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1
00:00:01,169 --> 00:00:02,336
[waves crashing]
2
00:00:02,370 --> 00:00:05,339
[serene piano music]
3
00:00:05,373 --> 00:00:11,379
*
4
00:00:18,352 --> 00:00:22,690
[helicopter flies,
sirens blaring]
5
00:00:22,723 --> 00:00:26,227
[heart rate monitor
beeping]
6
00:00:26,260 --> 00:00:29,263
[noises fade]
7
00:00:35,403 --> 00:00:38,406
[monitor beeping
fades back in]
8
00:00:42,476 --> 00:00:45,479
[water crashes]
9
00:00:48,516 --> 00:00:51,519
[heart rate monitor
alarm blares]
10
00:01:46,674 --> 00:01:49,677
[heart rate monitor
beeping slowly]
11
00:01:53,247 --> 00:01:55,883
- POLYGRAPH FOUR,
MISSION DEBRIEF.
12
00:01:55,916 --> 00:01:57,818
QUESTION FOR CONTROL.
13
00:01:57,851 --> 00:02:00,288
YOUR NAME IS BEN MERCER?
14
00:02:00,321 --> 00:02:04,825
- YES.
- AND YOU ARE A, UM...
15
00:02:04,858 --> 00:02:05,893
[whispers]
CIA OPERATIVE.
16
00:02:05,926 --> 00:02:10,431
- I THINK THAT'S A QUESTION
FOR ARTHUR CAMPBELL.
17
00:02:10,464 --> 00:02:11,832
- YES OR NO ANSWERS,
PLEASE.
18
00:02:11,865 --> 00:02:14,502
- [chuckles]
19
00:02:14,535 --> 00:02:16,170
YES.
- [clears throat]
20
00:02:16,204 --> 00:02:19,307
YOU RECENTLY COMPLETED
A LOCATE-AND-RESCUE ASSIGNMENT
21
00:02:19,340 --> 00:02:20,874
IN SRI LANKA?
- YES.
22
00:02:20,908 --> 00:02:22,876
- AND ON SAID MISSION,
DID YOU, IN ANY WAY,
23
00:02:22,910 --> 00:02:25,579
TRY TO DECEIVE THE CIA?
24
00:02:25,613 --> 00:02:26,780
- NO.
25
00:02:26,814 --> 00:02:28,649
- AND YET, YOU LEFT
YOUR FELLOW OPERATIVES
26
00:02:28,682 --> 00:02:30,851
AND WENT INTO A HOSTAGE
SITUATION ALONE?
27
00:02:30,884 --> 00:02:33,587
- I WAS TRYING TO PROTECT
OPERATIVE ANNIE WALKER
28
00:02:33,621 --> 00:02:36,757
FROM HARM, YES.
29
00:02:36,790 --> 00:02:39,460
- AND THEN YOU WERE SHOT.
30
00:02:39,493 --> 00:02:42,296
- YES.
31
00:02:42,330 --> 00:02:45,566
- BUT SOMEONE SAVED YOU.
WHO?
32
00:02:45,599 --> 00:02:47,601
- I THOUGHT THIS WAS
YES OR NO?
33
00:02:47,635 --> 00:02:49,270
- OH, YEAH, UM...
34
00:02:49,303 --> 00:02:51,339
DID I SAVE YOU?
35
00:02:51,372 --> 00:02:52,840
- YES.
36
00:02:52,873 --> 00:02:55,876
AND I AM VERY GRATEFUL.
37
00:03:07,855 --> 00:03:11,225
- MM,
INCREASED HEART RATE.
38
00:03:11,259 --> 00:03:12,159
SPIKE IN BLOOD PRESSURE.
39
00:03:12,192 --> 00:03:13,861
I THINK THE POLYGRAPH
IS GETTING TO YOU.
40
00:03:13,894 --> 00:03:15,896
- I THINK
IT'S THE POLYGRAPHER.
41
00:03:15,929 --> 00:03:18,932
AND I THINK YOU
SHOULD DISMISS THE NURSE.
42
00:03:35,048 --> 00:03:38,252
- BEN.
43
00:03:48,629 --> 00:03:51,632
[rapid gunfire,
glass shattering]
44
00:04:20,628 --> 00:04:22,496
WE HAVE TO GET
TO THE GUARDHOUSE.
45
00:04:22,530 --> 00:04:24,532
- WE WON'T MAKE IT.
GO ALONE, GO ALONE.
46
00:04:24,565 --> 00:04:27,568
- NOT A CHANCE.
47
00:04:31,972 --> 00:04:35,776
[defibrillator powering up]
48
00:04:35,809 --> 00:04:37,711
[zapping]
49
00:04:39,347 --> 00:04:41,915
- AH!
[thud]
50
00:04:41,949 --> 00:04:44,485
- [groans]
51
00:04:44,518 --> 00:04:47,287
- JEEZ.
52
00:05:07,841 --> 00:05:09,377
[gunfire]
53
00:05:09,410 --> 00:05:12,480
- [loud grunt]
54
00:05:16,083 --> 00:05:19,086
[sighs]
55
00:05:22,456 --> 00:05:25,459
- LET'S GO HOME.
56
00:05:27,127 --> 00:05:30,097
[intriguing music]
57
00:05:30,130 --> 00:05:36,336
*
58
00:06:13,040 --> 00:06:14,942
- I PREFER GUAM.
59
00:06:14,975 --> 00:06:17,511
- THAT'S 'CAUSE YOU
HAVE A PROBLEM WITH AUTHORITY.
60
00:06:17,545 --> 00:06:20,448
- NO. NO, I JUST LIKED HAVING
A ROOM WITH AN OCEAN VIEW.
61
00:06:20,481 --> 00:06:22,182
- HEY!
62
00:06:22,215 --> 00:06:24,017
- IT'S GOOD TO SEE YOU.
63
00:06:25,819 --> 00:06:27,788
YOU TOO.
- I KNEW I PREFERRED GUAM.
64
00:06:27,821 --> 00:06:30,458
- FOR THE RECORD, YOU DO
HAVE A PROBLEM WITH AUTHORITY.
65
00:06:30,491 --> 00:06:32,192
- FOR THE RECORD,
I DON'T CONSIDER YOU
66
00:06:32,225 --> 00:06:35,429
AN AUTHORITY FIGURE.
67
00:06:39,833 --> 00:06:41,535
- WE CAN HELP YOU
TRANSFER TO THE BED.
68
00:06:41,569 --> 00:06:43,203
- NO, NO, NO.
I GOT IT MYSELF.
69
00:06:43,236 --> 00:06:44,938
- LET US HELP YOU.
70
00:06:44,972 --> 00:06:46,940
- NO, NO.
GOT IT.
71
00:06:46,974 --> 00:06:49,076
- ACCEPTING HELP IS
NOT A SIGN OF WEAKNESS.
72
00:06:49,109 --> 00:06:50,678
- YOU SHOULD KNOW.
- THIS ISN'T ABOUT ME.
73
00:06:50,711 --> 00:06:51,745
IT'S ABOUT YOUR PRIDE.
74
00:06:51,779 --> 00:06:53,614
THAT'S WHAT GOT YOU
INJURED IN THE FIRST PLACE.
75
00:06:53,647 --> 00:06:55,616
- GUYS,
CAN WE JUST NOT...?
76
00:06:55,649 --> 00:06:58,519
JAI, I'LL MEET YOU
IN THE COURTYARD.
77
00:06:58,552 --> 00:06:59,720
- OKAY.
78
00:06:59,753 --> 00:07:01,955
HERE.
79
00:07:01,989 --> 00:07:03,023
- OH, WHAT'S THIS?
80
00:07:03,056 --> 00:07:07,094
PAPERWORK ALREADY?
LANGLEY'S BUREAUCRACY IS A JOKE.
81
00:07:07,127 --> 00:07:09,730
- NO,
IT'S BOOKS OF SUDOKUS.
82
00:07:09,763 --> 00:07:12,199
THOUGHT IT MIGHT
HELP YOU PASS THE TIME,
83
00:07:12,232 --> 00:07:14,802
AND...YOU'RE AN ASSHOLE.
84
00:07:14,835 --> 00:07:16,136
- I ACTUALLY
REALLY LIKE THESE.
85
00:07:16,169 --> 00:07:18,672
- YEAH,
HE KNEW THAT.
86
00:07:18,706 --> 00:07:20,541
- I'LL APOLOGIZE TO HIM.
87
00:07:20,574 --> 00:07:22,943
- YOU HAD A LONG DAY.
I'LL LET YOU GET SETTLED IN.
88
00:07:22,976 --> 00:07:24,545
I'LL BE BACK SOON.
89
00:07:24,578 --> 00:07:27,114
IS THERE ANYTHING
I CAN GET YOU?
90
00:07:27,147 --> 00:07:28,682
- YOU KNOW WHAT I WOULD LOVE?
91
00:07:28,716 --> 00:07:30,818
A FIVE GUYS CHEESEBURGER.
92
00:07:30,851 --> 00:07:32,986
I'VE BEEN CRAVING ONE OF THOSE
EVER SINCE I LEFT D.C.
93
00:07:33,020 --> 00:07:34,722
- YOU'VE BEEN GONE
A LONG TIME.
94
00:07:34,755 --> 00:07:39,192
THAT'S QUITE A CRAVING.
- YOU HAVE NO IDEA.
95
00:07:39,226 --> 00:07:41,762
- YOU GOT IT.
96
00:08:03,784 --> 00:08:06,954
- DON'T FORGET TO CHECK
IF WE'RE BEING TAILED.
97
00:08:06,987 --> 00:08:08,589
AFTER GUAM,
WE CAN'T BE TOO CAREFUL.
98
00:08:08,622 --> 00:08:11,625
- THIS ISN'T
MY FIRST RODEO.
99
00:08:15,262 --> 00:08:17,965
BEN WAS A LITTLE
TOUCHY BACK THERE.
100
00:08:17,998 --> 00:08:19,099
- HE'S BEEN THROUGH A LOT.
101
00:08:19,132 --> 00:08:20,534
- HE'S GONNA
GO THROUGH A LOT MORE.
102
00:08:20,568 --> 00:08:23,003
IT'S NOT GONNA BE EASY
FOR A GUY LIKE THAT.
103
00:08:23,036 --> 00:08:24,772
- A GUY LIKE BEN?
