT. CASE CLOSED. NO DEBATE. 321 00:13:55,735 --> 00:13:57,170 GREAT, FINE, DO WHAT YOU WANT. 322 00:13:57,237 --> 00:13:59,739 I GUESS I'M JUST OUT THE $1,000 DEPOSIT. 323 00:13:59,806 --> 00:14:01,774 WHAT DEPOSIT? FOR THE ROOM. 324 00:14:01,841 --> 00:14:03,043 WHAT ROOM? 325 00:14:03,110 --> 00:14:05,278 FOR THE THING. FOR THE AFTERWARDS THING. 326 00:14:05,345 --> 00:14:08,815 YOU'RE TRYING TO CONFUSE ME, AREN'T YOU? AREN'T YOU? 327 00:14:08,882 --> 00:14:10,350 WHAT? WHO? 328 00:14:10,417 --> 00:14:11,484 STOP. BYE! 329 00:14:11,551 --> 00:14:14,187 HOLD ON A SEC! I AGREED TO THIS UNDER COERCION. 330 00:14:14,254 --> 00:14:15,889 YOU SAID YES ON YOUR OWN. 331 00:14:15,956 --> 00:14:17,757 I SAID YES BECAUSE WHEN I SAID NO, 332 00:14:17,824 --> 00:14:20,593 YOU TALKED BABY TALK LOUDLY IN FRONT OF ALL MY CUSTOMERS 333 00:14:20,660 --> 00:14:25,065 UNTIL I GOT SO SICK OF IT, I JUST AGREED TO DO IT TO SHUT YOU UP. 334 00:14:25,132 --> 00:14:26,900 IT'S NOT A BINDING AGREEMENT. IT'S COERCION. 335 00:14:26,967 --> 00:14:28,601 WELL, YOU GAVE IN JUST IN TIME 336 00:14:28,668 --> 00:14:31,238 BECAUSE I WAS ABOUT TO TRANSITION OUT OF BABY TALK 337 00:14:31,304 --> 00:14:32,805 AND INTO MY LOUIS ARMSTRONG VOICE, 338 00:14:32,872 --> 00:14:36,109 AND THAT, MY FRIEND, IS A WHOLE LOT WORSE THAN BABY TALK. 339 00:14:36,176 --> 00:14:37,978 I HATE THAT BUILDING. 340 00:14:38,045 --> 00:14:41,714 WHAT, THE SCHOOL? THREE YEARS OF GOING THERE, I HAVE NO GOOD MEMORIES. 341 00:14:41,781 --> 00:14:45,518 NONE. KIDS WERE AS DUMB THEN AS THEY ARE NOW. I THINK YOU'LL ENJOY THIS. 342 00:14:45,585 --> 00:14:50,223 THINK ABOUT GOING BACK TO YOUR HIGH SCHOOL TO GIVE A TALK. HOW WOULD THAT FEEL? 343 00:14:50,290 --> 00:14:52,225 OKAY, NOT ALL YOUR POINTS ARE BAD, 344 00:14:52,292 --> 00:14:54,461 BUT IT'S NOT MY SCHOOL. AND IF YOU CANCEL, 345 00:14:54,527 --> 00:14:57,564 THIS WHOLE TOWN WILL KNOW, AND WHEN YOU WALK DOWN THE STREET, 346 00:14:57,630 --> 00:15:00,000 PEOPLE WILL POINT AND WHISPER, "THERE GOES THAT LUKE. 347 00:15:00,067 --> 00:15:02,402 HE'S A REAL TALK-CANCELER GUY." 348 00:15:02,469 --> 00:15:03,603 OUCH. 349 00:15:03,670 --> 00:15:04,938 PLUS, I PROMISED THE PTA, 350 00:15:05,005 --> 00:15:07,340 SO MY FRAGILE REPUTATION IS ON THE LINE. 351 00:15:07,407 --> 00:15:09,876 I THINK YOU'LL LIVE. NO! OH, LUKE -- 352 00:15:09,943 --> 00:15:12,779 [ As Louis Armstrong ] * HELLO...DOLLY * STOP THAT. 353 00:15:12,845 --> 00:15:15,515 * THIS IS LOUIS, DOLLY * I'LL JUST HANG UP. 354 00:15:15,582 --> 00:15:19,652 * I'LL BE COMIN' ROUND THE DINER SINGIN'...SO-O-O-NGS * 355 00:15:19,719 --> 00:15:21,454 HAVE YOU BEEN DIAGNOSED? 356 00:15:21,521 --> 00:15:23,690 [ Normal voice ] SEE YOU TOMORROW AT 4:00! 357 00:15:23,756 --> 00:15:25,525 [ COUGHS ] 358 00:15:25,592 --> 00:15:29,062 OH, IT WAS A FINE COLLECTION. SHE MADE YOU APPLY TO EVERY ONE? 359 00:15:29,129 --> 00:15:30,897 AND MEASURED MY HEAD FOR A WIMPLE. 360 00:15:30,964 --> 00:15:33,133 THERE WASN'T ONE YOU MIGHT WANT TO GO TO? 361 00:15:33,200 --> 00:15:34,901 DEPENDS ON WHAT I'M LOOKING FOR. 362 00:15:34,968 --> 00:15:38,138 OF COURSE, ALL THE GREAT SEVENTH-DAY ADVENTIST SCHOOLS WERE REPRESENTED 363 00:15:38,205 --> 00:15:41,208 WITH THEIR BAN ON DANCING, GUM CHEWING, AND BOWLING. 364 00:15:41,274 --> 00:15:43,276 QUAKER COLLEGE WAS A DELIGHTFUL SURPRISE 365 00:15:43,343 --> 00:15:45,012 WITH ITS SPECIAL APPEAL FOR RICHARD NIXON, 366 00:15:45,078 --> 00:15:47,614 WHO'S DEAD BUT STILL DEEPLY INVOLVED IN CAMPUS RECRUITING. 367 00:15:47,680 --> 00:15:50,317 OH, AND THE PIECE DE RESISTANCE -- 368 00:15:50,383 --> 00:15:53,153 SHE FOUND AN AMISH SCHOOL IN NICARAGUA. 369 00:15:53,220 --> 00:15:55,788 NICARAGUA! A BIG SHOUT OUT TO MAMA KIM ON THAT ONE! 370 00:15:55,855 --> 00:15:59,592 MAMA KIM ALWAYS STARTS OUT SUPER SERIOUS BUT THEN LIGHTENS WITH TIME. 371 00:15:59,659 --> 00:16:02,529 BUT I DON'T HAVE TIME. SCHOOLS I LIKE WILL FILL UP, 372 00:16:02,595 --> 00:16:05,498 AND MY BAND -- MY BELOVED BAND -- WILL FIND ANOTHER DRUMMER. 373 00:16:05,565 --> 00:16:08,635 JUST TRY TO CALM DOWN. NO, CALM IS FOR LOSERS. 374 00:16:08,701 --> 00:16:11,238 I SPENT MY WHOLE LIFE COMPROMISING 375 00:16:11,304 --> 00:16:14,307 AND BEING THE GOOD LITTLE GIRL AND NOT DOING WHAT I WANT 376 00:16:14,374 --> 00:16:17,144 OR DOING WHAT I WANT AND FEELING GUILTY FOR DOING IT, 377 00:16:17,210 --> 00:16:19,846 I EVEN LOST MY FIRST BOYFRIEND BECAUSE OF ALL THIS! 378 00:16:19,912 --> 00:16:21,148 WHAT BOYFRIEND? HENRY. 379 00:16:21,214 --> 00:16:22,415 OH, RIGHT -- HENRY. 380 00:16:22,482 --> 00:16:24,251 SEE? THAT'S HOW PATHETIC MY LIFE IS. 381 00:16:24,317 --> 00:16:28,121 I'M CALLING A BOYFRIEND A GUY I NEVER WENT OUT ON A DATE WITH, 382 00:16:28,188 --> 00:16:29,956 AND THAT MY OWN BEST FRIEND DOESN'T REMEMBER, 383 00:16:30,023 --> 00:16:32,625 WHICH IS NOT YOUR FAULT, BECAUSE THERE'S NOTHING TO REMEMBER. 384 00:16:32,692 --> 00:16:35,728 SO BESIDES POWER WALKING, WHAT ARE YOU GONNA DO ABOUT IT? 385 00:16:35,795 --> 00:16:39,232 LANE! 386 00:16:39,299 --> 00:16:41,000 LANE? FOLLOW MY ANGER! 387 00:16:41,068 --> 00:16:44,104 WHAT ARE YOU DOING? CHOOSING A COLOR! 388 00:16:44,171 --> 00:16:45,872 YOU'RE GONNA DYE YOUR HAIR? 389 00:16:45,938 --> 00:16:50,077 YES. I AM. LOTS OF CHOICES HERE. HELP ME NARROW IT DOWN. 390 00:16:50,143 --> 00:16:52,312 AND WALK AROUND IN A HOOD ALL THE TIME? 391 00:16:52,379 --> 00:16:54,347 HOW ARE GONNA HIDE THIS FROM YOUR MOM? 392 00:16:54,414 --> 00:16:56,383 I'M NOT GONNA HIDE IT! THAT'S THE POINT! 393 00:16:56,449 --> 00:16:58,151 THINK ABOUT THIS FOR A SECOND. 394 00:16:58,218 --> 00:17:00,253 I'VE BEEN THINKING ABOUT THIS MY WHOLE LIFE. 395 00:17:00,320 --> 00:17:01,888 NOTHING'S GONNA CHANGE UNLESS I CHANGE IT, 396 00:17:01,954 --> 00:17:04,724 AND NOW'S THE TIME. I NEED TO MAKE A CLEAR STATEMENT -- 397 00:17:04,791 --> 00:17:07,827 ONE I CAN'T GO BACK ON OR CHICKEN OUT ON, 398 00:17:07,894 --> 00:17:09,096 AND THIS IS MY INSTRUMENT. 