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1
00:00:00,568 --> 00:00:01,535
THIS IS SUBLIME.
2
00:00:01,602 --> 00:00:03,937
IT WAS THE GOLDEN AGE OF
TELEVISION.
3
00:00:04,004 --> 00:00:06,107
THE MUSIC, THE COSTUMES,
THE SETS.
4
00:00:06,174 --> 00:00:08,209
ALL CYLINDERS WERE FIRING ON
THIS ONE, BOY!
5
00:00:08,276 --> 00:00:10,278
WHO KNEW THEY ALL
HAD SUCH MUSICAL TALENT.
6
00:00:10,344 --> 00:00:13,914
AND SUCH FAR-OUT BOOTY-SHAKING
ABILITIES AS WELL.
7
00:00:13,981 --> 00:00:16,850
MAIL, LADIES.
THANKS, EDDIE.
8
00:00:16,917 --> 00:00:20,521
THIS WAS LISTED AS
THE WORST 50 SHOWS OF ALL TIME
IN "TV GUIDE".
9
00:00:20,588 --> 00:00:22,390
I KNOW!
WHO ARE THEY TO JUDGE?
10
00:00:22,456 --> 00:00:24,024
I KNOW. IT'S ON OUR
TOP-50 BEST.
11
00:00:24,092 --> 00:00:26,994
YEAH, RIGHT AFTER "HOLMES AND
YO-YO" AND "HEE HAW HONEYS."
12
00:00:27,061 --> 00:00:30,331
RORY, GET BACK!
THEY'RE IN CLOWN SUITS
AND HEADED FOR THE POOL!
13
00:00:30,398 --> 00:00:32,066
OH, MY GOD!
HONEY, COME HERE.
14
00:00:32,133 --> 00:00:33,667
IT'S HERE!
WHAT'S HERE?
15
00:00:33,734 --> 00:00:35,035
MY APPLICATION TO HARVARD.
16
00:00:35,103 --> 00:00:37,871
OH, MY GOD!
17
00:00:37,938 --> 00:00:40,141
OH, IT'S BEAUTIFUL.
18
00:00:40,208 --> 00:00:41,409
IMPRESSIVE LETTER "H", HUH?
19
00:00:41,475 --> 00:00:43,777
OH, YEAH,
IT'S SO "H-H-H."
20
00:00:43,844 --> 00:00:44,845
VERY.
21
00:00:44,912 --> 00:00:47,415
CAN I HOLD IT?
BE CAREFUL.
22
00:00:47,481 --> 00:00:51,385
OH, IT'S HEAVY --
HEAVY WITH IMPORTANCE.
I FEEL DIZZY.
23
00:00:51,452 --> 00:00:54,422
YOU SURE IT'S NOT ROBERT REED
IN TIGHT CLOWN PANTS?
24
00:00:54,488 --> 00:00:57,258
LET THE RECORD SHOW
THAT WHEN MY APPLICATION
TO HARVARD ARRIVED,
25
00:00:57,325 --> 00:00:59,293
WE WERE WATCHING "THE BRADY
BUNCH VARIETY HOUR."
26
00:00:59,360 --> 00:01:01,529
I HOPE YOU DON'T
LOOSE POINTS?
I HOPE NOT.
27
00:01:01,595 --> 00:01:04,165
I WISH IT CAME WHEN I WAS
READING "DEAD SOULS."
28
00:01:04,232 --> 00:01:06,300
WE'LL TELL PEOPLE
THAT'S WHAT YOU WERE DOING,
29
00:01:06,367 --> 00:01:08,602
AND THAT I WAS STUDYING
A REALLY BIG GLOBE.
30
00:01:08,669 --> 00:01:11,572
YOU CAN KEEP A SECRET?
THERE'S ALWAYS A FIRST.
31
00:01:11,639 --> 00:01:13,641
"DEAD SOULS"
AND A REALLY BIG GLOBE.
32
00:01:13,707 --> 00:01:14,975
DEAL!
33
00:01:15,042 --> 00:01:16,544
OH, KAYAKS!
34
00:01:20,148 --> 00:01:23,417
* IF YOU'RE OUT
ON THE ROAD *
35
00:01:23,484 --> 00:01:29,357
* FEELIN' LONELY
AND SO COLD *
36
00:01:29,423 --> 00:01:32,526
* ALL YOU HAVE TO DO
IS CALL MY NAME *
37
00:01:32,593 --> 00:01:36,997
* AND I'LL BE THERE
ON THE NEXT TRAIN *
38
00:01:37,064 --> 00:01:41,569
* WHERE YOU LEAD,
I WILL FOLLOW *
39
00:01:41,635 --> 00:01:45,606
* ANYWHERE THAT YOU TELL ME TO *
40
00:01:45,673 --> 00:01:48,242
* IF YOU NEED *
* IF YOU NEED *
41
00:01:48,309 --> 00:01:50,478
* YOU NEED ME TO BE WITH YOU *
42
00:01:50,544 --> 00:01:52,346
* I WILL FOLLOW *
43
00:01:52,413 --> 00:01:54,648
* OH, OH, OH *
44
00:01:54,715 --> 00:01:59,453
* WHERE YOU LEAD,
I WILL FOLLOW *
45
00:01:59,520 --> 00:02:03,524
* ANY, ANYWHERE
THAT YOU TELL ME TO *
46
00:02:03,591 --> 00:02:06,160
* IF YOU NEED *
* IF YOU NEED *
47
00:02:06,227 --> 00:02:08,496
* YOU NEED ME TO BE WITH YOU *
48
00:02:08,562 --> 00:02:12,766
* I WILL FOLLOW WHERE YOU LEAD *
49
00:02:14,268 --> 00:02:15,603
COME ON,
I WANNA GET STARTED.
50
00:02:15,669 --> 00:02:18,038
HOLD YOUR HORSES,
LITTLE MISS HORSEY HOLDER.
51
00:02:18,105 --> 00:02:20,674
THEY'LL EXPECT
A HIGHER LEVEL OF WIT
AT HARVARD.
52
00:02:20,741 --> 00:02:22,410
OH, WATCH THAT DRINK!
[ POP-TOP SNAPS ]
53
00:02:22,476 --> 00:02:24,645
I'M NOWHERE NEAR IT.
WELL, KEEP IT THAT WAY.
54
00:02:24,712 --> 00:02:27,014
THIS IS AN
UNCONTAMINATED AREA --
55
00:02:27,080 --> 00:02:29,483
I EVEN CLEANED THE TABLE
USING SOMETHING OTHER THAN
56
00:02:29,550 --> 00:02:31,219
MY SWEATER SLEEVE
AND SPIT.
57
00:02:31,285 --> 00:02:33,321
LOVELY IMAGE.
I'LL BE CAREFUL.
58
00:02:33,387 --> 00:02:36,023
HERE WE GO.
FIRST QUESTION --
59
00:02:36,089 --> 00:02:37,891
[ GASPS ] OH, MY GOD!
WHAT?
60
00:02:37,958 --> 00:02:40,328
WHAT WERE YOU DOING WHEN
YOU RECEIVED THIS APPLICATION?
61
00:02:40,394 --> 00:02:43,364
COUNTS FOR 50%
OF YOUR ELIGIBILITY.
STOP.
62
00:02:43,431 --> 00:02:44,832
I NEED HELP.
WITH WHAT?
63
00:02:44,898 --> 00:02:46,867
SHE'S WRITING HER
"DRUMMER SEEKS ROCK BAND" AD.
64
00:02:46,934 --> 00:02:49,303
IT'S NOT READING RIGHT.
COULD YOU GUYS LOOK IT OVER?
65
00:02:49,370 --> 00:02:53,541
LET'S SEE. "DRUMMER
WITH STRONG BEAT SEEKS BAND
INTO THE ACCELERATORS,
66
00:02:53,607 --> 00:02:55,376
"THE ADOLESCENTS, THE ADVERTS,
AGENT ORANGE,
67
00:02:55,443 --> 00:02:59,413
THE ANGELIC UPSTARTS,
THE AGNOSTIC FRONT, ASH --"
YOU WENT ALPHABETICALLY.
68
00:02:59,480 --> 00:03:01,415
IT SEEMED TIDY.
AND A LITTLE OCD.
69
00:03:01,482 --> 00:03:02,850
AND LONG.
I CAN MAKE CUTS.
70
00:03:02,916 --> 00:03:04,952
-- IT'S THREE PAGES
SINGLE-SPACED. MAKE CUTS.
71
00:03:05,018 --> 00:03:07,187
THIS IS THE CUT-DOWN VERSION --
FROM THE LETTER "A"
72
00:03:07,255 --> 00:03:10,224
I EXCLUDED AC/DC,
THE ANIMALS, AND A-HA.
FOOTNOTE IS GUILTY PLEASURE.
73
00:03:10,291 --> 00:03:12,460
IF WE CAN'T GET THROUGH IT,
NO ONE CAN.
74
00:03:12,526 --> 00:03:14,995
OKAY, I'LL TRY TO MAKE
CUTS, BUT NO GUARANTEES.
75
00:03:15,062 --> 00:03:17,565
OKAY, "PERSONAL INFORMATION --
STATE YOUR FULL NAME --"
76
00:03:17,631 --> 00:03:19,600
BETTER NOT GET
THAT ONE WRONG!
I'LL TRY!
77
00:03:19,667 --> 00:03:21,702
"AND NICKNAME, IF ANY."
THAT WOULD BE "RORY."
78
00:03:21,769 --> 00:03:24,004
OR "DROOPY DRAWERS" --
THAT WAS NEVER MY NICKNAME.
79
00:03:24,071 --> 00:03:26,440
WRONG, I CALLED
YOU THAT AS A BABY.
WHAT?
80
00:03:26,507 --> 00:03:28,609
THAT'S RIGHT.
YOU HAD THESE LITTLE
OSHKOSH CORDS.
81
00:03:28,676 --> 00:03:31,679
THEY WERE TOO BIG.
AND ONCE AT THE MALL
THEY FELL DOWN.
82
00:03:31,745 --> 00:03:33,547
AND I SAID,
"WHOA, THERE, DROOPY DRAWERS."
83
00:03:33,614 --> 00:03:36,317
I'M JUST AFRAID THAT IF WE DON'T
ANSWER EVERYTHING ACCURATELY,
84
00:03:36,384 --> 00:03:38,552
THE HARVARD POLICE WILL
HIT YOU WITH AN ATLAS
85
00:03:38,619 --> 00:03:40,321
AND SAY SOMETHING MEAN
IN LATIN.
86
00:03:40,388 --> 00:03:42,556
HOW WOULD THEY KNOW
YOU CALL ME DROOPY DRAWERS?
87
00:03:42,623 --> 00:03:45,192
WE COULD BE AT A HARVARD EVENT,
AND I'D ACCIDENTALLY SAY,
88
00:03:45,259 --> 00:03:49,263
"PASS ME A LOBSTER PUFF, DROOPY
DRAWERS." AND THEY'D HEAR ME,
AND THAT'LL BE THAT.
89
00:03:49,330 --> 00:03:51,565
HOW ABOUT NOT DRINK
AT THESE HARVARD EVENTS?
90
00:03:51,632 --> 00:03:54,802
OKAY, "PARENTAL INFORMATION --
MOTHER."
91
00:03:54,868 --> 00:03:56,003
BREATHTAKING.
92
00:03:56,069 --> 00:03:58,839
I THINK THEY JUST
WANT YOUR NAME.
"FATHER."
93
00:03:58,906 --> 00:04:00,240
OSTRACIZED.
94
00:04:01,208 --> 00:04:02,242
"PERSONAL STATEMENT."
95
00:04:02,310 --> 00:04:04,144
OH, THE ESSAY,
THE BIG KAHUNA.
96
00:04:04,211 --> 00:04:06,814
"EVALUATE A SIGNIFICANT
EXPERIENCE THAT'S HAD AN IMPACT
ON YOU --"
97
00:04:06,880 --> 00:04:09,850
HOW ABOUT WHEN YOUR
DRAWERS DROOPED DOWN?
ENOUGH OF THE DRAWERS.
98
00:04:09,917 --> 00:04:12,953
"OR WRITE ABOUT A PERSON
WHO'S HAD A SIGNIFICANT
INFLUENCE ON YOU."
99
00:04:13,020 --> 00:04:15,689
YOU?
OR ONE OF YOUR
AUTHORS -- FAULKNER...
100
00:04:15,756 --> 00:04:17,725
OR SYLVIA PLATH?
MIGHT SEND
THE WRONG MESSAGE.
101
00:04:17,791 --> 00:04:19,960
THE "STICKING HER HEAD
IN THE OVEN" THING?
YEAH.
102
00:04:20,027 --> 00:04:22,195
ALTHOUGH SHE MADE HER
KIDS A SNACK FIRST.
103
00:04:22,262 --> 00:04:23,964
SHOWS A CERTAIN MATERNAL
INSTINCT.
104
00:04:24,031 --> 00:04:27,034
OKAY, I JUST CRUNCHED THE
NUMBERS AND AT 2,000 WORDS
105
00:04:27,100 --> 00:04:29,970
AND 25 CENTS A WORD, THE STUPID
AD'S GONNA COST $500!
106
00:04:30,037 --> 00:04:33,240
THAT'S 5 MONTHS OF
MINWAX-ING END TABLES
AT THE STORE. I GIVE UP.
107
00:04:33,307 --> 00:04:36,644
DON'T GIVE UP. JUST CUT DOWN
YOUR INFLUENCES TO
THE IMPORTANT ONES,
108
00:04:36,710 --> 00:04:38,646
LIKE WITH DAVID BOWIE --
GOTTA HAVE BOWIE.
109
00:04:38,712 --> 00:04:42,750
MUST YOU LIST EVERY ALBUM HE
RECORDED AND YOUR PERSONAL
RATING BETWEEN ONE AND TEN?
110
00:04:42,816 --> 00:04:45,453
MAYBE NOT.
WHAT'S WITH JACKSON BROWNE
MAKING THE LIST?
111
00:04:45,519 --> 00:04:48,255
COOL PEOPLE KNOW HE'S MORE THAN
A MELLOW, HIPPIE-DIPPIE FOLKIE,
112
00:04:48,322 --> 00:04:51,725
THAT HE ACTUALLY WROTE
SOME OF NICO'S BEST SONGS
AND WAS HER LOVER
113
00:04:51,792 --> 00:04:53,594
BEFORE BORING US WITH
"DOCTOR MY EYES."
114
00:04:53,661 --> 00:04:55,696
THAT WILL SEPARATE THE POSERS
FROM THE NON-POSERS.
115
00:04:55,763 --> 00:04:57,698
WAX ON, WAX OFF.
I HATE THIS!
116
00:04:57,765 --> 00:04:59,467
OKAY, WHAT ACTIVITIES
INTEREST YOU?
117
00:04:59,533 --> 00:05:02,770
ALL EXCEPT FOR THE SPORTS.
I THOUGHT YOU WERE
THE LACROSSE KID.
118
00:05:02,836 --> 00:05:06,306
MOM, JUST A MODICUM OF
SERIOUSNESS AS WE DO THIS
WOULD BE APPRECIATED.
119
00:05:06,374 --> 00:05:09,142
MM. SO, CIRCLE ALL OF THEM
EXCEPT SPORTS.
120
00:05:09,209 --> 00:05:11,244
OH, THEY WANT A PICTURE.
121
00:05:11,311 --> 00:05:16,249
HOW ABOUT THE ONE WITH US
STICKING OUR HEADS THROUGH
THE HOLES OF JOHNNY BRAVO?
122
00:05:16,316 --> 00:05:17,685
THERE'S THE SERIOUSNESS
I CRAVE.
123
00:05:19,286 --> 00:05:22,890
I HAVE TO CRANK
THE RAMONES IF I HAVE
TO MAKE DEEP CUTS!
124
00:05:27,294 --> 00:05:28,396
WE'LL MOVE OUTSIDE.
125
00:05:28,462 --> 00:05:31,031
THE OUTSIDE'S CONTAMINATED!
126
00:05:31,098 --> 00:05:32,866
HM?
OH.
127
00:05:35,869 --> 00:05:38,271
THANK YOU.
DO THEY LET KIDS DRINK
COFFEE BEFORE SCHOOL?
128
00:05:38,338 --> 00:05:41,108
WHY? DO YOU THINK IT MIGHT LEAD
TO HARDER STUFF --
129
00:05:41,174 --> 00:05:42,342
LATTES, CAPPUCCINOS?
130
00:05:42,410 --> 00:05:44,044
FORGET I ASKED.
131
00:05:44,111 --> 00:05:47,180
SO, WHAT ARE YOU DOING
SATURDAY?
JUST MY USUAL CHORES.
132
00:05:47,247 --> 00:05:48,281
YOUR USUAL CHORES,
JOHN-BOY?
133
00:05:48,348 --> 00:05:50,584
WHAT ELSE DO YOU
CALL "HOUSE JOBS"?
