Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:13,012 --> 00:00:16,916
WILLIAM KINNEY, AND HALLIE
SCRUGGS, ALONG WITH DR.
2
00:00:16,983 --> 00:00:18,000
KATHERINE KOONCE, CYNTHIA PEAK
AND MIKE HILL WALKED INTO
3
00:00:18,000 --> 00:00:22,222
KATHERINE KOONCE, CYNTHIA PEAK
AND MIKE HILL WALKED INTO
4
00:00:22,288 --> 00:00:24,000
THE COVENANT SCHOOL AND DIDN'T
WALK OUT.
5
00:00:24,000 --> 00:00:26,993
THE COVENANT SCHOOL AND DIDN'T
WALK OUT.
6
00:00:27,060 --> 00:00:30,000
THE COMMUNITY OF SORROW OVER
THIS AND THE 130 MASS SHOOTINGS
7
00:00:30,000 --> 00:00:36,000
THE COMMUNITY OF SORROW OVER
THIS AND THE 130 MASS SHOOTINGS
8
00:00:36,000 --> 00:00:36,636
THE COMMUNITY OF SORROW OVER
THIS AND THE 130 MASS SHOOTINGS
9
00:00:36,703 --> 00:00:39,305
IN THE U.S. THIS YEAR ALONE,
STRETCHES FROM COAST TO COAST.
10
00:00:39,372 --> 00:00:42,000
I WANTED TO PERSONALLY STAND UP
HERE AND SHARE THIS MOMENT
11
00:00:42,000 --> 00:00:43,743
I WANTED TO PERSONALLY STAND UP
HERE AND SHARE THIS MOMENT
12
00:00:43,810 --> 00:00:47,781
BECAUSE ON AUGUST 21, 2008, I
WATCHED RYAN MCDONALD, MY
13
00:00:47,847 --> 00:00:48,000
15-YEAR-OLD CLASSMATE AT
CENTRAL HIGH SCHOOL IN
14
00:00:48,000 --> 00:00:52,218
15-YEAR-OLD CLASSMATE AT
CENTRAL HIGH SCHOOL IN
15
00:00:52,285 --> 00:00:53,686
KNOXVILLE, TENNESSEE LOSE HIS
LIFE TO A GUN IN THE
16
00:00:53,753 --> 00:00:54,000
SCHOOL CAFETERIA.
17
00:00:54,000 --> 00:00:56,356
SCHOOL CAFETERIA.
18
00:00:56,423 --> 00:01:00,000
TONIGHT'S BROADCAST IS DEDICATED
TO THE EVER-GROWING LIST OF
19
00:01:00,000 --> 00:01:03,830
TONIGHT'S BROADCAST IS DEDICATED
TO THE EVER-GROWING LIST OF
20
00:01:03,897 --> 00:01:06,000
FAMILIES, FRIENDS, SURVIVORS,
WITNESSES, AND RESPONDERS WHOSE
21
00:01:06,000 --> 00:01:08,902
FAMILIES, FRIENDS, SURVIVORS,
WITNESSES, AND RESPONDERS WHOSE
22
00:01:08,968 --> 00:01:12,000
LIVES CONTINUE TO BE FOREVER
CHANGED BY GUN VIOLENCE.
23
00:01:12,000 --> 00:01:16,009
LIVES CONTINUE TO BE FOREVER
CHANGED BY GUN VIOLENCE.
24
00:01:16,075 --> 00:01:18,000
I PRAY THAT THE CLOSENESS AND
COMMUNITY WE FEEL THROUGH THE
25
00:01:18,000 --> 00:01:22,182
I PRAY THAT THE CLOSENESS AND
COMMUNITY WE FEEL THROUGH THE
26
00:01:22,248 --> 00:01:24,000
NEXT FEW HOURS OF MUSIC CAN SOON
TURN INTO ACTION THAT MOVES US
27
00:01:24,000 --> 00:01:30,000
NEXT FEW HOURS OF MUSIC CAN SOON
TURN INTO ACTION THAT MOVES US
28
00:01:30,000 --> 00:01:32,525
NEXT FEW HOURS OF MUSIC CAN SOON
TURN INTO ACTION THAT MOVES US
29
00:01:32,592 --> 00:01:35,595
FORWARD TOGETHER TO CREATE
CHANGE FOR THE SAFETY OF OUR
30
00:01:35,662 --> 00:01:36,000
KIDS AND LOVED ONES.
31
00:01:36,000 --> 00:01:39,999
KIDS AND LOVED ONES.
32
00:01:59,385 --> 00:02:00,000
[CHEERS AND APPLAUSE]
>> WELL, I CAN'T SEE ANYTHING IN
33
00:02:00,000 --> 00:02:02,021
[CHEERS AND APPLAUSE]
>> WELL, I CAN'T SEE ANYTHING IN
34
00:02:02,088 --> 00:02:02,856
HERE!
35
00:02:02,922 --> 00:02:06,000
BUT IF THIS IS AUSTIN, I STILL
LOVE YA!
36
00:02:06,000 --> 00:02:06,559
BUT IF THIS IS AUSTIN, I STILL
LOVE YA!
37
00:02:06,626 --> 00:02:10,730
[CHEERS AND APPLAUSE]
#
38
00:02:10,797 --> 00:02:12,000
#
39
00:02:12,000 --> 00:02:18,000
#
40
00:02:18,000 --> 00:02:24,000
#
41
00:02:24,000 --> 00:02:25,678
#
42
00:02:25,745 --> 00:02:26,846
#
43
00:02:27,780 --> 00:02:30,000
THAT NEON SUN'S A-RISIN'
I'M SITTIN' HERE, ADMIRIN'
44
00:02:30,000 --> 00:02:30,483
THAT NEON SUN'S A-RISIN'
I'M SITTIN' HERE, ADMIRIN'
45
00:02:30,550 --> 00:02:36,000
THE SUMMER DRESS THAT'S SHININ'
THROUGH HAD JUST ENOUGH TO TELL
46
00:02:36,000 --> 00:02:36,689
THE SUMMER DRESS THAT'S SHININ'
THROUGH HAD JUST ENOUGH TO TELL
47
00:02:36,756 --> 00:02:39,058
YOU THE TRUTH
DON'T WANNA SCOOT THE BOOTS
48
00:02:39,125 --> 00:02:42,000
WITH NO BODY
GET STRAIGHT TEQUILA DRUNK
49
00:02:42,000 --> 00:02:43,897
WITH NO BODY
GET STRAIGHT TEQUILA DRUNK
50
00:02:43,963 --> 00:02:48,000
ON NO BODY
WRAP THESE ARMS
51
00:02:48,000 --> 00:02:49,002
ON NO BODY
WRAP THESE ARMS
52
00:02:49,068 --> 00:02:54,000
AROUND NO BODY
NO BODY BUT YOURS
53
00:02:54,000 --> 00:02:56,543
AROUND NO BODY
NO BODY BUT YOURS
54
00:02:56,609 --> 00:03:00,000
DON'T WANNA SHADOW DANCE
WITH NO BODY
55
00:03:00,000 --> 00:03:01,347
DON'T WANNA SHADOW DANCE
WITH NO BODY
56
00:03:01,414 --> 00:03:05,852
SLIDE SOME COTTON
OFF OF NO BODY
57
00:03:05,919 --> 00:03:06,000
DON'T WANNA WAKE UP
KISSIN' NO BODY
58
00:03:06,000 --> 00:03:10,757
DON'T WANNA WAKE UP
KISSIN' NO BODY
59
00:03:10,823 --> 00:03:12,000
NO BODY BUT YOURS
#
60
00:03:12,000 --> 00:03:18,000
NO BODY BUT YOURS
#
61
00:03:18,000 --> 00:03:20,533
NO BODY BUT YOURS
#
62
00:03:20,600 --> 00:03:22,201
HONEYSUCKLE TALKIN'
LAST CALL OLD MILWAUKIN'
63
00:03:22,268 --> 00:03:24,000
OUT THERE TO A CHECKERED CAB
B-LINE TO YOUR CONDO
64
00:03:24,000 --> 00:03:28,508
OUT THERE TO A CHECKERED CAB
B-LINE TO YOUR CONDO
65
00:03:28,575 --> 00:03:30,000
CONWAY ON THE STEREO
GIRL, I'D LOVE TO LAY YOU DOWN,
66
00:03:30,000 --> 00:03:34,581
CONWAY ON THE STEREO
GIRL, I'D LOVE TO LAY YOU DOWN,
67
00:03:34,647 --> 00:03:36,000
DOWN, DOWN
DON'T WANNA SCOT THE BOOTS
68
00:03:36,000 --> 00:03:38,484
DOWN, DOWN
DON'T WANNA SCOT THE BOOTS
69
00:03:38,551 --> 00:03:42,000
WITH NO BODY
GET STRAIGHT TEQUILA DRUNK
70
00:03:42,000 --> 00:03:43,957
WITH NO BODY
GET STRAIGHT TEQUILA DRUNK
71
00:03:44,023 --> 00:03:48,000
ON NO BODY
WRAP THESE ARMS
72
00:03:48,000 --> 00:03:50,296
ON NO BODY
WRAP THESE ARMS
73
00:03:50,363 --> 00:03:54,000
AROUND NO BODY
NO BODY BUT YOURS
74
00:03:54,000 --> 00:03:54,100
AROUND NO BODY
NO BODY BUT YOURS
75
00:03:54,167 --> 00:04:00,000
DON'T WANNA SHADOW DANCE
WITH NO BODY
76
00:04:00,000 --> 00:04:01,841
DON'T WANNA SHADOW DANCE
WITH NO BODY
77
00:04:01,908 --> 00:04:06,000
SLIDE SOME COTTON
OFF OF NO BODY
78
00:04:06,000 --> 00:04:06,145
SLIDE SOME COTTON
OFF OF NO BODY
79
00:04:06,212 --> 00:04:11,050
DON'T WANNA WAKE UP
KISSIN' NO BODY
80
00:04:11,117 --> 00:04:12,000
NO BODY BUT YOURS
#
81
00:04:12,000 --> 00:04:18,000
NO BODY BUT YOURS
#
82
00:04:18,000 --> 00:04:22,762
NO BODY BUT YOURS
#
83
00:04:22,829 --> 00:04:23,896
DON'T WANNA HOLD NO BODY
LAY EYES ON NO BODY
84
00:04:23,963 --> 00:04:24,000
LOVE UP ON NO BODY
DON'T WANNA SCOOT THE BOOTS
85
00:04:24,000 --> 00:04:26,766
LOVE UP ON NO BODY
DON'T WANNA SCOOT THE BOOTS
86
00:04:26,833 --> 00:04:30,000
WITH NO BODY
GET STRAIGHT TEQUILA DRUNK
87
00:04:30,000 --> 00:04:31,037
WITH NO BODY
GET STRAIGHT TEQUILA DRUNK
88
00:04:31,104 --> 00:04:34,974
ON NO BODY
WRAP THESE ARMS
89
00:04:35,041 --> 00:04:36,000
AROUND NO BODY
NO BODY BUT YOURS
90
00:04:36,000 --> 00:04:42,000
AROUND NO BODY
NO BODY BUT YOURS
91
00:04:42,000 --> 00:04:43,683
AROUND NO BODY
NO BODY BUT YOURS
92
00:04:43,750 --> 00:04:47,820
DON'T WANNA SHADOW DANCE
WITH NO BODY
93
00:04:47,887 --> 00:04:48,000
SLIDE SOME COTTON OFF
OF NO BODY
94
00:04:48,000 --> 00:04:52,992
SLIDE SOME COTTON OFF
OF NO BODY
95
00:04:53,059 --> 00:04:54,000
# DON'T WANNA WAKE UP #
# KISSIN' NO BODY #
96
00:04:54,000 --> 00:04:55,461
# DON'T WANNA WAKE UP #
# KISSIN' NO BODY #
97
00:04:55,528 --> 00:05:00,000
# NO BODY BUT YOURS #
# DON'T WANNA WAKE UP #
98
00:05:00,000 --> 00:05:02,869
# NO BODY BUT YOURS #
# DON'T WANNA WAKE UP #
99
00:05:02,935 --> 00:05:04,937
# KISSIN' NO BODY #
# NO BODY BUT YOURS #
100
00:05:23,322 --> 00:05:24,000
>> Announcer: LIVE FROM AUSTIN
TEXAS, THIS IS THE 2023 CMT
101
00:05:24,000 --> 00:05:28,928
>> Announcer: LIVE FROM AUSTIN
TEXAS, THIS IS THE 2023 CMT
102
00:05:28,995 --> 00:05:30,000
MUSIC AWARDS ON CBS!
103
00:05:30,000 --> 00:05:31,998
MUSIC AWARDS ON CBS!
104
00:05:32,065 --> 00:05:35,568
HOSTED BY KELSEA BALLERINI
AND KANE BROWN
105
00:05:35,635 --> 00:05:36,000
WITH PERFORMANCES BY
ALANIS MORISSETTE,
106
00:05:36,000 --> 00:05:39,005
WITH PERFORMANCES BY
ALANIS MORISSETTE,
107
00:05:39,072 --> 00:05:40,473
BLAKE SHELTON,
CARLY PEARCE,
108
00:05:40,540 --> 00:05:42,000
CARRIE UNDERWOOD,
CODY JOHNSON,
109
00:05:42,000 --> 00:05:42,842
CARRIE UNDERWOOD,
CODY JOHNSON,
110
00:05:42,909 --> 00:05:45,244
THE BLACK CROWES
AND DARIUS RUCKER,
111
00:05:45,311 --> 00:05:47,680
GARY CLARK, JR.
GWEN STEFANI,
112
00:05:47,747 --> 00:05:48,000
INGRID ANDRESS,
JELLY ROLL,
113
00:05:48,000 --> 00:05:49,949
INGRID ANDRESS,
JELLY ROLL,
114
00:05:50,016 --> 00:05:53,453
KANE BROWN AND KATELYN BROWN,
KEITH URBAN,
115
00:05:53,519 --> 00:05:54,000
KELSEA BALLERINI,
LAINEY WILSON,
116
00:05:54,000 --> 00:05:56,222
KELSEA BALLERINI,
LAINEY WILSON,
117
00:05:56,289 --> 00:05:58,725
MADELINE EDWARDS,
MORGAN WADE,
118
00:05:58,791 --> 00:06:00,000
TYLER HUBBARD,
WYNONNA JUDD
119
00:06:00,000 --> 00:06:00,460
TYLER HUBBARD,
WYNONNA JUDD
120
00:06:00,526 --> 00:06:03,096
WITH ASHLEY MCBRYDE,
A SPECIAL TRIBUTE TO GARY
121
00:06:03,162 --> 00:06:06,000
ROSSINGTON AND LYNYRD SKYNYRD
WITH BILLY GIBBONS,
122
00:06:06,000 --> 00:06:06,199
ROSSINGTON AND LYNYRD SKYNYRD
WITH BILLY GIBBONS,
123
00:06:06,265 --> 00:06:12,000
PAUL RODGERS, SLASH,
CHUCK LEAVELL,
124
00:06:12,000 --> 00:06:13,239
PAUL RODGERS, SLASH,
CHUCK LEAVELL,
125
00:06:13,306 --> 00:06:15,308
WARREN HAYNES, WYNONNA JUDD,
AND LEANN RIMES.
126
00:06:15,374 --> 00:06:17,510
FROM THE RAM TRUCK STAGE
AVERY ANNA,
127
00:06:17,577 --> 00:06:18,000
CHAPEL HART,
JACKSON DEAN,
128
00:06:18,000 --> 00:06:20,213
CHAPEL HART,
JACKSON DEAN,
129
00:06:20,279 --> 00:06:24,000
LILY ROSE,
MEGAN MORONEY,
130
00:06:24,000 --> 00:06:24,717
LILY ROSE,
MEGAN MORONEY,
131
00:06:24,784 --> 00:06:26,018
NATE SMITH,
WITH APPEARANCES BY
132
00:06:26,085 --> 00:06:30,000
CHARLES ESTEN,
HARDY,D'AMELIO,-
133
00:06:30,000 --> 00:06:36,000
CHARLES ESTEN,
HARDY,D'AMELIO,-
134
00:06:36,000 --> 00:06:36,896
CHARLES ESTEN,
HARDY,D'AMELIO,-
135
00:06:36,963 --> 00:06:38,131
IAN BOHEN,
JEN LANDON,
136
00:06:38,197 --> 00:06:39,465
JON PARDI,
MADISON BAILEY,
137
00:06:39,532 --> 00:06:41,434
MAX THIERIOT,
MEGAN THEE STALLION,
138
00:06:41,501 --> 00:06:42,000
PARKER MCCOLLUM,
NOAH SCHNAP,
139
00:06:42,000 --> 00:06:42,935
PARKER MCCOLLUM,
NOAH SCHNAP,
140
00:06:43,002 --> 00:06:46,239
PETER FRAMPTON,
SHANIA TWAIN,
141
00:06:46,305 --> 00:06:48,000
STEVE HOWEY,
TRAVIS KELCE,
142
00:06:48,000 --> 00:06:48,941
STEVE HOWEY,
TRAVIS KELCE,
143
00:06:49,008 --> 00:06:51,010
AND NOW PLEASE WELCOME
KELSEA BALLERINI AND KANE BROWN!
144
00:07:16,969 --> 00:07:18,000
>> WHAT A WAY TO START THE SHOW!
145
00:07:18,000 --> 00:07:18,905
>> WHAT A WAY TO START THE SHOW!
146
00:07:18,971 --> 00:07:23,910
HOW ARE WE FEELING?
147
00:07:23,976 --> 00:07:24,000
>> BLAKE TOTALLY KILLED IT.
148
00:07:24,000 --> 00:07:24,510
>> BLAKE TOTALLY KILLED IT.
149
00:07:24,577 --> 00:07:29,916
WHAT'S UP, AUSTIN, TEXAS!
150
00:07:29,982 --> 00:07:30,000
>> WE ARE SO EXCITED TO BE HERE
TONIGHT FOR THE FIRST EVER CMT
151
00:07:30,000 --> 00:07:36,000
>> WE ARE SO EXCITED TO BE HERE
TONIGHT FOR THE FIRST EVER CMT
152
00:07:36,000 --> 00:07:37,490
>> WE ARE SO EXCITED TO BE HERE
TONIGHT FOR THE FIRST EVER CMT
153
00:07:37,557 --> 00:07:42,000
MUSIC AWARDS IN TEXAS.
154
00:07:42,000 --> 00:07:43,095
MUSIC AWARDS IN TEXAS.
155
00:07:43,162 --> 00:07:44,096
>> THAT'S RIGHT.
156
00:07:44,163 --> 00:07:48,000
WE'RE BRINGING THE STARS TO
THE LONE STAR STATE.
157
00:07:48,000 --> 00:07:49,502
WE'RE BRINGING THE STARS TO
THE LONE STAR STATE.
158
00:07:49,569 --> 00:07:51,938
>> THAT WAS PUNNY.
159
00:07:52,004 --> 00:07:52,538
I LIKE IT.
160
00:07:52,605 --> 00:07:53,372
THIS IS SO COOL.
161
00:07:53,439 --> 00:07:54,000
LOOKING AROUND THIS ROOM,
IT'S CLEAR.
162
00:07:54,000 --> 00:07:54,473
LOOKING AROUND THIS ROOM,
IT'S CLEAR.
163
00:07:54,540 --> 00:07:59,412
COUNTRY MUSIC STRETCHES FROM
NASHVILLE, WHERE WE LIVE,
164
00:07:59,478 --> 00:08:00,000
TO AUSTIN TO
YELLOWSTONE
165
00:08:00,000 --> 00:08:06,000
TO AUSTIN TO
YELLOWSTONE
166
00:08:06,000 --> 00:08:08,187
TO AUSTIN TO
YELLOWSTONE
167
00:08:08,254 --> 00:08:12,000
TO THE OUTER BANKS!
168
00:08:12,000 --> 00:08:13,759
TO THE OUTER BANKS!
169
00:08:13,826 --> 00:08:14,927
>> I WANNA SHOUT OUT THAT WE
HAVE SO MANY INCREDIBLE WOMEN
170
00:08:14,994 --> 00:08:17,463
HERE.
171
00:08:17,530 --> 00:08:18,000
>> YEAH.
172
00:08:18,000 --> 00:08:18,931
>> YEAH.
173
00:08:18,998 --> 00:08:24,000
>> SHANIA TWAIN
IS IN THE BUILDING!
174
00:08:24,000 --> 00:08:28,741
>> SHANIA TWAIN
IS IN THE BUILDING!
175
00:08:28,808 --> 00:08:29,742
>> MY QUEEN.
176
00:08:29,809 --> 00:08:30,000
THIS IS, LIKE,
MY DREAM LINEUP.
177
00:08:30,000 --> 00:08:33,246
THIS IS, LIKE,
MY DREAM LINEUP.
178
00:08:33,312 --> 00:08:34,680
AMAZING, POWERFUL WOMEN.
179
00:08:34,747 --> 00:08:36,000
LAINEY WILSON.
180
00:08:36,000 --> 00:08:36,215
LAINEY WILSON.
181
00:08:36,282 --> 00:08:37,516
CARLY PEARCE.
182
00:08:37,583 --> 00:08:42,000
CARRIE UNDERWOOD.
183
00:08:42,000 --> 00:08:44,524
CARRIE UNDERWOOD.
184
00:08:44,590 --> 00:08:47,927
AND Y'ALL,
IT'S NOT JUST THE LINEUP.
185
00:08:47,994 --> 00:08:48,000
THE MUSIC IS ALL ABOUT
EMPOWERMENT AND STRENGTH,
186
00:08:48,000 --> 00:08:51,731
THE MUSIC IS ALL ABOUT
EMPOWERMENT AND STRENGTH,
187
00:08:51,797 --> 00:08:54,000
AND WE ALL NEED THAT RIGHT NOW
AND ALWAYS.
188
00:08:54,000 --> 00:08:54,567
AND WE ALL NEED THAT RIGHT NOW
AND ALWAYS.
189
00:08:54,634 --> 00:09:00,000
>> AND DON'T FORGET ALANIS
MORRISSETTE.
190
00:09:00,000 --> 00:09:01,073
>> AND DON'T FORGET ALANIS
MORRISSETTE.
191
00:09:01,140 --> 00:09:05,544
AND GWEN STEFANI'S
IN THE HOUSE!
192
00:09:05,611 --> 00:09:06,000
>> CASUAL.
193
00:09:06,000 --> 00:09:06,979
>> CASUAL.
194
00:09:07,046 --> 00:09:07,747
>> THAT'S RIGHT.
195
00:09:07,813 --> 00:09:08,948
TONIGHT IS COUNTRY'S NIGHT
TO ROCK.
196
00:09:09,015 --> 00:09:11,817
>> THIS PLACE IS PACKED WITH
ROCK STARS, WHICH MAKES PERFECT
197
00:09:11,884 --> 00:09:12,000
SENSE, BECAUSE COUNTRY AND ROCK?
198
00:09:12,000 --> 00:09:15,021
SENSE, BECAUSE COUNTRY AND ROCK?
199
00:09:15,087 --> 00:09:17,390
THEY'RE NOT THAT DIFFERENT.
200
00:09:17,456 --> 00:09:18,000
LET US EXPLAIN.
201
00:09:18,000 --> 00:09:18,491
LET US EXPLAIN.
202
00:09:18,557 --> 00:09:23,262
>> WE'VE ALL HEARD OF
"SEX, DRUGS AND ROCK 'N ROLL..."
203
00:09:23,329 --> 00:09:24,000
>> WE HAVE.
204
00:09:24,000 --> 00:09:24,297
>> WE HAVE.
205
00:09:24,363 --> 00:09:26,699
IN COUNTRY, IT'S JUST
"HUNTIN, FISHIN, AND LOVING
206
00:09:26,766 --> 00:09:29,735
EVERY DAY."
207
00:09:29,802 --> 00:09:30,000
SAME THING.
208
00:09:30,000 --> 00:09:31,404
SAME THING.
209
00:09:31,470 --> 00:09:34,540
>> COUNTRY HAS DARIUS RUCKER.
210
00:09:34,607 --> 00:09:36,000
>> YES, WE SURE DO.
211
00:09:36,000 --> 00:09:37,109
>> YES, WE SURE DO.
212
00:09:37,176 --> 00:09:37,843
HE'S THE BEST.
213
00:09:37,910 --> 00:09:38,978
AND ROCK HAS...
214
00:09:39,045 --> 00:09:42,000
DARIUS RUCKER.
215
00:09:42,000 --> 00:09:44,583
DARIUS RUCKER.
216
00:09:44,650 --> 00:09:45,985
HONESTLY, THEY SHOULD COLLAB
SOMETIME.
217
00:09:46,052 --> 00:09:48,000
>> WE'RE GONNA SEE DARIUS LATER
WITH THE BLACK CROWES.
218
00:09:48,000 --> 00:09:51,490
>> WE'RE GONNA SEE DARIUS LATER
WITH THE BLACK CROWES.
219
00:09:51,557 --> 00:09:52,758
>> IT'S INCREDIBLE.
220
00:09:52,825 --> 00:09:53,159
I CAN'T WAIT!
221
00:09:53,225 --> 00:09:53,826
SO GOOD.
222
00:09:53,893 --> 00:09:54,000
>> ROCK HAS POST MALONE.
223
00:09:54,000 --> 00:09:56,495
>> ROCK HAS POST MALONE.
224
00:09:56,562 --> 00:10:00,000
>> I LOVE POSTY.
225
00:10:00,000 --> 00:10:01,901
>> I LOVE POSTY.
226
00:10:01,968 --> 00:10:02,768
I AM ALSO ALWAYS TIRED.
227
00:10:02,835 --> 00:10:04,870
>> HE ROCKS.
228
00:10:04,937 --> 00:10:06,000
>> BUT COUNTRY HAS JELLY ROLL!
229
00:10:06,000 --> 00:10:12,000
>> BUT COUNTRY HAS JELLY ROLL!
230
00:10:12,000 --> 00:10:12,678
>> BUT COUNTRY HAS JELLY ROLL!
231
00:10:12,745 --> 00:10:18,000
[CHEERS AND APPLAUSE]
THAT'S ON US.
232
00:10:18,000 --> 00:10:19,952
[CHEERS AND APPLAUSE]
THAT'S ON US.
233
00:10:20,019 --> 00:10:22,388
I THINK WE GOT THAT MIXED UP.
234
00:10:22,455 --> 00:10:24,000
>>I THINK WE NAILED IT.
235
00:10:24,000 --> 00:10:25,958
>>I THINK WE NAILED IT.
236
00:10:26,025 --> 00:10:27,960
JELLY ROLL HAS SO MANY
NOMINATIONS TONIGHT.
237
00:10:28,027 --> 00:10:30,000
REAL BREAKOUT YEAR FOR HIM,
COME ON NOW.
238
00:10:30,000 --> 00:10:31,864
REAL BREAKOUT YEAR FOR HIM,
COME ON NOW.
239
00:10:31,931 --> 00:10:32,965
COME ON.
240
00:10:33,032 --> 00:10:34,800
WE'RE SO HAPPY FOR YOU, BUDDY.
241
00:10:34,867 --> 00:10:36,000
>> Y'ALL, WE'VE GOT SO MANY
GREAT PERFORMANCES.
242
00:10:36,000 --> 00:10:38,871
>> Y'ALL, WE'VE GOT SO MANY
GREAT PERFORMANCES.
243
00:10:38,938 --> 00:10:41,173
A BUNCH OF
AWARDS TO HAND OUT.
244
00:10:41,240 --> 00:10:42,000
BUT BEFORE WE GET STARTED, KANE,
THIS IS OUR THIRD TIME
245
00:10:42,000 --> 00:10:43,976
BUT BEFORE WE GET STARTED, KANE,
THIS IS OUR THIRD TIME
246
00:10:44,043 --> 00:10:46,979
HOSTING TOGETHER.
247
00:10:47,046 --> 00:10:47,580
THIRD TIME'S A CHARM.
248
00:10:47,646 --> 00:10:48,000
>> HAPPY ANNIVERSARY!
249
00:10:48,000 --> 00:10:50,883
>> HAPPY ANNIVERSARY!
250
00:10:50,950 --> 00:10:51,617
>> THANK YOU.
251
00:10:51,684 --> 00:10:52,018
>> I ACTUALLY GOT YOU
SOMETHING.
252
00:10:52,084 --> 00:10:54,000
>> OH, MY GOD.
253
00:10:54,000 --> 00:10:54,854
>> OH, MY GOD.
254
00:10:54,920 --> 00:10:57,256
>> I DID.
255
00:10:57,323 --> 00:11:00,000
>> WOW.
256
00:11:00,000 --> 00:11:06,000
>> WOW.
257
00:11:06,000 --> 00:11:07,900
>> WOW.
258
00:11:07,967 --> 00:11:11,270
I GOT YOU SOMETHING TOO!
259
00:11:11,337 --> 00:11:12,000
>> YOU DI?
260
00:11:12,000 --> 00:11:13,372
>> YOU DI?
261
00:11:13,439 --> 00:11:18,000
>> YES.
262
00:11:18,000 --> 00:11:22,448
>> YES.
263
00:11:22,515 --> 00:11:24,000
YEEHAW!
264
00:11:24,000 --> 00:11:25,051
YEEHAW!
265
00:11:25,117 --> 00:11:29,055
WHOO!
266
00:11:29,121 --> 00:11:29,688
>> IT'S A LITTLE SMALL.
267
00:11:29,755 --> 00:11:30,000
I THINK WE LOOK GOOD!
268
00:11:30,000 --> 00:11:33,159
I THINK WE LOOK GOOD!
269
00:11:33,225 --> 00:11:34,927
THIS IS THE ONLY COUNTRY AWARDS
SHOW WHERE THE FANS GET TO PICK
270
00:11:34,994 --> 00:11:36,000
THE WINNERS,
AND THERE'S STILL ONE AWARD YOU
271
00:11:36,000 --> 00:11:37,963
THE WINNERS,
AND THERE'S STILL ONE AWARD YOU
272
00:11:38,030 --> 00:11:39,532
CAN HELP DECIDE.
273
00:11:39,598 --> 00:11:42,000
>> IT'S THE BIGGEST AWARD
OF THE NIGHT, VIDEO OF THE YEAR.
274
00:11:42,000 --> 00:11:42,468
>> IT'S THE BIGGEST AWARD
OF THE NIGHT, VIDEO OF THE YEAR.
275
00:11:42,535 --> 00:11:44,336
WE STARTED OUT WITH 16 NOMINEES
AND NOW WE'RE DOWN TO THE TOP
276
00:11:44,403 --> 00:11:46,705
THREE.
277
00:11:46,772 --> 00:11:48,000
>> TAKE A LOOK.
278
00:11:48,000 --> 00:11:53,312
>> TAKE A LOOK.
279
00:11:53,379 --> 00:11:54,000
>> VIDEO OF THE YEAR.
280
00:11:54,000 --> 00:11:58,084
>> VIDEO OF THE YEAR.
281
00:11:58,150 --> 00:12:00,000
CARRIE UNDERWOOD, HARDY, THANK
GOD.
282
00:12:00,000 --> 00:12:05,257
CARRIE UNDERWOOD, HARDY, THANK
GOD.
283
00:12:05,324 --> 00:12:06,000
CAST YOUR VOTES NOW.
284
00:12:06,000 --> 00:12:10,096
CAST YOUR VOTES NOW.
285
00:12:10,162 --> 00:12:12,000
FOR CARRIE UNDERWOOD.
286
00:12:12,000 --> 00:12:14,700
FOR CARRIE UNDERWOOD.
287
00:12:14,767 --> 00:12:17,903
FOR HARDY AND LAINEY WILSON.
288
00:12:17,970 --> 00:12:18,000
FOR KANE BROWN AND KATELYN BRO
BROWN, COMMENT...
289
00:12:18,000 --> 00:12:23,876
FOR KANE BROWN AND KATELYN BRO
BROWN, COMMENT...
290
00:12:23,943 --> 00:12:24,000
MAKE SURE TO VOTE NOW.
291
00:12:24,000 --> 00:12:26,479
MAKE SURE TO VOTE NOW.
292
00:12:26,545 --> 00:12:30,000
VIDEO OF THE VOTING IS PRESENTED
BY RAM TRUCKS.
293
00:12:30,000 --> 00:12:33,252
VIDEO OF THE VOTING IS PRESENTED
BY RAM TRUCKS.
294
00:12:33,319 --> 00:12:36,000
>> YOU CAN CAST YOUR VOTES ON
THE CMT AWARDS FACEBOOK PAGE.
295
00:12:36,000 --> 00:12:39,291
>> YOU CAN CAST YOUR VOTES ON
THE CMT AWARDS FACEBOOK PAGE.
296
00:12:39,358 --> 00:12:42,000
MAKE SURE YOU SHOW YOUR LOVE TO
YOUR FAVORITE ARTIST.
297
00:12:42,000 --> 00:12:42,928
MAKE SURE YOU SHOW YOUR LOVE TO
YOUR FAVORITE ARTIST.
298
00:12:42,995 --> 00:12:44,830
>> WHEN CMT BRINGS IT, WE TAKE
OVER THE WHOLE CITY.
299
00:12:44,897 --> 00:12:47,133
RIGHT NOW, A CMT FAVORITE WHO
DROPPED HIS DEBUT SOLO ALBUM
300
00:12:47,199 --> 00:12:48,000
EARLIER THIS YEAR IS STEPPING
ONTO OUR STAGE IN FRONT OF THE
301
00:12:48,000 --> 00:12:49,568
EARLIER THIS YEAR IS STEPPING
ONTO OUR STAGE IN FRONT OF THE
302
00:12:49,635 --> 00:12:53,806
TEXAS STATE CAPITOL.
303
00:12:53,873 --> 00:12:54,000
>> Y'ALL MAKE SOME NOISE
FOR TYLER HUBBARD!
304
00:12:54,000 --> 00:13:00,000
>> Y'ALL MAKE SOME NOISE
FOR TYLER HUBBARD!
305
00:13:00,000 --> 00:13:02,882
>> Y'ALL MAKE SOME NOISE
FOR TYLER HUBBARD!
306
00:13:11,123 --> 00:13:11,991
>> CMT AWARDS!
307
00:13:12,057 --> 00:13:14,126
# THEM NEON LIGHTS #
# LOOK GOOD ON YOU #
308
00:13:14,193 --> 00:13:16,095
# BUT WE AIN'T GOT #
# NO ROOM TO MOVE #
309
00:13:16,162 --> 00:13:18,000
# NO ROOM TO MOVE #
# WE NEED SOME SPACE #
310
00:13:18,000 --> 00:13:18,430
# NO ROOM TO MOVE #
# WE NEED SOME SPACE #
311
00:13:18,497 --> 00:13:22,034
# AND I KNOW A PLACE #
# OUTSIDE OF TOWN
312
00:13:22,101 --> 00:13:24,000
WHERE IT DON'T EVER CLOSE DOWN #
# NO, WE NEVER CLOSE DOWN #
313
00:13:24,000 --> 00:13:26,672
WHERE IT DON'T EVER CLOSE DOWN #
# NO, WE NEVER CLOSE DOWN #
314
00:13:26,739 --> 00:13:27,973
# YEAH, WE CAN TWO STEP #
# PUT YOUR BOOTS ON, BABY #
315
00:13:28,040 --> 00:13:30,000
# WE CAN DO THAT #
# GIRL, CUT A LITTLE LOOSE #
316
00:13:30,000 --> 00:13:30,843
# WE CAN DO THAT #
# GIRL, CUT A LITTLE LOOSE #
317
00:13:30,910 --> 00:13:36,000
# MOVE THAT #
# AW, YEAH #
318
00:13:36,000 --> 00:13:36,949
# MOVE THAT #
# AW, YEAH #
319
00:13:37,016 --> 00:13:40,519
I'LL TAKE YOU DANCIN'
IN THE COUNTRY
320
00:13:40,586 --> 00:13:42,000
# LEVI'S IN THEM LOW BEAMS #
# SPIN YOU IN SOME RED DIRT #
321
00:13:42,000 --> 00:13:42,521
# LEVI'S IN THEM LOW BEAMS #
# SPIN YOU IN SOME RED DIRT #
322
00:13:42,588 --> 00:13:45,124
# SWEEP YOU OFF OF BOTH FEET #
# OUT HERE WHERE THE SUN SETS #
323
00:13:45,191 --> 00:13:48,000
# SILVERADO BACKBEAT #
# YOU'LL NEVER WANNA GO HOME #
324
00:13:48,000 --> 00:13:50,329
# SILVERADO BACKBEAT #
# YOU'LL NEVER WANNA GO HOME #
325
00:13:50,396 --> 00:13:54,000
# AND NEVER WANNA NOT BE #
DANCIN' IN THE COUNTRY #
326
00:13:54,000 --> 00:14:00,000
# AND NEVER WANNA NOT BE #
DANCIN' IN THE COUNTRY #
327
00:14:00,000 --> 00:14:00,873
# AND NEVER WANNA NOT BE #
DANCIN' IN THE COUNTRY #
328
00:14:00,940 --> 00:14:03,542
Y'ALL KNOW WHAT I'M TALKING
ABOUT?
329
00:14:03,609 --> 00:14:04,743
# YEAH, IT GOES LEFT, RIGHT,
LEFT #
330
00:14:04,810 --> 00:14:06,000
# YOU MAKIN' ME WANNA SWAY #
# YOU MAKIN' ME WANNA PLAY #
331
00:14:06,000 --> 00:14:07,213
# YOU MAKIN' ME WANNA SWAY #
# YOU MAKIN' ME WANNA PLAY #
332
00:14:07,279 --> 00:14:10,249
# SOME ALABAMA AND JACKSON #
# GOT YOU 'ROUND MY NECK #
333
00:14:10,316 --> 00:14:12,000
# MAKIN' ME WANNA STAY #
# MAKIN' ME WANNA LAY YOU
334
00:14:12,000 --> 00:14:14,119
# MAKIN' ME WANNA STAY #
# MAKIN' ME WANNA LAY YOU
335
00:14:14,186 --> 00:14:17,856
DOWN HERE IN THE PASTURE #
# YEAH, WE CAN TWO STEP #
336
00:14:17,923 --> 00:14:18,000
# PUT YOUR BOOTS ON, BABY #
# WE CAN DO THAT GIRL #
337
00:14:18,000 --> 00:14:19,024
# PUT YOUR BOOTS ON, BABY #
# WE CAN DO THAT GIRL #
338
00:14:19,091 --> 00:14:21,126
# CUT A LITTLE LOOSE #
# YOU CAN MOVE THAT #
339
00:14:21,193 --> 00:14:24,000
# MOVE THAT #
# AW, YEAH #
340
00:14:24,000 --> 00:14:27,266
# MOVE THAT #
# AW, YEAH #
341
00:14:27,333 --> 00:14:30,000
I'LL TAKE YOU DANCIN'
IN THE COUNTRY
342
00:14:30,000 --> 00:14:30,536
I'LL TAKE YOU DANCIN'
IN THE COUNTRY
343
00:14:30,603 --> 00:14:32,037
# LEVI'S IN THEM LOW BEAMS #
# SPIN YOU IN SOME RED DIRT #
344
00:14:32,104 --> 00:14:33,973
# SWEEP YOU OFF OF BOTH FEET #
# OUT HERE WHERE THE SUN SETS #
345
00:14:34,039 --> 00:14:36,000
# SILVERADO BACKBEAT #
# YOU'LL NEVER WANNA GO HOME #
346
00:14:36,000 --> 00:14:38,544
# SILVERADO BACKBEAT #
# YOU'LL NEVER WANNA GO HOME #
347
00:14:38,611 --> 00:14:42,000
# AND NEVER WANNA NOT BE #
DANCIN' IN THE COUNTRY #
348
00:14:42,000 --> 00:14:48,000
# AND NEVER WANNA NOT BE #
DANCIN' IN THE COUNTRY #
349
00:14:48,000 --> 00:14:48,454
# AND NEVER WANNA NOT BE #
DANCIN' IN THE COUNTRY #
350
00:14:48,520 --> 00:14:54,000
# WE'RE DANCIN' IN THE COUNTRY #
ONE TIME, BOYS!
