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These are the user uploaded subtitles that are being translated: 1 00:00:01,169 --> 00:00:02,336 [waves crashing] 2 00:00:02,370 --> 00:00:05,339 [serene piano music] 3 00:00:05,373 --> 00:00:11,379 * 4 00:00:18,352 --> 00:00:22,690 [helicopter flies, sirens blaring] 5 00:00:22,723 --> 00:00:26,227 [heart rate monitor beeping] 6 00:00:26,260 --> 00:00:29,263 [noises fade] 7 00:00:35,403 --> 00:00:38,406 [monitor beeping fades back in] 8 00:00:42,476 --> 00:00:45,479 [water crashes] 9 00:00:48,516 --> 00:00:51,519 [heart rate monitor alarm blares] 10 00:01:46,674 --> 00:01:49,677 [heart rate monitor beeping slowly] 11 00:01:53,247 --> 00:01:55,883 - POLYGRAPH FOUR, MISSION DEBRIEF. 12 00:01:55,916 --> 00:01:57,818 QUESTION FOR CONTROL. 13 00:01:57,851 --> 00:02:00,288 YOUR NAME IS BEN MERCER? 14 00:02:00,321 --> 00:02:04,825 - YES. - AND YOU ARE A, UM... 15 00:02:04,858 --> 00:02:05,893 [whispers] CIA OPERATIVE. 16 00:02:05,926 --> 00:02:10,431 - I THINK THAT'S A QUESTION FOR ARTHUR CAMPBELL. 17 00:02:10,464 --> 00:02:11,832 - YES OR NO ANSWERS, PLEASE. 18 00:02:11,865 --> 00:02:14,502 - [chuckles] 19 00:02:14,535 --> 00:02:16,170 YES. - [clears throat] 20 00:02:16,204 --> 00:02:19,307 YOU RECENTLY COMPLETED A LOCATE-AND-RESCUE ASSIGNMENT 21 00:02:19,340 --> 00:02:20,874 IN SRI LANKA? - YES. 22 00:02:20,908 --> 00:02:22,876 - AND ON SAID MISSION, DID YOU, IN ANY WAY, 23 00:02:22,910 --> 00:02:25,579 TRY TO DECEIVE THE CIA? 24 00:02:25,613 --> 00:02:26,780 - NO. 25 00:02:26,814 --> 00:02:28,649 - AND YET, YOU LEFT YOUR FELLOW OPERATIVES 26 00:02:28,682 --> 00:02:30,851 AND WENT INTO A HOSTAGE SITUATION ALONE? 27 00:02:30,884 --> 00:02:33,587 - I WAS TRYING TO PROTECT OPERATIVE ANNIE WALKER 28 00:02:33,621 --> 00:02:36,757 FROM HARM, YES. 29 00:02:36,790 --> 00:02:39,460 - AND THEN YOU WERE SHOT. 30 00:02:39,493 --> 00:02:42,296 - YES. 31 00:02:42,330 --> 00:02:45,566 - BUT SOMEONE SAVED YOU. WHO? 32 00:02:45,599 --> 00:02:47,601 - I THOUGHT THIS WAS YES OR NO? 33 00:02:47,635 --> 00:02:49,270 - OH, YEAH, UM... 34 00:02:49,303 --> 00:02:51,339 DID I SAVE YOU? 35 00:02:51,372 --> 00:02:52,840 - YES. 36 00:02:52,873 --> 00:02:55,876 AND I AM VERY GRATEFUL. 37 00:03:07,855 --> 00:03:11,225 - MM, INCREASED HEART RATE. 38 00:03:11,259 --> 00:03:12,159 SPIKE IN BLOOD PRESSURE. 39 00:03:12,192 --> 00:03:13,861 I THINK THE POLYGRAPH IS GETTING TO YOU. 40 00:03:13,894 --> 00:03:15,896 - I THINK IT'S THE POLYGRAPHER. 41 00:03:15,929 --> 00:03:18,932 AND I THINK YOU SHOULD DISMISS THE NURSE. 42 00:03:35,048 --> 00:03:38,252 - BEN. 43 00:03:48,629 --> 00:03:51,632 [rapid gunfire, glass shattering] 44 00:04:20,628 --> 00:04:22,496 WE HAVE TO GET TO THE GUARDHOUSE. 45 00:04:22,530 --> 00:04:24,532 - WE WON'T MAKE IT. GO ALONE, GO ALONE. 46 00:04:24,565 --> 00:04:27,568 - NOT A CHANCE. 47 00:04:31,972 --> 00:04:35,776 [defibrillator powering up] 48 00:04:35,809 --> 00:04:37,711 [zapping] 49 00:04:39,347 --> 00:04:41,915 - AH! [thud] 50 00:04:41,949 --> 00:04:44,485 - [groans] 51 00:04:44,518 --> 00:04:47,287 - JEEZ. 52 00:05:07,841 --> 00:05:09,377 [gunfire] 53 00:05:09,410 --> 00:05:12,480 - [loud grunt] 54 00:05:16,083 --> 00:05:19,086 [sighs] 55 00:05:22,456 --> 00:05:25,459 - LET'S GO HOME. 56 00:05:27,127 --> 00:05:30,097 [intriguing music] 57 00:05:30,130 --> 00:05:36,336 * 58 00:06:13,040 --> 00:06:14,942 - I PREFER GUAM. 59 00:06:14,975 --> 00:06:17,511 - THAT'S 'CAUSE YOU HAVE A PROBLEM WITH AUTHORITY. 60 00:06:17,545 --> 00:06:20,448 - NO. NO, I JUST LIKED HAVING A ROOM WITH AN OCEAN VIEW. 61 00:06:20,481 --> 00:06:22,182 - HEY! 62 00:06:22,215 --> 00:06:24,017 - IT'S GOOD TO SEE YOU. 63 00:06:25,819 --> 00:06:27,788 YOU TOO. - I KNEW I PREFERRED GUAM. 64 00:06:27,821 --> 00:06:30,458 - FOR THE RECORD, YOU DO HAVE A PROBLEM WITH AUTHORITY. 65 00:06:30,491 --> 00:06:32,192 - FOR THE RECORD, I DON'T CONSIDER YOU 66 00:06:32,225 --> 00:06:35,429 AN AUTHORITY FIGURE. 67 00:06:39,833 --> 00:06:41,535 - WE CAN HELP YOU TRANSFER TO THE BED. 68 00:06:41,569 --> 00:06:43,203 - NO, NO, NO. I GOT IT MYSELF. 69 00:06:43,236 --> 00:06:44,938 - LET US HELP YOU. 70 00:06:44,972 --> 00:06:46,940 - NO, NO. GOT IT. 71 00:06:46,974 --> 00:06:49,076 - ACCEPTING HELP IS NOT A SIGN OF WEAKNESS. 72 00:06:49,109 --> 00:06:50,678 - YOU SHOULD KNOW. - THIS ISN'T ABOUT ME. 73 00:06:50,711 --> 00:06:51,745 IT'S ABOUT YOUR PRIDE. 74 00:06:51,779 --> 00:06:53,614 THAT'S WHAT GOT YOU INJURED IN THE FIRST PLACE. 75 00:06:53,647 --> 00:06:55,616 - GUYS, CAN WE JUST NOT...? 76 00:06:55,649 --> 00:06:58,519 JAI, I'LL MEET YOU IN THE COURTYARD. 77 00:06:58,552 --> 00:06:59,720 - OKAY. 78 00:06:59,753 --> 00:07:01,955 HERE. 79 00:07:01,989 --> 00:07:03,023 - OH, WHAT'S THIS? 80 00:07:03,056 --> 00:07:07,094 PAPERWORK ALREADY? LANGLEY'S BUREAUCRACY IS A JOKE. 81 00:07:07,127 --> 00:07:09,730 - NO, IT'S BOOKS OF SUDOKUS. 82 00:07:09,763 --> 00:07:12,199 THOUGHT IT MIGHT HELP YOU PASS THE TIME, 83 00:07:12,232 --> 00:07:14,802 AND...YOU'RE AN ASSHOLE. 84 00:07:14,835 --> 00:07:16,136 - I ACTUALLY REALLY LIKE THESE. 85 00:07:16,169 --> 00:07:18,672 - YEAH, HE KNEW THAT. 86 00:07:18,706 --> 00:07:20,541 - I'LL APOLOGIZE TO HIM. 87 00:07:20,574 --> 00:07:22,943 - YOU HAD A LONG DAY. I'LL LET YOU GET SETTLED IN. 88 00:07:22,976 --> 00:07:24,545 I'LL BE BACK SOON. 89 00:07:24,578 --> 00:07:27,114 IS THERE ANYTHING I CAN GET YOU? 90 00:07:27,147 --> 00:07:28,682 - YOU KNOW WHAT I WOULD LOVE? 91 00:07:28,716 --> 00:07:30,818 A FIVE GUYS CHEESEBURGER. 92 00:07:30,851 --> 00:07:32,986 I'VE BEEN CRAVING ONE OF THOSE EVER SINCE I LEFT D.C. 93 00:07:33,020 --> 00:07:34,722 - YOU'VE BEEN GONE A LONG TIME. 94 00:07:34,755 --> 00:07:39,192 THAT'S QUITE A CRAVING. - YOU HAVE NO IDEA. 95 00:07:39,226 --> 00:07:41,762 - YOU GOT IT. 96 00:08:03,784 --> 00:08:06,954 - DON'T FORGET TO CHECK IF WE'RE BEING TAILED. 97 00:08:06,987 --> 00:08:08,589 AFTER GUAM, WE CAN'T BE TOO CAREFUL. 98 00:08:08,622 --> 00:08:11,625 - THIS ISN'T MY FIRST RODEO. 99 00:08:15,262 --> 00:08:17,965 BEN WAS A LITTLE TOUCHY BACK THERE. 100 00:08:17,998 --> 00:08:19,099 - HE'S BEEN THROUGH A LOT. 101 00:08:19,132 --> 00:08:20,534 - HE'S GONNA GO THROUGH A LOT MORE. 102 00:08:20,568 --> 00:08:23,003 IT'S NOT GONNA BE EASY FOR A GUY LIKE THAT. 103 00:08:23,036 --> 00:08:24,772 - A GUY LIKE BEN? 104 00:08:24,805 --> 00:08:26,139 - HE'S ONLY COMFORTABLE ALONE. 