399 00:17:09,162 --> 00:17:10,763 IT SAYS, "THIS IS LANE KIM!" 400 00:17:10,830 --> 00:17:12,699 THAT IS YOU. IT'S BLACK HAIR DYE. 401 00:17:12,765 --> 00:17:15,568 THIS IS MERELY A PROP UNTIL WE FIND MY TRUE COLOR. 402 00:17:15,635 --> 00:17:17,404 NOW, WHAT DO YOU THINK? PINK? 403 00:17:17,470 --> 00:17:20,039 OR IS THAT TOO PINK THE SINGER? AND KELLY OSBOURNE? 404 00:17:20,107 --> 00:17:21,374 AND GWEN STEFANI? 405 00:17:21,441 --> 00:17:23,610 MAN, THERE'S A LOT OF CHEESE ASSOCIATE WITH PINK. 406 00:17:23,676 --> 00:17:25,178 OKAY, PINK'S OUT. THERE'S BLUE! 407 00:17:25,245 --> 00:17:28,215 WHAT ABOUT BLUE? 408 00:17:28,281 --> 00:17:30,317 BLUE'S PROBABLY NOT RIGHT FOR YOUR SKIN TONE, 409 00:17:30,383 --> 00:17:32,185 AND I AGREE WITH YOU ABOUT PINK. 410 00:17:32,252 --> 00:17:33,353 WHAT ABOUT PURPLE? 411 00:17:33,420 --> 00:17:35,422 YES! PURPLE! YOU'RE BRILLIANT! 412 00:17:35,488 --> 00:17:37,056 AND BLEACH. DON'T FORGET THE BLEACH. 413 00:17:37,124 --> 00:17:38,958 BLEACH! RIGHT! OKAY, I'LL GET THE BLEACH! 414 00:17:39,025 --> 00:17:40,127 THANK YOU! 415 00:17:40,193 --> 00:17:44,063 AND MAKE SURE THAT YOU GET SOME -- 416 00:17:44,131 --> 00:17:46,032 GLOVES. 417 00:17:46,099 --> 00:17:47,967 GOT 'EM. 418 00:17:48,034 --> 00:17:51,003 GOOD, GOOD. YOU ALRIGHT? 419 00:17:51,070 --> 00:17:52,972 YEAH, FINE. LET'S GO. 420 00:17:53,039 --> 00:17:56,309 IT'S A GOOD DAY TODAY, ISN'T IT? MM-HMM. $12.52. 421 00:17:56,376 --> 00:18:01,348 AND I'VE GOT EXACT CHANGE FOR YOU. SUPER. 422 00:18:01,414 --> 00:18:02,482 YOU NEED SOMETHING? 423 00:18:02,549 --> 00:18:05,552 NO. NO, I JUST, UM... 424 00:18:05,618 --> 00:18:08,655 I WAS WONDERING IF THERE'S A MONEY-BACK GUARANTEE. 425 00:18:08,721 --> 00:18:11,691 YOU KNOW, IN CASE HER HAIR FALLS OUT OR SOMETHING. 426 00:18:11,758 --> 00:18:15,262 SURE, IF YOUR HAIR FALLS OUT, WE'LL GIVE YOU YOUR MONEY BACK. 427 00:18:15,328 --> 00:18:16,763 GOOD. YOU HEARD THAT. 428 00:18:16,829 --> 00:18:19,866 THE SECOND YOU GO BALD, YOU CAN COME GET YOUR MONEY BACK. 429 00:18:19,932 --> 00:18:22,302 RORY, YOU'RE PUTTING A DAMPER ON MY INDEPENDENCE DAY. 430 00:18:22,369 --> 00:18:23,636 SORRY. LET'S GO. 431 00:18:30,143 --> 00:18:33,213 LUCAS! LA ESCUELA! 432 00:18:33,280 --> 00:18:35,682 HEY. HEY. DID YOU LOSE TRACK OF TIME? 433 00:18:35,748 --> 00:18:39,252 WHAT? WHY? IT'S 4:00. WE'RE SUPPOSED TO BE AT SCHOOL, LIKE, NOW. 434 00:18:39,319 --> 00:18:40,987 YOU'RE NOT READY. 435 00:18:41,053 --> 00:18:43,756 WHAT? OH, RIGHT, RIGHT, SORRY. 436 00:18:43,823 --> 00:18:45,825 OKAY, I'M READY. 437 00:18:45,892 --> 00:18:48,528 AU CONTRAIRE. YOU ARE SO NOT READY. 438 00:18:48,595 --> 00:18:50,997 WHAT ARE YOU TALKING ABOUT? THE GRUNGE LOOK IS OUT. 439 00:18:51,063 --> 00:18:53,900 HEY, I'M NOT DRESSING UP FOR THIS. YOU NEED SOMETHING BETTER. 440 00:18:53,966 --> 00:18:55,935 THE WHOLE POINT OF THIS STUPID CLASS TALK 441 00:18:56,002 --> 00:18:58,805 WAS FOR US TO TALK ABOUT OUR WORK AND OUR SUCCESS. 442 00:18:58,871 --> 00:19:01,040 THIS FLANNEL SHIRT IS MY MOST SUCCESSFUL OUTFIT. 443 00:19:01,107 --> 00:19:03,109 I'VE CLOSED MANY A DEAL IN THIS OUTFIT. 444 00:19:03,176 --> 00:19:05,245 IT'S MY POWER OUTFIT. COME ON. 445 00:19:05,312 --> 00:19:07,980 HEY, LET GO. LET GO. HEY, YOU'RE PINCHING ME! 446 00:19:08,047 --> 00:19:09,416 GO! 447 00:19:09,482 --> 00:19:10,850 I DON'T WANT TO CHANGE. 448 00:19:10,917 --> 00:19:14,421 I'LL BUY YOU A TOY AFTERWARD. YOU WANT A TOY? 449 00:19:14,487 --> 00:19:16,456 SORRY TO BARGE IN. NO PROBLEM. 450 00:19:16,523 --> 00:19:18,425 WHAT WAS THAT ABOUT A TOY? 451 00:19:18,491 --> 00:19:20,660 LUKE IS GETTING ONE IF HE'S A GOOD BOY. 452 00:19:20,727 --> 00:19:22,529 CAN WE MAKE THIS MORE DEMEANING? 453 00:19:22,595 --> 00:19:25,298 HEY, WHY DON'T YOU GO DOWNSTAIRS AND HELP OUT CAESAR? 454 00:19:25,365 --> 00:19:27,434 I THINK MY EDUCATION COMES FIRST, DON'T YOU? 455 00:19:27,500 --> 00:19:30,870 OH, MY GOD. JIMMY BUFFETT? PUT THAT BACK. 456 00:19:30,937 --> 00:19:33,373 YOU LIKE JIMMY BUFFETT? HE'S SO MELLOW. 457 00:19:33,440 --> 00:19:35,675 I'VE JUST BEEN TO A FEW SHOWS. THAT'S ALL. 458 00:19:35,742 --> 00:19:38,411 A FEW SHOWS? OH, MY GOD, YOU'RE A BUFFETT HEAD. 459 00:19:38,478 --> 00:19:40,680 IS THAT THE ONE YOU WANT ME TO WEAR? 460 00:19:40,747 --> 00:19:42,349 SING "MARGARITAVILLE." NO. 461 00:19:44,717 --> 00:19:46,085 WE'VE GOT OURSELVES A WINNER. 462 00:19:46,152 --> 00:19:47,754 FINE, FINE. COME ON. 463 00:19:47,820 --> 00:19:48,988 JUST CHANGE IN HERE. 464 00:19:49,055 --> 00:19:50,523 I'LL BE MORE COMFORTABLE IN HERE. 465 00:19:50,590 --> 00:19:52,359 I'VE SEEN YOU SWIMMING AT THE LAKE, 466 00:19:52,425 --> 00:19:54,461 SO I'VE SEEN YOU WITH YOUR SHIRT OFF! 467 00:19:54,527 --> 00:19:56,396 LATELY? 'CAUSE HE'S REALLY LET HIMSELF GO. 468 00:19:56,463 --> 00:19:58,565 LOSE THE BASEBALL CAP, TOO. 469 00:19:58,631 --> 00:20:01,401 YOU RUN THE RISK OF HIS HEAD FALLING OFF WITHOUT IT. 470 00:20:01,468 --> 00:20:02,835 I THINK HE'LL BE OKAY. 471 00:20:10,410 --> 00:20:11,578 SOMETHING WRONG? 472 00:20:11,644 --> 00:20:13,813 UH, NO. 473 00:20:13,880 --> 00:20:16,115 NO, I JUST -- NO. 474 00:20:16,182 --> 00:20:17,550 HAPPY? 475 00:20:17,617 --> 00:20:19,786 THRILLED. A TIE WITH THAT WOULD BE JUST GREAT. 476 00:20:19,852 --> 00:20:23,089 WE'RE LEAVING. IT'S GOTTA BE SOMETHING I DON'T HAVE TO PUT TOGETHER. 477 00:20:23,155 --> 00:20:24,524 WHAT? MY TOY. 478 00:20:24,591 --> 00:20:27,894 TALK GOOD. WOW, WE'RE LATE. 479 00:20:27,960 --> 00:20:30,963 OH, BY THE WAY, JESS HAD A GIRL IN THE CLOSET. 480 00:20:31,030 --> 00:20:32,332 WHAT? COME ON. PIP PIP. 481 00:20:32,399 --> 00:20:35,635 WHO? WHAT WAS THAT? WHAT ABOUT THE CLOSET? 482 00:20:38,438 --> 00:20:41,541 OKAY -- COMBS, RAGS, INSTRUCTIONS, TIMER, TOWELS, TUNES. 483 00:20:41,608 --> 00:20:44,444 ALL SYSTEMS ARE GO. NOW, ARE YOU SURE ABOUT THIS? 484 00:20:44,511 --> 00:20:47,447 WILL YOU STOP? I'LL SIGN A WAIVER IF YOU WANT. 485 00:20:47,514 --> 00:20:49,382 HIT PLAY, PLEASE. 