104
00:08:24,805 --> 00:08:26,139
- HE'S ONLY
COMFORTABLE ALONE.
105
00:08:26,173 --> 00:08:28,141
IN THE FIELD.
106
00:08:28,175 --> 00:08:30,578
NOBODY AT LANGLEY
SEES HIM BEHIND A DESK.
107
00:08:30,611 --> 00:08:31,679
- WHAT IS
GONNA HAPPEN TO HIM?
108
00:08:31,712 --> 00:08:33,714
- HONESTLY?
109
00:08:33,747 --> 00:08:36,750
NO CLUE.
NONE WHATSOEVER.
110
00:08:45,826 --> 00:08:47,695
- HEY!
111
00:08:47,728 --> 00:08:49,930
YOU'RE BACK!
- HI.
112
00:08:49,963 --> 00:08:52,966
MM!
113
00:08:56,269 --> 00:08:57,337
- ROUGH BUSINESS TRIP?
114
00:08:57,370 --> 00:08:59,339
- TRIP WAS FINE.
115
00:08:59,372 --> 00:09:00,741
IT'S JUST BUSINESS.
116
00:09:00,774 --> 00:09:02,075
- WELL, YOU'VE BEEN
GONE A WHILE.
117
00:09:02,109 --> 00:09:04,044
I CAN'T BELIEVE
THERE WAS THAT MUCH
118
00:09:04,077 --> 00:09:05,613
TO DO IN LAMAR, MISSOURI.
119
00:09:05,646 --> 00:09:07,581
- THE SMITHSONIAN
WANTED THE EXHIBIT
120
00:09:07,615 --> 00:09:09,717
OF HARRY TRUMAN'S BIRTHPLACE
TO BE REALLY DETAILED.
121
00:09:09,750 --> 00:09:10,951
- THANKS FOR THE POSTCARDS.
122
00:09:10,984 --> 00:09:14,187
WHO KNEW THE WORLD'S LARGEST
BALL OF YARN WAS IN MISSOURI?
123
00:09:14,221 --> 00:09:16,123
- YEAH.
WHO KNEW?
124
00:09:16,156 --> 00:09:17,825
- [giggles]
125
00:09:17,858 --> 00:09:21,094
- HOW'S THINGS HERE?
- CRAZY. HECTIC.
126
00:09:21,128 --> 00:09:22,896
MICHAEL'S BEEN
TRAVELING A TON FOR WORK,
127
00:09:22,930 --> 00:09:24,832
THE STORM GUTTER GUY
KEEPS CANCELING ON ME,
128
00:09:24,865 --> 00:09:27,935
AND KATIA'S BEEN FAKING
BEING SICK TO GET OUT OF SCHOOL.
129
00:09:27,968 --> 00:09:29,637
- DANIELLE, WHAT'S THIS?
130
00:09:29,670 --> 00:09:31,004
- OH, A POLICE REPORT.
131
00:09:31,038 --> 00:09:32,205
SOMEONE BROKE INTO
THE GARAGE.
132
00:09:32,239 --> 00:09:34,842
THEY DIDN'T TAKE ANYTHING,
BUT WE FILED A REPORT ANYWAY.
133
00:09:34,875 --> 00:09:36,710
- WHEN WAS THIS?
- MM, COUPLE NIGHTS AGO.
134
00:09:36,744 --> 00:09:37,878
- WHAT ABOUT MY GUEST HOUSE?
135
00:09:37,911 --> 00:09:39,146
- I TOLD YOU,
THEY DIDN'T TAKE ANYTHING.
136
00:09:39,179 --> 00:09:41,181
I CHECKED YOUR PLACE.
IT'S FINE.
137
00:09:41,214 --> 00:09:44,217
- I'M, UH--
I'M JUST GONNA GO FRESHEN UP.
138
00:09:45,719 --> 00:09:47,120
- WELCOME BACK.
139
00:10:04,304 --> 00:10:06,306
[beeps]
140
00:10:30,130 --> 00:10:32,265
- ANNIE WALKER.
141
00:10:32,299 --> 00:10:34,134
- AUGGIE.
142
00:10:34,167 --> 00:10:37,170
HOW DO YOU DO THAT?
I'M NOT WEARING PERFUME,
143
00:10:37,204 --> 00:10:39,807
THESE HEELS, ALTHOUGH
FANTASTIC, ARE HARDLY UNIQUE.
144
00:10:39,840 --> 00:10:41,208
I DON'T GET IT.
- WHAT WOULD YOU SAY
145
00:10:41,241 --> 00:10:43,877
IF I TOLD YOU YOU
PROJECTED A WARM FUZZY AURA
146
00:10:43,911 --> 00:10:45,979
THAT I CAN SENSE?
- I'D SAY YOU WERE TRYING
147
00:10:46,013 --> 00:10:47,080
TO BUTTER ME UP
FOR SOMETHING.
148
00:10:47,114 --> 00:10:49,783
- I COULD USE A RIDE
TO ALLEN'S TAVERN AFTER WORK.
149
00:10:49,817 --> 00:10:51,785
- AH-HA!
THE TRUTH EMERGES.
150
00:10:51,819 --> 00:10:53,821
HEY, DID YOU SEND
MY SISTER THOSE POSTCARDS
151
00:10:53,854 --> 00:10:56,056
TO SUB MY COVER TRIP?
- NICE TOUCH, RIGHT?
152
00:10:56,089 --> 00:10:58,191
I HAD A GUY FROM S.M.T.
REPLICATE YOUR HANDWRITING.
153
00:10:58,225 --> 00:11:01,361
FIGURED IT WAS BETTER
THAN ME DOING IT.
154
00:11:01,394 --> 00:11:03,831
I'M GLAD YOU'RE BACK.
155
00:11:03,864 --> 00:11:06,466
- IT'S GOOD TO BE BACK.
I THINK.
156
00:11:06,499 --> 00:11:08,235
SOMEONE BROKE
INTO MY SISTER'S HOUSE.
157
00:11:08,268 --> 00:11:09,970
- THAT'S
A POTENTIAL RED FLAG.
158
00:11:10,003 --> 00:11:11,038
ANYTHING STOLEN?
159
00:11:11,071 --> 00:11:12,372
- NO.
I DID A LEVEL ONE SWEEP,
160
00:11:12,405 --> 00:11:13,974
BUT ALL MY COVER DOCS
WERE STILL IN PLACE.
161
00:11:14,007 --> 00:11:15,442
- AREN'T YOU GLAD WE
HAD YOU INSTALL THAT SAFE?
162
00:11:15,475 --> 00:11:18,712
I'LL TRY TO ORGANIZE
A LARGER SWEEP OF THE PROPERTY.
163
00:11:22,182 --> 00:11:23,450
- WHAT'S ALL THIS?
164
00:11:23,483 --> 00:11:26,720
- JOAN ASSIGNED ME AND MY TEAM
TO TRY TO FIGURE OUT
165
00:11:26,754 --> 00:11:29,757
WHO ATTACKED YOU AND BEN
IN THE HOSPITAL, AND WHY.
166
00:11:29,790 --> 00:11:32,059
- IT WAS CLOSE.
WE BARELY MADE IT OUT.
167
00:11:32,092 --> 00:11:34,061
- YEP.
168
00:11:34,094 --> 00:11:35,996
BUT YOU DID.
169
00:11:36,029 --> 00:11:37,865
ALWAYS DO.
170
00:11:37,898 --> 00:11:40,801
THE WORLD HAS NOT
STOOD STILL IN YOUR ABSENCE.
171
00:11:40,834 --> 00:11:42,736
- REALLY,
WHAT'S GOING ON?
172
00:11:42,770 --> 00:11:44,738
- LIZA HEARN
STEPPED UP HER GAME.
173
00:11:44,772 --> 00:11:47,040
SHE'S PUBLISHED SEVERAL ARTICLES
IN THE LAST THREE WEEKS
174
00:11:47,074 --> 00:11:49,442
THAT ARE SCATHING
INDICTMENTS OF ARTHUR.
175
00:11:49,476 --> 00:11:52,179
- WHAT'D THEY SAY?
- THEY CITED LEAKED MATERIAL.
176
00:11:52,212 --> 00:11:54,114
THREE HIGHLY
SENSITIVE DOCUMENTS.
177
00:11:54,147 --> 00:11:56,216
- THREE DOCUMENTS?
THAT'S IT?
178
00:11:56,249 --> 00:11:58,351
- NO, IT'S LIKE
A LASER POINTER OF NASTY
179
00:11:58,385 --> 00:12:00,988
INSTEAD OF THE MASSIVE,
GASEOUS CLOUD OF PAIN
180
00:12:01,021 --> 00:12:02,756
THAT IS WIKILEAKS.
I'LL TELL YOU WHAT,
181
00:12:02,790 --> 00:12:04,324
HASN'T MADE JOAN
MUCH FUN TO BE AROUND.
182
00:12:04,357 --> 00:12:06,159
- IF YOU TWO
ARE DONE CHIT CHATTING,
183
00:12:06,193 --> 00:12:08,461
THERE IS ACTUAL WORK
TO BE DONE.
184
00:12:08,495 --> 00:12:11,364
ANNIE.
MY OFFICE.
185
00:12:13,133 --> 00:12:14,835
- * WELCOME BACK
186
00:12:14,868 --> 00:12:18,238
- [sarcastic giggles]
187
00:12:18,271 --> 00:12:21,274
[sighs]
188
00:12:26,914 --> 00:12:28,315
- HOW ARE YOU FEELING?
189
00:12:28,348 --> 00:12:30,250
- GOOD.
190
00:12:30,283 --> 00:12:31,484
HAPPY TO BE BACK.
191
00:12:31,518 --> 00:12:32,719
- YOU KNOW, A LOT
OF OPERATIVES WOULD NEED
192
00:12:32,752 --> 00:12:35,388
SOME TIME TO DECOMPRESS AFTER
WHAT YOU JUST WENT THROUGH.
193
00:12:35,422 --> 00:12:38,525
- NOT ME.
I'M GOOD.
194
00:12:38,558 --> 00:12:40,928
SERIOUSLY.
195
00:12:40,961 --> 00:12:42,462
- ASSET INTERACTION.
196
00:12:42,495 --> 00:12:44,064
ALO MOROZOV.