134
00:05:50,651 --> 00:05:54,455
I CALL THEM "THE STUFF YOU AVOID
UNTIL THE ENVIRONMENTAL
PROTECTION AGENCY STEPS IN."
135
00:05:54,522 --> 00:05:56,890
WHY DO YOU ASK?
I THOUGHT WE'D
SEE A MOVIE.
136
00:05:56,957 --> 00:05:59,893
YOU'RE NOT FREE BECAUSE YOU'LL
BE WORKING ON YOUR APPLICATION.
137
00:05:59,960 --> 00:06:01,395
NO, I'M NOT.
REALLY?
138
00:06:01,462 --> 00:06:05,599
IT'S NOT DUE FOR WEEKS,
AND I HAVE THE TOPIC PICKED OUT.
WHICH IS?
139
00:06:05,666 --> 00:06:06,700
HILLARY CLINTON.
140
00:06:06,767 --> 00:06:08,502
SOUNDS PERFECT.
I KNOW.
141
00:06:08,569 --> 00:06:09,837
SHE'S SO SMART AND TOUGH,
142
00:06:09,903 --> 00:06:12,072
NOBODY THOUGHT SHE'D WIN
NEW YORK, BUT SHE DID,
143
00:06:12,139 --> 00:06:14,307
AND SHE'S DOING AMAZING.
HAVE YOU HEARD HER SPEAK?
144
00:06:14,374 --> 00:06:18,145
ONLY WHEN YOU PLAYED ME
THE THOUSANDS OF HOURS
OF C-SPAN FOOTAGE YOU TAPED.
145
00:06:18,211 --> 00:06:22,516
SHE'S A GREAT SPEAKER --
STRONG AND PERSUASIVE,
WITH A WONDERFUL PRESENCE
146
00:06:22,583 --> 00:06:24,217
AND HER SUITS
ARE GETTING BETTER.
147
00:06:24,284 --> 00:06:27,488
I'D INCLUDE THAT IN THE ESSAY.
ANYHOW,
NOW THAT I HAVE HILLARY,
148
00:06:27,555 --> 00:06:29,623
I JUST NEED A DATE
FOR SATURDAY. SUGGESTIONS?
149
00:06:29,690 --> 00:06:31,992
YOU'RE ON.
GREAT.
150
00:06:32,059 --> 00:06:34,495
OH, THERE'S MY BUS. SIP.
151
00:06:35,295 --> 00:06:36,864
KISS.
152
00:06:36,930 --> 00:06:38,999
AND BYE.
BYE.
153
00:06:43,504 --> 00:06:45,205
FAST RUNNER.
IT'S THE COFFEE.
154
00:06:45,272 --> 00:06:46,474
NOT YOUR FACE?
EXCUSE ME?
155
00:06:46,540 --> 00:06:47,741
SORRY, JUST MISSED MY YOUTH
156
00:06:47,808 --> 00:06:49,777
FOR A SECOND. I'M BACK. COFFEE?
157
00:06:54,582 --> 00:06:57,117
[INSTRUMENTAL MUSIC]
158
00:07:04,057 --> 00:07:06,494
EVERYONE ALWAYS SAYS THAT.
THIS IS MY SPEAKING VOICE.
159
00:07:06,560 --> 00:07:08,295
THIS IS ITS NATURAL VOLUME.
160
00:07:08,361 --> 00:07:10,498
FINE! FINE!
161
00:07:10,564 --> 00:07:12,500
SHORT-SIGHTED MORONS!
WHAT NOW, PARIS?
162
00:07:12,566 --> 00:07:17,370
WITH GREAT DIFFICULTY WE SET UP
THIS SEMINAR. I SAY WE, BUT I
DID MOST OF THE WORK.
163
00:07:17,437 --> 00:07:19,439
MR. HUNTER WON'T LET ME
DO IT MY WAY.
164
00:07:19,507 --> 00:07:22,710
THE PANELISTS ARE THERE.
WE SIT AND ASK QUESTIONS.
WHAT'S THE PROBLEM?
165
00:07:22,776 --> 00:07:25,713
IT'S BORING AND PREDICTABLE.
I WANTED CHARLIE ROSE.
166
00:07:25,779 --> 00:07:27,548
TO ASK THE QUESTIONS?
HIS STYLE --
167
00:07:27,615 --> 00:07:29,583
I WANTED A ROUND
TABLE WITH BLACK BACKDROPS.
168
00:07:29,650 --> 00:07:31,251
THE AUDIENCE WON'T
BE ABLE TO SEE.
169
00:07:31,318 --> 00:07:35,022
THE LOSERS IN THE A-V CLUB
CAN PROJECT IT
ON A GIANT VIDEO SCREEN.
170
00:07:35,088 --> 00:07:38,792
AND ALL MR. HUNTER SAID WAS,
PARIS "THIS ISN'T THE BEATLES
AT SHEA STADIUM."
171
00:07:38,859 --> 00:07:41,962
NICE ANACHRONISM, HUH? LIKE
THEY HAD VIDEO SCREENS IN '65.
172
00:07:42,029 --> 00:07:44,031
HIS REFERENCES ARE AS TOPICAL
AS HIS SUITS.
173
00:07:44,097 --> 00:07:47,501
EVERYONE, CAN I HAVE YOUR
ATTENTION, PLEASE, WE CAN
GET THE SEMINAR STARTED.
174
00:07:47,568 --> 00:07:49,503
I'D LIKE TO BRING UP
THE ORGANIZERS.
175
00:07:49,570 --> 00:07:52,673
PARIS GELLAR
AND RORY GILMORE.
176
00:07:55,709 --> 00:07:58,278
THANK YOU, MR. HUNTER.
177
00:07:58,345 --> 00:07:59,980
EVERYBODY, THIS IS A SEMINAR
178
00:08:00,047 --> 00:08:01,649
CALLED "THE BUSINESS
OF GETTING IN."
179
00:08:01,715 --> 00:08:04,284
ITS GOAL IS TO HELP GUIDE US
THROUGH THE TORTUOUS PROCESS
180
00:08:04,351 --> 00:08:07,387
OF APPLYING TO AND GETTING INTO
THE RIGHT COLLEGE.
181
00:08:07,454 --> 00:08:09,122
MY PANELISTS ARE JIM ROMAINE,
182
00:08:09,189 --> 00:08:11,291
ADMISSIONS OFFICER
AT PRINCETON UNIVERSITY,
183
00:08:11,358 --> 00:08:14,595
AND IVY LEAGUE COLLEGE
CONSULTANT ROSE SAMUELS.
184
00:08:14,662 --> 00:08:17,831
WELCOME, PANEL.
YES, WELCOME.
185
00:08:17,898 --> 00:08:20,167
NOW, PANEL, YOU'RE ADDRESSING
A GROUP OF KIDS
186
00:08:20,233 --> 00:08:23,436
JUST BEGINNING THE STRESSFUL
PROCESS OF APPLYING TO COLLEGE.
187
00:08:23,503 --> 00:08:27,575
QUESTION -- WHAT IS THE BIGGEST
MISTAKE A PERSON CAN MAKE
188
00:08:27,641 --> 00:08:30,110
ON HIS OR HER APPLICATION?
MR. ROMAINE?
189
00:08:30,177 --> 00:08:33,847
WELL, FORGETTING TO SEND IT IN
WOULD BE THE WORST MISTAKE.
190
00:08:33,914 --> 00:08:36,283
BUT PERFUNCTORY ANSWERS
WOULD BE HIGH ON MY LIST.
191
00:08:36,349 --> 00:08:37,685
EXPLAIN.
192
00:08:37,751 --> 00:08:39,620
I'M TALKING ABOUT
RUN-OF-THE-MILL RESPONSES,
193
00:08:39,687 --> 00:08:41,054
A LACK OF ORIGINALITY,
194
00:08:41,121 --> 00:08:43,190
PARTICULARLY IN THE ESSAY
CATEGORY.
195
00:08:43,256 --> 00:08:45,693
IF I READ ONE MORE
OVER-ADULATING PIECE OF PROSE
196
00:08:45,759 --> 00:08:48,361
ABOUT HILLARY CLINTON
AND HER PROFOUND INFLUENCE,
197
00:08:48,428 --> 00:08:49,997
MY HEAD WILL EXPLODE.
198
00:08:50,063 --> 00:08:52,833
I HEAR THAT. SOMETIMES A MISTAKE
LIKE THAT COMES FROM WRITING
199
00:08:52,900 --> 00:08:55,335
WHAT ONE THINKS AN ADMISSION
OFFICER WANTS TO READ,
200
00:08:55,402 --> 00:08:56,937
BIG MISTAKE.
AND SOMETIMES
201
00:08:57,004 --> 00:08:59,372
IT'S LACK
OF ORIGINAL THOUGHT.
JUST AS BIG A MISTAKE.
202
00:08:59,439 --> 00:09:03,744
PERSONAL ANECDOTE.
WHEN I WAS 12 AND I WAS WRITING
THE FIRST OF MY TRIAL ESSAYS
203
00:09:03,811 --> 00:09:05,779
IN PRACTICE FOR
THE DAY I REALLY WOULD.
204
00:09:05,846 --> 00:09:07,547
I CHOSE HILLARY CLINTON.
205
00:09:07,615 --> 00:09:11,018
THEN I REALIZED,
EVERY BINT IN A SKIRT
WOULD BE WRITING ABOUT HILLARY,
206
00:09:11,084 --> 00:09:12,653
IT'S GOOD
TO CLEAR THE PIPES.
207
00:09:12,720 --> 00:09:14,622
NOW, WHAT ARE SOME OTHER
MISTAKES?
208
00:09:14,688 --> 00:09:18,992
WELL, SMALL THING, BUT IF YOUR
PRINTING IS BAD, THAT
SAYS SOMETHING WE DON'T LIKE.
209
00:09:19,059 --> 00:09:21,161
IF YOUR EXTRACURRICULARS
AND VOLUNTEER ACTIVITIES
210
00:09:21,228 --> 00:09:23,997
ARE TOO "BY THE BOOK," THAT
SAYS SOMETHING WE DON'T LIKE.
211
00:09:24,064 --> 00:09:27,768
YES, THOSE ACTIVITIES SHOULD
HAVE A PERSONALITY BEHIND THEM,
212
00:09:27,835 --> 00:09:30,170
A FOCUS, A DIRECTION.
I'VE SEEN APPLICATIONS
213
00:09:30,237 --> 00:09:32,572
WHERE THE STUDENT HAS CIRCLED
EVERY ACTIVITY LISTED.
214
00:09:32,640 --> 00:09:34,507
AGAIN, YOU'RE TRYING
TOO HARD THERE.
215
00:09:34,574 --> 00:09:36,343
ONE CAN'T BE INTERESTED
IN EVERYTHING.
216
00:09:36,409 --> 00:09:38,411
THEY'RE THE ONES WHO'VE HAD
COLLEGE PARAPHERNALIA
217
00:09:38,478 --> 00:09:39,880
ON THEIR WALLS
THEIR WHOLE LIVES.
218
00:09:39,947 --> 00:09:42,282
TOO HUNGRY.
IT'S A LITTLE IMMATURE.
219
00:09:42,349 --> 00:09:44,918
INTERESTING. INTERESTING.
220
00:09:44,985 --> 00:09:47,688
RORY, DO YOU WANT TO ASK
A QUESTION?
221
00:09:47,755 --> 00:09:49,690
NO.
WHAT?
222
00:09:49,757 --> 00:09:51,324
NO. THANK YOU.
223
00:09:51,391 --> 00:09:52,826
OKAY.
224
00:09:52,893 --> 00:09:56,163
SO, HOW EARLY SHOULD A STUDENT
GET AN APPLICATION IN?
225
00:09:56,229 --> 00:09:58,632
BY THE DUE DATE.
EARLIER MAKES NO DIFFERENCE.
226
00:09:58,699 --> 00:10:02,235
IT'S A MYTH THAT THERE'S
A BENEFIT TO BE DERIVED
FROM EARLY ADMISSION.
227
00:10:02,302 --> 00:10:05,138
I DO THINK IT'S IMPORTANT TO
TALK ABOUT THE INTERVIEW PROCESS
228
00:10:05,205 --> 00:10:08,642
I BELIEVE IS AN OPPORTUNITY
TO WEED OUT
THE HYPER-INTENSE CANDIDATE.
229
00:10:08,709 --> 00:10:12,379
SHE'S MEETING YOU HERE?
SHE HAD A THING AFTER
SCHOOL, RUMBLE OR SOMETHING.
230
00:10:12,445 --> 00:10:13,814
SHE'D BE OVER AFTER.
A RUMBLE?
231
00:10:13,881 --> 00:10:15,448
A BUNCH OF KIDS
IN AN ALLEY,
232
00:10:15,515 --> 00:10:17,918
THEY PIROUETTE, THEY PULL
KNIVES -- IT'S A WHOLE TO-DO.
233
00:10:17,985 --> 00:10:20,888
SO, SHE'S MEETING YOU HERE.
YES, SHE'S MEETING US HERE.
234
00:10:20,954 --> 00:10:23,791
WHERE'S DAD?
THE MAGAZINES!
235
00:10:23,857 --> 00:10:26,727
THAT WAS...WEIRD
AND UNRESPONSIVE.
236
00:10:26,794 --> 00:10:29,562
THESE ARE COLLEGE ISSUES
OF VARIOUS MAGAZINES.
237
00:10:29,629 --> 00:10:31,398
I'VE BEEN COLLECTING THEM
FOR MONTHS NOW.
238
00:10:31,464 --> 00:10:33,633
RORY'S PROBABLY SEEN
ALL THOSE, BUT THANKS ANYWAY.
239
00:10:33,701 --> 00:10:35,135
HAVE YOU READ THESE?
NO.
240
00:10:35,202 --> 00:10:38,471
WELL, YOU SHOULD. I'VE UNEARTHED
SOME SHOCKING STATISTICS.
241
00:10:38,538 --> 00:10:42,642
I MEAN, DO YOU HAVE ANY IDEA
HOW HOT THE COMPETITION IS
TO GET INTO HARVARD?
242
00:10:42,710 --> 00:10:46,313
WELL, YEAH, IT'S VERY HOT.
IT'S ONE OF THE TOP
SCHOOLS IN THE COUNTRY.
243
00:10:46,379 --> 00:10:49,883
IN THE WORLD! PEOPLE FROM CHINA,
RUSSIA, INDIA --
244
00:10:49,950 --> 00:10:52,019
CHILDREN FROM EVERY COUNTRY
APPLY TO HARVARD.
245
00:10:52,085 --> 00:10:53,754
THERE'S MORE COMPETITION
THAN EVER BEFORE.
246
00:10:53,821 --> 00:10:55,723
REALLY?
MOM, I KNOW ALL THIS.
247
00:10:55,789 --> 00:10:58,358
WITH THE DOT-COM BUST AND
THE JOB MARKET DWINDLING,
248
00:10:58,425 --> 00:11:01,194
AND THE STOCK MARKET GOING UP
AND DOWN LIKE A YO-YO,
249
00:11:01,261 --> 00:11:03,296
EVERYONE KNOWS THE BEST CHANCE
FOR SUCCESS
250
00:11:03,363 --> 00:11:05,565
AND FINANCIAL SECURITY
IS NOT JUST ATTENDING COLLEGE,
251
00:11:05,632 --> 00:11:07,267
BUT TO GO TO A TOP COLLEGE.
252
00:11:07,334 --> 00:11:09,102
THANK YOU. GOT IT.
APPRECIATE THE INFO.
253
00:11:09,169 --> 00:11:11,939
EVERY CHILD THAT APPLIES HAS THE
SAME HIGH GRADE-POINT AVERAGE.
254
00:11:12,005 --> 00:11:15,809
THEY'VE TAKEN THE SAME A.P.
CLASSES AND THEY'RE ALL
ON THE STUDENT COUNCIL.
255
00:11:15,876 --> 00:11:17,110
THEY'RE NOT ALL
THAT IDENTICAL.
256
00:11:17,177 --> 00:11:18,946
ONE COLLEGE ADMISSIONS
OFFICER SAID
257
00:11:19,012 --> 00:11:21,014
THAT HE SOMETIMES PUTS A RANDOM
STACK OF APPLICATIONS
258
00:11:21,081 --> 00:11:25,685
IN THE "YES" PILE AND THE REST
IN THE "NO" PILE BECAUSE IT
DOESN'T MAKE ANY DIFFERENCE.
259
00:11:25,753 --> 00:11:27,320
HE DOESN'T EVEN GLANCE AT THEM.
260
00:11:27,387 --> 00:11:28,989
THAT DOES NOT SOUND REAL.
261
00:11:29,056 --> 00:11:32,893
NOW, IT'S THE IN THING
FOR YOUNG HOLLYWOOD CELEBRITIES
TO GO TO UNIVERSITIES.