105 00:08:26,173 --> 00:08:28,141 IN THE FIELD. 106 00:08:28,175 --> 00:08:30,578 NOBODY AT LANGLEY SEES HIM BEHIND A DESK. 107 00:08:30,611 --> 00:08:31,679 - WHAT IS GONNA HAPPEN TO HIM? 108 00:08:31,712 --> 00:08:33,714 - HONESTLY? 109 00:08:33,747 --> 00:08:36,750 NO CLUE. NONE WHATSOEVER. 110 00:08:45,826 --> 00:08:47,695 - HEY! 111 00:08:47,728 --> 00:08:49,930 YOU'RE BACK! - HI. 112 00:08:49,963 --> 00:08:52,966 MM! 113 00:08:56,269 --> 00:08:57,337 - ROUGH BUSINESS TRIP? 114 00:08:57,370 --> 00:08:59,339 - TRIP WAS FINE. 115 00:08:59,372 --> 00:09:00,741 IT'S JUST BUSINESS. 116 00:09:00,774 --> 00:09:02,075 - WELL, YOU'VE BEEN GONE A WHILE. 117 00:09:02,109 --> 00:09:04,044 I CAN'T BELIEVE THERE WAS THAT MUCH 118 00:09:04,077 --> 00:09:05,613 TO DO IN LAMAR, MISSOURI. 119 00:09:05,646 --> 00:09:07,581 - THE SMITHSONIAN WANTED THE EXHIBIT 120 00:09:07,615 --> 00:09:09,717 OF HARRY TRUMAN'S BIRTHPLACE TO BE REALLY DETAILED. 121 00:09:09,750 --> 00:09:10,951 - THANKS FOR THE POSTCARDS. 122 00:09:10,984 --> 00:09:14,187 WHO KNEW THE WORLD'S LARGEST BALL OF YARN WAS IN MISSOURI? 123 00:09:14,221 --> 00:09:16,123 - YEAH. WHO KNEW? 124 00:09:16,156 --> 00:09:17,825 - [giggles] 125 00:09:17,858 --> 00:09:21,094 - HOW'S THINGS HERE? - CRAZY. HECTIC. 126 00:09:21,128 --> 00:09:22,896 MICHAEL'S BEEN TRAVELING A TON FOR WORK, 127 00:09:22,930 --> 00:09:24,832 THE STORM GUTTER GUY KEEPS CANCELING ON ME, 128 00:09:24,865 --> 00:09:27,935 AND KATIA'S BEEN FAKING BEING SICK TO GET OUT OF SCHOOL. 129 00:09:27,968 --> 00:09:29,637 - DANIELLE, WHAT'S THIS? 130 00:09:29,670 --> 00:09:31,004 - OH, A POLICE REPORT. 131 00:09:31,038 --> 00:09:32,205 SOMEONE BROKE INTO THE GARAGE. 132 00:09:32,239 --> 00:09:34,842 THEY DIDN'T TAKE ANYTHING, BUT WE FILED A REPORT ANYWAY. 133 00:09:34,875 --> 00:09:36,710 - WHEN WAS THIS? - MM, COUPLE NIGHTS AGO. 134 00:09:36,744 --> 00:09:37,878 - WHAT ABOUT MY GUEST HOUSE? 135 00:09:37,911 --> 00:09:39,146 - I TOLD YOU, THEY DIDN'T TAKE ANYTHING. 136 00:09:39,179 --> 00:09:41,181 I CHECKED YOUR PLACE. IT'S FINE. 137 00:09:41,214 --> 00:09:44,217 - I'M, UH-- I'M JUST GONNA GO FRESHEN UP. 138 00:09:45,719 --> 00:09:47,120 - WELCOME BACK. 139 00:10:04,304 --> 00:10:06,306 [beeps] 140 00:10:30,130 --> 00:10:32,265 - ANNIE WALKER. 141 00:10:32,299 --> 00:10:34,134 - AUGGIE. 142 00:10:34,167 --> 00:10:37,170 HOW DO YOU DO THAT? I'M NOT WEARING PERFUME, 143 00:10:37,204 --> 00:10:39,807 THESE HEELS, ALTHOUGH FANTASTIC, ARE HARDLY UNIQUE. 144 00:10:39,840 --> 00:10:41,208 I DON'T GET IT. - WHAT WOULD YOU SAY 145 00:10:41,241 --> 00:10:43,877 IF I TOLD YOU YOU PROJECTED A WARM FUZZY AURA 146 00:10:43,911 --> 00:10:45,979 THAT I CAN SENSE? - I'D SAY YOU WERE TRYING 147 00:10:46,013 --> 00:10:47,080 TO BUTTER ME UP FOR SOMETHING. 148 00:10:47,114 --> 00:10:49,783 - I COULD USE A RIDE TO ALLEN'S TAVERN AFTER WORK. 149 00:10:49,817 --> 00:10:51,785 - AH-HA! THE TRUTH EMERGES. 150 00:10:51,819 --> 00:10:53,821 HEY, DID YOU SEND MY SISTER THOSE POSTCARDS 151 00:10:53,854 --> 00:10:56,056 TO SUB MY COVER TRIP? - NICE TOUCH, RIGHT? 152 00:10:56,089 --> 00:10:58,191 I HAD A GUY FROM S.M.T. REPLICATE YOUR HANDWRITING. 153 00:10:58,225 --> 00:11:01,361 FIGURED IT WAS BETTER THAN ME DOING IT. 154 00:11:01,394 --> 00:11:03,831 I'M GLAD YOU'RE BACK. 155 00:11:03,864 --> 00:11:06,466 - IT'S GOOD TO BE BACK. I THINK. 156 00:11:06,499 --> 00:11:08,235 SOMEONE BROKE INTO MY SISTER'S HOUSE. 157 00:11:08,268 --> 00:11:09,970 - THAT'S A POTENTIAL RED FLAG. 158 00:11:10,003 --> 00:11:11,038 ANYTHING STOLEN? 159 00:11:11,071 --> 00:11:12,372 - NO. I DID A LEVEL ONE SWEEP, 160 00:11:12,405 --> 00:11:13,974 BUT ALL MY COVER DOCS WERE STILL IN PLACE. 161 00:11:14,007 --> 00:11:15,442 - AREN'T YOU GLAD WE HAD YOU INSTALL THAT SAFE? 162 00:11:15,475 --> 00:11:18,712 I'LL TRY TO ORGANIZE A LARGER SWEEP OF THE PROPERTY. 163 00:11:22,182 --> 00:11:23,450 - WHAT'S ALL THIS? 164 00:11:23,483 --> 00:11:26,720 - JOAN ASSIGNED ME AND MY TEAM TO TRY TO FIGURE OUT 165 00:11:26,754 --> 00:11:29,757 WHO ATTACKED YOU AND BEN IN THE HOSPITAL, AND WHY. 166 00:11:29,790 --> 00:11:32,059 - IT WAS CLOSE. WE BARELY MADE IT OUT. 167 00:11:32,092 --> 00:11:34,061 - YEP. 168 00:11:34,094 --> 00:11:35,996 BUT YOU DID. 169 00:11:36,029 --> 00:11:37,865 ALWAYS DO. 170 00:11:37,898 --> 00:11:40,801 THE WORLD HAS NOT STOOD STILL IN YOUR ABSENCE. 171 00:11:40,834 --> 00:11:42,736 - REALLY, WHAT'S GOING ON? 172 00:11:42,770 --> 00:11:44,738 - LIZA HEARN STEPPED UP HER GAME. 173 00:11:44,772 --> 00:11:47,040 SHE'S PUBLISHED SEVERAL ARTICLES IN THE LAST THREE WEEKS 174 00:11:47,074 --> 00:11:49,442 THAT ARE SCATHING INDICTMENTS OF ARTHUR. 175 00:11:49,476 --> 00:11:52,179 - WHAT'D THEY SAY? - THEY CITED LEAKED MATERIAL. 176 00:11:52,212 --> 00:11:54,114 THREE HIGHLY SENSITIVE DOCUMENTS. 177 00:11:54,147 --> 00:11:56,216 - THREE DOCUMENTS? THAT'S IT? 178 00:11:56,249 --> 00:11:58,351 - NO, IT'S LIKE A LASER POINTER OF NASTY 179 00:11:58,385 --> 00:12:00,988 INSTEAD OF THE MASSIVE, GASEOUS CLOUD OF PAIN 180 00:12:01,021 --> 00:12:02,756 THAT IS WIKILEAKS. I'LL TELL YOU WHAT, 181 00:12:02,790 --> 00:12:04,324 HASN'T MADE JOAN MUCH FUN TO BE AROUND. 182 00:12:04,357 --> 00:12:06,159 - IF YOU TWO ARE DONE CHIT CHATTING, 183 00:12:06,193 --> 00:12:08,461 THERE IS ACTUAL WORK TO BE DONE. 184 00:12:08,495 --> 00:12:11,364 ANNIE. MY OFFICE. 185 00:12:13,133 --> 00:12:14,835 - * WELCOME BACK 186 00:12:14,868 --> 00:12:18,238 - [sarcastic giggles] 187 00:12:18,271 --> 00:12:21,274 [sighs] 188 00:12:26,914 --> 00:12:28,315 - HOW ARE YOU FEELING? 189 00:12:28,348 --> 00:12:30,250 - GOOD. 190 00:12:30,283 --> 00:12:31,484 HAPPY TO BE BACK. 191 00:12:31,518 --> 00:12:32,719 - YOU KNOW, A LOT OF OPERATIVES WOULD NEED 192 00:12:32,752 --> 00:12:35,388 SOME TIME TO DECOMPRESS AFTER WHAT YOU JUST WENT THROUGH. 193 00:12:35,422 --> 00:12:38,525 - NOT ME. I'M GOOD. 194 00:12:38,558 --> 00:12:40,928 SERIOUSLY. 195 00:12:40,961 --> 00:12:42,462 - ASSET INTERACTION. 196 00:12:42,495 --> 00:12:44,064 ALO MOROZOV. 