197
00:12:44,097 --> 00:12:46,433
A HEARTWARMING ESTONIAN
TALE OF A MAN PULLING HIMSELF
198
00:12:46,466 --> 00:12:49,336
UP OUT OF ABJECT SOVIET
POVERTY BY MONEY LAUNDERING,
199
00:12:49,369 --> 00:12:51,905
DRUG TRAFFICKING, AND
THE OCCASIONAL CONTRACT HIT
200
00:12:51,939 --> 00:12:53,340
TO PAD OUT THE 401K.
201
00:12:53,373 --> 00:12:55,108
- HE'S ESTONIAN,
BUT HIS FILE WAS GENERATED
202
00:12:55,142 --> 00:12:56,243
ON THE RUSSIA DESK?
- YES.
203
00:12:56,276 --> 00:12:58,411
WE SUSPECT HIM OF BEING
A FACILITATOR FOR THE KREMLIN
204
00:12:58,445 --> 00:13:01,248
IN THE NEW ESTONIAN
RARE EARTHS MINING OPERATION.
205
00:13:01,281 --> 00:13:03,450
HE'S A FRONT.
- THEY'RE MINING FOR PROMETHIUM.
206
00:13:03,483 --> 00:13:05,285
- DESPITE THE START TREATIES,
THE RUSSIANS ARE HAVING
207
00:13:05,318 --> 00:13:07,287
A HARD TIME
KICKING THEIR NUCLEAR HABIT.
208
00:13:07,320 --> 00:13:08,889
- HOW DO YOU WANT ME TO
GET TO MOROZOV?
209
00:13:08,922 --> 00:13:10,457
- MOROZOV IS TOO DANGEROUS
210
00:13:10,490 --> 00:13:12,359
AND TOO WELL-PROTECTED
TO APPROACH.
211
00:13:12,392 --> 00:13:13,961
WE'VE BEEN TARGETING
THIS WOMAN.
212
00:13:13,994 --> 00:13:15,362
NADIA LEVANDI.
213
00:13:15,395 --> 00:13:17,898
RANKED 79TH
IN THE WOMEN'S TOUR.
214
00:13:17,931 --> 00:13:20,033
MADE IT TO THE SEMI-FINAL
IN THE FRENCH FOUR YEARS AGO,
215
00:13:20,067 --> 00:13:21,268
BUT HASN'T
MADE MUCH NOISE SINCE.
216
00:13:21,301 --> 00:13:24,872
- SHE'S MOROZOV'S DAUGHTER?
- MISTRESS.
217
00:13:24,905 --> 00:13:26,840
- OOH.
- NADIA'S BEEN GIVING US
218
00:13:26,874 --> 00:13:28,876
INTEL ON MOROZOV
FOR THE PAST THREE YEARS,
219
00:13:28,909 --> 00:13:30,277
BUT MISSED
HER TWO PREVIOUS DROPS.
220
00:13:30,310 --> 00:13:33,280
SHE'S PLAYING IN THE BMW
D.C. INVITATIONAL THIS WEEKEND,
221
00:13:33,313 --> 00:13:34,481
YOU'RE GONNA
MEET HER AT PRACTICE,
222
00:13:34,514 --> 00:13:35,548
AND FOLLOW PROTOCOL.
223
00:13:35,582 --> 00:13:36,816
AUGGIE WILL
TAKE YOU THROUGH IT.
224
00:13:39,920 --> 00:13:42,489
- YOU'RE GOING TO
THE TENNIS CENTER, MAIN COURT.
225
00:13:42,522 --> 00:13:45,558
WE HAVE A GUY.
226
00:13:45,592 --> 00:13:48,328
NADIA WILL BE IN THE MIDDLE
OF HER PRACTICE SESSION.
227
00:13:48,361 --> 00:13:51,464
YOU ARE A FAN COMING
TO MEET YOUR FAVORITE PLAYER.
228
00:13:53,333 --> 00:13:56,036
YOU'LL HAVE
A BOUQUET OF 13 ROSES--
229
00:13:56,069 --> 00:13:57,971
12 RED, 1 WHITE.
230
00:13:58,005 --> 00:14:00,440
THAT INDICATES TO HER
THAT YOU'RE HER NEW HANDLER.
231
00:14:00,473 --> 00:14:03,944
CAREFUL, THERE
WILL BE PEOPLE AROUND.
232
00:14:03,977 --> 00:14:06,479
NADIA HAS A NEW COACH.
233
00:14:06,513 --> 00:14:08,882
ALSO, MOROZOV
MIGHT BE PRESENT...
234
00:14:08,916 --> 00:14:10,283
WITH PROTECTION.
235
00:14:10,317 --> 00:14:12,986
- THESE ARE FOR MISS LEVANDI.
I'M A FAN.
236
00:14:13,020 --> 00:14:16,456
- DON'T WORRY. NADIA
WILL ALLOW YOU DOWN TO HER.
237
00:14:16,489 --> 00:14:19,292
YOU'LL GIVE
THE ROSES TO NADIA.
238
00:14:19,326 --> 00:14:22,295
IF NADIA HAS INTEL,
SHE'LL ASK TO MEET YOU LATER.
239
00:14:22,329 --> 00:14:23,630
IF NADIA DOESN'T HAVE
ANY INTEL,
240
00:14:23,663 --> 00:14:27,034
SHE WILL SAY, "ROSES..."
- ROSES...
241
00:14:27,067 --> 00:14:28,601
- "MY FAVORITE."
- MY FAVORITE.
242
00:14:28,635 --> 00:14:30,270
- "I WILL PUT THEM
IN A VASE IN MY LOCKER."
243
00:14:30,303 --> 00:14:32,940
- I'LL PUT THEM
IN A VASE IN MY HOTEL.
244
00:14:35,342 --> 00:14:38,145
I MEAN, I'LL PUT THEM
IN THE LOCKER ROOM.
245
00:14:43,483 --> 00:14:46,486
- THANK YOU FOR YOUR TIME.
246
00:14:50,123 --> 00:14:52,292
- AUGGIE...
NADIA SENT ME A SIGNAL.
247
00:14:52,325 --> 00:14:54,061
SHE BOTCHED THE SCRIPT.
248
00:14:54,094 --> 00:14:56,096
I THINK SHE'S IN TROUBLE.
249
00:15:01,401 --> 00:15:03,370
- SOMETHING WAS OFF.
I KNOW IT.
250
00:15:03,403 --> 00:15:05,305
SHE MAY HAVE
JUST SPACED ON THE WORDING.
251
00:15:05,338 --> 00:15:07,207
HERE'S WHAT YOU
NEED TO KNOW ABOUT ASSETS,
252
00:15:07,240 --> 00:15:09,042
THEY'RE NOT
TRAINED OPERATIVES.
253
00:15:09,076 --> 00:15:11,278
THEY ARE NORMAL PEOPLE
WHO WE SEE AS
254
00:15:11,311 --> 00:15:14,047
TARGETS OF OPPORTUNITY,
AND THEY SCREW UP ALL THE TIME.
255
00:15:14,081 --> 00:15:16,984
THEY'RE LATE, THEY LOSE STUFF,
THEY ASK FOR CRAZY THINGS...
256
00:15:17,017 --> 00:15:18,218
- BUT DON'T WE
HAVE A RESPONSIBILITY
257
00:15:18,251 --> 00:15:21,421
TO HELP HER
IF SHE'S IN TROUBLE?
258
00:15:21,454 --> 00:15:22,489
- [quietly]
DAMN.
259
00:15:22,522 --> 00:15:25,025
YOU PLAYED THE MORALITY CARD.
- YOU KNOW I DID.
260
00:15:25,058 --> 00:15:27,227
SO HELP ME.
261
00:15:27,260 --> 00:15:29,162
- ALL RIGHT, IF NADIA'S
IN IMMINENT DANGER,
262
00:15:29,196 --> 00:15:31,231
WE NEED PROOF TO TAKE
TO JOAN.
263
00:15:31,264 --> 00:15:32,565
STAY ON YOUR SURVEIL
264
00:15:32,599 --> 00:15:35,202
AND INITIATE
THE COMPROMISED ASSET PROTOCOL.
265
00:15:43,776 --> 00:15:46,246
MAKE SURE YOU DO A HEAD TAIL--
THE VAN CAN'T KNOW
266
00:15:46,279 --> 00:15:48,215
YOU'RE FOLLOWING IT
IF YOU'RE IN FRONT OF IT.
267
00:15:48,248 --> 00:15:49,316
IT'S A RISKY MANEUVER
268
00:15:49,349 --> 00:15:52,185
BUT PROFESSIONAL DRIVERS
ALWAYS USE THEIR BLINKERS.
269
00:16:13,440 --> 00:16:17,044
IF YOU DON'T HAVE THE RIGHT
GEAR TO FIT IN, BE RESOURCEFUL.
270
00:16:17,077 --> 00:16:18,645
- COULD YOU SHOW ME
THE LOCKER ROOMS?
271
00:16:18,678 --> 00:16:20,680
- OH, YEAH, SURE.
- I'M THINKING ABOUT JOINING.
272
00:16:27,087 --> 00:16:29,289
- THE TRICKY THING
WILL BE GETTING HER ALONE.
273
00:16:29,322 --> 00:16:30,757
THESE PLAYERS
ARE ALWAYS SURROUNDED
274
00:16:30,790 --> 00:16:33,993
BY THEIR
COACHES AND TRAINERS.
275
00:16:42,335 --> 00:16:45,338
[water sizzling]
276
00:16:57,550 --> 00:16:59,752
- WHAT ARE YOU DOING?
- WHAT ARE YOU DOING?
277
00:16:59,786 --> 00:17:02,322
ISN'T THAT THING
GONNA MELT IN HERE?
278
00:17:02,355 --> 00:17:05,392
- [chuckles]
IT'S MY VICE.
279
00:17:05,425 --> 00:17:07,127
I USED TO
NOT BE ABLE TO GET
280
00:17:07,160 --> 00:17:09,462
GOOD QUALITY CHOCOLATE
IN MY COUNTRY.
281
00:17:09,496 --> 00:17:11,464
BUT NOW THAT ESTONIA
IS IN THE EURO,
282
00:17:11,498 --> 00:17:14,134
WE GET
ALL THE GOOD CANDIES.
283
00:17:14,167 --> 00:17:15,535
- NADIA, WE NEED TO TALK.
284
00:17:15,568 --> 00:17:19,372
- SORRY I SCREWED UP
THE FLOWER PROTOCOL.
285
00:17:19,406 --> 00:17:22,842
BUT IT'S VERY CONFUSING,
THERE WERE PEOPLE WATCHING.