351
00:14:54,000 --> 00:14:55,060
# WE'RE DANCIN' IN THE COUNTRY #
ONE TIME, BOYS!
352
00:14:56,829 --> 00:15:00,000
# #
# I KNOW YOU FEEL THAT HEAT #
353
00:15:00,000 --> 00:15:01,100
# #
# I KNOW YOU FEEL THAT HEAT #
354
00:15:01,166 --> 00:15:04,370
# WATERMELON SUMMER #
# GET THEM LUCCHESES #
355
00:15:04,436 --> 00:15:06,000
# STOMPIN' LIKE THE THUNDER #
GET YOUR HANDS UP!
356
00:15:06,000 --> 00:15:12,000
# STOMPIN' LIKE THE THUNDER #
GET YOUR HANDS UP!
357
00:15:12,000 --> 00:15:13,679
# STOMPIN' LIKE THE THUNDER #
GET YOUR HANDS UP!
358
00:15:13,746 --> 00:15:18,000
ARE WE HAVING A GOOD TIME
TONIGHT OR WHAT?
359
00:15:18,000 --> 00:15:20,786
ARE WE HAVING A GOOD TIME
TONIGHT OR WHAT?
360
00:15:20,853 --> 00:15:22,788
WHO'S READY TO DANCE TONIGHT?
361
00:15:22,855 --> 00:15:23,789
AUSTIN!
362
00:15:23,856 --> 00:15:24,000
# I'LL TAKE YOU DANCIN' #
# IN THE COUNTRY #
363
00:15:24,000 --> 00:15:30,000
# I'LL TAKE YOU DANCIN' #
# IN THE COUNTRY #
364
00:15:30,000 --> 00:15:31,930
# I'LL TAKE YOU DANCIN' #
# IN THE COUNTRY #
365
00:15:31,997 --> 00:15:33,932
# LEVI'S IN THEM LOW BEAMS #
# SPIN YOU IN SOME RED DIRT #
366
00:15:33,999 --> 00:15:36,000
# SWEEP YOU OFF OF BOTH FEET #
# OUT HERE WHERE THE SUN SETS #
367
00:15:36,000 --> 00:15:37,770
# SWEEP YOU OFF OF BOTH FEET #
# OUT HERE WHERE THE SUN SETS #
368
00:15:37,836 --> 00:15:41,740
# SILVERADO BACKBEAT #
# YOU'LL NEVER WANNA GO HOME #
369
00:15:41,807 --> 00:15:42,000
# AND NEVER WANNA NOT BE #
DANCIN' IN THE COUNTRY #
370
00:15:42,000 --> 00:15:48,000
# AND NEVER WANNA NOT BE #
DANCIN' IN THE COUNTRY #
371
00:15:48,000 --> 00:15:50,149
# AND NEVER WANNA NOT BE #
DANCIN' IN THE COUNTRY #
372
00:15:50,215 --> 00:15:54,000
WE'RE DANCIN' IN THE COUNTRY #
AW, YEAH!
373
00:15:54,000 --> 00:15:56,822
WE'RE DANCIN' IN THE COUNTRY #
AW, YEAH!
374
00:15:56,889 --> 00:15:59,558
DANCIN' IN THE COUNTRY #
WE'RE DANCIN' IN THE COUNTRY #
375
00:15:59,625 --> 00:16:00,000
AW, YEAH!
376
00:16:00,000 --> 00:16:06,000
AW, YEAH!
377
00:16:06,000 --> 00:16:09,201
AW, YEAH!
378
00:16:09,268 --> 00:16:10,602
AUSTIN, YOU GUYS ARE AMAZING.
379
00:16:10,669 --> 00:16:12,000
I LOVE YOU.
380
00:16:12,000 --> 00:16:13,305
I LOVE YOU.
381
00:16:13,372 --> 00:16:18,000
THANK YOU, CMT.
382
00:16:18,000 --> 00:16:21,980
THANK YOU, CMT.
383
00:16:22,047 --> 00:16:23,382
THANK Y'ALL SO MUCH.
384
00:16:23,449 --> 00:16:24,000
YOU GUYS ARE AMAZING.
385
00:16:24,000 --> 00:16:24,950
YOU GUYS ARE AMAZING.
386
00:16:25,017 --> 00:16:29,588
SEE YOU LATER, HAVE AN AWESOME
NIGHT.
387
00:16:29,655 --> 00:16:30,000
>> TYLER HUBBARD, EVERYBODY!
388
00:16:30,000 --> 00:16:33,125
>> TYLER HUBBARD, EVERYBODY!
389
00:16:33,192 --> 00:16:36,000
ALL RIGHT, WE GOTTA GO BIG IN
TEXAS, AND IT DOESN'T GET MUCH
390
00:16:36,000 --> 00:16:36,528
ALL RIGHT, WE GOTTA GO BIG IN
TEXAS, AND IT DOESN'T GET MUCH
391
00:16:36,595 --> 00:16:42,000
BIGGER AROUND HERE THAN THIS
GUY.
392
00:16:42,000 --> 00:16:42,568
BIGGER AROUND HERE THAN THIS
GUY.
393
00:16:42,634 --> 00:16:48,000
HE'S FROM AUSTIN
ONE OF THE BEST GUITAR PLAYERS
394
00:16:48,000 --> 00:16:50,275
HE'S FROM AUSTIN
ONE OF THE BEST GUITAR PLAYERS
395
00:16:50,342 --> 00:16:51,510
ON EARTH.
396
00:16:51,577 --> 00:16:52,878
>> HE'S HERE WITH A PERFORMANCE
HONORING THE CITY'S PRIDE AND
397
00:16:52,945 --> 00:16:53,746
JOY, THE LATE, GREAT STEVIE RAY
VAUGHAN.
398
00:16:53,812 --> 00:16:54,000
HERE IS GARY CLARK JR.!
399
00:16:54,000 --> 00:16:58,717
HERE IS GARY CLARK JR.!
400
00:17:00,386 --> 00:17:03,589
# #
# WELL, THE HOUSE
401
00:17:03,655 --> 00:17:05,457
IS A ROCKIN' #
# DON'T BOTHER KNOCKIN' #
402
00:17:05,524 --> 00:17:06,000
# YEAH, THE HOUSE IS A ROCKIN' #
# DON'T BOTHER KNOCKIN' #
403
00:17:06,000 --> 00:17:08,293
# YEAH, THE HOUSE IS A ROCKIN' #
# DON'T BOTHER KNOCKIN' #
404
00:17:08,360 --> 00:17:12,000
# YEAH, THE HOUSE IS A ROCKIN' #
# DON'T BOTHER COME ON IN #
405
00:17:12,000 --> 00:17:13,532
# YEAH, THE HOUSE IS A ROCKIN' #
# DON'T BOTHER COME ON IN #
406
00:17:13,599 --> 00:17:16,568
# KICK OFF YOUR SHOES #
# START LOSIN' THE BLUES #
407
00:17:16,635 --> 00:17:18,000
# THIS OLD HOUSE #
# AIN'T GOT NOTHIN' TO LOSE #
408
00:17:18,000 --> 00:17:18,771
# THIS OLD HOUSE #
# AIN'T GOT NOTHIN' TO LOSE #
409
00:17:18,837 --> 00:17:24,000
# SEEN IT ALL FOR YEARS #
# START SPREADIN' THE NEWS #
410
00:17:24,000 --> 00:17:24,176
# SEEN IT ALL FOR YEARS #
# START SPREADIN' THE NEWS #
411
00:17:24,243 --> 00:17:27,146
# WE GOT ROOM ON THE FLOOR #
# COME ON, BABY #
412
00:17:27,212 --> 00:17:30,000
# SHAKE SUMPIN' LOOSE #
# WELL, THE HOUSE IS A ROCKIN' #
413
00:17:30,000 --> 00:17:31,483
# SHAKE SUMPIN' LOOSE #
# WELL, THE HOUSE IS A ROCKIN' #
414
00:17:31,550 --> 00:17:34,753
# DON'T BOTHER KNOCKIN' #
# YEAH, THE HOUSE IS A ROCKIN' #
415
00:17:34,820 --> 00:17:36,000
# DON'T BOTHER KNOCKIN' #
# YEAH, THE HOUSE IS A ROCKIN' #
416
00:17:36,000 --> 00:17:37,656
# DON'T BOTHER KNOCKIN' #
# YEAH, THE HOUSE IS A ROCKIN' #
417
00:17:37,723 --> 00:17:41,960
# DON'T BOTHER
# COME ON IN #
418
00:17:42,027 --> 00:17:45,898
GO AHEAD!
419
00:17:47,566 --> 00:17:48,000
# #
420
00:17:48,000 --> 00:17:54,000
# #
421
00:17:54,000 --> 00:18:00,000
# #
422
00:18:00,000 --> 00:18:02,448
# #
423
00:18:02,514 --> 00:18:03,649
# #
424
00:18:12,958 --> 00:18:18,000
# #
# WELL, THE HOUSE IS A ROCKIN' #
425
00:18:18,000 --> 00:18:24,000
# #
# WELL, THE HOUSE IS A ROCKIN' #
426
00:18:24,000 --> 00:18:24,403
# #
# WELL, THE HOUSE IS A ROCKIN' #
427
00:18:24,470 --> 00:18:26,405
# DON'T BOTHER KNOCKIN' #
# YEAH, THE HOUSE IS A ROCKIN' #
428
00:18:26,472 --> 00:18:29,608
# DON'T BOTHER KNOCKIN' #
# YEAH, THE HOUSE IS A ROCKIN' #
429
00:18:29,675 --> 00:18:30,000
# DON'T BOTHER
# COME ON IN #
430
00:18:30,000 --> 00:18:33,312
# DON'T BOTHER
# COME ON IN #
431
00:18:33,378 --> 00:18:36,000
# WALKIN' UP THE STREET #
# YOU CAN HEAR THE SOUND #
432
00:18:36,000 --> 00:18:36,415
# WALKIN' UP THE STREET #
# YOU CAN HEAR THE SOUND #
433
00:18:36,482 --> 00:18:38,450
# OF SOME BAD HONKY TONKERS #
# REALLY LAYIN' IT DOWN #
434
00:18:38,517 --> 00:18:40,752
# THEY'VE SEEN IT ALL
FOR YEARS #
435
00:18:40,819 --> 00:18:42,000
# GOT NOTHIN' TO LOSE #
# SO GET DOWN ON THE FLOOR #
436
00:18:42,000 --> 00:18:45,657
# GOT NOTHIN' TO LOSE #
# SO GET DOWN ON THE FLOOR #
437
00:18:45,724 --> 00:18:48,000
# SHIMMY 'TIL YOU SHAKE #
# SUMPIN' LOOSE #
438
00:18:48,000 --> 00:18:49,094
# SHIMMY 'TIL YOU SHAKE #
# SUMPIN' LOOSE #
439
00:18:49,161 --> 00:18:51,730
# WELL, THE HOUSE IS A ROCKIN' #
# DON'T BOTHER KNOCKIN' #
440
00:18:51,797 --> 00:18:54,000
# YEAH, THE HOUSE IS A ROCKIN' #
# DON'T BOTHER KNOCKIN' #
441
00:18:54,000 --> 00:18:54,366
# YEAH, THE HOUSE IS A ROCKIN' #
# DON'T BOTHER KNOCKIN' #
442
00:18:54,433 --> 00:18:57,569
# YEAH, THE HOUSE IS A ROCKIN' #
# DON'T BOTHER
443
00:18:57,636 --> 00:19:00,000
# COME ON IN #
THE HOUSE IS A ROCKIN' #
444
00:19:00,000 --> 00:19:02,674
# COME ON IN #
THE HOUSE IS A ROCKIN' #
445
00:19:02,741 --> 00:19:05,644
# DON'T BOTHER
# COME ON IN #
446
00:19:05,711 --> 00:19:06,000
# WOO, HOO, HOO, HOO #
# WOO, OOH, OOM, HOO #
447
00:19:06,000 --> 00:19:12,000
# WOO, HOO, HOO, HOO #
# WOO, OOH, OOM, HOO #
448
00:19:12,000 --> 00:19:18,000
# WOO, HOO, HOO, HOO #
# WOO, OOH, OOM, HOO #
449
00:19:18,000 --> 00:19:18,824
# WOO, HOO, HOO, HOO #
# WOO, OOH, OOM, HOO #
450
00:19:18,891 --> 00:19:22,928
# WOO, OOH, OOH, OOH #
451
00:19:23,929 --> 00:19:24,000
# #
452
00:19:24,000 --> 00:19:30,000
# #
453
00:19:30,000 --> 00:19:36,000
# #
454
00:19:36,000 --> 00:19:38,810
# #
455
00:19:38,877 --> 00:19:40,445
# #
456
00:19:55,327 --> 00:20:00,000
# #
457
00:20:00,000 --> 00:20:06,000
# #
458
00:20:06,000 --> 00:20:10,208
# #
459
00:20:10,275 --> 00:20:11,410
# #
460
00:20:14,513 --> 00:20:18,000
[CHEERS AND APPLAUSE]
>> OH, THIS HOUSE IS ROCKIN'!
461
00:20:18,000 --> 00:20:24,000
[CHEERS AND APPLAUSE]
>> OH, THIS HOUSE IS ROCKIN'!
462
00:20:24,000 --> 00:20:28,894
[CHEERS AND APPLAUSE]
>> OH, THIS HOUSE IS ROCKIN'!
463
00:20:28,961 --> 00:20:30,000
AUSTEN'S OWN, GARY CLARK JR.,
EVERYBODY.
464
00:20:30,000 --> 00:20:32,497
AUSTEN'S OWN, GARY CLARK JR.,
EVERYBODY.
465
00:20:32,564 --> 00:20:33,732
WE'VE GOT SOME OF THE BIGGEST
NAMES IN MUSIC HERE, BUT THE CMT
466
00:20:33,799 --> 00:20:36,000
MUSIC AWARDS ALSO GIVE A STAGE
TO SOME OF THE MOST EXCITING
467
00:20:36,000 --> 00:20:39,338
MUSIC AWARDS ALSO GIVE A STAGE
TO SOME OF THE MOST EXCITING
468
00:20:39,404 --> 00:20:40,472
BREAKOUT ARTISTS.
469
00:20:40,539 --> 00:20:41,006
AND YOU'RE GONNA GET TO SEE
SIX OF THEM HERE ON THE RAM
470
00:20:41,073 --> 00:20:42,000
TRUCKS STAGE TONIGHT.
471
00:20:42,000 --> 00:20:43,976
TRUCKS STAGE TONIGHT.
472
00:20:44,042 --> 00:20:45,477
KICKING IT OFF, WE'VE GOT AN
ARTIST WHO IS HAVING A HUGE
473
00:20:45,544 --> 00:20:46,511
YEAR.
474
00:20:46,578 --> 00:20:48,000
PERFORMING HER NEW SONG,
"WHATCHA KNOW ABOUT THAT,"
475
00:20:48,000 --> 00:20:48,981
PERFORMING HER NEW SONG,
"WHATCHA KNOW ABOUT THAT,"
476
00:20:49,047 --> 00:20:54,000
GIVE IT UP FOR MY GIRL,
LILY ROSE!
477
00:20:54,000 --> 00:20:55,053
GIVE IT UP FOR MY GIRL,
LILY ROSE!
478
00:20:56,421 --> 00:21:00,000
# DO YOU LOVE IT #
# WHEN IT RAINS #
479
00:21:00,000 --> 00:21:00,158
# DO YOU LOVE IT #
# WHEN IT RAINS #
480
00:21:00,225 --> 00:21:05,931
# UNDER A TIN ROOF #
# SITTIN' ON A PORCH SWING #
481
00:21:05,998 --> 00:21:06,000
# EVER TASTE THAT #
# SMALL TOWN FAME #
482
00:21:06,000 --> 00:21:08,967
# EVER TASTE THAT #
# SMALL TOWN FAME #
483
00:21:09,034 --> 00:21:12,000
# YEAH, I THINK WE'RE THE SAME #
# COME ON, TELL ME, BABY #
484
00:21:12,000 --> 00:21:13,271
# YEAH, I THINK WE'RE THE SAME #
# COME ON, TELL ME, BABY #
485
00:21:13,338 --> 00:21:17,342
# I WANNA KNOW #
# WHAT YOU KNOW ABOUT THAT #
486
00:21:17,409 --> 00:21:18,000
# DO YOU LOVE A LITTLE DOLLY P #
# COMIN' THROUGH THE DASH #
487
00:21:18,000 --> 00:21:21,313
# DO YOU LOVE A LITTLE DOLLY P #
# COMIN' THROUGH THE DASH #
488
00:21:21,380 --> 00:21:24,000
# DOES YOUR MAMA'S SWEET TEA #
# MAKE THE HOT DAYS COLD #
489
00:21:24,000 --> 00:21:25,817
# DOES YOUR MAMA'S SWEET TEA #
# MAKE THE HOT DAYS COLD #
490
00:21:25,884 --> 00:21:29,755
# MM-MM THAT'S YOU AND ME BOTH #
# YEAH, WHAT IF I TOLD YOU #
491
00:21:29,821 --> 00:21:30,000
# I WANT THAT KIND OF LOVE #
# THAT'S GONNA LAST #
492
00:21:30,000 --> 00:21:33,158
# I WANT THAT KIND OF LOVE #
# THAT'S GONNA LAST #
493
00:21:33,225 --> 00:21:36,000
# YEAH, I WANNA KNOW #
# WHAT YOU KNOW ABOUT THAT #
494
00:21:36,000 --> 00:21:37,229
# YEAH, I WANNA KNOW #
# WHAT YOU KNOW ABOUT THAT #
495
00:21:48,040 --> 00:21:49,975
[CHEERS AND APPLAUSE]
>> COMING UP, WE HAND OUT THE
496
00:21:50,042 --> 00:21:51,109
FIRST AWARD OF THE NIGHT.
497
00:21:51,176 --> 00:21:54,000
PLUS, PERFORMANCES BY
CARLY PEARCE,
498
00:21:54,000 --> 00:21:54,012
PLUS, PERFORMANCES BY
CARLY PEARCE,
499
00:21:54,079 --> 00:21:57,082
JELLY ROLL, CODY JOHNSON,
KEITH URBAN, AND A SPECIAL
500
00:21:57,149 --> 00:21:59,918
COLLABORATION FROM WYNONA JUDD
AND ASHLEY McBRYDE.
501
00:21:59,985 --> 00:22:00,000
AND AN ALL-STAR CELEBRATION OF
LYNYRD SKYNYRD.
502
00:22:00,000 --> 00:22:03,455
AND AN ALL-STAR CELEBRATION OF
LYNYRD SKYNYRD.
503
00:22:03,522 --> 00:22:06,000
FOR EVEN MORE CMT MUSIC
AWARDS, FOLLOW @CMT!
504
00:22:06,000 --> 00:22:10,929
FOR EVEN MORE CMT MUSIC
AWARDS, FOLLOW @CMT!
505
00:22:10,996 --> 00:22:12,000
>> THE 2023 CMT MUSIC AWARDS IS
SPONSORED BY RAM TRUCKS.
506
00:22:12,000 --> 00:22:13,999
>> THE 2023 CMT MUSIC AWARDS IS
SPONSORED BY RAM TRUCKS.
507
00:22:29,014 --> 00:22:30,000
# #
>> THE FIRST AWARD IS COMING UP,
508
00:22:30,000 --> 00:22:30,949
# #
>> THE FIRST AWARD IS COMING UP,
509
00:22:31,016 --> 00:22:36,000
AND SINCE THIS OUR FIRST SHOW IN
TEXAS, WE ARE PROUD TO PRESENT
510
00:22:36,000 --> 00:22:36,555
AND SINCE THIS OUR FIRST SHOW IN
TEXAS, WE ARE PROUD TO PRESENT
511
00:22:36,621 --> 00:22:42,000
OUR BRAND NEW, CUSTOM MADE,
TEXAS CMT TROPHY.
512
00:22:42,000 --> 00:22:45,964
OUR BRAND NEW, CUSTOM MADE,
TEXAS CMT TROPHY.
513
00:22:46,031 --> 00:22:47,165
I KNOW WHAT YOU'RE THINKING.
514
00:22:47,232 --> 00:22:48,000
THAT IS THE REGULAR CMT TROPHY
BUT I ASSURE YOU IT'S AS TEXAS
515
00:22:48,000 --> 00:22:51,136
THAT IS THE REGULAR CMT TROPHY
BUT I ASSURE YOU IT'S AS TEXAS
516
00:22:51,203 --> 00:22:53,138
AS IT GETS.
517
00:22:53,205 --> 00:22:53,805
ARE YOU READY.
518
00:22:53,872 --> 00:22:54,000
CHECK IT OUT.
519
00:22:54,000 --> 00:22:55,574
CHECK IT OUT.
520
00:22:55,640 --> 00:23:00,000
>> ALL RIGHT, ALL RIGHT,
ALL RIGHT.
521
00:23:00,000 --> 00:23:00,545
>> ALL RIGHT, ALL RIGHT,
ALL RIGHT.
522
00:23:00,612 --> 00:23:03,915
>> YEAH, THAT'S RIGHT.
523
00:23:03,982 --> 00:23:04,750
IT'S THE CMMT AWARD.
524
00:23:04,816 --> 00:23:06,000
THE EXTRA M STANDS FOR
McCONAUGHEY.
525
00:23:06,000 --> 00:23:07,252
THE EXTRA M STANDS FOR
McCONAUGHEY.
526
00:23:07,319 --> 00:23:12,000
LET'S HAND
ONE OF THESE BABIES OUT.
527
00:23:12,000 --> 00:23:14,226
LET'S HAND
ONE OF THESE BABIES OUT.
528
00:23:14,292 --> 00:23:15,427
>> YES.
529
00:23:15,494 --> 00:23:16,027
THANK YOU.
530
00:23:16,094 --> 00:23:18,000
I WILL TAKE ONE OF THOSE.
531
00:23:18,000 --> 00:23:19,564
I WILL TAKE ONE OF THOSE.
532
00:23:19,631 --> 00:23:24,000
>> NO, NO, SORRY, MATTHEW.
533
00:23:24,000 --> 00:23:24,035
>> NO, NO, SORRY, MATTHEW.
534
00:23:24,102 --> 00:23:25,804
YOU'VE GOTTA WIN THEM JUST LIKE
EVERYONE ELSE!
535
00:23:25,871 --> 00:23:28,640
TO PRESENT THE FIRST AWARD OF
THE NIGHT, HERE'S ONE OF THE
536
00:23:28,707 --> 00:23:30,000
STARS OF THE MASSIVE HIT SERIES
"STRANGER THINGS," NOAH SCHNAPP!
537
00:23:30,000 --> 00:23:36,000
STARS OF THE MASSIVE HIT SERIES
"STRANGER THINGS," NOAH SCHNAPP!
538
00:23:36,000 --> 00:23:42,000
STARS OF THE MASSIVE HIT SERIES
"STRANGER THINGS," NOAH SCHNAPP!
539
00:23:42,000 --> 00:23:43,455
STARS OF THE MASSIVE HIT SERIES
"STRANGER THINGS," NOAH SCHNAPP!
540
00:23:43,522 --> 00:23:44,589
>> WOW, HELLO.
541
00:23:44,656 --> 00:23:47,359
I'M EXCITED TO BE HERE TO
PRESENT THE AWARD FOR BEST
542
00:23:47,425 --> 00:23:48,000
COLLABORATIVE VIDEO TO A BUNCH
OF ARTISTS THAT I HAVE
543
00:23:48,000 --> 00:23:51,963
COLLABORATIVE VIDEO TO A BUNCH
OF ARTISTS THAT I HAVE
544
00:23:52,030 --> 00:23:52,798
ON REPEAT.
545
00:23:52,864 --> 00:23:54,000
COUNTRY SUPERSTARS
JOINING FORCES WITH
546
00:23:54,000 --> 00:23:55,367
COUNTRY SUPERSTARS
JOINING FORCES WITH
547
00:23:55,433 --> 00:23:57,068
POP SINGERS, ROCKERS, AND AN
INCREIBLY TALENTED MARRIED
548
00:23:57,135 --> 00:24:00,000
COUPLE
ALL THESE COLLABORATIONS MERGED
549
00:24:00,000 --> 00:24:00,438
COUPLE
ALL THESE COLLABORATIONS MERGED
550
00:24:00,505 --> 00:24:02,774
TWO ARTISTIC VOICES TO CREATE
SOMETHING ALTOGETHER NEW
551
00:24:02,841 --> 00:24:06,000
AND BEAUTIFUL.
552
00:24:06,000 --> 00:24:07,579
AND BEAUTIFUL.
553
00:24:07,646 --> 00:24:08,580
I LOVE YOU.
554
00:24:08,647 --> 00:24:12,000
HERE ARE THE NOMINEES.
555
00:24:12,000 --> 00:24:18,000
HERE ARE THE NOMINEES.
556
00:24:18,000 --> 00:24:18,557
HERE ARE THE NOMINEES.
557
00:24:18,623 --> 00:24:19,491
>> "WORTH A SHOT."
558
00:24:19,558 --> 00:24:21,126
ELLE KING FEATURING
DIERKS BENTLEY
559
00:24:21,193 --> 00:24:23,461
"WAIT IN THE TRUCK."
560
00:24:23,528 --> 00:24:24,000
HARDY FEATURING LAINEY WILSON.
561
00:24:24,000 --> 00:24:25,163
HARDY FEATURING LAINEY WILSON.
562
00:24:25,230 --> 00:24:28,266
"WISHFUL DRINKING."
563
00:24:28,333 --> 00:24:30,000
INGRID ANDRESS WITH SAM HUNT.
564
00:24:30,000 --> 00:24:31,736
INGRID ANDRESS WITH SAM HUNT.
565
00:24:31,803 --> 00:24:33,405
"THANK GOD."
566
00:24:33,471 --> 00:24:36,000
KANE BROWN & KATELYN BROWN.
567
00:24:36,000 --> 00:24:37,809
KANE BROWN & KATELYN BROWN.
568
00:24:37,876 --> 00:24:40,245
"LONGNECK WAY TO GO."
569
00:24:40,312 --> 00:24:42,000
MIDLAND FEATURING JON PARDI.
570
00:24:42,000 --> 00:24:46,218
MIDLAND FEATURING JON PARDI.
571
00:24:46,284 --> 00:24:48,000
"SHE LIKES IT."
572
00:24:48,000 --> 00:24:48,119
"SHE LIKES IT."
573
00:24:48,186 --> 00:24:54,000
RUSSELL DICKERSON FEATURING
JAKE SCOTT.
574
00:24:54,000 --> 00:24:54,259
RUSSELL DICKERSON FEATURING
JAKE SCOTT.
575
00:24:54,326 --> 00:24:55,861
"WHERE WE STARTED."
576
00:24:55,927 --> 00:25:00,000
THOMAS RHETT & KATY PERRY.
577
00:25:00,000 --> 00:25:04,936
THOMAS RHETT & KATY PERRY.
578
00:25:05,003 --> 00:25:06,000
COLLABORATIVE VIDEO OF THE YEAR.
579
00:25:06,000 --> 00:25:12,000
COLLABORATIVE VIDEO OF THE YEAR.
580
00:25:12,000 --> 00:25:12,177
COLLABORATIVE VIDEO OF THE YEAR.
581
00:25:12,244 --> 00:25:16,982
>> AND THE WINNER IS...
582
00:25:17,048 --> 00:25:18,000
HARDY FEATURING LAINEY WILSON!
583
00:25:18,000 --> 00:25:24,000
HARDY FEATURING LAINEY WILSON!
584
00:25:24,000 --> 00:25:26,224
HARDY FEATURING LAINEY WILSON!
585
00:25:26,291 --> 00:25:30,000
>> # WAIT IN THE TRUCK #
# JUST WAIT IN THE TRUCK #
586
00:25:30,000 --> 00:25:36,000
>> # WAIT IN THE TRUCK #
# JUST WAIT IN THE TRUCK #
587
00:25:36,000 --> 00:25:36,935
>> # WAIT IN THE TRUCK #
# JUST WAIT IN THE TRUCK #
588
00:25:37,002 --> 00:25:42,000
HAVE MERCY ON ME, LORD #
# HAVE MERCY ON ME #
589
00:25:42,000 --> 00:25:45,076
HAVE MERCY ON ME, LORD #
# HAVE MERCY ON ME #
590
00:25:45,143 --> 00:25:48,000
# SHE STILL COMES TO SEE ME FROM
TIME TO TIME #
591
00:25:48,000 --> 00:25:49,114
# SHE STILL COMES TO SEE ME FROM
TIME TO TIME #
592
00:25:49,180 --> 00:25:54,000
# IT WAS WORTH THE PRICE TO SEE
THE BRIGHTER SIDE OF THE GIRL I
593
00:25:54,000 --> 00:25:54,586
# IT WAS WORTH THE PRICE TO SEE
THE BRIGHTER SIDE OF THE GIRL I
594
00:25:54,653 --> 00:25:59,724
PICKED UP THAT NIGHT.
595
00:25:59,791 --> 00:26:00,000
>> IT IS SO HARD NOT TO CUSS.
596
00:26:00,000 --> 00:26:06,000
>> IT IS SO HARD NOT TO CUSS.
597
00:26:06,000 --> 00:26:06,998
>> IT IS SO HARD NOT TO CUSS.
598
00:26:07,065 --> 00:26:08,633
>> THIS IS INCREDIBLE.
599
00:26:08,700 --> 00:26:12,000
I REMEMBER THE DAY JORDAN
SCHMIDT TO I WROTE THIS SONG
600
00:26:12,000 --> 00:26:12,537
I REMEMBER THE DAY JORDAN
SCHMIDT TO I WROTE THIS SONG
601
00:26:12,604 --> 00:26:13,738
WITH SENT ME THE DEMO.
602
00:26:13,805 --> 00:26:17,342
I SAT DOWN I WAS SO INSPIRED
THAT I WROTE THE ENTIRE SCRIPT,
603
00:26:17,409 --> 00:26:18,000
IF YOU WILL, FOR THE MUSIC VIDEO
BECAUSE OF HOW POWERFUL I KNEW
604
00:26:18,000 --> 00:26:21,479
IF YOU WILL, FOR THE MUSIC VIDEO
BECAUSE OF HOW POWERFUL I KNEW
605
00:26:21,546 --> 00:26:22,681
THE SONG WOULD BE.
606
00:26:22,747 --> 00:26:24,000
I'VE GOT TO SAY THANK YOU TO
LAINEY FOR WORKING SO HARD.
607
00:26:24,000 --> 00:26:30,000
I'VE GOT TO SAY THANK YOU TO
LAINEY FOR WORKING SO HARD.
608
00:26:30,000 --> 00:26:32,357
I'VE GOT TO SAY THANK YOU TO
LAINEY FOR WORKING SO HARD.
609
00:26:32,424 --> 00:26:33,124
AND JUSTIN, WHO DIRECTED THE
VIDEO.
610
00:26:33,191 --> 00:26:34,392
THANK YOU SO MUCH.
611
00:26:34,459 --> 00:26:36,000
YOURI BEAST.
612
00:26:36,000 --> 00:26:37,395
YOURI BEAST.
613
00:26:37,462 --> 00:26:37,829
THINK I
614
00:26:38,763 --> 00:26:42,000
JUST GUY JUST GOT TO SAY I'M SO
PROUD TO BE A SMALL PART OF THE
615
00:26:42,000 --> 00:26:42,600
JUST GUY JUST GOT TO SAY I'M SO
PROUD TO BE A SMALL PART OF THE
616
00:26:42,667 --> 00:26:44,235
SONG.
617
00:26:44,302 --> 00:26:48,000
WHEN I HEARD THE SONG, I TELL
YOU, IT'S AN OPPORTUNITY FOR
618
00:26:48,000 --> 00:26:48,206
WHEN I HEARD THE SONG, I TELL
YOU, IT'S AN OPPORTUNITY FOR
619
00:26:48,273 --> 00:26:51,609
PEOPLE WHO HAVE BEEN THROUGH
THIS TO FEEL LIKE THEY ARE NOT
620
00:26:51,676 --> 00:26:54,000
ALONE IN ITS OPPORTUNITY FOR THE
PEOPLE HAVE BEEN DOING THIS,
621
00:26:54,000 --> 00:26:55,413
ALONE IN ITS OPPORTUNITY FOR THE
PEOPLE HAVE BEEN DOING THIS,
622
00:26:55,480 --> 00:26:58,116
DON'T EVEN GET ME STARTED.
623
00:26:58,183 --> 00:27:00,000
THANK YOU SO MUCH TO HARDY.
624
00:27:00,000 --> 00:27:01,753
THANK YOU SO MUCH TO HARDY.
625
00:27:01,820 --> 00:27:06,000
I LOVE YOU.
626
00:27:06,000 --> 00:27:09,995
I LOVE YOU.
627
00:27:10,061 --> 00:27:12,000
>>
MAKE SOME NOISE
628
00:27:12,000 --> 00:27:15,367
>>
MAKE SOME NOISE
629
00:27:15,433 --> 00:27:16,368
FOR JON PARDI!
630
00:27:16,434 --> 00:27:17,635
>> OUR NEXT PERFORMER IS
NOMINATED FOR TWO AWARDS
631
00:27:17,702 --> 00:27:18,000
TONIGHT, INCLUDING FEMALE VIDEO
OF THE YEAR, AND SHE'S HERE WITH
632
00:27:18,000 --> 00:27:24,000
TONIGHT, INCLUDING FEMALE VIDEO
OF THE YEAR, AND SHE'S HERE WITH
633
00:27:24,000 --> 00:27:27,946
TONIGHT, INCLUDING FEMALE VIDEO
OF THE YEAR, AND SHE'S HERE WITH
634
00:27:28,013 --> 00:27:29,481
THE SONG THAT WAS NUMBER ONE
IN THE COUNTRY
635
00:27:29,547 --> 00:27:30,000
THIS WEEK.
636
00:27:30,000 --> 00:27:30,648
THIS WEEK.
637
00:27:30,715 --> 00:27:31,549
"WHAT HE DIDN'T DO,"
MAKE SOME NOISE FOR
638
00:27:31,616 --> 00:27:36,000
CARLY PEARCE!
639
00:27:36,000 --> 00:27:36,321
CARLY PEARCE!
