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CAPTIONING MADE POSSIBLE BY
PARAMOUNT PICTURES CORPORATION
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(ENGINE STARTS)
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(PIANO PLAYS)
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00:01:06,800 --> 00:01:10,638
* IN THE MORNING,
WHEN I WAKE UP *
5
00:01:10,671 --> 00:01:13,474
* AND LISTEN TO THE SOUND
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00:01:13,507 --> 00:01:19,247
* OF THE BIRDS OUTSIDE
ON THE ROOF *
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00:01:20,881 --> 00:01:27,155
* I TRY TO IGNORE
WHAT THE PAPER SAYS *
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00:01:27,188 --> 00:01:34,162
* AND I TRY NOT
TO READ ALL THE NEWS *
9
00:01:34,195 --> 00:01:40,868
* AND I'LL HOLD YOU
IF YOU HAD A BAD DREAM *
10
00:01:40,901 --> 00:01:47,575
* AND I HOPE
IT NEVER COMES TRUE *
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00:01:47,608 --> 00:01:54,582
* 'CAUSE YOU AND I BEEN THROUGH
SO MANY THINGS TOGETHER *
12
00:01:54,615 --> 00:02:01,555
* AND THE SUN
STARTS CLIMBING THE ROOF *
13
00:02:01,589 --> 00:02:03,691
* IT'S A DREAM
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00:02:03,724 --> 00:02:07,695
* ONLY A DREAM
15
00:02:07,728 --> 00:02:13,901
* AND IT'S FADING NOW
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00:02:13,934 --> 00:02:17,571
* FADING AWAY
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00:02:17,605 --> 00:02:21,809
* ONLY A DREAM
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00:02:21,842 --> 00:02:24,778
* JUST A MEMORY
WITHOUT ANY... *
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00:02:24,812 --> 00:02:26,780
YOU COME HERE
TO MAKE A RECORD,
20
00:02:26,814 --> 00:02:29,783
AND YOU'VE GOT
GREAT MUSICIANS,
21
00:02:29,817 --> 00:02:31,352
YOU KNOW,
AND I ALWAYS GATHER
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00:02:31,385 --> 00:02:33,887
MY OWN FRIENDS AROUND THAT
I PICK, YOU KNOW, TO PLAY.
23
00:02:33,921 --> 00:02:35,323
I DON'T REALLY GO FOR
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00:02:35,356 --> 00:02:38,892
THE STUDIO MUSICIAN GUYS
THAT MUCH, YOU KNOW.
25
00:02:38,926 --> 00:02:40,228
I DON'T COME IN
AND SAY,
26
00:02:40,261 --> 00:02:41,662
"GET ME THIS
AND GET ME THAT."
27
00:02:41,695 --> 00:02:43,931
BUT I HAVE MY OWN BAND
28
00:02:43,964 --> 00:02:45,599
AND I LIKE TO PLAY
ON THE ROAD
29
00:02:45,633 --> 00:02:47,401
WITH THE SAME BAND
I USE IN THE STUDIO.
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00:02:47,435 --> 00:02:49,870
I'VE BEEN WORKING WITH NEIL
FOR 35...
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00:02:49,903 --> 00:02:51,405
SINCE '70,
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00:02:51,439 --> 00:02:54,942
AND WE CUT HARVEST
HERE IN NASHVILLE.
33
00:02:54,975 --> 00:02:57,411
HE WAS DOING
THE JOHNNY CASH SHOW
34
00:02:57,445 --> 00:03:00,614
AND, UH, HE SHOWED UP
AT THAT STUDIO,
35
00:03:00,648 --> 00:03:03,917
QUADRAPHONIC, DOWN ON
GRAND AVENUE, I THINK,
36
00:03:03,951 --> 00:03:07,255
AND, UM, HE WANTED TO, UH,
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00:03:07,288 --> 00:03:10,424
DO SOME MUSIC THAT
HE HAD WRITTEN RECENTLY.
38
00:03:10,458 --> 00:03:12,360
AND THIS WAS IN
THE SEVENTIES.
39
00:03:12,393 --> 00:03:17,498
AND, UH, HE STOPPED--
ONE OF THE ENGINEERS
40
00:03:17,531 --> 00:03:19,433
STOPPED A BASS PLAYER WHO
WAS WALKING DOWN THE STREET
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00:03:19,467 --> 00:03:21,635
AND SAID, "YOU WANNA COME IN
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AND DO SOME, SOME MUSIC
WITH NEIL YOUNG?"
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AND HE SAID, "SURE."
SO HE CAME IN.
44
00:03:26,274 --> 00:03:27,841
IT WAS TIM DRUMMON
WAS THE BASS PLAYER'S NAME.
45
00:03:27,875 --> 00:03:33,281
AND THEY ASKED HIM IF NEIL
WANTED A STEEL GUITAR PLAYER.
46
00:03:33,314 --> 00:03:34,748
AND I LIVED ABOUT TWO BLOCKS
DOWN THE STREET,
47
00:03:34,782 --> 00:03:39,653
AND, UH, SO HE CALLED ME UP
AND I CAME DOWN.
48
00:03:39,687 --> 00:03:43,257
AND THEY WERE ALREADY
RECORDING AT THE TIME
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00:03:43,291 --> 00:03:46,427
AND, UH, I SET UP MY STEEL
AND KINDA SNUCK IN THERE
50
00:03:46,460 --> 00:03:51,532
AND, UH, STARTED PLAYING
AND WE DID 5 SONGS
51
00:03:51,565 --> 00:03:55,403
BEFORE WE EVER STOPPED
AND INTRODUCED OURSELVES.
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00:03:55,436 --> 00:03:57,271
MY FAMILY USED TO DRIVE UP
53
00:03:57,305 --> 00:03:59,607
FROM, FROM BIRMINGHAM,
ALABAMA AREA,
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00:03:59,640 --> 00:04:04,678
AND WE WOULD GO, UH,
TRY TO MAKE IT UP
55
00:04:04,712 --> 00:04:06,314
AT LEAST ONCE A MONTH
AND A LOT OF TIMES
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00:04:06,347 --> 00:04:07,381
WE MADE IT UP TWICE A MONTH
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00:04:07,415 --> 00:04:11,018
TO, UH, COME TO THE RYMAN
TO SEE THE GRAND OLE OPRY
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00:04:11,051 --> 00:04:14,388
AND TO HAVE BREAKFAST
WITH THE STARS,
59
00:04:14,422 --> 00:04:16,757
AS THEY SAID DOWN ON
BROADWAY BACK THEN.
60
00:04:16,790 --> 00:04:20,461
THERE WAS A LITTLE...
A LITTLE RADIO SHOW
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00:04:20,494 --> 00:04:23,864
THAT PEOPLE THAT WAS GONNA GO
DOWN TO THE RYMAN THAT NIGHT
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00:04:23,897 --> 00:04:26,500
COULD GO DOWN AND EAT BREAKFAST
WITH ALL THE PEOPLE
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00:04:26,534 --> 00:04:29,970
THAT...THAT WERE SOBER
ENOUGH THE NEXT MORNING
64
00:04:30,003 --> 00:04:33,040
TO...TO HAVE BREAKFAST.
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00:04:33,073 --> 00:04:35,075
I PERFORMED AT THE RYMAN
ONE TIME
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00:04:35,108 --> 00:04:38,646
WITH MY SONGWRITING
FRIEND, DAN PENN,
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00:04:38,679 --> 00:04:42,350
AND WE WERE INVITED
TO PLAY WITH, UM,
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00:04:42,383 --> 00:04:45,386
THEY CALLED IT "THE LEGENDARY
SONGWRITERS SERIES"
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00:04:45,419 --> 00:04:48,389
OR SOMETHING, AND THAT
WAS A LOT OF FUN, YOU KNOW.
70
00:04:48,422 --> 00:04:49,923
AND THAT PLACE
71
00:04:49,957 --> 00:04:52,092
HAS GREAT ACOUSTICS,
I THINK, YOU KNOW.
72
00:04:52,125 --> 00:04:54,962
IT'S JUST,
YOU CAN CRANK IT OUT
73
00:04:54,995 --> 00:04:56,530
WITHOUT TRYING TOO HARD.
74
00:04:56,564 --> 00:04:57,665
A LOT OF, YOU KNOW,
THE VOLUME
75
00:04:57,698 --> 00:04:59,667
CARRIES REAL WELL THERE,
SEEMED LIKE.
76
00:04:59,700 --> 00:05:02,403
THE RYMAN AUDITORIUM IS...
THERE'S SUCH A VIBE IN THERE
77
00:05:02,436 --> 00:05:04,438
IT'S--THERE'S A SOUND
IN THERE
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00:05:04,472 --> 00:05:06,540
THAT IS UNLIKE
ANY OTHER PLACE,
79
00:05:06,574 --> 00:05:09,109
AND, UH, THAT'S REALLY NICE
80
00:05:09,142 --> 00:05:11,679
BECAUSE, UH, SOME PLACES
YOU COME IN,
81
00:05:11,712 --> 00:05:13,414
AND THEY SOUND LIKE
A BIG TIN CAN
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00:05:13,447 --> 00:05:15,549
AND, UH, THERE'S
SOMETHING ABOUT IT.
83
00:05:15,583 --> 00:05:17,685
OBVIOUSLY, THERE'S A LOT
OF STORIES IN THIS BUILDING,
84
00:05:17,718 --> 00:05:19,687
AND I'M SURE GLAD
THEY DIDN'T TEAR IT DOWN.
85
00:05:19,720 --> 00:05:21,789
THEY WERE APPARENTLY
GOING TO TEAR IT DOWN.
86
00:05:21,822 --> 00:05:25,826
BUT NOW THEY'RE BUILDING
A HIGH-RISE ON THE SIDE
87
00:05:25,859 --> 00:05:27,628
WHERE THOSE BEAUTIFUL
STAINED GLASS WINDOWS ARE.
88
00:05:27,661 --> 00:05:29,663
IT'S GOING TO BLOCK OUT
THE LIGHT.
89
00:05:29,697 --> 00:05:31,432
AND I DON'T KNOW HOW
ANYBODY COULD...
90
00:05:31,465 --> 00:05:33,701
THAT...THAT SHOULD BE
ILLEGAL, YOU KNOW.
91
00:05:33,734 --> 00:05:39,607
LIKE THE ARTISTIC POLICE OR
THE AESTHETIC POLICE SHOULD...
92
00:05:39,640 --> 00:05:43,644
IF THERE WAS SUCH A THING,
SHOULD COME AND ARREST THEM.
93
00:05:43,677 --> 00:05:45,579
WELL, THIS LAST PROJECT,
I MEAN,
94
00:05:45,613 --> 00:05:47,648
HE MADE A STATEMENT TO ME
AND I DIDN'T BELIEVE IT.
95
00:05:47,681 --> 00:05:50,451
HE SAID, UM,
"IT'S BEEN TWO YEARS
96
00:05:50,484 --> 00:05:53,454
SINCE I, UM, WROTE
FOR SOMETHING," RIGHT?
97
00:05:53,487 --> 00:05:55,456
AND WE GOT TO THE HOTEL
AROUND HIS OLD BUDDIES AGAIN,
98
00:05:55,489 --> 00:05:58,158
WE COULDN'T GET HIM
FROM WRITING.
99
00:05:58,191 --> 00:06:00,394
COULDN'T STOP HIM
FROM WRITING.
100
00:06:00,428 --> 00:06:02,029
THAT'S JUST HOW IT COMES.
101
00:06:02,062 --> 00:06:03,030
I HAD NO IDEA
THAT IT WAS--
102
00:06:03,063 --> 00:06:03,931
BUT THERE WAS A LITTLE...
THERE WAS A LITTLE...
103
00:06:03,964 --> 00:06:06,166
TO BE HONEST, THERE WAS
A LITTLE BIT OF...
104
00:06:06,199 --> 00:06:07,468
KIND OF WE JUST PICKED UP ON
A LITTLE BIT OF,
105
00:06:07,501 --> 00:06:09,102
LIKE, SOMETHING'S GOING ON.
106
00:06:09,136 --> 00:06:10,971
WE DON'T KNOW
WHAT'S GOING ON EXACTLY.
107
00:06:11,004 --> 00:06:12,039
WHEN HE MADE THIS RECORD,
108
00:06:12,072 --> 00:06:14,041
IT WAS RIGHT AFTER HE FOUND
OUT HE HAD THE ANEURYSM,
109
00:06:14,074 --> 00:06:16,043
AND I THINK OF IT AS LIKE,
110
00:06:16,076 --> 00:06:18,011
HIS LIFE FLASHING
BEFORE HIS EYES
111
00:06:18,045 --> 00:06:20,514
AND JUST REMEMBERING
ALL THESE THINGS
112
00:06:20,548 --> 00:06:22,450
AND WANTING TO SAY
THESE THINGS.
113
00:06:22,483 --> 00:06:24,852
'CAUSE, YOU KNOW,
WE DIDN'T REALLY KNOW
114
00:06:24,885 --> 00:06:26,487
WHAT WAS GOING TO HAPPEN.
115
00:06:26,520 --> 00:06:29,423
HE SAID, "I GOT...
I GOT THIS BRAIN ANEURYSM."
116
00:06:29,457 --> 00:06:32,192
AND, I MEAN,
THE WORLD STOPPED TO ME.
117
00:06:32,225 --> 00:06:33,894
IT WAS JUST LIKE, "YOU WHAT?"