262
00:11:32,960 --> 00:11:34,928
WHAT DO THEY CALL THEMSELVES --
"THE BRAT PACK"?
263
00:11:34,995 --> 00:11:36,496
OH, ABOUT A HUNDRED YEARS AGO.
264
00:11:36,563 --> 00:11:39,466
THEY GET INTO WHEREVER THEY WANT
BASED ON NAME RECOGNITION.
265
00:11:39,532 --> 00:11:42,135
I WAS WATCHING TV, AND THAT
INSIPID KATE HUDSON
266
00:11:42,202 --> 00:11:43,971
WAS TALKING ABOUT GOING
TO A UNIVERSITY.
267
00:11:44,037 --> 00:11:47,440
IF SHE DECIDES TO GO TO HARVARD,
SHE'LL GET RIGHT IN OVER RORY,
268
00:11:47,507 --> 00:11:48,942
WHO WE KNOW IS MORE QUALIFIED.
269
00:11:49,009 --> 00:11:51,812
HOW ABOUT A DRINK?
YOU WANT TO DRINK? 'CAUSE I DO.
270
00:11:51,879 --> 00:11:53,847
LORELAI, HOLD ON! WHAT
ARE WE GOING TO DO?
271
00:11:53,914 --> 00:11:57,350
MOM, THERE IS NO "WE,".
IT'S ME -- ME AND RORY --
THAT'S THE "WE."
272
00:11:57,417 --> 00:12:00,353
I APPRECIATE YOUR CONCERN AND
YOUR PRODIGIOUS RESEARCH,
273
00:12:00,420 --> 00:12:03,723
BUT IT'S ALL GONNA BE FINE.
RORY'S SPECIAL.
274
00:12:03,791 --> 00:12:05,292
YOU AND I KNOW THAT,
275
00:12:05,358 --> 00:12:08,295
BUT THOSE IDIOTS AT HARVARD
MAY NOT NECESSARILY KNOW THAT.
276
00:12:08,361 --> 00:12:09,362
Rory: HELLO?
277
00:12:09,429 --> 00:12:10,964
WE'RE IN HER AND HURRY.
278
00:12:11,031 --> 00:12:12,933
HI, GRANDMA.
HELLO, RORY.
YOU LOOK FLUSHED.
279
00:12:13,000 --> 00:12:18,005
I RAN FROM THE BUS STOP.
MOM, HEY, I'VE BEEN TRYING TO
CALL YOU. CAN I TALK TO YOU?
280
00:12:18,071 --> 00:12:20,941
IS SOMETHING WRONG?
NO, I JUST NEED TO TALK TO MOM.
281
00:12:21,008 --> 00:12:23,643
WE'LL BE QUICK.
WE'LL BE BACK.
282
00:12:23,710 --> 00:12:25,678
I'M NOT GETTING
INTO HARVARD.
WHAT? WHO SAYS?
283
00:12:25,745 --> 00:12:28,381
WELL, I'M COMPLETELY UNPREPARED,
AND I HAVE NO ORIGINAL THOUGHTS.
284
00:12:28,448 --> 00:12:31,418
NO. IT'S NOT YOUR FAULT.
IT'S THOSE JERKS AT HARVARD.
285
00:12:31,484 --> 00:12:32,853
I HATE THEM.
WHAT?
286
00:12:32,920 --> 00:12:34,687
APPARENTLY IT DOESN'T
MATTER HOW QUALIFIED YOU ARE.
287
00:12:34,754 --> 00:12:37,657
THOSE LAZY-ASS ADMISSIONS
OFFICERS JUST TAKE APPLICATIONS
288
00:12:37,724 --> 00:12:40,928
STICKING IT IN "YES"
AND "NO" PILES WITHOUT EVEN
GLANCING AT THEM!
289
00:12:40,994 --> 00:12:43,230
IT WON'T MATTER BECAUSE
MY HILLARY CLINTON ESSAY
290
00:12:43,296 --> 00:12:45,198
WILL BE LIKE EVERY OTHER
GIRL'S ESSAY
291
00:12:45,265 --> 00:12:47,935
BECAUSE APPARENTLY THAT'S ALL
WE CAN THINK OF.
292
00:12:48,001 --> 00:12:51,004
DOES EVERYONE HAVE THE SAME
G.P.A? HOW IS THAT POSSIBLE?
293
00:12:51,071 --> 00:12:52,973
BECAUSE WE ALL TAKE
THE SAME CLASSES
294
00:12:53,040 --> 00:12:55,408
AND WE ALL GIVE THE SAME
PERFUNCTORY RUN-OF-THE-MILL
RESPONSES.
295
00:12:55,475 --> 00:12:58,245
I'M INTERESTED IN TOO MANY
THINGS. I HAVE TO LIMIT THEM.
296
00:12:58,311 --> 00:13:00,280
I'M GONNA CIRCLE "TRAVEL"
ON MY APPLICATION.
297
00:13:00,347 --> 00:13:03,550
THAT IS WHAT
I'M INTERESTED IN. CIAO.
NO, DON'T DO THAT, NO.
298
00:13:03,616 --> 00:13:05,718
BECAUSE THOSE PEOPLE COMING
FROM CHINA AND INDIA --
299
00:13:05,785 --> 00:13:08,421
GOD KNOWS WHERE ELSE.
THEY'RE ALL NUTS FOR TRAVELING.
300
00:13:08,488 --> 00:13:09,589
THAT'S WHY THEY'RE HERE.
301
00:13:09,656 --> 00:13:11,658
AND JOBS ARE DROPPING
AND DOT-COM BOMBING.
302
00:13:11,724 --> 00:13:14,294
SOMETHING'S ACTING LIKE
A YO-YO, BUT IT'S NOT GOOD --
303
00:13:14,361 --> 00:13:17,464
AND OVER MY DEAD BODY IS
KATE HUDSON GETTING YOUR SPOT.
304
00:13:17,530 --> 00:13:19,699
MOM, YOU'RE FREAKING OUT!
YES! I'M FREAKING OUT.
305
00:13:19,766 --> 00:13:21,001
YOU CAN'T,
I'M FREAKING OUT.
306
00:13:21,068 --> 00:13:23,736
[CELLPHONE RINGS]
HELLO?
307
00:13:23,803 --> 00:13:27,407
WHAT DID ROMAINE MEAN
WHEN HE WAS GOING ON ABOUT
WEEDING OUT THE HYPER-INTENSE?
308
00:13:27,474 --> 00:13:29,442
HE STOPPED SHORT
OF CALLING ME BY NAME.
309
00:13:29,509 --> 00:13:32,079
NOT NOW, PARIS.
I TRIED THROWING
THE QUESTIONING TO YOU
310
00:13:32,145 --> 00:13:35,148
BECAUSE I WAS ABOUT TO HEAVE
SO, I CAME HOME TO HEAVE.
311
00:13:35,215 --> 00:13:36,749
WE'LL TALK
TOMORROW, PARIS.
WAIT!
312
00:13:36,816 --> 00:13:38,418
OKAY, WE GOTTA
CALM DOWN HERE.
313
00:13:38,485 --> 00:13:40,787
SO, SET AN EXAMPLE.
HEY, I'M HUMAN TOO.
314
00:13:40,854 --> 00:13:42,155
MY FOREHEAD IS
BURNING UP.
315
00:13:42,222 --> 00:13:43,891
MY HEART IS BEATING SO FAST.
316
00:13:43,957 --> 00:13:45,893
OKAY, LET'S TAKE A BREATH.
317
00:13:45,959 --> 00:13:46,894
OKAY. [ INHALES ]
318
00:13:46,960 --> 00:13:48,295
[ EXHALES ]
319
00:13:48,361 --> 00:13:50,497
THIS FREAKING OUT
IS NOT GOOD.
IT SUCKS.
320
00:13:50,563 --> 00:13:53,066
WE CAN DO THIS.
IF OTHERS CAN, WE CAN!
321
00:13:53,133 --> 00:13:55,202
I'M NOT SO SURE ANYMORE.
THAT IS UNACCEPTABLE.
322
00:13:55,268 --> 00:13:57,304
I WON'T ACCEPT IT.
THEN WE WON'T!
323
00:13:57,370 --> 00:13:59,139
WHAT DO WE DO?
I DON'T KNOW!
324
00:13:59,206 --> 00:14:00,974
WE DEFINITELY NEED
SOME SORT OF PERSPECTIVE.
325
00:14:01,041 --> 00:14:03,043
I THINK WE NEED THERAPY.
AND BOOZE...
326
00:14:03,110 --> 00:14:05,278
FOR THOSE OF US OVER 21.
327
00:14:05,345 --> 00:14:08,448
OKAY, ARE WE CALMING?
ARE WE LESS FREAKED?
328
00:14:08,515 --> 00:14:09,382
I'M TOTALLY FREAKED OUT.
329
00:14:09,449 --> 00:14:11,218
WE'LL, HIDE IT!
I CAN'T HIDE IT!
330
00:14:11,284 --> 00:14:13,086
THEN PREPARE YOURSELF
FOR MAGAZINE RECITATIONS
331
00:14:13,153 --> 00:14:15,722
BY EMILY DJ-DO
MEISTER GILMORE.
332
00:14:15,788 --> 00:14:17,390
I'LL HIDE IT.
333
00:14:22,595 --> 00:14:23,931
[PHONE RINGING]
334
00:14:26,866 --> 00:14:28,435
HELLO?
335
00:14:28,501 --> 00:14:31,504
NO. LANE SHOULD BE HERE ANY
MINUTE. IS THIS ABOUT THE AD?
336
00:14:31,571 --> 00:14:35,042
WELL, GIVE ME YOUR NUMBER
AND SHE'LL CALL YOU BACK.
337
00:14:35,108 --> 00:14:36,443
OKAY, THEN, WHAT'S THE NUMBER
338
00:14:36,509 --> 00:14:39,112
OF THE DUDE
WHOSE COUCH YOU'RE SLEEPING ON?
339
00:14:39,179 --> 00:14:41,081
OH, DUDE DOESN'T HAVE A PHONE?
340
00:14:41,148 --> 00:14:43,350
WELL, TRY BACK LATER, DUDE.
THANKS.
341
00:14:43,416 --> 00:14:45,585
RORY, ARE YOU UP?
IF NOT, GET UP!
342
00:14:45,652 --> 00:14:48,255
AND WHERE'S LANE? SHE'S SUPPOSED
TO BE FIELDING THESE.
343
00:14:48,321 --> 00:14:51,658
HELLO? NO, SHE'S NOT.
MAY I TAKE A MESSAGE?
344
00:14:51,724 --> 00:14:53,560
WAIT A MINUTE.
SHE'S HERE.
345
00:14:53,626 --> 00:14:54,995
SORRY.
346
00:14:55,062 --> 00:14:56,663
THIS IS LANE.
347
00:14:56,729 --> 00:14:57,998
HEY!
HEY.
348
00:14:58,065 --> 00:14:59,166
OH, WHAT'S UP?
349
00:14:59,232 --> 00:15:00,833
I DIDN'T SLEEP SO WELL.
350
00:15:00,900 --> 00:15:02,002
POOR THING.
351
00:15:02,069 --> 00:15:03,670
I'M FINE.
I'M JUST A LITTLE BUMMED.
352
00:15:03,736 --> 00:15:06,839
NO. WAIT, PROGRESSIVE ROCK IS A
REALLY PASSE STYLE NOW,
353
00:15:06,906 --> 00:15:10,110
BUT I LISTED IT AS AN INFLUENCE
BECAUSE IT WAS A PROGENITOR
354
00:15:10,177 --> 00:15:11,578
OF GREAT THINGS THAT CAME
AFTERWARDS.
355
00:15:11,644 --> 00:15:13,813
I CONTEND THAT YOU COULD
DRAW A STRAIGHT LINE
356
00:15:13,880 --> 00:15:19,052
FROM YES TO JETHRO TULL TO THE
JAM TO NIRVANA. BING BANG BOOM.
357
00:15:19,119 --> 00:15:20,988
"WHO ARE THE JAM?"
358
00:15:21,054 --> 00:15:23,356
THAT'S DISTURBING.
359
00:15:23,423 --> 00:15:25,392
HEY, MAYBE INSTEAD OF
GOING TO COLLEGE,
360
00:15:25,458 --> 00:15:27,627
YOU SHOULD DROP OUT,
AND I'LL QUIT MY JOB,
361
00:15:27,694 --> 00:15:31,098
WE COULD FORM
A GIRL BAND WITH LANE --
YOU KNOW, LIKE BANANARAMA?
362
00:15:31,164 --> 00:15:33,333
WE COULD CALL IT...
TANGERINARAMA
363
00:15:33,400 --> 00:15:37,504
OR BANANA-FANA-FO-FANA-RAMA
OR SOMETHING.
364
00:15:37,570 --> 00:15:39,739
I'M JUST KIDDING.
YOU GOTTA GO TO COLLEGE.
365
00:15:39,806 --> 00:15:41,741
I'M UP FOR ANYTHING
AT THIS POINT.
366
00:15:41,808 --> 00:15:43,376
I GOTTA GO.
I'LL SEE YOU LATER.
367
00:15:43,443 --> 00:15:45,345
FEEL BETTER, OKAY?
I WILL.
368
00:15:45,412 --> 00:15:48,148
YOU ARE NOT TELLING ME THAT YOU
DID NOT KNOW
369
00:15:48,215 --> 00:15:51,018
THAT KIM DEAL WAS IN THE PIXIES
BEFORE THE BREEDERS!
370
00:15:51,084 --> 00:15:53,386
I REFUSE TO ACCEPT THAT.
371
00:15:53,453 --> 00:15:56,156
THESE KIDS HAVE NO SENSE
OF HISTORY!
372
00:15:58,058 --> 00:15:59,692
HEY, TOM, WHAT'S UP?
NOTHING MUCH.
373
00:15:59,759 --> 00:16:02,129
GET ME A HAM ON
RYE, MUSTARD, NO MAYO.
374
00:16:02,195 --> 00:16:04,097
YOU GOT IT.
HI.
375
00:16:04,164 --> 00:16:05,332
YOU GOT MONEY?
YES, SIR.
376
00:16:05,398 --> 00:16:07,167
WHAT CAN I GET YOU?
LET'S SEE.
377
00:16:07,234 --> 00:16:08,335
A COLD EGG CREAM?
378
00:16:08,401 --> 00:16:10,170
A WHAT CREAM?
AN EGG CREAM.
379
00:16:10,237 --> 00:16:11,604
WHAT IS THAT?
A COLD ONE.
380
00:16:11,671 --> 00:16:13,806
IT'S MILK AND SODA WATER
WITH FLAVORING.
381
00:16:13,873 --> 00:16:15,242
YOU'RE ASKING ME?
NICE AND COLD.
382
00:16:15,308 --> 00:16:17,277
I HEARD.
WE'D GET 'EM
AT CONEY ISLAND.
383
00:16:17,344 --> 00:16:19,012
GO TO CONEY ISLAND.
384
00:16:19,079 --> 00:16:20,313
SIR, CAN I GET SOMETHING?
385
00:16:20,380 --> 00:16:22,149
YOU GOT MONEY?
WHAT DO YOU WANT?
386
00:16:22,215 --> 00:16:23,983
A BLACK COW.
OH, NOW. COME ON!
387
00:16:24,051 --> 00:16:25,685
IT'S ROOT BEER
AND ICE CREAM.
388
00:16:25,752 --> 00:16:27,320
IS THAT IT?
I CAN DO THAT.
389
00:16:27,387 --> 00:16:30,057
AS LONG AS THE ICE CREAM'S MADE
THE OLD-FASHIONED WAY.
390
00:16:30,123 --> 00:16:31,424
NOW, WAIT A SECOND --
391
00:16:31,491 --> 00:16:33,260
CAN YOU WHIP ME UP
SOMETHING FAST?
392
00:16:33,326 --> 00:16:35,162
WHAT, KIRK?
A CHOCOLATE PHOSPHATE.
393
00:16:35,228 --> 00:16:37,464
WHAT IS THIS?!
WHY DO YOU WANT A PHOSPHATE?
394
00:16:37,530 --> 00:16:39,632
BECAUSE NOTHING SAYS REFRESHMENT
LIKE A PHOSPHATE.
395
00:16:39,699 --> 00:16:42,302
IS TAYLOR BEHIND THIS?
I'M NOT AT LIBERTY TO SAY.
396
00:16:42,369 --> 00:16:45,372
THEN YOU TELL ME, AND IF YOU
LIE, YOU'LL GO TO HELL.
397
00:16:45,438 --> 00:16:49,409
HE DIDN'T SAY
YOU'D GET MAD.
COME ON!
398
00:16:55,582 --> 00:16:57,284
WHAT IS THIS?
THAT'S MY QUESTION.
399
00:16:57,350 --> 00:16:59,319
WHAT'S GOING ON?
I HAVE NO IDEA.
