Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:10,379 --> 00:00:11,689
-WAIT!
-PREVIOUSLY ON "THE OVAL..."
2
00:00:11,758 --> 00:00:13,517
LILLY: WHAT WILL THEY DO
WITH HIM?
3
00:00:13,586 --> 00:00:15,206
DONALD: YOU DON'’T WANT TO KNOW.
VICTORIA: SO, WHO'’S THIS ONE?
4
00:00:15,275 --> 00:00:16,206
DID SHE BIND YOU?
HUNTER: YEAH. YEAH.
5
00:00:16,275 --> 00:00:17,655
IT WAS FUN.
6
00:00:17,724 --> 00:00:19,068
VICTORIA: THE NEXT TIME
ONE OF YOUR GOONS
7
00:00:19,137 --> 00:00:20,275
TRIES TO KEEP ME OUT OF THE OVAL
8
00:00:20,344 --> 00:00:22,275
WILL BE HIS LAST.
9
00:00:22,344 --> 00:00:26,034
-[COUGHING]
-TELL ME THE TRUTH.
10
00:00:26,103 --> 00:00:27,724
SHARON: I'’M TIRED
OF SITTING AROUND HERE
11
00:00:27,793 --> 00:00:29,517
TRYING TO BE QUIET
SO THAT I DON'’T UPSET HIM.
12
00:00:29,586 --> 00:00:31,172
BARRY: I WANT MY DAUGHTER.
13
00:00:31,241 --> 00:00:32,896
RICHARD: WE'’RE GONNA GET HER.
JUST GIVE ME THE GUN.
14
00:00:32,965 --> 00:00:34,896
BARRY: I WANT TO KILL HIM.
RICHARD: JUST GIVE ME THE GUN.
15
00:00:34,965 --> 00:00:36,344
BARRY: DAD, I'’M NOT...
RICHARD: JUST GIVE IT TO ME.
16
00:00:36,413 --> 00:00:37,724
BARRY: I'’M NOT GIVING--DAD!
17
00:00:37,793 --> 00:00:39,068
[GUNSHOT]
18
00:00:39,137 --> 00:00:42,275
[BOTH BREATHING HEAVILY]
19
00:00:42,344 --> 00:00:44,103
BARRY: ARE YOU ALL RIGHT?
20
00:00:44,172 --> 00:00:45,310
RICHARD: ARE--ARE YOU SHOT?
21
00:00:45,379 --> 00:00:46,965
BARRY: NO, I'’M NOT SHOT.
ARE YOU?
22
00:00:47,034 --> 00:00:49,068
RICHARD: ARE YOU SURE?
BARRY: I'’M POSITIVE.
ARE YOU SHOT?
23
00:00:49,137 --> 00:00:50,896
ARE YOU SURE?
RICHARD: NO, I'’M--
I'’M SURE I'’M NOT.
24
00:00:50,965 --> 00:00:52,551
BARRY: ARE YOU SURE?
RICHARD: YES, I'’M FINE.
25
00:00:52,620 --> 00:00:54,896
THIS IS WHY YOU NOT SUPPOSED
TO HAVE A GUN.
26
00:00:54,965 --> 00:00:56,896
BARRY: I'’M SORRY.
I DIDN'’T KNOW IT WAS COCKED.
27
00:00:56,965 --> 00:00:58,620
RICHARD: SON, LISTEN TO ME,
LISTEN TO ME.
JUST--JUST GO HOME.
28
00:00:58,689 --> 00:01:00,379
BARRY: DAD, I'’M SORRY.
I'’M SORRY!
29
00:01:00,448 --> 00:01:02,517
[RICHARD BREATHING HEAVILY]
I GOTTA GET TO WORK
30
00:01:02,586 --> 00:01:03,965
IN A COUPLE HOURS.
I GOT--
31
00:01:04,034 --> 00:01:05,655
BARRY: NO, DAD,
WHAT ABOUT MY DAUGHTER?
32
00:01:05,724 --> 00:01:07,482
RICHARD: LOOK, JUST GO,
GET YOUR MOTHER,
33
00:01:07,551 --> 00:01:08,793
AND--AND THEN GO TO THE POLICE.
34
00:01:08,862 --> 00:01:10,862
YOU SHOT A DAMN HOLE
IN THE DOOR!
35
00:01:10,931 --> 00:01:12,275
ONE OF US COULD'’VE BEEN KILLED.
36
00:01:12,344 --> 00:01:13,620
BARRY: I'’M SORRY!
I'’M SORRY!
37
00:01:13,689 --> 00:01:16,724
RICHARD: JUST GO HOME, BARRY,
JUST--JUST GO.
38
00:01:23,206 --> 00:01:25,655
[ENGINE STARTS]
39
00:01:30,206 --> 00:01:32,620
[WOMAN SCREAMING INDISTINCTLY]
40
00:01:40,275 --> 00:01:42,172
[ENGINE STARTS]
41
00:01:50,344 --> 00:01:51,448
WOMAN: SOMEBODY SHOT HIM!
42
00:01:51,517 --> 00:01:56,137
SOMEBODY SHOT HIM!
HELP! HELP!
43
00:02:00,862 --> 00:02:06,206
MAN: ♪ FEELS LIKE I'’M
RUNNING OUT OF TIME ♪
44
00:02:06,275 --> 00:02:12,068
♪ YOU GOT TO GET YOURS,
I GOT TO GET MINE ♪
45
00:02:12,137 --> 00:02:17,206
♪ NOT REALLY SURE WHERE
WE'’RE HEADED TO ♪
46
00:02:17,275 --> 00:02:23,620
♪ I JUST HOPE THAT YOU
MAKE IT WHEN I DO ♪
47
00:02:50,172 --> 00:02:51,103
[HUNTER SPUTTERING]
48
00:02:51,172 --> 00:02:55,103
VICTORIA: DAMN.
I WAS SO CLOSE.
49
00:02:55,172 --> 00:02:57,206
HUNTER: IF I DIE,
YOU'’RE NOTHING.
50
00:02:57,275 --> 00:02:58,793
VICTORIA: NOT TRUE.
51
00:02:58,862 --> 00:03:04,068
I'’D PLAY THE SAD,
DUTIFUL WIDOW.
52
00:03:04,137 --> 00:03:06,275
HUNTER: YOU ALWAYS
HAVE AN ANGLE.
53
00:03:06,344 --> 00:03:07,413
VICTORIA: YES, I DO.
54
00:03:07,482 --> 00:03:12,275
AND SO DO YOU, BUT
YOURS IS SHORT.
55
00:03:12,344 --> 00:03:13,413
HUNTER: IT GETS THE JOB DONE.
56
00:03:13,482 --> 00:03:14,724
VICTORIA: DON'’T BE SO SURE.
57
00:03:14,793 --> 00:03:17,206
HUNTER: YEAH, WHATEVER.
58
00:03:17,275 --> 00:03:19,724
VICTORIA: GET UP.
59
00:03:19,793 --> 00:03:21,689
YOU AT LEAST HAVE
TO GIVE THE IMPRESSION
60
00:03:21,758 --> 00:03:24,827
THAT YOU'’RE EXCITED
ABOUT THIS JOB.
61
00:03:24,896 --> 00:03:26,379
HUNTER: YOU WANT
TO GO TO THE OVAL?
62
00:03:26,448 --> 00:03:29,068
[SNAPS FINGERS]
KNOCK YOURSELF OUT.
63
00:03:29,137 --> 00:03:32,310
VICTORIA: I WOULD
BUT I HAVE PLANS.
64
00:03:32,379 --> 00:03:34,620
HUNTER: WHAT PLANS?
65
00:03:34,689 --> 00:03:37,517
VICTORIA: GET UP.
66
00:03:37,586 --> 00:03:42,310
HUNTER: OW!
GOD, YOU ARE WICKED.
67
00:03:42,379 --> 00:03:44,275
HOW'’S GAYLE?
68
00:03:44,344 --> 00:03:45,758
VICTORIA: WHAT DO YOU CARE?
69
00:03:45,827 --> 00:03:48,310
HUNTER: WHAT DO YOU MEAN,
WHAT DO I CARE?
70
00:03:48,379 --> 00:03:50,655
SHE'’S MY DAUGHTER.
71
00:03:50,724 --> 00:03:52,620
VICTORIA: SO, NOW YOU'’RE
THE CARING FATHER?
72
00:03:52,689 --> 00:03:55,310
HUNTER: SHE WAS ASSAULTED.
73
00:03:55,379 --> 00:03:58,206
VICTORIA: REALLY?
74
00:03:58,275 --> 00:03:59,241
[HUNTER SCOFFS]
75
00:03:59,310 --> 00:04:01,275
I'’M GONNA HAVE THAT BOY'’S ASS.
76
00:04:01,344 --> 00:04:02,827
VICTORIA: HMM.
77
00:04:02,896 --> 00:04:05,344
SO, NOW THE FATHER
IS CONCERNED
78
00:04:05,413 --> 00:04:06,827
ABOUT HIS 16-YEAR-OLD DAUGHTER
79
00:04:06,896 --> 00:04:08,758
WHEN APPARENTLY, HE ASSAULTS
80
00:04:08,827 --> 00:04:10,793
OTHER 16-YEAR-OLD GIRLS.
81
00:04:10,862 --> 00:04:13,586
HUNTER: I HAVE NEVER
ASSAULTED A WOMAN...
82
00:04:13,655 --> 00:04:16,482
WITHOUT THEM ASKING
FOR IT FIRST.
83
00:04:16,551 --> 00:04:19,206
NICELY.
84
00:04:19,275 --> 00:04:20,551
VICTORIA: KARMA'’S
A BITCH, DARLING.
85
00:04:20,620 --> 00:04:22,827
HUNTER: YEAH,
SO, I MARRIED IT.
86
00:04:22,896 --> 00:04:26,206
YOU REALLY AREN'’T CONCERNED
ABOUT GAYLE?
87
00:04:26,275 --> 00:04:27,620
VICTORIA: NO.
88
00:04:27,689 --> 00:04:30,275
HUNTER: YOU ARE THE COLDEST
REPTILE I'’VE EVER SEEN.
89
00:04:32,482 --> 00:04:34,241
VICTORIA: DON'’T FORGET--
90
00:04:34,310 --> 00:04:36,344
THE SSSMARTEST ONE
91
00:04:36,413 --> 00:04:39,448
WHO PUT YOU HERE.
92
00:04:39,517 --> 00:04:42,344
HUNTER: YOU KNOW HOW TO
TURN IT ON, DON'’T YOU?
93
00:04:42,413 --> 00:04:43,724
VICTORIA: YES, I DO.
94
00:04:43,793 --> 00:04:45,965
HUNTER: YEAH, EVERYTHING BUT ME.
95
00:04:46,034 --> 00:04:49,793
VICTORIA: I WOULDN'’T ... YOU
TO SAVE YOUR CHILDREN.
96
00:04:49,862 --> 00:04:53,172
HUNTER: GOOD. BECAUSE I'’D RATHER
DIE FIRST.
97
00:04:53,241 --> 00:04:57,448
VICTORIA: KEEP TALKING AND YOU
JUST MIGHT GET YOUR WISH.
98
00:04:57,517 --> 00:05:02,379
HUNTER: BE A BLESSING.
99
00:05:02,448 --> 00:05:04,448
[EXHALES]
100
00:05:04,517 --> 00:05:06,413
[VICTORIA LAUGHS]
101
00:05:06,482 --> 00:05:11,379
HUNTER: YEAH, LAUGH IT UP.