197 00:12:44,097 --> 00:12:46,433 A HEARTWARMING ESTONIAN TALE OF A MAN PULLING HIMSELF 198 00:12:46,466 --> 00:12:49,336 UP OUT OF ABJECT SOVIET POVERTY BY MONEY LAUNDERING, 199 00:12:49,369 --> 00:12:51,905 DRUG TRAFFICKING, AND THE OCCASIONAL CONTRACT HIT 200 00:12:51,939 --> 00:12:53,340 TO PAD OUT THE 401K. 201 00:12:53,373 --> 00:12:55,108 - HE'S ESTONIAN, BUT HIS FILE WAS GENERATED 202 00:12:55,142 --> 00:12:56,243 ON THE RUSSIA DESK? - YES. 203 00:12:56,276 --> 00:12:58,411 WE SUSPECT HIM OF BEING A FACILITATOR FOR THE KREMLIN 204 00:12:58,445 --> 00:13:01,248 IN THE NEW ESTONIAN RARE EARTHS MINING OPERATION. 205 00:13:01,281 --> 00:13:03,450 HE'S A FRONT. - THEY'RE MINING FOR PROMETHIUM. 206 00:13:03,483 --> 00:13:05,285 - DESPITE THE START TREATIES, THE RUSSIANS ARE HAVING 207 00:13:05,318 --> 00:13:07,287 A HARD TIME KICKING THEIR NUCLEAR HABIT. 208 00:13:07,320 --> 00:13:08,889 - HOW DO YOU WANT ME TO GET TO MOROZOV? 209 00:13:08,922 --> 00:13:10,457 - MOROZOV IS TOO DANGEROUS 210 00:13:10,490 --> 00:13:12,359 AND TOO WELL-PROTECTED TO APPROACH. 211 00:13:12,392 --> 00:13:13,961 WE'VE BEEN TARGETING THIS WOMAN. 212 00:13:13,994 --> 00:13:15,362 NADIA LEVANDI. 213 00:13:15,395 --> 00:13:17,898 RANKED 79TH IN THE WOMEN'S TOUR. 214 00:13:17,931 --> 00:13:20,033 MADE IT TO THE SEMI-FINAL IN THE FRENCH FOUR YEARS AGO, 215 00:13:20,067 --> 00:13:21,268 BUT HASN'T MADE MUCH NOISE SINCE. 216 00:13:21,301 --> 00:13:24,872 - SHE'S MOROZOV'S DAUGHTER? - MISTRESS. 217 00:13:24,905 --> 00:13:26,840 - OOH. - NADIA'S BEEN GIVING US 218 00:13:26,874 --> 00:13:28,876 INTEL ON MOROZOV FOR THE PAST THREE YEARS, 219 00:13:28,909 --> 00:13:30,277 BUT MISSED HER TWO PREVIOUS DROPS. 220 00:13:30,310 --> 00:13:33,280 SHE'S PLAYING IN THE BMW D.C. INVITATIONAL THIS WEEKEND, 221 00:13:33,313 --> 00:13:34,481 YOU'RE GONNA MEET HER AT PRACTICE, 222 00:13:34,514 --> 00:13:35,548 AND FOLLOW PROTOCOL. 223 00:13:35,582 --> 00:13:36,816 AUGGIE WILL TAKE YOU THROUGH IT. 224 00:13:39,920 --> 00:13:42,489 - YOU'RE GOING TO THE TENNIS CENTER, MAIN COURT. 225 00:13:42,522 --> 00:13:45,558 WE HAVE A GUY. 226 00:13:45,592 --> 00:13:48,328 NADIA WILL BE IN THE MIDDLE OF HER PRACTICE SESSION. 227 00:13:48,361 --> 00:13:51,464 YOU ARE A FAN COMING TO MEET YOUR FAVORITE PLAYER. 228 00:13:53,333 --> 00:13:56,036 YOU'LL HAVE A BOUQUET OF 13 ROSES-- 229 00:13:56,069 --> 00:13:57,971 12 RED, 1 WHITE. 230 00:13:58,005 --> 00:14:00,440 THAT INDICATES TO HER THAT YOU'RE HER NEW HANDLER. 231 00:14:00,473 --> 00:14:03,944 CAREFUL, THERE WILL BE PEOPLE AROUND. 232 00:14:03,977 --> 00:14:06,479 NADIA HAS A NEW COACH. 233 00:14:06,513 --> 00:14:08,882 ALSO, MOROZOV MIGHT BE PRESENT... 234 00:14:08,916 --> 00:14:10,283 WITH PROTECTION. 235 00:14:10,317 --> 00:14:12,986 - THESE ARE FOR MISS LEVANDI. I'M A FAN. 236 00:14:13,020 --> 00:14:16,456 - DON'T WORRY. NADIA WILL ALLOW YOU DOWN TO HER. 237 00:14:16,489 --> 00:14:19,292 YOU'LL GIVE THE ROSES TO NADIA. 238 00:14:19,326 --> 00:14:22,295 IF NADIA HAS INTEL, SHE'LL ASK TO MEET YOU LATER. 239 00:14:22,329 --> 00:14:23,630 IF NADIA DOESN'T HAVE ANY INTEL, 240 00:14:23,663 --> 00:14:27,034 SHE WILL SAY, "ROSES..." - ROSES... 241 00:14:27,067 --> 00:14:28,601 - "MY FAVORITE." - MY FAVORITE. 242 00:14:28,635 --> 00:14:30,270 - "I WILL PUT THEM IN A VASE IN MY LOCKER." 243 00:14:30,303 --> 00:14:32,940 - I'LL PUT THEM IN A VASE IN MY HOTEL. 244 00:14:35,342 --> 00:14:38,145 I MEAN, I'LL PUT THEM IN THE LOCKER ROOM. 245 00:14:43,483 --> 00:14:46,486 - THANK YOU FOR YOUR TIME. 246 00:14:50,123 --> 00:14:52,292 - AUGGIE... NADIA SENT ME A SIGNAL. 247 00:14:52,325 --> 00:14:54,061 SHE BOTCHED THE SCRIPT. 248 00:14:54,094 --> 00:14:56,096 I THINK SHE'S IN TROUBLE. 249 00:15:01,401 --> 00:15:03,370 - SOMETHING WAS OFF. I KNOW IT. 250 00:15:03,403 --> 00:15:05,305 SHE MAY HAVE JUST SPACED ON THE WORDING. 251 00:15:05,338 --> 00:15:07,207 HERE'S WHAT YOU NEED TO KNOW ABOUT ASSETS, 252 00:15:07,240 --> 00:15:09,042 THEY'RE NOT TRAINED OPERATIVES. 253 00:15:09,076 --> 00:15:11,278 THEY ARE NORMAL PEOPLE WHO WE SEE AS 254 00:15:11,311 --> 00:15:14,047 TARGETS OF OPPORTUNITY, AND THEY SCREW UP ALL THE TIME. 255 00:15:14,081 --> 00:15:16,984 THEY'RE LATE, THEY LOSE STUFF, THEY ASK FOR CRAZY THINGS... 256 00:15:17,017 --> 00:15:18,218 - BUT DON'T WE HAVE A RESPONSIBILITY 257 00:15:18,251 --> 00:15:21,421 TO HELP HER IF SHE'S IN TROUBLE? 258 00:15:21,454 --> 00:15:22,489 - [quietly] DAMN. 259 00:15:22,522 --> 00:15:25,025 YOU PLAYED THE MORALITY CARD. - YOU KNOW I DID. 260 00:15:25,058 --> 00:15:27,227 SO HELP ME. 261 00:15:27,260 --> 00:15:29,162 - ALL RIGHT, IF NADIA'S IN IMMINENT DANGER, 262 00:15:29,196 --> 00:15:31,231 WE NEED PROOF TO TAKE TO JOAN. 263 00:15:31,264 --> 00:15:32,565 STAY ON YOUR SURVEIL 264 00:15:32,599 --> 00:15:35,202 AND INITIATE THE COMPROMISED ASSET PROTOCOL. 265 00:15:43,776 --> 00:15:46,246 MAKE SURE YOU DO A HEAD TAIL-- THE VAN CAN'T KNOW 266 00:15:46,279 --> 00:15:48,215 YOU'RE FOLLOWING IT IF YOU'RE IN FRONT OF IT. 267 00:15:48,248 --> 00:15:49,316 IT'S A RISKY MANEUVER 268 00:15:49,349 --> 00:15:52,185 BUT PROFESSIONAL DRIVERS ALWAYS USE THEIR BLINKERS. 269 00:16:13,440 --> 00:16:17,044 IF YOU DON'T HAVE THE RIGHT GEAR TO FIT IN, BE RESOURCEFUL. 270 00:16:17,077 --> 00:16:18,645 - COULD YOU SHOW ME THE LOCKER ROOMS? 271 00:16:18,678 --> 00:16:20,680 - OH, YEAH, SURE. - I'M THINKING ABOUT JOINING. 272 00:16:27,087 --> 00:16:29,289 - THE TRICKY THING WILL BE GETTING HER ALONE. 273 00:16:29,322 --> 00:16:30,757 THESE PLAYERS ARE ALWAYS SURROUNDED 274 00:16:30,790 --> 00:16:33,993 BY THEIR COACHES AND TRAINERS. 275 00:16:42,335 --> 00:16:45,338 [water sizzling] 276 00:16:57,550 --> 00:16:59,752 - WHAT ARE YOU DOING? - WHAT ARE YOU DOING? 277 00:16:59,786 --> 00:17:02,322 ISN'T THAT THING GONNA MELT IN HERE? 278 00:17:02,355 --> 00:17:05,392 - [chuckles] IT'S MY VICE. 279 00:17:05,425 --> 00:17:07,127 I USED TO NOT BE ABLE TO GET 280 00:17:07,160 --> 00:17:09,462 GOOD QUALITY CHOCOLATE IN MY COUNTRY. 281 00:17:09,496 --> 00:17:11,464 BUT NOW THAT ESTONIA IS IN THE EURO, 282 00:17:11,498 --> 00:17:14,134 WE GET ALL THE GOOD CANDIES. 283 00:17:14,167 --> 00:17:15,535 - NADIA, WE NEED TO TALK. 284 00:17:15,568 --> 00:17:19,372 - SORRY I SCREWED UP THE FLOWER PROTOCOL. 