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These are the user uploaded subtitles that are being translated: 1 00:00:13.160 --> 00:00:16.869 In love, or rather infatuated 2 00:00:17.400 --> 00:00:21.272 Want to enjoy her Enjoy to take her 3 00:00:21.440 --> 00:00:23.635 Take her 4 00:00:23.800 --> 00:00:28.874 Want to see her stretch out her limber body underneath me 5 00:00:29.400 --> 00:00:32.316 Attracted to the young flesh 6 00:00:32.480 --> 00:00:36.996 Sleepless That's the truth 7 00:00:38.200 --> 00:00:41.112 He was a sensuous man 8 00:00:41.280 --> 00:00:44.192 I mean that's part of the truth 9 00:04:33.160 --> 00:04:38.280 Can I take your hands and lead them over my head? 10 00:04:39.800 --> 00:04:45.636 Let me see your shoulders Are they as they've always been? 11 00:04:45.800 --> 00:04:49.509 Let me see your back Is it soft? 12 00:04:49.680 --> 00:04:54.370 Does it arch when my hands stroke it? 13 00:04:54.200 --> 00:04:57.351 Let me see your stomach Is it soft? 14 00:04:57.520 --> 00:05:00.990 Does it move when I touch it? 15 00:05:01.160 --> 00:05:06.712 Let me see your neck. Does it still have the same scent? 16 00:05:10.280 --> 00:05:12.635 Let me see your arms 17 00:05:12.800 --> 00:05:16.839 Do you put them over your head when I look at you? 18 00:05:17.000 --> 00:05:22.313 Can I sleep with your body close to mine? 19 00:05:22.480 --> 00:05:27.873 Can I hold you in my arms and forget everything? 20 00:05:28.400 --> 00:05:31.999 Can I see you above the sounds of the night? 21 00:05:32.160 --> 00:05:38.315 Can I hold you close and say you're mine? 22 00:08:26.120 --> 00:08:29.829 She lies on the blue floor spread out 23 00:08:30.000 --> 00:08:35.757 Arms, armpits, breasts, stomach 24 00:08:35.920 --> 00:08:39.151 The bosom with the curly black hair 25 00:08:39.320 --> 00:08:41.595 The legs 26 00:08:44.200 --> 00:08:47.476 What is she thinking about? 27 00:08:50.920 --> 00:08:54.595 'Nothing' she says when I ask 28 00:08:54.760 --> 00:08:57.194 I want to explore her 29 00:08:57.360 --> 00:09:00.909 I see her lying on the blue floor 30 00:09:01.800 --> 00:09:05.710 I'm looking at my feet I'm thinking of her 31 00:09:50.200 --> 00:09:56.116 We study the woman. We study women in various places. 32 00:09:56.280 --> 00:10:01.912 Sao Paulo, Rio de Janeiro, Belem. 33 00:10:02.800 --> 00:10:07.108 Panama City, Jacmel. 34 00:10:08.360 --> 00:10:13.798 Senegal, Dakar. In Manila. 35 00:10:13.960 --> 00:10:16.520 We look at her. 36 00:10:33.400 --> 00:10:35.918 Here is a Senegalese woman 37 00:10:37.000 --> 00:10:39.912 She's on her way 38 00:10:40.800 --> 00:10:42.674 She's walking 39 00:10:45.200 --> 00:10:48.795 Her walk is a language 40 00:10:50.600 --> 00:10:55.594 Is she thinking that she's the most beautiful woman in the world? 41 00:10:57.160 --> 00:10:59.549 Look at her 42 00:12:09.720 --> 00:12:14.874 The face, the body in the mirror That's where it happens 43 00:12:15.400 --> 00:12:18.476 The meticulous study of what may be enhanced 44 00:12:18.640 --> 00:12:23.714 The lips, the area around the eyes, the forehead 45 00:12:23.880 --> 00:12:26.678 The eyes look into the mirror 46 00:12:26.840 --> 00:12:31.277 The distance to the mirror is shortened and then again made longer 47 00:12:31.440 --> 00:12:37.151 There's always something to change To improve 48 00:12:38.600 --> 00:12:44.869 And in the mirror a constant intense study of the face 49 00:12:49.800 --> 00:12:51.230 The little adjustment 50 00:12:51.400 --> 00:12:55.393 The daily effort to make yourself prettier 51 00:12:55.560 --> 00:13:00.190 To attain maximum effect or reach some standard 52 00:13:00.360 --> 00:13:06.356 A vision of how this face and body should appear 53 00:13:26.400 --> 00:13:28.429 Woman 54 00:13:28.600 --> 00:13:34.550 I'm a woman. One of the best 55 00:13:34.720 --> 00:13:38.713 Among the richest in love 56 00:13:39.560 --> 00:13:41.869 Woman 57 00:13:42.400 --> 00:13:45.510 I, who am always loyal 58 00:13:45.680 --> 00:13:49.719 I, who am always sensitive 59 00:13:49.880 --> 00:13:53.998 I, who am always forthcoming 60 00:13:54.160 --> 00:13:57.914 I am very elegant 61 00:13:58.800 --> 00:14:01.152 I am very much in love 62 00:14:02.920 --> 00:14:05.718 Woman 63 00:14:05.880 --> 00:14:09.714 I am one of the most beautiful women 64 00:14:12.400 --> 00:14:15.715 I have great affection for others 65 00:14:18.280 --> 00:14:21.556 I am very sensitive 66 00:14:24.320 --> 00:14:27.676 I am a woman 67 00:14:27.840 --> 00:14:34.290 With great strength of the soul 68 00:16:29.400 --> 00:16:35.229 The unknown is attractive. But so are the familiar details. 