118
00:06:33,927 --> 00:06:37,465
HE WAS LIKE, "YEAH,
I GOT THIS BRAIN ANEURYSM,
119
00:06:37,498 --> 00:06:41,001
"AND I'M GONNA GO TO NEW YORK
NEXT TUESDAY
120
00:06:41,034 --> 00:06:44,037
AND THEY'RE GONNA, YOU KNOW,
THEY'RE GONNA DO THIS THING."
121
00:06:44,071 --> 00:06:46,574
HE GOES, "AND IT'S REALLY WILD
WHAT THEY'RE GONNA DO."
122
00:06:46,607 --> 00:06:47,541
AND I SAID, "WHAT ARE THEY
GOING TO DO?"
123
00:06:47,575 --> 00:06:49,777
AND HE SAID, "WELL,
THEY'RE GONNA GO IN THERE
124
00:06:49,810 --> 00:06:51,645
"AND THEY'RE GONNA...
THEY'RE GONNA PUT
125
00:06:51,679 --> 00:06:54,615
"THESE LITTLE BITTY
SPRINGS IN THERE,
126
00:06:54,648 --> 00:06:57,551
"AND THEY'RE BIODEGRADABLE.
127
00:06:57,585 --> 00:07:00,020
"AND WHAT THAT DOES
IS THAT MAKES THE BODY
128
00:07:00,053 --> 00:07:03,457
PRODUCE THIS SCAR TISSUE, WHICH
THEN NEGATES THE ANEURYSM."
129
00:07:03,491 --> 00:07:05,793
AND I'M SITTING THERE
GOING, "WHAT?" YOU KNOW?
130
00:07:05,826 --> 00:07:09,530
"AND WHY ARE YOU SITTING HERE
RIGHT NOW?
131
00:07:09,563 --> 00:07:11,932
HOW IS THAT?" YOU KNOW?
132
00:07:11,965 --> 00:07:15,503
"HOW CAN IT BE THAT YOU'RE
GOING THERE NEXT TUESDAY
133
00:07:15,536 --> 00:07:18,138
AND WE'RE SITTING HERE
RECORDING?"
134
00:07:18,171 --> 00:07:21,041
I'M JUST GOING, WHAT THE--
135
00:07:44,598 --> 00:07:48,736
* THAT PRAIRIE WIND
BLOWING THROUGH MY HEAD *
136
00:07:51,939 --> 00:07:56,610
* THAT PRAIRIE WIND
BLOWING THROUGH MY HEAD *
137
00:07:58,546 --> 00:07:59,680
WE DON'T USE
A TENOR SAXOPHONE.
138
00:07:59,713 --> 00:08:01,849
WE USE TWO BARITONE PARTS
INSTEAD
139
00:08:01,882 --> 00:08:06,019
SO THAT THE PART OF THE TENOR
HAS A LOT OF BITE TO IT.
140
00:08:07,254 --> 00:08:12,025
* TRYIN' TO REMEMBER
WHAT DADDY SAID *
141
00:08:26,073 --> 00:08:26,940
D-45.
142
00:08:26,974 --> 00:08:28,842
HEART OF GOLD
WRITTEN AND RECORDED.
143
00:08:28,876 --> 00:08:30,010
OLD MAN.
144
00:08:31,812 --> 00:08:34,882
CHECK 1, 2.
YOU WANNA COME OUT?
145
00:08:34,915 --> 00:08:36,817
CHECK 1, 2.
146
00:08:36,850 --> 00:08:38,752
CHECK 1,2.
147
00:08:49,597 --> 00:08:51,632
ALL RIGHT. JUST KEEP THIS
WITH YOU ALL NIGHT.
148
00:08:51,665 --> 00:08:53,333
EVERY TIME YOU COME OUTSIDE,
YOU NEED IT TO GET BACK IN.
149
00:08:53,366 --> 00:08:54,935
THANKS.
150
00:08:59,339 --> 00:09:01,742
I JUST WANNA PLAY WELL,
AND I WANNA, YOU KNOW,
151
00:09:01,775 --> 00:09:04,177
SHARE THE STAGE
WITH MY FRIENDS.
152
00:09:04,211 --> 00:09:06,179
GIVE THE BEST I CAN.
153
00:09:06,213 --> 00:09:08,181
WE'RE GONNA GET IN THERE
154
00:09:08,215 --> 00:09:11,018
AND LET THE MUSE
HAVE US.
155
00:09:11,051 --> 00:09:12,653
TAKE A SHOT.
156
00:09:12,686 --> 00:09:14,655
SEND IT OUT.
157
00:09:16,223 --> 00:09:19,660
(AUDIENCE APPLAUDS)
158
00:09:27,668 --> 00:09:29,036
GOOD EVENING,
LADIES AND GENTLEMEN,
159
00:09:29,069 --> 00:09:30,671
AND WELCOME TO THE RYMAN
160
00:09:30,704 --> 00:09:33,741
AND THE WORLD PREMIERE OF
NEIL YOUNG'S PRAIRIE WIND.
161
00:09:33,774 --> 00:09:35,275
(CHEERS AND APPLAUSE)
162
00:09:35,308 --> 00:09:37,845
(MUSIC BEGINS)
163
00:09:46,353 --> 00:09:49,389
* THE PAINTER STOOD
164
00:09:49,422 --> 00:09:52,225
* BEFORE HER WORK
165
00:09:52,259 --> 00:09:58,065
* SHE LOOKED AROUND
EVERYWHERE *
166
00:09:58,098 --> 00:10:03,871
* SHE SAW THE PICTURES
AND SHE PAINTED THEM *
167
00:10:03,904 --> 00:10:09,677
* PICKIN' COLORS FROM THE AIR
168
00:10:09,710 --> 00:10:12,245
* GREEN TO GREEN
169
00:10:12,279 --> 00:10:14,782
* RED TO RED
170
00:10:14,815 --> 00:10:20,788
* YELLOW TO YELLOW
IN THE LIGHT *
171
00:10:20,821 --> 00:10:26,326
* BLACK TO BLACK
WHEN THE EVENING COMES *
172
00:10:26,359 --> 00:10:32,065
* BLUE TO BLUE
THROUGH THE NIGHT *
173
00:10:41,875 --> 00:10:48,048
* IT'S A LONG ROAD
174
00:10:48,081 --> 00:10:51,752
* BEHIND ME
175
00:10:53,186 --> 00:10:59,226
* IT'S A LONG ROAD
176
00:10:59,259 --> 00:11:01,695
* AHEAD
177
00:11:01,729 --> 00:11:06,800
* IF YOU FOLLOW EVERY DREAM
178
00:11:06,834 --> 00:11:11,004
* YOU MIGHT GET LOST
179
00:11:12,773 --> 00:11:18,311
* IF YOU FOLLOW EVERY DREAM
180
00:11:18,345 --> 00:11:24,084
* YOU MIGHT GET LOST
181
00:11:33,226 --> 00:11:35,228
* SHE TOWED THE LINE
182
00:11:35,262 --> 00:11:38,799
* SHE HELD HER END UP
183
00:11:38,832 --> 00:11:42,836
* SHE DID THE WORK OF TWO MEN
184
00:11:44,504 --> 00:11:49,877
* BUT IN THE END
SHE FELL DOWN *
185
00:11:49,910 --> 00:11:55,482
* BEFORE SHE GOT UP AGAIN
186
00:11:55,515 --> 00:12:00,921
* I HAVE MY FRIENDS
ETERNALLY *
187
00:12:00,954 --> 00:12:06,794
* WE LEAVE OUR TRACKS
IN THE SOUND *
188
00:12:06,827 --> 00:12:12,365
* SOME OF THEM
ARE WITH ME NOW *
189
00:12:12,399 --> 00:12:18,138
* SOME OF THEM CAN'T BE FOUND
190
00:12:27,848 --> 00:12:34,087
* IT'S A LONG ROAD
191
00:12:34,121 --> 00:12:37,891
* BEHIND ME
192
00:12:39,292 --> 00:12:46,033
* AND I MISS YOU NOW
193
00:12:47,600 --> 00:12:52,840
* IF YOU FOLLOW EVERY DREAM
194
00:12:52,873 --> 00:12:58,545
* YOU MIGHT GET LOST
195
00:12:58,578 --> 00:13:03,817
* IF YOU FOLLOW EVERY DREAM
196
00:13:03,851 --> 00:13:09,923
* YOU MIGHT GET LOST
197
00:13:19,399 --> 00:13:22,269
* GREEN TO GREEN
198
00:13:22,302 --> 00:13:24,604
* RED TO RED
199
00:13:24,637 --> 00:13:30,577
* YELLOW TO YELLOW
IN THE LIGHT *
200
00:13:30,610 --> 00:13:36,049
* BLACK TO BLACK
WHEN THE EVENING COMES *
201
00:13:36,083 --> 00:13:42,289
* BLUE TO BLUE
THROUGH THE NIGHT *
202
00:14:10,951 --> 00:14:13,553
* SEE THE BLUEBIRD FLY
203
00:14:13,586 --> 00:14:16,890
* EASY AS A DREAM
204
00:14:16,924 --> 00:14:22,629
* DIPPING AND BOBBING
IN THE SUN *
205
00:14:22,662 --> 00:14:25,365
* COULD SHE BE THE ONE
206
00:14:25,398 --> 00:14:28,368
* I SAW SO LONG AGO?
207
00:14:28,401 --> 00:14:34,041
* COULD SHE BE THE ONE
TO TAKE ME HOME? *
208
00:14:34,074 --> 00:14:37,110
* THIS PASTURE IS GREEN
209
00:14:37,144 --> 00:14:39,913
* I'M WALKING IN THE SUN
210
00:14:39,947 --> 00:14:45,919
* IT'S TURNING BROWN,
I'M STANDING IN THE RAIN *
211
00:14:45,953 --> 00:14:51,491
* MY OVERCOAT IS WORN,
THE POCKETS ARE ALL TORN *
212
00:14:51,524 --> 00:14:56,997
* I'M MOVING AWAY
FROM THE PAIN *
213
00:14:57,630 --> 00:15:00,167
* TICK-TOCK
214
00:15:00,200 --> 00:15:03,136
* THE CLOCK ON THE WALL
215
00:15:03,170 --> 00:15:09,009
* NO WONDER
WE'RE LOSING TIME *
216
00:15:09,042 --> 00:15:12,412
* RING, RING
217
00:15:12,445 --> 00:15:15,115
* THE OLD CHURCH BELL
218
00:15:15,148 --> 00:15:20,153
* THE BRIDE AND HER LOVE
219
00:15:20,187 --> 00:15:30,497
* SEEKING GUIDANCE FROM ABOVE
220
00:15:43,743 --> 00:15:46,613
* AMBER WAVES OF GRAIN
221
00:15:46,646 --> 00:15:49,182
* BOW IN THE PRAIRIE WIND
222
00:15:49,216 --> 00:15:55,155
* I'M HEARING WILLIE
SINGING ON THE RADIO AGAIN *
223
00:15:55,188 --> 00:16:01,094
* THAT SONG FROM 9/11
KEEPS RINGING IN MY HEAD *
224
00:16:01,128 --> 00:16:06,599
* I'LL ALWAYS REMEMBER
SOMETHING CHRIS ROCK SAID *
225
00:16:06,633 --> 00:16:09,636
* DON'T SEND NO MORE CANDLES
226
00:16:09,669 --> 00:16:12,539
* NO MATTER WHAT YOU DO
227
00:16:12,572 --> 00:16:15,175
* THEN WILLIE STOPPED SINGING
228
00:16:15,208 --> 00:16:17,144
* AND THE PRAIRIE WIND BLEW
229
00:16:17,177 --> 00:16:24,317
* THE GREEN KEPT ROLLING ON
FOR MILES AND MILES *
230
00:16:24,351 --> 00:16:30,123
* FIELDS OF FUEL ROLLING ON
FOR MILES *
231
00:16:30,157 --> 00:16:33,226
* TICK-TOCK
232
00:16:33,260 --> 00:16:36,096
* THE CLOCK ON THE WALL
233
00:16:36,129 --> 00:16:42,102
* NO WONDER WE'RE LOSING TIME
234
00:16:42,135 --> 00:16:44,637
* TOLL, TOLL
235
00:16:44,671 --> 00:16:47,774
* THE FALLEN SOLDIER BELL
236
00:16:47,807 --> 00:16:53,146
* THE OLD CHURCH ON THE HILL
237
00:16:53,180 --> 00:17:00,420
* STILL STANDING
WHEN SO MANY FELL *
238
00:17:27,314 --> 00:17:30,317
* BACK WHEN I WAS YOUNG
239
00:17:30,350 --> 00:17:32,785
* THE BIRDS