102
00:05:11,448 --> 00:05:13,379
[DOOR CLOSES]
103
00:05:19,551 --> 00:05:21,413
VICTORIA: DUMB BITCH.
104
00:05:21,482 --> 00:05:23,379
KEEP POSTING EVERYTHING.
105
00:05:32,275 --> 00:05:33,862
YUMA ON PHONE:
YES, MA'’AM.
106
00:05:33,931 --> 00:05:35,344
VICTORIA: I WANT TO GO SHOPPING
THIS AFTERNOON.
107
00:05:35,413 --> 00:05:37,241
YUMA: MA'’AM?
VICTORIA: YOU HEARD ME.
108
00:05:37,310 --> 00:05:39,448
YUMA: WE CAN GET YOU
WHAT YOU NEED.
109
00:05:39,517 --> 00:05:40,827
VICTORIA: I WANT TO GO.
110
00:05:40,896 --> 00:05:42,689
YUMA: OK.
I'’LL ARRANGE IT.
111
00:05:42,758 --> 00:05:43,862
MAKE IT SMALL?
112
00:05:43,931 --> 00:05:45,689
VICTORIA: NO, NO, NO, NO.
113
00:05:45,758 --> 00:05:48,344
I WANT THE FULL TREATMENT.
114
00:05:48,413 --> 00:05:49,586
YUMA: YES, MA'’AM.
115
00:05:49,655 --> 00:05:53,103
DO YOU KNOW WHERE
YOU'’D LIKE TO GO?
116
00:05:53,172 --> 00:05:55,758
VICTORIA: I'’LL SEND YOU
THE ADDRESS IN A MINUTE.
117
00:05:55,827 --> 00:05:57,379
YUMA: YES, MA'’AM.
118
00:06:09,758 --> 00:06:14,689
[CAR ALARM BEEPS]
119
00:06:14,758 --> 00:06:18,931
[GATE RATTLES]
120
00:06:19,000 --> 00:06:20,551
NANCY AND SHARON: HEY.
BARRY: WHAT'’S UP?
121
00:06:20,620 --> 00:06:21,655
NANCY: DID YOU FIND HER?
122
00:06:21,724 --> 00:06:23,551
BARRY: NO,
123
00:06:23,620 --> 00:06:25,206
NANCY: BARRY, I'’M SO SORRY.
124
00:06:25,275 --> 00:06:26,241
BARRY: YEAH, OK.
125
00:06:26,310 --> 00:06:27,586
WE GOTTA GO TO
THE POLICE STATION.
126
00:06:27,655 --> 00:06:28,620
NANCY: I'’M ALREADY DRESSED.
127
00:06:28,689 --> 00:06:29,689
SHARON: Y'’ALL GO AHEAD.
128
00:06:29,758 --> 00:06:31,448
BARRY: YOU GOING TO WORK?
129
00:06:31,517 --> 00:06:32,793
SHARON: YES.
130
00:06:32,862 --> 00:06:34,482
BARRY: MY DAUGHTER IS MISSING
131
00:06:34,551 --> 00:06:36,655
AND YOU'’RE GOING TO WORK.
132
00:06:36,724 --> 00:06:39,034
SHARON: WHAT CAN I DO?
BARRY: YOU COULD BE HERE FOR ME.
133
00:06:39,103 --> 00:06:40,689
SHARON: BARRY.
BARRY: NO, IT'’S COOL.
134
00:06:40,758 --> 00:06:42,206
IT'’S COOL.
GO TO WORK.
135
00:06:42,275 --> 00:06:44,655
SHARON: WE HAVE BILLS.
I CAN'’T TAKE THIS TIME OFF.
136
00:06:44,724 --> 00:06:45,827
BARRY: YEAH, YEAH.
DO WHAT YOU GOTTA DO.
137
00:06:45,896 --> 00:06:47,310
SHARON: DON'’T TALK
TO ME LIKE THAT.
138
00:06:47,379 --> 00:06:49,862
BARRY: MY DAUGHTER IS MISSING...
SHARON: I UNDERSTAND THAT.
139
00:06:49,931 --> 00:06:52,758
BARRY: OF ALL TIMES...
NANCY: STOP IT!
140
00:06:52,827 --> 00:06:54,931
THIS IS MY FAULT.
141
00:06:55,000 --> 00:06:56,586
I DON'’T NEED Y'’ALL
FALLING OUT WITH EACH OTHER
142
00:06:56,655 --> 00:06:58,172
OVER SOMETHING THAT I DID.
143
00:06:58,241 --> 00:06:59,448
SHARON: MISS NANCY, THAT'’S GOT
NOTHING TO DO WITH YOU.
144
00:06:59,517 --> 00:07:00,827
BARRY: DON'’T TALK TO
MY MOTHER LIKE THAT.
145
00:07:00,896 --> 00:07:01,896
SHARON: GIVE ME THE KEYS.
146
00:07:01,965 --> 00:07:03,206
BARRY: I NEED MY CAR.
147
00:07:03,275 --> 00:07:05,517
SHARON: I HAVE TO GO TO WORK.
148
00:07:05,586 --> 00:07:06,517
GIVE ME THE DAMN KEYS!
149
00:07:06,586 --> 00:07:07,551
BARRY: NO!
150
00:07:07,620 --> 00:07:08,551
SHARON: WHAT IS YOUR PROBLEM?
151
00:07:08,620 --> 00:07:09,689
BARRY: WHAT IS YOUR PROBLEM?
152
00:07:09,758 --> 00:07:12,724
I NEED MY CAR!
NANCY: HEY, TAKE MINE.
153
00:07:12,793 --> 00:07:13,896
GO ON.
154
00:07:13,965 --> 00:07:15,517
BARRY: YEAH, '’CAUSE
I NEED MY CAR.
155
00:07:15,586 --> 00:07:16,896
NANCY: BARRY.
156
00:07:16,965 --> 00:07:18,344
BARRY: I DON'’T WANT TO HEAR IT.
WE GOTTA GO.
157
00:07:18,413 --> 00:07:20,655
[NANCY SIGHS] THE COURTS DON'’T
EVEN OPEN TILL 9:00.
158
00:07:20,724 --> 00:07:22,172
WHAT--WHERE IS YOUR FATHER?
159
00:07:24,551 --> 00:07:25,724
HEY.
160
00:07:25,793 --> 00:07:26,689
RICHARD: HEY.
NANCY: ARE YOU ALL RIGHT?
161
00:07:26,758 --> 00:07:27,827
RICHARD: YEAH.
I'’M FINE.
162
00:07:27,896 --> 00:07:29,517
I...I JUST GOTTA
GET READY FOR WORK.
163
00:07:29,586 --> 00:07:30,620
NANCY: OK.
164
00:07:30,689 --> 00:07:32,482
I IRONED YOUR UNIFORM.
165
00:07:32,551 --> 00:07:36,551
RICHARD: THANK YOU.
166
00:07:36,620 --> 00:07:38,517
NANCY: WHAT'’S WRONG?
167
00:07:38,586 --> 00:07:40,344
RICHARD: NOTHING.
168
00:07:40,413 --> 00:07:42,310
NANCY: I KNOW YOU.
169
00:07:42,379 --> 00:07:44,344
RICHARD: I'’M--I'’M JUST
WORRIED ABOUT THAT BABY.
170
00:07:44,413 --> 00:07:47,551
NANCY: OH, I KNOW.
I'’M SO SORRY.
171
00:07:47,620 --> 00:07:48,517
RICHARD: DON'’T FALL APART.
172
00:07:48,586 --> 00:07:49,931
[NANCY SIGHS]
173
00:07:50,000 --> 00:07:52,137
RICHARD: YOU JUST GO DOWN
TO THAT COURT WITH BARRY
174
00:07:52,206 --> 00:07:57,206
AND, YOU KNOW, SO HE
KEEPS HIS COOL, OK?
175
00:07:57,275 --> 00:08:00,344
NANCY: OK.
176
00:08:00,413 --> 00:08:02,586
RICHARD: I'’LL SEE YOU
WHEN I GET HOME.
177
00:08:02,655 --> 00:08:07,482
NANCY: OK.
178
00:08:07,551 --> 00:08:09,655
BARRY!
179
00:08:09,724 --> 00:08:11,931
I'’LL BE WAITING IN THE CAR.
180
00:08:27,689 --> 00:08:28,862
DONALD: HI.
181
00:08:28,931 --> 00:08:32,931
LILLY: HI.
182
00:08:33,000 --> 00:08:36,379
DONALD: DID YOU FINALLY
GET SOME SLEEP?
183
00:08:36,448 --> 00:08:39,034
LILLY: YES.
184
00:08:39,103 --> 00:08:42,482
DONALD: ARE YOU OK?
185
00:08:42,551 --> 00:08:45,103
LILLY: I WILL BE.
186
00:08:45,172 --> 00:08:48,655
DONALD: WELL...
WHAT ARE YOU DOING TODAY?
187
00:08:48,724 --> 00:08:50,551
LILLY: I HAVE A FEW MEETINGS.
188
00:08:50,620 --> 00:08:52,620
DONALD: OK.
189
00:08:52,689 --> 00:08:54,172
LILLY: AND YOU?
190
00:08:54,241 --> 00:08:57,758
DONALD: FIRST DAY AS
CHIEF OF STAFF. HEH.
191
00:08:57,827 --> 00:09:01,379
LILLY: AH, YEAH.
HA HA!
192
00:09:01,448 --> 00:09:04,448
DONALD: I'’M GLAD YOU WERE AWAKE
BEFORE I LEFT.
193
00:09:04,517 --> 00:09:07,758
LILLY: YEAH.
194
00:09:07,827 --> 00:09:08,931
DONALD: ARE YOU SURE YOU'’RE OK?
195
00:09:09,000 --> 00:09:13,689
LILLY: UH, YOU KNOW,
YOU SHOULD, UM...
196
00:09:13,758 --> 00:09:15,517
GET STARTED WITH YOUR DAY.
197
00:09:15,586 --> 00:09:19,344
DONALD: YOU KNOW, IT WOULD BE
REALLY BAD FOR ME
198
00:09:19,413 --> 00:09:23,689
TO NOT GO IN TO WORK
ON MY FIRST DAY.
199
00:09:23,758 --> 00:09:25,241
LILLY: OH.
NO, NO.
200
00:09:25,310 --> 00:09:27,689
I--I WOULDN'’T THINK OF IT.
201
00:09:27,758 --> 00:09:29,517
YOU HAVE TO GO.
202
00:09:29,586 --> 00:09:31,689
[TELEPHONE RINGING]
203
00:09:31,758 --> 00:09:33,655
DONALD: OK.
LILLY: OK.
204
00:09:33,724 --> 00:09:36,758
[RINGING]
[FOOTSTEPS]
205
00:09:36,827 --> 00:09:39,689
VELMA: MRS. WINTHROP,
THERE'’S A PHONE CALL
206
00:09:39,758 --> 00:09:43,034
FROM THE FIRST LADY, MA'’AM.
207
00:09:43,103 --> 00:09:44,586
DONALD: WOW.
SHE MUST'’VE BEEN
208
00:09:44,655 --> 00:09:45,965
REALLY IMPRESSED.
209
00:09:46,034 --> 00:09:48,862
LILLY: THANK YOU.
210
00:09:48,931 --> 00:09:49,896
DONALD: HEH.
211
00:09:49,965 --> 00:09:51,689
LILLY: HELLO?
212
00:09:51,758 --> 00:09:53,379
VICTORIA: LILLY.
