All language subtitles for Ate Que a Morte Nos Separe

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[ITALIAN MUSIC]

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[SPEAKS ITALIAN]

- Good to see you.

Hi ya, beautiful.
- Hello.

- You get more beautiful
every time.

Enjoy yourselves.

- Should be a nice party.

Who's that?

Who's that Sally Pickles?

- Hey,

Armand.

Armand,

boy, do you look terrific.

Hey, you got yourself
a nice tan.

You know my son.

- How you doing?

Yeah. Yeah.
- Joey.

Seeing you look this healthy

brings tears to my eyes.

- Hey, likewise, Louis.

What do you say, huh?

Hey, there's nobody left like us
anymore.

- Only the important ones,
Armand.

I'm dressed for the North Pole.

- I really like the new place
Louis.

- Only two mil.

Hey, it's a bargain around here.

- Well, it's good seeing you.
- Good seeing you.

Here.

Let's have some champagne over
here.

- Champagne, gentlemen?

-Grazie

Salute.
- Salute.

- Hey, Rick, give me a hand?

- Yeah, sure.

- What's in the box?

- That's the cake.

Okay, everybody, listen up.

The cake is here.

We're gonna have a good time
now. Come.

- Okay.

Gangs all here.

No pun intended.

This is the surveillance footage

that we shot of Angelini's

birthday party last month.

There's the birthday boy
himself,

Louis Angelini.

This is Angelini's lawyer.

His name's Hugo Verardi.

He's the head consigliere.

Okay?

This is the most recent Mrs.
Angelini.

First name Monica.

Okay. Freeze it.

This is Vincent Colabella.

This is Angelini's number two
guy.

All right?
Write it down.

- All right.
This is Joey Angelini.

Angelini's son.

He's only got one.

We were able to
replace one of the

limousine drivers with, uh,

Agent Walker here, and using
this device,

it's pretty much like a,

like a cell phone.

It's able to transmit the
footage back

here to our CSA mainframe.

Kinda fun.

All right.

Okay, this is our surprise
package,

Armando Novonno aka Arman
Nordstrom,

an arms dealer and he's big.

- So here's what happened.

Arman turned informant for
clemency

on a very big drug deal.

He decided to give us

some information about Angelini.

Hey, kill it.

But we got a problem.
About a week ago

Arman didn't show up

for one of our usual meets.

He was gonna give us some
information on

this big arms deal that
Angelini's got

going on down in Panama.

It's big.

So to sum it up, we need to find

Nordstrom if he's still alive.

Got it?

All right.
Let's get it done.

- Frank, you're gonna want to
take this.

- Yeah?

- Listen carefully.

I'll only say this once.

Take the 405 north towards Simi
Valley.

- Start a trace.

- Take a left,

go two miles into Deer Canyon.

Turn off the road

and near the railroad tracks

go 200 yards and stop by the
trees.

Walk 100 feet into the trees and
you'll

find what you're looking for.

- Frank.

- You can call off the trace.

- Dispatch.
This is Mike 2-2, over.

- It is Nordstrom.

One shot.
Clean.

He's been dead maybe 12 hours.

What have we got here?

Let's go.

[background arguing]
you've got a wonderful
personality.

Did anybody tell you that?
I bet you have a lot of friends.

- Drop dead.

Drop dead, Louis...

- Nice family, huh?

- Yeah.
What do you want?

- I have a search warrant.

I'm authorized to search the
premises.

- What you doing?
You can't bust in here
like this.

Hey pop?
You want me to call the lawyers?

- Joe.
Joe.

Sta' zitto
Huh?

- You have a nice life here,
Louis.

I see each wife gets younger.

- See.

At least someone has some taste.

- Monica, do me a favor.

Get outta here.

-Aw.

- Now, what is it you want
Agent Darnell?

- Louis, you got a big problem.

We just found this gun near the
body of Arman Nordstrom.

It has your prints all over it.

The bullets from this gun
match the one

we just took out of his body.

You need yourself a lawyer.

Okay, cuff him.

I thought you
were a lot smarter than that,
Louis.

- I am.

[News announcer] Refuted tinsel
town don, Louis Angelini,

was convicted of murder

and sentenced to life in prison

without the possibility of
parole.

- Let's go. Let's go.

Come on, come on, come on.
Let's go. Step on it.

- Blood pressure's 220 over
160.

- Two point five CCs of
nitroglycerin.

[heart alarm]
- We lost him.

- Let's get the paddles.

Charging.

Charging 200 clear.

Clear.

Charging 300.

Clear.

- Call the coroner.

Have a guard escort you though.

Come with me.
We need to get the warden.

- So.
- What?

- Where is he?

- I'm telling you.
Louis Angelini was lying right
here.

- He was right here.
- Dead.

- Lock it all down.
I want a clean sweep

of the entire facility.

- Yes, sir.
Let's go.

- This wouldn't challenge

an eight year old, so.

- Come on, kids.
We're running late.

- Well, never underestimate your
demographic.

I always say that.

- Hustle. Hustle.
We gotta go.

- Yeah. Sure. Sure.

Uh, Yeah. I,

I can make it harder.
Yeah. I'll get back to you.

- I really wish you guys

would eat your breakfast.
[loud music playing]

You gotta eat something.

- Yeah.
Listen to your father.

Eat your breakfast.

[PHONE RINGS]
Morning everyone.
I'll get it. It's my cell.

- Would you turn down the music
and eat something, please?

- Hello? It's me.
Can you talk?

- Eat your cereal.
- Dad?

- You know what?
Now is not a good time.

- Look, I've got a situation
here.

- Yeah.
Well, I have a situation here.

Can we talk after breakfast?
- Just, just, come on, honey.
Susan, please?

- It's serious.

When can we meet?

- All right. All right.
Into the car.

- I'll pick them up, honey.

- Okay.
Gotta go. Gotta go.

- Well, how about later this
afternoon?

- You have a practice at two.
Are you gonna be ready for that?

- I, Susan, uh.

- Yes, yes, yes.

Oh my God.
Gotta go.

- But wait, honey.

- How about now?

We have a problem.

Agent Jane Doe, how are you?

I want you to look at
something for me.

Take a look at this.

- All right.

Louis Angelini.
I heard you took him in.

How'd you do that?
- Dumb luck.

He killed the guy
that was gonna help me
put him away.