69 00:16:35.400 --> 00:16:37.789 Her neck. 70 00:16:37.960 --> 00:16:41.748 Her shoulders. 71 00:16:41.920 --> 00:16:44.354 Her knees. 72 00:16:48.920 --> 00:16:51.992 Her eyes. Her mouth. 73 00:16:58.360 --> 00:17:00.749 The look she sends us. 74 00:20:56.800 --> 00:21:01.518 We're attempting to frame eroticism. 75 00:21:01.680 --> 00:21:07.277 Can we measure it in precise terms? 76 00:21:07.440 --> 00:21:14.835 For instance, you may have had a brief erotic encounter. 77 00:21:15.000 --> 00:21:18.117 One night. 78 00:21:18.280 --> 00:21:20.748 A few hours. 79 00:21:20.920 --> 00:21:24.993 And yet you remember it for a long time. For many, many years. 80 00:21:25.160 --> 00:21:31.156 Can you compare it with a long-term relationship - 81 00:21:31.320 --> 00:21:36.189 where you maintain a feeling for years - 82 00:21:36.360 --> 00:21:39.750 of great affection for the woman you knew. 83 00:21:39.920 --> 00:21:45.400 Is one more valuable than the other? 84 00:21:45.200 --> 00:21:47.794 Does it mean more? 85 00:21:47.960 --> 00:21:50.315 I don't know. 86 00:21:58.960 --> 00:22:02.873 I often tell you that you're beautiful. - Yes, you tell me all the time. 87 00:22:03.400 --> 00:22:09.718 It didn't use to mean anything to me when people told me I was beautiful - 88 00:22:09.880 --> 00:22:12.838 because I already knew. 89 00:22:14.440 --> 00:22:19.594 But because you've told me so many times it's finally sunk in. 90 00:22:21.360 --> 00:22:24.955 Is it beautiful? - It's very beautiful! 91 00:22:25.120 --> 00:22:28.556 Very beautiful. You look very beautiful like that. 92 00:22:28.720 --> 00:22:30.358 Your mouth. 93 00:22:31.800 --> 00:22:35.349 And your eyes. - Do you love them, too? 94 00:22:39.400 --> 00:22:42.153 I'm looking at you. 95 00:22:44.400 --> 00:22:47.271 Are you sure that you love me? - Yes. 96 00:22:47.440 --> 00:22:49.908 I love you. 97 00:22:50.800 --> 00:22:51.991 I love you. 98 00:22:52.160 --> 00:22:54.370 I love you. 99 00:22:54.200 --> 00:22:56.111 I love you. 100 00:22:56.280 --> 00:22:58.350 I love you. 101 00:22:58.520 --> 00:23:00.476 I love you. 102 00:23:00.640 --> 00:23:02.517 I love you. 103 00:23:02.680 --> 00:23:04.591 I said it ten times. 104 00:23:05.840 --> 00:23:09.549 Do you still have pictures of me in your little book? 105 00:23:09.720 --> 00:23:13.838 Yes. - At home, too? 106 00:23:14.000 --> 00:23:17.913 Yes. Always. 107 00:23:18.800 --> 00:23:19.911 Always. 108 00:23:20.800 --> 00:23:24.949 I very often look at pictures of you. 109 00:23:25.120 --> 00:23:28.795 And what are you thinking when you're looking at me? 110 00:23:28.960 --> 00:23:33.750 That it was true love. - Yes ... 111 00:23:33.920 --> 00:23:37.993 A long-lasting love story. It's not that common. 112 00:23:38.160 --> 00:23:42.392 It's a shame that we were separated like that. 113 00:23:42.560 --> 00:23:50.114 It wasn't fair, but it was what the Haitians wanted. 114 00:28:58.560 --> 00:29:04.908 Shall we start now? - Yeah, I think we'll start now. 115 00:29:12.160 --> 00:29:15.357 This is Livia. - Hi. 116 00:29:15.520 --> 00:29:19.798 Hello, Livia. - Mr. Jorgen. 117 00:29:24.400 --> 00:29:30.157 You read it for yourself. But also like a play. 118 00:29:30.320 --> 00:29:33.835 He's in the room. He's where the camera is. 119 00:29:34.000 --> 00:29:38.312 You don't know it, so it doesn't have to be perfect. Just read it. 120 00:29:38.480 --> 00:29:42.917 Out loud. In between, look over your shoulder towards the camera. 121 00:29:43.800 --> 00:29:46.117 I don't know where the camera is now. 122 00:29:46.280 --> 00:29:50.193 Take your time. Take your time. Read it. Stop. 123 00:29:50.360 --> 00:29:53.636 Look into the camera. Continue. 