All language subtitles for Winnie.The.Pooh.Blood.And.Honey.

(ominous orchestral music)

- [Narrator] Deep in
the Hundred Acre Woods,

a young boy named Christopher Robin

came across the most unusual
adolescent creatures,

crossbreeds who some would
describe as abominations.

The creatures introduced themselves

as Owl, Rabbit, Eeyore,

Piglet and most importantly,
Winnie-the-Pooh.

With the naivety of youth,
Christopher ignored the dangers,

and befriended them all.
(water flowing)

He brought them food, and with
each passing day together,

their bond strengthened and grew.

The days turned to years, and
with the years came maturity.

Eventually, Christopher had
to make the hard decision

to leave his friends to attend college,

to become a doctor,

requiring them to fend
for themselves once more.

(lightning crashing)
Then winter arrived.

The nights were deathly cold,

the land barren and
completely devoid of food.

One fateful night, on
the brink of starvation,

(thunder rumbling)

Pooh decided that in order to survive,

the group must consume one
of their dearest friends,

and thus, Eeyore was no more.

(intense orchestral music)

The trauma of this act warped
the minds of the group.

They became feral and developed a hatred

to all things human.

And in particular, Christopher Robin,

for abandoning them.

A pact was made.

They renounced their humanity

and returned to their animalistic roots.

Swearing never to talk again.

(soft orchestral music)

(footsteps pattering)

- Here we are.

Told you it wouldn't take that long.

Come on. I know exactly where to go now.

- (scoffs) You said that two hours ago.

- We're nearly there. Promise.

- Okay, one more hour.
- One more hour.

- If not, we're turning back.
- Okay.

You know you're the first person
I ever shown this place to.

- Oh, and why am I so special?

- Why are you so special?
- Mm.

- Oh, well, that is because soon

we'll be Christopher and Mary Robin,

and I don't want any secrets between us,

and I certainly don't want
you to think I'm crazy.

- I don't think you're crazy, Chris.

- Okay, come on.

(soft orchestral music continues)

Do you think I made up those stories?

- No, I don't think you've made it all up.

- Okay, so you believe me,
you believe they exist?

- Well, I didn't say that.

- No.

- Look, I think you were very young,

your imagination went
wild, and over the years,

you've convinced yourself of it.

- They exist, Mary.

I couldn't have made all of this up.

- You don't need to be ashamed of that.

Lots of people have imaginary
friends as children.

- They're not imaginary, Mary.

(soft piano music)

- That strong imagination of yours

is what's made you so successful.

You don't need to shy away from it.

- Why are we even here? Hmm?

Why are we even here if
you don't believe me?

- Ah, Chris.

(bag zipping)

I don't think we're going to find them,

but I'm here to support you.

(soft orchestral music)

(thunder rumbling)
Come on.

Starting to get a bit late.

- Pooh, Piglet, Eeyore, all of them.

We were friends for many years, and,

and they're out there.
- I know.

You've told me the stories many times.

How you would sneak into the
kitchen to get them food,

and how you would play with
them for hours and talk to them.

- Yes.

- This little yellow bear,

this baby pig,

that no one, Chris, not even
you, has ever seen since.

- (sighs) Maybe you're right.

- I know, I know it's quite
hard to deal with this,

but that's why I came.

And you know, in a way,
they still exist in you.

(animal howling)
- Pooh!

Come on, Mary, it's them! It's them!

- Christopher!
- Pooh!

(tense orchestral music)
Christopher, it's not safe.

- This is it. This is I,
Mary, we've found them.

- Christopher, we can't go in there!

(thunder crashing)
(rain pattering)

- This, this is the place,
Mary, but it's changed.

- It can't be.
- It's barely how

I remember it.

- [Mary] This has to be
some sort of mistake.

- Oh, Pooh.

What happened to you
after all these years?

- Christopher, we need to leave, now.

- Look, Mary-
- We really shouldn't be here.

- Mary, I, I really need to find out

what's happened here, okay?
- Come on, please.

- Look, you're not in any danger, okay?

I know them, all right?
(thunder crashing)

(Mary breathes uneasily)
Look, I'm here to protect you.

It's going to be okay, all right? Mm-hmm?

- No, I don't like this.

- Mary, it's going to be okay, all right?

I promise. When you see
them, it'll be fine.