400
00:16:59,386 --> 00:17:03,390
THEY'RE ASKING FOR PHOSPHATES
AND EGG CREAMS AND BLACK COWS,
THEY ALREADY GAVE YOU UP,
401
00:17:03,456 --> 00:17:05,525
SO TELL ME WHAT'S GOING ON.
WHO FINKED?
402
00:17:05,592 --> 00:17:07,127
HIM. WELL, YOU DID.
SNITCH.
403
00:17:07,194 --> 00:17:09,196
IT'S NOT THE KID'S FAULT.
WHAT'S THIS ABOUT?
404
00:17:09,262 --> 00:17:11,864
YOU ARE SO CLOSED-MINDED
TO NEW THINGS, LUKE,
405
00:17:11,931 --> 00:17:14,367
THAT I DECIDED TO MAKE AN
ADMITTEDLY DESPERATE ATTEMPT
406
00:17:14,434 --> 00:17:16,403
TO CONVINCE YOU
OF THE NEED FOR SOMETHING
407
00:17:16,469 --> 00:17:18,538
THAT I THINK IS A
TERRIFIC IDEA --
408
00:17:18,605 --> 00:17:20,407
WHICH IS.
AN OLD-FASHIONED,
409
00:17:20,473 --> 00:17:22,442
TURN-OF-THE-CENTURY SODA SHOP.
410
00:17:22,509 --> 00:17:23,843
AY-YI-YI-YI-YI.
411
00:17:23,910 --> 00:17:26,479
IT'S JUST THE KIND OF WHOLESOME
HANG TODAY'S TEENS NEED
412
00:17:26,546 --> 00:17:28,715
TO KEEP THEM
OFF THE STREETS.
413
00:17:28,781 --> 00:17:31,184
AND OUR STREETS ARE SO WILD?
414
00:17:31,251 --> 00:17:35,021
IF YOU ASK ME, YES,
AND I HAVE PROOF.
415
00:17:35,088 --> 00:17:37,957
WHAT ARE THESE?
SURVEILLANCE PHOTOS OF TOWN
GOINGS-ON --
416
00:17:38,024 --> 00:17:41,027
THE DARK SIDE OF STARS HOLLOW,
LUKE -- NOT A PRETTY PICTURE.
417
00:17:41,094 --> 00:17:42,295
THESE ARE KIDS
ON SKATEBOARDS.
418
00:17:42,362 --> 00:17:43,663
SLALOMING AROUND POP BOTTLES
419
00:17:43,730 --> 00:17:45,898
DOWN THE MIDDLE OF THE STREET.
I'M TELLING YOU!
420
00:17:45,965 --> 00:17:48,868
IF WE DON'T QUIT FURNISHING
THESE SKATEBOARDING Z-BOYS
421
00:17:48,935 --> 00:17:50,337
WITH A MORAL DISTRACTION,
422
00:17:50,403 --> 00:17:53,005
THEY'RE GOING TO TURN STARS
HOLLOW INTO DOGTOWN!
423
00:17:53,072 --> 00:17:55,041
THIS IS NEXT TO THE DINER.
I KNOW.
424
00:17:55,108 --> 00:17:57,009
I OWN THAT SPACE.
I KNOW.
425
00:17:57,076 --> 00:18:01,148
YOU WANNA OPEN A SODA SHOP
NEXT TO THE DINER?
IT'S THE ONLY ONE APPROPRIATE.
426
00:18:01,214 --> 00:18:03,383
TAYLOR, NO, NO, NO,
AND EVERY DAY,
427
00:18:03,450 --> 00:18:05,418
FROM NOW TILL THE END
OF MY LIFE,
428
00:18:05,485 --> 00:18:07,654
I AM GOING TO COME
AND SAY, "TAYLOR, NO."
429
00:18:07,720 --> 00:18:10,523
WHEN I DIE, I'M GONNA BE
FROZEN NEXT TO TED WILLIAMS.
430
00:18:10,590 --> 00:18:13,993
WHEN THEY FIND THE CURE
TO WHAT I DIED OF
AND UNFREEZE ME,
431
00:18:14,060 --> 00:18:15,628
MY FIRST WORDS WILL BE
"HOW'S TED?"
432
00:18:15,695 --> 00:18:18,030
FOLLOWED CLOSELY BY
"TAYLOR, NO!"
433
00:18:18,097 --> 00:18:19,899
BUT THE SPACE IS EMPTY!
NOT FOR LONG!
434
00:18:19,966 --> 00:18:22,969
AND WHAT ARE YOUR PLANS FOR IT?
A SKATEBOARD
AND POP-BOTTLE SHOP.
435
00:18:23,035 --> 00:18:27,140
THAT'S NOT FUNNY.
WITH IN-HOUSE EXPERTS TO TEACH
THE CRAFT OF STREET SLALOMING.
436
00:18:27,207 --> 00:18:28,275
STILL NOT FUNNY.
437
00:18:28,341 --> 00:18:30,410
I'M NOT IN
A VERY FUNNY MOOD!
438
00:18:30,477 --> 00:18:31,811
LUKE, ARE YOU TAKING
APPLICATIONS
439
00:18:31,878 --> 00:18:34,046
FOR JOBS AT YOUR SKATEBOARD
AND BOTTLE SHOP?
440
00:18:34,113 --> 00:18:35,648
YEAH. I'M INTERVIEWING
PEOPLE TODAY, KIRK.
441
00:18:35,715 --> 00:18:38,084
SHALL I GO AND CHANGE
OR WILL CASUAL SUFFICE?
442
00:18:38,151 --> 00:18:39,319
I LIKE THE GOING-HOME PART.
443
00:18:39,386 --> 00:18:40,653
I DON'T UNDERSTAND.
444
00:18:42,989 --> 00:18:44,857
HEY.
HEY.
445
00:18:44,924 --> 00:18:47,494
GUESS WHO I HAD A VERY
PRODUCTIVE CONVERSATION
WITH TODAY --
446
00:18:47,560 --> 00:18:49,262
HEADMASTER CHARLESTON.
YOU'RE KIDDING.
447
00:18:49,329 --> 00:18:51,564
NO. I THINK WE CAME UP
WITH A SOLUTION
448
00:18:51,631 --> 00:18:52,865
TO OUR APPLICATION ANXIETY.
449
00:18:52,932 --> 00:18:54,601
WANNA HEAR IT?
I GUESS.
450
00:18:54,667 --> 00:18:57,036
WE SPENT 10 MINUTES
ON HIM BUGGING ME TO VOLUNTEER
451
00:18:57,103 --> 00:19:01,308
FOR MORE STUFF AT SCHOOL OR
TO MAKE A DONATION TO BUILD
A NEW BASKETBALL COURT
452
00:19:01,374 --> 00:19:03,042
AND THEN OF ME
CONVINCING HIM
453
00:19:03,109 --> 00:19:04,677
THAT WHAT SOUNDED
LIKE ME GOING "HAH!"
454
00:19:04,744 --> 00:19:06,646
WAS REALLY ME CLEARING
MY THROAT,
455
00:19:06,713 --> 00:19:09,015
AFTER THAT, WE HAD
A VERY PRODUCTIVE
CONVERSATION.
456
00:19:09,081 --> 00:19:10,583
AND?
457
00:19:10,650 --> 00:19:13,019
HE SUGGESTED SETTING UP A
MEETING WITH A HARVARD GRADUATE,
458
00:19:13,085 --> 00:19:16,289
LIKE A DINNER OR SOMETHING.
HE EVEN GAVE ME A PHONE NUMBER.
459
00:19:16,356 --> 00:19:18,024
AN ALUMNI DINNER?
YES, EXACTLY.
460
00:19:18,090 --> 00:19:22,061
DO THEY DO THAT?
APPARENTLY, IT'S
DONE ALL THE TIME.
461
00:19:22,128 --> 00:19:26,065
WE COULD TALK WITH SOMEONE WHO'S
BEEN THROUGH IT ALL AND DID IT
SUCCESSFULLY.
462
00:19:26,132 --> 00:19:28,501
YOU CAN ASK QUESTIONS.
HE CAN GIVE SOME PERSPECTIVE.
463
00:19:28,568 --> 00:19:30,136
IT SEEMS PERFECT.
SOUNDS WEIRD.
464
00:19:30,203 --> 00:19:32,004
A LITTLE.
I'LL GO WITH YOU,
465
00:19:32,071 --> 00:19:34,941
WHAT'S THE WORST THAT CAN
HAPPEN? WE'RE BORED
AND BLOW A MEAL,
466
00:19:35,007 --> 00:19:37,644
IF HE CAN HELP,
THEN THAT'S A GOOD THING, RIGHT?
467
00:19:37,710 --> 00:19:40,112
I DO HAVE SOME QUESTIONS --
A LOT OF QUESTIONS.
468
00:19:40,179 --> 00:19:41,348
WELL, LET'S CALL HIM.
469
00:19:41,414 --> 00:19:42,782
NOW?
YES. YES.
470
00:19:42,849 --> 00:19:45,117
THERE'S NO TIME LIKE
THE PRESENT. COME ON.
471
00:19:45,184 --> 00:19:46,986
HIS NAME IS
DARREN SPRINGSTEEN
472
00:19:47,053 --> 00:19:49,956
OF WESTPORT, CONNECTICUT,
HARVARD CLASS OF '74.
473
00:19:50,022 --> 00:19:53,626
DOES HE HAVE
A BROTHER NAMED BRUCE.
I'M NOT GONNA ASK HIM THAT.
474
00:19:55,328 --> 00:19:57,464
IT'S RINGING.
[GIGGLES]
475
00:19:57,530 --> 00:20:00,099
WHY'D YOU HANG UP?
I'M NOT GOOD AT
THESE THINGS!
476
00:20:00,166 --> 00:20:01,701
DID HE ANSWER?
YES.
477
00:20:01,768 --> 00:20:04,304
YES?! RORY, THAT'S A REALLY
TERRIBLE FIRST IMPRESSION!
478
00:20:04,371 --> 00:20:05,338
[PHONE RINGING]
479
00:20:05,405 --> 00:20:06,439
UH-OH.
HIM?
480
00:20:06,506 --> 00:20:08,040
MAYBE.
HE STAR-69'd US?
481
00:20:08,107 --> 00:20:10,477
THE HARVARD PEOPLE CAN AFFORD
ALL THE LATEST TECHNOLOGY.
482
00:20:10,543 --> 00:20:12,545
[ BEEP ]
ANSWER.
483
00:20:12,612 --> 00:20:15,682
YOU'VE REACHED SUFFRAGETTE
CITY. IF YOU'RE CALLING ABOUT
LANE KIM'S AD,
484
00:20:15,748 --> 00:20:18,117
SORRY, WE'RE NOT IN. DON'T
COMMIT ROCK AND ROLL SUICIDE,
485
00:20:18,184 --> 00:20:20,787
JUST CRANK A MESSAGE
AT THE FEEDBACK.
OH, JEEZ.
486
00:20:20,853 --> 00:20:23,556
IF HE IS RELATED TO BRUCE,
HE COULD DIG IT.
487
00:20:23,623 --> 00:20:25,792
Hey, I'm Dave Rygalski.
I'm calling about the ad.
488
00:20:25,858 --> 00:20:30,430
I left my number before. So,
call when you get a chance. Bye.
489
00:20:30,497 --> 00:20:31,531
LET'S TRY THIS AGAIN.
490
00:20:31,598 --> 00:20:32,965
CAN WE
DO THIS LATER?
491
00:20:33,032 --> 00:20:35,201
NO, LET'S GET IT DONE NOW.
492
00:20:35,268 --> 00:20:36,469
IT'S RINGING.
493
00:20:36,536 --> 00:20:38,338
LET'S DO IT LATER.
IT'S RINGING!
494
00:20:38,405 --> 00:20:40,973
I'M GONNA SAY THE WRONG THING
OR HAVE THE WRONG TONE.
495
00:20:41,040 --> 00:20:43,209
I'M NOT IN GOOD FIRST-IMPRESSION
MODE RIGHT NOW.
496
00:20:43,276 --> 00:20:46,413
MA--
HELLO.
497
00:20:46,479 --> 00:20:48,247
[ High-pitched voice ]
HELLO, THIS IS RORY GILMORE.
498
00:20:48,315 --> 00:20:50,082
I BELIEVE YOU WERE EXPECTING
MY CALL.
499
00:20:50,149 --> 00:20:54,854
UM, WELL, THIS IS SUCH A
WONDERFUL OPPORTUNITY FOR ME.
500
00:20:54,921 --> 00:20:56,188
WHATEVER'S GOOD FOR YOU.
501
00:20:56,255 --> 00:20:57,657
NOT SO BREATHY.
502
00:20:57,724 --> 00:20:59,526
[ Normal voice ]
THAT'S HOW CHICKENS TALK!
503
00:20:59,592 --> 00:21:01,461
[ High-pitched voice ]
LUNCH? OH, YES.
504
00:21:01,528 --> 00:21:03,896
LET ME JUST CHECK
MY ORGANIZER.
505
00:21:03,963 --> 00:21:06,499
OH, PERFECT.
MY MOTHER WILL BE THERE, TOO.
506
00:21:06,566 --> 00:21:07,934
SHE'S TERRIFIC.
507
00:21:08,000 --> 00:21:10,603
ALRIGHT, I'LL SEE YOU
THIS WEEKEND.
508
00:21:10,670 --> 00:21:11,738
BYE.
509
00:21:11,804 --> 00:21:13,973
YOU'RE NO DANNY GANS.
I NEVER CLAIMED TO BE.
510
00:21:14,040 --> 00:21:17,276
HE'S GOING TO BE EXPECTING
CHILTON HIGH SCHOOL SENIOR
TRIXIE McBIMBO.
511
00:21:17,344 --> 00:21:18,511
AND HER MOTHER,
BAMBI McBIMBO.
512
00:21:18,578 --> 00:21:19,946
I GUESS
IT CAN'T HURT.
513
00:21:20,012 --> 00:21:21,814
IT CAN ONLY HELP.
OKAY.
514
00:21:21,881 --> 00:21:26,285
IF IT'S A BUST, WE'LL GRAB
A POLE AND TRIXIE AND BAMBI'LL
TAKE IT ON THE ROAD.
515
00:21:26,353 --> 00:21:28,120
THAT'S SOMETHING TO PUT
ON YOUR APPLICATION.
516
00:21:28,187 --> 00:21:29,356
THANKS, MOM.
517
00:21:29,422 --> 00:21:31,358
[ High-pitched voice ]
BYE, TRIXIE.
518
00:21:33,993 --> 00:21:37,597
SO, ALUMNA IS A GIRL GRADUATE
AND ALUMNUS IS A MAN.
519
00:21:37,664 --> 00:21:39,399
SINGULAR.
SO, AN UNMARRIED MAN?
520
00:21:39,466 --> 00:21:40,533
NO, NOT NOT MARRIED.
521
00:21:40,600 --> 00:21:41,968
HE CAN BE MARRIED
OR SINGLE.
522
00:21:42,034 --> 00:21:44,404
ALL ALUMNUS MEANS IS
ONE MAN, SINGULAR
523
00:21:44,471 --> 00:21:45,838
AS OPPOSED TO
MANY MEN, PLURAL.
524
00:21:45,905 --> 00:21:47,273
AND PLURAL IS ALUMNI.
RIGHT.
525
00:21:47,340 --> 00:21:48,708
THAT CAN BE
GIRLS AND GUYS.
526
00:21:48,775 --> 00:21:50,843
KINKY.
NOT KINKY,
JUST WHAT IT IS.
527
00:21:50,910 --> 00:21:52,679
YOU'RE NO FUN
WHEN YOU'RE NERVOUS.
528
00:21:52,745 --> 00:21:54,914
YES, BECAUSE WE HAVE
SO MUCH FUN WITH LATIN.
529
00:21:54,981 --> 00:21:56,816
DO WE CALL THIS GUY,
"ALUMNUS DARREN" --
530
00:21:56,883 --> 00:21:59,452
LIKE YOU'D SAY
"FARMER JOHN" OR
"THE BUTCHER LAZAR WOLF"?
531
00:21:59,519 --> 00:22:00,920
ISHKABIBBLE.
532
00:22:02,121 --> 00:22:03,890
HELLO THERE.
HELLO, I'M LORELAI GILMORE.
533
00:22:03,956 --> 00:22:05,525
DARREN SPRINGSTEEN.
NICE TO MEET YOU.
534
00:22:05,592 --> 00:22:07,760
AND THIS MUST BE
THE REASON WE'RE ALL HERE.
535
00:22:07,827 --> 00:22:09,829
HELLO.
I HOPE WE'RE NOT
PUTTING YOU OUT.
536
00:22:09,896 --> 00:22:12,465
PUTTING US OUT? TODAY YOU ARE
THE SPRINGSTEEN FAMILY'S
537
00:22:12,532 --> 00:22:14,367
RAISON D'ETRE.