286
00:17:22,875 --> 00:17:25,112
- YEAH.
MOROZOV.
287
00:17:25,145 --> 00:17:26,479
HE DO THAT TO YOU?
288
00:17:26,513 --> 00:17:29,382
- I TRIPPED GOING AFTER
A DROP SHOT.
289
00:17:31,218 --> 00:17:32,619
- AND YOUR SHOULDER?
290
00:17:32,652 --> 00:17:35,522
- YOU HAVE
THE WRONG IDEA ABOUT ALO.
291
00:17:35,555 --> 00:17:38,558
HE'S A GOOD MAN.
292
00:17:38,591 --> 00:17:40,660
- I KNOW YOU'RE WORRIED.
293
00:17:40,693 --> 00:17:43,163
I HAVE A SOLUTION.
YOU CAN COME INTO LANGLEY.
294
00:17:43,196 --> 00:17:44,664
WE CAN LEAVE
STRAIGHT FROM HERE.
295
00:17:44,697 --> 00:17:46,199
I HAVE A CAR
WAITING OUTSIDE.
296
00:17:46,233 --> 00:17:48,568
- TELL YOUR CIA PEOPLE
TO NOT BOTHER ME ANYMORE.
297
00:17:48,601 --> 00:17:51,538
- NADIA, PLEASE.
- LEAVE ME ALONE.
298
00:17:51,571 --> 00:17:56,243
THIS DOESN'T CONCERN YOU.
299
00:17:56,276 --> 00:17:58,245
- NADIA IS DEFINITELY
IN DANGER.
300
00:17:58,278 --> 00:17:59,579
SHE'S JUST TOO SCARED
TO ADMIT IT.
301
00:17:59,612 --> 00:18:01,381
- IF I'M GONNA AUTHORIZE
A PROTECTION TEAM,
302
00:18:01,414 --> 00:18:03,116
I NEED A REQUEST
FROM THE ASSET.
303
00:18:03,150 --> 00:18:06,286
DID SHE ASK FOR HELP?
- NO, NOT EXACTLY.
304
00:18:06,319 --> 00:18:07,754
- NOT EXACTLY, OR NO?
305
00:18:07,787 --> 00:18:10,423
- SHE ASKED FOR THE CIA
TO LEAVE HER ALONE.
306
00:18:10,457 --> 00:18:12,725
BUT HOW MANY LONG-TERM ASSETS
WALK AWAY FROM THE ARRANGEMENT?
307
00:18:12,759 --> 00:18:15,562
- VERY FEW.
A LOT OF PEOPLE GET COLD FEET
308
00:18:15,595 --> 00:18:17,630
AND STOP SHORT
BEFORE BECOMING ASSETS.
309
00:18:17,664 --> 00:18:18,898
ONCE THEY COMMIT,
THEY'RE IN.
310
00:18:18,931 --> 00:18:20,567
- GIVING UP THE PROTECTION
AND THE MONEY?
311
00:18:20,600 --> 00:18:22,735
IT DOESN'T HAPPEN.
- THAT'S BECAUSE SHE'S SCARED.
312
00:18:22,769 --> 00:18:24,704
MOROZOV HAS
A LONG TRACK RECORD OF
313
00:18:24,737 --> 00:18:27,140
KILLING THE PEOPLE
WHO BETRAY HIM.
314
00:18:27,174 --> 00:18:28,275
- ALL RIGHT.
315
00:18:28,308 --> 00:18:30,177
ANNIE, YOU'LL
SURVEIL WITH AUGGIE,
316
00:18:30,210 --> 00:18:32,179
AND HOLMAN ON TECH SUPPORT.
BUT KEEP A SAFE DISTANCE.
317
00:18:32,212 --> 00:18:34,547
IF NADIA REALLY IS IN
AS MUCH TROUBLE AS YOU THINK,
318
00:18:34,581 --> 00:18:36,616
THEN EXPOSING HER AS
A CIA ASSET
319
00:18:36,649 --> 00:18:39,152
IS GONNA MAKE THINGS
MUCH WORSE.
320
00:18:42,589 --> 00:18:45,225
- HERE'S TO A MOMENT OF REFUGE
IN THE EYE OF THE STORM.
321
00:18:45,258 --> 00:18:47,627
[glasses clink]
- I WILL DRINK TO THAT.
322
00:18:47,660 --> 00:18:49,929
- IF WE COULD BRING
THESE FILES OUT OF THE BUILDING,
323
00:18:49,962 --> 00:18:51,898
WE COULD BE ENJOYING
THIS SCOTCH AT HOME.
324
00:18:51,931 --> 00:18:54,834
- IF WE COULD BRING THOSE FILES
OUT OF THIS BUILDING,
325
00:18:54,867 --> 00:18:57,604
YOU STILL WOULD NOT
BE ENJOYING YOUR SCOTCH.
326
00:18:59,972 --> 00:19:01,641
CAN YOU READ ME IN?
327
00:19:01,674 --> 00:19:04,544
- OH, IT'S
JUST IN-HOUSE COUNSEL.
328
00:19:04,577 --> 00:19:06,946
SAYING THE TEAM NEEDS
MORE TIME
329
00:19:06,979 --> 00:19:08,948
TO GET MY TANZANIA
CABLES TOGETHER.
330
00:19:08,981 --> 00:19:10,650
- THAT'S THE THIRD TIME
SINCE THEY CAME ONBOARD.
331
00:19:10,683 --> 00:19:13,220
- IT'S THE WAY OF LAWYERS.
- AGENCY LAWYERS.
332
00:19:13,253 --> 00:19:16,423
IN-HOUSE COUNSEL HAS
A MUDDLED AGENDA, AT BEST.
333
00:19:16,456 --> 00:19:18,891
WHAT YOU NEED IS SOMEONE
WHO'S SOLELY ON YOUR SIDE.
334
00:19:18,925 --> 00:19:20,793
- HM.
- SOMEONE LIKE CHET LEGARDIE.
335
00:19:20,827 --> 00:19:22,395
- CHET LEGARDIE?
336
00:19:22,429 --> 00:19:23,830
- HE WAS GOOD ENOUGH
FOR THE SPEAKER OF THE HOUSE.
337
00:19:23,863 --> 00:19:25,232
- HE'LL BANKRUPT US.
338
00:19:25,265 --> 00:19:27,300
- THEN WE CAN
DIP INTO OUR SAVINGS.
339
00:19:27,334 --> 00:19:28,668
AND THEN HE'LL WIN.
340
00:19:28,701 --> 00:19:29,869
HE ALWAYS WINS.
341
00:19:29,902 --> 00:19:32,572
- JUST HIRING CHET LEGARDIE
WILL IMPLY THAT I'M GUILTY.
342
00:19:32,605 --> 00:19:34,974
- AT EVERY D.C.
COCKTAIL PARTY FROM NOW ON,
343
00:19:35,007 --> 00:19:36,709
PEOPLE ARE GONNA
BE WHISPERING ABOUT YOU.
344
00:19:36,743 --> 00:19:38,845
IT'S JUST A QUESTION WHETHER
THEY'RE WHISPERING ABOUT
345
00:19:38,878 --> 00:19:40,880
YOU LOSING YOUR JOB OR
KEEPING YOUR JOB.
346
00:19:40,913 --> 00:19:44,484
YOU SAID YOU WANTED
TO FIGHT.
347
00:19:44,517 --> 00:19:45,618
THIS IS HOW WE FIGHT.
348
00:19:45,652 --> 00:19:48,655
- [sighs]
349
00:19:48,688 --> 00:19:50,823
WELL, LET'S GIVE IN-HOUSE
COUNSEL A LITTLE MORE TIME.
350
00:19:57,530 --> 00:19:59,932
- OKAY, ANNIE,
THE SECURITY OFFICE
351
00:19:59,966 --> 00:20:01,701
HAS AUTHORIZED
A SWEEP OF YOUR HOUSE.
352
00:20:01,734 --> 00:20:05,372
BUT THEY NEED YOU TO GET
YOUR SISTER OUT OF THE HOUSE.
353
00:20:05,405 --> 00:20:07,374
THINK YOU CAN HANDLE IT?
354
00:20:07,407 --> 00:20:09,576
I TOLD THEM YOU COULD,
SO...HELP ME OUT.
355
00:20:14,914 --> 00:20:17,384
- BEAT YOU THERE.
356
00:20:17,417 --> 00:20:18,551
- I'M WINNING.
357
00:20:18,585 --> 00:20:21,588
- [mouths]
ONE, TWO, THREE...
358
00:20:21,621 --> 00:20:23,690
- NO! AH!
[spilling noise]
359
00:20:23,723 --> 00:20:27,294
AH! CHLOE JUST SINGLE-HANDEDLY
DESTROYED THE CARPET.
360
00:20:27,327 --> 00:20:29,429
- OH!
NO, I'M SORRY!
361
00:20:29,462 --> 00:20:30,797
I MUST'VE GIVEN THEM
TOO MUCH.
362
00:20:30,830 --> 00:20:31,964
I'LL PAY FOR
THE CARPET CLEANING.
363
00:20:31,998 --> 00:20:33,666
- NO, YOU DON'T HAVE TO.
THAT'S THE PRICE OF HAVING KIDS.
364
00:20:33,700 --> 00:20:34,801
- NO, I INSIST.
[phone rings]
365
00:20:34,834 --> 00:20:36,569
I'LL HAVE THE CLEANERS
HERE TOMORROW.
366
00:20:36,603 --> 00:20:38,605
ANNIE WALKER.
- OUR GIRL IS ON THE MOVE.
367
00:20:38,638 --> 00:20:39,506
- I'LL BE RIGHT THERE.
368
00:20:39,539 --> 00:20:41,774
I, UNFORTUNATELY,
HAVE TO MISS DINNER.
369
00:20:41,808 --> 00:20:44,811
- OH, SHOCKER.
370
00:20:54,487 --> 00:20:55,988
THEY'RE LEAVING F STREET.
371
00:20:56,022 --> 00:20:57,757
THEY JUST
PULLED UP TO AN ALLEY.
372
00:20:57,790 --> 00:21:00,793
HE'S PULLING HER OUT OF THE CAR
AND SHE DOESN'T LOOK HAPPY.
373
00:21:00,827 --> 00:21:02,795
- HOLMAN,
CAN YOU GIVE US EARS?