Come on.
(Mary breathes uneasily)

(ominous orchestral music)
(rain pattering)

(flies buzzing)

This is our house, Mary.

We used to, we used to
play here all the time.

It's much bigger than I remember.

(thunder rumbling)
(rain pattering)

(suspenseful orchestral music)

(door creaking)

Pooh?

Piglet?

- Chris. Is that you?

- Yes. Why is it like that?

Why would they do this?

- Oh, I don't know.

But this is not safe.

We're going home. (gasps)
(footsteps approaching)

We have to hide. We have to hide, hide!

(breathes heavily) Chris, hide!

(door creaking)

(footsteps thudding)
(Chris breathes heavily)

(suspenseful orchestral music)

(clacking)

(footsteps thudding)

(Mary whimpering)

(metal scraping)

(intense orchestral music)

(shoring)

(floor creaking)

(suspenseful orchestral music)

(snoring continues)

(snoring continues)

Hide. Hide. (panting)

(Piglet squealing)
- Piglet, Piglet, don't, oh!

- (gasping) Chris!
- Piglet, stop!

(Piglet squealing)
(chain jangling)

Piglet, Piglet, stop!

Pig, Piglet, stop!
(Mary choking)

(intense orchestral music)

(Mary gasping)
Stop, please!

Please, Mary! Piglet!

(neck snaps)
(Piglet snorting)

(Chris whimpering)

(suspenseful orchestral music)

(thunder rumbling)

(Chris panting)

(Chris sobbing)

(lightning striking)

Pooh, Pooh, Pooh, you need to help me.

There, there's something
wrong with Piglet.

He just killed my wife. Please!

(lightning striking)

Please. Why are you doing this, Pooh?

We used to be friends.
Why are you doing this?

Please. (gasping)

Piglet, I'm so sorry.

I, I didn't know any of this would happen.

I, I thought you'd be okay without me.

Why are you doing this?
We used to be friends.

Why? Stop!

Please, I beg you. (sobbing)

I would've never left. I
swear, I swear, I, I, I...

We used to, we used to
play together as friends.

We used to...

Remember when we were younger,
Pooh? We played, ah...

Why, why are you doing this?

I would've never left. I swear, I swear!

I, I, I...

Remember when we were younger, Pooh?

We played.

(sobbing) Stop. Stop.

Stop, Pooh! (screaming)

(lightning crashing)

(flies buzzing)

(fire crackling)

(intense orchestral music)

(projector clattering)

(Pooh growling)

(distorted voice)

(chain jangling)

- [Woman] Another disappearance
in the woods today.

Mutilated body found.

(distorted voice)

- [Man] They best stay out of the forest.

100 Acres won't save you.

(Pooh growling)

- [Woman] Mutilated body found.

(intense orchestral music continues)

(distorted voice)

- [Man] Another
disappearance in the woods.

- [Woman] Don't go down
to the woods today.

- [Man] A mutilated
body's been discovered.

- [Woman] Don't go down
to the woods today.

(Pooh snarling)

- [Man] New murders are
happening in the woods.

- [Woman] A Hundred Acres won't save you.

(clock ticking)

- I just, I'm not really
sure how to explain it.

- Well, are you happy that
you came to speak to me today?

- Yeah.

- And why is that?

- I don't wanna keep living how I am.

Everywhere I go, um,
looking over my shoulder.

And I just feel on edge.

You know like the slightest noise

and I can just feel my heart racing.

- Being aware of how this
is affecting your life

and actioning it is a big step.

With every session, you
are making good progress.

And Maria, I am here to
help you achieve that.

- It's just, it feels like
nothing has really changed.

- You are not in the same situation

you were a few months ago.

- Yeah, I know.

It's just hard to adjust,

while I'm at work, in any crowds.

Can't help but feel that he
could still be out there.

- Have you thought about
taking a weekend away?

Go somewhere quiet. Disconnect
from the busy world.

Somewhere which might feel safer.

And to take your mind off
everything that's happened.

I think it could really help you.

- Yeah, maybe.

(wings flapping)

(crows cawing)

(wind whistling)

(trees creaking)

(vehicle approaching)
(upbeat pop music on radio)

- Two hours?

Seriously, Tina?
- Oh, I know.

I'm sorry, I'm sorry. I'll be there.