COME IN. COME IN.
538
00:22:15,602 --> 00:22:17,203
WAS YOUR DRIVE LONG?
NOT TOO.
539
00:22:17,269 --> 00:22:20,540
STARS HOLLOW IS CHARMING.
THE LAST TIME
WE DROVE THROUGH THERE,
540
00:22:20,607 --> 00:22:22,375
THERE WAS
A PUMPKIN PATCH...
SOUNDS LIKE US.
541
00:22:22,442 --> 00:22:25,412
...IN MARCH.
THAT WOULD BE THE YEAR
THE PUMPKINS ARRIVED LATE.
542
00:22:25,478 --> 00:22:26,846
SOUNDS LIKE
A DR. SEUSS BOOK.
543
00:22:26,913 --> 00:22:28,481
YOU CAME BEARING GIFTS?
WHAT?
544
00:22:28,548 --> 00:22:31,518
OH, THIS.
NO, THIS IS NOT A GIFT.
545
00:22:31,584 --> 00:22:33,953
THESE ARE MY RECORDS --
GRADES, S.A.T.s.
546
00:22:34,020 --> 00:22:35,054
IT'S RORY IN A BAG.
547
00:22:35,121 --> 00:22:37,089
YOU ADD WATER, AND HER
BRILLIANCE SPRINGS OUT.
548
00:22:37,156 --> 00:22:39,526
WHY DON'T I JUST GLANCE AT THIS
SOME OTHER TIME?
549
00:22:39,592 --> 00:22:43,396
THIS AFTERNOON, WHY DON'T
WE JUST TALK AND GET
TO KNOW ONE ANOTHER, OKAY?
550
00:22:43,463 --> 00:22:44,897
YOU'RE A VERY NICE
ALUMNI.
551
00:22:44,964 --> 00:22:46,265
THANKS.
552
00:22:46,332 --> 00:22:48,034
THAT'S THE PLURAL.
OH, RATS!
553
00:22:48,100 --> 00:22:49,368
LORELAI, RORY,
554
00:22:49,436 --> 00:22:50,837
SAY HELLO TO MARIE,
MY WIFE.
555
00:22:50,903 --> 00:22:53,205
HELLO. SO GOOD
TO HAVE YOU HERE.
556
00:22:53,272 --> 00:22:54,474
HI.
THANK YOU.
557
00:22:54,541 --> 00:22:56,476
HOW ABOUT DRINKS --
ICED TEA, WATER?
558
00:22:56,543 --> 00:22:58,578
ICED TEA'S GOOD.
SAME HERE.
559
00:22:58,645 --> 00:23:00,346
YOU LIKE ART, RORY?
VERY MUCH.
560
00:23:00,413 --> 00:23:02,449
MODERN PAINTING
IS MY PASSION.
561
00:23:02,515 --> 00:23:04,250
I'VE GOT A HOCKNEY,
A KLINE.
562
00:23:04,316 --> 00:23:05,918
WHAT I DON'T HAVE IS
A DIEBENKORN,
563
00:23:05,985 --> 00:23:07,787
SO PLEASE DON'T ASK,
"WHERE'S THE DIEBENKORN?"
564
00:23:07,854 --> 00:23:09,656
OH, YOU WARNED ME
JUST IN TIME!
565
00:23:09,722 --> 00:23:11,558
ONLY RECENTLY GOT
INTO SCULPTURE.
566
00:23:11,624 --> 00:23:14,561
MY LATEST ACQUISITION,
IT'S A ZOLTAN KEMENY --
567
00:23:14,627 --> 00:23:15,828
VERY PROVOCATIVE.
568
00:23:15,895 --> 00:23:17,630
DON'T YOU JUST LOVE
ITS AUDACITY?
569
00:23:17,697 --> 00:23:19,065
YES, IT'S VERY
AUDACIOUS.
570
00:23:19,131 --> 00:23:21,568
SO WHAT ARE SOME OF
YOUR OTHER INTERESTS, RORY?
571
00:23:21,634 --> 00:23:23,836
OH, WELL, PULL UP
A COMFY CHAIR THERE, DARREN,
572
00:23:23,903 --> 00:23:25,905
BECAUSE THEY ARE
WIDESPREAD AND EXTENSIVE.
573
00:23:25,972 --> 00:23:28,240
I READ A LOT.
I'M INTO THE RUSSIANS LATELY.
574
00:23:28,307 --> 00:23:31,343
TOLSTOY? TURGENEV?
GOGOL'S MY THING RIGHT NOW.
"DEAD SOULS."
575
00:23:31,410 --> 00:23:32,912
ONE OF MY FAVORITES.
576
00:23:32,979 --> 00:23:35,882
WEREN'T YOU READING THAT WHEN WE
GOT YOUR HARVARD APPLICATION?
577
00:23:35,948 --> 00:23:37,484
YES. YES, I WAS.
578
00:23:37,550 --> 00:23:40,487
I SAW THAT HARVARD LOGO
ON THE ENVELOPE, AND I SAID,
579
00:23:40,553 --> 00:23:43,756
"RORY, GET YOUR NOSE OUT OF
YOUR GOGOL AND GET OVER HERE!"
580
00:23:43,823 --> 00:23:46,593
WE HAVE A TV SOMEWHERE,
BUT IT'S MORE OF A TABLE
581
00:23:46,659 --> 00:23:49,662
TO PUT A CUP OF CHAI TEA ON.
YOU KNOW WHAT I MEAN?
582
00:23:49,729 --> 00:23:53,533
I WATCH WAY TOO MANY SPORTS,
AND I GO TO
ALL THE HARVARD GAMES.
583
00:23:53,600 --> 00:23:55,635
DO YOU LIKE SPORTS?
NO. YES.
584
00:23:55,702 --> 00:23:57,704
THAT IS, WE FOLLOW
CERTAIN THINGS.
585
00:23:57,770 --> 00:24:01,574
WE ENJOY VARIOUS ASPECTS
OF CERTAIN SPORTING ENDEAVORS.
586
00:24:01,641 --> 00:24:03,009
BUT IT WOULDN'T BE THE KIND
587
00:24:03,075 --> 00:24:05,244
THAT YOU COULD ASK
ANY FOLLOW-UP QUESTIONS ON.
588
00:24:05,311 --> 00:24:06,813
IT'S A GENERAL INTEREST.
589
00:24:06,879 --> 00:24:09,048
GOT IT. IT'S PRETTY MUCH
A WASTE OF TIME,
590
00:24:09,115 --> 00:24:11,684
BUT IT'S HOW I WASTE MY TIME.
I COLLECT MEMORABILIA, TOO.
591
00:24:11,751 --> 00:24:14,854
I'VE GOT EACH YEAR'S
HARVARD TEAM PENNANT
GOING BACK TO 1927.
592
00:24:14,921 --> 00:24:16,889
LOTS OF DISPLAYED
HARVARD PARAPHERNALIA, HUH?
593
00:24:16,956 --> 00:24:19,158
IT'S ALL OVER THE WALLS
AT THE REC ROOM.
594
00:24:19,225 --> 00:24:21,494
SEE, SEE. LOTS OF PARAPHERNALIA.
WATCH THE RIBS.
595
00:24:21,561 --> 00:24:22,862
AH, HERE ARE THE KIDS.
596
00:24:22,929 --> 00:24:24,797
JACK, JENNIFER,
THIS IS LORELAI AND RORY.
597
00:24:24,864 --> 00:24:26,633
HI, THERE.
IT'S NICE TO MEET YOU.
598
00:24:26,699 --> 00:24:27,800
LIKEWISE.
HI.
599
00:24:27,867 --> 00:24:29,268
JACK'S PREMED
AT PRINCETON,
600
00:24:29,335 --> 00:24:31,971
AND JENNIFER'S BOUND
FOR HARVARD, LIKE YOU, RORY.
601
00:24:32,038 --> 00:24:35,274
OH! WE SHOULD TALK!
SURE.
602
00:24:35,341 --> 00:24:37,209
IF NOT TODAY,
ANOTHER DAY, OKAY?
OKAY.
603
00:24:37,276 --> 00:24:40,647
DO YOU WANNA PICK
A TIME NOW OR LATER?
LATER'S FINE.
604
00:24:40,713 --> 00:24:42,682
I'LL MAKE A NOTE
IN MY PALM PILOT.
605
00:24:42,749 --> 00:24:44,483
COOL.
HERE ARE YOUR TEAS.
606
00:24:44,551 --> 00:24:46,018
THANK YOU.
607
00:24:46,085 --> 00:24:48,588
DARREN, WE SHOULD REALLY
GET THE CHICKEN GOING.
RIGHT.
608
00:24:48,655 --> 00:24:50,422
YOU'RE GETTING
MY FAMOUS CHICKEN TODAY.
609
00:24:50,489 --> 00:24:51,691
I HOPE YOU LIKE
CHICKEN.
610
00:24:51,758 --> 00:24:53,125
LOVE IT.
I'LL BE RIGHT BACK.
611
00:24:53,192 --> 00:24:54,827
THERE'S SOME OF MY
HARVARD YEARBOOKS.
612
00:24:54,894 --> 00:24:56,829
PERUSE THEM, IF YOU LIKE.
OH.
613
00:24:56,896 --> 00:24:59,532
JEN, WE SHOULD GO
CLEAN UP.
MM, DEFINITELY.
614
00:24:59,599 --> 00:25:01,734
I WILL SEE YOU
IN A JIFF.
615
00:25:01,801 --> 00:25:03,970
[ CHUCKLES NERVOUSLY ]
616
00:25:04,036 --> 00:25:05,204
EW.
WHAT?
617
00:25:05,271 --> 00:25:07,640
DID THEY JUST LEAVE
TO TAKE A SHOWER TOGETHER?
618
00:25:07,707 --> 00:25:09,542
OH, GROSS.
WHAT THEY BOUNCED IN TOGETHER,
619
00:25:09,609 --> 00:25:10,810
THEY BOUNCED OUT TOGETHER.
620
00:25:10,877 --> 00:25:12,579
NEW TOPIC.
CAN'T TAKE GRITTY REALITY?
621
00:25:12,645 --> 00:25:14,446
OR SLANDEROUS
POSTULATING.
622
00:25:14,513 --> 00:25:16,716
THEY'RE OFF
THE TENNIS COURT
AND NOT SWEATING?
623
00:25:16,783 --> 00:25:18,751
MAYBE WHEN YOU'RE
THAT WHITE, YOU DON'T SWEAT.
624
00:25:18,818 --> 00:25:20,687
DARREN'S NICE, ISN'T HE?
HE'S VERY NICE.
625
00:25:20,753 --> 00:25:22,722
DO YOU THINK I'M MAKING
A GOOD IMPRESSION?
626
00:25:22,789 --> 00:25:24,023
GREAT IMPRESSION!
HE LOVES YOU.
627
00:25:24,090 --> 00:25:26,258
ESPECIALLY WHEN HE FOUND OUT
YOU SHARE HIS LOVE
628
00:25:26,325 --> 00:25:28,327
OF VARIOUS ASPECTS
OF CERTAIN SPORTING ENDEAVORS.
629
00:25:28,394 --> 00:25:29,528
HEY, YOU STARTED IT.
630
00:25:29,596 --> 00:25:31,731
WE COULD'VE JUST
TOLD THE TRUTH.
631
00:25:31,798 --> 00:25:33,165
I WAS TRYING
TO HUMANIZE US.
632
00:25:33,232 --> 00:25:35,201
YEAH, WITH OUR FUNNY-LOOKING
CHAI TEA TABLE --
633
00:25:35,267 --> 00:25:36,535
VERY HUMANIZING.
634
00:25:36,603 --> 00:25:38,237
[ Raspy voice ]
ZOLTAN KEMENY.
635
00:25:38,304 --> 00:25:39,806
WHAT?
THAT ARTIST'S NAME,
636
00:25:39,872 --> 00:25:42,208
IT SOUNDS LIKE ROBOT LANGUAGE.
ISN'T IT? ZOLTAN KEMENY.
637
00:25:42,274 --> 00:25:44,543
DON'T SAY IT AGAIN.
ZOLTAN KEMENY. ZOLTAN KEMENY.
638
00:25:44,611 --> 00:25:46,613
STOP! DON'T.
ZOLTA...
639
00:25:46,679 --> 00:25:48,781
OH. I'M SORRY.
I'M INTERRUPTING THE FUN.
640
00:25:48,848 --> 00:25:50,249
NO, THAT'S ALRIGHT.
YOU'RE NOT.
641
00:25:50,316 --> 00:25:52,351
WE WERE JUST LAUGHING
AT THE FUNNY HAIRCUTS.
642
00:25:52,418 --> 00:25:55,655
I KNOW. AREN'T THEY A BLAST?
JUST A SEA OF GOOFY SIDEBURNS.
643
00:25:55,722 --> 00:25:58,791
LUNCH WILL BE READY
IN JUST A FEW MINUTES.
644
00:25:58,858 --> 00:26:00,226
ZOLTAN --
STOP!
645
00:26:01,761 --> 00:26:03,395
OH, WOW,
WHAT A BEAUTIFUL TABLE.
646
00:26:03,462 --> 00:26:05,031
YES, YOU DIDN'T HAVE TO
DO THIS.
647
00:26:05,097 --> 00:26:06,933
RORY, HONESTLY,
IT'S OUR PLEASURE.
648
00:26:06,999 --> 00:26:08,935
PERFECT TIMING, KIDS.
Jack: EXCELLENT.
649
00:26:09,001 --> 00:26:10,369
NICE-LOOKING LUNCH,
MOM.
650
00:26:10,436 --> 00:26:11,804
Color-coordinated.
Shh.
651
00:26:11,871 --> 00:26:14,240
GUESTS OF HONOR,
WHY DON'T YOU SIT OVER THERE?
652
00:26:14,306 --> 00:26:15,341
THANK YOU.
653
00:26:15,407 --> 00:26:16,943
OH, FAMILY PICTURES.
654
00:26:17,009 --> 00:26:18,444
YOU HAVE ANOTHER GIRL,
DON'T YOU?
655
00:26:18,510 --> 00:26:21,347
YES, WE DO.
WHERE IS SHE?
WHAT DOES SHE DO?
656
00:26:21,413 --> 00:26:23,349
OH, UH...
657
00:26:23,415 --> 00:26:24,751
SHE'S NOT HERE.
658
00:26:24,817 --> 00:26:26,185
I'M SORRY.
I SHOULDN'T HAVE ASKED.
659
00:26:26,252 --> 00:26:28,020
OH, NO, IT'S ALRIGHT.
THAT'S CAROL.
660
00:26:28,087 --> 00:26:29,989
SHE'S A YEAR AHEAD
OF RORY. SHE'S...
661
00:26:30,056 --> 00:26:32,524
SHE'S FOLLOWING
HER OWN PATH.
662
00:26:32,591 --> 00:26:33,926
RIGHT.
663
00:26:33,993 --> 00:26:35,962
CAROL'S DOING
HER OWN THING.
OKAY.
664
00:26:36,028 --> 00:26:37,964
WELL, LET'S EAT,
EVERYBODY.
665
00:26:38,030 --> 00:26:40,199
HONORED GUESTS, PLEASE CHOOSE
FROM THE CHICKEN FIRST.
666
00:26:40,266 --> 00:26:41,567
THANK YOU VERY MUCH.
667
00:26:41,634 --> 00:26:44,203
YOU'RE GONNA HAVE TO FIGHT
OVER THE BREAST, AS ALWAYS.
668
00:26:44,270 --> 00:26:46,806
SO, LORELAI,
WHAT'S YOUR ALMA MATER?
669
00:26:46,873 --> 00:26:49,041
WELL, I WAS TOO PREOCCUPIED
TO GO TO COLLEGE,
670
00:26:49,108 --> 00:26:50,710
WITH WEIGHING
A COUPLE HUNDRED POUNDS
671
00:26:50,777 --> 00:26:53,780
AND HAVING FEET
TWICE MY NORMAL SIZE AND ALL.
672
00:26:53,846 --> 00:26:54,914
[ Laughing ] I SEE.
673
00:26:54,981 --> 00:26:56,382
BUT SHE TOOK NIGHT CLASSES
674
00:26:56,448 --> 00:26:57,750
AND GRADUATED LAST YEAR.
675
00:26:57,817 --> 00:26:59,852
SHE HAS AN A.A. DEGREE
IN BUSINESS.
676
00:26:59,919 --> 00:27:01,688
OH, THAT'S WONDERFUL.
677
00:27:01,754 --> 00:27:03,022
IN FACT, IT'S REFRESHING.
678
00:27:03,089 --> 00:27:04,891
MIGHT EVEN BE
TO RORY'S BENEFIT.
679
00:27:04,957 --> 00:27:07,727
GOOD THINGS DIDN'T COME TO
YOUR FAMILY IN ONE FELL SWOOP.