Arman Nordstrom, aka Armando
Novonno.

- Oh, the arms dealer.
- Mm hmm.

- All right.
So what's Angelini doing now?

- Not much.

He's dead.

Heart attack.

- Okay, Frank, what am I doing
here?

- His body disappeared,

but all the security cameras
came up empty.

We don't have him on tape.

- Oh.

That's a neat trick.

- Well, look.

Come here.
We're really swamped right now.

I got Congress breathing down my
neck,

and the newspapers are having a
field day.

I can really go down this way.

- Well, why do you say that?

- Uh, Angelini was sent to the
federal prison in Marion.

- Oh. Well, even a dead person
could get outta there.

- I know. But I had him
transferred to Lompark.

- Why'd you do that?

- Because he said he was gonna
give us

all the information we needed

on that big Panama arms deal.

- How big?

- Half a billion dollars worth.

- That's a lotta firepower.

- Now look, here's what I need
to know.

I need to know who
Angelini's contacts
are in Panama.

And they're buying a lotta
weapons there,

and they're buying them fast all
at once.

And we still don't know what
they plan

to do with them and where they
plan to use them.

- So, first we have to find
Angelini's body.

- We get the answer to that, we
got something.

- Other than the
security guards

who brought him in here,
you two were the only ones

who had contact with Mr.
Angelini?

- Yes.

- Yes.

- So, there was nobody else?

- No.
- Ah.

- There was a, um,

a maintenance man mopping the
corridor outside.

- Oh, okay.
So, what did you do?

- His blood pressure was
through the roof.

I ordered two point five CCs

of nitroglycerin to bring it
down.

- Okay. Yeah.
So you prepared the dosage?

- Yes. But the patient's vital
signs ceased,

so Dr. Nelson applied the
paddles,

but it was no use.

- What did you do

when you were certain that Mr.
Angelini was dead?

- I ordered Nurse Forsey to
call the coroner.

- Mm hmm.

- I then left to inform the
warden.

- And then you returned
immediately?

- Yes.

- Um, so, uh,

nothing in this room ahs been
touched?
- No.

- Is it okay if I look around?

- Absolutely.
- Okay.
Good.

You know, I can do it alone.
It's gonna take some time.

- Oh, okay.
- Thank you.
- Thanks.

- Thank you, doctor.
Sorry.

- Hmm.

Photograph.

- Hey, Frank, it's me.

Um, I think I'm onto something.

I'm gonna need work ups on
everyone

who has access to this prison
hospital.

Yeah.

Okay.

Bye.

[action music]

- Frank?
- Yeah.

- I don't think anybody stole
Angelini's body.

- What do you mean?

- I think he walked out of that
prison

while the entire staff was
looking for a corpse.

- The doctor said he flatlined,
Cathy.

- Maybe not.

Just, just hear me out for a
second.

Now, I don't think he'd have any
trouble getting

the kinda drugs that would mimic
the symptoms of

a heart attack in a prison,
right?

- What kind of a doctor

doesn't know if his patient

has really died or not?

- Charging 200.

Clear.

- What if the nurse injected
him

with a harmless saline solution
instead a nitro.

Maybe they manipulated the
defibrillator to make

it look like he flatlined.

- Frank, you should take a look
at this.

- The doctor and the nurse,
they might have done all this

just for the benefit for the two
guards.

- This is interesting.

Looks like the doctor

had a little bit of a gambling
problem.

- A lotta debt?

- Uh, about 250 thousand
dollars worth.

That's a lot to me.

Paid it off about a month ago.

- Maybe Angelini did him a
favor.

- Might explain why Angelini

was so anxious to get to
Lompark.

All right.
What about the nurse?

- Oh, I checked her out.

Uh, she's worked at the prison
for six years.

She has an exemplary record.

Look, I found this gray hair in
the storage room

right next to where

they were working on Angelini.

- Is it real?
- No.

I burned it.
It's synthetic.

- So you're saying he put on a
wig and walked out.

- Maybe.
But he needed a little help.

You see, when Angelini was
brought into the infirmary

the guards and the prison
doctors

say a maintenance man

by the name of Parsons was
mopping.

Well, that's what maintenance
men do.

But normally you
wouldn't give this guy

a second look except for one
little thing.

Parsons has very long gray hair.

- So you think Angelini

passed himself off as Parsons.

- That's the idea.

But get this.

There's a 50 pound weight
difference

between the two men.

And I noticed when I was in the
storage room

that some of the linens were
taken off the shelf.

So here's what I think happened.

Angelini padded himself,

put on a wig,

dressed himself up as Parsons,

took the mop in hand

and picked up where Parsons left
off.

He worked the rest of the day

until quitting time.

Clocked out as usual

and just walked right out of
prison.

And Parsons, in the storage
room,

just settled in for the night

and ate Twinkies and waited.

Now, the next morning,

I figure the nurse must have
punched him in

and then Parsons just walked
right out

of the storage room and started
to work.

- So in all the
commotion of looking

for a missing body.

- Angelini just walked away.

- Yeah?

Come on, when?

Okay. Yeah.

Dr. Nelson's car just went
off a cliff.

He's dead.

- I think you'll find out it
was no accident, Frank.

Yeah. They musta turned on
that poor doctor.

Yep.
- Hey mom.

Can we stop for French fries and
ice cream?

Lunch was horrible.
I didn't eat anything.

- Nothing?

What'd they have, mystery meat
and peas or what?

- Uh huh.

Yep.
- Yeah?

- But do you know the song that
I was talking about

where the drums stay on the one
beat

and then the, I don't know.

We'll figure it out tomorrow.

Okay.
Hi, mom.

- Hey, sweetie.

Hi guys.
- Hi, Mrs. Davis.
- Guess what?

We're gonna be in the school
talent show.

- They picked you?
That is fantastic honey.

I'm so proud.

What are you gonna sing?

- Oh, we're working on
something,

but we're not quite sure yet.

- Why don't you do one of your
own songs?

- My own?
- Yes.

- I don't know.

I don't think they're ready yet.

- Uh, yeah.
They are.

You just have to work on it,
honey.

- Okay.

- Mom, French fries and ice
cream.

- Coming up.

- You really think I should do
my own song?

[Italian music]

[SPEAKING ITALIAN]

- Yeah. Yeah. I know.

Hi ya, ma.