213
00:09:53,448 --> 00:09:54,689
LILLY: HI.
214
00:09:54,758 --> 00:09:56,689
VICTORIA: YOUR DRESS WAS A HIT.
215
00:09:56,758 --> 00:09:58,689
LILLY: OH, WELL, THANK YOU.
216
00:09:58,758 --> 00:10:01,620
VICTORIA: WHERE WERE YOU?
217
00:10:01,689 --> 00:10:03,482
LILLY: I WAS DELAYED.
218
00:10:03,551 --> 00:10:05,172
VICTORIA: WELL, I WANT TO GO
SHOPPING TODAY
219
00:10:05,241 --> 00:10:09,137
AND I WANT YOU TO COME ALONG.
220
00:10:09,206 --> 00:10:10,137
LILLY: SHOPPING?
221
00:10:10,206 --> 00:10:11,206
VICTORIA: YES.
222
00:10:11,275 --> 00:10:14,689
LILLY: WELL, UM,
CAN YOU DO THAT?
223
00:10:14,758 --> 00:10:17,724
VICTORIA: OF COURSE I CAN.
224
00:10:17,793 --> 00:10:19,103
LILLY: OK.
225
00:10:19,172 --> 00:10:20,206
VICTORIA: I'’M BEING TOLD
THAT I NEED TO
226
00:10:20,275 --> 00:10:22,517
TONE IT DOWN IN THIS JOB, SO,
227
00:10:22,586 --> 00:10:25,551
I WANT TO GO TO A PARTICULAR
STORE THAT I KNOW.
228
00:10:25,620 --> 00:10:27,000
LILLY: OK.
229
00:10:27,068 --> 00:10:29,620
UH, I'’LL BE RIGHT OVER.
230
00:10:29,689 --> 00:10:31,034
VICTORIA: NOON.
231
00:10:31,103 --> 00:10:36,862
LILLY: YES, I--I'’LL--
I'’LL SEE YOU THEN. BYE.
232
00:10:36,931 --> 00:10:39,034
DONALD: WHAT WAS THAT ABOUT?
233
00:10:39,103 --> 00:10:41,517
LILLY: SHE WANTS ME TO GO
SHOPPING WITH HER.
234
00:10:41,586 --> 00:10:44,000
DONALD: ARE YOU TWO
BEST FRIENDS NOW?
235
00:10:44,068 --> 00:10:45,206
LILLY: I GUESS.
236
00:10:45,275 --> 00:10:46,896
SHE BARELY SPOKE TWO WORDS TO ME
237
00:10:46,965 --> 00:10:48,793
DURING THE FITTING, AND NOW SHE
238
00:10:48,862 --> 00:10:50,206
WANTS TO GO SHOPPING.
239
00:10:50,275 --> 00:10:52,724
DONALD: WELL, DO NOT LOOK
A GIFT HORSE IN THE MOUTH.
240
00:10:52,793 --> 00:10:57,172
NOW, GO WITH IT.
241
00:10:57,241 --> 00:10:58,689
LILLY: I DON'’T KNOW
IF I'’M UP FOR IT.
242
00:10:58,758 --> 00:11:00,862
DONALD: WHY NOT?
243
00:11:00,931 --> 00:11:02,758
LILLY: DONALD, I SHOT A MAN.
244
00:11:02,827 --> 00:11:05,413
DONALD: NO, YOU SHOT A LOWLIFE.
245
00:11:05,482 --> 00:11:07,724
OK, YOU NEED TO GET THAT
OUT OF YOUR HEAD.
246
00:11:11,931 --> 00:11:13,448
LILLY: WILL YOU FIND OUT
ABOUT HIM?
247
00:11:13,517 --> 00:11:15,931
DONALD: YOU SHOULD
REALLY LET THIS GO.
248
00:11:16,000 --> 00:11:18,103
LILLY: I JUST--
DONALD: I JUST NEED YOU
249
00:11:18,172 --> 00:11:20,931
TO LET THIS GO.
250
00:11:21,000 --> 00:11:25,103
LILLY: OK. OK.
251
00:11:25,172 --> 00:11:27,758
DONALD: I'’LL SEE YOU
WHEN I GET HOME.
252
00:11:27,827 --> 00:11:29,034
LILLY: OK.
253
00:11:29,103 --> 00:11:30,758
DONALD: OR, HEY,
I'’LL SEE YOU THERE.
254
00:11:30,827 --> 00:11:32,655
LILLY: YES.
255
00:12:48,965 --> 00:12:51,758
PRISCILLA: LET ME GUESS.
SHE DIDN'’T EAT IT.
256
00:12:51,827 --> 00:12:53,827
JEAN: NO.
257
00:12:53,896 --> 00:12:55,965
PRISCILLA: THAT LITTLE GIRL.
258
00:12:56,034 --> 00:12:57,241
JEAN: YOU KNOW WHAT THEY SAY.
259
00:12:57,310 --> 00:12:59,793
RATS CAN SMELL POISON IN FOOD.
260
00:12:59,862 --> 00:13:01,482
PRISCILLA: I WAS JOKING.
261
00:13:01,551 --> 00:13:03,724
JEAN: HA HA!
IT WAS OUTSIDE OF HER DOOR.
262
00:13:03,793 --> 00:13:07,068
PRISCILLA: OK.
WELL, LET'’S GET THE TABLE SET
FOR BREAKFAST.
263
00:13:07,137 --> 00:13:09,896
JEAN: OK.
264
00:13:09,965 --> 00:13:11,827
PRISCILLA: ARE YOU OK?
265
00:13:11,896 --> 00:13:13,896
JEAN: YES.
266
00:13:13,965 --> 00:13:14,896
PRISCILLA: ARE YOU SURE?
267
00:13:14,965 --> 00:13:16,448
JEAN: YES.
268
00:13:16,517 --> 00:13:17,758
PRISCILLA: WHAT'’S WRONG, JEAN?
269
00:13:17,827 --> 00:13:19,620
JEAN: NOTHING.
270
00:13:19,689 --> 00:13:20,896
PRISCILLA: OK.
271
00:13:20,965 --> 00:13:22,103
HAVE YOU SEE THE SON?
272
00:13:22,172 --> 00:13:23,551
JEAN: YES.
273
00:13:23,620 --> 00:13:27,344
PRISCILLA: HE'’S A BIT OF
A MYSTERY, THAT ONE.
274
00:13:27,413 --> 00:13:29,034
JEAN: I THINK HE'’S KINDA CREEPY.
275
00:13:29,103 --> 00:13:33,206
PRISCILLA: WHY DO YOU SAY THAT?
276
00:13:33,275 --> 00:13:34,931
JEAN: I'’M NOT SURE.
I WAS DOWN THE HALL
277
00:13:35,000 --> 00:13:36,482
PICKING UP THE TRAY,
278
00:13:36,551 --> 00:13:38,896
AND I JUST FELT SOMEBODY
STARING AT ME.
279
00:13:38,965 --> 00:13:40,482
PRISCILLA: WAS IT HIM?
280
00:13:40,551 --> 00:13:41,896
JEAN: I'’M NOT SURE.
I JUST SAW
281
00:13:41,965 --> 00:13:43,827
A NAKED SHADOW IN THE BEDROOM
282
00:13:43,896 --> 00:13:45,103
AND THEN THE DOOR CLOSED.
283
00:13:45,172 --> 00:13:47,206
PRISCILLA: WHAT?
JEAN: YEAH.
284
00:13:47,275 --> 00:13:48,586
PRISCILLA: AND YOU THINK
IT WAS HIM.
285
00:13:48,655 --> 00:13:52,344
JEAN: I MEAN, I THINK SO.
OR A GHOST.
286
00:13:52,413 --> 00:13:53,724
PRISCILLA: THAT'’S NOT FUNNY.
287
00:13:53,793 --> 00:13:55,241
JEAN: I'’M TRYING TO LAUGH
ABOUT IT.
288
00:13:55,310 --> 00:13:56,344
PRISCILLA: WATCH YOURSELF.
289
00:13:56,413 --> 00:13:57,448
JEAN: I WILL.
290
00:13:57,517 --> 00:13:58,482
PRISCILLA: WHEN RICHARD
GETS HERE.
291
00:13:58,551 --> 00:13:59,655
I'’M GOING TO TALK TO HIM ABOUT
292
00:13:59,724 --> 00:14:01,586
PUTTING A MAN
ON HIS CLEANING DUTIES.
293
00:14:01,655 --> 00:14:02,862
JEAN: OK.
PRISCILLA: ALL RIGHT?
294
00:14:02,931 --> 00:14:04,103
JEAN: I THINK THAT'’S
A GOOD IDEA.
295
00:14:04,172 --> 00:14:05,965
PRISCILLA: OK. LISTEN.
296
00:14:06,034 --> 00:14:07,241
THIS FAMILY IS NOT LIKE
297
00:14:07,310 --> 00:14:09,172
ANYTHING WE'’VE EVER SEEN.
298
00:14:09,241 --> 00:14:10,517
JEAN: YEAH, WELL,
THE LAST FAMILY...
299
00:14:10,586 --> 00:14:13,241
PRISCILLA: WAS BAD
BUT NOT THIS BAD.
300
00:14:13,310 --> 00:14:15,586
JEAN: BUT THOSE LATE-NIGHT
FAST-FOOD RUNS.
301
00:14:15,655 --> 00:14:16,965
PRISCILLA: OH.
SEE, I DIDN'’T MIND THAT.
302
00:14:17,034 --> 00:14:18,965
I GOT TO REST.
[BOTH CHUCKLE]
303
00:14:19,034 --> 00:14:23,000
[TELEPHONE RINGING]
304
00:14:23,068 --> 00:14:24,034
PRISCILLA: IT'’S HIS ROOM.
305
00:14:24,103 --> 00:14:26,137
JEAN: YEAH.
306
00:14:26,206 --> 00:14:29,931
PRISCILLA: GO ON AND I'’LL HAVE
SAM STAND OUTSIDE.
307
00:14:30,000 --> 00:14:30,931
[JEAN WHISPERS] Thank you.
308
00:14:31,000 --> 00:14:32,413
PRISCILLA: YOU'’RE WELCOME.
309
00:14:39,137 --> 00:14:40,310
SAM?
310
00:14:40,379 --> 00:14:42,931
[KNOCKING ON DOOR]
311
00:14:43,000 --> 00:14:47,896
JASON: COME IN.
312
00:14:47,965 --> 00:14:49,862
JEAN: GOOD MORNING, SIR.
313
00:14:49,931 --> 00:14:52,034
JASON: PLEASE DON'’T
CALL ME "SIR."
314
00:14:52,103 --> 00:14:53,724
JEAN: IT'’S THE JOB.
315
00:14:53,793 --> 00:14:57,034
JASON: I SEE.
316
00:14:57,103 --> 00:14:59,103
JEAN: YOU RANG?
317
00:14:59,172 --> 00:15:04,000
JASON: UH, YEAH.
UM, I NEED MOUTHWASH.
318
00:15:04,068 --> 00:15:05,448
JEAN: I'’LL JUST GO GET SOME.
319
00:15:05,517 --> 00:15:07,344
JASON: I'’M SURE YOU PUT IT
IN THE BATHROOM.
320
00:15:07,413 --> 00:15:08,827
WOULD YOU LIKE TO CHECK?
321
00:15:08,896 --> 00:15:10,827
JEAN: NO. IT'’S FINE.
I CAN GRAB SOME MORE.