BLOCKED OUT THE SUN *
240
00:17:32,819 --> 00:17:38,791
* BEFORE THE GREAT
MIGRATION SOUTH *
241
00:17:38,825 --> 00:17:41,428
* WE ONLY SHOT A FEW
242
00:17:41,461 --> 00:17:44,297
* THEY LAST
THE WINTER THROUGH *
243
00:17:44,331 --> 00:17:50,170
* MOTHER COOKED THEM GOOD
AND SERVED 'EM UP *
244
00:17:50,203 --> 00:17:55,842
* SOMEWHERE A SENATOR
SITS IN A LEATHER CHAIR *
245
00:17:55,875 --> 00:18:01,548
* BEHIND A BIG WOODEN DESK
246
00:18:01,581 --> 00:18:07,154
* THE CARIBOU WE KILLED
MEAN NOTHING TO HIM *
247
00:18:07,187 --> 00:18:12,859
* HE TOOK HIS MONEY
JUST LIKE ALL THE REST *
248
00:18:12,892 --> 00:18:15,862
* TICK-TOCK
249
00:18:15,895 --> 00:18:18,765
* THE CLOCK ON THE WALL
250
00:18:18,798 --> 00:18:24,671
* NO WONDER WE'RE LOSING TIME
251
00:18:24,704 --> 00:18:27,674
* RING, RING
252
00:18:27,707 --> 00:18:30,777
* RING THE WEDDING BELLS
253
00:18:30,810 --> 00:18:35,748
* THE BRIDE TAKES THE RING
254
00:18:35,782 --> 00:18:46,226
* AND THE HAPPY PEOPLE SING
255
00:20:10,543 --> 00:20:12,479
* I JUST WANT TO THANK YOU
256
00:20:12,512 --> 00:20:18,785
* FOR ALL THE THINGS
YOU'VE DONE *
257
00:20:18,818 --> 00:20:21,288
* I BEEN THINKING ABOUT YOU
258
00:20:21,321 --> 00:20:28,728
* I JUST WANT TO SEND MY LOVE
259
00:20:28,761 --> 00:20:30,930
* I SEND MY BEST TO YOU
260
00:20:30,963 --> 00:20:36,536
* THAT'S MY MESSAGE OF LOVE
261
00:20:36,569 --> 00:20:39,005
* FOR ALL THE THINGS YOU DID
262
00:20:39,038 --> 00:20:45,445
* I CAN NEVER THANK YOU ENOUGH
263
00:20:45,478 --> 00:20:47,414
* FEEL LIKE I'M FALLING
264
00:20:47,447 --> 00:20:51,518
* FALLING OFF THE FACE
OF THE EARTH *
265
00:20:51,551 --> 00:20:54,020
* FALLING OFF THE FACE
OF THE EARTH *
266
00:20:54,053 --> 00:20:56,055
* FALLING
267
00:20:56,088 --> 00:21:00,660
* FALLING OFF THE FACE
OF THE EARTH *
268
00:21:00,693 --> 00:21:06,366
* FALLING OFF THE FACE
OF THE EARTH *
269
00:21:11,871 --> 00:21:20,547
* OH, OH, OH, OH
270
00:21:29,088 --> 00:21:31,057
* I JUST WANT TO TELL YOU
271
00:21:31,090 --> 00:21:37,830
* YOU SURE MEAN A LOT TO ME
272
00:21:37,864 --> 00:21:39,666
* IT MAY SOUND SIMPLE
273
00:21:39,699 --> 00:21:46,673
* BUT YOU ARE THE WORLD TO ME
274
00:21:46,706 --> 00:21:48,975
* IT'S SUCH A PRECIOUS THING
275
00:21:49,008 --> 00:21:55,081
* THE TIME WE SHARED TOGETHER
276
00:21:55,114 --> 00:21:57,984
* I MUST APOLOGIZE
277
00:21:58,017 --> 00:22:03,923
* FOR THE TROUBLE TIMES
278
00:22:03,956 --> 00:22:05,725
* FEEL LIKE I'M FALLING
279
00:22:05,758 --> 00:22:10,430
* FALLING OFF THE FACE
OF THE EARTH *
280
00:22:10,463 --> 00:22:12,765
* FALLING OFF THE FACE
OF THE EARTH *
281
00:22:12,799 --> 00:22:15,101
* FALLING
282
00:22:15,134 --> 00:22:18,104
* FALLING OFF THE FACE
OF THE EARTH *
283
00:22:18,137 --> 00:22:23,876
* FALLING OFF THE FACE
OF THE EARTH *
284
00:22:29,949 --> 00:22:38,691
* OH, OH, OH, OH
285
00:22:47,634 --> 00:22:49,536
* FEEL LIKE I'M FALLING
286
00:22:49,569 --> 00:22:54,106
* FALLING OFF THE FACE
OF THE EARTH *
287
00:22:54,140 --> 00:22:56,743
* FALLING OFF THE FACE
OF THE EARTH *
288
00:22:56,776 --> 00:22:58,478
* FALLING
289
00:22:58,511 --> 00:23:02,782
* FALLING OFF THE FACE
OF THE EARTH *
290
00:23:02,815 --> 00:23:05,151
* FALLING OFF THE FACE
OF THE EARTH *
291
00:23:05,184 --> 00:23:07,086
* FALLING
292
00:23:07,119 --> 00:23:11,591
* FALLING OFF THE FACE
OF THE EARTH *
293
00:23:13,726 --> 00:23:15,828
* FEEL LIKE I'M FALLING
294
00:23:15,862 --> 00:23:22,735
* FALLING OFF THE FACE
OF THE EARTH *
295
00:23:22,769 --> 00:23:29,509
* FALLING
296
00:23:54,634 --> 00:23:55,802
THIS IS A SONG HERE, UH...
297
00:23:55,835 --> 00:23:58,538
WHEN I FIRST STARTED
PLAYING GUITAR,
298
00:23:58,571 --> 00:24:01,741
I WAS A CHICKEN FARMER
AT THE TIME.
299
00:24:01,774 --> 00:24:05,745
I WAS ABOUT 7 OR 8
YEARS OLD OR SOMETHING.
300
00:24:05,778 --> 00:24:07,179
MAYBE A LITTLE OLDER
THAN THAT.
301
00:24:07,213 --> 00:24:10,917
BUT, UH, MY DADDY
BROUGHT ME
302
00:24:10,950 --> 00:24:12,519
AN ARTHUR GODFREY UKULELE,
303
00:24:12,552 --> 00:24:13,953
A LITTLE PLASTIC ONE.
304
00:24:13,986 --> 00:24:17,557
AND I DIDN'T KNOW WHAT TO DO
WITH IT OR ANYTHING.
305
00:24:17,590 --> 00:24:19,258
HE SAID,
"YOU MIGHT NEED THIS."
306
00:24:19,291 --> 00:24:24,831
AND THEN HE SANG ME
A SONG...
307
00:24:24,864 --> 00:24:26,833
WHICH I NEVER HEARD HIM
SING BEFORE.
308
00:24:26,866 --> 00:24:28,701
THEN HE GOT THIS
FUNNY GRIN ON HIS FACE
309
00:24:28,735 --> 00:24:29,969
AND WAS LOOKING AT ME,
310
00:24:30,002 --> 00:24:31,671
AND I WAS WATCHING HIM...
311
00:24:31,704 --> 00:24:34,574
AND I HAD TO GO
FEED THE CHICKENS.
312
00:24:34,607 --> 00:24:36,676
(AUDIENCE LAUGHS)
313
00:24:40,012 --> 00:24:41,881
1, 2, 3...
314
00:24:58,164 --> 00:25:01,801
* WHEN I WAS A GROWING BOY
315
00:25:01,834 --> 00:25:05,872
* ROCKING ON MY DADDY'S KNEE
316
00:25:05,905 --> 00:25:09,776
* DADDY TOOK AN OLD GUITAR
AND SANG *
317
00:25:09,809 --> 00:25:13,312
* BURY ME ON THE LONE PRAIRIE
318
00:25:13,345 --> 00:25:17,617
* UNCLE BOB SAT AT THE PIANO
319
00:25:17,650 --> 00:25:22,221
* MY GIRL COUSINS SANG HARMONY
320
00:25:22,254 --> 00:25:26,192
* THOSE WERE THE GOOD OLD
FAMILY TIMES *
321
00:25:26,225 --> 00:25:31,063
* THAT LEFT A BIG MARK ON ME
322
00:25:47,113 --> 00:25:50,817
* BURY ME OUT ON THE PRAIRIE
323
00:25:50,850 --> 00:25:54,621
* WHERE THE BUFFALO
USED TO ROAM *
324
00:25:54,654 --> 00:25:59,191
* WHERE THE CANADA GEESE
ONCE FILLED THE SKY *
325
00:25:59,225 --> 00:26:03,329
* AND THEN I WON'T BE
FAR FROM HOME *
326
00:26:03,362 --> 00:26:07,199
* YEAH, BURY ME OUT
ON THE PRAIRIE *
327
00:26:07,233 --> 00:26:11,070
* WHERE THE BUFFALO
USED TO ROAM *
328
00:26:11,103 --> 00:26:15,341
* YOU WON'T HAVE TO SHED
A TEAR FOR ME *
329
00:26:15,374 --> 00:26:20,647
* 'CAUSE THEN I WON'T BE
FAR FROM HOME *
330
00:26:36,328 --> 00:26:40,132
* OUT ON THE TRANS-CANADA
HIGHWAY *
331
00:26:40,166 --> 00:26:44,637
* I WAS TALKING TO A FIREFLY
332
00:26:44,671 --> 00:26:48,374
* TRYING TO MAKE MY WAY
TO NASHVILLE, TENNESSEE *
333
00:26:48,407 --> 00:26:52,344
* WHEN ANOTHER CAR
PASSED ME BY *
334
00:26:52,378 --> 00:26:56,783
* SOMEDAY I'M GONNA MAKE
BIG MONEY *
335
00:26:56,816 --> 00:27:00,152
* AND BUY MYSELF A BIG OLD CAR
336
00:27:00,186 --> 00:27:04,657
* MAKE MY WAY ON DOWN
TO THE PROMISED LAND *
337
00:27:04,691 --> 00:27:08,995
* AND THEN I'M GONNA
REALLY GO FAR *
338
00:27:24,944 --> 00:27:29,015
* BURY ME OUT ON THE PRAIRIE
339
00:27:29,048 --> 00:27:33,019
* WHERE THE BUFFALO
USED TO ROAM *
340
00:27:33,052 --> 00:27:37,356
* WHERE THE CANADA GEESE
ONCE FILLED THE SKY *
341
00:27:37,389 --> 00:27:41,060
* AND THEN I WON'T BE
FAR FROM HOME *
342
00:27:41,093 --> 00:27:45,331
* JUST BURY ME OUT ON
THE PRAIRIE *
343
00:27:45,364 --> 00:27:49,836
* WHERE THE BUFFALO
USED TO ROAM *
344
00:27:49,869 --> 00:27:53,439
* YOU WON'T HAVE TO SHED
A TEAR FOR ME *
345
00:27:53,472 --> 00:27:58,711
* 'CAUSE THEN I WON'T BE
FAR FROM HOME *
346
00:28:26,505 --> 00:28:28,307
YOU KNOW, I LOOK AROUND
NASHVILLE TODAY,
347
00:28:28,340 --> 00:28:29,375
THERE'S A LOT MORE CARS.
348
00:28:29,408 --> 00:28:31,077
THERE'S A LOT MORE
NEW BUILDINGS.
349
00:28:31,110 --> 00:28:34,013
I OFTEN WONDER WHAT HANK
WILLIAMS WOULD'VE THOUGHT
350
00:28:34,046 --> 00:28:37,750
IF HE STEPPED OUT
OF THAT STAGE DOOR
351
00:28:37,784 --> 00:28:39,185
ON HIS WAY TO TOOTSIE'S
AND LOOKED UP
352
00:28:39,218 --> 00:28:41,087
AND SAW THE GAYLORD
ENTERTAINMENT CENTER
353
00:28:41,120 --> 00:28:42,254
SITTING THERE.
354
00:28:42,288 --> 00:28:44,290
(AUDIENCE LAUGHS)
355
00:28:44,323 --> 00:28:45,391
(CHUCKLES)
356
00:28:45,424 --> 00:28:47,059
SO THINGS HAVE CHANGED,
357
00:28:47,093 --> 00:28:49,962
BUT, UH,
THE SPIRIT'S STILL HERE
358
00:28:49,996 --> 00:28:51,898
AND THAT'S,
THAT'S A BEAUTIFUL THING.