Just like can you just settle in,

get some wine, just get
the pre-drinks going.

I'll be there soon.
- Honestly, you would lose

your head if it wasn't
attached to your body.

- Ah, listen, listen.
(Maria laughing)

(knocking)
All right, did you hear that?

Okay. That is the door, okay?

I'm coming, I'm coming right along.

- Yeah, all right, ya flake.

All right, well, see you soon.

(trees creaking)

(vehicle approaching)

(upbeat pop music on radio)

(birds chirping)

(car door opens and closes)

Hello?

Hello?

(door creaking)

(eerie orchestral music)

Hello? Is anyone here?

(eerie music continues)

(sighs) I don't think there's anyone here.

(door slams)
(intense music)

Oh. (laughs nervously)
- Hold on.

I'm coming.
- Hi. (chuckles)

- (breathes heavily) Well,
well, how you doing, girl?

Sorry I couldn't hear you back there.

- No, it's fine.

I just wanted to ask, the pumps outside.

Are they working?
- (chuckles) Them old things?

You've seen 'em. They ain't
been working for years.

If you're looking for
gas, you could drive up

the road about two miles.

- Okay.

- Is there anything else
I can help you with?

(horn honking)
- Maria, let's go, come on!

- Well, I see you have
some friends out there.

- Yeah, sorry, they're just
a bit impatient. (chuckles)

Ooh, oh, I'm so sorry!
- Oh! (chuckles)

Oh darling. Don't be silly.

My fault.
- It's my fault.

Here you go. (chuckles)
- Oh, you're sweet.

- Oh, sorry again.
- Thank you.

- All right, bye.
- Bye.

- Bye.

(Charlene chuckles)

(luggage wheeling)

- Oh, my feet hurt.

- I'm not surprised, babe.

- One single bug, Zoe,
you're driving me home.

- (sighs) They're not
gonna hurt you, Lara.

- I don't care. They're disgusting.

- (scoffs) Really?

- This place is kind of cool.

And did you say it has a pool?

- Mm.
- And a barbecue?

- Well that pool's got my
name written all over it.

- That's awesome.

- It's gonna be perfect.
- Yeah.

Come on, girls. Let's get inside.

- Okay.
(laughing)

(indistinct chattering)

- Wow, so nice.
- This is sweet.

It is.

- Oh my God, this is so cute.
- Oh wow.

- God, it's massive.

- Is that the first time
you ever said that, Jess?

- Please.
- All right, girls.

Do what we agreed?

- Are we actually doing that?

- Yeah. It was the
whole point coming here.

- What the hell?
- If you say so.

- Here you are.

- To disconnect. To be at one with nature.

To top sitting around
on Instagram all day.

Lara?
- I'm not doing that, Jess.

- Yeah, you are. Come on.

You're not even gonna know it's gone.

Lara.
- Fine, I will, fine.

- She did it.
- Whatever.

- She'll definitely
notice it's gone as well.

- Yeah she will.
- I don't need it.

And anyway, I'm going to pack.

Dupes the best room.

- Oh. Okay.

- Yeah, we told you Tina ain't coming.

- Fashionably late as always.

(soft dramatic music)

{phone ringing)

- [Recording] The person
you are trying to reach

is not available.

Please leave your message after the tone.

- Hi, it's me. Can you call
me as soon as you get this?

Because I have no clue where I'm going.

Like is it definitely
a Hundred Acre Woods?

Is that the place?

Because my satellite's
telling me to make a U-turn

and I'm so bad at directions.

Call me as soon as you got this

"cause I have no clue where I am.

(eerie orchestral music)

{phone ringing)

(branch snaps)
(Tina gasps)

(intense orchestral music)

(Tina screaming)

(Tina screaming)

(Tina screaming)
(Pooh growling)

(intense music continues)

(Tina panting)

(suspenseful orchestral music)

(door clanks and creaks)

(Tina breathes uneasily)

(footsteps approaching)

(footsteps receding)

(Tina breathes heavily)

(Tina breathes uneasily)
(intense music)

(Tina screaming and groaning)

(shirt tearing)

Help me! No, please, no!

(wood chipper whirring)

Stop it, please! (gasping)

(head bashing)
(blood spurting)

(body crunching)

(flesh squishing)

(dramatic orchestral music)

(bones cracking)

(soft rock music)

- When did you do all this?

