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These are the user uploaded subtitles that are being translated: 1 00:00:13,012 --> 00:00:16,916 WILLIAM KINNEY, AND HALLIE SCRUGGS, ALONG WITH DR. 2 00:00:16,983 --> 00:00:18,000 KATHERINE KOONCE, CYNTHIA PEAK AND MIKE HILL WALKED INTO 3 00:00:18,000 --> 00:00:22,222 KATHERINE KOONCE, CYNTHIA PEAK AND MIKE HILL WALKED INTO 4 00:00:22,288 --> 00:00:24,000 THE COVENANT SCHOOL AND DIDN'T WALK OUT. 5 00:00:24,000 --> 00:00:26,993 THE COVENANT SCHOOL AND DIDN'T WALK OUT. 6 00:00:27,060 --> 00:00:30,000 THE COMMUNITY OF SORROW OVER THIS AND THE 130 MASS SHOOTINGS 7 00:00:30,000 --> 00:00:36,000 THE COMMUNITY OF SORROW OVER THIS AND THE 130 MASS SHOOTINGS 8 00:00:36,000 --> 00:00:36,636 THE COMMUNITY OF SORROW OVER THIS AND THE 130 MASS SHOOTINGS 9 00:00:36,703 --> 00:00:39,305 IN THE U.S. THIS YEAR ALONE, STRETCHES FROM COAST TO COAST. 10 00:00:39,372 --> 00:00:42,000 I WANTED TO PERSONALLY STAND UP HERE AND SHARE THIS MOMENT 11 00:00:42,000 --> 00:00:43,743 I WANTED TO PERSONALLY STAND UP HERE AND SHARE THIS MOMENT 12 00:00:43,810 --> 00:00:47,781 BECAUSE ON AUGUST 21, 2008, I WATCHED RYAN MCDONALD, MY 13 00:00:47,847 --> 00:00:48,000 15-YEAR-OLD CLASSMATE AT CENTRAL HIGH SCHOOL IN 14 00:00:48,000 --> 00:00:52,218 15-YEAR-OLD CLASSMATE AT CENTRAL HIGH SCHOOL IN 15 00:00:52,285 --> 00:00:53,686 KNOXVILLE, TENNESSEE LOSE HIS LIFE TO A GUN IN THE 16 00:00:53,753 --> 00:00:54,000 SCHOOL CAFETERIA. 17 00:00:54,000 --> 00:00:56,356 SCHOOL CAFETERIA. 18 00:00:56,423 --> 00:01:00,000 TONIGHT'S BROADCAST IS DEDICATED TO THE EVER-GROWING LIST OF 19 00:01:00,000 --> 00:01:03,830 TONIGHT'S BROADCAST IS DEDICATED TO THE EVER-GROWING LIST OF 20 00:01:03,897 --> 00:01:06,000 FAMILIES, FRIENDS, SURVIVORS, WITNESSES, AND RESPONDERS WHOSE 21 00:01:06,000 --> 00:01:08,902 FAMILIES, FRIENDS, SURVIVORS, WITNESSES, AND RESPONDERS WHOSE 22 00:01:08,968 --> 00:01:12,000 LIVES CONTINUE TO BE FOREVER CHANGED BY GUN VIOLENCE. 23 00:01:12,000 --> 00:01:16,009 LIVES CONTINUE TO BE FOREVER CHANGED BY GUN VIOLENCE. 24 00:01:16,075 --> 00:01:18,000 I PRAY THAT THE CLOSENESS AND COMMUNITY WE FEEL THROUGH THE 25 00:01:18,000 --> 00:01:22,182 I PRAY THAT THE CLOSENESS AND COMMUNITY WE FEEL THROUGH THE 26 00:01:22,248 --> 00:01:24,000 NEXT FEW HOURS OF MUSIC CAN SOON TURN INTO ACTION THAT MOVES US 27 00:01:24,000 --> 00:01:30,000 NEXT FEW HOURS OF MUSIC CAN SOON TURN INTO ACTION THAT MOVES US 28 00:01:30,000 --> 00:01:32,525 NEXT FEW HOURS OF MUSIC CAN SOON TURN INTO ACTION THAT MOVES US 29 00:01:32,592 --> 00:01:35,595 FORWARD TOGETHER TO CREATE CHANGE FOR THE SAFETY OF OUR 30 00:01:35,662 --> 00:01:36,000 KIDS AND LOVED ONES. 31 00:01:36,000 --> 00:01:39,999 KIDS AND LOVED ONES. 32 00:01:59,385 --> 00:02:00,000 [CHEERS AND APPLAUSE] >> WELL, I CAN'T SEE ANYTHING IN 33 00:02:00,000 --> 00:02:02,021 [CHEERS AND APPLAUSE] >> WELL, I CAN'T SEE ANYTHING IN 34 00:02:02,088 --> 00:02:02,856 HERE! 35 00:02:02,922 --> 00:02:06,000 BUT IF THIS IS AUSTIN, I STILL LOVE YA! 36 00:02:06,000 --> 00:02:06,559 BUT IF THIS IS AUSTIN, I STILL LOVE YA! 37 00:02:06,626 --> 00:02:10,730 [CHEERS AND APPLAUSE] # 38 00:02:10,797 --> 00:02:12,000 # 39 00:02:12,000 --> 00:02:18,000 # 40 00:02:18,000 --> 00:02:24,000 # 41 00:02:24,000 --> 00:02:25,678 # 42 00:02:25,745 --> 00:02:26,846 # 43 00:02:27,780 --> 00:02:30,000 THAT NEON SUN'S A-RISIN' I'M SITTIN' HERE, ADMIRIN' 44 00:02:30,000 --> 00:02:30,483 THAT NEON SUN'S A-RISIN' I'M SITTIN' HERE, ADMIRIN' 45 00:02:30,550 --> 00:02:36,000 THE SUMMER DRESS THAT'S SHININ' THROUGH HAD JUST ENOUGH TO TELL 46 00:02:36,000 --> 00:02:36,689 THE SUMMER DRESS THAT'S SHININ' THROUGH HAD JUST ENOUGH TO TELL 47 00:02:36,756 --> 00:02:39,058 YOU THE TRUTH DON'T WANNA SCOOT THE BOOTS 48 00:02:39,125 --> 00:02:42,000 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 49 00:02:42,000 --> 00:02:43,897 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 50 00:02:43,963 --> 00:02:48,000 ON NO BODY WRAP THESE ARMS 51 00:02:48,000 --> 00:02:49,002 ON NO BODY WRAP THESE ARMS 52 00:02:49,068 --> 00:02:54,000 AROUND NO BODY NO BODY BUT YOURS 53 00:02:54,000 --> 00:02:56,543 AROUND NO BODY NO BODY BUT YOURS 54 00:02:56,609 --> 00:03:00,000 DON'T WANNA SHADOW DANCE WITH NO BODY 55 00:03:00,000 --> 00:03:01,347 DON'T WANNA SHADOW DANCE WITH NO BODY 56 00:03:01,414 --> 00:03:05,852 SLIDE SOME COTTON OFF OF NO BODY 57 00:03:05,919 --> 00:03:06,000 DON'T WANNA WAKE UP KISSIN' NO BODY 58 00:03:06,000 --> 00:03:10,757 DON'T WANNA WAKE UP KISSIN' NO BODY 59 00:03:10,823 --> 00:03:12,000 NO BODY BUT YOURS # 60 00:03:12,000 --> 00:03:18,000 NO BODY BUT YOURS # 61 00:03:18,000 --> 00:03:20,533 NO BODY BUT YOURS # 62 00:03:20,600 --> 00:03:22,201 HONEYSUCKLE TALKIN' LAST CALL OLD MILWAUKIN' 63 00:03:22,268 --> 00:03:24,000 OUT THERE TO A CHECKERED CAB B-LINE TO YOUR CONDO 64 00:03:24,000 --> 00:03:28,508 OUT THERE TO A CHECKERED CAB B-LINE TO YOUR CONDO 65 00:03:28,575 --> 00:03:30,000 CONWAY ON THE STEREO GIRL, I'D LOVE TO LAY YOU DOWN, 66 00:03:30,000 --> 00:03:34,581 CONWAY ON THE STEREO GIRL, I'D LOVE TO LAY YOU DOWN, 67 00:03:34,647 --> 00:03:36,000 DOWN, DOWN DON'T WANNA SCOT THE BOOTS 68 00:03:36,000 --> 00:03:38,484 DOWN, DOWN DON'T WANNA SCOT THE BOOTS 69 00:03:38,551 --> 00:03:42,000 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 70 00:03:42,000 --> 00:03:43,957 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 71 00:03:44,023 --> 00:03:48,000 ON NO BODY WRAP THESE ARMS 72 00:03:48,000 --> 00:03:50,296 ON NO BODY WRAP THESE ARMS 73 00:03:50,363 --> 00:03:54,000 AROUND NO BODY NO BODY BUT YOURS 74 00:03:54,000 --> 00:03:54,100 AROUND NO BODY NO BODY BUT YOURS 75 00:03:54,167 --> 00:04:00,000 DON'T WANNA SHADOW DANCE WITH NO BODY 76 00:04:00,000 --> 00:04:01,841 DON'T WANNA SHADOW DANCE WITH NO BODY 77 00:04:01,908 --> 00:04:06,000 SLIDE SOME COTTON OFF OF NO BODY 78 00:04:06,000 --> 00:04:06,145 SLIDE SOME COTTON OFF OF NO BODY 79 00:04:06,212 --> 00:04:11,050 DON'T WANNA WAKE UP KISSIN' NO BODY 80 00:04:11,117 --> 00:04:12,000 NO BODY BUT YOURS # 81 00:04:12,000 --> 00:04:18,000 NO BODY BUT YOURS # 82 00:04:18,000 --> 00:04:22,762 NO BODY BUT YOURS # 83 00:04:22,829 --> 00:04:23,896 DON'T WANNA HOLD NO BODY LAY EYES ON NO BODY 84 00:04:23,963 --> 00:04:24,000 LOVE UP ON NO BODY DON'T WANNA SCOOT THE BOOTS 85 00:04:24,000 --> 00:04:26,766 LOVE UP ON NO BODY DON'T WANNA SCOOT THE BOOTS 86 00:04:26,833 --> 00:04:30,000 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 87 00:04:30,000 --> 00:04:31,037 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 88 00:04:31,104 --> 00:04:34,974 ON NO BODY WRAP THESE ARMS 89 00:04:35,041 --> 00:04:36,000 AROUND NO BODY NO BODY BUT YOURS 90 00:04:36,000 --> 00:04:42,000 AROUND NO BODY NO BODY BUT YOURS 91 00:04:42,000 --> 00:04:43,683 AROUND NO BODY NO BODY BUT YOURS 92 00:04:43,750 --> 00:04:47,820 DON'T WANNA SHADOW DANCE WITH NO BODY 93 00:04:47,887 --> 00:04:48,000 SLIDE SOME COTTON OFF OF NO BODY 94 00:04:48,000 --> 00:04:52,992 SLIDE SOME COTTON OFF OF NO BODY 95 00:04:53,059 --> 00:04:54,000 # DON'T WANNA WAKE UP # # KISSIN' NO BODY # 96 00:04:54,000 --> 00:04:55,461 # DON'T WANNA WAKE UP # # KISSIN' NO BODY # 97 00:04:55,528 --> 00:05:00,000 # NO BODY BUT YOURS # # DON'T WANNA WAKE UP # 98 00:05:00,000 --> 00:05:02,869 # NO BODY BUT YOURS # # DON'T WANNA WAKE UP # 99 00:05:02,935 --> 00:05:04,937 # KISSIN' NO BODY # # NO BODY BUT YOURS # 100 00:05:23,322 --> 00:05:24,000 >> Announcer: LIVE FROM AUSTIN TEXAS, THIS IS THE 2023 CMT 101 00:05:24,000 --> 00:05:28,928 >> Announcer: LIVE FROM AUSTIN TEXAS, THIS IS THE 2023 CMT 102 00:05:28,995 --> 00:05:30,000 MUSIC AWARDS ON CBS! 103 00:05:30,000 --> 00:05:31,998 MUSIC AWARDS ON CBS! 104 00:05:32,065 --> 00:05:35,568 HOSTED BY KELSEA BALLERINI AND KANE BROWN 105 00:05:35,635 --> 00:05:36,000 WITH PERFORMANCES BY ALANIS MORISSETTE, 106 00:05:36,000 --> 00:05:39,005 WITH PERFORMANCES BY ALANIS MORISSETTE, 107 00:05:39,072 --> 00:05:40,473 BLAKE SHELTON, CARLY PEARCE, 108 00:05:40,540 --> 00:05:42,000 CARRIE UNDERWOOD, CODY JOHNSON, 109 00:05:42,000 --> 00:05:42,842 CARRIE UNDERWOOD, CODY JOHNSON, 110 00:05:42,909 --> 00:05:45,244 THE BLACK CROWES AND DARIUS RUCKER, 111 00:05:45,311 --> 00:05:47,680 GARY CLARK, JR. GWEN STEFANI, 112 00:05:47,747 --> 00:05:48,000 INGRID ANDRESS, JELLY ROLL, 113 00:05:48,000 --> 00:05:49,949 INGRID ANDRESS, JELLY ROLL, 114 00:05:50,016 --> 00:05:53,453 KANE BROWN AND KATELYN BROWN, KEITH URBAN, 115 00:05:53,519 --> 00:05:54,000 KELSEA BALLERINI, LAINEY WILSON, 116 00:05:54,000 --> 00:05:56,222 KELSEA BALLERINI, LAINEY WILSON, 117 00:05:56,289 --> 00:05:58,725 MADELINE EDWARDS, MORGAN WADE, 118 00:05:58,791 --> 00:06:00,000 TYLER HUBBARD, WYNONNA JUDD 119 00:06:00,000 --> 00:06:00,460 TYLER HUBBARD, WYNONNA JUDD 120 00:06:00,526 --> 00:06:03,096 WITH ASHLEY MCBRYDE, A SPECIAL TRIBUTE TO GARY 121 00:06:03,162 --> 00:06:06,000 ROSSINGTON AND LYNYRD SKYNYRD WITH BILLY GIBBONS, 122 00:06:06,000 --> 00:06:06,199 ROSSINGTON AND LYNYRD SKYNYRD WITH BILLY GIBBONS, 123 00:06:06,265 --> 00:06:12,000 PAUL RODGERS, SLASH, CHUCK LEAVELL, 124 00:06:12,000 --> 00:06:13,239 PAUL RODGERS, SLASH, CHUCK LEAVELL, 125 00:06:13,306 --> 00:06:15,308 WARREN HAYNES, WYNONNA JUDD, AND LEANN RIMES. 126 00:06:15,374 --> 00:06:17,510 FROM THE RAM TRUCK STAGE AVERY ANNA, 127 00:06:17,577 --> 00:06:18,000 CHAPEL HART, JACKSON DEAN, 128 00:06:18,000 --> 00:06:20,213 CHAPEL HART, JACKSON DEAN, 129 00:06:20,279 --> 00:06:24,000 LILY ROSE, MEGAN MORONEY, 130 00:06:24,000 --> 00:06:24,717 LILY ROSE, MEGAN MORONEY, 131 00:06:24,784 --> 00:06:26,018 NATE SMITH, WITH APPEARANCES BY 132 00:06:26,085 --> 00:06:30,000 CHARLES ESTEN, HARDY,D'AMELIO,- 133 00:06:30,000 --> 00:06:36,000 CHARLES ESTEN, HARDY,D'AMELIO,- 134 00:06:36,000 --> 00:06:36,896 CHARLES ESTEN, HARDY,D'AMELIO,- 135 00:06:36,963 --> 00:06:38,131 IAN BOHEN, JEN LANDON, 136 00:06:38,197 --> 00:06:39,465 JON PARDI, MADISON BAILEY, 137 00:06:39,532 --> 00:06:41,434 MAX THIERIOT, MEGAN THEE STALLION, 138 00:06:41,501 --> 00:06:42,000 PARKER MCCOLLUM, NOAH SCHNAP, 139 00:06:42,000 --> 00:06:42,935 PARKER MCCOLLUM, NOAH SCHNAP, 140 00:06:43,002 --> 00:06:46,239 PETER FRAMPTON, SHANIA TWAIN, 141 00:06:46,305 --> 00:06:48,000 STEVE HOWEY, TRAVIS KELCE, 142 00:06:48,000 --> 00:06:48,941 STEVE HOWEY, TRAVIS KELCE, 143 00:06:49,008 --> 00:06:51,010 AND NOW PLEASE WELCOME KELSEA BALLERINI AND KANE BROWN! 144 00:07:16,969 --> 00:07:18,000 >> WHAT A WAY TO START THE SHOW! 145 00:07:18,000 --> 00:07:18,905 >> WHAT A WAY TO START THE SHOW! 146 00:07:18,971 --> 00:07:23,910 HOW ARE WE FEELING? 147 00:07:23,976 --> 00:07:24,000 >> BLAKE TOTALLY KILLED IT. 148 00:07:24,000 --> 00:07:24,510 >> BLAKE TOTALLY KILLED IT. 149 00:07:24,577 --> 00:07:29,916 WHAT'S UP, AUSTIN, TEXAS! 150 00:07:29,982 --> 00:07:30,000 >> WE ARE SO EXCITED TO BE HERE TONIGHT FOR THE FIRST EVER CMT 151 00:07:30,000 --> 00:07:36,000 >> WE ARE SO EXCITED TO BE HERE TONIGHT FOR THE FIRST EVER CMT 152 00:07:36,000 --> 00:07:37,490 >> WE ARE SO EXCITED TO BE HERE TONIGHT FOR THE FIRST EVER CMT 153 00:07:37,557 --> 00:07:42,000 MUSIC AWARDS IN TEXAS. 154 00:07:42,000 --> 00:07:43,095 MUSIC AWARDS IN TEXAS. 155 00:07:43,162 --> 00:07:44,096 >> THAT'S RIGHT. 156 00:07:44,163 --> 00:07:48,000 WE'RE BRINGING THE STARS TO THE LONE STAR STATE. 157 00:07:48,000 --> 00:07:49,502 WE'RE BRINGING THE STARS TO THE LONE STAR STATE. 158 00:07:49,569 --> 00:07:51,938 >> THAT WAS PUNNY. 159 00:07:52,004 --> 00:07:52,538 I LIKE IT. 160 00:07:52,605 --> 00:07:53,372 THIS IS SO COOL. 161 00:07:53,439 --> 00:07:54,000 LOOKING AROUND THIS ROOM, IT'S CLEAR. 162 00:07:54,000 --> 00:07:54,473 LOOKING AROUND THIS ROOM, IT'S CLEAR. 163 00:07:54,540 --> 00:07:59,412 COUNTRY MUSIC STRETCHES FROM NASHVILLE, WHERE WE LIVE, 164 00:07:59,478 --> 00:08:00,000 TO AUSTIN TO YELLOWSTONE 165 00:08:00,000 --> 00:08:06,000 TO AUSTIN TO YELLOWSTONE 166 00:08:06,000 --> 00:08:08,187 TO AUSTIN TO YELLOWSTONE 167 00:08:08,254 --> 00:08:12,000 TO THE OUTER BANKS! 168 00:08:12,000 --> 00:08:13,759 TO THE OUTER BANKS! 169 00:08:13,826 --> 00:08:14,927 >> I WANNA SHOUT OUT THAT WE HAVE SO MANY INCREDIBLE WOMEN 170 00:08:14,994 --> 00:08:17,463 HERE. 171 00:08:17,530 --> 00:08:18,000 >> YEAH. 172 00:08:18,000 --> 00:08:18,931 >> YEAH. 173 00:08:18,998 --> 00:08:24,000 >> SHANIA TWAIN IS IN THE BUILDING! 174 00:08:24,000 --> 00:08:28,741 >> SHANIA TWAIN IS IN THE BUILDING! 175 00:08:28,808 --> 00:08:29,742 >> MY QUEEN. 176 00:08:29,809 --> 00:08:30,000 THIS IS, LIKE, MY DREAM LINEUP. 177 00:08:30,000 --> 00:08:33,246 THIS IS, LIKE, MY DREAM LINEUP. 178 00:08:33,312 --> 00:08:34,680 AMAZING, POWERFUL WOMEN. 179 00:08:34,747 --> 00:08:36,000 LAINEY WILSON. 180 00:08:36,000 --> 00:08:36,215 LAINEY WILSON. 181 00:08:36,282 --> 00:08:37,516 CARLY PEARCE. 182 00:08:37,583 --> 00:08:42,000 CARRIE UNDERWOOD. 183 00:08:42,000 --> 00:08:44,524 CARRIE UNDERWOOD. 184 00:08:44,590 --> 00:08:47,927 AND Y'ALL, IT'S NOT JUST THE LINEUP. 185 00:08:47,994 --> 00:08:48,000 THE MUSIC IS ALL ABOUT EMPOWERMENT AND STRENGTH, 186 00:08:48,000 --> 00:08:51,731 THE MUSIC IS ALL ABOUT EMPOWERMENT AND STRENGTH, 187 00:08:51,797 --> 00:08:54,000 AND WE ALL NEED THAT RIGHT NOW AND ALWAYS. 188 00:08:54,000 --> 00:08:54,567 AND WE ALL NEED THAT RIGHT NOW AND ALWAYS. 189 00:08:54,634 --> 00:09:00,000 >> AND DON'T FORGET ALANIS MORRISSETTE. 190 00:09:00,000 --> 00:09:01,073 >> AND DON'T FORGET ALANIS MORRISSETTE. 191 00:09:01,140 --> 00:09:05,544 AND GWEN STEFANI'S IN THE HOUSE! 192 00:09:05,611 --> 00:09:06,000 >> CASUAL. 193 00:09:06,000 --> 00:09:06,979 >> CASUAL. 194 00:09:07,046 --> 00:09:07,747 >> THAT'S RIGHT. 195 00:09:07,813 --> 00:09:08,948 TONIGHT IS COUNTRY'S NIGHT TO ROCK. 196 00:09:09,015 --> 00:09:11,817 >> THIS PLACE IS PACKED WITH ROCK STARS, WHICH MAKES PERFECT 197 00:09:11,884 --> 00:09:12,000 SENSE, BECAUSE COUNTRY AND ROCK? 198 00:09:12,000 --> 00:09:15,021 SENSE, BECAUSE COUNTRY AND ROCK? 199 00:09:15,087 --> 00:09:17,390 THEY'RE NOT THAT DIFFERENT. 200 00:09:17,456 --> 00:09:18,000 LET US EXPLAIN. 201 00:09:18,000 --> 00:09:18,491 LET US EXPLAIN. 202 00:09:18,557 --> 00:09:23,262 >> WE'VE ALL HEARD OF "SEX, DRUGS AND ROCK 'N ROLL..." 203 00:09:23,329 --> 00:09:24,000 >> WE HAVE. 204 00:09:24,000 --> 00:09:24,297 >> WE HAVE. 205 00:09:24,363 --> 00:09:26,699 IN COUNTRY, IT'S JUST "HUNTIN, FISHIN, AND LOVING 206 00:09:26,766 --> 00:09:29,735 EVERY DAY." 207 00:09:29,802 --> 00:09:30,000 SAME THING. 208 00:09:30,000 --> 00:09:31,404 SAME THING. 209 00:09:31,470 --> 00:09:34,540 >> COUNTRY HAS DARIUS RUCKER. 210 00:09:34,607 --> 00:09:36,000 >> YES, WE SURE DO. 211 00:09:36,000 --> 00:09:37,109 >> YES, WE SURE DO. 212 00:09:37,176 --> 00:09:37,843 HE'S THE BEST. 213 00:09:37,910 --> 00:09:38,978 AND ROCK HAS... 214 00:09:39,045 --> 00:09:42,000 DARIUS RUCKER. 215 00:09:42,000 --> 00:09:44,583 DARIUS RUCKER. 216 00:09:44,650 --> 00:09:45,985 HONESTLY, THEY SHOULD COLLAB SOMETIME. 217 00:09:46,052 --> 00:09:48,000 >> WE'RE GONNA SEE DARIUS LATER WITH THE BLACK CROWES. 218 00:09:48,000 --> 00:09:51,490 >> WE'RE GONNA SEE DARIUS LATER WITH THE BLACK CROWES. 219 00:09:51,557 --> 00:09:52,758 >> IT'S INCREDIBLE. 220 00:09:52,825 --> 00:09:53,159 I CAN'T WAIT! 221 00:09:53,225 --> 00:09:53,826 SO GOOD. 222 00:09:53,893 --> 00:09:54,000 >> ROCK HAS POST MALONE. 223 00:09:54,000 --> 00:09:56,495 >> ROCK HAS POST MALONE. 224 00:09:56,562 --> 00:10:00,000 >> I LOVE POSTY. 225 00:10:00,000 --> 00:10:01,901 >> I LOVE POSTY. 226 00:10:01,968 --> 00:10:02,768 I AM ALSO ALWAYS TIRED. 227 00:10:02,835 --> 00:10:04,870 >> HE ROCKS. 228 00:10:04,937 --> 00:10:06,000 >> BUT COUNTRY HAS JELLY ROLL! 229 00:10:06,000 --> 00:10:12,000 >> BUT COUNTRY HAS JELLY ROLL! 230 00:10:12,000 --> 00:10:12,678 >> BUT COUNTRY HAS JELLY ROLL! 231 00:10:12,745 --> 00:10:18,000 [CHEERS AND APPLAUSE] THAT'S ON US. 232 00:10:18,000 --> 00:10:19,952 [CHEERS AND APPLAUSE] THAT'S ON US. 233 00:10:20,019 --> 00:10:22,388 I THINK WE GOT THAT MIXED UP. 234 00:10:22,455 --> 00:10:24,000 >>I THINK WE NAILED IT. 235 00:10:24,000 --> 00:10:25,958 >>I THINK WE NAILED IT. 236 00:10:26,025 --> 00:10:27,960 JELLY ROLL HAS SO MANY NOMINATIONS TONIGHT. 237 00:10:28,027 --> 00:10:30,000 REAL BREAKOUT YEAR FOR HIM, COME ON NOW. 238 00:10:30,000 --> 00:10:31,864 REAL BREAKOUT YEAR FOR HIM, COME ON NOW. 239 00:10:31,931 --> 00:10:32,965 COME ON. 240 00:10:33,032 --> 00:10:34,800 WE'RE SO HAPPY FOR YOU, BUDDY. 241 00:10:34,867 --> 00:10:36,000 >> Y'ALL, WE'VE GOT SO MANY GREAT PERFORMANCES. 242 00:10:36,000 --> 00:10:38,871 >> Y'ALL, WE'VE GOT SO MANY GREAT PERFORMANCES. 243 00:10:38,938 --> 00:10:41,173 A BUNCH OF AWARDS TO HAND OUT. 244 00:10:41,240 --> 00:10:42,000 BUT BEFORE WE GET STARTED, KANE, THIS IS OUR THIRD TIME 245 00:10:42,000 --> 00:10:43,976 BUT BEFORE WE GET STARTED, KANE, THIS IS OUR THIRD TIME 246 00:10:44,043 --> 00:10:46,979 HOSTING TOGETHER. 247 00:10:47,046 --> 00:10:47,580 THIRD TIME'S A CHARM. 248 00:10:47,646 --> 00:10:48,000 >> HAPPY ANNIVERSARY! 249 00:10:48,000 --> 00:10:50,883 >> HAPPY ANNIVERSARY! 250 00:10:50,950 --> 00:10:51,617 >> THANK YOU. 251 00:10:51,684 --> 00:10:52,018 >> I ACTUALLY GOT YOU SOMETHING. 252 00:10:52,084 --> 00:10:54,000 >> OH, MY GOD. 253 00:10:54,000 --> 00:10:54,854 >> OH, MY GOD. 254 00:10:54,920 --> 00:10:57,256 >> I DID. 255 00:10:57,323 --> 00:11:00,000 >> WOW. 256 00:11:00,000 --> 00:11:06,000 >> WOW. 257 00:11:06,000 --> 00:11:07,900 >> WOW. 258 00:11:07,967 --> 00:11:11,270 I GOT YOU SOMETHING TOO! 259 00:11:11,337 --> 00:11:12,000 >> YOU DI? 260 00:11:12,000 --> 00:11:13,372 >> YOU DI? 261 00:11:13,439 --> 00:11:18,000 >> YES. 262 00:11:18,000 --> 00:11:22,448 >> YES. 263 00:11:22,515 --> 00:11:24,000 YEEHAW! 264 00:11:24,000 --> 00:11:25,051 YEEHAW! 265 00:11:25,117 --> 00:11:29,055 WHOO! 266 00:11:29,121 --> 00:11:29,688 >> IT'S A LITTLE SMALL. 267 00:11:29,755 --> 00:11:30,000 I THINK WE LOOK GOOD! 268 00:11:30,000 --> 00:11:33,159 I THINK WE LOOK GOOD! 269 00:11:33,225 --> 00:11:34,927 THIS IS THE ONLY COUNTRY AWARDS SHOW WHERE THE FANS GET TO PICK 270 00:11:34,994 --> 00:11:36,000 THE WINNERS, AND THERE'S STILL ONE AWARD YOU 271 00:11:36,000 --> 00:11:37,963 THE WINNERS, AND THERE'S STILL ONE AWARD YOU 272 00:11:38,030 --> 00:11:39,532 CAN HELP DECIDE. 273 00:11:39,598 --> 00:11:42,000 >> IT'S THE BIGGEST AWARD OF THE NIGHT, VIDEO OF THE YEAR. 274 00:11:42,000 --> 00:11:42,468 >> IT'S THE BIGGEST AWARD OF THE NIGHT, VIDEO OF THE YEAR. 275 00:11:42,535 --> 00:11:44,336 WE STARTED OUT WITH 16 NOMINEES AND NOW WE'RE DOWN TO THE TOP 276 00:11:44,403 --> 00:11:46,705 THREE. 277 00:11:46,772 --> 00:11:48,000 >> TAKE A LOOK. 278 00:11:48,000 --> 00:11:53,312 >> TAKE A LOOK. 279 00:11:53,379 --> 00:11:54,000 >> VIDEO OF THE YEAR. 280 00:11:54,000 --> 00:11:58,084 >> VIDEO OF THE YEAR. 281 00:11:58,150 --> 00:12:00,000 CARRIE UNDERWOOD, HARDY, THANK GOD. 282 00:12:00,000 --> 00:12:05,257 CARRIE UNDERWOOD, HARDY, THANK GOD. 283 00:12:05,324 --> 00:12:06,000 CAST YOUR VOTES NOW. 284 00:12:06,000 --> 00:12:10,096 CAST YOUR VOTES NOW. 285 00:12:10,162 --> 00:12:12,000 FOR CARRIE UNDERWOOD. 286 00:12:12,000 --> 00:12:14,700 FOR CARRIE UNDERWOOD. 287 00:12:14,767 --> 00:12:17,903 FOR HARDY AND LAINEY WILSON. 288 00:12:17,970 --> 00:12:18,000 FOR KANE BROWN AND KATELYN BRO BROWN, COMMENT... 289 00:12:18,000 --> 00:12:23,876 FOR KANE BROWN AND KATELYN BRO BROWN, COMMENT... 290 00:12:23,943 --> 00:12:24,000 MAKE SURE TO VOTE NOW. 291 00:12:24,000 --> 00:12:26,479 MAKE SURE TO VOTE NOW. 292 00:12:26,545 --> 00:12:30,000 VIDEO OF THE VOTING IS PRESENTED BY RAM TRUCKS. 293 00:12:30,000 --> 00:12:33,252 VIDEO OF THE VOTING IS PRESENTED BY RAM TRUCKS. 294 00:12:33,319 --> 00:12:36,000 >> YOU CAN CAST YOUR VOTES ON THE CMT AWARDS FACEBOOK PAGE. 295 00:12:36,000 --> 00:12:39,291 >> YOU CAN CAST YOUR VOTES ON THE CMT AWARDS FACEBOOK PAGE. 296 00:12:39,358 --> 00:12:42,000 MAKE SURE YOU SHOW YOUR LOVE TO YOUR FAVORITE ARTIST. 297 00:12:42,000 --> 00:12:42,928 MAKE SURE YOU SHOW YOUR LOVE TO YOUR FAVORITE ARTIST. 298 00:12:42,995 --> 00:12:44,830 >> WHEN CMT BRINGS IT, WE TAKE OVER THE WHOLE CITY. 299 00:12:44,897 --> 00:12:47,133 RIGHT NOW, A CMT FAVORITE WHO DROPPED HIS DEBUT SOLO ALBUM 300 00:12:47,199 --> 00:12:48,000 EARLIER THIS YEAR IS STEPPING ONTO OUR STAGE IN FRONT OF THE 301 00:12:48,000 --> 00:12:49,568 EARLIER THIS YEAR IS STEPPING ONTO OUR STAGE IN FRONT OF THE 302 00:12:49,635 --> 00:12:53,806 TEXAS STATE CAPITOL. 303 00:12:53,873 --> 00:12:54,000 >> Y'ALL MAKE SOME NOISE FOR TYLER HUBBARD! 304 00:12:54,000 --> 00:13:00,000 >> Y'ALL MAKE SOME NOISE FOR TYLER HUBBARD! 305 00:13:00,000 --> 00:13:02,882 >> Y'ALL MAKE SOME NOISE FOR TYLER HUBBARD! 306 00:13:11,123 --> 00:13:11,991 >> CMT AWARDS! 307 00:13:12,057 --> 00:13:14,126 # THEM NEON LIGHTS # # LOOK GOOD ON YOU # 308 00:13:14,193 --> 00:13:16,095 # BUT WE AIN'T GOT # # NO ROOM TO MOVE # 309 00:13:16,162 --> 00:13:18,000 # NO ROOM TO MOVE # # WE NEED SOME SPACE # 310 00:13:18,000 --> 00:13:18,430 # NO ROOM TO MOVE # # WE NEED SOME SPACE # 311 00:13:18,497 --> 00:13:22,034 # AND I KNOW A PLACE # # OUTSIDE OF TOWN 312 00:13:22,101 --> 00:13:24,000 WHERE IT DON'T EVER CLOSE DOWN # # NO, WE NEVER CLOSE DOWN # 313 00:13:24,000 --> 00:13:26,672 WHERE IT DON'T EVER CLOSE DOWN # # NO, WE NEVER CLOSE DOWN # 314 00:13:26,739 --> 00:13:27,973 # YEAH, WE CAN TWO STEP # # PUT YOUR BOOTS ON, BABY # 315 00:13:28,040 --> 00:13:30,000 # WE CAN DO THAT # # GIRL, CUT A LITTLE LOOSE # 316 00:13:30,000 --> 00:13:30,843 # WE CAN DO THAT # # GIRL, CUT A LITTLE LOOSE # 317 00:13:30,910 --> 00:13:36,000 # MOVE THAT # # AW, YEAH # 318 00:13:36,000 --> 00:13:36,949 # MOVE THAT # # AW, YEAH # 319 00:13:37,016 --> 00:13:40,519 I'LL TAKE YOU DANCIN' IN THE COUNTRY 320 00:13:40,586 --> 00:13:42,000 # LEVI'S IN THEM LOW BEAMS # # SPIN YOU IN SOME RED DIRT # 321 00:13:42,000 --> 00:13:42,521 # LEVI'S IN THEM LOW BEAMS # # SPIN YOU IN SOME RED DIRT # 322 00:13:42,588 --> 00:13:45,124 # SWEEP YOU OFF OF BOTH FEET # # OUT HERE WHERE THE SUN SETS # 323 00:13:45,191 --> 00:13:48,000 # SILVERADO BACKBEAT # # YOU'LL NEVER WANNA GO HOME # 324 00:13:48,000 --> 00:13:50,329 # SILVERADO BACKBEAT # # YOU'LL NEVER WANNA GO HOME # 325 00:13:50,396 --> 00:13:54,000 # AND NEVER WANNA NOT BE # DANCIN' IN THE COUNTRY # 326 00:13:54,000 --> 00:14:00,000 # AND NEVER WANNA NOT BE # DANCIN' IN THE COUNTRY # 327 00:14:00,000 --> 00:14:00,873 # AND NEVER WANNA NOT BE # DANCIN' IN THE COUNTRY # 328 00:14:00,940 --> 00:14:03,542 Y'ALL KNOW WHAT I'M TALKING ABOUT? 329 00:14:03,609 --> 00:14:04,743 # YEAH, IT GOES LEFT, RIGHT, LEFT # 330 00:14:04,810 --> 00:14:06,000 # YOU MAKIN' ME WANNA SWAY # # YOU MAKIN' ME WANNA PLAY # 331 00:14:06,000 --> 00:14:07,213 # YOU MAKIN' ME WANNA SWAY # # YOU MAKIN' ME WANNA PLAY # 332 00:14:07,279 --> 00:14:10,249 # SOME ALABAMA AND JACKSON # # GOT YOU 'ROUND MY NECK # 333 00:14:10,316 --> 00:14:12,000 # MAKIN' ME WANNA STAY # # MAKIN' ME WANNA LAY YOU 334 00:14:12,000 --> 00:14:14,119 # MAKIN' ME WANNA STAY # # MAKIN' ME WANNA LAY YOU 335 00:14:14,186 --> 00:14:17,856 DOWN HERE IN THE PASTURE # # YEAH, WE CAN TWO STEP # 336 00:14:17,923 --> 00:14:18,000 # PUT YOUR BOOTS ON, BABY # # WE CAN DO THAT GIRL # 337 00:14:18,000 --> 00:14:19,024 # PUT YOUR BOOTS ON, BABY # # WE CAN DO THAT GIRL # 338 00:14:19,091 --> 00:14:21,126 # CUT A LITTLE LOOSE # # YOU CAN MOVE THAT # 339 00:14:21,193 --> 00:14:24,000 # MOVE THAT # # AW, YEAH # 340 00:14:24,000 --> 00:14:27,266 # MOVE THAT # # AW, YEAH # 341 00:14:27,333 --> 00:14:30,000 I'LL TAKE YOU DANCIN' IN THE COUNTRY 342 00:14:30,000 --> 00:14:30,536 I'LL TAKE YOU DANCIN' IN THE COUNTRY 343 00:14:30,603 --> 00:14:32,037 # LEVI'S IN THEM LOW BEAMS # # SPIN YOU IN SOME RED DIRT # 344 00:14:32,104 --> 00:14:33,973 # SWEEP YOU OFF OF BOTH FEET # # OUT HERE WHERE THE SUN SETS # 345 00:14:34,039 --> 00:14:36,000 # SILVERADO BACKBEAT # # YOU'LL NEVER WANNA GO HOME # 346 00:14:36,000 --> 00:14:38,544 # SILVERADO BACKBEAT # # YOU'LL NEVER WANNA GO HOME # 347 00:14:38,611 --> 00:14:42,000 # AND NEVER WANNA NOT BE # DANCIN' IN THE COUNTRY # 348 00:14:42,000 --> 00:14:48,000 # AND NEVER WANNA NOT BE # DANCIN' IN THE COUNTRY # 349 00:14:48,000 --> 00:14:48,454 # AND NEVER WANNA NOT BE # DANCIN' IN THE COUNTRY # 350 00:14:48,520 --> 00:14:54,000 # WE'RE DANCIN' IN THE COUNTRY # ONE TIME, BOYS! 351 00:14:54,000 --> 00:14:55,060 # WE'RE DANCIN' IN THE COUNTRY # ONE TIME, BOYS! 352 00:14:56,829 --> 00:15:00,000 # # # I KNOW YOU FEEL THAT HEAT # 353 00:15:00,000 --> 00:15:01,100 # # # I KNOW YOU FEEL THAT HEAT # 354 00:15:01,166 --> 00:15:04,370 # WATERMELON SUMMER # # GET THEM LUCCHESES # 355 00:15:04,436 --> 00:15:06,000 # STOMPIN' LIKE THE THUNDER # GET YOUR HANDS UP! 356 00:15:06,000 --> 00:15:12,000 # STOMPIN' LIKE THE THUNDER # GET YOUR HANDS UP! 357 00:15:12,000 --> 00:15:13,679 # STOMPIN' LIKE THE THUNDER # GET YOUR HANDS UP! 358 00:15:13,746 --> 00:15:18,000 ARE WE HAVING A GOOD TIME TONIGHT OR WHAT? 359 00:15:18,000 --> 00:15:20,786 ARE WE HAVING A GOOD TIME TONIGHT OR WHAT? 360 00:15:20,853 --> 00:15:22,788 WHO'S READY TO DANCE TONIGHT? 361 00:15:22,855 --> 00:15:23,789 AUSTIN! 362 00:15:23,856 --> 00:15:24,000 # I'LL TAKE YOU DANCIN' # # IN THE COUNTRY # 363 00:15:24,000 --> 00:15:30,000 # I'LL TAKE YOU DANCIN' # # IN THE COUNTRY # 364 00:15:30,000 --> 00:15:31,930 # I'LL TAKE YOU DANCIN' # # IN THE COUNTRY # 365 00:15:31,997 --> 00:15:33,932 # LEVI'S IN THEM LOW BEAMS # # SPIN YOU IN SOME RED DIRT # 366 00:15:33,999 --> 00:15:36,000 # SWEEP YOU OFF OF BOTH FEET # # OUT HERE WHERE THE SUN SETS # 367 00:15:36,000 --> 00:15:37,770 # SWEEP YOU OFF OF BOTH FEET # # OUT HERE WHERE THE SUN SETS # 368 00:15:37,836 --> 00:15:41,740 # SILVERADO BACKBEAT # # YOU'LL NEVER WANNA GO HOME # 369 00:15:41,807 --> 00:15:42,000 # AND NEVER WANNA NOT BE # DANCIN' IN THE COUNTRY # 370 00:15:42,000 --> 00:15:48,000 # AND NEVER WANNA NOT BE # DANCIN' IN THE COUNTRY # 371 00:15:48,000 --> 00:15:50,149 # AND NEVER WANNA NOT BE # DANCIN' IN THE COUNTRY # 372 00:15:50,215 --> 00:15:54,000 WE'RE DANCIN' IN THE COUNTRY # AW, YEAH! 373 00:15:54,000 --> 00:15:56,822 WE'RE DANCIN' IN THE COUNTRY # AW, YEAH! 374 00:15:56,889 --> 00:15:59,558 DANCIN' IN THE COUNTRY # WE'RE DANCIN' IN THE COUNTRY # 375 00:15:59,625 --> 00:16:00,000 AW, YEAH! 376 00:16:00,000 --> 00:16:06,000 AW, YEAH! 377 00:16:06,000 --> 00:16:09,201 AW, YEAH! 378 00:16:09,268 --> 00:16:10,602 AUSTIN, YOU GUYS ARE AMAZING. 