486 00:20:49,449 --> 00:20:51,217 WE SHOULD OPEN A WINDOW, SHOULDN'T WE? 487 00:20:51,284 --> 00:20:52,619 IT'S FREEZING OUTSIDE. 488 00:20:52,685 --> 00:20:54,854 THE BLEACH IS GONNA STINK UP THE WHOLE HOUSE. 489 00:20:54,921 --> 00:20:58,725 LET IT BE THE FIRST CLUE THAT SOMETHING'S HAPPENED FOR WHEN MY MOM GETS HOME. 490 00:20:58,791 --> 00:21:01,561 LET THE THICK SMELL OF BLEACH MEET HER AT THE DOORWAY 491 00:21:01,628 --> 00:21:02,995 LIKE A FORCE THAT'LL USHER HER 492 00:21:03,062 --> 00:21:05,097 INTO THE NEXT CHAPTER OF LANE KIM'S LIFE! 493 00:21:05,164 --> 00:21:07,667 THE SMELL OF BLEACH IS THE SMELL OF FREEDOM! 494 00:21:07,734 --> 00:21:09,168 YOU'RE VERY DRAMATIC TODAY. 495 00:21:09,235 --> 00:21:12,505 TO HELL WITH THE FLOOR! OH, THAT FELT GOOD TO SAY. 496 00:21:12,572 --> 00:21:15,174 YOU DONE? TAKE YOUR SEAT, PLEASE. 497 00:21:15,241 --> 00:21:19,379 AND HERE WE GO. 498 00:21:19,446 --> 00:21:20,780 HOW YOU DOING? 499 00:21:20,847 --> 00:21:21,848 FINE. 500 00:21:21,914 --> 00:21:22,949 FEELING GOOD? 501 00:21:23,015 --> 00:21:24,917 FEELING GREAT. THIS IS SUCH A CATHARSIS. 502 00:21:24,984 --> 00:21:28,054 I HAVE NEVER FELT SO NATURALLY HIGH IN MY LIFE. 503 00:21:28,120 --> 00:21:30,557 STINGS A LITTLE, THOUGH. YEAH, THAT HAPPENS. 504 00:21:30,623 --> 00:21:32,859 BUT JUST A LITTLE. NO BIGGIE. 505 00:21:32,925 --> 00:21:35,728 MORE THAN A LITTLE, ACTUALLY. IT'S KIND OF A BIG LITTLE. 506 00:21:35,795 --> 00:21:38,798 JUST KEEP ME POSTED. IN THAT CASE, IT'S KIND OF A LOT. 507 00:21:38,865 --> 00:21:41,233 YEP, YEP, A LOT OF STING HAPPENING HERE. 508 00:21:41,300 --> 00:21:43,102 TRY THINKING ABOUT SOMETHING ELSE. 509 00:21:43,169 --> 00:21:44,671 GOD, THIS SMELLS AWFUL. 510 00:21:44,737 --> 00:21:46,339 OKAY, THINKING ABOUT SOMETHING ELSE. 511 00:21:46,406 --> 00:21:49,075 SOMETHING ELSE. THINKING ABOUT PUPPY DOGS. 512 00:21:49,141 --> 00:21:50,910 THINKING ABOUT GETTING THINGS IN THE MAIL -- 513 00:21:50,977 --> 00:21:53,580 I LOVE GETTING THINGS IN A MAIL. LETTERS AND PACKAGES. 514 00:21:53,646 --> 00:21:55,214 GOT A PACKAGE! WHAT'S THAT? 515 00:21:55,281 --> 00:21:56,883 JIM CAREY SAYS THAT IN "ACE VENTURA." 516 00:21:56,949 --> 00:22:00,653 THINKING ABOUT WORLD EVENTS. LOTS GOING ON THERE. 517 00:22:00,720 --> 00:22:02,922 THINKING ABOUT THE LAST MOVIE I SAW. 518 00:22:02,989 --> 00:22:04,256 VIN DIESEL WAS IN IT. 519 00:22:04,323 --> 00:22:07,727 THINKING ABOUT WHERE VIN DIESEL GOT THE NAME VIN DIESEL. 520 00:22:07,794 --> 00:22:09,929 THINKING ABOUT VIN DIESEL'S MYSTERIOUS ETHNICITY. 521 00:22:09,996 --> 00:22:11,598 THINKING ABOUT HOW SURPRISING IT IS 522 00:22:11,664 --> 00:22:14,033 TO HAVE SO MUCH TO THINK ABOUT WITH VIN DIESEL. 523 00:22:14,100 --> 00:22:16,436 OKAY, NOW I'M JUST THINKING ABOUT THE PAIN. 524 00:22:16,503 --> 00:22:18,070 BACK TO VIN DIESEL. 525 00:22:18,137 --> 00:22:20,773 I'VE EXHAUSTED VIN DIESEL, BUT THE PAIN, THAT'S NOT EXHAUSTED. 526 00:22:20,840 --> 00:22:23,610 EVER LIGHT YOUR HEAD ON FIRE? I KNOW HOW IT FEELS. 527 00:22:23,676 --> 00:22:24,844 I'LL RINSE IT OUT. 528 00:22:24,911 --> 00:22:26,779 WE'D HAVE TO START ALL OVER AGAIN, 529 00:22:26,846 --> 00:22:28,448 AND I'LL CHICKEN OUT FOR SURE! 530 00:22:28,515 --> 00:22:30,149 I'M GETTING DIZZY FROM THE SMELL. 531 00:22:30,216 --> 00:22:31,418 READ THE BOTTLE. 532 00:22:31,484 --> 00:22:33,653 TELL ME WHAT TO DO IN CASE OF PAIN! 533 00:22:33,720 --> 00:22:35,254 UM, BLAH, BLAH, BLAH. 534 00:22:35,321 --> 00:22:38,290 "DO NOT APPLY TO A BROKEN SCALP." IS YOUR SCALP BROKEN? 535 00:22:38,357 --> 00:22:40,126 I DON'T KNOW MY SCALP THAT WELL. 536 00:22:40,192 --> 00:22:41,794 THERE'S NOTHING ELSE ABOUT PAIN. 537 00:22:41,861 --> 00:22:45,598 A GIRL TOLD ME ONCE IF YOUR SCALP IS HURTING, DRINK A 7 UP. 538 00:22:45,665 --> 00:22:47,867 THE KIM HOUSEHOLD DOES NOT HAVE SOFT DRINKS! 539 00:22:47,934 --> 00:22:49,936 WHAT DO YOU GOT? SOMETHING CALLED SALAD WATER. 540 00:22:50,002 --> 00:22:52,138 BELIEVE ME, IT'S NOTHING LIKE 7 UP! 541 00:22:52,204 --> 00:22:53,706 WE HAVE TO OPEN THIS WINDOW. 542 00:22:53,773 --> 00:22:56,375 I HAVE GOT TO DO SOMETHING! RUN AROUND THE BLOCK! 543 00:22:56,443 --> 00:22:57,944 GOOD ENOUGH FOR ME! 544 00:23:00,547 --> 00:23:02,915 IT'S SO GOOD OF YOU BOTH TO DO THIS, REALLY. 545 00:23:02,982 --> 00:23:04,617 WE'RE HAPPY TO BE HERE. RIGHT? 546 00:23:04,684 --> 00:23:05,952 ZIP-A-DEE DOO-DAH. 547 00:23:06,018 --> 00:23:09,255 IT MUST BE FUN TO BE BACK AT YOUR OLD ALMA MATER. 548 00:23:09,321 --> 00:23:10,923 I'M FEELING ALL WARM AND FUZZY HERE. 549 00:23:10,990 --> 00:23:13,860 HE TOLD ME HE WAS SO EXCITED ABOUT TODAY, 550 00:23:13,926 --> 00:23:15,528 HE COULDN'T SLEEP LAST NIGHT. 551 00:23:15,595 --> 00:23:16,929 WE'RE ALL EXCITED, TOO. 552 00:23:16,996 --> 00:23:19,198 IT'S BEEN SO LONG SINCE WE SAW YOU, LORELAI. 553 00:23:19,265 --> 00:23:22,268 WE HAD SOME LAUGHS WITH THIS ONE, LET ME TELL YOU. 554 00:23:22,334 --> 00:23:23,503 YEAH, SHE'S A FUNNY ONE. 555 00:23:23,570 --> 00:23:24,871 THE BOOK FAIR IN '97 -- 556 00:23:24,937 --> 00:23:27,707 WHAT YOU SAID TO THAT ONE RUDE CUSTOMER -- 557 00:23:27,774 --> 00:23:30,577 PRICELESS HOW YOU PUT HIM IN HIS PLACE. 558 00:23:30,643 --> 00:23:33,145 YEAH, I PUT THAT MAN IN HIS PLACE ALRIGHT. ZING! 559 00:23:33,212 --> 00:23:36,816 WHAT YOU SAID TO HIM! HOW COULD ANYONE FORGET? 560 00:23:36,883 --> 00:23:38,885 "HEY, OLD MAN! 561 00:23:38,951 --> 00:23:41,020 "STICK A CROWBAR IN YOUR WALLET CROWBAR...WALLET... 562 00:23:41,087 --> 00:23:44,223 AND COUGH UP SOME DOUGH, 'CAUSE THIS IS FOR OUR KIDS!" 563 00:23:44,290 --> 00:23:45,858 YOU DO REMEMBER! 564 00:23:45,925 --> 00:23:48,427 IT'S EMBLAZONED UP HERE, DEBBIE, ALL THOSE GOOD TIMES. 565 00:23:48,495 --> 00:23:51,130 DEFINITELY. NOW, EVERYONE'S GATHERED. 566 00:23:51,197 --> 00:23:53,566 THE VICE PRINCIPAL WILL FINISH UP IN A SECOND, 567 00:23:53,633 --> 00:23:55,267 AND THEN WE'LL CALL YOU IN. 568 00:23:55,334 --> 00:23:56,736 LORELAI, YOU WANT TO GO FIRST? 