124 00:29:53.800 --> 00:30:00.350 Can I read it to myself first? - First? Yes. 125 00:30:05.880 --> 00:30:09.998 Holding your hands tight above your head with my left hand 126 00:30:10.160 --> 00:30:13.994 Taking your left knee with my right hand 127 00:30:14.160 --> 00:30:18.517 and bending it outward thereby spreading your legs 128 00:30:18.680 --> 00:30:22.468 Seeing you. Seeing you Holding your eyes in a thrall 129 00:30:22.640 --> 00:30:26.315 Then fixing in my mind in one seamless passage this whole order 130 00:30:26.480 --> 00:30:33.875 as it presents itself Your neck, your shoulders 131 00:30:34.400 --> 00:30:38.192 your breasts, your belly, your thighs 132 00:30:38.360 --> 00:30:41.193 Noting the entire arrangement 133 00:30:41.360 --> 00:30:49.631 and making love to you objectively and in detail. 134 00:30:50.880 --> 00:30:55.510 Okay. Yes. Thank you. That was good. 135 00:31:06.160 --> 00:31:09.550 Yes ... - Hello. 136 00:31:09.720 --> 00:31:12.917 Jorgen. - This is Jorgen. 137 00:31:13.800 --> 00:31:15.310 Please sit down. 138 00:31:15.480 --> 00:31:20.679 It's fiction, and it's true. 139 00:31:20.840 --> 00:31:25.789 I've had love affairs here in Brazil, and I want to ... 140 00:31:25.960 --> 00:31:30.636 I use my memory to recreate them. These stories. 141 00:31:31.520 --> 00:31:35.195 And what background does she have? 142 00:31:35.360 --> 00:31:39.672 She's done a film in Rio with students. 143 00:31:39.840 --> 00:31:44.755 It was about the 'Disquieter'. - Okay. 144 00:31:50.160 --> 00:31:52.390 She ... 145 00:31:52.560 --> 00:31:56.269 ... swallows snakes as well. 146 00:31:58.400 --> 00:32:01.589 What's that? She swallowed a snake? 147 00:32:03.680 --> 00:32:07.389 She dances with snakes. - Oh! That's good. 148 00:32:07.560 --> 00:32:10.950 So, she's a snake dancer, also. - Yes. 149 00:32:16.760 --> 00:32:21.709 She puts it in her mouth and then ... - Wow. 150 00:32:21.880 --> 00:32:26.351 But she wants to be an actress, also? 151 00:32:26.520 --> 00:32:31.753 She is an actress. - Yeah, yeah, I can see that. 152 00:32:41.480 --> 00:32:44.358 Those are your friends? 153 00:32:45.480 --> 00:32:49.234 Hello. Nice to meet you. 154 00:32:57.320 --> 00:33:02.792 We'd better include her, so she doesn't kill us. 155 00:33:02.960 --> 00:33:07.875 We can't have that. She might throw snakes at us. 156 00:33:09.320 --> 00:33:13.108 I don't know how best to handle it. 157 00:33:13.280 --> 00:33:18.229 She's a sales girl. She's constantly busy selling. 158 00:33:18.400 --> 00:33:25.238 What a crazy story. She has an organic reserve - 159 00:33:25.400 --> 00:33:30.155 where she produces the best water in the Amazon. Okay, right. 160 00:33:30.320 --> 00:33:33.232 If she says so herself. And what else? 161 00:33:33.400 --> 00:33:36.119 She's got strange things going on ... 162 00:33:36.280 --> 00:33:40.637 And she eats snakes? - Yes. Swallows them. 163 00:33:40.800 --> 00:33:45.669 Yes, although she assures us that they do come back out. 164 00:33:45.840 --> 00:33:52.678 That is so far out! And tons of other wild stories. 165 00:33:52.840 --> 00:33:57.470 She was convinced she'd get the part. She's been a performer for 15 years. 166 00:33:57.640 --> 00:34:04.113 But her selling point was that she made the best water in the Amazon. 167 00:34:04.280 --> 00:34:06.874 How far out is that? 168 00:34:07.400 --> 00:34:08.996 How many stars? 169 00:34:09.160 --> 00:34:12.277 Two, so far. 170 00:34:13.560 --> 00:34:18.509 I'm not discarding her just yet. Definitely not. 171 00:34:18.680 --> 00:34:22.195 ''I am an actress.'' 172 00:34:22.360 --> 00:34:26.558 Could I see an inviting smile? 173 00:34:29.440 --> 00:34:32.512 And then cool again. 174 00:34:37.800 --> 00:34:40.155 Thank you. 175 00:34:40.320 --> 00:34:43.392 You're very tall. Very tall. 176 00:34:43.560 --> 00:34:47.189 Bye. - Bye-bye. 177 00:34:47.360 --> 00:34:50.477 I haven't discarded anyone yet. 178 00:34:50.640 --> 00:34:54.872 They each have their own special quality. 179 00:34:55.400 --> 00:34:59.750 The last girl was sweet and shy. A lovely smile. 180 00:34:59.920 --> 00:35:02.753 The middle one was more cool. 181 00:35:02.920 --> 00:35:09.439 And the first one was also very sweet and ... sensual. 182 00:35:09.600 --> 00:35:12.319 I'm surprised at how well it's going. 183 00:35:12.480 --> 00:35:17.474 They all have two stars. No one is out yet. That's pretty good. 184 00:35:33.760 --> 00:35:38.550 This film is about a poet from Europe - 185 00:35:38.720 --> 00:35:44.352 who travels the world to find traces of his past. 186 00:35:44.520 --> 00:35:52.234 He has love stories in his past that he wants to revive. 