285 00:17:19,406 --> 00:17:22,842 BUT IT'S VERY CONFUSING, THERE WERE PEOPLE WATCHING. 286 00:17:22,875 --> 00:17:25,112 - YEAH. MOROZOV. 287 00:17:25,145 --> 00:17:26,479 HE DO THAT TO YOU? 288 00:17:26,513 --> 00:17:29,382 - I TRIPPED GOING AFTER A DROP SHOT. 289 00:17:31,218 --> 00:17:32,619 - AND YOUR SHOULDER? 290 00:17:32,652 --> 00:17:35,522 - YOU HAVE THE WRONG IDEA ABOUT ALO. 291 00:17:35,555 --> 00:17:38,558 HE'S A GOOD MAN. 292 00:17:38,591 --> 00:17:40,660 - I KNOW YOU'RE WORRIED. 293 00:17:40,693 --> 00:17:43,163 I HAVE A SOLUTION. YOU CAN COME INTO LANGLEY. 294 00:17:43,196 --> 00:17:44,664 WE CAN LEAVE STRAIGHT FROM HERE. 295 00:17:44,697 --> 00:17:46,199 I HAVE A CAR WAITING OUTSIDE. 296 00:17:46,233 --> 00:17:48,568 - TELL YOUR CIA PEOPLE TO NOT BOTHER ME ANYMORE. 297 00:17:48,601 --> 00:17:51,538 - NADIA, PLEASE. - LEAVE ME ALONE. 298 00:17:51,571 --> 00:17:56,243 THIS DOESN'T CONCERN YOU. 299 00:17:56,276 --> 00:17:58,245 - NADIA IS DEFINITELY IN DANGER. 300 00:17:58,278 --> 00:17:59,579 SHE'S JUST TOO SCARED TO ADMIT IT. 301 00:17:59,612 --> 00:18:01,381 - IF I'M GONNA AUTHORIZE A PROTECTION TEAM, 302 00:18:01,414 --> 00:18:03,116 I NEED A REQUEST FROM THE ASSET. 303 00:18:03,150 --> 00:18:06,286 DID SHE ASK FOR HELP? - NO, NOT EXACTLY. 304 00:18:06,319 --> 00:18:07,754 - NOT EXACTLY, OR NO? 305 00:18:07,787 --> 00:18:10,423 - SHE ASKED FOR THE CIA TO LEAVE HER ALONE. 306 00:18:10,457 --> 00:18:12,725 BUT HOW MANY LONG-TERM ASSETS WALK AWAY FROM THE ARRANGEMENT? 307 00:18:12,759 --> 00:18:15,562 - VERY FEW. A LOT OF PEOPLE GET COLD FEET 308 00:18:15,595 --> 00:18:17,630 AND STOP SHORT BEFORE BECOMING ASSETS. 309 00:18:17,664 --> 00:18:18,898 ONCE THEY COMMIT, THEY'RE IN. 310 00:18:18,931 --> 00:18:20,567 - GIVING UP THE PROTECTION AND THE MONEY? 311 00:18:20,600 --> 00:18:22,735 IT DOESN'T HAPPEN. - THAT'S BECAUSE SHE'S SCARED. 312 00:18:22,769 --> 00:18:24,704 MOROZOV HAS A LONG TRACK RECORD OF 313 00:18:24,737 --> 00:18:27,140 KILLING THE PEOPLE WHO BETRAY HIM. 314 00:18:27,174 --> 00:18:28,275 - ALL RIGHT. 315 00:18:28,308 --> 00:18:30,177 ANNIE, YOU'LL SURVEIL WITH AUGGIE, 316 00:18:30,210 --> 00:18:32,179 AND HOLMAN ON TECH SUPPORT. BUT KEEP A SAFE DISTANCE. 317 00:18:32,212 --> 00:18:34,547 IF NADIA REALLY IS IN AS MUCH TROUBLE AS YOU THINK, 318 00:18:34,581 --> 00:18:36,616 THEN EXPOSING HER AS A CIA ASSET 319 00:18:36,649 --> 00:18:39,152 IS GONNA MAKE THINGS MUCH WORSE. 320 00:18:42,589 --> 00:18:45,225 - HERE'S TO A MOMENT OF REFUGE IN THE EYE OF THE STORM. 321 00:18:45,258 --> 00:18:47,627 [glasses clink] - I WILL DRINK TO THAT. 322 00:18:47,660 --> 00:18:49,929 - IF WE COULD BRING THESE FILES OUT OF THE BUILDING, 323 00:18:49,962 --> 00:18:51,898 WE COULD BE ENJOYING THIS SCOTCH AT HOME. 324 00:18:51,931 --> 00:18:54,834 - IF WE COULD BRING THOSE FILES OUT OF THIS BUILDING, 325 00:18:54,867 --> 00:18:57,604 YOU STILL WOULD NOT BE ENJOYING YOUR SCOTCH. 326 00:18:59,972 --> 00:19:01,641 CAN YOU READ ME IN? 327 00:19:01,674 --> 00:19:04,544 - OH, IT'S JUST IN-HOUSE COUNSEL. 328 00:19:04,577 --> 00:19:06,946 SAYING THE TEAM NEEDS MORE TIME 329 00:19:06,979 --> 00:19:08,948 TO GET MY TANZANIA CABLES TOGETHER. 330 00:19:08,981 --> 00:19:10,650 - THAT'S THE THIRD TIME SINCE THEY CAME ONBOARD. 331 00:19:10,683 --> 00:19:13,220 - IT'S THE WAY OF LAWYERS. - AGENCY LAWYERS. 332 00:19:13,253 --> 00:19:16,423 IN-HOUSE COUNSEL HAS A MUDDLED AGENDA, AT BEST. 333 00:19:16,456 --> 00:19:18,891 WHAT YOU NEED IS SOMEONE WHO'S SOLELY ON YOUR SIDE. 334 00:19:18,925 --> 00:19:20,793 - HM. - SOMEONE LIKE CHET LEGARDIE. 335 00:19:20,827 --> 00:19:22,395 - CHET LEGARDIE? 336 00:19:22,429 --> 00:19:23,830 - HE WAS GOOD ENOUGH FOR THE SPEAKER OF THE HOUSE. 337 00:19:23,863 --> 00:19:25,232 - HE'LL BANKRUPT US. 338 00:19:25,265 --> 00:19:27,300 - THEN WE CAN DIP INTO OUR SAVINGS. 339 00:19:27,334 --> 00:19:28,668 AND THEN HE'LL WIN. 340 00:19:28,701 --> 00:19:29,869 HE ALWAYS WINS. 341 00:19:29,902 --> 00:19:32,572 - JUST HIRING CHET LEGARDIE WILL IMPLY THAT I'M GUILTY. 342 00:19:32,605 --> 00:19:34,974 - AT EVERY D.C. COCKTAIL PARTY FROM NOW ON, 343 00:19:35,007 --> 00:19:36,709 PEOPLE ARE GONNA BE WHISPERING ABOUT YOU. 344 00:19:36,743 --> 00:19:38,845 IT'S JUST A QUESTION WHETHER THEY'RE WHISPERING ABOUT 345 00:19:38,878 --> 00:19:40,880 YOU LOSING YOUR JOB OR KEEPING YOUR JOB. 346 00:19:40,913 --> 00:19:44,484 YOU SAID YOU WANTED TO FIGHT. 347 00:19:44,517 --> 00:19:45,618 THIS IS HOW WE FIGHT. 348 00:19:45,652 --> 00:19:48,655 - [sighs] 349 00:19:48,688 --> 00:19:50,823 WELL, LET'S GIVE IN-HOUSE COUNSEL A LITTLE MORE TIME. 350 00:19:57,530 --> 00:19:59,932 - OKAY, ANNIE, THE SECURITY OFFICE 351 00:19:59,966 --> 00:20:01,701 HAS AUTHORIZED A SWEEP OF YOUR HOUSE. 352 00:20:01,734 --> 00:20:05,372 BUT THEY NEED YOU TO GET YOUR SISTER OUT OF THE HOUSE. 353 00:20:05,405 --> 00:20:07,374 THINK YOU CAN HANDLE IT? 354 00:20:07,407 --> 00:20:09,576 I TOLD THEM YOU COULD, SO...HELP ME OUT. 355 00:20:14,914 --> 00:20:17,384 - BEAT YOU THERE. 356 00:20:17,417 --> 00:20:18,551 - I'M WINNING. 357 00:20:18,585 --> 00:20:21,588 - [mouths] ONE, TWO, THREE... 358 00:20:21,621 --> 00:20:23,690 - NO! AH! [spilling noise] 359 00:20:23,723 --> 00:20:27,294 AH! CHLOE JUST SINGLE-HANDEDLY DESTROYED THE CARPET. 360 00:20:27,327 --> 00:20:29,429 - OH! NO, I'M SORRY! 361 00:20:29,462 --> 00:20:30,797 I MUST'VE GIVEN THEM TOO MUCH. 362 00:20:30,830 --> 00:20:31,964 I'LL PAY FOR THE CARPET CLEANING. 363 00:20:31,998 --> 00:20:33,666 - NO, YOU DON'T HAVE TO. THAT'S THE PRICE OF HAVING KIDS. 364 00:20:33,700 --> 00:20:34,801 - NO, I INSIST. [phone rings] 365 00:20:34,834 --> 00:20:36,569 I'LL HAVE THE CLEANERS HERE TOMORROW. 366 00:20:36,603 --> 00:20:38,605 ANNIE WALKER. - OUR GIRL IS ON THE MOVE. 367 00:20:38,638 --> 00:20:39,506 - I'LL BE RIGHT THERE. 368 00:20:39,539 --> 00:20:41,774 I, UNFORTUNATELY, HAVE TO MISS DINNER. 369 00:20:41,808 --> 00:20:44,811 - OH, SHOCKER. 370 00:20:54,487 --> 00:20:55,988 THEY'RE LEAVING F STREET. 371 00:20:56,022 --> 00:20:57,757 THEY JUST PULLED UP TO AN ALLEY. 372 00:20:57,790 --> 00:21:00,793 HE'S PULLING HER OUT OF THE CAR AND SHE DOESN'T LOOK HAPPY. 373 00:21:00,827 --> 00:21:02,795 - HOLMAN, CAN YOU GIVE US EARS? 374 00:21:02,829 --> 00:21:04,697 - THESE MICROPHONES ARE PARABOLIC EXTRAPOLATORS. 