- [IN ITALIAN]

- Yeah. Yeah.

- Hey, [IN ITALIAN]

- Ma, a couple more days.
Okay?

Just a couple a more days.
It'll be fine.

All right?
- Mmm.

- Don't worry about it.

[Italian male singer in
background]

- I just got you some
provolone.

The one you like.
The imported one.

- Nice.

Thanks for helping me out today,
Rocco.

- You know, the doctor was,

like, about an inch away from
cracking.

- Not anymore.

Rocco, I don't, I.

- Cafè?

- Oh, thanks, ma.

- I don't think your mother
likes me.

- Oh, don't say that.

She's just, she's not used to,

you know, people being around.

- Hey, I don't blame her.

Rocco, the Panama boys

are not gonna wait around
forever.

They want me to personally
cement the deal.

- So you gotta go to Panama.

- Soon.

Can we arrange it?

- Yeah.
Just like the old days.

- Just like the old days.

- My guys got some,

uh, very funny footage of our
nurse

and Parsons.

There's definitely something
going on with those two.

- With that poor doctor out a
the picture,

plot definitely thickens.

We still don't know where
Angelini is.

- Yeah.
And I got an idea on that.

I think I know a way to smoke
him out,

but I'm gonna need your help.

- Look, Frank.
Jack?

- Jack's a great guy.

What are you talking about?

- Frank, I can't go on lying to
him.

Do you understand that?

- Yeah. No.
Absolutely. I understand that.

I'd really appreciate your help.

Look, Cathy, I gotta
choose my battles.

- All right.
What's the plan?

- I've got an interview
set up with the nurse

and Parsons for
tomorrow morning.

- Yeah.
I did some time here.

- Ninety-two,
armed robbery, right?

- Yeah.
It was a long time ago.

I did my time, all right?

Then the warden helped me out

and he gave me a gig

as a orderly in the hospital.

Mainly I just clean
and scrub, you know?

I was working the
seven to three shift.

I, I clocked in around, uh.

- 6:56 and you
clocked out at 3:02.

- So, nurse Forsey,

how long have you
been working here?

- I've been employed as a nurse

at the prison hospital for
six years.

I was working the seven
to four shift

with Dr. Nelson.

Clocked in around 6:55

and clocked out around four.

- Anyway, I was,
I was mopping the hallway and
all of a sudden

I heard this huge commotion and
I, I,

I saw a couple of the guards

bring in one of the inmates.

- Do you know
who the inmate was?

- Louis Angelini.

- Do you know him?

- Everybody knows Louis
Angelini.

- Do you know Mr. Angelini
personally?

- No, I,

I don't know any of the inmates
personally.

Besides that's, uh,

against prison policy, you know?

- How well do you
know nurse Forsey?

- You know, only, you know,
working the same shift.

You know, we say, hi, and I
mean,

she started working here,

like, two years before I did.

- So, the only time that
you two see each other

is when you work the same shift?

- Yeah.

- I see him when we work the
same shift.

We say, hi.

Um, I was already working at the
prison hospital

for two years when he started.

- Is that the only
time you see him?

- Yes.

- And did you discuss with him,

the Angelini incident?

- Well, I saw him in
the corridor afterwards

and he asked me what happened.

I told him that inmate Angelini

had died of a heart attack.

- How did you learn about what
happened?

- I saw the nurse in the
hallway

and I asked her what happened
and, uh, she,

she said the inmate died of a
heart attack.

- And that's all she said?

- Yes.

They both lied about knowing
each other.

That's no surprise.

And well rehearsed.

- Yeah. Yeah. Well,

it certainly ties together
my theory about

Parsons spending the night in
the storage room

while Angelini disguised as
Parsons

walked right past the security
guards.

Nurse Forsey must have clocked
them both in

at 6:50 the next morning

so it looked like Parsons came
to work.

- Well, they have
more information

than they're letting on to.

- Yep. Somebody's watching them.

- Hey, Cath, the wedding ring.

Gotta lose the wedding ring.

Remember?
Jane Doe?

No ties.

Capishe?

- Capishe.

- Come on.

What?

- You can massage my back.

- How you doing, ma?

- Oh, don't get cute, Joey.

- Joey, I was hoping you'd stop
by.

- What are you talking about?
This is my house.

Hugo, what are you doing here?

- I wanted to make sure your
father's will was in order.

- We don't even know if he's
dead or not.

They haven't found his body.

- Well, we can only hope, can't
we?

- Monica, I'm gonna pretend I
didn't hear that.

- Save this tough guy act
for the valley girls, all right?

- You know what, Monica?
Why don't you shut up?

- Look, you need to grow up.

- Come on, sweetheart.
Let's not do this.

- This is the, uh, lease for
the new car.

- A new car, Monica?

- Yeah.
You got a problem with that too?

- Yeah.
I do have a problem with that

'cause you don't deserve
anything.
Nothing.

- Oh. You know, this is just
driving me insane.

- When are you gonna
get outta my house?

- This house is all I got from
your rotten father.

And after I gave him the best
year of my life.

- Okay.
Let's not discuss this now.
All right?

- I want the both of you outta
here.

- Joey, with all respect.

- Vinnie?
You have no respect at all.

I think the both of you
are just waiting

to find out my father is dead.

- And that's really funny
coming from you.

You never visited your father
once

when he was in jail.
Not once.

- You think I want to see my
father behind bars?

No more with the both of you.

No more.
I'm going upstairs.

- Just did a little background
check on Parsons.

Guess who's related to him?

- I'm thinking
it's an Italian name.

- You'd be right.

I think we're gonna
catch him off guard

and see what he says.

- So you want to
interview him again?

- Yeah.
I do.

But I want you to do it.

Just lay the cards on the table.

We need to let him know that
Angelini was set up.

- A smoke out, huh?

So, if Angelini finds out he was
set up

he'll stay in town to get
revenge, right?

Frank, we're setting somebody
up.

- Yep.

- I forgot my phone.
I'll meet you up there.

- Okay.

- Frank?

Hey, I'm Jack Davis.

- Jack.

Hi, how are ya?

- Good. Good.
How are you?
- I'm good.

- Frank, I don't want to take
my car so, uh, hi.

Hi, honey.

What are you doing here?

- Good to see you too.

- Uh, no, I just,

I thought you were in meetings
all day with your clients.