569 00:23:56,803 --> 00:23:59,171 YEAH, SURE. IS THAT OKAY? IT'S OKAY BY ME. 570 00:23:59,238 --> 00:24:01,173 GREAT. SEE YOU IN A MINUTE. 571 00:24:01,240 --> 00:24:05,512 I COULDN'T PICK THAT WOMAN OUT OF A LINEUP IF MY LIFE DEPENDED ON IT. 572 00:24:09,916 --> 00:24:11,884 [ SIGHS ] 573 00:24:11,951 --> 00:24:14,887 WILL YOU LIGHTEN UP? NO, I WON'T LIGHTEN UP. 574 00:24:14,954 --> 00:24:16,656 AWW. I HATE THIS PLACE. 575 00:24:16,723 --> 00:24:19,025 STILL SMELLS THE SAME -- OLD, REPRESSIVE. 576 00:24:19,091 --> 00:24:21,994 BEING BACK HERE DOESN'T MAKE YOU NOSTALGIC AT ALL? 577 00:24:22,061 --> 00:24:24,497 I LIKED THE FINAL BELL. THAT'S ABOUT IT. 578 00:24:24,564 --> 00:24:25,665 WHAT ARE THOSE? 579 00:24:25,732 --> 00:24:27,534 THEY'RE MY NOTES FOR THE TALK. 580 00:24:27,600 --> 00:24:28,768 YOU PUT THOUGHT INTO THIS? 581 00:24:28,835 --> 00:24:30,269 YEAH. DON'T YOU HAVE NOTES? 582 00:24:30,336 --> 00:24:32,505 I RUN A DINER. WHAT ARE MY NOTES? 583 00:24:32,572 --> 00:24:37,610 PEOPLE COME IN, THEY ORDER FOOD, I COOK THE FOOD, I SERVE THE FOOD, THEY EAT THE FOOD. 584 00:24:37,677 --> 00:24:39,378 WHERE I REFILL COFFEE AND WATER. 585 00:24:39,445 --> 00:24:41,714 MY BIG FINALE IS A DESCRIPTION 586 00:24:41,781 --> 00:24:45,084 OF THE WHOLE END-OF-THE-EVENING MOPPING-UP CEREMONY. 587 00:24:45,151 --> 00:24:47,186 YOU'RE SURE YOU DON'T MIND ME GOING FIRST? 588 00:24:47,253 --> 00:24:51,123 THERE'S A GOOD CHANCE YOU'LL YAK SO MUCH THEY WON'T EVEN GET TO ME. 589 00:24:51,190 --> 00:24:52,859 OH, MY GOD. 590 00:24:52,925 --> 00:24:54,360 WHAT? 591 00:24:54,426 --> 00:24:56,529 NOTHING. NOTHING AT ALL...BUTCH. 592 00:24:56,596 --> 00:24:58,064 FOR THE LOVE OF -- 593 00:24:58,130 --> 00:24:59,331 WHAT'S THAT DOING THERE? 594 00:24:59,398 --> 00:25:02,101 WHAT'S IT DOING? IT'S YELLING, "MOCK ME! MOCK ME!" 595 00:25:02,168 --> 00:25:03,269 IT SHOULDN'T BE THERE. 596 00:25:03,335 --> 00:25:04,804 NO, YOU'RE RIGHT. 597 00:25:04,871 --> 00:25:07,740 IT SHOULD HAVE ITS OWN SPECIAL DISPLAY AT THE DINER. 598 00:25:07,807 --> 00:25:10,009 DON'T THEY NEED MY PERMISSION? THIS SHOULD BE ILLEGAL. 599 00:25:10,076 --> 00:25:12,444 THOSE SHORTS WITH THAT TANK TOP SHOULD BE ILLEGAL. 600 00:25:12,511 --> 00:25:13,746 OKAY, STOP NOW. 601 00:25:13,813 --> 00:25:15,548 WHAT WAS YOUR GIRLFRIEND'S NAME? SISSY? 602 00:25:15,615 --> 00:25:17,149 AS A MATTER OF FACT, NO. 603 00:25:17,216 --> 00:25:21,187 "OH, THE GIRLS JUST SWOONED WHEN BUTCH DANES TOOK THE FIELD." 604 00:25:21,253 --> 00:25:24,390 I KNEW THERE WAS ANOTHER GOOD REASON NOT TO DO THIS. 605 00:25:24,456 --> 00:25:26,058 "OH, NO, DON'T WALK AWAY, BUTCH! 606 00:25:26,125 --> 00:25:30,029 "IF I THOUGHT YOU DIDN'T CARE, I'D DIE! I'D JUST DIE!" 607 00:25:32,899 --> 00:25:35,167 IT'S WEIRD. LIKE STRAW. 608 00:25:35,234 --> 00:25:38,638 I FEEL LIKE I SHOULD BE SINGING, "IF I ONLY HAD A BRAIN." 609 00:25:38,705 --> 00:25:40,807 NOW, YOU FEEL BETTER? BURNING'S COMPLETELY GONE? 610 00:25:40,873 --> 00:25:43,209 COMPLETELY. I EVEN THINK THE SALAD WATER'S HELPING. 611 00:25:43,275 --> 00:25:44,944 OKAY, HERE GOES NOTHING. 612 00:25:45,011 --> 00:25:47,814 SO, HAVE YOU MENTIONED DYEING YOUR HAIR TO THE BAND YET? 613 00:25:47,880 --> 00:25:49,616 NO, BUT THEY'VE ALL GOT TATTOOS. 614 00:25:49,682 --> 00:25:52,719 DAVE AND ZACK HAVE MUSICAL THEMES, AND BRIAN'S GOT A SNOOPY. 615 00:25:52,785 --> 00:25:54,687 HE'S A SLAMMING BASS PLAYER. 616 00:25:54,754 --> 00:25:56,756 SO, YOU HAVEN'T EVEN MENTIONED IT TO DAVE? 617 00:25:56,823 --> 00:25:59,425 I JUST SAID I DIDN'T TELL THE BAND. NOT EVEN DAVE? 618 00:25:59,491 --> 00:26:02,094 NO, NOT EVEN TO DAVE. WHAT'S WITH ALL THE PRESSING? 619 00:26:02,161 --> 00:26:03,963 DAVE'S JUST DIFFERENT FROM THE OTHER TWO. 620 00:26:04,030 --> 00:26:05,798 OF COURSE, HE'S THE DE FACTO LEADER. 621 00:26:05,865 --> 00:26:08,234 I KNOW, BUT ALSO FROM THE DAY YOU GUYS MET, 622 00:26:08,300 --> 00:26:09,869 THERE'S A LITTLE SOMETHING HAPPENING THERE. 623 00:26:09,936 --> 00:26:11,704 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 624 00:26:11,771 --> 00:26:13,840 YOU'RE ALWAYS TALKING ABOUT HIM, 625 00:26:13,906 --> 00:26:16,008 AND NOW WITH THIS HAIR EMANCIPATION OF YOURS, 626 00:26:16,075 --> 00:26:17,744 YOU'RE GOING TO UNHEARD-OF LENGTHS 627 00:26:17,810 --> 00:26:19,378 TO MAKE A STATEMENT TO YOUR MOTHER 628 00:26:19,445 --> 00:26:22,414 SO YOU CAN HAVE A SHOT AT STAYING IN THE BAND. 629 00:26:22,481 --> 00:26:24,316 RORY, DAVE AND I ARE PROFESSIONALS. 630 00:26:24,383 --> 00:26:25,885 I KNOW. 631 00:26:25,952 --> 00:26:27,987 THE ROCK-'N'-ROLL HIGHWAY IS LITTERED WITH CASUALTIES 632 00:26:28,054 --> 00:26:30,823 OF BAND MEMBERS WHO HAVE DATED AND BROKEN THE BAND APART. 633 00:26:30,890 --> 00:26:32,625 THAT'S A SENSIBLE ATTITUDE. VERY SENSIBLE. 634 00:26:32,692 --> 00:26:36,929 DAVE AND I ARE VERY SENSIBLE PEOPLE. 635 00:26:36,996 --> 00:26:38,831 I'M IN LOVE WITH HIM. I KNOW! 636 00:26:38,898 --> 00:26:40,366 IS IT THAT OBVIOUS? 637 00:26:40,432 --> 00:26:43,235 ONLY TO A GUY WITH SUNGLASSES AND A DOG SELLING PENCILS. 638 00:26:43,302 --> 00:26:45,171 HE'S SO CUTE AND SMART. DEFINITELY CUTE! 639 00:26:45,237 --> 00:26:48,007 THAT'S SUCH A RARE PACKAGE. IT'S USUALLY ONE OR THE OTHER. 640 00:26:48,074 --> 00:26:50,242 IT'S WRONG, BUT THAT'S THE WAY IT USUALLY IS. 641 00:26:50,309 --> 00:26:52,879 IT INCREASES THE COMPETITION FOR THE DAVES OF THE WORLD. 642 00:26:52,945 --> 00:26:54,180 YOU'RE RARE, TOO, DON'T FORGET. 643 00:26:54,246 --> 00:26:56,215 I'VE NEVER REALLY FELT THIS WAY BEFORE. 644 00:26:56,282 --> 00:26:59,318 I MEAN, HENRY, YES, BUT WE NEVER SPENT ANY REAL TIME TOGETHER. 645 00:26:59,385 --> 00:27:02,421 IT'S NOT JUST PUPPY LOVE. IT'S DIFFERENT. 646 00:27:02,488 --> 00:27:05,257 I GET BUTTERFLIES IN MY STOMACH WHEN I THINK ABOUT HIM, 647 00:27:05,324 --> 00:27:08,327 AND WHEN I CALL HIM TO WORK OUT TIMES FOR BAND PRACTICE, 648 00:27:08,394 --> 00:27:10,830 THE RING OF HIS TELEPHONE GETS ME REALLY EXCITED. 