375 00:21:04,731 --> 00:21:06,799 THEY ACTUALLY SEND DATA IN REAL TIME. 376 00:21:06,833 --> 00:21:08,034 AND FILL IN ANY GAPS ACROSS THE ARC 377 00:21:08,067 --> 00:21:09,636 FROM THE OTHER MICS IN THE CIRCUIT. 378 00:21:09,669 --> 00:21:12,071 - HOLMAN, IF YOU WANNA IMPRESS A WOMAN, COMPLIMENT HER. 379 00:21:12,104 --> 00:21:13,640 DON'T TALK ABOUT YOUR OWN EQUIPMENT. 380 00:21:13,673 --> 00:21:16,343 ESPECIALLY WHEN YOUR OWN EQUIPMENT HAS CIRCUITRY. 381 00:21:16,376 --> 00:21:18,445 - I JUST THINK IT'S ALL SO COOL. 382 00:21:18,478 --> 00:21:19,746 - HE'S TAKING HER INSIDE THE BUILDING. 383 00:21:19,779 --> 00:21:22,315 JERRY, CAN YOU GET US CLOSER? 384 00:21:22,349 --> 00:21:23,583 - ANNIE, I DON'T THINK THAT'S A GOOD IDEA. 385 00:21:23,616 --> 00:21:24,751 WE GOTTA KEEP OUR DISTANCE. 386 00:21:24,784 --> 00:21:26,719 IF WE EXPOSE OURSELVES AND BLOW OUR COVER, 387 00:21:26,753 --> 00:21:28,688 WE PUT HER LIFE AT RISK. - I KNOW, I GET IT. 388 00:21:28,721 --> 00:21:30,056 HOLMAN, WHERE ARE WE? 389 00:21:30,089 --> 00:21:31,558 - FREQUENCY COMING IN NOW. 390 00:21:31,591 --> 00:21:34,594 [static noise, loud bang] 391 00:21:34,627 --> 00:21:36,463 - THAT SOUNDS LIKE GUNFIRE. 392 00:21:36,496 --> 00:21:38,331 - ANNIE, THINK THIS THROUGH. 393 00:21:38,365 --> 00:21:41,401 - IF SHE'S IN DANGER, I'M NOT JUST GONNA SIT HERE. 394 00:21:52,979 --> 00:21:54,347 [popping noise] 395 00:21:54,381 --> 00:21:57,083 [swanky jazz music plays] 396 00:21:57,116 --> 00:22:00,119 - TO THE BEAUTIFUL AND BEGUILING NADIA. 397 00:22:00,152 --> 00:22:03,356 MY NADIA, SO MAGNIFICENT ON THE COURT. 398 00:22:03,390 --> 00:22:06,325 HAPPY BIRTHDAY. all: HAPPY BIRTHDAY! 399 00:22:12,665 --> 00:22:14,901 - ANNIE, I'M SHUTTING DOWN NADIA AS AN ASSET. 400 00:22:14,934 --> 00:22:15,768 LAST NIGHT'S NEAR-MISS 401 00:22:15,802 --> 00:22:17,804 NEARLY OUTED HER AND YOU TO MOROZOV. 402 00:22:17,837 --> 00:22:18,938 - BUT NADIA'S STILL IN DANGER. 403 00:22:18,971 --> 00:22:20,540 WE KNOW WHAT MOROZOV IS CAPABLE OF. 404 00:22:20,573 --> 00:22:22,675 - IF THAT'S THE CASE, THEN IT'S IN HER BEST INTERESTS 405 00:22:22,709 --> 00:22:24,577 TO HAVE NO FURTHER CONTACT WITH THE CIA. 406 00:22:24,611 --> 00:22:25,578 - SO WE'RE DONE WITH HER? JUST LIKE THAT? 407 00:22:25,612 --> 00:22:27,079 - JUST LIKE THAT. PRECISELY. 408 00:22:27,113 --> 00:22:29,115 THESE NEWSPAPERS ARE YOUR NEXT ASSIGNMENT. 409 00:22:29,148 --> 00:22:30,750 YOU'RE GONNA GO THROUGH BACK ISSUES 410 00:22:30,783 --> 00:22:32,952 OF THE MONTREAL GAZETTE TO FIND ANY INCREASED CITATIONS 411 00:22:32,985 --> 00:22:34,787 REGARDING QUEBECOIS SECESSION. 412 00:22:34,821 --> 00:22:36,088 - ARE YOU-- - SERIOUS? 413 00:22:36,122 --> 00:22:39,125 TOTALLY. 414 00:22:44,731 --> 00:22:46,566 - THIS HAS GOT TO BE HEAVILY REDACTED. 415 00:22:46,599 --> 00:22:49,068 THERE'S JUST TOO MUCH DISCLOSURE. 416 00:22:49,101 --> 00:22:50,570 JAI! 417 00:22:50,603 --> 00:22:52,104 IT'S GOOD TO SEE YOU. 418 00:22:52,138 --> 00:22:53,706 IT'S GOOD TO SEE ANYONE WITHOUT A LAW DEGREE. 419 00:22:53,740 --> 00:22:55,475 - DID I CATCH YOU AT A BAD TIME? 420 00:22:55,508 --> 00:22:58,511 - NOT BAD, JUST... SORT OF BUSY. 421 00:22:58,545 --> 00:22:59,879 - ALL RIGHT, I'LL BE QUICK. 422 00:22:59,912 --> 00:23:01,481 BEN MERCER'S BACK IN TOWN. 423 00:23:01,514 --> 00:23:03,082 WHAT'S THE PLAY? WHAT DO YOU WANT ME TO DO? 424 00:23:03,115 --> 00:23:06,419 - STAY WITH JOAN, WORK IN THE D.P.D. 425 00:23:06,453 --> 00:23:07,654 - THIS WAS SUPPOSED TO BE TEMPORARY. 426 00:23:07,687 --> 00:23:09,822 - THINGS HAVE CHANGED. 427 00:23:09,856 --> 00:23:12,825 THINGS ARE CHANGING. I LIKE YOU, JAI. 428 00:23:12,859 --> 00:23:14,594 BUT THE BEST THING FOR YOU RIGHT NOW 429 00:23:14,627 --> 00:23:16,863 MIGHT BE TO GET SOME DISTANCE FROM ME. 430 00:23:16,896 --> 00:23:18,164 - THAT'S FUNNY. 431 00:23:18,197 --> 00:23:20,567 SOMEONE ELSE GAVE ME THE EXACT SAME ADVICE. 432 00:23:20,600 --> 00:23:23,536 - SOMEONE MIGHT BE LOOKING OUT FOR YOU. 433 00:23:28,641 --> 00:23:31,711 - HI, I'M LOUIS, FROM IN-EXTREMIS CARPET CLEANERS. 434 00:23:31,744 --> 00:23:33,713 YOUR SISTER HIRED US. 435 00:23:33,746 --> 00:23:36,849 - OH, YEAH. WOW, YOU GUYS SURE ARE PROMPT. 436 00:23:36,883 --> 00:23:39,786 YEAH, YOU KNOW, IT'S--IT'S NOT REALLY THAT BIG A SPILL. 437 00:23:39,819 --> 00:23:41,187 - IT'S NOT THE SIZE OF THE SPILL, 438 00:23:41,220 --> 00:23:44,090 IT'S THE DEPTH AND VISCOSITY OF THE RADIAL BLOT. 439 00:23:44,123 --> 00:23:46,959 - DO MY KIDS AND I HAVE TO LEAVE THE HOUSE? 440 00:23:46,993 --> 00:23:48,495 - YOU'RE WELCOME TO STAY. 441 00:23:48,528 --> 00:23:49,962 YOU MAY GET A LITTLE LIGHT-HEADED. 442 00:23:49,996 --> 00:23:52,198 - I THINK WE'LL GO. 443 00:23:52,231 --> 00:23:54,467 CHLOE! KATIA! 444 00:23:59,739 --> 00:24:01,073 - WE'RE IN. 445 00:24:01,107 --> 00:24:02,575 COMMENCING SWEEP. 446 00:24:02,609 --> 00:24:05,612 [camera clicks] 447 00:24:09,982 --> 00:24:12,885 [camera clicks] 448 00:24:12,919 --> 00:24:15,154 [camera clicks] 449 00:24:17,524 --> 00:24:20,527 [camera clicks] 450 00:24:41,013 --> 00:24:42,248 - AUGGIE, I FOUND YOU. 451 00:24:42,281 --> 00:24:44,283 - DON'T INTERRUPT ME, I'LL LOSE MY COUNT. 452 00:24:44,316 --> 00:24:46,853 4,005, 4,006... 453 00:24:46,886 --> 00:24:50,056 - HAVE WE DRILLED DOWN ON MOROZOV? 454 00:24:50,089 --> 00:24:51,624 HE'S BEEN AT NADIA'S PRACTICE SESSION 455 00:24:51,658 --> 00:24:52,859 FOR THE SECOND CONSECUTIVE DAY. 456 00:24:52,892 --> 00:24:54,561 HE'S WATCHING HER LIKE A HAWK. 457 00:24:54,594 --> 00:24:55,828 - WAIT, YOU'RE STAKING OUT NADIA 458 00:24:55,862 --> 00:24:57,263 EVEN AFTER JOAN TOLD YOU TO DROP IT? 459 00:24:57,296 --> 00:24:59,699 - OKAY, YEAH. I HAVE. 460 00:24:59,732 --> 00:25:01,534 - THAT'S A PRETTY HUGE BREECH OF PROTOCOL. 461 00:25:01,568 --> 00:25:03,202 - BUT I KNOW SOMETHING IS GOING ON. 462 00:25:03,235 --> 00:25:05,638 IT'S LIKE THE O'NEAL AFFAIR IN 1962, 463 00:25:05,672 --> 00:25:07,273 WHEN THAT VIOLINIST FROM THE NEW YORK PHILHARMONIC 464 00:25:07,306 --> 00:25:08,608 WAS MURDERED IN MOSCOW. 465 00:25:08,641 --> 00:25:12,679 - ANNIE, LISTEN TO YOURSELF. 466 00:25:12,712 --> 00:25:14,647 YOU'VE BEEN THROUGH A LOT THE PAST FEW WEEKS-- 467 00:25:14,681 --> 00:25:17,884 WITH SRI LANKA, WITH GUAM, WITH BEN... 468 00:25:17,917 --> 00:25:20,587 I'M WORRIED IT'S MAKING YOU PARANOID. 