680
00:27:07,794 --> 00:27:09,228
YOU STRUGGLED FOR IT.
THAT'S TRUE.
681
00:27:09,295 --> 00:27:11,764
"ONE FELL SWOOP" --
INTERESTING PHRASE.
682
00:27:11,831 --> 00:27:13,265
VERY.
ORIGIN?
683
00:27:13,332 --> 00:27:15,968
IT WAS COINED IN "MACBETH"
AND DERIVES FROM MIDDLE ENGLISH.
684
00:27:16,035 --> 00:27:18,404
VERY GOOD, SON. YOU KNOW
YOUR SHAKESPEARE THEN, DO YOU?
685
00:27:18,470 --> 00:27:21,674
MORE THAN MOST.
IN WHICH PLAY DOES
FALSTAFF APPEAR?
686
00:27:21,741 --> 00:27:23,209
THAT WOULD BE PLAYS.
687
00:27:23,275 --> 00:27:26,278
"HENRY IV," PART 1 AND 2, AND
"THE MERRY WIVES OF WINDSOR."
688
00:27:26,345 --> 00:27:28,848
SO, THAT WAS A DIFFERENT
FALSTAFF IN "HENRY V"?
689
00:27:28,915 --> 00:27:31,517
THIS IS A LITTLE TRADITION
WITH US -- QUIZZES AT MEALS.
690
00:27:31,583 --> 00:27:32,819
IT KEEPS THE SPRINGSTEENS
SHARP.
691
00:27:32,885 --> 00:27:34,486
VERY KENNEDYESQUE.
692
00:27:34,553 --> 00:27:36,522
MMM, WE LOVE THE KENNEDYS.
693
00:27:36,588 --> 00:27:37,857
AS DO WE ALL.
694
00:27:37,924 --> 00:27:39,191
NOW, THE PERSON QUESTIONED
695
00:27:39,258 --> 00:27:40,960
CAN CHALLENGE ME
WITH A FOLLOW-UP,
696
00:27:41,027 --> 00:27:42,729
IF HE GETS
HIS QUESTION RIGHT.
697
00:27:42,795 --> 00:27:44,130
GETS PRETTY COMPETITIVE.
698
00:27:44,196 --> 00:27:46,098
WELL, IF PISTOLS ARE DRAWN,
WE'RE DUCKING.
699
00:27:46,165 --> 00:27:47,834
JACK,
WHICH POLISH COMPOSER --
700
00:27:47,900 --> 00:27:49,368
CHOPIN.
PATIENCE --
701
00:27:49,435 --> 00:27:51,537
BECAME PRIME MINISTER
OF HIS COUNTRY.
702
00:27:51,603 --> 00:27:53,272
PADEREWSKI?
THAT'S RIGHT.
703
00:27:53,339 --> 00:27:55,341
BUT YOUR IMPETUOUSNESS
COST YOU A FOLLOW-UP.
704
00:27:55,407 --> 00:27:58,711
JENNIFER, CAN YOU GIVE ME
THE 3 SUBCLASSES
705
00:27:58,778 --> 00:28:00,046
OF THE MESOZOIC ERA?
706
00:28:00,112 --> 00:28:01,981
TRIASSIC, JURASSIC,
AND CRETACEOUS.
707
00:28:02,048 --> 00:28:03,515
[ Chuckling ] GOOD.
708
00:28:03,582 --> 00:28:05,651
FOLLOW-UP -- WHAT PRECEDED
THE MESOZOIC ERA?
709
00:28:05,718 --> 00:28:07,353
PALEOZOIC.
HE'S GOOD.
710
00:28:07,419 --> 00:28:08,620
IT'S HARD TO STOP DARREN.
711
00:28:08,687 --> 00:28:10,622
IMPOSSIBLE.
HE'S BRILLIANT.
712
00:28:10,689 --> 00:28:12,358
OPEN QUESTION --
713
00:28:12,424 --> 00:28:15,027
WHAT MYTHOLOGICAL FIGURE
HAS THE HEAD OF A MAN,
714
00:28:15,094 --> 00:28:18,197
THE BODY OF A LION,
AND THE TAIL OF A SCORPION?
715
00:28:19,698 --> 00:28:21,133
HERE'S A HINT --
716
00:28:21,200 --> 00:28:24,136
IT'S ALSO THE TITLE OF A NOVEL
BY ROBERTSON DAVIES.
717
00:28:24,203 --> 00:28:25,371
OH, MANTICORE.
718
00:28:25,437 --> 00:28:26,739
VERY GOOD, RORY!
719
00:28:26,806 --> 00:28:28,374
YES, VERY GOOD, RORY.
720
00:28:28,440 --> 00:28:29,842
YES, VERY GOOD, RORY.
721
00:28:29,909 --> 00:28:32,378
Marie:
MORE WATER, LORELAI?
PLEASE. THANK YOU.
722
00:28:32,444 --> 00:28:35,181
DO YOU KNOW WHICH FRENCH CITY,
FAMOUS FOR ITS WATER,
723
00:28:35,247 --> 00:28:38,050
WAS THE CAPITAL OF
COLLABORATIONIST FRANCE?
724
00:28:40,252 --> 00:28:41,754
OH, ME? [ CHUCKLES ]
725
00:28:41,821 --> 00:28:45,191
UM, EVIAN? PERRIER?
LE CRYSTAL GEYSER?
726
00:28:45,257 --> 00:28:47,894
JENNIFER, DO YOU WANNA
HELP LORELAI OUT?
727
00:28:47,960 --> 00:28:49,195
VICHY.
THAT'S CORRECT.
728
00:28:49,261 --> 00:28:51,964
OH, THAT'S RIGHT.
VICHY WATER. I KNEW THAT.
729
00:28:52,031 --> 00:28:54,066
WHAT ABOUT THE YEAR
OF GERMANY'S VICTORY
730
00:28:54,133 --> 00:28:56,468
IN THE FRANCO-PRUSSIAN WAR?
731
00:28:56,535 --> 00:28:57,770
ME AGAIN?
732
00:28:57,837 --> 00:28:59,806
IF YOU WISH.
I DON'T KNOW THAT ONE.
733
00:28:59,872 --> 00:29:02,775
I DO KNOW ISTANBUL
IS CONSTANTINOPLE,
734
00:29:02,842 --> 00:29:06,145
SO IF YOU'VE GOT A DATE
IN CONSTANTINOPLE,
735
00:29:06,212 --> 00:29:08,480
SHE'LL BE WAITING
IN ISTANBUL.
736
00:29:09,381 --> 00:29:10,716
THAT'S TRUE.
737
00:29:10,783 --> 00:29:12,151
YOU KNOW,
I'M SORRY TO INTERRUPT,
738
00:29:12,218 --> 00:29:13,986
BUT I'D LIKE TO
WASH MY HANDS.
739
00:29:14,053 --> 00:29:15,822
OUR FAULT.
WE RUSHED YOU IN HERE.
740
00:29:15,888 --> 00:29:17,356
OUR DOWNSTAIRS
IS BEING REMODELED.
741
00:29:17,423 --> 00:29:19,792
YOU HAVE TO USE UPSTAIRS --
END OF THE HALL.
742
00:29:19,859 --> 00:29:21,894
HURRY BACK.
I WILL.
743
00:29:21,961 --> 00:29:23,129
[ SIGHS ]
744
00:29:23,195 --> 00:29:24,997
SO, THAT PAINTING THERE,
WOW.
745
00:29:25,064 --> 00:29:27,834
THE COLORS ARE SO GREAT.
I CAN'T STOP STARING AT IT.
746
00:29:27,900 --> 00:29:29,001
IT'S JUST BEAUTIFUL.
747
00:29:29,068 --> 00:29:30,469
IT'S BY A STUDENT OF MATISSE.
748
00:29:30,536 --> 00:29:32,939
I THINK HE CAUGHT
THE MASTER'S COLORS WONDERFULLY.
749
00:29:33,005 --> 00:29:35,074
OH, MATISSE. LOVE HIM.
750
00:29:35,141 --> 00:29:37,176
I THINK ONLY A CHARLATAN
WOULDN'T.
751
00:29:37,243 --> 00:29:40,813
ANYONE KNOW THE ARTISTIC
MOVEMENT MATISSE CHAMPIONED
752
00:29:40,880 --> 00:29:43,215
AND REFERRED TO AS
"THE WILD BEAST"?
753
00:29:43,282 --> 00:29:44,483
FAUVISM.
754
00:29:44,550 --> 00:29:45,784
CORRECT.
FOLLOW-UP.
755
00:29:45,852 --> 00:29:47,419
AND THEN WE'LL GO
ROUND ROBIN.
756
00:29:47,486 --> 00:29:49,155
[ LAUGHTER ]
757
00:29:56,362 --> 00:29:57,396
COMING THROUGH.
758
00:29:57,463 --> 00:29:58,898
OH, S-SORRY.
759
00:29:58,965 --> 00:30:00,833
I JUST HEARD MUSIC.
760
00:30:00,900 --> 00:30:02,168
COOL ROOM.
761
00:30:02,234 --> 00:30:03,836
TOM WAITS.
WHAT?
762
00:30:03,903 --> 00:30:05,537
THE MUSIC.
OH, I THOUGHT SO.
763
00:30:05,604 --> 00:30:08,640
I LOVE HIM.
I WORSHIP HIM. I EVEN
MILDLY STALKED HIM ONCE.
764
00:30:08,707 --> 00:30:12,511
REALLY?
LAST YEAR I HEARD HE WAS STAYING
IN THIS HOTEL, I WENT EVERY DAY,
765
00:30:12,578 --> 00:30:14,881
DRINKING MASSIVE AMOUNTS OF
COFFEE WAITING FOR HIM.
766
00:30:14,947 --> 00:30:16,949
DID YOU SEE HIM?
NO, HE NEVER CAME DOWN.
767
00:30:17,016 --> 00:30:19,986
FOR ALL I KNOW,
HE'S STILL THERE.
HAND ME THAT BRUSH?
768
00:30:20,052 --> 00:30:22,221
THAT STUPID MANAGER
MADE ME COVER FOR FIONA TODAY.
769
00:30:22,288 --> 00:30:23,890
THAT GIRL IS A MAJOR
PIECRUST.
770
00:30:23,956 --> 00:30:24,957
EARS?
WHAT?
771
00:30:25,024 --> 00:30:27,359
ON THE CHAIR.
WHAT TIME IS IT?
772
00:30:27,426 --> 00:30:30,262
UM...3:00.
OH, I'M TOTALLY LATE
FOR MY NEXT JOB.
773
00:30:30,329 --> 00:30:34,333
OH, WELL, I GUESS GRANDMA
HAD TO TAKE ANOTHER TRIP
TO THE EMERGENCY ROOM, RIGHT?
774
00:30:34,400 --> 00:30:36,368
ARE THEY ON STRAIGHT?
I THINK SO.
775
00:30:36,435 --> 00:30:37,203
GOOD. WHO ARE YOU?
776
00:30:37,269 --> 00:30:38,938
I'M SORRY.
I'M RORY GILMORE.
777
00:30:39,005 --> 00:30:40,606
YOU'RE ONE OF
THE HARVARD-BOUND?
778
00:30:40,672 --> 00:30:42,508
YEAH --
AT LEAST, I HOPE SO.
779
00:30:42,574 --> 00:30:44,043
OH, TRUST ME, YOU ARE.
780
00:30:44,110 --> 00:30:46,845
YOU'VE GOT THAT REALLY GOOD,
STRAIGHT, SHINY, HARVARD HAIR.
781
00:30:46,913 --> 00:30:48,480
ZIP ME UP?
782
00:30:48,547 --> 00:30:50,749
I'M SORRY.
ARE YOU...CAROL?
783
00:30:50,816 --> 00:30:51,984
YEAH, WHY?
784
00:30:52,051 --> 00:30:53,953
I DON'T KNOW.
I JUST DIDN'T EXPECT --
785
00:30:54,020 --> 00:30:55,221
WHAT?
WELL, YOU.
786
00:30:55,287 --> 00:30:56,422
WHY?
I DON'T KNOW.
787
00:30:56,488 --> 00:30:58,457
YOUR PARENTS JUST
MADE IT SOUND LIKE --
788
00:30:58,524 --> 00:31:01,928
LIKE I WAS HOLED UP IN
THE CHELSEA WITH A NEEDLE
STICKING OUT?
789
00:31:01,994 --> 00:31:03,963
SCREAMING SID
AT THE TOP OF MY LUNGS?
790
00:31:04,030 --> 00:31:06,498
WELL, TO THEM,
THIS IS PRETTY CLOSE.
791
00:31:06,565 --> 00:31:09,969
CAN I ASK YOU WHAT EXACTLY YOU
ARE DRESSING UP LIKE THIS FOR?
792
00:31:10,036 --> 00:31:11,470
MORGAN TANNER'S
4th BIRTHDAY PARTY.
793
00:31:11,537 --> 00:31:12,838
YOU'RE KIDDING.
794
00:31:12,905 --> 00:31:14,473
THIS IS MY FIFTH
BIRTHDAY THIS WEEK.
795
00:31:14,540 --> 00:31:17,009
GREAT TIPS, ALL CASH,
AND, OF COURSE, THERE'S CAKE.
796
00:31:17,076 --> 00:31:19,245
SO, YOU'RE A WAITRESS
AND A BIRTHDAY BUNNY
797
00:31:19,311 --> 00:31:21,480
AND YOU GO TO SCHOOL --
THAT'S PRETTY AMAZING.
798
00:31:21,547 --> 00:31:23,015
I DON'T GO TO SCHOOL.
799
00:31:23,082 --> 00:31:25,251
OH, SORRY. I JUST ASSUMED.
I MEAN, YOUR FAMILY --
800
00:31:25,317 --> 00:31:27,719
MY BROTHER AND SISTER
GOT STUCK ON THAT CONVEYOR BELT.
801
00:31:27,786 --> 00:31:30,556
I HOWEVER ESCAPED SOMEWHERE
AROUND THE 11th GRADE,
THANK GOD.
802
00:31:30,622 --> 00:31:32,992
OH, BUT HEY, NO OFFENSE.
I MEAN, THAT'S JUST ME.
803
00:31:33,059 --> 00:31:36,262
IF YOU LIKE BEING
ON THE CONVEYOR BELT,
THEN GOOD FOR YOU.
804
00:31:36,328 --> 00:31:37,896
I'M NOT ON
THE CONVEYOR BELT.
805
00:31:37,964 --> 00:31:39,565
OKAY.
806
00:31:39,631 --> 00:31:41,367
I'M NOT. I WANT THIS.
807
00:31:41,433 --> 00:31:44,070
I'VE DREAMT OF GOING TO HARVARD
SINCE I WAS LITTLE.
808
00:31:44,136 --> 00:31:46,105
YEAH, A LOT OF 4-YEAR-OLDS
DREAM OF THAT.
809
00:31:46,172 --> 00:31:47,940
IT COMES RIGHT AFTER
MEETING HARRY POTTER.
810
00:31:48,007 --> 00:31:49,441
HEY, I'M NOT GONNA
JUSTIFY MYSELF
811
00:31:49,508 --> 00:31:52,178
TO SOMEONE WITH A...TAIL.
YOU'RE RIGHT. I'M SORRY.
812
00:31:52,244 --> 00:31:55,447
IT'S JUST THAT AROUND HERE,
THE HARVARD BRAINWASHING
STARTS IN THE WOMB.
813
00:31:55,514 --> 00:31:59,318
IF YOU WERE TO TELL
EITHER OF MY SIBLINGS THAT THERE
WAS ANOTHER LIFE CHOICE
814
00:31:59,385 --> 00:32:01,753
OUTSIDE OF THE I.V. LEAGUE
THEIR KHAKIS WOULD WRINKLE.
815
00:32:01,820 --> 00:32:06,025
MAYBE THEY REALLY WANT IT.
NO, MY PARENTS WANT IT, AND
THEY WANNA PLEASE MY PARENTS.
816
00:32:06,092 --> 00:32:08,194
DON'T YOU WANNA PLEASE
YOUR PARENTS?
817
00:32:08,260 --> 00:32:10,896
YEAH, BUT NOT AT THE EXPENSE
OF FINDING MYSELF.
818
00:32:10,963 --> 00:32:13,132
OR YOUR CARROT.
819
00:32:13,199 --> 00:32:15,534
YOU GOTTA HAVE
YOUR CARROT.
820
00:32:15,601 --> 00:32:17,203
SO, TELL ME SOMETHING,
HARVARD HAIR.
821
00:32:17,269 --> 00:32:19,238
HOW BAD DO YOU WANNA PLEASE
YOUR PARENTS?
822
00:32:19,305 --> 00:32:21,507
MY MOM, AND REALLY BAD,
BUT IT'S NOT HARD.
823
00:32:21,573 --> 00:32:23,142
SHE'S OKAY
WITH ANYTHING I DO.