- Well, I was they,

it's just that my meetings

went faster than I
thought they would.

- Oh, that's great.

- Thought I'd pick up something
for dinner.

What are you guys up to?

- Oh.

Well, we were, we were just
working.

We thought we'd grab something.

- You don't have any groceries.

- Oh.

- I guess we got into work,

talking about work so much that
we,

we forgot to get something.

- Yeah.

- Am I gonna see you for
dinner?

- Yeah. Honey.

- That'll be nice.

- Frank, did you see the look
on his face?

- Keeping him in the dark is

for his own protection, Cathy.

Remember that.

- He's my husband, Frank.
I don't want to keep him

in the dark about anything.

- What is it with
you people anyway?

I told that other
guy everything I know.

- I don't think so.

For instance, you
didn't tell us that you

and nurse Forsey are
romantically involved.

Not only that, you're living
together.

- I don't know what you're
talking about.

- We got you on video, Richie.

Not my idea of
romance, but it'll do.

Richie?

- All right. We,

we first met when
I started working

in the hospital.

Uh, we kinda hit it off and.

- Come on, Richie.

You don't seem to
understand that you

and your girlfriend are in a lot
more trouble than you realize.

We know that you
helped Angelini escape.

- What?

- Yeah.

And I know that nurse Forsey
manipulated

the machines to make it look
like Angelini

was dead and that you helped him
disguise himself

as you so he could walk outta
here,

and we know you spent the night

in the storage room.

How am I doing so far, huh,
Richie?

Yeah.
And what about the doctor?

Was that an accident

or did he have a little help
from his friends?

- Hey! I didn't kill anybody.

- But you did
help Angelini escape.

Sit down, Richie.

- Why would I do that?

- Here's another little thing
you didn't bother telling us.

You're related to Angelini.

Not too close, but close enough.

That's why he persuaded Darnell

to transfer him here to this
prison

so you could be his inside help
in an escape.

Come on, Richie.

Help me so I can help you.

- They told me

they would kill me if I didn't
help.

- Someone ratted on Angelini.
That's why he was here.

- What do you
mean? Some jogger found
Nordstrom's body.

I, I saw it on the news myself.

- Yeah. That's what they wanted
the press to believe and

that's what Angelini believes.

But we know someone
close to him gave him up.

Talk to me.

We'll see what I can do for you.

[Susan playing guitar]

♪ Things like this only happen
in dreams. ♪

♪ Once upon a time there was a
girl like me ♪

♪sitting pretty, pretty in the
apple tree♪

♪when a boy came along and stole
her heart.♪

♪It was a fairy tale love right
from the start.♪

♪Fairy tale love, whoa, whoa.

- That was wonderful
sweetheart.

- Yeah?
- Yeah.

All right.
I gotta make some phone calls.

- Oh, okay.

- I'm sorry I'm late.
I'll start dinner right.

- Good?

- Oh, yeah, honey.

I think it's a beautiful song.

What do you guys think?

- Yeah.

- I think you should do it,
honey.

- Yeah?

- You're upset because you saw
Frank with me at the market.

- It's just a little weird, you
know?

- But it's my job.

- You rush out of the house

every time the guy calls.

- So you got it in your head
that there's something

going on between me and
Frank Darnell?

- The thought crossed my mind.

- Oh, honey.

I worked with him before
I even met you.

I, we're old friends.

- So you're gonna tell me that
now?

- I thought you knew that.
I?

- No, I didn't.

- Has anything like this
happened between us

in all the years that we've been
married?

- No, not until today.

- I love you.

You and the kids mean everything
to me.

- You weren't even wearing your
ring today.

- Hello, Richie.

- Mr. Angelini?

- You alone?

- Yeah.

- Sorry your girlfriend
couldn't make it.

I was looking
forward to meeting her.

Well, there'll be
other times, I guess.

You did a good thing, Richie.

- Uh, we were glad to
help you out, Mr. Angelini.

- You and, um.

- Rose.

- Rose.
- Yeah.

- It's a beautiful name.

My mother's name.

Now, I hear the authorities
have been talking to you.

- We didn't say nothing to
nobody.

- That's a double negative,
Richie.

- Look it. Mr. Angelini, you
can trust me, okay?

- That's good.

- Can I tell you
something, Mr. Angelini?

- What?

- You got sold out.

Somebody dropped
the dime on you.

Nordstrom's body was
not found by any jogger.

- How do you know this?

- The feds told me.

- Can you say, you can't trust
anybody these days.

- Look Mr. Angelini.

- Go on home now, Richie.

- Good morning.
- Good morning, honey.

- What's so good about it?

- Uh, what's going on?

- Nick, why don't you, Nick?

- What?

- Why don't you get your things
for school?

- Oh, okay.
Sure.

- Talk to me.

- Mom, I don't think I
can do this.

- What?
The talent show?
Why not?

- I mean,
I've never really gotten up

in front of a bunch of people

and tried to sing before.

I mean, never mind I'll
be singing a song

I wrote in front of a
bunch of my friends

and about a
thousand other people.

- Well, you sang for that
Christmas show.

- Mom, that was like Rudolph or
something.

There were only 20 people there.

And I was six.

- What do you want to do?

- I want you and
me to play hooky

and go to the outlet mall.

- No, honey.

What do you want
to do with your life?

- I want to be a singer.

- Well, how are you gonna sing
in front of 50 thousand people

if you can't sing in front of
your school?

- Because I won't have to face

those 50 thousand
people every day.

- Exactly.

If you can do that you
can do anything.

- Ready.

- Besides.
It's such a beautiful song.

I want to hear it.

- Okay.

- Bye mom.
Come on, Susan.

- Bye.

- Honey, can we talk?

[PHONE RINGS]

- Better answer that.

- No, honey, I.

- I gotta go to work.

- Parsons wants to meet.

Now.
Santa Monica Pier.

- Thank you.

Oh, no, no, no, no.

- What's the matter?
- Well, I, I mean,

how can you be so calm?

It's not natural.

He could be out there right now.

- I really doubt it.

- Well, don't you think he has
an ax to grind?

- With who?
Me?

Look, will you just calm down?

Because the guy's probably on
the other side of

the planet sipping on a mai tai.

- You wish.

I just talked to him.

Just kidding.

- Not cute, Joey.

You should mind your own
business.

- When it concerns my father,
it is my business.

You packed?