187 00:35:52.400 --> 00:35:59.780 So, the poet wants to see this person in detail - 188 00:35:59.240 --> 00:36:05.998 like an eye, the mouth, a shoulder etc. The body, also. 189 00:36:09.400 --> 00:36:14.300 I could fall in love with her in a heartbeat. 190 00:36:15.440 --> 00:36:18.910 If I wanted to. A lovely girl. 191 00:36:19.800 --> 00:36:24.677 She reminds me of a former girlfriend. Very much actually. 192 00:36:24.840 --> 00:36:29.709 A Danish girl who used to be my girlfriend. 193 00:36:29.880 --> 00:36:33.714 She made quite an impression on me. She did. 194 00:36:33.880 --> 00:36:40.149 Now we have ... five, and I'm not discarding any of them yet. 195 00:36:40.320 --> 00:36:45.678 Two stars, two stars, two stars. Two stars, two stars. 196 00:36:49.360 --> 00:36:52.272 Look at me. 197 00:36:52.440 --> 00:36:58.788 It's good there. Give me a little smile. Just a little one. 198 00:36:58.960 --> 00:37:02.873 There are scenes where she's naked and scenes where she's not. 199 00:37:03.400 --> 00:37:06.157 She does very simple things. Everything is in the hotel room. 200 00:37:06.320 --> 00:37:10.677 You have no problem with nudity? - No. No, that's okay. 201 00:37:10.840 --> 00:37:16.870 I think that's enough explaining. Do you have any questions? 202 00:37:17.400 --> 00:37:20.874 Any questions? That was it? 203 00:37:22.160 --> 00:37:23.718 How many stars? 204 00:37:23.880 --> 00:37:27.350 Two and one in brackets. The best, so far. 205 00:38:01.800 --> 00:38:05.429 Ready for the next girl. 206 00:38:05.600 --> 00:38:08.831 You must feel that ... you're in this hotel room - 207 00:38:09.000 --> 00:38:12.834 and you've had a wonderful love affair with this man. 208 00:38:13.000 --> 00:38:18.472 You're thinking of that, and he's right behind the camera. 209 00:38:18.640 --> 00:38:21.290 Okay. - That's the situation. 210 00:38:21.200 --> 00:38:24.556 It's an erotic attraction. 211 00:38:24.720 --> 00:38:29.555 You'll have to be naked in a few scenes, lying on the bed etc. 212 00:38:29.720 --> 00:38:33.349 Because he's observing you. All of you. 213 00:38:33.520 --> 00:38:37.957 Studying the face. Studying your body. 214 00:38:38.120 --> 00:38:42.955 In detail. Would you like to do that? - Of course. 215 00:38:43.120 --> 00:38:48.148 She was wonderful. Very interesting. 216 00:38:48.320 --> 00:38:53.553 A lovely smile and demeanour. 217 00:38:53.720 --> 00:38:57.190 How many stars? - Uhm ... 218 00:38:58.560 --> 00:39:05.671 Two and a half. Two plus one in brackets. 219 00:39:05.840 --> 00:39:10.630 So as not to settle the matter. If I gave her three, that would be it. 220 00:39:10.800 --> 00:39:14.760 That won't do at all. Two and a half. 221 00:39:14.240 --> 00:39:18.711 I put one sentence after another 222 00:39:18.880 --> 00:39:22.759 I establish order I love you 223 00:39:22.920 --> 00:39:24.990 I smoke a cigarette 224 00:39:25.160 --> 00:39:29.233 I touch your face twist your lip out of shape 225 00:39:29.400 --> 00:39:34.315 And taste your food The place is a restaurant in Europe 226 00:39:34.480 --> 00:39:38.473 From a different time I see the woman smoking a cigarette 227 00:39:38.640 --> 00:39:44.510 The glow of the cigarette is extremely close as in a Godard movie 228 00:39:44.680 --> 00:39:47.911 This play will not be filled with many different things 229 00:39:48.800 --> 00:39:52.870 I saw the most outer room in a museum on a hillside by the sea 230 00:39:53.400 --> 00:39:59.752 Furniture suits in open air amongst the branches, early midday 231 00:39:59.920 --> 00:40:03.117 What would she like to be? 232 00:40:03.280 --> 00:40:08.593 Sometimes she would say: ''Almond tea waiting to be devoured'' 233 00:40:08.760 --> 00:40:15.836 At other times: ''Oil. Olive oil. To be dispersed across a pan'' 234 00:40:16.000 --> 00:40:20.390 At times a door in the morning with a hole in the middle 235 00:40:20.200 --> 00:40:25.797 Waiting to be opened by white paper and envelopes with stamps 236 00:40:27.360 --> 00:40:30.272 It is all from the same time 237 00:40:30.440 --> 00:40:34.274 It is all from the same time 238 00:40:34.440 --> 00:40:38.319 It must be together 239 00:41:11.320 --> 00:41:18.351 Sir, I stayed here nine years ago. In 85. 