322
00:15:10,896 --> 00:15:14,586
JASON: NO, NO, NO, NO.
NO, GO CHECK. PLEASE.
323
00:15:15,551 --> 00:15:17,344
JEAN: UH...
JASON: I INSIST.
324
00:15:17,413 --> 00:15:21,206
JEAN: YES, SIR.
325
00:15:21,275 --> 00:15:22,862
[DOOR OPENS]
326
00:15:32,068 --> 00:15:33,241
HERE IT IS.
327
00:15:33,310 --> 00:15:35,482
JASON: OH.
328
00:15:35,551 --> 00:15:37,172
YEAH, I DIDN'’T--
I DIDN'’T SEE IT.
329
00:15:37,241 --> 00:15:38,310
JEAN: NO PROBLEM.
SHALL I MOVE IT
330
00:15:38,379 --> 00:15:40,000
SOMEWHERE ELSE FOR YOU?
331
00:15:40,068 --> 00:15:41,379
JASON: HOW OLD ARE YOU?
332
00:15:41,448 --> 00:15:43,137
JEAN: I'’M 28, SIR.
333
00:15:43,206 --> 00:15:45,000
JASON: REALLY?
334
00:15:45,068 --> 00:15:50,758
YOU--YOU LOOK SO MUCH YOUNGER.
335
00:15:50,827 --> 00:15:54,000
JEAN: SO, DID YOU WANT ME
TO PUT IT BACK WHERE IT WAS?
336
00:15:54,068 --> 00:15:57,448
JASON: YEAH.
THANK YOU.
337
00:16:01,068 --> 00:16:02,724
[DOOR CLOSES]
338
00:16:19,862 --> 00:16:24,862
JEAN: CAN I GET YOU
ANYTHING ELSE, SIR?
339
00:16:24,931 --> 00:16:27,103
JASON: THAT'’S A LOADED QUESTION.
340
00:16:27,172 --> 00:16:28,896
JEAN: OK.
IN THAT CASE,
341
00:16:28,965 --> 00:16:32,724
JUST GIVE ME A CALL IF THERE'’S
ANYTHING THAT YOU NEED.
342
00:16:36,137 --> 00:16:41,448
EXCUSE ME...SIR.
343
00:16:52,310 --> 00:16:53,586
JASON: THANK YOU.
344
00:16:53,655 --> 00:16:59,103
JEAN: YOU'’RE WELCOME.
345
00:16:59,172 --> 00:17:01,068
SAM: EVERYTHING ALL RIGHT?
346
00:17:01,137 --> 00:17:03,137
JEAN: YES.
347
00:17:03,206 --> 00:17:04,137
SAM: OK.
348
00:17:04,206 --> 00:17:05,689
[JEAN WHISPERS] Look out.
349
00:17:18,241 --> 00:17:23,413
KYLE: AHH.
350
00:17:23,482 --> 00:17:26,068
GOOD MORNING, SIR.
351
00:17:26,137 --> 00:17:28,827
DONALD: WHAT ARE YOU
STILL DOING HERE?
352
00:17:28,896 --> 00:17:30,344
KYLE: I CAME TO DRIVE YOU
TO WORK, SIR.
353
00:17:30,413 --> 00:17:32,275
DONALD: YOU ARE NOT
DRIVING ME TO WORK.
354
00:17:32,344 --> 00:17:34,379
KYLE: I'’D LIKE TO, SIR.
355
00:17:34,448 --> 00:17:35,758
DONALD: WHAT IS WRONG WITH YOU?
356
00:17:35,827 --> 00:17:38,413
KYLE: I'’M JUST DOING MY JOB.
357
00:17:38,482 --> 00:17:40,103
DONALD: WHAT YOU'’RE
DOING IS STALKING.
358
00:17:40,172 --> 00:17:42,413
KYLE: NO, SIR,
I'’M NOT STALKING YOU.
359
00:17:42,482 --> 00:17:43,551
I'’M NOT DOING THAT IN THE LEAST.
360
00:17:43,620 --> 00:17:44,965
DONALD: WOULD YOU JUST GET LOST?
361
00:17:45,034 --> 00:17:47,344
KYLE: SIR--
DONALD: STOP IT, KYLE.
362
00:17:47,413 --> 00:17:53,172
STOP IT.
363
00:17:53,241 --> 00:17:54,620
KYLE: WELL, SIR, IF YOU WANT,
364
00:17:54,689 --> 00:17:56,655
YOU CAN HAVE ME MOVED
TO ANOTHER TEAM.
365
00:17:56,724 --> 00:18:01,931
DONALD: I KNOW EXACTLY
WHAT I CAN DO.
366
00:18:02,000 --> 00:18:06,034
I'’LL HAVE YOU REASSIGNED
WHEN I GET TO WORK.
367
00:18:06,103 --> 00:18:07,413
KYLE: ARE YOU SURE
ABOUT THAT, SIR?
368
00:18:07,482 --> 00:18:09,310
DONALD: YES, YES.
369
00:18:09,379 --> 00:18:13,000
YOU'’D BE BETTER WORKING
WITH THE NEW A.G. HMM?
370
00:18:15,310 --> 00:18:17,862
KYLE: IF YOU WISH, SIR.
371
00:18:17,931 --> 00:18:19,379
DONALD: I'’LL BE DRIVING MYSELF.
372
00:18:19,448 --> 00:18:22,206
YOU CAN LEAVE.
373
00:18:22,275 --> 00:18:24,241
KYLE: YES, SIR.
374
00:18:24,310 --> 00:18:25,413
DONALD: AND DO NOT FOLLOW ME.
375
00:18:25,482 --> 00:18:27,551
KYLE: NO, SIR.
376
00:18:35,724 --> 00:18:37,620
HUNTER: SO, HOW
WAS YOUR FIRST NIGHT HERE?
377
00:18:37,689 --> 00:18:39,068
JASON: CREEPY.
378
00:18:39,137 --> 00:18:41,655
VICTORIA: STOP IT.
WE COULDN'’T BE MORE FORTUNATE.
379
00:18:41,724 --> 00:18:43,344
JASON: IF YOU SAY SO.
380
00:18:43,413 --> 00:18:46,448
VICTORIA: I DO.
381
00:18:46,517 --> 00:18:48,517
JASON: HOW WAS YOUR NIGHT?
382
00:18:48,586 --> 00:18:50,137
HUNTER: IT WAS GOOD.
383
00:18:50,206 --> 00:18:52,034
JASON: I BET.
384
00:18:52,103 --> 00:18:53,586
VICTORIA: WHAT'’S THAT
SUPPOSED TO MEAN?
385
00:18:53,655 --> 00:18:56,413
JASON: I JUST KNOW
HE HAD A GOOD NIGHT.
386
00:18:56,482 --> 00:18:59,413
VICTORIA: JASON...
387
00:18:59,482 --> 00:19:00,586
JASON: MOTHER...
388
00:19:00,655 --> 00:19:02,724
VICTORIA: ARE YOU
EXPLORING AGAIN?
389
00:19:02,793 --> 00:19:03,931
JASON: WHATEVER DO YOU MEAN?
390
00:19:04,000 --> 00:19:06,310
HUNTER: YOU KNOW
EXACTLY WHAT SHE MEANS.
391
00:19:06,379 --> 00:19:08,310
JASON: NO.
392
00:19:08,379 --> 00:19:10,344
HUNTER: JASON...
393
00:19:10,413 --> 00:19:13,551
YOU'’RE NOT TO BE WANDERING
AROUND THIS PLACE.
394
00:19:13,620 --> 00:19:17,827
JASON: DAD,
HOW COULD I DO THAT?
395
00:19:17,896 --> 00:19:20,275
THE SECRET SERVICE
ARE SO AMAZING.
396
00:19:20,344 --> 00:19:23,724
HUNTER: WE'’RE NOT IN
THE GOVERNOR'’S MANSION ANYMORE.
397
00:19:23,793 --> 00:19:29,172
THEY'’LL SHOW YOU JUST HOW
AMAZING THEY ARE.
398
00:19:29,241 --> 00:19:30,758
JASON: YES, SIR.
399
00:19:33,448 --> 00:19:35,586
VICTORIA: WHERE'’S YOUR SISTER?
400
00:19:35,655 --> 00:19:37,172
JASON: I DON'’T KNOW.
401
00:19:37,241 --> 00:19:38,310
VICTORIA: EXCUSE ME,
402
00:19:38,379 --> 00:19:39,620
WILL YOU CHECK ON MY DAUGHTER?
403
00:19:39,689 --> 00:19:41,137
PRISCILLA: YES, MA'’AM.
404
00:19:41,206 --> 00:19:43,517
VICTORIA: IF SHE DOESN'’T
ANSWER, GO INTO HER ROOM.
405
00:19:43,586 --> 00:19:46,379
PRISCILLA: YES, MA'’AM.
406
00:19:46,448 --> 00:19:49,586
[DOOR OPENS AND CLOSES]
407
00:19:55,724 --> 00:19:58,448
JEAN: I SEE THAT LOOK.
408
00:19:58,517 --> 00:20:02,379
DEEP BREATH, PRISCILLA.
409
00:20:02,448 --> 00:20:04,965
[BOTH EXHALE]
410
00:20:05,034 --> 00:20:06,172
JEAN: OK.
411
00:20:26,551 --> 00:20:28,137
[PRISCILLA SIGHS]
412
00:20:28,206 --> 00:20:30,448
[KNOCKING ON DOOR]
413
00:20:30,517 --> 00:20:32,275
MISS FRANKLIN?
414
00:20:32,344 --> 00:20:34,000
GAYLE: WHO THE HELL TOLD YOU
TO COME IN HERE?
415
00:20:34,068 --> 00:20:35,413
PRISCILLA: YOUR MOTHER, MA'’AM.
416
00:20:35,482 --> 00:20:37,310
GAYLE: GET THE HELL OUT.
PRISCILLA: YES, MA'’AM.
417
00:20:37,379 --> 00:20:40,103
GAYLE: WAIT.
WHAT DID YOU SEE?
418
00:20:40,172 --> 00:20:41,586
PRISCILLA: I SAW
NOTHING, MA'’AM.
419
00:20:41,655 --> 00:20:43,586
GAYLE: OH.
YOU'’RE LYING.
420
00:20:43,655 --> 00:20:49,137
LOOK AT ME.
LOOK AT ME!
421
00:20:49,206 --> 00:20:51,551
YOU JUST CAME IN HERE TO
EMBARRASS ME, DIDN'’T YOU?
422
00:20:51,620 --> 00:20:53,689
PRISCILLA: NO, MA'’AM.
423
00:20:53,758 --> 00:20:55,827
GAYLE: THEN WHY THE HELL
ARE YOU IN HERE?
424
00:20:55,896 --> 00:20:56,793
PRISCILLA: YOUR MOTHER
WOULD LIKE YOU IN
425
00:20:56,862 --> 00:20:58,689
THE DINING ROOM FOR BREAKFAST.
426
00:20:58,758 --> 00:21:00,655
GAYLE: "BREAKFAST" HAS
A "T," BITCH.
427
00:21:00,724 --> 00:21:03,620
IT'’S "BREAKFAST."
428
00:21:03,689 --> 00:21:07,310
I SAID GET OUT!
429
00:21:07,379 --> 00:21:10,379
WHAT?
430
00:21:10,448 --> 00:21:11,517
YOU TELL SOMEONE WHAT YOU SAW
431
00:21:11,586 --> 00:21:14,758
AND I WILL HAVE YOU FIRED.