- Come on, Joey.
Don't' start this again.

- Joey, Monica's, she's shaken
by this whole thing.

You can understand that.

- Yeah.
I know.

You two have fun.

- I can't believe you didn't
get me one of those.

- Want some?

- Yeah.

- You guys alone?

- Not too happy about it,
but that's what you wanted.

So, what do you got for us,
Richie?

- I'm scared.

Rose is scared.

We want some protection.

- That's a smart choice.

- What do we get?

- We will testify that
we got him out.

- I already know that.

Just like I know
Angelini killed Nordstrom

because he found out he was
talking to us.

Now, what I want to know from
you is, what do we get?

- I thought you were supposed
to be protecting us?

- I'm gonna start
the ball rolling

on the witness protection
program.

What you're gonna do,

you're gonna tell me everything

I need to know about Angelini.

I want to know where he is.

- Let us take you in.
That's it.

- We'll go now.

We'll pick up Rose on the way.

- All right.

Let me go, uh, clean
up a little bit

'cause I haven't had any sleep

in a couple a days.

- We'll wait here.
Make it quick.

- All right.

- Hey, Richie?

[SILENCED GUN SHOT]

- Agh.

- Miss? Turn around and
run towards me now.

Go!

We got a man down.

I need an ambulance
at Santa Monica Pier ASAP boys.
Go.

- He's gone.

Frank, we shoulda
done something for him.

- We tried.

We tried, okay?

He just got in over his head.

- So do we.

- Now's not the time, Cath.
Calm down.

- We gotta catch him before he
kills somebody else, Frank.

- Hi, honey.

- Hey, mom.

You look tired.

- Thanks.

I had a rough day.

Is dad home?

- No, not yet.

- Well, maybe he's working
late.

Still studying.

- Learning to Rock!

- Are they still rehearsing
upstairs?

- Believe me, mom.
If they weren't
you'd know about it.

I think I've heard
this song so many times

I could do it myself.

- Hi, mom.
- Hey.

- Finally.
I can go upstairs now.

- Okay, so we'll do it
tomorrow again?
- Okay.

Yeah. Bye, Mrs. Davis.
Bye, Mrs. Davis.

- Bye. - Bye.

- How'd your song go?

Do you really think I'm any
good?

I mean, really?

- Yeah.

You have a gift.
You have to use it.

- Okay. That's a little
biased, but I'll take it.

- Yes, it is.

- Do you think I'm as good as
Hilary or Jessica?

- Yes.

- Hi, honey.

Guess you're not picking up.

Um,

look, I know things have
been a little weird

between us lately,
but, uh,

well look I just,

I just had a really
crummy day today

and I, uh,

I need
someone to talk to.

So, please call me back, okay,
hon?
Okay.

- Lousy feds.

- Frank?
- Yeah.

- Look, this isn't working.

- What's not working?

- Leading this double
life with Jack.

It's just making me crazy.

- Cathy, look. Once we bring in
Angelini we'll talk about

letting Jack in on things, okay?

- I love doing this job.
You know I do.

But Frank, I have to tell him
everything.

- Everything?

What are you gonna tell him
that we dated 20 years ago?

What goods gonna come from that?

- You're right.
But I have to tell him I'm an
agent.

- You help me find Angelini
we'll talk, okay?

I want to show you something.

Okay.

Here's the deal.

We gotta figure out which one of
these people

is helping Angelini get to
Panama.

You with me?

- Yeah.
- Okay.

- And which one set him up.

I think he took Parsons bait.

We gotta find out who it is
before he does.

- I printed them out.

Here's your puzzle.

Go solve it, Jane Doe.

Go on.

- I only sell armaments to
overseas

law enforcement agencies

through a French partnership.

How Louis ran his business is
irrelevant.

I bought the business from him

and that's a matter of public
record.

- What if he wants to get back
in the business?

- Well, I don't think that's
gonna happen.

He's probably outta the country
by now.

- Well, you know,
two people associated with him

have been found dead.

Shouldn't you be a little
worried for your safety,
Mr. Colabella?

- Louis knew that if
his appeal was ever heard

and he managed to get released

he wasn't gonna be able
to come back

and run the operation
like he used to.

His time has passed.

But to that end,

I put a nice
chunk a change in a,

in a trust account
so when he retires,

you know, he's
gonna be taken care of

if he should ever get out.

- Well, that's
awfully nice of you.

Maybe that's why he
decided to escape from jail

and take early retirement
on the beach somewhere,

hmm?

- Well, I certainly
hope that's not the case

'cause I wouldn't want to feel

any responsibility
for him, uh, escaping.

- So, what's your
association with Joey Angelini?

- Joey.

I'm sure Joey assumed
he was gonna take control

over his father's
business dealings while he was

incarcerated, and there
might have been some, uh,

some ill feelings.

But that's all behind us now.
[PHONE RINGS]

- Hmm.

- Yeah?

Yeah.
Bring it in.

Thanks.

You know, Joey also had
some issues with his father.

- What kinda issues?
What?

- Louis never
really primed Joey

for the number two
spot in his business,

and that created a
little resentment.

- What's your association with
the former Mrs. Angelini.

- Don't be coy.

If the CSA would
like me to participate

in the
apprehension of Mr. Angelini

I'd be more than happy.

But right now I
have to run a business.

- All right.

Well, thank you, Mr. Colabella.

- Yeah.
Well, you have a nice day.
- Mmm.

- One twenty-five.

Vegetarians?

Who doesn't eat meat?

Well, we got salad, right?

Well, then let
them eat the garnish.

- Here we are, darling.

- No.
- No?

- And definitely no.

- Oh, what a pity.

- Are you having a
big party or something?

- Oh, just a few friends.

Um, thank you, Chris.

Are you sure you
don't want anything to drink?

- Oh, no, no.
Okay, thanks.

Thank you.
- Thank you, ma'am.

- Shoes for the big party?

- Oh, uh, you know,
well, you know, shoes.

You gotta try
them all on at the,

to see what one fits.

- So, about your ex husband.

When was the last
time you spoke with him?

- Uh,

I received one or two calls

after he went to prison.

It wasn't fun.

- Well, pardon me
for asking, Monica.

But why did you marry
him in the first place?

- Look around.

I guess he made me an
offer I couldn't refuse.

- Well, it's an
awfully, um, big house.

- Yeah.