240 00:41:18.520 --> 00:41:24.197 I made a film with Jobim, Antonio Carlos Jobim, and I was staying here. 241 00:41:24.360 --> 00:41:31.948 This time I'm staying at another hotel, but I'd like to see one of the rooms. 242 00:41:32.120 --> 00:41:36.113 Is it possible to see it? - Yes. 243 00:41:42.240 --> 00:41:45.437 You want to see one in the front? 244 00:41:48.240 --> 00:41:51.232 It's this way. - Okay. 245 00:42:32.320 --> 00:42:36.598 Yes. I'll open the window. 246 00:43:50.720 --> 00:43:54.429 Haiti, Senegal, Tonga. 247 00:43:54.600 --> 00:43:59.958 The horizontal plane, the bed, the intercourse, the erotic scene. 248 00:44:02.960 --> 00:44:06.669 The sheet is the laboratory. The body is observed. 249 00:44:06.840 --> 00:44:09.912 The skin is studied, all on the sheet. 250 00:44:10.800 --> 00:44:13.914 The first part isn't hard to explain. - No? 251 00:44:14.800 --> 00:44:17.675 Let's say she's sitting there ... 252 00:44:17.840 --> 00:44:21.719 She's sitting over there now, and I say ... 253 00:44:21.880 --> 00:44:26.780 You're here, too. That's crucial. 254 00:44:26.240 --> 00:44:29.118 And I say to her ... 255 00:44:31.120 --> 00:44:34.396 ''Patricia ...'' 256 00:44:37.480 --> 00:44:41.712 ''We make film. Cinema.'' 257 00:44:43.720 --> 00:44:48.396 ''In VIP suites.'' - Yeah ... 258 00:44:48.560 --> 00:44:53.315 ''Hotel VIP suites.'' 259 00:44:53.480 --> 00:44:56.233 ''Not pornography.'' 260 00:44:56.400 --> 00:45:01.599 I can show it graphically. ''Not pornography.'' 261 00:45:01.760 --> 00:45:03.990 Not this. 262 00:45:04.160 --> 00:45:06.628 But ... 263 00:45:08.280 --> 00:45:10.999 ''Do you want to ... Can we ...'' 264 00:45:11.160 --> 00:45:14.869 ''Do you want to go with us?'' 265 00:45:18.840 --> 00:45:24.278 ''On Tuesday after 4 o'clock?'' 266 00:45:27.560 --> 00:45:31.758 She may not understand what it's about - 267 00:45:31.920 --> 00:45:35.230 but I think I'll be able to explain it. 268 00:45:35.400 --> 00:45:37.994 ''Cine.'' 269 00:45:39.160 --> 00:45:42.357 We've been to Rio twice. 270 00:45:42.520 --> 00:45:45.830 In 2002. 271 00:45:46.000 --> 00:45:49.117 And in 2008. 272 00:45:49.280 --> 00:45:54.957 There are great differences between what we found on the two visits. 273 00:45:55.120 --> 00:45:57.998 It almost demonstrates what it's about. 274 00:45:58.160 --> 00:46:01.232 On the first visit we didn't really know ... 275 00:46:01.400 --> 00:46:05.598 Or rather, we knew even less about what we wanted to capture. 276 00:46:05.760 --> 00:46:12.552 We knew even less about how to frame eroticism. 277 00:46:15.880 --> 00:46:19.429 But it's an inherent part of our study, of ourjourney - 278 00:46:19.600 --> 00:46:24.628 of the unknown, of what we're seeking - 279 00:46:24.800 --> 00:46:31.478 that the story changes, that the method changes - 280 00:46:31.640 --> 00:46:36.236 evolves as it unfolds. It evolves as it unfolds. 281 00:46:44.400 --> 00:46:49.599 Holding your hands tight above your head with my left hand 282 00:46:49.760 --> 00:46:53.116 Taking your left knee with my right hand 283 00:46:53.280 --> 00:46:59.435 and bending it outward thereby spreading your legs. Seeing you 284 00:47:01.880 --> 00:47:05.236 Seeing you Holding your eyes in a thrall 285 00:47:05.400 --> 00:47:08.119 fixing in my mind in one seamless passage this whole order 286 00:47:08.280 --> 00:47:10.874 as it presents itself Your neck 287 00:47:11.400 --> 00:47:14.112 your shoulders, your breasts, your belly, your thighs 288 00:47:14.280 --> 00:47:17.330 Noting the entire arrangement 289 00:47:17.200 --> 00:47:22.752 and making love to you objectively and in detail 290 00:47:24.480 --> 00:47:29.235 Holding your hands tight above your head with my left hand 291 00:47:29.400 --> 00:47:33.313 Taking your left knee with my right hand 292 00:47:33.480 --> 00:47:38.554 and bending it outward thereby spreading your legs. Seeing you 293 00:47:38.720 --> 00:47:41.359 Seeing you Holding your eyes in a thrall 294 00:47:41.520 --> 00:47:45.433 then fixing in my mind in one seamless passage this whole order 295 00:47:45.600 --> 00:47:49.593 as it presents itself Your neck 296 00:47:49.760 --> 00:47:55.710 your shoulders, your breasts, your belly, your thighs 297 00:47:55.880 --> 00:47:58.952 Noting the entire arrangement 298 00:47:59.120 --> 00:48:04.592 