640
00:27:39,090 --> 00:27:42,000
# #
# EVERYBODY'S ASKING #
641
00:27:42,000 --> 00:27:45,296
# #
# EVERYBODY'S ASKING #
642
00:27:45,363 --> 00:27:48,000
# WHAT THE HELL HAPPENED #
# WONDERING WHY IT #
643
00:27:48,000 --> 00:27:48,867
# WHAT THE HELL HAPPENED #
# WONDERING WHY IT #
644
00:27:48,933 --> 00:27:51,936
# ALL WENT WRONG #
# MAMA ALWAYS SAID #
645
00:27:52,003 --> 00:27:54,000
# IF YOU CAN'T SAY #
# SOMETHING NICE #
646
00:27:54,000 --> 00:27:54,506
# IF YOU CAN'T SAY #
# SOMETHING NICE #
647
00:27:54,572 --> 00:27:57,709
# THEN DON'T SAY ANYTHING #
# AT ALL #
648
00:27:57,776 --> 00:28:00,000
# I'VE GOT MY SIDE OF THE
STORY #
649
00:28:00,000 --> 00:28:00,979
# I'VE GOT MY SIDE OF THE
STORY #
650
00:28:01,046 --> 00:28:05,683
# AND HE'S GOT HIS SIDE, TOO #
# SO, I AIN'T GONNA GO AND #
651
00:28:05,750 --> 00:28:06,000
# TELL YOU WHAT HE DID #
# BUT I'LL TELL YOU #
652
00:28:06,000 --> 00:28:08,119
# TELL YOU WHAT HE DID #
# BUT I'LL TELL YOU #
653
00:28:08,186 --> 00:28:11,222
# WHAT HE DIDN'T DO #
# TREAT ME RIGHT #
654
00:28:11,289 --> 00:28:12,000
# PUT ME FIRST #
# BE A MAN OF HIS WORD #
655
00:28:12,000 --> 00:28:13,858
# PUT ME FIRST #
# BE A MAN OF HIS WORD #
656
00:28:13,925 --> 00:28:17,796
# STAY HOME #
# 'CAUSE HE WANTED TO #
657
00:28:17,862 --> 00:28:18,000
# ALWAYS FIGHT FOR MY LOVE #
# HOLD ON TIGHT
658
00:28:18,000 --> 00:28:20,732
# ALWAYS FIGHT FOR MY LOVE #
# HOLD ON TIGHT
659
00:28:20,799 --> 00:28:22,434
LIKE IT'S SOMETHING #
# THAT HE COULDN'T #
660
00:28:22,500 --> 00:28:24,000
# STAND TO LOSE #
# THE DEVIL'S IN THE DETAILS #
661
00:28:24,000 --> 00:28:30,000
# STAND TO LOSE #
# THE DEVIL'S IN THE DETAILS #
662
00:28:30,000 --> 00:28:30,341
# STAND TO LOSE #
# THE DEVIL'S IN THE DETAILS #
663
00:28:30,408 --> 00:28:32,677
# I WON'T TELL #
# THE HELL THAT #
664
00:28:32,744 --> 00:28:36,000
# HE PUT ME THROUGH #
# ALL I KNOW IS IN THE END #
665
00:28:36,000 --> 00:28:36,714
# HE PUT ME THROUGH #
# ALL I KNOW IS IN THE END #
666
00:28:36,781 --> 00:28:42,000
# IT WASN'T WHAT HE DID, NO #
# IT WAS WHAT HE DIDN'T DO #
667
00:28:42,000 --> 00:28:46,224
# IT WASN'T WHAT HE DID, NO #
# IT WAS WHAT HE DIDN'T DO #
668
00:28:48,026 --> 00:28:51,463
# #
# I'M ALREADY HALFWAY #
669
00:28:51,529 --> 00:28:54,000
# OVER HIM AND I AIN'T #
# TAKING TIME TO TURN AROUND #
670
00:28:54,000 --> 00:28:56,468
# OVER HIM AND I AIN'T #
# TAKING TIME TO TURN AROUND #
671
00:28:56,534 --> 00:28:59,971
# SO, I'MA TAKE THE HIGH ROAD #
# EVEN THOUGH WE BOTH KNOW #
672
00:29:00,038 --> 00:29:03,541
# I COULD RUN HIM #
# OUT OF THIS TOWN #
673
00:29:03,608 --> 00:29:06,000
# THAT'S JUST DIRTY LAUNDRY #
# I DON'T NEED #
674
00:29:06,000 --> 00:29:07,812
# THAT'S JUST DIRTY LAUNDRY #
# I DON'T NEED #
675
00:29:07,879 --> 00:29:11,282
# TO WEAR THE TRUTH #
# SO, I AIN'T GONNA TELL YOU
676
00:29:11,349 --> 00:29:12,000
EVERYTHING HE DID #
# BUT I'LL TELL YOU #
677
00:29:12,000 --> 00:29:14,319
EVERYTHING HE DID #
# BUT I'LL TELL YOU #
678
00:29:14,385 --> 00:29:17,655
# WHAT HE DIDN'T DO #
# TREAT ME RIGHT #
679
00:29:17,722 --> 00:29:18,000
# PUT ME FIRST #
# BE A MAN OF HIS WORD #
680
00:29:18,000 --> 00:29:20,258
# PUT ME FIRST #
# BE A MAN OF HIS WORD #
681
00:29:20,325 --> 00:29:23,962
# STAY HOME #
# 'CAUSE HE WANTED TO #
682
00:29:24,028 --> 00:29:26,030
# ALWAYS FIGHT FOR MY LOVE #
# HOLD ON TIGHT #
683
00:29:26,097 --> 00:29:29,067
# LIKE IT'S SOMETHING #
# THAT HE COULDN'T #
684
00:29:29,134 --> 00:29:30,000
# STAND TO LOSE #
# THE DEVIL'S IN THE DETAILS #
685
00:29:30,000 --> 00:29:32,237
# STAND TO LOSE #
# THE DEVIL'S IN THE DETAILS #
686
00:29:32,303 --> 00:29:34,539
# I WON'T TELL #
# THE HELL #
687
00:29:34,606 --> 00:29:36,000
# THAT HE PUT ME THROUGH #
# ALL I KNOW IS IN THE END #
688
00:29:36,000 --> 00:29:39,611
# THAT HE PUT ME THROUGH #
# ALL I KNOW IS IN THE END #
689
00:29:39,677 --> 00:29:42,000
# IT WASN'T WHAT HE DID, NO #
# IT WAS WHAT HE DIDN'T DO #
690
00:29:42,000 --> 00:29:48,000
# IT WASN'T WHAT HE DID, NO #
# IT WAS WHAT HE DIDN'T DO #
691
00:29:48,000 --> 00:29:50,255
# IT WASN'T WHAT HE DID, NO #
# IT WAS WHAT HE DIDN'T DO #
692
00:29:50,321 --> 00:29:54,000
# OH, YEAH #
# #
693
00:29:54,000 --> 00:29:59,164
# OH, YEAH #
# #
694
00:29:59,230 --> 00:30:00,000
# I AIN'T MET #
# THE RIGHT ONE YET #
695
00:30:00,000 --> 00:30:03,601
# I AIN'T MET #
# THE RIGHT ONE YET #
696
00:30:03,668 --> 00:30:06,000
# BUT I KNOW WHEN I DO #
# HE'LL TREAT ME RIGHT #
697
00:30:06,000 --> 00:30:08,039
# BUT I KNOW WHEN I DO #
# HE'LL TREAT ME RIGHT #
698
00:30:08,106 --> 00:30:10,942
# PUT ME FIRST #
# BE A MAN OF HIS WORD #
699
00:30:11,009 --> 00:30:12,000
# STAY HOME 'CAUSE HE WANTED
TO #
700
00:30:12,000 --> 00:30:14,179
# STAY HOME 'CAUSE HE WANTED
TO #
701
00:30:14,245 --> 00:30:17,849
# ALWAYS FIGHT FOR MY LOVE #
# HOLD ON TIGHT #
702
00:30:17,916 --> 00:30:18,000
# LIKE IT'S SOMETHING #
# THAT HE CAN'T STAND TO LOSE #
703
00:30:18,000 --> 00:30:21,586
# LIKE IT'S SOMETHING #
# THAT HE CAN'T STAND TO LOSE #
704
00:30:21,653 --> 00:30:24,000
# THE DEVIL'S IN THE DETAILS #
# I WON'T TELL #
705
00:30:24,000 --> 00:30:24,022
# THE DEVIL'S IN THE DETAILS #
# I WON'T TELL #
706
00:30:24,088 --> 00:30:28,259
# THE HELL #
# THAT HE PUT ME THROUGH #
707
00:30:28,326 --> 00:30:30,000
# ALL I KNOW IS IN THE END #
# IT WASN'T WHAT HE DID, NO #
708
00:30:30,000 --> 00:30:31,462
# ALL I KNOW IS IN THE END #
# IT WASN'T WHAT HE DID, NO #
709
00:30:31,529 --> 00:30:36,000
# IT WAS WHAT HE DIDN'T DO #
# ALL I KNOW IS IN THE END #
710
00:30:36,000 --> 00:30:37,702
# IT WAS WHAT HE DIDN'T DO #
# ALL I KNOW IS IN THE END #
711
00:30:37,769 --> 00:30:39,771
# IT WASN'T WHAT HE DID, NO #
# IT WAS WHAT HE DIDN'T DO #
712
00:30:52,050 --> 00:30:52,984
[CHEERS AND APPLAUSE]
>> WHAT'S UP, CMT FANS!
713
00:30:53,051 --> 00:30:53,885
I'M CODY ALAN.
714
00:30:53,952 --> 00:30:54,000
CHECK THIS PLACE OUT.
715
00:30:54,000 --> 00:30:55,987
CHECK THIS PLACE OUT.
716
00:30:56,054 --> 00:30:58,256
I'M HERE IN THE SOLITAIRE GRAND
HARVEST GAME LOUNGE AND IT'S
717
00:30:58,323 --> 00:31:00,000
TAKING PLACE BACKSTAGE
TO EXPERIENCE
718
00:31:00,000 --> 00:31:01,459
TAKING PLACE BACKSTAGE
TO EXPERIENCE
719
00:31:01,526 --> 00:31:02,594
TO A WHOLE NEW LEVEL.
720
00:31:02,660 --> 00:31:03,528
IT'S SET UP SO THAT ALL THE
STARS HERE TONIGHT GET TO DO
721
00:31:03,595 --> 00:31:06,000
WHAT THEY DO BEST.
722
00:31:06,000 --> 00:31:07,932
WHAT THEY DO BEST.
723
00:31:07,999 --> 00:31:09,133
THAT IS PLAY.
724
00:31:09,200 --> 00:31:12,000
BECAUSE EVERYONE NEEDS TO CUT
LOOSE, KICK BACK AND HAVE SOME
725
00:31:12,000 --> 00:31:12,937
BECAUSE EVERYONE NEEDS TO CUT
LOOSE, KICK BACK AND HAVE SOME
726
00:31:13,004 --> 00:31:14,072
FUN.
727
00:31:14,138 --> 00:31:16,474
AND FANS AT HOME CAN GET IN ON
THE ACTION TONIGHT.
728
00:31:16,541 --> 00:31:18,000
SCAN THE QR CODE BELOW TO SEE
WHAT IT'S LIKE TO HAVE YOUR OWN
729
00:31:18,000 --> 00:31:18,743
SCAN THE QR CODE BELOW TO SEE
WHAT IT'S LIKE TO HAVE YOUR OWN
730
00:31:18,810 --> 00:31:21,846
WINNING MOMENT.
731
00:31:21,913 --> 00:31:22,247
HEY!
732
00:31:22,313 --> 00:31:22,947
DUSTIN LYNCH!
733
00:31:23,014 --> 00:31:24,000
IS IT MY TURN YET?
734
00:31:24,000 --> 00:31:26,084
IS IT MY TURN YET?
735
00:31:26,150 --> 00:31:29,854
>> WE'LL BE BACK A LITTLE LATER.
736
00:31:29,921 --> 00:31:30,000
>> STILL O COME,
MALE AND FEMALE BREAKTHROUGH
737
00:31:30,000 --> 00:31:33,091
>> STILL O COME,
MALE AND FEMALE BREAKTHROUGH
738
00:31:33,157 --> 00:31:36,000
VIDEO OF THE YEAR, PERFORMANCES
FROM LAINEY WILSON
739
00:31:36,000 --> 00:31:37,095
VIDEO OF THE YEAR, PERFORMANCES
FROM LAINEY WILSON
740
00:31:37,161 --> 00:31:38,229
AND CARRIE UNDERWOOD, AND A
SPECIAL COLLABORATION FROM
741
00:31:38,296 --> 00:31:41,966
WYNONNA JUDD AND
ASHLEY McBRYDE.
742
00:31:42,033 --> 00:31:43,735
BE SURE TO CAST YOUR VOTE ON
THE CMT MUSIC AWARDS FACEBOOK
743
00:31:43,801 --> 00:31:48,000
PAGE, VOTING PRESENTED BY
RAM TRUCKS.
744
00:31:48,000 --> 00:31:49,107
PAGE, VOTING PRESENTED BY
RAM TRUCKS.
745
00:31:49,173 --> 00:31:50,975
THE CMT MUSIC
AWARDS CONTINUES
746
00:31:51,042 --> 00:31:52,443
LIVE FROM AUSTIN, TEXAS.
747
00:31:52,510 --> 00:31:53,511
THIS IS CBS.
748
00:31:57,048 --> 00:31:59,217
>> THE 2023 CMT MUSIC AWARDS
SPONSORED BY
749
00:31:59,284 --> 00:32:00,000
SOLITAIRE GRAND HARVEST.
750
00:32:00,000 --> 00:32:01,919
SOLITAIRE GRAND HARVEST.
751
00:32:01,986 --> 00:32:02,587
REINVENTING NOSTALGIC FUN!
752
00:32:02,654 --> 00:32:04,656
DOWNLOAD FOR FREE NOW.
753
00:32:41,326 --> 00:32:42,000
# #
>> KELSEA AND I LOVE NASHVILLE.
754
00:32:42,000 --> 00:32:43,261
# #
>> KELSEA AND I LOVE NASHVILLE.
755
00:32:43,328 --> 00:32:44,962
BUT GETTING TO HANG OUT IN
AUSTIN THIS WEEK HAS BEEN PRETTY
756
00:32:45,029 --> 00:32:47,965
COOL.
757
00:32:48,032 --> 00:32:50,968
WE LOVE HOT CHICKEN IN
NASHVILLE, BUT YOU GUYS ARE
758
00:32:51,035 --> 00:32:52,804
CRAZY ABOUT BARBECUE.
759
00:32:52,870 --> 00:32:54,000
LIKE, I SMELL BRISKET
EVERYWHERE.
760
00:32:54,000 --> 00:32:57,241
LIKE, I SMELL BRISKET
EVERYWHERE.
761
00:32:57,308 --> 00:32:58,843
KANE, WHERE'D YOU GET THAT?
762
00:32:58,910 --> 00:33:00,000
>> MY POCKET.
763
00:33:00,000 --> 00:33:06,000
>> MY POCKET.
764
00:33:06,000 --> 00:33:08,886
>> MY POCKET.
765
00:33:08,953 --> 00:33:09,787
>> YOU WANT SOME?
766
00:33:09,854 --> 00:33:12,000
>> THAT'S A PASS
ON POCKET BRISKET, THANKS.
767
00:33:12,000 --> 00:33:13,758
>> THAT'S A PASS
ON POCKET BRISKET, THANKS.
768
00:33:13,825 --> 00:33:15,293
>> RIGHT NOW WE'VE GOT ANOTHER
GENUINE TEXAN HERE TO PRESENT
769
00:33:15,360 --> 00:33:18,000
THE NEXT AWARD.
770
00:33:18,000 --> 00:33:18,763
THE NEXT AWARD.
771
00:33:18,830 --> 00:33:19,764
HE WON BREAKTHROUGH VIDEO OF THE
YEAR IN 2022.
772
00:33:19,831 --> 00:33:21,833
>> HERE IS PARKER McCOLLUM!
773
00:33:34,846 --> 00:33:36,000
>> WHAT'S UP, AUSTIN?
774
00:33:36,000 --> 00:33:37,749
>> WHAT'S UP, AUSTIN?
775
00:33:37,815 --> 00:33:42,000
WINNING THIS CATEGORY
WINNING THIS CATEGORY
776
00:33:42,000 --> 00:33:43,087
WINNING THIS CATEGORY
WINNING THIS CATEGORY
777
00:33:43,154 --> 00:33:46,424
LAST YEAR WAS A HIGHLIGHT
SHARE THAT FEELING
778
00:33:46,491 --> 00:33:47,191
WITH TONIGHT'S WINNERS.
779
00:33:47,258 --> 00:33:48,000
SO HOW 'BOUT WE GET RIGHT TO IT.
780
00:33:48,000 --> 00:33:49,193
SO HOW 'BOUT WE GET RIGHT TO IT.
781
00:33:49,260 --> 00:33:51,763
FIRST UP,
HERE ARE THE NOMINEES FOR
782
00:33:51,829 --> 00:33:54,000
BREAKTHROUGH FEMALE VIDEO
OF THE YEAR.
783
00:33:54,000 --> 00:33:59,237
BREAKTHROUGH FEMALE VIDEO
OF THE YEAR.
784
00:33:59,303 --> 00:34:00,000
"NARCISSIST"
AVERY ANNA.
785
00:34:00,000 --> 00:34:01,906
"NARCISSIST"
AVERY ANNA.
786
00:34:01,973 --> 00:34:05,977
"IF HE WANTED TO HE COULD"
KYLIE MORGAN,
787
00:34:06,043 --> 00:34:06,744
"PICKUP"
MACKENZIE PORTER,
788
00:34:06,811 --> 00:34:10,615
"TENNESSEE ORANGE"
MEGAN MORONEY,
789
00:34:10,681 --> 00:34:12,000
MORGAN WADE,
"WILDER DAYS"
790
00:34:12,000 --> 00:34:13,484
MORGAN WADE,
"WILDER DAYS"
791
00:34:13,551 --> 00:34:18,000
"FOUND IT IN YOU"
TIERA KENNEDY.
792
00:34:18,000 --> 00:34:23,995
"FOUND IT IN YOU"
TIERA KENNEDY.
793
00:34:24,061 --> 00:34:27,265
>> AND THE WINNER IS...
794
00:34:27,331 --> 00:34:30,000
MEGAN MORONEY,
"TENNESSEE ORANGE."
795
00:34:30,000 --> 00:34:36,000
MEGAN MORONEY,
"TENNESSEE ORANGE."
796
00:34:36,000 --> 00:34:37,575
MEGAN MORONEY,
"TENNESSEE ORANGE."
797
00:34:37,642 --> 00:34:41,546
>> # I MET SOMEBODY #
# HE'S GOT BLUE EYES #
798
00:34:41,612 --> 00:34:42,000
# HE OPENS THE DOOR #
# HE'S GOT THE DOING THINGS I'VE
799
00:34:42,000 --> 00:34:48,000
# HE OPENS THE DOOR #
# HE'S GOT THE DOING THINGS I'VE
800
00:34:48,000 --> 00:34:49,454
# HE OPENS THE DOOR #
# HE'S GOT THE DOING THINGS I'VE
801
00:34:49,520 --> 00:34:54,000
NEVER DONE #
# IN GEORGIA, THEY CALL IT A
802
00:34:54,000 --> 00:34:55,226
NEVER DONE #
# IN GEORGIA, THEY CALL IT A
803
00:34:55,293 --> 00:34:59,931
SIN #
>> WHAT?
804
00:34:59,997 --> 00:35:00,000
OH, MY GOD.
805
00:35:00,000 --> 00:35:01,132
OH, MY GOD.
806
00:35:01,199 --> 00:35:03,334
WHAT IS GOING ON?
807
00:35:03,401 --> 00:35:05,603
THANK YOU, CMT, SO MUCH.
808
00:35:05,670 --> 00:35:06,000
THANK YOU TO MY FANS.
809
00:35:06,000 --> 00:35:06,537
THANK YOU TO MY FANS.
810
00:35:06,604 --> 00:35:12,000
I WOULDN'T BE APPEAR IF IT
WASN'T FOR Y'ALL.
811
00:35:12,000 --> 00:35:12,543
I WOULDN'T BE APPEAR IF IT
WASN'T FOR Y'ALL.
812
00:35:12,610 --> 00:35:14,745
THANK YOU TO THE INCREDIBLE
VIDEO TEAM AT COLUMBIA FOR
813
00:35:14,812 --> 00:35:18,000
PUTTING THIS TOGETHER THE DAY
THANK YOU TO THE DIRECTOR, JASON
814
00:35:18,000 --> 00:35:20,985
PUTTING THIS TOGETHER THE DAY
THANK YOU TO THE DIRECTOR, JASON
815
00:35:21,052 --> 00:35:24,000
LESTER, FOR REALLY BRINGING MY
IDEAS TO LIFE IN THIS VIDEO.
816
00:35:24,000 --> 00:35:24,856
LESTER, FOR REALLY BRINGING MY
IDEAS TO LIFE IN THIS VIDEO.
817
00:35:24,922 --> 00:35:28,793
I ALSO WANT TO THANK MY PARENTS,
ESPECIALLY MY MOM.
818
00:35:28,860 --> 00:35:30,000
BECAUSE MY FLIGHT GOT CANCELED
THE NIGHT BEFORE ENCHANTED DRIVE
819
00:35:30,000 --> 00:35:32,296
BECAUSE MY FLIGHT GOT CANCELED
THE NIGHT BEFORE ENCHANTED DRIVE
820
00:35:32,363 --> 00:35:36,000
ME THROUGH THE NIGHT TO
NASHVILLE.
821
00:35:36,000 --> 00:35:38,536
ME THROUGH THE NIGHT TO
NASHVILLE.
822
00:35:38,603 --> 00:35:39,403
SO THANK YOU, MOM.
823
00:35:39,470 --> 00:35:42,000
I LOVE YOU SO MUCH.
824
00:35:42,000 --> 00:35:43,407
I LOVE YOU SO MUCH.
825
00:35:43,474 --> 00:35:45,443
THANK YOU, CMT.
826
00:35:45,510 --> 00:35:48,000
A HOLY CRAP
827
00:35:48,000 --> 00:35:48,112
A HOLY CRAP
828
00:35:51,549 --> 00:35:52,950
>> AND NOW, HERE ARE THE
NOMINEES FOR BREAKTHROUGH MALE
829
00:35:53,017 --> 00:35:54,000
VIDEO OF THE YEAR.
830
00:35:54,000 --> 00:35:55,019
VIDEO OF THE YEAR.
831
00:36:00,391 --> 00:36:02,326
>> "FALL IN LOVE"
BAILEY ZIMMERMAN,
832
00:36:02,393 --> 00:36:04,862
"WILD AS HER"
COREY KENT,
833
00:36:04,929 --> 00:36:05,763
"SOUNDS LIKE
SOMETHING I'D DO"
834
00:36:05,830 --> 00:36:06,000
DRAKE MILLIGAN,
"DON'T COME LOOKIN'"
835
00:36:06,000 --> 00:36:07,098
DRAKE MILLIGAN,
"DON'T COME LOOKIN'"
836
00:36:07,164 --> 00:36:11,369
JACKSON DEAN,
"SON OF A SINNER"
837
00:36:11,435 --> 00:36:12,000
JELLY ROLL,
"WHISKEY ON YOU"
838
00:36:12,000 --> 00:36:15,806
JELLY ROLL,
"WHISKEY ON YOU"
839
00:36:15,873 --> 00:36:18,000
NATE SMITH,
>> AND THE WINNER IS...
840
00:36:18,000 --> 00:36:24,000
NATE SMITH,
>> AND THE WINNER IS...
841
00:36:24,000 --> 00:36:25,149
NATE SMITH,
>> AND THE WINNER IS...
842
00:36:25,216 --> 00:36:30,000
JELLY ROLL!
843
00:36:30,000 --> 00:36:36,000
JELLY ROLL!
844
00:36:36,000 --> 00:36:40,097
JELLY ROLL!
845
00:36:40,164 --> 00:36:42,000
JELLY ROLL!
846
00:36:42,000 --> 00:36:43,067
JELLY ROLL!
847
00:36:58,416 --> 00:37:00,000
[CHEERS AND APPLAUSE]
>> THEY LET A LOSER WIN TONIGHT,
848
00:37:00,000 --> 00:37:06,000
[CHEERS AND APPLAUSE]
>> THEY LET A LOSER WIN TONIGHT,
849
00:37:06,000 --> 00:37:12,000
[CHEERS AND APPLAUSE]
>> THEY LET A LOSER WIN TONIGHT,
850
00:37:12,000 --> 00:37:13,297
[CHEERS AND APPLAUSE]
>> THEY LET A LOSER WIN TONIGHT,
851
00:37:13,364 --> 00:37:13,598
[CHEERS AND APPLAUSE]
>> THEY LET A LOSER WIN TONIGHT,
852
00:37:13,664 --> 00:37:14,732
BABY!
853
00:37:14,799 --> 00:37:18,000
THEY LET A LOSER WIN TO MY
CREDIT WANT TO THANK MY RECORD
854
00:37:18,000 --> 00:37:18,402
THEY LET A LOSER WIN TO MY
CREDIT WANT TO THANK MY RECORD
855
00:37:18,469 --> 00:37:24,000
LABEL, MY MANAGEMENT, MY
BEAUTIFUL WIFE.
856
00:37:24,000 --> 00:37:24,976
LABEL, MY MANAGEMENT, MY
BEAUTIFUL WIFE.
857
00:37:25,042 --> 00:37:28,546
THIS IS MORE THAN AN AWARD.
858
00:37:28,613 --> 00:37:30,000
IT'S FOR THE FANS.
859
00:37:30,000 --> 00:37:33,684
IT'S FOR THE FANS.
860
00:37:33,751 --> 00:37:35,653
THE ONLY FANS VOTING AWARD SHOW
IN AMERICA.
861
00:37:35,720 --> 00:37:36,000
THIS IS FOR TH UNDERDOGS, BABY!
862
00:37:36,000 --> 00:37:39,824
THIS IS FOR TH UNDERDOGS, BABY!
863
00:37:39,890 --> 00:37:42,000
THIS IS FOR THE LOSERS AND THE
HAVE-NOTS.
864
00:37:42,000 --> 00:37:42,426
THIS IS FOR THE LOSERS AND THE
HAVE-NOTS.
865
00:37:42,493 --> 00:37:45,329
GOD TAKES THE IMPOSSIBLE AND
MAKES IT LOOK SMALL.
866
00:37:45,396 --> 00:37:48,000
LET'S GO, BABY!
867
00:37:48,000 --> 00:37:53,137
LET'S GO, BABY!
868
00:37:53,204 --> 00:37:54,000
>> CMT HAS ALWAYS BROUGHT FANS
THEIR FAVORITE MUSIC WITH THE
869
00:37:54,000 --> 00:37:57,675
>> CMT HAS ALWAYS BROUGHT FANS
THEIR FAVORITE MUSIC WITH THE
870
00:37:57,742 --> 00:38:00,000
FLAGSHIP SHOW "CMT CROSSROADS"
AND NOW, WITH ALL NEW EPISODES
871
00:38:00,000 --> 00:38:00,978
FLAGSHIP SHOW "CMT CROSSROADS"
AND NOW, WITH ALL NEW EPISODES
872
00:38:01,045 --> 00:38:04,148
OF THE LEGENDARY SERIES
"STORYTELLERS."
873
00:38:04,215 --> 00:38:06,000
SINCE A PARAMOUNT+
SUBSCRIPTION IS NOW INCLUDED
874
00:38:06,000 --> 00:38:07,051
SINCE A PARAMOUNT+
SUBSCRIPTION IS NOW INCLUDED
875
00:38:07,118 --> 00:38:12,000
WITH A WALMART PLUS MEMBERSHIP,
AT NO ADDITIONAL COST, MEMBERS
876
00:38:12,000 --> 00:38:12,556
WITH A WALMART PLUS MEMBERSHIP,
AT NO ADDITIONAL COST, MEMBERS
877
00:38:12,623 --> 00:38:16,694
CAN STREAM THOSE SHOWS AND GREAT
MUSIC DOCUMENTARIES LIKE
878
00:38:16,761 --> 00:38:18,000
"KACEY MUSGRAVES: STAR CROSSED"
"THE MARFA TAPES,"
879
00:38:18,000 --> 00:38:19,730
"KACEY MUSGRAVES: STAR CROSSED"
"THE MARFA TAPES,"
880
00:38:19,797 --> 00:38:21,899
AND THE UPCOMING
"WYNONNA JUDD:
881
00:38:21,966 --> 00:38:24,000
BETWEEN HELL AND HALLELUJAH."
882
00:38:24,000 --> 00:38:25,169
BETWEEN HELL AND HALLELUJAH."
883
00:38:25,236 --> 00:38:30,000
PLUS, HIT ORIGINAL SERIES LIKE
THE "YELLOWSTONE" ORIGIN STORIES
884
00:38:30,000 --> 00:38:32,343
PLUS, HIT ORIGINAL SERIES LIKE
THE "YELLOWSTONE" ORIGIN STORIES
885
00:38:32,410 --> 00:38:33,611
"1883" AND "1923,"
"TULSA KING,"
886
00:38:33,678 --> 00:38:35,046
"RABBIT HOLE,"
"JOE PICKETT," AND COMING SOON,
887
00:38:35,112 --> 00:38:36,000
"GREASE:
RISE OF THE PINK LADIES."
888
00:38:36,000 --> 00:38:38,582
"GREASE:
RISE OF THE PINK LADIES."
889
00:38:38,649 --> 00:38:42,000
ALL THIS AND MORE,
STREAMING ON PARAMOUNT+.
890
00:38:42,000 --> 00:38:46,290
ALL THIS AND MORE,
STREAMING ON PARAMOUNT+.
891
00:38:46,357 --> 00:38:48,000
I WAS SO HONORED TO JOIN THE
JUDDS FINAL TOUR AND WITNESS OUR
892
00:38:48,000 --> 00:38:48,693
I WAS SO HONORED TO JOIN THE
JUDDS FINAL TOUR AND WITNESS OUR
893
00:38:48,759 --> 00:38:54,000
ARTIST COMMUNITY COME TOGETHER
IN SUPPORT OF MISS WYNONNA JUDD.
894
00:38:54,000 --> 00:38:55,599
ARTIST COMMUNITY COME TOGETHER
IN SUPPORT OF MISS WYNONNA JUDD.
895
00:38:55,666 --> 00:38:58,202
THAT JOURNEY IS CAPTURED IN THE
SPECIAL "CMT PRESENTS THE JUDDS:
896
00:38:58,269 --> 00:39:00,000
LOVE IS ALIVE:
THE FINAL CONCERT" THAT WILL
897
00:39:00,000 --> 00:39:01,338
LOVE IS ALIVE:
THE FINAL CONCERT" THAT WILL
898
00:39:01,405 --> 00:39:05,776
PREMIERE ON APRIL 29TH ON CMT.
899
00:39:05,843 --> 00:39:06,000
OH, MY GOSH, YOU GUYS!
900
00:39:06,000 --> 00:39:07,878
OH, MY GOSH, YOU GUYS!
901
00:39:07,945 --> 00:39:09,914
SHE IS HERE NOW.
902
00:39:09,980 --> 00:39:12,000
WITH ANOTHER GREAT ARTIST WHO
JOINED HER THAT HISTORIC NIGHT,
903
00:39:12,000 --> 00:39:12,817
WITH ANOTHER GREAT ARTIST WHO
JOINED HER THAT HISTORIC NIGHT,
904
00:39:12,883 --> 00:39:14,785
PERFORMING ONE OF WYNONNA'S
FAVORITE SONGS FROM THE '80s.
905
00:39:14,852 --> 00:39:18,000
FOREIGNER'S CLASSIC
"I WANT TO KNOW WHAT LOVE IS."
906
00:39:18,000 --> 00:39:23,494
FOREIGNER'S CLASSIC
"I WANT TO KNOW WHAT LOVE IS."
907
00:39:23,561 --> 00:39:24,000
YOU ARE IN FOR SUCH A TREAT.
908
00:39:24,000 --> 00:39:24,762
YOU ARE IN FOR SUCH A TREAT.
909
00:39:24,829 --> 00:39:30,000
PLEASE WELCOME WYNONNA JUDD
AND ASHLEY McBRYDE!
910
00:39:30,000 --> 00:39:30,968
PLEASE WELCOME WYNONNA JUDD
AND ASHLEY McBRYDE!
911
00:39:32,503 --> 00:39:36,000
# I'VE GOTTA TAKE #
# A LITTLE TIME #
912
00:39:36,000 --> 00:39:40,277
# I'VE GOTTA TAKE #
# A LITTLE TIME #
913
00:39:40,344 --> 00:39:42,000
# A LITTLE TIME #
# TO THINK THINGS OVER #
914
00:39:42,000 --> 00:39:48,000
# A LITTLE TIME #
# TO THINK THINGS OVER #
915
00:39:48,000 --> 00:39:54,000
# A LITTLE TIME #
# TO THINK THINGS OVER #
916
00:39:54,000 --> 00:39:55,226
# A LITTLE TIME #
# TO THINK THINGS OVER #
917
00:39:55,292 --> 00:39:55,760
# A LITTLE TIME #
# TO THINK THINGS OVER #
918
00:39:58,362 --> 00:40:00,000
# #
# I BETTER #
919
00:40:00,000 --> 00:40:00,765
# #
# I BETTER #
920
00:40:00,831 --> 00:40:05,703
# READ BETWEEN THE LINES #
# IN CASE I NEED IT #
921
00:40:05,770 --> 00:40:06,000
# WHEN I'M OLDER #
# OOH #
922
00:40:06,000 --> 00:40:12,000
# WHEN I'M OLDER #
# OOH #
923
00:40:12,000 --> 00:40:17,081
# WHEN I'M OLDER #
# OOH #
924
00:40:17,148 --> 00:40:18,000
# THIS MOUNTAIN #
# I MUST CLIMB #
925
00:40:18,000 --> 00:40:24,000
# THIS MOUNTAIN #
# I MUST CLIMB #
926
00:40:24,000 --> 00:40:26,690
# THIS MOUNTAIN #
# I MUST CLIMB #
927
00:40:26,757 --> 00:40:30,000
# IT FEELS LIKE THE WORLD'S #
# UPON MY SHOULDERS #
928
00:40:30,000 --> 00:40:32,730
# IT FEELS LIKE THE WORLD'S #
# UPON MY SHOULDERS #
929
00:40:32,797 --> 00:40:34,665
# BUT THROUGH THOSE CLOUDS #
# I SEE LOVE SHINE #
930
00:40:34,732 --> 00:40:36,000
# IT KEEPS ME WARM #
# AS LIFE GROWS COLDER #
931
00:40:36,000 --> 00:40:42,000
# IT KEEPS ME WARM #
# AS LIFE GROWS COLDER #
932
00:40:42,000 --> 00:40:42,406
# IT KEEPS ME WARM #
# AS LIFE GROWS COLDER #
933
00:40:42,473 --> 00:40:46,477
# IN MY LIFE #
# OH, THERE'S BEEN HEARTACHE #
934
00:40:46,544 --> 00:40:48,000
# AND PAIN #
# I DON'T KNOW #
935
00:40:48,000 --> 00:40:51,882
# AND PAIN #
# I DON'T KNOW #
936
00:40:51,949 --> 00:40:54,000
# IF I CAN FACE IT AGAIN #
# AND I CAN'T STOP NOW #
937
00:40:54,000 --> 00:40:58,923
# IF I CAN FACE IT AGAIN #
# AND I CAN'T STOP NOW #
938
00:40:58,989 --> 00:41:00,000
# 'CAUSE I'VE TRAVELED SO FAR #
# TO CHANGE THIS LONELY LIFE #
939
00:41:00,000 --> 00:41:06,000
# 'CAUSE I'VE TRAVELED SO FAR #
# TO CHANGE THIS LONELY LIFE #
940
00:41:06,000 --> 00:41:12,000
# 'CAUSE I'VE TRAVELED SO FAR #
# TO CHANGE THIS LONELY LIFE #
941
00:41:12,000 --> 00:41:12,102
# 'CAUSE I'VE TRAVELED SO FAR #
# TO CHANGE THIS LONELY LIFE #
942
00:41:12,169 --> 00:41:15,039
>> # I WANT TO KNOW
WHAT LOVE IS #
943
00:41:15,105 --> 00:41:18,000
# OH, I WANT YOU TO SHOW ME #
# I WANT TO FEEL WHAT LOVE IS #
944
00:41:18,000 --> 00:41:24,000
# OH, I WANT YOU TO SHOW ME #
# I WANT TO FEEL WHAT LOVE IS #
945
00:41:24,000 --> 00:41:26,951
# OH, I WANT YOU TO SHOW ME #
# I WANT TO FEEL WHAT LOVE IS #
946
00:41:27,017 --> 00:41:30,000
# OH, YES, I KNOW
I WANT YOU TO SHOW ME #
947
00:41:30,000 --> 00:41:36,000
# OH, YES, I KNOW
I WANT YOU TO SHOW ME #
948
00:41:36,000 --> 00:41:37,561
# OH, YES, I KNOW
I WANT YOU TO SHOW ME #
949
00:41:37,628 --> 00:41:42,000
# YEAH! #
# GONNA TAKE A LITTLE TIME #
950
00:41:42,000 --> 00:41:46,470
# YEAH! #
# GONNA TAKE A LITTLE TIME #
951
00:41:46,537 --> 00:41:48,000
# A LITTLE TIME #
# TO LOOK AROUND ME #
952
00:41:48,000 --> 00:41:53,510
# A LITTLE TIME #
# TO LOOK AROUND ME #
953
00:41:53,577 --> 00:41:54,000
# I'VE GOT NOWHERE #
# LEFT TO HIDE #
954
00:41:54,000 --> 00:41:58,849
# I'VE GOT NOWHERE #
# LEFT TO HIDE #
955
00:41:58,916 --> 00:42:00,000
# LOOKS LIKE LOVE #
# HAS FINALLY FOUND ME #
956
00:42:00,000 --> 00:42:04,221
# LOOKS LIKE LOVE #
# HAS FINALLY FOUND ME #
957
00:42:04,288 --> 00:42:06,000
# IN MY LIFE #
# THERE'S BEEN HEARTACHE #
958
00:42:06,000 --> 00:42:09,793
# IN MY LIFE #
# THERE'S BEEN HEARTACHE #
959
00:42:09,860 --> 00:42:12,000
# AND PAIN #
# I DON'T KNOW #
960
00:42:12,000 --> 00:42:13,597
# AND PAIN #
# I DON'T KNOW #
961
00:42:13,664 --> 00:42:18,000
# IF I CAN FACE IT AGAIN #
# AND I CAN'T STOP NOW #
962
00:42:18,000 --> 00:42:20,704
# IF I CAN FACE IT AGAIN #
# AND I CAN'T STOP NOW #
963
00:42:20,771 --> 00:42:24,000
# 'CAUSE I'VE TRAVELED TOO FAR #
# TO CHANGE THIS LONELY LIFE #
964
00:42:24,000 --> 00:42:30,000
# 'CAUSE I'VE TRAVELED TOO FAR #
# TO CHANGE THIS LONELY LIFE #
965
00:42:30,000 --> 00:42:30,214
# 'CAUSE I'VE TRAVELED TOO FAR #
# TO CHANGE THIS LONELY LIFE #
966
00:42:30,281 --> 00:42:36,000
# I WANT TO KNOW WHAT LOVE IS #
# I WANT YOU TO SHOW ME #
967
00:42:36,000 --> 00:42:42,000
# I WANT TO KNOW WHAT LOVE IS #
# I WANT YOU TO SHOW ME #
968
00:42:42,000 --> 00:42:42,626
# I WANT TO KNOW WHAT LOVE IS #
# I WANT YOU TO SHOW ME #
969
00:42:42,693 --> 00:42:48,000
# I WANT TO FEEL WHAT LOVE IS #
TALKIN' ABOUT LOVE THAT YOU
970
00:42:48,000 --> 00:42:52,236
# I WANT TO FEEL WHAT LOVE IS #
TALKIN' ABOUT LOVE THAT YOU
971
00:42:52,303 --> 00:42:54,000
FEEL INSIDE #
# I KNOW YOU CAN SHOW ME #
972
00:42:54,000 --> 00:43:00,000
FEEL INSIDE #
# I KNOW YOU CAN SHOW ME #
973
00:43:00,000 --> 00:43:03,314
FEEL INSIDE #
# I KNOW YOU CAN SHOW ME #
974
00:43:03,380 --> 00:43:06,000
MAMA, YOU NEED TO HERE TONIGHT
I MISS YOU AND I LOVE YOU
975
00:43:06,000 --> 00:43:10,988
MAMA, YOU NEED TO HERE TONIGHT
I MISS YOU AND I LOVE YOU
976
00:43:11,055 --> 00:43:12,000
# I WANT TO KNOW WHAT LOVE IS #
# I WANT TO KNOW WHAT LOVE IS #
977
00:43:12,000 --> 00:43:18,000
# I WANT TO KNOW WHAT LOVE IS #
# I WANT TO KNOW WHAT LOVE IS #
978
00:43:18,000 --> 00:43:20,531
# I WANT TO KNOW WHAT LOVE IS #
# I WANT TO KNOW WHAT LOVE IS #
979
00:43:20,597 --> 00:43:24,000
# I KNOW YOU CAN SHOW ME #
# YEAH! #
980
00:43:24,000 --> 00:43:30,000
# I KNOW YOU CAN SHOW ME #
# YEAH! #
981
00:43:30,000 --> 00:43:35,479
# I KNOW YOU CAN SHOW ME #
# YEAH! #
982
00:43:35,546 --> 00:43:36,000
# I KNOW YOU CAN SHOW ME #
# YEAH! #
983
00:43:36,000 --> 00:43:40,284
# I KNOW YOU CAN SHOW ME #
# YEAH! #
984
00:43:40,351 --> 00:43:42,000
# YEAH #
[CHEERS AND APPLAUSE]
985
00:43:42,000 --> 00:43:42,353
# YEAH #
[CHEERS AND APPLAUSE]
986
00:43:52,763 --> 00:43:54,000
>> GET READY TO ROCK ON THE
STREETS OF AUSTIN WITH
987
00:43:54,000 --> 00:43:55,366
>> GET READY TO ROCK ON THE
STREETS OF AUSTIN WITH
988
00:43:55,432 --> 00:43:58,969
KEITH URBAN AND MORE
PERFORMANCES, INCLUDING
989
00:43:59,036 --> 00:44:00,000
ALANIS MORRISETTE,
THE BLACK CROWES AND DARIUS
990
00:44:00,000 --> 00:44:00,938
ALANIS MORRISETTE,
THE BLACK CROWES AND DARIUS
991
00:44:01,005 --> 00:44:02,373
RUCKER.