And you know his son, Joey?

He's trying to
take it away from me.

- Well, didn't
Mr. Angelini give

Mr. Colabella
control of his operations?

- You know what?
I'm sorry.

This is getting a little
crazy right now and, uh,

maybe we could do
this some other time.

- Absolutely.
- Oh, good.

- Good luck with your party.

- Oh, thank you.

- And, uh, the shoes.

- Yeah.
Thanks.

- Bye, Mauri.

Hi, honey.

Late night, huh?

- Yep.

- Huh.
You must be exhausted.

- Nope.

- You need anything?
You want me

to get you some food?

- Nope.

- Huh.
Must have been a bad one.

You're only using one syllable.

- You're not the only one
who has to work late hours.

- What are you doing?

- I'm gonna sleep
on the couch tonight.

- Yes.
I represented Louis Angelini.

He was a client.
That's all.

So, just what is the
point of this visit?

- As you know,

Mr. Angelini's a
very dangerous man

and with him on the loose,
I mean, I hate to
bring up a sore subject,

but don't you think he was

more than a little upset

that you didn't
get him acquitted?

- Paula, in here please.

- Oh, I love this book.

It's fantastic.

- Yeah.
Now if you'll excuse me,

I have business to attend to.

Paula, I, uh, want
you to type these, uh,

file this, oh, and, uh,

return these shirts
for me for credit please.

Thank you.

Now, if there's, what?

Are you completely inept?

What is wrong with you?

- Sorry.
Oh.

- Be, be careful with those.

Those are original documents.

Temps.

What can you do?

Uh, call Charlie Greene,

tell him I'm
running a little bit late,

but I will be there.

Oh, and tell him I'm bringing
the book to him personally.

Oh, and show the lady out.

- Yes, sir.

- Hi, Frank. Yeah.
I'm in the marina.

You would not believe what I saw

at Hugo Verardi's office.

You know, that lawyer guy?

Yeah.
I think I finally have a lead.

I need you to run a check

on a Charles Greene
from Elite Expeditions.

- Okay.
Uh, give me the name again.

- Elite Expeditions.
Yeah.

I think I have a
hunch on how Angelini

might be planning on
leaving the country.

- Thank you much.
- Thank you.

Thank you.
- Good afternoon.

- Can I help you?

- Uh, I'm looking
for Elite Expeditions.

- That's me.
I'm Charles Greene.

How do you do?

- Oh, that's great.
I as just, uh,
admiring your yachts.

- Well, we've got them all.

Thinking about buying a yacht?

- Me?
No, no, no, no.

My company sent me here.

Uh, the CEO says that
the investment will more

than pay for itself, what,

with the business
parties and, you know,

entertaining
prospective clients.

- You took the sales
pitch right outta my mouth.

- Oh, sorry.

- That's fine.

- You know, actually, I think
my CEO is more interested

in having a status symbol.

- Uh, now don't knock it.

In the world of big business

these babies
carry a lotta weight.

- Wow.

This is nice.

- You have exquisite,

not to mention expensive taste.

This is our top of the line.

- Huh.

So do you think that, um,

this boat could go
all the way to Brazil?

- Brazil's easy.

You'd have to stop
and refuel in Panama.

- Panama.

- What can I get you?

- Oh nothing.
Nothing.

You really know your stuff.

- Well, it's my business.

Been around boats all my life.

- Wow.
Well, you know what?

I love old books.

Is this one a first edition?

- I doubt it.

Uh, it belongs to a client,

but it is very expensive.

- Huh.
I bet.

- You sure you
wouldn't like a, a drink?

- OH, I'd love to, but I,

uh, oh, oh, I have
to get back to work.

Thank you so much.

- Well, if you change
your mind here is my card.

I'm not a bad pilot either.

- Pilot?
- Mm hmm.

- That's impressive.

- Thank you.
- Huh.

- Bye, bye.

- Bye.

- The lawyer
seems to be the only one

that's helping Angelini out.

- It appears that way.

- You know what?

We don't' even know if
this guy's in town or not.

- Well, why would he
give all that money to

that character Charles Greene?

I say he's gonna
settle his score,

get on that boat,
and go to Panama.

- Right.
Just like that.

- Just like that he
walked out of a prison.

- You know what?
My guys haven't seen anything

out of the
ordinary at the, uh, place.

His house has
been bugged for days.

Angelini hasn't been there,

and I haven't heard
one thing about Panama.

So, what's the matter?

You okay?

- Nothing.

- What?

- It's Jack.
He's not talking to me

and he's staying out a lot.

- Oh.

Where does he go?

- I don't know. This sports
bar down in Dartmouth.

- I wouldn't
worry too much about it.

You know what my ex used to do?

- Frank?
That's why she's your ex.

- Good point.
Go talk to Joey Angelini.

I gotta check a
couple things out.

We'll talk later.

- Okay.
Thank you.

May I help you?

- Oh yes.
I'm here to see Joey Angelini.

- Are you an agent?

- Yes.

- Having a few good leads

can always guarantee the sales.

They're nice to have.

I mean,
I started this company

only with a few good leads.

And that's what you guys have.

You just gotta go with it,

which brings me
to Miller over here.

Miller has had some of
the best leads I've seen

in a long time.

Isn't that right, Miller?

But he hasn't closed a
deal in how long, Gino?

- Twenty-six days.

- Twenty-six days.

And I don't want to
wait one more single day.

That's why today Miller

is gonna be your
last day with us.

Give my love to
Shelly and the kids.

Well, that about does it.

You know how I want things run.

You have your territories.

Now, let's sell, sell, sell.

Let's get to it.

- Hi.

- Hi.
You new around here?

- Yep. Yeah.

- Step over here to my bar.

You want something drink?
Scotch?

- Uh, no thank you.

I'm, uh, driving.

- Me too.

My office is right here.
- Oh.

That's nice.

- So you're an agent?
- Yeah. Yeah. I am.

This kind.

- Jane Doe?

Is this some kind of joke?

- Wish it was.

I have to ask you some
questions about your dad.

- Oh.
Just wait here.

Karen, yeah, just hold my calls.

I'm just walk our
friend outta here.

Be right back.
Thanks.

This way.

Where's your car?

- Over there.

Joey, if you have any idea

of the
whereabouts of your father,

now would be a good
time for you to tell me.

