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♪
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Downloaded from
YTS.MX
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Official YIFY movies site:
YTS.MX
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[ APPLAUSE ]
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>> HELLO, FRIENDS.
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WELCOME TO OUR EMMYS
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NEIGHBORHOOD ON A BEAUTIFUL MLK
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DAY.
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YOU KNOW...
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[ APPLAUSE ]
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I LOVE TELEVISION AND
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TONIGHT WE CELEBRATE 75 YEARS OF
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EMMYS!
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WE'RE GOING TO COMMEMORATE THE
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GREATEST SHOWS OF TODAY WHILE
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PAYING TRIBUTE TO SOME OF THE
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ICONIC SERIES THAT MEAN SO MUCH
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TO US.
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SIMPLY PUT, TELEVISION HAS
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SHAPED THE WORLD AND MORE
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IMPORTANTLY, IT SHAPED ME.
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NOW, I HAVE LEARNED A GREAT DEAL
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ABOUT LIFE FROM MY MOTHER.
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SHE TAUGHT ME EVERYTHING I KNOW,
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BUT I ALSO LEARNED A LOT FROM
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THE TELEVISION SHOWS THAT I
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WATCHED GROWING UP.
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I'D WATCH IN MY LIVING ROOM.
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IT WAS JUST ME, MY TV, MY PIANO
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AND A SMALL LOCAL DIVERSE AND
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INCLUSIVE CHOIR FROM COMPTON.
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YEAH!
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YOU'RE PROBABLY WONDERING WHY I
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HAVE THE WHITE DUDE IN THE
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CHOIR.
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FUN FACT, KEVIN COSTNER IS FROM
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COMPTON.
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I WONDER IF HE WAS A CRIP OR A
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BLOOD.
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WHO KNOWS...
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ALRIGHT.
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>> ANYWAY, FROM THIS GREAT
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SERIES CREATED BY NORMAN LEAR
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AND ERIC MONTE, I LEARNED ABOUT
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THE IMPORTANCE OF FAMILY, A
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DYNAMITE CATCHPHRASE AND SPINOFF
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MONEY.
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NO GOOD TIMES, NO GROWNISH.
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NONE OF THAT ISH.
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CHOIR, HIT IT!
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♪ KEEPIN' YOUR HEAD ABOVE
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WATER MAKING A WAVE WHEN
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YOU CAN ♪
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♪ LAY OFFS GOOD TIMES EASY
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CREDIT RIP OFFS GOOD TIMES
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SCRATCHING ♪
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♪ AND SURVIVING GOOD TIMES
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HANGING OUT AND
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JIVING GOOD TIMES ♪
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♪ AIN'T WE LUCKY WE GOT EM
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GOOD TIMES
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♪
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[ APPLAUSE ]
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>> ALL RIGHT!
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ALL RIGHT.
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I SEE YOU.
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OKAY.
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HEY, FLETCHER, YOU ALWAYS
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INVITED TO THE COOKOUT.
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NOW, TV GAVE ME MY FIRST CRUSH.
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I WAS WATCHING "FACTS OF LIFE"
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WHEN A BEAUTIFUL GIRL WITH
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PIGTAILS SKATED ACROSS MY TV AND
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STOLE MY HEART.
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I LOVE YOU TOOTIE!
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BUT THEN I REALIZED THAT TOOTIE
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WOULDN'T REALLY UNDERSTAND ME.
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I NEEDED SOMEONE GROWN AND MORE
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REFINED.
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AND THERE SHE WAS.
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MRS. GARRETT.
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MM-HM.
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NOW, SHE COULD TEACH ME THE
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FACTS OF LIFE.
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[ LAUGHTER ]
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♪ YOU TAKE THE GOOD YOU TAKE
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THE BAD YOU TAKE THEM BOTH
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AND THERE YOU HAVE ♪
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♪ THE FACTS OF LIFE THE
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FACTS OF LIFE
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THERE'S A TIME YOU GOT TO GO
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AND SHOW YOU'RE GROWING ♪
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♪ NOW YOU KNOW ABOUT THE
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FACTS OF LIFE
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THE FACTS OF LIFE
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WHEN THE ♪
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♪ WORLD NEVER SEEMS TO BE
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LIVING UP TO YOUR DREAMS
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THEN SUDDENLY YOU'RE
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FINDING OUT ♪
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♪ THE FACTS OF LIFE ARE
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ALL ABOUT
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YOU YOU ♪
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[ APPLAUSE ]
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ING.
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>> YEAH.
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NOW, MAMA SAID IF I WANTED A
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GROWN, MATURE WOMAN, I NEEDED TO
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GET COOL.
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I DIDN'T KNOW WHAT SHE MEANT
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UNTIL MIAMI VICE TAUGHT ME ALL I
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NEEDED WAS A TAN, WHITE FRIEND
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AND A COOL WHITE JACKET.
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IT'S CRAZY TO THINK THAT PHILLIP
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MICHAEL THOMAS COINED THE PHRASE
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EGOT.
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DAMMIT, HE AIN'T GOT ONE!
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♪
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♪ I CAN FEEL IT COMING IN THE
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AIR TONIGHT ♪
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♪ OH LORD
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♪ I BEEN WAITING FOR THIS MOMENT
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FOR ALL MY LIFE ♪
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♪ OH LORD
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♪ OH LORD
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>> YEAH!
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GIVE IT UP FOR TRAVIS BARKER!
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HEY, TRAVIS, YOU CAN PLAY AT MY
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WEDDING, MAN.
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YOU MISSED THE FIRST ONE.
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THE SECOND ONE.
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ALL RIGHT.
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LET'S GET INTO IT, EVERYBODY.
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TONIGHT, IS A CELEBRATION.
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WE'RE HONORING THE BEST OF BEST
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FROM ACTORS, WRITERS, DIRECTORS,
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AND THE SHOWS THAT KEPT US GLUED
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TO THE TUBE.
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TONIGHT WE'RE GIVING OUT 27
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AWARDS.
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THAT MEANS 27 ACCEPTANCE
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SPEECHES.
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SO I'D LIKE TO ASK YOU ALL TO
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KEEP THOSE SPEECHES TIGHT.
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NOW, NORMALLY ON AWARDS SHOWS WE
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DO WHAT'S CALLED "PLAYOFF MUSIC"
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WHICH EVERYONE TENDS TO IGNORE.
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BUT THIS YEAR I'VE GOT SOMETHING
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THAT NOBODY CAN IGNORE.
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MY MOMMA.
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NOW, TONIGHT, MY MOMMA --
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[ APPLAUSE ]
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>> TONIGHT, MY MOMMA, SHE IS
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GOING TO BE THE EMMYS "PLAYOFF
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MOMMA."
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WHEN YOU SEE MY MOMMA COMING,
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JUST THANK JESUS AND YOUR FAMILY
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AND WRAP IT UP.
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ALRIGHT NOW, THAT'S ENOUGH.
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I DON'T WANT NOBODY TO GET
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DISRESPECTFUL WITH MY MOMMA,
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BECAUSE MY MOMMA IS FROM THE
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WEST SIDE OF CHICAGO AND SHE CAN
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THROW HANDS.
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>> SHUT UP!
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>> MOMMA.
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>> I WANT TO GO TO THE
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AFTERPARTY.
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>> OKAY, MOMMA.
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ALL RIGHT.
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YOU'RE SUPPOSED TO BE YELLING AT
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THE OTHER PEOPLE, NOT AT ME, NOT
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IN THE MIDDLE OF THE MONOLOGUE.
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>> TIME'S UP, BABY.
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CUT TO THE CHASE!
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>> SEE WHAT I MEAN?
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MY MOMMA DON'T PLAY.
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YOU'VE ALL BEEN WARNED.
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>> OUR FIRST PRESENTER MADE HER
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TELEVISION DEBUT AT THE AGE OF
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ONE.
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THINK ABOUT IT, WHILE I GREW UP
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WATCHING TV, SHE GREW UP ON TV.
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SHE'S AN EMMY WINNER AND A
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NOMINEE AGAIN TONIGHT.
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IT IS MY HONOR TO INTRODUCE
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CHRISTINA APPLEGATE.
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♪
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[ APPLAUSE ]
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[ LOVE & MARRIAGE ]
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♪
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♪ LOVE & MARRIAGE
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♪ LOVE & MARRIAGE
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♪ GO TOGETHER LIKE A HORSE AND
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CARRIAGE ♪
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♪ YOU CAN'T HAVE ONE WITHOUT THE
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OTHER ♪
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♪ LOVE & MARRIAGE
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[ APPLAUSE ]
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>> THANK YOU SO MUCH.
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OH MY GOD, YOU'RE TOTALLY
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SHAMING ME WITH DISABILITY BY
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STANDING UP.
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IT'S FINE.
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[ LAUGHTER ]
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>> BODY NOT BY OZEMPIC.
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OKAY, LET'S GO.
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SOME OF YOU MAY KNOW ME AS KELLY
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BUNDY FROM "MARRIED, WITH
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CHILDREN," OR SAMANTHA FROM
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"SAMANTHA WHO?," OR JEN HARDING
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FROM "DEAD TO ME."
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[ CHEERS AND APPLAUSE ]
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>> THANK YOU.
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VERY FEW OF YOU PROBABLY KNOW ME
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FROM THAT DEBUT -- I'M GOING TO
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CRY, MORE THAN I'VE BEEN CRYING.
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BABY BURT GRIZELL ON "DAYS OF
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OUR LIVES."
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IT WAS MY BREAKOUT ROLE.
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AND FOR ALL THESE YEARS, IT'S
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LOOK AT THAT.
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BEEN AN HONOR TO PLAY FUNNY,
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FLAWED, COMPLEX CHARACTERS LIKE
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THE WOMEN NOMINATED FOR
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SUPPORTING ACTRESS IN A COMEDY
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SERIES.
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♪
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>> Announcer: ALEX BORSTEIN,
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"THE MARVELOUS MRS. MAISEL."
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JANELLE JAMES, "ABBOTT
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ELEMENTARY."
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SHERYL LEE RALPH, "ABBOTT
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ELEMENTARY."
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JUNO TEMPLE, "TED LASSO."
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HANNAH WADDINGHAM, "TED LASSO."
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JESSICA WILLIAMS, "SHRINKING."
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>> AND THE EMMY GOES TO.
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AYO EDEBIRI, GET YOUR ASS UP
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HERE!
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[ APPLAUSE ]
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♪
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[ APPLAUSE ]
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>> CONGRATULATIONS!
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>> HI.
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I HAVE 43 SECONDS.
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OKAY.
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I'M SO INCREDIBLY GRATEFUL FOR
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THIS FOR SO MANY REASONS.
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BUT THE MAIN ONE, THIS IS A SHOW
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ABOUT FAMILY AND FOUND FAMILY
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AND REAL FAMILY.
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MY PARENTS ARE HERE TONIGHT.
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I'M MAKING THEM SIT KIND OF FAR
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AWAY FROM ME, BECAUSE I'M A BAD
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KID.
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BUT I LOVE YOU GUYS SO MUCH.
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THANK YOU SO MUCH FOR LOVING ME
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AND LETTING ME FEEL BEAUTIFUL
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AND BLACK AND PROUD OF ALL OF
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THAT.
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I JUST LOVE YOU SO MUCH.
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IT'S A DREAM TO EMIGRATE TO THIS
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COUNTRY AND HAVE YOUR CHILD BE
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LIKE, "I WANT TO DO IMPROV."
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THANK YOU SO MUCH.
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THIS MEANS THE WORLD.
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THANK YOU.
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[ APPLAUSE ]
270
00:10:30,497 --> 00:10:40,173
♪
271
00:10:40,173 --> 00:10:42,008
>> I ACTUALLY DON'T NEED HIM
272
00:10:42,008 --> 00:10:42,409
HERE.
273
00:10:42,409 --> 00:10:42,943
HE'S JUST REALLY CUTE.
274
00:10:42,943 --> 00:10:45,212
[ LAUGHTER ]
275
00:10:45,212 --> 00:10:47,047
>> THIS IS A BIG ONE FOR ME.
276
00:10:47,047 --> 00:10:48,982
I HAVE ONLY HAD ONE PICTURE
277
00:10:48,982 --> 00:10:51,451
FRAMED IN MY HOME AND IT'S OF
278
00:10:51,451 --> 00:10:52,719
THIS PERSON AND MYSELF.
279
00:10:52,719 --> 00:10:55,155
I MEAN, ALL OF YOU ARE VERY
280
00:10:55,155 --> 00:10:57,357
FAMOUS, BUT SHE'S MORE IMPORTANT
281
00:10:57,357 --> 00:10:58,725
TO ME THAN ANY OF YOU.
282
00:10:58,725 --> 00:11:00,227
I'M SO SORRY.
283
00:11:00,227 --> 00:11:02,329
YOU'RE REALLY COOL.
284
00:11:02,329 --> 00:11:05,932
ANYWAY, CAROL BURNETT.
285
00:11:05,932 --> 00:11:08,068
CAROL BURNETT FOREVER CHANGED
286
00:11:08,068 --> 00:11:08,602
VARIETY TELEVISION.
287
00:11:08,602 --> 00:11:09,302
BEFORE CAROL, VARIETY WAS AN ALL
288
00:11:09,302 --> 00:11:10,136
MALE DOMINION.
289
00:11:10,136 --> 00:11:10,871
THE JACK BENNYS AND RED SKELTONS
290
00:11:10,871 --> 00:11:12,806
AND ANDY WILLIAMS ON TELEVISION
291
00:11:12,806 --> 00:11:14,341
WERE GREAT BUT IT WAS CAROL WHO
292
00:11:14,341 --> 00:11:15,375
BROKE NEW GROUND FOR ALL THE
293
00:11:15,375 --> 00:11:17,510
SHOWS THAT FOLLOWED, WITH
294
00:11:17,510 --> 00:11:18,278
SKETCHES THAT HAVE WITHSTOOD THE
295
00:11:18,278 --> 00:11:21,748
TEST OF TIME.
296
00:11:21,748 --> 00:11:24,351
AND NOW PLEASE WELCOME THE
297
00:11:24,351 --> 00:11:26,987
LEGEND WHO BLAZED A TRAIL FOR ME
298
00:11:26,987 --> 00:11:29,122
AND FOR EVERY WOMAN ON
299
00:11:29,122 --> 00:11:34,261
TELEVISION, 7-TIME EMMY WINNER
300
00:11:34,261 --> 00:11:37,230
WHO BROUGHT HOME HER LATEST EMMY
301
00:11:37,230 --> 00:11:39,766
A WEEK AGO FOR OUTSTANDING
302
00:11:39,766 --> 00:11:40,634
VARIETY SPECIAL.
303
00:11:40,634 --> 00:11:42,469
HERE IS THE LEGENDARY CAROL
304
00:11:42,469 --> 00:11:42,836
BURNETT.
305
00:11:42,836 --> 00:11:43,637
[ CAROL'S THEME ]
306
00:11:43,637 --> 00:11:50,410
♪
307
00:11:50,410 --> 00:12:05,292
[ CHEERS AND APPLAUSE ]
308
00:12:05,292 --> 00:12:07,460
>> I WAS LUCKY ENOUGH TO BE THE
309
00:12:07,460 --> 00:12:09,496
FIRST FEMALE HOST OF A COMEDY
310
00:12:09,496 --> 00:12:13,066
VARIETY SHOW FROM 1967 TO 1978.
311
00:12:13,066 --> 00:12:14,668
11 YEARS!
312
00:12:14,668 --> 00:12:18,071
THAT WAS A LONG TIME AGO, AND
313
00:12:18,071 --> 00:12:22,275
I JUST WANT TO SAY THAT A LOT
314
00:12:22,275 --> 00:12:24,144
HAS CHANGED IN THE LAST 46 YEARS
315
00:12:24,144 --> 00:12:24,778
FOR THE BETTER.
316
00:12:24,778 --> 00:12:28,481
PROGRESS HAS BEEN MADE.
317
00:12:28,481 --> 00:12:29,549
IT TRULY WARMS MY HEART TO SEE
318
00:12:29,549 --> 00:12:30,283
HOW WELL MEN ARE DOING IN COMEDY
319
00:12:30,283 --> 00:12:31,718
NOW.
320
00:12:31,718 --> 00:12:40,627
[ LAUGHTER ]
321
00:12:40,627 --> 00:12:40,961
GOOD.
322
00:12:40,961 --> 00:12:41,661
AND NOW, HERE ARE THE NOMINEES
323
00:12:41,661 --> 00:12:42,762
FOR A LEAD ACTRESS IN A COMEDY
324
00:12:42,762 --> 00:12:47,801
SERIES.
325
00:12:47,801 --> 00:12:50,170
>> Announcer: CHRISTINA
326
00:12:50,170 --> 00:12:52,873
APPLEGATE, "DEAD TO ME."
327
00:12:52,873 --> 00:12:56,810
RACHEL BROSNAHAN, "THE MARVELOUS
328
00:12:56,810 --> 00:12:57,878
MRS. MAISEL."
329
00:12:57,878 --> 00:13:00,547
WINTER, "ABBOTT ELEMENTARY."
330
00:13:00,547 --> 00:13:02,215
NATASHA LYONNE, "POKER FACE."
331
00:13:02,215 --> 00:13:07,220
JENNA ORTEGA, "WEDNESDAY."
332
00:13:07,220 --> 00:13:07,787
>> OKAY.
333
00:13:07,787 --> 00:13:13,360
AND THE EMMY GOES TO QUINTA
334
00:13:13,360 --> 00:13:14,628
BRUNSON, "ABBOTT ELEMENTARY"!
335
00:13:14,628 --> 00:13:28,508
♪
336
00:13:28,508 --> 00:13:45,191
♪
337
00:13:45,191 --> 00:13:46,860
>> WOW.
338
00:13:46,860 --> 00:13:48,094
THANK YOU SO MUCH.
339
00:13:48,094 --> 00:13:48,828
I DON'T EVEN KNOW.
340
00:13:48,828 --> 00:13:50,830
I'M SO EMOTIONAL.
341
00:13:50,830 --> 00:13:51,565
LIKE THE CAROL BURNETT OF IT
342
00:13:51,565 --> 00:13:51,831
ALL.
343
00:13:51,831 --> 00:13:55,368
[ LAUGHTER ]
344
00:13:55,368 --> 00:13:55,835
THANK YOU SO MUCH.
345
00:13:55,835 --> 00:13:57,237
I LOVE MAKING "ABBOTT
346
00:13:57,237 --> 00:13:58,271
ELEMENTARY" SO MUCH.
347
00:13:58,271 --> 00:14:04,144
AND I AM SO HAPPY TO BE ABLE TO
348
00:14:04,144 --> 00:14:07,847
LIVE MY DREAM AND ACT OUT
349
00:14:07,847 --> 00:14:08,181
COMEDY.
350
00:14:08,181 --> 00:14:09,783
I SAY THAT EVERY TIME.
351
00:14:09,783 --> 00:14:12,519
I JUST LOVE COMEDY SO MUCH.
352
00:14:12,519 --> 00:14:15,455
I'M SO HAPPY TO BE ABLE TO GET
353
00:14:15,455 --> 00:14:15,789
THIS.
354
00:14:15,789 --> 00:14:17,390
I DIDN'T PREPARE ANYTHING,
355
00:14:17,390 --> 00:14:20,360
BECAUSE I JUST DIDN'T THINK --
356
00:14:20,360 --> 00:14:21,094
OH GOD.
357
00:14:21,094 --> 00:14:24,798
I LOVE MY MOM, MY DAD, MY
358
00:14:24,798 --> 00:14:27,000
SISTERS, MY BROTHERS, MY ENTIRE
359
00:14:27,000 --> 00:14:28,068
FAMILY SO MUCH.
360
00:14:28,068 --> 00:14:29,669
I LOVE MY HUSBAND.
361
00:14:29,669 --> 00:14:30,670
I'M SO HAPPY.
362
00:14:30,670 --> 00:14:32,038
I LOVE MY CAST.
363
00:14:32,038 --> 00:14:33,707
I LOVE "ABBOTT ELEMENTARY."
364
00:14:33,707 --> 00:14:34,241
THANK YOU SO MUCH.
365
00:14:34,241 --> 00:14:35,475
[ CHEERS AND APPLAUSE ]
366
00:14:35,475 --> 00:14:38,879
♪
367
00:14:38,879 --> 00:14:40,447
>> COMING UP ON THE EMMYS, SOME
368
00:14:40,447 --> 00:14:41,114
OF YOUR FAVORITE STARS FROM
369
00:14:41,114 --> 00:14:43,016
"MARTIN," "CHEERS," "GREY'S
370
00:14:43,016 --> 00:14:44,684
ANATOMY," "ALLY McBEAL," "THE
371
00:14:44,684 --> 00:14:46,186
SOPRANOS," AND MORE.
372
00:14:46,186 --> 00:14:48,255
HERE ON FOX.
373
00:14:52,525 --> 00:14:58,832
♪
374
00:14:58,832 --> 00:15:01,268
♪ GOT YOURSELF A GUN
375
00:15:01,268 --> 00:15:03,770
♪ GOT YOURSELF A GUN
376
00:15:03,770 --> 00:15:05,772
♪
377
00:15:08,708 --> 00:15:10,744
>>> WHY HERE?
378
00:15:10,744 --> 00:15:12,345
WHY PAY TRIBUTE TO THE SOPRANOS
379
00:15:12,345 --> 00:15:14,981
IN THIS THERAPIST'S OFFICE?
380
00:15:14,981 --> 00:15:16,550
BECAUSE FROM THE MOMENT
381
00:15:16,550 --> 00:15:18,118
TONY SOPRANO WALKED INTO THIS
382
00:15:18,118 --> 00:15:20,754
SETTING, DOING THE UNTHINKABLE,
383
00:15:20,754 --> 00:15:22,355
SHARING HIS FEELINGS WITH
384
00:15:22,355 --> 00:15:23,890
DR. MELFI, TELEVISION HISTORY
385
00:15:23,890 --> 00:15:27,093
WAS ABOUT TO BE MADE.
386
00:15:27,093 --> 00:15:29,729
BY THE END OF ITS SIX SEASONS
387
00:15:29,729 --> 00:15:31,831
THIS SERIES WAS ACCLAIMED TIME
388
00:15:31,831 --> 00:15:33,400
AND TIME AGAIN AS ONE OF THE
389
00:15:33,400 --> 00:15:35,468
GREATEST DRAMAS OF ALL TIME,
390
00:15:35,468 --> 00:15:37,604
NOMINATED FOR OVER 100 EMMY
391
00:15:37,604 --> 00:15:38,271
NOMINATIONS, WINNING 21 EMMY
392
00:15:38,271 --> 00:15:39,206
AWARDS.
393
00:15:39,206 --> 00:15:42,342
[ KNOCK ON DOOR ]
394
00:15:42,342 --> 00:15:43,910
♪
395
00:15:43,910 --> 00:15:46,046
HERE ARE FOUR-TIME EMMY NOMINEE
396
00:15:46,046 --> 00:15:47,581
LORRAINE BRACCO AND EMMY WINNER,
397
00:15:47,581 --> 00:15:51,585
MICHAEL IMPERIOLI.
398
00:15:51,585 --> 00:15:52,819
[ CHEERS AND APPLAUSE ]
399
00:15:52,819 --> 00:16:02,562
♪
400
00:16:02,562 --> 00:16:05,232
>> 2024 MARKS THE 25TH
401
00:16:05,232 --> 00:16:06,233
ANNIVERSARY OF THIS SERIES THAT
402
00:16:06,233 --> 00:16:07,267
LORRAINE AND I WERE SO FORTUNATE
403
00:16:07,267 --> 00:16:09,903
TO BE PART OF.
404
00:16:09,903 --> 00:16:16,376
>> AND SPEAKING FOR MICHAEL,
405
00:16:16,376 --> 00:16:18,478
MYSELF AND THE ENTIRE CAST AND
406
00:16:18,478 --> 00:16:23,450
CREW, IT WAS AN HONOR WORKING
407
00:16:23,450 --> 00:16:27,354
WITH "SOPRANOS" CREATOR DAVID
408
00:16:27,354 --> 00:16:31,157
CHASE AND, OF COURSE, THE GREAT
409
00:16:31,157 --> 00:16:31,658
JAMES GANDOLFINI.
410
00:16:31,658 --> 00:16:32,292
>> AND NOW, HERE ARE THE
411
00:16:32,292 --> 00:16:33,026
NOMINEES FOR SUPPORTING ACTRESS
412
00:16:33,026 --> 00:16:35,929
IN A DRAMA SERIES.
413
00:16:35,929 --> 00:16:39,332
>> Announcer: JENNIFER COOLIDGE,
414
00:16:39,332 --> 00:16:40,934
"THE WHITE LOTUS."
415
00:16:40,934 --> 00:16:46,473
ELIZABETH DEBICKI, "THE CROWN."
416
00:16:46,473 --> 00:16:48,508
MEGHANN FAHY, "THE WHITE
417
00:16:48,508 --> 00:16:51,745
LOTUS."
418
00:16:51,745 --> 00:16:53,513
SABRINA, "THE WHITE LOTUS"
419
00:16:53,513 --> 00:16:57,284
AUBREY PLAZA, "THE WHITE LOTUS."
420
00:16:57,284 --> 00:16:58,418
"BETTER CALL SAUL."
421
00:16:58,418 --> 00:17:06,860
JAMES CAMERON, "SUCCESSION."
422
00:17:06,860 --> 00:17:10,564
>> AND THE EMMY GOES TO.
423
00:17:10,564 --> 00:17:14,134
>> JENNIFER COOLIDGE, "THE WHITE
424
00:17:14,134 --> 00:17:14,467
LOTUS."
425
00:17:14,467 --> 00:17:17,837
[ CHEERS AND APPLAUSE ]
426
00:17:17,837 --> 00:17:30,984
♪
427
00:17:30,984 --> 00:17:46,399
♪
428
00:17:46,399 --> 00:17:47,467
>> WOW.
429
00:17:47,467 --> 00:17:48,235
TH
430
00:17:48,235 --> 00:17:48,602
THANK YOU.
431
00:17:48,602 --> 00:17:49,836
YOU KNOW, I JUST WANT TO SAY --
432
00:17:49,836 --> 00:17:51,104
I HAVE TO PUT THIS DOWN.
433
00:17:51,104 --> 00:17:55,842
I STILL DON'T HAVE THE STRENGTH.
434
00:17:55,842 --> 00:17:56,243
[ LAUGHTER ]
435
00:17:56,243 --> 00:18:00,146
I GOT THE HOOK LAST YEAR, THIS
436
00:18:00,146 --> 00:18:01,681
GIANT HOOK COMES OUT AND TAKES
437
00:18:01,681 --> 00:18:04,351
YOU AWAY.
438
00:18:04,351 --> 00:18:05,452
I'M GOING TO BE SO FAST.
439
00:18:05,452 --> 00:18:10,657
MIKE WHITE, THANK YOU FOR THIS.
440
00:18:10,657 --> 00:18:12,092
MIKE WHITE.
441
00:18:12,092 --> 00:18:13,526
THANK YOU FOR GIVING ME THIS
442
00:18:13,526 --> 00:18:14,694
OPPORTUNITY TO PLAY THIS
443
00:18:14,694 --> 00:18:15,262
INCREDIBLE CHARACTER.
444
00:18:15,262 --> 00:18:17,330
HE SAYS I'M DEFINITELY DEAD, SO
445
00:18:17,330 --> 00:18:21,167
I'M GOING ALONG WITH IT.
446
00:18:21,167 --> 00:18:22,869
[ LAUGHTER ]
447
00:18:22,869 --> 00:18:32,078
NO.
448
00:18:32,078 --> 00:18:33,213
IT'S RUNNING OUT.
449
00:18:33,213 --> 00:18:39,519
I JUST WANT TO THANK ALL THE
450
00:18:39,519 --> 00:18:42,889
EVIL GAYS.
451
00:18:42,889 --> 00:18:49,896
[ APPLAUSE ]
452
00:18:49,896 --> 00:18:53,333
YES, PAOLO, FRANCESCO AND BRUNO,
453
00:18:53,333 --> 00:18:54,000
THANK YOU.
454
00:18:54,000 --> 00:18:55,602
WRAP IT UP.
455
00:18:55,602 --> 00:18:56,269
>> BABY.
456
00:18:56,269 --> 00:18:59,606
I LOVE YOU, BABY, BUT TIME,
457
00:18:59,606 --> 00:18:59,906
TIME.
458
00:18:59,906 --> 00:19:00,574
>> GUESS WHAT?
459
00:19:00,574 --> 00:19:01,508
ONE MORE THING.
460
00:19:01,508 --> 00:19:02,709
I LOVE YOU TOO.
461
00:19:02,709 --> 00:19:04,778
I JUST WANT TO SAY ONE LAST
462
00:19:04,778 --> 00:19:05,111
THING.
463
00:19:05,111 --> 00:19:07,948
I HAD A LITTLE DREAM IN MY
464
00:19:07,948 --> 00:19:11,384
LITTLE TOWN AND EVERYONE SAID IT
465
00:19:11,384 --> 00:19:15,322
WAS IMPRACTICAL AND FAR-FETCHED.
466
00:19:15,322 --> 00:19:17,090
IT DID HAPPEN AFTER ALL.
467
00:19:17,090 --> 00:19:19,092
SO DON'T GIVE UP ON YOUR DREAM.
468
00:19:19,092 --> 00:19:20,527
>> Announcer: HE'S NOMINATED FOR
469
00:19:20,527 --> 00:19:22,562
THREE EMMYS THIS YEAR, PLEASE
470
00:19:22,562 --> 00:19:25,332
WELCOME PEDRO PASCAL.
471
00:19:25,332 --> 00:19:25,732
[ APPLAUSE ]
472
00:19:25,732 --> 00:19:33,240
♪
473
00:19:33,240 --> 00:19:34,908
>> BEFORE WE GET INTO THE
474
00:19:34,908 --> 00:19:36,109
NOMINEES FOR BEST SUPPORTING
475
00:19:36,109 --> 00:19:38,511
ACTOR IN A DRAMA SERIES, I'D
476
00:19:38,511 --> 00:19:39,479
LIKE TO TAKE JUST A SECOND AND
477
00:19:39,479 --> 00:19:40,313
MAKE THIS ABOUT ME.
478
00:19:40,313 --> 00:19:44,150
[ LAUGHTER ]
479
00:19:44,150 --> 00:19:46,319
A LOT OF PEOPLE HAVE BEEN ASKING
480
00:19:46,319 --> 00:19:49,422
ABOUT MY ARM, ACTUALLY MY
481
00:19:49,422 --> 00:19:49,789
SHOULDER.
482
00:19:49,789 --> 00:19:51,825
I THINK TONIGHT IS A PERFECT
483
00:19:51,825 --> 00:19:56,196
TIME TO TELL EVERYONE THAT
484
00:19:56,196 --> 00:19:57,864
KIERAN CULKIN --
485
00:19:57,864 --> 00:20:06,039
[ LAUGHTER ]
486
00:20:06,039 --> 00:20:09,676
HERE ARE THE NOMINEES FOR
487
00:20:09,676 --> 00:20:14,047
SUPPORTING ACTOR IN A DRAMA
488
00:20:14,047 --> 00:20:19,953
SERIES.
489
00:20:19,953 --> 00:20:24,457
[ APPLAUSE ]
490
00:20:24,457 --> 00:20:25,825
>> Ann
491
00:20:25,825 --> 00:20:26,826
>> Announcer: JAMES "THE WHITE
492
00:20:26,826 --> 00:20:32,165
LOTUS," MATTHEW McFADDEN,
493
00:20:32,165 --> 00:20:32,566
"SUCCESSION."