992
00:44:02,439 --> 00:44:06,000
PLUS, SHANIA TWAIN RECEIVES
THE CMT EQUAL PLAY AWARD.
993
00:44:06,000 --> 00:44:06,210
PLUS, SHANIA TWAIN RECEIVES
THE CMT EQUAL PLAY AWARD.
994
00:44:06,276 --> 00:44:10,180
WE'RE LIVE BEHIND THE SCENES
OF THE CMT MUSIC AWARDS!
995
00:44:10,247 --> 00:44:12,000
CHECK IT OUT ON YOUTUBE NOW.
996
00:44:12,000 --> 00:44:13,350
CHECK IT OUT ON YOUTUBE NOW.
997
00:44:13,417 --> 00:44:13,917
THIS IS CBS.
998
00:44:19,990 --> 00:44:20,924
>> PLEASE WELCOME THREE-TIME
GRAMMY WINNER
999
00:44:20,991 --> 00:44:24,000
MEGAN THEE STALLION.
1000
00:44:24,000 --> 00:44:25,095
MEGAN THEE STALLION.
1001
00:44:25,162 --> 00:44:30,000
[CHEERS AND APPLAUSE]
>> OKAY!
1002
00:44:30,000 --> 00:44:36,000
[CHEERS AND APPLAUSE]
>> OKAY!
1003
00:44:36,000 --> 00:44:40,044
[CHEERS AND APPLAUSE]
>> OKAY!
1004
00:44:40,110 --> 00:44:41,078
[CHEERS AND APPLAUSE]
>> OKAY!
1005
00:44:41,145 --> 00:44:42,000
[CHEERING]
OKAY, Y'ALL LET ME SAY IT.
1006
00:44:42,000 --> 00:44:48,000
[CHEERING]
OKAY, Y'ALL LET ME SAY IT.
1007
00:44:48,000 --> 00:44:49,953
[CHEERING]
OKAY, Y'ALL LET ME SAY IT.
1008
00:44:50,020 --> 00:44:54,000
Y'ALL MAKING ME FEEL TOO GOOD.
1009
00:44:54,000 --> 00:44:56,960
Y'ALL MAKING ME FEEL TOO GOOD.
1010
00:44:57,027 --> 00:45:00,000
CMT HAS BEEN A LEADER IN THE
FIGHT FOR DIVERSITY AND
1011
00:45:00,000 --> 00:45:00,964
CMT HAS BEEN A LEADER IN THE
FIGHT FOR DIVERSITY AND
1012
00:45:01,031 --> 00:45:06,000
INCLUSION IN COUNTRY MUSIC FOR
THE PAST DECADE, WITH
1013
00:45:06,000 --> 00:45:06,737
INCLUSION IN COUNTRY MUSIC FOR
THE PAST DECADE, WITH
1014
00:45:06,804 --> 00:45:09,273
INITIATIVES LIKE NEXT WOMEN OF
COUNTRY AND CMT EQUAL PLAY
1015
00:45:09,339 --> 00:45:12,000
AND EQUAL ACCESS.
1016
00:45:12,000 --> 00:45:12,109
AND EQUAL ACCESS.
1017
00:45:12,176 --> 00:45:15,179
THE CMT EQUAL PLAY AWARD
RECOGNIZES TRAILBLAZERS WHO USE
1018
00:45:15,245 --> 00:45:18,000
THEIR PLATFORM TO BREAK
BARRIERS, SPEAK OUT AGAINST
1019
00:45:18,000 --> 00:45:19,216
THEIR PLATFORM TO BREAK
BARRIERS, SPEAK OUT AGAINST
1020
00:45:19,283 --> 00:45:24,000
INJUSTICES, AND CHALLENGE
THE STATUS QUO.
1021
00:45:24,000 --> 00:45:27,825
INJUSTICES, AND CHALLENGE
THE STATUS QUO.
1022
00:45:27,891 --> 00:45:30,000
[CHEERING]
THIS YEAR, WE ARE RECOGNIZING
1023
00:45:30,000 --> 00:45:30,427
[CHEERING]
THIS YEAR, WE ARE RECOGNIZING
1024
00:45:30,494 --> 00:45:36,000
THE INCREDIBLE SHANIA TWAIN!
1025
00:45:36,000 --> 00:45:37,601
THE INCREDIBLE SHANIA TWAIN!
1026
00:45:37,668 --> 00:45:42,000
UH-HUH!
1027
00:45:42,000 --> 00:45:43,073
UH-HUH!
1028
00:45:43,140 --> 00:45:45,275
SHANIA TWAIN!
1029
00:45:45,342 --> 00:45:48,000
OKAY!
1030
00:45:48,000 --> 00:45:48,412
OKAY!
1031
00:45:48,479 --> 00:45:52,416
SHANIA ISN'T JUST THE
BIGGEST-SELLING COUNTRY FEMALE
1032
00:45:52,483 --> 00:45:54,000
ARTIST OF ALL TIME,
SHE HAS SHATTERED CEILINGS
1033
00:45:54,000 --> 00:45:56,153
ARTIST OF ALL TIME,
SHE HAS SHATTERED CEILINGS
1034
00:45:56,220 --> 00:46:00,000
AND REDEFINED STYLE AND SOUND
IN COUNTRY MUSIC AND BEYOND.
1035
00:46:00,000 --> 00:46:03,527
AND REDEFINED STYLE AND SOUND
IN COUNTRY MUSIC AND BEYOND.
1036
00:46:03,594 --> 00:46:06,000
SHE HAS BEEN OUTSPOKEN.
1037
00:46:06,000 --> 00:46:10,834
SHE HAS BEEN OUTSPOKEN.
1038
00:46:10,901 --> 00:46:12,000
I DON'T WANT TO CHEESE THIS
AGAINST HATE OF EVERY KIND,
1039
00:46:12,000 --> 00:46:14,872
I DON'T WANT TO CHEESE THIS
AGAINST HATE OF EVERY KIND,
1040
00:46:14,938 --> 00:46:18,000
I JUST MET HER.
1041
00:46:18,000 --> 00:46:18,475
I JUST MET HER.
1042
00:46:18,542 --> 00:46:19,977
SHE IS MY NEW BESTIE.
1043
00:46:20,043 --> 00:46:24,000
SHE HAS BEEN AN OUTSPOKEN
ALLY AGAINST HATE OF EVERY KIND,
1044
00:46:24,000 --> 00:46:24,948
SHE HAS BEEN AN OUTSPOKEN
ALLY AGAINST HATE OF EVERY KIND,
1045
00:46:25,015 --> 00:46:30,000
CALLING OUT GENDER GAPS, AGEISM,
YES.
1046
00:46:30,000 --> 00:46:30,454
CALLING OUT GENDER GAPS, AGEISM,
YES.
1047
00:46:30,521 --> 00:46:32,689
UH-HUH, YES!
1048
00:46:32,756 --> 00:46:36,000
YES, SHANIA!
1049
00:46:36,000 --> 00:46:38,862
YES, SHANIA!
1050
00:46:38,929 --> 00:46:42,000
IMPACTING INEQUALITIES
AGAINST THE LGBTQ+ COMMUNITY,
1051
00:46:42,000 --> 00:46:42,399
IMPACTING INEQUALITIES
AGAINST THE LGBTQ+ COMMUNITY,
1052
00:46:42,466 --> 00:46:43,433
AND MORE.
1053
00:46:43,500 --> 00:46:48,000
SHE'S AN INSPIRATION TO ME
AND MILLIONS OF OTHERS!
1054
00:46:48,000 --> 00:46:49,406
SHE'S AN INSPIRATION TO ME
AND MILLIONS OF OTHERS!
1055
00:46:49,473 --> 00:46:52,342
PLEASE WELCOME THIS YEAR'S
EQUAL PLAY AWARD RECIPIENT,
1056
00:46:52,409 --> 00:46:54,000
SHANIA TWAIN.
1057
00:46:54,000 --> 00:46:58,882
SHANIA TWAIN.
1058
00:47:01,852 --> 00:47:03,854
[CHEERS AND APPLAUSE]
# #
1059
00:47:29,846 --> 00:47:30,000
>> THANK YOU, MEGAN.
1060
00:47:30,000 --> 00:47:35,185
>> THANK YOU, MEGAN.
1061
00:47:35,252 --> 00:47:36,000
YOU'RE SO TALL.
1062
00:47:36,000 --> 00:47:38,922
YOU'RE SO TALL.
1063
00:47:38,989 --> 00:47:39,923
I LOST MY HAT.
1064
00:47:39,990 --> 00:47:41,124
THANK YOU.
1065
00:47:41,191 --> 00:47:41,959
THANK YOU SO MUCH.
1066
00:47:42,025 --> 00:47:48,000
LET ME START BY SAYING LET'S GO,
GIRLS.
1067
00:47:48,000 --> 00:47:49,833
LET ME START BY SAYING LET'S GO,
GIRLS.
1068
00:47:49,900 --> 00:47:54,000
LISTEN, WHEN I WROTE THE PHRASE
"MAN, I FEEL LIKE A WOMAN," I
1069
00:47:54,000 --> 00:47:56,907
LISTEN, WHEN I WROTE THE PHRASE
"MAN, I FEEL LIKE A WOMAN," I
1070
00:47:56,974 --> 00:47:58,942
HAD NO IDEA IT WOULD BECOME AN
UNDERCURRENT OF A DECADES LONG
1071
00:47:59,009 --> 00:48:00,000
CAREER.
1072
00:48:00,000 --> 00:48:02,112
CAREER.
1073
00:48:02,179 --> 00:48:06,000
IT'S AMAZING HOW JUST ONE
STATEMET CAN EMPOWER SO MANY.
1074
00:48:06,000 --> 00:48:09,353
IT'S AMAZING HOW JUST ONE
STATEMET CAN EMPOWER SO MANY.
1075
00:48:09,419 --> 00:48:10,587
"MAN!
1076
00:48:10,654 --> 00:48:12,000
I FEEL LIKE A WOMAN" HAS BEEN
ADOPTED BY AN ARRAY OF FANTASTIC
1077
00:48:12,000 --> 00:48:13,523
I FEEL LIKE A WOMAN" HAS BEEN
ADOPTED BY AN ARRAY OF FANTASTIC
1078
00:48:13,590 --> 00:48:15,425
COMMUNITIES ALL AROUND THE WORLD
AND BECOME A GENUINE PATH OF
1079
00:48:15,492 --> 00:48:18,000
POWER AND PROGRESS FOR WOMEN.
1080
00:48:18,000 --> 00:48:19,296
POWER AND PROGRESS FOR WOMEN.
1081
00:48:19,363 --> 00:48:21,832
WOMEN IN COUNTRY MUSIC.
1082
00:48:21,898 --> 00:48:24,000
WHICH BRINGS ME SO MUCH JOY.
1083
00:48:24,000 --> 00:48:26,737
WHICH BRINGS ME SO MUCH JOY.
1084
00:48:26,803 --> 00:48:30,000
THANK YOU TO CMT FOR PUSHING THE
EQUAL PLAY AGENDA AND THANK YOU
1085
00:48:30,000 --> 00:48:31,375
THANK YOU TO CMT FOR PUSHING THE
EQUAL PLAY AGENDA AND THANK YOU
1086
00:48:31,441 --> 00:48:32,576
FOR ALWAYS SUPPORTING ME.
1087
00:48:32,643 --> 00:48:36,000
IN FACT, YOU KNOW WHAT, YOU MAY
NOT KNOW THIS.
1088
00:48:36,000 --> 00:48:38,148
IN FACT, YOU KNOW WHAT, YOU MAY
NOT KNOW THIS.
1089
00:48:38,215 --> 00:48:42,000
BUT THE CMT RISING STAR AWARD
WAS MY VERY FIRST AWARD EVER.
1090
00:48:42,000 --> 00:48:44,988
BUT THE CMT RISING STAR AWARD
WAS MY VERY FIRST AWARD EVER.
1091
00:48:45,055 --> 00:48:48,000
30 YEARS AGO.
1092
00:48:48,000 --> 00:48:48,158
30 YEARS AGO.
1093
00:48:48,225 --> 00:48:49,993
THAT WAS IN 1993.
1094
00:48:50,060 --> 00:48:54,000
CMT HOLDS A VERY SPECIAL PLACE
IN MY HEART.
1095
00:48:54,000 --> 00:48:55,732
CMT HOLDS A VERY SPECIAL PLACE
IN MY HEART.
1096
00:48:55,799 --> 00:49:00,000
AND I PROMISE I WILL CONTINUE TO
CHAMPION THE MANY OUTSTANDING
1097
00:49:00,000 --> 00:49:00,370
AND I PROMISE I WILL CONTINUE TO
CHAMPION THE MANY OUTSTANDING
1098
00:49:00,437 --> 00:49:02,072
COUNTRY ARTISTS WHO ARE NOT
CURRENTLY PLAYED.
1099
00:49:02,139 --> 00:49:06,000
THEY ARE NOT STREAMED, TOURS
SIGNED OR AWARDED AT THE LEVEL
1100
00:49:06,000 --> 00:49:08,478
THEY ARE NOT STREAMED, TOURS
SIGNED OR AWARDED AT THE LEVEL
1101
00:49:08,545 --> 00:49:12,000
THEY DESERVE SO I BELIEVE IN AN
ALL-INCLUSIVE COUNTRY MUSIC.
1102
00:49:12,000 --> 00:49:12,049
THEY DESERVE SO I BELIEVE IN AN
ALL-INCLUSIVE COUNTRY MUSIC.
1103
00:49:12,115 --> 00:49:16,820
WE ARE A FAMILY.
1104
00:49:16,887 --> 00:49:18,000
THIS IS A GENRE OF MUSIC WITH A
RICH HISTORY THAT RAISED AND
1105
00:49:18,000 --> 00:49:24,000
THIS IS A GENRE OF MUSIC WITH A
RICH HISTORY THAT RAISED AND
1106
00:49:24,000 --> 00:49:24,494
THIS IS A GENRE OF MUSIC WITH A
RICH HISTORY THAT RAISED AND
1107
00:49:24,561 --> 00:49:28,932
NURTURED MY OWN SONGWRITING AND
PERFORMANCE AND RECORDING CAREER
1108
00:49:28,999 --> 00:49:30,000
FROM CHILDHOOD.
1109
00:49:30,000 --> 00:49:30,200
FROM CHILDHOOD.
1110
00:49:30,267 --> 00:49:35,972
CURRENTLY THE INDUSTRY STANDARD
DOES A REAL DISSERVICE TO THIS.
1111
00:49:36,039 --> 00:49:42,000
LET US, THE COUNTRY MUSIC
INDUSTRY, DO OUR PART TO CLOSE
1112
00:49:42,000 --> 00:49:43,613
LET US, THE COUNTRY MUSIC
INDUSTRY, DO OUR PART TO CLOSE
1113
00:49:43,680 --> 00:49:44,948
WORK SPACE FOR ALL TALENT.
1114
00:49:45,015 --> 00:49:48,000
THIS YEAR, I'M TAKING MANY
AMAZING ARTISTS ON MY QUEEN OF
1115
00:49:48,000 --> 00:49:51,855
THIS YEAR, I'M TAKING MANY
AMAZING ARTISTS ON MY QUEEN OF
1116
00:49:51,922 --> 00:49:52,055
KNEE
1117
00:49:56,793 --> 00:50:00,000
TOUR ROBIN, PRISCILLA, SEVERAL
MORE.
1118
00:50:00,000 --> 00:50:01,765
TOUR ROBIN, PRISCILLA, SEVERAL
MORE.
1119
00:50:01,832 --> 00:50:06,000
MY HOPE IS THAT THIS OPPORTUNITY
AND SPOTLIGHT IMPRESSES YOU MU
1120
00:50:06,000 --> 00:50:07,037
MY HOPE IS THAT THIS OPPORTUNITY
AND SPOTLIGHT IMPRESSES YOU MU
1121
00:50:07,104 --> 00:50:10,006
MUCH.
1122
00:50:10,073 --> 00:50:12,000
AND LIFTS UP THE CAREERS OF
THESE VERY TALENTED PEOPLE ON
1123
00:50:12,000 --> 00:50:12,976
AND LIFTS UP THE CAREERS OF
THESE VERY TALENTED PEOPLE ON
1124
00:50:13,043 --> 00:50:14,177
THEIR JOURNEY.
1125
00:50:14,244 --> 00:50:17,547
I WILL CONTINUE TO DO MY BEST AS
A TRAILBLAZER AND TOGETHER,
1126
00:50:17,614 --> 00:50:18,000
LET'S ENSURE THAT ALL OUR FELLOW
ARTISTS GET EQUAL PLAY
1127
00:50:18,000 --> 00:50:22,052
LET'S ENSURE THAT ALL OUR FELLOW
ARTISTS GET EQUAL PLAY
1128
00:50:22,119 --> 00:50:24,000
REGARDLESS OF GENDER, AGE, OR
RACE.
1129
00:50:24,000 --> 00:50:26,022
REGARDLESS OF GENDER, AGE, OR
RACE.
1130
00:50:26,089 --> 00:50:30,000
THANK YOU AGAIN FOR HONORING ME.
1131
00:50:30,000 --> 00:50:30,060
THANK YOU AGAIN FOR HONORING ME.
1132
00:50:30,127 --> 00:50:31,661
SPECIAL THANK YOU TO ALL MY
FANS.
1133
00:50:31,728 --> 00:50:36,000
I AM TRULY TOUCHED BY THIS
MOMENT.
1134
00:50:36,000 --> 00:50:36,767
I AM TRULY TOUCHED BY THIS
MOMENT.
1135
00:50:36,833 --> 00:50:41,938
THANK YOU.
1136
00:50:42,005 --> 00:50:46,543
PLEASE WELCOME
THE STAR OF
1137
00:50:46,610 --> 00:50:48,000
THE NEW CBS SERIES "TRUE LIES,"
BONAFIDE TEXAN STEVE HOWEY!
1138
00:50:48,000 --> 00:50:49,012
THE NEW CBS SERIES "TRUE LIES,"
BONAFIDE TEXAN STEVE HOWEY!
1139
00:50:49,079 --> 00:50:54,000
>> THE STARS AT NIGHT
ARE BIG AND BRIGHT
1140
00:50:54,000 --> 00:50:54,918
>> THE STARS AT NIGHT
ARE BIG AND BRIGHT
1141
00:50:54,985 --> 00:50:58,922
>> DEEP IN THE HEART OF TEXAS!
1142
00:50:58,989 --> 00:50:59,856
>> YES, THANK YOU!
1143
00:50:59,923 --> 00:51:00,000
WE'RE IN LONGHORN COUNTRY, BABY.
1144
00:51:00,000 --> 00:51:02,926
WE'RE IN LONGHORN COUNTRY, BABY.
1145
00:51:02,993 --> 00:51:04,928
ALL RIGHT.
1146
00:51:04,995 --> 00:51:06,000
I JUST HAD TO BE HERE FOR THE
FIRST EVER CMT MUSIC AWARDS
1147
00:51:06,000 --> 00:51:11,134
I JUST HAD TO BE HERE FOR THE
FIRST EVER CMT MUSIC AWARDS
1148
00:51:11,201 --> 00:51:12,000
THERE'S CODY.
1149
00:51:12,000 --> 00:51:15,305
THERE'S CODY.
1150
00:51:15,372 --> 00:51:16,273
HE JUST POINTED AT ME.
1151
00:51:16,339 --> 00:51:18,000
FIRST EVER CMT MUSIC AWARDS
IN MY HOME STATE.
1152
00:51:18,000 --> 00:51:21,311
FIRST EVER CMT MUSIC AWARDS
IN MY HOME STATE.
1153
00:51:21,378 --> 00:51:23,780
I WAS BORN IN SAN ANTONIO.
1154
00:51:23,847 --> 00:51:24,000
I LOVE AUSTIN.
1155
00:51:24,000 --> 00:51:28,885
I LOVE AUSTIN.
1156
00:51:28,952 --> 00:51:30,000
THIS NEXT ARTIST ISN'T JUST
BIG.
1157
00:51:30,000 --> 00:51:30,120
THIS NEXT ARTIST ISN'T JUST
BIG.
1158
00:51:30,187 --> 00:51:32,589
HE'S TEXAS BIG.
1159
00:51:32,656 --> 00:51:36,000
HE TOOK OVER COUNTRY WITH HIS
BREAKOUT HIT LAST YEAR, TOOK
1160
00:51:36,000 --> 00:51:37,360
HE TOOK OVER COUNTRY WITH HIS
BREAKOUT HIT LAST YEAR, TOOK
1161
00:51:37,427 --> 00:51:40,730
HOME A FEW CMTS, AND HAS
JUST KEPT GOING EVER SINCE.
1162
00:51:40,797 --> 00:51:42,000
WITH HIS LATEST HIT,
"HUMAN," HERE IS CODY JOHNSON!
1163
00:51:42,000 --> 00:51:47,971
WITH HIS LATEST HIT,
"HUMAN," HERE IS CODY JOHNSON!
1164
00:51:49,906 --> 00:51:54,000
# #
# I THOUGHT BY NOW #
1165
00:51:54,000 --> 00:52:00,000
# #
# I THOUGHT BY NOW #
1166
00:52:00,000 --> 00:52:01,852
# #
# I THOUGHT BY NOW #
1167
00:52:01,918 --> 00:52:04,621
# I'D HAVE IT FIGURED OUT #
# HOW NOT TO MAKE #
1168
00:52:04,688 --> 00:52:06,000
# THE EASY THING #
# SO HARD TO DO #
1169
00:52:06,000 --> 00:52:09,292
# THE EASY THING #
# SO HARD TO DO #
1170
00:52:09,359 --> 00:52:12,000
# I BET THAT I'D BE #
# FURTHER DOWN THIS ROAD #
1171
00:52:12,000 --> 00:52:14,364
# I BET THAT I'D BE #
# FURTHER DOWN THIS ROAD #
1172
00:52:14,431 --> 00:52:18,000
# IF I COULD READ THE SIGNS #
# THAT POINT ME TO THE TRUTH #
1173
00:52:18,000 --> 00:52:20,570
# IF I COULD READ THE SIGNS #
# THAT POINT ME TO THE TRUTH #
1174
00:52:20,637 --> 00:52:24,000
# I NEVER PLANNED ON #
# BEING NOTHIN' BUT A COWBOY #
1175
00:52:24,000 --> 00:52:26,243
# I NEVER PLANNED ON #
# BEING NOTHIN' BUT A COWBOY #
1176
00:52:26,309 --> 00:52:30,000
# BUT SOMEWHERE #
# I PICKED UP THIS OLD GUITAR #
1177
00:52:30,000 --> 00:52:32,516
# BUT SOMEWHERE #
# I PICKED UP THIS OLD GUITAR #
1178
00:52:32,582 --> 00:52:36,000
# GIRL, ALL I CAN SAY #
# IS THAT I'M SORRY #
1179
00:52:36,000 --> 00:52:37,454
# GIRL, ALL I CAN SAY #
# IS THAT I'M SORRY #
1180
00:52:37,521 --> 00:52:42,000
# IF I GET KIND OF CARELESS #
# WITH YOUR HEART #
1181
00:52:42,000 --> 00:52:48,000
# IF I GET KIND OF CARELESS #
# WITH YOUR HEART #
1182
00:52:48,000 --> 00:52:48,899
# IF I GET KIND OF CARELESS #
# WITH YOUR HEART #
1183
00:52:48,965 --> 00:52:51,434
ALL THE MIDNIGHTS
# CHASING ALL THAT EMPTY #
1184
00:52:51,501 --> 00:52:54,000
# STILL AIN'T GOT IT RIGHT #
# ALL THE CRAZY #
1185
00:52:54,000 --> 00:52:55,505
# STILL AIN'T GOT IT RIGHT #
# ALL THE CRAZY #
1186
00:52:55,572 --> 00:53:00,000
# ALL THE GYPSY #
# I GUESS ALL I'M SAYIN' IS
1187
00:53:00,000 --> 00:53:00,644
# ALL THE GYPSY #
# I GUESS ALL I'M SAYIN' IS
1188
00:53:00,710 --> 00:53:03,480
FORGIVE ME #
# IF I DON'T KNOW WHAT I'M
1189
00:53:03,547 --> 00:53:06,000
DOING #
# 'CAUSE I'M STILL LEARNIN' TO
1190
00:53:06,000 --> 00:53:11,321
DOING #
# 'CAUSE I'M STILL LEARNIN' TO
1191
00:53:11,388 --> 00:53:12,000
BE HUMAN #
# SO FAR I'VE BEEN GOOD #
1192
00:53:12,000 --> 00:53:17,928
BE HUMAN #
# SO FAR I'VE BEEN GOOD #
1193
00:53:17,994 --> 00:53:18,000
# AT BURNIN' BRIDGES #
# STRIKE A MATCH #
1194
00:53:18,000 --> 00:53:22,899
# AT BURNIN' BRIDGES #
# STRIKE A MATCH #
1195
00:53:22,966 --> 00:53:24,000
# AND RIDE RIGHT OUT OF TOWN #
# BLESS YOUR HEART FOR NEVER
1196
00:53:24,000 --> 00:53:28,638
# AND RIDE RIGHT OUT OF TOWN #
# BLESS YOUR HEART FOR NEVER
1197
00:53:28,705 --> 00:53:30,000
TRYIN' TO FIX ME #
# OR QUIT ME #
1198
00:53:30,000 --> 00:53:36,000
TRYIN' TO FIX ME #
# OR QUIT ME #
1199
00:53:36,000 --> 00:53:36,880
TRYIN' TO FIX ME #
# OR QUIT ME #
1200
00:53:36,947 --> 00:53:42,000
# OR SLOW ME DOWN #
# ALL THE MIDNIGHTS #
1201
00:53:42,000 --> 00:53:47,123
# OR SLOW ME DOWN #
# ALL THE MIDNIGHTS #
1202
00:53:47,190 --> 00:53:48,000
# CHASING ALL THAT EMPTY #
# STILL AIN'T GOT IT RIGHT #
1203
00:53:48,000 --> 00:53:51,995
# CHASING ALL THAT EMPTY #
# STILL AIN'T GOT IT RIGHT #
1204
00:53:52,062 --> 00:53:54,000
# ALL THE CRAZY #
# ALL THE GYPSY #
1205
00:53:54,000 --> 00:53:57,901
# ALL THE CRAZY #
# ALL THE GYPSY #
1206
00:53:57,968 --> 00:54:00,000
# I GUESS ALL I'M SAYIN' IS
FORGIVE ME #
1207
00:54:00,000 --> 00:54:01,871
# I GUESS ALL I'M SAYIN' IS
FORGIVE ME #
1208
00:54:01,938 --> 00:54:06,000
# IF I DON'T KNOW #
# WHAT I'M DOING #
1209
00:54:06,000 --> 00:54:09,179
# IF I DON'T KNOW #
# WHAT I'M DOING #
1210
00:54:09,245 --> 00:54:12,000
# 'CAUSE I'M STILL LEARNIN' #
# TO BE HUMAN #
1211
00:54:12,000 --> 00:54:14,284
# 'CAUSE I'M STILL LEARNIN' #
# TO BE HUMAN #
1212
00:54:14,351 --> 00:54:18,000
AIN'T WE ALL, HUH, AUSTIN?
1213
00:54:18,000 --> 00:54:21,524
AIN'T WE ALL, HUH, AUSTIN?
1214
00:54:21,591 --> 00:54:24,000
# ALL THE HIGHWAYS #
# PLAYIN' OUTLAW #
1215
00:54:24,000 --> 00:54:26,730
# ALL THE HIGHWAYS #
# PLAYIN' OUTLAW #
1216
00:54:26,796 --> 00:54:30,000
# ROLLIN' OUTTA NOWHERE #
# WITH THE BRAKES OFF #
1217
00:54:30,000 --> 00:54:30,934
# ROLLIN' OUTTA NOWHERE #
# WITH THE BRAKES OFF #
1218
00:54:31,001 --> 00:54:36,000
# ALL THE CRAZY #
# AND THE WHISKEY #
1219
00:54:36,000 --> 00:54:37,040
# ALL THE CRAZY #
# AND THE WHISKEY #
1220
00:54:37,107 --> 00:54:42,000
# WAKIN' UP AND WONDERIN' #
# WHAT HIT ME #
1221
00:54:42,000 --> 00:54:42,112
# WAKIN' UP AND WONDERIN' #
# WHAT HIT ME #
1222
00:54:42,178 --> 00:54:45,548
# WHOA, FORGIVE ME #
# I REALLY DON'T KNOW #
1223
00:54:45,615 --> 00:54:48,000
# WHAT I'M DOIN' #
# 'CAUSE I'M STILL #
1224
00:54:48,000 --> 00:54:50,387
# WHAT I'M DOIN' #
# 'CAUSE I'M STILL #
1225
00:54:50,453 --> 00:54:54,000
# LEARNIN' TO BE HUMAN #
# MMM, STILL LEARNIN' #
1226
00:54:54,000 --> 00:54:56,259
# LEARNIN' TO BE HUMAN #
# MMM, STILL LEARNIN' #
1227
00:54:56,326 --> 00:55:00,000
# TO BE HUMAN #
1228
00:55:00,000 --> 00:55:04,534
# TO BE HUMAN #
1229
00:55:06,236 --> 00:55:12,000
# #
[CHEERS AND APPLAUSE]
1230
00:55:12,000 --> 00:55:18,000
# #
[CHEERS AND APPLAUSE]
1231
00:55:18,000 --> 00:55:21,117
# #
[CHEERS AND APPLAUSE]
1232
00:55:21,184 --> 00:55:22,719
# #
[CHEERS AND APPLAUSE]
1233
00:55:33,096 --> 00:55:34,097
>> CODY JOHNSON!
1234
00:55:34,164 --> 00:55:35,465
THIS NEXT ARTIST IS KNOWN
FOR HIS MASSIVE SONGS, HIS
1235
00:55:35,532 --> 00:55:36,000
INCREDIBLE GUITAR CHOPS AND FOR
HIS GAME CHANGING PERFORMANCES
1236
00:55:36,000 --> 00:55:37,300
INCREDIBLE GUITAR CHOPS AND FOR
HIS GAME CHANGING PERFORMANCES
1237
00:55:37,367 --> 00:55:39,769
RIGHT HERE AT THE CMT MUSIC
AWARDS.
1238
00:55:39,836 --> 00:55:42,000
TONIGHT, HE'S COMING
FROM OUR CAPITOL STAGE
1239
00:55:42,000 --> 00:55:43,573
TONIGHT, HE'S COMING
FROM OUR CAPITOL STAGE
1240
00:55:43,640 --> 00:55:45,642
IN THE HEART OF AUSTIN,
KEITH URBAN, EVERYBODY!
1241
00:56:06,129 --> 00:56:09,132
# #
# YOU MADE UP YOUR MIND #
1242
00:56:09,199 --> 00:56:12,000
# GOT OFF THE COUCH #
# YOU DID UP YOUR HAIR #
1243
00:56:12,000 --> 00:56:13,103
# GOT OFF THE COUCH #
# YOU DID UP YOUR HAIR #
1244
00:56:13,169 --> 00:56:17,073
# NOW YOU'RE GOIN' OUT #
# YOU PUT ON THAT PARTY DRESS #
1245
00:56:17,140 --> 00:56:18,000
# EVEN THOUGH #
# YOUR HEART'S A MESS #
1246
00:56:18,000 --> 00:56:20,877
# EVEN THOUGH #
# YOUR HEART'S A MESS #
1247
00:56:20,944 --> 00:56:24,000
# YOUR FRIENDS SWUNG BY #
# YOU JUMPED IN THE CAR #
1248
00:56:24,000 --> 00:56:24,481
# YOUR FRIENDS SWUNG BY #
# YOU JUMPED IN THE CAR #
1249
00:56:24,547 --> 00:56:27,350
# YOU WALKED IN HERE #
# AND NOW HERE WE ARE #
1250
00:56:27,417 --> 00:56:30,000
# PUTTIN' THE HURTIN' #
# ON SOME JOSE #
1251
00:56:30,000 --> 00:56:30,987
# PUTTIN' THE HURTIN' #
# ON SOME JOSE #
1252
00:56:31,054 --> 00:56:34,491
# AND CATCHIN' UP #
# WHILE THE BAND PLAYS #
1253
00:56:34,557 --> 00:56:36,000
# YOU SAY YOU MISS THE GIRL #
# YOU USED TO BE #
1254
00:56:36,000 --> 00:56:37,360
# YOU SAY YOU MISS THE GIRL #
# YOU USED TO BE #
1255
00:56:37,427 --> 00:56:40,530
# BET I CAN FIND HER #
# IF YOU LET ME #
1256
00:56:40,597 --> 00:56:42,000
# I CAN PUT THE SMILE #
# RIGHT BACK WHERE #
1257
00:56:42,000 --> 00:56:42,465
# I CAN PUT THE SMILE #
# RIGHT BACK WHERE #
1258
00:56:42,532 --> 00:56:45,101
# YOUR SMILE GOES #
# DREAMS BACK IN #
1259
00:56:45,168 --> 00:56:47,270
# WHAT YOU SEE #
# WHEN YOUR EYES CLOSE #
1260
00:56:47,337 --> 00:56:48,000
# I'LL BE THE BUZZ #
# THAT YOU FEEL #
1261
00:56:48,000 --> 00:56:49,072
# I'LL BE THE BUZZ #
# THAT YOU FEEL #
1262
00:56:49,139 --> 00:56:51,975
# WHEN YOU SIP SLOW #
# SLOW DANCE #
1263
00:56:52,041 --> 00:56:54,000
# RIGHT BACK #
# IN YOUR DIRT ROAD #
1264
00:56:54,000 --> 00:56:54,177
# RIGHT BACK #
# IN YOUR DIRT ROAD #
1265
00:56:54,244 --> 00:56:57,247
# I CAN PUT THE SUN #
# RIGHT BACK IN YOUR SUNSHINE #
1266
00:56:57,313 --> 00:57:00,000
# BRING A LITTLE LOVE #
# BACK INTO YOUR LATE NIGHT #
1267
00:57:00,000 --> 00:57:00,583
# BRING A LITTLE LOVE #
# BACK INTO YOUR LATE NIGHT #
1268
00:57:00,650 --> 00:57:05,455
# AIN'T GOTTA BE NOTHIN' MORE #
# THAN ONE MORE DRINK #
1269
00:57:05,522 --> 00:57:06,000
# AND MAYBE I CAN TAKE THE
BLUE #
1270
00:57:06,000 --> 00:57:07,524
# AND MAYBE I CAN TAKE THE
BLUE #
1271
00:57:07,590 --> 00:57:12,000
# OUT OF YOUR BROWN EYES, BABY #
# #
1272
00:57:12,000 --> 00:57:15,565
# OUT OF YOUR BROWN EYES, BABY #
# #
1273
00:57:15,632 --> 00:57:18,000
# AND THAT WILD SIDE #
# THAT YOU LEARNED TO TAME #
1274
00:57:18,000 --> 00:57:18,601
# AND THAT WILD SIDE #
# THAT YOU LEARNED TO TAME #
1275
00:57:18,668 --> 00:57:21,871
# SHE'LL ROLL IN #
# LIKE A MIDNIGHT TRAIN #
1276
00:57:21,938 --> 00:57:24,000
# ALMOST LIKE SHE NEVER #
# LEFT HERE #
1277
00:57:24,000 --> 00:57:24,541
# ALMOST LIKE SHE NEVER #
# LEFT HERE #
1278
00:57:24,607 --> 00:57:28,244
# AND I'LL BE READY #
# BABY, WHEN SHE GETS HERE #
1279
00:57:28,311 --> 00:57:30,000
# I CAN PUT THE SMILE #
# RIGHT BACK WHERE #
1280
00:57:30,000 --> 00:57:30,814
# I CAN PUT THE SMILE #
# RIGHT BACK WHERE #
1281
00:57:30,880 --> 00:57:32,916
# YOUR SMILE GOES #
# DREAMS BACK IN #
1282
00:57:32,982 --> 00:57:34,617
# WHAT YOU SEE #
# WHEN YOUR EYES CLOSE #
1283
00:57:34,684 --> 00:57:36,000
# I'LL BE THE BUZZ #
# THAT YOU FEEL #
1284
00:57:36,000 --> 00:57:36,986
# I'LL BE THE BUZZ #
# THAT YOU FEEL #
1285
00:57:37,053 --> 00:57:40,423
# WHEN YOU SIP SLOW #
# SLOW DANCE RIGHT BACK #
1286
00:57:40,490 --> 00:57:42,000
# IN YOUR DIRT ROAD #
# I CAN PUT THE SUN #
1287
00:57:42,000 --> 00:57:43,960
# IN YOUR DIRT ROAD #
# I CAN PUT THE SUN #
1288
00:57:44,027 --> 00:57:46,496
# RIGHT BACK IN YOUR SUNSHINE #
# BRING A LITTLE LOVE #
1289
00:57:46,563 --> 00:57:48,000
# BACK INTO YOUR LATE NIGHT #
# AIN'T GOTTA BE #
1290
00:57:48,000 --> 00:57:50,200
# BACK INTO YOUR LATE NIGHT #
# AIN'T GOTTA BE #
1291
00:57:50,266 --> 00:57:53,736
# NOTHIN' MORE THAN #
# ONE MORE DRINK #
1292
00:57:53,803 --> 00:57:54,000
# AND MAYBE I CAN TAKE THE
BLUE #
1293
00:57:54,000 --> 00:57:55,872
# AND MAYBE I CAN TAKE THE
BLUE #
1294
00:57:55,939 --> 00:58:00,000
# OUT OF YOUR BROWN EYES, BABY #
# #
1295
00:58:00,000 --> 00:58:06,000
# OUT OF YOUR BROWN EYES, BABY #
# #
1296
00:58:06,000 --> 00:58:09,485
# OUT OF YOUR BROWN EYES, BABY #
# #
1297
00:58:11,087 --> 00:58:12,000
# PUT THE FULL #
# BACK IN YOUR HALF EMPTY #
1298
00:58:12,000 --> 00:58:13,256
# PUT THE FULL #
# BACK IN YOUR HALF EMPTY #
1299
00:58:13,323 --> 00:58:16,226
# AND PUT THE TWO #
# IN YOUR STEP AGAIN #
1300
00:58:16,292 --> 00:58:18,000
# ABOUT TO SEE #
# WHERE LEANIN' IN GETS ME #
1301
00:58:18,000 --> 00:58:19,462
# ABOUT TO SEE #
# WHERE LEANIN' IN GETS ME #
1302
00:58:19,529 --> 00:58:24,000
# BABY, JUST SAY WHEN #
# 'CAUSE I CAN PUT THE SMILE #
1303
00:58:24,000 --> 00:58:24,133
# BABY, JUST SAY WHEN #
# 'CAUSE I CAN PUT THE SMILE #
1304
00:58:24,200 --> 00:58:26,169
# RIGHT BACK #
# WHERE YOUR SMILE GOES #
1305
00:58:26,236 --> 00:58:30,000
# DREAMS BACK IN #
# WHAT YOU SEE #
1306
00:58:30,000 --> 00:58:30,673
# DREAMS BACK IN #
# WHAT YOU SEE #
1307
00:58:30,740 --> 00:58:32,342
# WHEN YOUR EYES CLOSE #
# I'LL BE THE BUZZ #
1308
00:58:32,408 --> 00:58:35,478
# THAT YOU FEEL #
# WHEN YOU SIP SLOW #
1309
00:58:35,545 --> 00:58:36,000
# SLOW DANCE RIGHT BACK #
# IN YOUR DIRT ROAD #
1310
00:58:36,000 --> 00:58:37,747
# SLOW DANCE RIGHT BACK #
# IN YOUR DIRT ROAD #
1311
00:58:37,814 --> 00:58:40,116
# I CAN PUT THE SUN #
# RIGHT BACK IN YOUR SUNSHINE #
1312
00:58:40,183 --> 00:58:42,000
# BRING A LITTLE LOVE #
# BACK INTO YOUR LATE NIGHT #
1313
00:58:42,000 --> 00:58:43,019
# BRING A LITTLE LOVE #
# BACK INTO YOUR LATE NIGHT #
1314
00:58:43,086 --> 00:58:47,357
# AIN'T GOTTA BE NOTHIN' MORE #
# THAN ONE MORE DRINK #
1315
00:58:47,423 --> 00:58:48,000
# AND MAYBE I CAN TAKE THE
BLUE #
1316
00:58:48,000 --> 00:58:50,093
# AND MAYBE I CAN TAKE THE
BLUE #
1317
00:58:50,159 --> 00:58:54,000
# OUT OF YOUR BROWN EYES, BABY #
# MMM, TAKE THE BLUE OUT OF #
1318
00:58:54,000 --> 00:58:59,669
# OUT OF YOUR BROWN EYES, BABY #
# MMM, TAKE THE BLUE OUT OF #
1319
00:58:59,736 --> 00:59:00,000
# YOUR BROWN EYES, BABY #
# OH, YEAH #
1320
00:59:00,000 --> 00:59:01,738
# YOUR BROWN EYES, BABY #
# OH, YEAH #
1321
00:59:08,278 --> 00:59:12,000
# #
1322
00:59:12,000 --> 00:59:15,852
# #
1323
00:59:30,500 --> 00:59:32,502
# #
[CHEERS AND APPLAUSE]
1324
00:59:37,974 --> 00:59:38,908
>> I LOVE YOU, AUSTIN!