379 00:16:10,669 --> 00:16:12,000 I LOVE YOU. 380 00:16:12,000 --> 00:16:13,305 I LOVE YOU. 381 00:16:13,372 --> 00:16:18,000 THANK YOU, CMT. 382 00:16:18,000 --> 00:16:21,980 THANK YOU, CMT. 383 00:16:22,047 --> 00:16:23,382 THANK Y'ALL SO MUCH. 384 00:16:23,449 --> 00:16:24,000 YOU GUYS ARE AMAZING. 385 00:16:24,000 --> 00:16:24,950 YOU GUYS ARE AMAZING. 386 00:16:25,017 --> 00:16:29,588 SEE YOU LATER, HAVE AN AWESOME NIGHT. 387 00:16:29,655 --> 00:16:30,000 >> TYLER HUBBARD, EVERYBODY! 388 00:16:30,000 --> 00:16:33,125 >> TYLER HUBBARD, EVERYBODY! 389 00:16:33,192 --> 00:16:36,000 ALL RIGHT, WE GOTTA GO BIG IN TEXAS, AND IT DOESN'T GET MUCH 390 00:16:36,000 --> 00:16:36,528 ALL RIGHT, WE GOTTA GO BIG IN TEXAS, AND IT DOESN'T GET MUCH 391 00:16:36,595 --> 00:16:42,000 BIGGER AROUND HERE THAN THIS GUY. 392 00:16:42,000 --> 00:16:42,568 BIGGER AROUND HERE THAN THIS GUY. 393 00:16:42,634 --> 00:16:48,000 HE'S FROM AUSTIN ONE OF THE BEST GUITAR PLAYERS 394 00:16:48,000 --> 00:16:50,275 HE'S FROM AUSTIN ONE OF THE BEST GUITAR PLAYERS 395 00:16:50,342 --> 00:16:51,510 ON EARTH. 396 00:16:51,577 --> 00:16:52,878 >> HE'S HERE WITH A PERFORMANCE HONORING THE CITY'S PRIDE AND 397 00:16:52,945 --> 00:16:53,746 JOY, THE LATE, GREAT STEVIE RAY VAUGHAN. 398 00:16:53,812 --> 00:16:54,000 HERE IS GARY CLARK JR.! 399 00:16:54,000 --> 00:16:58,717 HERE IS GARY CLARK JR.! 400 00:17:00,386 --> 00:17:03,589 # # # WELL, THE HOUSE 401 00:17:03,655 --> 00:17:05,457 IS A ROCKIN' # # DON'T BOTHER KNOCKIN' # 402 00:17:05,524 --> 00:17:06,000 # YEAH, THE HOUSE IS A ROCKIN' # # DON'T BOTHER KNOCKIN' # 403 00:17:06,000 --> 00:17:08,293 # YEAH, THE HOUSE IS A ROCKIN' # # DON'T BOTHER KNOCKIN' # 404 00:17:08,360 --> 00:17:12,000 # YEAH, THE HOUSE IS A ROCKIN' # # DON'T BOTHER COME ON IN # 405 00:17:12,000 --> 00:17:13,532 # YEAH, THE HOUSE IS A ROCKIN' # # DON'T BOTHER COME ON IN # 406 00:17:13,599 --> 00:17:16,568 # KICK OFF YOUR SHOES # # START LOSIN' THE BLUES # 407 00:17:16,635 --> 00:17:18,000 # THIS OLD HOUSE # # AIN'T GOT NOTHIN' TO LOSE # 408 00:17:18,000 --> 00:17:18,771 # THIS OLD HOUSE # # AIN'T GOT NOTHIN' TO LOSE # 409 00:17:18,837 --> 00:17:24,000 # SEEN IT ALL FOR YEARS # # START SPREADIN' THE NEWS # 410 00:17:24,000 --> 00:17:24,176 # SEEN IT ALL FOR YEARS # # START SPREADIN' THE NEWS # 411 00:17:24,243 --> 00:17:27,146 # WE GOT ROOM ON THE FLOOR # # COME ON, BABY # 412 00:17:27,212 --> 00:17:30,000 # SHAKE SUMPIN' LOOSE # # WELL, THE HOUSE IS A ROCKIN' # 413 00:17:30,000 --> 00:17:31,483 # SHAKE SUMPIN' LOOSE # # WELL, THE HOUSE IS A ROCKIN' # 414 00:17:31,550 --> 00:17:34,753 # DON'T BOTHER KNOCKIN' # # YEAH, THE HOUSE IS A ROCKIN' # 415 00:17:34,820 --> 00:17:36,000 # DON'T BOTHER KNOCKIN' # # YEAH, THE HOUSE IS A ROCKIN' # 416 00:17:36,000 --> 00:17:37,656 # DON'T BOTHER KNOCKIN' # # YEAH, THE HOUSE IS A ROCKIN' # 417 00:17:37,723 --> 00:17:41,960 # DON'T BOTHER # COME ON IN # 418 00:17:42,027 --> 00:17:45,898 GO AHEAD! 419 00:17:47,566 --> 00:17:48,000 # # 420 00:17:48,000 --> 00:17:54,000 # # 421 00:17:54,000 --> 00:18:00,000 # # 422 00:18:00,000 --> 00:18:02,448 # # 423 00:18:02,514 --> 00:18:03,649 # # 424 00:18:12,958 --> 00:18:18,000 # # # WELL, THE HOUSE IS A ROCKIN' # 425 00:18:18,000 --> 00:18:24,000 # # # WELL, THE HOUSE IS A ROCKIN' # 426 00:18:24,000 --> 00:18:24,403 # # # WELL, THE HOUSE IS A ROCKIN' # 427 00:18:24,470 --> 00:18:26,405 # DON'T BOTHER KNOCKIN' # # YEAH, THE HOUSE IS A ROCKIN' # 428 00:18:26,472 --> 00:18:29,608 # DON'T BOTHER KNOCKIN' # # YEAH, THE HOUSE IS A ROCKIN' # 429 00:18:29,675 --> 00:18:30,000 # DON'T BOTHER # COME ON IN # 430 00:18:30,000 --> 00:18:33,312 # DON'T BOTHER # COME ON IN # 431 00:18:33,378 --> 00:18:36,000 # WALKIN' UP THE STREET # # YOU CAN HEAR THE SOUND # 432 00:18:36,000 --> 00:18:36,415 # WALKIN' UP THE STREET # # YOU CAN HEAR THE SOUND # 433 00:18:36,482 --> 00:18:38,450 # OF SOME BAD HONKY TONKERS # # REALLY LAYIN' IT DOWN # 434 00:18:38,517 --> 00:18:40,752 # THEY'VE SEEN IT ALL FOR YEARS # 435 00:18:40,819 --> 00:18:42,000 # GOT NOTHIN' TO LOSE # # SO GET DOWN ON THE FLOOR # 436 00:18:42,000 --> 00:18:45,657 # GOT NOTHIN' TO LOSE # # SO GET DOWN ON THE FLOOR # 437 00:18:45,724 --> 00:18:48,000 # SHIMMY 'TIL YOU SHAKE # # SUMPIN' LOOSE # 438 00:18:48,000 --> 00:18:49,094 # SHIMMY 'TIL YOU SHAKE # # SUMPIN' LOOSE # 439 00:18:49,161 --> 00:18:51,730 # WELL, THE HOUSE IS A ROCKIN' # # DON'T BOTHER KNOCKIN' # 440 00:18:51,797 --> 00:18:54,000 # YEAH, THE HOUSE IS A ROCKIN' # # DON'T BOTHER KNOCKIN' # 441 00:18:54,000 --> 00:18:54,366 # YEAH, THE HOUSE IS A ROCKIN' # # DON'T BOTHER KNOCKIN' # 442 00:18:54,433 --> 00:18:57,569 # YEAH, THE HOUSE IS A ROCKIN' # # DON'T BOTHER 443 00:18:57,636 --> 00:19:00,000 # COME ON IN # THE HOUSE IS A ROCKIN' # 444 00:19:00,000 --> 00:19:02,674 # COME ON IN # THE HOUSE IS A ROCKIN' # 445 00:19:02,741 --> 00:19:05,644 # DON'T BOTHER # COME ON IN # 446 00:19:05,711 --> 00:19:06,000 # WOO, HOO, HOO, HOO # # WOO, OOH, OOM, HOO # 447 00:19:06,000 --> 00:19:12,000 # WOO, HOO, HOO, HOO # # WOO, OOH, OOM, HOO # 448 00:19:12,000 --> 00:19:18,000 # WOO, HOO, HOO, HOO # # WOO, OOH, OOM, HOO # 449 00:19:18,000 --> 00:19:18,824 # WOO, HOO, HOO, HOO # # WOO, OOH, OOM, HOO # 450 00:19:18,891 --> 00:19:22,928 # WOO, OOH, OOH, OOH # 451 00:19:23,929 --> 00:19:24,000 # # 452 00:19:24,000 --> 00:19:30,000 # # 453 00:19:30,000 --> 00:19:36,000 # # 454 00:19:36,000 --> 00:19:38,810 # # 455 00:19:38,877 --> 00:19:40,445 # # 456 00:19:55,327 --> 00:20:00,000 # # 457 00:20:00,000 --> 00:20:06,000 # # 458 00:20:06,000 --> 00:20:10,208 # # 459 00:20:10,275 --> 00:20:11,410 # # 460 00:20:14,513 --> 00:20:18,000 [CHEERS AND APPLAUSE] >> OH, THIS HOUSE IS ROCKIN'! 461 00:20:18,000 --> 00:20:24,000 [CHEERS AND APPLAUSE] >> OH, THIS HOUSE IS ROCKIN'! 462 00:20:24,000 --> 00:20:28,894 [CHEERS AND APPLAUSE] >> OH, THIS HOUSE IS ROCKIN'! 463 00:20:28,961 --> 00:20:30,000 AUSTEN'S OWN, GARY CLARK JR., EVERYBODY. 464 00:20:30,000 --> 00:20:32,497 AUSTEN'S OWN, GARY CLARK JR., EVERYBODY. 465 00:20:32,564 --> 00:20:33,732 WE'VE GOT SOME OF THE BIGGEST NAMES IN MUSIC HERE, BUT THE CMT 466 00:20:33,799 --> 00:20:36,000 MUSIC AWARDS ALSO GIVE A STAGE TO SOME OF THE MOST EXCITING 467 00:20:36,000 --> 00:20:39,338 MUSIC AWARDS ALSO GIVE A STAGE TO SOME OF THE MOST EXCITING 468 00:20:39,404 --> 00:20:40,472 BREAKOUT ARTISTS. 469 00:20:40,539 --> 00:20:41,006 AND YOU'RE GONNA GET TO SEE SIX OF THEM HERE ON THE RAM 470 00:20:41,073 --> 00:20:42,000 TRUCKS STAGE TONIGHT. 471 00:20:42,000 --> 00:20:43,976 TRUCKS STAGE TONIGHT. 472 00:20:44,042 --> 00:20:45,477 KICKING IT OFF, WE'VE GOT AN ARTIST WHO IS HAVING A HUGE 473 00:20:45,544 --> 00:20:46,511 YEAR. 474 00:20:46,578 --> 00:20:48,000 PERFORMING HER NEW SONG, "WHATCHA KNOW ABOUT THAT," 475 00:20:48,000 --> 00:20:48,981 PERFORMING HER NEW SONG, "WHATCHA KNOW ABOUT THAT," 476 00:20:49,047 --> 00:20:54,000 GIVE IT UP FOR MY GIRL, LILY ROSE! 477 00:20:54,000 --> 00:20:55,053 GIVE IT UP FOR MY GIRL, LILY ROSE! 478 00:20:56,421 --> 00:21:00,000 # DO YOU LOVE IT # # WHEN IT RAINS # 479 00:21:00,000 --> 00:21:00,158 # DO YOU LOVE IT # # WHEN IT RAINS # 480 00:21:00,225 --> 00:21:05,931 # UNDER A TIN ROOF # # SITTIN' ON A PORCH SWING # 481 00:21:05,998 --> 00:21:06,000 # EVER TASTE THAT # # SMALL TOWN FAME # 482 00:21:06,000 --> 00:21:08,967 # EVER TASTE THAT # # SMALL TOWN FAME # 483 00:21:09,034 --> 00:21:12,000 # YEAH, I THINK WE'RE THE SAME # # COME ON, TELL ME, BABY # 484 00:21:12,000 --> 00:21:13,271 # YEAH, I THINK WE'RE THE SAME # # COME ON, TELL ME, BABY # 485 00:21:13,338 --> 00:21:17,342 # I WANNA KNOW # # WHAT YOU KNOW ABOUT THAT # 486 00:21:17,409 --> 00:21:18,000 # DO YOU LOVE A LITTLE DOLLY P # # COMIN' THROUGH THE DASH # 487 00:21:18,000 --> 00:21:21,313 # DO YOU LOVE A LITTLE DOLLY P # # COMIN' THROUGH THE DASH # 488 00:21:21,380 --> 00:21:24,000 # DOES YOUR MAMA'S SWEET TEA # # MAKE THE HOT DAYS COLD # 489 00:21:24,000 --> 00:21:25,817 # DOES YOUR MAMA'S SWEET TEA # # MAKE THE HOT DAYS COLD # 490 00:21:25,884 --> 00:21:29,755 # MM-MM THAT'S YOU AND ME BOTH # # YEAH, WHAT IF I TOLD YOU # 491 00:21:29,821 --> 00:21:30,000 # I WANT THAT KIND OF LOVE # # THAT'S GONNA LAST # 492 00:21:30,000 --> 00:21:33,158 # I WANT THAT KIND OF LOVE # # THAT'S GONNA LAST # 493 00:21:33,225 --> 00:21:36,000 # YEAH, I WANNA KNOW # # WHAT YOU KNOW ABOUT THAT # 494 00:21:36,000 --> 00:21:37,229 # YEAH, I WANNA KNOW # # WHAT YOU KNOW ABOUT THAT # 495 00:21:48,040 --> 00:21:49,975 [CHEERS AND APPLAUSE] >> COMING UP, WE HAND OUT THE 496 00:21:50,042 --> 00:21:51,109 FIRST AWARD OF THE NIGHT. 497 00:21:51,176 --> 00:21:54,000 PLUS, PERFORMANCES BY CARLY PEARCE, 498 00:21:54,000 --> 00:21:54,012 PLUS, PERFORMANCES BY CARLY PEARCE, 499 00:21:54,079 --> 00:21:57,082 JELLY ROLL, CODY JOHNSON, KEITH URBAN, AND A SPECIAL 500 00:21:57,149 --> 00:21:59,918 COLLABORATION FROM WYNONA JUDD AND ASHLEY McBRYDE. 501 00:21:59,985 --> 00:22:00,000 AND AN ALL-STAR CELEBRATION OF LYNYRD SKYNYRD. 502 00:22:00,000 --> 00:22:03,455 AND AN ALL-STAR CELEBRATION OF LYNYRD SKYNYRD. 503 00:22:03,522 --> 00:22:06,000 FOR EVEN MORE CMT MUSIC AWARDS, FOLLOW @CMT! 504 00:22:06,000 --> 00:22:10,929 FOR EVEN MORE CMT MUSIC AWARDS, FOLLOW @CMT! 505 00:22:10,996 --> 00:22:12,000 >> THE 2023 CMT MUSIC AWARDS IS SPONSORED BY RAM TRUCKS. 506 00:22:12,000 --> 00:22:13,999 >> THE 2023 CMT MUSIC AWARDS IS SPONSORED BY RAM TRUCKS. 507 00:22:29,014 --> 00:22:30,000 # # >> THE FIRST AWARD IS COMING UP, 508 00:22:30,000 --> 00:22:30,949 # # >> THE FIRST AWARD IS COMING UP, 509 00:22:31,016 --> 00:22:36,000 AND SINCE THIS OUR FIRST SHOW IN TEXAS, WE ARE PROUD TO PRESENT 510 00:22:36,000 --> 00:22:36,555 AND SINCE THIS OUR FIRST SHOW IN TEXAS, WE ARE PROUD TO PRESENT 511 00:22:36,621 --> 00:22:42,000 OUR BRAND NEW, CUSTOM MADE, TEXAS CMT TROPHY. 512 00:22:42,000 --> 00:22:45,964 OUR BRAND NEW, CUSTOM MADE, TEXAS CMT TROPHY. 513 00:22:46,031 --> 00:22:47,165 I KNOW WHAT YOU'RE THINKING. 514 00:22:47,232 --> 00:22:48,000 THAT IS THE REGULAR CMT TROPHY BUT I ASSURE YOU IT'S AS TEXAS 515 00:22:48,000 --> 00:22:51,136 THAT IS THE REGULAR CMT TROPHY BUT I ASSURE YOU IT'S AS TEXAS 516 00:22:51,203 --> 00:22:53,138 AS IT GETS. 517 00:22:53,205 --> 00:22:53,805 ARE YOU READY. 518 00:22:53,872 --> 00:22:54,000 CHECK IT OUT. 519 00:22:54,000 --> 00:22:55,574 CHECK IT OUT. 520 00:22:55,640 --> 00:23:00,000 >> ALL RIGHT, ALL RIGHT, ALL RIGHT. 521 00:23:00,000 --> 00:23:00,545 >> ALL RIGHT, ALL RIGHT, ALL RIGHT. 522 00:23:00,612 --> 00:23:03,915 >> YEAH, THAT'S RIGHT. 523 00:23:03,982 --> 00:23:04,750 IT'S THE CMMT AWARD. 524 00:23:04,816 --> 00:23:06,000 THE EXTRA M STANDS FOR McCONAUGHEY. 525 00:23:06,000 --> 00:23:07,252 THE EXTRA M STANDS FOR McCONAUGHEY. 526 00:23:07,319 --> 00:23:12,000 LET'S HAND ONE OF THESE BABIES OUT. 527 00:23:12,000 --> 00:23:14,226 LET'S HAND ONE OF THESE BABIES OUT. 528 00:23:14,292 --> 00:23:15,427 >> YES. 529 00:23:15,494 --> 00:23:16,027 THANK YOU. 530 00:23:16,094 --> 00:23:18,000 I WILL TAKE ONE OF THOSE. 531 00:23:18,000 --> 00:23:19,564 I WILL TAKE ONE OF THOSE. 532 00:23:19,631 --> 00:23:24,000 >> NO, NO, SORRY, MATTHEW. 533 00:23:24,000 --> 00:23:24,035 >> NO, NO, SORRY, MATTHEW. 534 00:23:24,102 --> 00:23:25,804 YOU'VE GOTTA WIN THEM JUST LIKE EVERYONE ELSE! 535 00:23:25,871 --> 00:23:28,640 TO PRESENT THE FIRST AWARD OF THE NIGHT, HERE'S ONE OF THE 536 00:23:28,707 --> 00:23:30,000 STARS OF THE MASSIVE HIT SERIES "STRANGER THINGS," NOAH SCHNAPP! 537 00:23:30,000 --> 00:23:36,000 STARS OF THE MASSIVE HIT SERIES "STRANGER THINGS," NOAH SCHNAPP! 538 00:23:36,000 --> 00:23:42,000 STARS OF THE MASSIVE HIT SERIES "STRANGER THINGS," NOAH SCHNAPP! 539 00:23:42,000 --> 00:23:43,455 STARS OF THE MASSIVE HIT SERIES "STRANGER THINGS," NOAH SCHNAPP! 540 00:23:43,522 --> 00:23:44,589 >> WOW, HELLO. 541 00:23:44,656 --> 00:23:47,359 I'M EXCITED TO BE HERE TO PRESENT THE AWARD FOR BEST 542 00:23:47,425 --> 00:23:48,000 COLLABORATIVE VIDEO TO A BUNCH OF ARTISTS THAT I HAVE 543 00:23:48,000 --> 00:23:51,963 COLLABORATIVE VIDEO TO A BUNCH OF ARTISTS THAT I HAVE 544 00:23:52,030 --> 00:23:52,798 ON REPEAT. 545 00:23:52,864 --> 00:23:54,000 COUNTRY SUPERSTARS JOINING FORCES WITH 546 00:23:54,000 --> 00:23:55,367 COUNTRY SUPERSTARS JOINING FORCES WITH 547 00:23:55,433 --> 00:23:57,068 POP SINGERS, ROCKERS, AND AN INCREIBLY TALENTED MARRIED 548 00:23:57,135 --> 00:24:00,000 COUPLE ALL THESE COLLABORATIONS MERGED 549 00:24:00,000 --> 00:24:00,438 COUPLE ALL THESE COLLABORATIONS MERGED 550 00:24:00,505 --> 00:24:02,774 TWO ARTISTIC VOICES TO CREATE SOMETHING ALTOGETHER NEW 551 00:24:02,841 --> 00:24:06,000 AND BEAUTIFUL. 552 00:24:06,000 --> 00:24:07,579 AND BEAUTIFUL. 553 00:24:07,646 --> 00:24:08,580 I LOVE YOU. 554 00:24:08,647 --> 00:24:12,000 HERE ARE THE NOMINEES. 555 00:24:12,000 --> 00:24:18,000 HERE ARE THE NOMINEES. 556 00:24:18,000 --> 00:24:18,557 HERE ARE THE NOMINEES. 557 00:24:18,623 --> 00:24:19,491 >> "WORTH A SHOT." 558 00:24:19,558 --> 00:24:21,126 ELLE KING FEATURING DIERKS BENTLEY 559 00:24:21,193 --> 00:24:23,461 "WAIT IN THE TRUCK." 560 00:24:23,528 --> 00:24:24,000 HARDY FEATURING LAINEY WILSON. 561 00:24:24,000 --> 00:24:25,163 HARDY FEATURING LAINEY WILSON. 562 00:24:25,230 --> 00:24:28,266 "WISHFUL DRINKING." 563 00:24:28,333 --> 00:24:30,000 INGRID ANDRESS WITH SAM HUNT. 564 00:24:30,000 --> 00:24:31,736 INGRID ANDRESS WITH SAM HUNT. 565 00:24:31,803 --> 00:24:33,405 "THANK GOD." 566 00:24:33,471 --> 00:24:36,000 KANE BROWN & KATELYN BROWN. 567 00:24:36,000 --> 00:24:37,809 KANE BROWN & KATELYN BROWN. 568 00:24:37,876 --> 00:24:40,245 "LONGNECK WAY TO GO." 569 00:24:40,312 --> 00:24:42,000 MIDLAND FEATURING JON PARDI. 570 00:24:42,000 --> 00:24:46,218 MIDLAND FEATURING JON PARDI. 571 00:24:46,284 --> 00:24:48,000 "SHE LIKES IT." 572 00:24:48,000 --> 00:24:48,119 "SHE LIKES IT." 573 00:24:48,186 --> 00:24:54,000 RUSSELL DICKERSON FEATURING JAKE SCOTT. 574 00:24:54,000 --> 00:24:54,259 RUSSELL DICKERSON FEATURING JAKE SCOTT. 575 00:24:54,326 --> 00:24:55,861 "WHERE WE STARTED." 576 00:24:55,927 --> 00:25:00,000 THOMAS RHETT & KATY PERRY. 577 00:25:00,000 --> 00:25:04,936 THOMAS RHETT & KATY PERRY. 578 00:25:05,003 --> 00:25:06,000 COLLABORATIVE VIDEO OF THE YEAR. 579 00:25:06,000 --> 00:25:12,000 COLLABORATIVE VIDEO OF THE YEAR. 580 00:25:12,000 --> 00:25:12,177 COLLABORATIVE VIDEO OF THE YEAR. 581 00:25:12,244 --> 00:25:16,982 >> AND THE WINNER IS... 582 00:25:17,048 --> 00:25:18,000 HARDY FEATURING LAINEY WILSON! 583 00:25:18,000 --> 00:25:24,000 HARDY FEATURING LAINEY WILSON! 584 00:25:24,000 --> 00:25:26,224 HARDY FEATURING LAINEY WILSON! 585 00:25:26,291 --> 00:25:30,000 >> # WAIT IN THE TRUCK # # JUST WAIT IN THE TRUCK # 586 00:25:30,000 --> 00:25:36,000 >> # WAIT IN THE TRUCK # # JUST WAIT IN THE TRUCK # 587 00:25:36,000 --> 00:25:36,935 >> # WAIT IN THE TRUCK # # JUST WAIT IN THE TRUCK # 588 00:25:37,002 --> 00:25:42,000 HAVE MERCY ON ME, LORD # # HAVE MERCY ON ME # 589 00:25:42,000 --> 00:25:45,076 HAVE MERCY ON ME, LORD # # HAVE MERCY ON ME # 590 00:25:45,143 --> 00:25:48,000 # SHE STILL COMES TO SEE ME FROM TIME TO TIME # 591 00:25:48,000 --> 00:25:49,114 # SHE STILL COMES TO SEE ME FROM TIME TO TIME # 592 00:25:49,180 --> 00:25:54,000 # IT WAS WORTH THE PRICE TO SEE THE BRIGHTER SIDE OF THE GIRL I 593 00:25:54,000 --> 00:25:54,586 # IT WAS WORTH THE PRICE TO SEE THE BRIGHTER SIDE OF THE GIRL I 594 00:25:54,653 --> 00:25:59,724 PICKED UP THAT NIGHT. 595 00:25:59,791 --> 00:26:00,000 >> IT IS SO HARD NOT TO CUSS. 596 00:26:00,000 --> 00:26:06,000 >> IT IS SO HARD NOT TO CUSS. 597 00:26:06,000 --> 00:26:06,998 >> IT IS SO HARD NOT TO CUSS. 598 00:26:07,065 --> 00:26:08,633 >> THIS IS INCREDIBLE. 599 00:26:08,700 --> 00:26:12,000 I REMEMBER THE DAY JORDAN SCHMIDT TO I WROTE THIS SONG 600 00:26:12,000 --> 00:26:12,537 I REMEMBER THE DAY JORDAN SCHMIDT TO I WROTE THIS SONG 601 00:26:12,604 --> 00:26:13,738 WITH SENT ME THE DEMO. 602 00:26:13,805 --> 00:26:17,342 I SAT DOWN I WAS SO INSPIRED THAT I WROTE THE ENTIRE SCRIPT, 603 00:26:17,409 --> 00:26:18,000 IF YOU WILL, FOR THE MUSIC VIDEO BECAUSE OF HOW POWERFUL I KNEW 604 00:26:18,000 --> 00:26:21,479 IF YOU WILL, FOR THE MUSIC VIDEO BECAUSE OF HOW POWERFUL I KNEW 605 00:26:21,546 --> 00:26:22,681 THE SONG WOULD BE. 606 00:26:22,747 --> 00:26:24,000 I'VE GOT TO SAY THANK YOU TO LAINEY FOR WORKING SO HARD. 607 00:26:24,000 --> 00:26:30,000 I'VE GOT TO SAY THANK YOU TO LAINEY FOR WORKING SO HARD. 608 00:26:30,000 --> 00:26:32,357 I'VE GOT TO SAY THANK YOU TO LAINEY FOR WORKING SO HARD. 609 00:26:32,424 --> 00:26:33,124 AND JUSTIN, WHO DIRECTED THE VIDEO. 610 00:26:33,191 --> 00:26:34,392 THANK YOU SO MUCH. 611 00:26:34,459 --> 00:26:36,000 YOURI BEAST. 612 00:26:36,000 --> 00:26:37,395 YOURI BEAST. 613 00:26:37,462 --> 00:26:37,829 THINK I 614 00:26:38,763 --> 00:26:42,000 JUST GUY JUST GOT TO SAY I'M SO PROUD TO BE A SMALL PART OF THE 615 00:26:42,000 --> 00:26:42,600 JUST GUY JUST GOT TO SAY I'M SO PROUD TO BE A SMALL PART OF THE 616 00:26:42,667 --> 00:26:44,235 SONG. 617 00:26:44,302 --> 00:26:48,000 WHEN I HEARD THE SONG, I TELL YOU, IT'S AN OPPORTUNITY FOR 618 00:26:48,000 --> 00:26:48,206 WHEN I HEARD THE SONG, I TELL YOU, IT'S AN OPPORTUNITY FOR 619 00:26:48,273 --> 00:26:51,609 PEOPLE WHO HAVE BEEN THROUGH THIS TO FEEL LIKE THEY ARE NOT 620 00:26:51,676 --> 00:26:54,000 ALONE IN ITS OPPORTUNITY FOR THE PEOPLE HAVE BEEN DOING THIS, 621 00:26:54,000 --> 00:26:55,413 ALONE IN ITS OPPORTUNITY FOR THE PEOPLE HAVE BEEN DOING THIS, 622 00:26:55,480 --> 00:26:58,116 DON'T EVEN GET ME STARTED. 623 00:26:58,183 --> 00:27:00,000 THANK YOU SO MUCH TO HARDY. 624 00:27:00,000 --> 00:27:01,753 THANK YOU SO MUCH TO HARDY. 625 00:27:01,820 --> 00:27:06,000 I LOVE YOU. 626 00:27:06,000 --> 00:27:09,995 I LOVE YOU. 627 00:27:10,061 --> 00:27:12,000 >> MAKE SOME NOISE 628 00:27:12,000 --> 00:27:15,367 >> MAKE SOME NOISE 629 00:27:15,433 --> 00:27:16,368 FOR JON PARDI! 630 00:27:16,434 --> 00:27:17,635 >> OUR NEXT PERFORMER IS NOMINATED FOR TWO AWARDS 631 00:27:17,702 --> 00:27:18,000 TONIGHT, INCLUDING FEMALE VIDEO OF THE YEAR, AND SHE'S HERE WITH 632 00:27:18,000 --> 00:27:24,000 TONIGHT, INCLUDING FEMALE VIDEO OF THE YEAR, AND SHE'S HERE WITH 633 00:27:24,000 --> 00:27:27,946 TONIGHT, INCLUDING FEMALE VIDEO OF THE YEAR, AND SHE'S HERE WITH 634 00:27:28,013 --> 00:27:29,481 THE SONG THAT WAS NUMBER ONE IN THE COUNTRY 635 00:27:29,547 --> 00:27:30,000 THIS WEEK. 636 00:27:30,000 --> 00:27:30,648 THIS WEEK. 637 00:27:30,715 --> 00:27:31,549 "WHAT HE DIDN'T DO," MAKE SOME NOISE FOR 638 00:27:31,616 --> 00:27:36,000 CARLY PEARCE! 639 00:27:36,000 --> 00:27:36,321 CARLY PEARCE! 640 00:27:39,090 --> 00:27:42,000 # # # EVERYBODY'S ASKING # 641 00:27:42,000 --> 00:27:45,296 # # # EVERYBODY'S ASKING # 642 00:27:45,363 --> 00:27:48,000 # WHAT THE HELL HAPPENED # # WONDERING WHY IT # 643 00:27:48,000 --> 00:27:48,867 # WHAT THE HELL HAPPENED # # WONDERING WHY IT # 644 00:27:48,933 --> 00:27:51,936 # ALL WENT WRONG # # MAMA ALWAYS SAID # 645 00:27:52,003 --> 00:27:54,000 # IF YOU CAN'T SAY # # SOMETHING NICE # 646 00:27:54,000 --> 00:27:54,506 # IF YOU CAN'T SAY # # SOMETHING NICE # 647 00:27:54,572 --> 00:27:57,709 # THEN DON'T SAY ANYTHING # # AT ALL # 648 00:27:57,776 --> 00:28:00,000 # I'VE GOT MY SIDE OF THE STORY # 649 00:28:00,000 --> 00:28:00,979 # I'VE GOT MY SIDE OF THE STORY # 650 00:28:01,046 --> 00:28:05,683 # AND HE'S GOT HIS SIDE, TOO # # SO, I AIN'T GONNA GO AND # 651 00:28:05,750 --> 00:28:06,000 # TELL YOU WHAT HE DID # # BUT I'LL TELL YOU # 652 00:28:06,000 --> 00:28:08,119 # TELL YOU WHAT HE DID # # BUT I'LL TELL YOU # 653 00:28:08,186 --> 00:28:11,222 # WHAT HE DIDN'T DO # # TREAT ME RIGHT # 654 00:28:11,289 --> 00:28:12,000 # PUT ME FIRST # # BE A MAN OF HIS WORD # 655 00:28:12,000 --> 00:28:13,858 # PUT ME FIRST # # BE A MAN OF HIS WORD # 656 00:28:13,925 --> 00:28:17,796 # STAY HOME # # 'CAUSE HE WANTED TO # 657 00:28:17,862 --> 00:28:18,000 # ALWAYS FIGHT FOR MY LOVE # # HOLD ON TIGHT 658 00:28:18,000 --> 00:28:20,732 # ALWAYS FIGHT FOR MY LOVE # # HOLD ON TIGHT 659 00:28:20,799 --> 00:28:22,434 LIKE IT'S SOMETHING # # THAT HE COULDN'T # 660 00:28:22,500 --> 00:28:24,000 # STAND TO LOSE # # THE DEVIL'S IN THE DETAILS # 661 00:28:24,000 --> 00:28:30,000 # STAND TO LOSE # # THE DEVIL'S IN THE DETAILS # 662 00:28:30,000 --> 00:28:30,341 # STAND TO LOSE # # THE DEVIL'S IN THE DETAILS # 663 00:28:30,408 --> 00:28:32,677 # I WON'T TELL # # THE HELL THAT # 664 00:28:32,744 --> 00:28:36,000 # HE PUT ME THROUGH # # ALL I KNOW IS IN THE END # 665 00:28:36,000 --> 00:28:36,714 # HE PUT ME THROUGH # # ALL I KNOW IS IN THE END # 666 00:28:36,781 --> 00:28:42,000 # IT WASN'T WHAT HE DID, NO # # IT WAS WHAT HE DIDN'T DO # 667 00:28:42,000 --> 00:28:46,224 # IT WASN'T WHAT HE DID, NO # # IT WAS WHAT HE DIDN'T DO # 668 00:28:48,026 --> 00:28:51,463 # # # I'M ALREADY HALFWAY # 669 00:28:51,529 --> 00:28:54,000 # OVER HIM AND I AIN'T # # TAKING TIME TO TURN AROUND # 670 00:28:54,000 --> 00:28:56,468 # OVER HIM AND I AIN'T # # TAKING TIME TO TURN AROUND # 671 00:28:56,534 --> 00:28:59,971 # SO, I'MA TAKE THE HIGH ROAD # # EVEN THOUGH WE BOTH KNOW # 672 00:29:00,038 --> 00:29:03,541 # I COULD RUN HIM # # OUT OF THIS TOWN # 673 00:29:03,608 --> 00:29:06,000 # THAT'S JUST DIRTY LAUNDRY # # I DON'T NEED # 674 00:29:06,000 --> 00:29:07,812 # THAT'S JUST DIRTY LAUNDRY # # I DON'T NEED # 675 00:29:07,879 --> 00:29:11,282 # TO WEAR THE TRUTH # # SO, I AIN'T GONNA TELL YOU 676 00:29:11,349 --> 00:29:12,000 EVERYTHING HE DID # # BUT I'LL TELL YOU # 677 00:29:12,000 --> 00:29:14,319 EVERYTHING HE DID # # BUT I'LL TELL YOU # 678 00:29:14,385 --> 00:29:17,655 # WHAT HE DIDN'T DO # # TREAT ME RIGHT # 679 00:29:17,722 --> 00:29:18,000 # PUT ME FIRST # # BE A MAN OF HIS WORD # 680 00:29:18,000 --> 00:29:20,258 # PUT ME FIRST # # BE A MAN OF HIS WORD # 681 00:29:20,325 --> 00:29:23,962 # STAY HOME # # 'CAUSE HE WANTED TO # 682 00:29:24,028 --> 00:29:26,030 # ALWAYS FIGHT FOR MY LOVE # # HOLD ON TIGHT # 683 00:29:26,097 --> 00:29:29,067 # LIKE IT'S SOMETHING # # THAT HE COULDN'T # 684 00:29:29,134 --> 00:29:30,000 # STAND TO LOSE # # THE DEVIL'S IN THE DETAILS # 685 00:29:30,000 --> 00:29:32,237 # STAND TO LOSE # # THE DEVIL'S IN THE DETAILS # 686 00:29:32,303 --> 00:29:34,539 # I WON'T TELL # # THE HELL # 687 00:29:34,606 --> 00:29:36,000 # THAT HE PUT ME THROUGH # # ALL I KNOW IS IN THE END # 688 00:29:36,000 --> 00:29:39,611 # THAT HE PUT ME THROUGH # # ALL I KNOW IS IN THE END # 689 00:29:39,677 --> 00:29:42,000 # IT WASN'T WHAT HE DID, NO # # IT WAS WHAT HE DIDN'T DO # 690 00:29:42,000 --> 00:29:48,000 # IT WASN'T WHAT HE DID, NO # # IT WAS WHAT HE DIDN'T DO # 691 00:29:48,000 --> 00:29:50,255 # IT WASN'T WHAT HE DID, NO # # IT WAS WHAT HE DIDN'T DO # 692 00:29:50,321 --> 00:29:54,000 # OH, YEAH # # # 693 00:29:54,000 --> 00:29:59,164 # OH, YEAH # # # 694 00:29:59,230 --> 00:30:00,000 # I AIN'T MET # # THE RIGHT ONE YET # 695 00:30:00,000 --> 00:30:03,601 # I AIN'T MET # # THE RIGHT ONE YET # 696 00:30:03,668 --> 00:30:06,000 # BUT I KNOW WHEN I DO # # HE'LL TREAT ME RIGHT # 697 00:30:06,000 --> 00:30:08,039 # BUT I KNOW WHEN I DO # # HE'LL TREAT ME RIGHT # 698 00:30:08,106 --> 00:30:10,942 # PUT ME FIRST # # BE A MAN OF HIS WORD # 699 00:30:11,009 --> 00:30:12,000 # STAY HOME 'CAUSE HE WANTED TO # 700 00:30:12,000 --> 00:30:14,179 # STAY HOME 'CAUSE HE WANTED TO # 701 00:30:14,245 --> 00:30:17,849 # ALWAYS FIGHT FOR MY LOVE # # HOLD ON TIGHT # 702 00:30:17,916 --> 00:30:18,000 # LIKE IT'S SOMETHING # # THAT HE CAN'T STAND TO LOSE # 703 00:30:18,000 --> 00:30:21,586 # LIKE IT'S SOMETHING # # THAT HE CAN'T STAND TO LOSE # 704 00:30:21,653 --> 00:30:24,000 # THE DEVIL'S IN THE DETAILS # # I WON'T TELL # 705 00:30:24,000 --> 00:30:24,022 # THE DEVIL'S IN THE DETAILS # # I WON'T TELL # 706 00:30:24,088 --> 00:30:28,259 # THE HELL # # THAT HE PUT ME THROUGH # 707 00:30:28,326 --> 00:30:30,000 # ALL I KNOW IS IN THE END # # IT WASN'T WHAT HE DID, NO # 708 00:30:30,000 --> 00:30:31,462 # ALL I KNOW IS IN THE END # # IT WASN'T WHAT HE DID, NO # 709 00:30:31,529 --> 00:30:36,000 # IT WAS WHAT HE DIDN'T DO # # ALL I KNOW IS IN THE END # 710 00:30:36,000 --> 00:30:37,702 # IT WAS WHAT HE DIDN'T DO # # ALL I KNOW IS IN THE END # 711 00:30:37,769 --> 00:30:39,771 # IT WASN'T WHAT HE DID, NO # # IT WAS WHAT HE DIDN'T DO # 712 00:30:52,050 --> 00:30:52,984 [CHEERS AND APPLAUSE] >> WHAT'S UP, CMT FANS! 713 00:30:53,051 --> 00:30:53,885 I'M CODY ALAN. 714 00:30:53,952 --> 00:30:54,000 CHECK THIS PLACE OUT. 715 00:30:54,000 --> 00:30:55,987 CHECK THIS PLACE OUT. 716 00:30:56,054 --> 00:30:58,256 I'M HERE IN THE SOLITAIRE GRAND HARVEST GAME LOUNGE AND IT'S 717 00:30:58,323 --> 00:31:00,000 TAKING PLACE BACKSTAGE TO EXPERIENCE 718 00:31:00,000 --> 00:31:01,459 TAKING PLACE BACKSTAGE TO EXPERIENCE 719 00:31:01,526 --> 00:31:02,594 TO A WHOLE NEW LEVEL. 720 00:31:02,660 --> 00:31:03,528 IT'S SET UP SO THAT ALL THE STARS HERE TONIGHT GET TO DO 721 00:31:03,595 --> 00:31:06,000 WHAT THEY DO BEST. 722 00:31:06,000 --> 00:31:07,932 WHAT THEY DO BEST. 723 00:31:07,999 --> 00:31:09,133 THAT IS PLAY. 724 00:31:09,200 --> 00:31:12,000 BECAUSE EVERYONE NEEDS TO CUT LOOSE, KICK BACK AND HAVE SOME 725 00:31:12,000 --> 00:31:12,937 BECAUSE EVERYONE NEEDS TO CUT LOOSE, KICK BACK AND HAVE SOME 726 00:31:13,004 --> 00:31:14,072 FUN. 727 00:31:14,138 --> 00:31:16,474 AND FANS AT HOME CAN GET IN ON THE ACTION TONIGHT. 728 00:31:16,541 --> 00:31:18,000 SCAN THE QR CODE BELOW TO SEE WHAT IT'S LIKE TO HAVE YOUR OWN 729 00:31:18,000 --> 00:31:18,743 SCAN THE QR CODE BELOW TO SEE WHAT IT'S LIKE TO HAVE YOUR OWN 730 00:31:18,810 --> 00:31:21,846 WINNING MOMENT. 731 00:31:21,913 --> 00:31:22,247 HEY! 732 00:31:22,313 --> 00:31:22,947 DUSTIN LYNCH! 733 00:31:23,014 --> 00:31:24,000 IS IT MY TURN YET? 734 00:31:24,000 --> 00:31:26,084 IS IT MY TURN YET? 735 00:31:26,150 --> 00:31:29,854 >> WE'LL BE BACK A LITTLE LATER. 736 00:31:29,921 --> 00:31:30,000 >> STILL O COME, MALE AND FEMALE BREAKTHROUGH 737 00:31:30,000 --> 00:31:33,091 >> STILL O COME, MALE AND FEMALE BREAKTHROUGH 738 00:31:33,157 --> 00:31:36,000 VIDEO OF THE YEAR, PERFORMANCES FROM LAINEY WILSON 739 00:31:36,000 --> 00:31:37,095 VIDEO OF THE YEAR, PERFORMANCES FROM LAINEY WILSON 740 00:31:37,161 --> 00:31:38,229 AND CARRIE UNDERWOOD, AND A SPECIAL COLLABORATION FROM 741 00:31:38,296 --> 00:31:41,966 WYNONNA JUDD AND ASHLEY McBRYDE. 