374
00:21:02,829 --> 00:21:04,697
- THESE MICROPHONES
ARE PARABOLIC EXTRAPOLATORS.
375
00:21:04,731 --> 00:21:06,799
THEY ACTUALLY
SEND DATA IN REAL TIME.
376
00:21:06,833 --> 00:21:08,034
AND FILL IN
ANY GAPS ACROSS THE ARC
377
00:21:08,067 --> 00:21:09,636
FROM THE OTHER MICS
IN THE CIRCUIT.
378
00:21:09,669 --> 00:21:12,071
- HOLMAN, IF YOU WANNA
IMPRESS A WOMAN, COMPLIMENT HER.
379
00:21:12,104 --> 00:21:13,640
DON'T TALK ABOUT
YOUR OWN EQUIPMENT.
380
00:21:13,673 --> 00:21:16,343
ESPECIALLY WHEN YOUR
OWN EQUIPMENT HAS CIRCUITRY.
381
00:21:16,376 --> 00:21:18,445
- I JUST THINK IT'S
ALL SO COOL.
382
00:21:18,478 --> 00:21:19,746
- HE'S TAKING HER
INSIDE THE BUILDING.
383
00:21:19,779 --> 00:21:22,315
JERRY,
CAN YOU GET US CLOSER?
384
00:21:22,349 --> 00:21:23,583
- ANNIE, I DON'T THINK
THAT'S A GOOD IDEA.
385
00:21:23,616 --> 00:21:24,751
WE GOTTA KEEP OUR DISTANCE.
386
00:21:24,784 --> 00:21:26,719
IF WE EXPOSE OURSELVES
AND BLOW OUR COVER,
387
00:21:26,753 --> 00:21:28,688
WE PUT HER LIFE AT RISK.
- I KNOW, I GET IT.
388
00:21:28,721 --> 00:21:30,056
HOLMAN, WHERE ARE WE?
389
00:21:30,089 --> 00:21:31,558
- FREQUENCY COMING IN NOW.
390
00:21:31,591 --> 00:21:34,594
[static noise,
loud bang]
391
00:21:34,627 --> 00:21:36,463
- THAT SOUNDS LIKE
GUNFIRE.
392
00:21:36,496 --> 00:21:38,331
- ANNIE,
THINK THIS THROUGH.
393
00:21:38,365 --> 00:21:41,401
- IF SHE'S IN DANGER,
I'M NOT JUST GONNA SIT HERE.
394
00:21:52,979 --> 00:21:54,347
[popping noise]
395
00:21:54,381 --> 00:21:57,083
[swanky jazz music plays]
396
00:21:57,116 --> 00:22:00,119
- TO THE BEAUTIFUL
AND BEGUILING NADIA.
397
00:22:00,152 --> 00:22:03,356
MY NADIA, SO MAGNIFICENT
ON THE COURT.
398
00:22:03,390 --> 00:22:06,325
HAPPY BIRTHDAY.
all: HAPPY BIRTHDAY!
399
00:22:12,665 --> 00:22:14,901
- ANNIE, I'M SHUTTING DOWN
NADIA AS AN ASSET.
400
00:22:14,934 --> 00:22:15,768
LAST NIGHT'S NEAR-MISS
401
00:22:15,802 --> 00:22:17,804
NEARLY OUTED HER AND YOU
TO MOROZOV.
402
00:22:17,837 --> 00:22:18,938
- BUT NADIA'S
STILL IN DANGER.
403
00:22:18,971 --> 00:22:20,540
WE KNOW WHAT MOROZOV
IS CAPABLE OF.
404
00:22:20,573 --> 00:22:22,675
- IF THAT'S THE CASE,
THEN IT'S IN HER BEST INTERESTS
405
00:22:22,709 --> 00:22:24,577
TO HAVE NO FURTHER
CONTACT WITH THE CIA.
406
00:22:24,611 --> 00:22:25,578
- SO WE'RE DONE WITH HER?
JUST LIKE THAT?
407
00:22:25,612 --> 00:22:27,079
- JUST LIKE THAT.
PRECISELY.
408
00:22:27,113 --> 00:22:29,115
THESE NEWSPAPERS
ARE YOUR NEXT ASSIGNMENT.
409
00:22:29,148 --> 00:22:30,750
YOU'RE GONNA
GO THROUGH BACK ISSUES
410
00:22:30,783 --> 00:22:32,952
OF THE MONTREAL GAZETTE
TO FIND ANY INCREASED CITATIONS
411
00:22:32,985 --> 00:22:34,787
REGARDING
QUEBECOIS SECESSION.
412
00:22:34,821 --> 00:22:36,088
- ARE YOU--
- SERIOUS?
413
00:22:36,122 --> 00:22:39,125
TOTALLY.
414
00:22:44,731 --> 00:22:46,566
- THIS HAS GOT TO BE
HEAVILY REDACTED.
415
00:22:46,599 --> 00:22:49,068
THERE'S JUST
TOO MUCH DISCLOSURE.
416
00:22:49,101 --> 00:22:50,570
JAI!
417
00:22:50,603 --> 00:22:52,104
IT'S GOOD TO SEE YOU.
418
00:22:52,138 --> 00:22:53,706
IT'S GOOD TO SEE ANYONE
WITHOUT A LAW DEGREE.
419
00:22:53,740 --> 00:22:55,475
- DID I CATCH YOU AT
A BAD TIME?
420
00:22:55,508 --> 00:22:58,511
- NOT BAD, JUST...
SORT OF BUSY.
421
00:22:58,545 --> 00:22:59,879
- ALL RIGHT,
I'LL BE QUICK.
422
00:22:59,912 --> 00:23:01,481
BEN MERCER'S BACK IN TOWN.
423
00:23:01,514 --> 00:23:03,082
WHAT'S THE PLAY?
WHAT DO YOU WANT ME TO DO?
424
00:23:03,115 --> 00:23:06,419
- STAY WITH JOAN,
WORK IN THE D.P.D.
425
00:23:06,453 --> 00:23:07,654
- THIS WAS SUPPOSED
TO BE TEMPORARY.
426
00:23:07,687 --> 00:23:09,822
- THINGS HAVE CHANGED.
427
00:23:09,856 --> 00:23:12,825
THINGS ARE CHANGING.
I LIKE YOU, JAI.
428
00:23:12,859 --> 00:23:14,594
BUT THE BEST THING
FOR YOU RIGHT NOW
429
00:23:14,627 --> 00:23:16,863
MIGHT BE TO GET
SOME DISTANCE FROM ME.
430
00:23:16,896 --> 00:23:18,164
- THAT'S FUNNY.
431
00:23:18,197 --> 00:23:20,567
SOMEONE ELSE GAVE ME
THE EXACT SAME ADVICE.
432
00:23:20,600 --> 00:23:23,536
- SOMEONE MIGHT
BE LOOKING OUT FOR YOU.
433
00:23:28,641 --> 00:23:31,711
- HI, I'M LOUIS, FROM
IN-EXTREMIS CARPET CLEANERS.
434
00:23:31,744 --> 00:23:33,713
YOUR SISTER HIRED US.
435
00:23:33,746 --> 00:23:36,849
- OH, YEAH.
WOW, YOU GUYS SURE ARE PROMPT.
436
00:23:36,883 --> 00:23:39,786
YEAH, YOU KNOW, IT'S--IT'S
NOT REALLY THAT BIG A SPILL.
437
00:23:39,819 --> 00:23:41,187
- IT'S NOT
THE SIZE OF THE SPILL,
438
00:23:41,220 --> 00:23:44,090
IT'S THE DEPTH AND VISCOSITY
OF THE RADIAL BLOT.
439
00:23:44,123 --> 00:23:46,959
- DO MY KIDS AND I
HAVE TO LEAVE THE HOUSE?
440
00:23:46,993 --> 00:23:48,495
- YOU'RE WELCOME TO STAY.
441
00:23:48,528 --> 00:23:49,962
YOU MAY GET
A LITTLE LIGHT-HEADED.
442
00:23:49,996 --> 00:23:52,198
- I THINK WE'LL GO.
443
00:23:52,231 --> 00:23:54,467
CHLOE!
KATIA!
444
00:23:59,739 --> 00:24:01,073
- WE'RE IN.
445
00:24:01,107 --> 00:24:02,575
COMMENCING SWEEP.
446
00:24:02,609 --> 00:24:05,612
[camera clicks]
447
00:24:09,982 --> 00:24:12,885
[camera clicks]
448
00:24:12,919 --> 00:24:15,154
[camera clicks]
449
00:24:17,524 --> 00:24:20,527
[camera clicks]
450
00:24:41,013 --> 00:24:42,248
- AUGGIE, I FOUND YOU.
451
00:24:42,281 --> 00:24:44,283
- DON'T INTERRUPT ME,
I'LL LOSE MY COUNT.
452
00:24:44,316 --> 00:24:46,853
4,005, 4,006...
453
00:24:46,886 --> 00:24:50,056
- HAVE WE DRILLED DOWN
ON MOROZOV?
454
00:24:50,089 --> 00:24:51,624
HE'S BEEN AT
NADIA'S PRACTICE SESSION
455
00:24:51,658 --> 00:24:52,859
FOR THE SECOND
CONSECUTIVE DAY.
456
00:24:52,892 --> 00:24:54,561
HE'S WATCHING HER
LIKE A HAWK.
457
00:24:54,594 --> 00:24:55,828
- WAIT, YOU'RE
STAKING OUT NADIA
458
00:24:55,862 --> 00:24:57,263
EVEN AFTER JOAN
TOLD YOU TO DROP IT?
459
00:24:57,296 --> 00:24:59,699
- OKAY, YEAH.
I HAVE.
460
00:24:59,732 --> 00:25:01,534
- THAT'S A PRETTY
HUGE BREECH OF PROTOCOL.
461
00:25:01,568 --> 00:25:03,202
- BUT I KNOW SOMETHING
IS GOING ON.
462
00:25:03,235 --> 00:25:05,638
IT'S LIKE THE O'NEAL
AFFAIR IN 1962,
463
00:25:05,672 --> 00:25:07,273
WHEN THAT VIOLINIST
FROM THE NEW YORK PHILHARMONIC
464
00:25:07,306 --> 00:25:08,608
WAS MURDERED IN MOSCOW.
465
00:25:08,641 --> 00:25:12,679
- ANNIE,
LISTEN TO YOURSELF.