359
00:28:51,931 --> 00:28:55,134
(AUDIENCE APPLAUDS)
360
00:29:15,287 --> 00:29:22,228
* IN THE MORNING WHEN I WAKE UP
AND LISTEN TO THE SOUND *
361
00:29:22,261 --> 00:29:29,535
* OF THE BIRDS OUTSIDE
ON THE ROOF *
362
00:29:29,568 --> 00:29:36,843
* I TRY TO IGNORE
WHAT THE PAPER SAYS *
363
00:29:36,876 --> 00:29:43,883
* AND I TRY NOT TO READ
ALL THE NEWS *
364
00:29:43,916 --> 00:29:50,857
* AND I'LL HOLD YOU
IF YOU'VE HAD A BAD DREAM *
365
00:29:50,890 --> 00:29:58,097
* AND I HOPE THAT
IT NEVER COMES TRUE *
366
00:29:58,130 --> 00:30:05,171
* 'CAUSE YOU AND I BEEN THROUGH
SO MANY THINGS TOGETHER *
367
00:30:05,204 --> 00:30:12,511
* AND THE SUN STARTS
CLIMBING THE ROOF *
368
00:30:12,544 --> 00:30:14,513
* IT'S A DREAM
369
00:30:14,546 --> 00:30:19,318
* IT'S ONLY A DREAM
370
00:30:19,351 --> 00:30:24,924
* JUST A MEMORY
371
00:30:24,957 --> 00:30:28,594
* FADING AWAY
372
00:30:28,627 --> 00:30:33,465
* IT'S ONLY A DREAM
373
00:30:33,499 --> 00:30:35,534
* JUST A MEMORY
374
00:30:35,567 --> 00:30:40,639
* WITHOUT ANYWHERE
375
00:30:40,672 --> 00:30:43,976
* TO STAY
376
00:30:54,386 --> 00:31:02,094
* RED RIVER STILL FLOWS
THROUGH MY HOME TOWN *
377
00:31:02,128 --> 00:31:09,101
* ROLLIN' AND TUMBLIN'
ON ITS WAY *
378
00:31:09,135 --> 00:31:15,942
* SWIRLING AROUND
THE OLD BRIDGE PYLONS *
379
00:31:15,975 --> 00:31:22,982
* WHERE A BOY FISHES
THE MORNING AWAY *
380
00:31:23,015 --> 00:31:29,989
* A BICYCLE LEANS ON
AN OAK TREE *
381
00:31:30,022 --> 00:31:37,263
* WHILE THE CARS RUMBLE
OVER HIS HEAD *
382
00:31:37,296 --> 00:31:43,970
* AN AIRPLANE LEAVES A TRAIL
IN AN EMPTY BLUE SKY *
383
00:31:44,003 --> 00:31:50,977
* AND THE YOUNG BIRDS
CALL OUT TO BE FED *
384
00:31:51,010 --> 00:31:53,379
* IT'S A DREAM
385
00:31:53,412 --> 00:31:58,150
* IT'S ONLY A DREAM
386
00:31:58,184 --> 00:32:04,023
* AND IT'S FADING NOW
387
00:32:04,056 --> 00:32:07,559
* FADING AWAY
388
00:32:07,593 --> 00:32:12,131
* IT'S ONLY A DREAM
389
00:32:12,164 --> 00:32:14,533
* JUST A MEMORY
390
00:32:14,566 --> 00:32:19,271
* WITHOUT ANYWHERE
391
00:32:19,305 --> 00:32:22,208
* TO STAY
392
00:32:48,100 --> 00:32:54,373
* AN OLD MAN WALKS ALONG
ON THE SIDEWALK *
393
00:32:54,406 --> 00:33:01,613
* WITH SUNGLASSES
AND AN OLD STETSON HAT *
394
00:33:01,647 --> 00:33:08,454
* THE FALL WINDS BLOW
THE BACK OF HIS OVERCOAT AWAY *
395
00:33:08,487 --> 00:33:15,761
* AS HE STOPS WITH THE POLICEMAN
TO CHAT *
396
00:33:15,794 --> 00:33:22,401
* AND A TRAIN ROLLS OUT
OF THE STATION *
397
00:33:22,434 --> 00:33:29,641
* THAT WAS REALLY SOMETHIN'
IN ITS DAY *
398
00:33:29,675 --> 00:33:36,282
* PICKING UP SPEED
ON THE STRAIGHT PRAIRIE RAILS *
399
00:33:36,315 --> 00:33:43,122
* AS IT CARRIES
ITS PASSENGERS AWAY *
400
00:33:43,155 --> 00:33:45,624
* IT'S GONE
401
00:33:45,657 --> 00:33:50,529
* IT'S ONLY A DREAM
402
00:33:50,562 --> 00:33:56,435
* AND IT'S FADING NOW
403
00:33:56,468 --> 00:33:59,671
* FADING AWAY
404
00:33:59,705 --> 00:34:04,476
* IT'S ONLY A DREAM
405
00:34:04,510 --> 00:34:06,778
* JUST A MEMORY
406
00:34:06,812 --> 00:34:11,550
* WITHOUT ANYWHERE
407
00:34:11,583 --> 00:34:14,520
* TO STAY
408
00:34:25,831 --> 00:34:27,733
* IT'S A DREAM
409
00:34:27,766 --> 00:34:32,871
* IT'S ONLY A DREAM
410
00:34:32,904 --> 00:34:38,510
* AND IT'S FADING NOW
411
00:34:38,544 --> 00:34:41,747
* FADING AWAY
412
00:34:41,780 --> 00:34:46,718
* IT'S ONLY A DREAM
413
00:34:46,752 --> 00:34:48,887
* JUST A MEMORY
414
00:34:48,920 --> 00:34:52,891
* WITHOUT ANYWHERE
415
00:34:52,924 --> 00:34:56,695
* TO STAY
416
00:35:07,773 --> 00:35:09,908
* IT'S A DREAM
417
00:35:09,941 --> 00:35:14,746
* IT'S ONLY A DREAM
418
00:35:14,780 --> 00:35:20,786
* AND IT'S FADING NOW
419
00:35:20,819 --> 00:35:25,424
* FADING AWAY
420
00:35:52,851 --> 00:35:55,254
THANK YOU, NASHVILLE.
421
00:36:02,228 --> 00:36:03,695
(CHUCKLES)
422
00:36:10,302 --> 00:36:11,303
IT SURE IS GREAT
423
00:36:11,337 --> 00:36:13,672
TO BE HERE TONIGHT
WITH ALL OF YOU.
424
00:36:13,705 --> 00:36:16,775
(CHEERS AND APPLAUSE)
425
00:36:19,945 --> 00:36:22,814
YOU KNOW, IT'S GETTING TO BE
ABOUT THAT TIME,
426
00:36:22,848 --> 00:36:26,652
SOME OF US ARE STARTING TO
LOSE OUR PARENTS AND STUFF.
427
00:36:29,255 --> 00:36:31,790
MY DADDY PASSED AWAY
A COUPLE OF MONTHS AGO,
428
00:36:31,823 --> 00:36:34,826
AND, UH...
429
00:36:34,860 --> 00:36:39,298
IN THE LAST PART OF HIS LIFE
HE HAD, UH, DEMENTIA.
430
00:36:39,331 --> 00:36:40,666
AND THAT'S, UH...
431
00:36:40,699 --> 00:36:43,269
I KNOW SOME OF YOU KNOW
WHAT THAT'S LIKE,
432
00:36:43,302 --> 00:36:45,671
AND, UH...
433
00:36:45,704 --> 00:36:48,707
AND IT'S, UH, IT'S SOMETHING
ELSE TO SEE YOUR LOVED ONES
434
00:36:48,740 --> 00:36:50,876
LIVING IN THE MOMENT.
435
00:36:50,909 --> 00:36:53,312
BUT, UH...
436
00:36:53,345 --> 00:36:56,448
WHEN HE PASSED, WE HAD
A NICE SERVICE FOR HIM.
437
00:36:56,482 --> 00:37:00,686
AND MY LITTLE COUSIN,
OR NIECE,
438
00:37:00,719 --> 00:37:03,922
SHE WAS ABOUT THIS HIGH
AND SHE CAME UP AND SAID,
439
00:37:03,955 --> 00:37:06,325
"DADDY WAS OK.
440
00:37:06,358 --> 00:37:08,760
HE KNEW WHAT WAS GOING ON."
441
00:37:11,430 --> 00:37:15,667
ONCE A POLICE CAR
PULLED UP BEHIND HIM.
442
00:37:15,701 --> 00:37:17,636
RIGHT BEHIND HIM
THERE WAS THIS POLICE CAR.
443
00:37:17,669 --> 00:37:20,439
HE SAID, "COP."
444
00:37:20,472 --> 00:37:23,008
SO I KNOW HE WAS OK.
445
00:37:23,041 --> 00:37:25,777
(AUDIENCE LAUGHS)
446
00:38:07,052 --> 00:38:11,490
* TRYING TO REMEMBER
WHAT MY DADDY SAID *
447
00:38:14,360 --> 00:38:19,698
* BEFORE TOO MUCH TIME
TOOK AWAY HIS HEAD *
448
00:38:22,401 --> 00:38:24,470
* HE SAID WE'RE GONNA GO BACK
449
00:38:24,503 --> 00:38:28,507
* AND I'LL SHOW YOU
WHAT I'M TALKING ABOUT *
450
00:38:30,742 --> 00:38:37,583
* BACK TO CYPRESS RIVER,
BACK TO THE OLD FARMHOUSE *
451
00:38:43,489 --> 00:38:47,659
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
452
00:38:51,062 --> 00:38:55,834
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
453
00:38:58,804 --> 00:39:03,742
* TRYING TO REMEMBER
WHAT DADDY SAID *
454
00:39:07,178 --> 00:39:10,115
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
455
00:39:10,148 --> 00:39:12,117
* WELL, I TRIED
TO TELL THE PEOPLE *
456
00:39:12,150 --> 00:39:16,522
* BUT THEY NEVER HEARD
A WORD I SAID *
457
00:39:17,856 --> 00:39:20,392
* THEY SAY THERE'S
NOTHING OUT THERE *
458
00:39:20,426 --> 00:39:24,430
* BUT WHEAT FIELDS ANYWAY
459
00:39:26,031 --> 00:39:27,833
* JUST A FARMER'S WIFE
460
00:39:27,866 --> 00:39:32,638
* HANGING LAUNDRY
IN HER BACK YARD *
461
00:39:34,540 --> 00:39:36,141
* OUT ON THE PRAIRIE
462
00:39:36,174 --> 00:39:40,479
* WHERE THE WIND BLOWS
LONG AND HARD *
463
00:39:46,652 --> 00:39:51,389
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
464
00:39:54,626 --> 00:39:59,531
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
465
00:40:02,468 --> 00:40:05,671
* TRYING TO REMEMBER
WHAT DADDY SAID *
466
00:40:10,542 --> 00:40:14,780
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
467
00:40:37,569 --> 00:40:39,104
* LATE AT NIGHT
468
00:40:39,137 --> 00:40:43,542
* LIGHTS DANCING
IN THE NORTHERN SKY *
469
00:40:52,718 --> 00:40:54,653
* JUST THE INDIAN SPIRIT
470
00:40:54,686 --> 00:40:58,990
* TRYING TO SHOW ME
HOW TO FLY *
471
00:41:08,700 --> 00:41:14,873
* YOU CAN SEE INTO THE FUTURE
BUT IT MAY BE A MIRAGE *
472
00:41:23,882 --> 00:41:30,689
* LIKE A NEW CAR SITTING THERE
IN YOUR OLD GARAGE *
473
00:41:36,027 --> 00:41:40,966
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
474
00:41:45,036 --> 00:41:49,007
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
475
00:42:11,096 --> 00:42:17,102
* THERE'S A PLACE ON THE PRAIRIE
WHERE EVIL AND GOODNESS PLAY *
476
00:42:19,137 --> 00:42:21,006
* DADDY TOLD ME ALL ABOUT IT
477
00:42:21,039 --> 00:42:24,776
* BUT I DON'T REMEMBER
WHAT HE SAID *
478
00:42:26,778 --> 00:42:28,614
* WELL, IT MAY BE AFTERNOON
479
00:42:28,647 --> 00:42:33,118
* AND IT MAY BE
THE DEAD OF NIGHT *
480
00:42:34,620 --> 00:42:36,321
* BUT YOU'LL KNOW
WHEN YOU SEE IT *
481
00:42:36,354 --> 00:42:40,959
* 'CAUSE IT SURE IS
A HELL OF A SIGHT *
482
00:42:47,398 --> 00:42:50,769
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
483
00:42:50,802 --> 00:42:55,073
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
484
00:42:55,106 --> 00:42:58,009
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
485
00:42:58,043 --> 00:43:02,781
* TRYING TO REMEMBER
WHAT MY DADDY SAID *
486
00:43:02,814 --> 00:43:05,684
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
487
00:43:05,717 --> 00:43:10,756
* BEFORE TOO MUCH TIME
TOOK AWAY HIS HEAD *
488
00:43:10,789 --> 00:43:13,725
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
489
00:43:13,759 --> 00:43:15,661
* HE SAID WE'RE GONNA GO BACK
490
00:43:15,694 --> 00:43:18,697
* AND I'LL SHOW YOU
WHAT I'M TALKING ABOUT *
491
00:43:18,730 --> 00:43:22,634
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
492
00:43:26,037 --> 00:43:29,240
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
493
00:43:29,274 --> 00:43:33,979
* GOING BACK TO CYPRESS RIVER,
BACK TO THE OLD FARMHOUSE *
494
00:43:34,012 --> 00:43:38,083
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
495
00:43:41,887 --> 00:43:45,957
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
496
00:43:46,992 --> 00:43:53,765
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
497
00:43:57,769 --> 00:44:02,173
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
498
00:44:05,711 --> 00:44:09,647
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
499
00:44:13,051 --> 00:44:17,923
* PRAIRIE WIND
BLOWING THROUGH MY HEAD *
500
00:44:39,344 --> 00:44:40,879
THANK YOU.
501
00:44:44,015 --> 00:44:48,887
YOU KNOW, I GOT
A BEAUTIFUL YOUNG GIRL.
502
00:44:48,920 --> 00:44:52,123
SHE'S, UH, JUST TURNED 21.
503
00:44:52,157 --> 00:44:57,195
SHE'S GOING BACK FOR HER LAST
YEAR OF COLLEGE PRETTY SOON.
504
00:44:59,397 --> 00:45:03,735
SHE'D PROBABLY BE EMBARRASSED IF
I SAID ANYTHING MORE ABOUT HER.
505
00:45:03,769 --> 00:45:05,370
YOU KNOW HOW THAT IS.
506
00:45:05,403 --> 00:45:07,172
CAN'T SAY MUCH.