824
00:32:23,209 --> 00:32:24,977
AS LONG AS I'M HAPPY,
SHE'S GOOD.
825
00:32:25,044 --> 00:32:26,512
YOU SURE?
I'M VERY SURE.
826
00:32:26,578 --> 00:32:27,613
THEN YOU'RE LUCKY.
827
00:32:27,679 --> 00:32:29,015
YEAH, I AM LUCKY.
828
00:32:29,081 --> 00:32:32,184
RORY QUICK, WHAT ARE
THE 3 MAJOR HINDU DEITIES?
829
00:32:32,251 --> 00:32:33,419
BECAUSE I'VE MISSED
4 QUESTIONS.
830
00:32:33,485 --> 00:32:35,487
IF I MISS AGAIN,
I WON'T GET DESSERT.
831
00:32:35,554 --> 00:32:38,557
BRAHMA, SHIVA, AND VISHNU.
BRAHMA, SHIVA, AND VISHNU.
HI, OTHER DAUGHTER.
832
00:32:38,624 --> 00:32:41,427
I PROBABLY SHOULDN'T
DO A GESUNDHEIT JOKE
WHEN I SAY "VISHNU."
833
00:32:41,493 --> 00:32:43,129
GOOD THINKING.
OKAY THANKS, BYE.
834
00:32:43,195 --> 00:32:45,564
I'LL GO WITH YOU.
I'M GLAD TO HAVE MET YOU.
835
00:32:45,631 --> 00:32:48,100
SAME HERE.
GOOD LUCK WITH HARVARD.
THANKS.
836
00:32:50,236 --> 00:32:53,139
[ SMOOCHES ]
OH. WHAT'S THAT FOR?
837
00:32:53,205 --> 00:32:55,207
FOR NOT PUTTING ME
ON THE CONVEYOR BELT.
838
00:32:55,274 --> 00:32:57,143
YES, THAT WAS
VERY BIG OF ME.
839
00:32:57,209 --> 00:32:59,011
YOU DON'T KNOW.
840
00:33:01,713 --> 00:33:03,682
THANK YOU SO MUCH FOR
ANSWERING ALL MY DUMB QUESTIONS.
841
00:33:03,749 --> 00:33:06,518
YOU ASKED NO DUMB QUESTIONS,
AND I HOPE MY ANSWERS SUFFICED.
842
00:33:06,585 --> 00:33:09,288
DEFINITELY. BYE.
AU REVOIR.
843
00:33:09,355 --> 00:33:12,158
THANK YOU SO MUCH.
IT DID A WORLD OF GOOD FOR HER.
844
00:33:12,224 --> 00:33:14,593
SHE'S A VERY IMPRESSIVE
YOUNG LADY.
I WHOLEHEARTEDLY CONCUR.
845
00:33:14,660 --> 00:33:18,064
YOU MOLDED HER WELL.
I DIDN'T MOLD HER.
RORY POPPED OUT THAT WAY.
846
00:33:18,130 --> 00:33:20,499
YOU'RE BEING MODEST.
YOU DON'T KNOW ME,
DO YOU?
847
00:33:20,566 --> 00:33:22,334
SO LONG.
BYE.
848
00:33:22,401 --> 00:33:24,436
WHAT DID HE SAY?
THAT YOU'RE GOD-LIKE.
849
00:33:24,503 --> 00:33:25,537
IS THAT ALL?
850
00:33:25,604 --> 00:33:27,406
AND THAT HIS BROTHER
BRUCE SPRINGSTEEN
851
00:33:27,473 --> 00:33:30,876
WOULD BE HAPPY TO COME AND PLAY
AT OUR NEXT PARTY OR EVENT.
852
00:33:30,942 --> 00:33:32,178
I FIGURED
YOUR GRADUATION PARTY.
853
00:33:32,244 --> 00:33:34,246
I'LL BE VERY POPULAR.
MM-HMM.
854
00:33:34,313 --> 00:33:35,581
ALL IN FAVOR, SAY "AY."
855
00:33:35,647 --> 00:33:37,316
AY. AY.
AY. AY.
856
00:33:37,383 --> 00:33:39,751
LET THE RECORD SHOW THAT THE
FUNDS HAVE BEEN APPROVED
857
00:33:39,818 --> 00:33:42,588
TO CLOSE THE TOWN BANK ACCOUNT
THAT HOLDS THE TOWN FUNDS
858
00:33:42,654 --> 00:33:45,124
IN ORDER TO OPEN A NEW
TOWN-FUNDS BANK ACCOUNT
859
00:33:45,191 --> 00:33:47,659
AT A DIFFERENT
BANKING INSTITUTION.
860
00:33:47,726 --> 00:33:51,363
YOUNG LADIES, IN ANTICIPATION
OF YOUR TARDINESS,
861
00:33:51,430 --> 00:33:54,200
WE SAVED TWO SEATS FOR YOU
RIGHT THERE IN THE BACK.
862
00:33:54,266 --> 00:33:56,535
THANKS FOR THINKING
OF US, TAYLOR.
863
00:33:56,602 --> 00:34:00,239
WHOO! OKAY, RAISE YOUR HAND
IF YOU BATHED IN COLOGNE.
864
00:34:00,306 --> 00:34:02,508
IN THE INTEREST OF
GETTING HOME SOME TIME TONIGHT,
865
00:34:02,574 --> 00:34:05,144
I'D LIKE TO BRING UP
THE FINAL POINT OF BUSINESS,
866
00:34:05,211 --> 00:34:07,313
AND THAT IS A CERTAIN
CITIZEN'S DESIRE
867
00:34:07,379 --> 00:34:10,782
TO OPEN AN OLD-FASHIONED
SODA SHOP IN TOWN.
868
00:34:10,849 --> 00:34:12,851
WHOA, WHOA, WHOA,
WHOA, WHOA.
WHO'S THE GUY?
869
00:34:12,918 --> 00:34:16,021
WHAT OTHER PUTZ WOULD WANT TO
OPEN AN OLD-FASHIONED SODA SHOP?
870
00:34:16,088 --> 00:34:17,456
DISPENSE WITH THE YIDDISH
YOUNG MAN.
871
00:34:17,523 --> 00:34:19,091
THIS IS NOT A TOWN MATTER.
872
00:34:19,158 --> 00:34:21,127
THIS IS A PRIVATE MATTER
BETWEEN YOU AND ME,
873
00:34:21,193 --> 00:34:24,396
WHICH WAS SETTLED
WHEN I SAID NO.
THIS IS A TOWN MATTER
874
00:34:24,463 --> 00:34:27,299
BECAUSE WHEN THIS TOWN IS
IN NEED OF A PARTICULAR BUSINESS
875
00:34:27,366 --> 00:34:29,268
TO PROVIDE NECESSARY SERVICES,
876
00:34:29,335 --> 00:34:31,903
IT'S UP TO THE TOWN
TO BAND TOGETHER AND LURE IT.
877
00:34:31,970 --> 00:34:34,740
HOW DOES A STUPID SODA SHOP
COUNT AS A NECESSARY BUSINESS?
878
00:34:34,806 --> 00:34:37,576
ALLOW ME TO SHOW YOU SOMETHING
THAT WILL MAKE YOU WONDER
879
00:34:37,643 --> 00:34:39,678
HOW WE EVER LIVED WITHOUT IT.
880
00:34:39,745 --> 00:34:42,414
KIRK, IF YOU WILL.
881
00:34:42,481 --> 00:34:45,451
KIRK, I TOLD YOU TO GET
SOMETHING DECORATIVE
TO COVER IT.
882
00:34:45,517 --> 00:34:48,086
MY MOM WOULDN'T LET ME USE
ONE OF HER NICE TABLECLOTHS,
883
00:34:48,154 --> 00:34:51,590
SO I JUST GRABBED A SHEET
FROM MY HAMPER.
TAKE IT OFF.
884
00:34:53,192 --> 00:34:54,893
Luke:
WHAT'S THAT, A TOY?
885
00:34:54,960 --> 00:34:56,562
OH, IT'S AWFULLY CUTE!
886
00:34:56,628 --> 00:34:59,931
THAT IS A PROFESSIONALLY
MANUFACTURED DIORAMA
887
00:34:59,998 --> 00:35:01,400
OF THE PROPOSED BUSINESS.
888
00:35:01,467 --> 00:35:03,269
THERE'S LITTLE PEOPLE
AND EVERYTHING.
889
00:35:03,335 --> 00:35:04,670
THEY LOOK SO REAL.
890
00:35:04,736 --> 00:35:07,706
HEY! IT'S ME,
HOLDING THE TINY ZUCCHINI!
891
00:35:07,773 --> 00:35:09,275
LOOK AT THE HORSE-DRAWN
CARRIAGE.
892
00:35:09,341 --> 00:35:11,109
MY THOUGHT WAS TO PARK IT
OUT FRONT
893
00:35:11,177 --> 00:35:14,713
WITH THE NAME OF THE BUSINESS
ON THE SIDE. IT'S VERY 1800s.
894
00:35:14,780 --> 00:35:17,082
THE HORSE IS TALLER
THAN THE FRONT DOOR!
895
00:35:17,149 --> 00:35:19,218
WAY TALLER.
WHAT ARE YOU UP TO, TAYLOR?
896
00:35:19,285 --> 00:35:21,253
ARE YOU BREEDING
GIANT HORSES?
897
00:35:21,320 --> 00:35:22,854
IT'S SLIGHTLY
OUT OF PROPORTION.
898
00:35:22,921 --> 00:35:25,924
SLIGHTLY? THAT LITTLE GUY THERE
COULD WALK RIGHT UNDER THE HORSE
899
00:35:25,991 --> 00:35:29,695
WITHOUT EVEN DUCKING.
YOU'RE MISSING
THE BIG PICTURE HERE, TOWNSFOLK!
900
00:35:29,761 --> 00:35:32,631
NOW, THIS WONDERFUL BUSINESS
BELONGS IN STARS HOLLOW,
901
00:35:32,698 --> 00:35:35,401
WHETHER LUKE RENTS THE SPACE
WILLINGLY OR NOT.
902
00:35:35,467 --> 00:35:37,403
HOW WOULD I NOT RENT IT
WILLINGLY?
903
00:35:37,469 --> 00:35:39,771
I'M TALKING ABOUT
EMINENT DOMAIN, MY FRIEND.
904
00:35:39,838 --> 00:35:41,440
CHECK THE TOWN'S BYLAWS.
905
00:35:41,507 --> 00:35:44,176
IF A 3/4 MAJORITY
FINDS IT NECESSARY
906
00:35:44,243 --> 00:35:46,245
TO USE A SPACE
FOR A SPECIFIC FUNCTION,
907
00:35:46,312 --> 00:35:47,779
THE LANDOWNER MUST CONCEDE.
908
00:35:47,846 --> 00:35:50,015
THAT'S FOR TAKING OVER HOUSES
TO TURN INTO HOSPITALS
909
00:35:50,081 --> 00:35:52,117
DURING A NATIONAL EMERGENCY
LIKE THE CIVIL WAR.
910
00:35:52,184 --> 00:35:55,787
IF YOU WANNA TURN THIS PLACE
INTO A CIVIL WAR HOSPITAL,
BE MY GUEST.
911
00:35:55,854 --> 00:35:59,658
SOME WOULD ATTEST
THAT MY SODA SHOP WILL
OFFER IS ON THE SAME LEVEL
912
00:35:59,725 --> 00:36:01,693
AS THE COMFORT THAT A HOSPITAL
CAN PROVIDE.
913
00:36:01,760 --> 00:36:03,495
YOU'RE GONNA NEED
A HOSPITAL, TAYLOR.
914
00:36:03,562 --> 00:36:04,830
HIT HIM.
WHICH ONE?
915
00:36:04,896 --> 00:36:06,332
EITHER ONE.
916
00:36:06,398 --> 00:36:09,368
LUKE, THIS SHOP IS BASED
ON THE ORIGINAL SODA SHOP
917
00:36:09,435 --> 00:36:11,470
THAT WAS IN TOWN
80 YEARS AGO!
918
00:36:11,537 --> 00:36:14,105
DON'T YOU SEE?
YOU ARE PREVENTING THE TOWN --
919
00:36:14,172 --> 00:36:15,641
FROM MOVING BACKWARDS.
920
00:36:15,707 --> 00:36:18,377
WHO HERE WANTS
TO DO THAT?
921
00:36:18,444 --> 00:36:20,145
[ High-pitched voice ]
WE LIKE ICE CREAM.
922
00:36:20,212 --> 00:36:21,713
OH, COME ON.
923
00:36:21,780 --> 00:36:24,583
A NICE BURGER FROM LUKE'S
AND AN ICE CREAM SODA, YUM.
924
00:36:24,650 --> 00:36:26,418
YOU WANT THAT THING?
WITH A CHERRY.
925
00:36:26,485 --> 00:36:28,320
THE STRIPED AWNING
AND THE GIANT HORSE?
926
00:36:28,387 --> 00:36:31,089
[ SIGHS ]
927
00:36:31,156 --> 00:36:32,958
BE READY TO PAY
THROUGH THE NOSE.
928
00:36:33,024 --> 00:36:34,192
WE'LL TALK TERMS.
929
00:36:34,260 --> 00:36:36,628
WE HAVE OUR SODA SHOP,
EVERYBODY.
930
00:36:36,695 --> 00:36:38,364
YAY! YAY!
931
00:36:38,430 --> 00:36:40,031
MEETING DISMISSED.
932
00:36:40,098 --> 00:36:42,668
TAYLOR, IS IT TOO SOON
TO TALK ABOUT MANAGEMENT
OPPORTUNITIES?
933
00:36:42,734 --> 00:36:45,637
HEY, YOU GET TO BE TAYLOR'S
LANDLORD. THAT'S KIND OF COOL.
934
00:36:45,704 --> 00:36:47,439
THANKS FOR YOUR LACK
OF HELP.
935
00:36:47,506 --> 00:36:49,975
GRUMP.
[ CHUCKLES ]
936
00:36:53,279 --> 00:36:55,847
SO, HOW WAS LUNCH
WITH HARVARD GUY?
937
00:36:55,914 --> 00:36:57,583
GREAT. HE ANSWERED
ALL MY QUESTIONS.
938
00:36:57,649 --> 00:37:00,018
MAKES KILLER CHICKEN.
HE STICKS A LEMON UP ITS BUTT.
939
00:37:00,085 --> 00:37:03,255
HE GAVE ME EXCELLENT TIPS.
WE'RE VERY IMPRESSED WITH HIM.
940
00:37:03,322 --> 00:37:05,023
HMM. HE PASSES THE TEST.
MM-HMM.
941
00:37:05,090 --> 00:37:06,692
EXCUSE ME, LANE?
THAT'S ME.
942
00:37:06,758 --> 00:37:08,527
OKAY, GREAT,
I'M DAVE RYGALSKI.
943
00:37:08,594 --> 00:37:11,430
RIGHT. HI.
YOU'RE A GUITARIST.
YEAH.
944
00:37:11,497 --> 00:37:14,099
HOW DID YOU KNOW I WAS ME?
DEAD KENNEDY SHIRT.
945
00:37:14,165 --> 00:37:15,934
GOOD THINKING.
HEY, ISN'T IT A DRAG
946
00:37:16,001 --> 00:37:18,003
THAT JELLO BIAFRA
ISN'T SINGING FOR THEM ANYMORE?
947
00:37:18,069 --> 00:37:21,273
THEIR FRONT MAN IS
THAT KID FROM "THE COURTSHIP
OF EDDIE'S FATHER ."
948
00:37:21,340 --> 00:37:23,275
WHAT'S NEXT -- URKEL JOINING
THE WU-TANG CLAN?
949
00:37:23,342 --> 00:37:24,976
OR MAYBE "MALCOLM"
FRONTING THE BUTTHOLE SURFERS.
950
00:37:25,043 --> 00:37:27,413
SOME THINGS ARE SACRED.
I'M WITH YOU ON THAT.
951
00:37:27,479 --> 00:37:30,482
SO, WHAT'S YOUR BAND LIKE?
WE DO A LOT OF COOL COVERS.
952
00:37:30,549 --> 00:37:31,917
THE CLASH, THE KINKS,
ET CETERA.
953
00:37:31,983 --> 00:37:35,120
STATISTICALLY, IT'S LIKE
38 OF THE 43 BANDS YOU LISTED.
954
00:37:35,186 --> 00:37:36,154
NICE PERCENTAGE.
955
00:37:36,221 --> 00:37:37,789
I COULD PLAY A SONG
WE DEMO'D
956
00:37:37,856 --> 00:37:40,526
USING A DRUM MACHINE.
GREAT.
WHAT'S ALL THIS?
957
00:37:40,592 --> 00:37:42,193
THIS IS A HEADPHONE AMP.
958
00:37:42,260 --> 00:37:44,029
IT BOOSTS THE VOLUME
AND THE CLARITY.