469 00:25:20,620 --> 00:25:22,955 - NO. 470 00:25:22,989 --> 00:25:24,724 MAYBE. 471 00:25:24,757 --> 00:25:27,293 - LOOK, IN OUR LINE OF WORK, THERE IS A VERY THIN LINE 472 00:25:27,326 --> 00:25:28,861 BETWEEN INTUITION AND PARANOIA. 473 00:25:28,895 --> 00:25:31,831 OUR JOB IS TO WALK RIGHT UP TO THAT LINE. 474 00:25:31,864 --> 00:25:34,867 BUT NEVER TO CROSS IT. 475 00:25:36,268 --> 00:25:40,607 I'M WORRIED ABOUT YOU, AS AN OPERATIVE AND A FRIEND. 476 00:25:40,640 --> 00:25:43,643 - I'M FINE. - YOU WILL BE. 477 00:25:46,378 --> 00:25:48,314 AND YOU MAY NOT WANNA HEAR THIS, 478 00:25:48,347 --> 00:25:52,785 BUT HOLMAN'S SWEEP OF YOUR APARTMENT CAME BACK CLEAN. 479 00:25:52,819 --> 00:25:55,021 THE BREAK-IN WAS PROBABLY JUST A COUPLE OF KIDS. 480 00:25:58,390 --> 00:25:59,959 - OH. 481 00:25:59,992 --> 00:26:01,961 - WHY DON'T YOU TAKE THE REST OF THE DAY OFF? 482 00:26:01,994 --> 00:26:04,997 I'LL COVER IT WITH JOAN. 483 00:26:07,667 --> 00:26:10,670 - THANKS, AUGGIE. 484 00:26:27,419 --> 00:26:30,690 COMFORT FOOD! 485 00:26:30,723 --> 00:26:32,224 [bag crinkles] 486 00:26:32,258 --> 00:26:33,726 [giggles] WE BOTH NEED-- 487 00:26:48,207 --> 00:26:49,709 EXCUSE ME. 488 00:26:49,742 --> 00:26:51,243 WHERE DID THEY MOVE BEN MERCER? 489 00:26:51,277 --> 00:26:53,012 - WHO? 490 00:26:53,045 --> 00:26:55,114 - BEN MERCER. ROOM 202. 491 00:26:55,147 --> 00:26:57,183 [typing] - SORRY. 492 00:26:57,216 --> 00:26:58,985 THERE'S NO ONE HERE UNDER THAT NAME. 493 00:26:59,018 --> 00:27:00,720 - HE WAS HERE. 494 00:27:00,753 --> 00:27:03,756 - THERE'S NO RECORD OF ANYONE BY THAT NAME STAYING HERE. 495 00:27:17,904 --> 00:27:20,973 [loud clanging] 496 00:27:23,342 --> 00:27:25,344 - ANNIE? - I KNOW I'M PROBABLY 497 00:27:25,377 --> 00:27:27,680 BREAKING CIA REGULATIONS BY COMING TO YOUR HOUSE, 498 00:27:27,714 --> 00:27:30,717 AND THIS IS OVER THE LINE ON ABOUT NINE OTHER LEVELS, 499 00:27:30,750 --> 00:27:35,187 BUT I LITERALLY DIDN'T KNOW WHO ELSE TO TALK TO. 500 00:27:43,129 --> 00:27:44,430 - WHAT'S GOING ON? 501 00:27:44,463 --> 00:27:46,265 - DO YOU KNOW WHAT HAPPENED TO BEN? 502 00:27:47,934 --> 00:27:51,938 I NEED TO KNOW. 503 00:27:51,971 --> 00:27:56,242 - I UNDERSTAND THAT THIS IS HARD FOR YOU. 504 00:27:56,275 --> 00:28:00,346 AND...WHAT I THINK WILL MAKE IT A LITTLE EASIER 505 00:28:00,379 --> 00:28:02,414 IS FOR YOU TO SEPARATE OUT YOUR FEELINGS FOR BEN 506 00:28:02,448 --> 00:28:04,216 AND THINK OF HIM AS AN ASSET. 507 00:28:04,250 --> 00:28:08,087 BEN WOULD REPRESENT A HIGH-RISK, HIGH-REWARD INDIVIDUAL. 508 00:28:08,120 --> 00:28:09,822 DOES THAT MAKE SENSE? - I THINK SO. 509 00:28:09,856 --> 00:28:12,959 - SO ON A HUMAN LEVEL, WHAT THAT MEANS IS 510 00:28:12,992 --> 00:28:16,362 THAT AS EXHILARATING AS YOUR TIME IS WITH BEN, 511 00:28:16,395 --> 00:28:19,098 WHEN HE GOES MISSING OR DOES SOMETHING DUPLICITOUS, 512 00:28:19,131 --> 00:28:21,100 YOU HAVE TO ACCEPT THAT. 513 00:28:21,133 --> 00:28:23,502 THERE ARE ALWAYS GOING TO BE QUESTIONS WITH BEN. 514 00:28:23,535 --> 00:28:25,838 - I'M BEGINNING TO SEE THAT. 515 00:28:25,872 --> 00:28:29,008 - AND IN ANSWER TO YOUR ORIGINAL QUESTION, 516 00:28:29,041 --> 00:28:30,376 I THINK YOU'RE A STRONG ENOUGH OPERATIVE NOW 517 00:28:30,409 --> 00:28:33,813 TO INTUIT MY RESPONSE. 518 00:28:33,846 --> 00:28:36,315 - WELL, THE FACT THAT YOU DIDN'T DIRECTLY ANSWER MY QUESTION 519 00:28:36,348 --> 00:28:39,852 MEANS THAT YOU KNOW WHERE HE IS. 520 00:28:39,886 --> 00:28:41,921 AND THE FACT THAT YOU'RE NOT YELLING AT ME, 521 00:28:41,954 --> 00:28:44,957 MEANS HE'S PROBABLY SAFE. 522 00:28:47,393 --> 00:28:50,396 - SEE YOU AT THE OFFICE, ANNIE. 523 00:28:53,165 --> 00:28:55,868 - I JUST DON'T GET IT. WHY DID THEY MOVE BEN? 524 00:28:55,902 --> 00:28:57,303 - I DON'T KNOW. 525 00:28:57,336 --> 00:28:59,405 WE WORK IN A JOB WITH A LOT OF "I DON'T KNOWS." 526 00:28:59,438 --> 00:29:01,307 - DID YOUR TEAM FIND OUT ANYTHING ABOUT GUAM? 527 00:29:01,340 --> 00:29:02,541 - WE DID. 528 00:29:02,574 --> 00:29:05,477 THE WOULD-BE ASSASSINS WERE A BELGIAN AND A FIN WHO NEVER 529 00:29:05,511 --> 00:29:07,246 WORKED TOGETHER BEFORE. - WHAT DOES THAT MEAN? 530 00:29:07,279 --> 00:29:09,215 WHAT'S THE LINKAGE BETWEEN THE TWO? 531 00:29:09,248 --> 00:29:11,350 - WELL, THE LINKAGE IS BEN. 532 00:29:11,383 --> 00:29:13,085 SOMEONE WANTED HIM DEAD, 533 00:29:13,119 --> 00:29:15,054 AND THEY HIRED THE TWO PERFECT PEOPLE TO DO IT. 534 00:29:15,087 --> 00:29:17,957 THE BELGIAN'S AN EXPERT IN MILITARY SECURITY SYSTEMS, 535 00:29:17,990 --> 00:29:20,026 THE FIN IS A WEAPONS SPECIALIST. 536 00:29:20,059 --> 00:29:23,395 TOGETHER, THEY HAD SKILLS AND ACCESS. 537 00:29:23,429 --> 00:29:26,432 OTHER THAN THAT, THERE'S NO PROFILE. 538 00:29:28,534 --> 00:29:30,970 - ACCESS. 539 00:29:31,003 --> 00:29:32,071 WE GOTTA GO. 540 00:29:32,104 --> 00:29:33,405 - WHAT? REALLY? 541 00:29:33,439 --> 00:29:35,307 I DON'T GET TO FINISH MY BEER? - YOU REALLY DON'T. 542 00:29:35,341 --> 00:29:36,943 LET'S GO. 543 00:29:36,976 --> 00:29:39,979 [applause] 544 00:29:47,887 --> 00:29:49,155 - OKAY, CAN YOU HOLD THIS? 545 00:29:49,188 --> 00:29:50,256 [horn honking] OOH. 546 00:29:50,289 --> 00:29:51,858 - OKAY, I CAN'T SEE THE SPEEDOMETER, 547 00:29:51,891 --> 00:29:54,994 BUT I'M GONNA ASK YOU TO SLOW DOWN. 548 00:29:55,027 --> 00:29:56,495 [phone ringing] 549 00:29:56,528 --> 00:29:58,030 - HELLO? - JAI, IT'S ANNIE. 550 00:29:58,064 --> 00:29:59,198 I JUST EMAILED YOU SOME PHOTOS. 551 00:29:59,231 --> 00:30:01,533 CAN YOU RUN THEM THROUGH THE FACIAL RECOGNITION DATABASE? 552 00:30:01,567 --> 00:30:04,203 - SURE, GIVE ME A MINUTE. - YOU'RE LOOPING IN JAI? 553 00:30:04,236 --> 00:30:06,138 NOW I REALLY WISH WE'D STAYED AT THE BAR. 554 00:30:06,172 --> 00:30:07,239 - I WAS WRONG ABOUT NADIA. 555 00:30:07,273 --> 00:30:08,540 - YES, I KNOW. I TOLD YOU THAT. 556 00:30:08,574 --> 00:30:10,809 - NO, SOMEONE'S IN DANGER, BUT IT'S NOT NADIA. 557 00:30:14,046 --> 00:30:15,381 IT'S MOROZOV. 558 00:30:18,885 --> 00:30:21,120 NADIA'S THE ASSASSIN. 559 00:30:21,153 --> 00:30:23,522 YOU WERE RIGHT, IT'S ALL ABOUT ACCESS. 560 00:30:23,555 --> 00:30:26,092 AND NADIA CAN GET TO MOROZOV WITHOUT RAISING EYEBROWS. 