432
00:21:14,827 --> 00:21:16,965
PRISCILLA: YES, MA'’AM.
433
00:21:17,034 --> 00:21:19,482
GAYLE: OH, YOU DON'’T
THINK THAT I CAN?
434
00:21:19,551 --> 00:21:23,896
PRISCILLA: YES, YOU CAN.
435
00:21:23,965 --> 00:21:26,517
GAYLE: WHERE'’S THAT
BUTLER'’S SON AT?
436
00:21:26,586 --> 00:21:28,379
PRISCILLA: MA'’AM?
437
00:21:28,448 --> 00:21:29,620
GAYLE: THAT BUTLER.
HIS SON.
438
00:21:29,689 --> 00:21:30,896
WHERE IS HE?
439
00:21:30,965 --> 00:21:32,000
PRISCILLA: I'’M NOT
SURE, MA'’AM.
440
00:21:32,068 --> 00:21:34,551
GAYLE: YOU KNOW
HE TRIED TO RAPE ME.
441
00:21:34,620 --> 00:21:36,931
PRISCILLA: IS THAT SO?
442
00:21:37,000 --> 00:21:38,413
GAYLE: YOU DON'’T BELIEVE ME?
443
00:21:38,482 --> 00:21:40,517
PRISCILLA: WELL, YESTERDAY,
YOU SAID HE RAPED YOU.
444
00:21:40,586 --> 00:21:44,931
SO, DID HE OR DID HE TRY?
445
00:21:45,000 --> 00:21:48,172
GAYLE: THERE'’S A "P-E-D"
IN "RAPED."
446
00:21:48,241 --> 00:21:50,137
AND WHO ARE YOU
TO QUESTION ME?
447
00:21:50,206 --> 00:21:52,655
PRISCILLA: OH, I'’M NOT
QUESTIONING YOU, MA'’AM.
448
00:21:52,724 --> 00:21:54,379
I'’M JUST ASKING.
449
00:21:54,448 --> 00:21:55,655
GAYLE: WELL, HE TRIED.
450
00:21:55,724 --> 00:21:58,793
AND I FOUGHT HIM OFF.
451
00:21:58,862 --> 00:22:00,758
DID THEY TAKE HIM TO JAIL?
452
00:22:00,827 --> 00:22:02,103
PRISCILLA: I'’M NOT SURE, MA'’AM.
453
00:22:02,172 --> 00:22:05,586
GAYLE: HMPH.
WELL, HE SHOULD BE IN JAIL.
454
00:22:05,655 --> 00:22:09,379
HE'’S A TERRIBLE PERSON.
455
00:22:09,448 --> 00:22:11,000
PRISCILLA: AGAIN, YOUR FAMILY
WOULD LIKE YOU
456
00:22:11,068 --> 00:22:13,586
IN THE DINING ROOM
FOR BREAKFAST.
457
00:22:13,655 --> 00:22:18,896
GAYLE: YOU DON'’T AGREE?
458
00:22:18,965 --> 00:22:21,448
PRISCILLA: I'’VE KNOWN HIM
ALL HIS LIFE.
459
00:22:21,517 --> 00:22:22,689
HE'’S A GREAT KID.
460
00:22:22,758 --> 00:22:24,241
I'’VE NEVER KNOWN HIM
TO DO ANYTHING
461
00:22:24,310 --> 00:22:27,689
REMOTELY CLOSE
TO HARMING SOMEONE.
462
00:22:27,758 --> 00:22:29,482
GAYLE: YEAH, WELL, YOU DON'’T
KNOW HIM.
463
00:22:29,551 --> 00:22:32,448
PRISCILLA: NO, I DO.
464
00:22:32,517 --> 00:22:34,517
BUT YOU KNOW WHO I DIDN'’T KNOW
465
00:22:34,586 --> 00:22:36,551
WAS EMMETT TILL.
466
00:22:36,620 --> 00:22:38,241
GAYLE: WHO THE HELL
IS EMMETT TILL?
467
00:22:38,310 --> 00:22:40,689
PRISCILLA: HE'’S A BOY
WHO WAS 13 YEARS OLD
468
00:22:40,758 --> 00:22:43,241
WHO WAS KILLED BY
SOME VERY ANGRY PEOPLE
469
00:22:43,310 --> 00:22:48,344
BECAUSE SOMEONE ACCUSED HIM OF
SOMETHING HE DID NOT DO.
470
00:22:48,413 --> 00:22:52,517
GAYLE: YEAH, I KNOW WHO HE IS.
GET OUT.
471
00:22:52,586 --> 00:22:58,310
PRISCILLA: CERTAINLY, MA'’AM.
472
00:22:58,379 --> 00:22:59,724
[DOOR CLOSES]
473
00:23:12,344 --> 00:23:14,827
SHARON: SEE, MA'’AM, IT SAYS
TWICE A DAY.
474
00:23:14,896 --> 00:23:16,000
SEE IT?
475
00:23:17,655 --> 00:23:19,517
WOMAN: BUT I CAN'’T READ THAT.
476
00:23:19,586 --> 00:23:20,931
IT'’S SO SMALL.
477
00:23:21,000 --> 00:23:22,724
SHARON: MA'’AM,
THAT'’S WHAT IT SAYS.
478
00:23:22,793 --> 00:23:24,724
WOMAN: ARE YOU SURE?
479
00:23:24,793 --> 00:23:26,103
SHARON: I'’M LOOKING AT IT.
480
00:23:26,172 --> 00:23:27,241
WOMAN: NO, IT DON'’T SAY THAT.
481
00:23:27,310 --> 00:23:29,068
SHARON: WELL, WHAT DOES IT SAY?
482
00:23:29,137 --> 00:23:30,965
WOMAN: YOU GETTING HUFFY
WITH ME?
483
00:23:31,034 --> 00:23:33,206
SHARON: NO, MA'’AM.
MAN: ALL RIGHT, HEY, SHARON,
484
00:23:33,275 --> 00:23:34,413
I GOT IT.
485
00:23:34,482 --> 00:23:37,137
HEY, MS. JACKSON.
IT'’S GOOD TO SEE YOU.
486
00:23:37,206 --> 00:23:39,241
THIS IS A MAGNIFYING GLASS. OK?
487
00:23:39,310 --> 00:23:41,689
YOU SEE--SEE WHAT
IT SAYS RIGHT THERE?
488
00:23:41,758 --> 00:23:43,448
MS. JACKSON: OH, YES.
YES, I SEE IT.
489
00:23:43,517 --> 00:23:44,827
OH, YES, YES, YES.
490
00:23:44,896 --> 00:23:45,793
MAN: OK. HOW WOULD
YOU LIKE TO HAVE IT?
491
00:23:45,862 --> 00:23:46,931
ON THE HOUSE.
492
00:23:47,000 --> 00:23:47,931
MS. JACKSON: YOU TRYING
TO UPSET ME?
493
00:23:48,000 --> 00:23:49,413
MAN: NO. NO, MA'’AM, NO.
494
00:23:49,482 --> 00:23:51,172
IT'’S THE THANK YOU FOR BEING
SUCH A VALUED CUSTOMER
495
00:23:51,241 --> 00:23:52,724
HERE AT RICHARDSON PHARMACY.
496
00:23:52,793 --> 00:23:54,275
MS. JACKSON: WELL, THANK YOU,
497
00:23:54,344 --> 00:23:55,758
BUT YOU BETTER DO
SOMETHING ABOUT THAT GIRL.
498
00:23:55,827 --> 00:23:57,275
MAN: I WILL.
I REALLY WILL.
499
00:23:57,344 --> 00:23:58,931
MS. JACKSON: '’CAUSE, SEE,
I HAVE SUPPORTED
500
00:23:59,000 --> 00:24:00,758
YOU AND YOUR DADDY
FOR MANY YEARS NOW.
501
00:24:00,827 --> 00:24:02,862
MAN: YES, MA'’AM.
MS. JACKSON: '’CAUSE YOU'’RE
BLACK-OWNED.
502
00:24:02,931 --> 00:24:04,620
BUT AIN'’T GONNA TAKE NO SASS.
503
00:24:04,689 --> 00:24:05,827
MAN: YES, MA'’AM.
504
00:24:05,896 --> 00:24:07,379
MS. JACKSON: AIN'’T GONNA
DO THAT.
505
00:24:07,448 --> 00:24:09,379
THAT'’S--AIN'’T GONNA DO THAT.
IT AIN'’T MY NATURE.
506
00:24:09,448 --> 00:24:10,862
MAN: ALL RIGHT.
I COMPLETELY AGREE.
507
00:24:10,931 --> 00:24:12,206
I COMPLETELY AGREE.
THANK YOU.
508
00:24:12,275 --> 00:24:14,034
MS. JACKSON: BETTER GET Y'’ALL
SHIT TOGETHER.
509
00:24:14,103 --> 00:24:16,068
I DON'’T TAKE NO SASS.
510
00:24:16,137 --> 00:24:18,000
MAN: MS. JACKSON, I NEED
THAT MAGNIFYING GLASS BACK.
511
00:24:18,068 --> 00:24:19,724
IT'’S--IT'’S OK.
512
00:24:19,793 --> 00:24:21,655
MS. JACKSON: YOU TOLD ME
IT WAS MINE AND I
COULD HAVE IT FOR FREE.
513
00:24:21,724 --> 00:24:22,896
MAN: YES, MA'’AM.
MS. JACKSON: NOW YOU GONNA
TAKE THAT BACK?
514
00:24:22,965 --> 00:24:24,137
MAN: NO. NO.
ALL YOURS.
515
00:24:24,206 --> 00:24:25,137
MS. JACKSON: GET YOUR
SHIT TOGETHER, BOY.
516
00:24:25,206 --> 00:24:26,137
GET YOUR SHIT TOGETHER.
517
00:24:26,206 --> 00:24:27,344
MAN: YES, MA'’AM.
518
00:24:27,413 --> 00:24:28,517
MS. JACKSON: '’CAUSE
MY MONEY BLACK.
519
00:24:28,586 --> 00:24:29,827
MAN: I UNDERSTAND.
520
00:24:29,896 --> 00:24:31,103
MS. JACKSON: AND I DON'’T
SPEND MY MONEY...
521
00:24:31,172 --> 00:24:32,655
MAN: RIGHT.
MS. JACKSON: AND TAKE NO SASS.
522
00:24:32,724 --> 00:24:33,655
MAN: YES, MA'’AM.
523
00:24:33,724 --> 00:24:35,413
MS. JACKSON: I TELL YOU WHAT.
524
00:24:35,482 --> 00:24:38,034
MAN: YES, MA'’AM.
MS. JACKSON: THAT GIRL,
LOOKING BACK THERE.
525
00:24:38,103 --> 00:24:40,137
YOU BETTER LOOK AT ME.
[INDISTINCT].
526
00:24:40,206 --> 00:24:41,413
I USED TO REALLY BE SEXY.
527
00:24:41,482 --> 00:24:43,965
[MAN LAUGHS]
MS. JACKSON: WHEN I WAS UNDERAGE
528
00:24:44,034 --> 00:24:45,241
AND I WAS SASSY, TOO.
529
00:24:45,310 --> 00:24:47,724
I'’M 93 NOW.
I KNOW WHAT TO DO.
530
00:24:47,793 --> 00:24:49,793
MAN: YOU DON'’T LOOK
A DAY OVER 50, MS. JACKSON.
531
00:24:49,862 --> 00:24:51,275
MS. JACKSON: I BELIEVE IT.