1325
00:59:38,975 --> 00:59:41,878
THANK YOU, CMT!
1326
00:59:41,945 --> 00:59:42,000
>> HOW MUCH DO WE LOVE KEITH
URBAN?
1327
00:59:42,000 --> 00:59:46,549
>> HOW MUCH DO WE LOVE KEITH
URBAN?
1328
00:59:46,616 --> 00:59:48,000
SO GREAT TO SEE ALL THOSE FANS
OUT THERE.
1329
00:59:48,000 --> 00:59:51,321
SO GREAT TO SEE ALL THOSE FANS
OUT THERE.
1330
00:59:51,387 --> 00:59:54,000
EARLIER TONIGHT WE ANNOUNCED
THAT THE WINNER THE GROUP DO A
1331
00:59:54,000 --> 00:59:56,459
EARLIER TONIGHT WE ANNOUNCED
THAT THE WINNER THE GROUP DO A
1332
00:59:56,526 --> 01:00:00,000
VIDEO IS ZAC BROWN BAND FOR OUT
IN THE MIDDLE.
1333
01:00:00,000 --> 01:00:00,296
VIDEO IS ZAC BROWN BAND FOR OUT
IN THE MIDDLE.
1334
01:00:00,363 --> 01:00:06,000
SPEAKING OF THE MIDDLE , WE ARE
IN THE MIDDLE OF THE SHOW NOW.
1335
01:00:06,000 --> 01:00:07,937
SPEAKING OF THE MIDDLE , WE ARE
IN THE MIDDLE OF THE SHOW NOW.
1336
01:00:08,004 --> 01:00:09,939
KANE HAD A SNACK.
1337
01:00:10,006 --> 01:00:12,000
HE HAD A BRISKET.
1338
01:00:12,000 --> 01:00:12,475
HE HAD A BRISKET.
1339
01:00:12,542 --> 01:00:13,543
IT'S MY TURN.
1340
01:00:13,609 --> 01:00:17,880
TIME TO INTRODUCE MY BURRITO
CLUTCH.
1341
01:00:17,947 --> 01:00:18,000
DO YOU MIND?
1342
01:00:18,000 --> 01:00:24,000
DO YOU MIND?
1343
01:00:24,000 --> 01:00:27,023
DO YOU MIND?
1344
01:00:27,090 --> 01:00:29,092
IT'S DIFFERENT DOWN HERE.
1345
01:00:33,029 --> 01:00:34,964
SPEAKING OF THINGS THAT ARE
CLUTCH,
1346
01:00:35,031 --> 01:00:36,000
HERE TO PERFORM "WHISKEY ON
YOU," FROM THE RAM TRUCKS STAGE,
1347
01:00:36,000 --> 01:00:36,265
HERE TO PERFORM "WHISKEY ON
YOU," FROM THE RAM TRUCKS STAGE,
1348
01:00:36,332 --> 01:00:42,000
IT'S NATE SMITH!
1349
01:00:42,000 --> 01:00:44,974
IT'S NATE SMITH!
1350
01:00:45,041 --> 01:00:46,943
# LINE 'EM UP #
# LINE 'EM UP #
1351
01:00:47,010 --> 01:00:48,000
# POUR 'EM TALL #
# HERE'S TO US #
1352
01:00:48,000 --> 01:00:50,980
# POUR 'EM TALL #
# HERE'S TO US #
1353
01:00:51,047 --> 01:00:53,316
# HAPPILY NEVER AFTER ALL #
# AIN'T GONNA WASTE #
1354
01:00:53,383 --> 01:00:54,000
# ONE MORE NIGHT #
# MISSING, WANTING YOU BACK #
1355
01:00:54,000 --> 01:00:58,021
# ONE MORE NIGHT #
# MISSING, WANTING YOU BACK #
1356
01:00:58,087 --> 01:01:00,000
# NO, I AIN'T GONNA CRY #
# ANOTHER TEAR IN THIS GLASS #
1357
01:01:00,000 --> 01:01:01,024
# NO, I AIN'T GONNA CRY #
# ANOTHER TEAR IN THIS GLASS #
1358
01:01:01,090 --> 01:01:04,761
# YOU DIDN'T WASTE ANY TIME #
# FINDING SOMEBODY NEW #
1359
01:01:04,827 --> 01:01:06,000
# SO I AIN'T GONNA WASTE #
# ANOTHER DROP OF WHISKEY #
1360
01:01:06,000 --> 01:01:07,864
# SO I AIN'T GONNA WASTE #
# ANOTHER DROP OF WHISKEY #
1361
01:01:07,930 --> 01:01:11,300
# ON YOU #
# NO, I AIN'T GONNA WASTE #
1362
01:01:11,367 --> 01:01:12,000
# ANOTHER DROP OF WHISKEY #
# ON YOU #
1363
01:01:12,000 --> 01:01:14,237
# ANOTHER DROP OF WHISKEY #
# ON YOU #
1364
01:01:14,303 --> 01:01:18,000
# NO, I AIN'T #
# NO, I AIN'T #
1365
01:01:18,000 --> 01:01:19,776
# NO, I AIN'T #
# NO, I AIN'T #
1366
01:01:19,842 --> 01:01:21,811
# NO, I AIN'T GONNA WASTE #
# ANOTHER DROP OF WHISKEY #
1367
01:01:21,878 --> 01:01:24,000
# ON YOU #
[CHEERS AND APPLAUSE]
1368
01:01:24,000 --> 01:01:30,000
# ON YOU #
[CHEERS AND APPLAUSE]
1369
01:01:30,000 --> 01:01:31,621
# ON YOU #
[CHEERS AND APPLAUSE]
1370
01:01:31,687 --> 01:01:34,390
>> NEXT, LAINEY WILSON WITH HER
HIT "HEART LIKE A TRUCK,"
1371
01:01:34,457 --> 01:01:36,000
AND GWEN STEFANI TAKES THE STAGE
WITH HER ICONIC "JUST A GIRL,"
1372
01:01:36,000 --> 01:01:36,526
AND GWEN STEFANI TAKES THE STAGE
WITH HER ICONIC "JUST A GIRL,"
1373
01:01:36,592 --> 01:01:39,962
WITH SPECIAL GUEST
CARLY PEARCE.
1374
01:01:40,029 --> 01:01:41,297
WHO WILL WIN VIDEO OF THE YEAR?
1375
01:01:41,364 --> 01:01:42,000
IT'S UP TO YOU.
1376
01:01:42,000 --> 01:01:42,665
IT'S UP TO YOU.
1377
01:01:42,732 --> 01:01:44,767
CAST YOUR VOTES RIGHT NOW
ON THE CMT MUSIC AWARDS FACEBOOK
1378
01:01:44,834 --> 01:01:46,402
PAGE.
1379
01:01:46,469 --> 01:01:48,000
THE VOTING IS PRESENTED BY
RAM TRUCKS.
1380
01:01:48,000 --> 01:01:49,072
THE VOTING IS PRESENTED BY
RAM TRUCKS.
1381
01:01:49,138 --> 01:01:52,275
THE CMT MUSIC AWARDS CONTINUES
LIVE FROM AUSTIN, TEXAS.
1382
01:01:52,341 --> 01:01:54,000
THIS IS CBS.
1383
01:01:54,000 --> 01:01:55,278
THIS IS CBS.
1384
01:01:55,344 --> 01:02:00,000
>> THE 2023 CMT MUSIC AWARDS
SPONSORED BY...
1385
01:02:00,000 --> 01:02:00,216
>> THE 2023 CMT MUSIC AWARDS
SPONSORED BY...
1386
01:02:00,283 --> 01:02:01,184
PROGRESSIVE.
1387
01:02:01,250 --> 01:02:02,118
SAVE WHEN YOU BUNDLE
AUTO, HOME, OR MOTORCYCLE
1388
01:02:02,185 --> 01:02:02,685
INSURANCE.
1389
01:02:22,371 --> 01:02:24,000
>> WELCOME BACK TO THE 2023
CMT MUSIC AWARDS.
1390
01:02:24,000 --> 01:02:24,874
>> WELCOME BACK TO THE 2023
CMT MUSIC AWARDS.
1391
01:02:24,941 --> 01:02:28,010
I'M BACK HERE IN THE SOLITAIRE
GRAND HARVEST GAME LOUNGE.
1392
01:02:28,077 --> 01:02:30,000
DUSTIN LYNCH IS HAVING A BLAST
WITH ALL THE GAMES
1393
01:02:30,000 --> 01:02:30,680
DUSTIN LYNCH IS HAVING A BLAST
WITH ALL THE GAMES
1394
01:02:30,746 --> 01:02:32,115
IN THIS PLACE.
1395
01:02:32,181 --> 01:02:35,918
THE NEXT THREE PRESENTERS HAVE
A LOT IN COMMON.
1396
01:02:35,985 --> 01:02:36,000
THEY'VE ALL WORKED WITH
LAINEY WILSON, AND NONE OF THEM
1397
01:02:36,000 --> 01:02:37,620
THEY'VE ALL WORKED WITH
LAINEY WILSON, AND NONE OF THEM
1398
01:02:37,687 --> 01:02:40,123
CAN TELL ME ANYTHING ABOUT
THE NEXT SEASON
1399
01:02:40,189 --> 01:02:41,057
OF "YELLOWSTONE."
1400
01:02:41,124 --> 01:02:42,000
ALTHOUGH HARDY HAS SOME GOOD
THEORIES.
1401
01:02:42,000 --> 01:02:44,293
ALTHOUGH HARDY HAS SOME GOOD
THEORIES.
1402
01:02:44,360 --> 01:02:48,000
PLEASE WELCOME IAN BOHEN,
JEN LANDON, AND HARDY!
1403
01:02:48,000 --> 01:02:53,569
PLEASE WELCOME IAN BOHEN,
JEN LANDON, AND HARDY!
1404
01:02:53,636 --> 01:02:54,000
[CHEERS AND APPLAUSE]
>> THIS NEXT PERFORMER IS ONE OF
1405
01:02:54,000 --> 01:02:59,408
[CHEERS AND APPLAUSE]
>> THIS NEXT PERFORMER IS ONE OF
1406
01:02:59,475 --> 01:03:00,000
MY FAVORITE ARTISTS IN COUNTRY
MUSIC, AND I'M NOT ONLY SAYING
1407
01:03:00,000 --> 01:03:06,000
MY FAVORITE ARTISTS IN COUNTRY
MUSIC, AND I'M NOT ONLY SAYING
1408
01:03:06,000 --> 01:03:07,583
MY FAVORITE ARTISTS IN COUNTRY
MUSIC, AND I'M NOT ONLY SAYING
1409
01:03:07,650 --> 01:03:11,187
THAT BECAUSE SHE PLAYS
MY GIRLFRIEND ON "YELLOWSTONE."
1410
01:03:11,254 --> 01:03:12,000
>> SHE CAN ACT, SHE'S A GREAT
SONGWRITER, SHE'S GOT
1411
01:03:12,000 --> 01:03:13,356
>> SHE CAN ACT, SHE'S A GREAT
SONGWRITER, SHE'S GOT
1412
01:03:13,422 --> 01:03:14,524
A KILLER VOICE.
1413
01:03:14,590 --> 01:03:18,000
AND SHE'S ONE OF THE NICEST
PEOPLE YOU'LL NEVER MEET.
1414
01:03:18,000 --> 01:03:18,427
AND SHE'S ONE OF THE NICEST
PEOPLE YOU'LL NEVER MEET.
1415
01:03:18,494 --> 01:03:24,000
>> PERFORMING
"HEART LIKE A TRUCK,"
1416
01:03:24,000 --> 01:03:24,767
>> PERFORMING
"HEART LIKE A TRUCK,"
1417
01:03:24,834 --> 01:03:27,603
NUMBER ONE SONG IN COUNTRY
THIS WEEK.
1418
01:03:27,670 --> 01:03:28,638
HERE IS OUR FRIEND AND MY
SOON-TO-BE TOURING MATE,
1419
01:03:28,704 --> 01:03:30,000
LAINEY WILSON!
1420
01:03:30,000 --> 01:03:32,441
LAINEY WILSON!
1421
01:03:32,508 --> 01:03:33,009
[CHEERS AND APPLAUSE]
1422
01:03:47,890 --> 01:03:48,000
# #
# I NEVER STAY #
1423
01:03:48,000 --> 01:03:49,659
# #
# I NEVER STAY #
1424
01:03:49,725 --> 01:03:53,296
# IN ONE PLACE TOO LONG #
# THE DIRT ROAD SINGIN' ME #
1425
01:03:53,362 --> 01:03:54,000
# A SIREN'S SONG I GOTTA #
# FIND A FIELD #
1426
01:03:54,000 --> 01:03:57,500
# A SIREN'S SONG I GOTTA #
# FIND A FIELD #
1427
01:03:57,567 --> 01:04:00,000
# I NEED TO SPIN MY WHEELS #
# I GOTTA A'HANKERIN' #
1428
01:04:00,000 --> 01:04:04,140
# I NEED TO SPIN MY WHEELS #
# I GOTTA A'HANKERIN' #
1429
01:04:04,207 --> 01:04:06,000
# FOR FOUR WIDE TIRES #
# AND I CAN'T HELP IT #
1430
01:04:06,000 --> 01:04:07,210
# FOR FOUR WIDE TIRES #
# AND I CAN'T HELP IT #
1431
01:04:07,276 --> 01:04:12,000
# IT'S THE WAY I'M WIRED #
# 'FORE YOU GET TOO CLOSE #
1432
01:04:12,000 --> 01:04:12,415
# IT'S THE WAY I'M WIRED #
# 'FORE YOU GET TOO CLOSE #
1433
01:04:12,481 --> 01:04:17,887
# BOY, YOU NEED TO KNOW #
# I GOT A HEART LIKE A TRUCK #
1434
01:04:17,954 --> 01:04:18,000
# IT'S BEEN DRUG THROUGH #
# THE MUD #
1435
01:04:18,000 --> 01:04:22,158
# IT'S BEEN DRUG THROUGH #
# THE MUD #
1436
01:04:22,225 --> 01:04:24,000
# RUNS ON DREAMS AND GASOLINE #
# AND THAT OLE HIGHWAY #
1437
01:04:24,000 --> 01:04:26,128
# RUNS ON DREAMS AND GASOLINE #
# AND THAT OLE HIGHWAY #
1438
01:04:26,195 --> 01:04:29,398
# HOLDS THE KEY #
# IT'S GOT A LEAD FOOT #
1439
01:04:29,465 --> 01:04:30,000
# DOWN WHEN IT'S LEAVIN' #
# LORD KNOWS IT'S TAKEN #
1440
01:04:30,000 --> 01:04:32,134
# DOWN WHEN IT'S LEAVIN' #
# LORD KNOWS IT'S TAKEN #
1441
01:04:32,201 --> 01:04:36,000
# A HELL OF A BEATIN' #
# A LITTLE BIT OF LOVE #
1442
01:04:36,000 --> 01:04:36,072
# A HELL OF A BEATIN' #
# A LITTLE BIT OF LOVE #
1443
01:04:36,138 --> 01:04:40,876
# IS ALL THAT IT'S NEEDIN' #
# BUT IT'S GOOD AS IT IS TOUGH #
1444
01:04:40,943 --> 01:04:42,000
# I GOT A HEART LIKE A TRUCK #
# THERE AIN'T NO BRAKIN' #
1445
01:04:42,000 --> 01:04:47,550
# I GOT A HEART LIKE A TRUCK #
# THERE AIN'T NO BRAKIN' #
1446
01:04:47,617 --> 01:04:48,000
# WHEN I THROW IT IN DRIVE #
# DON'T ALWAYS KEEP IT
1447
01:04:48,000 --> 01:04:51,721
# WHEN I THROW IT IN DRIVE #
# DON'T ALWAYS KEEP IT
1448
01:04:51,787 --> 01:04:54,000
IN BETWEEN THE LINES #
# IF YOU'RE READY
1449
01:04:54,000 --> 01:04:57,560
IN BETWEEN THE LINES #
# IF YOU'RE READY
1450
01:04:57,627 --> 01:04:59,428
# PEDAL DOWN STATE OF MIND #
# BOY, I TELL YOU WHAT #
1451
01:04:59,495 --> 01:05:00,000
# YOU BETTER BUCKLE UP #
# I GOT A HEART LIKE A TRUCK #
1452
01:05:00,000 --> 01:05:02,231
# YOU BETTER BUCKLE UP #
# I GOT A HEART LIKE A TRUCK #
1453
01:05:02,298 --> 01:05:06,000
# IT'S BEEN DRUG THROUGH #
# THE MUD #
1454
01:05:06,000 --> 01:05:06,068
# IT'S BEEN DRUG THROUGH #
# THE MUD #
1455
01:05:06,135 --> 01:05:10,840
# RUNS ON DREAMS AND GASOLINE #
# AND THAT OLD HIGHWAY #
1456
01:05:10,906 --> 01:05:12,000
# HOLDS THE KEY #
# IT'S GOT A LEAD FOOT DOWN #
1457
01:05:12,000 --> 01:05:14,510
# HOLDS THE KEY #
# IT'S GOT A LEAD FOOT DOWN #
1458
01:05:14,577 --> 01:05:17,446
# WHEN IT'S LEAVIN' #
# LORD KNOWS IT'S TAKEN #
1459
01:05:17,513 --> 01:05:18,000
# A HELL OF A BEATIN' #
# A LITTLE BIT OF LOVE #
1460
01:05:18,000 --> 01:05:20,650
# A HELL OF A BEATIN' #
# A LITTLE BIT OF LOVE #
1461
01:05:20,716 --> 01:05:24,000
# IS ALL THAT IT'S NEEDIN' #
# BUT IT'S GOOD AS IT IS TOUGH #
1462
01:05:24,000 --> 01:05:27,523
# IS ALL THAT IT'S NEEDIN' #
# BUT IT'S GOOD AS IT IS TOUGH #
1463
01:05:27,590 --> 01:05:30,000
# I GOT A HEART LIKE A TRUCK #
1464
01:05:30,000 --> 01:05:36,000
# I GOT A HEART LIKE A TRUCK #
1465
01:05:36,000 --> 01:05:36,365
# I GOT A HEART LIKE A TRUCK #
1466
01:05:38,034 --> 01:05:41,337
# #
# GO ON AND SEE #
1467
01:05:41,404 --> 01:05:42,000
# IF YOU CAN #
# KNOCK OFF THE DUST, YEAH #
1468
01:05:42,000 --> 01:05:43,572
# IF YOU CAN #
# KNOCK OFF THE DUST, YEAH #
1469
01:05:43,639 --> 01:05:47,610
# SHINE IT UP, REV IT UP #
# AND LET IT RUN, YEAH #
1470
01:05:47,677 --> 01:05:48,000
# IT GETS A HIGH RIDIN' #
# OFF INTO THE SUN, YEAH #
1471
01:05:48,000 --> 01:05:53,916
# IT GETS A HIGH RIDIN' #
# OFF INTO THE SUN, YEAH #
1472
01:05:53,983 --> 01:05:54,000
# I GOT A HEART LIKE A TRUCK #
# IT'S BEEN #
1473
01:05:54,000 --> 01:05:58,921
# I GOT A HEART LIKE A TRUCK #
# IT'S BEEN #
1474
01:05:58,988 --> 01:06:00,000
# DRUG THROUGH THE MUD #
# RUNS ON DREAMS AND GASOLINE #
1475
01:06:00,000 --> 01:06:03,559
# DRUG THROUGH THE MUD #
# RUNS ON DREAMS AND GASOLINE #
1476
01:06:03,626 --> 01:06:06,000
# AND THAT OLD HIGHWAY #
# HOLDS THE KEY #
1477
01:06:06,000 --> 01:06:07,730
# AND THAT OLD HIGHWAY #
# HOLDS THE KEY #
1478
01:06:07,797 --> 01:06:09,799
# IT'S GOT A LEAD FOOT DOWN #
# WHEN IT'S LEAVIN' #
1479
01:06:09,865 --> 01:06:12,000
# LORD KNOWS IT'S TAKEN #
# A HELL OF A BEATIN' #
1480
01:06:12,000 --> 01:06:15,871
# LORD KNOWS IT'S TAKEN #
# A HELL OF A BEATIN' #
1481
01:06:15,938 --> 01:06:18,000
# A LITTLE BIT OF LOVE #
# IS ALL THAT IT'S NEEDIN' #
1482
01:06:18,000 --> 01:06:19,875
# A LITTLE BIT OF LOVE #
# IS ALL THAT IT'S NEEDIN' #
1483
01:06:19,942 --> 01:06:24,000
# BUT IT'S GOOD AS IT IS TOUGH #
# I GOT A HEART #
1484
01:06:24,000 --> 01:06:29,952
# BUT IT'S GOOD AS IT IS TOUGH #
# I GOT A HEART #
1485
01:06:30,019 --> 01:06:36,000
# LIKE A TRUCK #
# GO ON AND SEE #
1486
01:06:36,000 --> 01:06:39,328
# LIKE A TRUCK #
# GO ON AND SEE #
1487
01:06:39,395 --> 01:06:41,097
# IF YOU CAN #
# KNOCK OFF THE DUST, YEAH #
1488
01:06:41,163 --> 01:06:42,000
# SHINE IT UP, REV IT UP #
# AND LET IT RUN, YEAH #
1489
01:06:42,000 --> 01:06:46,836
# SHINE IT UP, REV IT UP #
# AND LET IT RUN, YEAH #
1490
01:06:46,902 --> 01:06:48,000
# IT GETS A HIGH RIDIN' OFF #
# INTO THE SUN, YEAH #
1491
01:06:48,000 --> 01:06:48,337
# IT GETS A HIGH RIDIN' OFF #
# INTO THE SUN, YEAH #
1492
01:06:48,404 --> 01:06:54,000
# IT GETS A HIGH RIDIN' OFF #
# INTO THE SUN #
1493
01:06:54,000 --> 01:06:57,012
# IT GETS A HIGH RIDIN' OFF #
# INTO THE SUN #
1494
01:06:57,079 --> 01:07:00,000
[CHEERS AND APPLAUSE]
>> ON THE RAM TRUCKS STAGE WITH
1495
01:07:00,000 --> 01:07:04,553
[CHEERS AND APPLAUSE]
>> ON THE RAM TRUCKS STAGE WITH
1496
01:07:04,620 --> 01:07:06,000
"DON'T COME LOOKIN'"
JACKSON DEAN!
1497
01:07:06,000 --> 01:07:10,025
"DON'T COME LOOKIN'"
JACKSON DEAN!
1498
01:07:14,730 --> 01:07:16,332
# GOT A HEAD #
# FULL O' NOISE #
1499
01:07:16,399 --> 01:07:18,000
# 'BOUT A HUNDRED #
# DIFFERENT THINGS #
1500
01:07:18,000 --> 01:07:18,134
# 'BOUT A HUNDRED #
# DIFFERENT THINGS #
1501
01:07:18,200 --> 01:07:21,103
# I'M TRYNA AVOID #
# I GOT A MIND #
1502
01:07:21,170 --> 01:07:24,000
# IN THE GUTTER #
# TROUBLE ON ONE HAND #
1503
01:07:24,000 --> 01:07:24,573
# IN THE GUTTER #
# TROUBLE ON ONE HAND #
1504
01:07:24,640 --> 01:07:28,344
# A BEER IN THE OTHER #
# GOT THE WINDOWS DOWN #
1505
01:07:28,411 --> 01:07:30,000
# AND MY FINGERS CROSSED #
# JUST LOOKING FOR #
1506
01:07:30,000 --> 01:07:34,183
# AND MY FINGERS CROSSED #
# JUST LOOKING FOR #
1507
01:07:34,250 --> 01:07:36,000
# A BRAND-NEW WAY #
# TO GET LOST #
1508
01:07:36,000 --> 01:07:40,489
# A BRAND-NEW WAY #
# TO GET LOST #
1509
01:07:40,556 --> 01:07:42,000
# SO LONG, FOUR WHEELS TURNIN' #
# GOT A TANK FULL OF GAS #
1510
01:07:42,000 --> 01:07:44,059
# SO LONG, FOUR WHEELS TURNIN' #
# GOT A TANK FULL OF GAS #
1511
01:07:44,126 --> 01:07:46,896
# DOWN THE ROAD I'M BURNIN' #
# CAN'T SAY I WOULD #
1512
01:07:46,962 --> 01:07:48,000
# AND I CAN'T SAY I WOULDN'T #
# AND IF I DON'T COME BACK #
1513
01:07:48,000 --> 01:07:51,267
# AND I CAN'T SAY I WOULDN'T #
# AND IF I DON'T COME BACK #
1514
01:07:51,333 --> 01:07:54,000
# DON'T COME A LOOKIN' #
[CHEERS AND APPLAUSE]
1515
01:07:54,000 --> 01:08:00,000
# DON'T COME A LOOKIN' #
[CHEERS AND APPLAUSE]
1516
01:08:00,000 --> 01:08:02,378
# DON'T COME A LOOKIN' #
[CHEERS AND APPLAUSE]
1517
01:08:02,445 --> 01:08:05,080
>> STILL TO HIT THE STAGE,
WE'VE GOT JELLY ROLL,
1518
01:08:05,147 --> 01:08:06,000
KELSEA BALLERINI,
AND KANE AND KATELYN BROWN.
1519
01:08:06,000 --> 01:08:07,850
KELSEA BALLERINI,
AND KANE AND KATELYN BROWN.
1520
01:08:07,917 --> 01:08:10,453
PLUS, SHANIA TWAIN PRESENTS
FEMALE VIDEO OF THE YEAR.
1521
01:08:10,519 --> 01:08:12,000
BUT UP NEXT, A POWERFUL
PERFORMANCE FROM GWEN STEFANI
1522
01:08:12,000 --> 01:08:12,855
BUT UP NEXT, A POWERFUL
PERFORMANCE FROM GWEN STEFANI
1523
01:08:12,922 --> 01:08:15,057
AND CARLY PEARCE.
1524
01:08:15,124 --> 01:08:18,000
FOLLOW @CMT FOR MORE BEHIND THE
SCENES AT THE CMT MUSIC AWARDS.
1525
01:08:18,000 --> 01:08:18,961
FOLLOW @CMT FOR MORE BEHIND THE
SCENES AT THE CMT MUSIC AWARDS.
1526
01:08:19,028 --> 01:08:21,797
TO SUPPORT RELIEF EFFORTS FOR
THOSE AFFECTED BY THE TORNADOES
1527
01:08:21,864 --> 01:08:24,000
IN THE SOUTH AND MIDWEST, PLEASE
VISIT www.RedCross.org/CMT.
1528
01:08:24,000 --> 01:08:30,000
IN THE SOUTH AND MIDWEST, PLEASE
VISIT www.RedCross.org/CMT.
1529
01:08:30,000 --> 01:08:30,105
IN THE SOUTH AND MIDWEST, PLEASE
VISIT www.RedCross.org/CMT.
1530
01:08:30,172 --> 01:08:33,909
>> THE 2023 CMT MUSIC AWARDS
SPONSORED BY
1531
01:08:33,976 --> 01:08:34,977
RAM TRUCKS, BUILT TO SERVE.
1532
01:08:43,419 --> 01:08:46,355
# #
>> WE HAVE A ROOM FULL OF
1533
01:08:46,422 --> 01:08:47,356
AMAZING COUNTRY FANS.
1534
01:08:47,423 --> 01:08:48,000
BUT I GOTTA KNOW,
WHERE MY GIRLS AT?
1535
01:08:48,000 --> 01:08:50,626
BUT I GOTTA KNOW,
WHERE MY GIRLS AT?
1536
01:08:50,693 --> 01:08:54,000
WE GOTTA HOLD ON TIGHT
BECAUSE WE ARE ALL ABOUT TO
1537
01:08:54,000 --> 01:08:57,366
WE GOTTA HOLD ON TIGHT
BECAUSE WE ARE ALL ABOUT TO
1538
01:08:57,433 --> 01:09:00,000
HAVE A SCREAM SING MOMENT
WITH THIS NEXT SONG.
1539
01:09:00,000 --> 01:09:00,369
HAVE A SCREAM SING MOMENT
WITH THIS NEXT SONG.
1540
01:09:00,436 --> 01:09:01,570
HERE WITH THE ICONIC
"JUST A GIRL,"
1541
01:09:01,637 --> 01:09:06,000
IT'S GWEN STEFANI
AND CARLY PEARCE!
1542
01:09:06,000 --> 01:09:12,000
IT'S GWEN STEFANI
AND CARLY PEARCE!
1543
01:09:12,000 --> 01:09:14,316
IT'S GWEN STEFANI
AND CARLY PEARCE!
1544
01:09:14,383 --> 01:09:16,919
# TAKE THIS PINK RIBBON #
# OFF MY EYES #
1545
01:09:16,986 --> 01:09:18,000
# I'M EXPOSED #
# IT'S NO BIG SURPRISE #
1546
01:09:18,000 --> 01:09:21,490
# I'M EXPOSED #
# IT'S NO BIG SURPRISE #
1547
01:09:21,557 --> 01:09:24,000
# DON'T YOU THINK I KNOW #
# EXACTLY WHERE I STAND #
1548
01:09:24,000 --> 01:09:28,330
# DON'T YOU THINK I KNOW #
# EXACTLY WHERE I STAND #
1549
01:09:28,397 --> 01:09:30,000
# THIS WORLD IS FORCING ME #
# TO HOLD YOUR HAND #
1550
01:09:30,000 --> 01:09:32,902
# THIS WORLD IS FORCING ME #
# TO HOLD YOUR HAND #
1551
01:09:32,968 --> 01:09:36,000
# 'CAUSE I'M JUST A GIRL #
# A LITTLE OL' ME #
1552
01:09:36,000 --> 01:09:36,872
# 'CAUSE I'M JUST A GIRL #
# A LITTLE OL' ME #
1553
01:09:36,939 --> 01:09:42,000
# WELL, DON'T LET ME #
# OUT OF YOUR SIGHT #
1554
01:09:42,000 --> 01:09:43,579
# WELL, DON'T LET ME #
# OUT OF YOUR SIGHT #
1555
01:09:43,646 --> 01:09:47,616
# I'M JUST A GIRL #
# ALL PRETTY AND PETITE #
1556
01:09:47,683 --> 01:09:48,000
# DON'T LET ME #
# HAVE ANY RIGHTS #
1557
01:09:48,000 --> 01:09:52,955
# DON'T LET ME #
# HAVE ANY RIGHTS #
1558
01:09:53,022 --> 01:09:54,000
# WHOA, I'VE HAD IT UP TO HERE #
# THE MOMENT #
1559
01:09:54,000 --> 01:10:00,000
# WHOA, I'VE HAD IT UP TO HERE #
# THE MOMENT #
1560
01:10:00,000 --> 01:10:01,430
# WHOA, I'VE HAD IT UP TO HERE #
# THE MOMENT #
1561
01:10:01,497 --> 01:10:04,700
# THAT I STEP OUTSIDE #
# SO MANY REASONS #
1562
01:10:04,767 --> 01:10:06,000
# FOR ME TO RUN AND HIDE #
# I CAN'T DO THE LITTLE THINGS #
1563
01:10:06,000 --> 01:10:09,605
# FOR ME TO RUN AND HIDE #
# I CAN'T DO THE LITTLE THINGS #
1564
01:10:09,672 --> 01:10:12,000
# I HOLD SO DEAR #
# 'CAUSE IT'S ALL THOSE #
1565
01:10:12,000 --> 01:10:12,608
# I HOLD SO DEAR #
# 'CAUSE IT'S ALL THOSE #
1566
01:10:12,675 --> 01:10:17,079
# LITTLE THINGS #
# THAT I FEAR #
1567
01:10:17,146 --> 01:10:18,000
# 'CAUSE I'M JUST A GIRL #
# I'D RATHER NOT BE #
1568
01:10:18,000 --> 01:10:21,717
# 'CAUSE I'M JUST A GIRL #
# I'D RATHER NOT BE #
1569
01:10:21,784 --> 01:10:24,000
# 'CAUSE THEY WON'T LET ME #
# DRIVE LATE AT NIGHT #
1570
01:10:24,000 --> 01:10:26,655
# 'CAUSE THEY WON'T LET ME #
# DRIVE LATE AT NIGHT #
1571
01:10:26,722 --> 01:10:29,124
# OH, I'M JUST A GIRL #
# GUESS I'M #
1572
01:10:29,191 --> 01:10:30,000
# SOME KIND OF FREAK #
# 'CAUSE THEY ALL #
1573
01:10:30,000 --> 01:10:31,293
# SOME KIND OF FREAK #
# 'CAUSE THEY ALL #
1574
01:10:31,360 --> 01:10:35,097
# SIT AND STARE #
# WITH THEIR EYES #
1575
01:10:35,164 --> 01:10:36,000
# OH, I'M JUST A GIRL #
# TAKE A GOOD LOOK AT ME #
1576
01:10:36,000 --> 01:10:39,368
# OH, I'M JUST A GIRL #
# TAKE A GOOD LOOK AT ME #
1577
01:10:39,435 --> 01:10:42,000
# JUST YOUR TYPICAL PROTOTYPE #
# WHOA #
1578
01:10:42,000 --> 01:10:46,709
# JUST YOUR TYPICAL PROTOTYPE #
# WHOA #
1579
01:10:46,775 --> 01:10:48,000
# I'VE HAD IT UP TO HERE #
1580
01:10:48,000 --> 01:10:51,246
# I'VE HAD IT UP TO HERE #
1581
01:10:54,617 --> 01:11:00,000
# #
# OH! #
1582
01:11:00,000 --> 01:11:06,000
# #
# OH! #
1583
01:11:06,000 --> 01:11:08,397
# #
# OH! #
1584
01:11:08,464 --> 01:11:12,000
# AM I MAKING MYSELF CLEAR #
# AM I MAKING MYSELF CLEAR #
1585
01:11:12,000 --> 01:11:15,638
# AM I MAKING MYSELF CLEAR #
# AM I MAKING MYSELF CLEAR #
1586
01:11:15,704 --> 01:11:18,000
# I'M JUST A GIRL #
# I'M JUST A GIRL #
1587
01:11:18,000 --> 01:11:20,943
# I'M JUST A GIRL #
# I'M JUST A GIRL #
1588
01:11:21,010 --> 01:11:24,000
# IN THE WORLD #
# 'CAUSE THAT'S ALL #
1589
01:11:24,000 --> 01:11:27,650
# IN THE WORLD #
# 'CAUSE THAT'S ALL #
1590
01:11:27,716 --> 01:11:30,000
# THAT YOU'LL LET ME BE! #
# 'CAUSE I'M JUST A GIRL #
1591
01:11:30,000 --> 01:11:30,386
# THAT YOU'LL LET ME BE! #
# 'CAUSE I'M JUST A GIRL #
1592
01:11:30,452 --> 01:11:34,056
# LIVING IN CAPTIVITY #
# YOUR RULE OF THUMB #
1593
01:11:34,123 --> 01:11:36,000
# MAKES ME WORRY SOME #
# OH, I'M JUST A GIRL #
1594
01:11:36,000 --> 01:11:40,062
# MAKES ME WORRY SOME #
# OH, I'M JUST A GIRL #
1595
01:11:40,129 --> 01:11:42,000
# YEAH, WHAT'S MY DESTINY #
# WHAT I'VE SUCCUMBED TO #
1596
01:11:42,000 --> 01:11:43,032
# YEAH, WHAT'S MY DESTINY #
# WHAT I'VE SUCCUMBED TO #
1597
01:11:43,098 --> 01:11:47,736
# IS MAKING ME NUMB #
# OH, I'M JUST A GIRL #
1598
01:11:47,803 --> 01:11:48,000
# MY APOLOGIES #
# WHAT I'VE BECOME
1599
01:11:48,000 --> 01:11:51,907
# MY APOLOGIES #
# WHAT I'VE BECOME
1600
01:11:51,974 --> 01:11:54,000
IS SO BURDENSOME #
# OH, I'M JUST A GIRL #
1601
01:11:54,000 --> 01:11:58,347
IS SO BURDENSOME #
# OH, I'M JUST A GIRL #
1602
01:11:58,414 --> 01:12:00,000
# YEAH, LUCKY ME #
# TWIDDLE-DUM #
1603
01:12:00,000 --> 01:12:00,582
# YEAH, LUCKY ME #
# TWIDDLE-DUM #
1604
01:12:00,649 --> 01:12:05,754
# THERE'S NO COMPARISON #
# OH #
1605
01:12:05,821 --> 01:12:06,000
# I'VE HAD IT UP TO #
# OH! #
1606
01:12:06,000 --> 01:12:10,059
# I'VE HAD IT UP TO #
# OH! #
1607
01:12:10,125 --> 01:12:12,000
# I'VE HAD IT UP TO #
# WHOA, WHOA,
1608
01:12:12,000 --> 01:12:16,799
# I'VE HAD IT UP TO #
# WHOA, WHOA,
1609
01:12:16,865 --> 01:12:18,000
OH, I'VE HAD IT UP TO HERE #
1610
01:12:18,000 --> 01:12:24,000
OH, I'VE HAD IT UP TO HERE #
1611
01:12:24,000 --> 01:12:27,710
OH, I'VE HAD IT UP TO HERE #
1612
01:12:30,212 --> 01:12:36,000
[CHEERS AND APPLAUSE]
>> ONCE AGAIN, SHANIA TWAIN!