742 00:31:42,033 --> 00:31:43,735 BE SURE TO CAST YOUR VOTE ON THE CMT MUSIC AWARDS FACEBOOK 743 00:31:43,801 --> 00:31:48,000 PAGE, VOTING PRESENTED BY RAM TRUCKS. 744 00:31:48,000 --> 00:31:49,107 PAGE, VOTING PRESENTED BY RAM TRUCKS. 745 00:31:49,173 --> 00:31:50,975 THE CMT MUSIC AWARDS CONTINUES 746 00:31:51,042 --> 00:31:52,443 LIVE FROM AUSTIN, TEXAS. 747 00:31:52,510 --> 00:31:53,511 THIS IS CBS. 748 00:31:57,048 --> 00:31:59,217 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY 749 00:31:59,284 --> 00:32:00,000 SOLITAIRE GRAND HARVEST. 750 00:32:00,000 --> 00:32:01,919 SOLITAIRE GRAND HARVEST. 751 00:32:01,986 --> 00:32:02,587 REINVENTING NOSTALGIC FUN! 752 00:32:02,654 --> 00:32:04,656 DOWNLOAD FOR FREE NOW. 753 00:32:41,326 --> 00:32:42,000 # # >> KELSEA AND I LOVE NASHVILLE. 754 00:32:42,000 --> 00:32:43,261 # # >> KELSEA AND I LOVE NASHVILLE. 755 00:32:43,328 --> 00:32:44,962 BUT GETTING TO HANG OUT IN AUSTIN THIS WEEK HAS BEEN PRETTY 756 00:32:45,029 --> 00:32:47,965 COOL. 757 00:32:48,032 --> 00:32:50,968 WE LOVE HOT CHICKEN IN NASHVILLE, BUT YOU GUYS ARE 758 00:32:51,035 --> 00:32:52,804 CRAZY ABOUT BARBECUE. 759 00:32:52,870 --> 00:32:54,000 LIKE, I SMELL BRISKET EVERYWHERE. 760 00:32:54,000 --> 00:32:57,241 LIKE, I SMELL BRISKET EVERYWHERE. 761 00:32:57,308 --> 00:32:58,843 KANE, WHERE'D YOU GET THAT? 762 00:32:58,910 --> 00:33:00,000 >> MY POCKET. 763 00:33:00,000 --> 00:33:06,000 >> MY POCKET. 764 00:33:06,000 --> 00:33:08,886 >> MY POCKET. 765 00:33:08,953 --> 00:33:09,787 >> YOU WANT SOME? 766 00:33:09,854 --> 00:33:12,000 >> THAT'S A PASS ON POCKET BRISKET, THANKS. 767 00:33:12,000 --> 00:33:13,758 >> THAT'S A PASS ON POCKET BRISKET, THANKS. 768 00:33:13,825 --> 00:33:15,293 >> RIGHT NOW WE'VE GOT ANOTHER GENUINE TEXAN HERE TO PRESENT 769 00:33:15,360 --> 00:33:18,000 THE NEXT AWARD. 770 00:33:18,000 --> 00:33:18,763 THE NEXT AWARD. 771 00:33:18,830 --> 00:33:19,764 HE WON BREAKTHROUGH VIDEO OF THE YEAR IN 2022. 772 00:33:19,831 --> 00:33:21,833 >> HERE IS PARKER McCOLLUM! 773 00:33:34,846 --> 00:33:36,000 >> WHAT'S UP, AUSTIN? 774 00:33:36,000 --> 00:33:37,749 >> WHAT'S UP, AUSTIN? 775 00:33:37,815 --> 00:33:42,000 WINNING THIS CATEGORY WINNING THIS CATEGORY 776 00:33:42,000 --> 00:33:43,087 WINNING THIS CATEGORY WINNING THIS CATEGORY 777 00:33:43,154 --> 00:33:46,424 LAST YEAR WAS A HIGHLIGHT SHARE THAT FEELING 778 00:33:46,491 --> 00:33:47,191 WITH TONIGHT'S WINNERS. 779 00:33:47,258 --> 00:33:48,000 SO HOW 'BOUT WE GET RIGHT TO IT. 780 00:33:48,000 --> 00:33:49,193 SO HOW 'BOUT WE GET RIGHT TO IT. 781 00:33:49,260 --> 00:33:51,763 FIRST UP, HERE ARE THE NOMINEES FOR 782 00:33:51,829 --> 00:33:54,000 BREAKTHROUGH FEMALE VIDEO OF THE YEAR. 783 00:33:54,000 --> 00:33:59,237 BREAKTHROUGH FEMALE VIDEO OF THE YEAR. 784 00:33:59,303 --> 00:34:00,000 "NARCISSIST" AVERY ANNA. 785 00:34:00,000 --> 00:34:01,906 "NARCISSIST" AVERY ANNA. 786 00:34:01,973 --> 00:34:05,977 "IF HE WANTED TO HE COULD" KYLIE MORGAN, 787 00:34:06,043 --> 00:34:06,744 "PICKUP" MACKENZIE PORTER, 788 00:34:06,811 --> 00:34:10,615 "TENNESSEE ORANGE" MEGAN MORONEY, 789 00:34:10,681 --> 00:34:12,000 MORGAN WADE, "WILDER DAYS" 790 00:34:12,000 --> 00:34:13,484 MORGAN WADE, "WILDER DAYS" 791 00:34:13,551 --> 00:34:18,000 "FOUND IT IN YOU" TIERA KENNEDY. 792 00:34:18,000 --> 00:34:23,995 "FOUND IT IN YOU" TIERA KENNEDY. 793 00:34:24,061 --> 00:34:27,265 >> AND THE WINNER IS... 794 00:34:27,331 --> 00:34:30,000 MEGAN MORONEY, "TENNESSEE ORANGE." 795 00:34:30,000 --> 00:34:36,000 MEGAN MORONEY, "TENNESSEE ORANGE." 796 00:34:36,000 --> 00:34:37,575 MEGAN MORONEY, "TENNESSEE ORANGE." 797 00:34:37,642 --> 00:34:41,546 >> # I MET SOMEBODY # # HE'S GOT BLUE EYES # 798 00:34:41,612 --> 00:34:42,000 # HE OPENS THE DOOR # # HE'S GOT THE DOING THINGS I'VE 799 00:34:42,000 --> 00:34:48,000 # HE OPENS THE DOOR # # HE'S GOT THE DOING THINGS I'VE 800 00:34:48,000 --> 00:34:49,454 # HE OPENS THE DOOR # # HE'S GOT THE DOING THINGS I'VE 801 00:34:49,520 --> 00:34:54,000 NEVER DONE # # IN GEORGIA, THEY CALL IT A 802 00:34:54,000 --> 00:34:55,226 NEVER DONE # # IN GEORGIA, THEY CALL IT A 803 00:34:55,293 --> 00:34:59,931 SIN # >> WHAT? 804 00:34:59,997 --> 00:35:00,000 OH, MY GOD. 805 00:35:00,000 --> 00:35:01,132 OH, MY GOD. 806 00:35:01,199 --> 00:35:03,334 WHAT IS GOING ON? 807 00:35:03,401 --> 00:35:05,603 THANK YOU, CMT, SO MUCH. 808 00:35:05,670 --> 00:35:06,000 THANK YOU TO MY FANS. 809 00:35:06,000 --> 00:35:06,537 THANK YOU TO MY FANS. 810 00:35:06,604 --> 00:35:12,000 I WOULDN'T BE APPEAR IF IT WASN'T FOR Y'ALL. 811 00:35:12,000 --> 00:35:12,543 I WOULDN'T BE APPEAR IF IT WASN'T FOR Y'ALL. 812 00:35:12,610 --> 00:35:14,745 THANK YOU TO THE INCREDIBLE VIDEO TEAM AT COLUMBIA FOR 813 00:35:14,812 --> 00:35:18,000 PUTTING THIS TOGETHER THE DAY THANK YOU TO THE DIRECTOR, JASON 814 00:35:18,000 --> 00:35:20,985 PUTTING THIS TOGETHER THE DAY THANK YOU TO THE DIRECTOR, JASON 815 00:35:21,052 --> 00:35:24,000 LESTER, FOR REALLY BRINGING MY IDEAS TO LIFE IN THIS VIDEO. 816 00:35:24,000 --> 00:35:24,856 LESTER, FOR REALLY BRINGING MY IDEAS TO LIFE IN THIS VIDEO. 817 00:35:24,922 --> 00:35:28,793 I ALSO WANT TO THANK MY PARENTS, ESPECIALLY MY MOM. 818 00:35:28,860 --> 00:35:30,000 BECAUSE MY FLIGHT GOT CANCELED THE NIGHT BEFORE ENCHANTED DRIVE 819 00:35:30,000 --> 00:35:32,296 BECAUSE MY FLIGHT GOT CANCELED THE NIGHT BEFORE ENCHANTED DRIVE 820 00:35:32,363 --> 00:35:36,000 ME THROUGH THE NIGHT TO NASHVILLE. 821 00:35:36,000 --> 00:35:38,536 ME THROUGH THE NIGHT TO NASHVILLE. 822 00:35:38,603 --> 00:35:39,403 SO THANK YOU, MOM. 823 00:35:39,470 --> 00:35:42,000 I LOVE YOU SO MUCH. 824 00:35:42,000 --> 00:35:43,407 I LOVE YOU SO MUCH. 825 00:35:43,474 --> 00:35:45,443 THANK YOU, CMT. 826 00:35:45,510 --> 00:35:48,000 A HOLY CRAP 827 00:35:48,000 --> 00:35:48,112 A HOLY CRAP 828 00:35:51,549 --> 00:35:52,950 >> AND NOW, HERE ARE THE NOMINEES FOR BREAKTHROUGH MALE 829 00:35:53,017 --> 00:35:54,000 VIDEO OF THE YEAR. 830 00:35:54,000 --> 00:35:55,019 VIDEO OF THE YEAR. 831 00:36:00,391 --> 00:36:02,326 >> "FALL IN LOVE" BAILEY ZIMMERMAN, 832 00:36:02,393 --> 00:36:04,862 "WILD AS HER" COREY KENT, 833 00:36:04,929 --> 00:36:05,763 "SOUNDS LIKE SOMETHING I'D DO" 834 00:36:05,830 --> 00:36:06,000 DRAKE MILLIGAN, "DON'T COME LOOKIN'" 835 00:36:06,000 --> 00:36:07,098 DRAKE MILLIGAN, "DON'T COME LOOKIN'" 836 00:36:07,164 --> 00:36:11,369 JACKSON DEAN, "SON OF A SINNER" 837 00:36:11,435 --> 00:36:12,000 JELLY ROLL, "WHISKEY ON YOU" 838 00:36:12,000 --> 00:36:15,806 JELLY ROLL, "WHISKEY ON YOU" 839 00:36:15,873 --> 00:36:18,000 NATE SMITH, >> AND THE WINNER IS... 840 00:36:18,000 --> 00:36:24,000 NATE SMITH, >> AND THE WINNER IS... 841 00:36:24,000 --> 00:36:25,149 NATE SMITH, >> AND THE WINNER IS... 842 00:36:25,216 --> 00:36:30,000 JELLY ROLL! 843 00:36:30,000 --> 00:36:36,000 JELLY ROLL! 844 00:36:36,000 --> 00:36:40,097 JELLY ROLL! 845 00:36:40,164 --> 00:36:42,000 JELLY ROLL! 846 00:36:42,000 --> 00:36:43,067 JELLY ROLL! 847 00:36:58,416 --> 00:37:00,000 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 848 00:37:00,000 --> 00:37:06,000 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 849 00:37:06,000 --> 00:37:12,000 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 850 00:37:12,000 --> 00:37:13,297 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 851 00:37:13,364 --> 00:37:13,598 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 852 00:37:13,664 --> 00:37:14,732 BABY! 853 00:37:14,799 --> 00:37:18,000 THEY LET A LOSER WIN TO MY CREDIT WANT TO THANK MY RECORD 854 00:37:18,000 --> 00:37:18,402 THEY LET A LOSER WIN TO MY CREDIT WANT TO THANK MY RECORD 855 00:37:18,469 --> 00:37:24,000 LABEL, MY MANAGEMENT, MY BEAUTIFUL WIFE. 856 00:37:24,000 --> 00:37:24,976 LABEL, MY MANAGEMENT, MY BEAUTIFUL WIFE. 857 00:37:25,042 --> 00:37:28,546 THIS IS MORE THAN AN AWARD. 858 00:37:28,613 --> 00:37:30,000 IT'S FOR THE FANS. 859 00:37:30,000 --> 00:37:33,684 IT'S FOR THE FANS. 860 00:37:33,751 --> 00:37:35,653 THE ONLY FANS VOTING AWARD SHOW IN AMERICA. 861 00:37:35,720 --> 00:37:36,000 THIS IS FOR TH UNDERDOGS, BABY! 862 00:37:36,000 --> 00:37:39,824 THIS IS FOR TH UNDERDOGS, BABY! 863 00:37:39,890 --> 00:37:42,000 THIS IS FOR THE LOSERS AND THE HAVE-NOTS. 864 00:37:42,000 --> 00:37:42,426 THIS IS FOR THE LOSERS AND THE HAVE-NOTS. 865 00:37:42,493 --> 00:37:45,329 GOD TAKES THE IMPOSSIBLE AND MAKES IT LOOK SMALL. 866 00:37:45,396 --> 00:37:48,000 LET'S GO, BABY! 867 00:37:48,000 --> 00:37:53,137 LET'S GO, BABY! 868 00:37:53,204 --> 00:37:54,000 >> CMT HAS ALWAYS BROUGHT FANS THEIR FAVORITE MUSIC WITH THE 869 00:37:54,000 --> 00:37:57,675 >> CMT HAS ALWAYS BROUGHT FANS THEIR FAVORITE MUSIC WITH THE 870 00:37:57,742 --> 00:38:00,000 FLAGSHIP SHOW "CMT CROSSROADS" AND NOW, WITH ALL NEW EPISODES 871 00:38:00,000 --> 00:38:00,978 FLAGSHIP SHOW "CMT CROSSROADS" AND NOW, WITH ALL NEW EPISODES 872 00:38:01,045 --> 00:38:04,148 OF THE LEGENDARY SERIES "STORYTELLERS." 873 00:38:04,215 --> 00:38:06,000 SINCE A PARAMOUNT+ SUBSCRIPTION IS NOW INCLUDED 874 00:38:06,000 --> 00:38:07,051 SINCE A PARAMOUNT+ SUBSCRIPTION IS NOW INCLUDED 875 00:38:07,118 --> 00:38:12,000 WITH A WALMART PLUS MEMBERSHIP, AT NO ADDITIONAL COST, MEMBERS 876 00:38:12,000 --> 00:38:12,556 WITH A WALMART PLUS MEMBERSHIP, AT NO ADDITIONAL COST, MEMBERS 877 00:38:12,623 --> 00:38:16,694 CAN STREAM THOSE SHOWS AND GREAT MUSIC DOCUMENTARIES LIKE 878 00:38:16,761 --> 00:38:18,000 "KACEY MUSGRAVES: STAR CROSSED" "THE MARFA TAPES," 879 00:38:18,000 --> 00:38:19,730 "KACEY MUSGRAVES: STAR CROSSED" "THE MARFA TAPES," 880 00:38:19,797 --> 00:38:21,899 AND THE UPCOMING "WYNONNA JUDD: 881 00:38:21,966 --> 00:38:24,000 BETWEEN HELL AND HALLELUJAH." 882 00:38:24,000 --> 00:38:25,169 BETWEEN HELL AND HALLELUJAH." 883 00:38:25,236 --> 00:38:30,000 PLUS, HIT ORIGINAL SERIES LIKE THE "YELLOWSTONE" ORIGIN STORIES 884 00:38:30,000 --> 00:38:32,343 PLUS, HIT ORIGINAL SERIES LIKE THE "YELLOWSTONE" ORIGIN STORIES 885 00:38:32,410 --> 00:38:33,611 "1883" AND "1923," "TULSA KING," 886 00:38:33,678 --> 00:38:35,046 "RABBIT HOLE," "JOE PICKETT," AND COMING SOON, 887 00:38:35,112 --> 00:38:36,000 "GREASE: RISE OF THE PINK LADIES." 888 00:38:36,000 --> 00:38:38,582 "GREASE: RISE OF THE PINK LADIES." 889 00:38:38,649 --> 00:38:42,000 ALL THIS AND MORE, STREAMING ON PARAMOUNT+. 890 00:38:42,000 --> 00:38:46,290 ALL THIS AND MORE, STREAMING ON PARAMOUNT+. 891 00:38:46,357 --> 00:38:48,000 I WAS SO HONORED TO JOIN THE JUDDS FINAL TOUR AND WITNESS OUR 892 00:38:48,000 --> 00:38:48,693 I WAS SO HONORED TO JOIN THE JUDDS FINAL TOUR AND WITNESS OUR 893 00:38:48,759 --> 00:38:54,000 ARTIST COMMUNITY COME TOGETHER IN SUPPORT OF MISS WYNONNA JUDD. 894 00:38:54,000 --> 00:38:55,599 ARTIST COMMUNITY COME TOGETHER IN SUPPORT OF MISS WYNONNA JUDD. 895 00:38:55,666 --> 00:38:58,202 THAT JOURNEY IS CAPTURED IN THE SPECIAL "CMT PRESENTS THE JUDDS: 896 00:38:58,269 --> 00:39:00,000 LOVE IS ALIVE: THE FINAL CONCERT" THAT WILL 897 00:39:00,000 --> 00:39:01,338 LOVE IS ALIVE: THE FINAL CONCERT" THAT WILL 898 00:39:01,405 --> 00:39:05,776 PREMIERE ON APRIL 29TH ON CMT. 899 00:39:05,843 --> 00:39:06,000 OH, MY GOSH, YOU GUYS! 900 00:39:06,000 --> 00:39:07,878 OH, MY GOSH, YOU GUYS! 901 00:39:07,945 --> 00:39:09,914 SHE IS HERE NOW. 902 00:39:09,980 --> 00:39:12,000 WITH ANOTHER GREAT ARTIST WHO JOINED HER THAT HISTORIC NIGHT, 903 00:39:12,000 --> 00:39:12,817 WITH ANOTHER GREAT ARTIST WHO JOINED HER THAT HISTORIC NIGHT, 904 00:39:12,883 --> 00:39:14,785 PERFORMING ONE OF WYNONNA'S FAVORITE SONGS FROM THE '80s. 905 00:39:14,852 --> 00:39:18,000 FOREIGNER'S CLASSIC "I WANT TO KNOW WHAT LOVE IS." 906 00:39:18,000 --> 00:39:23,494 FOREIGNER'S CLASSIC "I WANT TO KNOW WHAT LOVE IS." 907 00:39:23,561 --> 00:39:24,000 YOU ARE IN FOR SUCH A TREAT. 908 00:39:24,000 --> 00:39:24,762 YOU ARE IN FOR SUCH A TREAT. 909 00:39:24,829 --> 00:39:30,000 PLEASE WELCOME WYNONNA JUDD AND ASHLEY McBRYDE! 910 00:39:30,000 --> 00:39:30,968 PLEASE WELCOME WYNONNA JUDD AND ASHLEY McBRYDE! 911 00:39:32,503 --> 00:39:36,000 # I'VE GOTTA TAKE # # A LITTLE TIME # 912 00:39:36,000 --> 00:39:40,277 # I'VE GOTTA TAKE # # A LITTLE TIME # 913 00:39:40,344 --> 00:39:42,000 # A LITTLE TIME # # TO THINK THINGS OVER # 914 00:39:42,000 --> 00:39:48,000 # A LITTLE TIME # # TO THINK THINGS OVER # 915 00:39:48,000 --> 00:39:54,000 # A LITTLE TIME # # TO THINK THINGS OVER # 916 00:39:54,000 --> 00:39:55,226 # A LITTLE TIME # # TO THINK THINGS OVER # 917 00:39:55,292 --> 00:39:55,760 # A LITTLE TIME # # TO THINK THINGS OVER # 918 00:39:58,362 --> 00:40:00,000 # # # I BETTER # 919 00:40:00,000 --> 00:40:00,765 # # # I BETTER # 920 00:40:00,831 --> 00:40:05,703 # READ BETWEEN THE LINES # # IN CASE I NEED IT # 921 00:40:05,770 --> 00:40:06,000 # WHEN I'M OLDER # # OOH # 922 00:40:06,000 --> 00:40:12,000 # WHEN I'M OLDER # # OOH # 923 00:40:12,000 --> 00:40:17,081 # WHEN I'M OLDER # # OOH # 924 00:40:17,148 --> 00:40:18,000 # THIS MOUNTAIN # # I MUST CLIMB # 925 00:40:18,000 --> 00:40:24,000 # THIS MOUNTAIN # # I MUST CLIMB # 926 00:40:24,000 --> 00:40:26,690 # THIS MOUNTAIN # # I MUST CLIMB # 927 00:40:26,757 --> 00:40:30,000 # IT FEELS LIKE THE WORLD'S # # UPON MY SHOULDERS # 928 00:40:30,000 --> 00:40:32,730 # IT FEELS LIKE THE WORLD'S # # UPON MY SHOULDERS # 929 00:40:32,797 --> 00:40:34,665 # BUT THROUGH THOSE CLOUDS # # I SEE LOVE SHINE # 930 00:40:34,732 --> 00:40:36,000 # IT KEEPS ME WARM # # AS LIFE GROWS COLDER # 931 00:40:36,000 --> 00:40:42,000 # IT KEEPS ME WARM # # AS LIFE GROWS COLDER # 932 00:40:42,000 --> 00:40:42,406 # IT KEEPS ME WARM # # AS LIFE GROWS COLDER # 933 00:40:42,473 --> 00:40:46,477 # IN MY LIFE # # OH, THERE'S BEEN HEARTACHE # 934 00:40:46,544 --> 00:40:48,000 # AND PAIN # # I DON'T KNOW # 935 00:40:48,000 --> 00:40:51,882 # AND PAIN # # I DON'T KNOW # 936 00:40:51,949 --> 00:40:54,000 # IF I CAN FACE IT AGAIN # # AND I CAN'T STOP NOW # 937 00:40:54,000 --> 00:40:58,923 # IF I CAN FACE IT AGAIN # # AND I CAN'T STOP NOW # 938 00:40:58,989 --> 00:41:00,000 # 'CAUSE I'VE TRAVELED SO FAR # # TO CHANGE THIS LONELY LIFE # 939 00:41:00,000 --> 00:41:06,000 # 'CAUSE I'VE TRAVELED SO FAR # # TO CHANGE THIS LONELY LIFE # 940 00:41:06,000 --> 00:41:12,000 # 'CAUSE I'VE TRAVELED SO FAR # # TO CHANGE THIS LONELY LIFE # 941 00:41:12,000 --> 00:41:12,102 # 'CAUSE I'VE TRAVELED SO FAR # # TO CHANGE THIS LONELY LIFE # 942 00:41:12,169 --> 00:41:15,039 >> # I WANT TO KNOW WHAT LOVE IS # 943 00:41:15,105 --> 00:41:18,000 # OH, I WANT YOU TO SHOW ME # # I WANT TO FEEL WHAT LOVE IS # 944 00:41:18,000 --> 00:41:24,000 # OH, I WANT YOU TO SHOW ME # # I WANT TO FEEL WHAT LOVE IS # 945 00:41:24,000 --> 00:41:26,951 # OH, I WANT YOU TO SHOW ME # # I WANT TO FEEL WHAT LOVE IS # 946 00:41:27,017 --> 00:41:30,000 # OH, YES, I KNOW I WANT YOU TO SHOW ME # 947 00:41:30,000 --> 00:41:36,000 # OH, YES, I KNOW I WANT YOU TO SHOW ME # 948 00:41:36,000 --> 00:41:37,561 # OH, YES, I KNOW I WANT YOU TO SHOW ME # 949 00:41:37,628 --> 00:41:42,000 # YEAH! # # GONNA TAKE A LITTLE TIME # 950 00:41:42,000 --> 00:41:46,470 # YEAH! # # GONNA TAKE A LITTLE TIME # 951 00:41:46,537 --> 00:41:48,000 # A LITTLE TIME # # TO LOOK AROUND ME # 952 00:41:48,000 --> 00:41:53,510 # A LITTLE TIME # # TO LOOK AROUND ME # 953 00:41:53,577 --> 00:41:54,000 # I'VE GOT NOWHERE # # LEFT TO HIDE # 954 00:41:54,000 --> 00:41:58,849 # I'VE GOT NOWHERE # # LEFT TO HIDE # 955 00:41:58,916 --> 00:42:00,000 # LOOKS LIKE LOVE # # HAS FINALLY FOUND ME # 956 00:42:00,000 --> 00:42:04,221 # LOOKS LIKE LOVE # # HAS FINALLY FOUND ME # 957 00:42:04,288 --> 00:42:06,000 # IN MY LIFE # # THERE'S BEEN HEARTACHE # 958 00:42:06,000 --> 00:42:09,793 # IN MY LIFE # # THERE'S BEEN HEARTACHE # 959 00:42:09,860 --> 00:42:12,000 # AND PAIN # # I DON'T KNOW # 960 00:42:12,000 --> 00:42:13,597 # AND PAIN # # I DON'T KNOW # 961 00:42:13,664 --> 00:42:18,000 # IF I CAN FACE IT AGAIN # # AND I CAN'T STOP NOW # 962 00:42:18,000 --> 00:42:20,704 # IF I CAN FACE IT AGAIN # # AND I CAN'T STOP NOW # 963 00:42:20,771 --> 00:42:24,000 # 'CAUSE I'VE TRAVELED TOO FAR # # TO CHANGE THIS LONELY LIFE # 964 00:42:24,000 --> 00:42:30,000 # 'CAUSE I'VE TRAVELED TOO FAR # # TO CHANGE THIS LONELY LIFE # 965 00:42:30,000 --> 00:42:30,214 # 'CAUSE I'VE TRAVELED TOO FAR # # TO CHANGE THIS LONELY LIFE # 966 00:42:30,281 --> 00:42:36,000 # I WANT TO KNOW WHAT LOVE IS # # I WANT YOU TO SHOW ME # 967 00:42:36,000 --> 00:42:42,000 # I WANT TO KNOW WHAT LOVE IS # # I WANT YOU TO SHOW ME # 968 00:42:42,000 --> 00:42:42,626 # I WANT TO KNOW WHAT LOVE IS # # I WANT YOU TO SHOW ME # 969 00:42:42,693 --> 00:42:48,000 # I WANT TO FEEL WHAT LOVE IS # TALKIN' ABOUT LOVE THAT YOU 970 00:42:48,000 --> 00:42:52,236 # I WANT TO FEEL WHAT LOVE IS # TALKIN' ABOUT LOVE THAT YOU 971 00:42:52,303 --> 00:42:54,000 FEEL INSIDE # # I KNOW YOU CAN SHOW ME # 972 00:42:54,000 --> 00:43:00,000 FEEL INSIDE # # I KNOW YOU CAN SHOW ME # 973 00:43:00,000 --> 00:43:03,314 FEEL INSIDE # # I KNOW YOU CAN SHOW ME # 974 00:43:03,380 --> 00:43:06,000 MAMA, YOU NEED TO HERE TONIGHT I MISS YOU AND I LOVE YOU 975 00:43:06,000 --> 00:43:10,988 MAMA, YOU NEED TO HERE TONIGHT I MISS YOU AND I LOVE YOU 976 00:43:11,055 --> 00:43:12,000 # I WANT TO KNOW WHAT LOVE IS # # I WANT TO KNOW WHAT LOVE IS # 977 00:43:12,000 --> 00:43:18,000 # I WANT TO KNOW WHAT LOVE IS # # I WANT TO KNOW WHAT LOVE IS # 978 00:43:18,000 --> 00:43:20,531 # I WANT TO KNOW WHAT LOVE IS # # I WANT TO KNOW WHAT LOVE IS # 979 00:43:20,597 --> 00:43:24,000 # I KNOW YOU CAN SHOW ME # # YEAH! # 980 00:43:24,000 --> 00:43:30,000 # I KNOW YOU CAN SHOW ME # # YEAH! # 981 00:43:30,000 --> 00:43:35,479 # I KNOW YOU CAN SHOW ME # # YEAH! # 982 00:43:35,546 --> 00:43:36,000 # I KNOW YOU CAN SHOW ME # # YEAH! # 983 00:43:36,000 --> 00:43:40,284 # I KNOW YOU CAN SHOW ME # # YEAH! # 984 00:43:40,351 --> 00:43:42,000 # YEAH # [CHEERS AND APPLAUSE] 985 00:43:42,000 --> 00:43:42,353 # YEAH # [CHEERS AND APPLAUSE] 986 00:43:52,763 --> 00:43:54,000 >> GET READY TO ROCK ON THE STREETS OF AUSTIN WITH 987 00:43:54,000 --> 00:43:55,366 >> GET READY TO ROCK ON THE STREETS OF AUSTIN WITH 988 00:43:55,432 --> 00:43:58,969 KEITH URBAN AND MORE PERFORMANCES, INCLUDING 989 00:43:59,036 --> 00:44:00,000 ALANIS MORRISETTE, THE BLACK CROWES AND DARIUS 990 00:44:00,000 --> 00:44:00,938 ALANIS MORRISETTE, THE BLACK CROWES AND DARIUS 991 00:44:01,005 --> 00:44:02,373 RUCKER. 992 00:44:02,439 --> 00:44:06,000 PLUS, SHANIA TWAIN RECEIVES THE CMT EQUAL PLAY AWARD. 993 00:44:06,000 --> 00:44:06,210 PLUS, SHANIA TWAIN RECEIVES THE CMT EQUAL PLAY AWARD. 994 00:44:06,276 --> 00:44:10,180 WE'RE LIVE BEHIND THE SCENES OF THE CMT MUSIC AWARDS! 995 00:44:10,247 --> 00:44:12,000 CHECK IT OUT ON YOUTUBE NOW. 996 00:44:12,000 --> 00:44:13,350 CHECK IT OUT ON YOUTUBE NOW. 997 00:44:13,417 --> 00:44:13,917 THIS IS CBS. 998 00:44:19,990 --> 00:44:20,924 >> PLEASE WELCOME THREE-TIME GRAMMY WINNER 999 00:44:20,991 --> 00:44:24,000 MEGAN THEE STALLION. 1000 00:44:24,000 --> 00:44:25,095 MEGAN THEE STALLION. 1001 00:44:25,162 --> 00:44:30,000 [CHEERS AND APPLAUSE] >> OKAY! 1002 00:44:30,000 --> 00:44:36,000 [CHEERS AND APPLAUSE] >> OKAY! 1003 00:44:36,000 --> 00:44:40,044 [CHEERS AND APPLAUSE] >> OKAY! 1004 00:44:40,110 --> 00:44:41,078 [CHEERS AND APPLAUSE] >> OKAY! 1005 00:44:41,145 --> 00:44:42,000 [CHEERING] OKAY, Y'ALL LET ME SAY IT. 1006 00:44:42,000 --> 00:44:48,000 [CHEERING] OKAY, Y'ALL LET ME SAY IT. 1007 00:44:48,000 --> 00:44:49,953 [CHEERING] OKAY, Y'ALL LET ME SAY IT. 1008 00:44:50,020 --> 00:44:54,000 Y'ALL MAKING ME FEEL TOO GOOD. 1009 00:44:54,000 --> 00:44:56,960 Y'ALL MAKING ME FEEL TOO GOOD. 1010 00:44:57,027 --> 00:45:00,000 CMT HAS BEEN A LEADER IN THE FIGHT FOR DIVERSITY AND 1011 00:45:00,000 --> 00:45:00,964 CMT HAS BEEN A LEADER IN THE FIGHT FOR DIVERSITY AND 1012 00:45:01,031 --> 00:45:06,000 INCLUSION IN COUNTRY MUSIC FOR THE PAST DECADE, WITH 1013 00:45:06,000 --> 00:45:06,737 INCLUSION IN COUNTRY MUSIC FOR THE PAST DECADE, WITH 1014 00:45:06,804 --> 00:45:09,273 INITIATIVES LIKE NEXT WOMEN OF COUNTRY AND CMT EQUAL PLAY 1015 00:45:09,339 --> 00:45:12,000 AND EQUAL ACCESS. 1016 00:45:12,000 --> 00:45:12,109 AND EQUAL ACCESS. 1017 00:45:12,176 --> 00:45:15,179 THE CMT EQUAL PLAY AWARD RECOGNIZES TRAILBLAZERS WHO USE 1018 00:45:15,245 --> 00:45:18,000 THEIR PLATFORM TO BREAK BARRIERS, SPEAK OUT AGAINST 1019 00:45:18,000 --> 00:45:19,216 THEIR PLATFORM TO BREAK BARRIERS, SPEAK OUT AGAINST 1020 00:45:19,283 --> 00:45:24,000 INJUSTICES, AND CHALLENGE THE STATUS QUO. 1021 00:45:24,000 --> 00:45:27,825 INJUSTICES, AND CHALLENGE THE STATUS QUO. 1022 00:45:27,891 --> 00:45:30,000 [CHEERING] THIS YEAR, WE ARE RECOGNIZING 1023 00:45:30,000 --> 00:45:30,427 [CHEERING] THIS YEAR, WE ARE RECOGNIZING 1024 00:45:30,494 --> 00:45:36,000 THE INCREDIBLE SHANIA TWAIN! 1025 00:45:36,000 --> 00:45:37,601 THE INCREDIBLE SHANIA TWAIN! 1026 00:45:37,668 --> 00:45:42,000 UH-HUH! 1027 00:45:42,000 --> 00:45:43,073 UH-HUH! 1028 00:45:43,140 --> 00:45:45,275 SHANIA TWAIN! 1029 00:45:45,342 --> 00:45:48,000 OKAY! 1030 00:45:48,000 --> 00:45:48,412 OKAY! 1031 00:45:48,479 --> 00:45:52,416 SHANIA ISN'T JUST THE BIGGEST-SELLING COUNTRY FEMALE 1032 00:45:52,483 --> 00:45:54,000 ARTIST OF ALL TIME, SHE HAS SHATTERED CEILINGS 1033 00:45:54,000 --> 00:45:56,153 ARTIST OF ALL TIME, SHE HAS SHATTERED CEILINGS 1034 00:45:56,220 --> 00:46:00,000 AND REDEFINED STYLE AND SOUND IN COUNTRY MUSIC AND BEYOND. 1035 00:46:00,000 --> 00:46:03,527 AND REDEFINED STYLE AND SOUND IN COUNTRY MUSIC AND BEYOND. 1036 00:46:03,594 --> 00:46:06,000 SHE HAS BEEN OUTSPOKEN. 1037 00:46:06,000 --> 00:46:10,834 SHE HAS BEEN OUTSPOKEN. 1038 00:46:10,901 --> 00:46:12,000 I DON'T WANT TO CHEESE THIS AGAINST HATE OF EVERY KIND, 1039 00:46:12,000 --> 00:46:14,872 I DON'T WANT TO CHEESE THIS AGAINST HATE OF EVERY KIND, 1040 00:46:14,938 --> 00:46:18,000 I JUST MET HER. 1041 00:46:18,000 --> 00:46:18,475 I JUST MET HER. 1042 00:46:18,542 --> 00:46:19,977 SHE IS MY NEW BESTIE. 1043 00:46:20,043 --> 00:46:24,000 SHE HAS BEEN AN OUTSPOKEN ALLY AGAINST HATE OF EVERY KIND, 1044 00:46:24,000 --> 00:46:24,948 SHE HAS BEEN AN OUTSPOKEN ALLY AGAINST HATE OF EVERY KIND, 1045 00:46:25,015 --> 00:46:30,000 CALLING OUT GENDER GAPS, AGEISM, YES. 1046 00:46:30,000 --> 00:46:30,454 CALLING OUT GENDER GAPS, AGEISM, YES. 1047 00:46:30,521 --> 00:46:32,689 UH-HUH, YES! 1048 00:46:32,756 --> 00:46:36,000 YES, SHANIA! 1049 00:46:36,000 --> 00:46:38,862 YES, SHANIA! 1050 00:46:38,929 --> 00:46:42,000 IMPACTING INEQUALITIES AGAINST THE LGBTQ+ COMMUNITY, 1051 00:46:42,000 --> 00:46:42,399 IMPACTING INEQUALITIES AGAINST THE LGBTQ+ COMMUNITY, 1052 00:46:42,466 --> 00:46:43,433 AND MORE. 1053 00:46:43,500 --> 00:46:48,000 SHE'S AN INSPIRATION TO ME AND MILLIONS OF OTHERS! 1054 00:46:48,000 --> 00:46:49,406 SHE'S AN INSPIRATION TO ME AND MILLIONS OF OTHERS! 1055 00:46:49,473 --> 00:46:52,342 PLEASE WELCOME THIS YEAR'S EQUAL PLAY AWARD RECIPIENT, 1056 00:46:52,409 --> 00:46:54,000 SHANIA TWAIN. 1057 00:46:54,000 --> 00:46:58,882 SHANIA TWAIN. 1058 00:47:01,852 --> 00:47:03,854 [CHEERS AND APPLAUSE] # # 1059 00:47:29,846 --> 00:47:30,000 >> THANK YOU, MEGAN. 1060 00:47:30,000 --> 00:47:35,185 >> THANK YOU, MEGAN. 1061 00:47:35,252 --> 00:47:36,000 YOU'RE SO TALL. 1062 00:47:36,000 --> 00:47:38,922 YOU'RE SO TALL. 1063 00:47:38,989 --> 00:47:39,923 I LOST MY HAT. 1064 00:47:39,990 --> 00:47:41,124 THANK YOU. 1065 00:47:41,191 --> 00:47:41,959 THANK YOU SO MUCH. 1066 00:47:42,025 --> 00:47:48,000 LET ME START BY SAYING LET'S GO, GIRLS. 1067 00:47:48,000 --> 00:47:49,833 LET ME START BY SAYING LET'S GO, GIRLS. 1068 00:47:49,900 --> 00:47:54,000 LISTEN, WHEN I WROTE THE PHRASE "MAN, I FEEL LIKE A WOMAN," I 1069 00:47:54,000 --> 00:47:56,907 LISTEN, WHEN I WROTE THE PHRASE "MAN, I FEEL LIKE A WOMAN," I 1070 00:47:56,974 --> 00:47:58,942 HAD NO IDEA IT WOULD BECOME AN UNDERCURRENT OF A DECADES LONG 1071 00:47:59,009 --> 00:48:00,000 CAREER. 1072 00:48:00,000 --> 00:48:02,112 CAREER. 1073 00:48:02,179 --> 00:48:06,000 IT'S AMAZING HOW JUST ONE STATEMET CAN EMPOWER SO MANY. 1074 00:48:06,000 --> 00:48:09,353 IT'S AMAZING HOW JUST ONE STATEMET CAN EMPOWER SO MANY. 1075 00:48:09,419 --> 00:48:10,587 "MAN! 1076 00:48:10,654 --> 00:48:12,000 I FEEL LIKE A WOMAN" HAS BEEN ADOPTED BY AN ARRAY OF FANTASTIC 1077 00:48:12,000 --> 00:48:13,523 I FEEL LIKE A WOMAN" HAS BEEN ADOPTED BY AN ARRAY OF FANTASTIC 1078 00:48:13,590 --> 00:48:15,425 COMMUNITIES ALL AROUND THE WORLD AND BECOME A GENUINE PATH OF 1079 00:48:15,492 --> 00:48:18,000 POWER AND PROGRESS FOR WOMEN. 1080 00:48:18,000 --> 00:48:19,296 POWER AND PROGRESS FOR WOMEN. 1081 00:48:19,363 --> 00:48:21,832 WOMEN IN COUNTRY MUSIC. 1082 00:48:21,898 --> 00:48:24,000 WHICH BRINGS ME SO MUCH JOY. 1083 00:48:24,000 --> 00:48:26,737 WHICH BRINGS ME SO MUCH JOY. 1084 00:48:26,803 --> 00:48:30,000 THANK YOU TO CMT FOR PUSHING THE EQUAL PLAY AGENDA AND THANK YOU 1085 00:48:30,000 --> 00:48:31,375 THANK YOU TO CMT FOR PUSHING THE EQUAL PLAY AGENDA AND THANK YOU 1086 00:48:31,441 --> 00:48:32,576 FOR ALWAYS SUPPORTING ME. 1087 00:48:32,643 --> 00:48:36,000 IN FACT, YOU KNOW WHAT, YOU MAY NOT KNOW THIS. 1088 00:48:36,000 --> 00:48:38,148 IN FACT, YOU KNOW WHAT, YOU MAY NOT KNOW THIS. 1089 00:48:38,215 --> 00:48:42,000 BUT THE CMT RISING STAR AWARD WAS MY VERY FIRST AWARD EVER. 1090 00:48:42,000 --> 00:48:44,988 BUT THE CMT RISING STAR AWARD WAS MY VERY FIRST AWARD EVER. 1091 00:48:45,055 --> 00:48:48,000 30 YEARS AGO. 1092 00:48:48,000 --> 00:48:48,158 30 YEARS AGO. 1093 00:48:48,225 --> 00:48:49,993 THAT WAS IN 1993. 1094 00:48:50,060 --> 00:48:54,000 CMT HOLDS A VERY SPECIAL PLACE IN MY HEART. 1095 00:48:54,000 --> 00:48:55,732 CMT HOLDS A VERY SPECIAL PLACE IN MY HEART. 1096 00:48:55,799 --> 00:49:00,000 AND I PROMISE I WILL CONTINUE TO CHAMPION THE MANY OUTSTANDING 1097 00:49:00,000 --> 00:49:00,370 AND I PROMISE I WILL CONTINUE TO CHAMPION THE MANY OUTSTANDING 1098 00:49:00,437 --> 00:49:02,072 COUNTRY ARTISTS WHO ARE NOT CURRENTLY PLAYED. 1099 00:49:02,139 --> 00:49:06,000 THEY ARE NOT STREAMED, TOURS SIGNED OR AWARDED AT THE LEVEL 1100 00:49:06,000 --> 00:49:08,478 THEY ARE NOT STREAMED, TOURS SIGNED OR AWARDED AT THE LEVEL 1101 00:49:08,545 --> 00:49:12,000 THEY DESERVE SO I BELIEVE IN AN ALL-INCLUSIVE COUNTRY MUSIC. 