649 00:27:10,897 --> 00:27:12,865 AND LAST WEEK, SOMEONE SAID "DAVE" AT SCHOOL. 650 00:27:12,932 --> 00:27:14,300 IT WASN'T EVEN ABOUT MY DAVE, 651 00:27:14,366 --> 00:27:16,736 AND I ALMOST LOST IT, I GOT SO SHAKY. 652 00:27:16,803 --> 00:27:18,637 "MY DAVE." THAT'S SO CUTE. STOP IT. 653 00:27:18,705 --> 00:27:20,172 THIS SOUNDS LIKE LOVE TO ME. 654 00:27:20,239 --> 00:27:22,408 IT DOES, DOESN'T IT? MY FIRST LOVE. WOW. 655 00:27:22,474 --> 00:27:23,876 YEAH, WOW. 656 00:27:23,943 --> 00:27:27,213 I FINALLY HAVE A FIRST LOVE, LIKE WHAT YOU AND DEAN HAVE. 657 00:27:29,615 --> 00:27:31,617 RIGHT. 658 00:27:31,684 --> 00:27:33,085 EXACTLY. 659 00:27:33,152 --> 00:27:35,988 OF COURSE, I DON'T EXACTLY HAVE WHAT YOU AND DEAN HAVE 660 00:27:36,055 --> 00:27:38,457 BECAUSE YOU LOVE DEAN AND DEAN LOVES YOU BACK. 661 00:27:38,524 --> 00:27:40,026 IN MY SITUATION, I LOVE DAVE, 662 00:27:40,092 --> 00:27:42,962 AND DAVE THINKS THAT I HAVE A DECENT SENSE OF RHYTHM. 663 00:27:43,029 --> 00:27:44,263 DON'T MOVE. YOU'LL DRIP. 664 00:27:44,330 --> 00:27:46,532 GOD, YOU'RE SO LUCKY TO LOVE A GUY 665 00:27:46,598 --> 00:27:49,702 WHO ACTUALLY KNOWS YOU LOVE HIM AND WHO LOVES YOU BACK. 666 00:27:49,769 --> 00:27:51,403 THAT'S GOTTA BE THE BEST FEELING EVER. 667 00:27:51,470 --> 00:27:53,339 I THINK THIS PURPLE'S GONNA LOOK GOOD. 668 00:27:53,405 --> 00:27:55,574 I WANT THAT. I WANT THAT REALLY BAD. 669 00:27:55,641 --> 00:27:58,577 YOU WILL HAVE YOUR PERFECT FIRST LOVE AND SECOND LOVE 670 00:27:58,644 --> 00:28:01,881 AND ANY OTHER LOVE YOU WANT BECAUSE YOU'RE GREAT 671 00:28:01,948 --> 00:28:04,083 AND PURPLE HEADS WILL NOT BE DENIED. 672 00:28:04,150 --> 00:28:06,552 NOW, THAT SHOULD HAVE BEEN PUT ON THE BOX. 673 00:28:06,618 --> 00:28:08,354 OKAY, NOW HEAD DOWN, PLEASE. 674 00:28:08,420 --> 00:28:10,222 [ SIGHS ] 675 00:28:10,289 --> 00:28:11,657 [ DOOR OPENS ] 676 00:28:11,724 --> 00:28:13,726 OKAY, WE'RE ALL READY FOR YOU GUYS. 677 00:28:13,793 --> 00:28:16,763 GREAT. EXCELLENT. 678 00:28:16,829 --> 00:28:20,666 OKAY, OH, LUKE, YOU CAN HAVE A SEAT HERE WHILE LORELAI'S TALKING, OKAY? 679 00:28:20,733 --> 00:28:24,203 WHAT'S THAT? "LUKE PLUS SISSY." START YOUR SPEECH. 680 00:28:24,270 --> 00:28:28,007 OKAY, EVERYONE, I THINK WE'RE READY TO BEGIN. 681 00:28:28,074 --> 00:28:31,377 WE HAVE TWO LOCAL LUMINARIES HERE TO TALK TO US TODAY. 682 00:28:31,443 --> 00:28:35,081 YOU PROBABLY ALL RECOGNIZE LUKE DANES FROM HIS FABULOUS DINER, 683 00:28:35,147 --> 00:28:37,249 BUT WE'RE REALLY EXCITED TO BEGIN 684 00:28:37,316 --> 00:28:41,854 WITH A FORMER STARS HOLLOW HIGH MOM, LORELAI GILMORE. 685 00:28:44,256 --> 00:28:47,526 NO, NO, SAVE IT FOR WHEN I WOW YOU WITH MY BRILLIANCE. 686 00:28:47,593 --> 00:28:50,329 I'M REALLY HAPPY TO BE HERE WITH YOU ALL TODAY. 687 00:28:50,396 --> 00:28:52,999 I RECOGNIZE A LOT OF YOU FROM OVER THE YEARS, 688 00:28:53,065 --> 00:28:55,434 AND YOU'RE ALL GETTING TALLER AND OLDER. 689 00:28:55,501 --> 00:28:57,203 STOP IT. [ CHUCKLES ] 690 00:28:57,269 --> 00:29:00,039 ANYHOW, AS SOME OF YOU KNOW, I RUN THE INDEPENDENCE INN. 691 00:29:00,106 --> 00:29:02,408 SOUNDS SIMPLE -- "RUNNING AN INN." 692 00:29:02,474 --> 00:29:05,344 WELL, THE SENTENCE IS SIMPLE. THE JOB IS NOT. 693 00:29:05,411 --> 00:29:08,014 LIKE MOST JOBS, MINE INVOLVES MANY OTHER PEOPLE, 694 00:29:08,080 --> 00:29:12,284 PEOPLE IT IS MY JOB TO HIRE, TO TRAIN, AND TO INSPIRE, 695 00:29:12,351 --> 00:29:14,053 BECAUSE WHEN YOU HAVE GOOD EMPLOYEES, 696 00:29:14,120 --> 00:29:15,454 IT MAKES YOU LOOK GOOD. 697 00:29:15,521 --> 00:29:17,489 OH, QUESTIONS ALREADY? ARE QUESTIONS OKAY? 698 00:29:17,556 --> 00:29:18,891 THEY'RE ENCOURAGED. YES? 699 00:29:18,958 --> 00:29:20,526 YOU'RE RORY GILMORE'S MOM, AREN'T YOU? 700 00:29:20,592 --> 00:29:22,394 YES, I AM, AND PROUD OF IT. 701 00:29:22,461 --> 00:29:23,729 OH. 702 00:29:23,796 --> 00:29:25,832 I HOPE ALL YOUR QUESTIONS ARE THAT EASY. 703 00:29:25,898 --> 00:29:27,800 WHY IS IT NECESSARY TO INSPIRE EMPLOYEES? 704 00:29:27,867 --> 00:29:31,270 WHY CAN'T YOU JUST TRAIN THEM AND LET THEM DO THEIR JOBS? 705 00:29:31,337 --> 00:29:32,805 YES? 706 00:29:32,872 --> 00:29:34,874 DIDN'T YOU GET PREGNANT WHEN YOU WERE 16? 707 00:29:34,941 --> 00:29:36,943 16. IT WAS AROUND THAT AGE. 708 00:29:37,009 --> 00:29:38,610 16. THAT'S SOUNDS RIGHT. 709 00:29:38,677 --> 00:29:40,546 OKAY. [ CHUCKLES ] 710 00:29:40,612 --> 00:29:43,315 DIFFERENT PEOPLE WORKING FOR YOU WILL HAVE DIFFERENT NEEDS. 711 00:29:43,382 --> 00:29:44,750 YEAH? 712 00:29:44,817 --> 00:29:46,252 WHAT ABOUT SCHOOL? 713 00:29:46,318 --> 00:29:48,888 DID YOU DROP OUT WHEN YOU GOT PREGNANT WITH RORY? 714 00:29:48,955 --> 00:29:50,756 NO, TECHNICALLY, I DIDN'T DROP OUT. 715 00:29:50,823 --> 00:29:52,825 I KEPT GOING AS LONG AS I COULD, 716 00:29:52,892 --> 00:29:54,526 WHICH I WOULD RECOMMEND TO ANY GIRL. 717 00:29:54,593 --> 00:29:57,396 NOT THE "GETTING PREGNANT" PART, OBVIOUSLY. 718 00:29:57,463 --> 00:30:02,434 ALTHOUGH, IF THAT HAPPENS -- IT SHOULDN'T. 719 00:30:02,501 --> 00:30:05,337 I MEAN, IT COULD, BUT YOU SHOULD TRY TO AVOID IT. 720 00:30:05,404 --> 00:30:08,440 ANYWAY, UH, I GOT MY G.E.D. YEAH. 721 00:30:08,507 --> 00:30:11,377 LORELAI? WHY DON'T WE MOVE THIS ALONG? 722 00:30:11,443 --> 00:30:14,313 YES, OH, MOVING IT ALONG. OKAY, OKAY, OKAY. 723 00:30:14,380 --> 00:30:16,248 I SHOULD HAVE BEEN MORE ORGANIZED HERE. 724 00:30:16,315 --> 00:30:17,917 ARE YOU SORRY YOU GOT PREGNANT? 725 00:30:17,984 --> 00:30:19,651 NO. IT BROUGHT ME RORY. 726 00:30:19,718 --> 00:30:23,022 BUT TIMING IS EVERYTHING. I MEAN, I COULD HAVE -- 727 00:30:23,089 --> 00:30:25,724 16. YOU GUYS ARE 16, RIGHT? 728 00:30:25,791 --> 00:30:27,860 AND, HEY! IS THAT CLOCK RIGHT? 729 00:30:27,927 --> 00:30:29,361 WHAT DO YOU MEAN BY TIMING? 730 00:30:29,428 --> 00:30:32,298 IF YOU HAD WAITED AND HAD A BABY WITH ANOTHER MAN -- 731 00:30:32,364 --> 00:30:33,966 IT WOULDN'T HAVE BEEN RORY, RIGHT? 