1613
01:12:36,000 --> 01:12:40,656
[CHEERS AND APPLAUSE]
>> ONCE AGAIN, SHANIA TWAIN!
1614
01:12:40,723 --> 01:12:42,000
>> SINCE THIS NEXT CATEGORY
CHAMPIONS WOMEN IN COUNTRY MUSIC
1615
01:12:42,000 --> 01:12:43,559
>> SINCE THIS NEXT CATEGORY
CHAMPIONS WOMEN IN COUNTRY MUSIC
1616
01:12:43,625 --> 01:12:45,627
THAT I DEEPLY RESPECT AND
ADMIRE, IT'S THE PERFECT MOMENT
1617
01:12:45,694 --> 01:12:48,000
TO HIGHLIGHT
THE VOICES OF THIS CRAZY
1618
01:12:48,000 --> 01:12:50,632
TO HIGHLIGHT
THE VOICES OF THIS CRAZY
1619
01:12:50,699 --> 01:12:53,736
TALENTED FEMALE GROUP,
THE BOYKINZ.
1620
01:12:53,802 --> 01:12:54,000
LET'S DO THIS, GIRLS.
1621
01:12:54,000 --> 01:12:54,803
LET'S DO THIS, GIRLS.
1622
01:13:00,409 --> 01:13:02,411
SMILES FOR MILES.
1623
01:13:06,415 --> 01:13:08,417
WE AIN'T GOT TIME TO WASTE.
1624
01:13:16,358 --> 01:13:18,000
JUNK IN THE CITY #
# WHEN YOU GET STUCK, A LITTLE
1625
01:13:18,000 --> 01:13:21,363
JUNK IN THE CITY #
# WHEN YOU GET STUCK, A LITTLE
1626
01:13:24,366 --> 01:13:30,000
LOVE #
# OWN NAH, NAH, NAH, NAH #
1627
01:13:30,000 --> 01:13:30,305
LOVE #
# OWN NAH, NAH, NAH, NAH #
1628
01:13:30,372 --> 01:13:36,000
# GIDDYUP #
>> THANK YOU, GIRLS.
1629
01:13:36,000 --> 01:13:36,445
# GIDDYUP #
>> THANK YOU, GIRLS.
1630
01:13:36,512 --> 01:13:42,000
NOW HERE ARE THE NOMINEES
FOR FEMALE VIDEO OF THE YEAR.
1631
01:13:42,000 --> 01:13:45,320
NOW HERE ARE THE NOMINEES
FOR FEMALE VIDEO OF THE YEAR.
1632
01:13:45,387 --> 01:13:48,000
"WHAT HE DIDN'T DO"
CARLY PEARCE.
1633
01:13:48,000 --> 01:13:52,327
"WHAT HE DIDN'T DO"
CARLY PEARCE.
1634
01:13:52,394 --> 01:13:54,000
"GHOST STORY"
CARRIE UNDERWOOD.
1635
01:13:54,000 --> 01:13:57,933
"GHOST STORY"
CARRIE UNDERWOOD.
1636
01:13:58,000 --> 01:14:00,000
"PICK ME UP"
GABBY BARRETT.
1637
01:14:00,000 --> 01:14:03,705
"PICK ME UP"
GABBY BARRETT.
1638
01:14:03,772 --> 01:14:06,000
"HEARTFIRST"
KELSEA BALLERINI.
1639
01:14:06,000 --> 01:14:10,179
"HEARTFIRST"
KELSEA BALLERINI.
1640
01:14:10,245 --> 01:14:12,000
"HEART LIKE A TRUCK"
LAINEY WILSON.
1641
01:14:12,000 --> 01:14:16,618
"HEART LIKE A TRUCK"
LAINEY WILSON.
1642
01:14:16,685 --> 01:14:18,000
"HUMBLE QUEST"
MAREN MORRIS.
1643
01:14:18,000 --> 01:14:22,791
"HUMBLE QUEST"
MAREN MORRIS.
1644
01:14:22,858 --> 01:14:24,000
"ACTIN' UP"
MIRANDA LAMBERT.
1645
01:14:24,000 --> 01:14:29,765
"ACTIN' UP"
MIRANDA LAMBERT.
1646
01:14:29,832 --> 01:14:30,000
FEMALE VIDEO OF THE YEAR.
1647
01:14:30,000 --> 01:14:35,204
FEMALE VIDEO OF THE YEAR.
1648
01:14:35,270 --> 01:14:36,000
>> AND THE WINNER IS...
1649
01:14:36,000 --> 01:14:39,374
>> AND THE WINNER IS...
1650
01:14:39,441 --> 01:14:41,443
LAINEY WILSON.
1651
01:14:41,510 --> 01:14:42,000
"HEART LIKE A TRUCK."
1652
01:14:42,000 --> 01:14:46,315
"HEART LIKE A TRUCK."
1653
01:14:49,251 --> 01:14:54,000
# #
[CHEERS AND APPLAUSE]
1654
01:14:54,000 --> 01:15:00,000
# #
[CHEERS AND APPLAUSE]
1655
01:15:00,000 --> 01:15:04,132
# #
[CHEERS AND APPLAUSE]
1656
01:15:04,199 --> 01:15:06,000
# #
[CHEERS AND APPLAUSE]
1657
01:15:06,000 --> 01:15:09,638
# #
[CHEERS AND APPLAUSE]
1658
01:15:18,247 --> 01:15:20,249
# #
>> WHOO!
1659
01:15:36,531 --> 01:15:39,668
MY HEART IS ABOUT TO BE TRIED
OUT OF MY CHEST, I'LL BE HONEST
1660
01:15:39,735 --> 01:15:42,000
WITH Y'ALL.
1661
01:15:42,000 --> 01:15:42,471
WITH Y'ALL.
1662
01:15:42,537 --> 01:15:45,407
THIS SONG IS ABOUT FINDING
FREEDOM AND STRENGTH.
1663
01:15:45,474 --> 01:15:48,000
IT'S ABOUT NOT BEING AFRAID OF
THE SCRATCHES AND THE DENTS ON
1664
01:15:48,000 --> 01:15:50,512
IT'S ABOUT NOT BEING AFRAID OF
THE SCRATCHES AND THE DENTS ON
1665
01:15:50,579 --> 01:15:52,481
THE BUMPS ALONG THE WAY WE'VE
ALL GOT A STORY TO TELL AND I'M
1666
01:15:52,547 --> 01:15:54,000
SO PROUD OF THIS MUSIC VIDEO.
1667
01:15:54,000 --> 01:15:55,851
SO PROUD OF THIS MUSIC VIDEO.
1668
01:15:55,918 --> 01:16:00,000
IT WAS FILMED, PRODUCED, WRITTEN
AND DIRECTED BY ALL WOMEN.
1669
01:16:00,000 --> 01:16:00,055
IT WAS FILMED, PRODUCED, WRITTEN
AND DIRECTED BY ALL WOMEN.
1670
01:16:00,122 --> 01:16:04,660
CAN I GET TO "COME ON."
1671
01:16:04,726 --> 01:16:05,761
IT IS SO WILD.
1672
01:16:05,827 --> 01:16:06,000
I WANT TO SAY FIRST OF ALL,
THANK YOU, JESUS, FOR THIS
1673
01:16:06,000 --> 01:16:09,932
I WANT TO SAY FIRST OF ALL,
THANK YOU, JESUS, FOR THIS
1674
01:16:09,998 --> 01:16:11,133
OPPORTUNITY.
1675
01:16:11,199 --> 01:16:12,000
AND I WANT TO SAY THANK YOU,
CMT, FOR LITERALLY BELIEVING IN
1676
01:16:12,000 --> 01:16:18,000
AND I WANT TO SAY THANK YOU,
CMT, FOR LITERALLY BELIEVING IN
1677
01:16:18,000 --> 01:16:18,907
AND I WANT TO SAY THANK YOU,
CMT, FOR LITERALLY BELIEVING IN
1678
01:16:18,974 --> 01:16:21,343
ME BEFORE A LOT OF FOLKS DID.
1679
01:16:21,410 --> 01:16:24,000
BUT I ALSO WANT TO SAY THANK YOU
SO MUCH TO THE FANS.
1680
01:16:24,000 --> 01:16:24,146
BUT I ALSO WANT TO SAY THANK YOU
SO MUCH TO THE FANS.
1681
01:16:24,212 --> 01:16:27,382
I FEEL LIKE I AM WATCHING MY
DREAMS COME TRUE RIGHT BEFORE MY
1682
01:16:27,449 --> 01:16:30,000
EYES, TRULY, Y'ALL.
1683
01:16:30,000 --> 01:16:33,355
EYES, TRULY, Y'ALL.
1684
01:16:33,422 --> 01:16:35,624
THIS IS FOR Y'ALL.
1685
01:16:35,691 --> 01:16:36,000
I LOVE Y'ALL SO MUCH.
1686
01:16:36,000 --> 01:16:36,625
I LOVE Y'ALL SO MUCH.
1687
01:16:36,692 --> 01:16:37,626
THANK YOU.
1688
01:16:37,693 --> 01:16:39,695
GOD BLESS Y'ALL.
1689
01:16:45,000 --> 01:16:47,069
>> JELLY ROLL IS ABOUT TO TAKE
OVER THE STAGE.
1690
01:16:47,135 --> 01:16:48,000
PLUS, ALANIS MORISSETTE
CELEBRATES THE TENTH ANNIVERSARY
1691
01:16:48,000 --> 01:16:50,706
PLUS, ALANIS MORISSETTE
CELEBRATES THE TENTH ANNIVERSARY
1692
01:16:50,772 --> 01:16:52,874
OF CMT'S NEXT WOMEN OF COUNTRY
WITH LAINEY WILSON,
1693
01:16:52,941 --> 01:16:54,000
INGRID ANDRESS,
MADELINE EDWARDS,
1694
01:16:54,000 --> 01:16:54,309
INGRID ANDRESS,
MADELINE EDWARDS,
1695
01:16:54,376 --> 01:16:57,312
AND MORGAN WADE.
1696
01:16:57,379 --> 01:17:00,000
VOTING IS STILL OPEN
FOR THE VIDEO OF THE YEAR.
1697
01:17:00,000 --> 01:17:00,716
VOTING IS STILL OPEN
FOR THE VIDEO OF THE YEAR.
1698
01:17:00,782 --> 01:17:02,884
CAST YOUR VOTES RIGHT NOW ON THE
CMT MUSIC AWARDS FACEBOOK PAGE.
1699
01:17:02,951 --> 01:17:04,953
THE VOTING IS PRESENTED BY
RAM TRUCKS.
1700
01:17:05,020 --> 01:17:06,000
THE CMT MUSIC
AWARDS CONTINUES.
1701
01:17:06,000 --> 01:17:06,888
THE CMT MUSIC
AWARDS CONTINUES.
1702
01:17:06,955 --> 01:17:07,522
LIVE FROM AUSTIN, TEXAS.
1703
01:17:07,589 --> 01:17:08,590
THIS IS CBS.
1704
01:17:28,910 --> 01:17:30,000
# #
>> NICE SHIRT, RIGHT?
1705
01:17:30,000 --> 01:17:35,851
# #
>> NICE SHIRT, RIGHT?
1706
01:17:35,917 --> 01:17:36,000
MUSIC HAS THE POWER TO UNITE,
HEAL, AND CHANGE LIVES AND
1707
01:17:36,000 --> 01:17:38,854
MUSIC HAS THE POWER TO UNITE,
HEAL, AND CHANGE LIVES AND
1708
01:17:38,920 --> 01:17:40,856
THAT'S WHY WE ARE ALL PROUD TO
SUPPORT ST. JUDE'S CHILDREN'S
1709
01:17:40,922 --> 01:17:42,000
RESEARCH HOSPITAL FLIGHT TO END
CHILDHOOD CANCER.
1710
01:17:42,000 --> 01:17:46,862
RESEARCH HOSPITAL FLIGHT TO END
CHILDHOOD CANCER.
1711
01:17:46,928 --> 01:17:48,000
YOU CAN GET YOUR OWN SHIRT BY
VISITING MusicGives.org
1712
01:17:48,000 --> 01:17:49,831
YOU CAN GET YOUR OWN SHIRT BY
VISITING MusicGives.org
1713
01:17:49,898 --> 01:17:51,867
ALL PROCEEDS GO TO ST. JUDE
TO ENSURE NO FAMILY EVER
1714
01:17:51,933 --> 01:17:53,068
RECEIVES A BILL FROM ST. JUDE
FOR TREATMENT, TRAVEL, HOUSIG
1715
01:17:53,135 --> 01:17:54,000
OR FOOD.
1716
01:17:54,000 --> 01:17:54,269
OR FOOD.
1717
01:17:54,336 --> 01:17:58,573
THIS NEXT ARTIST CAN BE CALLED
ROCK OR HIP HOP, BUT HIS HEART
1718
01:17:58,640 --> 01:18:00,000
IS ALL COUNTRY.
1719
01:18:00,000 --> 01:18:06,000
IS ALL COUNTRY.
1720
01:18:06,000 --> 01:18:07,883
IS ALL COUNTRY.
1721
01:18:07,949 --> 01:18:09,951
HE'S ALREADY A WINNER TONIGHT.
1722
01:18:10,018 --> 01:18:12,000
TEXAS, GIVE SOME LOVE
TO JELLY ROLL!
1723
01:18:12,000 --> 01:18:13,021
TEXAS, GIVE SOME LOVE
TO JELLY ROLL!
1724
01:18:20,862 --> 01:18:22,864
# #
HOME
1725
01:18:37,913 --> 01:18:42,000
OH, OH, OH, OH #
# HAIL MARY
1726
01:18:42,000 --> 01:18:48,000
OH, OH, OH, OH #
# HAIL MARY
1727
01:18:48,000 --> 01:18:50,859
OH, OH, OH, OH #
# HAIL MARY
1728
01:18:50,926 --> 01:18:54,000
# I ONLY TALK TO GOD #
# WHEN I NEED A FAVOR #
1729
01:18:54,000 --> 01:18:56,731
# I ONLY TALK TO GOD #
# WHEN I NEED A FAVOR #
1730
01:18:56,798 --> 01:19:00,000
# AND I ONLY PRAY #
# WHEN I AIN'T GOT A PRAYER #
1731
01:19:00,000 --> 01:19:02,404
# AND I ONLY PRAY #
# WHEN I AIN'T GOT A PRAYER #
1732
01:19:02,471 --> 01:19:03,772
# SO WHO THE HELL #
# AM I #
1733
01:19:03,839 --> 01:19:06,000
# WHO THE HELL AM I #
# TO EXPECT A SAVIOR #
1734
01:19:06,000 --> 01:19:06,708
# WHO THE HELL AM I #
# TO EXPECT A SAVIOR #
1735
01:19:06,775 --> 01:19:12,000
# OH #
# WHEN I ONLY TALK TO GOD #
1736
01:19:12,000 --> 01:19:17,686
# OH #
# WHEN I ONLY TALK TO GOD #
1737
01:19:17,752 --> 01:19:18,000
IF I NEED A FAVOR #
# BUT, GOD, I NEED A FAVOR #
1738
01:19:18,000 --> 01:19:20,155
IF I NEED A FAVOR #
# BUT, GOD, I NEED A FAVOR #
1739
01:19:20,222 --> 01:19:21,389
# I KNOW AMAZIN' GRACE #
# BUT I AIN'T BEEN #
1740
01:19:21,456 --> 01:19:24,000
# LIVIN' THEM WORDS #
# I SWEAR I SPEND MOST SUNDAYS #
1741
01:19:24,000 --> 01:19:24,493
# LIVIN' THEM WORDS #
# I SWEAR I SPEND MOST SUNDAYS #
1742
01:19:24,559 --> 01:19:27,762
# DRUNK OFF MY ASS #
# THAN I HAVE AT CHURCH #
1743
01:19:27,829 --> 01:19:30,000
# HARD COVER KING JAMES #
# ONLY BEEN SAVIN' DUST #
1744
01:19:30,000 --> 01:19:32,200
# HARD COVER KING JAMES #
# ONLY BEEN SAVIN' DUST #
1745
01:19:32,267 --> 01:19:35,904
# ON THE NIGHTSTAND #
# AND I DON'T KNOW WHAT TO SAY #
1746
01:19:35,971 --> 01:19:36,000
# BY THE TIME I FOLD MY HANDS #
# I ONLY TALK TO GOD #
1747
01:19:36,000 --> 01:19:40,308
# BY THE TIME I FOLD MY HANDS #
# I ONLY TALK TO GOD #
1748
01:19:40,375 --> 01:19:42,000
# WHEN I NEED A FAVOR #
# AND I ONLY PRAY #
1749
01:19:42,000 --> 01:19:45,447
# WHEN I NEED A FAVOR #
# AND I ONLY PRAY #
1750
01:19:45,514 --> 01:19:48,000
# WHEN I AIN'T GOT A PRAYER #
# SO WHO THE HELL AM I #
1751
01:19:48,000 --> 01:19:52,754
# WHEN I AIN'T GOT A PRAYER #
# SO WHO THE HELL AM I #
1752
01:19:52,821 --> 01:19:54,000
# WHO THE HELL AM I #
# TO EXPECT A SAVIOR #
1753
01:19:54,000 --> 01:19:54,956
# WHO THE HELL AM I #
# TO EXPECT A SAVIOR #
1754
01:19:55,023 --> 01:19:59,961
# OH #
# IF I ONLY TALK TO GOD #
1755
01:20:00,028 --> 01:20:06,000
# WHEN I NEED A FAVOR #
# AND, GOD, I NEED A FAVOR #
1756
01:20:06,000 --> 01:20:09,070
# WHEN I NEED A FAVOR #
# AND, GOD, I NEED A FAVOR #
1757
01:20:09,137 --> 01:20:11,106
YEAH #
# YEAH, I OWE YOU #
1758
01:20:11,173 --> 01:20:12,000
# MORE THAN ONE #
# AND BEGGARS CAN'T BE
1759
01:20:12,000 --> 01:20:12,774
# MORE THAN ONE #
# AND BEGGARS CAN'T BE
1760
01:20:12,841 --> 01:20:17,078
CHOOSERS #
# BUT I'LL PAY #
1761
01:20:17,145 --> 01:20:18,000
# FOR ALL I'VE DONE #
# JUST PLEASE #
1762
01:20:18,000 --> 01:20:18,880
# FOR ALL I'VE DONE #
# JUST PLEASE #
1763
01:20:18,947 --> 01:20:23,285
# DON'T LET ME LOSE HER #
# I ONLY TALK TO GOD #
1764
01:20:23,351 --> 01:20:24,000
# WHEN I NEED A FAVOR #
# AND I ONLY PRAY #
1765
01:20:24,000 --> 01:20:28,823
# WHEN I NEED A FAVOR #
# AND I ONLY PRAY #
1766
01:20:28,890 --> 01:20:30,000
# WHEN I AIN'T GOT A PRAYER #
# SO WHO THE HELL AM I #
1767
01:20:30,000 --> 01:20:33,828
# WHEN I AIN'T GOT A PRAYER #
# SO WHO THE HELL AM I #
1768
01:20:33,895 --> 01:20:36,000
# WHO THE HELL AM I #
# TO EXPECT A SAVIOR #
1769
01:20:36,000 --> 01:20:37,632
# WHO THE HELL AM I #
# TO EXPECT A SAVIOR #
1770
01:20:37,699 --> 01:20:41,403
# OH #
# IF I ONLY TALK TO GOD #
1771
01:20:41,469 --> 01:20:42,000
# WHEN I NEED A FAVOR #
# AND, GOD, I NEED A FAVOR #
1772
01:20:42,000 --> 01:20:48,000
# WHEN I NEED A FAVOR #
# AND, GOD, I NEED A FAVOR #
1773
01:20:48,000 --> 01:20:53,515
# WHEN I NEED A FAVOR #
# AND, GOD, I NEED A FAVOR #
1774
01:20:55,350 --> 01:21:00,000
# #
# HANGIN' IN THERE #
1775
01:21:00,000 --> 01:21:00,121
# #
# HANGIN' IN THERE #
1776
01:21:00,188 --> 01:21:02,390
# JUST BARELY #
# THROWIN' UP PRAYERS #
1777
01:21:02,457 --> 01:21:05,961
# LIKE HAIL MARYS #
# IF YOU'RE STILL THERE #
1778
01:21:06,027 --> 01:21:07,862
# LORD, SPARE ME #
# OH, MY GOD #
1779
01:21:07,929 --> 01:21:09,764
# OH, MY GOD #
# HAIL MARY #
1780
01:21:09,831 --> 01:21:12,000
# HANGIN' IN THERE #
# JUST BARELY #
1781
01:21:12,000 --> 01:21:12,767
# HANGIN' IN THERE #
# JUST BARELY #
1782
01:21:12,834 --> 01:21:16,571
# THROWIN' UP PRAYERS #
# LIKE HAIL MARYS #
1783
01:21:16,638 --> 01:21:18,000
# IF YOU'RE STILL THERE #
# LORD, SPARE ME #
1784
01:21:18,000 --> 01:21:24,000
# IF YOU'RE STILL THERE #
# LORD, SPARE ME #
1785
01:21:24,000 --> 01:21:24,412
# IF YOU'RE STILL THERE #
# LORD, SPARE ME #
1786
01:21:24,479 --> 01:21:25,714
CMT!
1787
01:21:25,780 --> 01:21:28,783
# I ONLY TALK TO GOD #
# WHEN I NEED A FAVOR #
1788
01:21:28,850 --> 01:21:30,000
# AND I ONLY PRAY #
# WHEN I AIN'T GOT A PRAYER #
1789
01:21:30,000 --> 01:21:36,000
# AND I ONLY PRAY #
# WHEN I AIN'T GOT A PRAYER #
1790
01:21:36,000 --> 01:21:36,424
# AND I ONLY PRAY #
# WHEN I AIN'T GOT A PRAYER #
1791
01:21:36,491 --> 01:21:42,000
# WHO THE HELL AM I #
# TO EXPECT A SAVIOR #
1792
01:21:42,000 --> 01:21:42,230
# WHO THE HELL AM I #
# TO EXPECT A SAVIOR #
1793
01:21:42,297 --> 01:21:45,100
ONLY TALK TO GOD #
# WHEN I NEED A FAVOR #
1794
01:21:45,166 --> 01:21:48,000
# AND, GOD, I NEED A FAVOR #
# AMEN #
1795
01:21:48,000 --> 01:21:54,000
# AND, GOD, I NEED A FAVOR #
# AMEN #
1796
01:21:54,000 --> 01:21:58,380
# AND, GOD, I NEED A FAVOR #
# AMEN #
1797
01:21:58,446 --> 01:22:00,000
# AMEN #
[CHEERS AND APPLAUSE]
1798
01:22:00,000 --> 01:22:06,000
# AMEN #
[CHEERS AND APPLAUSE]
1799
01:22:06,000 --> 01:22:10,625
# AMEN #
[CHEERS AND APPLAUSE]
1800
01:22:10,692 --> 01:22:12,000
>> FROM THE HIT NETFLIX SERIES
"OUTER BANKS," PLEASE WELCOME
1801
01:22:12,000 --> 01:22:13,595
>> FROM THE HIT NETFLIX SERIES
"OUTER BANKS," PLEASE WELCOME
1802
01:22:13,662 --> 01:22:18,000
MADISON BAILEY AND CHARLES
ESTEN.
1803
01:22:18,000 --> 01:22:20,001
MADISON BAILEY AND CHARLES
ESTEN.
1804
01:22:20,068 --> 01:22:24,000
>> JELLY ROLL!
1805
01:22:24,000 --> 01:22:25,340
>> JELLY ROLL!
1806
01:22:25,407 --> 01:22:28,710
>> MADDIE, EVERYONE KNOWS
THAT WINNING A CMT
1807
01:22:28,777 --> 01:22:30,000
MUSIC AWARD IS A HUGE HONOR.
1808
01:22:30,000 --> 01:22:30,045
MUSIC AWARD IS A HUGE HONOR.
1809
01:22:30,111 --> 01:22:33,581
YOU GET RECOGNITION, YOU GET TO
MAKE A COOL SPEECH, AND YOU GET
1810
01:22:33,648 --> 01:22:36,000
TO GO HOME WITH A TROPHY THAT
IF I'M HONEST
1811
01:22:36,000 --> 01:22:38,053
TO GO HOME WITH A TROPHY THAT
IF I'M HONEST
1812
01:22:38,119 --> 01:22:38,820
LOOKS LIKE A PIECE OF TREASURE.
1813
01:22:38,887 --> 01:22:41,556
>> IT DOES A LITTLE.
1814
01:22:41,623 --> 01:22:42,000
AND IF ANYBODY KNOWS HOW HARD
IT IS TO GET YOUR HANDS ON
1815
01:22:42,000 --> 01:22:44,826
AND IF ANYBODY KNOWS HOW HARD
IT IS TO GET YOUR HANDS ON
1816
01:22:44,893 --> 01:22:48,000
TREASURE, IT'S US.
1817
01:22:48,000 --> 01:22:50,532
TREASURE, IT'S US.
1818
01:22:50,598 --> 01:22:54,000
>> THAT'S WHY I'VE HIDDEN THE
TROPHY SOMEWHERE IN THE VENUE,
1819
01:22:54,000 --> 01:22:55,070
>> THAT'S WHY I'VE HIDDEN THE
TROPHY SOMEWHERE IN THE VENUE,
1820
01:22:55,136 --> 01:23:00,000
AND ONLY THE MOST NOBLE AND
RESILIENT HEART WILL FIND IT.
1821
01:23:00,000 --> 01:23:03,144
AND ONLY THE MOST NOBLE AND
RESILIENT HEART WILL FIND IT.
1822
01:23:03,211 --> 01:23:06,000
>> WE TALKED ABOUT THIS.
1823
01:23:06,000 --> 01:23:06,348
>> WE TALKED ABOUT THIS.
1824
01:23:06,414 --> 01:23:12,000
I THOUGHT WE WERE GOING TO
JUST GIVE IT TO THEM.
1825
01:23:12,000 --> 01:23:18,000
I THOUGHT WE WERE GOING TO
JUST GIVE IT TO THEM.
1826
01:23:18,000 --> 01:23:20,729
I THOUGHT WE WERE GOING TO
JUST GIVE IT TO THEM.
1827
01:23:20,795 --> 01:23:24,000
>> FROM CMT GIANTS, VINCE GILL,
WHENEVER YOU COME AROUND.
1828
01:23:24,000 --> 01:23:30,000
>> FROM CMT GIANTS, VINCE GILL,
WHENEVER YOU COME AROUND.
1829
01:23:30,000 --> 01:23:30,271
>> FROM CMT GIANTS, VINCE GILL,
WHENEVER YOU COME AROUND.
1830
01:23:30,338 --> 01:23:33,975
FROM 2022 CMT MUSIC AWARDS.
1831
01:23:34,042 --> 01:23:35,143
CODY JOHNSON.
1832
01:23:35,210 --> 01:23:36,000
"NEVER SAY NEVER"
COLE SWINDELL & LAINEY WILSON.
1833
01:23:36,000 --> 01:23:42,000
"NEVER SAY NEVER"
COLE SWINDELL & LAINEY WILSON.
1834
01:23:42,000 --> 01:23:43,385
"NEVER SAY NEVER"
COLE SWINDELL & LAINEY WILSON.
1835
01:23:43,451 --> 01:23:44,819
"LET HER CRY"
DARIUS RUCKER
1836
01:23:44,886 --> 01:23:46,454
FROM COAL MINER'S DAUGHTER
CELEBRATION OF THE LIFE & MUSIC
1837
01:23:46,521 --> 01:23:48,000
OF LORETTA LYNN.
1838
01:23:48,000 --> 01:23:49,824
OF LORETTA LYNN.
1839
01:23:49,891 --> 01:23:54,000
"LAY ME DOWN"
EMMY RUSSELL & LUKAS NELSON.
1840
01:23:54,000 --> 01:23:54,195
"LAY ME DOWN"
EMMY RUSSELL & LUKAS NELSON.
1841
01:23:54,262 --> 01:23:57,399
FROM 2022 CMT MUSIC AWARDS.
1842
01:23:57,465 --> 01:23:58,299
"WILD HEARTS"
KEITH URBAN
1843
01:23:58,366 --> 01:24:00,000
FROM CMT CROSSROADS:
LEANN RIMES & FRIENDS
1844
01:24:00,000 --> 01:24:00,969
FROM CMT CROSSROADS:
LEANN RIMES & FRIENDS
1845
01:24:01,035 --> 01:24:05,840
"ONE WAY TICKET"
LEANN RIMES WITH ASHLEY MCBRYDE
1846
01:24:05,907 --> 01:24:06,000
AND CARLY PEARCE
FROM 2022 CMT MUSIC AWARDS.
1847
01:24:06,000 --> 01:24:11,946
AND CARLY PEARCE
FROM 2022 CMT MUSIC AWARDS.
1848
01:24:12,013 --> 01:24:13,848
"LOVE CAN BUILD A BRIDGE"
THE JUDDS
1849
01:24:13,915 --> 01:24:15,984
FROM NAOMI JUDD: A RIVER OF TIME
CELEBRATION.
1850
01:24:16,050 --> 01:24:18,000
"THE ROSE"
WYNONNA JUDD & BRANDI CARLILE
1851
01:24:18,000 --> 01:24:21,923
"THE ROSE"
WYNONNA JUDD & BRANDI CARLILE
1852
01:24:21,990 --> 01:24:24,000
CMT PERFORMANCE OF THE YEAR.
1853
01:24:24,000 --> 01:24:25,093
CMT PERFORMANCE OF THE YEAR.
1854
01:24:25,160 --> 01:24:30,000
>> AND THE WINNER IS...
1855
01:24:30,000 --> 01:24:30,498
>> AND THE WINNER IS...
1856
01:24:30,565 --> 01:24:36,000
CODY JOHNSON, "TIL YOU CAN'T."
1857
01:24:36,000 --> 01:24:41,142
CODY JOHNSON, "TIL YOU CAN'T."
1858
01:24:44,579 --> 01:24:48,000
# #
1859
01:24:48,000 --> 01:24:54,000
# #
1860
01:24:54,000 --> 01:24:59,461
# #
1861
01:24:59,527 --> 01:25:00,000
# #
1862
01:25:00,000 --> 01:25:01,896
# #
1863
01:25:02,530 --> 01:25:06,000
>> # IF YOU'VE GOT A CHANCE,
TAKE IT.
1864
01:25:06,000 --> 01:25:06,634
>> # IF YOU'VE GOT A CHANCE,
TAKE IT.
1865
01:25:06,701 --> 01:25:12,000
IF YOU'VE GOT A DREAM, SHE
SAID #
1866
01:25:12,000 --> 01:25:14,943
IF YOU'VE GOT A DREAM, SHE
SAID #
1867
01:25:15,009 --> 01:25:18,000
>> ONCE AGAIN, I DIDN'T PREPARE
ANYTHING TO SAY.
1868
01:25:18,000 --> 01:25:20,582
>> ONCE AGAIN, I DIDN'T PREPARE
ANYTHING TO SAY.
1869
01:25:20,648 --> 01:25:24,000
I WILL SAY TONIGHT IT'S GREAT TO
BE IN MY HOME STATE OF TEXAS.
1870
01:25:24,000 --> 01:25:25,086
I WILL SAY TONIGHT IT'S GREAT TO
BE IN MY HOME STATE OF TEXAS.
1871
01:25:25,153 --> 01:25:30,000
[CHEERS AND APPLAUSE]
BEFORE I THANK WARNER MUSIC
1872
01:25:30,000 --> 01:25:31,526
[CHEERS AND APPLAUSE]
BEFORE I THANK WARNER MUSIC
1873
01:25:31,593 --> 01:25:35,430
NASHVILLE, BEFORE I THINK MY
BAND, MY CREW, THIS IS
1874
01:25:35,497 --> 01:25:36,000
PERFORMANCE OF THE YEAR.
1875
01:25:36,000 --> 01:25:36,598
PERFORMANCE OF THE YEAR.
1876
01:25:36,664 --> 01:25:41,936
MY BAND AND MY CREW, THEY HAVE
WORKED TO THEIR TAIL OFF FOR
1877
01:25:42,003 --> 01:25:43,271
THIS.
1878
01:25:43,338 --> 01:25:45,673
WHAT I PERSONALLY WOULD LIKE
BEFORE I DO THE SAME OLD SPEECH
1879
01:25:45,740 --> 01:25:48,000
MOST PEOPLE DO IS WHAT I WOULD
LIKE IS FOR EVERYBODY IN HERE
1880
01:25:48,000 --> 01:25:48,710
MOST PEOPLE DO IS WHAT I WOULD
LIKE IS FOR EVERYBODY IN HERE
1881
01:25:48,776 --> 01:25:53,047
ALL AT ONCE, ARE YOU HAVING FUN
AT THE CMT AWARDS?
1882
01:25:53,114 --> 01:25:54,000
MAKE SOME NOISE.
1883
01:25:54,000 --> 01:25:56,651
MAKE SOME NOISE.
1884
01:25:56,718 --> 01:26:00,000
THAT'S WHAT PERFORMANCE IS ABOUT
AND THAT'S WHAT MY PERFORMANCE
1885
01:26:00,000 --> 01:26:00,188
THAT'S WHAT PERFORMANCE IS ABOUT
AND THAT'S WHAT MY PERFORMANCE
1886
01:26:00,255 --> 01:26:01,856
IS ABOUT, YOUR PLEASURE.
1887
01:26:01,923 --> 01:26:02,891
THANK YOU SO MUCH.
1888
01:26:02,957 --> 01:26:06,000
GOD BLESS YOU.
1889
01:26:06,000 --> 01:26:06,961
GOD BLESS YOU.
1890
01:26:13,234 --> 01:26:16,871
THE BLACK CROWES TAKE THE STAGE
WITH DARIUS RUCKER,
1891
01:26:16,938 --> 01:26:18,000
HEAD TO YOUTUBE TO GO BACKSTAGE
AT THE CMT MUSIC AWARDS!
1892
01:26:18,000 --> 01:26:19,908
HEAD TO YOUTUBE TO GO BACKSTAGE
AT THE CMT MUSIC AWARDS!
1893
01:26:19,974 --> 01:26:22,577
WE'RE LIVE NOW.
1894
01:26:22,644 --> 01:26:24,000
THIS IS CBS.
1895
01:26:24,000 --> 01:26:24,646
THIS IS CBS.
1896
01:26:26,581 --> 01:26:30,000
>> THE 2023 CMT MUSIC AWARDS
SPONSORED BY LACTAID.
1897
01:26:30,000 --> 01:26:30,552
>> THE 2023 CMT MUSIC AWARDS
SPONSORED BY LACTAID.
1898
01:26:30,618 --> 01:26:31,619
TRY TELLING OUR FARMERS
IT ISN'T REAL MILK.
1899
01:26:47,001 --> 01:26:48,000
>> PLEASE WELCOME SUPER BOWL
CHAMPION AND COUNTRY MUSIC
1900
01:26:48,000 --> 01:26:48,870
>> PLEASE WELCOME SUPER BOWL
CHAMPION AND COUNTRY MUSIC
1901
01:26:48,937 --> 01:26:54,000
SUPERFAN,
FROM THE KANSAS CITY CHIEFS,
1902
01:26:54,000 --> 01:26:54,342
SUPERFAN,
FROM THE KANSAS CITY CHIEFS,
1903
01:26:54,409 --> 01:26:56,945
TRAVIS KELCE!
1904
01:26:57,011 --> 01:26:58,012
>> CMT, HOW ARE WE FEELING?
1905
01:26:58,079 --> 01:27:00,000
IT'S AN HONOR TO BE HERE
TONIGHT.
1906
01:27:00,000 --> 01:27:02,951
IT'S AN HONOR TO BE HERE
TONIGHT.