1102 00:49:12,000 --> 00:49:12,049 THEY DESERVE SO I BELIEVE IN AN ALL-INCLUSIVE COUNTRY MUSIC. 1103 00:49:12,115 --> 00:49:16,820 WE ARE A FAMILY. 1104 00:49:16,887 --> 00:49:18,000 THIS IS A GENRE OF MUSIC WITH A RICH HISTORY THAT RAISED AND 1105 00:49:18,000 --> 00:49:24,000 THIS IS A GENRE OF MUSIC WITH A RICH HISTORY THAT RAISED AND 1106 00:49:24,000 --> 00:49:24,494 THIS IS A GENRE OF MUSIC WITH A RICH HISTORY THAT RAISED AND 1107 00:49:24,561 --> 00:49:28,932 NURTURED MY OWN SONGWRITING AND PERFORMANCE AND RECORDING CAREER 1108 00:49:28,999 --> 00:49:30,000 FROM CHILDHOOD. 1109 00:49:30,000 --> 00:49:30,200 FROM CHILDHOOD. 1110 00:49:30,267 --> 00:49:35,972 CURRENTLY THE INDUSTRY STANDARD DOES A REAL DISSERVICE TO THIS. 1111 00:49:36,039 --> 00:49:42,000 LET US, THE COUNTRY MUSIC INDUSTRY, DO OUR PART TO CLOSE 1112 00:49:42,000 --> 00:49:43,613 LET US, THE COUNTRY MUSIC INDUSTRY, DO OUR PART TO CLOSE 1113 00:49:43,680 --> 00:49:44,948 WORK SPACE FOR ALL TALENT. 1114 00:49:45,015 --> 00:49:48,000 THIS YEAR, I'M TAKING MANY AMAZING ARTISTS ON MY QUEEN OF 1115 00:49:48,000 --> 00:49:51,855 THIS YEAR, I'M TAKING MANY AMAZING ARTISTS ON MY QUEEN OF 1116 00:49:51,922 --> 00:49:52,055 KNEE 1117 00:49:56,793 --> 00:50:00,000 TOUR ROBIN, PRISCILLA, SEVERAL MORE. 1118 00:50:00,000 --> 00:50:01,765 TOUR ROBIN, PRISCILLA, SEVERAL MORE. 1119 00:50:01,832 --> 00:50:06,000 MY HOPE IS THAT THIS OPPORTUNITY AND SPOTLIGHT IMPRESSES YOU MU 1120 00:50:06,000 --> 00:50:07,037 MY HOPE IS THAT THIS OPPORTUNITY AND SPOTLIGHT IMPRESSES YOU MU 1121 00:50:07,104 --> 00:50:10,006 MUCH. 1122 00:50:10,073 --> 00:50:12,000 AND LIFTS UP THE CAREERS OF THESE VERY TALENTED PEOPLE ON 1123 00:50:12,000 --> 00:50:12,976 AND LIFTS UP THE CAREERS OF THESE VERY TALENTED PEOPLE ON 1124 00:50:13,043 --> 00:50:14,177 THEIR JOURNEY. 1125 00:50:14,244 --> 00:50:17,547 I WILL CONTINUE TO DO MY BEST AS A TRAILBLAZER AND TOGETHER, 1126 00:50:17,614 --> 00:50:18,000 LET'S ENSURE THAT ALL OUR FELLOW ARTISTS GET EQUAL PLAY 1127 00:50:18,000 --> 00:50:22,052 LET'S ENSURE THAT ALL OUR FELLOW ARTISTS GET EQUAL PLAY 1128 00:50:22,119 --> 00:50:24,000 REGARDLESS OF GENDER, AGE, OR RACE. 1129 00:50:24,000 --> 00:50:26,022 REGARDLESS OF GENDER, AGE, OR RACE. 1130 00:50:26,089 --> 00:50:30,000 THANK YOU AGAIN FOR HONORING ME. 1131 00:50:30,000 --> 00:50:30,060 THANK YOU AGAIN FOR HONORING ME. 1132 00:50:30,127 --> 00:50:31,661 SPECIAL THANK YOU TO ALL MY FANS. 1133 00:50:31,728 --> 00:50:36,000 I AM TRULY TOUCHED BY THIS MOMENT. 1134 00:50:36,000 --> 00:50:36,767 I AM TRULY TOUCHED BY THIS MOMENT. 1135 00:50:36,833 --> 00:50:41,938 THANK YOU. 1136 00:50:42,005 --> 00:50:46,543 PLEASE WELCOME THE STAR OF 1137 00:50:46,610 --> 00:50:48,000 THE NEW CBS SERIES "TRUE LIES," BONAFIDE TEXAN STEVE HOWEY! 1138 00:50:48,000 --> 00:50:49,012 THE NEW CBS SERIES "TRUE LIES," BONAFIDE TEXAN STEVE HOWEY! 1139 00:50:49,079 --> 00:50:54,000 >> THE STARS AT NIGHT ARE BIG AND BRIGHT 1140 00:50:54,000 --> 00:50:54,918 >> THE STARS AT NIGHT ARE BIG AND BRIGHT 1141 00:50:54,985 --> 00:50:58,922 >> DEEP IN THE HEART OF TEXAS! 1142 00:50:58,989 --> 00:50:59,856 >> YES, THANK YOU! 1143 00:50:59,923 --> 00:51:00,000 WE'RE IN LONGHORN COUNTRY, BABY. 1144 00:51:00,000 --> 00:51:02,926 WE'RE IN LONGHORN COUNTRY, BABY. 1145 00:51:02,993 --> 00:51:04,928 ALL RIGHT. 1146 00:51:04,995 --> 00:51:06,000 I JUST HAD TO BE HERE FOR THE FIRST EVER CMT MUSIC AWARDS 1147 00:51:06,000 --> 00:51:11,134 I JUST HAD TO BE HERE FOR THE FIRST EVER CMT MUSIC AWARDS 1148 00:51:11,201 --> 00:51:12,000 THERE'S CODY. 1149 00:51:12,000 --> 00:51:15,305 THERE'S CODY. 1150 00:51:15,372 --> 00:51:16,273 HE JUST POINTED AT ME. 1151 00:51:16,339 --> 00:51:18,000 FIRST EVER CMT MUSIC AWARDS IN MY HOME STATE. 1152 00:51:18,000 --> 00:51:21,311 FIRST EVER CMT MUSIC AWARDS IN MY HOME STATE. 1153 00:51:21,378 --> 00:51:23,780 I WAS BORN IN SAN ANTONIO. 1154 00:51:23,847 --> 00:51:24,000 I LOVE AUSTIN. 1155 00:51:24,000 --> 00:51:28,885 I LOVE AUSTIN. 1156 00:51:28,952 --> 00:51:30,000 THIS NEXT ARTIST ISN'T JUST BIG. 1157 00:51:30,000 --> 00:51:30,120 THIS NEXT ARTIST ISN'T JUST BIG. 1158 00:51:30,187 --> 00:51:32,589 HE'S TEXAS BIG. 1159 00:51:32,656 --> 00:51:36,000 HE TOOK OVER COUNTRY WITH HIS BREAKOUT HIT LAST YEAR, TOOK 1160 00:51:36,000 --> 00:51:37,360 HE TOOK OVER COUNTRY WITH HIS BREAKOUT HIT LAST YEAR, TOOK 1161 00:51:37,427 --> 00:51:40,730 HOME A FEW CMTS, AND HAS JUST KEPT GOING EVER SINCE. 1162 00:51:40,797 --> 00:51:42,000 WITH HIS LATEST HIT, "HUMAN," HERE IS CODY JOHNSON! 1163 00:51:42,000 --> 00:51:47,971 WITH HIS LATEST HIT, "HUMAN," HERE IS CODY JOHNSON! 1164 00:51:49,906 --> 00:51:54,000 # # # I THOUGHT BY NOW # 1165 00:51:54,000 --> 00:52:00,000 # # # I THOUGHT BY NOW # 1166 00:52:00,000 --> 00:52:01,852 # # # I THOUGHT BY NOW # 1167 00:52:01,918 --> 00:52:04,621 # I'D HAVE IT FIGURED OUT # # HOW NOT TO MAKE # 1168 00:52:04,688 --> 00:52:06,000 # THE EASY THING # # SO HARD TO DO # 1169 00:52:06,000 --> 00:52:09,292 # THE EASY THING # # SO HARD TO DO # 1170 00:52:09,359 --> 00:52:12,000 # I BET THAT I'D BE # # FURTHER DOWN THIS ROAD # 1171 00:52:12,000 --> 00:52:14,364 # I BET THAT I'D BE # # FURTHER DOWN THIS ROAD # 1172 00:52:14,431 --> 00:52:18,000 # IF I COULD READ THE SIGNS # # THAT POINT ME TO THE TRUTH # 1173 00:52:18,000 --> 00:52:20,570 # IF I COULD READ THE SIGNS # # THAT POINT ME TO THE TRUTH # 1174 00:52:20,637 --> 00:52:24,000 # I NEVER PLANNED ON # # BEING NOTHIN' BUT A COWBOY # 1175 00:52:24,000 --> 00:52:26,243 # I NEVER PLANNED ON # # BEING NOTHIN' BUT A COWBOY # 1176 00:52:26,309 --> 00:52:30,000 # BUT SOMEWHERE # # I PICKED UP THIS OLD GUITAR # 1177 00:52:30,000 --> 00:52:32,516 # BUT SOMEWHERE # # I PICKED UP THIS OLD GUITAR # 1178 00:52:32,582 --> 00:52:36,000 # GIRL, ALL I CAN SAY # # IS THAT I'M SORRY # 1179 00:52:36,000 --> 00:52:37,454 # GIRL, ALL I CAN SAY # # IS THAT I'M SORRY # 1180 00:52:37,521 --> 00:52:42,000 # IF I GET KIND OF CARELESS # # WITH YOUR HEART # 1181 00:52:42,000 --> 00:52:48,000 # IF I GET KIND OF CARELESS # # WITH YOUR HEART # 1182 00:52:48,000 --> 00:52:48,899 # IF I GET KIND OF CARELESS # # WITH YOUR HEART # 1183 00:52:48,965 --> 00:52:51,434 ALL THE MIDNIGHTS # CHASING ALL THAT EMPTY # 1184 00:52:51,501 --> 00:52:54,000 # STILL AIN'T GOT IT RIGHT # # ALL THE CRAZY # 1185 00:52:54,000 --> 00:52:55,505 # STILL AIN'T GOT IT RIGHT # # ALL THE CRAZY # 1186 00:52:55,572 --> 00:53:00,000 # ALL THE GYPSY # # I GUESS ALL I'M SAYIN' IS 1187 00:53:00,000 --> 00:53:00,644 # ALL THE GYPSY # # I GUESS ALL I'M SAYIN' IS 1188 00:53:00,710 --> 00:53:03,480 FORGIVE ME # # IF I DON'T KNOW WHAT I'M 1189 00:53:03,547 --> 00:53:06,000 DOING # # 'CAUSE I'M STILL LEARNIN' TO 1190 00:53:06,000 --> 00:53:11,321 DOING # # 'CAUSE I'M STILL LEARNIN' TO 1191 00:53:11,388 --> 00:53:12,000 BE HUMAN # # SO FAR I'VE BEEN GOOD # 1192 00:53:12,000 --> 00:53:17,928 BE HUMAN # # SO FAR I'VE BEEN GOOD # 1193 00:53:17,994 --> 00:53:18,000 # AT BURNIN' BRIDGES # # STRIKE A MATCH # 1194 00:53:18,000 --> 00:53:22,899 # AT BURNIN' BRIDGES # # STRIKE A MATCH # 1195 00:53:22,966 --> 00:53:24,000 # AND RIDE RIGHT OUT OF TOWN # # BLESS YOUR HEART FOR NEVER 1196 00:53:24,000 --> 00:53:28,638 # AND RIDE RIGHT OUT OF TOWN # # BLESS YOUR HEART FOR NEVER 1197 00:53:28,705 --> 00:53:30,000 TRYIN' TO FIX ME # # OR QUIT ME # 1198 00:53:30,000 --> 00:53:36,000 TRYIN' TO FIX ME # # OR QUIT ME # 1199 00:53:36,000 --> 00:53:36,880 TRYIN' TO FIX ME # # OR QUIT ME # 1200 00:53:36,947 --> 00:53:42,000 # OR SLOW ME DOWN # # ALL THE MIDNIGHTS # 1201 00:53:42,000 --> 00:53:47,123 # OR SLOW ME DOWN # # ALL THE MIDNIGHTS # 1202 00:53:47,190 --> 00:53:48,000 # CHASING ALL THAT EMPTY # # STILL AIN'T GOT IT RIGHT # 1203 00:53:48,000 --> 00:53:51,995 # CHASING ALL THAT EMPTY # # STILL AIN'T GOT IT RIGHT # 1204 00:53:52,062 --> 00:53:54,000 # ALL THE CRAZY # # ALL THE GYPSY # 1205 00:53:54,000 --> 00:53:57,901 # ALL THE CRAZY # # ALL THE GYPSY # 1206 00:53:57,968 --> 00:54:00,000 # I GUESS ALL I'M SAYIN' IS FORGIVE ME # 1207 00:54:00,000 --> 00:54:01,871 # I GUESS ALL I'M SAYIN' IS FORGIVE ME # 1208 00:54:01,938 --> 00:54:06,000 # IF I DON'T KNOW # # WHAT I'M DOING # 1209 00:54:06,000 --> 00:54:09,179 # IF I DON'T KNOW # # WHAT I'M DOING # 1210 00:54:09,245 --> 00:54:12,000 # 'CAUSE I'M STILL LEARNIN' # # TO BE HUMAN # 1211 00:54:12,000 --> 00:54:14,284 # 'CAUSE I'M STILL LEARNIN' # # TO BE HUMAN # 1212 00:54:14,351 --> 00:54:18,000 AIN'T WE ALL, HUH, AUSTIN? 1213 00:54:18,000 --> 00:54:21,524 AIN'T WE ALL, HUH, AUSTIN? 1214 00:54:21,591 --> 00:54:24,000 # ALL THE HIGHWAYS # # PLAYIN' OUTLAW # 1215 00:54:24,000 --> 00:54:26,730 # ALL THE HIGHWAYS # # PLAYIN' OUTLAW # 1216 00:54:26,796 --> 00:54:30,000 # ROLLIN' OUTTA NOWHERE # # WITH THE BRAKES OFF # 1217 00:54:30,000 --> 00:54:30,934 # ROLLIN' OUTTA NOWHERE # # WITH THE BRAKES OFF # 1218 00:54:31,001 --> 00:54:36,000 # ALL THE CRAZY # # AND THE WHISKEY # 1219 00:54:36,000 --> 00:54:37,040 # ALL THE CRAZY # # AND THE WHISKEY # 1220 00:54:37,107 --> 00:54:42,000 # WAKIN' UP AND WONDERIN' # # WHAT HIT ME # 1221 00:54:42,000 --> 00:54:42,112 # WAKIN' UP AND WONDERIN' # # WHAT HIT ME # 1222 00:54:42,178 --> 00:54:45,548 # WHOA, FORGIVE ME # # I REALLY DON'T KNOW # 1223 00:54:45,615 --> 00:54:48,000 # WHAT I'M DOIN' # # 'CAUSE I'M STILL # 1224 00:54:48,000 --> 00:54:50,387 # WHAT I'M DOIN' # # 'CAUSE I'M STILL # 1225 00:54:50,453 --> 00:54:54,000 # LEARNIN' TO BE HUMAN # # MMM, STILL LEARNIN' # 1226 00:54:54,000 --> 00:54:56,259 # LEARNIN' TO BE HUMAN # # MMM, STILL LEARNIN' # 1227 00:54:56,326 --> 00:55:00,000 # TO BE HUMAN # 1228 00:55:00,000 --> 00:55:04,534 # TO BE HUMAN # 1229 00:55:06,236 --> 00:55:12,000 # # [CHEERS AND APPLAUSE] 1230 00:55:12,000 --> 00:55:18,000 # # [CHEERS AND APPLAUSE] 1231 00:55:18,000 --> 00:55:21,117 # # [CHEERS AND APPLAUSE] 1232 00:55:21,184 --> 00:55:22,719 # # [CHEERS AND APPLAUSE] 1233 00:55:33,096 --> 00:55:34,097 >> CODY JOHNSON! 1234 00:55:34,164 --> 00:55:35,465 THIS NEXT ARTIST IS KNOWN FOR HIS MASSIVE SONGS, HIS 1235 00:55:35,532 --> 00:55:36,000 INCREDIBLE GUITAR CHOPS AND FOR HIS GAME CHANGING PERFORMANCES 1236 00:55:36,000 --> 00:55:37,300 INCREDIBLE GUITAR CHOPS AND FOR HIS GAME CHANGING PERFORMANCES 1237 00:55:37,367 --> 00:55:39,769 RIGHT HERE AT THE CMT MUSIC AWARDS. 1238 00:55:39,836 --> 00:55:42,000 TONIGHT, HE'S COMING FROM OUR CAPITOL STAGE 1239 00:55:42,000 --> 00:55:43,573 TONIGHT, HE'S COMING FROM OUR CAPITOL STAGE 1240 00:55:43,640 --> 00:55:45,642 IN THE HEART OF AUSTIN, KEITH URBAN, EVERYBODY! 1241 00:56:06,129 --> 00:56:09,132 # # # YOU MADE UP YOUR MIND # 1242 00:56:09,199 --> 00:56:12,000 # GOT OFF THE COUCH # # YOU DID UP YOUR HAIR # 1243 00:56:12,000 --> 00:56:13,103 # GOT OFF THE COUCH # # YOU DID UP YOUR HAIR # 1244 00:56:13,169 --> 00:56:17,073 # NOW YOU'RE GOIN' OUT # # YOU PUT ON THAT PARTY DRESS # 1245 00:56:17,140 --> 00:56:18,000 # EVEN THOUGH # # YOUR HEART'S A MESS # 1246 00:56:18,000 --> 00:56:20,877 # EVEN THOUGH # # YOUR HEART'S A MESS # 1247 00:56:20,944 --> 00:56:24,000 # YOUR FRIENDS SWUNG BY # # YOU JUMPED IN THE CAR # 1248 00:56:24,000 --> 00:56:24,481 # YOUR FRIENDS SWUNG BY # # YOU JUMPED IN THE CAR # 1249 00:56:24,547 --> 00:56:27,350 # YOU WALKED IN HERE # # AND NOW HERE WE ARE # 1250 00:56:27,417 --> 00:56:30,000 # PUTTIN' THE HURTIN' # # ON SOME JOSE # 1251 00:56:30,000 --> 00:56:30,987 # PUTTIN' THE HURTIN' # # ON SOME JOSE # 1252 00:56:31,054 --> 00:56:34,491 # AND CATCHIN' UP # # WHILE THE BAND PLAYS # 1253 00:56:34,557 --> 00:56:36,000 # YOU SAY YOU MISS THE GIRL # # YOU USED TO BE # 1254 00:56:36,000 --> 00:56:37,360 # YOU SAY YOU MISS THE GIRL # # YOU USED TO BE # 1255 00:56:37,427 --> 00:56:40,530 # BET I CAN FIND HER # # IF YOU LET ME # 1256 00:56:40,597 --> 00:56:42,000 # I CAN PUT THE SMILE # # RIGHT BACK WHERE # 1257 00:56:42,000 --> 00:56:42,465 # I CAN PUT THE SMILE # # RIGHT BACK WHERE # 1258 00:56:42,532 --> 00:56:45,101 # YOUR SMILE GOES # # DREAMS BACK IN # 1259 00:56:45,168 --> 00:56:47,270 # WHAT YOU SEE # # WHEN YOUR EYES CLOSE # 1260 00:56:47,337 --> 00:56:48,000 # I'LL BE THE BUZZ # # THAT YOU FEEL # 1261 00:56:48,000 --> 00:56:49,072 # I'LL BE THE BUZZ # # THAT YOU FEEL # 1262 00:56:49,139 --> 00:56:51,975 # WHEN YOU SIP SLOW # # SLOW DANCE # 1263 00:56:52,041 --> 00:56:54,000 # RIGHT BACK # # IN YOUR DIRT ROAD # 1264 00:56:54,000 --> 00:56:54,177 # RIGHT BACK # # IN YOUR DIRT ROAD # 1265 00:56:54,244 --> 00:56:57,247 # I CAN PUT THE SUN # # RIGHT BACK IN YOUR SUNSHINE # 1266 00:56:57,313 --> 00:57:00,000 # BRING A LITTLE LOVE # # BACK INTO YOUR LATE NIGHT # 1267 00:57:00,000 --> 00:57:00,583 # BRING A LITTLE LOVE # # BACK INTO YOUR LATE NIGHT # 1268 00:57:00,650 --> 00:57:05,455 # AIN'T GOTTA BE NOTHIN' MORE # # THAN ONE MORE DRINK # 1269 00:57:05,522 --> 00:57:06,000 # AND MAYBE I CAN TAKE THE BLUE # 1270 00:57:06,000 --> 00:57:07,524 # AND MAYBE I CAN TAKE THE BLUE # 1271 00:57:07,590 --> 00:57:12,000 # OUT OF YOUR BROWN EYES, BABY # # # 1272 00:57:12,000 --> 00:57:15,565 # OUT OF YOUR BROWN EYES, BABY # # # 1273 00:57:15,632 --> 00:57:18,000 # AND THAT WILD SIDE # # THAT YOU LEARNED TO TAME # 1274 00:57:18,000 --> 00:57:18,601 # AND THAT WILD SIDE # # THAT YOU LEARNED TO TAME # 1275 00:57:18,668 --> 00:57:21,871 # SHE'LL ROLL IN # # LIKE A MIDNIGHT TRAIN # 1276 00:57:21,938 --> 00:57:24,000 # ALMOST LIKE SHE NEVER # # LEFT HERE # 1277 00:57:24,000 --> 00:57:24,541 # ALMOST LIKE SHE NEVER # # LEFT HERE # 1278 00:57:24,607 --> 00:57:28,244 # AND I'LL BE READY # # BABY, WHEN SHE GETS HERE # 1279 00:57:28,311 --> 00:57:30,000 # I CAN PUT THE SMILE # # RIGHT BACK WHERE # 1280 00:57:30,000 --> 00:57:30,814 # I CAN PUT THE SMILE # # RIGHT BACK WHERE # 1281 00:57:30,880 --> 00:57:32,916 # YOUR SMILE GOES # # DREAMS BACK IN # 1282 00:57:32,982 --> 00:57:34,617 # WHAT YOU SEE # # WHEN YOUR EYES CLOSE # 1283 00:57:34,684 --> 00:57:36,000 # I'LL BE THE BUZZ # # THAT YOU FEEL # 1284 00:57:36,000 --> 00:57:36,986 # I'LL BE THE BUZZ # # THAT YOU FEEL # 1285 00:57:37,053 --> 00:57:40,423 # WHEN YOU SIP SLOW # # SLOW DANCE RIGHT BACK # 1286 00:57:40,490 --> 00:57:42,000 # IN YOUR DIRT ROAD # # I CAN PUT THE SUN # 1287 00:57:42,000 --> 00:57:43,960 # IN YOUR DIRT ROAD # # I CAN PUT THE SUN # 1288 00:57:44,027 --> 00:57:46,496 # RIGHT BACK IN YOUR SUNSHINE # # BRING A LITTLE LOVE # 1289 00:57:46,563 --> 00:57:48,000 # BACK INTO YOUR LATE NIGHT # # AIN'T GOTTA BE # 1290 00:57:48,000 --> 00:57:50,200 # BACK INTO YOUR LATE NIGHT # # AIN'T GOTTA BE # 1291 00:57:50,266 --> 00:57:53,736 # NOTHIN' MORE THAN # # ONE MORE DRINK # 1292 00:57:53,803 --> 00:57:54,000 # AND MAYBE I CAN TAKE THE BLUE # 1293 00:57:54,000 --> 00:57:55,872 # AND MAYBE I CAN TAKE THE BLUE # 1294 00:57:55,939 --> 00:58:00,000 # OUT OF YOUR BROWN EYES, BABY # # # 1295 00:58:00,000 --> 00:58:06,000 # OUT OF YOUR BROWN EYES, BABY # # # 1296 00:58:06,000 --> 00:58:09,485 # OUT OF YOUR BROWN EYES, BABY # # # 1297 00:58:11,087 --> 00:58:12,000 # PUT THE FULL # # BACK IN YOUR HALF EMPTY # 1298 00:58:12,000 --> 00:58:13,256 # PUT THE FULL # # BACK IN YOUR HALF EMPTY # 1299 00:58:13,323 --> 00:58:16,226 # AND PUT THE TWO # # IN YOUR STEP AGAIN # 1300 00:58:16,292 --> 00:58:18,000 # ABOUT TO SEE # # WHERE LEANIN' IN GETS ME # 1301 00:58:18,000 --> 00:58:19,462 # ABOUT TO SEE # # WHERE LEANIN' IN GETS ME # 1302 00:58:19,529 --> 00:58:24,000 # BABY, JUST SAY WHEN # # 'CAUSE I CAN PUT THE SMILE # 1303 00:58:24,000 --> 00:58:24,133 # BABY, JUST SAY WHEN # # 'CAUSE I CAN PUT THE SMILE # 1304 00:58:24,200 --> 00:58:26,169 # RIGHT BACK # # WHERE YOUR SMILE GOES # 1305 00:58:26,236 --> 00:58:30,000 # DREAMS BACK IN # # WHAT YOU SEE # 1306 00:58:30,000 --> 00:58:30,673 # DREAMS BACK IN # # WHAT YOU SEE # 1307 00:58:30,740 --> 00:58:32,342 # WHEN YOUR EYES CLOSE # # I'LL BE THE BUZZ # 1308 00:58:32,408 --> 00:58:35,478 # THAT YOU FEEL # # WHEN YOU SIP SLOW # 1309 00:58:35,545 --> 00:58:36,000 # SLOW DANCE RIGHT BACK # # IN YOUR DIRT ROAD # 1310 00:58:36,000 --> 00:58:37,747 # SLOW DANCE RIGHT BACK # # IN YOUR DIRT ROAD # 1311 00:58:37,814 --> 00:58:40,116 # I CAN PUT THE SUN # # RIGHT BACK IN YOUR SUNSHINE # 1312 00:58:40,183 --> 00:58:42,000 # BRING A LITTLE LOVE # # BACK INTO YOUR LATE NIGHT # 1313 00:58:42,000 --> 00:58:43,019 # BRING A LITTLE LOVE # # BACK INTO YOUR LATE NIGHT # 1314 00:58:43,086 --> 00:58:47,357 # AIN'T GOTTA BE NOTHIN' MORE # # THAN ONE MORE DRINK # 1315 00:58:47,423 --> 00:58:48,000 # AND MAYBE I CAN TAKE THE BLUE # 1316 00:58:48,000 --> 00:58:50,093 # AND MAYBE I CAN TAKE THE BLUE # 1317 00:58:50,159 --> 00:58:54,000 # OUT OF YOUR BROWN EYES, BABY # # MMM, TAKE THE BLUE OUT OF # 1318 00:58:54,000 --> 00:58:59,669 # OUT OF YOUR BROWN EYES, BABY # # MMM, TAKE THE BLUE OUT OF # 1319 00:58:59,736 --> 00:59:00,000 # YOUR BROWN EYES, BABY # # OH, YEAH # 1320 00:59:00,000 --> 00:59:01,738 # YOUR BROWN EYES, BABY # # OH, YEAH # 1321 00:59:08,278 --> 00:59:12,000 # # 1322 00:59:12,000 --> 00:59:15,852 # # 1323 00:59:30,500 --> 00:59:32,502 # # [CHEERS AND APPLAUSE] 1324 00:59:37,974 --> 00:59:38,908 >> I LOVE YOU, AUSTIN! 1325 00:59:38,975 --> 00:59:41,878 THANK YOU, CMT! 1326 00:59:41,945 --> 00:59:42,000 >> HOW MUCH DO WE LOVE KEITH URBAN? 1327 00:59:42,000 --> 00:59:46,549 >> HOW MUCH DO WE LOVE KEITH URBAN? 1328 00:59:46,616 --> 00:59:48,000 SO GREAT TO SEE ALL THOSE FANS OUT THERE. 1329 00:59:48,000 --> 00:59:51,321 SO GREAT TO SEE ALL THOSE FANS OUT THERE. 1330 00:59:51,387 --> 00:59:54,000 EARLIER TONIGHT WE ANNOUNCED THAT THE WINNER THE GROUP DO A 1331 00:59:54,000 --> 00:59:56,459 EARLIER TONIGHT WE ANNOUNCED THAT THE WINNER THE GROUP DO A 1332 00:59:56,526 --> 01:00:00,000 VIDEO IS ZAC BROWN BAND FOR OUT IN THE MIDDLE. 1333 01:00:00,000 --> 01:00:00,296 VIDEO IS ZAC BROWN BAND FOR OUT IN THE MIDDLE. 1334 01:00:00,363 --> 01:00:06,000 SPEAKING OF THE MIDDLE , WE ARE IN THE MIDDLE OF THE SHOW NOW. 1335 01:00:06,000 --> 01:00:07,937 SPEAKING OF THE MIDDLE , WE ARE IN THE MIDDLE OF THE SHOW NOW. 1336 01:00:08,004 --> 01:00:09,939 KANE HAD A SNACK. 1337 01:00:10,006 --> 01:00:12,000 HE HAD A BRISKET. 1338 01:00:12,000 --> 01:00:12,475 HE HAD A BRISKET. 1339 01:00:12,542 --> 01:00:13,543 IT'S MY TURN. 1340 01:00:13,609 --> 01:00:17,880 TIME TO INTRODUCE MY BURRITO CLUTCH. 1341 01:00:17,947 --> 01:00:18,000 DO YOU MIND? 1342 01:00:18,000 --> 01:00:24,000 DO YOU MIND? 1343 01:00:24,000 --> 01:00:27,023 DO YOU MIND? 1344 01:00:27,090 --> 01:00:29,092 IT'S DIFFERENT DOWN HERE. 1345 01:00:33,029 --> 01:00:34,964 SPEAKING OF THINGS THAT ARE CLUTCH, 1346 01:00:35,031 --> 01:00:36,000 HERE TO PERFORM "WHISKEY ON YOU," FROM THE RAM TRUCKS STAGE, 1347 01:00:36,000 --> 01:00:36,265 HERE TO PERFORM "WHISKEY ON YOU," FROM THE RAM TRUCKS STAGE, 1348 01:00:36,332 --> 01:00:42,000 IT'S NATE SMITH! 1349 01:00:42,000 --> 01:00:44,974 IT'S NATE SMITH! 1350 01:00:45,041 --> 01:00:46,943 # LINE 'EM UP # # LINE 'EM UP # 1351 01:00:47,010 --> 01:00:48,000 # POUR 'EM TALL # # HERE'S TO US # 1352 01:00:48,000 --> 01:00:50,980 # POUR 'EM TALL # # HERE'S TO US # 1353 01:00:51,047 --> 01:00:53,316 # HAPPILY NEVER AFTER ALL # # AIN'T GONNA WASTE # 1354 01:00:53,383 --> 01:00:54,000 # ONE MORE NIGHT # # MISSING, WANTING YOU BACK # 1355 01:00:54,000 --> 01:00:58,021 # ONE MORE NIGHT # # MISSING, WANTING YOU BACK # 1356 01:00:58,087 --> 01:01:00,000 # NO, I AIN'T GONNA CRY # # ANOTHER TEAR IN THIS GLASS # 1357 01:01:00,000 --> 01:01:01,024 # NO, I AIN'T GONNA CRY # # ANOTHER TEAR IN THIS GLASS # 1358 01:01:01,090 --> 01:01:04,761 # YOU DIDN'T WASTE ANY TIME # # FINDING SOMEBODY NEW # 1359 01:01:04,827 --> 01:01:06,000 # SO I AIN'T GONNA WASTE # # ANOTHER DROP OF WHISKEY # 1360 01:01:06,000 --> 01:01:07,864 # SO I AIN'T GONNA WASTE # # ANOTHER DROP OF WHISKEY # 1361 01:01:07,930 --> 01:01:11,300 # ON YOU # # NO, I AIN'T GONNA WASTE # 1362 01:01:11,367 --> 01:01:12,000 # ANOTHER DROP OF WHISKEY # # ON YOU # 1363 01:01:12,000 --> 01:01:14,237 # ANOTHER DROP OF WHISKEY # # ON YOU # 1364 01:01:14,303 --> 01:01:18,000 # NO, I AIN'T # # NO, I AIN'T # 1365 01:01:18,000 --> 01:01:19,776 # NO, I AIN'T # # NO, I AIN'T # 1366 01:01:19,842 --> 01:01:21,811 # NO, I AIN'T GONNA WASTE # # ANOTHER DROP OF WHISKEY # 1367 01:01:21,878 --> 01:01:24,000 # ON YOU # [CHEERS AND APPLAUSE] 1368 01:01:24,000 --> 01:01:30,000 # ON YOU # [CHEERS AND APPLAUSE] 1369 01:01:30,000 --> 01:01:31,621 # ON YOU # [CHEERS AND APPLAUSE] 1370 01:01:31,687 --> 01:01:34,390 >> NEXT, LAINEY WILSON WITH HER HIT "HEART LIKE A TRUCK," 1371 01:01:34,457 --> 01:01:36,000 AND GWEN STEFANI TAKES THE STAGE WITH HER ICONIC "JUST A GIRL," 1372 01:01:36,000 --> 01:01:36,526 AND GWEN STEFANI TAKES THE STAGE WITH HER ICONIC "JUST A GIRL," 1373 01:01:36,592 --> 01:01:39,962 WITH SPECIAL GUEST CARLY PEARCE. 1374 01:01:40,029 --> 01:01:41,297 WHO WILL WIN VIDEO OF THE YEAR? 1375 01:01:41,364 --> 01:01:42,000 IT'S UP TO YOU. 1376 01:01:42,000 --> 01:01:42,665 IT'S UP TO YOU. 1377 01:01:42,732 --> 01:01:44,767 CAST YOUR VOTES RIGHT NOW ON THE CMT MUSIC AWARDS FACEBOOK 1378 01:01:44,834 --> 01:01:46,402 PAGE. 1379 01:01:46,469 --> 01:01:48,000 THE VOTING IS PRESENTED BY RAM TRUCKS. 1380 01:01:48,000 --> 01:01:49,072 THE VOTING IS PRESENTED BY RAM TRUCKS. 1381 01:01:49,138 --> 01:01:52,275 THE CMT MUSIC AWARDS CONTINUES LIVE FROM AUSTIN, TEXAS. 1382 01:01:52,341 --> 01:01:54,000 THIS IS CBS. 1383 01:01:54,000 --> 01:01:55,278 THIS IS CBS. 1384 01:01:55,344 --> 01:02:00,000 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY... 1385 01:02:00,000 --> 01:02:00,216 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY... 1386 01:02:00,283 --> 01:02:01,184 PROGRESSIVE. 1387 01:02:01,250 --> 01:02:02,118 SAVE WHEN YOU BUNDLE AUTO, HOME, OR MOTORCYCLE 1388 01:02:02,185 --> 01:02:02,685 INSURANCE. 1389 01:02:22,371 --> 01:02:24,000 >> WELCOME BACK TO THE 2023 CMT MUSIC AWARDS. 1390 01:02:24,000 --> 01:02:24,874 >> WELCOME BACK TO THE 2023 CMT MUSIC AWARDS. 1391 01:02:24,941 --> 01:02:28,010 I'M BACK HERE IN THE SOLITAIRE GRAND HARVEST GAME LOUNGE. 1392 01:02:28,077 --> 01:02:30,000 DUSTIN LYNCH IS HAVING A BLAST WITH ALL THE GAMES 1393 01:02:30,000 --> 01:02:30,680 DUSTIN LYNCH IS HAVING A BLAST WITH ALL THE GAMES 1394 01:02:30,746 --> 01:02:32,115 IN THIS PLACE. 1395 01:02:32,181 --> 01:02:35,918 THE NEXT THREE PRESENTERS HAVE A LOT IN COMMON. 1396 01:02:35,985 --> 01:02:36,000 THEY'VE ALL WORKED WITH LAINEY WILSON, AND NONE OF THEM 1397 01:02:36,000 --> 01:02:37,620 THEY'VE ALL WORKED WITH LAINEY WILSON, AND NONE OF THEM 1398 01:02:37,687 --> 01:02:40,123 CAN TELL ME ANYTHING ABOUT THE NEXT SEASON 1399 01:02:40,189 --> 01:02:41,057 OF "YELLOWSTONE." 1400 01:02:41,124 --> 01:02:42,000 ALTHOUGH HARDY HAS SOME GOOD THEORIES. 1401 01:02:42,000 --> 01:02:44,293 ALTHOUGH HARDY HAS SOME GOOD THEORIES. 1402 01:02:44,360 --> 01:02:48,000 PLEASE WELCOME IAN BOHEN, JEN LANDON, AND HARDY! 1403 01:02:48,000 --> 01:02:53,569 PLEASE WELCOME IAN BOHEN, JEN LANDON, AND HARDY! 1404 01:02:53,636 --> 01:02:54,000 [CHEERS AND APPLAUSE] >> THIS NEXT PERFORMER IS ONE OF 1405 01:02:54,000 --> 01:02:59,408 [CHEERS AND APPLAUSE] >> THIS NEXT PERFORMER IS ONE OF 1406 01:02:59,475 --> 01:03:00,000 MY FAVORITE ARTISTS IN COUNTRY MUSIC, AND I'M NOT ONLY SAYING 1407 01:03:00,000 --> 01:03:06,000 MY FAVORITE ARTISTS IN COUNTRY MUSIC, AND I'M NOT ONLY SAYING 1408 01:03:06,000 --> 01:03:07,583 MY FAVORITE ARTISTS IN COUNTRY MUSIC, AND I'M NOT ONLY SAYING 1409 01:03:07,650 --> 01:03:11,187 THAT BECAUSE SHE PLAYS MY GIRLFRIEND ON "YELLOWSTONE." 1410 01:03:11,254 --> 01:03:12,000 >> SHE CAN ACT, SHE'S A GREAT SONGWRITER, SHE'S GOT 1411 01:03:12,000 --> 01:03:13,356 >> SHE CAN ACT, SHE'S A GREAT SONGWRITER, SHE'S GOT 1412 01:03:13,422 --> 01:03:14,524 A KILLER VOICE. 1413 01:03:14,590 --> 01:03:18,000 AND SHE'S ONE OF THE NICEST PEOPLE YOU'LL NEVER MEET. 1414 01:03:18,000 --> 01:03:18,427 AND SHE'S ONE OF THE NICEST PEOPLE YOU'LL NEVER MEET. 1415 01:03:18,494 --> 01:03:24,000 >> PERFORMING "HEART LIKE A TRUCK," 1416 01:03:24,000 --> 01:03:24,767 >> PERFORMING "HEART LIKE A TRUCK," 1417 01:03:24,834 --> 01:03:27,603 NUMBER ONE SONG IN COUNTRY THIS WEEK. 1418 01:03:27,670 --> 01:03:28,638 HERE IS OUR FRIEND AND MY SOON-TO-BE TOURING MATE, 1419 01:03:28,704 --> 01:03:30,000 LAINEY WILSON! 1420 01:03:30,000 --> 01:03:32,441 LAINEY WILSON! 