494
00:20:32,566 --> 00:20:35,902
BILL SHARP, "THE WHITE LOTUS,"
495
00:20:35,902 --> 00:20:38,872
ALEXANDER SKARSG ÅRD,
496
00:20:38,872 --> 00:20:39,306
"SUCCESSION."
497
00:20:39,306 --> 00:20:45,245
>> AND THE EMMY GOES TO, MATTHEW
498
00:20:45,245 --> 00:20:49,282
McFADDEN FOR "SUCCESSION."
499
00:20:49,282 --> 00:20:49,683
[ APPLAUSE ]
500
00:20:49,683 --> 00:21:15,108
♪
501
00:21:15,108 --> 00:21:16,943
>> THANK YOU SO MUCH TO THE
502
00:21:16,943 --> 00:21:20,046
TELEVISION ACADEMY AND TO THE
503
00:21:20,046 --> 00:21:22,515
ENTIRE "SUCCESSION" FAMILY,
504
00:21:22,515 --> 00:21:24,684
DIRECTORS, WHITERS, PRODUCERS,
505
00:21:24,684 --> 00:21:29,789
CAST AND CREW, OUR PEERLESS
506
00:21:29,789 --> 00:21:31,625
CREW, EVERY DEPARTMENT OFTEN
507
00:21:31,625 --> 00:21:35,295
UNSUNG, ALWAYS BRILLIANT.
508
00:21:35,295 --> 00:21:37,864
I MUST MAKE SPECIAL MENTION OF
509
00:21:37,864 --> 00:21:41,601
MY ONSCREEN WIFE SARAH SNOOK AND
510
00:21:41,601 --> 00:21:46,706
MY OTHER ONSCREEN WIFE NICHOLAS
511
00:21:46,706 --> 00:21:47,374
BRAUN.
512
00:21:47,374 --> 00:21:48,742
ACTING WITH YOU HAS BEEN ONE OF
513
00:21:48,742 --> 00:21:50,544
THE MOST WONDERFUL THINGS IN MY
514
00:21:50,544 --> 00:21:50,877
CAREER.
515
00:21:50,877 --> 00:21:51,945
THANK YOU, NICK.
516
00:21:51,945 --> 00:21:53,413
THANK YOU, SARAH.
517
00:21:53,413 --> 00:21:54,514
IT'S BEEN A JOY.
518
00:21:54,514 --> 00:21:55,348
THANK YOU TO MY ACTUAL WIFE
519
00:21:55,348 --> 00:21:56,950
KEELY.
520
00:21:56,950 --> 00:21:59,753
THANK YOU VERY MUCH.
521
00:21:59,753 --> 00:22:00,987
IT'S A GREAT HONOR.
522
00:22:00,987 --> 00:22:02,022
THANK YOU.
523
00:22:02,022 --> 00:22:04,658
[ APPLAUSE ]
524
00:22:04,658 --> 00:22:05,892
>> Announcer: OUTSTANDING
525
00:22:05,892 --> 00:22:07,360
SUPPORTING AND LEAD ACTOR IN A
526
00:22:07,360 --> 00:22:08,728
COMEDY SERIES ARE NEXT.
527
00:22:08,728 --> 00:22:10,830
PLUS, THE CAST OF "CHEERS" AND
528
00:22:10,830 --> 00:22:12,432
"MARTIN" REUNITE.
529
00:22:12,432 --> 00:22:13,667
KEEP WATCHING THE EMMYS
530
00:22:13,667 --> 00:22:15,769
ON FOX.
531
00:22:19,539 --> 00:22:20,473
[ "TWO AND A HALF MEN" THEME
532
00:22:20,473 --> 00:22:21,007
SONG ]
533
00:22:21,007 --> 00:22:21,675
>> Announcer: PLEASE WELCOME
534
00:22:21,675 --> 00:22:22,309
EMMY WINNERS, JON CRYER AND
535
00:22:22,309 --> 00:22:25,245
HOLLAND TAYLOR.
536
00:22:25,245 --> 00:22:27,814
[ APPLAUSE ]
537
00:22:33,720 --> 00:22:36,356
>> LIKE A GOOD BRA, A SUPPORTING
538
00:22:36,356 --> 00:22:37,257
ACTOR MAKES THINGS LOOK
539
00:22:37,257 --> 00:22:38,825
EFFORTLESS WHILE SECRETLY
540
00:22:38,825 --> 00:22:42,095
HOLDING UP THE WHOLE SHOW.
541
00:22:42,095 --> 00:22:44,297
[ LAUGHTER ]
542
00:22:44,297 --> 00:22:46,366
>> YOU KNOW, I ACTUALLY WON THIS
543
00:22:46,366 --> 00:22:50,003
AWARD, SO YOU COULD SAY I'M A
544
00:22:50,003 --> 00:22:53,807
GOOD BRA.
545
00:22:53,807 --> 00:22:56,109
>> DARLING, I DON'T THINK I
546
00:22:56,109 --> 00:22:58,478
WOULD EVER SAY THAT.
547
00:22:58,478 --> 00:23:00,513
I CERTAINLY HOPE NONE OF OUR
548
00:23:00,513 --> 00:23:01,915
NOMINEES FOR SUPPORTING ACTOR IN
549
00:23:01,915 --> 00:23:06,319
A COMEDY SERIES DO EITHER.
550
00:23:06,319 --> 00:23:10,190
>> Announcer: ANTHONY CARRIGAN,
551
00:23:10,190 --> 00:23:13,693
"BARRY."
552
00:23:13,693 --> 00:23:14,094
"TED LASSO."
553
00:23:14,094 --> 00:23:17,797
JAMES MARSDEN, "JURY DUTY."
554
00:23:17,797 --> 00:23:20,267
TYLER JAMES WILLIAMS, "ABBOTT
555
00:23:20,267 --> 00:23:20,901
ELEMENTARY."
556
00:23:20,901 --> 00:23:28,074
HENRY WINKLER, "BARRY."
557
00:23:28,074 --> 00:23:43,990
>> AND THE EMMY GOES TO.
558
00:23:43,990 --> 00:23:47,594
E
559
00:23:47,594 --> 00:23:48,895
E
560
00:23:48,895 --> 00:23:49,963
EVAN
561
00:23:49,963 --> 00:23:55,168
EVAN MOSS-BACHRACH.
562
00:23:55,168 --> 00:24:09,649
♪
563
00:24:09,649 --> 00:24:14,721
>> WOW.
564
00:24:14,721 --> 00:24:15,021
OKAY.
565
00:24:15,021 --> 00:24:15,789
THANK YOU VERY MUCH, EMMY
566
00:24:15,789 --> 00:24:18,024
ACADEMY, TELEVISION ACADEMY.
567
00:24:18,024 --> 00:24:18,825
I DON'T KNOW.
568
00:24:18,825 --> 00:24:20,427
THIS JOB IS SUCH A GIFT
569
00:24:20,427 --> 00:24:21,728
PREPONDERATE IT'S SUCH A
570
00:24:21,728 --> 00:24:23,597
PRIVILEGE TO WORK WITH THESE
571
00:24:23,597 --> 00:24:26,099
WONDERFUL ACTORS.
572
00:24:26,099 --> 00:24:27,801
WE HAVE THE BEST CREW.
573
00:24:27,801 --> 00:24:32,038
WE HAVE THIS INCREDIBLE CHICAGO
574
00:24:32,038 --> 00:24:36,509
CREW, LED BY OUR AMAZING --
575
00:24:36,509 --> 00:24:38,311
THANK YOU FOR TRUSTING ME WITH
576
00:24:38,311 --> 00:24:40,547
THIS PART.
577
00:24:40,547 --> 00:24:45,185
THANK YOU JEANNIE BACKRACK FOR
578
00:24:45,185 --> 00:24:46,152
MAKING THIS BEAUTIFUL GROUP THAT
579
00:24:46,152 --> 00:24:48,021
I GET TO PLAY WITH ALL THE TIME.
580
00:24:48,021 --> 00:24:50,390
THANK YOU STEPHANIE RITZ.
581
00:24:50,390 --> 00:24:57,430
THANK YOU BRIAN NOSKOFF.
582
00:24:57,430 --> 00:24:58,164
THANK YOU.
583
00:24:58,164 --> 00:24:59,866
I LOVE YOU SO MUCH.
584
00:24:59,866 --> 00:25:02,068
THANK YOU SASHA.
585
00:25:02,068 --> 00:25:02,435
ALL RIGHT.
586
00:25:02,435 --> 00:25:02,869
SEE YOU GUYS.
587
00:25:02,869 --> 00:25:06,106
THANKS.
588
00:25:06,106 --> 00:25:12,012
♪
589
00:25:12,012 --> 00:25:15,315
>> Announcer: FROM THE HIT TV
590
00:25:15,315 --> 00:25:22,222
SERIES "MARTIN,"
591
00:25:22,222 --> 00:25:22,856
HERE ARE TISHA CAMPBELL,
592
00:25:22,856 --> 00:25:23,423
CARL ANTHONY PAYNE,
593
00:25:23,423 --> 00:25:23,957
TICHINA ARNOLD, AND
594
00:25:23,957 --> 00:25:24,424
MARTIN LAWRENCE.
595
00:25:24,424 --> 00:25:25,425
[ "MARTIN" THEME SONG ]
596
00:25:25,425 --> 00:25:25,959
♪
597
00:25:25,959 --> 00:25:26,626
>> CAN YOU BELIEVE THIS?
598
00:25:26,626 --> 00:25:30,263
THIS IS A REAL MOMENT.
599
00:25:30,263 --> 00:25:32,866
>> WE FINALLY ABOUT TO --
600
00:25:32,866 --> 00:25:33,400
>> WHAT?
601
00:25:33,400 --> 00:25:39,072
>> WE GETTING OUR EMMY TONIGHT.
602
00:25:39,072 --> 00:25:39,472
[ LAUGHTER ]
603
00:25:39,472 --> 00:25:41,107
>> MATTER OF FACT, I GOT MY
604
00:25:41,107 --> 00:25:44,945
SPEECH ON DECK TOO.
605
00:25:44,945 --> 00:25:46,680
>> NO.
606
00:25:46,680 --> 00:25:51,551
>> THEY BETTER NOT SEND MOMMA D
607
00:25:51,551 --> 00:25:53,553
OUT TO PLAY ME OFF.
608
00:25:53,553 --> 00:25:54,221
>> CARL, WE'RE NOT WINNING AN
609
00:25:54,221 --> 00:25:55,622
EMMY, HUN.
610
00:25:55,622 --> 00:25:59,459
>> WE'RE PRESENTING AN EMMY, NOT
611
00:25:59,459 --> 00:26:03,063
BEING PRESENTED WITH ONE,
612
00:26:03,063 --> 00:26:07,067
KNUCKLEHEAD.
613
00:26:07,067 --> 00:26:07,434
>> WAIT.
614
00:26:07,434 --> 00:26:08,101
>> BUT CARL ISN'T WRONG, GUYS.
615
00:26:08,101 --> 00:26:09,169
WE SHOULD'VE HAD A COUPLE OF
616
00:26:09,169 --> 00:26:11,771
EMMYS DURING OUR RUN, BUT WE
617
00:26:11,771 --> 00:26:15,542
WERE NEVER EVEN NOMINATED,
618
00:26:15,542 --> 00:26:20,213
DESPITE 132 EPISODES, HUGE
619
00:26:20,213 --> 00:26:25,986
RATINGS, AND BEING IN
620
00:26:25,986 --> 00:26:27,787
SYNDICATION SO MUCH THAT IT'S A
621
00:26:27,787 --> 00:26:31,491
LITTLE HARD TO SEEING THE '90s
622
00:26:31,491 --> 00:26:33,293
SPANK-LESS VERSION OF MYSELF.
623
00:26:33,293 --> 00:26:36,263
[ LAUGHTER ]
624
00:26:36,263 --> 00:26:37,130
>> NO.
625
00:26:37,130 --> 00:26:40,267
I STILL LOOK GOOD.
626
00:26:40,267 --> 00:26:40,867
>> WOW.
627
00:26:40,867 --> 00:26:43,069
>> HEY, HEY, HEY, HOLD ON.
628
00:26:43,069 --> 00:26:44,604
I WANT TO THANK YOU GUYS FOR
629
00:26:44,604 --> 00:26:46,640
YOUR CONTRIBUTION TO TELEVISION.
630
00:26:46,640 --> 00:26:51,144
>> THANK YOU.
631
00:26:51,144 --> 00:26:54,047
>> UNLIKE ME, FOR THE LAST 11
632
00:26:54,047 --> 00:26:56,550
TIMES YOU'RE NOT GOING TO GET AN
633
00:26:56,550 --> 00:26:56,883
EMMY.
634
00:26:56,883 --> 00:26:58,485
>> WHAT DO YOU MEAN?
635
00:26:58,485 --> 00:26:59,686
>> WHY?
636
00:26:59,686 --> 00:27:02,188
>> THAT KIND OF SUCKS.
637
00:27:02,188 --> 00:27:03,723
>> HE'S TRICKING US.
638
00:27:03,723 --> 00:27:04,190
KEEP GOING.
639
00:27:04,190 --> 00:27:06,259
>> IT'S ALL GOOD.
640
00:27:06,259 --> 00:27:08,128
YOU KNOW, I'M JUST EXCITED TO BE
641
00:27:08,128 --> 00:27:12,365
HERE ON THE EMMYS STAGE WITH
642
00:27:12,365 --> 00:27:15,068
THIS TREMENDOUS CAST OF THE
643
00:27:15,068 --> 00:27:15,535
MARTIN SHOW.
644
00:27:15,535 --> 00:27:16,369
>> THAT'S RIGHT.
645
00:27:16,369 --> 00:27:24,377
>> YEAH, YEAH.
646
00:27:24,377 --> 00:27:26,780
>> TO PRESENT THE NEXT AWARD,
647
00:27:26,780 --> 00:27:29,516
NOMINEES FOR A LEAD ACTOR IN A
648
00:27:29,516 --> 00:27:30,383
COMEDY SERIES.
649
00:27:30,383 --> 00:27:32,986
>> Announcer: BILL HADER,
650
00:27:32,986 --> 00:27:34,387
"BARRY."
651
00:27:34,387 --> 00:27:37,224
JASON SEGEL, "SHRINKING."
652
00:27:37,224 --> 00:27:40,393
MARTIN SHORT, "ONLY MURDERS IN
653
00:27:40,393 --> 00:27:40,860
THE BUILDING."
654
00:27:40,860 --> 00:27:43,663
JASON SUDEIKIS, "TED LASSO."
655
00:27:43,663 --> 00:28:03,617
JEREMY ALLEN WHITE,.
656
00:28:03,617 --> 00:28:08,488
>> AND THE EMMY GOES TO JEREMY
657
00:28:08,488 --> 00:28:20,901
ALLEN WHITE.
658
00:28:20,901 --> 00:28:22,135
"THE BEAR."
659
00:28:22,135 --> 00:28:24,104
♪
660
00:28:24,104 --> 00:28:26,106
[ APPLAUSE ]
661
00:28:26,106 --> 00:28:28,909
♪
662
00:28:28,909 --> 00:28:32,512
>> THANK YOU, THANK YOU.
663
00:28:32,512 --> 00:28:33,513
I'M SO PROUD.
664
00:28:33,513 --> 00:28:35,782
I'M SO FULL OF GRATITUDE TO BE
665
00:28:35,782 --> 00:28:37,551
STANDING IN FRONT OF YOU ALL.
666
00:28:37,551 --> 00:28:39,586
I LOVE THE SHOW SO MUCH.
667
00:28:39,586 --> 00:28:40,987
IT FILLED ME UP.
668
00:28:40,987 --> 00:28:44,991
IT GAVE ME A PASSION, SET A FIRE
669
00:28:44,991 --> 00:28:47,894
IN ME TO MATCH THE BEAUTIFUL
670
00:28:47,894 --> 00:28:48,228
WORK.
671
00:28:48,228 --> 00:28:49,529
I LOVE YOU GUYS.
672
00:28:49,529 --> 00:28:51,464
THANK YOU, THANK YOU, THANK YOU.
673
00:28:51,464 --> 00:28:54,768
THE BEAUTIFUL CAST AND BEAUTIFUL
674
00:28:54,768 --> 00:28:58,271
CREW I GET TO SHARE A SPACE AND
675
00:28:58,271 --> 00:28:59,472
STAGE WITH.
676
00:28:59,472 --> 00:29:00,340
MY PARENTS.
677
00:29:00,340 --> 00:29:02,576
I LOVE YOU, THANK YOU FOR YOUR
678
00:29:02,576 --> 00:29:03,210
SUPPORT, DAD.
679
00:29:03,210 --> 00:29:05,712
I LOVE YOU SO MUCH.
680
00:29:05,712 --> 00:29:07,214
THANK YOU SO MUCH.
681
00:29:07,214 --> 00:29:08,949
THANK YOU TO ALL THOSE WHO HAVE
682
00:29:08,949 --> 00:29:10,483
STAYED CLOSE TO ME, ESPECIALLY
683
00:29:10,483 --> 00:29:11,851
IN THIS PAST YEAR.
684
00:29:11,851 --> 00:29:12,619
YOU KNOW WHO YOU ARE.
685
00:29:12,619 --> 00:29:14,387
I LOVE YOU, I LOVE YOU.
686
00:29:14,387 --> 00:29:16,256
THANK YOU FOR BELIEVING IN ME
687
00:29:16,256 --> 00:29:18,091
WHEN I HAD TROUBLE BELIEVING IN
688
00:29:18,091 --> 00:29:18,458
MYSELF.
689
00:29:18,458 --> 00:29:19,492
I LOVE YOU.
690
00:29:19,492 --> 00:29:21,528
AND DELORES, I LOVE YOU SO MUCH.
691
00:29:21,528 --> 00:29:22,462
THIS IS FOR YOU.
692
00:29:22,462 --> 00:29:23,430
THANK YOU, THANK YOU, THANK YOU.
693
00:29:23,430 --> 00:29:24,564
THANK YOU, GUYS.
694
00:29:24,564 --> 00:29:26,132
[ APPLAUSE ]
695
00:29:26,132 --> 00:29:30,103
>> Announcer: WHEN WE RETURN, AN
696
00:29:30,103 --> 00:29:32,105
EMMY EDITION OF SNL'S "WEEKEND
697
00:29:32,105 --> 00:29:35,842
UPDATE...
698
00:29:41,014 --> 00:29:42,015
♪
699
00:29:42,015 --> 00:29:43,183
>> WELCOME BACK TO THE
700
00:29:43,183 --> 00:29:45,151
75 PRIMETIME EMMY AWARDS.
701
00:29:45,151 --> 00:29:48,188
PLEASE WELCOME TAYLOR TOMLINSON
702
00:29:48,188 --> 00:29:50,624
AND TEN-TIME EMMY WINNER
703
00:29:50,624 --> 00:29:55,228
STEPHEN COLBERT.
704
00:29:55,228 --> 00:30:00,667
[ APPLAUSE ]
705
00:30:00,667 --> 00:30:05,405
>> TAYLOR, YOUR SHOW "AFTER
706
00:30:05,405 --> 00:30:06,873
MIDNIGHT" PREMIERS RIGHT AFTER
707
00:30:06,873 --> 00:30:07,474
ANY SHOW.
708
00:30:07,474 --> 00:30:08,775
THIS IS YOUR FIRST EMMYS.
709
00:30:08,775 --> 00:30:09,943
HOW ARE YOU FEELING?
710
00:30:09,943 --> 00:30:11,111
>> AMAZING.
711
00:30:11,111 --> 00:30:12,946
I LOVE THAT GEN Z IS ABSOLUTELY
712
00:30:12,946 --> 00:30:14,314
DESTROYING ME ONLINE RIGHT NOW.
713
00:30:14,314 --> 00:30:16,082
>> NO, THEY'RE NOT.
714
00:30:16,082 --> 00:30:17,183
YOU'RE YOUNG AND COOL.
715
00:30:17,183 --> 00:30:18,184
>> NO.
716
00:30:18,184 --> 00:30:21,421
I'M 30, STEPHEN.
717
00:30:21,421 --> 00:30:23,723
I'M BASICALLY MUMMY DUST.
718
00:30:23,723 --> 00:30:25,225
>> WHAT AM I?
719
00:30:25,225 --> 00:30:26,393
>> A PYRAMID.
720
00:30:26,393 --> 00:30:28,628
BECAUSE A LOT OF PEOPLE DIED TO
721
00:30:28,628 --> 00:30:31,898
BUILD YOU.
722
00:30:31,898 --> 00:30:34,434
>> I TOLD YOU NOT TO READ THE
723
00:30:34,434 --> 00:30:34,801
COMMENTS.
724
00:30:34,801 --> 00:30:36,503
>> YOU'RE NOT MY DAD!
725
00:30:36,503 --> 00:30:38,471
>> HERE ARE THE NOMINEES FOR
726
00:30:38,471 --> 00:30:41,908
OUTSTANDING SCRIPTED VARIETY
727
00:30:41,908 --> 00:30:42,709
SERIES.
728
00:30:42,709 --> 00:30:48,248
>> Announcer: "A BLACK LADY
729
00:30:48,248 --> 00:30:52,085
SKETCH SHOW."
730
00:30:52,085 --> 00:30:55,088
LAST WEEK TONIGHT WITH JOHN
731
00:30:55,088 --> 00:30:55,388
OLIVER.
732
00:30:55,388 --> 00:30:58,425
>> AND THE EMMY GOES TO --
733
00:30:58,425 --> 00:31:00,627
>> "LAST WEEK TONIGHT WITH JOHN
734
00:31:00,627 --> 00:31:02,395
OLIVER."
735
00:31:02,395 --> 00:31:07,901
♪
736
00:31:07,901 --> 00:31:11,204
>> Announcer: "LAST WEEK TONIGHT
737
00:31:11,204 --> 00:31:13,206
WITH JOHN OLIVER" HAS RECEIVED
738
00:31:13,206 --> 00:31:15,141
FOUR NOMINATIONS THIS YEAR AND A
739
00:31:15,141 --> 00:31:19,246
TOTAL OF 61, PRODUCTION DESIGN,
740
00:31:19,246 --> 00:31:19,679
WRITING.
741
00:31:19,679 --> 00:31:20,313
ACCEPTING THE EMMY IS JOHN
742
00:31:20,313 --> 00:31:25,085
OLIVER.
743
00:31:25,085 --> 00:31:26,753
>> THANK YOU SO MUCH.
744
00:31:26,753 --> 00:31:28,188
THANKS SO MUCH TO MY STAFF.
745
00:31:28,188 --> 00:31:30,156
MANY OF THEM ARE HERE TONIGHT.
746
00:31:30,156 --> 00:31:31,191
TIM IS NOT HERE.
747
00:31:31,191 --> 00:31:32,759
HE'S BACK IN NEW YORK WITH SOME
748
00:31:32,759 --> 00:31:34,794
OF OUR OTHER STAFF BURNING DOWN
749
00:31:34,794 --> 00:31:35,795
A BAR SOMEWHERE THERE.
750
00:31:35,795 --> 00:31:36,429
THANK YOU.
751
00:31:36,429 --> 00:31:37,831
THEY ALL WORK SO HARD.
752
00:31:37,831 --> 00:31:39,666
THANK YOU TO HBO AND OUR
753
00:31:39,666 --> 00:31:41,868
LAWYERS, WHO ARE ANGRY WITH US
754
00:31:41,868 --> 00:31:43,003
ALL THE TIME.
755
00:31:43,003 --> 00:31:44,671
THANK YOU TO MY WIFE KATE, WHO
756
00:31:44,671 --> 00:31:45,272
IS HERE TONIGHT.
757
00:31:45,272 --> 00:31:46,806
I LOVE YOU VERY MUCH.
758
00:31:46,806 --> 00:31:48,008
OUR KIDS ARE NOT HERE.
759
00:31:48,008 --> 00:31:50,310
THEY ARE SO MAD THAT I LEFT THIS
760
00:31:50,310 --> 00:31:50,677
MORNING.
761
00:31:50,677 --> 00:31:54,714
I PROMISED THEM POKEMON CARDS.
762
00:31:54,714 --> 00:31:55,348
I DON'T KNOW WHERE TO GET
763
00:31:55,348 --> 00:31:56,116
POKEMON CARDS IN L.A.
764
00:31:56,116 --> 00:31:58,552
IF ANYONE KNOWS WHERE TO GET
765
00:31:58,552 --> 00:31:59,886
POKEMON CARDS BETWEEN HERE AND
766
00:31:59,886 --> 00:32:01,421
LAX, IT'S A SIGNIFICANT PROBLEM
767
00:32:01,421 --> 00:32:03,223
I'VE WORKED MYSELF INTO.
768
00:32:03,223 --> 00:32:03,623
[ LAUGHTER ]
769
00:32:03,623 --> 00:32:05,592
I'M NOT LEAVING WITHOUT GETTING
770
00:32:05,592 --> 00:32:07,694
PLAYED OFF BY ANTHONY ANDERSON'S
771
00:32:07,694 --> 00:32:09,996
MOM, SO I'M GOING TO START
772
00:32:09,996 --> 00:32:11,631
READING OFF THE NAMES OF THE
773
00:32:11,631 --> 00:32:12,198
FOOTBALL TEAM.
774
00:32:12,198 --> 00:32:15,268
IN GOAL, ALLISON BECKER,
775
00:32:15,268 --> 00:32:17,337
ALEXANDER ARNOLD, VIRGIL VAN
776
00:32:17,337 --> 00:32:18,104
DYKE, OBVIOUSLY.
777
00:32:18,104 --> 00:32:19,539
OH, SHE'S NOT HERE?
778
00:32:19,539 --> 00:32:21,975
I CAN GET THROUGH THE WHOLE TEAM
779
00:32:21,975 --> 00:32:22,309
THEN.
780
00:32:22,309 --> 00:32:22,676
>> BABY.
781
00:32:22,676 --> 00:32:24,911
>> I'D LIKE TO THANK JESUS AND
782
00:32:24,911 --> 00:32:25,312
MY FAMILY.
783
00:32:25,312 --> 00:32:25,645
>> OKAY.
784
00:32:25,645 --> 00:32:32,686
[ APPLAUSE ]
785
00:32:32,686 --> 00:32:38,425
♪ MOVIN' ON UP
786
00:32:38,425 --> 00:32:41,661
>> PLEASE WELCOME QUINTA BRUNSON
787
00:32:41,661 --> 00:32:46,066
JOINED BY FIVE-TIME EMMY NOMINEE
788
00:32:46,066 --> 00:32:46,466
MARLA GIBBS.
789
00:32:46,466 --> 00:32:49,603
[ APPLAUSE ]
790
00:32:49,603 --> 00:32:52,205
♪ FISH DON'T FRY IN THE KITCHEN,
791
00:32:52,205 --> 00:32:54,274
BEANS DON'T BURN ON THE GRILL ♪
792
00:32:54,274 --> 00:32:55,876
♪ TOOK A WHOLE LOT OF TRYIN'
793
00:32:55,876 --> 00:32:58,478
JUST TO GET UP THAT HILL ♪
794
00:32:58,478 --> 00:33:11,758
[ APPLAUSE ]
795
00:33:11,758 --> 00:33:14,094
>> I AM SO HONORED TO BE
796
00:33:14,094 --> 00:33:16,830
PRESENTED THIS AWARD WITH THE
797
00:33:16,830 --> 00:33:20,300
INCOMPARABLE MARLA GIBBS.
798
00:33:20,300 --> 00:33:21,668
YOUR CAREER HAS LITERALLY
799
00:33:21,668 --> 00:33:22,669
SPANNED DECADES.
800
00:33:22,669 --> 00:33:24,905
YOU GOT YOUR FIRST JOB IN 1973,
801
00:33:24,905 --> 00:33:25,539
AND YOU ARE STILL WORKING.
802
00:33:25,539 --> 00:33:31,478
WHAT'S THE SECRET?
803
00:33:31,478 --> 00:33:33,847
>> THAT'S EASY, BABY.
804
00:33:33,847 --> 00:33:34,714
THE WAGE GAP.
805
00:33:34,714 --> 00:33:36,349
I GOT TO WORK 20 MORE YEARS
806
00:33:36,349 --> 00:33:37,751
BEFORE I CAN RETIRE.
807
00:33:37,751 --> 00:33:39,519
BUT IF YOU GREAT WRITERS WRITE
808
00:33:39,519 --> 00:33:41,755
SOMETHING FOR ME, I'LL JUST KEEP
809
00:33:41,755 --> 00:33:42,455
ON WORKING AND CUT INTO THAT
810
00:33:42,455 --> 00:33:51,431
WAGE GAP.
811
00:33:51,431 --> 00:33:52,399
IT'S NEVER TOO LATE.
812
00:33:52,399 --> 00:33:53,233
>> FACTS.
813
00:33:53,233 --> 00:33:58,505
>> LET'S LOOK AT THE NOM FINEES
814
00:33:58,505 --> 00:34:05,312
FOR SUPPORTING ACTRESS.
815
00:34:05,312 --> 00:34:10,417
>> ANNALEIGH ASHFORD, "WELCOME
816
00:34:10,417 --> 00:34:11,751
TO CHIPPENDALES."
817
00:34:11,751 --> 00:34:12,986
CLAIRE DANES.
818
00:34:12,986 --> 00:34:14,988
"FLEISHMAN IS IN TROUBLE."
819
00:34:14,988 --> 00:34:15,989
JULIETTE LEWIS, "WELCOME TO
820
00:34:15,989 --> 00:34:16,823
CHIPPENDALES."
821
00:34:16,823 --> 00:34:19,192
CAMILLA MORRONE, "DAISY JONES &
822
00:34:19,192 --> 00:34:22,262
THE SIX."
823
00:34:22,262 --> 00:34:24,931
NIECY NASH-BETTS, "DAHMER -
824
00:34:24,931 --> 00:34:25,632
MONSTER: THE JEFFREY DAHMER
825
00:34:25,632 --> 00:34:25,932
STORY."
826
00:34:25,932 --> 00:34:26,666
MERIT WEAVER, "TINY BEAUTIFUL
827
00:34:26,666 --> 00:34:29,035
THINGS."
828
00:34:29,035 --> 00:34:37,510
>> AND THE EMMY GOES TO NIECY
829
00:34:37,510 --> 00:34:38,245
NASH-BETTS, "DAHMER - MONSTER:
830
00:34:38,245 --> 00:34:38,879
THE JEFFREY DAHMER STORY."
831
00:34:38,879 --> 00:34:39,279
[ APPLAUSE ]
832
00:34:39,279 --> 00:35:02,135
♪
833
00:35:02,135 --> 00:35:13,179
♪
834
00:35:13,179 --> 00:35:19,519
>> I'M A WINNER, BABY!
835
00:35:19,519 --> 00:35:21,821
THANK YOU TO THE MOST HIGH FOR
836
00:35:21,821 --> 00:35:22,956
THIS DIVINE MOMENT.
837
00:35:22,956 --> 00:35:26,993
THANK YOU, RYAN FMURPHY FOR
838
00:35:26,993 --> 00:35:27,794
SEEING ME.
839
00:35:27,794 --> 00:35:30,196
EVAN PETERS, I LOVE YOU.
840
00:35:30,196 --> 00:35:30,497
NETFLIX.
841
00:35:30,497 --> 00:35:31,865
EVERY SINGLE PERSON WHO VOTED
842
00:35:31,865 --> 00:35:32,465
FOR ME.
843
00:35:32,465 --> 00:35:33,099
THANK YOU.