532
00:24:51,344 --> 00:24:53,206
BUT Y'’ALL BETTER GET Y'’ALL'’S
SHIT TOGETHER.
533
00:24:53,275 --> 00:24:55,896
MAN: YES, MS. JACKSON.
I'’LL SEE YOU SUNDAY.
534
00:24:55,965 --> 00:24:57,137
MS. JACKSON: I DON'’T TAKE
NO SASS.
535
00:25:02,724 --> 00:25:04,586
MAN: YOU'’RE BEING
REAL SHORT TODAY, SHARON.
536
00:25:04,655 --> 00:25:06,586
SHARON: I'’M...SORRY.
537
00:25:08,655 --> 00:25:10,310
MAN: MUST BE THAT TRAP STAR
BOYFRIEND OF YOURS.
538
00:25:10,379 --> 00:25:13,620
SHARON: DON'’T...[SIGH]
539
00:25:13,689 --> 00:25:16,689
CAN WE JUST GET BACK TO WORK?
540
00:25:16,758 --> 00:25:18,275
MAN: WORK, YEAH,
WORK, WORK.
541
00:25:18,344 --> 00:25:20,965
WORK, WORK, WORK, WORK, WORK.
542
00:25:22,793 --> 00:25:24,379
WHEN DID I BECOME THE ENEMY?
543
00:25:24,448 --> 00:25:26,241
SHARON: WHEN YOU KEEP
TALKING ABOUT HIM.
544
00:25:26,310 --> 00:25:29,310
I TOLD YOU I DON'’T LIKE YOU
BRINGING HIM UP, OK?
545
00:25:29,379 --> 00:25:32,517
MAN: JUST BECAUSE OF HOW
I FEEL ABOUT YOU?
546
00:25:32,586 --> 00:25:35,931
OR IS IT BECAUSE OF
HOW YOU FEEL ABOUT ME?
547
00:25:36,000 --> 00:25:37,275
SHARON: I DON'’T FEEL
ANY WAY ABOUT YOU.
548
00:25:42,931 --> 00:25:44,827
MAN: OK. ALL RIGHT.
I JUST--
549
00:25:44,896 --> 00:25:46,137
I'’M SORRY.
I THOUGHT--YOU KNOW.
550
00:25:46,206 --> 00:25:47,172
I COULD TELL YOU WERE
GOING THROUGH SOMETHING.
551
00:25:47,241 --> 00:25:49,586
I WANT TO MAKE SURE YOU'’RE OK.
552
00:25:49,655 --> 00:25:50,793
SHARON, I CARE ABOUT YOU,
553
00:25:50,862 --> 00:25:52,310
AND I DON'’T WANT YOU TO BE--
554
00:25:52,379 --> 00:25:53,482
SHARON: YOU HAVE A CUSTOMER.
555
00:25:56,275 --> 00:25:57,379
MAN: HI, SIR.
HOW YOU DOING?
556
00:25:59,068 --> 00:26:00,344
[RICHARD SIGHS]
557
00:26:00,413 --> 00:26:01,517
PRISCILLA: OH, GOOD MORNING.
558
00:26:01,586 --> 00:26:02,827
RICHARD: GOOD MORNING.
559
00:26:02,896 --> 00:26:04,620
PRISCILLA: IT'’S NOT
LIKE YOU TO BE LATE.
560
00:26:04,689 --> 00:26:05,827
RICHARD: 3 MINUTES.
561
00:26:05,896 --> 00:26:07,793
PRISCILLA: THAT'’S
A LIFETIME FOR YOU.
562
00:26:07,862 --> 00:26:09,241
RICHARD: LAY OFF.
563
00:26:09,310 --> 00:26:10,241
PRISCILLA: I'’M SORRY.
564
00:26:10,310 --> 00:26:12,689
[RICHARD SIGHS]
ARE THEY UP?
565
00:26:12,758 --> 00:26:14,448
PRISCILLA: YES.
THEY'’VE STARTED BREAKFAST
566
00:26:14,517 --> 00:26:15,758
RICHARD: HAVE THEY
SAID ANYTHING?
567
00:26:15,827 --> 00:26:17,241
PRISCILLA: IT'’S LIKE
NOTHING EVER HAPPENED.
568
00:26:17,310 --> 00:26:19,689
[RICHARD SIGHS]
THAT GIRL CAN ACCUSE MY SON
569
00:26:19,758 --> 00:26:20,931
OF RAPE AND NOTHING?
570
00:26:21,000 --> 00:26:21,931
PRISCILLA: AND SHE'’S
STILL SAYING IT.
571
00:26:22,000 --> 00:26:23,206
RICHARD: IS SHE?
572
00:26:23,275 --> 00:26:27,172
PRISCILLA: EXCEPT SHE SAID
THAT HE TRIED TO.
573
00:26:27,241 --> 00:26:28,931
RICHARD: CAN'’T GET HER
DAMN STORY STRAIGHT.
574
00:26:29,000 --> 00:26:31,034
PRISCILLA: HIS FIRST DAUGHTER
IS A MESS.
575
00:26:31,103 --> 00:26:32,896
RICHARD: YEAH.
I GATHERED.
576
00:26:32,965 --> 00:26:35,931
PRISCILLA: OH, YOU HAVE NO IDEA.
577
00:26:36,000 --> 00:26:38,000
RICHARD: WHAT HAPPENED?
578
00:26:38,068 --> 00:26:40,275
PRISCILLA: I TOLD HER
ABOUT EMMETT TILL.
579
00:26:40,344 --> 00:26:41,724
RICHARD: A LOT OF HELP
THAT'’S GONNA DO.
580
00:26:41,793 --> 00:26:43,068
PRISCILLA: IT'’S WORTH A TRY.
581
00:26:43,137 --> 00:26:44,862
RICHARD: BUT IF SHE
TELLS HER PARENTS...
582
00:26:44,931 --> 00:26:48,620
PRISCILLA: THEY DON'’T
BELIEVE HER.
583
00:26:48,689 --> 00:26:49,655
RICHARD: HOW DO YOU KNOW?
584
00:26:49,724 --> 00:26:52,689
PRISCILLA: NOT ONE
MENTION OF IT.
585
00:26:52,758 --> 00:26:54,689
BUT THEY WANT COFFEE.
586
00:26:54,758 --> 00:26:55,689
RICHARD: I'’LL GO.
587
00:26:55,758 --> 00:26:57,206
PRISCILLA: ARE YOU SURE?
588
00:26:57,275 --> 00:27:00,068
RICHARD: YEAH, IF THEY'’RE GONNA
SAY SOMETHING...
589
00:27:00,137 --> 00:27:02,551
NOW WOULD BE THE TIME.
590
00:27:02,620 --> 00:27:07,586
PRISCILLA: OK.
591
00:27:07,655 --> 00:27:12,344
VICTORIA: WELL.
HOW NICE OF YOU TO JOIN US.
592
00:27:12,413 --> 00:27:14,931
HUNTER: HEY, HONEY.
HOW ARE YOU?
593
00:27:15,000 --> 00:27:16,379
GAYLE: WHAT KIND OF
QUESTION IS THAT?
594
00:27:16,448 --> 00:27:18,758
HUNTER: ONE THAT IS APPROPRIATE.
595
00:27:18,827 --> 00:27:20,655
GAYLE: I'’M FINE.
596
00:27:20,724 --> 00:27:22,241
HUNTER: HEY.
597
00:27:22,310 --> 00:27:25,206
WE'’RE GONNA TAKE CARE OF HIM.
598
00:27:25,275 --> 00:27:26,206
GAYLE: OF WHO?
599
00:27:26,275 --> 00:27:28,034
HUNTER: THAT BOY THAT HURT YOU.
600
00:27:28,103 --> 00:27:29,724
JASON: WHAT BOY?
601
00:27:29,793 --> 00:27:31,655
GAYLE: SHUT UP.
602
00:27:31,724 --> 00:27:32,758
JASON: WHAT BOY?
603
00:27:32,827 --> 00:27:34,655
HUNTER: WHEN DONALD COMES IN,
604
00:27:34,724 --> 00:27:36,586
I WANT TO TALK TO HIM.
605
00:27:36,655 --> 00:27:39,758
THAT BOY IS GONNA GET
WHAT'’S COMING TO HIM.
606
00:27:39,827 --> 00:27:42,758
YOU HOLD YOUR HEAD UP.
607
00:27:42,827 --> 00:27:44,758
[VICTORIA LAUGHS]
608
00:27:50,379 --> 00:27:54,724
HUNTER: IS SOMETHING
FUNNY, DEAR?
609
00:27:54,793 --> 00:27:56,620
VICTORIA: HOLD YOUR HEAD UP?
610
00:27:56,689 --> 00:27:59,862
WHAT ARE YOU TRYING TO DO?
MOTIVATE HER?
611
00:27:59,931 --> 00:28:02,482
YOU DO KNOW WHAT
SHE'’S CLAIMING, DON'’T YOU?
612
00:28:02,551 --> 00:28:05,034
HUNTER: CAN'’T YOU EVER SHUT UP?
613
00:28:05,103 --> 00:28:09,655
VICTORIA: NARCISSISTS DON'’T KNOW
EMPATHY. CLASSIC.
614
00:28:09,724 --> 00:28:12,172
JASON: WE'’RE A FAMILY FULL OF
THEM, AREN'’T WE?
615
00:28:16,379 --> 00:28:17,517
RICHARD: GOOD MORNING.
616
00:28:17,586 --> 00:28:20,000
HUNTER: GOOD MORNING.
VICTORIA: MORNING.
617
00:28:20,068 --> 00:28:22,724
RICHARD: COFFEE?
HUNTER: YES, PLEASE.
618
00:28:22,793 --> 00:28:24,068
JASON: SO, WHO ARE YOU?
619
00:28:24,137 --> 00:28:26,689
RICHARD: I AM THE HEAD BUTLER.
620
00:28:26,758 --> 00:28:29,827
WE MET YESTERDAY.
621
00:28:29,896 --> 00:28:30,827
HUNTER: THE HEAD BUTLER.
622
00:28:30,896 --> 00:28:32,724
RICHARD: YES, SIR.
623
00:28:32,793 --> 00:28:34,275
CAN I GET YOU ANYTHING?
624
00:28:34,344 --> 00:28:37,827
HUNTER: WAS YOUR SON
HERE YESTERDAY?
625
00:28:37,896 --> 00:28:41,758
RICHARD: YES, SIR, HE WAS.
626
00:28:41,827 --> 00:28:43,931
HUNTER: JASON,
LEAVE THE ROOM, PLEASE.
627
00:28:44,000 --> 00:28:45,137
JASON: WHY?
628
00:28:45,206 --> 00:28:47,103
HUNTER: BECAUSE I SAID SO.
629
00:29:07,517 --> 00:29:11,206
DO YOU KNOW HOW MUCH TROUBLE
YOUR SON IS IN?
630
00:29:11,275 --> 00:29:14,655
RICHARD: SIR, WITH ALL
DUE RESPECT--
631
00:29:14,724 --> 00:29:17,896
HUNTER: WHY WOULD YOU
BRING HIM HERE?
632
00:29:20,793 --> 00:29:22,896
RICHARD: SIR...
633
00:29:22,965 --> 00:29:25,034
MY SON IS INCAPABLE
634
00:29:25,103 --> 00:29:28,586
OF DOING ANYTHING LIKE THAT.
635
00:29:28,655 --> 00:29:31,310
HUNTER: SO, YOU'’RE CALLING
MY DAUGHTER A LIAR.