507
00:45:07,205 --> 00:45:09,941
ANYWAY, THERE WAS A TIME
508
00:45:09,975 --> 00:45:11,476
I USED TO WRITE
THESE KIND OF SONGS
509
00:45:11,509 --> 00:45:14,245
FOR GIRLS MY OWN AGE.
510
00:45:19,985 --> 00:45:22,353
Pegi: YOU STILL GOT
A FEW LEFT IN YOU.
511
00:45:22,387 --> 00:45:23,755
Neil: YEAH, I GOT A FEW
LEFT IN ME.
512
00:45:23,789 --> 00:45:25,824
(AUDIENCE LAUGHS)
513
00:45:32,563 --> 00:45:34,432
SO THIS IS WHAT
YOU MIGHT CALL
514
00:45:34,465 --> 00:45:37,335
A KIND OF
AN EMPTY NESTER SONG.
515
00:45:37,368 --> 00:45:39,370
IT'S A NEW GENRE.
516
00:45:39,404 --> 00:45:43,141
THEY MIGHT EVEN HAVE A NEW KIND
OF RADIO STATION FOR ' EM.
517
00:46:02,327 --> 00:46:06,965
* WHEN YOUR SUMMER DAYS
COME TUMBLING DOWN *
518
00:46:06,998 --> 00:46:11,569
* AND YOU FIND YOURSELF ALONE
519
00:46:11,602 --> 00:46:14,906
* THEN YOU CAN COME BACK
520
00:46:14,940 --> 00:46:19,978
* AND BE WITH ME
521
00:46:20,011 --> 00:46:24,549
* JUST CLOSE YOUR EYES
AND I'LL BE THERE *
522
00:46:24,582 --> 00:46:29,020
* LISTEN TO THE SOUND
523
00:46:29,054 --> 00:46:32,858
* OF THIS OLD HEART
524
00:46:32,891 --> 00:46:38,930
* BEATING FOR YOU
525
00:46:38,964 --> 00:46:41,499
* YES, I MISS YOU
526
00:46:41,532 --> 00:46:47,973
* BUT I NEVER WANTED
TO HOLD YOU DOWN *
527
00:46:48,006 --> 00:46:50,842
* YOU MIGHT SAY
528
00:46:50,876 --> 00:46:55,213
* I'M HERE FOR YOU
529
00:47:13,899 --> 00:47:18,603
* WHEN THE WINTER COMES
TO YOUR NEW HOME *
530
00:47:18,636 --> 00:47:22,640
* AND SNOWFLAKES
ARE FALLING DOWN *
531
00:47:22,673 --> 00:47:26,277
* THEN YOU CAN COME BACK
532
00:47:26,311 --> 00:47:31,616
* AND BE WITH ME
533
00:47:31,649 --> 00:47:36,054
* JUST CLOSE YOUR EYES
AND I'LL BE THERE *
534
00:47:36,087 --> 00:47:40,425
* LISTEN TO THE SOUND
535
00:47:40,458 --> 00:47:43,895
* OF THIS OLD HEART
536
00:47:43,929 --> 00:47:50,501
* BEATING FOR YOU
537
00:47:50,535 --> 00:47:53,138
* YES, I MISS YOU
538
00:47:53,171 --> 00:47:59,044
* BUT I NEVER WANT
TO HOLD YOU DOWN *
539
00:47:59,077 --> 00:48:02,080
* YOU MIGHT SAY
540
00:48:02,113 --> 00:48:06,451
* I'M HERE FOR YOU
541
00:48:08,954 --> 00:48:10,055
* IN THE SPRING
542
00:48:10,088 --> 00:48:17,095
* PROTECTIVE ARMS
SURROUNDED YOU *
543
00:48:17,128 --> 00:48:25,536
* IN THE FALL,
WE LET YOU GO YOUR WAY *
544
00:48:25,570 --> 00:48:27,538
* HAPPINESS
545
00:48:27,572 --> 00:48:34,479
* I KNOW WILL ALWAYS FIND YOU
546
00:48:34,512 --> 00:48:36,247
* AND WHEN IT DOES
547
00:48:36,281 --> 00:48:43,454
* I HOPE THAT IT WILL STAY
548
00:49:18,756 --> 00:49:21,359
* YES, I MISS YOU
549
00:49:21,392 --> 00:49:27,165
* BUT I NEVER WANT
TO HOLD YOU DOWN *
550
00:49:27,198 --> 00:49:30,568
* YOU MIGHT SAY
551
00:49:30,601 --> 00:49:34,505
* I'M HERE FOR YOU
552
00:49:37,508 --> 00:49:40,078
* YES, I MISS YOU
553
00:49:40,111 --> 00:49:45,616
* BUT I NEVER WANT
TO HOLD YOU DOWN *
554
00:49:45,650 --> 00:49:49,054
* YOU MIGHT SAY
555
00:49:49,087 --> 00:49:54,425
* I'M HERE FOR YOU
556
00:49:54,459 --> 00:49:57,628
* I'LL ALWAYS BE
557
00:49:57,662 --> 00:50:03,268
* HERE FOR YOU
558
00:50:13,444 --> 00:50:15,113
THANK YOU.
559
00:50:24,722 --> 00:50:27,258
YOU KNOW, UH...
560
00:50:27,292 --> 00:50:29,094
ONE OF MY FAVORITE GUITARS
IN THE WORLD
561
00:50:29,127 --> 00:50:31,262
IS, UH, IS WILLIE NELSON'S
GUITAR
562
00:50:31,296 --> 00:50:33,531
AND THE WAY IT LOOKS.
563
00:50:33,564 --> 00:50:37,668
AND, UH, THIS GUITAR HERE,
564
00:50:37,702 --> 00:50:40,405
MY FRIEND GRANT,
GRANT BOATWRIGHT,
565
00:50:40,438 --> 00:50:43,308
FOUND THIS GUITAR FOR ME
ABOUT 30 YEARS AGO
566
00:50:43,341 --> 00:50:46,444
AND I BOUGHT IT
FROM TUCK TAYLOR.
567
00:50:46,477 --> 00:50:48,146
AND, UH...
568
00:50:48,179 --> 00:50:50,681
THIS IS HANK'S OLD GUITAR.
569
00:50:50,715 --> 00:50:54,152
(AUDIENCE APPLAUDS)
570
00:50:57,388 --> 00:50:59,824
HE WAS HERE IN 1951,
I THINK,
571
00:50:59,857 --> 00:51:02,493
AND, UH, THAT WAS HANK'S
LAST SHOW HERE.
572
00:51:02,527 --> 00:51:04,429
MAYBE. I THINK IT WAS.
573
00:51:04,462 --> 00:51:06,297
MAYBE HE GOT BACK.
574
00:51:06,331 --> 00:51:07,832
HE GOT FIRED, I KNOW THAT.
575
00:51:07,865 --> 00:51:09,400
BUT MAYBE HE CAME BACK
ONE MORE TIME.
576
00:51:09,434 --> 00:51:12,337
I'M NOT SURE,
BUT I DON'T THINK SO.
577
00:51:12,370 --> 00:51:15,606
SO I'M GLAD TO SEE IT
BACK HERE
578
00:51:15,640 --> 00:51:16,874
AND I'M GLAD...
579
00:51:16,907 --> 00:51:19,244
(AUDIENCE APPLAUDS)
580
00:51:34,659 --> 00:51:37,428
ANYWAY,
HERE'S A TUNE FOR YOU.
581
00:51:43,301 --> 00:51:50,241
* THIS OLD GUITAR
AIN'T MINE TO KEEP *
582
00:51:50,275 --> 00:51:56,914
* I'M TAKING CARE OF IT NOW
583
00:51:56,947 --> 00:52:03,221
* IT'S BEEN AROUND
FOR YEARS AND YEARS *
584
00:52:03,254 --> 00:52:09,360
* JUST WAITING
IN ITS OLD CASE *
585
00:52:09,394 --> 00:52:17,202
* IT'S BEEN UP AND DOWN
THE COUNTRY ROADS *
586
00:52:17,235 --> 00:52:23,508
* IT'S BROUGHT A TEAR
AND A SMILE *
587
00:52:23,541 --> 00:52:30,381
* IT'S HAD ITS SHARE
OF DREAMS AND HOPES *
588
00:52:30,415 --> 00:52:36,654
* AND NEVER WENT OUT OF STYLE
589
00:52:36,687 --> 00:52:43,528
* THE MORE I PLAY IT,
THE BETTER IT SOUNDS *
590
00:52:43,561 --> 00:52:50,335
* IT CRIES
WHEN I LEAVE IT ALONE *
591
00:52:50,368 --> 00:52:56,774
* SILENTLY IT WAITS FOR ME
592
00:52:56,807 --> 00:53:03,648
* OR SOMEONE ELSE,
I SUPPOSE *
593
00:53:03,681 --> 00:53:06,684
* THIS OLD GUITAR
594
00:53:11,622 --> 00:53:14,492
* THIS OLD GUITAR
595
00:53:16,861 --> 00:53:19,764
* THIS OLD GUITAR
596
00:53:51,496 --> 00:53:58,002
* THIS OLD GUITAR
HAS CAUGHT SOME BREAKS *
597
00:53:58,035 --> 00:54:04,909
* BUT IT NEVER SEARCHED
FOR GOLD *
598
00:54:04,942 --> 00:54:11,416
* IT CAN'T BE BLAMED
FOR MY MISTAKES *
599
00:54:11,449 --> 00:54:17,655
* IT ONLY DOES WHAT IT'S TOLD
600
00:54:17,688 --> 00:54:24,495
* IT'S BEEN A MESSENGER
IN TIMES OF TROUBLE *
601
00:54:24,529 --> 00:54:31,001
* IN TIMES OF HOPE AND FEAR
602
00:54:31,035 --> 00:54:37,375
* WHEN I GET DRUNK
AND SEEING DOUBLE *
603
00:54:37,408 --> 00:54:43,948
* IT JUMPS BEHIND THE WHEEL
AND STEERS *
604
00:54:43,981 --> 00:54:50,421
* THIS OLD GUITAR
AIN'T MINE TO KEEP *
605
00:54:50,455 --> 00:54:56,961
* IT'S MINE TO PLAY
FOR A WHILE *
606
00:54:56,994 --> 00:55:03,534
* THIS OLD GUITAR
AIN'T MINE TO KEEP *
607
00:55:03,568 --> 00:55:10,074
* IT'S ONLY MINE FOR A WHILE
608
00:55:10,107 --> 00:55:13,310
* THIS OLD GUITAR
609
00:55:18,416 --> 00:55:21,452
* THIS OLD GUITAR
610
00:55:23,988 --> 00:55:26,657
* THIS OLD GUITAR
611
00:55:31,161 --> 00:55:34,532
* THIS OLD GUITAR
612
00:55:36,567 --> 00:55:39,604
* THIS OLD GUITAR
613
00:56:15,205 --> 00:56:20,645
* WAS HE THINKIN'
ABOUT MY COUNTRY *
614
00:56:20,678 --> 00:56:26,083
* OR THE COLOR OF MY SKIN?
615
00:56:26,116 --> 00:56:31,422
* WAS HE THINKIN' 'BOUT
MY RELIGION *
616
00:56:31,456 --> 00:56:36,761
* AND THE WAY
I WORSHIPPED HIM? *
617
00:56:36,794 --> 00:56:42,933
* DID HE CREATE JUST ME
IN HIS IMAGE *
618
00:56:42,967 --> 00:56:48,473
* OR EVERY LIVING THING?
619
00:56:48,506 --> 00:56:54,445
* WHEN GOD MADE ME
620
00:56:54,479 --> 00:57:00,785
* WHEN GOD MADE ME
621
00:57:10,928 --> 00:57:16,200
* WAS HE PLANNING
ONLY FOR BELIEVERS *
622
00:57:16,233 --> 00:57:22,573
* OR FOR THOSE
WHO JUST HAVE FAITH? *
623
00:57:22,607 --> 00:57:27,244
* DID HE ENVISION ALL THE WARS
624
00:57:27,277 --> 00:57:32,950
* THAT WERE FOUGHT
IN HIS NAME? *
625
00:57:32,983 --> 00:57:38,923
* DID HE THINK
THERE WAS ONLY ONE WAY *
626
00:57:38,956 --> 00:57:44,028
* TO BE CLOSE TO HIM?
627
00:57:44,061 --> 00:57:50,200
* WHEN GOD MADE ME
628
00:57:50,234 --> 00:57:56,607
* WHEN GOD MADE ME
629
00:58:06,884 --> 00:58:12,723
* DID HE GIVE US
THE GIFT OF LOVE *
630
00:58:12,757 --> 00:58:18,228
* TO SAY
WHO WE COULD CHOOSE? *
631
00:58:18,262 --> 00:58:24,268
* WHEN GOD MADE ME
632
00:58:24,301 --> 00:58:30,274
* WHEN GOD MADE ME
633
00:58:30,307 --> 00:58:36,280
* WHEN GOD MADE ME
634
00:58:36,313 --> 00:58:41,986
* WHEN GOD MADE ME
635
00:58:42,019 --> 00:58:47,592
* DID HE GIVE ME THE GIFT
OF VOICE *
636
00:58:47,625 --> 00:58:52,763
* SO SOME COULD SILENCE ME?