- Had it requested before we arrived.

Don't worry. Didn't cost too much.

♪ Since you like the way
that I look in green J

- Do you not like it?

- (sighs) It's just a bit soon.

- Right.

- I do like it, I know you care

and I know you're trying a lot.

(soft rock music continues)

(upbeat electronic music)

♪ Begging so long, so long ♪

♪ 'Cause I got you, you,
you, you, you, you ♪

♪ Waiting for love, for love ♪

♪ 'Cause I got you, you,
you, you, you, you ♪

♪ Begging for more, for more ♪

♪ 'Cause I got you, you,
you, you, you, you ♪

♪ Begging for more, for more ♪

- You sure you want to?

(fire crackling)

- Yeah, it's fine.

My therapist said it will
do me some good anyway.

- Right.

- I started to notice things
occasionally seem out of place.

You know, like a garden
chair next to my window

or footprint in the garden.

- What the hell? I never
knew that happened to you.

- I thought, you know, it
was all just in my head

and probably nothing.

But then one night...

(suspenseful orchestral music)

I had woken up to get something to drink

and when I came back to my
room, I heard something.

(glass taps)

Peered through the curtains.

Just saw these eyes

staring straight at me.
(screaming)

And when I screamed, he just ran off.

- That's absolutely disgusting.

- I spoke to the police and

there was just nothing they could do.

Everything was fine for about a month.

Then in public, I started
to feel this unease again.

Like I was being watched. Random calls.

And then one night,

I was asleep in my room alone.

(eerie orchestral music)

Must have been like 3:00 AM.

(door creaking)

And I just heard this noise in the room.

He was inside.

Tried to undress me.

(eerie music continues)

(Maria screaming)

- That would probably freak me out.

- Lara.

- The police found his
computer and found loads of me.

I had no idea.

- That's why I didn't wanna tell you girls

'cause it just wasn't my place.

- I do feel like I'm
getting a lot better now.

(soft dramatic music)

(fire crackling)

(eerie orchestral music)
(electricity buzzing)

(Pooh slurping)

(generator whirring)

(hook creaking)

(blood dripping)

(flies buzzing)

(creaking)

(Pooh slurping)

- (wheezing) Please.

Please, please just, just stop.

This isn't you. This,
this isn't who I remember.

(flies buzzing)

I, I had to leave. I...

(breathes heavily) People would,

people wouldn't understand you, Pooh.

Not like I did.

Please, please, please.

You have to believe me, |I...

Im, imagine what, imagine what
would have happened if, huh?

I love you, Pooh. (sobbing)

I'm so sorry.

(soft dramatic music)

I missed you, Pooh. Silly ole bear.

You're the best bear in all the world.

Nothing can split us up.
I'll never leave you.

Never. I promise.

We'll grow old together. Together forever.

You're the best bear in all the world.

I'll always be with you.

(thunder rumbling)

(drool dripping)

(flies buzzing)

(haunting orchestral music)

(furniture smashing)

(glass shattering)

(Christopher gasping)
(chains jangling)

(suspenseful orchestral music)

(footsteps approaching)

Pooh, please, no.

(groaning) No, Pooh.

(Christoper sobbing)

(whip cracking)
No!

(Christopher screaming)

(whip cracking)
(Christopher groaning)

(Christopher sobbing)

(gasping) No!

Oh God!

Oh God!

Please!

(Christoper screaming)

(intense music)
♪ Someplace ♪

(liquid plopping and bubbling)

♪ That smell ♪

(liquid squirting)
(Christopher screaming)

♪ That smell ♪

♪ Something, something,
something, something ♪

(Christopher groaning)

(upbeat pop music in distance)

(skeleton thuds)

♪ Baby, you're so sweet like
honey, honey, honey, oh ♪

♪ I believe you want it, baby ♪

♪ Guess I'll likely be there ♪

♪ I'll do what I wanna do ♪

♪ They can't stop me from having you ♪

♪ I can care for you, baby, oh ♪

♪ I can take it all, I can take it all ♪

♪ Baby, share your good touch ♪

♪ Baby, share your good touch ♪

(upbeat electronic music)

(shutter clicking)

(shutter clicking)
♪ Take it off ♪

♪ I wanna see you naked ♪

♪ Naked ♪

♪ Face right off, we'll show
them we're aren't playing ♪

♪ So in love, so in love with you ♪

♪ Your luck at love, your luck at love ♪

♪ Tell me, baby, what is your perfume ♪

(water bubbling)

- Crap. Mm, crap.