732 00:30:34,033 --> 00:30:35,701 YOU KNOW WHAT'S FUN? LATE CHECK OUT. 733 00:30:35,767 --> 00:30:38,604 BUT IT WAS GOOD YOU GOT PREGNANT BECAUSE YOU GOT RORY. 734 00:30:38,670 --> 00:30:40,839 LOOK, YOU GUYS, THIS IS A VERY IMPORTANT SUBJECT, 735 00:30:40,907 --> 00:30:45,111 AND IN ANOTHER TIME, I WOULD LOVE TO TAKE YOU ALL FOR A CUP OF COFFEE 736 00:30:45,177 --> 00:30:48,180 AND TALK ABOUT IF YOU SHOULD EVEN BE ALLOWED TO DRINK COFFEE, 737 00:30:48,247 --> 00:30:50,449 BECAUSE COFFEE IS FOR OLDER -- [ SIGHS ] 738 00:30:50,516 --> 00:30:52,651 BUTCH DANES, EVERYBODY. 739 00:30:52,718 --> 00:30:54,453 [ ALL ASKING QUESTIONS ] 740 00:31:00,359 --> 00:31:01,360 [ SQUEALS ] 741 00:31:01,427 --> 00:31:03,896 WHAT? IT'S PERFECT! I LOVE IT! 742 00:31:03,963 --> 00:31:05,932 WELL, STOP PRIMPING AND GET OUT HERE! 743 00:31:05,998 --> 00:31:07,833 WHOA! 744 00:31:07,900 --> 00:31:09,768 IT'S EVERYTHING I HOPED IT WOULD BE. 745 00:31:09,835 --> 00:31:11,337 IT VERY ROCK 'N' ROLL. 746 00:31:11,403 --> 00:31:15,241 WE'VE GOTTA TAKE A PICTURE. I AM A KODAK PICTURE SPOT. 747 00:31:15,307 --> 00:31:17,376 SHOULD I SCOWL OR SMILE? SURPRISE ME. 748 00:31:17,443 --> 00:31:19,845 THIS IS THE MOST RADICAL THING A KIM HAS DONE 749 00:31:19,912 --> 00:31:23,182 SINCE MY COUSIN NAM GOT CAUGHT READING MAXIM AT SUMMER CAMP. 750 00:31:25,784 --> 00:31:27,553 THAT MUST BE YOUR MOM. 751 00:31:28,654 --> 00:31:30,356 LANE? 752 00:31:30,422 --> 00:31:33,192 LANE, YOU'RE TURNING WHITE. WHAT'S WRONG? 753 00:31:33,259 --> 00:31:35,727 LANE! I CAN'T DO THIS. 754 00:31:35,794 --> 00:31:37,196 CAN'T DO WHAT? DYE MY HAIR. 755 00:31:37,263 --> 00:31:39,265 IT'S TOO LATE. THIS IS GONNA KILL HER. 756 00:31:39,331 --> 00:31:41,333 IT WON'T KILL HER. IT'LL JUST SHOCK HER. 757 00:31:41,400 --> 00:31:43,970 AND THEN SHE'LL KILL ME. WE'RE TALKING BLOOD BATH HERE. 758 00:31:44,036 --> 00:31:46,238 WE'VE GOTTA PUT IT BACK TO BLACK! 759 00:31:46,305 --> 00:31:47,873 RIGHT NOW! HURRY! GO! GO! 760 00:31:47,940 --> 00:31:49,208 GO WHERE? 761 00:31:49,275 --> 00:31:51,843 BACK TO THE STORE TO GET THE BLACK HAIR DYE! 762 00:31:51,910 --> 00:31:53,145 THIS IS INSANE. 763 00:31:53,212 --> 00:31:55,181 I JUST DRANK A GALLON OF LIQUID SALAD. 764 00:31:55,247 --> 00:31:57,616 INSANITY IS A DAILY STAPLE AT THE KIM HOUSE. 765 00:31:57,683 --> 00:31:59,518 OKAY, I'M GOING. 766 00:31:59,585 --> 00:32:02,188 WHERE ARE YOU GOING? YOU'RE MESSING WITH MY MIND HERE. 767 00:32:02,254 --> 00:32:05,024 YOU CAN'T GO OUT THAT WAY. MY MOM WILL SEE YOU. 768 00:32:05,091 --> 00:32:07,659 IF SHE SEES YOU, SHE'LL COME LOOKING FOR ME. 769 00:32:07,726 --> 00:32:10,729 YOU OWE ME. BIG-TIME FOREVER. NOW MAKE LIKE THE WIND. 770 00:32:10,796 --> 00:32:13,299 GO! GO! GO, GO, GO, GO! 771 00:32:13,365 --> 00:32:15,167 [ LAUGHS ] 772 00:32:17,003 --> 00:32:19,271 UH-HUH. 773 00:32:19,338 --> 00:32:23,142 ALL I KNOW IS I DON'T HAVE IT, SO IT'S GOTTA BE AT YOUR PLACE. 774 00:32:23,209 --> 00:32:24,410 YOU'RE NOT LOOKING FOR IT. 775 00:32:24,476 --> 00:32:26,512 YOU'RE WATCHING TV. I CAN TELL. 776 00:32:26,578 --> 00:32:29,781 YEAH, WHATEVER. I'LL JUST GET A NEW ONE. 777 00:32:29,848 --> 00:32:32,318 SO WHAT ARE WE DOING TONIGHT? 778 00:32:32,384 --> 00:32:34,186 I DON'T KNOW. I'M SICK OF EATING. 779 00:32:34,253 --> 00:32:36,655 I'VE BEEN EATING LIKE A PIG. I FEEL ALL BLOATY. 780 00:32:36,722 --> 00:32:39,758 IT'S A WORD 'CAUSE I SAID IT. THAT'S HOW WORDS GET INVENTED. 781 00:32:39,825 --> 00:32:42,394 'CAUSE PEOPLE SAY 'EM, AND THEN OTHER PEOPLE SAY 'EM. 782 00:32:42,461 --> 00:32:45,497 YOU'RE SUCH A JERK SOMETIMES, AND I'M ALWAYS NICE TO YOU. 783 00:32:45,564 --> 00:32:48,167 EXCUSE ME. I GET OFF AT THE SAME BORING TIME. 784 00:32:48,234 --> 00:32:49,968 EXCUSE ME? I DON'T HAVE ALL DAY. 785 00:32:50,036 --> 00:32:54,006 HOLD ON A SEC. WILL THIS BE ALL? YEAH, THAT'LL BE ALL. 786 00:32:56,275 --> 00:32:58,577 I'M GROWING A BEARD HERE. WHAT'S YOUR PROBLEM? 787 00:32:58,644 --> 00:33:01,213 WHAT'S YOUR PROBLEM? I'M A CUSTOMER, I'M IN A HURRY, 788 00:33:01,280 --> 00:33:02,848 AND YOU'RE SUPPOSED TO ASSIST ME. 789 00:33:02,914 --> 00:33:04,516 I AM ASSISTING YOU. 790 00:33:04,583 --> 00:33:07,153 YEAH, AFTER YOU TOOK YOUR SWEET TIME GETTING OFF THE PHONE, 791 00:33:07,219 --> 00:33:10,422 WHICH CLEARLY WAS NOT A BUSINESS CALL. UN-FREAKIN'-BELIEVABLE. 792 00:33:10,489 --> 00:33:14,793 YEAH, THE LEVEL OF SERVICE IN THIS PLACE IS JUST THAT -- UN-FREAKIN'-BELIEVABLE. 793 00:33:14,860 --> 00:33:16,762 HAVE A NICE DAY. 794 00:33:16,828 --> 00:33:18,064 YEAH, THANKS. YOU TOO. 795 00:33:18,130 --> 00:33:20,666 AND BY THE WAY, "BLOATY" IS NOT A WORD. 796 00:33:20,732 --> 00:33:23,902 THERE'S "BLOATED," THERE'S "BLOATING," BUT NO "BLOATY." 797 00:33:23,969 --> 00:33:25,604 THANKS. THAT'S FASCINATING. 798 00:33:25,671 --> 00:33:29,041 FOR YOU, HOW ICE IS MADE IS PROBABLY FASCINATING. SEE YA. 799 00:33:30,842 --> 00:33:32,378 [ DOOR SLAMS ] 800 00:33:33,479 --> 00:33:35,347 [ LAUGHING ] 801 00:33:35,414 --> 00:33:37,683 DON'T. I'M TRYING NOT TO. I SWEAR. 802 00:33:37,749 --> 00:33:40,719 I'M NOT TRYING HARD. I'LL GRANT YOU THAT. 803 00:33:40,786 --> 00:33:43,789 WHAT WAS WITH THOSE KIDS, SO CURIOUS, SO FULL OF QUESTIONS? 804 00:33:43,855 --> 00:33:45,524 SHOULDN'T THEIR BRAINS BE COMPLETELY FRIED 805 00:33:45,591 --> 00:33:47,359 ON TV AND VIDEO GAMES BY NOW? 806 00:33:47,426 --> 00:33:49,528 IT WASN'T FUNNY. NOT FROM YOUR ANGLE. 807 00:33:49,595 --> 00:33:51,763 FROM MINE, IT WAS AN EVENING AT THE IMPROV. 808 00:33:51,830 --> 00:33:55,234 I'M NOT GONNA BE ALLOWED WITHIN A MILE OF THE SCHOOL EVER AGAIN. 809 00:33:55,301 --> 00:33:57,536 ON THE POSITIVE SIDE, YOU DID ME A FAVOR. 810 00:33:57,603 --> 00:33:59,805 NOW I HAVE A PLEASANT MEMORY FROM THAT SCHOOL -- 811 00:33:59,871 --> 00:34:02,974 YOU BEING NAILED LIKE A 2x4 BY A GROUP OF 16-YEAR-OLDS. 812 00:34:03,041 --> 00:34:05,043 OH, NO. WHAT'S THIS? 813 00:34:05,111 --> 00:34:07,279 LOOKS LIKE HIGH NOON IN STARS HOLLOW. 