844
00:35:33,099 --> 00:35:35,869
MY BETTER HALF, WHO PICKED ME UP
845
00:35:35,869 --> 00:35:37,037
WHEN I WAS GUTTED FROM THIS
846
00:35:37,037 --> 00:35:37,304
WORK.
847
00:35:37,304 --> 00:35:37,837
THANK YOU.
848
00:35:37,837 --> 00:35:38,471
I WANT TO THANK ME.
849
00:35:38,471 --> 00:35:41,875
[ CHEERS AND APPLAUSE ]
850
00:35:41,875 --> 00:35:43,877
FOR BELIEVING IN ME AND DOING
851
00:35:43,877 --> 00:35:45,946
WHAT THEY SAID I COULD NOT DO.
852
00:35:45,946 --> 00:35:47,714
I WANT TO SAY TO MYSELF IN FRONT
853
00:35:47,714 --> 00:35:51,318
OF ALL YOU BEAUTIFUL PEOPLE, GO,
854
00:35:51,318 --> 00:35:54,421
GIRL, WITH YOU BAD SELF.
855
00:35:54,421 --> 00:35:55,922
YOU DID THAT.
856
00:35:55,922 --> 00:35:58,058
FINALLY, I ACCEPT THIS AWARD ON
857
00:35:58,058 --> 00:36:00,860
BEHALF OF EVERY BLACK AND BROWN
858
00:36:00,860 --> 00:36:03,897
WOMAN WHO HAVE GONE UNHEARD, YET
859
00:36:03,897 --> 00:36:05,332
OVERPOLICED, LIKE GLENDA
860
00:36:05,332 --> 00:36:12,038
CLEVELAND, LIKE SANDRA BLAND,
861
00:36:12,038 --> 00:36:15,375
LIKE BRIEEONNA TAYLOR.
862
00:36:15,375 --> 00:36:17,677
I'M GOING TO DO IT UNTIL THE DAY
863
00:36:17,677 --> 00:36:17,944
I DIE.
864
00:36:17,944 --> 00:36:19,479
MOMMA, I WON!
865
00:36:19,479 --> 00:36:25,352
[ APPLAUSE ]
866
00:36:25,352 --> 00:36:26,219
>> Announcer: COMING UP LATER,
867
00:36:26,219 --> 00:36:28,054
THE AWARDS FOR OUTSTANDING LEAD
868
00:36:28,054 --> 00:36:29,990
ACTOR AND ACTRESS IN A DRAMA
869
00:36:29,990 --> 00:36:30,690
SERIES.
870
00:36:30,690 --> 00:36:32,792
AND UP NEXT THE CAST OF "CHEERS"
871
00:36:32,792 --> 00:36:33,860
REUNITES.
872
00:36:33,860 --> 00:36:36,696
IT'S THE EMMYS ON FOX.
873
00:36:40,267 --> 00:36:44,204
[ "CURB YOUR ENTHUSIASM" THEME ]
874
00:36:44,204 --> 00:36:45,305
>>> THERE HAVE BEEN A LOT OF
875
00:36:45,305 --> 00:36:46,506
BRILLIANT SITCOMS IN THE
876
00:36:46,506 --> 00:36:48,241
75 YEARS OF THE EMMYS -- SOME
877
00:36:48,241 --> 00:36:49,142
SET IN THE WORKPLACE, OTHERS IN
878
00:36:49,142 --> 00:36:53,446
THE HOME, SOME IN RESTAURANTS.
879
00:36:53,446 --> 00:36:55,248
BUT ONE OF THE GREATEST SITCOMS
880
00:36:55,248 --> 00:36:58,084
OF ALL TIME, WINNER OF 28 EMMYS,
881
00:36:58,084 --> 00:36:59,786
WAS SET HERE, IN THE MOST ICONIC
882
00:36:59,786 --> 00:37:02,856
BAR IN TELEVISION HISTORY --
883
00:37:02,856 --> 00:37:04,190
"CHEERS."
884
00:37:04,190 --> 00:37:06,393
[ APPLAUSE ]
885
00:37:06,393 --> 00:37:08,295
♪ YOU WANT TO BE WHERE YOU CAN
886
00:37:08,295 --> 00:37:11,631
SEE TROUBLES ARE ALL THE SAME ♪
887
00:37:11,631 --> 00:37:12,432
♪ YOU WANT TO BE WHERE EVERYBODY
888
00:37:12,432 --> 00:37:16,503
KNOWS YOUR NAME ♪
889
00:37:16,503 --> 00:37:18,038
>> ANTHONY, THANK YOU FOR
890
00:37:18,038 --> 00:37:19,873
GETTING US ALL HERE.
891
00:37:19,873 --> 00:37:21,641
THIS FEELS NICE TO BE HERE.
892
00:37:21,641 --> 00:37:22,542
THANK YOU.
893
00:37:22,542 --> 00:37:24,778
>> JUST THINK OF IT AS A LONG
894
00:37:24,778 --> 00:37:25,946
OVERDUE CLASS REUNION.
895
00:37:25,946 --> 00:37:26,780
>> BEING TOGETHER BRINGS BACK
896
00:37:26,780 --> 00:37:27,547
SOME GREAT MEMORIES OF A SHOW WE
897
00:37:27,547 --> 00:37:28,081
ARE ALL SO PROUD OF.
898
00:37:28,081 --> 00:37:28,715
>> AND IF SOMEONE HAS THE
899
00:37:28,715 --> 00:37:29,583
ENVELOPE WE CAN PRESENT THE
900
00:37:29,583 --> 00:37:33,553
AWARD.
901
00:37:33,553 --> 00:37:33,853
>> YEAH.
902
00:37:33,853 --> 00:37:40,093
>> All: GEORGE!
903
00:37:40,093 --> 00:37:42,929
>> GEORGIE PORGIE.
904
00:37:42,929 --> 00:37:43,663
>> WE'RE HONORED TO PRESENT THE
905
00:37:43,663 --> 00:37:48,168
EMMY FOR OUTSTANDING DIRECTING
906
00:37:48,168 --> 00:37:49,336
IN A COMEDY SERIES.
907
00:37:49,336 --> 00:37:51,671
HERE ARE THE NOMINEES.
908
00:37:51,671 --> 00:37:55,075
>> Announcer: BILL HADER,
909
00:37:55,075 --> 00:37:55,876
"BARRY."
910
00:37:55,876 --> 00:38:00,614
CHRISTOPHER, "THE BEAR."
911
00:38:00,614 --> 00:38:06,786
AMY SHERMAN PALADINO, "THE
912
00:38:06,786 --> 00:38:08,688
MARVELOUS MRS. MAISEL."
913
00:38:08,688 --> 00:38:09,089
"TED LASSO."
914
00:38:09,089 --> 00:38:14,261
TIM BURTON, "WEDNESDAY."
915
00:38:14,261 --> 00:38:19,466
>> AND THE EMMY GOES TO
916
00:38:19,466 --> 00:38:34,881
CHRISTOPHER STORER.
917
00:38:34,881 --> 00:38:36,349
CHRISTOPHER IS UNABLE TO BE HERE
918
00:38:36,349 --> 00:38:37,918
TONIGHT, SO WE ACCEPT THIS AWARD
919
00:38:37,918 --> 00:38:38,351
ON HIS BEHALF.
920
00:38:38,351 --> 00:38:44,224
[ APPLAUSE ]
921
00:38:44,224 --> 00:38:44,858
>> AND NOW, HERE ARE THE
922
00:38:44,858 --> 00:38:45,825
NOMINEES FOR WRITING FOR A
923
00:38:45,825 --> 00:38:46,560
COMEDY SERIES, AN AWARD WON BY
924
00:38:46,560 --> 00:38:47,260
TWO OF CHEERS CREATORS, LES AND
925
00:38:47,260 --> 00:38:47,661
GLEN CHARLES.
926
00:38:51,031 --> 00:38:53,133
>> Announcer: BILL HADER,
927
00:38:53,133 --> 00:38:53,700
"BARRY."
928
00:38:53,700 --> 00:38:59,339
CHRISTOPHER STORER, "THE BEAR."
929
00:38:59,339 --> 00:39:00,273
"JURY DUTY."
930
00:39:00,273 --> 00:39:07,180
JOHN HOFFMAN, "ONLY MURDERS IN
931
00:39:07,180 --> 00:39:13,386
THE BUILDING".
932
00:39:13,386 --> 00:39:13,987
"TED LASSO."
933
00:39:13,987 --> 00:39:17,791
>> AND THE EMMY GOES TO.
934
00:39:17,791 --> 00:39:19,459
CHRISTOPHER STORER "THE BEAR."
935
00:39:19,459 --> 00:39:22,495
[ APPLAUSE ]
936
00:39:22,495 --> 00:39:24,331
>> WELL, CHRISTOPHER IS UNABLE
937
00:39:24,331 --> 00:39:25,165
TO BE HERE TONIGHT.
938
00:39:25,165 --> 00:39:25,966
WE ACCEPT THIS AWARD ON HIS
939
00:39:25,966 --> 00:39:28,902
BEHALF.
940
00:39:28,902 --> 00:39:30,704
♪
941
00:39:30,704 --> 00:39:31,304
>> Announcer: COMING UP,
942
00:39:31,304 --> 00:39:33,306
JOEL McHALE AND KEN JEONG.
943
00:39:33,306 --> 00:39:36,610
AN EMMY EDITION OF "SNL'S"
944
00:39:36,610 --> 00:39:38,345
WEEKEND UPDATE WITH TINA FEY AND
945
00:39:38,345 --> 00:39:40,747
AMY POEHLER, ARSENIO HALL, AND
946
00:39:40,747 --> 00:39:42,349
THE CAST OF "IT'S ALWAYS SUNNY
947
00:39:42,349 --> 00:39:44,451
IN PHILADELPHIA."
948
00:39:44,451 --> 00:39:45,385
PLUS, A "GREY'S ANATOMY"
949
00:39:45,385 --> 00:39:47,087
REUNION.
950
00:39:55,095 --> 00:39:56,596
>> OUR NEXT PRESENTERS ARE TWO
951
00:39:56,596 --> 00:39:58,331
OF THE MOST OVEREXPOSED PEOPLE
952
00:39:58,331 --> 00:39:59,065
IN TELEVISION AND MOVIES, GIVE
953
00:39:59,065 --> 00:39:59,900
IT UP FOR JOEL MCHALE AND
954
00:39:59,900 --> 00:40:02,836
KEN JEONG!
955
00:40:02,836 --> 00:40:05,739
[ APPLAUSE ]
956
00:40:05,739 --> 00:40:08,008
♪
957
00:40:08,008 --> 00:40:15,515
[ APPLAUSE ]
958
00:40:15,515 --> 00:40:16,116
>> YOU'RE ONE TO TALK,
959
00:40:16,116 --> 00:40:20,520
ANTHONY ANDERSON.
960
00:40:20,520 --> 00:40:23,957
CALL US ON YOUR T-MOBILE PHONE.
961
00:40:23,957 --> 00:40:29,229
>> ZING.
962
00:40:29,229 --> 00:40:29,829
WE'RE HERE TO HONOR THE
963
00:40:29,829 --> 00:40:33,099
OUTSTANDING REALITY COMPETITION
964
00:40:33,099 --> 00:40:33,466
PROGRAMS.
965
00:40:33,466 --> 00:40:36,236
>> WE KNOW A THING OR TWO ABOUT
966
00:40:36,236 --> 00:40:37,237
REALITY COMPETITION SHOWS.
967
00:40:37,237 --> 00:40:39,039
>> BECAUSE KEN IS FINALLY OVER
968
00:40:39,039 --> 00:40:41,241
THE HEIGHT REQUIREMENT TO
969
00:40:41,241 --> 00:40:42,209
PARTICIPATE IN THE PROFIT
970
00:40:42,209 --> 00:40:42,509
SHARING.
971
00:40:42,509 --> 00:40:43,043
WAY TO GO.
972
00:40:43,043 --> 00:40:43,343
>> STOP.
973
00:40:43,343 --> 00:40:49,649
SERIOUSLY, LIVE TV.
974
00:40:49,649 --> 00:40:52,285
REALITY IS THE MOST NOBLE OF
975
00:40:52,285 --> 00:40:52,652
CALLINGS.
976
00:40:52,652 --> 00:40:53,653
EVEN MORE THAN MEDICINE.
977
00:40:53,653 --> 00:40:54,921
>> HERE WE GO.
978
00:40:54,921 --> 00:40:56,156
YOU WERE THROWN OUT OF MEDICINE.
979
00:40:56,156 --> 00:40:57,224
HE KILLED A GUY.
980
00:40:57,224 --> 00:40:59,025
>> YOU CAN'T SAY THAT.
981
00:40:59,025 --> 00:41:01,027
IT'S NOT IN THE PROMPTER.
982
00:41:01,027 --> 00:41:03,997
YOU CANNOT SAY THAT.
983
00:41:03,997 --> 00:41:05,599
YOU CAN'T SAY THAT!
984
00:41:05,599 --> 00:41:06,933
THE INSTRUMENT THAT ALMOST
985
00:41:06,933 --> 00:41:08,401
KILLED THAT DUDE WERE THE ONES
986
00:41:08,401 --> 00:41:09,903
THE NURSES LEFT IN, OKAY?
987
00:41:09,903 --> 00:41:13,306
THE ONES THAT SAVED HIS LIFE, I
988
00:41:13,306 --> 00:41:14,274
LEFT IN.
989
00:41:14,274 --> 00:41:15,075
GIVE ME A BREAK.
990
00:41:15,075 --> 00:41:16,643
>> OKAY.
991
00:41:16,643 --> 00:41:18,879
>> AND THAT IS THE END OF OUR
992
00:41:18,879 --> 00:41:19,279
COMEDY BIT.
993
00:41:19,279 --> 00:41:23,016
>> IT NEVER STARTED!
994
00:41:23,016 --> 00:41:23,416
[ LAUGHTER ]
995
00:41:23,416 --> 00:41:25,185
>> HERE ARE THE NOMINEES FOR
996
00:41:25,185 --> 00:41:28,922
OUTSTANDING REALITY COMPETITION
997
00:41:28,922 --> 00:41:29,756
PROGRAM.
998
00:41:29,756 --> 00:41:32,392
>> Announcer: "THE AMAZING
999
00:41:32,392 --> 00:41:34,561
RACE."
1000
00:41:34,561 --> 00:41:36,630
"RuPAUL'S DRAG RACE."
1001
00:41:36,630 --> 00:41:37,230
"SURVIVOR."
1002
00:41:37,230 --> 00:41:38,765
"TALK SHOW."
1003
00:41:38,765 --> 00:41:43,036
"THE VOICE."
1004
00:41:43,036 --> 00:41:45,972
>> AND THE EMMY GOES TO --
1005
00:41:45,972 --> 00:41:46,673
"RuPAUL'S DRAG RACE"!
1006
00:41:46,673 --> 00:41:58,552
[ CHEERS AND APPLAUSE ]
1007
00:41:58,552 --> 00:41:59,286
>> Announcer: "RuPAUL'S DRAG
1008
00:41:59,286 --> 00:42:01,988
RACE" HAS EARNED A TOTAL OF 63
1009
00:42:01,988 --> 00:42:02,956
EMMY NOMINATIONS.
1010
00:42:02,956 --> 00:42:05,158
THIS IS THE SHOW'S FIFTH WIN IN
1011
00:42:05,158 --> 00:42:06,393
THIS CATEGORY.
1012
00:42:06,393 --> 00:42:08,295
ACCEPTING THE EMMY ON BEHALF OF
1013
00:42:08,295 --> 00:42:11,197
THE TEAM IS RUPAUL.
1014
00:42:11,197 --> 00:42:12,265
THIS MARKS THE EIGHTH
1015
00:42:12,265 --> 00:42:15,936
CONSECUTIVE WIN FOR RUPAUL AS
1016
00:42:15,936 --> 00:42:16,469
HOST OF THE SHOW.
1017
00:42:16,469 --> 00:42:21,007
RUPAUL IS THE MOST AWARDED HOST
1018
00:42:21,007 --> 00:42:24,544
IN EMMYS HISTORY.
1019
00:42:24,544 --> 00:42:26,379
>> THANK YOU SO MUCH.
1020
00:42:26,379 --> 00:42:28,048
THANK YOU SO MUCH, YOU LOVELY,
1021
00:42:28,048 --> 00:42:28,882
LOVELY PEOPLE.
1022
00:42:28,882 --> 00:42:33,119
WE ARE SO HONORED TO HAVE THIS
1023
00:42:33,119 --> 00:42:33,620
AWARD.
1024
00:42:33,620 --> 00:42:37,190
LISTEN, YOU GUYS ARE JUST PURE
1025
00:42:37,190 --> 00:42:39,559
LOVELY FOR HONORING OUR SHOW AND
1026
00:42:39,559 --> 00:42:41,861
RECOGNIZING ALL THESE QUEENS.
1027
00:42:41,861 --> 00:42:46,499
WE HAVE RELEASED INTO THE WILD
1028
00:42:46,499 --> 00:42:47,067
HUNDREDS OF DRAG QUEENS.
1029
00:42:47,067 --> 00:42:50,770
[ CHEERS AND APPLAUSE ]
1030
00:42:50,770 --> 00:42:52,672
AND THEY'RE BEAUTIFUL.
1031
00:42:52,672 --> 00:42:55,775
ON BEHALF OF ALL OF THEM, WE
1032
00:42:55,775 --> 00:42:56,543
THANK YOU.
1033
00:42:56,543 --> 00:42:58,345
LISTEN, IF A DRAG QUEEN WANTS TO
1034
00:42:58,345 --> 00:43:03,183
READ YOU A STORY AT A LIBRARY,
1035
00:43:03,183 --> 00:43:07,554
LISTEN TO HER, BECAUSE KNOWLEDGE
1036
00:43:07,554 --> 00:43:08,355
IS POWER.
1037
00:43:08,355 --> 00:43:11,391
IF SOMEONE TRIES TO RESTRICT
1038
00:43:11,391 --> 00:43:13,894
YOUR ACCESS TO POWER, THEY ARE
1039
00:43:13,894 --> 00:43:15,061
TRYING TO SCARE YOU.
1040
00:43:15,061 --> 00:43:16,630
SO LISTEN TO A DRAG QUEEN!
1041
00:43:16,630 --> 00:43:17,030
WE LOVE YOU.
1042
00:43:17,030 --> 00:43:17,631
THANK YOU!
1043
00:43:17,631 --> 00:43:20,467
[ CHEERS AND APPLAUSE ]
1044
00:43:20,467 --> 00:43:20,934
>> THANK YOU.
1045
00:43:20,934 --> 00:43:24,538
THANK YOU.
1046
00:43:24,538 --> 00:43:27,440
>> FROM THE PEACOCK THEATER IN
1047
00:43:27,440 --> 00:43:33,113
THE HEARTH OF DOWNTOWN LOS
1048
00:43:33,113 --> 00:43:34,381
ANGELES, IT'S ARSENIO HALL!
1049
00:43:34,381 --> 00:43:39,786
♪
1050
00:43:39,786 --> 00:43:40,887
[ THE ARSENIO HALL SHOW THEME ]
1051
00:43:40,887 --> 00:43:55,635
♪
1052
00:43:55,635 --> 00:44:00,140
>> THANK YOU.
1053
00:44:00,140 --> 00:44:01,641
THANK YOU.
1054
00:44:01,641 --> 00:44:06,146
AS A KID, I IDOLIZED JOHNNY
1055
00:44:06,146 --> 00:44:06,479
CARSON.
1056
00:44:06,479 --> 00:44:07,881
WHEN MOST KIDS IN CLEVELAND
1057
00:44:07,881 --> 00:44:09,149
WANTED TO BE FOOTBALL STARS LIKE
1058
00:44:09,149 --> 00:44:11,952
JIM BROWN, I WANTED TO BE AN OLD
1059
00:44:11,952 --> 00:44:12,586
WHITE MAN WITH A TALK SHOW.
1060
00:44:12,586 --> 00:44:17,624
[ LAUGHTER ]
1061
00:44:17,624 --> 00:44:20,260
I WAS A WEIRD 10-YEAR OLD.
1062
00:44:20,260 --> 00:44:22,429
I EVEN WAS A MAGICIAN LIKE
1063
00:44:22,429 --> 00:44:22,729
JOHNNY.
1064
00:44:22,729 --> 00:44:24,064
CHECK THIS OUT.
1065
00:44:24,064 --> 00:44:26,633
YES, THERE I AMOUNT IN A BLACK
1066
00:44:26,633 --> 00:44:28,435
SUIT AND TIE DOING MAGIC IN THE
1067
00:44:28,435 --> 00:44:32,639
GHETTO OF CLEVELAND.
1068
00:44:32,639 --> 00:44:37,244
YES, AND I'M STILL ALIVE.
1069
00:44:37,244 --> 00:44:40,914
BY BUT I GOT MY [ BLEEP ] BEAT A
1070
00:44:40,914 --> 00:44:41,181
LOT.
1071
00:44:41,181 --> 00:44:41,915
I LOVED JOHNNY SO MUCH I DID
1072
00:44:41,915 --> 00:44:45,952
"THE TONIGHT SHOW" IN MY
1073
00:44:45,952 --> 00:44:48,288
BASEMENT WITH MY FRIENDS AS
1074
00:44:48,288 --> 00:44:48,588
GUESTS.
1075
00:44:48,588 --> 00:44:50,223
EVENTUALLY I BECAME A STANDUP
1076
00:44:50,223 --> 00:44:50,790
COMIC.
1077
00:44:50,790 --> 00:44:53,526
I GOT MY BIG BREAK ON "LATE
1078
00:44:53,526 --> 00:44:55,595
NIGHT WITH DAVID LETTERMAN."
1079
00:44:55,595 --> 00:44:59,165
ON JANUARY 3rd, 1989, I DEBUTED
1080
00:44:59,165 --> 00:45:01,801
THE ARSENIO HALL SHOW.
1081
00:45:01,801 --> 00:45:02,202
I WAS HOST.
1082
00:45:02,202 --> 00:45:06,072
[ APPLAUSE ]
1083
00:45:06,072 --> 00:45:07,841
I WAS HOST OF THAT SHOW THAT I
1084
00:45:07,841 --> 00:45:09,743
USED TO DO IN MY BASEMENT.
1085
00:45:09,743 --> 00:45:11,211
I GOT TO GO HEAD TO HEAD WITH
1086
00:45:11,211 --> 00:45:15,882
THE KING, JOHNNY CARSON, AND HIS
1087
00:45:15,882 --> 00:45:18,184
HEIRS TO THE THRONE DAVE AND
1088
00:45:18,184 --> 00:45:18,418
JAY.
1089
00:45:18,418 --> 00:45:20,153
IT WAS AN HONOR TO FACE OFF
1090
00:45:20,153 --> 00:45:22,355
AGAINST THE TALENTED TRIO, BUT
1091
00:45:22,355 --> 00:45:28,028
TO BE HONEST, I WISH THEY HAD
1092
00:45:28,028 --> 00:45:29,896
SUCKED.
1093
00:45:29,896 --> 00:45:31,097
BUT THEY DIDN'T.
1094
00:45:31,097 --> 00:45:32,899
AND HERE ARE SOME OTHER FOLKS
1095
00:45:32,899 --> 00:45:35,502
WHO ABSOLUTELY DO NOT SUCK, THE
1096
00:45:35,502 --> 00:45:40,674
NOMINATED TEAMS FOR OUT SSTANDI
1097
00:45:40,674 --> 00:45:43,877
WRITER IN A VARIETY SERIES.
1098
00:45:43,877 --> 00:45:49,749
"THE LAST OF US," "THE LATE SHOW
1099
00:45:49,749 --> 00:45:51,751
WITH STEPHEN COLBERT".
1100
00:45:55,555 --> 00:45:59,392
>> AND THE EMMY GOES TO -- I'M
1101
00:45:59,392 --> 00:46:01,628
AS NERVOUS AS JOHN OLIVER WILL
1102
00:46:01,628 --> 00:46:03,330
BE.
1103
00:46:03,330 --> 00:46:06,733
THE TEAM FROM "LAST WEEK TONIGHT
1104
00:46:06,733 --> 00:46:12,873
WITH JOHN OLIVER."
1105
00:46:12,873 --> 00:46:14,107
>> Announcer: THIS IS THE EIGHTH
1106
00:46:14,107 --> 00:46:16,409
CONSECUTIVE EMMY WIN IN THIS
1107
00:46:16,409 --> 00:46:17,944
CATEGORY FOR "LAST WEEK TONIGHT
1108
00:46:17,944 --> 00:46:20,480
WITH JOHN OLIVER" WHICH HAS A
1109
00:46:20,480 --> 00:46:26,586
TOTAL OF 51 NOMINATIONS OVERALL.
1110
00:46:26,586 --> 00:46:32,592
THE SERIES DEBUTED --
1111
00:46:32,592 --> 00:46:46,473
♪
1112
00:46:46,473 --> 00:46:46,873
[ APPLAUSE ]
1113
00:46:46,873 --> 00:46:48,308
>> HI.
1114
00:46:48,308 --> 00:46:49,109
THANK YOU.
1115
00:46:49,109 --> 00:46:53,446
THANK YOU TO OUR EXECUTIVE
1116
00:46:53,446 --> 00:46:57,918
PRODUCERS, TIM CARVEL AND LIZ
1117
00:46:57,918 --> 00:47:01,354
STANTON, THANK YOU TO JOHN
1118
00:47:01,354 --> 00:47:01,988
OLIVER AND CAT OWENS.
1119
00:47:01,988 --> 00:47:04,057
THANK YOU TO EVERY DEPARTMENT AT
1120
00:47:04,057 --> 00:47:05,025
"LAST WEEK TONIGHT."
1121
00:47:05,025 --> 00:47:06,993
THEY ARE ALL INCREDIBLE AT WHAT
1122
00:47:06,993 --> 00:47:07,627
THEY DO.
1123
00:47:07,627 --> 00:47:09,062
THEY MAKE THE WHOLE THING
1124
00:47:09,062 --> 00:47:09,429
HAPPEN.
1125
00:47:09,429 --> 00:47:10,964
I ESPECIALLY WANT TO THANK
1126
00:47:10,964 --> 00:47:13,500
EVERYONE AT THE SHOW AND JOHN,
1127
00:47:13,500 --> 00:47:15,068
TIM AND LIZ FOR HOW MUCH THEY
1128
00:47:15,068 --> 00:47:16,236
BACKED US UP DURING THE WRITERS
1129
00:47:16,236 --> 00:47:16,536
STRIKE.
1130
00:47:16,536 --> 00:47:22,676
[ APPLAUSE ]
1131
00:47:22,676 --> 00:47:24,778
THEY WHOLEHEARTEDLY SUPPORTED
1132
00:47:24,778 --> 00:47:26,713
ALL OF US EVEN THOUGH A THIRD OF
1133
00:47:26,713 --> 00:47:29,549
US ARE ANNOYING.
1134
00:47:29,549 --> 00:47:30,250
IT WAS WONDERFUL.
1135
00:47:30,250 --> 00:47:32,786
WE ALSO WARRANT TO THANK OUR
1136
00:47:32,786 --> 00:47:34,788
UNION, THE WGA, AND ALL THE
1137
00:47:34,788 --> 00:47:37,624
UNIONS THAT BACKED WITH SO MUCH
1138
00:47:37,624 --> 00:47:38,091
SOLIDARITY.
1139
00:47:38,091 --> 00:47:39,192
THE STRIKE FELT LONG.
1140
00:47:39,192 --> 00:47:41,494
IT DID NOT FEEL LONELY.
1141
00:47:41,494 --> 00:47:42,062
SO THANK YOU SO MUCH.
1142
00:47:42,062 --> 00:47:42,629
[ APPLAUSE ]
1143
00:47:42,629 --> 00:47:45,398
♪
1144
00:47:45,398 --> 00:47:45,999
[ IT'S ALWAYS SUNNY IN
1145
00:47:45,999 --> 00:47:46,633
PHILADELPHIA THEME SONG ]
1146
00:47:46,633 --> 00:47:51,137
>> Announcer: FROM "ALWAYS SUNNY
1147
00:47:51,137 --> 00:47:51,872
IN PHILADELPHIA," A SERIES THAT
1148
00:47:51,872 --> 00:47:52,639
EARNED THREE EMMY NOMINATIONS,
1149
00:47:52,639 --> 00:47:53,807
HERE ARE ROB MCELHENMEY,
1150
00:47:53,807 --> 00:47:58,078
GLENN HOWERTON AND CHARLIE DAY.
1151
00:47:58,078 --> 00:48:04,818
♪
1152
00:48:04,818 --> 00:48:05,185
>> OKAY.
1153
00:48:05,185 --> 00:48:07,254
ALL RIGHT.
1154
00:48:07,254 --> 00:48:08,989
THANK YOU.
1155
00:48:08,989 --> 00:48:11,825
>> WHAT AN HONOR IT IS TO BE
1156
00:48:11,825 --> 00:48:15,228
HERE AT THE 75th EMMY AWARDS.
1157
00:48:15,228 --> 00:48:15,929
>> WHAT?
1158
00:48:15,929 --> 00:48:17,063
75 YEARS?
1159
00:48:17,063 --> 00:48:18,098
>> YEAH.
1160
00:48:18,098 --> 00:48:20,834
>> WE'VE BEEN ON THE AIR SINCE
1161
00:48:20,834 --> 00:48:21,468
2005.
1162
00:48:21,468 --> 00:48:22,636
I'VE NEVER EVEN BEEN HERE.
1163
00:48:22,636 --> 00:48:24,437
>> HANG ON.
1164
00:48:24,437 --> 00:48:25,705
HAVE YOU GUYS BEEN DOING THIS
1165
00:48:25,705 --> 00:48:28,308
EVERY SINGLE YEAR WITHOUT US?
1166
00:48:28,308 --> 00:48:30,176
>> THEY DO.
1167
00:48:30,176 --> 00:48:33,146
16 SEASONS WE'VE NEVER PRESENTED
1168
00:48:33,146 --> 00:48:33,580
BEFORE.
1169
00:48:33,580 --> 00:48:34,214
>> OH.
1170
00:48:34,214 --> 00:48:36,616
>> I FEEL LIKE WE'RE GETTING THE
1171
00:48:36,616 --> 00:48:42,789
FULL MARTIN TREATMENT OEVER HER.
1172
00:48:42,789 --> 00:48:45,492
>> DANNY, SURELY THE EMMYS MUST
1173
00:48:45,492 --> 00:48:46,693
HAVE GIVEN YOU AN AWARD.
1174
00:48:46,693 --> 00:48:47,827
>> YEAH, THEY DID.
1175
00:48:47,827 --> 00:48:48,628
>> THEY DID?
1176
00:48:48,628 --> 00:48:50,063
>> YEAH, I GOT ONE.
1177
00:48:50,063 --> 00:48:51,264
>> FOR SUNNY.
1178
00:48:51,264 --> 00:48:51,898
>> NO.
1179
00:48:51,898 --> 00:48:52,399
FOR TAXI.
1180
00:48:52,399 --> 00:49:00,407
[ APPLAUSE ]
1181
00:49:00,407 --> 00:49:02,375
>> HOW LONG WAS TAXI ON THE AIR?
1182
00:49:02,375 --> 00:49:03,577
>> FIVE YEARS.
1183
00:49:03,577 --> 00:49:05,912
>> ONLY FIVE YEARS AND IT GOT
1184
00:49:05,912 --> 00:49:06,246
NOMINATED?
1185
00:49:06,246 --> 00:49:08,815
>> YEAH, WITH 34 NOMINATIONS AND
1186
00:49:08,815 --> 00:49:11,017
18 WINS.
1187
00:49:11,017 --> 00:49:14,621
THAT'S WHY I GOT ONE.