Absolutely not.

What the fuck?

(suspenseful orchestral music)

What the fuck?

Hello?

Hello?

Are you stalking Maria?

(Lara sighs)

(light buzzing)

Whatever.

You're not ruining my
night, you fucking freak.

(light buzzing)

(suspenseful orchestral music)

(intense music)
(water splashing)

(eerie orchestral music)

(light buzzing)

(engine starting)

(suspenseful orchestral music)

(engine revving)

(Lara groaning and screaming)

(sledgehammer scraping)

What are you doing? What are you doing?

Hey!
(sledgehammer scraping)

Help me!

What are you doing? Please!

(Lara screaming)

(engine revving)

Help!

(Lara groaning)

No!

Please, please, no!

Please, leave me alone!
(engine revving)

Please, please, please!

(intense orchestral music)

(Lara screaming)

(bones cracking)
(flesh squelching)

(blood spurting)

(Piglet squeals and snorts)

- What was that? Was that Lara?

- Did she scream?
- I think so.

- Oh, fuck. Come on.

Something must be wrong.
- I'll look for her.

- It sounded like a scream.

- Maybe Tina's here.

- No, that did that
doesn't sound like Tina.

Should we go and check it out?

- Yeah. Come on.

(Alice sighs)
(footsteps running)

- (groans) Why is this car here?

- What?

(breathes heavily) This all
doesn't feel quite real.

Why, why is the door left open like that?

- (breathes heavily) I'm not sure.

- Come on.

It's okay.

- What is that?

(both gasping)
Oh my God!

- Maria, come on! Maria,
let's go, get inside!

Come on!
- That's Lara!

- Come on, we need to go, there's...

(gasps) Zoe.

(suspenseful orchestral music)

- (whimpers) Lara's dead.

- What?

- There's someone else outside.

(uneasy breathing)

- Whoever it is, probably wrote that.

- What the fuck are we supposed to do now?

- The front door was open.
They gotta be inside.

- This was done from the outside.

We need to stick together
and find a weapon.

- Come on. We need to call the police.

(Jess whimpering)

(glass cracking)
(all gasp)

(suspenseful orchestral music)

(uneasy breathing)

(creaking)

(intense orchestral music)
(all screaming)

- Zoe, I'm scared.
- I'm scared too, honest.

I'm scared too.

- What, what was that?

- I don't know.

(whimpering)

- Did you see its face?

That did not look human.

(lights clank)
(all gasp and scream)

(suspenseful music continues)

(sobbing)

- They're trying to get in the house.

Try, try to stay calm. Okay?

We need to find something
to defend ourselves with.

- The kitchen! Come on, come
on, come on, come on, come on!

- (whimpering) I'm scared.

- We're gonna get through this.

Okay? Okay?

- Why won't he leave me alone?

He just keeps bothering me
everywhere I go! (sobbing)

- I'm here with you.

You're not alone. Okay?

(eerie orchestral music)

(flies buzzing)

- Are you okay?
- Oh, she's okay.

It's just, I don't know.
- Maria.

I need you to pull yourself together.

Whatever is out there,
it's not your stalker.

And he is trying to get inside the house.

Come on. (breathes heavily)

Lara. She went to the pool,
didn't she, out the back?

- Yeah, early on.

Oh God, you don't think she's-
- Fuck.

I'll bet she's left the door open.

(both breathe uneasily)

Whatever that thing
is, it's out the front.

I'm gonna go close the door.

- No, you can't.
- Can't let it sneak inside.

- Zoe, stop!

(dramatic orchestral music)

- I've got a gun! Let's
go, I've got a gun!

- Is it loaded?
- Yeah, I've got a gun

upstairs in the room.

Come on, let's go get it! Come on!

(intense orchestral music)

- We have to move it.

- I'll go and get my, where is my gun?

Oh, come on! Where did I put it?

Come on!

- Okay, we got to move. Where is it?

(drawer opening)

- Okay, I've got it.
- Okay.

- Okay.

- Shh, shh, shh, shh, shh, shh.