636
00:29:35,965 --> 00:29:37,482
RICHARD: I AM SAYING THAT MY SON
637
00:29:37,551 --> 00:29:41,413
HAS BEEN COMING HERE
SINCE HE WAS A CHILD.
638
00:29:41,482 --> 00:29:43,137
HE HAS PLAYED WITH THE CHILDREN
639
00:29:43,206 --> 00:29:48,068
OF THE LAST TWO PRESIDENTS.
640
00:29:48,137 --> 00:29:52,896
SIR, HE'’S A GOOD BOY.
641
00:29:52,965 --> 00:29:54,965
HUNTER: WHO RAPED MY DAUGHTER.
642
00:30:04,965 --> 00:30:07,896
YOU'’RE FIRED.
643
00:30:07,965 --> 00:30:09,896
GET OUT OF MY SIGHT.
644
00:30:09,965 --> 00:30:12,724
GET OUT OF THIS HOUSE NOW.
645
00:30:18,965 --> 00:30:20,827
RICHARD: AHEM.
646
00:30:46,034 --> 00:30:50,758
PRISCILLA: HOW'’D IT GO?
647
00:30:50,827 --> 00:30:52,896
RICHARD: HE FIRED ME.
648
00:30:52,965 --> 00:30:56,241
PRISCILLA: WHAT?
RICHARD.
649
00:30:57,896 --> 00:30:59,413
[WHISPERS] What?
650
00:31:07,965 --> 00:31:10,137
VICTORIA: NICE PASSION.
651
00:31:10,206 --> 00:31:13,482
OVERPLAYED BUT NICE.
652
00:31:13,551 --> 00:31:15,758
HUNTER: WILL YOU SHUT UP?
653
00:31:15,827 --> 00:31:20,448
HONEY, I WANT TO TAKE CARE
OF THAT BOY.
654
00:31:20,517 --> 00:31:22,931
VICTORIA: ARE YOU GONNA
TELL HIM THE TRUTH?
655
00:31:26,551 --> 00:31:31,275
SO, YOU WILL TAKE THAT LIE
TO YOUR GRAVE, WON'’T YOU?
656
00:31:34,344 --> 00:31:37,517
YOU ARE A WICKED, LITTLE TROLL.
657
00:31:37,586 --> 00:31:39,827
HUNTER: WHAT ARE YOU
TALKING ABOUT?
658
00:31:39,896 --> 00:31:41,034
VICTORIA: SHE LIED.
659
00:31:41,103 --> 00:31:42,931
HUNTER: WHAT?
VICTORIA: THAT BOY
660
00:31:43,000 --> 00:31:44,413
DIDN'’T TOUCH HER.
661
00:31:44,482 --> 00:31:46,413
HUNTER: YOU NEVER BELIEVE HER.
662
00:31:46,482 --> 00:31:49,448
VICTORIA: HUNTER,
DON'’T BE SO STUPID.
663
00:31:49,517 --> 00:31:51,275
THIS IS THE WHITE HOUSE.
664
00:31:51,344 --> 00:31:52,655
THERE'’S SURVEILLANCE EVERYWHERE.
665
00:31:52,724 --> 00:31:55,172
HAVE THEM PLAY IT
BACK FOR YOU.
666
00:31:55,241 --> 00:31:56,965
GAYLE: EVEN IN MY ROOM?
667
00:31:57,034 --> 00:31:59,827
VICTORIA: EVERYWHERE.
668
00:31:59,896 --> 00:32:02,586
TELL HIM THE TRUTH.
669
00:32:10,931 --> 00:32:14,482
GAYLE: HE DIDN'’T DO ANYTHING.
I WAS DRUNK.
670
00:32:20,551 --> 00:32:23,551
HUNTER: WHY WOULD YOU LIE
ABOUT SOMETHING LIKE THAT?
671
00:32:23,620 --> 00:32:27,068
VICTORIA: WELL, SHE IS
YOUR DAUGHTER, SO...
672
00:32:27,137 --> 00:32:30,655
HUNTER: GO TO YOUR ROOM. NOW.
673
00:32:43,000 --> 00:32:44,862
[SIGHS]
674
00:32:44,931 --> 00:32:48,655
VICTORIA: HUNTER, THAT MAN HAS
BEEN WORKING HERE FOR YEARS.
675
00:32:48,724 --> 00:32:51,586
YOU GET HIM BACK HERE
AND APOLOGIZE.
676
00:32:51,655 --> 00:32:56,344
HUNTER: YEAH. I WILL.
I WILL.
677
00:32:56,413 --> 00:33:02,586
WAIT.
THERE'’S CAMERAS EVERYWHERE?
678
00:33:02,655 --> 00:33:08,103
VICTORIA: WOULDN'’T YOU
LIKE TO KNOW?
679
00:33:08,172 --> 00:33:13,275
[CHUCKLES]
680
00:33:13,344 --> 00:33:14,620
KYLE: HOW IS HE?
681
00:33:14,689 --> 00:33:17,137
JERRY: HE PASSED OUT
FROM THE THING.
682
00:33:17,206 --> 00:33:18,551
KYLE: HE EVER
SAY ANYTHING?
683
00:33:18,620 --> 00:33:20,482
JERRY: NOPE. NOTHING.
684
00:33:20,551 --> 00:33:24,034
KYLE: HEY, JERRY...
685
00:33:24,103 --> 00:33:25,137
THERE ANYBODY ELSE HERE?
686
00:33:25,206 --> 00:33:27,965
JERRY: NO, SIR.
JUST BE YOU.
687
00:33:28,034 --> 00:33:31,137
KYLE: AND YOU REALLY COULDN'’T
GET HIM TO TALK.
688
00:33:31,206 --> 00:33:35,137
JERRY: NO.
689
00:33:35,206 --> 00:33:37,137
KYLE: WELL, I BET I CAN.
690
00:33:37,206 --> 00:33:39,724
JERRY: YOU ALWAYS DO.
691
00:33:39,793 --> 00:33:42,103
KYLE: GET THE HELL OUT OF HERE.
692
00:33:42,172 --> 00:33:43,724
JERRY: YES, SIR.
693
00:33:48,206 --> 00:33:50,586
[DOOR OPENS AND CLOSES]
694
00:33:57,241 --> 00:33:58,310
KYLE: I GOT IT, GUYS.
695
00:33:58,379 --> 00:34:00,931
[DOOR OPENS AND CLOSES]
696
00:34:20,275 --> 00:34:25,206
[KYLE SNIFFS]
697
00:34:25,275 --> 00:34:31,206
MWAH!
RISE AND SHINE!
698
00:34:31,275 --> 00:34:32,655
GOOD MORNING.
699
00:34:32,724 --> 00:34:34,482
BOBBY: I'’M GONNA KILL YOU.
700
00:34:34,551 --> 00:34:36,206
KYLE: HOW ARE YOU, TOO?
701
00:34:36,275 --> 00:34:39,551
BOBBY: IF YOU EVER PUT YOUR LIPS
ON ME AGAIN...
702
00:34:39,620 --> 00:34:42,482
KYLE HA HA!
AH, BUT THEY'’RE SO
703
00:34:42,551 --> 00:34:46,413
FULL AND BEAUTIFUL.
704
00:34:46,482 --> 00:34:48,620
BOBBY: GET ME
OUT OF HERE, KYLE.
705
00:34:48,689 --> 00:34:50,068
KYLE: DID YOU TALK TO THEM?
706
00:34:50,137 --> 00:34:52,551
BOBBY: YOU KNOW DAMN WELL
I DIDN'’T.
707
00:34:52,620 --> 00:34:55,068
KYLE: SO, WHAT HAPPENED?
708
00:34:55,137 --> 00:34:56,241
BOBBY: NOTHING.
709
00:34:56,310 --> 00:34:58,586
NOW GET ME SOME PAIN MEDS.
710
00:34:58,655 --> 00:35:01,758
KYLE: WHY DID SHE SHOOT YOU?
711
00:35:01,827 --> 00:35:04,172
BOBBY?
BOBBY: I DON'’T KNOW.
712
00:35:04,241 --> 00:35:05,275
SHE GOT SPOOKED.
713
00:35:05,344 --> 00:35:06,275
KYLE: BY?
714
00:35:06,344 --> 00:35:08,206
BOBBY: YOUR GUY.
715
00:35:08,275 --> 00:35:09,551
GET ME SOME PAIN MEDS.
716
00:35:09,620 --> 00:35:11,103
KYLE: OH, COME ON.
717
00:35:11,172 --> 00:35:13,517
BOBBY: AAH!
KYLE: I THOUGHT YOU LIKED
THE PAIN!
718
00:35:13,586 --> 00:35:16,551
BOBBY: YOU ASSHOLE.
719
00:35:16,620 --> 00:35:18,172
THIS IS A CLEAN SHOT?
720
00:35:18,241 --> 00:35:21,413
KYLE: YES, RANGER.
THROUGH AND THROUGH.
721
00:35:21,482 --> 00:35:24,724
BOBBY: OH, DAMMIT.
722
00:35:24,793 --> 00:35:29,482
I DIDN'’T THINK SHE WOULD DO IT.
723
00:35:29,551 --> 00:35:32,103
[INDISTINCT].
724
00:35:32,172 --> 00:35:35,965
KYLE: ALL RIGHT.
725
00:35:36,034 --> 00:35:39,517
JUST HANG IN THERE.
YOU'’RE GONNA BE FINE.
726
00:35:39,586 --> 00:35:44,000
BOBBY: GET ME
OUT OF HERE, KYLE.
727
00:35:44,068 --> 00:35:46,896
KYLE: YOU SURE YOU
DIDN'’T TALK TO THEM?
728
00:35:46,965 --> 00:35:48,793
BOBBY: WHAT DO I
LOOK LIKE TO YOU?
729
00:35:48,862 --> 00:35:50,551
YOU SEE WHAT THEY DID TO ME.
730
00:35:50,620 --> 00:35:55,206
KYLE: THEN WHAT HAPPENED?
731
00:35:55,275 --> 00:35:57,413
BOBBY: NOTHING HAPPENED.
732
00:35:57,482 --> 00:35:58,689
KYLE: YOU'’RE TELLING ME
THAT YOU WEREN'’T THERE
733
00:35:58,758 --> 00:36:02,310
TO HAVE SEX WITH HER.
734
00:36:02,379 --> 00:36:04,586
BOBBY: NO.
735
00:36:04,655 --> 00:36:08,172
SHE BARELY TALKED TO ME
ON THE FLIGHT.
736
00:36:08,241 --> 00:36:12,482
BEAT HER HOME TO DO
A LITTLE RECON.
737
00:36:12,551 --> 00:36:16,206
SOMEHOW, SHE CAME HOME
[INDISTINCT].
738
00:36:18,931 --> 00:36:19,965
KYLE: YOU'’RE LYING.
739
00:36:20,034 --> 00:36:21,620
BOBBY: WHY WOULD I
LIE TO YOU?
740
00:36:21,689 --> 00:36:22,931
KYLE: I HAD A MAN THERE
WATCHING YOU.
741
00:36:23,000 --> 00:36:24,344
BOBBY: GOOD.
HE'’LL TELL YOU
742
00:36:24,413 --> 00:36:27,862
THE SAME THING
I JUST DID.
743
00:36:27,931 --> 00:36:30,448
NOW GET ME OUT OF HERE BEFORE
THESE ASSHOLES COME BACK.
744
00:36:30,517 --> 00:36:33,655
I DON'’T KNOW HOW MUCH MORE OF
THIS I CAN TAKE.