1421 01:03:32,508 --> 01:03:33,009 [CHEERS AND APPLAUSE] 1422 01:03:47,890 --> 01:03:48,000 # # # I NEVER STAY # 1423 01:03:48,000 --> 01:03:49,659 # # # I NEVER STAY # 1424 01:03:49,725 --> 01:03:53,296 # IN ONE PLACE TOO LONG # # THE DIRT ROAD SINGIN' ME # 1425 01:03:53,362 --> 01:03:54,000 # A SIREN'S SONG I GOTTA # # FIND A FIELD # 1426 01:03:54,000 --> 01:03:57,500 # A SIREN'S SONG I GOTTA # # FIND A FIELD # 1427 01:03:57,567 --> 01:04:00,000 # I NEED TO SPIN MY WHEELS # # I GOTTA A'HANKERIN' # 1428 01:04:00,000 --> 01:04:04,140 # I NEED TO SPIN MY WHEELS # # I GOTTA A'HANKERIN' # 1429 01:04:04,207 --> 01:04:06,000 # FOR FOUR WIDE TIRES # # AND I CAN'T HELP IT # 1430 01:04:06,000 --> 01:04:07,210 # FOR FOUR WIDE TIRES # # AND I CAN'T HELP IT # 1431 01:04:07,276 --> 01:04:12,000 # IT'S THE WAY I'M WIRED # # 'FORE YOU GET TOO CLOSE # 1432 01:04:12,000 --> 01:04:12,415 # IT'S THE WAY I'M WIRED # # 'FORE YOU GET TOO CLOSE # 1433 01:04:12,481 --> 01:04:17,887 # BOY, YOU NEED TO KNOW # # I GOT A HEART LIKE A TRUCK # 1434 01:04:17,954 --> 01:04:18,000 # IT'S BEEN DRUG THROUGH # # THE MUD # 1435 01:04:18,000 --> 01:04:22,158 # IT'S BEEN DRUG THROUGH # # THE MUD # 1436 01:04:22,225 --> 01:04:24,000 # RUNS ON DREAMS AND GASOLINE # # AND THAT OLE HIGHWAY # 1437 01:04:24,000 --> 01:04:26,128 # RUNS ON DREAMS AND GASOLINE # # AND THAT OLE HIGHWAY # 1438 01:04:26,195 --> 01:04:29,398 # HOLDS THE KEY # # IT'S GOT A LEAD FOOT # 1439 01:04:29,465 --> 01:04:30,000 # DOWN WHEN IT'S LEAVIN' # # LORD KNOWS IT'S TAKEN # 1440 01:04:30,000 --> 01:04:32,134 # DOWN WHEN IT'S LEAVIN' # # LORD KNOWS IT'S TAKEN # 1441 01:04:32,201 --> 01:04:36,000 # A HELL OF A BEATIN' # # A LITTLE BIT OF LOVE # 1442 01:04:36,000 --> 01:04:36,072 # A HELL OF A BEATIN' # # A LITTLE BIT OF LOVE # 1443 01:04:36,138 --> 01:04:40,876 # IS ALL THAT IT'S NEEDIN' # # BUT IT'S GOOD AS IT IS TOUGH # 1444 01:04:40,943 --> 01:04:42,000 # I GOT A HEART LIKE A TRUCK # # THERE AIN'T NO BRAKIN' # 1445 01:04:42,000 --> 01:04:47,550 # I GOT A HEART LIKE A TRUCK # # THERE AIN'T NO BRAKIN' # 1446 01:04:47,617 --> 01:04:48,000 # WHEN I THROW IT IN DRIVE # # DON'T ALWAYS KEEP IT 1447 01:04:48,000 --> 01:04:51,721 # WHEN I THROW IT IN DRIVE # # DON'T ALWAYS KEEP IT 1448 01:04:51,787 --> 01:04:54,000 IN BETWEEN THE LINES # # IF YOU'RE READY 1449 01:04:54,000 --> 01:04:57,560 IN BETWEEN THE LINES # # IF YOU'RE READY 1450 01:04:57,627 --> 01:04:59,428 # PEDAL DOWN STATE OF MIND # # BOY, I TELL YOU WHAT # 1451 01:04:59,495 --> 01:05:00,000 # YOU BETTER BUCKLE UP # # I GOT A HEART LIKE A TRUCK # 1452 01:05:00,000 --> 01:05:02,231 # YOU BETTER BUCKLE UP # # I GOT A HEART LIKE A TRUCK # 1453 01:05:02,298 --> 01:05:06,000 # IT'S BEEN DRUG THROUGH # # THE MUD # 1454 01:05:06,000 --> 01:05:06,068 # IT'S BEEN DRUG THROUGH # # THE MUD # 1455 01:05:06,135 --> 01:05:10,840 # RUNS ON DREAMS AND GASOLINE # # AND THAT OLD HIGHWAY # 1456 01:05:10,906 --> 01:05:12,000 # HOLDS THE KEY # # IT'S GOT A LEAD FOOT DOWN # 1457 01:05:12,000 --> 01:05:14,510 # HOLDS THE KEY # # IT'S GOT A LEAD FOOT DOWN # 1458 01:05:14,577 --> 01:05:17,446 # WHEN IT'S LEAVIN' # # LORD KNOWS IT'S TAKEN # 1459 01:05:17,513 --> 01:05:18,000 # A HELL OF A BEATIN' # # A LITTLE BIT OF LOVE # 1460 01:05:18,000 --> 01:05:20,650 # A HELL OF A BEATIN' # # A LITTLE BIT OF LOVE # 1461 01:05:20,716 --> 01:05:24,000 # IS ALL THAT IT'S NEEDIN' # # BUT IT'S GOOD AS IT IS TOUGH # 1462 01:05:24,000 --> 01:05:27,523 # IS ALL THAT IT'S NEEDIN' # # BUT IT'S GOOD AS IT IS TOUGH # 1463 01:05:27,590 --> 01:05:30,000 # I GOT A HEART LIKE A TRUCK # 1464 01:05:30,000 --> 01:05:36,000 # I GOT A HEART LIKE A TRUCK # 1465 01:05:36,000 --> 01:05:36,365 # I GOT A HEART LIKE A TRUCK # 1466 01:05:38,034 --> 01:05:41,337 # # # GO ON AND SEE # 1467 01:05:41,404 --> 01:05:42,000 # IF YOU CAN # # KNOCK OFF THE DUST, YEAH # 1468 01:05:42,000 --> 01:05:43,572 # IF YOU CAN # # KNOCK OFF THE DUST, YEAH # 1469 01:05:43,639 --> 01:05:47,610 # SHINE IT UP, REV IT UP # # AND LET IT RUN, YEAH # 1470 01:05:47,677 --> 01:05:48,000 # IT GETS A HIGH RIDIN' # # OFF INTO THE SUN, YEAH # 1471 01:05:48,000 --> 01:05:53,916 # IT GETS A HIGH RIDIN' # # OFF INTO THE SUN, YEAH # 1472 01:05:53,983 --> 01:05:54,000 # I GOT A HEART LIKE A TRUCK # # IT'S BEEN # 1473 01:05:54,000 --> 01:05:58,921 # I GOT A HEART LIKE A TRUCK # # IT'S BEEN # 1474 01:05:58,988 --> 01:06:00,000 # DRUG THROUGH THE MUD # # RUNS ON DREAMS AND GASOLINE # 1475 01:06:00,000 --> 01:06:03,559 # DRUG THROUGH THE MUD # # RUNS ON DREAMS AND GASOLINE # 1476 01:06:03,626 --> 01:06:06,000 # AND THAT OLD HIGHWAY # # HOLDS THE KEY # 1477 01:06:06,000 --> 01:06:07,730 # AND THAT OLD HIGHWAY # # HOLDS THE KEY # 1478 01:06:07,797 --> 01:06:09,799 # IT'S GOT A LEAD FOOT DOWN # # WHEN IT'S LEAVIN' # 1479 01:06:09,865 --> 01:06:12,000 # LORD KNOWS IT'S TAKEN # # A HELL OF A BEATIN' # 1480 01:06:12,000 --> 01:06:15,871 # LORD KNOWS IT'S TAKEN # # A HELL OF A BEATIN' # 1481 01:06:15,938 --> 01:06:18,000 # A LITTLE BIT OF LOVE # # IS ALL THAT IT'S NEEDIN' # 1482 01:06:18,000 --> 01:06:19,875 # A LITTLE BIT OF LOVE # # IS ALL THAT IT'S NEEDIN' # 1483 01:06:19,942 --> 01:06:24,000 # BUT IT'S GOOD AS IT IS TOUGH # # I GOT A HEART # 1484 01:06:24,000 --> 01:06:29,952 # BUT IT'S GOOD AS IT IS TOUGH # # I GOT A HEART # 1485 01:06:30,019 --> 01:06:36,000 # LIKE A TRUCK # # GO ON AND SEE # 1486 01:06:36,000 --> 01:06:39,328 # LIKE A TRUCK # # GO ON AND SEE # 1487 01:06:39,395 --> 01:06:41,097 # IF YOU CAN # # KNOCK OFF THE DUST, YEAH # 1488 01:06:41,163 --> 01:06:42,000 # SHINE IT UP, REV IT UP # # AND LET IT RUN, YEAH # 1489 01:06:42,000 --> 01:06:46,836 # SHINE IT UP, REV IT UP # # AND LET IT RUN, YEAH # 1490 01:06:46,902 --> 01:06:48,000 # IT GETS A HIGH RIDIN' OFF # # INTO THE SUN, YEAH # 1491 01:06:48,000 --> 01:06:48,337 # IT GETS A HIGH RIDIN' OFF # # INTO THE SUN, YEAH # 1492 01:06:48,404 --> 01:06:54,000 # IT GETS A HIGH RIDIN' OFF # # INTO THE SUN # 1493 01:06:54,000 --> 01:06:57,012 # IT GETS A HIGH RIDIN' OFF # # INTO THE SUN # 1494 01:06:57,079 --> 01:07:00,000 [CHEERS AND APPLAUSE] >> ON THE RAM TRUCKS STAGE WITH 1495 01:07:00,000 --> 01:07:04,553 [CHEERS AND APPLAUSE] >> ON THE RAM TRUCKS STAGE WITH 1496 01:07:04,620 --> 01:07:06,000 "DON'T COME LOOKIN'" JACKSON DEAN! 1497 01:07:06,000 --> 01:07:10,025 "DON'T COME LOOKIN'" JACKSON DEAN! 1498 01:07:14,730 --> 01:07:16,332 # GOT A HEAD # # FULL O' NOISE # 1499 01:07:16,399 --> 01:07:18,000 # 'BOUT A HUNDRED # # DIFFERENT THINGS # 1500 01:07:18,000 --> 01:07:18,134 # 'BOUT A HUNDRED # # DIFFERENT THINGS # 1501 01:07:18,200 --> 01:07:21,103 # I'M TRYNA AVOID # # I GOT A MIND # 1502 01:07:21,170 --> 01:07:24,000 # IN THE GUTTER # # TROUBLE ON ONE HAND # 1503 01:07:24,000 --> 01:07:24,573 # IN THE GUTTER # # TROUBLE ON ONE HAND # 1504 01:07:24,640 --> 01:07:28,344 # A BEER IN THE OTHER # # GOT THE WINDOWS DOWN # 1505 01:07:28,411 --> 01:07:30,000 # AND MY FINGERS CROSSED # # JUST LOOKING FOR # 1506 01:07:30,000 --> 01:07:34,183 # AND MY FINGERS CROSSED # # JUST LOOKING FOR # 1507 01:07:34,250 --> 01:07:36,000 # A BRAND-NEW WAY # # TO GET LOST # 1508 01:07:36,000 --> 01:07:40,489 # A BRAND-NEW WAY # # TO GET LOST # 1509 01:07:40,556 --> 01:07:42,000 # SO LONG, FOUR WHEELS TURNIN' # # GOT A TANK FULL OF GAS # 1510 01:07:42,000 --> 01:07:44,059 # SO LONG, FOUR WHEELS TURNIN' # # GOT A TANK FULL OF GAS # 1511 01:07:44,126 --> 01:07:46,896 # DOWN THE ROAD I'M BURNIN' # # CAN'T SAY I WOULD # 1512 01:07:46,962 --> 01:07:48,000 # AND I CAN'T SAY I WOULDN'T # # AND IF I DON'T COME BACK # 1513 01:07:48,000 --> 01:07:51,267 # AND I CAN'T SAY I WOULDN'T # # AND IF I DON'T COME BACK # 1514 01:07:51,333 --> 01:07:54,000 # DON'T COME A LOOKIN' # [CHEERS AND APPLAUSE] 1515 01:07:54,000 --> 01:08:00,000 # DON'T COME A LOOKIN' # [CHEERS AND APPLAUSE] 1516 01:08:00,000 --> 01:08:02,378 # DON'T COME A LOOKIN' # [CHEERS AND APPLAUSE] 1517 01:08:02,445 --> 01:08:05,080 >> STILL TO HIT THE STAGE, WE'VE GOT JELLY ROLL, 1518 01:08:05,147 --> 01:08:06,000 KELSEA BALLERINI, AND KANE AND KATELYN BROWN. 1519 01:08:06,000 --> 01:08:07,850 KELSEA BALLERINI, AND KANE AND KATELYN BROWN. 1520 01:08:07,917 --> 01:08:10,453 PLUS, SHANIA TWAIN PRESENTS FEMALE VIDEO OF THE YEAR. 1521 01:08:10,519 --> 01:08:12,000 BUT UP NEXT, A POWERFUL PERFORMANCE FROM GWEN STEFANI 1522 01:08:12,000 --> 01:08:12,855 BUT UP NEXT, A POWERFUL PERFORMANCE FROM GWEN STEFANI 1523 01:08:12,922 --> 01:08:15,057 AND CARLY PEARCE. 1524 01:08:15,124 --> 01:08:18,000 FOLLOW @CMT FOR MORE BEHIND THE SCENES AT THE CMT MUSIC AWARDS. 1525 01:08:18,000 --> 01:08:18,961 FOLLOW @CMT FOR MORE BEHIND THE SCENES AT THE CMT MUSIC AWARDS. 1526 01:08:19,028 --> 01:08:21,797 TO SUPPORT RELIEF EFFORTS FOR THOSE AFFECTED BY THE TORNADOES 1527 01:08:21,864 --> 01:08:24,000 IN THE SOUTH AND MIDWEST, PLEASE VISIT www.RedCross.org/CMT. 1528 01:08:24,000 --> 01:08:30,000 IN THE SOUTH AND MIDWEST, PLEASE VISIT www.RedCross.org/CMT. 1529 01:08:30,000 --> 01:08:30,105 IN THE SOUTH AND MIDWEST, PLEASE VISIT www.RedCross.org/CMT. 1530 01:08:30,172 --> 01:08:33,909 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY 1531 01:08:33,976 --> 01:08:34,977 RAM TRUCKS, BUILT TO SERVE. 1532 01:08:43,419 --> 01:08:46,355 # # >> WE HAVE A ROOM FULL OF 1533 01:08:46,422 --> 01:08:47,356 AMAZING COUNTRY FANS. 1534 01:08:47,423 --> 01:08:48,000 BUT I GOTTA KNOW, WHERE MY GIRLS AT? 1535 01:08:48,000 --> 01:08:50,626 BUT I GOTTA KNOW, WHERE MY GIRLS AT? 1536 01:08:50,693 --> 01:08:54,000 WE GOTTA HOLD ON TIGHT BECAUSE WE ARE ALL ABOUT TO 1537 01:08:54,000 --> 01:08:57,366 WE GOTTA HOLD ON TIGHT BECAUSE WE ARE ALL ABOUT TO 1538 01:08:57,433 --> 01:09:00,000 HAVE A SCREAM SING MOMENT WITH THIS NEXT SONG. 1539 01:09:00,000 --> 01:09:00,369 HAVE A SCREAM SING MOMENT WITH THIS NEXT SONG. 1540 01:09:00,436 --> 01:09:01,570 HERE WITH THE ICONIC "JUST A GIRL," 1541 01:09:01,637 --> 01:09:06,000 IT'S GWEN STEFANI AND CARLY PEARCE! 1542 01:09:06,000 --> 01:09:12,000 IT'S GWEN STEFANI AND CARLY PEARCE! 1543 01:09:12,000 --> 01:09:14,316 IT'S GWEN STEFANI AND CARLY PEARCE! 1544 01:09:14,383 --> 01:09:16,919 # TAKE THIS PINK RIBBON # # OFF MY EYES # 1545 01:09:16,986 --> 01:09:18,000 # I'M EXPOSED # # IT'S NO BIG SURPRISE # 1546 01:09:18,000 --> 01:09:21,490 # I'M EXPOSED # # IT'S NO BIG SURPRISE # 1547 01:09:21,557 --> 01:09:24,000 # DON'T YOU THINK I KNOW # # EXACTLY WHERE I STAND # 1548 01:09:24,000 --> 01:09:28,330 # DON'T YOU THINK I KNOW # # EXACTLY WHERE I STAND # 1549 01:09:28,397 --> 01:09:30,000 # THIS WORLD IS FORCING ME # # TO HOLD YOUR HAND # 1550 01:09:30,000 --> 01:09:32,902 # THIS WORLD IS FORCING ME # # TO HOLD YOUR HAND # 1551 01:09:32,968 --> 01:09:36,000 # 'CAUSE I'M JUST A GIRL # # A LITTLE OL' ME # 1552 01:09:36,000 --> 01:09:36,872 # 'CAUSE I'M JUST A GIRL # # A LITTLE OL' ME # 1553 01:09:36,939 --> 01:09:42,000 # WELL, DON'T LET ME # # OUT OF YOUR SIGHT # 1554 01:09:42,000 --> 01:09:43,579 # WELL, DON'T LET ME # # OUT OF YOUR SIGHT # 1555 01:09:43,646 --> 01:09:47,616 # I'M JUST A GIRL # # ALL PRETTY AND PETITE # 1556 01:09:47,683 --> 01:09:48,000 # DON'T LET ME # # HAVE ANY RIGHTS # 1557 01:09:48,000 --> 01:09:52,955 # DON'T LET ME # # HAVE ANY RIGHTS # 1558 01:09:53,022 --> 01:09:54,000 # WHOA, I'VE HAD IT UP TO HERE # # THE MOMENT # 1559 01:09:54,000 --> 01:10:00,000 # WHOA, I'VE HAD IT UP TO HERE # # THE MOMENT # 1560 01:10:00,000 --> 01:10:01,430 # WHOA, I'VE HAD IT UP TO HERE # # THE MOMENT # 1561 01:10:01,497 --> 01:10:04,700 # THAT I STEP OUTSIDE # # SO MANY REASONS # 1562 01:10:04,767 --> 01:10:06,000 # FOR ME TO RUN AND HIDE # # I CAN'T DO THE LITTLE THINGS # 1563 01:10:06,000 --> 01:10:09,605 # FOR ME TO RUN AND HIDE # # I CAN'T DO THE LITTLE THINGS # 1564 01:10:09,672 --> 01:10:12,000 # I HOLD SO DEAR # # 'CAUSE IT'S ALL THOSE # 1565 01:10:12,000 --> 01:10:12,608 # I HOLD SO DEAR # # 'CAUSE IT'S ALL THOSE # 1566 01:10:12,675 --> 01:10:17,079 # LITTLE THINGS # # THAT I FEAR # 1567 01:10:17,146 --> 01:10:18,000 # 'CAUSE I'M JUST A GIRL # # I'D RATHER NOT BE # 1568 01:10:18,000 --> 01:10:21,717 # 'CAUSE I'M JUST A GIRL # # I'D RATHER NOT BE # 1569 01:10:21,784 --> 01:10:24,000 # 'CAUSE THEY WON'T LET ME # # DRIVE LATE AT NIGHT # 1570 01:10:24,000 --> 01:10:26,655 # 'CAUSE THEY WON'T LET ME # # DRIVE LATE AT NIGHT # 1571 01:10:26,722 --> 01:10:29,124 # OH, I'M JUST A GIRL # # GUESS I'M # 1572 01:10:29,191 --> 01:10:30,000 # SOME KIND OF FREAK # # 'CAUSE THEY ALL # 1573 01:10:30,000 --> 01:10:31,293 # SOME KIND OF FREAK # # 'CAUSE THEY ALL # 1574 01:10:31,360 --> 01:10:35,097 # SIT AND STARE # # WITH THEIR EYES # 1575 01:10:35,164 --> 01:10:36,000 # OH, I'M JUST A GIRL # # TAKE A GOOD LOOK AT ME # 1576 01:10:36,000 --> 01:10:39,368 # OH, I'M JUST A GIRL # # TAKE A GOOD LOOK AT ME # 1577 01:10:39,435 --> 01:10:42,000 # JUST YOUR TYPICAL PROTOTYPE # # WHOA # 1578 01:10:42,000 --> 01:10:46,709 # JUST YOUR TYPICAL PROTOTYPE # # WHOA # 1579 01:10:46,775 --> 01:10:48,000 # I'VE HAD IT UP TO HERE # 1580 01:10:48,000 --> 01:10:51,246 # I'VE HAD IT UP TO HERE # 1581 01:10:54,617 --> 01:11:00,000 # # # OH! # 1582 01:11:00,000 --> 01:11:06,000 # # # OH! # 1583 01:11:06,000 --> 01:11:08,397 # # # OH! # 1584 01:11:08,464 --> 01:11:12,000 # AM I MAKING MYSELF CLEAR # # AM I MAKING MYSELF CLEAR # 1585 01:11:12,000 --> 01:11:15,638 # AM I MAKING MYSELF CLEAR # # AM I MAKING MYSELF CLEAR # 1586 01:11:15,704 --> 01:11:18,000 # I'M JUST A GIRL # # I'M JUST A GIRL # 1587 01:11:18,000 --> 01:11:20,943 # I'M JUST A GIRL # # I'M JUST A GIRL # 1588 01:11:21,010 --> 01:11:24,000 # IN THE WORLD # # 'CAUSE THAT'S ALL # 1589 01:11:24,000 --> 01:11:27,650 # IN THE WORLD # # 'CAUSE THAT'S ALL # 1590 01:11:27,716 --> 01:11:30,000 # THAT YOU'LL LET ME BE! # # 'CAUSE I'M JUST A GIRL # 1591 01:11:30,000 --> 01:11:30,386 # THAT YOU'LL LET ME BE! # # 'CAUSE I'M JUST A GIRL # 1592 01:11:30,452 --> 01:11:34,056 # LIVING IN CAPTIVITY # # YOUR RULE OF THUMB # 1593 01:11:34,123 --> 01:11:36,000 # MAKES ME WORRY SOME # # OH, I'M JUST A GIRL # 1594 01:11:36,000 --> 01:11:40,062 # MAKES ME WORRY SOME # # OH, I'M JUST A GIRL # 1595 01:11:40,129 --> 01:11:42,000 # YEAH, WHAT'S MY DESTINY # # WHAT I'VE SUCCUMBED TO # 1596 01:11:42,000 --> 01:11:43,032 # YEAH, WHAT'S MY DESTINY # # WHAT I'VE SUCCUMBED TO # 1597 01:11:43,098 --> 01:11:47,736 # IS MAKING ME NUMB # # OH, I'M JUST A GIRL # 1598 01:11:47,803 --> 01:11:48,000 # MY APOLOGIES # # WHAT I'VE BECOME 1599 01:11:48,000 --> 01:11:51,907 # MY APOLOGIES # # WHAT I'VE BECOME 1600 01:11:51,974 --> 01:11:54,000 IS SO BURDENSOME # # OH, I'M JUST A GIRL # 1601 01:11:54,000 --> 01:11:58,347 IS SO BURDENSOME # # OH, I'M JUST A GIRL # 1602 01:11:58,414 --> 01:12:00,000 # YEAH, LUCKY ME # # TWIDDLE-DUM # 1603 01:12:00,000 --> 01:12:00,582 # YEAH, LUCKY ME # # TWIDDLE-DUM # 1604 01:12:00,649 --> 01:12:05,754 # THERE'S NO COMPARISON # # OH # 1605 01:12:05,821 --> 01:12:06,000 # I'VE HAD IT UP TO # # OH! # 1606 01:12:06,000 --> 01:12:10,059 # I'VE HAD IT UP TO # # OH! # 1607 01:12:10,125 --> 01:12:12,000 # I'VE HAD IT UP TO # # WHOA, WHOA, 1608 01:12:12,000 --> 01:12:16,799 # I'VE HAD IT UP TO # # WHOA, WHOA, 1609 01:12:16,865 --> 01:12:18,000 OH, I'VE HAD IT UP TO HERE # 1610 01:12:18,000 --> 01:12:24,000 OH, I'VE HAD IT UP TO HERE # 1611 01:12:24,000 --> 01:12:27,710 OH, I'VE HAD IT UP TO HERE # 1612 01:12:30,212 --> 01:12:36,000 [CHEERS AND APPLAUSE] >> ONCE AGAIN, SHANIA TWAIN! 1613 01:12:36,000 --> 01:12:40,656 [CHEERS AND APPLAUSE] >> ONCE AGAIN, SHANIA TWAIN! 1614 01:12:40,723 --> 01:12:42,000 >> SINCE THIS NEXT CATEGORY CHAMPIONS WOMEN IN COUNTRY MUSIC 1615 01:12:42,000 --> 01:12:43,559 >> SINCE THIS NEXT CATEGORY CHAMPIONS WOMEN IN COUNTRY MUSIC 1616 01:12:43,625 --> 01:12:45,627 THAT I DEEPLY RESPECT AND ADMIRE, IT'S THE PERFECT MOMENT 1617 01:12:45,694 --> 01:12:48,000 TO HIGHLIGHT THE VOICES OF THIS CRAZY 1618 01:12:48,000 --> 01:12:50,632 TO HIGHLIGHT THE VOICES OF THIS CRAZY 1619 01:12:50,699 --> 01:12:53,736 TALENTED FEMALE GROUP, THE BOYKINZ. 1620 01:12:53,802 --> 01:12:54,000 LET'S DO THIS, GIRLS. 1621 01:12:54,000 --> 01:12:54,803 LET'S DO THIS, GIRLS. 1622 01:13:00,409 --> 01:13:02,411 SMILES FOR MILES. 1623 01:13:06,415 --> 01:13:08,417 WE AIN'T GOT TIME TO WASTE. 1624 01:13:16,358 --> 01:13:18,000 JUNK IN THE CITY # # WHEN YOU GET STUCK, A LITTLE 1625 01:13:18,000 --> 01:13:21,363 JUNK IN THE CITY # # WHEN YOU GET STUCK, A LITTLE 1626 01:13:24,366 --> 01:13:30,000 LOVE # # OWN NAH, NAH, NAH, NAH # 1627 01:13:30,000 --> 01:13:30,305 LOVE # # OWN NAH, NAH, NAH, NAH # 1628 01:13:30,372 --> 01:13:36,000 # GIDDYUP # >> THANK YOU, GIRLS. 1629 01:13:36,000 --> 01:13:36,445 # GIDDYUP # >> THANK YOU, GIRLS. 1630 01:13:36,512 --> 01:13:42,000 NOW HERE ARE THE NOMINEES FOR FEMALE VIDEO OF THE YEAR. 1631 01:13:42,000 --> 01:13:45,320 NOW HERE ARE THE NOMINEES FOR FEMALE VIDEO OF THE YEAR. 1632 01:13:45,387 --> 01:13:48,000 "WHAT HE DIDN'T DO" CARLY PEARCE. 1633 01:13:48,000 --> 01:13:52,327 "WHAT HE DIDN'T DO" CARLY PEARCE. 1634 01:13:52,394 --> 01:13:54,000 "GHOST STORY" CARRIE UNDERWOOD. 1635 01:13:54,000 --> 01:13:57,933 "GHOST STORY" CARRIE UNDERWOOD. 1636 01:13:58,000 --> 01:14:00,000 "PICK ME UP" GABBY BARRETT. 1637 01:14:00,000 --> 01:14:03,705 "PICK ME UP" GABBY BARRETT. 1638 01:14:03,772 --> 01:14:06,000 "HEARTFIRST" KELSEA BALLERINI. 1639 01:14:06,000 --> 01:14:10,179 "HEARTFIRST" KELSEA BALLERINI. 1640 01:14:10,245 --> 01:14:12,000 "HEART LIKE A TRUCK" LAINEY WILSON. 1641 01:14:12,000 --> 01:14:16,618 "HEART LIKE A TRUCK" LAINEY WILSON. 1642 01:14:16,685 --> 01:14:18,000 "HUMBLE QUEST" MAREN MORRIS. 1643 01:14:18,000 --> 01:14:22,791 "HUMBLE QUEST" MAREN MORRIS. 1644 01:14:22,858 --> 01:14:24,000 "ACTIN' UP" MIRANDA LAMBERT. 1645 01:14:24,000 --> 01:14:29,765 "ACTIN' UP" MIRANDA LAMBERT. 1646 01:14:29,832 --> 01:14:30,000 FEMALE VIDEO OF THE YEAR. 1647 01:14:30,000 --> 01:14:35,204 FEMALE VIDEO OF THE YEAR. 1648 01:14:35,270 --> 01:14:36,000 >> AND THE WINNER IS... 1649 01:14:36,000 --> 01:14:39,374 >> AND THE WINNER IS... 1650 01:14:39,441 --> 01:14:41,443 LAINEY WILSON. 1651 01:14:41,510 --> 01:14:42,000 "HEART LIKE A TRUCK." 1652 01:14:42,000 --> 01:14:46,315 "HEART LIKE A TRUCK." 1653 01:14:49,251 --> 01:14:54,000 # # [CHEERS AND APPLAUSE] 1654 01:14:54,000 --> 01:15:00,000 # # [CHEERS AND APPLAUSE] 1655 01:15:00,000 --> 01:15:04,132 # # [CHEERS AND APPLAUSE] 1656 01:15:04,199 --> 01:15:06,000 # # [CHEERS AND APPLAUSE] 1657 01:15:06,000 --> 01:15:09,638 # # [CHEERS AND APPLAUSE] 1658 01:15:18,247 --> 01:15:20,249 # # >> WHOO! 1659 01:15:36,531 --> 01:15:39,668 MY HEART IS ABOUT TO BE TRIED OUT OF MY CHEST, I'LL BE HONEST 1660 01:15:39,735 --> 01:15:42,000 WITH Y'ALL. 1661 01:15:42,000 --> 01:15:42,471 WITH Y'ALL. 1662 01:15:42,537 --> 01:15:45,407 THIS SONG IS ABOUT FINDING FREEDOM AND STRENGTH. 1663 01:15:45,474 --> 01:15:48,000 IT'S ABOUT NOT BEING AFRAID OF THE SCRATCHES AND THE DENTS ON 1664 01:15:48,000 --> 01:15:50,512 IT'S ABOUT NOT BEING AFRAID OF THE SCRATCHES AND THE DENTS ON 1665 01:15:50,579 --> 01:15:52,481 THE BUMPS ALONG THE WAY WE'VE ALL GOT A STORY TO TELL AND I'M 1666 01:15:52,547 --> 01:15:54,000 SO PROUD OF THIS MUSIC VIDEO. 1667 01:15:54,000 --> 01:15:55,851 SO PROUD OF THIS MUSIC VIDEO. 1668 01:15:55,918 --> 01:16:00,000 IT WAS FILMED, PRODUCED, WRITTEN AND DIRECTED BY ALL WOMEN. 1669 01:16:00,000 --> 01:16:00,055 IT WAS FILMED, PRODUCED, WRITTEN AND DIRECTED BY ALL WOMEN. 1670 01:16:00,122 --> 01:16:04,660 CAN I GET TO "COME ON." 1671 01:16:04,726 --> 01:16:05,761 IT IS SO WILD. 1672 01:16:05,827 --> 01:16:06,000 I WANT TO SAY FIRST OF ALL, THANK YOU, JESUS, FOR THIS 1673 01:16:06,000 --> 01:16:09,932 I WANT TO SAY FIRST OF ALL, THANK YOU, JESUS, FOR THIS 1674 01:16:09,998 --> 01:16:11,133 OPPORTUNITY. 1675 01:16:11,199 --> 01:16:12,000 AND I WANT TO SAY THANK YOU, CMT, FOR LITERALLY BELIEVING IN 1676 01:16:12,000 --> 01:16:18,000 AND I WANT TO SAY THANK YOU, CMT, FOR LITERALLY BELIEVING IN 1677 01:16:18,000 --> 01:16:18,907 AND I WANT TO SAY THANK YOU, CMT, FOR LITERALLY BELIEVING IN 1678 01:16:18,974 --> 01:16:21,343 ME BEFORE A LOT OF FOLKS DID. 1679 01:16:21,410 --> 01:16:24,000 BUT I ALSO WANT TO SAY THANK YOU SO MUCH TO THE FANS. 1680 01:16:24,000 --> 01:16:24,146 BUT I ALSO WANT TO SAY THANK YOU SO MUCH TO THE FANS. 1681 01:16:24,212 --> 01:16:27,382 I FEEL LIKE I AM WATCHING MY DREAMS COME TRUE RIGHT BEFORE MY 1682 01:16:27,449 --> 01:16:30,000 EYES, TRULY, Y'ALL. 1683 01:16:30,000 --> 01:16:33,355 EYES, TRULY, Y'ALL. 1684 01:16:33,422 --> 01:16:35,624 THIS IS FOR Y'ALL. 1685 01:16:35,691 --> 01:16:36,000 I LOVE Y'ALL SO MUCH. 1686 01:16:36,000 --> 01:16:36,625 I LOVE Y'ALL SO MUCH. 1687 01:16:36,692 --> 01:16:37,626 THANK YOU. 1688 01:16:37,693 --> 01:16:39,695 GOD BLESS Y'ALL. 1689 01:16:45,000 --> 01:16:47,069 >> JELLY ROLL IS ABOUT TO TAKE OVER THE STAGE. 1690 01:16:47,135 --> 01:16:48,000 PLUS, ALANIS MORISSETTE CELEBRATES THE TENTH ANNIVERSARY 1691 01:16:48,000 --> 01:16:50,706 PLUS, ALANIS MORISSETTE CELEBRATES THE TENTH ANNIVERSARY 1692 01:16:50,772 --> 01:16:52,874 OF CMT'S NEXT WOMEN OF COUNTRY WITH LAINEY WILSON, 1693 01:16:52,941 --> 01:16:54,000 INGRID ANDRESS, MADELINE EDWARDS, 1694 01:16:54,000 --> 01:16:54,309 INGRID ANDRESS, MADELINE EDWARDS, 1695 01:16:54,376 --> 01:16:57,312 AND MORGAN WADE. 1696 01:16:57,379 --> 01:17:00,000 VOTING IS STILL OPEN FOR THE VIDEO OF THE YEAR. 1697 01:17:00,000 --> 01:17:00,716 VOTING IS STILL OPEN FOR THE VIDEO OF THE YEAR. 1698 01:17:00,782 --> 01:17:02,884 CAST YOUR VOTES RIGHT NOW ON THE CMT MUSIC AWARDS FACEBOOK PAGE. 1699 01:17:02,951 --> 01:17:04,953 THE VOTING IS PRESENTED BY RAM TRUCKS. 1700 01:17:05,020 --> 01:17:06,000 THE CMT MUSIC AWARDS CONTINUES. 1701 01:17:06,000 --> 01:17:06,888 THE CMT MUSIC AWARDS CONTINUES. 1702 01:17:06,955 --> 01:17:07,522 LIVE FROM AUSTIN, TEXAS. 1703 01:17:07,589 --> 01:17:08,590 THIS IS CBS. 1704 01:17:28,910 --> 01:17:30,000 # # >> NICE SHIRT, RIGHT? 1705 01:17:30,000 --> 01:17:35,851 # # >> NICE SHIRT, RIGHT? 1706 01:17:35,917 --> 01:17:36,000 MUSIC HAS THE POWER TO UNITE, HEAL, AND CHANGE LIVES AND 1707 01:17:36,000 --> 01:17:38,854 MUSIC HAS THE POWER TO UNITE, HEAL, AND CHANGE LIVES AND 1708 01:17:38,920 --> 01:17:40,856 THAT'S WHY WE ARE ALL PROUD TO SUPPORT ST. JUDE'S CHILDREN'S 1709 01:17:40,922 --> 01:17:42,000 RESEARCH HOSPITAL FLIGHT TO END CHILDHOOD CANCER. 1710 01:17:42,000 --> 01:17:46,862 RESEARCH HOSPITAL FLIGHT TO END CHILDHOOD CANCER. 1711 01:17:46,928 --> 01:17:48,000 YOU CAN GET YOUR OWN SHIRT BY VISITING MusicGives.org 1712 01:17:48,000 --> 01:17:49,831 YOU CAN GET YOUR OWN SHIRT BY VISITING MusicGives.org 1713 01:17:49,898 --> 01:17:51,867 ALL PROCEEDS GO TO ST. JUDE TO ENSURE NO FAMILY EVER 1714 01:17:51,933 --> 01:17:53,068 RECEIVES A BILL FROM ST. JUDE FOR TREATMENT, TRAVEL, HOUSIG 1715 01:17:53,135 --> 01:17:54,000 OR FOOD. 1716 01:17:54,000 --> 01:17:54,269 OR FOOD. 1717 01:17:54,336 --> 01:17:58,573 THIS NEXT ARTIST CAN BE CALLED ROCK OR HIP HOP, BUT HIS HEART 1718 01:17:58,640 --> 01:18:00,000 IS ALL COUNTRY. 1719 01:18:00,000 --> 01:18:06,000 IS ALL COUNTRY. 1720 01:18:06,000 --> 01:18:07,883 IS ALL COUNTRY. 1721 01:18:07,949 --> 01:18:09,951 HE'S ALREADY A WINNER TONIGHT. 1722 01:18:10,018 --> 01:18:12,000 TEXAS, GIVE SOME LOVE TO JELLY ROLL! 1723 01:18:12,000 --> 01:18:13,021 TEXAS, GIVE SOME LOVE TO JELLY ROLL! 1724 01:18:20,862 --> 01:18:22,864 # # HOME 1725 01:18:37,913 --> 01:18:42,000 OH, OH, OH, OH # # HAIL MARY 1726 01:18:42,000 --> 01:18:48,000 OH, OH, OH, OH # # HAIL MARY 1727 01:18:48,000 --> 01:18:50,859 OH, OH, OH, OH # # HAIL MARY 1728 01:18:50,926 --> 01:18:54,000 # I ONLY TALK TO GOD # # WHEN I NEED A FAVOR # 1729 01:18:54,000 --> 01:18:56,731 # I ONLY TALK TO GOD # # WHEN I NEED A FAVOR # 1730 01:18:56,798 --> 01:19:00,000 # AND I ONLY PRAY # # WHEN I AIN'T GOT A PRAYER # 1731 01:19:00,000 --> 01:19:02,404 # AND I ONLY PRAY # # WHEN I AIN'T GOT A PRAYER # 1732 01:19:02,471 --> 01:19:03,772 # SO WHO THE HELL # # AM I # 1733 01:19:03,839 --> 01:19:06,000 # WHO THE HELL AM I # # TO EXPECT A SAVIOR # 1734 01:19:06,000 --> 01:19:06,708 # WHO THE HELL AM I # # TO EXPECT A SAVIOR # 1735 01:19:06,775 --> 01:19:12,000 # OH # # WHEN I ONLY TALK TO GOD # 1736 01:19:12,000 --> 01:19:17,686 # OH # # WHEN I ONLY TALK TO GOD # 1737 01:19:17,752 --> 01:19:18,000 IF I NEED A FAVOR # # BUT, GOD, I NEED A FAVOR # 1738 01:19:18,000 --> 01:19:20,155 IF I NEED A FAVOR # # BUT, GOD, I NEED A FAVOR # 1739 01:19:20,222 --> 01:19:21,389 # I KNOW AMAZIN' GRACE # # BUT I AIN'T BEEN # 1740 01:19:21,456 --> 01:19:24,000 # LIVIN' THEM WORDS # # I SWEAR I SPEND MOST SUNDAYS # 1741 01:19:24,000 --> 01:19:24,493 # LIVIN' THEM WORDS # # I SWEAR I SPEND MOST SUNDAYS # 1742 01:19:24,559 --> 01:19:27,762 # DRUNK OFF MY ASS # # THAN I HAVE AT CHURCH # 1743 01:19:27,829 --> 01:19:30,000 # HARD COVER KING JAMES # # ONLY BEEN SAVIN' DUST # 1744 01:19:30,000 --> 01:19:32,200 # HARD COVER KING JAMES # # ONLY BEEN SAVIN' DUST # 1745 01:19:32,267 --> 01:19:35,904 # ON THE NIGHTSTAND # # AND I DON'T KNOW WHAT TO SAY # 1746 01:19:35,971 --> 01:19:36,000 # BY THE TIME I FOLD MY HANDS # # I ONLY TALK TO GOD # 1747 01:19:36,000 --> 01:19:40,308 # BY THE TIME I FOLD MY HANDS # # I ONLY TALK TO GOD # 1748 01:19:40,375 --> 01:19:42,000 # WHEN I NEED A FAVOR # # AND I ONLY PRAY # 1749 01:19:42,000 --> 01:19:45,447 # WHEN I NEED A FAVOR # # AND I ONLY PRAY # 1750 01:19:45,514 --> 01:19:48,000 # WHEN I AIN'T GOT A PRAYER # # SO WHO THE HELL AM I # 1751 01:19:48,000 --> 01:19:52,754 # WHEN I AIN'T GOT A PRAYER # # SO WHO THE HELL AM I # 1752 01:19:52,821 --> 01:19:54,000 # WHO THE HELL AM I # # TO EXPECT A SAVIOR # 1753 01:19:54,000 --> 01:19:54,956 # WHO THE HELL AM I # # TO EXPECT A SAVIOR # 1754 01:19:55,023 --> 01:19:59,961 # OH # # IF I ONLY TALK TO GOD # 1755 01:20:00,028 --> 01:20:06,000 # WHEN I NEED A FAVOR # # AND, GOD, I NEED A FAVOR # 1756 01:20:06,000 --> 01:20:09,070 # WHEN I NEED A FAVOR # # AND, GOD, I NEED A FAVOR # 1757 01:20:09,137 --> 01:20:11,106 YEAH # # YEAH, I OWE YOU # 1758 01:20:11,173 --> 01:20:12,000 # MORE THAN ONE # # AND BEGGARS CAN'T BE 1759 01:20:12,000 --> 01:20:12,774 # MORE THAN ONE # # AND BEGGARS CAN'T BE 1760 01:20:12,841 --> 01:20:17,078 CHOOSERS # # BUT I'LL PAY # 1761 01:20:17,145 --> 01:20:18,000 # FOR ALL I'VE DONE # # JUST PLEASE # 1762 01:20:18,000 --> 01:20:18,880 # FOR ALL I'VE DONE # # JUST PLEASE # 1763 01:20:18,947 --> 01:20:23,285 # DON'T LET ME LOSE HER # # I ONLY TALK TO GOD # 1764 01:20:23,351 --> 01:20:24,000 # WHEN I NEED A FAVOR # # AND I ONLY PRAY # 1765 01:20:24,000 --> 01:20:28,823 # WHEN I NEED A FAVOR # # AND I ONLY PRAY # 1766 01:20:28,890 --> 01:20:30,000 # WHEN I AIN'T GOT A PRAYER # # SO WHO THE HELL AM I # 1767 01:20:30,000 --> 01:20:33,828 # WHEN I AIN'T GOT A PRAYER # # SO WHO THE HELL AM I # 1768 01:20:33,895 --> 01:20:36,000 # WHO THE HELL AM I # # TO EXPECT A SAVIOR # 1769 01:20:36,000 --> 01:20:37,632 # WHO THE HELL AM I # # TO EXPECT A SAVIOR # 1770 01:20:37,699 --> 01:20:41,403 # OH # # IF I ONLY TALK TO GOD # 1771 01:20:41,469 --> 01:20:42,000 # WHEN I NEED A FAVOR # # AND, GOD, I NEED A FAVOR # 1772 01:20:42,000 --> 01:20:48,000 # WHEN I NEED A FAVOR # # AND, GOD, I NEED A FAVOR # 1773 01:20:48,000 --> 01:20:53,515 # WHEN I NEED A FAVOR # # AND, GOD, I NEED A FAVOR # 1774 01:20:55,350 --> 01:21:00,000 # # # HANGIN' IN THERE # 1775 01:21:00,000 --> 01:21:00,121 # # # HANGIN' IN THERE # 1776 01:21:00,188 --> 01:21:02,390 # JUST BARELY # # THROWIN' UP PRAYERS # 1777 01:21:02,457 --> 01:21:05,961 # LIKE HAIL MARYS # # IF YOU'RE STILL THERE # 1778 01:21:06,027 --> 01:21:07,862 # LORD, SPARE ME # # OH, MY GOD # 1779 01:21:07,929 --> 01:21:09,764 # OH, MY GOD # # HAIL MARY # 1780 01:21:09,831 --> 01:21:12,000 # HANGIN' IN THERE # # JUST BARELY # 1781 01:21:12,000 --> 01:21:12,767 # HANGIN' IN THERE # # JUST BARELY # 1782 01:21:12,834 --> 01:21:16,571 # THROWIN' UP PRAYERS # # LIKE HAIL MARYS # 1783 01:21:16,638 --> 01:21:18,000 # IF YOU'RE STILL THERE # # LORD, SPARE ME # 1784 01:21:18,000 --> 01:21:24,000 # IF YOU'RE STILL THERE # # LORD, SPARE ME # 1785 01:21:24,000 --> 01:21:24,412 # IF YOU'RE STILL THERE # # LORD, SPARE ME # 1786 01:21:24,479 --> 01:21:25,714 CMT! 1787 01:21:25,780 --> 01:21:28,783 # I ONLY TALK TO GOD # # WHEN I NEED A FAVOR # 1788 01:21:28,850 --> 01:21:30,000 # AND I ONLY PRAY # # WHEN I AIN'T GOT A PRAYER # 1789 01:21:30,000 --> 01:21:36,000 # AND I ONLY PRAY # # WHEN I AIN'T GOT A PRAYER # 1790 01:21:36,000 --> 01:21:36,424 # AND I ONLY PRAY # # WHEN I AIN'T GOT A PRAYER # 1791 01:21:36,491 --> 01:21:42,000 # WHO THE HELL AM I # # TO EXPECT A SAVIOR # 1792 01:21:42,000 --> 01:21:42,230 # WHO THE HELL AM I # # TO EXPECT A SAVIOR # 1793 01:21:42,297 --> 01:21:45,100 ONLY TALK TO GOD # # WHEN I NEED A FAVOR # 1794 01:21:45,166 --> 01:21:48,000 # AND, GOD, I NEED A FAVOR # # AMEN # 1795 01:21:48,000 --> 01:21:54,000 # AND, GOD, I NEED A FAVOR # # AMEN # 1796 01:21:54,000 --> 01:21:58,380 # AND, GOD, I NEED A FAVOR # # AMEN # 1797 01:21:58,446 --> 01:22:00,000 # AMEN # [CHEERS AND APPLAUSE] 1798 01:22:00,000 --> 01:22:06,000 # AMEN # [CHEERS AND APPLAUSE] 1799 01:22:06,000 --> 01:22:10,625 # AMEN # [CHEERS AND APPLAUSE] 1800 01:22:10,692 --> 01:22:12,000 >> FROM THE HIT NETFLIX SERIES "OUTER BANKS," PLEASE WELCOME 1801 01:22:12,000 --> 01:22:13,595 >> FROM THE HIT NETFLIX SERIES "OUTER BANKS," PLEASE WELCOME 1802 01:22:13,662 --> 01:22:18,000 MADISON BAILEY AND CHARLES ESTEN. 