1907
01:27:03,017 --> 01:27:06,000
AFTER SPENDING THE ENTIRE
MORNING IN SOUND CHECK AND THEN
1908
01:27:06,000 --> 01:27:07,956
AFTER SPENDING THE ENTIRE
MORNING IN SOUND CHECK AND THEN
1909
01:27:08,022 --> 01:27:11,893
HOURS IN HAIR AND MAKE-UP, IT
TURNS OUT I'M NOT THE KELSEA
1910
01:27:11,960 --> 01:27:12,000
EVERYONE WANTED TO SEE PERFORM.
1911
01:27:12,000 --> 01:27:15,863
EVERYONE WANTED TO SEE PERFORM.
1912
01:27:15,930 --> 01:27:18,000
BUT IF YOU WANT TO SEE ME SING
I'LL BE IN THE
1913
01:27:18,000 --> 01:27:18,266
BUT IF YOU WANT TO SEE ME SING
I'LL BE IN THE
1914
01:27:18,333 --> 01:27:20,668
PARKING LOT AFTER THE SHOW.
1915
01:27:20,735 --> 01:27:24,000
GOING CRAZY ON "WAGON WHEEL,"
A LITTLE BIG GREEN TRACTOR.
1916
01:27:24,000 --> 01:27:26,708
GOING CRAZY ON "WAGON WHEEL,"
A LITTLE BIG GREEN TRACTOR.
1917
01:27:26,774 --> 01:27:27,575
I LOVE THIS NEXT ARTIST.
1918
01:27:27,642 --> 01:27:29,210
WE RECENTLY GOT TO DO
SNL TOGETHER.
1919
01:27:29,277 --> 01:27:30,000
SHE'S BEEN KILLING IT TONIGHT.
1920
01:27:30,000 --> 01:27:30,612
SHE'S BEEN KILLING IT TONIGHT.
1921
01:27:30,678 --> 01:27:36,000
MY FRIEND,
KELSEA BALLERINI!
1922
01:27:36,000 --> 01:27:36,451
MY FRIEND,
KELSEA BALLERINI!
1923
01:27:38,987 --> 01:27:42,000
# #
>> YOU FEELING GOOD, Y'ALL?
1924
01:27:42,000 --> 01:27:48,000
# #
>> YOU FEELING GOOD, Y'ALL?
1925
01:27:48,000 --> 01:27:50,999
# #
>> YOU FEELING GOOD, Y'ALL?
1926
01:27:51,065 --> 01:27:52,467
# I'VE KNOWN YOU #
# SINCE BRAD AND ANGELINA #
1927
01:27:52,533 --> 01:27:54,000
# WE GO BACK LIKE PONTIAC
SEATS #
1928
01:27:54,000 --> 01:27:54,869
# WE GO BACK LIKE PONTIAC
SEATS #
1929
01:27:54,936 --> 01:27:57,138
# IF I GOT AN AISLE #
# WITH A MESS I GOTTA CLEAN UP #
1930
01:27:57,205 --> 01:28:00,000
# I KNOW YOU'LL BE #
# SHOWIN' UP WITH BLEACH #
1931
01:28:00,000 --> 01:28:03,611
# I KNOW YOU'LL BE #
# SHOWIN' UP WITH BLEACH #
1932
01:28:03,678 --> 01:28:06,000
# ALL THOSE NAMES #
# THAT WE DON'T EVER SPEAK OF #
1933
01:28:06,000 --> 01:28:06,981
# ALL THOSE NAMES #
# THAT WE DON'T EVER SPEAK OF #
1934
01:28:07,048 --> 01:28:10,485
# GOT A COUPLE NIGHTS #
# THAT HAVE SLIPPED MY MIND #
1935
01:28:10,551 --> 01:28:12,000
# PROOF AND PHOTOGRAPHS #
# HAVE BEEN DELETED #
1936
01:28:12,000 --> 01:28:14,155
# PROOF AND PHOTOGRAPHS #
# HAVE BEEN DELETED #
1937
01:28:14,222 --> 01:28:18,000
# IF YOU EVER NEEDED AN ALIBI #
# 'CAUSE DIRT ON YOU #
1938
01:28:18,000 --> 01:28:18,126
# IF YOU EVER NEEDED AN ALIBI #
# 'CAUSE DIRT ON YOU #
1939
01:28:18,192 --> 01:28:21,529
# IS DIRT ON ME #
# AND WE BOTH KNOW #
1940
01:28:21,596 --> 01:28:24,000
# OUR HANDS AIN'T CLEAN #
# IF IT ALL BLOWS UP #
1941
01:28:24,000 --> 01:28:25,133
# OUR HANDS AIN'T CLEAN #
# IF IT ALL BLOWS UP #
1942
01:28:25,199 --> 01:28:28,136
# AND WE END UP ON THE NEWS #
# IF YOU GO DOWN #
1943
01:28:28,202 --> 01:28:30,000
# I'M GOIN' DOWN TOO #
THAT'S RIGHT.
1944
01:28:30,000 --> 01:28:36,000
# I'M GOIN' DOWN TOO #
THAT'S RIGHT.
1945
01:28:36,000 --> 01:28:39,047
# I'M GOIN' DOWN TOO #
THAT'S RIGHT.
1946
01:28:39,113 --> 01:28:40,448
# IT'S A GOOD THING #
# WE'RE EACH OTHER'S #
1947
01:28:40,515 --> 01:28:42,000
# KINDA CRAZY #
# AIN'T NO JUDGMENT #
1948
01:28:42,000 --> 01:28:42,684
# KINDA CRAZY #
# AIN'T NO JUDGMENT #
1949
01:28:42,750 --> 01:28:45,053
# OR KEEPIN' SCORE #
# IF YOU ROB A BANK #
1950
01:28:45,119 --> 01:28:48,000
# I'M YOUR GETAWAY MERCEDES #
# GOD KNOWS THAT'S WHAT #
1951
01:28:48,000 --> 01:28:48,723
# I'M YOUR GETAWAY MERCEDES #
# GOD KNOWS THAT'S WHAT #
1952
01:28:48,790 --> 01:28:51,526
# FRIENDS ARE FOR #
# 'CAUSE DIRT ON YOU #
1953
01:28:51,592 --> 01:28:54,000
# IS DIRT ON ME #
# AND WE BOTH KNOW #
1954
01:28:54,000 --> 01:28:54,195
# IS DIRT ON ME #
# AND WE BOTH KNOW #
1955
01:28:54,262 --> 01:28:58,633
# OUR HANDS AIN'T CLEAN #
# IF IT ALL BLOWS UP #
1956
01:28:58,700 --> 01:29:00,000
# AND WE END UP ON THE NEWS #
# IF YOU GO DOWN #
1957
01:29:00,000 --> 01:29:02,537
# AND WE END UP ON THE NEWS #
# IF YOU GO DOWN #
1958
01:29:02,603 --> 01:29:06,000
# I'M GOIN' DOWN TOO #
# IF YOU GO DOWN #
1959
01:29:06,000 --> 01:29:06,441
# I'M GOIN' DOWN TOO #
# IF YOU GO DOWN #
1960
01:29:06,507 --> 01:29:12,000
# I'M GOIN' DOWN TOO #
YEAH #
1961
01:29:12,000 --> 01:29:18,000
# I'M GOIN' DOWN TOO #
YEAH #
1962
01:29:18,000 --> 01:29:21,389
# I'M GOIN' DOWN TOO #
YEAH #
1963
01:29:21,456 --> 01:29:22,423
# I'M GOIN' DOWN TOO #
YEAH #
1964
01:29:22,490 --> 01:29:24,000
# I KEEP ALL YOUR SECRETS #
# BY THE DOZEN #
1965
01:29:24,000 --> 01:29:27,962
# I KEEP ALL YOUR SECRETS #
# BY THE DOZEN #
1966
01:29:28,029 --> 01:29:30,000
# YOU KNOW WHERE #
# MY SKELETONS SLEEP #
1967
01:29:30,000 --> 01:29:30,965
# YOU KNOW WHERE #
# MY SKELETONS SLEEP #
1968
01:29:31,032 --> 01:29:33,534
# HYPOTHETICALLY #
# IF YOU EVER KILL YOUR
1969
01:29:33,601 --> 01:29:36,000
HUSBAND #
# HAND ON THE BIBLE #
1970
01:29:36,000 --> 01:29:36,404
HUSBAND #
# HAND ON THE BIBLE #
1971
01:29:36,471 --> 01:29:37,972
# I'D BE LYIN' THROUGH MY
TEETH #
1972
01:29:38,039 --> 01:29:41,142
# 'CAUSE DIRT ON YOU #
# IS DIRT ON ME #
1973
01:29:41,209 --> 01:29:42,000
# AND WE BOTH KNOW #
# OUR HANDS AIN'T CLEAN #
1974
01:29:42,000 --> 01:29:44,212
# AND WE BOTH KNOW #
# OUR HANDS AIN'T CLEAN #
1975
01:29:44,278 --> 01:29:48,000
# IF IT ALL BLOWS UP #
# AND WE END UP ON THE NEWS #
1976
01:29:48,000 --> 01:29:48,683
# IF IT ALL BLOWS UP #
# AND WE END UP ON THE NEWS #
1977
01:29:48,750 --> 01:29:52,320
# IF YOU GO DOWN #
# I'M GOIN' DOWN TOO #
1978
01:29:52,386 --> 01:29:54,000
# OUR BODIES ARE BURIED #
# AND THEY'RE IN THE SAME
1979
01:29:54,000 --> 01:29:54,622
# OUR BODIES ARE BURIED #
# AND THEY'RE IN THE SAME
1980
01:29:54,689 --> 01:29:56,724
DITCH #
# SO EVEN IF I WANTED TO #
1981
01:29:56,791 --> 01:30:00,000
# I CAN'T SNITCH #
# THIRTY TO LIFE #
1982
01:30:00,000 --> 01:30:00,361
# I CAN'T SNITCH #
# THIRTY TO LIFE #
1983
01:30:00,428 --> 01:30:04,398
# WOULD GO QUICKER WITH YOU #
# YEAH #
1984
01:30:04,465 --> 01:30:06,000
# SO, IF YOU GO DOWN #
# I'M GOIN' DOWN TOO #
1985
01:30:06,000 --> 01:30:07,668
# SO, IF YOU GO DOWN #
# I'M GOIN' DOWN TOO #
1986
01:30:07,735 --> 01:30:10,705
# IF YOU GO DOWN #
# I'M GOIN' DOWN TOO #
1987
01:30:10,772 --> 01:30:12,000
# IF YOU GO DOWN #
# I'M GOIN' DOWN TOO #
1988
01:30:12,000 --> 01:30:18,000
# IF YOU GO DOWN #
# I'M GOIN' DOWN TOO #
1989
01:30:18,000 --> 01:30:24,000
# IF YOU GO DOWN #
# I'M GOIN' DOWN TOO #
1990
01:30:24,000 --> 01:30:24,952
# IF YOU GO DOWN #
# I'M GOIN' DOWN TOO #
1991
01:30:25,019 --> 01:30:27,955
[CHEERS AND APPLAUSE]
>> HE'S ONE OF THE HOTTEST STARS
1992
01:30:28,022 --> 01:30:30,000
ON CBS'S "FIRE COUNTRY"
PLEASE WELCOME MAX THIERIOT!
1993
01:30:30,000 --> 01:30:31,959
ON CBS'S "FIRE COUNTRY"
PLEASE WELCOME MAX THIERIOT!
1994
01:30:32,026 --> 01:30:34,829
>> WHAT'S UP, CMT!
1995
01:30:34,896 --> 01:30:36,000
WHAT'S GOING ON?
1996
01:30:36,000 --> 01:30:37,899
WHAT'S GOING ON?
1997
01:30:37,965 --> 01:30:41,402
I DON'T WANNA BRAG, BUT I GOT
TO WORK ALONGSIDE ONE OF OUR
1998
01:30:41,469 --> 01:30:42,000
HOSTS TONIGHT WHEN HE GUEST
STARRED ON "FIRE COUNTRY."
1999
01:30:42,000 --> 01:30:48,000
HOSTS TONIGHT WHEN HE GUEST
STARRED ON "FIRE COUNTRY."
2000
01:30:48,000 --> 01:30:50,178
HOSTS TONIGHT WHEN HE GUEST
STARRED ON "FIRE COUNTRY."
2001
01:30:50,244 --> 01:30:53,548
LET ME TELL YOU, HE'S GREAT
IN THE SHOW.
2002
01:30:53,614 --> 01:30:54,000
RIGHT NOW WE GET TO SEE HIM DO
WHAT HE ABSOLUTELY DOES BEST.
2003
01:30:54,000 --> 01:30:55,049
RIGHT NOW WE GET TO SEE HIM DO
WHAT HE ABSOLUTELY DOES BEST.
2004
01:30:55,116 --> 01:30:59,053
AND HE'S PERFORMING
WITH HIS WIFE.
2005
01:30:59,120 --> 01:31:00,000
HERE WITH THE FASTEST RISING HIT
OF HIS CAREER,
2006
01:31:00,000 --> 01:31:00,521
HERE WITH THE FASTEST RISING HIT
OF HIS CAREER,
2007
01:31:00,588 --> 01:31:03,524
WE'RE GOING BACK OUTSIDE.
2008
01:31:03,591 --> 01:31:05,593
IT'S KANE AND KATELYN BROWN!
2009
01:31:12,934 --> 01:31:18,000
# #
# I WAS LOST #
2010
01:31:18,000 --> 01:31:19,540
# #
# I WAS LOST #
2011
01:31:19,607 --> 01:31:22,076
# YOU FOUND A WAY #
# TO BRING ME BACK #
2012
01:31:22,143 --> 01:31:24,000
# NEEDED FORGIVENESS #
# YOU ALWAYS GAVE ME THAT #
2013
01:31:24,000 --> 01:31:26,781
# NEEDED FORGIVENESS #
# YOU ALWAYS GAVE ME THAT #
2014
01:31:26,848 --> 01:31:30,000
# GIRL, I'M A WITNESS #
# OF YOUR LOVE #
2015
01:31:30,000 --> 01:31:31,219
# GIRL, I'M A WITNESS #
# OF YOUR LOVE #
2016
01:31:31,285 --> 01:31:33,888
# 'CAUSE YOU DON'T BE
GIVIN' UP #
2017
01:31:33,955 --> 01:31:36,000
# AND IT'S CRAZY #
# HOW YOU SAVED ME #
2018
01:31:36,000 --> 01:31:37,124
# AND IT'S CRAZY #
# HOW YOU SAVED ME #
2019
01:31:37,191 --> 01:31:39,627
# HAND ON THE BIBLE #
# DON'T KNOW HOW I GOT YOU #
2020
01:31:39,694 --> 01:31:42,000
# BUT I COULDN'T ASK FOR MORE #
# GIRL, WHAT WE GOT'S #
2021
01:31:42,000 --> 01:31:43,598
# BUT I COULDN'T ASK FOR MORE #
# GIRL, WHAT WE GOT'S #
2022
01:31:43,664 --> 01:31:47,501
# WORTH THANKING GOD FOR #
# SO THANK GOD #
2023
01:31:47,568 --> 01:31:48,000
# I GET TO WAKE UP #
# BY YOUR SIDE #
2024
01:31:48,000 --> 01:31:49,770
# I GET TO WAKE UP #
# BY YOUR SIDE #
2025
01:31:49,837 --> 01:31:52,874
# AND THANK GOD #
# YOUR HAND FITS #
2026
01:31:52,940 --> 01:31:54,000
# PERFECTLY IN MINE #
# AND THANK GOD #
2027
01:31:54,000 --> 01:31:56,711
# PERFECTLY IN MINE #
# AND THANK GOD #
2028
01:31:56,777 --> 01:32:00,000
# YOU LOVED ME #
# WHEN YOU DIDN'T HAVE TO #
2029
01:32:00,000 --> 01:32:00,147
# YOU LOVED ME #
# WHEN YOU DIDN'T HAVE TO #
2030
01:32:00,214 --> 01:32:02,283
# BUT YOU DID #
# AND YOU DO #
2031
01:32:02,350 --> 01:32:06,000
# AND HE KNEW #
# THANK GOD FOR GIVING ME YOU #
2032
01:32:06,000 --> 01:32:10,224
# AND HE KNEW #
# THANK GOD FOR GIVING ME YOU #
2033
01:32:10,291 --> 01:32:12,000
# THANK GOD #
# THANK GOD
2034
01:32:12,000 --> 01:32:17,798
# THANK GOD #
# THANK GOD
2035
01:32:17,865 --> 01:32:18,000
# NEVER THOUGHT I'D FIND #
# AN ANGEL UNDERCOVER #
2036
01:32:18,000 --> 01:32:20,034
# NEVER THOUGHT I'D FIND #
# AN ANGEL UNDERCOVER #
2037
01:32:20,101 --> 01:32:23,137
# MADE A CHANGE TO EVERYTHING #
# FROM MY HEART #
2038
01:32:23,204 --> 01:32:24,000
# TO MY LAST NAME #
# HEY #
2039
01:32:24,000 --> 01:32:25,806
# TO MY LAST NAME #
# HEY #
2040
01:32:25,873 --> 01:32:29,377
# HARD TO TELL, WHEN HE FELL #
# THAT BOY WAS HEAVEN SENT #
2041
01:32:29,443 --> 01:32:30,000
# AND EVERY NIGHT #
# WHEN I CLOSE MY EYES #
2042
01:32:30,000 --> 01:32:31,779
# AND EVERY NIGHT #
# WHEN I CLOSE MY EYES #
2043
01:32:31,846 --> 01:32:35,149
# BEFORE I SAY AMEN #
# I THANK GOD #
2044
01:32:35,216 --> 01:32:36,000
# I GET TO WAKE UP
BY YOUR SIDE #
2045
01:32:36,000 --> 01:32:37,818
# I GET TO WAKE UP
BY YOUR SIDE #
2046
01:32:37,885 --> 01:32:40,488
# AND THANK GOD #
# YOUR HAND #
2047
01:32:40,554 --> 01:32:42,000
# FITS PERFECTLY IN MINE #
# AND THANK GOD #
2048
01:32:42,000 --> 01:32:44,425
# FITS PERFECTLY IN MINE #
# AND THANK GOD #
2049
01:32:44,492 --> 01:32:47,662
# YOU LOVED ME #
# WHEN YOU DIDN'T HAVE TO #
2050
01:32:47,728 --> 01:32:48,000
# BUT YOU DID #
# AND YOU DO #
2051
01:32:48,000 --> 01:32:50,364
# BUT YOU DID #
# AND YOU DO #
2052
01:32:50,431 --> 01:32:54,000
# AND HE KNEW #
# THANK GOD FOR GIVING ME YOU #
2053
01:32:54,000 --> 01:32:54,669
# AND HE KNEW #
# THANK GOD FOR GIVING ME YOU #
2054
01:32:54,735 --> 01:33:00,000
# THANK GOD #
# THANK GOD #
2055
01:33:00,000 --> 01:33:03,978
# THANK GOD #
# THANK GOD #
2056
01:33:04,045 --> 01:33:05,813
# HAND ON THE BIBLE #
# DON'T KNOW HOW I GOT YOU #
2057
01:33:05,880 --> 01:33:06,000
# I COULDN'T ASK FOR MORE #
>> # GIRL, WHAT WE GOT'S #
2058
01:33:06,000 --> 01:33:10,551
# I COULDN'T ASK FOR MORE #
>> # GIRL, WHAT WE GOT'S #
2059
01:33:10,618 --> 01:33:12,000
# WORTH THANKING GOD FOR #
>> # SO THANK GOD #
2060
01:33:12,000 --> 01:33:14,455
# WORTH THANKING GOD FOR #
>> # SO THANK GOD #
2061
01:33:14,522 --> 01:33:16,390
# I GET TO WAKE UP
BY YOUR SIDE #
2062
01:33:16,457 --> 01:33:18,000
# AND THANK GOD #
# YOUR HAND #
2063
01:33:18,000 --> 01:33:19,927
# AND THANK GOD #
# YOUR HAND #
2064
01:33:19,994 --> 01:33:23,164
# FITS PERFECTLY IN MINE #
# AND THANK GOD #
2065
01:33:23,230 --> 01:33:24,000
# YOU LOVED ME #
# WHEN YOU DIDN'T HAVE TO #
2066
01:33:24,000 --> 01:33:26,267
# YOU LOVED ME #
# WHEN YOU DIDN'T HAVE TO #
2067
01:33:26,334 --> 01:33:28,436
# BUT YOU DID #
# AND YOU DO #
2068
01:33:28,502 --> 01:33:30,000
# AND HE KNEW #
# THANK GOD FOR GIVING ME YOU #
2069
01:33:30,000 --> 01:33:33,140
# AND HE KNEW #
# THANK GOD FOR GIVING ME YOU #
2070
01:33:33,207 --> 01:33:36,000
# I THANK GOD #
# I GET TO WAKE UP
2071
01:33:36,000 --> 01:33:40,081
# I THANK GOD #
# I GET TO WAKE UP
2072
01:33:40,147 --> 01:33:41,549
BY YOUR SIDE #
# AND THANK GOD #
2073
01:33:41,615 --> 01:33:42,000
# YOUR HAND #
# FITS PERFECTLY IN MINE #
2074
01:33:42,000 --> 01:33:42,750
# YOUR HAND #
# FITS PERFECTLY IN MINE #
2075
01:33:42,817 --> 01:33:44,151
# AND THANK GOD #
# YOU LOVED ME #
2076
01:33:44,218 --> 01:33:46,821
# WHEN YOU DIDN'T HAVE TO #
# BUT YOU DID #
2077
01:33:46,887 --> 01:33:48,000
# AND YOU DO #
# AND HE KNEW #
2078
01:33:48,000 --> 01:33:50,191
# AND YOU DO #
# AND HE KNEW #
2079
01:33:50,257 --> 01:33:54,000
# THANK GOD FOR GIVING ME YOU #
>> CMT, MAKE SOME NOISE FOR MY
2080
01:33:54,000 --> 01:34:00,000
# THANK GOD FOR GIVING ME YOU #
>> CMT, MAKE SOME NOISE FOR MY
2081
01:34:00,000 --> 01:34:05,139
# THANK GOD FOR GIVING ME YOU #
>> CMT, MAKE SOME NOISE FOR MY
2082
01:34:05,206 --> 01:34:06,000
# THANK GOD FOR GIVING ME YOU #
>> CMT, MAKE SOME NOISE FOR MY
2083
01:34:06,000 --> 01:34:07,174
# THANK GOD FOR GIVING ME YOU #
>> CMT, MAKE SOME NOISE FOR MY
2084
01:34:07,241 --> 01:34:07,675
BEAUTIFUL WIFE ONE TIME.
2085
01:34:07,742 --> 01:34:08,909
>> THANK YOU!
2086
01:34:08,976 --> 01:34:09,744
>> FROM THE RAM TRUCKS STAGE,
WITH A DEBUT PERFORMANCE OF HER
2087
01:34:09,810 --> 01:34:12,000
SONG "NARCISSIST,"
HERE IS ANNA AVERY.
2088
01:34:12,000 --> 01:34:15,016
SONG "NARCISSIST,"
HERE IS ANNA AVERY.
2089
01:34:15,082 --> 01:34:18,000
# MY PARENTS DON'T LIKE YOU #
# WHY WOULD THEY WANT TO #
2090
01:34:18,000 --> 01:34:18,219
# MY PARENTS DON'T LIKE YOU #
# WHY WOULD THEY WANT TO #
2091
01:34:18,285 --> 01:34:22,923
# AFTER THEY FOUND ME #
# CRYING ON THE BATHROOM FLOOR #
2092
01:34:22,990 --> 01:34:24,000
# I DON'T EVEN LIKE ME ANYMORE #
# 'CAUSE YOU SAY #
2093
01:34:24,000 --> 01:34:27,762
# I DON'T EVEN LIKE ME ANYMORE #
# 'CAUSE YOU SAY #
2094
01:34:27,828 --> 01:34:30,000
# THAT I'M CRAZY #
# YOU SAY THAT YOU'RE SORRY #
2095
01:34:30,000 --> 01:34:31,932
# THAT I'M CRAZY #
# YOU SAY THAT YOU'RE SORRY #
2096
01:34:31,999 --> 01:34:36,000
# WON'T HAPPEN AGAIN #
# YOU SAY I'M DRAMATIC #
2097
01:34:36,000 --> 01:34:36,771
# WON'T HAPPEN AGAIN #
# YOU SAY I'M DRAMATIC #
2098
01:34:36,837 --> 01:34:41,475
# I'M OVERREACTING #
# AND MAYBE I AM #
2099
01:34:41,542 --> 01:34:42,000
# AND I KNOW #
# YOU GET OVER ME #
2100
01:34:42,000 --> 01:34:44,945
# AND I KNOW #
# YOU GET OVER ME #
2101
01:34:45,012 --> 01:34:46,781
# BUT CAN YOU GET OVER
YOURSELF #
2102
01:34:46,847 --> 01:34:48,000
# BEFORE YOU #
# GO AND LOVE SOMEBODY ELSE #
2103
01:34:48,000 --> 01:34:50,684
# BEFORE YOU #
# GO AND LOVE SOMEBODY ELSE #
2104
01:34:50,751 --> 01:34:52,753
# YOU SHOULD PROBABLY #
# GET SOME HELP #
2105
01:34:59,126 --> 01:35:00,000
[CHEERS AND APPLAUSE]
>> NEXT, THE BLACK CROWES
2106
01:35:00,000 --> 01:35:00,561
[CHEERS AND APPLAUSE]
>> NEXT, THE BLACK CROWES
2107
01:35:00,628 --> 01:35:02,396
AND DARIUS RUCKER.
2108
01:35:02,463 --> 01:35:04,198
PLUS, PERFORMANCES FROM
ALANIS MORRISETTE
2109
01:35:04,265 --> 01:35:05,399
AND CARRIE UNDERWOOD.
2110
01:35:05,466 --> 01:35:06,000
TIME IS RUNNING OUT TO CAST
YOUR VOTE FOR VIDEO OF THE YEAR,
2111
01:35:06,000 --> 01:35:07,868
TIME IS RUNNING OUT TO CAST
YOUR VOTE FOR VIDEO OF THE YEAR,
2112
01:35:07,935 --> 01:35:09,804
PRESENTED BY RAM TRUCKS.
2113
01:35:09,870 --> 01:35:12,000
GO TO THE CMT MUSIC AWARDS
FACEBOOK PAGE AND COMMENT RIGHT
2114
01:35:12,000 --> 01:35:13,074
GO TO THE CMT MUSIC AWARDS
FACEBOOK PAGE AND COMMENT RIGHT
2115
01:35:13,140 --> 01:35:16,710
NOW TO VOTE AND FIND OUT WHO
WINS IN JUST A BIT.
2116
01:35:16,777 --> 01:35:18,000
THE CMT MUSIC AWARDS CONTINUES.
2117
01:35:18,000 --> 01:35:19,180
THE CMT MUSIC AWARDS CONTINUES.
2118
01:35:19,246 --> 01:35:20,014
LIVE FROM AUSTIN, TEXAS.
2119
01:35:20,081 --> 01:35:21,082
THIS IS CBS.
2120
01:35:40,201 --> 01:35:42,000
>> PLEASE WELCOME THE ARTIST
WITH THE MOST CMT MUSIC AWARD
2121
01:35:42,000 --> 01:35:42,303
>> PLEASE WELCOME THE ARTIST
WITH THE MOST CMT MUSIC AWARD
2122
01:35:42,369 --> 01:35:43,204
WINS EVER.
2123
01:35:43,270 --> 01:35:46,140
AND SHE'S UP FOR
ANOTHER ONE LATER TONIGHT.
2124
01:35:46,207 --> 01:35:48,000
CARRIE UNDERWOOD.
2125
01:35:48,000 --> 01:35:51,145
CARRIE UNDERWOOD.
2126
01:35:51,212 --> 01:35:53,547
>> EARLIER THIS WEEK DARIUS
RUCKER TOOK THE STAGE HERE IN
2127
01:35:53,614 --> 01:35:54,000
AUSTIN WITH THE BLACK CROWS FOR
AN UPCOMING EPISODE OF "CMT
2128
01:35:54,000 --> 01:35:57,852
AUSTIN WITH THE BLACK CROWS FOR
AN UPCOMING EPISODE OF "CMT
2129
01:35:57,918 --> 01:35:58,986
CROSSROADS THIS MAY.
2130
01:35:59,053 --> 01:36:00,000
NOW THEY ARE PERFORMING ONE OF
MY FAVORITES "SHE TALKS TO
2131
01:36:00,000 --> 01:36:02,523
NOW THEY ARE PERFORMING ONE OF
MY FAVORITES "SHE TALKS TO
2132
01:36:02,590 --> 01:36:04,658
ANGELS."
2133
01:36:04,725 --> 01:36:06,000
IT'S THE BLACK CROWES
AND DARIUS RUCKER!!
2134
01:36:06,000 --> 01:36:06,861
IT'S THE BLACK CROWES
AND DARIUS RUCKER!!
2135
01:36:06,927 --> 01:36:12,000
# SHE NEVER MENTIONS #
# THE WORD ADDICTION #
2136
01:36:12,000 --> 01:36:18,000
# SHE NEVER MENTIONS #
# THE WORD ADDICTION #
2137
01:36:18,000 --> 01:36:21,809
# SHE NEVER MENTIONS #
# THE WORD ADDICTION #
2138
01:36:21,876 --> 01:36:23,844
# SHE NEVER MENTIONS #
# THE WORD ADDICTION #
2139
01:36:23,911 --> 01:36:24,000
# IN CERTAIN COMPANY #
# YES, SHE TELLS YOU #
2140
01:36:24,000 --> 01:36:29,416
# IN CERTAIN COMPANY #
# YES, SHE TELLS YOU #
2141
01:36:29,483 --> 01:36:30,000
# SHE'S AN ORPHAN #
# AFTER YOU MEET HER FAMILY #
2142
01:36:30,000 --> 01:36:36,000
# SHE'S AN ORPHAN #
# AFTER YOU MEET HER FAMILY #
2143
01:36:36,000 --> 01:36:42,000
# SHE'S AN ORPHAN #
# AFTER YOU MEET HER FAMILY #
2144
01:36:42,000 --> 01:36:42,129
# SHE'S AN ORPHAN #
# AFTER YOU MEET HER FAMILY #
2145
01:36:46,400 --> 01:36:48,000
# SHE PAINTS HER EYES #
# AS BLACK AS NIGHT NOW #
2146
01:36:48,000 --> 01:36:51,739
# SHE PAINTS HER EYES #
# AS BLACK AS NIGHT NOW #
2147
01:36:51,805 --> 01:36:54,000
# SHE PULLS THOSE SHADES #
# DOWN TIGHT #
2148
01:36:54,000 --> 01:37:00,000
# SHE PULLS THOSE SHADES #
# DOWN TIGHT #
2149
01:37:00,000 --> 01:37:02,683
# SHE PULLS THOSE SHADES #
# DOWN TIGHT #
2150
01:37:02,750 --> 01:37:06,000
MY GIRL, GIVE A SMILE #
# WHEN THE PAIN COMES #
2151
01:37:06,000 --> 01:37:09,256
MY GIRL, GIVE A SMILE #
# WHEN THE PAIN COMES #
2152
01:37:09,323 --> 01:37:12,000
# THE PAIN THE ONLY THING #
# TO MAKE IT ALL RIGHT
2153
01:37:12,000 --> 01:37:15,329
# THE PAIN THE ONLY THING #
# TO MAKE IT ALL RIGHT
2154
01:37:15,396 --> 01:37:18,000
# SAYS SHE TALKS TO ANGELS #
# THEY CALL HER OUT #
2155
01:37:18,000 --> 01:37:20,100
# SAYS SHE TALKS TO ANGELS #
# THEY CALL HER OUT #
2156
01:37:20,167 --> 01:37:24,000
# BY HER NAME #
# OH, YEAH, YOU KNOW
2157
01:37:24,000 --> 01:37:29,176
# BY HER NAME #
# OH, YEAH, YOU KNOW
2158
01:37:29,243 --> 01:37:30,000
SHE TALKS TO ANGELS #
# THEY CALL HER OUT #
2159
01:37:30,000 --> 01:37:33,380
SHE TALKS TO ANGELS #
# THEY CALL HER OUT #
2160
01:37:33,447 --> 01:37:36,000
# BY HER NAME #
# SHE KEEPS A LOCK OF HAIR #
2161
01:37:36,000 --> 01:37:37,718
# BY HER NAME #
# SHE KEEPS A LOCK OF HAIR #
2162
01:37:37,785 --> 01:37:42,000
# IN HER POCKET #
# SHE WEARS A CROSS #
2163
01:37:42,000 --> 01:37:44,458
# IN HER POCKET #
# SHE WEARS A CROSS #
2164
01:37:44,525 --> 01:37:48,000
# AROUND HER NECK #
# YES, THE HAIR #
2165
01:37:48,000 --> 01:37:51,131
# AROUND HER NECK #
# YES, THE HAIR #
2166
01:37:51,198 --> 01:37:54,000
# IS FROM A LITTLE BOY #
# THE CROSS IS SOMEONE #
2167
01:37:54,000 --> 01:37:57,671
# IS FROM A LITTLE BOY #
# THE CROSS IS SOMEONE #
2168
01:37:57,738 --> 01:38:00,000
# SHE HAS NOT MET #
# NOT YET #
2169
01:38:00,000 --> 01:38:05,512
# SHE HAS NOT MET #
# NOT YET #
2170
01:38:05,579 --> 01:38:06,000
# YEAH SHE TALKS TO ANGELS #
# THEY CALL HER OUT
2171
01:38:06,000 --> 01:38:12,000
# YEAH SHE TALKS TO ANGELS #
# THEY CALL HER OUT
2172
01:38:12,000 --> 01:38:15,389
# YEAH SHE TALKS TO ANGELS #
# THEY CALL HER OUT
2173
01:38:15,456 --> 01:38:18,000
BY HER NAME #
# OH, YEAH #
2174
01:38:18,000 --> 01:38:18,359
BY HER NAME #
# OH, YEAH #
2175
01:38:18,425 --> 01:38:24,000
# SHE TALKS TO ANGELS #
# SAYS THEY CALL HER OUT #
2176
01:38:24,000 --> 01:38:25,599
# SHE TALKS TO ANGELS #
# SAYS THEY CALL HER OUT #
2177
01:38:25,666 --> 01:38:30,000
# BY HER NAME #
# SHE DON'T KNOW NO LOVER #
2178
01:38:30,000 --> 01:38:36,000
# BY HER NAME #
# SHE DON'T KNOW NO LOVER #
2179
01:38:36,000 --> 01:38:37,811
# BY HER NAME #
# SHE DON'T KNOW NO LOVER #
2180
01:38:37,878 --> 01:38:42,000
# NONE THAT I EVER SEEN #
# BUT TO HER #
2181
01:38:42,000 --> 01:38:48,000
# NONE THAT I EVER SEEN #
# BUT TO HER #
2182
01:38:48,000 --> 01:38:48,722
# NONE THAT I EVER SEEN #
# BUT TO HER #
2183
01:38:48,789 --> 01:38:54,000
# THAT DON'T MEAN NOTHIN' #
# BUT TO ME #
2184
01:38:54,000 --> 01:38:56,597
# THAT DON'T MEAN NOTHIN' #
# BUT TO ME #
2185
01:38:56,664 --> 01:39:00,000
# DON'T YOU KNOW #
# MEANS EVERYTHING #
2186
01:39:00,000 --> 01:39:00,200
# DON'T YOU KNOW #
# MEANS EVERYTHING #
2187
01:39:00,267 --> 01:39:05,973
# SHE PAINTS HER EYES #
# AS BLACK AS NIGHT, NOW #
2188
01:39:06,040 --> 01:39:12,000
# SHE PULLS THOSE SHADES
DOWN TIGHT #
2189
01:39:12,000 --> 01:39:13,213
# SHE PULLS THOSE SHADES
DOWN TIGHT #
2190
01:39:13,280 --> 01:39:18,000
OH, YEAH #
MY GIRL, SHE WANTS TO
2191
01:39:18,000 --> 01:39:20,187
OH, YEAH #
MY GIRL, SHE WANTS TO
2192
01:39:20,254 --> 01:39:24,000
GIVE A SMILE #
# WHEN THE PAIN COMES #
2193
01:39:24,000 --> 01:39:25,659
GIVE A SMILE #
# WHEN THE PAIN COMES #
2194
01:39:25,726 --> 01:39:28,662
# THE PAIN THE ONLY THING #
# TO MAKE IT ALL RIGHT #
2195
01:39:28,729 --> 01:39:30,000
# SHE TALKS TO ANGELS #
# THEY CALL HER OUT #
2196
01:39:30,000 --> 01:39:36,000
# SHE TALKS TO ANGELS #
# THEY CALL HER OUT #
2197
01:39:36,000 --> 01:39:36,236
# SHE TALKS TO ANGELS #
# THEY CALL HER OUT #
2198
01:39:36,303 --> 01:39:40,374
# BY HER NAME #
# OH, YEAH #
2199
01:39:40,441 --> 01:39:42,000
# SHE TALKS TO ANGELS #
# THEY CALL HER OUT #
2200
01:39:42,000 --> 01:39:47,281
# SHE TALKS TO ANGELS #
# THEY CALL HER OUT #
2201
01:39:47,348 --> 01:39:48,000
# BY HER NAME #
# OH, YEAH #
2202
01:39:48,000 --> 01:39:53,854
# BY HER NAME #
# OH, YEAH #
2203
01:39:53,921 --> 01:39:54,000
# SHE TALKS TO ANGELS #
# THEY CALL HER OUT #
2204
01:39:54,000 --> 01:39:59,827
# SHE TALKS TO ANGELS #
# THEY CALL HER OUT #
2205
01:39:59,893 --> 01:40:00,000
# BY HER NAME #
# YES THEY DID #
2206
01:40:00,000 --> 01:40:06,000
# BY HER NAME #
# YES THEY DID #
2207
01:40:06,000 --> 01:40:08,936
# BY HER NAME #
# YES THEY DID #
2208
01:40:09,002 --> 01:40:12,000
# SHE TALKS TO ANGELS #
# BY HER NAME #
2209
01:40:12,000 --> 01:40:13,640
# SHE TALKS TO ANGELS #
# BY HER NAME #
2210
01:40:13,707 --> 01:40:18,000
# OH, YEAH #
# DON'T YOU KNOW
2211
01:40:18,000 --> 01:40:18,112
# OH, YEAH #
# DON'T YOU KNOW
2212
01:40:18,178 --> 01:40:20,481
THEY CALL HER OUT #
# CALL HER OUT #
2213
01:40:20,547 --> 01:40:24,000
# CALL HER OUT #
# DON'T YOU KNOW #
2214
01:40:24,000 --> 01:40:26,086
# CALL HER OUT #
# DON'T YOU KNOW #
2215
01:40:26,153 --> 01:40:30,000
# CALL HER OUT #
# BY HER NAME #
2216
01:40:30,000 --> 01:40:33,360
# CALL HER OUT #
# BY HER NAME #
2217
01:40:39,666 --> 01:40:41,635
[CHEERS AND APPLAUSE]
>> SHE'S ONE OF THE MOST
2218
01:40:41,702 --> 01:40:42,000
POWERFUL VOICES IN COUNTRY.