and making love to you objectively and in detail 299 00:48:04.760 --> 00:48:12.269 Holding your hands tight above your head with my left hand 300 00:48:12.440 --> 00:48:16.479 Taking your left knee with my right hand 301 00:48:16.640 --> 00:48:24.194 and bending it outward thereby spreading your legs. Seeing you 302 00:48:24.360 --> 00:48:27.352 Seeing you Holding your eyes in a thrall 303 00:48:27.520 --> 00:48:31.229 then fixing in my mind in one seamless passage this whole order 304 00:48:31.400 --> 00:48:34.870 as it presents itself. Your neck 305 00:48:35.400 --> 00:48:39.670 your shoulders, your breasts 306 00:48:39.880 --> 00:48:44.317 your belly, your thighs 307 00:48:44.480 --> 00:48:47.153 Noting the entire arrangement 308 00:48:47.320 --> 00:48:51.950 and making love to you objectively and in detail 309 00:49:13.640 --> 00:49:16.740 Is it tasty? 310 00:49:17.600 --> 00:49:19.875 Do you want some? 311 00:49:20.400 --> 00:49:23.316 It's too sweet for me. 312 00:49:30.000 --> 00:49:32.389 Too sweet. 313 00:50:01.240 --> 00:50:03.629 Here. Take it. 314 00:50:32.440 --> 00:50:34.908 Take it. It's for you. 315 00:50:35.800 --> 00:50:37.514 Come. Take it. 316 00:50:38.440 --> 00:50:43.833 The 5 years I spent by your side were wonderful. 317 00:50:44.000 --> 00:50:51.315 I loved you very much. We were together for a long time. 318 00:50:51.480 --> 00:50:58.511 And we could have continued, but there was the question of marriage. 319 00:50:58.680 --> 00:51:03.595 Yes. - You wanted us to get married. 320 00:51:03.760 --> 00:51:10.438 I wanted to be your woman. I wanted to be Madame Leth. 321 00:51:10.600 --> 00:51:13.319 I kept telling you. 322 00:51:13.480 --> 00:51:15.710 I wanted to be Madame Leth - 323 00:51:15.880 --> 00:51:20.670 and I couldn't stay with you without being married. 324 00:51:20.840 --> 00:51:25.391 I couldn't. - I understand. It's so sad. 325 00:51:41.440 --> 00:51:45.991 She transports her body through the dust of the street 326 00:51:46.160 --> 00:51:48.799 She's watching her step 327 00:51:50.240 --> 00:51:53.630 I see her walking down the street 328 00:51:53.800 --> 00:51:57.270 What is she thinking about? 329 00:51:59.680 --> 00:52:02.672 What will she tell me? 330 00:52:02.840 --> 00:52:08.198 Does she constantly have wishes to be instantaneously fulfilled? 331 00:52:19.280 --> 00:52:22.955 One more time. What's your name? - My name is Schilaine. 332 00:52:23.120 --> 00:52:27.330 Say your name. - My name is Schilaine. 333 00:52:30.960 --> 00:52:34.953 Where do you live? - At the base of the cemetery. 334 00:52:37.160 --> 00:52:41.730 How old are you? - Twenty. 335 00:52:41.240 --> 00:52:43.834 Where were you born? - Excuse me? 336 00:52:44.000 --> 00:52:50.314 Where were you born? - On October 1 7th 1 989. 337 00:52:51.440 --> 00:52:56.309 And your family? - Cayo and Turin. 338 00:52:56.480 --> 00:52:59.119 How many brothers? How many sisters? 339 00:52:59.280 --> 00:53:02.829 Four brothers. Four sisters. 340 00:53:03.000 --> 00:53:06.151 What do you want to do with your life? 341 00:53:06.320 --> 00:53:13.158 I just want to be happy. That's all. 342 00:53:14.640 --> 00:53:17.712 You don't know exactly what you want in life? 343 00:53:17.880 --> 00:53:25.434 No. I just know I need to go to school. That's all. 344 00:53:26.800 --> 00:53:29.189 What are your needs? 345 00:53:29.360 --> 00:53:34.514 What? I didn't hear what you said. 346 00:53:34.680 --> 00:53:36.238 Hmm. 347 00:53:36.400 --> 00:53:40.234 What are your dreams? What do you dream about? 348 00:53:40.400 --> 00:53:43.676 I have many dreams. 349 00:53:46.160 --> 00:53:50.233 How do you see your future? 350 00:53:50.400 --> 00:53:55.394 I want to be a great woman. I need a lot of money. 351 00:53:55.560 --> 00:54:02.671 I need that in order to live my life. 352 00:54:04.280 --> 00:54:07.113 What would you like to do? 353 00:54:07.280 --> 00:54:11.751 I need to build a business - 354 00:54:11.920 --> 00:54:16.630 and go back to school. 355 00:54:16.800 --> 00:54:19.360 Just that. 356 00:54:21.680 --> 00:54:25.912 And now you're in a movie. - Yes. 357 00:54:27.400 --> 00:54:31.477 Do you think that will help you? - Yes, very much. 358 00:54:34.240 --> 00:54:40.395 What are you thinking about? - Nothing. The movie. 