814 00:34:07,346 --> 00:34:09,615 THEY'RE NOT CARRYING TAR AND FEATHERS, ARE THEY? 815 00:34:09,681 --> 00:34:11,617 OH, HI, EVERYBODY! 816 00:34:11,683 --> 00:34:14,453 WOW, IT'S THE WHOLE GANG! WHAT'S UP? 817 00:34:14,520 --> 00:34:17,256 OH, I FELT OBLIGATED TO TELL THE OTHER MOMS 818 00:34:17,323 --> 00:34:19,258 ABOUT YOUR LITTLE PERFORMANCE AT SCHOOL 819 00:34:19,325 --> 00:34:20,926 BEFORE THEY HEARD ABOUT IT ELSEWHERE. 820 00:34:20,992 --> 00:34:24,029 USUALLY, I LIKE TO MEET UP AT SARDI'S AFTER A PERFORMANCE. 821 00:34:24,096 --> 00:34:26,998 WAIT FOR THE REVIEWS. I HOPE THE TIMES LIKED ME. 822 00:34:27,065 --> 00:34:29,201 HUH! NOTHING, HUH? 823 00:34:29,268 --> 00:34:30,702 SO YOU'RE PREACHING TO OUR DAUGHTERS 824 00:34:30,769 --> 00:34:32,938 THAT IT'S OKAY TO GET PREGNANT AT 16. 825 00:34:33,004 --> 00:34:34,273 AM I GETTING THAT RIGHT? 826 00:34:34,340 --> 00:34:36,508 NO, NOT AT ALL. I WAS ANSWERING THEIR QUESTIONS. 827 00:34:36,575 --> 00:34:38,377 IT'S YOUR ANSWERS WE DIDN'T LIKE. 828 00:34:38,444 --> 00:34:40,246 I WAS TALKING ABOUT MY JOB 829 00:34:40,312 --> 00:34:44,116 BUT YOUR KIDS KEPT ASKING ABOUT MY PREGNANCY. WHAT WAS I SUPPOSED TO DO? 830 00:34:44,183 --> 00:34:45,684 FEND THEM OFF! CHANGE THE SUBJECT! 831 00:34:45,751 --> 00:34:49,020 THEY KEPT COMING AT ME LIKE I WAS POLAND AND THEY WERE NAZIS. 832 00:34:49,087 --> 00:34:52,291 REMEMBER THE OLD DAYS, GIRLS, WHEN I USED TO MAKE YOU LAUGH? 833 00:34:52,358 --> 00:34:53,659 THERE'S NOTHING FUNNY ABOUT THIS. 834 00:34:53,725 --> 00:34:55,727 THEIR QUESTIONS JUST THREW ME OFF, THAT'S ALL. 835 00:34:55,794 --> 00:34:57,563 SOUNDS LIKE YOU JUST FLAUNTED YOUR MISTAKES. 836 00:34:57,629 --> 00:35:00,132 NOW, HOLD ON. YOU HAVE NO RIGHT TO JUDGE ME. 837 00:35:00,199 --> 00:35:03,702 ALL I SAID WAS THAT FOR MY PARTICULAR CIRCUMSTANCES, THINGS WORKED OUT OKAY. 838 00:35:03,769 --> 00:35:07,306 I ADVOCATED NOTHING. YOU'RE ALL ACTING LIKE I WALKED INTO THAT ROOM 839 00:35:07,373 --> 00:35:08,740 TOSSING CONDOMS IN THE AIR. 840 00:35:08,807 --> 00:35:10,041 YOU MIGHT AS WELL HAVE. 841 00:35:10,108 --> 00:35:11,710 FINE, NEXT TIME, I'LL BRING A BANANA, 842 00:35:11,777 --> 00:35:14,546 AND WE'LL HAVE A LITTLE SHOW AND TELL! HOW ABOUT THAT? 843 00:35:14,613 --> 00:35:16,215 WHAT KIND OF MOTHER ARE YOU? 844 00:35:16,282 --> 00:35:17,849 THE KIND THAT DOESN'T GLOSS OVER THINGS 845 00:35:17,916 --> 00:35:19,751 JUST BECAUSE THEY'RE A LITTLE UNCOMFORTABLE. 846 00:35:19,818 --> 00:35:22,921 THIS WHOLE INCIDENT WAS AWKWARD AND UNNECESSARY. 847 00:35:22,988 --> 00:35:26,658 NO, DEB, I'D SAY, DEB, THAT WHAT'S AWKWARD AND UNNECESSARY, 848 00:35:26,725 --> 00:35:30,262 DEB, IS THAT YOU ALL SEEM TO GO TO THE SAME LOUSY HAIRDRESSER. 849 00:35:30,329 --> 00:35:32,531 HOW ABOUT MIXING IT UP A LITTLE, HUH, GIRLS? 850 00:35:32,598 --> 00:35:35,367 I GOTTA GET GOING. YOU GOOD HERE? YEAH, YEAH, I'M GOOD. 851 00:35:35,434 --> 00:35:36,935 DON'T TAKE THAT TONE. 852 00:35:37,002 --> 00:35:40,672 YOU AMBUSH ME, THEN YOU'RE OFFENDED BY MY TONE? 853 00:35:40,739 --> 00:35:42,040 HEY. HEY. 854 00:35:42,107 --> 00:35:45,143 SO WHAT'S GOING ON OUT THERE? 855 00:35:45,211 --> 00:35:48,580 OH, JUST LORELAI DEALING WITH SOME WOMEN 856 00:35:48,647 --> 00:35:51,317 ABOUT SOMETHING OR OTHER. 857 00:35:51,383 --> 00:35:53,585 SO I DID THAT THING AT THE SCHOOL TODAY. 858 00:35:53,652 --> 00:35:55,854 YEAH, IT WENT PRETTY WELL. 859 00:35:55,921 --> 00:35:58,790 ALL THE KIDS SEEMED RELATIVELY UNARMED. 860 00:36:02,461 --> 00:36:04,863 I JUST TOLD 'EM ABOUT THE DINER AND COOKING THINGS, 861 00:36:04,930 --> 00:36:09,235 AND I EXPECT KIDS ALL OVER TOWN WILL RUSH OUT TOMORROW 862 00:36:09,301 --> 00:36:10,402 AND BUY A SPATULA. 863 00:36:10,469 --> 00:36:12,003 CHECKING FOR MONSTERS? 864 00:36:12,070 --> 00:36:15,341 NO, JUST DIDN'T WANT TO ACCIDENTALLY BUMP INTO SOMEONE. 865 00:36:15,407 --> 00:36:16,842 WHAT ARE YOU TALKING ABOUT? 866 00:36:16,908 --> 00:36:19,545 JESS, DID YOU HAVE A GIRL STASHED IN THERE BEFORE? 867 00:36:19,611 --> 00:36:21,913 LORELAI SAID YOU WERE HIDING SOMEONE HERE EARLIER. 868 00:36:21,980 --> 00:36:24,082 WERE YOU? YES. 869 00:36:24,149 --> 00:36:26,117 JESS, YOU DON'T SHOVE A GIRL IN A CLOSET. 870 00:36:26,184 --> 00:36:29,588 I DID NOT SHOVE HER IN THE CLOSET. SHE GOT IN VOLUNTARILY. 871 00:36:29,655 --> 00:36:30,856 OH, SURE. 872 00:36:30,922 --> 00:36:33,859 SHANE FREAKED, NEXT THING I KNOW SHE'S IN THERE. 873 00:36:33,925 --> 00:36:36,695 I PERSONALLY DIDN'T CARE IF YOU GUYS SAW US OR NOT. 874 00:36:36,762 --> 00:36:39,765 BUT, HEY, WOMEN, RIGHT? YOU CAN'T LIVE WITH 'EM. 875 00:36:39,831 --> 00:36:42,234 YOU CAN'T KEEP 'EM FROM JUMPING IN THE CLOSET. 876 00:36:42,301 --> 00:36:45,504 YOU AND I HAVE GOT TO HAVE A LITTLE TALK. 877 00:36:45,571 --> 00:36:48,073 HEY, IF YOU'RE GONNA GET ALL WARD CLEAVER ON ME, 878 00:36:48,139 --> 00:36:51,777 I GOTTA GO CALL EDDIE AND LUMPY AND TELL 'EM I'M GONNA BE LATE. 879 00:36:51,843 --> 00:36:53,679 SHUT UP FOR A SECOND, WOULD YA? 880 00:36:53,745 --> 00:36:57,148 LOOK, I KNOW YOU'RE AT AN AGE WHERE THE WHOLE GIRL THING IS, 881 00:36:57,215 --> 00:36:58,950 YOU KNOW, ON YOUR MIND A LOT, 882 00:36:59,017 --> 00:37:01,186 AND IT'S PROBABLY NOT HELPING YOU TO THINK STRAIGHT 883 00:37:01,253 --> 00:37:03,922 WITH ALL THE HORMONES AND OTHER THINGS THAT ARE RAGING. 884 00:37:03,989 --> 00:37:09,027 MY POINT IS, YOU GOTTA THINK ABOUT THINGS A LITTLE BETTER, YOU KNOW? 885 00:37:09,094 --> 00:37:10,662 THE WAY YOU ACT. 886 00:37:10,729 --> 00:37:15,100 IF YOU CARE ABOUT A GIRL THE WAY YOU DO WITH THIS SHANE -- 887 00:37:15,166 --> 00:37:16,835 I DON'T CARE ABOUT HER. WHAT? 888 00:37:16,902 --> 00:37:18,704 I DON'T EVEN KNOW HER LAST NAME. 889 00:37:18,770 --> 00:37:21,239 YOU'RE KIDDING. SHE MENTIONED IT ONCE. DIDN'T STICK. 890 00:37:21,307 --> 00:37:22,874 WHAT ARE YOU DOING WITH HER? 891 00:37:22,941 --> 00:37:24,843 JUST HANGING WITH HER. NO BIGGIE. 