1188
00:49:14,621 --> 00:49:15,055
THANK YOU.
1189
00:49:15,055 --> 00:49:17,490
>> 34 NOMINATIONS IN FIVE YEARS
1190
00:49:17,490 --> 00:49:19,859
VERSUS ZERO NOMINATIONS IN 16
1191
00:49:19,859 --> 00:49:20,126
YEARS.
1192
00:49:20,126 --> 00:49:21,328
THAT MATH IS BAD.
1193
00:49:21,328 --> 00:49:23,630
THE MATH IS BAD.
1194
00:49:23,630 --> 00:49:27,300
>> RHEA WON FOUR FOR "CHEERS".
1195
00:49:27,300 --> 00:49:32,472
>> DON'T RUB IT IN.
1196
00:49:32,472 --> 00:49:35,275
OKAY.
1197
00:49:35,275 --> 00:49:38,478
>> MAYBE THEY HAVE TROPHIES
1198
00:49:38,478 --> 00:49:40,480
BACKSTAGE THEY FORGOT TO GIVE
1199
00:49:40,480 --> 00:49:40,747
US.
1200
00:49:40,747 --> 00:49:41,348
>> NO.
1201
00:49:41,348 --> 00:49:42,816
I WENT BACKSTAGE AND I LOOKED
1202
00:49:42,816 --> 00:49:44,985
FOR THE MARTIN ONES AND THE
1203
00:49:44,985 --> 00:49:47,387
SUNNY ONES AND THEY DIDN'T HAVE
1204
00:49:47,387 --> 00:49:47,721
THEM.
1205
00:49:47,721 --> 00:49:50,457
>> I'M STILL GOING TO POKE
1206
00:49:50,457 --> 00:49:51,625
AROUND BACK THERE.
1207
00:49:51,625 --> 00:49:54,561
>> SO SPEAKING OF GUYS WITH FAR
1208
00:49:54,561 --> 00:49:55,996
TOO MANY NOMINATIONS, HERE ARE
1209
00:49:55,996 --> 00:49:56,897
THE NOMINEES FOR OUTSTANDING
1210
00:49:56,897 --> 00:50:00,433
TALK SERIES.
1211
00:50:00,433 --> 00:50:01,201
>> Announcer: "THE DAILY SHOW
1212
00:50:01,201 --> 00:50:03,136
WITH TREVOR NOAH" WITH TREVOR
1213
00:50:03,136 --> 00:50:05,472
NOAH.
1214
00:50:05,472 --> 00:50:06,072
"JIMMY KIMMEL LIVE!."
1215
00:50:06,072 --> 00:50:07,340
LATE NIGHT WITH SETH MEYERS.
1216
00:50:07,340 --> 00:50:13,046
THE LATE SHOW WITH STEVEN
1217
00:50:13,046 --> 00:50:15,248
COLBERT.
1218
00:50:15,248 --> 00:50:15,949
"THE PROBLEM WITH JON STEWART."
1219
00:50:15,949 --> 00:50:19,586
>> AND THE EMMY GOES TO "THE
1220
00:50:19,586 --> 00:50:20,320
DAILY SHOW WITH TREVOR NOAH."
1221
00:50:20,320 --> 00:50:20,754
HOW ABOUT THAT.
1222
00:50:20,754 --> 00:50:32,499
♪
1223
00:50:32,499 --> 00:50:34,267
>> Announcer: D"THE DAILY SHOW
1224
00:50:34,267 --> 00:50:35,235
WITH TREVOR NOAH" RECEIVED THREE
1225
00:50:35,235 --> 00:50:36,469
NOMINATIONS THIS YEAR.
1226
00:50:36,469 --> 00:50:40,974
ACCEPTING THE EMMY IS TREVOR
1227
00:50:40,974 --> 00:50:45,512
NOAH.
1228
00:50:45,512 --> 00:50:48,348
>> I TOLD YOU WE WOULD BEAT JOHN
1229
00:50:48,348 --> 00:50:50,083
OLIVER AND HE WASN'T IN OUR
1230
00:50:50,083 --> 00:50:50,450
CATEGORY.
1231
00:50:50,450 --> 00:50:51,718
WE DID IT!
1232
00:50:51,718 --> 00:50:56,122
WE GOT RID OF JOHN OLIVER.
1233
00:50:56,122 --> 00:50:57,357
I'M SO GLAD EVERYBODY IS COMING
1234
00:50:57,357 --> 00:50:57,991
UP HERE.
1235
00:50:57,991 --> 00:50:59,526
CAN I JUST SAY THIS STORY HAS
1236
00:50:59,526 --> 00:51:02,229
BEEN SO LONG AND SO CRAZY AND SO
1237
00:51:02,229 --> 00:51:02,996
WONDERFUL.
1238
00:51:02,996 --> 00:51:04,698
I START BY THANKING THE CRAZY
1239
00:51:04,698 --> 00:51:09,736
AFRICANS WHO FOLLOWED ME TO THIS
1240
00:51:09,736 --> 00:51:10,070
COUNTRY.
1241
00:51:10,070 --> 00:51:10,604
THANK YOU SO MUCH.
1242
00:51:10,604 --> 00:51:14,875
AND THE WRITERS AND THE TEAM.
1243
00:51:14,875 --> 00:51:18,178
JORDAN'S FLIGHT GOT CANCELLED.
1244
00:51:18,178 --> 00:51:22,649
THE SHOWRUNNER, THIS WOMAN RODE
1245
00:51:22,649 --> 00:51:24,284
WITH ME THROUGH THE TRENCHES.
1246
00:51:24,284 --> 00:51:25,986
THANK YOU SO MUCH TO THE TEAM.
1247
00:51:25,986 --> 00:51:27,487
THE PERSON I ALWAYS THANK
1248
00:51:27,487 --> 00:51:31,958
BECAUSE HE'S A CRAZY GENIUS.
1249
00:51:31,958 --> 00:51:33,193
JON STEWART, THANK YOU FOR
1250
00:51:33,193 --> 00:51:34,461
CALLING ME UP.
1251
00:51:34,461 --> 00:51:36,129
THANK YOU FOR ASKING ME TO JOIN
1252
00:51:36,129 --> 00:51:38,031
YOU ON THIS CRAZY JOURNEY.
1253
00:51:38,031 --> 00:51:39,432
THANK YOU TO THESE PEOPLE.
1254
00:51:39,432 --> 00:51:40,267
WE DID IT, BABY.
1255
00:51:40,267 --> 00:51:40,634
WE DID IT.
1256
00:51:40,634 --> 00:51:44,404
[ APPLAUSE ]
1257
00:51:44,404 --> 00:51:45,438
>> Announcer: COMING UP,
1258
00:51:45,438 --> 00:51:47,040
BRETT GOLDSTEIN AND JUNO TEMPLE,
1259
00:51:47,040 --> 00:51:48,775
CAST REUNIONS FROM "GREY'S
1260
00:51:48,775 --> 00:51:50,710
ANATOMY" AND "ALLY MCBEAL," AND
1261
00:51:50,710 --> 00:51:51,745
TRACEE ELLIS ROSS AND
1262
00:51:51,745 --> 00:51:53,713
NATASHA LYONNE'S "I LOVE LUCY"
1263
00:51:53,713 --> 00:51:55,315
TRIBUTE.
1264
00:51:58,585 --> 00:52:00,520
[ "TED LASSO" THEME SONG ]
1265
00:52:00,520 --> 00:52:01,221
>> Announcer: WELCOME BACK TO
1266
00:52:01,221 --> 00:52:02,756
THE EMMY AWARDS.
1267
00:52:02,756 --> 00:52:04,457
SHE'S A NOMINEE TONIGHT.
1268
00:52:04,457 --> 00:52:06,760
HE'S A TWO-TIME EMMY WINNER.
1269
00:52:06,760 --> 00:52:09,029
PLEASE WELCOME JUNO TEMPLE AND
1270
00:52:09,029 --> 00:52:11,665
BRETT GOLDSTEIN.
1271
00:52:11,665 --> 00:52:16,836
[ APPLAUSE ]
1272
00:52:19,339 --> 00:52:21,308
>> BEING A DIRECTOR REQUIRES A
1273
00:52:21,308 --> 00:52:23,677
DIVERSE SKILL SET THAT GOES WELL
1274
00:52:23,677 --> 00:52:25,278
BEYOND THE CAMERA.
1275
00:52:25,278 --> 00:52:27,347
>> PERHAPS THE HARDEST TASK A
1276
00:52:27,347 --> 00:52:28,715
DIRECTOR HAS IS WALKING UP TO AN
1277
00:52:28,715 --> 00:52:30,217
ACTOR AFTER A TAKE AND SAYING,
1278
00:52:30,217 --> 00:52:32,385
"THAT WAS DOG [ BLEEP ].
1279
00:52:32,385 --> 00:52:33,720
LIKE, REALLY, REALLY BAD."
1280
00:52:33,720 --> 00:52:35,789
>> WHICH IS WHY BRILLIANT
1281
00:52:35,789 --> 00:52:37,390
DIRECTORS FIND OTHER WAYS TO SAY
1282
00:52:37,390 --> 00:52:38,425
IT, THINGS LIKE, "THAT WAS
1283
00:52:38,425 --> 00:52:39,526
GREAT.
1284
00:52:39,526 --> 00:52:40,193
BUT LET'S GET ANOTHER ONE FOR
1285
00:52:40,193 --> 00:52:41,595
SAFETY."
1286
00:52:41,595 --> 00:52:42,362
>> OR "LET'S TRY ONE WHERE YOU
1287
00:52:42,362 --> 00:52:43,196
JUST THROW IT AWAY.
1288
00:52:43,196 --> 00:52:43,697
JUST THROW IT AWAY.
1289
00:52:43,697 --> 00:52:45,265
DON'T ACT.
1290
00:52:45,265 --> 00:52:53,006
PLEASE DON'T ACT."
1291
00:52:53,006 --> 00:52:55,609
>> AND MY PERSONAL FAVORITE
1292
00:52:55,609 --> 00:52:56,409
"LET'S GO AGAIN EXACTLY THE
1293
00:52:56,409 --> 00:52:59,079
SAME, BUT DIFFERENT."
1294
00:52:59,079 --> 00:53:02,382
>> HERE ARE THE NOMINEES FOR
1295
00:53:02,382 --> 00:53:04,417
OUTSTANDING DIRECTING FOR A
1296
00:53:04,417 --> 00:53:07,721
LIMITED ANTHOLOGY SERIES OR
1297
00:53:07,721 --> 00:53:08,121
MOVIE.
1298
00:53:08,121 --> 00:53:09,789
>> Announcer: "BEEF."
1299
00:53:09,789 --> 00:53:13,426
CARL FRANKLIN, "DAHMER -
1300
00:53:13,426 --> 00:53:14,060
MONSTER: THE JEFFREY DAHMER
1301
00:53:14,060 --> 00:53:15,629
STORY".
1302
00:53:15,629 --> 00:53:18,665
PARIS BARCLAY, "DAHMER -
1303
00:53:18,665 --> 00:53:19,299
MONSTER: THE JEFFREY DAHMER
1304
00:53:19,299 --> 00:53:20,267
STORY."
1305
00:53:20,267 --> 00:53:21,835
VALERIE FARIS AND JONATHAN
1306
00:53:21,835 --> 00:53:24,871
DAYTON, "FLEISHMAN IS IN
1307
00:53:24,871 --> 00:53:25,305
TROUBLE."
1308
00:53:25,305 --> 00:53:29,910
DAN TRACHTENBERG.
1309
00:53:29,910 --> 00:53:36,950
>> AND THE EMMY GOES TO --
1310
00:53:36,950 --> 00:53:39,886
>> LEE SUNG JIN FOR "BEEF."
1311
00:53:39,886 --> 00:53:44,991
[ APPLAUSE ]
1312
00:53:44,991 --> 00:53:58,638
♪
1313
00:53:58,638 --> 00:54:07,581
♪
1314
00:54:07,581 --> 00:54:08,148
>> WOW.
1315
00:54:08,148 --> 00:54:11,351
THANK YOU TO THE ACADEMY.
1316
00:54:11,351 --> 00:54:13,720
YOU KNOW, WHEN I FIRST MOVED TO
1317
00:54:13,720 --> 00:54:15,055
L.A., MY BANK ACCOUNT WENT TO
1318
00:54:15,055 --> 00:54:17,224
THE NEGATIVE BY 63 CENTS.
1319
00:54:17,224 --> 00:54:19,292
SO I HAD TO DEPOSIT A DOLLAR
1320
00:54:19,292 --> 00:54:21,161
BILL INTO MY ACCOUNT TO AVOID
1321
00:54:21,161 --> 00:54:22,362
THE OVERDRAFT FEE.
1322
00:54:22,362 --> 00:54:24,698
THE ATM SCREEN SAID, ARE YOU
1323
00:54:24,698 --> 00:54:27,868
SURE YOU WANT TO DEPOSIT ONE
1324
00:54:27,868 --> 00:54:28,301
DOLLAR?
1325
00:54:28,301 --> 00:54:30,637
AND I WAS LIKE NO.
1326
00:54:30,637 --> 00:54:32,839
I WASN'T SURE OF ANYTHING BACK
1327
00:54:32,839 --> 00:54:33,240
THEN.
1328
00:54:33,240 --> 00:54:34,875
I CERTAINLY WASN'T SURE OF
1329
00:54:34,875 --> 00:54:36,576
HOLDING SOMETHING LIKE THIS.
1330
00:54:36,576 --> 00:54:39,846
IT'S REALLY A TESTAMENT TO THE
1331
00:54:39,846 --> 00:54:41,848
AMAZING PEOPLE THAT I'VE BEEN SO
1332
00:54:41,848 --> 00:54:42,949
BLESSED TO BE AROUND.
1333
00:54:42,949 --> 00:54:45,318
THANK YOU TO STEVE AND ALI,
1334
00:54:45,318 --> 00:54:49,689
JOSEPH MARIA, THE AMAZING CAST,
1335
00:54:49,689 --> 00:54:55,996
OUR INCREDIBLE CREW AND EVERYONE
1336
00:54:55,996 --> 00:54:56,396
AT NETFLIX.
1337
00:54:56,396 --> 00:54:59,299
MY MOM, MY DAD, MY SISTER.
1338
00:54:59,299 --> 00:55:00,300
KATIE, I LOVE YOU SO MUCH.
1339
00:55:00,300 --> 00:55:01,268
THIS REALLY MEANS A LOT.
1340
00:55:01,268 --> 00:55:01,735
THANK YOU SO MUCH.
1341
00:55:01,735 --> 00:55:09,843
[ APPLAUSE ]
1342
00:55:09,843 --> 00:55:18,585
>> NOW, I'M A FAN OF POLICE
1343
00:55:18,585 --> 00:55:19,786
PROCE
1344
00:55:19,786 --> 00:55:22,389
PROCEDURALS, LAW AND ORDER SVU
1345
00:55:22,389 --> 00:55:26,626
IS CELEBRATING 25 YEARS ON AIR.
1346
00:55:26,626 --> 00:55:29,963
MY MOMMA WATCHED SO MANY MEDICAL
1347
00:55:29,963 --> 00:55:31,531
SHOWS THAT SHE TRIED TO REMOVE
1348
00:55:31,531 --> 00:55:37,070
MY APPENDIX WITH A BUTTER KNIFE.
1349
00:55:37,070 --> 00:55:38,672
AT ONE POINT, WE COULD BE A
1350
00:55:38,672 --> 00:55:39,873
WHOLE FAMILY SITTING HERE
1351
00:55:39,873 --> 00:55:42,075
WATCHING A SHOW AND EVERYBODY'S
1352
00:55:42,075 --> 00:55:42,842
DOING FINE.
1353
00:55:42,842 --> 00:55:50,150
THEN THE NEXT IT'S 30 CC'S OF
1354
00:55:50,150 --> 00:55:50,517
PROPOFOL.
1355
00:55:50,517 --> 00:55:55,322
MY MOTHER IS YELLING AT THE TV
1356
00:55:55,322 --> 00:55:57,190
"CODE BLUE"!
1357
00:55:57,190 --> 00:55:58,825
NOT MY BABY!
1358
00:55:58,825 --> 00:56:01,027
THE SERIES THAT HAS BEEN PART OF
1359
00:56:01,027 --> 00:56:03,230
OUR LIVES SINCE 2005 AND EARNED
1360
00:56:03,230 --> 00:56:05,332
ITS RIGHTFUL PLACE IN TELEVISION
1361
00:56:05,332 --> 00:56:10,704
HISTORY IS NONE OTHER THAN
1362
00:56:10,704 --> 00:56:11,538
GRGRAY
1363
00:56:11,538 --> 00:56:12,105
E
1364
00:56:12,105 --> 00:56:13,874
GRAY'S ANATOMY.
1365
00:56:13,874 --> 00:56:16,109
WITH 39 EMMY NOMINATIONS AND
1366
00:56:16,109 --> 00:56:17,544
MULTIPLE WINS.
1367
00:56:17,544 --> 00:56:31,625
FROM THE SERIES PLEASE WELCOME
1368
00:56:31,625 --> 00:56:32,392
ELLEN POMPEO, JUSTIN CHAMBERS,
1369
00:56:32,392 --> 00:56:33,059
JAMES PICKENS JR., FIVE-TIME
1370
00:56:33,059 --> 00:56:33,827
EMMY NOMINEE CHANDRA WILSON AND
1371
00:56:33,827 --> 00:56:36,429
EMMY WINNER KATHERINE HEIGL.
1372
00:56:36,429 --> 00:56:38,031
♪
1373
00:56:38,031 --> 00:56:39,065
>> WHEN THE FIRST EPISODE OF
1374
00:56:39,065 --> 00:56:40,100
"GREY'S ANATOMY" AIRED IN MARCH
1375
00:56:40,100 --> 00:56:41,635
OF 2005, I'M NOT SURE IF
1376
00:56:41,635 --> 00:56:43,236
SHONDA RHIMES KNEW THAT SHE HAD
1377
00:56:43,236 --> 00:56:44,004
CREATED A SHOW THAT WOULD HAVE A
1378
00:56:44,004 --> 00:56:45,338
LASTING IMPRINT ON TELEVISION
1379
00:56:45,338 --> 00:56:49,042
AND CREATE LIFELONG FRIENDSHIPS.
1380
00:56:49,042 --> 00:56:51,678
>> OVER 400 EPISODES AND
1381
00:56:51,678 --> 00:56:53,713
COUNTING, A TRIBUTE TO EVERYONE
1382
00:56:53,713 --> 00:56:54,381
WHO HAS BEEN A PART OF OUR
1383
00:56:54,381 --> 00:56:57,951
FAMILY.
1384
00:56:57,951 --> 00:57:01,187
>> AND YES, THERE HAVE BEEN
1385
00:57:01,187 --> 00:57:01,888
CHANGES OVER THE YEARS, BUT THE
1386
00:57:01,888 --> 00:57:04,858
ONE CONSTANT IS THE AMAZING
1387
00:57:04,858 --> 00:57:07,460
FANBASE.
1388
00:57:07,460 --> 00:57:09,062
>> YOU STAYED WITH US THROUGH
1389
00:57:09,062 --> 00:57:10,630
PLANE CRASHES, SUPERSTORMS,
1390
00:57:10,630 --> 00:57:13,266
EARTHQUAKES AND A GLOBAL
1391
00:57:13,266 --> 00:57:16,970
PANDEMIC, AND AS WE START OUR
1392
00:57:16,970 --> 00:57:19,706
20th SEASON, WE ARE OFFICIALLY
1393
00:57:19,706 --> 00:57:21,474
THE LONGEST-RUNNING PRIME TIME
1394
00:57:21,474 --> 00:57:22,275
MEDICAL DRAMA IN TV HISTORY.
1395
00:57:22,275 --> 00:57:29,749
[ APPLAUSE ]
1396
00:57:29,749 --> 00:57:31,384
>> AND THAT WOULD NOT BE
1397
00:57:31,384 --> 00:57:34,521
POSSIBLE WITHOUT ALL OF YOU, SO
1398
00:57:34,521 --> 00:57:35,589
TO ALL OUR FANS, AND TO ALL OF
1399
00:57:35,589 --> 00:57:39,059
YOU, THANK YOU.
1400
00:57:39,059 --> 00:57:49,669
[ APPLAUSE ]
1401
00:57:49,669 --> 00:57:51,738
>> NOW WHAT?
1402
00:57:51,738 --> 00:57:52,105
OH RIGHT.
1403
00:57:52,105 --> 00:57:52,873
>> AND NOW HERE ARE THE NOMINEES
1404
00:57:52,873 --> 00:57:53,473
FOR SUPPORTING ACTOR IN A
1405
00:57:53,473 --> 00:57:54,407
LIMITED OR ANTHOLOGY SERIES OR
1406
00:57:54,407 --> 00:57:59,112
MOVIE.
1407
00:57:59,112 --> 00:58:04,751
>> Announcer: MURRAY BARTLETT,
1408
00:58:04,751 --> 00:58:10,257
"WELCOME TO CHIPPENDALES."
1409
00:58:10,257 --> 00:58:11,458
PAUL WALTER HAUSER.
1410
00:58:11,458 --> 00:58:13,326
RICHARD JENKINS "DAHMER -
1411
00:58:13,326 --> 00:58:14,027
MONSTER: THE JEFFREY DAHMER
1412
00:58:14,027 --> 00:58:14,327
STORY."
1413
00:58:14,327 --> 00:58:14,728
JOSEPH LEE.
1414
00:58:14,728 --> 00:58:22,636
RAY LIOTTA, "BLACK BIRD."
1415
00:58:22,636 --> 00:58:27,374
JESSE PLEMONS, "LOVE & DEATH."
1416
00:58:27,374 --> 00:58:31,745
>> AND THE EMMY GOES TO, PAUL
1417
00:58:31,745 --> 00:58:34,614
WALTER HAUSER, "BLACK BIRD."
1418
00:58:34,614 --> 00:58:35,015
[ APPLAUSE ]
1419
00:58:35,015 --> 00:58:50,630
♪
1420
00:58:50,630 --> 00:58:52,265
>> Announcer: THIS IS THE FIRST
1421
00:58:52,265 --> 00:58:53,667
EMMY WIN AND NOMINATION FOR PAUL
1422
00:58:53,667 --> 00:58:55,235
WALTER HAUSER.
1423
00:58:55,235 --> 00:59:06,980
♪
1424
00:59:06,980 --> 00:59:08,615
>> OH MAN.
1425
00:59:08,615 --> 00:59:09,549
MY WIFE LOVES YOUR SHOW.
1426
00:59:09,549 --> 00:59:12,586
[ LAUGHTER ]
1427
00:59:12,586 --> 00:59:14,221
>> SHE LOVES IT.
1428
00:59:14,221 --> 00:59:17,624
TO MY FELLOW NOMINEES, THAT'S A
1429
00:59:17,624 --> 00:59:20,827
TALENT POOL IF I EVER SAW ONE.
1430
00:59:20,827 --> 00:59:22,696
RICHARD JENKINS.
1431
00:59:22,696 --> 00:59:25,899
HAVE YOU GUYS SEEN "THE
1432
00:59:25,899 --> 00:59:26,266
VISITOR."
1433
00:59:26,266 --> 00:59:27,701
THANK YOU TO THE VOTERS AND THE
1434
00:59:27,701 --> 00:59:28,468
TV ACADEMY.
1435
00:59:28,468 --> 00:59:31,972
THANK YOU MOM AND DAD.
1436
00:59:31,972 --> 00:59:35,041
DENNIS AND TARON EDGERTON.
1437
00:59:35,041 --> 00:59:37,544
YOUR TALENT COULD MOVE BOULDERS.
1438
00:59:37,544 --> 00:59:40,981
I'M HERE TO GIVE YOU A FACELIFT
1439
00:59:40,981 --> 00:59:43,383
IN THOMASVILLE, GEORGIA, YOU
1440
00:59:43,383 --> 00:59:47,254
GAVE ME MY GREATEST GIFT.
1441
00:59:47,254 --> 00:59:52,192
TO RAY LIOTTA, WE'RE DOWN HERE
1442
00:59:52,192 --> 00:59:55,495
WEARING FOSSILS.
1443
00:59:55,495 --> 00:59:57,898
CAA, DEALING WITH MY DAY TO DAY.
1444
00:59:57,898 --> 01:00:01,234
THANK YOU, GOD FOR THIS LIFE.
1445
01:00:01,234 --> 01:00:02,669
THANK YOU FOR HELPING ME FIND
1446
01:00:02,669 --> 01:00:07,007
THE STRAIGHT AND THE FWNARROW.
1447
01:00:07,007 --> 01:00:09,075
TO MY WIFE AMY, YOU MAKE MY
1448
01:00:09,075 --> 01:00:12,279
HEART STRONG AND KNEES WEAK.
1449
01:00:12,279 --> 01:00:14,314
JONAH MAVERICK.
1450
01:00:14,314 --> 01:00:15,882
CAN'T WAIT TO SPEND THE REST OF
1451
01:00:15,882 --> 01:00:17,350
MY LIFE WITH THAT WOLF BACK
1452
01:00:17,350 --> 01:00:19,486
CASTING OUT DEMONS.
1453
01:00:19,486 --> 01:00:22,756
THAT'S A ONE UP TO JESUS.
1454
01:00:22,756 --> 01:00:28,328
HE'S THE SOLE OWNER.
1455
01:00:28,328 --> 01:00:30,664
DO THINGS A LITTLE BIT
1456
01:00:30,664 --> 01:00:31,164
DIFFERENT.
1457
01:00:31,164 --> 01:00:32,566
BRIAN WALSHE, GET THE TABLES.
1458
01:00:32,566 --> 01:00:37,304
[ APPLAUSE ]
1459
01:00:37,304 --> 01:00:39,273
♪
1460
01:00:39,273 --> 01:00:40,707
>> Announcer: WE WILL RETURN
WITH JON HAMM, JENNA ORTEGA,
SHERYL LEE RALPH, AND
PETER DINKLAGE.
1461
01:00:40,707 --> 01:00:42,976
AND A STIRRING PERFORMANCE FROM
1462
01:00:42,976 --> 01:00:44,344
WAR & TREATY.
1463
01:00:44,344 --> 01:00:45,812
AND, WE FIND OUT WHO WINS FOR
1464
01:00:45,812 --> 01:00:47,681
OUTSTANDING DRAMA AND COMEDY
1465
01:00:47,681 --> 01:00:48,348
SERIES.
1466
01:00:48,348 --> 01:00:51,952
IT'S THE EMMYS ON FOX.
1467
01:00:54,454 --> 01:01:01,228
[ "THE X-FILES" THEME SONG ]
1468
01:01:01,228 --> 01:01:04,798
>>> WE'RE BACK AT THE 75TH
1469
01:01:04,798 --> 01:01:05,699
EMMY AWARDS.
1470
01:01:05,699 --> 01:01:06,266
NOW WE JUST SAW SOME
1471
01:01:06,266 --> 01:01:07,234
COMMERCIALS.
1472
01:01:07,234 --> 01:01:08,301
THEY WERE GOOD.
1473
01:01:08,301 --> 01:01:09,002
I'M SURE THEY WERE CREATED BY
1474
01:01:09,002 --> 01:01:13,106
SOME REALLY GOOD AD AGENCIES.
1475
01:01:13,106 --> 01:01:16,209
BUT TO ME, THE GREATEST AD FIRM
1476
01:01:16,209 --> 01:01:21,715
OF THEM ALL WAS THE ONE
1477
01:01:21,715 --> 01:01:26,219
ON MY HIT TV SHOW "BLACKISH."
1478
01:01:26,219 --> 01:01:29,489
ANOTHER GREAT ADD FIRM WAS THE
1479
01:01:29,489 --> 01:01:29,756
ONE
1480
01:01:29,756 --> 01:01:30,323
DON DRAPER WORKED AT,
1481
01:01:30,323 --> 01:01:31,057
STERLING COOPER.
1482
01:01:31,057 --> 01:01:32,058
PLEASE WELCOME, DON DRAPER
1483
01:01:32,058 --> 01:01:38,064
HIMSELF, EMMY WINNER, JON HAMM.
1484
01:01:38,064 --> 01:01:38,465
[ APPLAUSE ]
1485
01:01:38,465 --> 01:01:42,669
♪
1486
01:01:42,669 --> 01:01:46,306
>> DURING ITS AMAZING SEVEN
1487
01:01:46,306 --> 01:01:49,509
SEASON RUN, "MAD MEN" RECEIVED
1488
01:01:49,509 --> 01:01:54,814
116 EMMY NOMINATIONS AND WON 16,
1489
01:01:54,814 --> 01:01:55,849
MEANING I WAS RESPONSIBLE FOR AN
1490
01:01:55,849 --> 01:01:56,917
INCREDIBLE ONE-SIXTEENTH OF OUR
1491
01:01:56,917 --> 01:02:00,120
TOTAL.
1492
01:02:00,120 --> 01:02:01,187
IF THAT DOESN'T GET ME THE
1493
01:02:01,187 --> 01:02:02,756
GOVERNORS AWARD ONE DAY, NOTHING
1494
01:02:02,756 --> 01:02:04,858
WILL.
1495
01:02:04,858 --> 01:02:05,892
THREE OF THOSE EMMYS WERE IN THE
1496
01:02:05,892 --> 01:02:09,062
CATEGORY I'M PRESENTING,
1497
01:02:09,062 --> 01:02:09,796
OUTSTANDING WRITING FOR A DRAMA
1498
01:02:09,796 --> 01:02:16,069
SERIES.
1499
01:02:16,069 --> 01:02:22,709
>> Announcer: "ANDOR."
1500
01:02:22,709 --> 01:02:27,314
"THE BEAR."
1501
01:02:27,314 --> 01:02:30,083
"BETTER CALL SAUL."
1502
01:02:30,083 --> 01:02:35,689
PETER GOULD, "BETTER CALL SAUL."
1503
01:02:35,689 --> 01:02:38,124
CRAIG MAZEAN, "THE LAST OF US."
1504
01:02:38,124 --> 01:02:41,728
MIKE WHITE, "THE WHITE LOTUS."
1505
01:02:41,728 --> 01:02:45,565
>> AND THE EMMY FOR BEST WRITING
1506
01:02:45,565 --> 01:02:51,238
EVER FOR DRAMAS LAST YEAR GOES
1507
01:02:51,238 --> 01:02:52,505
TO JESSE ARMSTRONG,
1508
01:02:52,505 --> 01:02:52,906
"SUCCESSION."
1509
01:02:52,906 --> 01:02:53,506
♪
1510
01:02:53,506 --> 01:03:04,618
[ APPLAUSE ]
1511
01:03:04,618 --> 01:03:05,919
>> Announcer: THIS IS THE SIXTH
1512
01:03:05,919 --> 01:03:07,520
EMMY WIN AND EIGHTH NOMINATION
1513
01:03:07,520 --> 01:03:09,389
FOR JESSE ARMSTRONG, WHO WAS
1514
01:03:09,389 --> 01:03:11,191
ALSO NOMINATED FOR PRODUCING.
1515
01:03:11,191 --> 01:03:13,293
WITH THIS WIN, HE HAS LOGGED
1516
01:03:13,293 --> 01:03:15,295
FOUR EMMYS FOR WRITING
1517
01:03:15,295 --> 01:03:15,762
"SUCCESSION."
1518
01:03:15,762 --> 01:03:16,763
>> MY GOODNESS, THANK YOU SO
1519
01:03:16,763 --> 01:03:17,264
MUCH.