745
00:36:33,724 --> 00:36:34,655
KYLE: YOU'’RE SO SEXY.
746
00:36:34,724 --> 00:36:36,344
[BOBBY MOANING]
747
00:36:36,413 --> 00:36:40,344
KYLE: IN HERE ALL VULNERABLE.
748
00:36:40,413 --> 00:36:45,344
BOBBY: KYLE!
749
00:36:45,413 --> 00:36:46,793
KYLE: NICE.
750
00:36:46,862 --> 00:36:48,344
BOBBY: YOU REALLY GONNA
DO THIS RIGHT NOW?
751
00:36:48,413 --> 00:36:50,655
[BOBBY MOANING]
752
00:36:50,724 --> 00:36:53,448
KYLE: NO, I'’M NOT.
I LIKE TO BE DOMINATED,
753
00:36:53,517 --> 00:36:54,827
NOT THE OTHER WAY AROUND.
754
00:36:54,896 --> 00:36:57,551
BOBBY: GOOD.
GET THESE CUFFS OFF ME.
755
00:36:57,620 --> 00:36:59,931
KYLE: YEAH.
756
00:37:07,517 --> 00:37:11,137
ALL RIGHT.
COME ON.
757
00:37:11,206 --> 00:37:12,551
BOBBY: YOU GOTTA HELP ME.
KYLE: NO.
758
00:37:12,620 --> 00:37:14,413
COME ON.
LET'’S GO.
759
00:37:14,482 --> 00:37:16,379
BOBBY: ASSHOLE.
760
00:37:16,448 --> 00:37:21,689
AAH! UHH. UHH.
761
00:37:21,758 --> 00:37:31,310
AY! UHH. UHH. MM. UHH.
762
00:37:31,379 --> 00:37:32,413
KYLE: NICE ASS.
763
00:37:32,482 --> 00:37:35,241
BOBBY: UHH.
THANK YOU.
764
00:37:35,310 --> 00:37:38,103
[INDISTINCT],
765
00:37:38,172 --> 00:37:39,275
OOH!
766
00:37:44,103 --> 00:37:46,586
BARRY: THESE ARE
THE CUSTODY PAPERS
767
00:37:46,655 --> 00:37:48,586
SIGNED BY A JUDGE.
768
00:37:48,655 --> 00:37:51,586
WOMAN: OK.
769
00:37:51,655 --> 00:37:54,275
BARRY: OK, SO,
ARE YOU GONNA PICK HER UP?
770
00:37:54,344 --> 00:37:58,586
WOMAN: AH. DO YOU KNOW
HER WHEREABOUTS?
771
00:37:58,655 --> 00:38:00,379
BARRY: NO.
772
00:38:00,448 --> 00:38:01,655
WOMAN: OK.
773
00:38:01,724 --> 00:38:02,931
DO YOU HAVE A PICTURE?
774
00:38:03,000 --> 00:38:06,068
NANCY: YES.
RIGHT HERE.
775
00:38:06,137 --> 00:38:09,724
HERE.
776
00:38:09,793 --> 00:38:11,827
WOMAN: WHERE WAS SHE LAST SEEN?
777
00:38:11,896 --> 00:38:13,344
BARRY: I HAVE
TOLD YOU THIS ALREADY.
778
00:38:13,413 --> 00:38:15,620
SHE CAME INTO THE HOUSE
AND TOOK HER.
779
00:38:15,689 --> 00:38:16,827
NANCY: BARRY.
BARRY: SHE--
780
00:38:16,896 --> 00:38:19,482
NANCY: CALM DOWN.
781
00:38:19,551 --> 00:38:24,620
SHE'’S WITH THE RAKUDUSHIS.
782
00:38:24,689 --> 00:38:26,758
WOMAN: OK.
SIT TIGHT.
783
00:38:26,827 --> 00:38:29,862
BE RIGHT BACK.
784
00:38:29,931 --> 00:38:32,482
BARRY: SHIT.
THEY'’RE NOT GONNA DO NOTHING.
785
00:38:32,551 --> 00:38:35,758
NANCY: YES, THEY WILL.
786
00:38:35,827 --> 00:38:38,896
BARRY, I KNOW YOU'’RE MAD AT ME.
787
00:38:38,965 --> 00:38:40,620
BARRY: I'’M NOT MAD AT YOU.
788
00:38:40,689 --> 00:38:41,758
NANCY: I THINK YOU ARE.
789
00:38:41,827 --> 00:38:43,413
BARRY: I'’M MAD AT HER.
790
00:38:43,482 --> 00:38:44,482
NANCY: AND ME.
791
00:38:44,551 --> 00:38:48,689
BARRY: NO, IT'’S--
792
00:38:48,758 --> 00:38:52,482
NANCY: GO ON.
TELL ME.
793
00:38:52,551 --> 00:38:54,034
BARRY: TELL YOU WHAT?
794
00:38:54,103 --> 00:38:57,655
NANCY: SON, TELL ME
HOW YOU FEEL.
795
00:38:57,724 --> 00:38:59,448
BARRY: LOOK, MAN, THIS IS NOT
THE TIME
796
00:38:59,517 --> 00:39:00,620
OR THE PLACE TO BE DOING THIS.
797
00:39:00,689 --> 00:39:02,793
NANCY: GET IT OFF YOU, OK?
TELL ME.
798
00:39:02,862 --> 00:39:04,931
SO YOU CAN STOP TAKING IT OUT
ON SHARON.
799
00:39:05,000 --> 00:39:06,689
BARRY: THIS HAS NOTHING
TO DO WITH SHARON.
800
00:39:06,758 --> 00:39:08,517
NANCY: I THINK IT DOES.
801
00:39:08,586 --> 00:39:11,517
BARRY: YOU DON'’T KNOW.
802
00:39:11,586 --> 00:39:13,517
NANCY: Y'’ALL HAVING PROBLEMS?
803
00:39:16,724 --> 00:39:19,517
BARRY: I JUST...
804
00:39:19,586 --> 00:39:21,517
NANCY: JUST WHAT?
TELL ME.
805
00:39:27,586 --> 00:39:28,517
BARRY: MA, HOW COULD YOU DO THAT
806
00:39:28,586 --> 00:39:30,965
AFTER I TOLD YOU NOT TO?
807
00:39:31,034 --> 00:39:32,931
YOU--YOU SAY I'’M A KID.
I SWEAR,
808
00:39:33,000 --> 00:39:35,793
YOU ARE A CHILD SOMETIMES.
809
00:39:35,862 --> 00:39:38,586
I KNEW SHE WOULD.
I KNEW SHE WOULD DO THAT.
810
00:39:38,655 --> 00:39:40,793
AND IT WAS...DAMN STUPID FOR YOU
811
00:39:40,862 --> 00:39:42,793
TO LET HER IN THAT HOUSE.
812
00:39:48,862 --> 00:39:52,448
NANCY: I'’M SORRY.
813
00:39:52,517 --> 00:39:54,931
BARRY: WELL, YOU ASKED.
814
00:39:55,000 --> 00:39:56,448
NANCY: YOU'’RE RIGHT.
815
00:40:01,586 --> 00:40:05,724
BARRY: MA, I LOVE YOU, OK?
816
00:40:05,793 --> 00:40:09,517
I STILL LOVE YOU, OK?
817
00:40:09,586 --> 00:40:11,965
NANCY: I LOVE YOU, TOO, SON.
818
00:40:12,034 --> 00:40:17,758
I WAS JUST...I WAS JUST TRYING
TO DO THE RIGHT THING.
819
00:40:17,827 --> 00:40:20,310
BARRY: I'’M SURE YOU WERE, MOM.
820
00:40:20,379 --> 00:40:24,793
NANCY: JUST TRYING
TO MAKE PEACE.
821
00:40:24,862 --> 00:40:29,551
BARRY: MA...WHEN HAVE YOU EVER
KNOWN THE DEVIL
822
00:40:29,620 --> 00:40:31,931
TO WANT PEACE?
823
00:40:37,758 --> 00:40:39,586
WOMAN: OK.
824
00:40:39,655 --> 00:40:43,379
SO, YOU SAID THE WOMAN IS WITH
THE RAKUDUSHIS CULT.
825
00:40:43,448 --> 00:40:44,517
BARRY: YES.
826
00:40:44,586 --> 00:40:46,068
WOMAN: AND WHAT'’S HER NAME?
827
00:40:46,137 --> 00:40:48,931
BARRY: RUTH HARTMAN.
I TOLD YOU THAT.
828
00:40:49,000 --> 00:40:52,310
WOMAN: DOES SHE HAVE ANY
SCARS OR TATTOOS?
829
00:40:52,379 --> 00:40:54,310
NANCY: YEAH, SHE--
SHE HAS A TATTOO.
830
00:40:54,379 --> 00:40:57,862
BARRY: YEAH.
IT SAYS "BARRY" ON HER SHOULDER.
831
00:41:04,034 --> 00:41:06,758
WOMAN: IS THAT THE TATTOO?
832
00:41:06,827 --> 00:41:10,482
BARRY: YES.
833
00:41:10,551 --> 00:41:15,965
WOMAN: AND IS THIS HER?
834
00:41:16,034 --> 00:41:18,275
NANCY: WHAT HAPPENED TO HER?
835
00:41:18,344 --> 00:41:21,241
WOMAN: THAT'’S WHAT WE'’RE
TRYING TO FIND OUT.
836
00:41:21,310 --> 00:41:23,517
BARRY: WHERE'’S MY DAUGHTER AT?
837
00:41:23,586 --> 00:41:28,965
WHERE IS MY DAUGHTER AT?
838
00:41:29,034 --> 00:41:32,965
MAN: NEXT ON "THE OVAL"...
839
00:41:33,034 --> 00:41:34,827
WOMAN: IS THAT HER?
GAYLE: GO TO HELL.
840
00:41:34,896 --> 00:41:37,137
VICTORIA: I'’VE BEEN IN HELL
SINCE THE DAY YOU WERE BORN.
841
00:41:37,206 --> 00:41:38,793
GAYLE: OK, THEN LEAVE ME ALONE.
842
00:41:38,862 --> 00:41:40,517
RICHARD: I GOT FIRED.
MAN: WHAT?
843
00:41:40,586 --> 00:41:41,827
RICHARD: THE PRESIDENT FIRED ME.
844
00:41:41,896 --> 00:41:43,206
HUNTER: I'’M SURPRISED
YOU'’RE EVEN HERE
845
00:41:43,275 --> 00:41:45,827
WITH THAT HOT PIECE YOU CALL
A WIFE WAITING AT HOME.
846
00:41:45,896 --> 00:41:47,172
DONALD: ACTUALLY, SHE'’S
WITH YOUR WIFE.
847
00:41:47,241 --> 00:41:48,482
HUNTER: WHY?
848
00:41:48,551 --> 00:41:50,793
PRISCILLA: I SAW THE FIRST
DAUGHTER TAKING SELFIES.
849
00:41:50,862 --> 00:41:52,344
NAKED ONES.
850
00:41:52,413 --> 00:41:54,551
VICTORIA: DO YOU KNOW WHY
I BROUGHT YOU HERE?
851
00:41:54,620 --> 00:41:55,896
LILLY: TO GO SHOPPING WITH YOU.
852
00:41:55,965 --> 00:41:57,344
VICTORIA: NO, DEAR.
I BROUGHT YOU HERE
853
00:41:57,413 --> 00:42:00,482
SO THAT YOU COULD UNDERSTAND
WHO I AM.
59654
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