- Look lady.
You got a lotta nerve coming to

my place of business
starting to prod like this.

I run a legitimate
real estate business.

- I never said otherwise, Joey.

- My father and I
never really agree on things.

He was a different kind
of businessman, you know?

- Yeah. Well, his business
tactics made it possible for

him to set you up financially.

- You mean, Angelini
Real Estate business?

Yeah. He gave me some
seed money to get it started,

but I made it work without him.

- Yeah. Well, he managed
to throw a few big ticket

clients your way though.

- I'm impressed.

You did your homework.

Look, lady.
I know why you're here.

You figure since
my old man is missing

I know where to find him.

- You have to admit.
It would make my job a
little bit easier.

- Well, tough 'cause I don't.

Besides, he's
probably long gone by now.

- I'm not so
sure about that, Joey.

- Oh, you know
something I don't?

- Could be.

- My father made
a lotta mistakes,

but that's pretty stupid.

- Maybe he had to take care of
some unfinished business.

You know, like
get rid of something

or somebody

who set him up.

- Mind if I have a seat?

- What are you doing here?

- What can I get for you today?

- Beer's good.

- Regular?
- Take one.

- Okay.

- Looks like you
been here for a while.

- Yeah.
So?

- Look Jack, I'm,

I'm not much on the small talk.

- Good me neither.

- Cathy loves you very much.
She's worried about you.

- Who are you?
I don't even know you.

For all I know, you're
the cause of all this.

- Look, I think
there's a few things

you and I need to clear up.

We need to talk about it.
- Well, good, Frank.

Why don't you clear me
up on a few things, huh?

- Jack,

Cathy and I have
known each other

for a very long time.

We just work together.

That's it.

- Well, I don't
know what to think.

- You know how lucky you are?

You have any idea?

Do you know what I would give

to have what you
have with Cathy?

- Spare me.

- No, I mean it.

Somebody who thinks about you.

Somebody who cares about you.

Somebody who worries about you

when you don't come home.

That's a lot, Jack.

I had that once, but I blew it.

Look around this bar.

You come here when
you're mad at the world.

You know why I come here?

I come here so I
don't feel so lonely.

You go home to your wife.

You put your arms around her

and you tell her
that you love her.

'Cause I know she loves you.

Hey, Bud
thanks for the beer, huh.

- Geez.

- Hello, Vincent.

- Ange, you almost
gave me a heart attack.

- What do you, fell
guilty about something, Vinnie?

- Where you
going? Where you going?

- I'm, see, I'm
not done here yet.

Getting a little
nervous, huh, Vinnie?

Well, look, I don't blame you.

- Look, I'll do
anything you want, all right?

- I know that.

- I won't, I won't
tell anybody that I saw you.

- I, I know that too.

- And, what do
you want from me?

- Nothing much.

Just why you set me up.

Why did you set me up, Vinnie?

- What are you, I
didn't set you up.

- You set me up, Vinnie.

- I didn't set you up.
- Don't lie to me.

- I swear.
It wasn't me.

- You're lying to me.
I hate liars.

Look. I remember exactly
what happened that night.

It could only have been you.

- Hey, what's going on?

Why are we meeting here?

- Come on. Come on.

We're all friends here, Armand.

We just came from dinner.

Now, what's the problem?

- My people in Panama are
getting very anxious, you know?

When can I tell them something?

- Why is that all of a sudden
everyone's getting nervous?

What do you make of that, Vince?

- Civil unrest in Panama.

Isn't that a surprise?

- Hey, Louis, you know,

I don't want you to
look bad here, you know?

- Armand, I'm really
glad, truly, I'm glad that,

that, you know, that
you're concerned about me.

Aren't you glad?
- I'm glad too.

[GUNSHOT]

- Get rid a this garbage.

This too.

Now, somebody tips off the feds

where to find it
along with the gun I used.

I shoulda suspected
you from the beginning.

Nordstrom was your guy.

You set up the
first meeting with him.

- That was somebody else.

I was in Chicago

with Desteffano.

Do you remember?

And I didn't dump the body.

I gave that to somebody else.

- Let's get outta here.

- Honey?

Oh.

It's a wedding.

Frank,
Monica Angelini is
getting married today

- Good.
I'll send her a toaster.

- No. I'm serious. All the
players are gonna be there.
We've gotta go.

- Look, I got a tip from one of
our sources in Central America.

This Panama deal is
going down Monday morning,

and Angelini's gonna be
there to seal the deal.

- So, if he's gunning for
somebody he's gonna do it now.

- Well, I don't
care who the target is.

I just want to know who
he's working with in Panama.

- Frank, two people are dead.

We've gotta stop him
before he kills somebody else.

- Cathy, this
arms deal goes down

do you know how many
people are gonna die?

I've got the ports
and borders locked down.

Angelini's not
gonna go anywhere.

Now, and before you say
anything the answer is, no.

We're not crashing any weddings.

Trust me.
I've done this a few times.

- Here. Here.

- Hey, hey?

Don't I know you?

- No.
I don't think so.

- I'm Gino.

- I'm Conchetta.

- Are you from around here?

- No, no, no.
I'm from Brooklyn.

- Brooklyn?
Me too.

- No kidding.

- Let me buy you a drink.

- Maybe later.

- Frank, pick up.

- Yeah?
Hey.

- The groom is Colabella.

- Where are you?
Are you at the wedding?

- I wouldn't do that.

I'm at the reception.

- What are you doing?
What are you thinking?

You shouldn't be there.
You don't have backup.

You, get outta there.

- Well, whose fault is that?

- I don't want to argue
right now. Get out.

- Frank, Frank,
you're breaking up.

- All right, everybody let's
go inside.

The food's ready.

[OPERA SINGER]

- That was beautiful.

That was just beautiful.
- Thank you.

[Italian uptempo music]

- Conchetta,
Conchetta, come on.

I'll cut in now.

[music and chatter]

- I'm really dizzy.

I have to go.

- This won't take too long.

You'll be back here
before you know it.

You won't miss
nothing of the wedding.

- Yeah.
Go ahead.

- Frank?

Yeah.
It's me.

Look, someone
pulled Joey Angelini

out of the wedding.

He's taking him somewhere.

- Okay.
Where are you?

- I don't know. I've been
tailing him for a while.

Maybe they're going
to Elite Expeditions.

Wait a minute. Wait a minute.