He's inside.
- What?

- Inside.

(footsteps stomping)

- They might be hiding.

(water dripping)
(door opens)

(breathing uneasily)

Be as quiet as possible.

We need to get to that door
and we need to shut the door

and get back to the girls.

(both breathing heavily)

- Alice, I love you.

- I love you too.

(loud banging)
Shit!

- I think they're inside.

If I tell you to leave,
you run out that door

as fast as you can.
- Sorry, no.

I'm coming with you. You're
not leaving me. (whimpers)

(Zoe screaming)
(sledgehammer whacks)

(Piglet squealing)

(water splashing)

- Get away from her! Get away from her!

What are you doing? Get away from her!

Get away from her, you freak!

(chains jangling)

(sledgehammer clanks)

(water splashing)
(Zoe gasping)

(chain jangling)

(water burbling)

(Zoe gasping)

(intense orchestral music)

(Piglet snorting)

(water splashing)

(sledgehammer whacks)

(water splashing)

(suspenseful orchestral music)

(uneasy breathing)

(suspenseful orchestral music)

- Was that Zoe?

- I, I think so.

(both whimpering)

- Come on

- No, Zoe! No!

Oh my God!

- Maria.

- Zoe.

- Look.

(whimpering)

(sobbing) Come on.

Shh, shh, shh.

(both panting)

Okay, keep, keep quiet.

I don't think they saw us.

(fire crackling)
(Piglet belching)

- Are you sure I
shouldn't just shoot them?

- Alice is close and you won't hit "em.

Let's follow "em for now and
we'll find an opportunity soon.

(object clinking)
(Piglet snorting)

(Piglet sniffing)

(snorting)

(suspenseful orchestral music)

(Pooh slurping)

(Pooh chewing)

(Alice whimpering)

♪ Someplace ♪

(Alice whimpering)
(footsteps approaching)

♪ That smell ♪

♪ Someplace ♪

(Pooh snorting)
(Alice gasping)

♪ That smell ♪

♪ Someplace ♪

♪ Something, something,
something, something, something ♪

(Pooh slurping)

(hand whacking)

(eerie orchestral music)

- Alice. Alice.

- Zoe.

Where's Zoe?
- Shh.

- Where, where am I?

- Calm down, calm down.
- God.

- It's all right.
- Don't scream!

- Where's Jess?

- We're gonna get you out of here.

You're all right. Hey?

- They killed her. They killed Zoe.

- We can't stay here, Alice.

They'll come back at anytime.

- Okay. Okay.

- That's it. Okay, okay.

Come on.

Keep going.

Keep going.

Ooh!

(woman screaming)
(all gasp)

- What the fuck was that?

- (sighs) Jessica, if there's
someone else trapped here,

we can't just leave them.

Not to be killed by those monsters.

(eerie orchestral music)

(door creaking)

(all gasping)

- Maria, we need to get
the fuck out of here.

Wait, what are you doing?

They could be back any minute.
Okay, we need to leave now.

(flies buzzing)

(all gasping)

- Please help. Please,
please, you need to help me.

Please, we don't have much time.

- Okay, okay, okay.
- Please help.

(dramatic orchestral music)

- Somebody come help! Come on, come on!

(chain jangling)

(Christopher groans and coughs)

- Help me!

- There's someone else.
- She, she's the only one.

They, they bought her in this morning.

Go, go. Help her, help her.

I'll, I'll be fine.
- Why?

- Look there isn't any
time! Just go! (coughs)

- Okay.

You're gonna catch up, yeah?

(suspenseful orchestral music)

- Oh my God.

- Oh God. What have they done to her?

(chains jangling)

- Please. (gasps) Please help.

- What happened to you?

- Pooh, Piglet.

- Why? I don't understand.

What? Pooh and Piglet?

- (gasping) That's what
they call themselves.

They're just these disfigured creatures.

Half, half pig, half bear.

They talk in some, some,
some broken English.

- What have they done to you?

- (gasping) Piglet, he, he smells me.

And everyone.

- Oh. Have you spoken to them?

- Time I tried, Piglet just snorted.

He can't talk.

Please, please!

Please get me out of here! (sobbing)

- It's okay. Here we are.

(all grunting)

- Sorry.
- Please, hurry.

(suspenseful orchestral music)

(Charlene groaning)

- Okay. All right.