561 00:30:26,125 --> 00:30:29,295 - WHY NOW? NADIA IS MOROZOV'S MISTRESS, 562 00:30:29,328 --> 00:30:31,130 SHE'S BEEN CLOSE TO HIM FOR THREE YEARS. 563 00:30:31,163 --> 00:30:32,464 SHE COULD'VE DONE IT AT ANY TIME. 564 00:30:32,498 --> 00:30:35,501 - BECAUSE NOW NADIA CAN BUY GOOD CHOCOLATE IN ESTONIA. 565 00:30:35,534 --> 00:30:37,036 - SEE, YOU WERE STARTING TO MAKE SENSE. 566 00:30:37,069 --> 00:30:38,437 AND NOW YOU'RE MAKING LESS SENSE. 567 00:30:42,274 --> 00:30:43,075 [cheers and applause] 568 00:30:43,109 --> 00:30:45,377 - ESTONIA JUST PEGGED TO THE EURO. 569 00:30:45,411 --> 00:30:47,546 IT'S OPENING UP OPPORTUNITIES FOR FOREIGN INVESTMENT. 570 00:30:47,579 --> 00:30:49,581 MOROZOV PROBABLY KNOWS THAT HE COULD MAKE A MINT 571 00:30:49,615 --> 00:30:51,984 OFF HIS LAND HOLDINGS IF HE WASN'T TIED TO RUSSIA. 572 00:30:52,018 --> 00:30:54,153 AND THAT'S WHAT HE'S DOING HERE. 573 00:30:54,186 --> 00:30:55,654 [sighs] I SHOULD'VE REALIZED IT BEFORE. 574 00:30:55,687 --> 00:30:57,523 HE'S USING NADIA'S PRACTICES AS A PLACE 575 00:30:57,556 --> 00:30:58,724 TO TALK TO POTENTIAL BIDDERS. 576 00:30:58,757 --> 00:31:01,260 - GOING AGAINST THE KREMLIN WOULD BE A SUICIDE MISSION. 577 00:31:01,293 --> 00:31:02,661 - YEAH, AND MOROZOV KNOWS THAT. 578 00:31:02,694 --> 00:31:04,130 - HEY. - THAT WAS FAST. 579 00:31:04,163 --> 00:31:05,364 THAT'S 'CAUSE I DON'T NEED TO RUN THIS 580 00:31:05,397 --> 00:31:06,365 THROUGH THE DATABASE. 581 00:31:06,398 --> 00:31:08,534 THE MAN IN ONE OF THE PHOTOS IS PETER KUYT. 582 00:31:08,567 --> 00:31:10,402 A KNOWN SOUTH AFRICAN MINING MAGNATE. 583 00:31:10,436 --> 00:31:12,972 - PETER KUYT? THANKS. 584 00:31:13,005 --> 00:31:15,274 - PETER KUYT'S NO FRIEND OF THE KREMLIN. 585 00:31:15,307 --> 00:31:17,977 - MOROZOV IS DOUBLE DEALING AND NADIA'S CAUGHT IN THE MIDDLE. 586 00:31:18,010 --> 00:31:19,545 I NEED TO TALK TO NADIA. 587 00:31:19,578 --> 00:31:21,380 - YOU GOT A PLAN? 588 00:31:21,413 --> 00:31:22,949 - WE HAVE A PLAN. 589 00:31:22,982 --> 00:31:24,917 - [chuckles] 590 00:31:27,686 --> 00:31:30,889 [applause] 591 00:31:43,702 --> 00:31:45,537 - THANK YOU. 592 00:31:45,571 --> 00:31:48,540 UM, A-5. - THIS IS MY SEAT. 593 00:31:48,574 --> 00:31:50,242 - NOPE, THAT'S MY SEAT. 594 00:31:50,276 --> 00:31:53,045 - THE MATCH IS ALMOST OVER. 595 00:31:53,079 --> 00:31:54,380 - TRAFFIC WAS A BEAR. 596 00:31:54,413 --> 00:31:55,982 AT LEAST THAT'S WHAT MY DRIVER TOLD ME. 597 00:31:56,015 --> 00:31:57,583 - YOU ARE BLIND. - SO? 598 00:31:57,616 --> 00:31:59,551 I STILL DESERVE A SEAT. I DO ENJOY TENNIS. 599 00:31:59,585 --> 00:32:01,620 MAYBE NOT THE SAME WAY-- - I DIDN'T-- 600 00:32:01,653 --> 00:32:03,089 - DIDN'T WHAT? DIDN'T MEAN TO STEAL 601 00:32:03,122 --> 00:32:04,256 THE BLIND MAN'S SEAT? OR CARE-- 602 00:32:04,290 --> 00:32:05,657 HEY, GET YOUR HANDS OFF OF ME. 603 00:32:05,691 --> 00:32:07,526 LOOK, JUST LOOK AT MY TICKET, MAN. 604 00:32:09,561 --> 00:32:12,564 - LET ME SEE. 605 00:32:22,441 --> 00:32:24,410 LET'S GO FIGURE THIS OUT TOGETHER. 606 00:32:24,443 --> 00:32:26,745 I'LL WALK YOU UP TO THE TICKET BOOTH. 607 00:32:26,778 --> 00:32:30,482 - OKAY. 608 00:32:30,516 --> 00:32:32,684 DON'T LOOK BACK. WALK QUICKLY BUT CALMLY. 609 00:32:44,430 --> 00:32:46,765 - HELLO! - AREA'S OFF-LIMITS. 610 00:32:46,798 --> 00:32:48,634 - YEAH, I'M NADIA LEVANDI'S PERSONAL CONCIERGE. 611 00:32:48,667 --> 00:32:50,302 SHE HASN'T FINISHED YET, HAS SHE? 612 00:32:50,336 --> 00:32:52,038 JUST, UH... 613 00:32:52,071 --> 00:32:55,741 - DROP IT. 614 00:32:55,774 --> 00:32:57,409 - NADIA WANTED AN APPLE 615 00:32:57,443 --> 00:32:59,311 TO HELP HER BLOOD SUGAR AFTER THE MATCH. 616 00:32:59,345 --> 00:33:02,181 SHE GOT MAD BECAUSE I GOT HER A FUJI, 617 00:33:02,214 --> 00:33:03,415 AND SHE ONLY EATS HONEYCRISPS. 618 00:33:03,449 --> 00:33:04,550 SO I HAD TO GO OUT AND GET HER THIS. 619 00:33:04,583 --> 00:33:07,586 [whispers] I DON'T WANNA GET FIRED. 620 00:33:12,791 --> 00:33:15,994 [cheers and applause] 621 00:33:34,480 --> 00:33:36,115 - HEY, NADIA... 622 00:33:36,148 --> 00:33:37,216 YOU NEED TO COME WITH ME. 623 00:33:37,249 --> 00:33:38,384 - I TOLD YOU TO LEAVE ME ALONE. 624 00:33:38,417 --> 00:33:40,819 - ALO'S SAFE. HE'S IN OUR CUSTODY. 625 00:33:40,852 --> 00:33:43,355 - NO. THEY'LL KILL ME. 626 00:33:43,389 --> 00:33:45,724 - THAT'S WHY YOU NEED TO COME WITH ME. 627 00:33:45,757 --> 00:33:48,760 THE CIA CAN PROTECT YOU. 628 00:33:52,464 --> 00:33:55,434 THANK YOU. 629 00:33:55,467 --> 00:33:56,635 - NADIA! 630 00:33:56,668 --> 00:33:59,671 [gunfire] 631 00:34:08,647 --> 00:34:10,349 - SO I TAKE IT YOUR COACH IS F.S.B.? 632 00:34:10,382 --> 00:34:13,385 - SHE THREATENED ME, I HAD NO CHOICE. 633 00:34:18,857 --> 00:34:22,128 [gunshot] 634 00:34:25,731 --> 00:34:27,433 - WHICH WAY'S THE FRONT ENTRANCE? 635 00:34:27,466 --> 00:34:29,101 - THE FRONT? - YEAH. 636 00:34:29,135 --> 00:34:31,370 - WE'LL BE TOTALLY EXPOSED. - TRUST ME. 637 00:34:31,403 --> 00:34:34,406 - IT'S THAT WAY. 638 00:34:37,376 --> 00:34:40,379 [gunfire] 639 00:34:46,918 --> 00:34:48,787 - HOW DID YOU KNOW THE ENGINE WOULD BE ON? 640 00:34:48,820 --> 00:34:50,622 - I DIDN'T. SOME OF THIS IS IMPROVISED. 641 00:34:50,656 --> 00:34:52,624 HOLD ON. [wheels screech] 642 00:35:09,308 --> 00:35:10,276 [gunfire] 643 00:35:10,309 --> 00:35:11,677 - OH, MY GOD! - STAY DOWN. 644 00:35:11,710 --> 00:35:14,346 [gunfire, glass shatters] 645 00:35:15,414 --> 00:35:16,548 [horn honking] 646 00:35:25,491 --> 00:35:29,861 - [yelling in Estonian] 647 00:35:29,895 --> 00:35:32,198 - YOU HAVE SOME MOUTH ON YOU. 648 00:35:32,231 --> 00:35:34,233 - YOU SPEAK ESTONIAN? - JUST THE SWEAR WORDS. 649 00:35:40,272 --> 00:35:44,743 [tires screech, horn honking] 650 00:35:44,776 --> 00:35:45,844 - WHERE ARE YOU GOING? 651 00:35:45,877 --> 00:35:47,379 - I HAVE A PLAN. 652 00:35:52,684 --> 00:35:53,685 HERE WE GO. 653 00:35:53,719 --> 00:35:56,722 HOLD ON. 654 00:36:08,300 --> 00:36:11,370 [loud knocking] 655 00:36:27,986 --> 00:36:30,389 - CHET LEGARDIE? - IN THE THREE-PIECE-CLAD FLESH. 656 00:36:30,422 --> 00:36:31,757 - WHAT ARE YOU DOING HERE? 657 00:36:31,790 --> 00:36:33,825 - WHAT AM I DOING HERE? 658 00:36:33,859 --> 00:36:37,829 YOUR HUSBAND HIRED ME. APPARENTLY AT YOUR SUGGESTION? 