They just pulled into,
uh, to Whiteman Airport.

I need backup, Frank.

- Whiteman Airport.
Let's go.

- Come on.

- What are we doing here?

- It's a surprise.

- Come on, Rocco.
Where we going?

- Keep walking.

- What are we doing back here?

- You'll see.

- Dad.

- Hello, Joey.

- You know, uh,

I thought you'd
be long gone by now.

- I'm sure you did.

- What are you doing here?

- Well, I thought you and I

should have a
little talk before I left.

- Here? Well, what, what do
you want to talk about?

- Rocco, why don't
you go tell the pilot that

I'll be there in
a couple a minutes.

You set me up, Joey.

- I didn't set you up, dad.

- You set me up and then,

then you looked in my eyes

and you pretended to cry

like you cared about
what was gonna happen to me.

Joey, I don't get it.
I mean, everything I did.

Every penny I've
ever made was for you,

was for your future.

I, I, you throw
in with a bum like

Armand Nordstrom and
you rat on your father?

- It was all for me?

That's what you're saying?

It was all for me, dad.

I mean, you cut
me out of everything

that was ever important.

- I cut you out because I
was trying to protect you.

I didn't want you to
get involved in stuff

that you didn't
have to get involved in.

Look, look here.

You want to know what your
legacy would have been?

This.
You know what this is?

You know what's on here?

The name of every
buyer in South America.

I was gonna meet
with them in Panama.

You know what that's worth?
A half a billion dollars.

- That's what it's about, dad.

It was always about the money.

What about ma?

I have to see her
every single day.

- That's it.
Don't bring up ma.

- Don't bring up her?
- Your mother's got nothing
to do with our relationship.

You're my son.

- You're a greedy man.

That's who you are.
- You're my son,

and you're gonna respect me.
- I don't want to be your
son anymore.

You gonna shoot me, dad?

You gonna shoot your own son?

Go ahead. Shoot me.

But before that I want you
to tell me you love me.

Just a little.
Just a little bit, huh.

[GUNSHOT]

Dad?Dad? Dad? Dad?

Dad? Dad? Dad? Dad?

- I love you, Joey.

- Dad? Dad? Dad?
[CRYING]

- Hands over your head, Joe.

- You heard him.
- Hands over your head.

Easy and stay there.

Behind your head nice and easy.

- Believe me.

It was an accident.

- Cuff him.

- A total accident.

- Put your hand behind you.

- Take care of him.

Just, just don't
leave him like that.

- Okay.
Let's get him in the car.

- I'll call the
locals and the ME.

- So it was the son.

- He set up his own father.

- Some family.

- I think you'll
find this interesting.

- Looks like
I'm going to Panama.

- Yeah.

- All right, sir.

- Who is that guy anyway?

- Rocco Galletta.

He's the one that
killed Parsons at the pier.

- Watch your head.
- Probably the doc too, huh?

- Yeah.
- Oh well.

Frank Darnell
always gets his man.

- I try.

- I gotta go.
Frank, okay,

everything you need is recorded

on this phone, all right?

- Good job by the way.

Very good job.

- Thank you.

Same to you.

- That's a nice outfit.

Gotta wear that more often.

- See you around.

- Oh, honey, honey am I late?

- Mom, what are you wearing?

- Oh, I, I just wanted
to look nice for your show.

- In that?

- Did I miss your performance?

- There isn't going
to be a performance.

- Oh, honey.

Were you scared to do your song?

- No.
Caitlin got scared.

She bailed out on us.

- Oh, you can
do it without her.

- Mom, she's our drummer.

We can't do my
song without the beat.

- Why don't you,
you guys go get ready.

I have an idea.

- Mom, we can't do
it without Caitlin.

- Just trust me on this, okay?

Go on.

[BAND PLAYING]

- Honey, I need your
help.

- That was Jerry
and the Peacemakers.

Let's give them a
big round of applause.

Our next
performance will be Susan Davis

and her band
doing Fairy Tale Love.

[song starts]

♪Rain comes down in
the soft summer night.♪

♪I look out the window,
there's no one in sight.♪

♪You and me, or so it seems,

♪things like this
only happen in dreams.♪

♪Once upon a time there
was a girl like me sitting♪

♪pretty, pretty in an
apple tree when a boy came♪

♪along and stole her heart.

♪It was a fairy tale
love right from the start.♪

♪Fairy tale love.

♪Late at night
before I fall asleep,♪

♪I thank the Lord
for having me,♪

♪for giving you to me.

♪And if the sun peaks up,

♪and all the stars up
in the sky,♪

♪the world seems to stop

♪when I look into your eyes.

♪Once upon a time there
was a girl like me sitting♪

♪pretty, pretty in
an apple tree.♪

♪When a boy came
along and stole her heart.♪

♪It was a fairly
tale love right.♪
[music fades]

- Howdy stranger.

Got a minute?

- I thought you
hated those things.

- Oh.

Actually, they're both for you.

- I'm pretty tired.

- Well, I think
you're gonna need it.

- I'm not really
sure how to begin this,

but, uh, you know, I,
I've always solved puzzles,

and I work for Frank Darnell.

- Yeah.
So?

- Frank is a
bureau chief for the CSA.

- The CSA?

- Yes.
And, uh, I was
recruited in college

to be part of a special team

that solves the
most difficult puzzles

for the government, so.

- You worked for the CSA?

- Yes. Yes.

And I was really,
really good at it,

and my parents didn't
know and it was crazy.

And I,

I loved
it until I met you.

And then I just, I wanted out.

That was it.

And I told Frank, and he told me

I was crazy to quit something

that I was so good at.

Honey, it was worth it.

It was so worth it, honey.

I wouldn't trade
our life for anything.

But, uh, the kids are grown now

and I got pulled
back into the CSA.

Now I'm Jane Doe,
an agent without ties.

That's why I took off the ring.

Frank is my boss
and that is all he is.

- Well, why
didn't you tell me this?

- For the safety of
the children and for you.

And

I know it's crazy, honey.
I know.

And I'm sorry
for all the,

you know, the lies,

but

I didn't want this
to come between us.

You're,

I love you.

- This is a lot.

- I know. I know.

- Come here. Come here.

I love you.

I'll never stop loving you.

I, I, I wouldn't know how.

Sweetie.

CSA, huh?

Hot stuff.

[romantic music]