359 00:54:42.560 --> 00:54:48.237 And love. What does that mean to you? 360 00:54:48.400 --> 00:54:53.110 Love? I don't know ... 361 00:55:00.800 --> 00:55:04.517 Is love important in your life? - What? 362 00:55:04.680 --> 00:55:08.275 Is love important in your life? 363 00:55:08.440 --> 00:55:14.151 It's important. Without love, no life. 364 00:55:18.840 --> 00:55:26.155 Maybe before you leave you can do me a favour? 365 00:55:26.320 --> 00:55:28.515 Yes. 366 00:55:37.120 --> 00:55:39.509 One more time, please. 367 00:55:39.680 --> 00:55:44.710 Femme I am a woman who is always serious 368 00:55:44.240 --> 00:55:48.711 I am a woman who is always content 369 00:55:48.880 --> 00:55:52.919 I am a woman who always loves I am a woman who's always appealing 370 00:55:53.800 --> 00:55:58.791 I am a woman who is more beautiful than all other women 371 00:55:58.960 --> 00:56:05.115 I am a woman who is more beautiful than all other women 372 00:56:05.280 --> 00:56:08.113 I am a woman who ... 373 00:56:08.280 --> 00:56:12.680 I am a woman who has great affection for other people 374 00:56:12.240 --> 00:56:16.280 I am a woman who has a lot of feelings 375 00:56:16.200 --> 00:56:21.690 I am a woman who has great spirit 376 00:56:22.120 --> 00:56:27.690 Yes. It's true. - Yes. 377 00:57:18.640 --> 00:57:24.556 I don't know exactly how to frame eroticism. 378 00:57:24.720 --> 00:57:31.273 Or how to find it. I'm not looking for a definition. 379 00:57:31.440 --> 00:57:36.275 It's about the search itself. 380 00:57:37.800 --> 00:57:41.760 Finding moments ... 381 00:57:42.480 --> 00:57:48.316 ... from recollection and in the present. 382 00:57:51.560 --> 00:57:56.873 I like it like this. It looks natural. 383 00:57:58.160 --> 00:58:05.555 When we filmed the lovemaking scene, how did that make you feel? 384 00:58:05.720 --> 00:58:11.272 I didn't notice the camera. 385 00:58:11.440 --> 00:58:18.869 It was just us. The camera and the other people didn't exist. 386 00:58:19.400 --> 00:58:23.790 It was just me and my beloved on the bed. 387 00:58:23.240 --> 00:58:26.550 Feeling good. I loved it. 388 00:58:33.120 --> 00:58:34.838 Yes. 389 00:58:36.760 --> 00:58:38.318 Yes! 390 00:58:49.880 --> 00:58:51.950 It feels so good. 391 00:58:52.120 --> 00:58:54.315 It feels so good. 392 00:59:34.280 --> 00:59:38.273 Past tense I produce past tense 393 00:59:38.440 --> 00:59:41.557 And the rain prickles the green water 394 00:59:41.720 --> 00:59:46.794 The silver blue horizon steeply rises 395 00:59:46.960 --> 00:59:51.112 The used coffee awaits collecting 396 01:00:09.320 --> 01:00:11.959 Does he try hard enough to find her? 397 01:00:12.120 --> 01:00:14.554 I wish to see her again 398 01:00:14.720 --> 01:00:17.188 I wish to see her clearly 399 01:00:17.360 --> 01:00:21.690 Her mouth hasn't been meticulously described 400 01:00:21.240 --> 01:00:24.437 Her ankles haven't been examined 401 01:00:24.600 --> 01:00:29.355 Her voice has tones to it that I wish to hear again 402 01:00:29.520 --> 01:00:33.911 Her mind carries a secret that excites me 403 01:00:34.800 --> 01:00:36.799 I wish to see her again 404 01:00:38.240 --> 01:00:41.869 Does he try hard enough to find her? 405 01:02:06.160 --> 01:02:11.290 Holding your hands tight above your head with my left hand 406 01:02:11.200 --> 01:02:17.469 Taking your left knee with my right hand and bending it outward 407 01:02:17.640 --> 01:02:20.757 thereby spreading your legs Seeing you 408 01:02:20.920 --> 01:02:25.835 Seeing you Holding your eyes in a thrall 409 01:02:26.000 --> 01:02:30.869 then fixing in my mind in one seamless passage this whole order 410 01:02:31.400 --> 01:02:35.636 as it presents itself Your neck, your shoulders 411 01:02:35.800 --> 01:02:39.713 your breasts, your belly, your thighs 412 01:02:39.880 --> 01:02:42.633 Noting the entire arrangement 413 01:02:42.800 --> 01:02:48.193 and making love to you objectively and in detail 414 01:09:23.680 --> 01:09:26.240 Yeah ... okay. 415 01:10:26.400 --> 01:10:29.320 I prefer women who ... 416 01:10:29.200 --> 01:10:31.714 The ones I fall for are the ones - 417 01:10:31.880 --> 01:10:35.839 who have the audacity and strength to engage you with their eyes. 418 01:10:36.000 --> 01:10:39.629 And maintain their gaze. I love that. 419 01:10:39.800 --> 01:10:42.519 It's amazing. 