637
00:58:52,797 --> 00:58:58,302
* DID HE GIVE ME THE GIFT
OF VISION *
638
00:58:58,335 --> 00:59:04,241
* NOT KNOWING
WHAT I MIGHT SEE? *
639
00:59:04,274 --> 00:59:10,180
* DID HE GIVE US THE GIFT
OF COMPASSION *
640
00:59:10,214 --> 00:59:16,020
* TO HELP OUR FELLOW MAN?
641
00:59:16,053 --> 00:59:21,992
* WHEN GOD MADE ME
642
00:59:22,026 --> 00:59:27,798
* WHEN GOD MADE ME
643
00:59:27,832 --> 00:59:33,671
* WHEN GOD MADE ME
644
00:59:33,704 --> 00:59:40,711
* WHEN GOD MADE ME
645
01:00:17,815 --> 01:00:21,185
* I AM A CHILD
646
01:00:21,218 --> 01:00:23,921
* I LAST A WHILE
647
01:00:23,954 --> 01:00:30,194
* YOU CAN'T CONCEIVE OF
THE PLEASURE IN MY SMILE *
648
01:00:30,227 --> 01:00:33,130
* YOU HOLD MY HAND
649
01:00:33,163 --> 01:00:36,366
* ROUGH UP MY HAIR
650
01:00:36,400 --> 01:00:42,306
* IT'S LOTS OF FUN
TO HAVE YOU THERE *
651
01:00:42,339 --> 01:00:44,875
* I GAVE TO YOU
652
01:00:44,909 --> 01:00:48,412
* NOW YOU GIVE TO ME
653
01:00:48,445 --> 01:00:54,785
* I'D LIKE TO KNOW
WHAT YOU'VE LEARNED *
654
01:00:54,819 --> 01:00:56,787
* THE SKY IS BLUE
655
01:00:56,821 --> 01:01:00,758
* AND SO IS THE SEA
656
01:01:00,791 --> 01:01:06,764
* WHAT IS THE COLOR
WHEN BLACK IS BURNED? *
657
01:01:06,797 --> 01:01:10,100
* WHAT IS THE COLOR?
658
01:01:24,849 --> 01:01:27,818
* YOU ARE A MAN
659
01:01:27,852 --> 01:01:30,921
* YOU UNDERSTAND
660
01:01:30,955 --> 01:01:36,861
* YOU PICK ME UP,
THEN YOU LAY ME DOWN AGAIN *
661
01:01:36,894 --> 01:01:39,797
* YOU MAKE THE RULES
662
01:01:39,830 --> 01:01:42,733
* YOU SAY WHAT'S FAIR
663
01:01:42,767 --> 01:01:49,106
* IT'S LOTS OF FUN
TO HAVE YOU THERE *
664
01:01:49,139 --> 01:01:50,808
* I GAVE TO YOU
665
01:01:50,841 --> 01:01:54,779
* NOW YOU GIVE TO ME
666
01:01:54,812 --> 01:02:00,851
* I'D LIKE TO KNOW
WHAT YOU'VE LEARNED *
667
01:02:00,885 --> 01:02:02,753
* THE SKY IS BLUE
668
01:02:02,787 --> 01:02:06,857
* AND SO IS THE SEA
669
01:02:06,891 --> 01:02:12,830
* WHAT IS THE COLOR
WHEN BLACK IS BURNED? *
670
01:02:12,863 --> 01:02:16,133
* WHAT IS THE COLOR?
671
01:03:02,379 --> 01:03:06,884
* COME A LITTLE BIT CLOSER
672
01:03:06,917 --> 01:03:11,288
* HEAR WHAT I HAVE TO SAY
673
01:03:19,629 --> 01:03:24,168
* JUST LIKE CHILDREN SLEEPING
674
01:03:24,201 --> 01:03:29,406
* WE COULD DREAM
THIS NIGHT AWAY *
675
01:03:36,881 --> 01:03:40,918
* BUT THERE'S
A FULL MOON RISING *
676
01:03:40,951 --> 01:03:47,257
* LET'S GO DANCING
IN THE LIGHT *
677
01:03:54,498 --> 01:03:58,502
* WE KNOW WHERE
THE MUSIC'S PLAYING *
678
01:03:58,535 --> 01:04:04,074
* LET'S GO OUT
AND FEEL THE NIGHT *
679
01:04:11,381 --> 01:04:16,486
* BECAUSE I'M STILL IN LOVE
WITH YOU *
680
01:04:16,520 --> 01:04:20,524
* I WANT TO SEE YOU
DANCE AGAIN *
681
01:04:20,557 --> 01:04:25,896
* BECAUSE I'M STILL IN LOVE
WITH YOU *
682
01:04:25,930 --> 01:04:33,237
* ON THIS HARVEST MOON
683
01:04:47,117 --> 01:04:51,621
* WHEN WE WERE STRANGERS
684
01:04:51,655 --> 01:04:56,393
* I WATCHED YOU FROM AFAR
685
01:05:04,734 --> 01:05:08,605
* WHEN WE WERE LOVERS
686
01:05:08,638 --> 01:05:14,278
* I LOVED YOU
WITH ALL MY HEART *
687
01:05:21,518 --> 01:05:26,190
* BUT NOW IT'S GETTING LATE
688
01:05:26,223 --> 01:05:32,062
* AND THE MOON
IS CLIMBING HIGH *
689
01:05:38,435 --> 01:05:43,507
* I WANT TO CELEBRATE
690
01:05:43,540 --> 01:05:49,413
* SEE IT SHINING
IN YOUR EYE *
691
01:05:56,720 --> 01:06:01,725
* BECAUSE I'M STILL IN LOVE
WITH YOU *
692
01:06:01,758 --> 01:06:05,462
* I WANT TO SEE YOU
DANCE AGAIN *
693
01:06:05,495 --> 01:06:10,600
* BECAUSE I'M STILL IN LOVE
WITH YOU *
694
01:06:10,634 --> 01:06:18,375
* ON THIS HARVEST MOON
695
01:07:05,822 --> 01:07:10,694
* BECAUSE I'M STILL IN LOVE
WITH YOU *
696
01:07:10,727 --> 01:07:14,464
* I WANT TO SEE YOU
DANCE AGAIN *
697
01:07:14,498 --> 01:07:19,803
* BECAUSE I'M STILL IN LOVE
WITH YOU *
698
01:07:19,836 --> 01:07:29,446
* ON THIS HARVEST MOON
699
01:07:38,722 --> 01:07:43,460
* HARVEST MOON
700
01:08:25,902 --> 01:08:28,505
* I WANT TO LIVE
701
01:08:28,538 --> 01:08:31,241
* I WANT TO GIVE
702
01:08:31,275 --> 01:08:36,846
* I'VE BEEN A MINER
FOR A HEART OF GOLD *
703
01:08:36,880 --> 01:08:39,783
* IT'S THESE EXPRESSIONS
704
01:08:39,816 --> 01:08:42,652
* I NEVER GIVE
705
01:08:42,686 --> 01:08:48,858
* THAT KEEP ME SEARCHING
FOR A HEART OF GOLD *
706
01:08:48,892 --> 01:08:51,461
* AND I'M GETTING OLD
707
01:08:54,598 --> 01:08:59,936
* KEEPING ME SEARCHING
FOR A HEART OF GOLD *
708
01:08:59,969 --> 01:09:03,173
* AND I'M GETTING OLD
709
01:09:27,964 --> 01:09:30,867
* I'VE BEEN TO HOLLYWOOD
710
01:09:30,900 --> 01:09:33,670
* I WENT TO REDWOOD
711
01:09:33,703 --> 01:09:39,409
* I CROSSED THE OCEAN
FOR A HEART OF GOLD *
712
01:09:39,443 --> 01:09:42,246
* I'VE BEEN IN MY MIND
713
01:09:42,279 --> 01:09:44,781
* IT'S SUCH A FINE LINE
714
01:09:44,814 --> 01:09:51,221
* THAT KEEPS ME SEARCHING
FOR A HEART OF GOLD *
715
01:09:51,255 --> 01:09:53,790
* AND I'M GETTING OLD
716
01:09:56,960 --> 01:10:02,466
* KEEPS ME SEARCHING
FOR A HEART OF GOLD *
717
01:10:02,499 --> 01:10:06,336
* AND I'M GETTING OLD
718
01:10:24,954 --> 01:10:30,594
* KEEP ME SEARCHING
FOR A HEART OF GOLD *
719
01:10:30,627 --> 01:10:35,732
* KEEP ME SEARCHING,
I'M GROWING OLD *
720
01:10:35,765 --> 01:10:41,538
* KEEP ME SEARCHING
FOR A HEART OF GOLD *
721
01:10:41,571 --> 01:10:48,745
* I'VE BEEN A MINER
FOR A HEART OF GOLD *
722
01:10:48,778 --> 01:10:51,481
* OH
723
01:11:04,928 --> 01:11:06,430
THANK YOU.
724
01:11:09,999 --> 01:11:12,369
ABOUT THAT TIME
WHEN I WROTE THAT SONG
725
01:11:12,402 --> 01:11:14,638
AND I WAS TOURING,
I HAD ALSO, UH,
726
01:11:14,671 --> 01:11:18,375
JUST, YOU KNOW, BEING A RICH
HIPPIE FOR THE FIRST TIME,
727
01:11:18,408 --> 01:11:20,910
I HAD PURCHASED A RANCH,
728
01:11:20,944 --> 01:11:22,912
AND, UH...
729
01:11:22,946 --> 01:11:26,082
AND I STILL LIVE THERE TODAY.
730
01:11:26,115 --> 01:11:29,353
AND, UH, THERE WAS A COUPLE
LIVING ON IT
731
01:11:29,386 --> 01:11:30,920
THAT WERE THE CARETAKERS
732
01:11:30,954 --> 01:11:38,027
AND AN OLD GENTLEMAN NAMED
LUIS AVILA AND HIS WIFE CLARA.
733
01:11:38,061 --> 01:11:40,664
AND THERE WAS THIS
OLD BLUE JEEP THERE
734
01:11:40,697 --> 01:11:44,067
AND, UH,
LUIS TOOK ME FOR A, UH,
735
01:11:44,100 --> 01:11:47,871
TOOK ME FOR A RIDE
IN THIS BLUE JEEP
736
01:11:47,904 --> 01:11:51,941
AND HE, HE GETS ME UP THERE
ON THE TOPSIDE OF THE PLACE
737
01:11:51,975 --> 01:11:55,011
AND THERE WAS THIS LAKE UP THERE
THAT FED ALL THE PASTURES
738
01:11:55,044 --> 01:11:57,113
AND HE SAYS,
"WELL, TELL ME,
739
01:11:57,146 --> 01:11:58,615
"HOW DOES A YOUNG MAN
LIKE YOURSELF
740
01:11:58,648 --> 01:12:02,018
HAVE ENOUGH MONEY
TO BUY A PLACE LIKE THIS?"
741
01:12:02,051 --> 01:12:04,053
AND I SAID, "WELL,
I'M JUST LUCKY, LOUIE.
742
01:12:04,087 --> 01:12:05,254
JUST REAL LUCKY."
743
01:12:05,288 --> 01:12:09,926
AND HE SAID, "WELL, THAT'S THE
DARNEDEST THING I EVER HEARD."
744
01:12:13,597 --> 01:12:16,332
THEN I WROTE THIS SONG FOR HIM.