659 00:36:37,863 --> 00:36:39,798 SO I SUGGEST WE GO INSIDE AND START WORKING ON 660 00:36:39,831 --> 00:36:41,867 HIS LEGAL DEFENSE, BECAUSE THIS CONVERSATION 661 00:36:41,900 --> 00:36:45,704 IS ON THE CLOCK, AND MY CLOCK ISN'T CHEAP. 662 00:36:45,737 --> 00:36:48,507 - COME ON IN. 663 00:36:53,912 --> 00:36:55,547 - YOUR LAWYER'S HERE. 664 00:36:55,581 --> 00:36:57,383 - JUST SHOW ME THE CHAIR, PLEASE. 665 00:36:57,416 --> 00:36:59,017 GREAT, THANK YOU. 666 00:36:59,050 --> 00:37:03,622 HI. I'M JOE JACOBI, OF JACOBI AND THEISMAN. 667 00:37:03,655 --> 00:37:06,658 SO...GIVE ME THE STRAIGHT SCOOP, 668 00:37:06,692 --> 00:37:08,327 I'LL DO MY BEST TO GET YOU OFF. 669 00:37:08,360 --> 00:37:11,730 IF YOU LIE TO ME, AND I'LL KNOW YOU'RE LYING... 670 00:37:11,763 --> 00:37:14,966 I'LL LET YOU HANG, OKAY? 671 00:37:15,000 --> 00:37:18,370 I CAN'T TELL, ARE YOU NODDING? 672 00:37:18,404 --> 00:37:19,638 - YES. 673 00:37:19,671 --> 00:37:21,640 - SO YOU KIDS ARE JUST GETTING YOUR THRILLS 674 00:37:21,673 --> 00:37:25,511 STEALING BIKES, LOOSE CASH, THAT SORT OF THING? 675 00:37:25,544 --> 00:37:27,879 AGAIN WITH THE NODDING. - YES. 676 00:37:27,913 --> 00:37:30,716 - DID YOU BREAK INTO THE GARAGE OF 4141 P STREET? 677 00:37:30,749 --> 00:37:32,351 ANSWER ME, PLEASE. 678 00:37:32,384 --> 00:37:35,621 - YES. - ARE YOU SURE? 679 00:37:35,654 --> 00:37:37,756 - YES. - OKAY. 680 00:37:37,789 --> 00:37:40,959 GOOD. I'LL SEE WHAT I CAN DO. 681 00:37:40,992 --> 00:37:43,028 GOOD AFTERNOON, GENTLEMEN. OFFICER. 682 00:37:47,366 --> 00:37:50,402 - WAS THAT GUY REALLY OUR LAWYER? 683 00:38:06,017 --> 00:38:07,853 - UNFORTUNATELY, I HAVE SOME BAD NEWS. 684 00:38:07,886 --> 00:38:10,956 THE CIA CAN OFFER YOU ASYLUM IN THE U.S., 685 00:38:10,989 --> 00:38:12,358 BUT NOTHING FURTHER. 686 00:38:12,391 --> 00:38:15,494 NO MORE MONEY... A LIFE OF ANONYMITY. 687 00:38:16,828 --> 00:38:19,064 - I'LL NEVER PLAY PROFESSIONAL TENNIS AGAIN. 688 00:38:19,097 --> 00:38:21,099 - NO. 689 00:38:21,132 --> 00:38:24,670 BEING IN PUBLIC IS TOO GREAT OF A RISK. 690 00:38:24,703 --> 00:38:25,971 WE'VE ALREADY PULLED YOU FROM THIS TOURNAMENT 691 00:38:26,004 --> 00:38:28,940 DUE TO A SUDDEN HAMSTRING INJURY. 692 00:38:28,974 --> 00:38:30,709 - AT LEAST I CAN EAT MY CHOCOLATE BARS NOW 693 00:38:30,742 --> 00:38:33,779 WITHOUT THE FEAR OF RECRIMINATION. 694 00:38:33,812 --> 00:38:36,815 - AND YOU WENT OUT WITH A WIN. 695 00:38:41,019 --> 00:38:43,589 I KNOW THIS WHOLE THING IS TERRIBLE. 696 00:38:43,622 --> 00:38:44,756 BUT THIS IS YOUR LIFE NOW, 697 00:38:44,790 --> 00:38:46,324 AND YOU'RE GONNA NEED TO ACCEPT IT. 698 00:38:47,726 --> 00:38:49,428 - THANK YOU. 699 00:38:49,461 --> 00:38:51,630 - FOR WHAT? 700 00:38:51,663 --> 00:38:54,933 - FOR NOT TRYING TO MAKE ME HAPPIER THAN I SHOULD BE. 701 00:38:54,966 --> 00:38:58,069 AMERICANS ARE ALWAYS TRYING TO CHANGE THINGS. 702 00:38:58,103 --> 00:39:00,071 BUT ESTONIAN HEART IS BLACK. 703 00:39:00,105 --> 00:39:03,074 WE KNOW WHEN FATE HAS TURNED ON US. 704 00:39:03,108 --> 00:39:05,110 - SO WHAT DO YOU DO? 705 00:39:05,143 --> 00:39:07,045 - YOU LIVE. 706 00:39:07,078 --> 00:39:09,415 IT'S STILL LIVING. 707 00:39:09,448 --> 00:39:12,718 - I DON'T WANNA JUST LIVE. I WANT MORE THAN THAT. 708 00:39:12,751 --> 00:39:14,753 - [chuckles] 709 00:39:14,786 --> 00:39:17,923 YOU'RE TRULY NOT ESTONIAN. 710 00:39:17,956 --> 00:39:20,959 - NO. I GUESS I'M NOT. 711 00:39:24,830 --> 00:39:27,533 GOOD LUCK, NADIA. 712 00:39:42,981 --> 00:39:45,984 [car door opens] 713 00:39:48,620 --> 00:39:50,188 - I LOVE THIS VIEW. 714 00:39:50,221 --> 00:39:51,823 IT ALWAYS SEEMS LIKE YOU'RE CLOSER TO THE CAPITOL 715 00:39:51,857 --> 00:39:54,059 THAN YOU REALLY ARE. IT'S A MATTER OF PERSPECTIVE. 716 00:39:54,092 --> 00:39:56,495 - WERE YOU FOLLOWED? - TRUST ME. 717 00:39:56,528 --> 00:39:58,530 WITH ALL I GOT GOING ON IN MY LIFE, 718 00:39:58,564 --> 00:40:00,532 I TOOK NO CHANCES. 719 00:40:00,566 --> 00:40:03,669 WELCOME BACK TO THE AGENCY, MR. MERCER. 720 00:40:03,702 --> 00:40:05,504 I MUST SAY, WHILE YOU WERE AWAY, 721 00:40:05,537 --> 00:40:07,439 I ADMIRED YOUR WORK. YOU HELPED US. 722 00:40:07,473 --> 00:40:10,909 YOU HELPED ME OUT A LOT OF DICEY SITUATIONS. 723 00:40:10,942 --> 00:40:13,011 HOW WOULD YOU LIKE TO CONTINUE TO DO THAT? 724 00:40:13,044 --> 00:40:15,514 BUT THIS TIME, WITH AGENCY RESOURCES. 725 00:40:15,547 --> 00:40:18,950 FULL AUTONOMY. OFF THE BOOKS. 726 00:40:18,984 --> 00:40:20,986 - ONE CONDITION. 727 00:40:21,019 --> 00:40:23,689 - WHAT IS IT? 728 00:40:23,722 --> 00:40:25,023 - I WANNA TALK TO ANNIE. 729 00:40:25,056 --> 00:40:26,858 - YOU KNOW THAT'S NOT POSSIBLE. 730 00:40:26,892 --> 00:40:29,661 THERE'S A REASON WHY YOU HAVEN'T CONTACTED HER IN TWO YEARS. 731 00:40:29,695 --> 00:40:31,763 SHE'S A SECURITY RISK TO SOMEONE LIKE YOU. 732 00:40:31,797 --> 00:40:33,532 AND YOU FOR HER. 733 00:40:33,565 --> 00:40:36,067 - I NEED TO SEE HER. 734 00:40:36,101 --> 00:40:39,538 - HM. 735 00:40:39,571 --> 00:40:42,908 HOW ABOUT THIS... 736 00:40:42,941 --> 00:40:45,844 STAY IN YOUR LANE, COMPLETE YOUR MISSIONS, 737 00:40:45,877 --> 00:40:47,979 AND I'LL SEE IF WE CAN'T FIND A WAY TO BRING YOU BACK IN. 738 00:40:48,013 --> 00:40:51,550 - TYPICAL AGENCY CARROT-AND-STICK BEHAVIOR. 739 00:40:51,583 --> 00:40:52,818 - YES, IT IS. 740 00:40:59,257 --> 00:41:02,460 GOOD TALK. 741 00:41:05,664 --> 00:41:06,932 [car door closes] 742 00:41:25,183 --> 00:41:28,587 [phone ringing] 743 00:41:28,620 --> 00:41:30,088 - HEY. YOU NEED ME TO COME IN? 744 00:41:30,121 --> 00:41:31,757 - EASY THERE, WORKER BEE. 745 00:41:31,790 --> 00:41:34,593 I'M JUST CALLING TO CHECK IN AND SEE HOW YOU'RE HOLDING UP. 746 00:41:34,626 --> 00:41:36,795 - I'VE BEEN BETTER. 747 00:41:36,828 --> 00:41:38,697 DO YOU WANNA MEET ME AT THE TAVERN? 748 00:41:38,730 --> 00:41:41,266 [walking stick clicking] 749 00:41:41,299 --> 00:41:42,968 - SURE. 750 00:41:43,001 --> 00:41:45,036 - HEY. - HEY. 751 00:41:45,070 --> 00:41:49,841 AM I GONNA GET TO FINISH MY BEER THIS TIME? 752 00:41:49,875 --> 00:41:52,077 - NOT ONLY THAT... I'M BUYING. 753 00:41:53,344 --> 00:41:56,548 Captioning by CaptionMax www.captionmax.com 51283

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