1803 01:22:18,000 --> 01:22:20,001 MADISON BAILEY AND CHARLES ESTEN. 1804 01:22:20,068 --> 01:22:24,000 >> JELLY ROLL! 1805 01:22:24,000 --> 01:22:25,340 >> JELLY ROLL! 1806 01:22:25,407 --> 01:22:28,710 >> MADDIE, EVERYONE KNOWS THAT WINNING A CMT 1807 01:22:28,777 --> 01:22:30,000 MUSIC AWARD IS A HUGE HONOR. 1808 01:22:30,000 --> 01:22:30,045 MUSIC AWARD IS A HUGE HONOR. 1809 01:22:30,111 --> 01:22:33,581 YOU GET RECOGNITION, YOU GET TO MAKE A COOL SPEECH, AND YOU GET 1810 01:22:33,648 --> 01:22:36,000 TO GO HOME WITH A TROPHY THAT IF I'M HONEST 1811 01:22:36,000 --> 01:22:38,053 TO GO HOME WITH A TROPHY THAT IF I'M HONEST 1812 01:22:38,119 --> 01:22:38,820 LOOKS LIKE A PIECE OF TREASURE. 1813 01:22:38,887 --> 01:22:41,556 >> IT DOES A LITTLE. 1814 01:22:41,623 --> 01:22:42,000 AND IF ANYBODY KNOWS HOW HARD IT IS TO GET YOUR HANDS ON 1815 01:22:42,000 --> 01:22:44,826 AND IF ANYBODY KNOWS HOW HARD IT IS TO GET YOUR HANDS ON 1816 01:22:44,893 --> 01:22:48,000 TREASURE, IT'S US. 1817 01:22:48,000 --> 01:22:50,532 TREASURE, IT'S US. 1818 01:22:50,598 --> 01:22:54,000 >> THAT'S WHY I'VE HIDDEN THE TROPHY SOMEWHERE IN THE VENUE, 1819 01:22:54,000 --> 01:22:55,070 >> THAT'S WHY I'VE HIDDEN THE TROPHY SOMEWHERE IN THE VENUE, 1820 01:22:55,136 --> 01:23:00,000 AND ONLY THE MOST NOBLE AND RESILIENT HEART WILL FIND IT. 1821 01:23:00,000 --> 01:23:03,144 AND ONLY THE MOST NOBLE AND RESILIENT HEART WILL FIND IT. 1822 01:23:03,211 --> 01:23:06,000 >> WE TALKED ABOUT THIS. 1823 01:23:06,000 --> 01:23:06,348 >> WE TALKED ABOUT THIS. 1824 01:23:06,414 --> 01:23:12,000 I THOUGHT WE WERE GOING TO JUST GIVE IT TO THEM. 1825 01:23:12,000 --> 01:23:18,000 I THOUGHT WE WERE GOING TO JUST GIVE IT TO THEM. 1826 01:23:18,000 --> 01:23:20,729 I THOUGHT WE WERE GOING TO JUST GIVE IT TO THEM. 1827 01:23:20,795 --> 01:23:24,000 >> FROM CMT GIANTS, VINCE GILL, WHENEVER YOU COME AROUND. 1828 01:23:24,000 --> 01:23:30,000 >> FROM CMT GIANTS, VINCE GILL, WHENEVER YOU COME AROUND. 1829 01:23:30,000 --> 01:23:30,271 >> FROM CMT GIANTS, VINCE GILL, WHENEVER YOU COME AROUND. 1830 01:23:30,338 --> 01:23:33,975 FROM 2022 CMT MUSIC AWARDS. 1831 01:23:34,042 --> 01:23:35,143 CODY JOHNSON. 1832 01:23:35,210 --> 01:23:36,000 "NEVER SAY NEVER" COLE SWINDELL & LAINEY WILSON. 1833 01:23:36,000 --> 01:23:42,000 "NEVER SAY NEVER" COLE SWINDELL & LAINEY WILSON. 1834 01:23:42,000 --> 01:23:43,385 "NEVER SAY NEVER" COLE SWINDELL & LAINEY WILSON. 1835 01:23:43,451 --> 01:23:44,819 "LET HER CRY" DARIUS RUCKER 1836 01:23:44,886 --> 01:23:46,454 FROM COAL MINER'S DAUGHTER CELEBRATION OF THE LIFE & MUSIC 1837 01:23:46,521 --> 01:23:48,000 OF LORETTA LYNN. 1838 01:23:48,000 --> 01:23:49,824 OF LORETTA LYNN. 1839 01:23:49,891 --> 01:23:54,000 "LAY ME DOWN" EMMY RUSSELL & LUKAS NELSON. 1840 01:23:54,000 --> 01:23:54,195 "LAY ME DOWN" EMMY RUSSELL & LUKAS NELSON. 1841 01:23:54,262 --> 01:23:57,399 FROM 2022 CMT MUSIC AWARDS. 1842 01:23:57,465 --> 01:23:58,299 "WILD HEARTS" KEITH URBAN 1843 01:23:58,366 --> 01:24:00,000 FROM CMT CROSSROADS: LEANN RIMES & FRIENDS 1844 01:24:00,000 --> 01:24:00,969 FROM CMT CROSSROADS: LEANN RIMES & FRIENDS 1845 01:24:01,035 --> 01:24:05,840 "ONE WAY TICKET" LEANN RIMES WITH ASHLEY MCBRYDE 1846 01:24:05,907 --> 01:24:06,000 AND CARLY PEARCE FROM 2022 CMT MUSIC AWARDS. 1847 01:24:06,000 --> 01:24:11,946 AND CARLY PEARCE FROM 2022 CMT MUSIC AWARDS. 1848 01:24:12,013 --> 01:24:13,848 "LOVE CAN BUILD A BRIDGE" THE JUDDS 1849 01:24:13,915 --> 01:24:15,984 FROM NAOMI JUDD: A RIVER OF TIME CELEBRATION. 1850 01:24:16,050 --> 01:24:18,000 "THE ROSE" WYNONNA JUDD & BRANDI CARLILE 1851 01:24:18,000 --> 01:24:21,923 "THE ROSE" WYNONNA JUDD & BRANDI CARLILE 1852 01:24:21,990 --> 01:24:24,000 CMT PERFORMANCE OF THE YEAR. 1853 01:24:24,000 --> 01:24:25,093 CMT PERFORMANCE OF THE YEAR. 1854 01:24:25,160 --> 01:24:30,000 >> AND THE WINNER IS... 1855 01:24:30,000 --> 01:24:30,498 >> AND THE WINNER IS... 1856 01:24:30,565 --> 01:24:36,000 CODY JOHNSON, "TIL YOU CAN'T." 1857 01:24:36,000 --> 01:24:41,142 CODY JOHNSON, "TIL YOU CAN'T." 1858 01:24:44,579 --> 01:24:48,000 # # 1859 01:24:48,000 --> 01:24:54,000 # # 1860 01:24:54,000 --> 01:24:59,461 # # 1861 01:24:59,527 --> 01:25:00,000 # # 1862 01:25:00,000 --> 01:25:01,896 # # 1863 01:25:02,530 --> 01:25:06,000 >> # IF YOU'VE GOT A CHANCE, TAKE IT. 1864 01:25:06,000 --> 01:25:06,634 >> # IF YOU'VE GOT A CHANCE, TAKE IT. 1865 01:25:06,701 --> 01:25:12,000 IF YOU'VE GOT A DREAM, SHE SAID # 1866 01:25:12,000 --> 01:25:14,943 IF YOU'VE GOT A DREAM, SHE SAID # 1867 01:25:15,009 --> 01:25:18,000 >> ONCE AGAIN, I DIDN'T PREPARE ANYTHING TO SAY. 1868 01:25:18,000 --> 01:25:20,582 >> ONCE AGAIN, I DIDN'T PREPARE ANYTHING TO SAY. 1869 01:25:20,648 --> 01:25:24,000 I WILL SAY TONIGHT IT'S GREAT TO BE IN MY HOME STATE OF TEXAS. 1870 01:25:24,000 --> 01:25:25,086 I WILL SAY TONIGHT IT'S GREAT TO BE IN MY HOME STATE OF TEXAS. 1871 01:25:25,153 --> 01:25:30,000 [CHEERS AND APPLAUSE] BEFORE I THANK WARNER MUSIC 1872 01:25:30,000 --> 01:25:31,526 [CHEERS AND APPLAUSE] BEFORE I THANK WARNER MUSIC 1873 01:25:31,593 --> 01:25:35,430 NASHVILLE, BEFORE I THINK MY BAND, MY CREW, THIS IS 1874 01:25:35,497 --> 01:25:36,000 PERFORMANCE OF THE YEAR. 1875 01:25:36,000 --> 01:25:36,598 PERFORMANCE OF THE YEAR. 1876 01:25:36,664 --> 01:25:41,936 MY BAND AND MY CREW, THEY HAVE WORKED TO THEIR TAIL OFF FOR 1877 01:25:42,003 --> 01:25:43,271 THIS. 1878 01:25:43,338 --> 01:25:45,673 WHAT I PERSONALLY WOULD LIKE BEFORE I DO THE SAME OLD SPEECH 1879 01:25:45,740 --> 01:25:48,000 MOST PEOPLE DO IS WHAT I WOULD LIKE IS FOR EVERYBODY IN HERE 1880 01:25:48,000 --> 01:25:48,710 MOST PEOPLE DO IS WHAT I WOULD LIKE IS FOR EVERYBODY IN HERE 1881 01:25:48,776 --> 01:25:53,047 ALL AT ONCE, ARE YOU HAVING FUN AT THE CMT AWARDS? 1882 01:25:53,114 --> 01:25:54,000 MAKE SOME NOISE. 1883 01:25:54,000 --> 01:25:56,651 MAKE SOME NOISE. 1884 01:25:56,718 --> 01:26:00,000 THAT'S WHAT PERFORMANCE IS ABOUT AND THAT'S WHAT MY PERFORMANCE 1885 01:26:00,000 --> 01:26:00,188 THAT'S WHAT PERFORMANCE IS ABOUT AND THAT'S WHAT MY PERFORMANCE 1886 01:26:00,255 --> 01:26:01,856 IS ABOUT, YOUR PLEASURE. 1887 01:26:01,923 --> 01:26:02,891 THANK YOU SO MUCH. 1888 01:26:02,957 --> 01:26:06,000 GOD BLESS YOU. 1889 01:26:06,000 --> 01:26:06,961 GOD BLESS YOU. 1890 01:26:13,234 --> 01:26:16,871 THE BLACK CROWES TAKE THE STAGE WITH DARIUS RUCKER, 1891 01:26:16,938 --> 01:26:18,000 HEAD TO YOUTUBE TO GO BACKSTAGE AT THE CMT MUSIC AWARDS! 1892 01:26:18,000 --> 01:26:19,908 HEAD TO YOUTUBE TO GO BACKSTAGE AT THE CMT MUSIC AWARDS! 1893 01:26:19,974 --> 01:26:22,577 WE'RE LIVE NOW. 1894 01:26:22,644 --> 01:26:24,000 THIS IS CBS. 1895 01:26:24,000 --> 01:26:24,646 THIS IS CBS. 1896 01:26:26,581 --> 01:26:30,000 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY LACTAID. 1897 01:26:30,000 --> 01:26:30,552 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY LACTAID. 1898 01:26:30,618 --> 01:26:31,619 TRY TELLING OUR FARMERS IT ISN'T REAL MILK. 1899 01:26:47,001 --> 01:26:48,000 >> PLEASE WELCOME SUPER BOWL CHAMPION AND COUNTRY MUSIC 1900 01:26:48,000 --> 01:26:48,870 >> PLEASE WELCOME SUPER BOWL CHAMPION AND COUNTRY MUSIC 1901 01:26:48,937 --> 01:26:54,000 SUPERFAN, FROM THE KANSAS CITY CHIEFS, 1902 01:26:54,000 --> 01:26:54,342 SUPERFAN, FROM THE KANSAS CITY CHIEFS, 1903 01:26:54,409 --> 01:26:56,945 TRAVIS KELCE! 1904 01:26:57,011 --> 01:26:58,012 >> CMT, HOW ARE WE FEELING? 1905 01:26:58,079 --> 01:27:00,000 IT'S AN HONOR TO BE HERE TONIGHT. 1906 01:27:00,000 --> 01:27:02,951 IT'S AN HONOR TO BE HERE TONIGHT. 1907 01:27:03,017 --> 01:27:06,000 AFTER SPENDING THE ENTIRE MORNING IN SOUND CHECK AND THEN 1908 01:27:06,000 --> 01:27:07,956 AFTER SPENDING THE ENTIRE MORNING IN SOUND CHECK AND THEN 1909 01:27:08,022 --> 01:27:11,893 HOURS IN HAIR AND MAKE-UP, IT TURNS OUT I'M NOT THE KELSEA 1910 01:27:11,960 --> 01:27:12,000 EVERYONE WANTED TO SEE PERFORM. 1911 01:27:12,000 --> 01:27:15,863 EVERYONE WANTED TO SEE PERFORM. 1912 01:27:15,930 --> 01:27:18,000 BUT IF YOU WANT TO SEE ME SING I'LL BE IN THE 1913 01:27:18,000 --> 01:27:18,266 BUT IF YOU WANT TO SEE ME SING I'LL BE IN THE 1914 01:27:18,333 --> 01:27:20,668 PARKING LOT AFTER THE SHOW. 1915 01:27:20,735 --> 01:27:24,000 GOING CRAZY ON "WAGON WHEEL," A LITTLE BIG GREEN TRACTOR. 1916 01:27:24,000 --> 01:27:26,708 GOING CRAZY ON "WAGON WHEEL," A LITTLE BIG GREEN TRACTOR. 1917 01:27:26,774 --> 01:27:27,575 I LOVE THIS NEXT ARTIST. 1918 01:27:27,642 --> 01:27:29,210 WE RECENTLY GOT TO DO SNL TOGETHER. 1919 01:27:29,277 --> 01:27:30,000 SHE'S BEEN KILLING IT TONIGHT. 1920 01:27:30,000 --> 01:27:30,612 SHE'S BEEN KILLING IT TONIGHT. 1921 01:27:30,678 --> 01:27:36,000 MY FRIEND, KELSEA BALLERINI! 1922 01:27:36,000 --> 01:27:36,451 MY FRIEND, KELSEA BALLERINI! 1923 01:27:38,987 --> 01:27:42,000 # # >> YOU FEELING GOOD, Y'ALL? 1924 01:27:42,000 --> 01:27:48,000 # # >> YOU FEELING GOOD, Y'ALL? 1925 01:27:48,000 --> 01:27:50,999 # # >> YOU FEELING GOOD, Y'ALL? 1926 01:27:51,065 --> 01:27:52,467 # I'VE KNOWN YOU # # SINCE BRAD AND ANGELINA # 1927 01:27:52,533 --> 01:27:54,000 # WE GO BACK LIKE PONTIAC SEATS # 1928 01:27:54,000 --> 01:27:54,869 # WE GO BACK LIKE PONTIAC SEATS # 1929 01:27:54,936 --> 01:27:57,138 # IF I GOT AN AISLE # # WITH A MESS I GOTTA CLEAN UP # 1930 01:27:57,205 --> 01:28:00,000 # I KNOW YOU'LL BE # # SHOWIN' UP WITH BLEACH # 1931 01:28:00,000 --> 01:28:03,611 # I KNOW YOU'LL BE # # SHOWIN' UP WITH BLEACH # 1932 01:28:03,678 --> 01:28:06,000 # ALL THOSE NAMES # # THAT WE DON'T EVER SPEAK OF # 1933 01:28:06,000 --> 01:28:06,981 # ALL THOSE NAMES # # THAT WE DON'T EVER SPEAK OF # 1934 01:28:07,048 --> 01:28:10,485 # GOT A COUPLE NIGHTS # # THAT HAVE SLIPPED MY MIND # 1935 01:28:10,551 --> 01:28:12,000 # PROOF AND PHOTOGRAPHS # # HAVE BEEN DELETED # 1936 01:28:12,000 --> 01:28:14,155 # PROOF AND PHOTOGRAPHS # # HAVE BEEN DELETED # 1937 01:28:14,222 --> 01:28:18,000 # IF YOU EVER NEEDED AN ALIBI # # 'CAUSE DIRT ON YOU # 1938 01:28:18,000 --> 01:28:18,126 # IF YOU EVER NEEDED AN ALIBI # # 'CAUSE DIRT ON YOU # 1939 01:28:18,192 --> 01:28:21,529 # IS DIRT ON ME # # AND WE BOTH KNOW # 1940 01:28:21,596 --> 01:28:24,000 # OUR HANDS AIN'T CLEAN # # IF IT ALL BLOWS UP # 1941 01:28:24,000 --> 01:28:25,133 # OUR HANDS AIN'T CLEAN # # IF IT ALL BLOWS UP # 1942 01:28:25,199 --> 01:28:28,136 # AND WE END UP ON THE NEWS # # IF YOU GO DOWN # 1943 01:28:28,202 --> 01:28:30,000 # I'M GOIN' DOWN TOO # THAT'S RIGHT. 1944 01:28:30,000 --> 01:28:36,000 # I'M GOIN' DOWN TOO # THAT'S RIGHT. 1945 01:28:36,000 --> 01:28:39,047 # I'M GOIN' DOWN TOO # THAT'S RIGHT. 1946 01:28:39,113 --> 01:28:40,448 # IT'S A GOOD THING # # WE'RE EACH OTHER'S # 1947 01:28:40,515 --> 01:28:42,000 # KINDA CRAZY # # AIN'T NO JUDGMENT # 1948 01:28:42,000 --> 01:28:42,684 # KINDA CRAZY # # AIN'T NO JUDGMENT # 1949 01:28:42,750 --> 01:28:45,053 # OR KEEPIN' SCORE # # IF YOU ROB A BANK # 1950 01:28:45,119 --> 01:28:48,000 # I'M YOUR GETAWAY MERCEDES # # GOD KNOWS THAT'S WHAT # 1951 01:28:48,000 --> 01:28:48,723 # I'M YOUR GETAWAY MERCEDES # # GOD KNOWS THAT'S WHAT # 1952 01:28:48,790 --> 01:28:51,526 # FRIENDS ARE FOR # # 'CAUSE DIRT ON YOU # 1953 01:28:51,592 --> 01:28:54,000 # IS DIRT ON ME # # AND WE BOTH KNOW # 1954 01:28:54,000 --> 01:28:54,195 # IS DIRT ON ME # # AND WE BOTH KNOW # 1955 01:28:54,262 --> 01:28:58,633 # OUR HANDS AIN'T CLEAN # # IF IT ALL BLOWS UP # 1956 01:28:58,700 --> 01:29:00,000 # AND WE END UP ON THE NEWS # # IF YOU GO DOWN # 1957 01:29:00,000 --> 01:29:02,537 # AND WE END UP ON THE NEWS # # IF YOU GO DOWN # 1958 01:29:02,603 --> 01:29:06,000 # I'M GOIN' DOWN TOO # # IF YOU GO DOWN # 1959 01:29:06,000 --> 01:29:06,441 # I'M GOIN' DOWN TOO # # IF YOU GO DOWN # 1960 01:29:06,507 --> 01:29:12,000 # I'M GOIN' DOWN TOO # YEAH # 1961 01:29:12,000 --> 01:29:18,000 # I'M GOIN' DOWN TOO # YEAH # 1962 01:29:18,000 --> 01:29:21,389 # I'M GOIN' DOWN TOO # YEAH # 1963 01:29:21,456 --> 01:29:22,423 # I'M GOIN' DOWN TOO # YEAH # 1964 01:29:22,490 --> 01:29:24,000 # I KEEP ALL YOUR SECRETS # # BY THE DOZEN # 1965 01:29:24,000 --> 01:29:27,962 # I KEEP ALL YOUR SECRETS # # BY THE DOZEN # 1966 01:29:28,029 --> 01:29:30,000 # YOU KNOW WHERE # # MY SKELETONS SLEEP # 1967 01:29:30,000 --> 01:29:30,965 # YOU KNOW WHERE # # MY SKELETONS SLEEP # 1968 01:29:31,032 --> 01:29:33,534 # HYPOTHETICALLY # # IF YOU EVER KILL YOUR 1969 01:29:33,601 --> 01:29:36,000 HUSBAND # # HAND ON THE BIBLE # 1970 01:29:36,000 --> 01:29:36,404 HUSBAND # # HAND ON THE BIBLE # 1971 01:29:36,471 --> 01:29:37,972 # I'D BE LYIN' THROUGH MY TEETH # 1972 01:29:38,039 --> 01:29:41,142 # 'CAUSE DIRT ON YOU # # IS DIRT ON ME # 1973 01:29:41,209 --> 01:29:42,000 # AND WE BOTH KNOW # # OUR HANDS AIN'T CLEAN # 1974 01:29:42,000 --> 01:29:44,212 # AND WE BOTH KNOW # # OUR HANDS AIN'T CLEAN # 1975 01:29:44,278 --> 01:29:48,000 # IF IT ALL BLOWS UP # # AND WE END UP ON THE NEWS # 1976 01:29:48,000 --> 01:29:48,683 # IF IT ALL BLOWS UP # # AND WE END UP ON THE NEWS # 1977 01:29:48,750 --> 01:29:52,320 # IF YOU GO DOWN # # I'M GOIN' DOWN TOO # 1978 01:29:52,386 --> 01:29:54,000 # OUR BODIES ARE BURIED # # AND THEY'RE IN THE SAME 1979 01:29:54,000 --> 01:29:54,622 # OUR BODIES ARE BURIED # # AND THEY'RE IN THE SAME 1980 01:29:54,689 --> 01:29:56,724 DITCH # # SO EVEN IF I WANTED TO # 1981 01:29:56,791 --> 01:30:00,000 # I CAN'T SNITCH # # THIRTY TO LIFE # 1982 01:30:00,000 --> 01:30:00,361 # I CAN'T SNITCH # # THIRTY TO LIFE # 1983 01:30:00,428 --> 01:30:04,398 # WOULD GO QUICKER WITH YOU # # YEAH # 1984 01:30:04,465 --> 01:30:06,000 # SO, IF YOU GO DOWN # # I'M GOIN' DOWN TOO # 1985 01:30:06,000 --> 01:30:07,668 # SO, IF YOU GO DOWN # # I'M GOIN' DOWN TOO # 1986 01:30:07,735 --> 01:30:10,705 # IF YOU GO DOWN # # I'M GOIN' DOWN TOO # 1987 01:30:10,772 --> 01:30:12,000 # IF YOU GO DOWN # # I'M GOIN' DOWN TOO # 1988 01:30:12,000 --> 01:30:18,000 # IF YOU GO DOWN # # I'M GOIN' DOWN TOO # 1989 01:30:18,000 --> 01:30:24,000 # IF YOU GO DOWN # # I'M GOIN' DOWN TOO # 1990 01:30:24,000 --> 01:30:24,952 # IF YOU GO DOWN # # I'M GOIN' DOWN TOO # 1991 01:30:25,019 --> 01:30:27,955 [CHEERS AND APPLAUSE] >> HE'S ONE OF THE HOTTEST STARS 1992 01:30:28,022 --> 01:30:30,000 ON CBS'S "FIRE COUNTRY" PLEASE WELCOME MAX THIERIOT! 1993 01:30:30,000 --> 01:30:31,959 ON CBS'S "FIRE COUNTRY" PLEASE WELCOME MAX THIERIOT! 1994 01:30:32,026 --> 01:30:34,829 >> WHAT'S UP, CMT! 1995 01:30:34,896 --> 01:30:36,000 WHAT'S GOING ON? 1996 01:30:36,000 --> 01:30:37,899 WHAT'S GOING ON? 1997 01:30:37,965 --> 01:30:41,402 I DON'T WANNA BRAG, BUT I GOT TO WORK ALONGSIDE ONE OF OUR 1998 01:30:41,469 --> 01:30:42,000 HOSTS TONIGHT WHEN HE GUEST STARRED ON "FIRE COUNTRY." 1999 01:30:42,000 --> 01:30:48,000 HOSTS TONIGHT WHEN HE GUEST STARRED ON "FIRE COUNTRY." 2000 01:30:48,000 --> 01:30:50,178 HOSTS TONIGHT WHEN HE GUEST STARRED ON "FIRE COUNTRY." 2001 01:30:50,244 --> 01:30:53,548 LET ME TELL YOU, HE'S GREAT IN THE SHOW. 2002 01:30:53,614 --> 01:30:54,000 RIGHT NOW WE GET TO SEE HIM DO WHAT HE ABSOLUTELY DOES BEST. 2003 01:30:54,000 --> 01:30:55,049 RIGHT NOW WE GET TO SEE HIM DO WHAT HE ABSOLUTELY DOES BEST. 2004 01:30:55,116 --> 01:30:59,053 AND HE'S PERFORMING WITH HIS WIFE. 2005 01:30:59,120 --> 01:31:00,000 HERE WITH THE FASTEST RISING HIT OF HIS CAREER, 2006 01:31:00,000 --> 01:31:00,521 HERE WITH THE FASTEST RISING HIT OF HIS CAREER, 2007 01:31:00,588 --> 01:31:03,524 WE'RE GOING BACK OUTSIDE. 2008 01:31:03,591 --> 01:31:05,593 IT'S KANE AND KATELYN BROWN! 2009 01:31:12,934 --> 01:31:18,000 # # # I WAS LOST # 2010 01:31:18,000 --> 01:31:19,540 # # # I WAS LOST # 2011 01:31:19,607 --> 01:31:22,076 # YOU FOUND A WAY # # TO BRING ME BACK # 2012 01:31:22,143 --> 01:31:24,000 # NEEDED FORGIVENESS # # YOU ALWAYS GAVE ME THAT # 2013 01:31:24,000 --> 01:31:26,781 # NEEDED FORGIVENESS # # YOU ALWAYS GAVE ME THAT # 2014 01:31:26,848 --> 01:31:30,000 # GIRL, I'M A WITNESS # # OF YOUR LOVE # 2015 01:31:30,000 --> 01:31:31,219 # GIRL, I'M A WITNESS # # OF YOUR LOVE # 2016 01:31:31,285 --> 01:31:33,888 # 'CAUSE YOU DON'T BE GIVIN' UP # 2017 01:31:33,955 --> 01:31:36,000 # AND IT'S CRAZY # # HOW YOU SAVED ME # 2018 01:31:36,000 --> 01:31:37,124 # AND IT'S CRAZY # # HOW YOU SAVED ME # 2019 01:31:37,191 --> 01:31:39,627 # HAND ON THE BIBLE # # DON'T KNOW HOW I GOT YOU # 2020 01:31:39,694 --> 01:31:42,000 # BUT I COULDN'T ASK FOR MORE # # GIRL, WHAT WE GOT'S # 2021 01:31:42,000 --> 01:31:43,598 # BUT I COULDN'T ASK FOR MORE # # GIRL, WHAT WE GOT'S # 2022 01:31:43,664 --> 01:31:47,501 # WORTH THANKING GOD FOR # # SO THANK GOD # 2023 01:31:47,568 --> 01:31:48,000 # I GET TO WAKE UP # # BY YOUR SIDE # 2024 01:31:48,000 --> 01:31:49,770 # I GET TO WAKE UP # # BY YOUR SIDE # 2025 01:31:49,837 --> 01:31:52,874 # AND THANK GOD # # YOUR HAND FITS # 2026 01:31:52,940 --> 01:31:54,000 # PERFECTLY IN MINE # # AND THANK GOD # 2027 01:31:54,000 --> 01:31:56,711 # PERFECTLY IN MINE # # AND THANK GOD # 2028 01:31:56,777 --> 01:32:00,000 # YOU LOVED ME # # WHEN YOU DIDN'T HAVE TO # 2029 01:32:00,000 --> 01:32:00,147 # YOU LOVED ME # # WHEN YOU DIDN'T HAVE TO # 2030 01:32:00,214 --> 01:32:02,283 # BUT YOU DID # # AND YOU DO # 2031 01:32:02,350 --> 01:32:06,000 # AND HE KNEW # # THANK GOD FOR GIVING ME YOU # 2032 01:32:06,000 --> 01:32:10,224 # AND HE KNEW # # THANK GOD FOR GIVING ME YOU # 2033 01:32:10,291 --> 01:32:12,000 # THANK GOD # # THANK GOD 2034 01:32:12,000 --> 01:32:17,798 # THANK GOD # # THANK GOD 2035 01:32:17,865 --> 01:32:18,000 # NEVER THOUGHT I'D FIND # # AN ANGEL UNDERCOVER # 2036 01:32:18,000 --> 01:32:20,034 # NEVER THOUGHT I'D FIND # # AN ANGEL UNDERCOVER # 2037 01:32:20,101 --> 01:32:23,137 # MADE A CHANGE TO EVERYTHING # # FROM MY HEART # 2038 01:32:23,204 --> 01:32:24,000 # TO MY LAST NAME # # HEY # 2039 01:32:24,000 --> 01:32:25,806 # TO MY LAST NAME # # HEY # 2040 01:32:25,873 --> 01:32:29,377 # HARD TO TELL, WHEN HE FELL # # THAT BOY WAS HEAVEN SENT # 2041 01:32:29,443 --> 01:32:30,000 # AND EVERY NIGHT # # WHEN I CLOSE MY EYES # 2042 01:32:30,000 --> 01:32:31,779 # AND EVERY NIGHT # # WHEN I CLOSE MY EYES # 2043 01:32:31,846 --> 01:32:35,149 # BEFORE I SAY AMEN # # I THANK GOD # 2044 01:32:35,216 --> 01:32:36,000 # I GET TO WAKE UP BY YOUR SIDE # 2045 01:32:36,000 --> 01:32:37,818 # I GET TO WAKE UP BY YOUR SIDE # 2046 01:32:37,885 --> 01:32:40,488 # AND THANK GOD # # YOUR HAND # 2047 01:32:40,554 --> 01:32:42,000 # FITS PERFECTLY IN MINE # # AND THANK GOD # 2048 01:32:42,000 --> 01:32:44,425 # FITS PERFECTLY IN MINE # # AND THANK GOD # 2049 01:32:44,492 --> 01:32:47,662 # YOU LOVED ME # # WHEN YOU DIDN'T HAVE TO # 2050 01:32:47,728 --> 01:32:48,000 # BUT YOU DID # # AND YOU DO # 2051 01:32:48,000 --> 01:32:50,364 # BUT YOU DID # # AND YOU DO # 2052 01:32:50,431 --> 01:32:54,000 # AND HE KNEW # # THANK GOD FOR GIVING ME YOU # 2053 01:32:54,000 --> 01:32:54,669 # AND HE KNEW # # THANK GOD FOR GIVING ME YOU # 2054 01:32:54,735 --> 01:33:00,000 # THANK GOD # # THANK GOD # 2055 01:33:00,000 --> 01:33:03,978 # THANK GOD # # THANK GOD # 2056 01:33:04,045 --> 01:33:05,813 # HAND ON THE BIBLE # # DON'T KNOW HOW I GOT YOU # 2057 01:33:05,880 --> 01:33:06,000 # I COULDN'T ASK FOR MORE # >> # GIRL, WHAT WE GOT'S # 2058 01:33:06,000 --> 01:33:10,551 # I COULDN'T ASK FOR MORE # >> # GIRL, WHAT WE GOT'S # 2059 01:33:10,618 --> 01:33:12,000 # WORTH THANKING GOD FOR # >> # SO THANK GOD # 2060 01:33:12,000 --> 01:33:14,455 # WORTH THANKING GOD FOR # >> # SO THANK GOD # 2061 01:33:14,522 --> 01:33:16,390 # I GET TO WAKE UP BY YOUR SIDE # 2062 01:33:16,457 --> 01:33:18,000 # AND THANK GOD # # YOUR HAND # 2063 01:33:18,000 --> 01:33:19,927 # AND THANK GOD # # YOUR HAND # 2064 01:33:19,994 --> 01:33:23,164 # FITS PERFECTLY IN MINE # # AND THANK GOD # 2065 01:33:23,230 --> 01:33:24,000 # YOU LOVED ME # # WHEN YOU DIDN'T HAVE TO # 2066 01:33:24,000 --> 01:33:26,267 # YOU LOVED ME # # WHEN YOU DIDN'T HAVE TO # 2067 01:33:26,334 --> 01:33:28,436 # BUT YOU DID # # AND YOU DO # 2068 01:33:28,502 --> 01:33:30,000 # AND HE KNEW # # THANK GOD FOR GIVING ME YOU # 2069 01:33:30,000 --> 01:33:33,140 # AND HE KNEW # # THANK GOD FOR GIVING ME YOU # 2070 01:33:33,207 --> 01:33:36,000 # I THANK GOD # # I GET TO WAKE UP 2071 01:33:36,000 --> 01:33:40,081 # I THANK GOD # # I GET TO WAKE UP 2072 01:33:40,147 --> 01:33:41,549 BY YOUR SIDE # # AND THANK GOD # 2073 01:33:41,615 --> 01:33:42,000 # YOUR HAND # # FITS PERFECTLY IN MINE # 2074 01:33:42,000 --> 01:33:42,750 # YOUR HAND # # FITS PERFECTLY IN MINE # 2075 01:33:42,817 --> 01:33:44,151 # AND THANK GOD # # YOU LOVED ME # 2076 01:33:44,218 --> 01:33:46,821 # WHEN YOU DIDN'T HAVE TO # # BUT YOU DID # 2077 01:33:46,887 --> 01:33:48,000 # AND YOU DO # # AND HE KNEW # 2078 01:33:48,000 --> 01:33:50,191 # AND YOU DO # # AND HE KNEW # 2079 01:33:50,257 --> 01:33:54,000 # THANK GOD FOR GIVING ME YOU # >> CMT, MAKE SOME NOISE FOR MY 2080 01:33:54,000 --> 01:34:00,000 # THANK GOD FOR GIVING ME YOU # >> CMT, MAKE SOME NOISE FOR MY 2081 01:34:00,000 --> 01:34:05,139 # THANK GOD FOR GIVING ME YOU # >> CMT, MAKE SOME NOISE FOR MY 2082 01:34:05,206 --> 01:34:06,000 # THANK GOD FOR GIVING ME YOU # >> CMT, MAKE SOME NOISE FOR MY 2083 01:34:06,000 --> 01:34:07,174 # THANK GOD FOR GIVING ME YOU # >> CMT, MAKE SOME NOISE FOR MY 2084 01:34:07,241 --> 01:34:07,675 BEAUTIFUL WIFE ONE TIME. 2085 01:34:07,742 --> 01:34:08,909 >> THANK YOU! 2086 01:34:08,976 --> 01:34:09,744 >> FROM THE RAM TRUCKS STAGE, WITH A DEBUT PERFORMANCE OF HER 2087 01:34:09,810 --> 01:34:12,000 SONG "NARCISSIST," HERE IS ANNA AVERY. 2088 01:34:12,000 --> 01:34:15,016 SONG "NARCISSIST," HERE IS ANNA AVERY. 2089 01:34:15,082 --> 01:34:18,000 # MY PARENTS DON'T LIKE YOU # # WHY WOULD THEY WANT TO # 2090 01:34:18,000 --> 01:34:18,219 # MY PARENTS DON'T LIKE YOU # # WHY WOULD THEY WANT TO # 2091 01:34:18,285 --> 01:34:22,923 # AFTER THEY FOUND ME # # CRYING ON THE BATHROOM FLOOR # 2092 01:34:22,990 --> 01:34:24,000 # I DON'T EVEN LIKE ME ANYMORE # # 'CAUSE YOU SAY # 2093 01:34:24,000 --> 01:34:27,762 # I DON'T EVEN LIKE ME ANYMORE # # 'CAUSE YOU SAY # 2094 01:34:27,828 --> 01:34:30,000 # THAT I'M CRAZY # # YOU SAY THAT YOU'RE SORRY # 2095 01:34:30,000 --> 01:34:31,932 # THAT I'M CRAZY # # YOU SAY THAT YOU'RE SORRY # 2096 01:34:31,999 --> 01:34:36,000 # WON'T HAPPEN AGAIN # # YOU SAY I'M DRAMATIC # 2097 01:34:36,000 --> 01:34:36,771 # WON'T HAPPEN AGAIN # # YOU SAY I'M DRAMATIC # 2098 01:34:36,837 --> 01:34:41,475 # I'M OVERREACTING # # AND MAYBE I AM # 2099 01:34:41,542 --> 01:34:42,000 # AND I KNOW # # YOU GET OVER ME # 2100 01:34:42,000 --> 01:34:44,945 # AND I KNOW # # YOU GET OVER ME # 2101 01:34:45,012 --> 01:34:46,781 # BUT CAN YOU GET OVER YOURSELF # 2102 01:34:46,847 --> 01:34:48,000 # BEFORE YOU # # GO AND LOVE SOMEBODY ELSE # 2103 01:34:48,000 --> 01:34:50,684 # BEFORE YOU # # GO AND LOVE SOMEBODY ELSE # 2104 01:34:50,751 --> 01:34:52,753 # YOU SHOULD PROBABLY # # GET SOME HELP # 2105 01:34:59,126 --> 01:35:00,000 [CHEERS AND APPLAUSE] >> NEXT, THE BLACK CROWES 2106 01:35:00,000 --> 01:35:00,561 [CHEERS AND APPLAUSE] >> NEXT, THE BLACK CROWES 2107 01:35:00,628 --> 01:35:02,396 AND DARIUS RUCKER. 2108 01:35:02,463 --> 01:35:04,198 PLUS, PERFORMANCES FROM ALANIS MORRISETTE 2109 01:35:04,265 --> 01:35:05,399 AND CARRIE UNDERWOOD. 2110 01:35:05,466 --> 01:35:06,000 TIME IS RUNNING OUT TO CAST YOUR VOTE FOR VIDEO OF THE YEAR, 2111 01:35:06,000 --> 01:35:07,868 TIME IS RUNNING OUT TO CAST YOUR VOTE FOR VIDEO OF THE YEAR, 2112 01:35:07,935 --> 01:35:09,804 PRESENTED BY RAM TRUCKS. 2113 01:35:09,870 --> 01:35:12,000 GO TO THE CMT MUSIC AWARDS FACEBOOK PAGE AND COMMENT RIGHT 2114 01:35:12,000 --> 01:35:13,074 GO TO THE CMT MUSIC AWARDS FACEBOOK PAGE AND COMMENT RIGHT 2115 01:35:13,140 --> 01:35:16,710 NOW TO VOTE AND FIND OUT WHO WINS IN JUST A BIT. 2116 01:35:16,777 --> 01:35:18,000 THE CMT MUSIC AWARDS CONTINUES. 2117 01:35:18,000 --> 01:35:19,180 THE CMT MUSIC AWARDS CONTINUES. 2118 01:35:19,246 --> 01:35:20,014 LIVE FROM AUSTIN, TEXAS. 2119 01:35:20,081 --> 01:35:21,082 THIS IS CBS. 2120 01:35:40,201 --> 01:35:42,000 >> PLEASE WELCOME THE ARTIST WITH THE MOST CMT MUSIC AWARD 2121 01:35:42,000 --> 01:35:42,303 >> PLEASE WELCOME THE ARTIST WITH THE MOST CMT MUSIC AWARD 2122 01:35:42,369 --> 01:35:43,204 WINS EVER. 2123 01:35:43,270 --> 01:35:46,140 AND SHE'S UP FOR ANOTHER ONE LATER TONIGHT. 2124 01:35:46,207 --> 01:35:48,000 CARRIE UNDERWOOD. 2125 01:35:48,000 --> 01:35:51,145 CARRIE UNDERWOOD. 2126 01:35:51,212 --> 01:35:53,547 >> EARLIER THIS WEEK DARIUS RUCKER TOOK THE STAGE HERE IN 2127 01:35:53,614 --> 01:35:54,000 AUSTIN WITH THE BLACK CROWS FOR AN UPCOMING EPISODE OF "CMT 2128 01:35:54,000 --> 01:35:57,852 AUSTIN WITH THE BLACK CROWS FOR AN UPCOMING EPISODE OF "CMT 2129 01:35:57,918 --> 01:35:58,986 CROSSROADS THIS MAY. 2130 01:35:59,053 --> 01:36:00,000 NOW THEY ARE PERFORMING ONE OF MY FAVORITES "SHE TALKS TO 2131 01:36:00,000 --> 01:36:02,523 NOW THEY ARE PERFORMING ONE OF MY FAVORITES "SHE TALKS TO 2132 01:36:02,590 --> 01:36:04,658 ANGELS." 2133 01:36:04,725 --> 01:36:06,000 IT'S THE BLACK CROWES AND DARIUS RUCKER!! 2134 01:36:06,000 --> 01:36:06,861 IT'S THE BLACK CROWES AND DARIUS RUCKER!! 