745
01:12:35,151 --> 01:12:38,054
* OLD MAN,
LOOK AT MY LIFE *
746
01:12:38,087 --> 01:12:44,027
* I'M A LOT LIKE YOU WERE
747
01:12:44,060 --> 01:12:47,096
* OLD MAN,
LOOK AT MY LIFE *
748
01:12:47,130 --> 01:12:52,569
* I'M A LOT LIKE YOU WERE
749
01:13:03,580 --> 01:13:07,016
* OLD MAN,
LOOK AT MY LIFE *
750
01:13:07,050 --> 01:13:10,520
* 24 AND THERE'S SO MUCH MORE
751
01:13:10,554 --> 01:13:13,523
* LIVE ALONE IN A PARADISE
752
01:13:13,557 --> 01:13:17,594
* THAT MAKES ME THINK OF TWO
753
01:13:17,627 --> 01:13:20,630
* LOVE LOST, SUCH A COST
754
01:13:20,664 --> 01:13:24,434
* GIVE ME THINGS
THAT DON'T GET LOST *
755
01:13:24,468 --> 01:13:27,637
* LIKE A COIN
THAT WON'T GET TOSSED *
756
01:13:27,671 --> 01:13:31,708
* ROLLING HOME TO YOU
757
01:13:38,214 --> 01:13:40,984
* OLD MAN,
TAKE A LOOK AT MY LIFE *
758
01:13:41,017 --> 01:13:45,589
* I'M A LOT LIKE YOU
759
01:13:45,622 --> 01:13:48,191
* I NEED SOMEONE TO LOVE ME
760
01:13:48,224 --> 01:13:52,629
* THE WHOLE DAY THROUGH
761
01:13:52,662 --> 01:13:55,064
* OH, ONE LOOK IN MY EYES
762
01:13:55,098 --> 01:13:58,502
* AND YOU CAN TELL THAT'S TRUE
763
01:14:13,617 --> 01:14:16,252
* LULLABIES,
LOOK IN YOUR EYES *
764
01:14:16,285 --> 01:14:20,056
* RUN AROUND
IN THE SAME OLD TOWN *
765
01:14:20,089 --> 01:14:23,059
* DOESN'T MEAN
THAT MUCH TO ME *
766
01:14:23,092 --> 01:14:27,230
* TO MEAN THAT MUCH TO YOU
767
01:14:27,263 --> 01:14:30,600
* I'VE BEEN FIRST AND LAST
768
01:14:30,634 --> 01:14:34,538
* LOOK AT HOW
THE TIME GOES PAST *
769
01:14:34,571 --> 01:14:37,240
* BUT I'M ALL ALONE AT LAST
770
01:14:37,273 --> 01:14:41,611
* ROLLING HOME TO YOU
771
01:14:48,284 --> 01:14:50,687
* OLD MAN,
TAKE A LOOK AT MY LIFE *
772
01:14:50,720 --> 01:14:55,091
* I'M A LOT LIKE YOU
773
01:14:55,124 --> 01:14:57,761
* I NEED SOMEONE TO LOVE ME
774
01:14:57,794 --> 01:15:02,231
* THE WHOLE DAY THROUGH
775
01:15:02,265 --> 01:15:04,734
* OH, ONE LOOK IN MY EYES
776
01:15:04,768 --> 01:15:12,876
* AND YOU CAN TELL
THAT'S TRUE *
777
01:15:17,814 --> 01:15:21,117
* OLD MAN,
LOOK AT MY LIFE *
778
01:15:21,150 --> 01:15:26,656
* I'M A LOT LIKE YOU WERE
779
01:15:26,690 --> 01:15:30,026
* OLD MAN,
LOOK AT MY LIFE *
780
01:15:30,059 --> 01:15:35,899
* I'M A LOT LIKE YOU WERE
781
01:16:04,961 --> 01:16:09,666
* I CAUGHT YOU KNOCKING
AT MY CELLAR DOOR *
782
01:16:09,699 --> 01:16:14,203
* I LOVE YOU, BABY,
CAN I HAVE SOME MORE? *
783
01:16:14,237 --> 01:16:21,945
* OH, THE DAMAGE DONE
784
01:16:21,978 --> 01:16:26,082
* I HIT THE CITY
AND I LOST MY BAND *
785
01:16:26,115 --> 01:16:31,020
* I WATCHED THE NEEDLE
TAKE ANOTHER MAN *
786
01:16:31,054 --> 01:16:33,256
* GONE, GONE
787
01:16:33,289 --> 01:16:37,026
* THE DAMAGE DONE
788
01:16:55,879 --> 01:16:59,783
* I SING THE SONG
BECAUSE I LOVED THE MAN *
789
01:16:59,816 --> 01:17:03,987
* I KNOW THAT SOME OF YOU
DON'T UNDERSTAND *
790
01:17:04,020 --> 01:17:12,428
* MILK BLOOD
TO KEEP FROM RUNNING OUT *
791
01:17:12,461 --> 01:17:16,766
* I'VE SEEN THE NEEDLE
AND THE DAMAGE DONE *
792
01:17:16,800 --> 01:17:21,070
* A LITTLE PART OF IT
IN EVERYONE *
793
01:17:21,104 --> 01:17:27,844
* BUT EVERY JUNKIE'S
LIKE A SETTING SUN *
794
01:18:15,925 --> 01:18:18,895
* KING WENT A-RUNNING
AFTER DEER *
795
01:18:18,928 --> 01:18:21,798
* WASN'T SCARED OF JUMPIN' OFF
THE TRUCK IN HIGH GEAR *
796
01:18:21,831 --> 01:18:24,233
* KING WENT A-SNIFFIN'
AND HE WOULD GO *
797
01:18:24,267 --> 01:18:28,805
* WAS THE BEST OLD HOUND DOG
I EVER DID KNOW *
798
01:18:28,838 --> 01:18:31,775
* I HAD A DOG,
AND HIS NAME WAS KING *
799
01:18:31,808 --> 01:18:34,377
* I TOLD THE DOG
ABOUT EVERYTHING *
800
01:18:34,410 --> 01:18:36,980
* THERE IN MY TRUCK,
THE DOG AND I *
801
01:18:37,013 --> 01:18:43,019
* THEN ONE DAY THE KING
UP AND DIED *
802
01:18:52,161 --> 01:18:54,898
* THEN I THOUGHT ABOUT
THE TIMES WE HAD *
803
01:18:54,931 --> 01:18:57,533
* ONCE WHEN I KICKED HIM
WHEN HE WAS BAD *
804
01:18:57,566 --> 01:19:00,003
* OLD KING SURE MEANT
A LOT TO ME *
805
01:19:00,036 --> 01:19:05,208
* BUT THAT HOUND DOG
IS HISTORY *
806
01:19:15,484 --> 01:19:18,254
* KING WENT A-HOWLIN'
AFTER DEER *
807
01:19:18,287 --> 01:19:21,090
* WASN'T SCARED OF JUMPIN' OFF
THE TRUCK IN HIGH GEAR *
808
01:19:21,124 --> 01:19:23,793
* KING WENT A SNIFFIN'
AND HE WOULD GO *
809
01:19:23,827 --> 01:19:29,799
* WAS THE BEST OLD HOUND DOG
I EVER DID KNOW *
810
01:19:37,506 --> 01:19:40,243
(NEIL SNIFFING)
811
01:19:43,246 --> 01:19:45,314
(HOWLS)
812
01:19:48,617 --> 01:19:51,254
* THAT OLD KING
WAS A FRIEND OF MINE *
813
01:19:51,287 --> 01:19:54,123
* NEVER KNEW A DOG
THAT WAS HALF AS FINE *
814
01:19:54,157 --> 01:19:56,993
* I MAY FIND ONE,
YOU NEVER DO KNOW *
815
01:19:57,026 --> 01:20:02,065
* 'CAUSE I STILL GOT
A LONG WAY TO GO *
816
01:20:17,513 --> 01:20:20,149
* I HAD A DOG
AND HIS NAME WAS KING *
817
01:20:20,183 --> 01:20:23,052
* I TOLD THE DOG
ABOUT EVERYTHING *
818
01:20:23,086 --> 01:20:25,588
* OLD KING SURE MEANT
A LOT TO ME *
819
01:20:25,621 --> 01:20:30,927
* BUT THAT HOUND DOG
IS HISTORY *
820
01:21:36,960 --> 01:21:39,528
* KING WENT A HOWLIN'
AFTER DEER *
821
01:21:39,562 --> 01:21:42,932
* WASN'T SCARED OF JUMPIN OFF
THE TRUCK IN HIGH GEAR *
822
01:21:42,966 --> 01:21:45,068
* KING WENT A-SNIFFIN'
AND HE WOULD GO *
823
01:21:45,101 --> 01:21:52,308
* WAS THE BEST OLD HOUND DOG
I EVER DID KNOW *
824
01:22:11,327 --> 01:22:14,230
IS THERE A GUITAR PLAYER
IN THE HOUSE?
825
01:22:17,366 --> 01:22:19,235
THIS SONG HERE, UH,
826
01:22:19,268 --> 01:22:20,436
I RECORDED
HERE IN NASHVILLE,
827
01:22:20,469 --> 01:22:25,674
AND NICOLETTE LARSON
SANG THE SONG WITH ME,
828
01:22:25,708 --> 01:22:28,377
SO WE'D LIKE
TO DO THIS ONE FOR HER.
829
01:22:35,751 --> 01:22:39,055
* COMES A TIME
830
01:22:39,088 --> 01:22:41,757
* WHEN YOU'RE DRIFTIN'
831
01:22:41,790 --> 01:22:44,060
* COMES A TIME
832
01:22:44,093 --> 01:22:46,629
* WHEN YOU SETTLE DOWN
833
01:22:46,662 --> 01:22:50,666
* COMES A LIGHT
834
01:22:50,699 --> 01:22:53,769
* FEELING'S LIFTIN'
835
01:22:53,802 --> 01:22:59,375
* LIFT THAT BABY
RIGHT UP OFF THE GROUND *
836
01:22:59,408 --> 01:23:02,045
* OH
837
01:23:02,078 --> 01:23:07,083
* THIS OLD WORLD
KEEPS SPINNING ROUND *
838
01:23:07,116 --> 01:23:12,721
* IT'S A WONDER TALL TREES
AIN'T LAYIN' DOWN *
839
01:23:12,755 --> 01:23:16,325
* THERE COMES A TIME
840
01:23:19,762 --> 01:23:22,565
* YOU AND I
841
01:23:22,598 --> 01:23:25,634
* WE WERE CAPTURED
842
01:23:25,668 --> 01:23:27,770
* WE TOOK OUR SOULS
843
01:23:27,803 --> 01:23:32,108
* AND WE FLEW AWAY
844
01:23:32,141 --> 01:23:34,777
* WE WERE RIGHT
845
01:23:34,810 --> 01:23:37,513
* WE WERE GIVING
846
01:23:37,546 --> 01:23:43,452
* THAT'S HOW WE KEPT
WHAT WE GAVE AWAY *
847
01:23:43,486 --> 01:23:45,721
* OH
848
01:23:45,754 --> 01:23:51,260
* THIS OLD WORLD
KEEPS SPINNIN' ROUND *
849
01:23:51,294 --> 01:23:56,732
* IT'S A WONDER TALL TREES
AIN'T LAYIN' DOWN *
850
01:23:56,765 --> 01:24:01,204
* THERE COMES A TIME
851
01:24:26,829 --> 01:24:29,365
* OH
852
01:24:29,398 --> 01:24:34,637
* THIS OLD WORLD
KEEPS SPINNIN' ROUND *
853
01:24:34,670 --> 01:24:40,509
* IT'S A WONDER TALL TREES
AIN'T LAYIN' DOWN *
854
01:24:40,543 --> 01:24:44,079
* THERE COMES A TIME
855
01:24:46,282 --> 01:24:50,253
* COMES A TIME
856
01:24:52,221 --> 01:24:55,291
* COMES A TIME
857
01:24:57,626 --> 01:25:01,430
* COMES A TIME
858
01:25:03,266 --> 01:25:05,901
* COMES A TIME
859
01:25:05,934 --> 01:25:08,904
* COMES A TIME
860
01:25:08,937 --> 01:25:14,677
* COMES A TIME
861
01:25:28,791 --> 01:25:30,393
THANK YOU.
862
01:25:33,196 --> 01:25:35,898
THIS SONG HERE
WAS WRITTEN BY IAN TYSON,
863
01:25:35,931 --> 01:25:36,932
WHO'S A CANADIAN.
864
01:25:36,965 --> 01:25:40,236
HE'S LIVING OUT IN CALGARY
ON HIS RANCH RIGHT NOW.
865
01:25:40,269 --> 01:25:43,739
BUT WHEN I WAS JUST A KID,
16 YEARS OR 17 YEARS OLD,
866
01:25:43,772 --> 01:25:48,211
I WENT TO THIS PLACE NEAR
WINNIPEG WHERE I GREW UP,
867
01:25:48,244 --> 01:25:50,279
AND IT'S CALLED FALCON LAKE.
868
01:25:50,313 --> 01:25:51,647
AND IT'S JUST
ONE OF THOSE FIRST TIMES
869
01:25:51,680 --> 01:25:53,682
WHEN YOU REALLY GOT AWAY
FROM HOME AND WERE ON YOUR OWN.
870
01:25:53,716 --> 01:25:57,320
I WAS JUST KIND OF FEELING IT
FOR THE FIRST TIME.
871
01:25:57,353 --> 01:26:01,190
AND THERE WAS THIS LITTLE
KIND OF A RESTAURANT PLACE
872
01:26:01,224 --> 01:26:02,858
WITH A JUKEBOX IN IT
THAT WAS THERE
873
01:26:02,891 --> 01:26:04,527
AND, UH, I USED TO GO THERE.
874
01:26:04,560 --> 01:26:08,664
AND I THINK I SPENT ALL MY MONEY
PLAYING THIS NEXT SONG
875
01:26:08,697 --> 01:26:09,932
OVER AND OVER AGAIN.
876
01:26:09,965 --> 01:26:13,502
IT WAS THE MOST BEAUTIFUL RECORD
THAT I'VE EVER HEARD IN MY LIFE
877
01:26:13,536 --> 01:26:15,538
AND I JUST COULD NOT
GET ENOUGH OF IT.
878
01:26:15,571 --> 01:26:18,274
AND SO, UH, I DON'T HAVE
THE RECORD WITH ME HERE,
879
01:26:18,307 --> 01:26:20,943
BUT I'M GOING TO SING IT
WITH MY FRIENDS
880
01:26:20,976 --> 01:26:23,779
AND WE'LL SEE
WHAT WE CAN DO.