959
00:37:44,095 --> 00:37:45,831
AND THESE ARE GRADO 125s,
960
00:37:45,897 --> 00:37:49,301
WHICH IS JUST REALLY KILLER,
KILLER PORTABLE SOUND.
961
00:37:49,368 --> 00:37:51,337
I'M SORT OF AN AUDIO GEEK.
SORRY.
962
00:37:51,403 --> 00:37:53,605
NO, DON'T APOLOGIZE.
I LOVE YOU.
963
00:37:53,672 --> 00:37:55,341
FOR THAT --
FOR BEING THAT WAY.
964
00:37:55,407 --> 00:37:57,075
I LOVE IT.
I'M LIKE THAT, TOO.
965
00:37:57,142 --> 00:38:00,579
DO YOU WANNA GO OVER TO THAT
BENCH, MAYBE HAVE A LISTEN?
966
00:38:01,880 --> 00:38:03,949
I THINK A LOVE SONG'S
IN THEIR FUTURE.
967
00:38:04,015 --> 00:38:05,884
WITH LOTS OF LYRICS
ABOUT SNOGGING.
968
00:38:05,951 --> 00:38:07,185
ABOUT WHAT?
HEY.
969
00:38:07,252 --> 00:38:09,788
HEY.
YOU MISSED EVERYTHING.
970
00:38:09,855 --> 00:38:11,490
THAT'S SNOGGING.
GOT IT.
971
00:38:11,557 --> 00:38:12,824
BYE.
[ GIGGLES ]
972
00:38:12,891 --> 00:38:14,326
SO, ANY FIREWORKS?
973
00:38:14,393 --> 00:38:18,129
WELL, THERE WAS A CLASSIC
LUKE/TAYLOR DISPUTE,
BUT IT WAS RESOLVED
974
00:38:18,196 --> 00:38:20,766
AND WILL RESULT
IN ICE CREAM FLOATS
AND 20-FOOT HORSES.
975
00:38:20,832 --> 00:38:22,634
GOOD DEAL.
AND WHAT ABOUT YOUR LUNCH?
976
00:38:22,701 --> 00:38:25,937
OH, IT WAS GREAT. I FEEL SO MUCH
BETTER ABOUT THINGS, NOW.
977
00:38:26,004 --> 00:38:28,039
THE APPLICATION'S NOT
FREAKING ME OUT ANYMORE.
978
00:38:28,106 --> 00:38:29,441
YOU LOOK UNFREAKED.
979
00:38:29,508 --> 00:38:31,977
WELL, NOTHING CAN STOP ME NOW.
IT'S FULL-STEAM AHEAD.
980
00:38:32,043 --> 00:38:33,278
THAT'S GREAT.
981
00:38:33,345 --> 00:38:35,514
CAN I ASK YOU SOMETHING?
OF COURSE YOU CAN.
982
00:38:35,581 --> 00:38:37,015
WHAT HAPPENS
WHEN YOU LEAVE?
983
00:38:37,082 --> 00:38:38,417
WHEN I LEAVE WHEN?
984
00:38:38,484 --> 00:38:40,786
WHEN YOU LEAVE FOR HARVARD.
DO WE BREAK UP?
985
00:38:40,852 --> 00:38:43,455
WHOA, THAT WAS BLUNT
AND OUT OF NOWHERE.
986
00:38:43,522 --> 00:38:45,524
IT SEEMS WE SHOULD
BE BLUNT RIGHT NOW.
987
00:38:45,591 --> 00:38:47,893
NO, WE DON'T BREAK UP.
DO YOU WANT THAT?
988
00:38:47,959 --> 00:38:49,928
NO, BUT HOW WILL
WE SEE EACH OTHER?
989
00:38:49,995 --> 00:38:52,063
EASY. WEEKENDS -- THAT'S WHAT
THEY WERE INVENTED FOR.
990
00:38:52,130 --> 00:38:54,800
SO YOU'LL COME HOME, DO HOMEWORK
ALL WEEKEND, THEN LEAVE.
991
00:38:54,866 --> 00:38:57,035
NO, I CAN DO MY HOMEWORK
DURING THE WEEK
992
00:38:57,102 --> 00:38:59,471
OR ON THE TRAIN COMING HOME
TO SEE YOU,
993
00:38:59,538 --> 00:39:01,907
WHO I WILL SPEND MY WEEKENDS
WITH NOT DOING HOMEWORK.
994
00:39:01,973 --> 00:39:04,810
PLUS, WE CAN TALK DURING THE
WEEK ON THE PHONE CONSTANTLY.
995
00:39:04,876 --> 00:39:07,546
TRUST ME. IT'LL FEEL LIKE
I NEVER LEFT.
OH, YEAH?
996
00:39:07,613 --> 00:39:09,581
CHRISTIANE AMANPOUR
SPENDS HALF OF HER LIFE
997
00:39:09,648 --> 00:39:11,583
STANDING IN FOXHOLES
IN THIRD-WORLD COUNTRIES,
998
00:39:11,650 --> 00:39:13,619
AND SHE HAS A HUSBAND
AND A KID,
999
00:39:13,685 --> 00:39:16,054
AND SHE WAS ON C-SPAN LAST WEEK
GETTING SOME AWARD.
1000
00:39:16,121 --> 00:39:19,124
SO IF SHE AND HER HUSBAND
CAN MAKE IT WORK, WE CAN.
1001
00:39:19,190 --> 00:39:21,693
SO WE'LL HAVE ACCESS
TO THE CNN JET?
NO.
1002
00:39:21,760 --> 00:39:24,295
OR HEY -- YOU CAN GO
TO COLLEGE IN BOSTON.
1003
00:39:24,362 --> 00:39:25,531
I'M GOING TO
JUNIOR COLLEGE.
1004
00:39:25,597 --> 00:39:27,132
BOSTON HAS
JUNIOR COLLEGES.
1005
00:39:27,198 --> 00:39:28,366
BUT NOT DORM ROOMS.
1006
00:39:28,434 --> 00:39:29,801
YOU CAN RENT AN APARTMENT.
1007
00:39:29,868 --> 00:39:32,438
WITH THE MONEY I GET
WHEN I WIN THE LOTTERY?
1008
00:39:32,504 --> 00:39:34,606
ACCESS TO
THE CNN JET IS MORE LIKELY.
1009
00:39:34,673 --> 00:39:36,942
WHY ARE YOU BEING
LIKE THIS, SO --
REALISTIC?
1010
00:39:37,008 --> 00:39:39,044
OH, COME ON, BE SERIOUS.
1011
00:39:39,110 --> 00:39:41,747
I AM. I AM.
1012
00:39:43,649 --> 00:39:45,917
THAT'S TOO SERIOUS.
1013
00:39:45,984 --> 00:39:48,787
YEAH, UH, YOU KNOW,
JUST FORGET IT.
1014
00:39:48,854 --> 00:39:50,556
[ SIGHS ]
1015
00:39:50,622 --> 00:39:52,991
COME ON, WE WERE GONNA GO
TO LUKE'S, RIGHT?
1016
00:39:53,058 --> 00:39:54,359
YEAH.
1017
00:39:54,426 --> 00:39:55,794
[ SIGHS ]
LET'S GO TO LUKE'S.
1018
00:39:56,895 --> 00:39:58,497
IT'S GREAT.
IT REALLY IS.
1019
00:39:58,564 --> 00:40:00,732
OKAY, COOL. LISTEN, THEN,
I'LL TALK TO THE GUYS.
1020
00:40:00,799 --> 00:40:02,768
UH, WE'LL GET TOGETHER
AND PLAY NEXT WEEK.
1021
00:40:02,834 --> 00:40:04,603
SURE!
I'VE GOT TO GET HOME.
1022
00:40:04,670 --> 00:40:07,005
ALRIGHT, WELL,
IT WAS GOOD MEETING YOU, LANE.
1023
00:40:07,072 --> 00:40:09,708
SAME HERE.
1024
00:40:09,775 --> 00:40:11,543
"TRUST GOD" --
IS THAT A BAND?
1025
00:40:11,610 --> 00:40:13,378
NO, MY LIFE.
1026
00:40:13,445 --> 00:40:16,114
OH, COME ON, YOU DO NOT
LIKE MODERN ART.
1027
00:40:16,181 --> 00:40:18,617
WELL, THEN, I WAS MISTAKEN.
I GUESS I DON'T.
1028
00:40:18,684 --> 00:40:20,786
I'M A MINDLESS ANDROID.
I HAVE NO OPINIONS.
1029
00:40:20,852 --> 00:40:22,521
WELL, WHAT KIND
DO YOU LIKE?
1030
00:40:22,588 --> 00:40:26,224
DO YOU LIKE THE KIND
THAT LOOKS LIKE SOMEONE
HEMORRHAGED ON A CANVAS?
1031
00:40:26,291 --> 00:40:27,893
I LOVE HEMORRHAGING.
1032
00:40:27,959 --> 00:40:30,729
THE SCULPTURE THAT LOOKS LIKE
IT WAS DROPPED AND GLUED BACK?
1033
00:40:30,796 --> 00:40:32,564
ACTUALLY, THE REAL
LOVE OF MY LIFE
1034
00:40:32,631 --> 00:40:34,800
IS BEING MERCILESSLY TEASED
BY THE TWO OF YOU.
1035
00:40:34,866 --> 00:40:36,835
[ Sarcastically ]
OH, WE'RE SORRY.
YEAH, WE'RE SORRY.
1036
00:40:36,902 --> 00:40:38,870
KISSES!
OH, IN PUBLIC NO LESS.
1037
00:40:38,937 --> 00:40:41,306
HEY, WHERE'S RORY?
WE NEED ALL THE GIRLS
KISSING YOU.
1038
00:40:41,372 --> 00:40:44,342
THAT REMINDS ME.
WHAT ARE YOU GONNA DO
WITH RORY'S ROOM?
1039
00:40:44,409 --> 00:40:45,777
HER ROOM? WHEN?
WHEN SHE'S GONE.
1040
00:40:45,844 --> 00:40:47,412
ARE YOU DOING ANYTHING WITH IT?
1041
00:40:47,479 --> 00:40:48,847
WELL, I HAVEN'T THOUGHT
ABOUT IT.
1042
00:40:48,914 --> 00:40:51,116
WE COULD WORK SOMETHING OUT.
YOU WANT HER ROOM?
1043
00:40:51,182 --> 00:40:52,851
FOR WHAT, YOUR BURGEONING
MODERN-ART COLLECTION?
1044
00:40:52,918 --> 00:40:54,786
I'M TALKING ABOUT
MY TOOLS.
1045
00:40:54,853 --> 00:40:57,155
OH, YOUR TOOLS, YEAH.
WHAT TOOLS?
1046
00:40:57,222 --> 00:40:59,390
I HAVE THIS COLLECTION
OF ANTIQUE FARMING TOOLS
1047
00:40:59,457 --> 00:41:01,026
THAT MY DAD
PASSED DOWN TO ME.
1048
00:41:01,092 --> 00:41:02,861
PREREVOLUTIONARY WAR.
THEY'RE KIND OF VALUABLE.
1049
00:41:02,928 --> 00:41:04,896
AND I'VE GOT
NO PLACE TO PUT THEM.
1050
00:41:04,963 --> 00:41:06,732
I'VE BEEN LOOKING FOR
THE RIGHT SPACE.
1051
00:41:06,798 --> 00:41:08,366
IN RORY'S ROOM?
IT'S PERFECT.
1052
00:41:08,433 --> 00:41:11,402
BUT SHE'S GOT
ALL HER STUFF IN IT.
NOT FOR LONG.
1053
00:41:11,469 --> 00:41:13,138
YEAH, RIGHT,
NOT FOR LONG.
1054
00:41:13,204 --> 00:41:14,540
JUST THINK ABOUT IT.
1055
00:41:14,606 --> 00:41:17,242
YEAH, I WILL. I WILL.
1056
00:41:24,683 --> 00:41:27,085
NO, NO, NOT ANOTHER
BAND PHONE CALL.
1057
00:41:27,152 --> 00:41:29,054
YOU NEVER GAVE LANE
A CUT-OFF TIME.
1058
00:41:29,120 --> 00:41:31,890
LET THE MACHINE GET IT.
I CANNOT TALK TO
ANOTHER 17-YEAR-OLD
1059
00:41:31,957 --> 00:41:33,525
WHOSE EVERY OTHER WORD
IS "UHH."
1060
00:41:33,592 --> 00:41:34,993
NOT EVEN A WORD.
EXACTLY.
1061
00:41:35,060 --> 00:41:37,428
Hello, Gilmores, this is
Darren Springsteen, how are ya?
1062
00:41:37,495 --> 00:41:39,064
I just wanted
to let you know
1063
00:41:39,130 --> 00:41:41,499
that I just finished going over
Rory's records here,
1064
00:41:41,567 --> 00:41:42,868
and no shock,
they're perfect.
1065
00:41:42,934 --> 00:41:45,136
Rory, you are tailor-made
for Harvard.
1066
00:41:45,203 --> 00:41:46,437
They're lucky to have you.
1067
00:41:46,504 --> 00:41:49,074
As far as I'm concerned,
you should pack your bags.
1068
00:41:49,140 --> 00:41:51,710
I'm gonna tell all this
to the people in admissions,
1069
00:41:51,777 --> 00:41:53,945
and I'll give your headmaster
a call as well.
1070
00:41:54,012 --> 00:41:55,947
So, take care.
We'll talk again. Bye-bye.
1071
00:41:56,014 --> 00:41:58,483
THAT'S FANTASTIC,
HONEY.
YEAH.
1072
00:41:58,550 --> 00:42:00,886
YOU'RE IN.
WELL, NOT OFFICIALLY.
1073
00:42:00,952 --> 00:42:02,387
HE SAID, "PACK YOUR BAGS."
1074
00:42:02,453 --> 00:42:04,489
YEAH. COOL.
1075
00:42:04,556 --> 00:42:06,124
SO, WHAT ARE YOU UP TO
TODAY?
1076
00:42:06,191 --> 00:42:08,226
YOU HAVE NEWSPAPER STUFF
TO DO, RIGHT?
1077
00:42:08,293 --> 00:42:09,861
YEAH, A TON,
1078
00:42:09,928 --> 00:42:13,131
AND YOU WERE GOING TO CATCH UP
WITH SOME STUFF AT THE INN?
1079
00:42:13,198 --> 00:42:16,635
A LOT OF CHECK SIGNING TO DO.
ARE PEOPLE WAITING
FOR THEIR CHECKS?
1080
00:42:16,702 --> 00:42:18,169
KIND OF.
RIGHT.
1081
00:42:18,236 --> 00:42:19,571
YOU KNOW, UM,
1082
00:42:19,638 --> 00:42:21,673
THE NEWSPAPER STUFF
CAN WAIT TILL MONDAY.
1083
00:42:21,740 --> 00:42:23,875
REALLY? 'CAUSE I COULD SIGN
THE CHECKS TOMORROW.
1084
00:42:23,942 --> 00:42:25,711
YOU SURE.
ABSOLUTELY.
1085
00:42:25,777 --> 00:42:27,378
WHAT DO YOU WANT TO DO?
1086
00:42:27,445 --> 00:42:29,080
I DON'T KNOW. LET'S JUST HANG.
1087
00:42:29,147 --> 00:42:30,949
THAT SOUNDS GREAT.
1088
00:42:31,016 --> 00:42:32,884
Luke: YOU ORDERED
THAT SIGN WEEKS AGO.
1089
00:42:32,951 --> 00:42:35,020
YOU WERE THAT SURE
THAT I'D CAVE IN.
1090
00:42:35,086 --> 00:42:36,655
Taylor:
WELL, YOU DID, DIDN'T YOU?
1091
00:42:36,722 --> 00:42:38,089
THAT WRITING'S TOO HIGH.
1092
00:42:38,156 --> 00:42:40,358
"TAYLOR'S"? IT SAID "STARS
HOLLOW" ON STUPID THE MODEL,
1093
00:42:40,425 --> 00:42:44,229
AND I DON'T LIKE THE EXTRA "P"
AND "E" AT THE END OF "SHOP."
1094
00:42:44,295 --> 00:42:45,697
I'M YOUR LANDLORD, TAYLOR.
1095
00:42:45,764 --> 00:42:47,833
AND AS A TENANT,
I HAVE RIGHTS...
1096
00:42:47,899 --> 00:42:51,603
* SMILE, THERE'S NO REGRETS *
1097
00:42:51,670 --> 00:42:54,706
* THE YEARS WASH THROUGH
OUR HANDS *
1098
00:42:54,773 --> 00:42:58,910
* AND THEN
YOU NEVER SEE TOMORROW COMING *
1099
00:42:58,977 --> 00:43:03,649
* YOU ONLY FEEL THE WAKE OF IT *
1100
00:43:03,715 --> 00:43:06,952
* SMILE, THERE'S NO... *
87071
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