420 01:10:44.400 --> 01:10:46.838 Well, we'll see. 421 01:10:49.960 --> 01:10:54.112 If they can say a few words, I like that, too. 422 01:10:58.440 --> 01:11:01.637 And you think you could be an actress? 423 01:11:01.800 --> 01:11:04.837 Yes! I know it. 424 01:11:05.760 --> 01:11:08.479 I'll try my best. 425 01:11:08.640 --> 01:11:13.509 So, in this film there are no sex scenes, but there will be nude scenes. 426 01:11:13.680 --> 01:11:18.515 Lying on a bed etc. but no sex between a man and a woman. 427 01:11:18.680 --> 01:11:24.312 Just some relaxed shots of a woman in a hotel room - 428 01:11:24.480 --> 01:11:28.837 thinking about her love affair with a European man who was there - 429 01:11:29.000 --> 01:11:34.358 some years ago, and it's like reviving a memory. 430 01:11:34.520 --> 01:11:38.991 You have no problem with that? - I have tattoos on my butt. 431 01:11:39.160 --> 01:11:42.914 Oh! Fantastic! Fantastic bird. 432 01:11:43.800 --> 01:11:48.740 And I have one here. Speaking of love, this is my lover. 433 01:11:51.400 --> 01:11:54.119 Yeah, that's good. 434 01:11:54.280 --> 01:11:59.798 So, he's there forever. - Yes ... yeah. 435 01:11:59.960 --> 01:12:03.669 This is some of my work. - Yes ... 436 01:12:03.840 --> 01:12:08.118 This one I had made while in Tibet. 437 01:12:08.280 --> 01:12:11.511 That one looks like Kama Sutra. - Yeah. 438 01:12:11.680 --> 01:12:16.708 People like my art because it's detailed. 439 01:12:16.880 --> 01:12:21.271 It's very good. - This was my second tattoo. 440 01:12:21.440 --> 01:12:25.274 This one says 'pag-asa'. 441 01:12:25.440 --> 01:12:31.310 In Filipino that means hope. And it's in the shape of a heart. 442 01:12:31.480 --> 01:12:35.290 Thank you very much. - Thank you. 443 01:12:38.400 --> 01:12:40.679 Okay. - Bye. 444 01:13:10.200 --> 01:13:12.555 Am I happy? 445 01:13:15.760 --> 01:13:19.548 Yes sometimes I'm happy 446 01:13:21.920 --> 01:13:25.435 I think about my life 447 01:13:25.600 --> 01:13:29.229 And sometimes I am not happy 448 01:13:37.200 --> 01:13:41.876 I think about the man I love 449 01:13:42.400 --> 01:13:45.555 I miss him when he's not here 450 01:13:47.800 --> 01:13:51.156 He's sometimes so far away 451 01:13:54.160 --> 01:13:58.730 I want to be with him 452 01:15:42.800 --> 01:15:47.555 Lifting my gaze looking out 453 01:15:47.720 --> 01:15:51.269 Mekong out there 454 01:15:51.440 --> 01:15:56.700 Vientiane Laos 455 01:15:57.320 --> 01:16:01.677 It's a strange feeling to be back here ... 456 01:16:01.840 --> 01:16:08.359 ... nearly 40 years after my first and only visit. 457 01:16:14.320 --> 01:16:19.394 The brief encounter I had back then. 458 01:16:24.640 --> 01:16:30.192 The mere sound of the names. Vientiane. Mekong. 459 01:16:33.720 --> 01:16:40.273 Manila. Dakar. Belem. 460 01:16:40.440 --> 01:16:46.356 There's something sensuous about the names and the locations. 461 01:16:46.520 --> 01:16:51.435 Orinoco. The Amazon. 462 01:16:55.800 --> 01:16:59.315 Jacmel. Haiti. 463 01:17:01.440 --> 01:17:08.437 To caress the names. To embrace the places. 464 01:17:08.600 --> 01:17:12.115 Study them. Be in them. 465 01:17:12.280 --> 01:17:18.370 A few moments. A few days. A few hours. 466 01:17:18.200 --> 01:17:21.590 And then move on. 467 01:17:21.760 --> 01:17:24.877 And then move on. 468 01:24:18.880 --> 01:24:20.996 Woman 469 01:24:21.160 --> 01:24:24.596 I'm a woman One of the best 470 01:24:24.760 --> 01:24:27.877 One of the richest in love 471 01:24:28.400 --> 01:24:31.191 One of the most experienced 472 01:24:31.360 --> 01:24:35.433 Woman I, who am always loyal 473 01:24:35.600 --> 01:24:38.512 I, who am always forthcoming 474 01:24:38.680 --> 01:24:41.513 I, who am always sensitive 475 01:24:41.680 --> 01:24:44.592 I, who am very much in love 476 01:24:44.760 --> 01:24:48.469 I, who am very elegant 477 01:24:48.640 --> 01:24:55.790 Woman I am one of the most beautiful women 478 01:24:55.240 --> 01:24:58.789 I have great affection for others 479 01:24:58.960 --> 01:25:01.300 I am very sensitive 480 01:25:01.200 --> 01:25:05.830 I am a woman with great strength of the soul 481 01:25:06.000 --> 01:25:07.991 One more time? 482 01:25:08.200 --> 01:25:10.770 Subtitles: Tina Goldberg Dansk Video Tekst 36966

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