881
01:26:46,869 --> 01:26:51,374
* THINK I'LL GO OUT
TO ALBERTA *
882
01:26:51,407 --> 01:26:54,843
* WEATHER'S GOOD THERE
IN THE FALL *
883
01:26:54,877 --> 01:27:01,650
* I GOT SOME FRIENDS THAT
I COULD GO TO WORKING FOR *
884
01:27:03,586 --> 01:27:07,956
* STILL I WISH
YOU'D CHANGE YOUR MIND *
885
01:27:07,990 --> 01:27:12,428
* IF I ASK YOU ONE MORE TIME
886
01:27:12,461 --> 01:27:18,501
* BUT WE'VE BEEN THROUGH THAT
A HUNDRED TIMES OR MORE *
887
01:27:20,936 --> 01:27:25,341
* FOUR STRONG WINDS
THAT BLOW LONELY *
888
01:27:25,374 --> 01:27:29,512
* SEVEN SEAS THAT RUN HIGH
889
01:27:29,545 --> 01:27:36,719
* ALL THOSE THINGS THAT
DON'T CHANGE COME WHAT MAY *
890
01:27:38,421 --> 01:27:42,525
* IF THE GOOD TIMES
ARE ALL GONE *
891
01:27:42,558 --> 01:27:46,762
* THEN I'M BOUND
FOR MOVING ON *
892
01:27:46,795 --> 01:27:53,669
* I'LL LOOK FOR YOU
IF I'M EVER BACK THIS WAY *
893
01:27:55,538 --> 01:28:00,343
* IF I GET THERE
BEFORE THE SNOW FLIES *
894
01:28:00,376 --> 01:28:03,879
* AND IF THINGS
ARE LOOKING GOOD *
895
01:28:03,912 --> 01:28:10,519
* YOU COULD MEET ME
IF I SEND YOU DOWN THE FARE *
896
01:28:13,121 --> 01:28:16,959
* BUT BY THEN
IT WOULD BE WINTER *
897
01:28:16,992 --> 01:28:21,364
* NOT TOO MUCH FOR YOU TO DO
898
01:28:21,397 --> 01:28:27,736
* AND THOSE WINDS SURE CAN BLOW
COLD WAY OUT THERE *
899
01:28:29,805 --> 01:28:34,343
* FOUR STRONG WINDS
THAT BLOW LONELY *
900
01:28:34,377 --> 01:28:38,514
* SEVEN SEAS THAT RUN HIGH
901
01:28:38,547 --> 01:28:44,820
* ALL THOSE THINGS THAT
DON'T CHANGE COME WHAT MAY *
902
01:28:47,456 --> 01:28:51,460
* IF THE GOOD TIMES
ARE ALL GONE *
903
01:28:51,494 --> 01:28:55,698
* THEN I'M BOUND
FOR MOVING ON *
904
01:28:55,731 --> 01:29:01,837
* I'LL LOOK FOR YOU
IF I'M EVER BACK THIS WAY *
905
01:29:21,490 --> 01:29:25,661
* STILL I WISH
YOU'D CHANGE YOUR MIND *
906
01:29:25,694 --> 01:29:30,065
* IF I ASK YOU ONE MORE TIME
907
01:29:30,098 --> 01:29:36,672
* BUT WE'VE BEEN THROUGH THAT
A HUNDRED TIMES OR MORE *
908
01:29:38,641 --> 01:29:43,178
* FOUR STRONG WINDS
THAT BLOW LONELY *
909
01:29:43,211 --> 01:29:47,483
* SEVEN SEAS THAT RUN HIGH
910
01:29:47,516 --> 01:29:53,856
* ALL THOSE THINGS THAT
DON'T CHANGE COME WHAT MAY *
911
01:29:56,492 --> 01:30:00,696
* IF THE GOOD TIMES
ARE ALL GONE *
912
01:30:00,729 --> 01:30:04,767
* THEN I'M BOUND
FOR MOVING ON *
913
01:30:04,800 --> 01:30:11,507
* I'LL LOOK FOR YOU
IF I'M EVER BACK THIS WAY *
914
01:30:13,509 --> 01:30:20,483
* I'LL LOOK FOR YOU
IF I'M EVER BACK THIS WAY *
915
01:30:57,052 --> 01:30:59,955
* ONE OF THESE DAYS
916
01:30:59,988 --> 01:31:05,694
* I'M GOING TO SIT DOWN
AND WRITE A LONG LETTER *
917
01:31:05,728 --> 01:31:11,867
* TO ALL THE GOOD FRIENDS
I'VE KNOWN *
918
01:31:14,236 --> 01:31:17,873
* AND I'M GOING TO TRY
919
01:31:17,906 --> 01:31:23,211
* TO THANK THEM ALL FOR
THE GOOD TIMES TOGETHER *
920
01:31:23,245 --> 01:31:29,518
* THOUGH SO APART WE'VE GROWN
921
01:31:31,620 --> 01:31:35,057
* ONE OF THESE DAYS
922
01:31:35,090 --> 01:31:40,162
* I'M GOING TO SIT DOWN
AND WRITE A LONG LETTER *
923
01:31:40,195 --> 01:31:48,704
* TO ALL THE GOOD FRIENDS
I'VE KNOWN *
924
01:31:48,737 --> 01:31:52,708
* ONE OF THESE DAYS
925
01:31:52,741 --> 01:31:57,580
* ONE OF THESE DAYS
926
01:31:57,613 --> 01:32:00,616
* ONE OF THESE DAYS
927
01:32:00,649 --> 01:32:02,117
* AND IT WON'T BE LONG
928
01:32:02,150 --> 01:32:03,085
* WON'T BE LONG
929
01:32:03,118 --> 01:32:04,152
* IT WON'T BE LONG
930
01:32:04,186 --> 01:32:07,590
* WON'T BE LONG
931
01:32:23,238 --> 01:32:27,643
* AND I'M GONNA THANK
932
01:32:27,676 --> 01:32:31,847
* THAT OLD COUNTRY FIDDLER
933
01:32:31,880 --> 01:32:35,317
* AND ALL THOSE ROUGH BOYS
934
01:32:35,350 --> 01:32:40,322
* WHO PLAYED
THAT ROCK AND ROLL *
935
01:32:40,355 --> 01:32:45,594
* BUT I NEVER TRIED
936
01:32:45,628 --> 01:32:48,997
* TO BURN ANY BRIDGES
937
01:32:49,031 --> 01:32:57,773
* BUT I KNOW I LET
SOME GOOD THINGS GO *
938
01:32:57,806 --> 01:33:01,176
* ONE OF THESE DAYS
939
01:33:01,209 --> 01:33:06,348
* I'M GOING TO SIT DOWN
AND WRITE A LONG LETTER *
940
01:33:06,381 --> 01:33:14,757
* TO ALL THE GOOD FRIENDS
I'VE KNOWN *
941
01:33:14,790 --> 01:33:19,094
* ONE OF THESE DAYS
942
01:33:19,127 --> 01:33:23,365
* ONE OF THESE DAYS
943
01:33:23,398 --> 01:33:26,635
* ONE OF THESE DAYS
944
01:33:26,669 --> 01:33:28,070
* AND IT WON'T BE LONG
945
01:33:28,103 --> 01:33:29,104
* WON'T BE LONG
946
01:33:29,137 --> 01:33:30,105
* IT WON'T BE LONG
947
01:33:30,138 --> 01:33:33,876
* WON'T BE LONG
948
01:33:48,891 --> 01:33:53,261
* FROM DOWN IN L.A.
949
01:33:53,295 --> 01:33:57,733
* ALL THE WAY TO NASHVILLE
950
01:33:57,766 --> 01:34:01,403
* NEW YORK CITY
951
01:34:01,436 --> 01:34:06,274
* TO MY CANADIAN PRAIRIE HOME
952
01:34:06,308 --> 01:34:10,245
* MY FRIENDS ARE SCATTERED
953
01:34:10,278 --> 01:34:15,283
* LIKE LEAVES
FROM AN OLD MAPLE *
954
01:34:15,317 --> 01:34:19,287
* SOME ARE WEAK
955
01:34:19,321 --> 01:34:23,458
* SOME ARE STRONG
956
01:34:23,491 --> 01:34:26,995
* ONE OF THESE DAYS
957
01:34:27,029 --> 01:34:31,800
* I'M GOING TO SIT DOWN
AND WRITE A LONG LETTER *
958
01:34:31,834 --> 01:34:40,342
* TO ALL THE GOOD FRIENDS
I'VE KNOWN *
959
01:34:40,375 --> 01:34:44,880
* ONE OF THESE DAYS
960
01:34:44,913 --> 01:34:48,917
* ONE OF THESE DAYS
961
01:34:48,951 --> 01:34:52,187
* ONE OF THESE DAYS
962
01:34:52,220 --> 01:34:53,722
* AND IT WON'T BE LONG
963
01:34:53,756 --> 01:34:54,723
* WON'T BE LONG
964
01:34:54,757 --> 01:34:55,724
* IT WON'T BE LONG
965
01:34:55,758 --> 01:34:57,726
* WON'T BE LONG
966
01:34:57,760 --> 01:35:01,864
* ONE OF THESE DAYS
967
01:35:01,897 --> 01:35:06,334
* ONE OF THESE DAYS
968
01:35:06,368 --> 01:35:09,404
* ONE OF THESE DAYS
969
01:35:09,437 --> 01:35:10,438
* AND IT WON'T BE LONG
970
01:35:10,472 --> 01:35:11,807
* WON'T BE LONG
971
01:35:11,840 --> 01:35:12,875
* IT WON'T BE LONG
972
01:35:12,908 --> 01:35:14,910
* WON'T BE LONG
973
01:35:14,943 --> 01:35:18,914
* ONE OF THESE DAYS
974
01:35:18,947 --> 01:35:23,251
* ONE OF THESE DAYS
975
01:35:23,285 --> 01:35:26,254
* ONE OF THESE DAYS
976
01:35:26,288 --> 01:35:27,790
* AND IT WON'T BE LONG
977
01:35:27,823 --> 01:35:28,791
* WON'T BE LONG
978
01:35:28,824 --> 01:35:29,825
* IT WON'T BE LONG
979
01:35:29,858 --> 01:35:35,330
* WON'T BE LONG
980
01:36:25,047 --> 01:36:29,551
* DON'T CALL PRETTY PEGGY
981
01:36:29,584 --> 01:36:34,389
* SHE CAN'T HEAR YOU NO MORE
982
01:36:39,027 --> 01:36:43,866
* DON'T LEAVE NO MESSAGE
983
01:36:43,899 --> 01:36:48,336
* ROUND HER BACK DOOR
984
01:36:50,538 --> 01:36:57,846
* THEY SAY
THE OLD LAUGHING LADY *
985
01:36:57,880 --> 01:37:04,252
* BEEN HERE BEFORE
986
01:37:06,488 --> 01:37:11,559
* SHE DON'T KEEP TIME
987
01:37:11,593 --> 01:37:17,933
* SHE DON'T COUNT SCORE
988
01:37:37,119 --> 01:37:41,924
* WELL, YOU CAN'T HAVE
A CUPBOARD *
989
01:37:41,957 --> 01:37:48,130
* IF THERE AIN'T NO WALL
990
01:37:51,934 --> 01:37:55,670
* YOU'VE GOT TO MOVE
991
01:37:55,703 --> 01:38:02,978
* THERE'S NO TIME
FOR YOU TO STALL *
992
01:38:03,011 --> 01:38:10,018
* THEY SAY
THE OLD LAUGHING LADY *
993
01:38:10,052 --> 01:38:17,025
* DROPPED BY TO CALL
994
01:38:19,494 --> 01:38:23,531
* AND WHEN SHE LEAVES
995
01:38:23,565 --> 01:38:31,439
* SHE LEAVES NOTHING AT ALL
996
01:39:03,671 --> 01:39:08,576
* SEE THE DRUNKARD
OF THE VILLAGE *
997
01:39:08,610 --> 01:39:15,350
* FALLING ON THE STREET
998
01:39:18,620 --> 01:39:22,157
* CAN'T TELL HIS ANKLES
999
01:39:22,190 --> 01:39:30,132
* FROM THE REST OF HIS FEET
1000
01:39:30,165 --> 01:39:35,737
* HE LOVES
HIS OLD LAUGHING LADY *
1001
01:39:35,770 --> 01:39:44,612
* 'CAUSE HER TASTE IS SO SWEET
1002
01:39:44,646 --> 01:39:49,217
* BUT THE LAUGHING LADY'S
LOVING *
1003
01:39:49,251 --> 01:39:57,192
* AIN'T THE KIND HE CAN KEEP
1004
01:40:12,707 --> 01:40:18,046
* THERE'S A FEVER
ON THE FREEWAY *
1005
01:40:18,080 --> 01:40:23,551
* BLACKS OUT THE NIGHT
1006
01:40:26,488 --> 01:40:31,659
* THERE'S A SLIPPING
ON THE STAIRWAY *
1007
01:40:31,693 --> 01:40:39,367
* JUST DON'T FEEL RIGHT
1008
01:40:39,401 --> 01:40:45,240
* AND THERE'S A RUMBLING
IN THE BEDROOM *
1009
01:40:45,273 --> 01:40:53,148
* AND A FLASHING OF LIGHT
1010
01:40:56,384 --> 01:41:02,157
* THERE'S
THE OLD LAUGHING LADY *
1011
01:41:02,190 --> 01:41:08,363
* EVERYTHING IS ALL RIGHT
1012
01:41:09,697 --> 01:41:15,637
* THERE'S
THE OLD LAUGHING LADY *
1013
01:41:15,670 --> 01:41:21,509
* EVERYTHING IS ALL RIGHT
1014
01:41:23,478 --> 01:41:29,584
* THERE'S
THE OLD LAUGHING LADY *
1015
01:41:48,703 --> 01:41:51,506
CAPTIONING MADE POSSIBLE BY
PARAMOUNT PICTURES CORPORATION
1016
01:41:51,539 --> 01:41:54,609
CAPTIONS COPYRIGHT 2006
PARAMOUNT PICTURES CORPORATION
1017
01:41:54,642 --> 01:41:58,280
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
68212
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