- Oh.

(Charlene gasping)
- Shh, shh, shh, shh.

- What have they done to me?
- Shh, shh, please!

(Charlene screaming)
- Shh, shh!

- Please, stop. It's gonna be okay.

- Could you please be quiet, okay?

We need to get out of here.

(Charlene sobbing)

- What have they done?

I am not leaving here until he's dead!

(intense orchestral music)

Piglet! Where are you?

Piglet?

Where are you?

Come and get it, Piggy.

Come and find me.

- Oh, she's mental.
- He's gonna come out.

He's gonna come get her.

(gun fires)

(chain jangling)

(Piglet squealing)

- There you are, Piglet.

(fire crackling)

Why me?

This is all your fault.

You turned me into a monster.

(chain jangling)

I'm gonna make you pay for
what you've done to me.

(trigger clicking)
- The gun's not working.

(Charlene whimpering)

(suspenseful orchestral music)

(Darlene gasping)

(Piglet squealing)

(intense orchestral music)

(all gasping)
- Shit.

(honey slurping)
(Charlene spitting)

♪ Someplace ♪

(flesh squelching)
(Charlene screaming)

- Oh my God! What is it doing?

(flesh tearing)
(Charlene screaming)

- Alice, come on!

(Alice gasping)

(Piglet snorting)

(sledgehammer whacks)

(intense orchestral music)

(all panting)

- Stay back!

Stay back.

(all gasping)

(indistinct yelling)

- Let's go!

(intense orchestral music)
(all panting)

- Wait! Wait!

Ah!

(sledgehammer whacking)
(Piglet snorting)

(chains jangling)

- That's right. Wake
up, you piece of shit!

(Piglet snorting)

You're gonna pay for what you
did here, you fucking freak!

(Piglet snorting)
(chains jangling)

You know better than anyone
else what those chains are.

(Piglet snorting)

You're not going anywhere.

(intense orchestral music)

(both panting)

- For fuck's sake.

- Do you think he saw us?

- What's he doing?

- Now this is for that
poor woman that you mauled.

(sledgehammer whacks)
(Piglet squealing)

(chains jangling)

And this, this is for
what you did to Lara.

(sledgehammer whacks)
(Piglet squealing)

(intense music continues)

And this, this is what you did to Zoe.

(Piglet squealing)
(sledgehammer thwacking)

(Piglet shrieking)

- That sounded like it hurt.

- Alice.

(Alice whimpering)

(sledgehammer scraping)

(footsteps approaching)
(Alice gasping)

(Alice choking and coughing)

(blade scraping)

(blade slicing)
(flesh squelching)

(Alice choking)

(sobbing)

(suspenseful orchestral music)

(both gasping)

- Wait. I just need a minute.

- We don't have a minute. Come on!

Fuck, he's coming! Come on!

(intense orchestral music)

Jess, come on, we need to hurry!

- Maria!

- Wait! Wait!

Stop! Help us, please!

Come here! Help!

Please, we need your help.

We need to get out of here!

- Wait, wait. What you talking about?

What, what's happening to y'all, huh?

- He's coming for us! He's
coming, he's coming for us!

- Who is?
- Pooh, okay?

We need to go now!
- Pooh?

You girls on drugs?

- No, you're not listening to me.

We need to get out of here now! Please!

- No, no, no, girls, girls.
You need to calm down.

You ain't making no sense.

- Oye, Logan.

Check it out. What the fuck is that?

- What the?
- No, it's him!

No, it's him!
- Get me out of here!

- Get in the truck! Get
in the truck, come on!

Run!

(door closes)

- That ain't no human, Logan.

- Well it ain't no bear either.

Some kind of freak picking
on them girls. Huh?

- Colt, Tucker, tour up.

I don't like the look of this one.

- Is this who's been chasing you?

- No. You don't understand!

(Pooh breathes heavily)

(suspenseful orchestral music)

No, run!
- Boys, you ready?

- Why won't you hear me?

- You all right, boy?

You ain't got no manners, do you?

- The girls are terrified, Logan.

- What?

- I wonder what that prick's done to 'em.

- Hey, yo. What you've been
doing to them girls, huh?

- Oye.
- That fat kid

as dumb as he looks.

- You better start talking or
you ain't gonna be breathing.

You get it?