466
00:25:12,712 --> 00:25:14,647
YOU'VE BEEN THROUGH A LOT
THE PAST FEW WEEKS--
467
00:25:14,681 --> 00:25:17,884
WITH SRI LANKA,
WITH GUAM, WITH BEN...
468
00:25:17,917 --> 00:25:20,587
I'M WORRIED
IT'S MAKING YOU PARANOID.
469
00:25:20,620 --> 00:25:22,955
- NO.
470
00:25:22,989 --> 00:25:24,724
MAYBE.
471
00:25:24,757 --> 00:25:27,293
- LOOK, IN OUR LINE OF WORK,
THERE IS A VERY THIN LINE
472
00:25:27,326 --> 00:25:28,861
BETWEEN INTUITION
AND PARANOIA.
473
00:25:28,895 --> 00:25:31,831
OUR JOB IS TO WALK
RIGHT UP TO THAT LINE.
474
00:25:31,864 --> 00:25:34,867
BUT NEVER TO CROSS IT.
475
00:25:36,268 --> 00:25:40,607
I'M WORRIED ABOUT YOU,
AS AN OPERATIVE AND A FRIEND.
476
00:25:40,640 --> 00:25:43,643
- I'M FINE.
- YOU WILL BE.
477
00:25:46,378 --> 00:25:48,314
AND YOU MAY
NOT WANNA HEAR THIS,
478
00:25:48,347 --> 00:25:52,785
BUT HOLMAN'S SWEEP OF
YOUR APARTMENT CAME BACK CLEAN.
479
00:25:52,819 --> 00:25:55,021
THE BREAK-IN WAS PROBABLY
JUST A COUPLE OF KIDS.
480
00:25:58,390 --> 00:25:59,959
- OH.
481
00:25:59,992 --> 00:26:01,961
- WHY DON'T YOU TAKE
THE REST OF THE DAY OFF?
482
00:26:01,994 --> 00:26:04,997
I'LL COVER IT WITH JOAN.
483
00:26:07,667 --> 00:26:10,670
- THANKS, AUGGIE.
484
00:26:27,419 --> 00:26:30,690
COMFORT FOOD!
485
00:26:30,723 --> 00:26:32,224
[bag crinkles]
486
00:26:32,258 --> 00:26:33,726
[giggles]
WE BOTH NEED--
487
00:26:48,207 --> 00:26:49,709
EXCUSE ME.
488
00:26:49,742 --> 00:26:51,243
WHERE DID THEY MOVE
BEN MERCER?
489
00:26:51,277 --> 00:26:53,012
- WHO?
490
00:26:53,045 --> 00:26:55,114
- BEN MERCER.
ROOM 202.
491
00:26:55,147 --> 00:26:57,183
[typing]
- SORRY.
492
00:26:57,216 --> 00:26:58,985
THERE'S NO ONE HERE
UNDER THAT NAME.
493
00:26:59,018 --> 00:27:00,720
- HE WAS HERE.
494
00:27:00,753 --> 00:27:03,756
- THERE'S NO RECORD OF ANYONE
BY THAT NAME STAYING HERE.
495
00:27:17,904 --> 00:27:20,973
[loud clanging]
496
00:27:23,342 --> 00:27:25,344
- ANNIE?
- I KNOW I'M PROBABLY
497
00:27:25,377 --> 00:27:27,680
BREAKING CIA REGULATIONS
BY COMING TO YOUR HOUSE,
498
00:27:27,714 --> 00:27:30,717
AND THIS IS OVER THE LINE
ON ABOUT NINE OTHER LEVELS,
499
00:27:30,750 --> 00:27:35,187
BUT I LITERALLY DIDN'T KNOW
WHO ELSE TO TALK TO.
500
00:27:43,129 --> 00:27:44,430
- WHAT'S GOING ON?
501
00:27:44,463 --> 00:27:46,265
- DO YOU KNOW
WHAT HAPPENED TO BEN?
502
00:27:47,934 --> 00:27:51,938
I NEED TO KNOW.
503
00:27:51,971 --> 00:27:56,242
- I UNDERSTAND
THAT THIS IS HARD FOR YOU.
504
00:27:56,275 --> 00:28:00,346
AND...WHAT I THINK
WILL MAKE IT A LITTLE EASIER
505
00:28:00,379 --> 00:28:02,414
IS FOR YOU TO SEPARATE OUT
YOUR FEELINGS FOR BEN
506
00:28:02,448 --> 00:28:04,216
AND THINK OF HIM
AS AN ASSET.
507
00:28:04,250 --> 00:28:08,087
BEN WOULD REPRESENT A HIGH-RISK,
HIGH-REWARD INDIVIDUAL.
508
00:28:08,120 --> 00:28:09,822
DOES THAT MAKE SENSE?
- I THINK SO.
509
00:28:09,856 --> 00:28:12,959
- SO ON A HUMAN LEVEL,
WHAT THAT MEANS IS
510
00:28:12,992 --> 00:28:16,362
THAT AS EXHILARATING
AS YOUR TIME IS WITH BEN,
511
00:28:16,395 --> 00:28:19,098
WHEN HE GOES MISSING OR
DOES SOMETHING DUPLICITOUS,
512
00:28:19,131 --> 00:28:21,100
YOU HAVE TO ACCEPT THAT.
513
00:28:21,133 --> 00:28:23,502
THERE ARE ALWAYS GOING
TO BE QUESTIONS WITH BEN.
514
00:28:23,535 --> 00:28:25,838
- I'M BEGINNING TO SEE THAT.
515
00:28:25,872 --> 00:28:29,008
- AND IN ANSWER TO
YOUR ORIGINAL QUESTION,
516
00:28:29,041 --> 00:28:30,376
I THINK YOU'RE
A STRONG ENOUGH OPERATIVE NOW
517
00:28:30,409 --> 00:28:33,813
TO INTUIT MY RESPONSE.
518
00:28:33,846 --> 00:28:36,315
- WELL, THE FACT THAT YOU DIDN'T
DIRECTLY ANSWER MY QUESTION
519
00:28:36,348 --> 00:28:39,852
MEANS THAT
YOU KNOW WHERE HE IS.
520
00:28:39,886 --> 00:28:41,921
AND THE FACT THAT
YOU'RE NOT YELLING AT ME,
521
00:28:41,954 --> 00:28:44,957
MEANS HE'S PROBABLY SAFE.
522
00:28:47,393 --> 00:28:50,396
- SEE YOU AT
THE OFFICE, ANNIE.
523
00:28:53,165 --> 00:28:55,868
- I JUST DON'T GET IT.
WHY DID THEY MOVE BEN?
524
00:28:55,902 --> 00:28:57,303
- I DON'T KNOW.
525
00:28:57,336 --> 00:28:59,405
WE WORK IN A JOB WITH
A LOT OF "I DON'T KNOWS."
526
00:28:59,438 --> 00:29:01,307
- DID YOUR TEAM FIND OUT
ANYTHING ABOUT GUAM?
527
00:29:01,340 --> 00:29:02,541
- WE DID.
528
00:29:02,574 --> 00:29:05,477
THE WOULD-BE ASSASSINS WERE
A BELGIAN AND A FIN WHO NEVER
529
00:29:05,511 --> 00:29:07,246
WORKED TOGETHER BEFORE.
- WHAT DOES THAT MEAN?
530
00:29:07,279 --> 00:29:09,215
WHAT'S THE LINKAGE
BETWEEN THE TWO?
531
00:29:09,248 --> 00:29:11,350
- WELL, THE LINKAGE IS BEN.
532
00:29:11,383 --> 00:29:13,085
SOMEONE WANTED HIM DEAD,
533
00:29:13,119 --> 00:29:15,054
AND THEY HIRED THE TWO
PERFECT PEOPLE TO DO IT.
534
00:29:15,087 --> 00:29:17,957
THE BELGIAN'S AN EXPERT
IN MILITARY SECURITY SYSTEMS,
535
00:29:17,990 --> 00:29:20,026
THE FIN IS
A WEAPONS SPECIALIST.
536
00:29:20,059 --> 00:29:23,395
TOGETHER, THEY
HAD SKILLS AND ACCESS.
537
00:29:23,429 --> 00:29:26,432
OTHER THAN THAT,
THERE'S NO PROFILE.
538
00:29:28,534 --> 00:29:30,970
- ACCESS.
539
00:29:31,003 --> 00:29:32,071
WE GOTTA GO.
540
00:29:32,104 --> 00:29:33,405
- WHAT?
REALLY?
541
00:29:33,439 --> 00:29:35,307
I DON'T GET TO FINISH MY BEER?
- YOU REALLY DON'T.
542
00:29:35,341 --> 00:29:36,943
LET'S GO.
543
00:29:36,976 --> 00:29:39,979
[applause]
544
00:29:47,887 --> 00:29:49,155
- OKAY,
CAN YOU HOLD THIS?
545
00:29:49,188 --> 00:29:50,256
[horn honking]
OOH.
546
00:29:50,289 --> 00:29:51,858
- OKAY, I CAN'T
SEE THE SPEEDOMETER,
547
00:29:51,891 --> 00:29:54,994
BUT I'M GONNA
ASK YOU TO SLOW DOWN.
548
00:29:55,027 --> 00:29:56,495
[phone ringing]
549
00:29:56,528 --> 00:29:58,030
- HELLO?
- JAI, IT'S ANNIE.
550
00:29:58,064 --> 00:29:59,198
I JUST EMAILED YOU
SOME PHOTOS.
551
00:29:59,231 --> 00:30:01,533
CAN YOU RUN THEM THROUGH
THE FACIAL RECOGNITION DATABASE?
552
00:30:01,567 --> 00:30:04,203
- SURE, GIVE ME A MINUTE.
- YOU'RE LOOPING IN JAI?
553
00:30:04,236 --> 00:30:06,138
NOW I REALLY WISH
WE'D STAYED AT THE BAR.
554
00:30:06,172 --> 00:30:07,239
- I WAS WRONG ABOUT NADIA.
555
00:30:07,273 --> 00:30:08,540
- YES, I KNOW.
I TOLD YOU THAT.
556
00:30:08,574 --> 00:30:10,809
- NO, SOMEONE'S IN DANGER,
BUT IT'S NOT NADIA.
557
00:30:14,046 --> 00:30:15,381
IT'S MOROZOV.
558
00:30:18,885 --> 00:30:21,120
NADIA'S THE ASSASSIN.