1520
01:03:17,264 --> 01:03:18,999
THESE ARE SUCH GREAT WRITERS TO
1521
01:03:18,999 --> 01:03:20,133
BE BRACKETED WITH.
1522
01:03:20,133 --> 01:03:22,002
I WANT TO SAY THANK YOU TO HBO.
1523
01:03:22,002 --> 01:03:24,738
I WANT TO SAY THANK YOU TO MY
1524
01:03:24,738 --> 01:03:26,406
EXTRAORDINARY WRITERS ROOM, WHO
1525
01:03:26,406 --> 01:03:27,340
I WORK WITH.
1526
01:03:27,340 --> 01:03:29,009
I WANT TO SAY THANK YOU TO THE
1527
01:03:29,009 --> 01:03:31,711
WHOLE CAST AND CREW OF
1528
01:03:31,711 --> 01:03:34,714
"SUCCESSION," WHO I LOVE.
1529
01:03:34,714 --> 01:03:35,782
THEY'RE WONDERFUL.
1530
01:03:35,782 --> 01:03:37,951
AND I WANT TO SAY THANK YOU TO
1531
01:03:37,951 --> 01:03:39,953
THE WIDER SORT OF CREATIVE
1532
01:03:39,953 --> 01:03:40,754
COMMUNITY IN THE U.S.
1533
01:03:40,754 --> 01:03:44,658
I COME FROM THE U.K.
1534
01:03:44,658 --> 01:03:47,160
OUR SHOW IS ABOUT SOME THINGS
1535
01:03:47,160 --> 01:03:49,763
THAT ARE CLOSE TO THE CENTER OF
1536
01:03:49,763 --> 01:03:52,232
AMERICAN LIFE AND POLITICS, AND
1537
01:03:52,232 --> 01:03:56,036
WE'VE ALWAYS BEEN MET WITH
1538
01:03:56,036 --> 01:03:58,605
GENEROSITY AND GOOD FAITH, AND
1539
01:03:58,605 --> 01:04:00,640
THAT'S PART OF AMERICA'S
1540
01:04:00,640 --> 01:04:01,875
TRADITION OF BEING VERY
1541
01:04:01,875 --> 01:04:03,743
WELCOMING TO OUTSIDERS.
1542
01:04:03,743 --> 01:04:04,778
IT'S VERY NICE.
1543
01:04:04,778 --> 01:04:11,751
FOR SOME REASON, THE NAME OF
1544
01:04:11,751 --> 01:04:14,921
AUSTRALIAN-BORN MEDIA MOGUL
1545
01:04:14,921 --> 01:04:16,623
RUPERT MURDOCH COMES TO MIND.
1546
01:04:16,623 --> 01:04:20,093
I CAN'T SPEAK FOR HIM BUT I'M
1547
01:04:20,093 --> 01:04:21,995
GRATEFUL FOR THE GENEROSITY I'VE
1548
01:04:21,995 --> 01:04:23,496
BEEN SHOWN WORKING IN THIS
1549
01:04:23,496 --> 01:04:23,830
COUNTRY.
1550
01:04:23,830 --> 01:04:25,865
IT WAS A GREAT SADNESS TO LEAVE
1551
01:04:25,865 --> 01:04:28,768
THE SHOW, BUT IT WAS A GREAT
1552
01:04:28,768 --> 01:04:30,170
PLEASURE TO DO IT.
1553
01:04:30,170 --> 01:04:32,272
THANK YOU VERY MUCH.
1554
01:04:32,272 --> 01:04:32,939
>> PLEASE WELCOME KE HUY QUAN
1555
01:04:32,939 --> 01:04:33,640
AND TWO-TIME EMMY NOMINEE,
1556
01:04:33,640 --> 01:04:42,349
TOM HIDDLESTON.
1557
01:04:42,349 --> 01:04:44,117
>> GOOD EVENING, EVERYONE.
1558
01:04:44,117 --> 01:04:45,285
IT'S WONDERFUL TO BE HERE.
1559
01:04:45,285 --> 01:04:46,820
YOU ALL LOOK LOVELY.
1560
01:04:46,820 --> 01:04:48,755
>> HELLO, EVERYONE.
1561
01:04:48,755 --> 01:04:51,057
TOM HIDDLESTON WANTS ALL OF YOU
1562
01:04:51,057 --> 01:04:52,659
TO KNOW THAT HE LOVES ME VERY
1563
01:04:52,659 --> 01:04:52,993
MUCH.
1564
01:04:52,993 --> 01:04:56,529
RIGHT, TOM?
1565
01:04:56,529 --> 01:04:59,666
>> NOW, WHETHER YOU'RE PLAYING
1566
01:04:59,666 --> 01:05:01,801
THE GOD OF MISCHIEF OR A MERE
1567
01:05:01,801 --> 01:05:03,203
MORTAL JUST TRYING TO MAKE IT
1568
01:05:03,203 --> 01:05:06,873
THROUGH THE DAY, WE DON'T GET TO
1569
01:05:06,873 --> 01:05:07,574
PLAY THESE PARTS WITHOUT THE
1570
01:05:07,574 --> 01:05:08,308
WRITERS WHO DREAM THESE WORLDS
1571
01:05:08,308 --> 01:05:08,708
INTO BEING.
1572
01:05:08,708 --> 01:05:09,442
>> EACH JOURNEY BEGINS WITH A
1573
01:05:09,442 --> 01:05:10,143
SCRIPT THAT GRABS YOU AND WON'T
1574
01:05:10,143 --> 01:05:12,145
LET GO.
1575
01:05:12,145 --> 01:05:14,281
TONIGHT, WE HONOR A TALENTED
1576
01:05:14,281 --> 01:05:15,315
COLLECTION OF WRITERS WHO'VE
1577
01:05:15,315 --> 01:05:17,951
CREATED HILARIOUS, TERRIFYING,
1578
01:05:17,951 --> 01:05:19,519
ABSORBING NEW WORLDS FOR US TO
1579
01:05:19,519 --> 01:05:21,621
DISCOVER.
1580
01:05:21,621 --> 01:05:23,723
HERE ARE THE NOMINEES FOR
1581
01:05:23,723 --> 01:05:25,358
OUTSTANDING WRITING FOR A
1582
01:05:25,358 --> 01:05:26,359
LIMITED OR ANTHOLOGY SERIES OR
1583
01:05:26,359 --> 01:05:31,998
MOVIE.
1584
01:05:31,998 --> 01:05:35,969
>> Announcer: LEE SUNG JIN,
1585
01:05:35,969 --> 01:05:36,369
"BEEF."
1586
01:05:36,369 --> 01:05:43,610
KIM BRUCER "FIRE & FURY."
1587
01:05:43,610 --> 01:05:44,177
"FLEISHMAN IS IN TROUBLE."
1588
01:05:44,177 --> 01:05:57,857
DAN TRACK HTENBERG.
1589
01:05:57,857 --> 01:06:00,927
THE WEIRD AL YANKOVIC STORY.
1590
01:06:00,927 --> 01:06:03,430
>> AND THE EMMY GOES TO.
1591
01:06:03,430 --> 01:06:11,838
>> LEE SUNG JIN!
1592
01:06:11,838 --> 01:06:12,939
>> Announcer: THIS IS THE SECOND
1593
01:06:12,939 --> 01:06:16,977
EMMY WIN TONIGHT AND THIRD
1594
01:06:16,977 --> 01:06:17,677
NOMINATION FOR LEE SUNG JIN,
1595
01:06:17,677 --> 01:06:19,412
ALSO NOMINATED THIS YEAR FOR
1596
01:06:19,412 --> 01:06:20,881
DIRECTING AND PRODUCING "BEEF."
1597
01:06:20,881 --> 01:06:28,321
♪
1598
01:06:28,321 --> 01:06:29,923
>> FIRST AND FOREMOST, THANK YOU
1599
01:06:29,923 --> 01:06:31,858
TO THE WRITERS.
1600
01:06:31,858 --> 01:06:34,427
WE WROTE THIS OVER ZOOM, WHICH
1601
01:06:34,427 --> 01:06:37,597
IS THE HEALTHIEST WAY TO
1602
01:06:37,597 --> 01:06:37,998
COMMUNICATE.
1603
01:06:37,998 --> 01:06:39,466
THANK YOU FOR POWERING THROUGH
1604
01:06:39,466 --> 01:06:39,733
THAT.
1605
01:06:39,733 --> 01:06:45,839
I WANT TO SAY THANK YOU TO OUR
1606
01:06:45,839 --> 01:06:46,306
OTHER DIRECTORS.
1607
01:06:46,306 --> 01:06:47,040
JAKE HAS BEEN ONE OF MY CLOSEST
1608
01:06:47,040 --> 01:06:49,009
FRIENDS FOR YEARS.
1609
01:06:49,009 --> 01:06:50,143
HE'S LITERALLY TAUGHT ME
1610
01:06:50,143 --> 01:06:54,514
EVERYTHING I KNOW ABOUT FILM
1611
01:06:54,514 --> 01:06:55,649
MAKING.
1612
01:06:55,649 --> 01:06:57,350
LARKIN AND GRACE ARE THE DNA OF
1613
01:06:57,350 --> 01:06:59,219
THE SHOW AND THEY REALLY SHOULD
1614
01:06:59,219 --> 01:07:00,220
HAVE BEEN NOMINATED.
1615
01:07:00,220 --> 01:07:01,288
I'M BIASED.
1616
01:07:01,288 --> 01:07:04,124
THANK YOU TO ALL OUR HODs,
1617
01:07:04,124 --> 01:07:06,526
HELEN, DANA, NICOLE AND SO MANY
1618
01:07:06,526 --> 01:07:06,927
OTHERS.
1619
01:07:06,927 --> 01:07:08,828
I'VE GOT TO DO THE THANKING MY
1620
01:07:08,828 --> 01:07:10,096
REPS THING.
1621
01:07:10,096 --> 01:07:11,965
HONESTLY, THEY'VE BEEN THE BEST,
1622
01:07:11,965 --> 01:07:13,967
TOM RYAN, BEN, KEN, THANK YOU
1623
01:07:13,967 --> 01:07:14,734
VERY MUCH.
1624
01:07:14,734 --> 01:07:15,235
THIS IS SO CRAZY.
1625
01:07:15,235 --> 01:07:16,203
THANK YOU.
1626
01:07:16,203 --> 01:07:18,972
♪
1627
01:07:18,972 --> 01:07:20,040
>> Announcer: COMING UP,
1628
01:07:20,040 --> 01:07:21,641
JASON BATEMAN, TARAJI P. HENSON,
1629
01:07:21,641 --> 01:07:23,710
AND DAME JOAN COLLINS.
1630
01:07:23,710 --> 01:07:25,879
PLUS, TINA FEY AND AMY POEHLER'S
1631
01:07:25,879 --> 01:07:28,748
EMMY EDITION OF "SNL'S" WEEKEND
1632
01:07:28,748 --> 01:07:30,383
UPDATE, AND WE VISIT THE
1633
01:07:30,383 --> 01:07:32,352
"AMERICAN HORROR STORY" MURDER
1634
01:07:32,352 --> 01:07:33,286
HOUSE.
1635
01:07:39,392 --> 01:07:47,701
♪
1636
01:07:51,738 --> 01:07:53,139
>> MOMMA!
1637
01:07:53,139 --> 01:07:53,940
>> YEAH, BABY.
1638
01:07:53,940 --> 01:07:55,208
>> HOW YOU DOING TONIGHT, MOMMA?
1639
01:07:55,208 --> 01:07:56,443
>> I'M WONDERFUL.
1640
01:07:56,443 --> 01:07:59,079
>> YOU MEETING SOME GOOD STARS
1641
01:07:59,079 --> 01:08:00,247
TONIGHT?
1642
01:08:00,247 --> 01:08:01,114
>> OH YEAH.
1643
01:08:01,114 --> 01:08:02,115
>> WHO DID YOU MEET?
1644
01:08:02,115 --> 01:08:03,750
>> HENRY FORD RIGHT HERE.
1645
01:08:03,750 --> 01:08:04,985
>> WHO IS THAT?
1646
01:08:04,985 --> 01:08:06,853
>> HE GONE!
1647
01:08:06,853 --> 01:08:10,423
>> I WAS LIKE, MOMMA, THAT'S NOT
1648
01:08:10,423 --> 01:08:13,493
HARRISON FORD.
1649
01:08:13,493 --> 01:08:16,596
>> HIS WIFE DID.
1650
01:08:16,596 --> 01:08:17,864
OKAY.
1651
01:08:17,864 --> 01:08:18,498
>> ALL RIGHT.
1652
01:08:18,498 --> 01:08:19,666
EVERYBODY HAVING FUN AT THE
1653
01:08:19,666 --> 01:08:21,701
CHOCOLATE EMMYS TONIGHT?
1654
01:08:21,701 --> 01:08:25,138
[ APPLAUSE ]
1655
01:08:25,138 --> 01:08:28,375
>> WE ARE KILLING IT TONIGHT.
1656
01:08:28,375 --> 01:08:29,576
TYLER, WE ARE KILLING IT
1657
01:08:29,576 --> 01:08:30,043
TONIGHT.
1658
01:08:30,043 --> 01:08:31,945
YOU SEE THAT?
1659
01:08:31,945 --> 01:08:35,015
THIS IS LIKE MLK DAY AND
1660
01:08:35,015 --> 01:08:39,653
JUNETEENTH ALL ROLLED INTO ONE.
1661
01:08:39,653 --> 01:08:42,556
IF I WAS NOMINATED THIS YEAR,
1662
01:08:42,556 --> 01:08:44,090
HELL, I DEFINITELY WOULD HAVE
1663
01:08:44,090 --> 01:08:44,491
WON.
1664
01:08:44,491 --> 01:08:44,891
ALL RIGHT.
1665
01:08:44,891 --> 01:08:47,561
HE STARRED IN "ARRESTED
1666
01:08:47,561 --> 01:08:48,762
DEVELOPMENT" AND THEN STARRED ON
1667
01:08:48,762 --> 01:08:50,864
A SHOW WHERE HIS [ BLEEP ]
1668
01:08:50,864 --> 01:08:53,934
SHOULD HAVE BEEN ARRESTED.
1669
01:08:53,934 --> 01:08:54,568
GIVE IT UP FOR EMMY-WINNING
1670
01:08:54,568 --> 01:09:00,407
ACTOR JASON BATEMAN.
1671
01:09:00,407 --> 01:09:03,777
♪
1672
01:09:03,777 --> 01:09:04,844
>> MY FIRST ACTING ROLE WAS IN
1673
01:09:04,844 --> 01:09:05,912
"LITTLE HOUSE ON THE PRAIRIE."
1674
01:09:05,912 --> 01:09:06,947
I WAS 11.
1675
01:09:06,947 --> 01:09:08,014
COMPARED TO CHRISTINA APPLEGATE
1676
01:09:08,014 --> 01:09:15,889
I WAS A LATE BLOOMER.
1677
01:09:15,889 --> 01:09:16,489
THAT'S ME WITHOUT HAIR
1678
01:09:16,489 --> 01:09:19,593
EXTENSIONS AND LIP FILLERS.
1679
01:09:19,593 --> 01:09:21,194
MY CHARACTER WAS AN ORPHAN WHO
1680
01:09:21,194 --> 01:09:22,229
SUFFERED NUMEROUS HARDSHIPS
1681
01:09:22,229 --> 01:09:24,864
INCLUDING GETTING CAUGHT IN A
1682
01:09:24,864 --> 01:09:25,899
BEAR TRAP AND BEING SHOT IN A
1683
01:09:25,899 --> 01:09:26,433
BANK ROBBERY.
1684
01:09:26,433 --> 01:09:28,001
WITHOUT DIRECTION FROM THE GREAT
1685
01:09:28,001 --> 01:09:32,706
MICHAEL LANDON, THERE'S NO WAY I
1686
01:09:32,706 --> 01:09:34,274
COULD'VE PULLED OFF SUCH A
1687
01:09:34,274 --> 01:09:39,012
REALISTIC AND HEARTRENDING
1688
01:09:39,012 --> 01:09:40,080
PORTRAYAL OF A YOUNG,
1689
01:09:40,080 --> 01:09:43,283
THIN-LIPPED ORPHAN WITH A BOB.
1690
01:09:43,283 --> 01:09:44,251
SO, ALL MY RESPECT FOR THE
1691
01:09:44,251 --> 01:09:45,852
FOLLOWING NOMINEES FOR DIRECTING
1692
01:09:45,852 --> 01:09:46,353
FOR A DRAMA SERIES.
1693
01:09:53,293 --> 01:09:55,495
>> Announcer: BEN JA MINUTE
1694
01:09:55,495 --> 01:10:00,901
KAREN, "ANDOR."
1695
01:10:00,901 --> 01:10:01,768
"THE LAST OF US."
1696
01:10:01,768 --> 01:10:08,408
ANDRIJ PAREKH, "SUCCESSION"."
1697
01:10:08,408 --> 01:10:09,009
"SUCCESSION."
1698
01:10:09,009 --> 01:10:14,047
MIKE WHITE, "THE WHITE LOTUS."
1699
01:10:14,047 --> 01:10:24,791
>> AND THE EMMY GOES TO MARK
1700
01:10:24,791 --> 01:10:32,499
MAYLAD, "SUCCESSION."
1701
01:10:32,499 --> 01:10:33,900
>> Announcer: THIS IS THE THIRD
1702
01:10:33,900 --> 01:10:35,435
EMMY WIN AND EIGHTH NOMINATION
1703
01:10:35,435 --> 01:10:36,269
FOR MARK.
1704
01:10:36,269 --> 01:10:38,805
HIS FIRST EMMYS CAME FROM THE
1705
01:10:38,805 --> 01:10:40,006
PRODUCING OF "SUCCESSION."
1706
01:10:40,006 --> 01:10:41,107
THE SHOW "SUCCESSION" HAS THREE
1707
01:10:41,107 --> 01:10:41,641
WINS TONIGHT SO FAR.
1708
01:10:41,641 --> 01:10:52,953
♪
1709
01:10:52,953 --> 01:10:54,254
>> THANK YOU.
1710
01:10:54,254 --> 01:10:54,721
THANK YOU SO MUCH.
1711
01:10:54,721 --> 01:10:58,592
WHAT AN INCREDIBLE HONOR.
1712
01:10:58,592 --> 01:10:59,359
TH
1713
01:10:59,359 --> 01:10:59,759
THANK YOU.
1714
01:10:59,759 --> 01:11:01,995
I TAKE THIS ON BEHALF OF ALL MY
1715
01:11:01,995 --> 01:11:07,167
FELLOW DIRECTORS AND NOMINEES.
1716
01:11:07,167 --> 01:11:10,437
THANK HBO, TO CASEY, TO FRANNIE,
1717
01:11:10,437 --> 01:11:11,638
TO NORA.
1718
01:11:11,638 --> 01:11:15,909
THANK YOU TO ZACH AND MY LOVELY
1719
01:11:15,909 --> 01:11:17,911
AGENT, THANK YOU.
1720
01:11:17,911 --> 01:11:19,779
TO MY WIFE AND INSPIRATION,
1721
01:11:19,779 --> 01:11:21,348
THANK YOU.
1722
01:11:21,348 --> 01:11:23,683
TO ALL THE CAST AND CREW OF
1723
01:11:23,683 --> 01:11:24,885
"SUCCESSION" FOR THE TOTAL JOY
1724
01:11:24,885 --> 01:11:28,688
OF WORKING WITH THEM FOR FOUR
1725
01:11:28,688 --> 01:11:30,323
SEASONS, AN ABSOLUTE LIFE
1726
01:11:30,323 --> 01:11:31,458
HIGHLIGHT, CAREER HIGHLIGHT.
1727
01:11:31,458 --> 01:11:32,859
I DON'T KNOW IF IT WILL EVER
1728
01:11:32,859 --> 01:11:35,996
HAPPEN AGAIN, BUT I'M SO
1729
01:11:35,996 --> 01:11:38,498
GRATEFUL OR ALL OF THEM AND THE
1730
01:11:38,498 --> 01:11:39,833
ABSOLUTE STIMULATION EVERY TIME
1731
01:11:39,833 --> 01:11:44,804
I WALKED ONTO SET FOR THEM.
1732
01:11:44,804 --> 01:11:46,306
FINALLY, JESSE ARMSTRONG, THANK
1733
01:11:46,306 --> 01:11:46,706
YOU SO MUCH.
1734
01:11:46,706 --> 01:11:47,641
CHEERS.
1735
01:11:47,641 --> 01:11:55,215
[ APPLAUSE ]
1736
01:11:55,215 --> 01:11:56,550
>> Announcer: AND NOW A SPECIAL
1737
01:11:56,550 --> 01:11:59,119
EMMY EDITION OF "WEEKEND UPDATE"
1738
01:11:59,119 --> 01:12:01,755
WITH TINA FEY AND AMY POEHLER.
1739
01:12:01,755 --> 01:12:14,034
[ CHEERS AND APPLAUSE ]
1740
01:12:14,034 --> 01:12:18,138
>> I'M AMY POEHLER.
1741
01:12:18,138 --> 01:12:20,006
>> I'M TINA FEY.
1742
01:12:20,006 --> 01:12:21,741
WE'VE REACHED THE STAGE IN LIFE
1743
01:12:21,741 --> 01:12:23,476
WHERE WE'LL ONLY PRESENT AWARDS
1744
01:12:23,476 --> 01:12:24,077
SITTING DOWN.
1745
01:12:24,077 --> 01:12:26,947
HERE ARE TONIGHT'S NOMINEES FOR
1746
01:12:26,947 --> 01:12:28,548
OUTSTANDING LIVE VARIETY
1747
01:12:28,548 --> 01:12:28,882
SPECIAL.
1748
01:12:28,882 --> 01:12:30,850
>> THE ONLY SHOW THAT'S LONGER
1749
01:12:30,850 --> 01:12:33,920
THAN WHEN THEY AIRED "TITANIC"
1750
01:12:33,920 --> 01:12:34,921
WITH COMMERCIALS ON TBS, THE
1751
01:12:34,921 --> 01:12:39,059
OSCARS.
1752
01:12:39,059 --> 01:12:39,726
>> "CHRIS ROCK: SELECTIVE
1753
01:12:39,726 --> 01:12:42,529
OUTRAGE."
1754
01:12:42,529 --> 01:12:44,030
CHRIS COULD BE HERE TONIGHT, BUT
1755
01:12:44,030 --> 01:12:47,467
IF HE WINS, WE'LL ACCEPT ON HIS
1756
01:12:47,467 --> 01:12:48,735
BEHALF BECAUSE WE MISS GETTING
1757
01:12:48,735 --> 01:12:53,273
EMMYS.
1758
01:12:53,273 --> 01:12:57,677
>> ELTON JOHN LIVE.
1759
01:12:57,677 --> 01:13:01,915
>> THE CONCERT SO GOOD IT GOT US
1760
01:13:01,915 --> 01:13:05,952
ALL PREGNANT, THE SUPER BOWL
1761
01:13:05,952 --> 01:13:08,521
HALFTIME SHOW STARRING RIHANNA.
1762
01:13:08,521 --> 01:13:10,390
>> CELEBRATING THE BEST IN
1763
01:13:10,390 --> 01:13:12,225
MUSICALS BASED ON MOVIES WHICH
1764
01:13:12,225 --> 01:13:13,894
WILL PROBABLY BE MOVIES AGAIN --
1765
01:13:13,894 --> 01:13:15,562
>> THERE'S NOTHING WRONG WITH
1766
01:13:15,562 --> 01:13:15,829
THAT.
1767
01:13:15,829 --> 01:13:16,296
>> ABSOLUTELY.
1768
01:13:16,296 --> 01:13:24,271
>> THE 75th ANNUAL TONY AWARDS.
1769
01:13:24,271 --> 01:13:29,476
>> AND THE EMMY GOES TO --
1770
01:13:29,476 --> 01:13:32,879
>> AND THE EMMY GOES TO "ELTON
1771
01:13:32,879 --> 01:13:35,248
JOHN LIVE, FAREWELL FROM DODGER
1772
01:13:35,248 --> 01:13:36,116
STADIUM."
1773
01:13:36,116 --> 01:13:44,858
♪
1774
01:13:44,858 --> 01:13:46,826
>> Announcer: ELTON JOHN LIVE
1775
01:13:46,826 --> 01:13:48,328
FAREWELL FROM DODGER STADIUM
1776
01:13:48,328 --> 01:13:49,563
RECEIVED THREE NOMINATIONS THIS
1777
01:13:49,563 --> 01:13:49,930
YEAR.
1778
01:13:49,930 --> 01:13:51,598
THE CONCERT EVENT TOOKED PLACE
1779
01:13:51,598 --> 01:13:55,168
NOVEMBER 20th, 2022, IN DODGER
1780
01:13:55,168 --> 01:13:59,873
STADIUM WHERE IN 1975 JOHN
1781
01:13:59,873 --> 01:14:02,108
PERFORMED TWO SOLDOUT CONCERTS
1782
01:14:02,108 --> 01:14:05,212
THAT CEMENTED HIS LEGACY.
1783
01:14:05,212 --> 01:14:09,316
HE TOOK THE STAGE IN HIS FINAL
1784
01:14:09,316 --> 01:14:10,984
NORTH AMERICAN SHOW AS PART OF
1785
01:14:10,984 --> 01:14:14,387
HIS FINAL FAREWELL YELLOWBRICK
1786
01:14:14,387 --> 01:14:14,721
TOUR.
1787
01:14:14,721 --> 01:14:17,390
>> I AM NOT ELTON JOHN.
1788
01:14:17,390 --> 01:14:18,692
SADLY, HE'S ABSOLUTELY FINE, BUT
1789
01:14:18,692 --> 01:14:21,161
HE WANTED TO SEND HIS LOVE AND
1790
01:14:21,161 --> 01:14:24,598
THANKS TO THE TELEVISION
1791
01:14:24,598 --> 01:14:25,232
ACADEMY.
1792
01:14:25,232 --> 01:14:28,668
I WANT TO THANK DAVID FURNISH,
1793
01:14:28,668 --> 01:14:31,071
WHO HAD THE CREATIVE VISION FOR
1794
01:14:31,071 --> 01:14:32,038
THIS SHOW.
1795
01:14:32,038 --> 01:14:33,807
I WANT TO THANK LUKE LLOYD DAVIS
1796
01:14:33,807 --> 01:14:35,408
AND ALL THE TEAM AT ROCKET
1797
01:14:35,408 --> 01:14:35,842
ENTERTAINMENT.
1798
01:14:35,842 --> 01:14:37,711
I WANT TO THANK THE TEAM AT
1799
01:14:37,711 --> 01:14:39,779
DISNEY PLUS, CHARLIE, NICOLE,
1800
01:14:39,779 --> 01:14:41,648
MARK, DANA, CRAIG.
1801
01:14:41,648 --> 01:14:44,184
I WANT TO THANK THE DIRECTOR OF
1802
01:14:44,184 --> 01:14:44,818
THIS SPECIAL.
1803
01:14:44,818 --> 01:14:46,720
I WANT TO THANK SALLY AND THE
1804
01:14:46,720 --> 01:14:48,922
TEAM, LOU, MEREDITH, LAUREN AND
1805
01:14:48,922 --> 01:14:49,289
EVERYBODY.
1806
01:14:49,289 --> 01:14:50,624
WE KNEW THIS SHOW WOULD BE
1807
01:14:50,624 --> 01:14:51,625
HISTORIC BECAUSE IT WAS GOING TO
1808
01:14:51,625 --> 01:14:53,994
BE ELTON'S LAST EVER SHOW IN
1809
01:14:53,994 --> 01:14:55,061
NORTH AMERICA ON TOUR.
1810
01:14:55,061 --> 01:14:56,596
WE KNEW IT WOULD BE HISTORIC
1811
01:14:56,596 --> 01:14:58,798
BECAUSE IT WAS DISNEY'S
1812
01:14:58,798 --> 01:15:00,133
FIRST-EVER LIVE GLOBAL STREAM.
1813
01:15:00,133 --> 01:15:01,735
WE DIDN'T KNOW IT WAS GOING TO
1814
01:15:01,735 --> 01:15:03,537
BE HISTORIC BECAUSE IT WAS GOING
1815
01:15:03,537 --> 01:15:07,173
TO WIN A MAN WHO CREATED THE
1816
01:15:07,173 --> 01:15:07,908
SO
1817
01:15:07,908 --> 01:15:09,776
SOUNDTRACK TO ALL OF OUR LIVES.
1818
01:15:09,776 --> 01:15:11,678
WE DIDN'T KNOW IT WAS GOING TO
1819
01:15:11,678 --> 01:15:13,547
WIN HIM AN EGOT.
1820
01:15:13,547 --> 01:15:14,014
THANK YOU SO MUCH.
1821
01:15:14,014 --> 01:15:14,581
WE ARE SO GRATEFUL.
1822
01:15:14,581 --> 01:15:15,348
THANK YOU.
1823
01:15:15,348 --> 01:15:16,616
♪
1824
01:15:16,616 --> 01:15:20,587
[ APPLAUSE ]
1825
01:15:20,587 --> 01:15:21,421
>> Announcer: JUST AHEAD,
1826
01:15:21,421 --> 01:15:22,556
DYLAN McDERMOTT.
1827
01:15:22,556 --> 01:15:24,558
THEN LATER, DAME JOAN COLLINS
1828
01:15:24,558 --> 01:15:27,027
AND TARAJI P. HENSON, AN "I LOVE
1829
01:15:27,027 --> 01:15:28,828
LUCY" TRIBUTE, PETER DINKLAGE
1830
01:15:28,828 --> 01:15:30,063
TAKES THE STAGE.
1831
01:15:30,063 --> 01:15:31,898
AND THE "ALLY McBEAL" CAST
1832
01:15:31,898 --> 01:15:33,366
REUNITES.
1833
01:15:38,104 --> 01:15:41,708
[ "THE TWILIGHT ZONE"
THEME SONG ]
1834
01:15:41,708 --> 01:15:44,044
>>> ROD ZERLING'S "TWILIGHT
1835
01:15:44,044 --> 01:15:45,478
ZONE" PAVED WAY FOR AN
1836
01:15:45,478 --> 01:15:47,480
EVER-EVOLVING GENERATION OF WORK
1837
01:15:47,480 --> 01:15:49,883
THAT CONTINUES TO PUSH US INTO A
1838
01:15:49,883 --> 01:15:52,619
NEW DIMENSION ON A JOURNEY INTO
1839
01:15:52,619 --> 01:15:54,154
A HOUSE THAT IS NO AVERAGE
1840
01:15:54,154 --> 01:15:54,721
HOUSE.
1841
01:15:54,721 --> 01:15:56,590
ONE THAT MAY APPEAR STRUCTURALLY
1842
01:15:56,590 --> 01:15:58,391
SOUND, BUT FOLDS UNDER THE
1843
01:15:58,391 --> 01:15:59,859
WEIGHT OF SECRETS OF A DARK
1844
01:15:59,859 --> 01:16:00,860
HISTORY.
1845
01:16:00,860 --> 01:16:02,662
A HOUSE POSSESSED BY RESIDENTS
1846
01:16:02,662 --> 01:16:04,831
PAST WITH A SINISTER AGENDA FOR
1847
01:16:04,831 --> 01:16:06,566
ITS CURRENT OCCUPANTS.
1848
01:16:06,566 --> 01:16:07,801
A DANGEROUS HOUSE.
1849
01:16:07,801 --> 01:16:09,736
A MURDER HOUSE.