- You like picking on small
girls, do ya? Ya freak!

(Pooh slurping)

(suspenseful music continues)

- It's your unlucky day, mate.

- You think you're
tough? You fucking nunz!

- Not chatting, huh?

Well, I guess it's time to open up

a fucking can of whoop-ass!

(pipe whacks)

(neck cracking)

You're tough. I'll give you that.

But you ain't gonna be standing soon

when we start whipping the out shit of ya!

Ready, boys?

(dramatic orchestral music)

(bat thuds)

(weapons whacking and thudding)

(bottle shattering)

(fingers cracking)

(intense music)

(fist thwacking)
(blood spurting)

(screaming)

- Oh my God!

(screaming)

(arm snapping)
(screaming)

(blood spurting)

(head bursting)

- Holy fuck!

(brain squishing)

(blade slicing)
(blood spurting)

- Oh! Oh my God!

(intense orchestral music)

Oh my God!
(engine stalling)

(engine starting)

(engine revving)

(both screaming)
(body thumping)

(both gasping)

Shit. Where is he?

- Here, I can't see him!

(intense music continues)

- Shit, he's on the truck!
- Watch the road!

- Oh!

(both gasping)

(fists pounding)

(screams) Sorry, Jess!

(both screaming)

Hold on, Jess!

(engine revving)

(both screaming)
(fists pounding)

(intense music continues)

(intense music continues)
(both gasping and screaming)

(fist pounding)

(tires screeching)
(car crashes)

(alarm beeping)

(dramatic orchestral music)

(dramatic music continues)

- (gasping) No, no!

Oh my God! No!

Oh God!

(engine stalling)
Hurry up!

Please! Please!

Oh my God!
(engine stalling)

Get away! Get away!

No!

(head plops and squishes)
(Maria screaming)

(gasping) Oh my God!

No, no, no, no! (gasping)

No! (sobbing)

(Maria gasping)

(soft dramatic music)

No. (sobbing) No, no!

(horn blaring)
(engine revving)

(dramatic orchestral music)
- Fuck you!

(engine revving)
(cars crashing)

(soft dramatic music)

(steam hissing)

(Christopher breathes heavily)

(fire crackling)

(Christopher panting)

(soft dramatic music)

(Christopher breathes heavily)

Hey, hey, hey.

Are you okay? Hey, hey?

(Maria whimpering)
It's okay, it's okay.

It's okay, it's okay, it's okay.

Look at me. It's okay.

Okay? It's over.

You're Maria, right?
- Yeah.

- Okay, can you walk?
- Mm-hmm.

- Yeah, okay, um, let's go.
- Okay.

(body banging)
(Maria gasping and sobbing)

(blood spurting)

Maria, let's go. Let's go.

(both groaning)

- Oh my God!

(both groaning)

Oh my God!

(gas dripping)

(car rolling)

(Maria whimpering)

(blade scraping)

(suspenseful orchestral music)

(Maria sobbing)

(both groaning)

(car exploding)

(fire crackling)

(soft dramatic music)

No, no! Get away!

- No, don't, no, please.
- No!

- No, no, no, no, please!

No! Why are you doing this?

Please, please! Why are you doing this?

Why won't you stop?

- No!
- It's me you want!

Just leave her alone! You've
hurt enough people, Pooh.

Please!

You were remembering
how things were, right?

You can stop.

The good is still in there, Pooh.

You can stop. I know I
caused you a lot of pain.

Just let her, let her go, please.

I'll stay. I'll stay.

Just take me instead. Please.

- No, no you can't. He'll kill you.

- You saved me, now it's my turn.

Trust me.

Pooh, let her go and I'll
stay with you forever.

Take me instead.

- You left.

(knife slicing)
- No!

(blood dripping)

(Christopher sobbing)
(Maria gasping)

(somber orchestral music)

(somber music continues)

- (gasping) Go, go, go.

(Maria coughing)

(Christopher sobbing)

(suspenseful orchestral music)

(knife stabbing)

(Christopher hyperventilating)

(flesh squelching)
(knife stabbing)

(fire crackling)

(Pooh snarling)

(intense orchestral music)

(Pooh growling)

(Pooh snarling)

(intense music continues)

(dramatic music)

(dramatic music continues)

(dramatic music continues)

(dramatic music continues)