892 00:37:24,910 --> 00:37:27,279 YOU GOTTA BE DOING SOMETHING MORE THAN HANGING WITH HER. 893 00:37:27,346 --> 00:37:31,750 YOU HAVE TO AT LEAST BE DOING SOMETHING WITH HER TO MAKE HER JUMP IN A CLOSET. 894 00:37:31,817 --> 00:37:33,885 RELAX, WILL YOU? ALL'S GOOD. 895 00:37:33,952 --> 00:37:36,355 YOU CAN'T TREAT A GIRL LIKE THIS, LIKE DIRT! 896 00:37:36,422 --> 00:37:38,390 SHE TREATS ME LIKE DIRT, TOO. 897 00:37:38,457 --> 00:37:39,991 IT'S A PRETTY SYMBIOTIC RELATIONSHIP. 898 00:37:40,058 --> 00:37:43,862 AND THAT'S FINE WITH YOU TO JUST GO ALONG IN A RELATIONSHIP, 899 00:37:43,929 --> 00:37:46,898 YOU TREAT SOMEBODY BAD, AND THEY TREAT YOU BAD BACK. 900 00:37:46,965 --> 00:37:48,133 THAT'S RIGHT. 901 00:37:48,199 --> 00:37:49,468 THAT MAKES YOU HAPPY? 902 00:37:49,535 --> 00:37:51,737 I'D DO BACKFLIPS, BUT I AM WAY TOO COOL. 903 00:37:51,803 --> 00:37:53,405 THAT MAKES ABSOLUTELY NO SENSE. 904 00:37:53,472 --> 00:37:55,040 DOESN'T HAVE TO MAKE SENSE TO YOU. 905 00:37:55,106 --> 00:37:57,876 THERE ARE PLENTY OF OTHER GIRLS OUT THERE IN THE WORLD. 906 00:37:57,943 --> 00:38:01,913 YOU COULD GO OUT AND AT LEAST FIND ONE THAT YOU ACTUALLY CARE ABOUT. 907 00:38:01,980 --> 00:38:03,214 LIKE IT'S THAT EASY. 908 00:38:03,281 --> 00:38:04,816 IT'S THAT EASY IF YOU TRY. 909 00:38:04,883 --> 00:38:07,686 THE GIRLS THAT I LIKE DON'T GIVE A DAMN ABOUT ME, 910 00:38:07,753 --> 00:38:10,956 AND UNLIKE SOME OTHER PEOPLE I KNOW, I'M NOT GONNA SIT AROUND HOPING 911 00:38:11,022 --> 00:38:13,392 THAT THEY CHANGE THEIR MINDS AND SUDDENLY NOTICE ME. 912 00:38:13,459 --> 00:38:14,660 WHAT'S THAT SUPPOSED TO MEAN? 913 00:38:14,726 --> 00:38:16,194 YOU FIXED ANY NEIGHBOR'S PORCHES LATELY 914 00:38:16,261 --> 00:38:19,465 OR YOU GO ON A PICNIC OR YOU GET ROOKED INTO GIVING 915 00:38:19,531 --> 00:38:21,299 A RIDICULOUS SPEECH AT A HIGH SCHOOL? 916 00:38:21,367 --> 00:38:23,201 AT LEAST I'VE GOT A LITTLE SELF-ESTEEM. 917 00:38:23,268 --> 00:38:25,871 SHUT UP. I'M NOT PLAYING GOLDEN RETRIEVER HOPING SOMEDAY, 918 00:38:25,937 --> 00:38:27,906 SHE'LL TURN AROUND AND FALL IN MY ARMS. 919 00:38:27,973 --> 00:38:30,542 IF SHE DOESN'T WANT TO BE WITH ME, THEN FINE! 920 00:38:30,609 --> 00:38:32,678 YOU HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 921 00:38:32,744 --> 00:38:34,413 WHATEVER. I GOTTA GO. SHANE'S WAITING. 922 00:38:34,480 --> 00:38:36,147 YOU MEAN WHAT'S HER NAME? 923 00:38:36,214 --> 00:38:40,386 YEAH, I'LL BRING YOU A NEW LEASH WHEN I GET BACK. GET OUT OF HERE. 924 00:38:40,452 --> 00:38:41,820 [ DOOR CLOSES ] 925 00:38:43,321 --> 00:38:45,691 BUSY DAY. BUSY DAY. I'M PRETTY EXHAUSTED. 926 00:38:45,757 --> 00:38:50,195 I GUESS IT WAS JUST TOO BIG OF A STATEMENT FOR ME TO MAKE RIGHT NOW. 927 00:38:50,261 --> 00:38:51,830 MAYBE. I JUST THOUGHT OF SOMETHING. 928 00:38:51,897 --> 00:38:55,000 TECHNICALLY, YOU HAVE DYED HAIR. 929 00:38:55,066 --> 00:38:56,435 I DO, DON'T I? YEAH. 930 00:38:56,502 --> 00:38:59,104 DYED MY NATURAL COLOR, YES, BUT DYED NONETHELESS. 931 00:38:59,170 --> 00:39:01,973 NOT ONE STRAND OF REAL COLOR ON THAT HEAD OF YOURS. 932 00:39:02,040 --> 00:39:05,444 SO, I GUESS THAT MEANS WE CAN SCORE THIS AS A VICTORY, RIGHT? 933 00:39:05,511 --> 00:39:07,879 ABSOLUTELY. PUT IT IN THE VICTORY COLUMN. 934 00:39:11,717 --> 00:39:13,452 THAT GIRL'S A FREAK. 935 00:39:15,020 --> 00:39:16,354 WHAT WAS THAT ABOUT? 936 00:39:16,422 --> 00:39:18,156 IT'S BEEN A VERY LONG DAY. 937 00:39:18,223 --> 00:39:20,225 PEOPLE WHO LIKE ME! GREAT! 938 00:39:20,291 --> 00:39:22,027 HOW WAS YOUR TALK AT THE SCHOOL? 939 00:39:22,093 --> 00:39:24,329 JUST PEACHY. IS YOUR HAIR BLACKER? 940 00:39:24,396 --> 00:39:25,997 I WISH YOU HADN'T HAVE SAID THAT. 941 00:39:26,064 --> 00:39:28,333 IT'S NOT NOTICEABLE. STAY OUT OF BRIGHT LIGHTING. 942 00:39:28,400 --> 00:39:29,635 WHAT HAPPENED? 943 00:39:29,701 --> 00:39:31,937 I DYED MY HAIR. THEN I DYED IT BACK. 944 00:39:32,003 --> 00:39:34,573 BUT FOR A FULL 30 MINUTES, I LOOKED LIKE THIS. 945 00:39:34,640 --> 00:39:36,742 WHOA! YOU LOOKED COOL. YOU'RE INSANE. 946 00:39:36,808 --> 00:39:39,578 I GOT SANE AGAIN, BUT I WILL ALWAYS HAVE THAT PICTURE. 947 00:39:39,645 --> 00:39:41,179 OH, HIDE IT AT YOUR PLACE? 948 00:39:41,246 --> 00:39:43,849 I GOTTA GO, AND REMEMBER, WE STILL NEED A PLAN. 949 00:39:43,915 --> 00:39:46,117 YES, WE DO. WHY DO WE NEED A PLAN? 950 00:39:46,184 --> 00:39:48,954 A PLAN SO THAT LANE DOESN'T HAVE TO QUIT HER BAND. 951 00:39:49,020 --> 00:39:52,424 LANE HAS TO GET FAMOUS AND INTRODUCE ME TO BONO! ALRIGHT, LET'S GO EAT. 952 00:39:52,491 --> 00:39:56,728 LET'S SEE IF WE CAN FIGURE OUT A WAY TO SALVAGE MY FUTURE AS A GROUPIE. 953 00:39:56,795 --> 00:39:58,363 LET'S GO TO AL'S PANCAKE WORLD. 954 00:39:58,430 --> 00:40:00,031 HE'S DOING A SALUTE TO JAMAICA AGAIN. 955 00:40:00,098 --> 00:40:02,501 AS LONG AS AL DOESN'T PLAY THE KETTLE DRUMS. 956 00:40:02,568 --> 00:40:04,870 WE'LL HIDE HIS MALLETS WHEN HE'S NOT LOOKING. 957 00:40:04,936 --> 00:40:07,138 SO, COME ON, TELL ME HOW THE TALK WENT. 958 00:40:07,205 --> 00:40:10,976 IT WAS ONE MINUTE ON MY SUCCESS IN THE BUSINESS WORLD, 959 00:40:11,042 --> 00:40:14,112 AND IT WAS 10 MINUTES ON THE POSSIBILITY 960 00:40:14,179 --> 00:40:16,748 THAT IF I HAD HAD SEX WITH A DIFFERENT MAN 961 00:40:16,815 --> 00:40:18,450 YOU WOULDN'T HAVE BEEN BORN. 962 00:40:18,517 --> 00:40:20,486 I KIND OF GOT OFF ON A TANGENT. 963 00:40:20,552 --> 00:40:22,420 A BIG ONE. HOW DID THAT HAPPEN? 964 00:40:22,488 --> 00:40:24,055 I'LL TELL YOU ABOUT IT AT AL'S. 965 00:40:24,122 --> 00:40:26,892 JUST DON'T EXPECT TO BE INVITED TO ANY MORE SWIM PARTIES. 966 00:40:26,958 --> 00:40:28,827 DON'T WAIT TILL AL'S. TELL ME NOW. 967 00:40:28,894 --> 00:40:30,796 OH, I JUST LOVE MY LITTLE FLUKE! 968 00:40:30,862 --> 00:40:32,531 COME ON, WHAT HAPPENED? 969 00:40:32,598 --> 00:40:35,901 ALRIGHT, WELL, IT STARTED OFF REALLY GOOD, AND THEN ALL THESE KIDS 970 00:40:35,967 --> 00:40:38,770 STARTED ASKING ME ALL THESE QUESTIONS YOU KNOW ABOUT LIKE... 76880

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