2135 01:36:06,927 --> 01:36:12,000 # SHE NEVER MENTIONS # # THE WORD ADDICTION # 2136 01:36:12,000 --> 01:36:18,000 # SHE NEVER MENTIONS # # THE WORD ADDICTION # 2137 01:36:18,000 --> 01:36:21,809 # SHE NEVER MENTIONS # # THE WORD ADDICTION # 2138 01:36:21,876 --> 01:36:23,844 # SHE NEVER MENTIONS # # THE WORD ADDICTION # 2139 01:36:23,911 --> 01:36:24,000 # IN CERTAIN COMPANY # # YES, SHE TELLS YOU # 2140 01:36:24,000 --> 01:36:29,416 # IN CERTAIN COMPANY # # YES, SHE TELLS YOU # 2141 01:36:29,483 --> 01:36:30,000 # SHE'S AN ORPHAN # # AFTER YOU MEET HER FAMILY # 2142 01:36:30,000 --> 01:36:36,000 # SHE'S AN ORPHAN # # AFTER YOU MEET HER FAMILY # 2143 01:36:36,000 --> 01:36:42,000 # SHE'S AN ORPHAN # # AFTER YOU MEET HER FAMILY # 2144 01:36:42,000 --> 01:36:42,129 # SHE'S AN ORPHAN # # AFTER YOU MEET HER FAMILY # 2145 01:36:46,400 --> 01:36:48,000 # SHE PAINTS HER EYES # # AS BLACK AS NIGHT NOW # 2146 01:36:48,000 --> 01:36:51,739 # SHE PAINTS HER EYES # # AS BLACK AS NIGHT NOW # 2147 01:36:51,805 --> 01:36:54,000 # SHE PULLS THOSE SHADES # # DOWN TIGHT # 2148 01:36:54,000 --> 01:37:00,000 # SHE PULLS THOSE SHADES # # DOWN TIGHT # 2149 01:37:00,000 --> 01:37:02,683 # SHE PULLS THOSE SHADES # # DOWN TIGHT # 2150 01:37:02,750 --> 01:37:06,000 MY GIRL, GIVE A SMILE # # WHEN THE PAIN COMES # 2151 01:37:06,000 --> 01:37:09,256 MY GIRL, GIVE A SMILE # # WHEN THE PAIN COMES # 2152 01:37:09,323 --> 01:37:12,000 # THE PAIN THE ONLY THING # # TO MAKE IT ALL RIGHT 2153 01:37:12,000 --> 01:37:15,329 # THE PAIN THE ONLY THING # # TO MAKE IT ALL RIGHT 2154 01:37:15,396 --> 01:37:18,000 # SAYS SHE TALKS TO ANGELS # # THEY CALL HER OUT # 2155 01:37:18,000 --> 01:37:20,100 # SAYS SHE TALKS TO ANGELS # # THEY CALL HER OUT # 2156 01:37:20,167 --> 01:37:24,000 # BY HER NAME # # OH, YEAH, YOU KNOW 2157 01:37:24,000 --> 01:37:29,176 # BY HER NAME # # OH, YEAH, YOU KNOW 2158 01:37:29,243 --> 01:37:30,000 SHE TALKS TO ANGELS # # THEY CALL HER OUT # 2159 01:37:30,000 --> 01:37:33,380 SHE TALKS TO ANGELS # # THEY CALL HER OUT # 2160 01:37:33,447 --> 01:37:36,000 # BY HER NAME # # SHE KEEPS A LOCK OF HAIR # 2161 01:37:36,000 --> 01:37:37,718 # BY HER NAME # # SHE KEEPS A LOCK OF HAIR # 2162 01:37:37,785 --> 01:37:42,000 # IN HER POCKET # # SHE WEARS A CROSS # 2163 01:37:42,000 --> 01:37:44,458 # IN HER POCKET # # SHE WEARS A CROSS # 2164 01:37:44,525 --> 01:37:48,000 # AROUND HER NECK # # YES, THE HAIR # 2165 01:37:48,000 --> 01:37:51,131 # AROUND HER NECK # # YES, THE HAIR # 2166 01:37:51,198 --> 01:37:54,000 # IS FROM A LITTLE BOY # # THE CROSS IS SOMEONE # 2167 01:37:54,000 --> 01:37:57,671 # IS FROM A LITTLE BOY # # THE CROSS IS SOMEONE # 2168 01:37:57,738 --> 01:38:00,000 # SHE HAS NOT MET # # NOT YET # 2169 01:38:00,000 --> 01:38:05,512 # SHE HAS NOT MET # # NOT YET # 2170 01:38:05,579 --> 01:38:06,000 # YEAH SHE TALKS TO ANGELS # # THEY CALL HER OUT 2171 01:38:06,000 --> 01:38:12,000 # YEAH SHE TALKS TO ANGELS # # THEY CALL HER OUT 2172 01:38:12,000 --> 01:38:15,389 # YEAH SHE TALKS TO ANGELS # # THEY CALL HER OUT 2173 01:38:15,456 --> 01:38:18,000 BY HER NAME # # OH, YEAH # 2174 01:38:18,000 --> 01:38:18,359 BY HER NAME # # OH, YEAH # 2175 01:38:18,425 --> 01:38:24,000 # SHE TALKS TO ANGELS # # SAYS THEY CALL HER OUT # 2176 01:38:24,000 --> 01:38:25,599 # SHE TALKS TO ANGELS # # SAYS THEY CALL HER OUT # 2177 01:38:25,666 --> 01:38:30,000 # BY HER NAME # # SHE DON'T KNOW NO LOVER # 2178 01:38:30,000 --> 01:38:36,000 # BY HER NAME # # SHE DON'T KNOW NO LOVER # 2179 01:38:36,000 --> 01:38:37,811 # BY HER NAME # # SHE DON'T KNOW NO LOVER # 2180 01:38:37,878 --> 01:38:42,000 # NONE THAT I EVER SEEN # # BUT TO HER # 2181 01:38:42,000 --> 01:38:48,000 # NONE THAT I EVER SEEN # # BUT TO HER # 2182 01:38:48,000 --> 01:38:48,722 # NONE THAT I EVER SEEN # # BUT TO HER # 2183 01:38:48,789 --> 01:38:54,000 # THAT DON'T MEAN NOTHIN' # # BUT TO ME # 2184 01:38:54,000 --> 01:38:56,597 # THAT DON'T MEAN NOTHIN' # # BUT TO ME # 2185 01:38:56,664 --> 01:39:00,000 # DON'T YOU KNOW # # MEANS EVERYTHING # 2186 01:39:00,000 --> 01:39:00,200 # DON'T YOU KNOW # # MEANS EVERYTHING # 2187 01:39:00,267 --> 01:39:05,973 # SHE PAINTS HER EYES # # AS BLACK AS NIGHT, NOW # 2188 01:39:06,040 --> 01:39:12,000 # SHE PULLS THOSE SHADES DOWN TIGHT # 2189 01:39:12,000 --> 01:39:13,213 # SHE PULLS THOSE SHADES DOWN TIGHT # 2190 01:39:13,280 --> 01:39:18,000 OH, YEAH # MY GIRL, SHE WANTS TO 2191 01:39:18,000 --> 01:39:20,187 OH, YEAH # MY GIRL, SHE WANTS TO 2192 01:39:20,254 --> 01:39:24,000 GIVE A SMILE # # WHEN THE PAIN COMES # 2193 01:39:24,000 --> 01:39:25,659 GIVE A SMILE # # WHEN THE PAIN COMES # 2194 01:39:25,726 --> 01:39:28,662 # THE PAIN THE ONLY THING # # TO MAKE IT ALL RIGHT # 2195 01:39:28,729 --> 01:39:30,000 # SHE TALKS TO ANGELS # # THEY CALL HER OUT # 2196 01:39:30,000 --> 01:39:36,000 # SHE TALKS TO ANGELS # # THEY CALL HER OUT # 2197 01:39:36,000 --> 01:39:36,236 # SHE TALKS TO ANGELS # # THEY CALL HER OUT # 2198 01:39:36,303 --> 01:39:40,374 # BY HER NAME # # OH, YEAH # 2199 01:39:40,441 --> 01:39:42,000 # SHE TALKS TO ANGELS # # THEY CALL HER OUT # 2200 01:39:42,000 --> 01:39:47,281 # SHE TALKS TO ANGELS # # THEY CALL HER OUT # 2201 01:39:47,348 --> 01:39:48,000 # BY HER NAME # # OH, YEAH # 2202 01:39:48,000 --> 01:39:53,854 # BY HER NAME # # OH, YEAH # 2203 01:39:53,921 --> 01:39:54,000 # SHE TALKS TO ANGELS # # THEY CALL HER OUT # 2204 01:39:54,000 --> 01:39:59,827 # SHE TALKS TO ANGELS # # THEY CALL HER OUT # 2205 01:39:59,893 --> 01:40:00,000 # BY HER NAME # # YES THEY DID # 2206 01:40:00,000 --> 01:40:06,000 # BY HER NAME # # YES THEY DID # 2207 01:40:06,000 --> 01:40:08,936 # BY HER NAME # # YES THEY DID # 2208 01:40:09,002 --> 01:40:12,000 # SHE TALKS TO ANGELS # # BY HER NAME # 2209 01:40:12,000 --> 01:40:13,640 # SHE TALKS TO ANGELS # # BY HER NAME # 2210 01:40:13,707 --> 01:40:18,000 # OH, YEAH # # DON'T YOU KNOW 2211 01:40:18,000 --> 01:40:18,112 # OH, YEAH # # DON'T YOU KNOW 2212 01:40:18,178 --> 01:40:20,481 THEY CALL HER OUT # # CALL HER OUT # 2213 01:40:20,547 --> 01:40:24,000 # CALL HER OUT # # DON'T YOU KNOW # 2214 01:40:24,000 --> 01:40:26,086 # CALL HER OUT # # DON'T YOU KNOW # 2215 01:40:26,153 --> 01:40:30,000 # CALL HER OUT # # BY HER NAME # 2216 01:40:30,000 --> 01:40:33,360 # CALL HER OUT # # BY HER NAME # 2217 01:40:39,666 --> 01:40:41,635 [CHEERS AND APPLAUSE] >> SHE'S ONE OF THE MOST 2218 01:40:41,702 --> 01:40:42,000 POWERFUL VOICES IN COUNTRY. 2219 01:40:42,000 --> 01:40:42,569 POWERFUL VOICES IN COUNTRY. 2220 01:40:42,636 --> 01:40:48,000 PLEASE WELCOME LEANN RIMES. 2221 01:40:48,000 --> 01:40:54,000 PLEASE WELCOME LEANN RIMES. 2222 01:40:54,000 --> 01:40:55,015 PLEASE WELCOME LEANN RIMES. 2223 01:40:55,082 --> 01:40:58,419 >> HELLO, EVERYONE! 2224 01:40:58,485 --> 01:41:00,000 WHAT AN INCREDIBLE PERFORMANCE. 2225 01:41:00,000 --> 01:41:00,187 WHAT AN INCREDIBLE PERFORMANCE. 2226 01:41:00,254 --> 01:41:06,000 THAT WAS A DREAM COME TRUE. 2227 01:41:06,000 --> 01:41:06,126 THAT WAS A DREAM COME TRUE. 2228 01:41:06,193 --> 01:41:08,295 WE ARE GOING TO SHOW THE MEN OF COUNTRIES AND LOVE. 2229 01:41:08,362 --> 01:41:12,000 THESE GUYS HAVE TURNED OUT TRULY UNFORGETTABLE SONGS AND VIDEOS 2230 01:41:12,000 --> 01:41:12,800 THESE GUYS HAVE TURNED OUT TRULY UNFORGETTABLE SONGS AND VIDEOS 2231 01:41:12,866 --> 01:41:14,802 THIS YEAR SO SOME MUCH-NEEDED RECOGNITION IS IN ORDER. 2232 01:41:14,868 --> 01:41:18,000 HERE ARE THE NOMINEES FOR BEST MALE VIDEO OF THE YEAR. 2233 01:41:18,000 --> 01:41:20,874 HERE ARE THE NOMINEES FOR BEST MALE VIDEO OF THE YEAR. 2234 01:41:20,941 --> 01:41:24,000 "ROCK AND A HARD PLACE" BAILEY ZIMMERMAN. 2235 01:41:24,000 --> 01:41:24,845 "ROCK AND A HARD PLACE" BAILEY ZIMMERMAN. 2236 01:41:24,912 --> 01:41:30,000 "HUMAN" CODY JOHNSON. 2237 01:41:30,000 --> 01:41:30,150 "HUMAN" CODY JOHNSON. 2238 01:41:30,217 --> 01:41:32,719 "SHE HAD ME AT HEADS CAROLINA" COLE SWINDELL 2239 01:41:32,786 --> 01:41:34,221 "SON OF A SINNER" JELLY ROLL 2240 01:41:34,288 --> 01:41:36,000 "LIKE I LOVE COUNTRY MUSIC" KANE BROWN. 2241 01:41:36,000 --> 01:41:36,790 "LIKE I LOVE COUNTRY MUSIC" KANE BROWN. 2242 01:41:36,857 --> 01:41:40,494 "THE KIND OF LOVE WE MAKE" LUKE COMBS. 2243 01:41:40,561 --> 01:41:42,000 "WASTED ON YOU" MORGAN WALLEN. 2244 01:41:42,000 --> 01:41:45,466 "WASTED ON YOU" MORGAN WALLEN. 2245 01:41:45,532 --> 01:41:47,734 MALE VIDEO OF THE YEAR. 2246 01:41:47,801 --> 01:41:48,000 >> AND THE WINNER IS... 2247 01:41:48,000 --> 01:41:53,040 >> AND THE WINNER IS... 2248 01:41:53,106 --> 01:41:54,000 JELLY ROLL! 2249 01:41:54,000 --> 01:41:54,575 JELLY ROLL! 2250 01:41:54,641 --> 01:42:00,000 "SON OF A SINNER." 2251 01:42:00,000 --> 01:42:04,184 "SON OF A SINNER." 2252 01:42:08,422 --> 01:42:10,424 [CHEERS AND APPLAUSE] # # 2253 01:42:48,262 --> 01:42:50,264 # # [CHEERS AND APPLAUSE] 2254 01:43:26,266 --> 01:43:29,670 >> I LOVE Y'ALL SO MUCH. 2255 01:43:29,736 --> 01:43:30,000 THANK YOU, CMT, BABY! 2256 01:43:30,000 --> 01:43:30,270 THANK YOU, CMT, BABY! 2257 01:43:30,337 --> 01:43:35,208 THREE AWARDS IN ONE NIGHT! 2258 01:43:35,275 --> 01:43:36,000 I HOPE Y'ALL GIVE ME A SECOND HERE. 2259 01:43:36,000 --> 01:43:40,147 I HOPE Y'ALL GIVE ME A SECOND HERE. 2260 01:43:40,213 --> 01:43:41,448 I'M A LITTLE EMOTIONAL. 2261 01:43:41,515 --> 01:43:42,000 I STARTED DRINKING. 2262 01:43:42,000 --> 01:43:42,316 I STARTED DRINKING. 2263 01:43:42,382 --> 01:43:47,187 I DIDN'T THINK I WAS GOING TO WIN AGAIN. 2264 01:43:47,254 --> 01:43:48,000 IT MAY HAVE LOOKED LIKE IT WAS ONLY 30 YARDS, BUT IT TOOK ME 39 2265 01:43:48,000 --> 01:43:51,425 IT MAY HAVE LOOKED LIKE IT WAS ONLY 30 YARDS, BUT IT TOOK ME 39 2266 01:43:51,491 --> 01:43:54,000 YEARS TO WALK FROM OVER THERE TO WRITE HERE. 2267 01:43:54,000 --> 01:43:58,131 YEARS TO WALK FROM OVER THERE TO WRITE HERE. 2268 01:43:58,198 --> 01:44:00,000 IN I WANT YOU TO KNOW THAT I DON'T KNOW WHAT YOU'RE GOING 2269 01:44:00,000 --> 01:44:00,767 IN I WANT YOU TO KNOW THAT I DON'T KNOW WHAT YOU'RE GOING 2270 01:44:00,834 --> 01:44:03,403 THROUGH AND I DON'T KNOW WHAT YOU'VE BEEN THROUGH BUT I KNOW 2271 01:44:03,470 --> 01:44:03,937 YOU CAN OVERCOME IT. 2272 01:44:04,004 --> 01:44:06,000 I PROMISE YOU YOU CAN. 2273 01:44:06,000 --> 01:44:09,409 I PROMISE YOU YOU CAN. 2274 01:44:09,476 --> 01:44:11,578 AND YOU CAN BE WHATEVER YOU WANT TO BE. 2275 01:44:11,645 --> 01:44:12,000 I PROMISE YOU THAT. 2276 01:44:12,000 --> 01:44:12,746 I PROMISE YOU THAT. 2277 01:44:12,813 --> 01:44:15,048 I TOLD THEM I WANTED TO BE A COUNTRY MUSIC SINGER AND I'VE 2278 01:44:15,115 --> 01:44:18,000 SEEN HERE AT THE CMT AWARDS WITH THE MALE VIDEO OF THE YEAR, BA 2279 01:44:18,000 --> 01:44:21,321 SEEN HERE AT THE CMT AWARDS WITH THE MALE VIDEO OF THE YEAR, BA 2280 01:44:21,388 --> 01:44:24,000 BABY! 2281 01:44:24,000 --> 01:44:24,324 BABY! 2282 01:44:24,391 --> 01:44:27,294 WHEN GOD HAS GOT SOMETHING FOR YOU, NOTHING CAN GET IN YOUR 2283 01:44:27,361 --> 01:44:28,362 WAY. 2284 01:44:28,428 --> 01:44:30,000 MAMA, I KNOW YOU'RE WATCHING. 2285 01:44:30,000 --> 01:44:30,163 MAMA, I KNOW YOU'RE WATCHING. 2286 01:44:30,230 --> 01:44:31,598 MAMA, LOOK AT YOUR BABY BOY. 2287 01:44:31,665 --> 01:44:36,000 I'M FIXING TO GET DRUNK DOWN DOWNTOWN. 2288 01:44:36,000 --> 01:44:41,908 I'M FIXING TO GET DRUNK DOWN DOWNTOWN. 2289 01:44:41,975 --> 01:44:42,000 I WANT TO THANK COUNTRY RADIO FOR ACCEPTING ME KNOWING WHO I 2290 01:44:42,000 --> 01:44:45,545 I WANT TO THANK COUNTRY RADIO FOR ACCEPTING ME KNOWING WHO I 2291 01:44:45,612 --> 01:44:48,000 WAS LETTING ME DO IT MY WAY THE WHOLE WAY TO THE STAGE TONIGHT. 2292 01:44:48,000 --> 01:44:49,783 WAS LETTING ME DO IT MY WAY THE WHOLE WAY TO THE STAGE TONIGHT. 2293 01:44:49,850 --> 01:44:52,085 THAT MEANS THE WORLD TO ME, Y'ALL. 2294 01:44:52,152 --> 01:44:54,000 I WANT TO THANK THE COUNTRY MUSIC COMMUNITY FOR STANDING 2295 01:44:54,000 --> 01:44:54,521 I WANT TO THANK THE COUNTRY MUSIC COMMUNITY FOR STANDING 2296 01:44:54,588 --> 01:44:56,623 BEHIND ME AND STANDING NEXT TO ME THROUGH ALL THIS AND FOR 2297 01:44:56,690 --> 01:44:58,291 EVERYBODY IN THIS CROWD, LISTEN CLOSE. 2298 01:44:58,358 --> 01:45:00,000 THIS WILL BE THE MOST IMPORTANT THING I SAY TONIGHT. 2299 01:45:00,000 --> 01:45:03,397 THIS WILL BE THE MOST IMPORTANT THING I SAY TONIGHT. 2300 01:45:03,463 --> 01:45:05,465 WE ARE SHUTTING SIXTH STREET DOWN TONIGHT, BABY! 2301 01:45:09,936 --> 01:45:11,038 >> COMING UP, AN EPIC PERFORMANCE 2302 01:45:11,104 --> 01:45:12,000 FROM ALANIS MORISSETTE WITH COUNTRY'S RISING STARS 2303 01:45:12,000 --> 01:45:15,175 FROM ALANIS MORISSETTE WITH COUNTRY'S RISING STARS 2304 01:45:15,242 --> 01:45:17,377 LAINEY WILSON, INGRID ANDRESS, MADELINE EDWARDS, 2305 01:45:17,444 --> 01:45:18,000 AND MORGAN WADE, PLUS CARRIE UNDERWOOD LIGHTS UP 2306 01:45:18,000 --> 01:45:20,047 AND MORGAN WADE, PLUS CARRIE UNDERWOOD LIGHTS UP 2307 01:45:20,113 --> 01:45:23,183 DOWNTOWN AUSTIN. 2308 01:45:23,250 --> 01:45:24,000 THE ALL-STARS OF COUNTRY AND ROCK CELEBRATE THE LEGENDRY 2309 01:45:24,000 --> 01:45:24,217 THE ALL-STARS OF COUNTRY AND ROCK CELEBRATE THE LEGENDRY 2310 01:45:24,284 --> 01:45:26,853 LYNYRD SKYNYRD. 2311 01:45:26,920 --> 01:45:27,988 FOLLOW @CMT EVERYWHERE FOR MORE BEHIND THE SCENES AT THE 2312 01:45:28,055 --> 01:45:30,000 CMT MUSIC AWARDS! 2313 01:45:30,000 --> 01:45:33,193 CMT MUSIC AWARDS! 2314 01:45:33,260 --> 01:45:36,000 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY 2315 01:45:36,000 --> 01:45:36,997 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY 2316 01:45:37,064 --> 01:45:37,964 PROGRESSIVE. 2317 01:45:38,031 --> 01:45:38,899 SAVE WHEN YOU BUNDLE AUTO, HOME, OR MOTORCYCLE 2318 01:45:38,965 --> 01:45:39,466 INSURANCE. 2319 01:45:55,215 --> 01:45:59,619 >> PLEASE WELCOME BACK CARLY PEARCE! 2320 01:45:59,686 --> 01:46:00,000 >> 10 YEARS AGO, CMT LAUNCHED ITS NEXT WOMEN OF COUNTRY 2321 01:46:00,000 --> 01:46:02,355 >> 10 YEARS AGO, CMT LAUNCHED ITS NEXT WOMEN OF COUNTRY 2322 01:46:02,422 --> 01:46:06,000 PROGRAM, A MEANINGFUL AND THIS GROUNDBREAKING 2323 01:46:06,000 --> 01:46:07,160 PROGRAM, A MEANINGFUL AND THIS GROUNDBREAKING 2324 01:46:07,227 --> 01:46:08,729 INITIATIVE HIGHLIGHTS A NEW CLASS OF RISING WOMEN 2325 01:46:08,795 --> 01:46:10,597 AND PROVIDES THEM WITH CAREER-CHANGING OPPORTUNITIES. 2326 01:46:10,664 --> 01:46:12,000 SINCE THEN, OVER 100 ARTISTS, INCLUDING MYSELF, HAVE BEEN 2327 01:46:12,000 --> 01:46:17,170 SINCE THEN, OVER 100 ARTISTS, INCLUDING MYSELF, HAVE BEEN 2328 01:46:17,237 --> 01:46:18,000 SUPPORTED THROUGH THE PROGRAM, OPENING DOORS AND MAKING CLEAR 2329 01:46:18,000 --> 01:46:21,141 SUPPORTED THROUGH THE PROGRAM, OPENING DOORS AND MAKING CLEAR 2330 01:46:21,208 --> 01:46:24,000 THAT OUR VOICES ARE VITAL TO COUNTRY MUSIC. 2331 01:46:24,000 --> 01:46:28,014 THAT OUR VOICES ARE VITAL TO COUNTRY MUSIC. 2332 01:46:28,081 --> 01:46:30,000 TONIGHT, FOUR OF THEM ARE HERE TO PERFORM WITH A WOMAN WHOSE 2333 01:46:30,000 --> 01:46:31,752 TONIGHT, FOUR OF THEM ARE HERE TO PERFORM WITH A WOMAN WHOSE 2334 01:46:31,818 --> 01:46:36,000 MUSIC BECAME THE DEFINING SOUNDTRACK FOR GENERATION X. 2335 01:46:36,000 --> 01:46:37,591 MUSIC BECAME THE DEFINING SOUNDTRACK FOR GENERATION X. 2336 01:46:37,657 --> 01:46:40,093 HER ALBUM "JAGGED LITTLE PILL" IS ONE OF THE BEST-SELLING 2337 01:46:40,160 --> 01:46:41,728 ALBUMS OF ALL TIME AND THE SONG "YOU OUGHTA KNOW" BECAME AN 2338 01:46:41,795 --> 01:46:42,000 ANTHEM FOR WOMEN. 2339 01:46:42,000 --> 01:46:48,000 ANTHEM FOR WOMEN. 2340 01:46:48,000 --> 01:46:49,669 ANTHEM FOR WOMEN. 2341 01:46:49,736 --> 01:46:50,904 WITH THE PERFORMANCE HONORING THE 10-YEAR ANNIVERSARY OF NEXT 2342 01:46:50,971 --> 01:46:54,000 WOMEN OF COUNTRY, PLEASE WELCOME LAINEY WILSON, 2343 01:46:54,000 --> 01:46:54,341 WOMEN OF COUNTRY, PLEASE WELCOME LAINEY WILSON, 2344 01:46:54,407 --> 01:46:55,709 INGRID ANDRESS, MADELINE EDWARDS, AND MORGAN 2345 01:46:55,776 --> 01:47:00,000 WADE, WITH THE ONE AND ONLY ALANIS MORRISSETTE! 2346 01:47:00,000 --> 01:47:02,649 WADE, WITH THE ONE AND ONLY ALANIS MORRISSETTE! 2347 01:47:02,716 --> 01:47:06,000 # I WANT YOU TO KNOW # # THAT I'M HAPPY FOR YOU # 2348 01:47:06,000 --> 01:47:10,991 # I WANT YOU TO KNOW # # THAT I'M HAPPY FOR YOU # 2349 01:47:11,057 --> 01:47:12,000 # I WISH NOTHING BUT # # THE BEST FOR YOU BOTH # 2350 01:47:12,000 --> 01:47:18,000 # I WISH NOTHING BUT # # THE BEST FOR YOU BOTH # 2351 01:47:18,000 --> 01:47:20,300 # I WISH NOTHING BUT # # THE BEST FOR YOU BOTH # 2352 01:47:20,367 --> 01:47:24,000 # AN OLDER VERSION OF ME # # IS SHE PERVERTED LIKE ME? # 2353 01:47:24,000 --> 01:47:24,171 # AN OLDER VERSION OF ME # # IS SHE PERVERTED LIKE ME? # 2354 01:47:24,237 --> 01:47:30,000 # WOULD SHE # ON YOU IN A THEATER # 2355 01:47:30,000 --> 01:47:32,746 # WOULD SHE # ON YOU IN A THEATER # 2356 01:47:32,813 --> 01:47:33,980 # DOES SHE SPEAK ELOQUENTLY? # # AND WOULD SHE HAVE YOUR 2357 01:47:34,047 --> 01:47:35,081 BABY? # # I'M SURE SHE'D MAKE # 2358 01:47:35,148 --> 01:47:36,000 # A REALLY EXCELLENT MOTHER # # 'CAUSE THE LOVE # 2359 01:47:36,000 --> 01:47:40,787 # A REALLY EXCELLENT MOTHER # # 'CAUSE THE LOVE # 2360 01:47:40,854 --> 01:47:41,955 # THAT YOU GAVE # # THAT WE MADE # 2361 01:47:42,022 --> 01:47:43,690 # WASN'T ABLE TO MAKE IT ENOUGH # 2362 01:47:43,757 --> 01:47:47,994 # FOR YOU TO BE OPEN WIDE # # NO # 2363 01:47:48,061 --> 01:47:50,463 # AND EVERY TIME YOU # # SPEAK HER NAME # 2364 01:47:50,530 --> 01:47:53,266 # DOES SHE KNOW HOW YOU TOLD ME # 2365 01:47:53,333 --> 01:47:54,000 # YOU'D HOLD ME UNTIL YOU DIED # # TILL YOU DIED # 2366 01:47:54,000 --> 01:47:55,335 # YOU'D HOLD ME UNTIL YOU DIED # # TILL YOU DIED # 2367 01:47:55,402 --> 01:48:00,000 # BUT YOU'RE STILL ALIVE # # AND I'M HERE # 2368 01:48:00,000 --> 01:48:00,941 # BUT YOU'RE STILL ALIVE # # AND I'M HERE # 2369 01:48:01,007 --> 01:48:03,743 # TO REMIND YOU # # OF THE MESS YOU LEFT # 2370 01:48:03,810 --> 01:48:06,000 # WHEN YOU WENT AWAY # # IT'S NOT FAIR # 2371 01:48:06,000 --> 01:48:07,948 # WHEN YOU WENT AWAY # # IT'S NOT FAIR # 2372 01:48:08,014 --> 01:48:12,000 # TO DENY ME # # OF THE CROSS I BEAR # 2373 01:48:12,000 --> 01:48:13,053 # TO DENY ME # # OF THE CROSS I BEAR # 2374 01:48:13,119 --> 01:48:16,323 # THAT YOU GAVE TO ME # # YOU, YOU, YOU # 2375 01:48:16,389 --> 01:48:18,000 # OUGHTA KNOW # # YOU SEEM VERY WELL # 2376 01:48:18,000 --> 01:48:24,000 # OUGHTA KNOW # # YOU SEEM VERY WELL # 2377 01:48:24,000 --> 01:48:24,130 # OUGHTA KNOW # # YOU SEEM VERY WELL # 2378 01:48:24,197 --> 01:48:30,000 # THINGS LOOK PEACEFUL # # I'M NOT QUITE AS WELL # 2379 01:48:30,000 --> 01:48:32,272 # THINGS LOOK PEACEFUL # # I'M NOT QUITE AS WELL # 2380 01:48:32,339 --> 01:48:36,000 # I THOUGHT YOU SHOULD KNOW # # DID YOU FORGET ABOUT ME # 2381 01:48:36,000 --> 01:48:39,012 # I THOUGHT YOU SHOULD KNOW # # DID YOU FORGET ABOUT ME # 2382 01:48:39,079 --> 01:48:42,000 # MR. DUPLICITY # # I HATE TO BUG YOU # 2383 01:48:42,000 --> 01:48:42,249 # MR. DUPLICITY # # I HATE TO BUG YOU # 2384 01:48:42,315 --> 01:48:48,000 # IN THE MIDDLE OF DINNER # # IT WAS A SLAP IN THE FACE # 2385 01:48:48,000 --> 01:48:50,190 # IN THE MIDDLE OF DINNER # # IT WAS A SLAP IN THE FACE # 2386 01:48:50,257 --> 01:48:54,000 # HOW QUICKLY I WAS REPLACED # # AND ARE YOU THINKING OF ME # 2387 01:48:54,000 --> 01:48:57,197 # HOW QUICKLY I WAS REPLACED # # AND ARE YOU THINKING OF ME # 2388 01:48:57,264 --> 01:48:58,431 # WHEN YOU # # 'CAUSE THE LOVE # 2389 01:48:58,498 --> 01:48:59,599 # THAT YOU GAVE # # THAT WE MADE # 2390 01:48:59,666 --> 01:49:00,000 # WASN'T ABLE TO MAKE IT ENOUGH # 2391 01:49:00,000 --> 01:49:01,534 # WASN'T ABLE TO MAKE IT ENOUGH # 2392 01:49:01,601 --> 01:49:06,000 # FOR YOU TO BE OPEN WIDE # # NO # 2393 01:49:06,000 --> 01:49:06,139 # FOR YOU TO BE OPEN WIDE # # NO # 2394 01:49:06,206 --> 01:49:08,174 # AND EVERY TIME # # YOU SPEAK HER NAME # 2395 01:49:08,241 --> 01:49:09,943 # DOES SHE KNOW HOW YOU TOLD ME # 2396 01:49:10,010 --> 01:49:12,000 # YOU'D HOLD ME UNTIL YOU DIED # # 'TIL YOU DIED # 2397 01:49:12,000 --> 01:49:12,579 # YOU'D HOLD ME UNTIL YOU DIED # # 'TIL YOU DIED # 2398 01:49:12,646 --> 01:49:15,649 # BUT YOU'RE STILL ALIVE # # AND I'M HERE # 2399 01:49:15,715 --> 01:49:18,000 # TO REMIND YOU # # OF THE MESS YOU LEFT # 2400 01:49:18,000 --> 01:49:20,787 # TO REMIND YOU # # OF THE MESS YOU LEFT # 2401 01:49:20,854 --> 01:49:24,000 # WHEN YOU WENT AWAY # # IT'S NOT FAIR # 2402 01:49:24,000 --> 01:49:25,859 # WHEN YOU WENT AWAY # # IT'S NOT FAIR # 2403 01:49:25,926 --> 01:49:29,763 # TO DENY ME # # OF THE CROSS I BEAR # 2404 01:49:29,829 --> 01:49:30,000 # THAT YOU GAVE TO ME # # YOU, YOU, YOU # 2405 01:49:30,000 --> 01:49:36,000 # THAT YOU GAVE TO ME # # YOU, YOU, YOU # 2406 01:49:36,000 --> 01:49:38,405 # THAT YOU GAVE TO ME # # YOU, YOU, YOU # 2407 01:49:38,471 --> 01:49:40,774 # OUGHTA KNOW # 2408 01:49:41,708 --> 01:49:42,000 # # # AH, AH, AH # 2409 01:49:42,000 --> 01:49:48,000 # # # AH, AH, AH # 2410 01:49:48,000 --> 01:49:54,000 # # # AH, AH, AH # 2411 01:49:54,000 --> 01:49:56,589 # # # AH, AH, AH # 2412 01:49:56,656 --> 01:50:00,000 # # # AH, AH, AH # 2413 01:50:00,000 --> 01:50:06,000 # # # AH, AH, AH # 2414 01:50:06,000 --> 01:50:09,402 # # # AH, AH, AH # 2415 01:50:09,469 --> 01:50:12,000 # OH, OH, OH # # OH, OH, OH # 2416 01:50:12,000 --> 01:50:18,000 # OH, OH, OH # # OH, OH, OH # 2417 01:50:18,000 --> 01:50:22,682 # OH, OH, OH # # OH, OH, OH # 2418 01:50:22,749 --> 01:50:24,000 # 'CAUSE THE JOKE # # THAT YOU MADE # 2419 01:50:24,000 --> 01:50:24,884 # 'CAUSE THE JOKE # # THAT YOU MADE # 2420 01:50:24,951 --> 01:50:27,187 # IN THE BED THAT WAS ME # # AND I'M NOT GONNA FADE # 2421 01:50:27,253 --> 01:50:30,000 # AS SOON AS YOU CLOSE YOUR EYES # 2422 01:50:30,000 --> 01:50:30,724 # AS SOON AS YOU CLOSE YOUR EYES # 2423 01:50:30,790 --> 01:50:33,660 # AND YOU KNOW IT # # AND EVERY TIME I SCRATCH # 2424 01:50:33,727 --> 01:50:35,996 # MY NAILS # # DOWN SOMEONE ELSE'S BACK # 2425 01:50:36,062 --> 01:50:42,000 # I HOPE YOU FEEL IT # # WELL, CAN YOU FEEL IT? # 2426 01:50:42,000 --> 01:50:42,469 # I HOPE YOU FEEL IT # # WELL, CAN YOU FEEL IT? # 2427 01:50:42,535 --> 01:50:47,640 # YEAH, I'M HERE # # TO REMIND YOU # 2428 01:50:47,707 --> 01:50:48,000 # OF THE MESS YOU LEFT # # WHEN YOU WENT AWAY # 2429 01:50:48,000 --> 01:50:51,144 # OF THE MESS YOU LEFT # # WHEN YOU WENT AWAY # 2430 01:50:51,211 --> 01:50:54,000 # IT'S NOT FAIR # # TO DENY ME # 2431 01:50:54,000 --> 01:50:57,350 # IT'S NOT FAIR # # TO DENY ME # 2432 01:50:57,417 --> 01:50:58,852 # OF THE CROSS I BEAR # # THAT YOU GAVE TO ME # 2433 01:50:58,918 --> 01:51:00,000 # YOU, YOU, YOU # # OUGHTA KNOW WHY I'M HERE # 2434 01:51:00,000 --> 01:51:03,990 # YOU, YOU, YOU # # OUGHTA KNOW WHY I'M HERE # 2435 01:51:04,057 --> 01:51:06,000 # TO REMIND YOU # # OF THE MESS YOU LEFT # 2436 01:51:06,000 --> 01:51:12,000 # TO REMIND YOU # # OF THE MESS YOU LEFT # 2437 01:51:12,000 --> 01:51:12,399 # TO REMIND YOU # # OF THE MESS YOU LEFT # 2438 01:51:12,465 --> 01:51:16,536 # WHEN YOU WENT AWAY # # IT'S NOT FAIR, TO DENY ME # 2439 01:51:16,603 --> 01:51:18,000 # OF THE CROSS I BEAR # # THAT YOU GAVE TO ME # 2440 01:51:18,000 --> 01:51:20,106 # OF THE CROSS I BEAR # # THAT YOU GAVE TO ME # 2441 01:51:20,173 --> 01:51:24,000 # YOU, YOU, YOU # # OUGHTA KNOW # 2442 01:51:24,000 --> 01:51:30,000 # YOU, YOU, YOU # # OUGHTA KNOW # 2443 01:51:30,000 --> 01:51:30,183 # YOU, YOU, YOU # # OUGHTA KNOW # 2444 01:51:30,250 --> 01:51:36,000 [CHEERS AND APPLAUSE] 2445 01:51:36,000 --> 01:51:36,589 [CHEERS AND APPLAUSE] 2446 01:51:43,163 --> 01:51:48,000 >> WITH THE SONG THAT WON HER CMT MUSIC AWARDS NIGHT, 2447 01:51:48,000 --> 01:51:49,469 >> WITH THE SONG THAT WON HER CMT MUSIC AWARDS NIGHT, 2448 01:51:49,536 --> 01:51:54,000 "TENNESSEE ORANGE," HERE TONIGHT ON THE RAM TRUCKS STAGE, 2449 01:51:54,000 --> 01:51:55,508 "TENNESSEE ORANGE," HERE TONIGHT ON THE RAM TRUCKS STAGE, 2450 01:51:55,575 --> 01:51:59,245 IT'S MEGAN MORONEY! 2451 01:51:59,312 --> 01:52:00,000 # TOOK ME TO KNOXVILLE # # LAST SATURDAY # 2452 01:52:00,000 --> 01:52:01,047 # TOOK ME TO KNOXVILLE # # LAST SATURDAY # 2453 01:52:01,114 --> 01:52:02,115 # AND I WORE THE HAT # # ON HIS DASH TO THE GAME # 2454 01:52:02,182 --> 01:52:04,951 # IT SURE WASN'T ATHENS BUT I # # FELL FOR HIM # 2455 01:52:05,018 --> 01:52:06,000 # UNDER THOSE NEYLAND LIGHTS # # I MET SOMEBODY # 2456 01:52:06,000 --> 01:52:09,556 # UNDER THOSE NEYLAND LIGHTS # # I MET SOMEBODY # 2457 01:52:09,622 --> 01:52:12,000 # AND HE'S GOT BLUE EYES # # HE OPENS THE DOOR AND HE # 2458 01:52:12,000 --> 01:52:15,662 # AND HE'S GOT BLUE EYES # # HE OPENS THE DOOR AND HE # 2459 01:52:15,728 --> 01:52:17,764 # DON'T MAKE ME CRY # HE AIN'T # 2460 01:52:17,831 --> 01:52:18,000 # FROM WHERE WE'RE FROM BUT HE # # FEELS LIKE HOME, YEAH # 2461 01:52:18,000 --> 01:52:21,835 # FROM WHERE WE'RE FROM BUT HE # # FEELS LIKE HOME, YEAH # 2462 01:52:21,901 --> 01:52:24,000 # HE'S GOT ME DOIN' THINGS # # I'VE NEVER DONE # 2463 01:52:24,000 --> 01:52:27,040 # HE'S GOT ME DOIN' THINGS # # I'VE NEVER DONE # 2464 01:52:27,107 --> 01:52:30,000 # IN GEORGIA # # THEY'D CALL IT A SIN # 2465 01:52:30,000 --> 01:52:31,311 # IN GEORGIA # # THEY'D CALL IT A SIN # 2466 01:52:31,377 --> 01:52:36,000 # I'M WEARIN' TENNESSEE ORANGE # # FOR HIM # 2467 01:52:36,000 --> 01:52:42,000 # I'M WEARIN' TENNESSEE ORANGE # # FOR HIM # 2468 01:52:42,000 --> 01:52:45,158 # I'M WEARIN' TENNESSEE ORANGE # # FOR HIM # 2469 01:52:45,225 --> 01:52:47,160 [CHEERS AND APPLAUSE] >> VOTING FOR VIDEO OF THE YEAR 2470 01:52:47,227 --> 01:52:48,000 HAS OFFICIALLY CLOSED. 2471 01:52:48,000 --> 01:52:48,094 HAS OFFICIALLY CLOSED. 2472 01:52:48,161 --> 01:52:49,329 FIND OUT THE WINNER LATER. 2473 01:52:49,395 --> 01:52:52,599 BUT NEXT, CARRIE UNDERWOOD TAKES OVER DOWNTOWN AUSTIN ON OUR 2474 01:52:52,665 --> 01:52:53,900 CAPITOL STAGE. 2475 01:52:53,967 --> 01:52:54,000 AND LATER, AN ALL-STAR TRIBUTE OF GARY ROSSINGTON 2476 01:52:54,000 --> 01:52:59,539 AND LATER, AN ALL-STAR TRIBUTE OF GARY ROSSINGTON 2477 01:52:59,606 --> 01:53:00,000 AND LYNYRD SKYNYRD. 2478 01:53:00,000 --> 01:53:00,640 AND LYNYRD SKYNYRD. 2479 01:53:00,707 --> 01:53:02,509 WE'RE LIVE BEHIND THE SCENES OF THE CMT MUSIC AWARDS! 2480 01:53:02,575 --> 01:53:04,177 CHECK IT OUT ON YOUTUBE NOW. 2481 01:53:04,244 --> 01:53:04,744 THIS IS CBS. 2482 01:53:35,208 --> 01:53:36,000 >> STILL HANGING OUT BACK HERE IN THE SOLITAIRE GRAND HARVEST 2483 01:53:36,000 --> 01:53:36,709 >> STILL HANGING OUT BACK HERE IN THE SOLITAIRE GRAND HARVEST 2484 01:53:36,776 --> 01:53:39,145 GAME LOUNGE. 2485 01:53:39,212 --> 01:53:41,881 CODY ALAN IS GETTING HIS CHANCE. 