1850
01:16:09,736 --> 01:16:10,871
[ "AMERICAN HORROR STORY" THEME
1851
01:16:10,871 --> 01:16:15,976
SONG ]
1852
01:16:15,976 --> 01:16:17,077
>> Announcer: PLEASE WELCOME
1853
01:16:17,077 --> 01:16:18,945
MULTIPLE EMMY NOMINEE DYLAN
1854
01:16:18,945 --> 01:16:19,779
McDERMOTT.
1855
01:16:19,779 --> 01:16:26,786
♪
1856
01:16:26,786 --> 01:16:31,391
>> WE WOULD NOT HAVE AMERICAN
1857
01:16:31,391 --> 01:16:33,460
HORROR STORY, A WINNER OF 16
1858
01:16:33,460 --> 01:16:35,061
EMMYS, WITHOUT THE SERIES
1859
01:16:35,061 --> 01:16:35,695
CREATORS, RYAN MURPHY AND
1860
01:16:35,695 --> 01:16:38,131
BRAD FALCHUK.
1861
01:16:38,131 --> 01:16:40,934
[ APPLAUSE ]
1862
01:16:40,934 --> 01:16:42,469
>> IS IT ME OR DOES THIS PLACE
1863
01:16:42,469 --> 01:16:45,105
SEEM HAUNTED?
1864
01:16:45,105 --> 01:16:46,706
IT'S ALMOST LIKE SOMEBODY IS
1865
01:16:46,706 --> 01:16:54,981
WATCHING US.
1866
01:16:54,981 --> 01:16:58,785
OH NO, NOT THIS DUDE AGAIN.
1867
01:16:58,785 --> 01:17:01,154
MAYBE IF I IGNORE HIM, HE'LL
1868
01:17:01,154 --> 01:17:03,990
JUST GO AWAY.
1869
01:17:03,990 --> 01:17:05,525
LET'S TAKE A LOOK AT THE
1870
01:17:05,525 --> 01:17:07,594
NOMINEES FOR LEAD ACTOR IN A
1871
01:17:07,594 --> 01:17:13,900
LIMITED SERIES OR MOVIE.
1872
01:17:13,900 --> 01:17:16,670
>> Announcer: TARON EDGERTON,
1873
01:17:16,670 --> 01:17:17,237
"BLACK BIRD."
1874
01:17:17,237 --> 01:17:21,441
KUMAIL NANJIANI, "WELCOME TO
1875
01:17:21,441 --> 01:17:21,875
CHIPPENDALES."
1876
01:17:21,875 --> 01:17:22,576
EVAN PETERS, "DAHMER - MONSTER:
1877
01:17:22,576 --> 01:17:28,348
THE JEFFREY DAHMER STORY."
1878
01:17:28,348 --> 01:17:30,951
DA
1879
01:17:30,951 --> 01:17:36,756
DANIEL -- MICHAEL SHANNON,
1880
01:17:36,756 --> 01:17:39,226
"GEORGE & TAMMY."
1881
01:17:39,226 --> 01:17:43,163
STEVEN YOUNG.
1882
01:17:43,163 --> 01:17:53,907
>> DO YOU HAVE THE ENVELOPE?
1883
01:17:53,907 --> 01:17:54,441
>> WHERE ARE YOU?
1884
01:17:54,441 --> 01:17:57,978
[ LAUGHTER ]
1885
01:17:57,978 --> 01:18:00,146
>> IT'S HARD TO BREATHE IN THESE
1886
01:18:00,146 --> 01:18:01,548
DARN THINGS.
1887
01:18:01,548 --> 01:18:02,649
I DON'T KNOW HOW THAT DUDE DID
1888
01:18:02,649 --> 01:18:04,618
IT IN PULP FICTION.
1889
01:18:04,618 --> 01:18:06,253
AM I SWEATING BACK THERE?
1890
01:18:06,253 --> 01:18:06,987
>> OH YEAH.
1891
01:18:06,987 --> 01:18:10,624
>> DON'T DO THAT.
1892
01:18:10,624 --> 01:18:11,458
I'M NAKED.
1893
01:18:11,458 --> 01:18:13,660
DUDE, I THOUGHT MY BUTT WAS BIG
1894
01:18:13,660 --> 01:18:16,463
UNTIL I PUT ON THIS THING.
1895
01:18:16,463 --> 01:18:18,865
>> AND THE EMMY GOES TO STEVEN
1896
01:18:18,865 --> 01:18:19,633
YOUNG, "BEEF."
1897
01:18:19,633 --> 01:18:27,908
[ APPLAUSE ]
1898
01:18:27,908 --> 01:18:44,824
♪
1899
01:18:44,824 --> 01:18:46,893
>> WELL, THANK YOU FOR THIS.
1900
01:18:46,893 --> 01:18:49,229
THANK YOU FOR THIS IMMENSE HONOR
1901
01:18:49,229 --> 01:18:50,597
AND BLESSING.
1902
01:18:50,597 --> 01:18:52,465
MAN, I HAVE A LOT OF PEOPLE TO
1903
01:18:52,465 --> 01:18:54,568
THANK, A LOT OF PEOPLE THAT
1904
01:18:54,568 --> 01:18:58,505
LOOKED OUT FOR ME ON MY WAY TO
1905
01:18:58,505 --> 01:19:04,211
EVEN GET TO BE IN THIS BUSINESS.
1906
01:19:04,211 --> 01:19:09,115
I WANT TO THANK SUNNY, ALI,
1907
01:19:09,115 --> 01:19:14,454
JAKE, OUR INCREDIBLE CAST AND
1908
01:19:14,454 --> 01:19:15,355
CREW.
1909
01:19:15,355 --> 01:19:17,991
THANK YOU TO A-24, NETFLIX.
1910
01:19:17,991 --> 01:19:22,996
THANK YOU TO MIKE AND PETER.
1911
01:19:22,996 --> 01:19:26,266
I WANT TO THANK ANDREW COOPER
1912
01:19:26,266 --> 01:19:29,870
FOR TALKING TO ME ONE NIGHT.
1913
01:19:29,870 --> 01:19:31,905
OUR INCREDIBLE ONSET
1914
01:19:31,905 --> 01:19:33,106
PHOTOGRAPHER, A LEGEND.
1915
01:19:33,106 --> 01:19:34,641
THERE WERE DAYS WHEN IT WAS
1916
01:19:34,641 --> 01:19:36,877
DIFFICULT TO LIVE IN DANNY'S
1917
01:19:36,877 --> 01:19:37,310
SKIN.
1918
01:19:37,310 --> 01:19:39,112
SOMETIMES I WANTED TO JUDGE HIM.
1919
01:19:39,112 --> 01:19:40,747
SOMETIMES I WANTED TO MAKE FUN
1920
01:19:40,747 --> 01:19:41,214
OF HIM.
1921
01:19:41,214 --> 01:19:43,516
HE PULLED ME ASIDE AND HE'S
1922
01:19:43,516 --> 01:19:50,023
LIKE, NEVER BAIL ON DANNY.
1923
01:19:50,023 --> 01:19:50,390
THANKS.
1924
01:19:50,390 --> 01:19:52,392
I WANT TO SAY THANK YOU TO DANNY
1925
01:19:52,392 --> 01:19:59,900
FOR TEACHING ME THAT JUDGMENT
1926
01:19:59,900 --> 01:20:03,637
AND SHAME IS A LONELY PLACE, BUT
1927
01:20:03,637 --> 01:20:06,072
COMPASSION AND GRACE IS WHERE WE
1928
01:20:06,072 --> 01:20:08,642
CAN ALL MEET.
1929
01:20:08,642 --> 01:20:12,312
[ APPLAUSE ]
1930
01:20:12,312 --> 01:20:16,116
I'M GRATEFUL TO MY WIFE JO.
1931
01:20:16,116 --> 01:20:17,717
THANK YOU ALWAYS.
1932
01:20:17,717 --> 01:20:21,388
JUDE, RUTH, MOM, DAD, BRIAN,
1933
01:20:21,388 --> 01:20:22,155
FAMILY, I LOVE YOU.
1934
01:20:22,155 --> 01:20:22,522
THANK YOU.
1935
01:20:22,522 --> 01:20:24,157
[ APPLAUSE ]
1936
01:20:24,157 --> 01:20:30,063
♪
1937
01:20:30,063 --> 01:20:32,232
>> PLEASE WELCOME EMMY NOMINEE
1938
01:20:32,232 --> 01:20:37,370
JENNA ORTEGA AND EMMY WINNER
1939
01:20:37,370 --> 01:20:38,004
SHERYL LEE RALPH.
1940
01:20:38,004 --> 01:20:46,213
♪ DOING IT OUR WAY
1941
01:20:46,213 --> 01:20:48,748
>> HAPPY MLK DAY, JENNA.
1942
01:20:48,748 --> 01:20:52,786
>> HAPPY MLK DAY TO YOU TOO.
1943
01:20:52,786 --> 01:20:53,987
>> THANK YOU.
1944
01:20:53,987 --> 01:20:57,057
THE DIVINE JESSICA LANGE, THE
1945
01:20:57,057 --> 01:21:04,231
INSPIRING REGINA KING, THE V
1946
01:21:04,231 --> 01:21:06,867
VIVACIOUS HELEN MIRREN AND MERYL
1947
01:21:06,867 --> 01:21:08,835
STREEP.
1948
01:21:08,835 --> 01:21:09,436
>> THE LIST OF ESTEEMED
1949
01:21:09,436 --> 01:21:10,103
ACTRESSES WHOSE INSPIRED AND
1950
01:21:10,103 --> 01:21:10,837
UNFORGETTABLE PERFORMANCES HAVE
1951
01:21:10,837 --> 01:21:11,605
EARNED THEM THIS AWARD IS SECOND
1952
01:21:11,605 --> 01:21:11,905
TO NONE.
1953
01:21:11,905 --> 01:21:12,672
>> TONIGHT, ANOTHER EXCEPTIONAL
1954
01:21:12,672 --> 01:21:13,540
TALENT JOINS THOSE IMPRESSIVE
1955
01:21:13,540 --> 01:21:18,311
RANKS.
1956
01:21:18,311 --> 01:21:19,346
>> HERE ARE THE NOMINEES FOR
1957
01:21:19,346 --> 01:21:20,080
OUTSTANDING LEAD ACTRESS IN A
1958
01:21:20,080 --> 01:21:20,914
LIMITED OR ANTHOLOGY SERIES OR
1959
01:21:20,914 --> 01:21:30,624
MOVIE.
1960
01:21:30,624 --> 01:21:31,358
>> Announcer: LIZZY CAP LANE,
1961
01:21:31,358 --> 01:21:31,958
KAPLAN "FLEISHMAN IS IN
1962
01:21:31,958 --> 01:21:32,325
TROUBLE."
1963
01:21:32,325 --> 01:21:34,127
JESSICA CHASTAIN, "GEORGE &
1964
01:21:34,127 --> 01:21:37,130
TAMMY."
1965
01:21:37,130 --> 01:21:41,001
DOMINIQUE FISHBACK, "SWARM."
1966
01:21:41,001 --> 01:21:43,470
RILEY KEOGH, "DAISY JONES & THE
1967
01:21:43,470 --> 01:21:44,070
SIX."
1968
01:21:44,070 --> 01:21:48,675
ALI WONG, "BEEF."
1969
01:21:48,675 --> 01:21:50,277
>> I LOVE THIS PART.
1970
01:21:50,277 --> 01:21:59,252
AND THE EMMY GOES TO -- ALI
1971
01:21:59,252 --> 01:22:00,353
WONG, "BEEF."
1972
01:22:00,353 --> 01:22:07,961
♪
1973
01:22:07,961 --> 01:22:09,029
[ APPLAUSE ]
1974
01:22:09,029 --> 01:22:22,943
♪
1975
01:22:22,943 --> 01:22:24,978
>> WOW.
1976
01:22:24,978 --> 01:22:30,116
I HAVE TO, OF COURSE, THANK
1977
01:22:30,116 --> 01:22:32,285
SONNY AND STEVEN AND JAKE,
1978
01:22:32,285 --> 01:22:34,154
MARIA, JOE, YOUNG, THE REST OF
1979
01:22:34,154 --> 01:22:36,389
THE INCREDIBLE TALENTED CAST AND
1980
01:22:36,389 --> 01:22:37,490
CREW OF "BEEF."
1981
01:22:37,490 --> 01:22:39,025
I WOULDN'T BE STANDING HERE
1982
01:22:39,025 --> 01:22:41,962
WITHOUT MY AMAZING PARENTS, MY
1983
01:22:41,962 --> 01:22:44,030
MOTHER AND MY FATHER, WHO I SO
1984
01:22:44,030 --> 01:22:46,433
WISH WAS ALIVE TO SHARE THIS
1985
01:22:46,433 --> 01:22:48,535
MOMENT WITH ME, MY HILARIOUS
1986
01:22:48,535 --> 01:22:51,204
FATHER WHO LOVED ME
1987
01:22:51,204 --> 01:22:52,205
UNCONDITIONALLY AND TAUGHT ME
1988
01:22:52,205 --> 01:22:54,407
THE VALUE OF FAILURE.
1989
01:22:54,407 --> 01:22:57,510
TO MY BEAUTIFUL DAUGHTERS MARI
1990
01:22:57,510 --> 01:22:59,346
AND NIKKI, YOU ARE MY
1991
01:22:59,346 --> 01:22:59,746
EVERYTHING.
1992
01:22:59,746 --> 01:23:02,515
THANK YOU FOR INSPIRING ME.
1993
01:23:02,515 --> 01:23:03,316
THIS IS FOR YOU.
1994
01:23:03,316 --> 01:23:03,683
THANK YOU.
1995
01:23:03,683 --> 01:23:16,496
[ APPLAUSE ]
1996
01:23:16,496 --> 01:23:18,598
>> YOU KNOW, APPARENTLY IT'S
1997
01:23:18,598 --> 01:23:20,133
KIND OF HARD TO PEEL YOURSELF
1998
01:23:20,133 --> 01:23:21,434
OUT OF A LATEX RUBBER SUIT
1999
01:23:21,434 --> 01:23:25,138
QUICKLY.
2000
01:23:25,138 --> 01:23:26,940
I'M REAL MOIST UP IN HERE RIGHT
2001
01:23:26,940 --> 01:23:27,240
NOW.
2002
01:23:27,240 --> 01:23:31,278
I GOT TO TAKE A SHOWER.
2003
01:23:31,278 --> 01:23:32,679
I GOT SWEAT DRIPPING DOWN THE
2004
01:23:32,679 --> 01:23:35,115
CRACK -- YOU KNOW WHERE IT GOES.
2005
01:23:35,115 --> 01:23:37,050
YES, MOMMA.
2006
01:23:37,050 --> 01:23:40,220
WHAT, MOMMA?
2007
01:23:40,220 --> 01:23:41,621
YOU WEREN'T EVEN SUPPOSED TO SAY
2008
01:23:41,621 --> 01:23:43,123
NOTHING RIGHT NOW, MOMMA.
2009
01:23:43,123 --> 01:23:44,391
LET ME DO MY SHOW.
2010
01:23:44,391 --> 01:23:46,126
I'M THE HOST.
2011
01:23:46,126 --> 01:23:48,395
YOU'RE JUST SITTING IN THE
2012
01:23:48,395 --> 01:23:49,763
AUDIENCE.
2013
01:23:49,763 --> 01:23:51,765
YOU'RE RUIN EVERYTHING.
2014
01:23:51,765 --> 01:23:53,833
LET ME INTRODUCE THESE NEXT TWO
2015
01:23:53,833 --> 01:23:57,137
PRESENTERS SO I CAN TAKE A
2016
01:23:57,137 --> 01:23:57,437
SHOWER.
2017
01:23:57,437 --> 01:24:03,243
I'M A LITTLE MUSTY.
2018
01:24:03,243 --> 01:24:04,277
NOMINATED FOR THEIR WORK ON
2019
01:24:04,277 --> 01:24:04,978
"DYNASTY" AND "EMPIRE," HERE ARE
2020
01:24:04,978 --> 01:24:05,879
DAME JOAN COLLINS AND
2021
01:24:05,879 --> 01:24:12,219
TARAJI P. HENSON.
2022
01:24:12,219 --> 01:24:31,371
♪
2023
01:24:31,371 --> 01:24:32,906
>> THROUGHOUT THE NIGHT WE HAVE
2024
01:24:32,906 --> 01:24:33,607
BEEN REVISITING SOME OF THE
2025
01:24:33,607 --> 01:24:35,041
GREATEST SETS IN TELEVISION
2026
01:24:35,041 --> 01:24:37,677
HISTORY, BUT ON "DYNASTY,"
2027
01:24:37,677 --> 01:24:40,847
CREATED BY AARON SPELLING, IT
2028
01:24:40,847 --> 01:24:41,514
WASN'T ABOUT THE SETS, IT WAS
2029
01:24:41,514 --> 01:24:51,725
ABOUT THE DRAMA AND THE FASHION.
2030
01:24:51,725 --> 01:24:53,326
CREATED BY NOLAN MILLER.
2031
01:24:53,326 --> 01:24:54,027
>> "DYNASTY" LOOKS JUST BLEW ME
2032
01:24:54,027 --> 01:24:55,962
AWAY.
2033
01:24:55,962 --> 01:24:58,031
THE CINCHED WAISTS, THE
2034
01:24:58,031 --> 01:24:58,698
SHOULDERS OUT TO HERE, THE
2035
01:24:58,698 --> 01:25:03,336
JEWELRY, THE GOWNS.
2036
01:25:03,336 --> 01:25:05,472
>> WE LEFT NO DESIGNER UNWORN.
2037
01:25:05,472 --> 01:25:07,040
>> AND ON LEE DANIELS' "EMPIRE,"
2038
01:25:07,040 --> 01:25:10,176
WE TOOK UP THAT MANTLE.
2039
01:25:10,176 --> 01:25:10,877
OUR STYLE AND FASHION SENSE
2040
01:25:10,877 --> 01:25:13,346
HELPED ME BRING COOKIE TO LIFE.
2041
01:25:13,346 --> 01:25:14,948
LET'S TAKE A LOOK AT THIS YEAR'S
2042
01:25:14,948 --> 01:25:15,949
NOMINEES FOR OUTSTANDING LIMITED
2043
01:25:15,949 --> 01:25:21,922
OR ANTHOLOGY SERIES.
2044
01:25:21,922 --> 01:25:23,256
>> Announcer: "BEEF."
2045
01:25:23,256 --> 01:25:24,424
>> I DON'T WANT ANYTHING TO DO
2046
01:25:24,424 --> 01:25:25,292
WITH YOU.
2047
01:25:25,292 --> 01:25:26,226
YOU'RE SICK.
2048
01:25:26,226 --> 01:25:27,093
YOU'RE DISEASED.
2049
01:25:27,093 --> 01:25:28,895
>> YOU THINK YOU'RE BETTER THAN
2050
01:25:28,895 --> 01:25:30,830
ME NOW, HUH?
2051
01:25:30,830 --> 01:25:33,867
>> "DAHMER - MONSTER: THE
2052
01:25:33,867 --> 01:25:34,434
JEFFREY DAHMER STORY."
2053
01:25:34,434 --> 01:25:36,870
>> THE GUYS WERE JUST ONE THING
2054
01:25:36,870 --> 01:25:39,706
IN MY LIFE THAT I COULD CONTROL.
2055
01:25:39,706 --> 01:25:40,540
>> "DAISY JONES & THE SIX."
2056
01:25:40,540 --> 01:25:50,784
♪
2057
01:25:50,784 --> 01:25:54,187
>> "FLEISHMAN IS IN TROUBLE."
2058
01:25:54,187 --> 01:25:56,389
>> I STILL CAN'T FEEL MY LEGS.
2059
01:25:56,389 --> 01:25:59,793
IT'S NOT SAFE.
2060
01:25:59,793 --> 01:26:02,462
>> "OBI-WAN KENOBI."
2061
01:26:02,462 --> 01:26:07,234
>> I'M SORRY FOR ALL OF IT.
2062
01:26:07,234 --> 01:26:11,938
>> AND THE EMMY GOES TO, "BEEF."
2063
01:26:11,938 --> 01:26:12,906
[ APPLAUSE ]
2064
01:26:12,906 --> 01:26:22,115
♪
2065
01:26:22,115 --> 01:26:23,750
>> Announcer: "BEEF" RECEIVED 13
2066
01:26:23,750 --> 01:26:25,151
NOMINATIONS THIS YEAR, WINNING
2067
01:26:25,151 --> 01:26:26,186
FIVE TONIGHT.
2068
01:26:26,186 --> 01:26:29,189
THE SHOW FEATURED BELOVED SONGS
2069
01:26:29,189 --> 01:26:32,058
FROM THE '90s AND EARLY 2000s.
2070
01:26:32,058 --> 01:26:34,961
ACCEPTING ON BEHALF OF THE TEAM
2071
01:26:34,961 --> 01:26:36,229
IS LEE SUNG JIN.
2072
01:26:36,229 --> 01:26:44,838
♪
2073
01:26:44,838 --> 01:26:48,909
>> WOW, THANK YOU.
2074
01:26:48,909 --> 01:26:51,912
YOU KNOW, A LOT OF THE SUICIDAL
2075
01:26:51,912 --> 01:26:53,914
IDEATION IN THIS SHOW WAS BASED
2076
01:26:53,914 --> 01:26:56,750
ON STUFF THAT I AND SOME OF THE
2077
01:26:56,750 --> 01:26:58,552
FOLKS UP HERE HAVE STRUGGLED
2078
01:26:58,552 --> 01:27:00,153
WITH OVER THE YEARS.
2079
01:27:00,153 --> 01:27:02,455
SO I'M REALLY GRATEFUL AND
2080
01:27:02,455 --> 01:27:03,757
HUMBLED BY EVERYONE WHO WATCHED
2081
01:27:03,757 --> 01:27:05,458
THE SHOW AND REACHED OUT ABOUT
2082
01:27:05,458 --> 01:27:07,260
THEIR OWN PERSONAL STRUGGLES.
2083
01:27:07,260 --> 01:27:08,795
IT'S VERY LIFE AFFIRMING.
2084
01:27:08,795 --> 01:27:09,896
SO THANK YOU.
2085
01:27:09,896 --> 01:27:13,466
I FEEL LIKE WE LIVE IN A WORLD
2086
01:27:13,466 --> 01:27:15,135
DESIGNED TO KIND OF KEEP US
2087
01:27:15,135 --> 01:27:15,502
SEPARATE.
2088
01:27:15,502 --> 01:27:17,103
EVEN HERE, SOME OF US GO HOME
2089
01:27:17,103 --> 01:27:18,638
WITH TROPHIES, OTHER PEOPLE
2090
01:27:18,638 --> 01:27:18,905
DON'T.
2091
01:27:18,905 --> 01:27:20,574
I THINK FOR SOME OF US WHEN WE
2092
01:27:20,574 --> 01:27:22,542
LIVE IN A WORLD LIKE THIS, YOU
2093
01:27:22,542 --> 01:27:25,178
BEGIN TO THINK THERE'S NO WAY
2094
01:27:25,178 --> 01:27:26,613
ANYONE CAN EVER UNDERSTAND YOU
2095
01:27:26,613 --> 01:27:28,949
OR LIKE YOU OR MUCH LESS NO
2096
01:27:28,949 --> 01:27:30,483
POTENTIAL AT BEING LOVED.
2097
01:27:30,483 --> 01:27:32,619
SO THE GREATEST JOY OF WORKING
2098
01:27:32,619 --> 01:27:34,654
ON "BEEF" HAS TRULY BEEN WORKING
2099
01:27:34,654 --> 01:27:38,358
WITH THE FOLKS UP HERE WHO LOVED
2100
01:27:38,358 --> 01:27:40,227
SO UNCONDITIONALLY.
2101
01:27:40,227 --> 01:27:42,896
THANK YOU TO THEM.
2102
01:27:42,896 --> 01:27:43,296
[ APPLAUSE ]
2103
01:27:43,296 --> 01:27:44,764
>> THANK YOU.
2104
01:27:44,764 --> 01:27:46,499
TO ANYONE OUT THERE WHO DIRECTLY
2105
01:27:46,499 --> 01:27:48,268
OR INDIRECTLY WAS INVOLVED WITH
2106
01:27:48,268 --> 01:27:49,836
THE SHOW, THANK YOU SO MUCH.
2107
01:27:49,836 --> 01:27:51,471
LASTLY, EVERYTHING I DO IS FOR
2108
01:27:51,471 --> 01:27:53,940
MY THREE DOGS.
2109
01:27:53,940 --> 01:27:55,709
THE FEDERAL DRUG ADMINISTRATION,
2110
01:27:55,709 --> 01:27:57,644
IF YOU PLEASE FAST TRACK THAT
2111
01:27:57,644 --> 01:27:59,446
CANINE ANTI-AGING PILL THAT
2112
01:27:59,446 --> 01:27:59,946
WOULD BE SO LOVELY.
2113
01:27:59,946 --> 01:28:05,418
THANK YOU SO MUCH
2114
01:28:05,418 --> 01:28:06,219
>> Announcer: WHEN THE EMMYS
2115
01:28:06,219 --> 01:28:08,021
RETURN, GLAAD RECEIVES THE
2116
01:28:08,021 --> 01:28:10,624
ACADEMY'S GOVERNOR'S AWARD, AND
2117
01:28:10,624 --> 01:28:12,292
WE PAY TRIBUTE TO THE STARS
2118
01:28:12,292 --> 01:28:14,294
WE'VE LOST WITH A PERFORMANCE BY
2119
01:28:14,294 --> 01:28:17,097
WAR & TREATY.
2120
01:28:23,670 --> 01:28:27,140
[ "THE PRICE IS RIGHT" THEME ]
2121
01:28:27,140 --> 01:28:29,109
>>> WELCOME BACK TO THE EMMYS.
2122
01:28:29,109 --> 01:28:30,944
HERE ARE ALONA McCLUNEY,
2123
01:28:30,944 --> 01:28:33,179
JADE DAVIS, AND SUZANNE DeJONG,
2124
01:28:33,179 --> 01:28:35,282
REPRESENTING EY, THE OFFICIAL
2125
01:28:35,282 --> 01:28:37,918
ACCOUNTING FIRM OF THE EMMYS.
2126
01:28:37,918 --> 01:28:40,220
AND NOW PLEASE WELCOME THE CHAIR
2127
01:28:40,220 --> 01:28:41,555
OF THE TELEVISION ACADEMY,
2128
01:28:41,555 --> 01:28:42,756
FRANK SCHERMA.
2129
01:28:42,756 --> 01:28:45,559
[ "GET SMART" THEME ]
2130
01:28:45,559 --> 01:28:57,137
[ APPLAUSE ]
2131
01:28:59,539 --> 01:29:01,341
>> I AM THRILLED TO CELEBRATE AN
2132
01:29:01,341 --> 01:29:03,910
ASTRONOMICAL MILESTONE FOR ANY
2133
01:29:03,910 --> 01:29:06,947
INSTITUTION -- 75.
2134
01:29:06,947 --> 01:29:12,752
[ APPLAUSE ]
2135
01:29:12,752 --> 01:29:15,388
TONIGHT'S EMMY AWARDS MARK
2136
01:29:15,388 --> 01:29:18,024
75 YEARS OF EXCELLENCE IN A
2137
01:29:18,024 --> 01:29:19,059
DYNAMIC MEDIUM THAT IS A
2138
01:29:19,059 --> 01:29:20,627
CONSTANT SOURCE OF BOTH
2139
01:29:20,627 --> 01:29:21,695
ENTERTAINMENT AND INFORMATION
2140
01:29:21,695 --> 01:29:24,864
VITAL TO OUR WORLD.
2141
01:29:24,864 --> 01:29:27,467
AND YET, TV GOES BEYOND
2142
01:29:27,467 --> 01:29:28,501
ENTERTAINING AND INFORMING, WITH
2143
01:29:28,501 --> 01:29:29,236
THE POWER TO ENACT GREAT SOCIAL
2144
01:29:29,236 --> 01:29:31,671
CHANGE.
2145
01:29:31,671 --> 01:29:34,307
AS PART OF OUR CELEBRATION OF
2146
01:29:34,307 --> 01:29:35,876
75 YEARS OF EMMYS, THE
2147
01:29:35,876 --> 01:29:39,579
TELEVISION ACADEMY HAS SELECTED
2148
01:29:39,579 --> 01:29:41,147
75 OF THE MOST IMPACTFUL MOMENTS
2149
01:29:41,147 --> 01:29:44,818
FROM TELEVISION'S RICH HISTORY.
2150
01:29:44,818 --> 01:29:46,920
WE ALL LAUGHED WATCHING THE BOLD
2151
01:29:46,920 --> 01:29:51,725
SCRIPTED SERIES OF THE LEGENDARY
2152
01:29:51,725 --> 01:29:55,028
NORMAN LEAR.
2153
01:29:55,028 --> 01:29:57,697
[ APPLAUSE ]
2154
01:29:57,697 --> 01:30:00,300
WE ALL MOURNED, TOGETHER, AS WE
2155
01:30:00,300 --> 01:30:03,436
WATCHED THE TOWERS FALL ON 9/11.
2156
01:30:03,436 --> 01:30:05,005
WE WERE ALL IN AWE AS WE WATCHED
2157
01:30:05,005 --> 01:30:07,140
NEIL ARMSTRONG TAKE HIS FIRST
2158
01:30:07,140 --> 01:30:11,344
STEP ON THE MOON, IN REAL TIME.
2159
01:30:11,344 --> 01:30:12,913
HERE IS JUST A SMALL SAMPLING OF
2160
01:30:12,913 --> 01:30:19,920
THESE 75 INCREDIBLE TOUCHSTONES.
2161
01:30:19,920 --> 01:30:22,289
ENJOY.
2162
01:30:22,289 --> 01:30:24,190
>> FRANKIE, THIS IS IT.
2163
01:30:24,190 --> 01:30:25,458
>> I'M GAY.
2164
01:30:25,458 --> 01:30:28,261
♪
2165
01:30:28,261 --> 01:30:30,130
>> CAN WE KEEP HIM, DAD, PLEASE?
2166
01:30:30,130 --> 01:30:44,911
♪
2167
01:30:44,911 --> 01:30:45,679
>>
2168
01:30:45,679 --> 01:30:47,414
>> TELL ME I'M DOING THE RIGHT
2169
01:30:47,414 --> 01:30:49,015
THING NOT HAVING THE BABY.
2170
01:30:49,015 --> 01:30:53,086
>> I HAVE A DREAM.
2171
01:30:53,086 --> 01:30:55,355
>> ONE GIANT LEAP FOR MANKIND.
2172
01:30:55,355 --> 01:30:57,524
>> A PLANE HAS CRASHED INTO THE
2173
01:30:57,524 --> 01:30:59,426
WORLD TRADE CENTER.
2174
01:30:59,426 --> 01:31:05,732
♪
2175
01:31:05,732 --> 01:31:12,038
[ APPLAUSE ]
2176
01:31:12,038 --> 01:31:21,481
>> I AM YOUR HOST, LIBERACE.
2177
01:31:21,481 --> 01:31:22,249
>> THEY'RE BOTH EMMY WINNERS AND
2178
01:31:22,249 --> 01:31:23,083
SHE'S A NOMINEE TONIGHT, PLEASE
2179
01:31:23,083 --> 01:31:23,750
WELCOME COLMAN DOMINGO AND
2180
01:31:23,750 --> 01:31:39,232
HANNAH WADDINGHAM.
2181
01:31:39,232 --> 01:31:40,867
♪
2182
01:31:40,867 --> 01:31:46,506
>> YOU'RE WELCOME.
2183
01:31:46,506 --> 01:31:49,209
>> GOOD EVENING, EVERYBODY.