559
00:30:21,153 --> 00:30:23,522
YOU WERE RIGHT,
IT'S ALL ABOUT ACCESS.
560
00:30:23,555 --> 00:30:26,092
AND NADIA CAN GET TO MOROZOV
WITHOUT RAISING EYEBROWS.
561
00:30:26,125 --> 00:30:29,295
- WHY NOW?
NADIA IS MOROZOV'S MISTRESS,
562
00:30:29,328 --> 00:30:31,130
SHE'S BEEN CLOSE
TO HIM FOR THREE YEARS.
563
00:30:31,163 --> 00:30:32,464
SHE COULD'VE
DONE IT AT ANY TIME.
564
00:30:32,498 --> 00:30:35,501
- BECAUSE NOW NADIA CAN
BUY GOOD CHOCOLATE IN ESTONIA.
565
00:30:35,534 --> 00:30:37,036
- SEE, YOU WERE STARTING
TO MAKE SENSE.
566
00:30:37,069 --> 00:30:38,437
AND NOW YOU'RE
MAKING LESS SENSE.
567
00:30:42,274 --> 00:30:43,075
[cheers and applause]
568
00:30:43,109 --> 00:30:45,377
- ESTONIA
JUST PEGGED TO THE EURO.
569
00:30:45,411 --> 00:30:47,546
IT'S OPENING UP OPPORTUNITIES
FOR FOREIGN INVESTMENT.
570
00:30:47,579 --> 00:30:49,581
MOROZOV PROBABLY KNOWS
THAT HE COULD MAKE A MINT
571
00:30:49,615 --> 00:30:51,984
OFF HIS LAND HOLDINGS
IF HE WASN'T TIED TO RUSSIA.
572
00:30:52,018 --> 00:30:54,153
AND THAT'S
WHAT HE'S DOING HERE.
573
00:30:54,186 --> 00:30:55,654
[sighs]
I SHOULD'VE REALIZED IT BEFORE.
574
00:30:55,687 --> 00:30:57,523
HE'S USING NADIA'S
PRACTICES AS A PLACE
575
00:30:57,556 --> 00:30:58,724
TO TALK
TO POTENTIAL BIDDERS.
576
00:30:58,757 --> 00:31:01,260
- GOING AGAINST THE KREMLIN
WOULD BE A SUICIDE MISSION.
577
00:31:01,293 --> 00:31:02,661
- YEAH,
AND MOROZOV KNOWS THAT.
578
00:31:02,694 --> 00:31:04,130
- HEY.
- THAT WAS FAST.
579
00:31:04,163 --> 00:31:05,364
THAT'S 'CAUSE
I DON'T NEED TO RUN THIS
580
00:31:05,397 --> 00:31:06,365
THROUGH THE DATABASE.
581
00:31:06,398 --> 00:31:08,534
THE MAN IN ONE OF
THE PHOTOS IS PETER KUYT.
582
00:31:08,567 --> 00:31:10,402
A KNOWN SOUTH AFRICAN
MINING MAGNATE.
583
00:31:10,436 --> 00:31:12,972
- PETER KUYT?
THANKS.
584
00:31:13,005 --> 00:31:15,274
- PETER KUYT'S NO FRIEND
OF THE KREMLIN.
585
00:31:15,307 --> 00:31:17,977
- MOROZOV IS DOUBLE DEALING AND
NADIA'S CAUGHT IN THE MIDDLE.
586
00:31:18,010 --> 00:31:19,545
I NEED TO TALK TO NADIA.
587
00:31:19,578 --> 00:31:21,380
- YOU GOT A PLAN?
588
00:31:21,413 --> 00:31:22,949
- WE HAVE A PLAN.
589
00:31:22,982 --> 00:31:24,917
- [chuckles]
590
00:31:27,686 --> 00:31:30,889
[applause]
591
00:31:43,702 --> 00:31:45,537
- THANK YOU.
592
00:31:45,571 --> 00:31:48,540
UM, A-5.
- THIS IS MY SEAT.
593
00:31:48,574 --> 00:31:50,242
- NOPE, THAT'S MY SEAT.
594
00:31:50,276 --> 00:31:53,045
- THE MATCH IS ALMOST OVER.
595
00:31:53,079 --> 00:31:54,380
- TRAFFIC WAS A BEAR.
596
00:31:54,413 --> 00:31:55,982
AT LEAST THAT'S
WHAT MY DRIVER TOLD ME.
597
00:31:56,015 --> 00:31:57,583
- YOU ARE BLIND.
- SO?
598
00:31:57,616 --> 00:31:59,551
I STILL DESERVE A SEAT.
I DO ENJOY TENNIS.
599
00:31:59,585 --> 00:32:01,620
MAYBE NOT THE SAME WAY--
- I DIDN'T--
600
00:32:01,653 --> 00:32:03,089
- DIDN'T WHAT?
DIDN'T MEAN TO STEAL
601
00:32:03,122 --> 00:32:04,256
THE BLIND MAN'S SEAT?
OR CARE--
602
00:32:04,290 --> 00:32:05,657
HEY, GET YOUR HANDS
OFF OF ME.
603
00:32:05,691 --> 00:32:07,526
LOOK, JUST LOOK
AT MY TICKET, MAN.
604
00:32:09,561 --> 00:32:12,564
- LET ME SEE.
605
00:32:22,441 --> 00:32:24,410
LET'S GO FIGURE THIS
OUT TOGETHER.
606
00:32:24,443 --> 00:32:26,745
I'LL WALK YOU UP
TO THE TICKET BOOTH.
607
00:32:26,778 --> 00:32:30,482
- OKAY.
608
00:32:30,516 --> 00:32:32,684
DON'T LOOK BACK.
WALK QUICKLY BUT CALMLY.
609
00:32:44,430 --> 00:32:46,765
- HELLO!
- AREA'S OFF-LIMITS.
610
00:32:46,798 --> 00:32:48,634
- YEAH, I'M NADIA LEVANDI'S
PERSONAL CONCIERGE.
611
00:32:48,667 --> 00:32:50,302
SHE HASN'T FINISHED YET,
HAS SHE?
612
00:32:50,336 --> 00:32:52,038
JUST, UH...
613
00:32:52,071 --> 00:32:55,741
- DROP IT.
614
00:32:55,774 --> 00:32:57,409
- NADIA WANTED AN APPLE
615
00:32:57,443 --> 00:32:59,311
TO HELP HER BLOOD SUGAR
AFTER THE MATCH.
616
00:32:59,345 --> 00:33:02,181
SHE GOT MAD BECAUSE
I GOT HER A FUJI,
617
00:33:02,214 --> 00:33:03,415
AND SHE ONLY EATS
HONEYCRISPS.
618
00:33:03,449 --> 00:33:04,550
SO I HAD TO GO OUT AND
GET HER THIS.
619
00:33:04,583 --> 00:33:07,586
[whispers]
I DON'T WANNA GET FIRED.
620
00:33:12,791 --> 00:33:15,994
[cheers and applause]
621
00:33:34,480 --> 00:33:36,115
- HEY, NADIA...
622
00:33:36,148 --> 00:33:37,216
YOU NEED TO COME WITH ME.
623
00:33:37,249 --> 00:33:38,384
- I TOLD YOU
TO LEAVE ME ALONE.
624
00:33:38,417 --> 00:33:40,819
- ALO'S SAFE.
HE'S IN OUR CUSTODY.
625
00:33:40,852 --> 00:33:43,355
- NO.
THEY'LL KILL ME.
626
00:33:43,389 --> 00:33:45,724
- THAT'S WHY
YOU NEED TO COME WITH ME.
627
00:33:45,757 --> 00:33:48,760
THE CIA CAN PROTECT YOU.
628
00:33:52,464 --> 00:33:55,434
THANK YOU.
629
00:33:55,467 --> 00:33:56,635
- NADIA!
630
00:33:56,668 --> 00:33:59,671
[gunfire]
631
00:34:08,647 --> 00:34:10,349
- SO I TAKE IT
YOUR COACH IS F.S.B.?
632
00:34:10,382 --> 00:34:13,385
- SHE THREATENED ME,
I HAD NO CHOICE.
633
00:34:18,857 --> 00:34:22,128
[gunshot]
634
00:34:25,731 --> 00:34:27,433
- WHICH WAY'S
THE FRONT ENTRANCE?
635
00:34:27,466 --> 00:34:29,101
- THE FRONT?
- YEAH.
636
00:34:29,135 --> 00:34:31,370
- WE'LL BE TOTALLY EXPOSED.
- TRUST ME.
637
00:34:31,403 --> 00:34:34,406
- IT'S THAT WAY.
638
00:34:37,376 --> 00:34:40,379
[gunfire]
639
00:34:46,918 --> 00:34:48,787
- HOW DID YOU KNOW
THE ENGINE WOULD BE ON?
640
00:34:48,820 --> 00:34:50,622
- I DIDN'T.
SOME OF THIS IS IMPROVISED.
641
00:34:50,656 --> 00:34:52,624
HOLD ON.
[wheels screech]
642
00:35:09,308 --> 00:35:10,276
[gunfire]
643
00:35:10,309 --> 00:35:11,677
- OH, MY GOD!
- STAY DOWN.
644
00:35:11,710 --> 00:35:14,346
[gunfire,
glass shatters]
645
00:35:15,414 --> 00:35:16,548
[horn honking]
646
00:35:25,491 --> 00:35:29,861
- [yelling in Estonian]
647
00:35:29,895 --> 00:35:32,198
- YOU HAVE
SOME MOUTH ON YOU.
648
00:35:32,231 --> 00:35:34,233
- YOU SPEAK ESTONIAN?
- JUST THE SWEAR WORDS.
649
00:35:40,272 --> 00:35:44,743
[tires screech,
horn honking]
650
00:35:44,776 --> 00:35:45,844
- WHERE ARE YOU GOING?
651
00:35:45,877 --> 00:35:47,379
- I HAVE A PLAN.
652
00:35:52,684 --> 00:35:53,685
HERE WE GO.
653
00:35:53,719 --> 00:35:56,722
HOLD ON.
654
00:36:08,300 --> 00:36:11,370
[loud knocking]
655
00:36:27,986 --> 00:36:30,389
- CHET LEGARDIE?
- IN THE THREE-PIECE-CLAD FLESH.
656
00:36:30,422 --> 00:36:31,757
- WHAT ARE YOU DOING HERE?