2486 01:53:41,948 --> 01:53:42,000 LETS KEEP IT GOING WITH SINGER AND SOCIAL MEDIA SENSATION, 2487 01:53:42,000 --> 01:53:47,587 LETS KEEP IT GOING WITH SINGER AND SOCIAL MEDIA SENSATION, 2488 01:53:47,654 --> 01:53:48,000 WHOSE NEW SINGLE IS OUT FRIDAY. 2489 01:53:48,000 --> 01:53:52,158 WHOSE NEW SINGLE IS OUT FRIDAY. 2490 01:53:52,225 --> 01:53:53,693 DIXIE D'AMELIO! 2491 01:53:53,760 --> 01:53:54,000 LET'S GO! 2492 01:53:54,000 --> 01:53:58,264 LET'S GO! 2493 01:53:58,331 --> 01:54:00,000 >> THIS PERFORMER IS AN INSPIRATION TO ANYONE WHO 2494 01:54:00,000 --> 01:54:00,533 >> THIS PERFORMER IS AN INSPIRATION TO ANYONE WHO 2495 01:54:00,600 --> 01:54:04,037 HAS EVER TAKEN THE STAGE, AND YOU ARE ABOUT TO SEE WHY. 2496 01:54:04,103 --> 01:54:06,000 SHE BRINGS IT WITH EVERY NOTE EVERY TIME, WHETHER SHE'S 2497 01:54:06,000 --> 01:54:08,441 SHE BRINGS IT WITH EVERY NOTE EVERY TIME, WHETHER SHE'S 2498 01:54:08,508 --> 01:54:12,000 PERFORMING ON HER SOLD OUT TOUR, HER HIT LAS VEGAS RESIDENCY, 2499 01:54:12,000 --> 01:54:12,245 PERFORMING ON HER SOLD OUT TOUR, HER HIT LAS VEGAS RESIDENCY, 2500 01:54:12,312 --> 01:54:13,646 OR RIGHT HERE ON CMT. 2501 01:54:13,713 --> 01:54:18,000 TEXAS, MAKE SOME NOISE FOR MY FAVORITE, 2502 01:54:18,000 --> 01:54:20,186 TEXAS, MAKE SOME NOISE FOR MY FAVORITE, 2503 01:54:20,253 --> 01:54:24,000 CARRIE UNDERWOOD! 2504 01:54:24,000 --> 01:54:27,460 CARRIE UNDERWOOD! 2505 01:54:31,197 --> 01:54:36,000 # # # I'M FREE AS A BIRD # 2506 01:54:36,000 --> 01:54:40,006 # # # I'M FREE AS A BIRD # 2507 01:54:40,073 --> 01:54:42,000 # NO TIES # # NOTHIN' KEEPING MY WINGS # 2508 01:54:42,000 --> 01:54:42,442 # NO TIES # # NOTHIN' KEEPING MY WINGS # 2509 01:54:42,508 --> 01:54:46,980 # FROM FLYING HIGH # # AND GOING OUT ON THE TOWN # 2510 01:54:47,046 --> 01:54:48,000 # ON A SATURDAY NIGHT # # 'CAUSE HE'S GONE # 2511 01:54:48,000 --> 01:54:50,583 # ON A SATURDAY NIGHT # # 'CAUSE HE'S GONE # 2512 01:54:50,650 --> 01:54:54,000 # WITH THE WIND # # AND LORD KNOWS I DESERVE # 2513 01:54:54,000 --> 01:54:54,487 # WITH THE WIND # # AND LORD KNOWS I DESERVE # 2514 01:54:54,554 --> 01:55:00,000 # TO BE FLIRTED WITH # # BUT THE ONLY PROBLEM IS # 2515 01:55:00,000 --> 01:55:01,961 # TO BE FLIRTED WITH # # BUT THE ONLY PROBLEM IS # 2516 01:55:02,028 --> 01:55:04,797 # I HATE MY HEART RIGHT NOW # # UNDERNEATH THE COVERS # 2517 01:55:04,864 --> 01:55:06,000 # IN THE DARK RIGHT NOW # # WISHIN' I WAS # 2518 01:55:06,000 --> 01:55:07,600 # IN THE DARK RIGHT NOW # # WISHIN' I WAS # 2519 01:55:07,667 --> 01:55:12,000 # SITTING IN A BAR RIGHT NOW # # TWO DRINKS IN # 2520 01:55:12,000 --> 01:55:12,305 # SITTING IN A BAR RIGHT NOW # # TWO DRINKS IN # 2521 01:55:12,372 --> 01:55:16,609 # MAKIN' ME A LAST CALL FRIEND # # I WANT MY FEEL GOOD BACK # 2522 01:55:16,676 --> 01:55:18,000 # INSTEAD OF FEELING BAD # # THAT I CAN'T GET PAST # 2523 01:55:18,000 --> 01:55:19,646 # INSTEAD OF FEELING BAD # # THAT I CAN'T GET PAST # 2524 01:55:19,712 --> 01:55:23,650 # THE FACT THAT I CAN'T LOVE NOBODY ELSE # 2525 01:55:23,716 --> 01:55:24,000 # I WOULD IF I COULD # # BUT I DON'T KNOW HOW # 2526 01:55:24,000 --> 01:55:27,053 # I WOULD IF I COULD # # BUT I DON'T KNOW HOW # 2527 01:55:27,120 --> 01:55:30,000 # I HATE MY HEART # # RIGHT NOW, YEAH # 2528 01:55:30,000 --> 01:55:33,192 # I HATE MY HEART # # RIGHT NOW, YEAH # 2529 01:55:33,259 --> 01:55:36,000 # HATE MY # # HEART RIGHT NOW # 2530 01:55:36,000 --> 01:55:40,033 # HATE MY # # HEART RIGHT NOW # 2531 01:55:40,099 --> 01:55:42,000 # I DON'T WANT HIM BACK # # THAT AIN'T IT # 2532 01:55:42,000 --> 01:55:43,903 # I DON'T WANT HIM BACK # # THAT AIN'T IT # 2533 01:55:43,970 --> 01:55:48,000 # BUT THIS THING IN MY CHEST # # JUST CAN'T FORGET # 2534 01:55:48,000 --> 01:55:49,208 # BUT THIS THING IN MY CHEST # # JUST CAN'T FORGET # 2535 01:55:49,275 --> 01:55:52,545 # IT KEEPS BEATING FOR HIM # # AND IT JUST WON'T QUIT # 2536 01:55:52,612 --> 01:55:54,000 # I HATE MY HEART RIGHT NOW # # UNDERNEATH THE COVERS # 2537 01:55:54,000 --> 01:55:59,152 # I HATE MY HEART RIGHT NOW # # UNDERNEATH THE COVERS # 2538 01:55:59,218 --> 01:56:00,000 # IN THE DARK RIGHT NOW # # WISHIN' I WAS SITTING # 2539 01:56:00,000 --> 01:56:02,088 # IN THE DARK RIGHT NOW # # WISHIN' I WAS SITTING # 2540 01:56:02,155 --> 01:56:06,000 # IN A BAR RIGHT NOW # # TWO DRINKS IN # 2541 01:56:06,000 --> 01:56:06,759 # IN A BAR RIGHT NOW # # TWO DRINKS IN # 2542 01:56:06,826 --> 01:56:12,000 # MAKIN' ME A LAST CALL FRIEND # # I WANT MY FEEL-GOOD BACK # 2543 01:56:12,000 --> 01:56:12,031 # MAKIN' ME A LAST CALL FRIEND # # I WANT MY FEEL-GOOD BACK # 2544 01:56:12,098 --> 01:56:14,467 # INSTEAD OF FEELING BAD # # THAT I CAN'T GET PAST # 2545 01:56:14,534 --> 01:56:18,000 # THE FACT THAT I CAN'T LOVE NOBODY ELSE # 2546 01:56:18,000 --> 01:56:18,237 # THE FACT THAT I CAN'T LOVE NOBODY ELSE # 2547 01:56:18,304 --> 01:56:21,541 # I WOULD IF I COULD # # BUT I DON' KNOW HOW # 2548 01:56:21,607 --> 01:56:24,000 # I HATE MY # # HEART RIGHT NOW # 2549 01:56:24,000 --> 01:56:28,081 # I HATE MY # # HEART RIGHT NOW # 2550 01:56:28,147 --> 01:56:30,000 # I HATE MY HEART RIGHT NOW # # ONE DAY I PRAY # 2551 01:56:30,000 --> 01:56:36,000 # I HATE MY HEART RIGHT NOW # # ONE DAY I PRAY # 2552 01:56:36,000 --> 01:56:39,659 # I HATE MY HEART RIGHT NOW # # ONE DAY I PRAY # 2553 01:56:39,726 --> 01:56:42,000 # HE'LL STAY OUT OF MY HEAD # # I KEEP WAITING # 2554 01:56:42,000 --> 01:56:45,965 # HE'LL STAY OUT OF MY HEAD # # I KEEP WAITING # 2555 01:56:46,032 --> 01:56:48,000 # BUT IT AIN'T HAPPENED YET # # I HATE MY HEART RIGHT NOW # 2556 01:56:48,000 --> 01:56:49,369 # BUT IT AIN'T HAPPENED YET # # I HATE MY HEART RIGHT NOW # 2557 01:56:49,435 --> 01:56:52,305 # UNDERNEATH THE COVERS # # IN THE DARK RIGHT NOW # 2558 01:56:52,372 --> 01:56:54,000 # WISHIN' I WAS # # SITTING IN A BAR RIGHT # 2559 01:56:54,000 --> 01:56:56,876 # WISHIN' I WAS # # SITTING IN A BAR RIGHT # 2560 01:56:56,943 --> 01:57:00,000 # NOW # # WITH A TALL, DARK LAST CALL 2561 01:57:00,000 --> 01:57:00,246 # NOW # # WITH A TALL, DARK LAST CALL 2562 01:57:00,313 --> 01:57:03,416 FRIEND AND MY # # FEEL GOOD BACK # 2563 01:57:03,483 --> 01:57:06,000 # INSTEAD OF FEELING BAD # # THAT I CAN'T GET PAST # 2564 01:57:06,000 --> 01:57:06,152 # INSTEAD OF FEELING BAD # # THAT I CAN'T GET PAST # 2565 01:57:06,219 --> 01:57:09,489 # THE FACT THAT I CAN'T LOVE NOBODY ELSE # 2566 01:57:09,555 --> 01:57:12,000 # I WOULD IF I COULD # # BUT I DON'T KNOW HOW # 2567 01:57:12,000 --> 01:57:13,059 # I WOULD IF I COULD # # BUT I DON'T KNOW HOW # 2568 01:57:13,126 --> 01:57:18,000 # I HATE MY HEART RIGHT NOW # # I HATE MY HEART RIGHT NOW # 2569 01:57:18,000 --> 01:57:24,000 # I HATE MY HEART RIGHT NOW # # I HATE MY HEART RIGHT NOW # 2570 01:57:24,000 --> 01:57:24,370 # I HATE MY HEART RIGHT NOW # # I HATE MY HEART RIGHT NOW # 2571 01:57:24,437 --> 01:57:30,000 # OH, YEAH # 2572 01:57:30,000 --> 01:57:32,545 # OH, YEAH # 2573 01:57:36,616 --> 01:57:42,000 # # 2574 01:57:42,000 --> 01:57:48,000 # # 2575 01:57:48,000 --> 01:57:51,497 # # 2576 01:57:51,564 --> 01:57:52,698 # # 2577 01:57:54,500 --> 01:58:00,000 >> I FEEL LIKE I SHOULD BE DOING SOME SQUATS AFTER THAT BUT IT'S 2578 01:58:00,000 --> 01:58:00,473 >> I FEEL LIKE I SHOULD BE DOING SOME SQUATS AFTER THAT BUT IT'S 2579 01:58:00,540 --> 01:58:01,607 OKAY. 2580 01:58:01,674 --> 01:58:02,942 AND NOW FOR THE FINAL PERFORMANCE 2581 01:58:03,009 --> 01:58:05,244 ON THE RAM TRUCKS STAGE, WE'VE GOT A BAND WHO DOLLY PARTON 2582 01:58:05,311 --> 01:58:06,000 SAYS HAS A FUN NEW TAKE ON ONE OF HER SONGS. 2583 01:58:06,000 --> 01:58:06,813 SAYS HAS A FUN NEW TAKE ON ONE OF HER SONGS. 2584 01:58:06,879 --> 01:58:12,000 PERFORMING, "YOU CAN HAVE HIM JOLENE," THIS IS CHAPEL HART. 2585 01:58:12,000 --> 01:58:14,387 PERFORMING, "YOU CAN HAVE HIM JOLENE," THIS IS CHAPEL HART. 2586 01:58:17,457 --> 01:58:18,000 # OH, JOLENE # # YOU CAN HAVE HIM # 2587 01:58:18,000 --> 01:58:21,260 # OH, JOLENE # # YOU CAN HAVE HIM # 2588 01:58:21,327 --> 01:58:24,000 # 'CAUSE HE DON'T # # MEAN MUCH TO ME # 2589 01:58:24,000 --> 01:58:24,764 # 'CAUSE HE DON'T # # MEAN MUCH TO ME # 2590 01:58:24,831 --> 01:58:30,000 # WELL, I'VE CRIED SO MUCH # # TIL RIVERS TURNED TO SEAS # 2591 01:58:30,000 --> 01:58:31,237 # WELL, I'VE CRIED SO MUCH # # TIL RIVERS TURNED TO SEAS # 2592 01:58:31,304 --> 01:58:33,973 # OH, JOLENE # # WHEN YOU THINK # 2593 01:58:34,040 --> 01:58:35,341 # THAT HE'S IN LOVE # # HE'LL SURELY LEAVE # 2594 01:58:35,408 --> 01:58:36,000 # LIKE HE DID ME # # YOU CAN HAVE HIM, JOLENE # 2595 01:58:36,000 --> 01:58:42,000 # LIKE HE DID ME # # YOU CAN HAVE HIM, JOLENE # 2596 01:58:42,000 --> 01:58:42,014 # LIKE HE DID ME # # YOU CAN HAVE HIM, JOLENE # 2597 01:58:42,081 --> 01:58:48,000 # YOU CAN HAVE HIM, JOLENE # # YOU CAN HAVE HIM # 2598 01:58:48,000 --> 01:58:51,591 # YOU CAN HAVE HIM, JOLENE # # YOU CAN HAVE HIM # 2599 01:58:51,657 --> 01:58:54,000 # JOLENE # [CHEERS AND APPLAUSE] 2600 01:58:54,000 --> 01:59:00,000 # JOLENE # [CHEERS AND APPLAUSE] 2601 01:59:00,000 --> 01:59:02,301 # JOLENE # [CHEERS AND APPLAUSE] 2602 01:59:02,368 --> 01:59:06,000 >> COMING UP, DARIUS RUCKER HANDS OUT 2603 01:59:06,000 --> 01:59:07,206 >> COMING UP, DARIUS RUCKER HANDS OUT 2604 01:59:07,273 --> 01:59:08,741 THE BIGGEST AWARD OF THE NIGHT, VIDEO OF THE YEAR, 2605 01:59:08,808 --> 01:59:12,000 AND THEN WE'RE CLOSING THINGS OUT WITH AN UNFORGETTABLE 2606 01:59:12,000 --> 01:59:13,212 AND THEN WE'RE CLOSING THINGS OUT WITH AN UNFORGETTABLE 2607 01:59:13,279 --> 01:59:15,014 STAR-STUDDED CELEBRATION OF SOUTHERN ROCK GIANTS 2608 01:59:15,081 --> 01:59:15,882 LYNYRD SKYNYRD. 2609 01:59:15,948 --> 01:59:18,000 THE CMT MUSIC AWARDS CONTINUES. 2610 01:59:18,000 --> 01:59:18,217 THE CMT MUSIC AWARDS CONTINUES. 2611 01:59:18,284 --> 01:59:18,784 LIVE FROM AUSTIN, TEXAS. 2612 01:59:18,851 --> 01:59:19,352 THIS IS CBS. 2613 01:59:33,299 --> 01:59:36,000 # # >> YOU HAVE BEEN VOTING ALL 2614 01:59:36,000 --> 01:59:36,903 # # >> YOU HAVE BEEN VOTING ALL 2615 01:59:36,969 --> 01:59:37,904 NIGHT LONG TO HELP PICK THE WINNER OF OUR BIGGEST AWARD, NOW 2616 01:59:37,970 --> 01:59:40,873 IT'S TIME TO FIND OUT WHO IS GOING HOME WITH IT. 2617 01:59:40,940 --> 01:59:42,000 ARE YOU GUYS READY TO KNOW WHO IS GOING TO WIN? 2618 01:59:42,000 --> 01:59:45,044 ARE YOU GUYS READY TO KNOW WHO IS GOING TO WIN? 2619 01:59:45,111 --> 01:59:48,000 THESE ARE THE NOMINEES FOR VIDEO OF THE YEAR. 2620 01:59:48,000 --> 01:59:50,917 THESE ARE THE NOMINEES FOR VIDEO OF THE YEAR. 2621 01:59:50,983 --> 01:59:52,718 >> "HATE MY HEART" CARRIE UNDERWOOD 2622 01:59:52,785 --> 01:59:54,000 "WAIT IN THE TRUCK" HARDY FEATURING LAINEY WILSON 2623 01:59:54,000 --> 01:59:56,923 "WAIT IN THE TRUCK" HARDY FEATURING LAINEY WILSON 2624 01:59:56,989 --> 02:00:00,000 "THANK GOD" KANE BROWN AND KATELYN BROWN 2625 02:00:00,000 --> 02:00:01,627 "THANK GOD" KANE BROWN AND KATELYN BROWN 2626 02:00:01,694 --> 02:00:05,998 VIDEO OF THE YEAR. 2627 02:00:06,065 --> 02:00:08,834 >> AND THE WINNER IS... 2628 02:00:08,901 --> 02:00:12,000 KANE BROWN AND KATELYN BROWN "THANK GOD." 2629 02:00:12,000 --> 02:00:18,000 KANE BROWN AND KATELYN BROWN "THANK GOD." 2630 02:00:18,000 --> 02:00:20,613 KANE BROWN AND KATELYN BROWN "THANK GOD." 2631 02:00:20,680 --> 02:00:24,000 # # 2632 02:00:24,000 --> 02:00:30,000 # # 2633 02:00:30,000 --> 02:00:35,561 # # 2634 02:00:35,628 --> 02:00:36,000 # # 2635 02:00:36,000 --> 02:00:37,196 # # 2636 02:01:06,659 --> 02:01:07,259 >> OH, MY GOSH. 2637 02:01:07,326 --> 02:01:10,563 OH, MY GOSH. 2638 02:01:10,630 --> 02:01:12,000 FIRST OFF, I AM SO NERVOUS. 2639 02:01:12,000 --> 02:01:13,966 FIRST OFF, I AM SO NERVOUS. 2640 02:01:14,033 --> 02:01:15,234 THIS IS SO NEW TO ME. 2641 02:01:15,301 --> 02:01:18,000 WHEN WE RECORDED THE SONG A YEAR AGO, I NEVER IN MY LIFE WOULD 2642 02:01:18,000 --> 02:01:18,904 WHEN WE RECORDED THE SONG A YEAR AGO, I NEVER IN MY LIFE WOULD 2643 02:01:18,971 --> 02:01:22,942 EVER THINK THAT THIS WAS EVER GOING TO HAPPEN. 2644 02:01:23,009 --> 02:01:24,000 BUT I JUST WANT TO SAY THANK YOU SO MUCH TO MY AMAZING HUSBAND. 2645 02:01:24,000 --> 02:01:26,779 BUT I JUST WANT TO SAY THANK YOU SO MUCH TO MY AMAZING HUSBAND. 2646 02:01:26,846 --> 02:01:28,047 I LOVE YOU. 2647 02:01:28,114 --> 02:01:30,000 THIS IS A SPECIAL THAT WE GET TO SHARE THIS TOGETHER EVERY NIGHT 2648 02:01:30,000 --> 02:01:31,283 THIS IS A SPECIAL THAT WE GET TO SHARE THIS TOGETHER EVERY NIGHT 2649 02:01:31,350 --> 02:01:34,587 AND I LOVE YOU SO MUCH. 2650 02:01:34,654 --> 02:01:36,000 >> I'LL BE QUICK. 2651 02:01:36,000 --> 02:01:36,088 >> I'LL BE QUICK. 2652 02:01:36,155 --> 02:01:39,959 I WANT TO SAY THANK YOU TO THE FANS THAT VOTED. 2653 02:01:40,026 --> 02:01:42,000 THANK YOU TO SONY, MY AWESOME MANAGER, THIS IS ALEX. 2654 02:01:42,000 --> 02:01:45,097 THANK YOU TO SONY, MY AWESOME MANAGER, THIS IS ALEX. 2655 02:01:45,164 --> 02:01:45,865 HE MOVED HERE FROM BARCELONA. 2656 02:01:45,931 --> 02:01:47,333 HE WANTED TO BE A VIDEO DIRECTOR. 2657 02:01:47,400 --> 02:01:48,000 HE HAS DONE ALL OF MY MUSIC VIDEOS. 2658 02:01:48,000 --> 02:01:50,002 HE HAS DONE ALL OF MY MUSIC VIDEOS. 2659 02:01:50,069 --> 02:01:53,539 HE IS MAKING THE AMERICAN DREAM COME TRUE. 2660 02:01:53,606 --> 02:01:54,000 I LOVE YOU! 2661 02:01:54,000 --> 02:01:55,741 I LOVE YOU! 2662 02:01:55,808 --> 02:01:56,142 THANK YOU, CMT! 2663 02:01:56,208 --> 02:02:00,000 >> THANK YOU! 2664 02:02:00,000 --> 02:02:00,613 >> THANK YOU! 2665 02:02:00,680 --> 02:02:06,000 >> PLEASE WELCOME A GRAMMY WINNING ICON, 2666 02:02:06,000 --> 02:02:08,354 >> PLEASE WELCOME A GRAMMY WINNING ICON, 2667 02:02:08,421 --> 02:02:12,000 PETER FRAMPTON! 2668 02:02:12,000 --> 02:02:12,958 PETER FRAMPTON! 2669 02:02:13,025 --> 02:02:14,927 >> I AM HERE TONIGHT TO HONOR NA FRIEND AND TOURMATE 2670 02:02:14,994 --> 02:02:15,928 OF MINE GARY ROSSINGTON WAS A SOUTHERN 2671 02:02:15,995 --> 02:02:17,463 ROCK ICON. 2672 02:02:17,530 --> 02:02:18,000 HE WAS AN ORIGINAL FOUNDING MEMBER OF THE BELOVED GROUP 2673 02:02:18,000 --> 02:02:21,434 HE WAS AN ORIGINAL FOUNDING MEMBER OF THE BELOVED GROUP 2674 02:02:21,500 --> 02:02:24,000 LYNYRD SKYNYRD, ALONGSIDE RONNIE VAN ZANT 2675 02:02:24,000 --> 02:02:24,136 LYNYRD SKYNYRD, ALONGSIDE RONNIE VAN ZANT 2676 02:02:24,203 --> 02:02:25,571 AND ALAN COLLINS. 2677 02:02:25,638 --> 02:02:28,641 GARY NOT ONLY HELPED DEFINE THE BAND'S SOUND, HE INSPIRED 2678 02:02:28,708 --> 02:02:30,000 MILLIONS OF FANS AND MUSICIANS. 2679 02:02:30,000 --> 02:02:32,011 MILLIONS OF FANS AND MUSICIANS. 2680 02:02:32,078 --> 02:02:35,981 HE HAS NOW JOINED HIS FELLOW SKYNYRD BAND MATES IN ROCK 2681 02:02:36,048 --> 02:02:42,000 AND ROLL HEAVEN BUT WE WILL ALL ENJOY THEIR MUSIC FOREVER. 2682 02:02:42,000 --> 02:02:45,357 AND ROLL HEAVEN BUT WE WILL ALL ENJOY THEIR MUSIC FOREVER. 2683 02:02:45,424 --> 02:02:48,000 GARY'S WIFE AND BANDMATE DALE AND DAUGHTER MARY, 2684 02:02:48,000 --> 02:02:49,695 GARY'S WIFE AND BANDMATE DALE AND DAUGHTER MARY, 2685 02:02:49,762 --> 02:02:53,299 RICKEY MEDLOCKE, AND JOHNNY VAN ZANT ARE 2686 02:02:53,365 --> 02:02:54,000 HERE TONIGHT AS WELL AS RONNY'S 2687 02:02:54,000 --> 02:03:00,000 HERE TONIGHT AS WELL AS RONNY'S 2688 02:03:00,000 --> 02:03:00,406 HERE TONIGHT AS WELL AS RONNY'S 2689 02:03:00,473 --> 02:03:06,000 WIDOW, JUDY VAN ZANT, AND HIS GRANDDAUGHTER, ARAYAH. 2690 02:03:06,000 --> 02:03:08,380 WIDOW, JUDY VAN ZANT, AND HIS GRANDDAUGHTER, ARAYAH. 2691 02:03:08,447 --> 02:03:12,000 THANK YOU ALL FOR SHARING THIS MOMENT WITH US. 2692 02:03:12,000 --> 02:03:13,352 THANK YOU ALL FOR SHARING THIS MOMENT WITH US. 2693 02:03:13,419 --> 02:03:18,000 IT'S MY PLEASURE TO WELCOME 2694 02:03:18,000 --> 02:03:22,061 IT'S MY PLEASURE TO WELCOME 2695 02:03:22,128 --> 02:03:24,000 MEMBERS OF ZZ TOP, BAD COMPANY, GUNS N' ROSES, THE ALLMAN 2696 02:03:24,000 --> 02:03:26,232 MEMBERS OF ZZ TOP, BAD COMPANY, GUNS N' ROSES, THE ALLMAN 2697 02:03:26,298 --> 02:03:26,866 BROTHERS. 2698 02:03:26,932 --> 02:03:29,001 I AM RUNNING OUT OF FINGERS. 2699 02:03:29,068 --> 02:03:30,000 THREE OF COUNTRY'S GREATEST VOICES, LED BY THE 2700 02:03:30,000 --> 02:03:34,240 THREE OF COUNTRY'S GREATEST VOICES, LED BY THE 2701 02:03:34,306 --> 02:03:36,000 ROLLING STONES' MUSICAL DIRECTOR ON KEYS. 2702 02:03:36,000 --> 02:03:36,575 ROLLING STONES' MUSICAL DIRECTOR ON KEYS. 2703 02:03:36,642 --> 02:03:42,000 THEY ARE ALL HERE TO PAY TRIBUTE TO GARY AND THE KINGS OF 2704 02:03:42,000 --> 02:03:42,882 THEY ARE ALL HERE TO PAY TRIBUTE TO GARY AND THE KINGS OF 2705 02:03:42,948 --> 02:03:44,483 SOUTHERN ROCK! 2706 02:03:44,550 --> 02:03:48,000 LYNYRD SKYNYRD! 2707 02:03:48,000 --> 02:03:48,220 LYNYRD SKYNYRD! 2708 02:03:48,287 --> 02:03:52,525 HERE ARE CODY JOHNSON, BILLY GIBBONS, 2709 02:03:52,591 --> 02:03:54,000 PAUL RODGERS, SLASH, CHUCK LEAVELL, WARREN HAYNES, 2710 02:03:54,000 --> 02:03:55,694 PAUL RODGERS, SLASH, CHUCK LEAVELL, WARREN HAYNES, 2711 02:03:55,761 --> 02:04:00,000 AND OUR HONKETTES FOR TONIGHT WYNONNA JUDD AND LEANN RIMES! 2712 02:04:00,000 --> 02:04:03,302 AND OUR HONKETTES FOR TONIGHT WYNONNA JUDD AND LEANN RIMES! 2713 02:04:07,206 --> 02:04:12,000 # # >> YEAH, YEAH 2714 02:04:12,000 --> 02:04:18,000 # # >> YEAH, YEAH 2715 02:04:18,000 --> 02:04:20,786 # # >> YEAH, YEAH 2716 02:04:20,853 --> 02:04:24,000 # MY MAMA TOLD ME # # WHEN I WAS YOUNG # 2717 02:04:24,000 --> 02:04:24,924 # MY MAMA TOLD ME # # WHEN I WAS YOUNG # 2718 02:04:24,990 --> 02:04:30,000 # COME SIT BESIDE ME # # MY ONLY SON # 2719 02:04:30,000 --> 02:04:32,798 # COME SIT BESIDE ME # # MY ONLY SON # 2720 02:04:32,865 --> 02:04:36,000 # AND LISTEN CLOSELY # # OH, BABY # 2721 02:04:36,000 --> 02:04:36,569 # AND LISTEN CLOSELY # # OH, BABY # 2722 02:04:36,635 --> 02:04:42,000 # TO WHAT I SAY # # AND IF YOU DO THIS # 2723 02:04:42,000 --> 02:04:42,842 # TO WHAT I SAY # # AND IF YOU DO THIS # 2724 02:04:42,908 --> 02:04:48,000 # IT'LL HELP YOU # # SOME SUNNY DAY # 2725 02:04:48,000 --> 02:04:49,481 # IT'LL HELP YOU # # SOME SUNNY DAY # 2726 02:04:49,548 --> 02:04:54,000 # AH, YEAH # OOH, OOH # 2727 02:04:54,000 --> 02:04:57,890 # AH, YEAH # OOH, OOH # 2728 02:04:57,957 --> 02:05:00,000 # GARY WAS A SIMPLE MAN # YEAH, YEAH # 2729 02:05:00,000 --> 02:05:05,531 # GARY WAS A SIMPLE MAN # YEAH, YEAH # 2730 02:05:05,598 --> 02:05:06,000 # OH, TAKE YOUR TIME # # DON'T LIVE TOO FAST # 2731 02:05:06,000 --> 02:05:12,000 # OH, TAKE YOUR TIME # # DON'T LIVE TOO FAST # 2732 02:05:12,000 --> 02:05:18,000 # OH, TAKE YOUR TIME # # DON'T LIVE TOO FAST # 2733 02:05:18,000 --> 02:05:20,479 # OH, TAKE YOUR TIME # # DON'T LIVE TOO FAST # 2734 02:05:20,546 --> 02:05:21,247 # OH, TAKE YOUR TIME # # DON'T LIVE TOO FAST # 2735 02:05:21,313 --> 02:05:24,000 # TROUBLES WILL COME # # OH # 2736 02:05:24,000 --> 02:05:25,317 # TROUBLES WILL COME # # OH # 2737 02:05:25,384 --> 02:05:30,000 # AND THEY WILL PASS # # YOU'LL FIND A WOMAN # 2738 02:05:30,000 --> 02:05:34,226 # AND THEY WILL PASS # # YOU'LL FIND A WOMAN # 2739 02:05:34,293 --> 02:05:36,000 # YEAH, YOU'LL FIND LOVE # # AND DON'T FORGET, SON # 2740 02:05:36,000 --> 02:05:38,664 # YEAH, YOU'LL FIND LOVE # # AND DON'T FORGET, SON # 2741 02:05:38,731 --> 02:05:42,000 # THERE IS SOMEONE UP ABOVE # # AND BE A SIMPLE # 2742 02:05:42,000 --> 02:05:48,000 # THERE IS SOMEONE UP ABOVE # # AND BE A SIMPLE # 2743 02:05:48,000 --> 02:05:48,307 # THERE IS SOMEONE UP ABOVE # # AND BE A SIMPLE # 2744 02:05:48,374 --> 02:05:54,000 # KIND OF MAN # # OH, BE SOMETHING # 2745 02:05:54,000 --> 02:05:56,048 # KIND OF MAN # # OH, BE SOMETHING # 2746 02:05:56,115 --> 02:06:00,000 # YOU LOVE AND UNDERSTAND # # BABY BE A SIMPLE # 2747 02:06:00,000 --> 02:06:03,555 # YOU LOVE AND UNDERSTAND # # BABY BE A SIMPLE # 2748 02:06:03,622 --> 02:06:06,000 # KIND OF MAN # WON'T YOU DO THAT 2749 02:06:06,000 --> 02:06:12,000 # KIND OF MAN # WON'T YOU DO THAT 2750 02:06:12,000 --> 02:06:18,000 # KIND OF MAN # WON'T YOU DO THAT 2751 02:06:18,000 --> 02:06:18,003 # KIND OF MAN # WON'T YOU DO THAT 2752 02:06:18,070 --> 02:06:23,842 ANYTIME YOU CAN # # BABY, BE A SIMPLE # 2753 02:06:23,909 --> 02:06:24,000 # KIND OF MAN # # OH, BE SOMETHING # 2754 02:06:24,000 --> 02:06:27,880 # KIND OF MAN # # OH, BE SOMETHING # 2755 02:06:27,947 --> 02:06:30,000 # YOU LOVE AND UNDERSTAND # # BABY, BE A SIMPLE # 2756 02:06:30,000 --> 02:06:36,000 # YOU LOVE AND UNDERSTAND # # BABY, BE A SIMPLE # 2757 02:06:36,000 --> 02:06:36,288 # YOU LOVE AND UNDERSTAND # # BABY, BE A SIMPLE # 2758 02:06:36,355 --> 02:06:42,000 # KIND OF MAN # # OH, WON'T YOU DO THIS # 2759 02:06:42,000 --> 02:06:42,594 # KIND OF MAN # # OH, WON'T YOU DO THIS # 2760 02:06:42,661 --> 02:06:48,000 # FOR ME, SON # # IF YOU CAN # 2761 02:06:48,000 --> 02:06:50,703 # FOR ME, SON # # IF YOU CAN # 2762 02:06:50,769 --> 02:06:54,000 [CHEERS AND APPLAUSE] # # 2763 02:06:54,000 --> 02:07:00,000 [CHEERS AND APPLAUSE] # # 2764 02:07:00,000 --> 02:07:01,347 [CHEERS AND APPLAUSE] # # 2765 02:07:01,413 --> 02:07:03,482 TURN IT UP NOW! 2766 02:07:03,549 --> 02:07:05,851 # BIG WHEELS # # KEEP ON TURNIN' # 2767 02:07:05,918 --> 02:07:06,000 # CARRY ME HOME # # TO SEE MY KIN # 2768 02:07:06,000 --> 02:07:11,123 # CARRY ME HOME # # TO SEE MY KIN # 2769 02:07:11,190 --> 02:07:12,000 # SINGIN' SONGS # # ABOUT THE SOUTHLAND # 2770 02:07:12,000 --> 02:07:18,000 # SINGIN' SONGS # # ABOUT THE SOUTHLAND # 2771 02:07:18,000 --> 02:07:22,668 # SINGIN' SONGS # # ABOUT THE SOUTHLAND # 2772 02:07:22,735 --> 02:07:24,000 # I MISS ALABAMA ONCE AGAIN # # AND I THINK IT'S A SIN, YES # 2773 02:07:24,000 --> 02:07:30,000 # I MISS ALABAMA ONCE AGAIN # # AND I THINK IT'S A SIN, YES # 2774 02:07:30,000 --> 02:07:36,000 # I MISS ALABAMA ONCE AGAIN # # AND I THINK IT'S A SIN, YES # 2775 02:07:36,000 --> 02:07:37,616 # I MISS ALABAMA ONCE AGAIN # # AND I THINK IT'S A SIN, YES # 2776 02:07:37,683 --> 02:07:38,484 # I MISS ALABAMA ONCE AGAIN # # AND I THINK IT'S A SIN, YES # 2777 02:07:38,550 --> 02:07:39,485 # # # WELL, I HEARD MISTER YOUNG # 2778 02:07:39,551 --> 02:07:42,000 # SING ABOUT HER # # WELL, I HEARD OL' NEIL # 2779 02:07:42,000 --> 02:07:45,724 # SING ABOUT HER # # WELL, I HEARD OL' NEIL # 2780 02:07:45,791 --> 02:07:48,000 # PUT HER DOWN # # KEEP YOUR HEAD # 2781 02:07:48,000 --> 02:07:53,432 # PUT HER DOWN # # KEEP YOUR HEAD # 2782 02:07:53,499 --> 02:07:54,000 # WELL, I HOPE # # THEY WILL REMEMBER # 2783 02:07:54,000 --> 02:07:55,634 # WELL, I HOPE # # THEY WILL REMEMBER # 2784 02:07:55,701 --> 02:07:57,403 # A SOUTHERN MAN # # DON'T NEED HIM AROUND ANYHOW # 2785 02:07:57,469 --> 02:08:00,000 # SWEET HOME ALABAMA # # WHERE THE SKIES ARE SO BLUE # 2786 02:08:00,000 --> 02:08:01,807 # SWEET HOME ALABAMA # # WHERE THE SKIES ARE SO BLUE # 2787 02:08:01,874 --> 02:08:06,000 # SWEET HOME ALABAMA # # LORD, 2788 02:08:06,000 --> 02:08:08,113 # SWEET HOME ALABAMA # # LORD, 2789 02:08:08,180 --> 02:08:12,000 I'M COMIN' HOME TO YOU # 2790 02:08:12,000 --> 02:08:13,118 I'M COMIN' HOME TO YOU # 2791 02:08:14,753 --> 02:08:18,000 # # 2792 02:08:18,000 --> 02:08:24,000 # # 2793 02:08:24,000 --> 02:08:25,464 # # 2794 02:08:26,965 --> 02:08:30,000 # # # HEY, HEY, HEY # 2795 02:08:30,000 --> 02:08:36,000 # # # HEY, HEY, HEY # 2796 02:08:36,000 --> 02:08:41,847 # # # HEY, HEY, HEY # 2797 02:08:41,914 --> 02:08:42,000 # # # HEY, HEY, HEY # 2798 02:08:42,000 --> 02:08:42,781 # # # HEY, HEY, HEY # 2799 02:08:42,848 --> 02:08:46,251 # ALABAMA # # HEY, HEY, HEY # 2800 02:08:46,318 --> 02:08:48,000 # HEY, HEY, HEY # 2801 02:08:48,000 --> 02:08:52,958 # HEY, HEY, HEY # 2802 02:08:54,460 --> 02:09:00,000 # # 2803 02:09:00,000 --> 02:09:06,000 # # 2804 02:09:06,000 --> 02:09:09,341 # # 2805 02:09:09,408 --> 02:09:10,542 # # 2806 02:09:19,451 --> 02:09:22,554 # YEAH, YEAH, YEAH # # # 2807 02:09:22,621 --> 02:09:24,000 # YEAH, YEAH, YEAH # # ALABAMA # 2808 02:09:24,000 --> 02:09:30,000 # YEAH, YEAH, YEAH # # ALABAMA # 2809 02:09:30,000 --> 02:09:33,999 # YEAH, YEAH, YEAH # # ALABAMA # 2810 02:09:34,066 --> 02:09:36,000 # YEAH, YEAH, YEAH # # # 2811 02:09:36,000 --> 02:09:42,000 # YEAH, YEAH, YEAH # # # 2812 02:09:42,000 --> 02:09:46,578 # YEAH, YEAH, YEAH # # # 2813 02:09:46,645 --> 02:09:48,000 [CHEERS AND APPLAUSE] # YEAH! # 2814 02:09:48,000 --> 02:09:54,000 [CHEERS AND APPLAUSE] # YEAH! # 2815 02:09:54,000 --> 02:10:00,000 [CHEERS AND APPLAUSE] # YEAH! # 2816 02:10:00,000 --> 02:10:01,527 [CHEERS AND APPLAUSE] # YEAH! # 2817 02:10:01,593 --> 02:10:06,000 [CHEERS AND APPLAUSE] # YEAH! # 2818 02:10:06,000 --> 02:10:12,000 [CHEERS AND APPLAUSE] # YEAH! # 2819 02:10:12,000 --> 02:10:12,604 [CHEERS AND APPLAUSE] # YEAH! # 2820 02:10:12,671 --> 02:10:18,000 [CHEERS AND APPLAUSE] >> OH, MY GOSH, DID YOU GUYS 2821 02:10:18,000 --> 02:10:21,647 [CHEERS AND APPLAUSE] >> OH, MY GOSH, DID YOU GUYS 2822 02:10:21,713 --> 02:10:23,482 HAVE FUN TONIGHT? 2823 02:10:23,549 --> 02:10:24,000 SO LOADED WAY. 2824 02:10:24,000 --> 02:10:24,483 SO LOADED WAY. 2825 02:10:24,550 --> 02:10:25,450 AS ALWAYS. 2826 02:10:25,517 --> 02:10:28,820 THANK YOU TO THE BEST FANS IN THE WORLD. 2827 02:10:28,887 --> 02:10:30,000 >> CONGRATULATIONS TO ALL THE WINNERS. 2828 02:10:30,000 --> 02:10:33,926 >> CONGRATULATIONS TO ALL THE WINNERS. 2829 02:10:33,992 --> 02:10:35,227 AND THANK YOU, TEXAS! 2830 02:10:35,294 --> 02:10:36,000 GOOD NIGHT! 2831 02:10:36,000 --> 02:10:39,865 GOOD NIGHT! 2832 02:10:39,932 --> 02:10:42,000 # # 2833 02:10:42,000 --> 02:10:48,000 # # 2834 02:10:48,000 --> 02:10:49,875 # # 2835 02:10:53,078 --> 02:10:54,000 # # # SWEET HOME ALABAMA 2836 02:10:54,000 --> 02:11:00,000 # # # SWEET HOME ALABAMA 2837 02:11:00,000 --> 02:11:04,122 # # # SWEET HOME ALABAMA 2838 02:11:04,189 --> 02:11:06,000 # SWEET HOME ALABAMA # # SWEET HOME ALABAMA # 2839 02:11:06,000 --> 02:11:12,000 # SWEET HOME ALABAMA # # SWEET HOME ALABAMA # 2840 02:11:12,000 --> 02:11:16,201 # SWEET HOME ALABAMA # # SWEET HOME ALABAMA # 2841 02:11:16,268 --> 02:11:18,000 # SWEET HOME ALABAMA # # # 2842 02:11:18,000 --> 02:11:22,507 # SWEET HOME ALABAMA # # # 2843 02:11:22,574 --> 02:11:24,000 # SWEET HOME ALABAMA # # SWEET HOME ALABAMA # 2844 02:11:24,000 --> 02:11:29,948 # SWEET HOME ALABAMA # # SWEET HOME ALABAMA # 2845 02:11:30,015 --> 02:11:35,687 # H, YEAH! # # SWEET HOME ALABAMA # 2846 02:11:35,754 --> 02:11:36,000 # SWEET HOME ALABAMA # # SWEET HOME ALABAMA # 2847 02:11:36,000 --> 02:11:37,756 # SWEET HOME ALABAMA # # SWEET HOME ALABAMA # 229600

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