2184
01:31:49,209 --> 01:31:51,611
COLEMAN AND I ARE SO VERY
2185
01:31:51,611 --> 01:31:54,147
HONORED TO HAVE BEEN ASKED TO
2186
01:31:54,147 --> 01:31:56,616
PRESENT THE 2023 GOVERNOR'S
2187
01:31:56,616 --> 01:32:04,791
AWARD TO GLAAD.
2188
01:32:04,791 --> 01:32:08,295
>> TONIGHT, I AM SO PROUD
2189
01:32:08,295 --> 01:32:15,769
STANDING HERE AS AN ADVOCATE FOR
2190
01:32:15,769 --> 01:32:20,607
RACIAL EQUITY AND THE LGBTQ
2191
01:32:20,607 --> 01:32:20,941
COMMUNITY.
2192
01:32:20,941 --> 01:32:21,708
I UNDERSTAND THE IMPORTANCE OF
2193
01:32:21,708 --> 01:32:23,810
GLAAD'S MISSION AND ITS
2194
01:32:23,810 --> 01:32:26,913
COMMITMENT TO REPRESENTATION,
2195
01:32:26,913 --> 01:32:27,547
>> WHEN WE REPRESENT THE
2196
01:32:27,547 --> 01:32:28,248
DIVERSITY OF OUR SOCIETY, WE
2197
01:32:28,248 --> 01:32:29,049
HELP CHANGE THE NARRATIVES ABOUT
2198
01:32:29,049 --> 01:32:30,083
A COMMUNITY.
2199
01:32:30,083 --> 01:32:32,185
I'M PROUD THAT THIS PAST SEASON
2200
01:32:32,185 --> 01:32:32,786
OF "TED LASSO" INCLUDED
2201
01:32:32,786 --> 01:32:33,520
STORYLINES THAT CELEBRATED LGBTQ
2202
01:32:33,520 --> 01:32:38,858
CHARACTERS.
2203
01:32:38,858 --> 01:32:44,197
[ APPLAUSE ]
2204
01:32:44,197 --> 01:32:47,000
>> AND, UNFORTUNATELY, WITH
2205
01:32:47,000 --> 01:32:48,935
ANTI-LGBTQ FREEDOMS BEING
2206
01:32:48,935 --> 01:32:50,637
DEBATED BOTH HERE AND ABROAD,
2207
01:32:50,637 --> 01:32:52,138
THE COMPLEX CHARACTERS THAT WE
2208
01:32:52,138 --> 01:32:53,874
SEE AND COMPELLING STORIES THAT
2209
01:32:53,874 --> 01:32:55,842
WE TELL ARE AN INCREDIBLY
2210
01:32:55,842 --> 01:32:57,410
IMPORTANT PIECE OF SHOWING THE
2211
01:32:57,410 --> 01:33:00,881
HUMANITY OF WHO WE ACTUALLY ARE,
2212
01:33:00,881 --> 01:33:03,483
DISPELLING TROPES AND OFFERING A
2213
01:33:03,483 --> 01:33:05,352
RICH, VIBRANT RAINBOW OF THE
2214
01:33:05,352 --> 01:33:06,620
HUMAN EXPERIENCE.
2215
01:33:06,620 --> 01:33:07,354
>> WHEN WE VIEW ENTERTAINMENT AS
2216
01:33:07,354 --> 01:33:08,154
A FORM OF ADVOCACY, WE
2217
01:33:08,154 --> 01:33:08,822
UNDERSTAND THAT WE HAVE THE
2218
01:33:08,822 --> 01:33:13,593
POWER TO CREATE REAL CHANGE.
2219
01:33:13,593 --> 01:33:17,797
>> OVER THE PAST FOUR DECADES,
2220
01:33:17,797 --> 01:33:21,234
GLAAD HAS CONSULTED ON NEARLY
2221
01:33:21,234 --> 01:33:25,438
EVERY TV SERIES AND TV MOVIE
2222
01:33:25,438 --> 01:33:28,141
MAKING SURE THE REALITIES WE
2223
01:33:28,141 --> 01:33:29,209
FACE OFF SCREEN ARE REFLECTED ON
2224
01:33:29,209 --> 01:33:30,443
SCREEN.
2225
01:33:30,443 --> 01:33:34,581
♪
2226
01:33:34,581 --> 01:33:38,118
>> ONE OF THE WORLD'S MOST
2227
01:33:38,118 --> 01:33:39,753
EFFECTIVE ADVOCATES FOR THE
2228
01:33:39,753 --> 01:33:42,022
LGBTQ COMMUNITY, GLAAD WAS
2229
01:33:42,022 --> 01:33:46,660
ORIGINALLY FOUNDED IN 1985 BY
2230
01:33:46,660 --> 01:33:48,929
VE
2231
01:33:48,929 --> 01:33:51,831
VITO RUSSO AND ACTIVISTS.
2232
01:33:51,831 --> 01:34:01,575
SINCE THEN, IT HAS GROWN INTO A
2233
01:34:01,575 --> 01:34:02,108
GLOBAL ORGANIZATION.
2234
01:34:02,108 --> 01:34:02,842
THIS NOW ICONIC ORGANIZATION IS
2235
01:34:02,842 --> 01:34:03,543
DEDICATED TO TEAMING UP WITH
2236
01:34:03,543 --> 01:34:04,244
CREATORS TO ENSURE ACCURATE
2237
01:34:04,244 --> 01:34:04,878
DESCRIPTIONS OF CHARACTERS,
2238
01:34:04,878 --> 01:34:08,815
CORRECTING FALSE AND HARMFUL
2239
01:34:08,815 --> 01:34:11,218
NARRATIVES AND WORKING
2240
01:34:11,218 --> 01:34:12,285
WITH THE HOLLYWOOD COMMUNITY TO
2241
01:34:12,285 --> 01:34:12,986
INCREASE LGBTQ PRESENCE ON US TV
2242
01:34:12,986 --> 01:34:14,354
TO ITS CURRENT RECORD HIGH.
2243
01:34:14,354 --> 01:34:15,956
FOR ITS ONGOING WORK TO SECURE
2244
01:34:15,956 --> 01:34:18,058
FAIR, ACCURATE AND DIVERSE
2245
01:34:18,058 --> 01:34:20,160
REPRESENTATION OF THE LGBTQ
2246
01:34:20,160 --> 01:34:22,262
COMMUNITY IN THE MEDIA AND
2247
01:34:22,262 --> 01:34:23,830
ENTERTAINMENT INDUSTRIES, THE
2248
01:34:23,830 --> 01:34:25,932
TELEVISION ACADEMY HONORS GLAAD
2249
01:34:25,932 --> 01:34:32,505
WITH THE 2023 GOVERNORS AWARD.
2250
01:34:32,505 --> 01:34:32,839
♪
2251
01:34:32,839 --> 01:34:39,312
[ APPLAUSE ]
2252
01:34:39,312 --> 01:34:40,046
>> ACCEPTING THE AWARD ON BEHALF
2253
01:34:40,046 --> 01:34:40,780
OF GLAAD IS PRESIDENT AND CEO OF
2254
01:34:40,780 --> 01:34:46,686
GLAAD, SARAH KATE ELLIS.
2255
01:34:46,686 --> 01:34:48,788
[ "POSE" MAIN THEME ]
2256
01:34:48,788 --> 01:34:59,232
♪
2257
01:34:59,232 --> 01:35:10,043
♪
2258
01:35:10,043 --> 01:35:12,512
>> THANK YOU.
2259
01:35:12,512 --> 01:35:13,213
THANK YOU SO MUCH.
2260
01:35:13,213 --> 01:35:17,617
THIS IS ACTUALLY A HISTORIC
2261
01:35:17,617 --> 01:35:19,719
MOMENT, AND SO MANY PEOPLE HAVE
2262
01:35:19,719 --> 01:35:24,024
WORKED TIRELESSLY TO GET LGBTQ
2263
01:35:24,024 --> 01:35:26,593
REPRESENTATION HERE, WHERE IT IS
2264
01:35:26,593 --> 01:35:26,893
TODAY.
2265
01:35:26,893 --> 01:35:30,630
FOR ALL OF US AT GLAAD, THIS
2266
01:35:30,630 --> 01:35:31,665
WORK IS PERSONAL.
2267
01:35:31,665 --> 01:35:34,768
FOR ME, IT'S ABOUT MY WIFE AND
2268
01:35:34,768 --> 01:35:38,438
OUR KIDS, BECAUSE WHAT THE WORLD
2269
01:35:38,438 --> 01:35:42,475
SEES ON TV INFLUENCES HOW WE
2270
01:35:42,475 --> 01:35:44,277
TREAT EACH OTHER AND THE
2271
01:35:44,277 --> 01:35:45,712
DECISIONS THAT WE MAKE IN OUR
2272
01:35:45,712 --> 01:35:49,849
LIVING ROOMS, SCHOOLS, AT WORK
2273
01:35:49,849 --> 01:35:52,586
AND AT THE BALLOT BOX.
2274
01:35:52,586 --> 01:36:00,427
[ CHEERS AND APPLAUSE ]
2275
01:36:00,427 --> 01:36:03,697
THE WORLD URGENTLY NEEDS
2276
01:36:03,697 --> 01:36:05,265
CULTURE-CHANGING STORIES ABOUT
2277
01:36:05,265 --> 01:36:08,635
TRANSGENDER PEOPLE.
2278
01:36:08,635 --> 01:36:15,175
[ APPLAUSE ]
2279
01:36:15,175 --> 01:36:17,677
MORE PEOPLE SAY THEY HAVE SEEN A
2280
01:36:17,677 --> 01:36:20,814
GHOST THAN KNOW A TRANSGENDER
2281
01:36:20,814 --> 01:36:21,414
PERSON.
2282
01:36:21,414 --> 01:36:24,484
WHEN YOU DON'T KNOW PEOPLE, IT'S
2283
01:36:24,484 --> 01:36:27,721
EASY TO DEMONIZE THEM.
2284
01:36:27,721 --> 01:36:30,190
VISIBILITY CREATES
2285
01:36:30,190 --> 01:36:32,125
UNDERSTANDING, AND IT OPENS
2286
01:36:32,125 --> 01:36:33,159
DOORS.
2287
01:36:33,159 --> 01:36:36,630
IT'S LIFE SAVING.
2288
01:36:36,630 --> 01:36:40,133
OUR COMMUNITY HAS ACHIEVED SO
2289
01:36:40,133 --> 01:36:43,169
MUCH, AND YET WE ARE STILL BEING
2290
01:36:43,169 --> 01:36:45,739
VICTIMIZED AND VILLAINIZED WITH
2291
01:36:45,739 --> 01:36:49,242
CRUEL AND HARMFUL LIES.
2292
01:36:49,242 --> 01:36:54,147
SHARING STORIES IS THE ANTIDOTE,
2293
01:36:54,147 --> 01:36:58,485
AND NOW IS THE TIME TO TAKE
2294
01:36:58,485 --> 01:37:00,587
ACTION TO SUPPORT EVERYONE IN
2295
01:37:00,587 --> 01:37:03,189
THE LGBTQ COMMUNITY, BECAUSE
2296
01:37:03,189 --> 01:37:07,894
THIS STORY IS STILL BEING TOLD,
2297
01:37:07,894 --> 01:37:11,197
AND WE ALL CAN BE THE HEROS.
2298
01:37:11,197 --> 01:37:13,700
THANK YOU TO THE TELEVISION
2299
01:37:13,700 --> 01:37:18,038
ACADEMY AND THE BOARD OF
2300
01:37:18,038 --> 01:37:18,405
GOVERNORS.
2301
01:37:18,405 --> 01:37:18,805
[ APPLAUSE ]
2302
01:37:18,805 --> 01:37:23,043
♪
2303
01:37:23,043 --> 01:37:23,710
>> Announcer: PLEASE WELCOME
2304
01:37:23,710 --> 01:37:28,281
ROB REINER AND SALLY STRUTHERS.
2305
01:37:28,281 --> 01:37:29,015
["THOSE WERE THE DAYS" FROM "ALL
2306
01:37:29,015 --> 01:37:30,383
IN THE FAMILY" ]
2307
01:37:30,383 --> 01:37:37,224
♪
2308
01:37:37,224 --> 01:37:39,859
>> SALLY AND I WERE PART OF A
2309
01:37:39,859 --> 01:37:47,767
UNIQUE TELEVISION FAMILY, NOT
2310
01:37:47,767 --> 01:37:48,602
-- YES.
2311
01:37:48,602 --> 01:37:52,739
THANK YOU.
2312
01:37:52,739 --> 01:37:54,341
WE WERE PART OF A UNIQUE FAMILY,
2313
01:37:54,341 --> 01:38:00,847
NOT JUST THE BUNKERS, BUT NORMAN
2314
01:38:00,847 --> 01:38:02,916
LEAR'S EXTENDED FAMILY.
2315
01:38:02,916 --> 01:38:03,650
OVER THE DECADES NORMAN BROUGHT
2316
01:38:03,650 --> 01:38:04,517
US TOGETHER TO CREATE
2317
01:38:04,517 --> 01:38:06,086
GROUNDBREAKING TELEVISION.
2318
01:38:06,086 --> 01:38:07,087
SHOWS THAT DEPICTED REAL PEOPLE
2319
01:38:07,087 --> 01:38:11,424
THAT MADE US LAUGH, MADE US
2320
01:38:11,424 --> 01:38:13,526
THINK, MADE US PEOPLE.
2321
01:38:13,526 --> 01:38:15,128
THERE IS A YIDDISH WORD THAT
2322
01:38:15,128 --> 01:38:18,265
DESCRIBES NORMAN'S GENIUS, IT'S
2323
01:38:18,265 --> 01:38:20,901
KOCHLEFFEL, A LADLE THAT STIRS
2324
01:38:20,901 --> 01:38:31,444
THE POT.
2325
01:38:31,444 --> 01:38:32,979
AND WHEN NORMAN THE KOCHLEFFEL
2326
01:38:32,979 --> 01:38:34,548
STIRRED THE POT, HE WOUND UP
2327
01:38:34,548 --> 01:38:38,485
CHANGING AMERICAN CULTURE.
2328
01:38:38,485 --> 01:38:45,825
[ APPLAUSE ]
2329
01:38:45,825 --> 01:38:46,493
>> TONIGHT AS WE REMEMBER ALL
2330
01:38:46,493 --> 01:38:48,461
THE LEGENDS OF OUR INDUSTRY WE
2331
01:38:48,461 --> 01:38:50,063
LOST THIS PAST YEAR, WE
2332
01:38:50,063 --> 01:38:52,165
CELEBRATE THEIR LIVES AND
2333
01:38:52,165 --> 01:38:52,866
LEGACY, AND ALL THE JOY THEY
2334
01:38:52,866 --> 01:38:55,802
BROUGHT TO US.
2335
01:38:55,802 --> 01:38:58,505
AND TO ALL THE MEMBERS OF ALL
2336
01:38:58,505 --> 01:38:59,539
OUR TELEVISION FAMILIES WHO HAVE
2337
01:38:59,539 --> 01:39:02,876
PASSED ON --
2338
01:39:02,876 --> 01:39:07,647
♪ THOSE WERE THE DAYS
2339
01:39:07,647 --> 01:39:10,450
[ APPLAUSE ]
2340
01:39:10,450 --> 01:39:12,886
>> JOINING US IN OUR TRIBUTE ARE
2341
01:39:12,886 --> 01:39:15,021
THE WAR AND TREATY AND
2342
01:39:15,021 --> 01:39:18,191
CHARLIE PUTH.
2343
01:39:22,929 --> 01:39:27,634
♪
2344
01:39:27,634 --> 01:39:31,037
♪ IT'S BEEN A LONG DAY
2345
01:39:31,037 --> 01:39:33,440
WITHOUT YOU MY FRIEND ♪
2346
01:39:33,440 --> 01:39:34,574
♪ AND I'LL TELL YOU
2347
01:39:34,574 --> 01:39:36,076
ALL ABOUT IT
2348
01:39:36,076 --> 01:39:41,314
WHEN I SEE YOU AGAIN ♪
2349
01:39:41,314 --> 01:39:41,948
♪ WE'VE COME A LONG WAY
2350
01:39:41,948 --> 01:39:42,382
OOOOH
2351
01:39:42,382 --> 01:39:45,018
FROM WHERE WE BEGAN ♪
2352
01:39:45,018 --> 01:39:46,052
♪ OH I'LL TELL YOU
2353
01:39:46,052 --> 01:39:47,654
ALL ABOUT IT
2354
01:39:47,654 --> 01:39:50,323
WHEN I SEE YOU AGAIN
2355
01:39:50,323 --> 01:39:53,960
WHEN I SEE YOU AGAIN ♪
2356
01:39:53,960 --> 01:39:57,664
♪
2357
01:39:57,664 --> 01:40:02,869
♪
2358
01:40:02,869 --> 01:40:09,743
♪
2359
01:40:09,743 --> 01:40:31,398
♪
2360
01:40:31,398 --> 01:40:33,700
♪
2361
01:40:33,700 --> 01:40:46,646
♪
2362
01:40:46,646 --> 01:40:47,147
♪
2363
01:40:47,147 --> 01:40:48,748
♪ SO LET THE LIGHT
2364
01:40:48,748 --> 01:40:52,419
GUIDE YOUR WAY
2365
01:40:52,419 --> 01:40:53,987
HOLD EVERY MEMORY
2366
01:40:53,987 --> 01:40:57,691
AS YOU GO ♪
2367
01:40:57,691 --> 01:41:00,894
♪ AND EVERY ROAD YOU TAKE
2368
01:41:00,894 --> 01:41:02,996
WILL ALWAYS LEAD YOU
2369
01:41:02,996 --> 01:41:09,836
HOME HOME ♪
2370
01:41:09,836 --> 01:41:11,972
♪ IT'S BEEN A LONG DAY
2371
01:41:11,972 --> 01:41:14,040
WITHOUT YOU MY FRIEND ♪
2372
01:41:14,040 --> 01:41:16,676
♪ AND I'LL TELL YOU
2373
01:41:16,676 --> 01:41:17,210
ALL ABOUT IT
2374
01:41:17,210 --> 01:41:19,846
WHEN I SEE YOU AGAIN ♪
2375
01:41:19,846 --> 01:41:23,516
♪ WE'VE COME A LONG WAY
2376
01:41:23,516 --> 01:41:23,850
OOOOH
2377
01:41:23,850 --> 01:41:25,652
FROM WHERE WE BEGAN ♪
2378
01:41:25,652 --> 01:41:27,220
♪ OH I'LL TELL YOU
2379
01:41:27,220 --> 01:41:28,288
ALL ABOUT IT
2380
01:41:28,288 --> 01:41:31,424
WHEN I SEE YOU AGAIN
2381
01:41:31,424 --> 01:41:39,332
WHEN I SEE YOU AGAIN ♪
2382
01:41:39,332 --> 01:41:44,538
♪
2383
01:41:44,538 --> 01:41:52,946
♪
2384
01:41:52,946 --> 01:41:58,218
♪
2385
01:41:58,218 --> 01:42:03,557
♪
2386
01:42:03,557 --> 01:42:10,397
♪
2387
01:42:10,397 --> 01:42:17,204
♪
2388
01:42:17,204 --> 01:42:25,111
♪
2389
01:42:25,111 --> 01:42:30,350
♪
2390
01:42:30,350 --> 01:42:31,451
♪
2391
01:42:31,451 --> 01:42:32,986
♪ IT'S LIKE
2392
01:42:32,986 --> 01:42:33,520
YOU'RE ALWAYS STUCK
2393
01:42:33,520 --> 01:42:37,123
IN SECOND GEAR ♪
2394
01:42:37,123 --> 01:42:38,758
♪ WHEN IT HASN'T BEEN
2395
01:42:38,758 --> 01:42:39,826
YOUR DAY YOUR WEEK YOUR MONTH
2396
01:42:39,826 --> 01:42:42,963
OR EVEN YOUR YEAR BUT ♪
2397
01:42:42,963 --> 01:42:46,666
♪ I'LL BE THERE FOR YOU
2398
01:42:46,666 --> 01:42:48,735
WHEN THE RAIN STARTS TO POUR
2399
01:42:48,735 --> 01:42:51,872
I'LL BE THERE FOR YOU LIKE
2400
01:42:51,872 --> 01:42:55,508
I'VE BEEN THERE BEFORE ♪
2401
01:42:55,508 --> 01:42:58,178
♪ I'LL BE THERE FOR YOU
2402
01:42:58,178 --> 01:43:00,380
'CAUSE YOU'RE THERE FOR ME
2403
01:43:00,380 --> 01:43:02,616
TOO
2404
01:43:11,358 --> 01:43:13,793
'CAUSE YOU'RE THERE FOR ME
2405
01:43:13,793 --> 01:43:17,030
TOO ♪
2406
01:43:17,030 --> 01:43:21,034
♪
2407
01:43:21,034 --> 01:43:25,539
[ APPLAUSE ]
2408
01:43:29,276 --> 01:43:31,811
[ "SEARCHIN' MY SOUL" FROM
2409
01:43:31,811 --> 01:43:34,481
"ALLY McBEAL" ]
2410
01:43:34,481 --> 01:43:38,552
♪
2411
01:43:52,566 --> 01:43:55,735
>>> GIRL, YOU LOOK GOOD.
2412
01:43:55,735 --> 01:44:08,081
♪
2413
01:44:08,081 --> 01:44:22,896
♪
2414
01:44:22,896 --> 01:44:27,100
♪
2415
01:44:27,100 --> 01:44:29,469
>> CALISTA, GIVE OUT THE DAMN
2416
01:44:29,469 --> 01:44:30,503
AWARD!
2417
01:44:30,503 --> 01:44:36,142
♪
2418
01:44:36,142 --> 01:44:38,411
♪ YOU'RE THE FIRST, YOU'RE THE
2419
01:44:38,411 --> 01:44:41,348
LAST, MY EVERYTHING ♪
2420
01:44:41,348 --> 01:44:47,787
♪
2421
01:44:47,787 --> 01:44:51,291
[ APPLAUSE ]
2422
01:44:51,291 --> 01:44:52,826
>> OH BOY.
2423
01:44:53,727 --> 01:44:56,396
I LOVED WORKING WITH PETER GIL
2424
01:44:56,396 --> 01:45:00,867
AND GREG, AND I STILL DO.
2425
01:45:00,867 --> 01:45:03,136
THE ENTIRE "ALLY McBEAL" CAST
2426
01:45:03,136 --> 01:45:06,540
WAS SO TALENTED.
2427
01:45:15,582 --> 01:45:18,084
IT WAS GROUNDBREAKING,
2428
01:45:18,084 --> 01:45:19,753
REVOLUTIONARY, INTRODUCING US TO
2429
01:45:19,753 --> 01:45:21,388
A DANCING BABY AND UNISEX
2430
01:45:21,388 --> 01:45:30,163
BATHROOMS.
2431
01:45:30,163 --> 01:45:32,766
NOW I AM PROUD TO ANNOUNCE THE
2432
01:45:32,766 --> 01:45:36,870
NOMINEES FOR A LEAD ACTOR IN A
2433
01:45:36,870 --> 01:45:38,071
DRAMA SERIES.
2434
01:45:38,071 --> 01:45:41,074
>> Announcer: JEFF BRIDGE BRIDGE
2435
01:45:41,074 --> 01:45:41,508
"THE OLD MAN."
2436
01:45:41,508 --> 01:45:42,876
BRIAN COX "SUCCESSION."
2437
01:45:42,876 --> 01:45:47,647
KIERAN CULKIN, "SUCCESSION."
2438
01:45:47,647 --> 01:45:48,181
B
2439
01:45:48,181 --> 01:45:51,651
BOB ODENKIRK, "BETTER CALL
2440
01:45:51,651 --> 01:45:52,452
SAUL."
2441
01:45:52,452 --> 01:45:54,554
PEDRO PASCAL, "THE LAST OF US."
2442
01:45:54,554 --> 01:45:59,559
JEREMY STRONG, "SUCCESSION."
2443
01:45:59,559 --> 01:46:03,997
>> AND THE EMMY GOES TO --
2444
01:46:03,997 --> 01:46:06,366
KIERAN CULKIN, "SUCCESSION."
2445
01:46:06,366 --> 01:46:15,709
♪
2446
01:46:15,709 --> 01:46:26,019
♪
2447
01:46:26,019 --> 01:46:39,833
♪
2448
01:46:39,833 --> 01:46:41,868
>> DON'T PICK IT UP.
2449
01:46:41,868 --> 01:46:43,603
I COULDN'T DO THE BUTTON.
2450
01:46:43,603 --> 01:46:45,572
I WASTED ALL MY TIME HUGGING
2451
01:46:45,572 --> 01:46:45,906
EVERYBODY.
2452
01:46:45,906 --> 01:46:47,941
I LOVE YOU ALL SO MUCH,
2453
01:46:47,941 --> 01:46:52,045
ESPECIALLY EVERYONE IN THE CAST,
2454
01:46:52,045 --> 01:46:53,680
EVERY SINGLE ONE.
2455
01:46:53,680 --> 01:46:54,180
THANK YOU SO MUCH.
2456
01:46:54,180 --> 01:46:55,916
I LOVE YOU.
2457
01:46:55,916 --> 01:46:57,450
I'M NOT GOING TO HAVE ANY TIME.
2458
01:46:57,450 --> 01:46:59,986
I DON'T WANT TO GET YELLED AT.
2459
01:46:59,986 --> 01:47:02,422
GOT TO THANK JESSE ARMSTRONG FOR
2460
01:47:02,422 --> 01:47:04,558
BEING A BRILLIANT WRITER,
2461
01:47:04,558 --> 01:47:05,692
SHOWRUNNER AND GENTLEMAN.
2462
01:47:05,692 --> 01:47:07,193
THANK YOU FOR "SUCCESSION."
2463
01:47:07,193 --> 01:47:08,328
THANK YOU FOR EVERYTHING.
2464
01:47:08,328 --> 01:47:09,930
I HAVE TO SWITCH TO THE PERSONAL
2465
01:47:09,930 --> 01:47:10,797
REALLY FAST.
2466
01:47:10,797 --> 01:47:12,799
I HAVE TO THANK MY MOM FOR
2467
01:47:12,799 --> 01:47:16,102
GIVING ME LIFE AND MY CHILDHOOD,
2468
01:47:16,102 --> 01:47:16,903
WHICH WAS GREAT.
2469
01:47:16,903 --> 01:47:21,975
SO THANK YOU FOR THAT.
2470
01:47:21,975 --> 01:47:22,375
[ APPLAUSE ]
2471
01:47:22,375 --> 01:47:23,310
>> THANKS.
2472
01:47:23,310 --> 01:47:27,113
I HAVE TO THANK MY MANAGER WHO
2473
01:47:27,113 --> 01:47:29,149
I'VE BEEN WITH FOR ABOUT 29
2474
01:47:29,149 --> 01:47:29,616
YEARS.
2475
01:47:29,616 --> 01:47:31,918
SORRY, EMILY, YOU PROBABLY
2476
01:47:31,918 --> 01:47:33,420
DIDN'T WANT ME TO SAY THE
2477
01:47:33,420 --> 01:47:33,753
NUMBER.
2478
01:47:33,753 --> 01:47:35,455
I JUST HAVE TO THANK YOU FOR
2479
01:47:35,455 --> 01:47:36,523
KEEPING MY NAME IN THE
2480
01:47:36,523 --> 01:47:38,959
CONVERSATION WHEN NOBODY WAS
2481
01:47:38,959 --> 01:47:40,160
TALKING ABOUT ME SO AS FAR AS
2482
01:47:40,160 --> 01:47:43,163
I'M CONCERNED, THIS IS YOURS.
2483
01:47:43,163 --> 01:47:44,764
OF COURSE MY BEAUTIFUL WIFE
2484
01:47:44,764 --> 01:47:46,299
JAZZ, THANK YOU FOR SHARING YOUR
2485
01:47:46,299 --> 01:47:49,069
LIFE WITH ME AND GIVING ME TWO
2486
01:47:49,069 --> 01:47:49,903
AMAZING KIDS.
2487
01:47:49,903 --> 01:47:52,205
I LOVE YOU SO MANY AND SO MUCH.
2488
01:47:52,205 --> 01:47:53,506
AND JAZZ, I WANT MORE.
2489
01:47:53,506 --> 01:47:59,646
[ LAUGHTER ]
2490
01:47:59,646 --> 01:48:01,648
YOU SAID MAYBE IF I WIN.
2491
01:48:01,648 --> 01:48:02,249
I LOVE YOU SO MUCH.
2492
01:48:02,249 --> 01:48:04,384
THANK YOU.
2493
01:48:04,384 --> 01:48:06,820
[ CHEERS AND APPLAUSE ]
2494
01:48:06,820 --> 01:48:08,388
[ "BEST FRIEND" THEME FROM "THE
2495
01:48:08,388 --> 01:48:10,557
COURTSHIP OF EDDIE'S FATHER ]
2496
01:48:10,557 --> 01:48:16,396
♪
2497
01:48:16,396 --> 01:48:18,431
♪ LET ME TELL YOU ABOUT MY BEST
2498
01:48:18,431 --> 01:48:21,334
FRIEND ♪
2499
01:48:21,334 --> 01:48:23,637
>> I WANT TO SAY CONGRATULATIONS
2500
01:48:23,637 --> 01:48:24,237
TO "BEEF."
2501
01:48:24,237 --> 01:48:27,908
YOU GUYS ARE KILLING IT TONIGHT.
2502
01:48:27,908 --> 01:48:33,713
AND HOW GREAT WAS THAT ALLY
2503
01:48:33,713 --> 01:48:35,115
McBEAL DANCE?
2504
01:48:35,115 --> 01:48:37,617
HOW ABOUT ALL OF THESE REUNIONS
2505
01:48:37,617 --> 01:48:39,085
TONIGHT?
2506
01:48:39,085 --> 01:48:48,395
"CHEERS," GRAY'S 'S ANATOMY."
2507
01:48:48,395 --> 01:48:50,263
ALL IN THE FAMILY JUST TO NAME A
2508
01:48:50,263 --> 01:48:50,830
FEW.
2509
01:48:50,830 --> 01:48:52,365
CONGRATS TO KIERAN CULKIN FOR
2510
01:48:52,365 --> 01:48:53,099
WINNING LEAD ACTOR IN A DRAMA
2511
01:48:53,099 --> 01:48:53,433
SERIES.
2512
01:48:53,433 --> 01:48:59,673
[ APPLAUSE ]
2513
01:48:59,673 --> 01:49:01,474
>> WE HAVE THREE MORE BIG AWARDS
2514
01:49:01,474 --> 01:49:03,176
TONIGHT, LEAD ACTRESS IN A DRAMA
2515
01:49:03,176 --> 01:49:03,510
SERIES.
2516
01:49:03,510 --> 01:49:05,679
THEN THE AWARDS FOR OUTSTANDING
2517
01:49:05,679 --> 01:49:09,516
COMEDY SERIES AND OUTSTANDING
2518
01:49:09,516 --> 01:49:11,384
DRAMA SERIES.
2519
01:49:11,384 --> 01:49:12,719
SOMEBODY PEAKED A LITTLE TOO
2520
01:49:12,719 --> 01:49:13,153
SOON TONIGHT.
2521
01:49:13,153 --> 01:49:17,257
[ LAUGHTER ]
2522
01:49:17,257 --> 01:49:20,827
>> MOMMA, THE WAY YOU'RE GOING
2523
01:49:20,827 --> 01:49:23,897
TONIGHT, YOU MIGHT WIN FOR
2524
01:49:23,897 --> 01:49:28,535
OUTSTANDING PLAYOFF MOMMA AT THE
2525
01:49:28,535 --> 01:49:28,902
EMMYS.