657
00:36:31,790 --> 00:36:33,825
- WHAT AM I DOING HERE?
658
00:36:33,859 --> 00:36:37,829
YOUR HUSBAND HIRED ME.
APPARENTLY AT YOUR SUGGESTION?
659
00:36:37,863 --> 00:36:39,798
SO I SUGGEST WE GO INSIDE
AND START WORKING ON
660
00:36:39,831 --> 00:36:41,867
HIS LEGAL DEFENSE,
BECAUSE THIS CONVERSATION
661
00:36:41,900 --> 00:36:45,704
IS ON THE CLOCK,
AND MY CLOCK ISN'T CHEAP.
662
00:36:45,737 --> 00:36:48,507
- COME ON IN.
663
00:36:53,912 --> 00:36:55,547
- YOUR LAWYER'S HERE.
664
00:36:55,581 --> 00:36:57,383
- JUST SHOW ME
THE CHAIR, PLEASE.
665
00:36:57,416 --> 00:36:59,017
GREAT, THANK YOU.
666
00:36:59,050 --> 00:37:03,622
HI. I'M JOE JACOBI,
OF JACOBI AND THEISMAN.
667
00:37:03,655 --> 00:37:06,658
SO...GIVE ME
THE STRAIGHT SCOOP,
668
00:37:06,692 --> 00:37:08,327
I'LL DO MY BEST TO
GET YOU OFF.
669
00:37:08,360 --> 00:37:11,730
IF YOU LIE TO ME,
AND I'LL KNOW YOU'RE LYING...
670
00:37:11,763 --> 00:37:14,966
I'LL LET YOU HANG, OKAY?
671
00:37:15,000 --> 00:37:18,370
I CAN'T TELL,
ARE YOU NODDING?
672
00:37:18,404 --> 00:37:19,638
- YES.
673
00:37:19,671 --> 00:37:21,640
- SO YOU KIDS ARE
JUST GETTING YOUR THRILLS
674
00:37:21,673 --> 00:37:25,511
STEALING BIKES, LOOSE CASH,
THAT SORT OF THING?
675
00:37:25,544 --> 00:37:27,879
AGAIN WITH THE NODDING.
- YES.
676
00:37:27,913 --> 00:37:30,716
- DID YOU BREAK INTO
THE GARAGE OF 4141 P STREET?
677
00:37:30,749 --> 00:37:32,351
ANSWER ME, PLEASE.
678
00:37:32,384 --> 00:37:35,621
- YES.
- ARE YOU SURE?
679
00:37:35,654 --> 00:37:37,756
- YES.
- OKAY.
680
00:37:37,789 --> 00:37:40,959
GOOD.
I'LL SEE WHAT I CAN DO.
681
00:37:40,992 --> 00:37:43,028
GOOD AFTERNOON, GENTLEMEN.
OFFICER.
682
00:37:47,366 --> 00:37:50,402
- WAS THAT GUY
REALLY OUR LAWYER?
683
00:38:06,017 --> 00:38:07,853
- UNFORTUNATELY,
I HAVE SOME BAD NEWS.
684
00:38:07,886 --> 00:38:10,956
THE CIA CAN OFFER YOU
ASYLUM IN THE U.S.,
685
00:38:10,989 --> 00:38:12,358
BUT NOTHING FURTHER.
686
00:38:12,391 --> 00:38:15,494
NO MORE MONEY...
A LIFE OF ANONYMITY.
687
00:38:16,828 --> 00:38:19,064
- I'LL NEVER PLAY
PROFESSIONAL TENNIS AGAIN.
688
00:38:19,097 --> 00:38:21,099
- NO.
689
00:38:21,132 --> 00:38:24,670
BEING IN PUBLIC
IS TOO GREAT OF A RISK.
690
00:38:24,703 --> 00:38:25,971
WE'VE ALREADY PULLED YOU
FROM THIS TOURNAMENT
691
00:38:26,004 --> 00:38:28,940
DUE TO A SUDDEN
HAMSTRING INJURY.
692
00:38:28,974 --> 00:38:30,709
- AT LEAST I CAN
EAT MY CHOCOLATE BARS NOW
693
00:38:30,742 --> 00:38:33,779
WITHOUT THE FEAR
OF RECRIMINATION.
694
00:38:33,812 --> 00:38:36,815
- AND YOU
WENT OUT WITH A WIN.
695
00:38:41,019 --> 00:38:43,589
I KNOW THIS WHOLE THING
IS TERRIBLE.
696
00:38:43,622 --> 00:38:44,756
BUT THIS IS YOUR LIFE NOW,
697
00:38:44,790 --> 00:38:46,324
AND YOU'RE GONNA NEED
TO ACCEPT IT.
698
00:38:47,726 --> 00:38:49,428
- THANK YOU.
699
00:38:49,461 --> 00:38:51,630
- FOR WHAT?
700
00:38:51,663 --> 00:38:54,933
- FOR NOT TRYING TO MAKE ME
HAPPIER THAN I SHOULD BE.
701
00:38:54,966 --> 00:38:58,069
AMERICANS ARE ALWAYS
TRYING TO CHANGE THINGS.
702
00:38:58,103 --> 00:39:00,071
BUT ESTONIAN HEART
IS BLACK.
703
00:39:00,105 --> 00:39:03,074
WE KNOW WHEN FATE HAS
TURNED ON US.
704
00:39:03,108 --> 00:39:05,110
- SO WHAT DO YOU DO?
705
00:39:05,143 --> 00:39:07,045
- YOU LIVE.
706
00:39:07,078 --> 00:39:09,415
IT'S STILL LIVING.
707
00:39:09,448 --> 00:39:12,718
- I DON'T WANNA JUST LIVE.
I WANT MORE THAN THAT.
708
00:39:12,751 --> 00:39:14,753
- [chuckles]
709
00:39:14,786 --> 00:39:17,923
YOU'RE TRULY NOT ESTONIAN.
710
00:39:17,956 --> 00:39:20,959
- NO.
I GUESS I'M NOT.
711
00:39:24,830 --> 00:39:27,533
GOOD LUCK, NADIA.
712
00:39:42,981 --> 00:39:45,984
[car door opens]
713
00:39:48,620 --> 00:39:50,188
- I LOVE THIS VIEW.
714
00:39:50,221 --> 00:39:51,823
IT ALWAYS SEEMS LIKE
YOU'RE CLOSER TO THE CAPITOL
715
00:39:51,857 --> 00:39:54,059
THAN YOU REALLY ARE.
IT'S A MATTER OF PERSPECTIVE.
716
00:39:54,092 --> 00:39:56,495
- WERE YOU FOLLOWED?
- TRUST ME.
717
00:39:56,528 --> 00:39:58,530
WITH ALL I GOT
GOING ON IN MY LIFE,
718
00:39:58,564 --> 00:40:00,532
I TOOK NO CHANCES.
719
00:40:00,566 --> 00:40:03,669
WELCOME BACK TO
THE AGENCY, MR. MERCER.
720
00:40:03,702 --> 00:40:05,504
I MUST SAY,
WHILE YOU WERE AWAY,
721
00:40:05,537 --> 00:40:07,439
I ADMIRED YOUR WORK.
YOU HELPED US.
722
00:40:07,473 --> 00:40:10,909
YOU HELPED ME OUT
A LOT OF DICEY SITUATIONS.
723
00:40:10,942 --> 00:40:13,011
HOW WOULD YOU LIKE
TO CONTINUE TO DO THAT?
724
00:40:13,044 --> 00:40:15,514
BUT THIS TIME,
WITH AGENCY RESOURCES.
725
00:40:15,547 --> 00:40:18,950
FULL AUTONOMY.
OFF THE BOOKS.
726
00:40:18,984 --> 00:40:20,986
- ONE CONDITION.
727
00:40:21,019 --> 00:40:23,689
- WHAT IS IT?
728
00:40:23,722 --> 00:40:25,023
- I WANNA TALK TO ANNIE.
729
00:40:25,056 --> 00:40:26,858
- YOU KNOW
THAT'S NOT POSSIBLE.
730
00:40:26,892 --> 00:40:29,661
THERE'S A REASON WHY YOU HAVEN'T
CONTACTED HER IN TWO YEARS.
731
00:40:29,695 --> 00:40:31,763
SHE'S A SECURITY RISK
TO SOMEONE LIKE YOU.
732
00:40:31,797 --> 00:40:33,532
AND YOU FOR HER.
733
00:40:33,565 --> 00:40:36,067
- I NEED TO SEE HER.
734
00:40:36,101 --> 00:40:39,538
- HM.
735
00:40:39,571 --> 00:40:42,908
HOW ABOUT THIS...
736
00:40:42,941 --> 00:40:45,844
STAY IN YOUR LANE,
COMPLETE YOUR MISSIONS,
737
00:40:45,877 --> 00:40:47,979
AND I'LL SEE IF WE CAN'T
FIND A WAY TO BRING YOU BACK IN.
738
00:40:48,013 --> 00:40:51,550
- TYPICAL AGENCY
CARROT-AND-STICK BEHAVIOR.
739
00:40:51,583 --> 00:40:52,818
- YES, IT IS.
740
00:40:59,257 --> 00:41:02,460
GOOD TALK.
741
00:41:05,664 --> 00:41:06,932
[car door closes]
742
00:41:25,183 --> 00:41:28,587
[phone ringing]
743
00:41:28,620 --> 00:41:30,088
- HEY.
YOU NEED ME TO COME IN?
744
00:41:30,121 --> 00:41:31,757
- EASY THERE, WORKER BEE.
745
00:41:31,790 --> 00:41:34,593
I'M JUST CALLING TO CHECK IN
AND SEE HOW YOU'RE HOLDING UP.
746
00:41:34,626 --> 00:41:36,795
- I'VE BEEN BETTER.
747
00:41:36,828 --> 00:41:38,697
DO YOU WANNA
MEET ME AT THE TAVERN?
748
00:41:38,730 --> 00:41:41,266
[walking stick clicking]
749
00:41:41,299 --> 00:41:42,968
- SURE.
750
00:41:43,001 --> 00:41:45,036
- HEY.
- HEY.
751
00:41:45,070 --> 00:41:49,841
AM I GONNA GET TO FINISH
MY BEER THIS TIME?
752
00:41:49,875 --> 00:41:52,077
- NOT ONLY THAT...
I'M BUYING.
753
00:41:53,344 --> 00:41:56,548
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