2526
01:49:28,902 --> 01:49:29,336
>> DAMN RIGHT.
2527
01:49:29,336 --> 01:49:34,174
>> PLEASE WELCOME THE AMAZING,
2528
01:49:34,174 --> 01:49:41,982
REMARKABLE JODI FOSTER.
2529
01:49:41,982 --> 01:49:45,819
♪ LET ME TELL YOU ABOUT MY BEST
2530
01:49:45,819 --> 01:49:46,219
FRIEND ♪
2531
01:49:46,219 --> 01:49:47,320
♪ PEOPLE LET ME TELL YOU ABOUT
2532
01:49:47,320 --> 01:49:52,125
MY BEST FRIEND ♪
2533
01:49:52,125 --> 01:49:55,195
>> ONE OF MY FIRST TV
2534
01:49:55,195 --> 01:49:57,564
APPEARANCES WAS ON "THE
2535
01:49:57,564 --> 01:50:02,669
COURTSHIP OF EDDIE'S FATHER."
2536
01:50:02,669 --> 01:50:04,204
INTERESTING COMPLICATED WOMEN ON
2537
01:50:04,204 --> 01:50:09,543
TV WERE FEW AND FAR BETWEEN,
2538
01:50:09,543 --> 01:50:10,110
EVEN FOR A 6-YEAR-OLD.
2539
01:50:10,110 --> 01:50:11,912
TODAY TELEVISION PROVIDES THE
2540
01:50:11,912 --> 01:50:13,647
CANVAS FOR TALENTED ACTRESSES TO
2541
01:50:13,647 --> 01:50:16,383
GO DEEP, BARING THEIR SOULS,
2542
01:50:16,383 --> 01:50:17,250
BLOWING OUR MINDS AND BREAKING
2543
01:50:17,250 --> 01:50:23,590
OUR HEARTS.
2544
01:50:23,590 --> 01:50:24,291
IN A GOLDEN AGE, HERE ARE THE
2545
01:50:24,291 --> 01:50:25,025
NOMINEES FOR LEAD ACTRESS IN A
2546
01:50:25,025 --> 01:50:25,425
DRAMA SERIES.
2547
01:50:27,794 --> 01:50:33,266
>> SHARON HORGAN, MELANIE LYNN
2548
01:50:33,266 --> 01:50:34,367
SEE.
2549
01:50:34,367 --> 01:50:35,068
ELISABETH MOSS.
2550
01:50:35,068 --> 01:50:38,405
BELLA RAMSEY, "THE LAST OF US."
2551
01:50:38,405 --> 01:50:41,575
KERI RUSSELL, "THE DIPLOMAT."
2552
01:50:41,575 --> 01:50:46,413
SARAH SNOOK, "SUCCESSION."
2553
01:50:46,413 --> 01:50:46,746
BLAZE.
2554
01:50:46,746 --> 01:50:52,118
>> AND THE EMMY GOES TO SARAH
2555
01:50:52,118 --> 01:50:52,652
SNOOK, "SUCCESSION."
2556
01:50:52,652 --> 01:50:53,286
♪
2557
01:50:53,286 --> 01:51:03,763
[ APPLAUSE ]
2558
01:51:03,763 --> 01:51:22,716
♪
2559
01:51:22,716 --> 01:51:27,587
>> WOW.
2560
01:51:27,587 --> 01:51:29,589
THANKS TO EVERYONE WHO VOTED AND
2561
01:51:29,589 --> 01:51:31,558
FOR LOVING THE SHOW AS MUCH AS
2562
01:51:31,558 --> 01:51:34,027
WE DID AS A CAST MAKING IT AND
2563
01:51:34,027 --> 01:51:35,362
AS A CREW MAKING IT.
2564
01:51:35,362 --> 01:51:36,963
WE PUT OUR ALL INTO IT AND THE
2565
01:51:36,963 --> 01:51:38,231
BAR WAS SET SO HIGH.
2566
01:51:38,231 --> 01:51:41,134
I THINK THAT'S WHAT SPURRED US
2567
01:51:41,134 --> 01:51:43,169
ON FROM EVERY DEPARTMENT WE ALL
2568
01:51:43,169 --> 01:51:46,840
GAVE IT OUR BEST, LED BY JESSE
2569
01:51:46,840 --> 01:51:48,642
AND MARK AND MY CAST WHO I LOVE
2570
01:51:48,642 --> 01:51:50,176
SO MUCH AND I'M GOING TO MISS.
2571
01:51:50,176 --> 01:51:52,178
TO MY FAMILY, TO MY MOM AND DAD,
2572
01:51:52,178 --> 01:51:53,713
I LOVE YOU.
2573
01:51:53,713 --> 01:51:56,316
THANK YOU FOR HAVING A DRESS-UP
2574
01:51:56,316 --> 01:51:57,918
BOX WHEN I WAS A KID.
2575
01:51:57,918 --> 01:51:59,352
THIS IS WHERE IT GETS YOU.
2576
01:51:59,352 --> 01:52:02,722
ALSO THE BIGGEST THANK YOU IS TO
2577
01:52:02,722 --> 01:52:03,757
SOMEONE WHO WON'T UNDERSTAND
2578
01:52:03,757 --> 01:52:05,191
ANYTHING I'M SAYING AT THE
2579
01:52:05,191 --> 01:52:07,360
MOMENT, BUT I CARRIED HER WITH
2580
01:52:07,360 --> 01:52:09,296
ME IN THIS LAST SEASON AND
2581
01:52:09,296 --> 01:52:11,264
REALLY IT WAS HER WHO CARRIED
2582
01:52:11,264 --> 01:52:11,565
ME.
2583
01:52:11,565 --> 01:52:13,366
IT'S VERY EASY TO ACT WHEN
2584
01:52:13,366 --> 01:52:14,201
YOU'RE PREGNANT, BECAUSE YOU
2585
01:52:14,201 --> 01:52:19,272
HAVE HORMONES RAGING.
2586
01:52:19,272 --> 01:52:21,341
IT WAS THE PROXIMITY OF HER LIFE
2587
01:52:21,341 --> 01:52:23,143
GROWING INSIDE ME THAT GAVE ME
2588
01:52:23,143 --> 01:52:25,512
THE STRENGTH TO DO THIS AND THIS
2589
01:52:25,512 --> 01:52:25,912
PERFORMANCE.
2590
01:52:25,912 --> 01:52:29,983
I LOVE YOU SO MUCH AND IT'S ALL
2591
01:52:29,983 --> 01:52:32,152
FOR YOU FROM HERE ON OUT.
2592
01:52:32,152 --> 01:52:32,519
THANK YOU.
2593
01:52:32,519 --> 01:52:34,588
[ APPLAUSE ]
2594
01:52:34,588 --> 01:52:44,264
♪
2595
01:52:44,264 --> 01:52:48,535
♪
2596
01:52:48,535 --> 01:52:49,336
>> Announcer: UP NEXT,
2597
01:52:49,336 --> 01:52:50,604
TRACEE ELLIS ROSS AND
2598
01:52:50,604 --> 01:52:52,138
NATASHA LYONNE GIVE THE AWARD
2599
01:52:52,138 --> 01:52:54,407
FOR OUTSTANDING COMEDY SERIES,
2600
01:52:54,407 --> 01:52:56,176
PLUS, PETER DINKLAGE GIVES THE
2601
01:52:56,176 --> 01:52:57,777
AWARD FOR OUTSTANDING DRAMA
2602
01:52:57,777 --> 01:52:58,578
SERIES.
2603
01:52:58,578 --> 01:53:01,749
WHEN THE EMMYS RETURN, ON FOX.
2604
01:53:06,186 --> 01:53:12,325
♪
2605
01:53:12,325 --> 01:53:15,495
[ APPLAUSE ]
2606
01:53:15,495 --> 01:53:20,333
>>> OH, I SEE YOU WENT ALL IN.
2607
01:53:20,333 --> 01:53:22,802
>> I ALWAYS DO, NATASHA LYONNE.
2608
01:53:22,802 --> 01:53:25,605
>> I'M SO SORRY, LUCILLE.
2609
01:53:25,605 --> 01:53:27,841
MY BAD.
2610
01:53:27,841 --> 01:53:29,109
>> THANK YOU.
2611
01:53:29,109 --> 01:53:31,478
>> ANYTHING FOR YOU, TRACEE.
2612
01:53:31,478 --> 01:53:32,846
>> LUCY WILL DO.
2613
01:53:32,846 --> 01:53:34,981
>> COPY YOU, MISS BALL.
2614
01:53:34,981 --> 01:53:36,483
[ APPLAUSE ]
2615
01:53:36,483 --> 01:53:38,585
>> ALRIGHT, LISTEN CAREFULLY.
2616
01:53:38,585 --> 01:53:41,021
THIS IS THE NEXT TO LAST AWARD
2617
01:53:41,021 --> 01:53:42,589
AND I NEED YOU TWO TO WRAP THESE
2618
01:53:42,589 --> 01:53:43,823
CHOCOLATES.
2619
01:53:43,823 --> 01:53:46,793
THE CHOCOLATE WILL COME DOWN THE
2620
01:53:46,793 --> 01:53:47,527
CONVEYER BELT AND YOUR JOB IS TO
2621
01:53:47,527 --> 01:53:48,194
TAKE EACH PIECE AND WRAP --
2622
01:53:48,194 --> 01:53:48,929
>> WE'VE ALL SEEN THE EPISODE,
2623
01:53:48,929 --> 01:53:49,262
ANTHONY.
2624
01:53:49,262 --> 01:53:53,900
GIVE US OUR MOMENT.
2625
01:53:53,900 --> 01:53:54,734
>> THANK YOU, ANTHONY.
2626
01:53:54,734 --> 01:53:55,735
>> LET HER ROLL.
2627
01:53:55,735 --> 01:53:56,269
LET HER ROLL!
2628
01:53:56,269 --> 01:53:57,837
>> YOU READY?
2629
01:53:57,837 --> 01:54:00,540
>> ABSOLUTELY NOT.
2630
01:54:00,540 --> 01:54:06,246
LET'S DO THIS.
2631
01:54:06,246 --> 01:54:06,580
♪
2632
01:54:06,580 --> 01:54:08,415
>> NO PAPERS.
2633
01:54:08,415 --> 01:54:09,583
THAT'S ALL RIGHT.
2634
01:54:09,583 --> 01:54:09,983
JUST GO --
2635
01:54:09,983 --> 01:54:10,317
>> OKAY.
2636
01:54:10,317 --> 01:54:12,118
ALL RIGHT.
2637
01:54:12,118 --> 01:54:25,265
>> DON'T WORRY ABOUT IT.
2638
01:54:25,265 --> 01:54:25,599
>> WHAT?
2639
01:54:25,599 --> 01:54:30,837
>> WHAT?
2640
01:54:30,837 --> 01:54:39,312
♪
2641
01:54:39,312 --> 01:54:43,516
>> WOW.
2642
01:54:43,516 --> 01:54:45,518
>> I'M A BIG FAN OF YOUR WORK.
2643
01:54:45,518 --> 01:54:45,852
>> OKAY.
2644
01:54:45,852 --> 01:54:48,822
WHAT THE HELL IS THIS?
2645
01:54:48,822 --> 01:54:50,690
HEY, HEY, HEY.
2646
01:54:50,690 --> 01:54:52,092
WHAT ARE THE AWARDS?
2647
01:54:52,092 --> 01:54:53,526
WHAT'S THE CATEGORY WE'RE
2648
01:54:53,526 --> 01:54:56,363
SUPPOSED TO BE DOING RIGHT NOW?
2649
01:54:56,363 --> 01:54:57,931
[ MUFFLED SPEAKING ]
2650
01:54:57,931 --> 01:54:58,999
>> THE CATEGORY IS COMEDY
2651
01:54:58,999 --> 01:55:02,836
SERIES.
2652
01:55:02,836 --> 01:55:05,005
>> Announcer: "ABBOTT
2653
01:55:05,005 --> 01:55:12,479
ELEMENTARY."
2654
01:55:12,479 --> 01:55:13,980
"BARRY."
2655
01:55:13,980 --> 01:55:15,348
>> I NEVER SHOULD HAVE TAKEN
2656
01:55:15,348 --> 01:55:16,416
THAT ACTING CLASS.
2657
01:55:16,416 --> 01:55:18,151
IF I HADN'T TRIED TO UNDERSTAND
2658
01:55:18,151 --> 01:55:22,255
MYSELF, WE WOULDN'T BE HERE.
2659
01:55:22,255 --> 01:55:24,057
>> Announcer: "THE BEAR."
2660
01:55:24,057 --> 01:55:25,926
>> IT LOOKS LIKE A CARROT.
2661
01:55:25,926 --> 01:55:27,861
>> IT'S CLEARLY A CARROT.
2662
01:55:27,861 --> 01:55:30,196
DO YOU NOT KNOW WHAT A CARROT
2663
01:55:30,196 --> 01:55:31,097
LOOKS LIKE?
2664
01:55:31,097 --> 01:55:34,267
>> Announcer: "JURY DUTY."
2665
01:55:34,267 --> 01:55:38,672
>> A DEHYDRATED MANGO.
2666
01:55:38,672 --> 01:55:39,372
>> Announcer: "THE MARVELOUS
2667
01:55:39,372 --> 01:55:42,876
MRS. MAISEL."
2668
01:55:42,876 --> 01:55:46,112
>> WANT TO THANK BERGDORF GOOD
2669
01:55:46,112 --> 01:55:48,381
MAN FROM THE BOTTOM OF MY HEART.
2670
01:55:48,381 --> 01:55:51,785
THANK YOU AND GOOD NIGHT.
2671
01:55:51,785 --> 01:55:52,519
>> Announcer: "ONLY MURDERS IN
2672
01:55:52,519 --> 01:55:53,553
THE BUILDING."
2673
01:55:53,553 --> 01:55:54,888
>> HAVE WE REACHED THAT POINT IN
2674
01:55:54,888 --> 01:55:58,692
OUR FRIENDSHIP WHERE WE CAN JUST
2675
01:55:58,692 --> 01:56:00,894
SHOW UP AT OUR APARTMENTS IN OUR
2676
01:56:00,894 --> 01:56:07,667
NIGHT CLOTHES?
2677
01:56:07,667 --> 01:56:12,606
>> Announcer: "WEDNESDAY."
2678
01:56:12,606 --> 01:56:14,541
>> HOW WOULD THAT HAVE LOOKED ON
2679
01:56:14,541 --> 01:56:16,376
YOUR RECORD?
2680
01:56:16,376 --> 01:56:17,043
>> TERRIBLE.
2681
01:56:17,043 --> 01:56:17,777
I KNOW I FAILED TO GET THE JOB
2682
01:56:17,777 --> 01:56:20,547
DONE.
2683
01:56:20,547 --> 01:56:24,017
>> CHOCOLATES COMING DOWN.
2684
01:56:24,017 --> 01:56:26,553
>> YOU GOT A LITTLE CHOCOLATE ON
2685
01:56:26,553 --> 01:56:28,822
THE ENVELOPE, A LITTLE SOMETHING
2686
01:56:28,822 --> 01:56:31,424
EXTRA FOR THE WINNER.
2687
01:56:31,424 --> 01:56:32,826
>> EVERYBODY LOVES A LITTLE
2688
01:56:32,826 --> 01:56:33,860
TREAT.
2689
01:56:33,860 --> 01:56:35,028
>> OKAY.
2690
01:56:35,028 --> 01:56:36,196
I'M GOING TO GIVE THEM A
2691
01:56:36,196 --> 01:56:37,797
CHOCOLATE.
2692
01:56:37,797 --> 01:56:43,303
>> AND THE EMMY GOES TO -- "THE
2693
01:56:43,303 --> 01:56:44,871
BEAR"!
2694
01:56:44,871 --> 01:56:54,314
♪
2695
01:56:54,314 --> 01:56:57,083
>> Announcer: FOR ITS FIRST
2696
01:56:57,083 --> 01:56:58,718
ELIGIBLE YEAR, "THE BEAR" HAS
2697
01:56:58,718 --> 01:56:59,920
RECEIVED 13 NOMINATIONS.
2698
01:56:59,920 --> 01:57:08,595
TONIGHT THEY HAVE WON SIX EMMYS.
2699
01:57:08,595 --> 01:57:11,665
♪
2700
01:57:11,665 --> 01:57:32,886
♪
2701
01:57:32,886 --> 01:57:34,988
>> WHAT'S GOOD?
2702
01:57:34,988 --> 01:57:36,790
YEAH, I JUST WANT TO THANK
2703
01:57:36,790 --> 01:57:38,258
RESTAURANTS AS A WHOLE,
2704
01:57:38,258 --> 01:57:41,995
HOSPITALITY AS A WHOLE.
2705
01:57:41,995 --> 01:57:49,803
[ APPLAUSE ]
2706
01:57:49,803 --> 01:57:53,874
>> I LOVE YOU EVAN.
2707
01:57:53,874 --> 01:57:56,476
I JUST LOVE RESTAURANTS SO MUCH,
2708
01:57:56,476 --> 01:57:57,878
THE GOOD, THE BAD.
2709
01:57:57,878 --> 01:57:58,845
IT'S ROUGH.
2710
01:57:58,845 --> 01:58:00,113
WE'RE ALL BROKEN INSIDE AND
2711
01:58:00,113 --> 01:58:02,215
EVERY SINGLE DAY WE'VE GOT TO
2712
01:58:02,215 --> 01:58:04,718
SHOW UP AND COOK AND MAKE PEOPLE
2713
01:58:04,718 --> 01:58:05,919
FEEL GOOD BY EATING SOMETHING
2714
01:58:05,919 --> 01:58:07,654
AND SITTING AT A TABLE.
2715
01:58:07,654 --> 01:58:08,421
IT'S BEAUTIFUL.
2716
01:58:08,421 --> 01:58:11,091
ALL OF US HERE GET TO MAKE A
2717
01:58:11,091 --> 01:58:12,826
SHOW TOGETHER AND GET TO MAKE
2718
01:58:12,826 --> 01:58:14,794
PEOPLE FEEL GOOD OR FILLED WITH
2719
01:58:14,794 --> 01:58:16,463
ANXIETY OR TRIGGERS.
2720
01:58:16,463 --> 01:58:17,631
THIS IS AMAZING.
2721
01:58:17,631 --> 01:58:19,065
IT'S BEAUTIFUL.
2722
01:58:19,065 --> 01:58:21,268
THE CAST AND CREW, THERE ARE SO
2723
01:58:21,268 --> 01:58:22,869
MANY PEOPLE THAT MAKE THIS SHOW
2724
01:58:22,869 --> 01:58:24,337
HAPPEN EVERY SINGLE DAY.
2725
01:58:24,337 --> 01:58:25,205
IT'S BEAUTIFUL.
2726
01:58:25,205 --> 01:58:26,273
IT'S HARD WORK.
2727
01:58:26,273 --> 01:58:28,375
IT'S EARLY HOURS.
2728
01:58:28,375 --> 01:58:30,844
WE DON'T SEE THE SUN FOR THREE
2729
01:58:30,844 --> 01:58:32,646
MONTHS.
2730
01:58:32,646 --> 01:58:33,947
WE SHOOT ON A SOUNDSTAGE.
2731
01:58:33,947 --> 01:58:35,582
IT'S REALLY COOL.
2732
01:58:35,582 --> 01:58:36,983
I'VE NEVER ACTED BEFORE.
2733
01:58:36,983 --> 01:58:38,685
I LOVE ALL THESE PEOPLE SO MUCH.
2734
01:58:38,685 --> 01:58:45,659
I LOVE MY FAMILY!
2735
01:58:45,659 --> 01:58:48,495
I WANT TO THANK FX!
2736
01:58:48,495 --> 01:58:50,230
FX IS TIGHT.
2737
01:58:50,230 --> 01:58:50,964
>> THANK YOU SO MUCH.
2738
01:58:50,964 --> 01:58:55,235
I WANT TO GIVE A SPECIAL
2739
01:58:55,235 --> 01:58:56,836
SHOUTOUT TO JOHN SOLEBERG.
2740
01:58:56,836 --> 01:58:57,904
>> LET'S GO!
2741
01:58:57,904 --> 01:58:59,239
>> THANK YOU.
2742
01:58:59,239 --> 01:59:00,574
>> RED SOX FOREVER!
2743
01:59:00,574 --> 01:59:02,676
[ APPLAUSE ]
2744
01:59:02,676 --> 01:59:07,714
♪
2745
01:59:07,714 --> 01:59:25,131
♪
2746
01:59:25,131 --> 01:59:27,901
>> WHAT'S MORE DESIRED, AN EMMY
2747
01:59:27,901 --> 01:59:29,502
OR THIS THRONE?
2748
01:59:29,502 --> 01:59:31,538
IT MIGHT BE A TIE.
2749
01:59:31,538 --> 01:59:34,174
AND I MIGHT TAKE THE THRONE.
2750
01:59:34,174 --> 01:59:39,446
[ "GAME OF THRONES" THEME ]
2751
01:59:39,446 --> 01:59:41,715
GAME OF THRONES ENDED UP WITH AN
2752
01:59:41,715 --> 01:59:46,152
AMAZING 159 NOMINATIONS AND 59
2753
01:59:46,152 --> 01:59:47,554
WINS.
2754
01:59:47,554 --> 01:59:49,222
AND NOW, PLEASE WELCOME THE
2755
01:59:49,222 --> 01:59:50,724
ACTOR WHO WON FOUR OF THOSE
2756
01:59:50,724 --> 01:59:53,727
EMMYS, PETER DINKLAGE.
2757
01:59:53,727 --> 02:00:11,211
[ CHEERS AND APPLAUSE ]
2758
02:00:11,211 --> 02:00:15,448
>> THANK YOU.
2759
02:00:15,448 --> 02:00:20,153
HELLO, YOU ROOM FULL OF HOTTIES.
2760
02:00:20,153 --> 02:00:21,621
WOW.
2761
02:00:21,621 --> 02:00:23,690
IT'S BEEN A SECOND.
2762
02:00:23,690 --> 02:00:25,392
HAPPY BIRTHDAY, DR. KING.
2763
02:00:25,392 --> 02:00:30,630
[ APPLAUSE ]
2764
02:00:30,630 --> 02:00:31,665
>> AND NOW I'M GOING TO READ
2765
02:00:31,665 --> 02:00:32,832
THIS.
2766
02:00:33,466 --> 02:00:35,068
THERE'S NOTHING MORE POWERFUL
2767
02:00:35,068 --> 02:00:36,970
THAN A GOOD STORY.
2768
02:00:36,970 --> 02:00:38,672
NOTHING CAN STOP IT.
2769
02:00:38,672 --> 02:00:41,074
NO ENEMY CAN DEFEAT IT.
2770
02:00:41,074 --> 02:00:42,909
AND WHO HAS TOLD STORIES BETTER
2771
02:00:42,909 --> 02:00:45,111
THAN THESE EIGHT NOMINEES FOR
2772
02:00:45,111 --> 02:00:47,514
OUTSTANDING DRAMA SERIES?
2773
02:00:48,715 --> 02:00:50,750
>> Announcer: "ANDOR."
2774
02:00:50,750 --> 02:00:52,252
>> I'D RATHER DIE TRYING TO TAKE
2775
02:00:52,252 --> 02:00:55,488
THEM DOWN.
2776
02:00:55,488 --> 02:00:56,790
>> Announcer: "BETTER CALL
2777
02:00:56,790 --> 02:00:57,958
SAUL."
2778
02:00:57,958 --> 02:01:00,460
>> BETTER CALL SAUL, RIGHT?
2779
02:01:00,460 --> 02:01:03,964
McGILL.
2780
02:01:03,964 --> 02:01:06,299
>> Reporter: "THE CROWN".
2781
02:01:11,271 --> 02:01:12,038
>> Announcer: "HOUSE OF THE
2782
02:01:12,038 --> 02:01:13,240
DRAGON."
2783
02:01:13,240 --> 02:01:17,310
>> THE IRON THRONE.
2784
02:01:17,310 --> 02:01:19,679
>> Announcer: "THE LAST OF US."
2785
02:01:19,679 --> 02:01:20,981
>> SO TIME HEALS ALL WOUNDS, I
2786
02:01:20,981 --> 02:01:21,948
GUESS.
2787
02:01:25,552 --> 02:01:27,520
>> Announcer: "SUCCESSION."
2788
02:01:27,520 --> 02:01:29,556
[ APPLAUSE ]
2789
02:01:30,690 --> 02:01:32,559
>> I'M THE ELDEST BOY!
2790
02:01:34,227 --> 02:01:36,429
>> Announcer: "THE WHITE LOTUS."
2791
02:01:36,429 --> 02:01:41,067
>> WHEN I STAY AT WHITE LOTUS.
2792
02:01:41,067 --> 02:01:47,340
>> Announcer: "YELLOWJACKETS."
2793
02:01:51,211 --> 02:01:55,081
>> AND THE EMMY GOES TO
2794
02:01:55,081 --> 02:01:56,483
"SUCCESSION."
2795
02:01:56,483 --> 02:02:03,256
♪
2796
02:02:03,256 --> 02:02:04,391
>> Announcer: "SUCCESSION"
2797
02:02:04,391 --> 02:02:05,625
RECEIVED 27 NOMINATIONS THIS
2798
02:02:05,625 --> 02:02:09,029
YEAR AND A TOTAL OVERALL OF 75.
2799
02:02:09,029 --> 02:02:11,665
THE SHOW HOLDS THIS YEAR'S TOP
2800
02:02:11,665 --> 02:02:13,667
SPOT WITH THE MOST EMMY
2801
02:02:13,667 --> 02:02:14,267
NOMINATIONS.
2802
02:02:14,267 --> 02:02:16,102
ACCEPTING THE EMMY ON BEHALF OF
2803
02:02:16,102 --> 02:02:18,772
THE TEAM IS JESSE ARMSTRONG.
2804
02:02:18,772 --> 02:02:19,472
"SUCCESSION" HAS WON SIX EMMYS
2805
02:02:19,472 --> 02:02:34,387
TONIGHT.
2806
02:02:34,387 --> 02:02:36,756
>> THANK YOU VERY MUCH INDEED.
2807
02:02:36,756 --> 02:02:39,125
WE WANT TO THANK HBO.
2808
02:02:39,125 --> 02:02:40,560
THIS WASN'T NECESSARILY AN EASY
2809
02:02:40,560 --> 02:02:41,995
SHOW TO COMMISSION RIGHT AT THE
2810
02:02:41,995 --> 02:02:43,129
VERY BEGINNING.
2811
02:02:43,129 --> 02:02:48,068
THANK YOU TO KATIE AND FRANCESCA
2812
02:02:48,068 --> 02:02:51,838
AND NORA SKINNER AND RICHARD.
2813
02:02:51,838 --> 02:02:54,441
WE WANT TO SAY HELLO TO JEREMY
2814
02:02:54,441 --> 02:02:59,813
STRONG, WHO'S MAKING A MOVIE AND
2815
02:02:59,813 --> 02:03:00,480
L
2816
02:03:00,480 --> 02:03:02,315
LUCY WHO'S MADE A BABY.
2817
02:03:02,315 --> 02:03:03,950
WE SEND OUR LOVE TO BOTH OF
2818
02:03:03,950 --> 02:03:04,284
THEM.
2819
02:03:04,284 --> 02:03:06,152
I JUST WANT TO SAY THANK YOU TO
2820
02:03:06,152 --> 02:03:09,656
BRIAN COX, WHO THE SHOW REVOLVED
2821
02:03:09,656 --> 02:03:10,957
AROUND WHETHER HE WAS IN IT OR
2822
02:03:10,957 --> 02:03:11,191
NOT.
2823
02:03:11,191 --> 02:03:14,628
[ APPLAUSE ]
2824
02:03:14,628 --> 02:03:16,296
>> THIS IS A SHOW ABOUT FAMILY,
2825
02:03:16,296 --> 02:03:23,870
BUT IT'S ALSO ABOUT WHEN
2826
02:03:23,870 --> 02:03:25,438
PARTISAN POLITICS AND NEWS
2827
02:03:25,438 --> 02:03:28,708
COVERAGE GETS INTERTWINED WITH
2828
02:03:28,708 --> 02:03:30,544
DIVISIVE RIGHT-WING POLITICS.
2829
02:03:30,544 --> 02:03:33,680
AFTER FOUR SEASONS OF SATIRE,
2830
02:03:33,680 --> 02:03:34,848
THAT'S A PROBLEM I UNDERSTAND WE
2831
02:03:34,848 --> 02:03:36,316
HAVE NOW FIXED.
2832
02:03:36,316 --> 02:03:37,684
WE ARE SO HONORED.
2833
02:03:37,684 --> 02:03:41,121
WE'VE LOVED MAKING THE SHOW.
2834
02:03:41,121 --> 02:03:41,788
THANK YOU VERY MUCH INDEED.
2835
02:03:42,622 --> 02:04:00,674
[ APPLAUSE ]
2836
02:04:00,674 --> 02:04:02,242
>> IN ADDITION TO CELEBRATING
2837
02:04:02,242 --> 02:04:04,044
THE VERY BEST OF THE PAST YEAR,
2838
02:04:04,044 --> 02:04:05,712
THIS IS ALSO A DAY TO HONOR
2839
02:04:05,712 --> 02:04:08,281
DR. MARTIN LUTHER KING JR.
2840
02:04:08,281 --> 02:04:12,352
[ APPLAUSE ]
2841
02:04:12,352 --> 02:04:13,620
BY BRINGING YOU
A MOMENT FROM HIS
2842
02:04:13,620 --> 02:04:14,921
MOST FAMOUS SPEECH, VOTED BY THE
2843
02:04:14,921 --> 02:04:15,989
TELEVISION ACADEMY ONE OF THE
2844
02:04:15,989 --> 02:04:16,590
MOST IMPACTFUL MOMENTS IN
2845
02:04:16,590 --> 02:04:21,695
TELEVISION HISTORY.
2846
02:04:21,695 --> 02:04:22,896
CONGRATULATIONS TO ALL OF THE
2847
02:04:22,896 --> 02:04:24,497
WINNERS AND NOMINEES.
2848
02:04:24,497 --> 02:04:25,599
GOOD NIGHT.
2849
02:04:25,599 --> 02:04:31,238
[ APPLAUSE ]
2850
02:04:31,238 --> 02:04:35,876
>> WHEN WE ALLOW FREEDOM RING,
2851
02:04:35,876 --> 02:04:38,445
WHEN WE LET IT RING FROM EVERY
2852
02:04:38,445 --> 02:04:41,481
HAMLET AND EVERY STATE AND EVERY
2853
02:04:41,481 --> 02:04:43,850
CITY, WE WILL BE ABLE TO SPEED
2854
02:04:43,850 --> 02:04:47,120
UP THAT DAY WHEN ALL OF GOD'S
2855
02:04:47,120 --> 02:04:48,555
CHILDREN, DARK MEN AND WHITE
2856
02:04:48,555 --> 02:04:53,159
MEN, JEWS AND GENTILES,
2857
02:04:53,159 --> 02:04:54,995
PROTESTANTS AND CATHOLICS WILL
2858
02:04:54,995 --> 02:04:58,265
BE ABLE TO JOIN HANDS AND SING
2859
02:04:58,265 --> 02:05:00,967
"FREE AT LAST, FREE AT LAST,
2860
02:05:00,967 --> 02:05:02,402
THANK GOT ALMIGHTY, WE ARE FREE
2861
02:05:02,402 --> 02:05:04,237
AT LAST."
2862
02:05:04,237 --> 02:05:09,809
[ APPLAUSE ]
167077
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