2219
01:40:42,000 --> 01:40:42,569
POWERFUL VOICES IN COUNTRY.
2220
01:40:42,636 --> 01:40:48,000
PLEASE WELCOME LEANN RIMES.
2221
01:40:48,000 --> 01:40:54,000
PLEASE WELCOME LEANN RIMES.
2222
01:40:54,000 --> 01:40:55,015
PLEASE WELCOME LEANN RIMES.
2223
01:40:55,082 --> 01:40:58,419
>> HELLO, EVERYONE!
2224
01:40:58,485 --> 01:41:00,000
WHAT AN INCREDIBLE PERFORMANCE.
2225
01:41:00,000 --> 01:41:00,187
WHAT AN INCREDIBLE PERFORMANCE.
2226
01:41:00,254 --> 01:41:06,000
THAT WAS A DREAM COME TRUE.
2227
01:41:06,000 --> 01:41:06,126
THAT WAS A DREAM COME TRUE.
2228
01:41:06,193 --> 01:41:08,295
WE ARE GOING TO SHOW THE MEN OF
COUNTRIES AND LOVE.
2229
01:41:08,362 --> 01:41:12,000
THESE GUYS HAVE TURNED OUT TRULY
UNFORGETTABLE SONGS AND VIDEOS
2230
01:41:12,000 --> 01:41:12,800
THESE GUYS HAVE TURNED OUT TRULY
UNFORGETTABLE SONGS AND VIDEOS
2231
01:41:12,866 --> 01:41:14,802
THIS YEAR SO SOME MUCH-NEEDED
RECOGNITION IS IN ORDER.
2232
01:41:14,868 --> 01:41:18,000
HERE ARE THE NOMINEES FOR BEST
MALE VIDEO OF THE YEAR.
2233
01:41:18,000 --> 01:41:20,874
HERE ARE THE NOMINEES FOR BEST
MALE VIDEO OF THE YEAR.
2234
01:41:20,941 --> 01:41:24,000
"ROCK AND A HARD PLACE"
BAILEY ZIMMERMAN.
2235
01:41:24,000 --> 01:41:24,845
"ROCK AND A HARD PLACE"
BAILEY ZIMMERMAN.
2236
01:41:24,912 --> 01:41:30,000
"HUMAN"
CODY JOHNSON.
2237
01:41:30,000 --> 01:41:30,150
"HUMAN"
CODY JOHNSON.
2238
01:41:30,217 --> 01:41:32,719
"SHE HAD ME AT HEADS CAROLINA"
COLE SWINDELL
2239
01:41:32,786 --> 01:41:34,221
"SON OF A SINNER"
JELLY ROLL
2240
01:41:34,288 --> 01:41:36,000
"LIKE I LOVE COUNTRY MUSIC"
KANE BROWN.
2241
01:41:36,000 --> 01:41:36,790
"LIKE I LOVE COUNTRY MUSIC"
KANE BROWN.
2242
01:41:36,857 --> 01:41:40,494
"THE KIND OF LOVE WE MAKE"
LUKE COMBS.
2243
01:41:40,561 --> 01:41:42,000
"WASTED ON YOU"
MORGAN WALLEN.
2244
01:41:42,000 --> 01:41:45,466
"WASTED ON YOU"
MORGAN WALLEN.
2245
01:41:45,532 --> 01:41:47,734
MALE VIDEO OF THE YEAR.
2246
01:41:47,801 --> 01:41:48,000
>> AND THE WINNER IS...
2247
01:41:48,000 --> 01:41:53,040
>> AND THE WINNER IS...
2248
01:41:53,106 --> 01:41:54,000
JELLY ROLL!
2249
01:41:54,000 --> 01:41:54,575
JELLY ROLL!
2250
01:41:54,641 --> 01:42:00,000
"SON OF A SINNER."
2251
01:42:00,000 --> 01:42:04,184
"SON OF A SINNER."
2252
01:42:08,422 --> 01:42:10,424
[CHEERS AND APPLAUSE]
# #
2253
01:42:48,262 --> 01:42:50,264
# #
[CHEERS AND APPLAUSE]
2254
01:43:26,266 --> 01:43:29,670
>> I LOVE Y'ALL SO MUCH.
2255
01:43:29,736 --> 01:43:30,000
THANK YOU, CMT, BABY!
2256
01:43:30,000 --> 01:43:30,270
THANK YOU, CMT, BABY!
2257
01:43:30,337 --> 01:43:35,208
THREE AWARDS IN ONE NIGHT!
2258
01:43:35,275 --> 01:43:36,000
I HOPE Y'ALL GIVE ME A SECOND
HERE.
2259
01:43:36,000 --> 01:43:40,147
I HOPE Y'ALL GIVE ME A SECOND
HERE.
2260
01:43:40,213 --> 01:43:41,448
I'M A LITTLE EMOTIONAL.
2261
01:43:41,515 --> 01:43:42,000
I STARTED DRINKING.
2262
01:43:42,000 --> 01:43:42,316
I STARTED DRINKING.
2263
01:43:42,382 --> 01:43:47,187
I DIDN'T THINK I WAS GOING TO
WIN AGAIN.
2264
01:43:47,254 --> 01:43:48,000
IT MAY HAVE LOOKED LIKE IT WAS
ONLY 30 YARDS, BUT IT TOOK ME 39
2265
01:43:48,000 --> 01:43:51,425
IT MAY HAVE LOOKED LIKE IT WAS
ONLY 30 YARDS, BUT IT TOOK ME 39
2266
01:43:51,491 --> 01:43:54,000
YEARS TO WALK FROM OVER THERE TO
WRITE HERE.
2267
01:43:54,000 --> 01:43:58,131
YEARS TO WALK FROM OVER THERE TO
WRITE HERE.
2268
01:43:58,198 --> 01:44:00,000
IN I WANT YOU TO KNOW THAT I
DON'T KNOW WHAT YOU'RE GOING
2269
01:44:00,000 --> 01:44:00,767
IN I WANT YOU TO KNOW THAT I
DON'T KNOW WHAT YOU'RE GOING
2270
01:44:00,834 --> 01:44:03,403
THROUGH AND I DON'T KNOW WHAT
YOU'VE BEEN THROUGH BUT I KNOW
2271
01:44:03,470 --> 01:44:03,937
YOU CAN OVERCOME IT.
2272
01:44:04,004 --> 01:44:06,000
I PROMISE YOU YOU CAN.
2273
01:44:06,000 --> 01:44:09,409
I PROMISE YOU YOU CAN.
2274
01:44:09,476 --> 01:44:11,578
AND YOU CAN BE WHATEVER YOU WANT
TO BE.
2275
01:44:11,645 --> 01:44:12,000
I PROMISE YOU THAT.
2276
01:44:12,000 --> 01:44:12,746
I PROMISE YOU THAT.
2277
01:44:12,813 --> 01:44:15,048
I TOLD THEM I WANTED TO BE A
COUNTRY MUSIC SINGER AND I'VE
2278
01:44:15,115 --> 01:44:18,000
SEEN HERE AT THE CMT AWARDS WITH
THE MALE VIDEO OF THE YEAR, BA
2279
01:44:18,000 --> 01:44:21,321
SEEN HERE AT THE CMT AWARDS WITH
THE MALE VIDEO OF THE YEAR, BA
2280
01:44:21,388 --> 01:44:24,000
BABY!
2281
01:44:24,000 --> 01:44:24,324
BABY!
2282
01:44:24,391 --> 01:44:27,294
WHEN GOD HAS GOT SOMETHING FOR
YOU, NOTHING CAN GET IN YOUR
2283
01:44:27,361 --> 01:44:28,362
WAY.
2284
01:44:28,428 --> 01:44:30,000
MAMA, I KNOW YOU'RE WATCHING.
2285
01:44:30,000 --> 01:44:30,163
MAMA, I KNOW YOU'RE WATCHING.
2286
01:44:30,230 --> 01:44:31,598
MAMA, LOOK AT YOUR BABY BOY.
2287
01:44:31,665 --> 01:44:36,000
I'M FIXING TO GET DRUNK DOWN
DOWNTOWN.
2288
01:44:36,000 --> 01:44:41,908
I'M FIXING TO GET DRUNK DOWN
DOWNTOWN.
2289
01:44:41,975 --> 01:44:42,000
I WANT TO THANK COUNTRY RADIO
FOR ACCEPTING ME KNOWING WHO I
2290
01:44:42,000 --> 01:44:45,545
I WANT TO THANK COUNTRY RADIO
FOR ACCEPTING ME KNOWING WHO I
2291
01:44:45,612 --> 01:44:48,000
WAS LETTING ME DO IT MY WAY THE
WHOLE WAY TO THE STAGE TONIGHT.
2292
01:44:48,000 --> 01:44:49,783
WAS LETTING ME DO IT MY WAY THE
WHOLE WAY TO THE STAGE TONIGHT.
2293
01:44:49,850 --> 01:44:52,085
THAT MEANS THE WORLD TO ME,
Y'ALL.
2294
01:44:52,152 --> 01:44:54,000
I WANT TO THANK THE COUNTRY
MUSIC COMMUNITY FOR STANDING
2295
01:44:54,000 --> 01:44:54,521
I WANT TO THANK THE COUNTRY
MUSIC COMMUNITY FOR STANDING
2296
01:44:54,588 --> 01:44:56,623
BEHIND ME AND STANDING NEXT TO
ME THROUGH ALL THIS AND FOR
2297
01:44:56,690 --> 01:44:58,291
EVERYBODY IN THIS CROWD, LISTEN
CLOSE.
2298
01:44:58,358 --> 01:45:00,000
THIS WILL BE THE MOST IMPORTANT
THING I SAY TONIGHT.
2299
01:45:00,000 --> 01:45:03,397
THIS WILL BE THE MOST IMPORTANT
THING I SAY TONIGHT.
2300
01:45:03,463 --> 01:45:05,465
WE ARE SHUTTING SIXTH STREET
DOWN TONIGHT, BABY!
2301
01:45:09,936 --> 01:45:11,038
>> COMING UP,
AN EPIC PERFORMANCE
2302
01:45:11,104 --> 01:45:12,000
FROM ALANIS MORISSETTE
WITH COUNTRY'S RISING STARS
2303
01:45:12,000 --> 01:45:15,175
FROM ALANIS MORISSETTE
WITH COUNTRY'S RISING STARS
2304
01:45:15,242 --> 01:45:17,377
LAINEY WILSON, INGRID ANDRESS,
MADELINE EDWARDS,
2305
01:45:17,444 --> 01:45:18,000
AND MORGAN WADE, PLUS
CARRIE UNDERWOOD LIGHTS UP
2306
01:45:18,000 --> 01:45:20,047
AND MORGAN WADE, PLUS
CARRIE UNDERWOOD LIGHTS UP
2307
01:45:20,113 --> 01:45:23,183
DOWNTOWN AUSTIN.
2308
01:45:23,250 --> 01:45:24,000
THE ALL-STARS OF COUNTRY AND
ROCK CELEBRATE THE LEGENDRY
2309
01:45:24,000 --> 01:45:24,217
THE ALL-STARS OF COUNTRY AND
ROCK CELEBRATE THE LEGENDRY
2310
01:45:24,284 --> 01:45:26,853
LYNYRD SKYNYRD.
2311
01:45:26,920 --> 01:45:27,988
FOLLOW @CMT EVERYWHERE FOR MORE
BEHIND THE SCENES AT THE
2312
01:45:28,055 --> 01:45:30,000
CMT MUSIC AWARDS!
2313
01:45:30,000 --> 01:45:33,193
CMT MUSIC AWARDS!
2314
01:45:33,260 --> 01:45:36,000
>> THE 2023 CMT MUSIC AWARDS
SPONSORED BY
2315
01:45:36,000 --> 01:45:36,997
>> THE 2023 CMT MUSIC AWARDS
SPONSORED BY
2316
01:45:37,064 --> 01:45:37,964
PROGRESSIVE.
2317
01:45:38,031 --> 01:45:38,899
SAVE WHEN YOU BUNDLE
AUTO, HOME, OR MOTORCYCLE
2318
01:45:38,965 --> 01:45:39,466
INSURANCE.
2319
01:45:55,215 --> 01:45:59,619
>> PLEASE WELCOME BACK
CARLY PEARCE!
2320
01:45:59,686 --> 01:46:00,000
>> 10 YEARS AGO, CMT LAUNCHED
ITS NEXT WOMEN OF COUNTRY
2321
01:46:00,000 --> 01:46:02,355
>> 10 YEARS AGO, CMT LAUNCHED
ITS NEXT WOMEN OF COUNTRY
2322
01:46:02,422 --> 01:46:06,000
PROGRAM, A MEANINGFUL AND
THIS GROUNDBREAKING
2323
01:46:06,000 --> 01:46:07,160
PROGRAM, A MEANINGFUL AND
THIS GROUNDBREAKING
2324
01:46:07,227 --> 01:46:08,729
INITIATIVE HIGHLIGHTS
A NEW CLASS OF RISING WOMEN
2325
01:46:08,795 --> 01:46:10,597
AND PROVIDES THEM WITH
CAREER-CHANGING OPPORTUNITIES.
2326
01:46:10,664 --> 01:46:12,000
SINCE THEN, OVER 100 ARTISTS,
INCLUDING MYSELF, HAVE BEEN
2327
01:46:12,000 --> 01:46:17,170
SINCE THEN, OVER 100 ARTISTS,
INCLUDING MYSELF, HAVE BEEN
2328
01:46:17,237 --> 01:46:18,000
SUPPORTED THROUGH THE PROGRAM,
OPENING DOORS AND MAKING CLEAR
2329
01:46:18,000 --> 01:46:21,141
SUPPORTED THROUGH THE PROGRAM,
OPENING DOORS AND MAKING CLEAR
2330
01:46:21,208 --> 01:46:24,000
THAT OUR VOICES ARE VITAL TO
COUNTRY MUSIC.
2331
01:46:24,000 --> 01:46:28,014
THAT OUR VOICES ARE VITAL TO
COUNTRY MUSIC.
2332
01:46:28,081 --> 01:46:30,000
TONIGHT, FOUR OF THEM ARE HERE
TO PERFORM WITH A WOMAN WHOSE
2333
01:46:30,000 --> 01:46:31,752
TONIGHT, FOUR OF THEM ARE HERE
TO PERFORM WITH A WOMAN WHOSE
2334
01:46:31,818 --> 01:46:36,000
MUSIC BECAME THE DEFINING
SOUNDTRACK FOR GENERATION X.
2335
01:46:36,000 --> 01:46:37,591
MUSIC BECAME THE DEFINING
SOUNDTRACK FOR GENERATION X.
2336
01:46:37,657 --> 01:46:40,093
HER ALBUM "JAGGED LITTLE PILL"
IS ONE OF THE BEST-SELLING
2337
01:46:40,160 --> 01:46:41,728
ALBUMS OF ALL TIME AND THE SONG
"YOU OUGHTA KNOW" BECAME AN
2338
01:46:41,795 --> 01:46:42,000
ANTHEM FOR WOMEN.
2339
01:46:42,000 --> 01:46:48,000
ANTHEM FOR WOMEN.
2340
01:46:48,000 --> 01:46:49,669
ANTHEM FOR WOMEN.
2341
01:46:49,736 --> 01:46:50,904
WITH THE PERFORMANCE HONORING
THE 10-YEAR ANNIVERSARY OF NEXT
2342
01:46:50,971 --> 01:46:54,000
WOMEN OF COUNTRY,
PLEASE WELCOME LAINEY WILSON,
2343
01:46:54,000 --> 01:46:54,341
WOMEN OF COUNTRY,
PLEASE WELCOME LAINEY WILSON,
2344
01:46:54,407 --> 01:46:55,709
INGRID ANDRESS,
MADELINE EDWARDS, AND MORGAN
2345
01:46:55,776 --> 01:47:00,000
WADE, WITH THE ONE AND ONLY
ALANIS MORRISSETTE!
2346
01:47:00,000 --> 01:47:02,649
WADE, WITH THE ONE AND ONLY
ALANIS MORRISSETTE!
2347
01:47:02,716 --> 01:47:06,000
# I WANT YOU TO KNOW #
# THAT I'M HAPPY FOR YOU #
2348
01:47:06,000 --> 01:47:10,991
# I WANT YOU TO KNOW #
# THAT I'M HAPPY FOR YOU #
2349
01:47:11,057 --> 01:47:12,000
# I WISH NOTHING BUT #
# THE BEST FOR YOU BOTH #
2350
01:47:12,000 --> 01:47:18,000
# I WISH NOTHING BUT #
# THE BEST FOR YOU BOTH #
2351
01:47:18,000 --> 01:47:20,300
# I WISH NOTHING BUT #
# THE BEST FOR YOU BOTH #
2352
01:47:20,367 --> 01:47:24,000
# AN OLDER VERSION OF ME #
# IS SHE PERVERTED LIKE ME? #
2353
01:47:24,000 --> 01:47:24,171
# AN OLDER VERSION OF ME #
# IS SHE PERVERTED LIKE ME? #
2354
01:47:24,237 --> 01:47:30,000
# WOULD SHE #
ON YOU IN A THEATER #
2355
01:47:30,000 --> 01:47:32,746
# WOULD SHE #
ON YOU IN A THEATER #
2356
01:47:32,813 --> 01:47:33,980
# DOES SHE SPEAK ELOQUENTLY? #
# AND WOULD SHE HAVE YOUR
2357
01:47:34,047 --> 01:47:35,081
BABY? #
# I'M SURE SHE'D MAKE #
2358
01:47:35,148 --> 01:47:36,000
# A REALLY EXCELLENT MOTHER #
# 'CAUSE THE LOVE #
2359
01:47:36,000 --> 01:47:40,787
# A REALLY EXCELLENT MOTHER #
# 'CAUSE THE LOVE #
2360
01:47:40,854 --> 01:47:41,955
# THAT YOU GAVE #
# THAT WE MADE #
2361
01:47:42,022 --> 01:47:43,690
# WASN'T ABLE TO MAKE IT
ENOUGH #
2362
01:47:43,757 --> 01:47:47,994
# FOR YOU TO BE OPEN WIDE #
# NO #
2363
01:47:48,061 --> 01:47:50,463
# AND EVERY TIME YOU #
# SPEAK HER NAME #
2364
01:47:50,530 --> 01:47:53,266
# DOES SHE KNOW
HOW YOU TOLD ME #
2365
01:47:53,333 --> 01:47:54,000
# YOU'D HOLD ME UNTIL YOU DIED #
# TILL YOU DIED #
2366
01:47:54,000 --> 01:47:55,335
# YOU'D HOLD ME UNTIL YOU DIED #
# TILL YOU DIED #
2367
01:47:55,402 --> 01:48:00,000
# BUT YOU'RE STILL ALIVE #
# AND I'M HERE #
2368
01:48:00,000 --> 01:48:00,941
# BUT YOU'RE STILL ALIVE #
# AND I'M HERE #
2369
01:48:01,007 --> 01:48:03,743
# TO REMIND YOU #
# OF THE MESS YOU LEFT #
2370
01:48:03,810 --> 01:48:06,000
# WHEN YOU WENT AWAY #
# IT'S NOT FAIR #
2371
01:48:06,000 --> 01:48:07,948
# WHEN YOU WENT AWAY #
# IT'S NOT FAIR #
2372
01:48:08,014 --> 01:48:12,000
# TO DENY ME #
# OF THE CROSS I BEAR #
2373
01:48:12,000 --> 01:48:13,053
# TO DENY ME #
# OF THE CROSS I BEAR #
2374
01:48:13,119 --> 01:48:16,323
# THAT YOU GAVE TO ME #
# YOU, YOU, YOU #
2375
01:48:16,389 --> 01:48:18,000
# OUGHTA KNOW #
# YOU SEEM VERY WELL #
2376
01:48:18,000 --> 01:48:24,000
# OUGHTA KNOW #
# YOU SEEM VERY WELL #
2377
01:48:24,000 --> 01:48:24,130
# OUGHTA KNOW #
# YOU SEEM VERY WELL #
2378
01:48:24,197 --> 01:48:30,000
# THINGS LOOK PEACEFUL #
# I'M NOT QUITE AS WELL #
2379
01:48:30,000 --> 01:48:32,272
# THINGS LOOK PEACEFUL #
# I'M NOT QUITE AS WELL #
2380
01:48:32,339 --> 01:48:36,000
# I THOUGHT YOU SHOULD KNOW #
# DID YOU FORGET ABOUT ME #
2381
01:48:36,000 --> 01:48:39,012
# I THOUGHT YOU SHOULD KNOW #
# DID YOU FORGET ABOUT ME #
2382
01:48:39,079 --> 01:48:42,000
# MR. DUPLICITY #
# I HATE TO BUG YOU #
2383
01:48:42,000 --> 01:48:42,249
# MR. DUPLICITY #
# I HATE TO BUG YOU #
2384
01:48:42,315 --> 01:48:48,000
# IN THE MIDDLE OF DINNER #
# IT WAS A SLAP IN THE FACE #
2385
01:48:48,000 --> 01:48:50,190
# IN THE MIDDLE OF DINNER #
# IT WAS A SLAP IN THE FACE #
2386
01:48:50,257 --> 01:48:54,000
# HOW QUICKLY I WAS REPLACED #
# AND ARE YOU THINKING OF ME #
2387
01:48:54,000 --> 01:48:57,197
# HOW QUICKLY I WAS REPLACED #
# AND ARE YOU THINKING OF ME #
2388
01:48:57,264 --> 01:48:58,431
# WHEN YOU #
# 'CAUSE THE LOVE #
2389
01:48:58,498 --> 01:48:59,599
# THAT YOU GAVE #
# THAT WE MADE #
2390
01:48:59,666 --> 01:49:00,000
# WASN'T ABLE TO MAKE IT
ENOUGH #
2391
01:49:00,000 --> 01:49:01,534
# WASN'T ABLE TO MAKE IT
ENOUGH #
2392
01:49:01,601 --> 01:49:06,000
# FOR YOU TO BE OPEN WIDE #
# NO #
2393
01:49:06,000 --> 01:49:06,139
# FOR YOU TO BE OPEN WIDE #
# NO #
2394
01:49:06,206 --> 01:49:08,174
# AND EVERY TIME #
# YOU SPEAK HER NAME #
2395
01:49:08,241 --> 01:49:09,943
# DOES SHE KNOW
HOW YOU TOLD ME #
2396
01:49:10,010 --> 01:49:12,000
# YOU'D HOLD ME UNTIL YOU DIED #
# 'TIL YOU DIED #
2397
01:49:12,000 --> 01:49:12,579
# YOU'D HOLD ME UNTIL YOU DIED #
# 'TIL YOU DIED #
2398
01:49:12,646 --> 01:49:15,649
# BUT YOU'RE STILL ALIVE #
# AND I'M HERE #
2399
01:49:15,715 --> 01:49:18,000
# TO REMIND YOU #
# OF THE MESS YOU LEFT #
2400
01:49:18,000 --> 01:49:20,787
# TO REMIND YOU #
# OF THE MESS YOU LEFT #
2401
01:49:20,854 --> 01:49:24,000
# WHEN YOU WENT AWAY #
# IT'S NOT FAIR #
2402
01:49:24,000 --> 01:49:25,859
# WHEN YOU WENT AWAY #
# IT'S NOT FAIR #
2403
01:49:25,926 --> 01:49:29,763
# TO DENY ME #
# OF THE CROSS I BEAR #
2404
01:49:29,829 --> 01:49:30,000
# THAT YOU GAVE TO ME #
# YOU, YOU, YOU #
2405
01:49:30,000 --> 01:49:36,000
# THAT YOU GAVE TO ME #
# YOU, YOU, YOU #
2406
01:49:36,000 --> 01:49:38,405
# THAT YOU GAVE TO ME #
# YOU, YOU, YOU #
2407
01:49:38,471 --> 01:49:40,774
# OUGHTA KNOW #
2408
01:49:41,708 --> 01:49:42,000
# #
# AH, AH, AH #
2409
01:49:42,000 --> 01:49:48,000
# #
# AH, AH, AH #
2410
01:49:48,000 --> 01:49:54,000
# #
# AH, AH, AH #
2411
01:49:54,000 --> 01:49:56,589
# #
# AH, AH, AH #
2412
01:49:56,656 --> 01:50:00,000
# #
# AH, AH, AH #
2413
01:50:00,000 --> 01:50:06,000
# #
# AH, AH, AH #
2414
01:50:06,000 --> 01:50:09,402
# #
# AH, AH, AH #
2415
01:50:09,469 --> 01:50:12,000
# OH, OH, OH #
# OH, OH, OH #
2416
01:50:12,000 --> 01:50:18,000
# OH, OH, OH #
# OH, OH, OH #
2417
01:50:18,000 --> 01:50:22,682
# OH, OH, OH #
# OH, OH, OH #
2418
01:50:22,749 --> 01:50:24,000
# 'CAUSE THE JOKE #
# THAT YOU MADE #
2419
01:50:24,000 --> 01:50:24,884
# 'CAUSE THE JOKE #
# THAT YOU MADE #
2420
01:50:24,951 --> 01:50:27,187
# IN THE BED THAT WAS ME #
# AND I'M NOT GONNA FADE #
2421
01:50:27,253 --> 01:50:30,000
# AS SOON AS YOU
CLOSE YOUR EYES #
2422
01:50:30,000 --> 01:50:30,724
# AS SOON AS YOU
CLOSE YOUR EYES #
2423
01:50:30,790 --> 01:50:33,660
# AND YOU KNOW IT #
# AND EVERY TIME I SCRATCH #
2424
01:50:33,727 --> 01:50:35,996
# MY NAILS #
# DOWN SOMEONE ELSE'S BACK #
2425
01:50:36,062 --> 01:50:42,000
# I HOPE YOU FEEL IT #
# WELL, CAN YOU FEEL IT? #
2426
01:50:42,000 --> 01:50:42,469
# I HOPE YOU FEEL IT #
# WELL, CAN YOU FEEL IT? #
2427
01:50:42,535 --> 01:50:47,640
# YEAH, I'M HERE #
# TO REMIND YOU #
2428
01:50:47,707 --> 01:50:48,000
# OF THE MESS YOU LEFT #
# WHEN YOU WENT AWAY #
2429
01:50:48,000 --> 01:50:51,144
# OF THE MESS YOU LEFT #
# WHEN YOU WENT AWAY #
2430
01:50:51,211 --> 01:50:54,000
# IT'S NOT FAIR #
# TO DENY ME #
2431
01:50:54,000 --> 01:50:57,350
# IT'S NOT FAIR #
# TO DENY ME #
2432
01:50:57,417 --> 01:50:58,852
# OF THE CROSS I BEAR #
# THAT YOU GAVE TO ME #
2433
01:50:58,918 --> 01:51:00,000
# YOU, YOU, YOU #
# OUGHTA KNOW WHY I'M HERE #
2434
01:51:00,000 --> 01:51:03,990
# YOU, YOU, YOU #
# OUGHTA KNOW WHY I'M HERE #
2435
01:51:04,057 --> 01:51:06,000
# TO REMIND YOU #
# OF THE MESS YOU LEFT #
2436
01:51:06,000 --> 01:51:12,000
# TO REMIND YOU #
# OF THE MESS YOU LEFT #
2437
01:51:12,000 --> 01:51:12,399
# TO REMIND YOU #
# OF THE MESS YOU LEFT #
2438
01:51:12,465 --> 01:51:16,536
# WHEN YOU WENT AWAY #
# IT'S NOT FAIR, TO DENY ME #
2439
01:51:16,603 --> 01:51:18,000
# OF THE CROSS I BEAR #
# THAT YOU GAVE TO ME #
2440
01:51:18,000 --> 01:51:20,106
# OF THE CROSS I BEAR #
# THAT YOU GAVE TO ME #
2441
01:51:20,173 --> 01:51:24,000
# YOU, YOU, YOU #
# OUGHTA KNOW #
2442
01:51:24,000 --> 01:51:30,000
# YOU, YOU, YOU #
# OUGHTA KNOW #
2443
01:51:30,000 --> 01:51:30,183
# YOU, YOU, YOU #
# OUGHTA KNOW #
2444
01:51:30,250 --> 01:51:36,000
[CHEERS AND APPLAUSE]
2445
01:51:36,000 --> 01:51:36,589
[CHEERS AND APPLAUSE]
2446
01:51:43,163 --> 01:51:48,000
>> WITH THE SONG THAT WON HER
CMT MUSIC AWARDS NIGHT,
2447
01:51:48,000 --> 01:51:49,469
>> WITH THE SONG THAT WON HER
CMT MUSIC AWARDS NIGHT,
2448
01:51:49,536 --> 01:51:54,000
"TENNESSEE ORANGE," HERE TONIGHT
ON THE RAM TRUCKS STAGE,
2449
01:51:54,000 --> 01:51:55,508
"TENNESSEE ORANGE," HERE TONIGHT
ON THE RAM TRUCKS STAGE,
2450
01:51:55,575 --> 01:51:59,245
IT'S MEGAN MORONEY!
2451
01:51:59,312 --> 01:52:00,000
# TOOK ME TO KNOXVILLE #
# LAST SATURDAY #
2452
01:52:00,000 --> 01:52:01,047
# TOOK ME TO KNOXVILLE #
# LAST SATURDAY #
2453
01:52:01,114 --> 01:52:02,115
# AND I WORE THE HAT #
# ON HIS DASH TO THE GAME #
2454
01:52:02,182 --> 01:52:04,951
# IT SURE WASN'T ATHENS BUT I #
# FELL FOR HIM #
2455
01:52:05,018 --> 01:52:06,000
# UNDER THOSE NEYLAND LIGHTS #
# I MET SOMEBODY #
2456
01:52:06,000 --> 01:52:09,556
# UNDER THOSE NEYLAND LIGHTS #
# I MET SOMEBODY #
2457
01:52:09,622 --> 01:52:12,000
# AND HE'S GOT BLUE EYES #
# HE OPENS THE DOOR AND HE #
2458
01:52:12,000 --> 01:52:15,662
# AND HE'S GOT BLUE EYES #
# HE OPENS THE DOOR AND HE #
2459
01:52:15,728 --> 01:52:17,764
# DON'T MAKE ME CRY
# HE AIN'T #
2460
01:52:17,831 --> 01:52:18,000
# FROM WHERE WE'RE FROM BUT HE #
# FEELS LIKE HOME, YEAH #
2461
01:52:18,000 --> 01:52:21,835
# FROM WHERE WE'RE FROM BUT HE #
# FEELS LIKE HOME, YEAH #
2462
01:52:21,901 --> 01:52:24,000
# HE'S GOT ME DOIN' THINGS #
# I'VE NEVER DONE #
2463
01:52:24,000 --> 01:52:27,040
# HE'S GOT ME DOIN' THINGS #
# I'VE NEVER DONE #
2464
01:52:27,107 --> 01:52:30,000
# IN GEORGIA #
# THEY'D CALL IT A SIN #
2465
01:52:30,000 --> 01:52:31,311
# IN GEORGIA #
# THEY'D CALL IT A SIN #
2466
01:52:31,377 --> 01:52:36,000
# I'M WEARIN' TENNESSEE ORANGE #
# FOR HIM #
2467
01:52:36,000 --> 01:52:42,000
# I'M WEARIN' TENNESSEE ORANGE #
# FOR HIM #
2468
01:52:42,000 --> 01:52:45,158
# I'M WEARIN' TENNESSEE ORANGE #
# FOR HIM #
2469
01:52:45,225 --> 01:52:47,160
[CHEERS AND APPLAUSE]
>> VOTING FOR VIDEO OF THE YEAR
2470
01:52:47,227 --> 01:52:48,000
HAS OFFICIALLY CLOSED.
2471
01:52:48,000 --> 01:52:48,094
HAS OFFICIALLY CLOSED.
2472
01:52:48,161 --> 01:52:49,329
FIND OUT THE WINNER LATER.
2473
01:52:49,395 --> 01:52:52,599
BUT NEXT, CARRIE UNDERWOOD TAKES
OVER DOWNTOWN AUSTIN ON OUR
2474
01:52:52,665 --> 01:52:53,900
CAPITOL STAGE.
2475
01:52:53,967 --> 01:52:54,000
AND LATER, AN ALL-STAR TRIBUTE
OF GARY ROSSINGTON
2476
01:52:54,000 --> 01:52:59,539
AND LATER, AN ALL-STAR TRIBUTE
OF GARY ROSSINGTON
2477
01:52:59,606 --> 01:53:00,000
AND LYNYRD SKYNYRD.
2478
01:53:00,000 --> 01:53:00,640
AND LYNYRD SKYNYRD.
2479
01:53:00,707 --> 01:53:02,509
WE'RE LIVE BEHIND THE SCENES OF
THE CMT MUSIC AWARDS!
2480
01:53:02,575 --> 01:53:04,177
CHECK IT OUT ON YOUTUBE NOW.
2481
01:53:04,244 --> 01:53:04,744
THIS IS CBS.
2482
01:53:35,208 --> 01:53:36,000
>> STILL HANGING OUT BACK HERE
IN THE SOLITAIRE GRAND HARVEST
2483
01:53:36,000 --> 01:53:36,709
>> STILL HANGING OUT BACK HERE
IN THE SOLITAIRE GRAND HARVEST
2484
01:53:36,776 --> 01:53:39,145
GAME LOUNGE.
2485
01:53:39,212 --> 01:53:41,881
CODY ALAN IS GETTING HIS CHANCE.
2486
01:53:41,948 --> 01:53:42,000
LETS KEEP IT GOING WITH SINGER
AND SOCIAL MEDIA SENSATION,
2487
01:53:42,000 --> 01:53:47,587
LETS KEEP IT GOING WITH SINGER
AND SOCIAL MEDIA SENSATION,
2488
01:53:47,654 --> 01:53:48,000
WHOSE NEW SINGLE IS OUT FRIDAY.
2489
01:53:48,000 --> 01:53:52,158
WHOSE NEW SINGLE IS OUT FRIDAY.
2490
01:53:52,225 --> 01:53:53,693
DIXIE D'AMELIO!
2491
01:53:53,760 --> 01:53:54,000
LET'S GO!
2492
01:53:54,000 --> 01:53:58,264
LET'S GO!
2493
01:53:58,331 --> 01:54:00,000
>> THIS PERFORMER IS AN
INSPIRATION TO ANYONE WHO
2494
01:54:00,000 --> 01:54:00,533
>> THIS PERFORMER IS AN
INSPIRATION TO ANYONE WHO
2495
01:54:00,600 --> 01:54:04,037
HAS EVER TAKEN THE STAGE,
AND YOU ARE ABOUT TO SEE WHY.
2496
01:54:04,103 --> 01:54:06,000
SHE BRINGS IT WITH EVERY NOTE
EVERY TIME, WHETHER SHE'S
2497
01:54:06,000 --> 01:54:08,441
SHE BRINGS IT WITH EVERY NOTE
EVERY TIME, WHETHER SHE'S
2498
01:54:08,508 --> 01:54:12,000
PERFORMING ON HER SOLD OUT TOUR,
HER HIT LAS VEGAS RESIDENCY,
2499
01:54:12,000 --> 01:54:12,245
PERFORMING ON HER SOLD OUT TOUR,
HER HIT LAS VEGAS RESIDENCY,
2500
01:54:12,312 --> 01:54:13,646
OR RIGHT HERE ON CMT.
2501
01:54:13,713 --> 01:54:18,000
TEXAS, MAKE SOME NOISE
FOR MY FAVORITE,
2502
01:54:18,000 --> 01:54:20,186
TEXAS, MAKE SOME NOISE
FOR MY FAVORITE,
2503
01:54:20,253 --> 01:54:24,000
CARRIE UNDERWOOD!
2504
01:54:24,000 --> 01:54:27,460
CARRIE UNDERWOOD!
2505
01:54:31,197 --> 01:54:36,000
# #
# I'M FREE AS A BIRD #
2506
01:54:36,000 --> 01:54:40,006
# #
# I'M FREE AS A BIRD #
2507
01:54:40,073 --> 01:54:42,000
# NO TIES #
# NOTHIN' KEEPING MY WINGS #
2508
01:54:42,000 --> 01:54:42,442
# NO TIES #
# NOTHIN' KEEPING MY WINGS #
2509
01:54:42,508 --> 01:54:46,980
# FROM FLYING HIGH #
# AND GOING OUT ON THE TOWN #
2510
01:54:47,046 --> 01:54:48,000
# ON A SATURDAY NIGHT #
# 'CAUSE HE'S GONE #
2511
01:54:48,000 --> 01:54:50,583
# ON A SATURDAY NIGHT #
# 'CAUSE HE'S GONE #
2512
01:54:50,650 --> 01:54:54,000
# WITH THE WIND #
# AND LORD KNOWS I DESERVE #
2513
01:54:54,000 --> 01:54:54,487
# WITH THE WIND #
# AND LORD KNOWS I DESERVE #
2514
01:54:54,554 --> 01:55:00,000
# TO BE FLIRTED WITH #
# BUT THE ONLY PROBLEM IS #
2515
01:55:00,000 --> 01:55:01,961
# TO BE FLIRTED WITH #
# BUT THE ONLY PROBLEM IS #
2516
01:55:02,028 --> 01:55:04,797
# I HATE MY HEART RIGHT NOW #
# UNDERNEATH THE COVERS #
2517
01:55:04,864 --> 01:55:06,000
# IN THE DARK RIGHT NOW #
# WISHIN' I WAS #
2518
01:55:06,000 --> 01:55:07,600
# IN THE DARK RIGHT NOW #
# WISHIN' I WAS #
2519
01:55:07,667 --> 01:55:12,000
# SITTING IN A BAR RIGHT NOW #
# TWO DRINKS IN #
2520
01:55:12,000 --> 01:55:12,305
# SITTING IN A BAR RIGHT NOW #
# TWO DRINKS IN #
2521
01:55:12,372 --> 01:55:16,609
# MAKIN' ME A LAST CALL FRIEND #
# I WANT MY FEEL GOOD BACK #
2522
01:55:16,676 --> 01:55:18,000
# INSTEAD OF FEELING BAD #
# THAT I CAN'T GET PAST #
2523
01:55:18,000 --> 01:55:19,646
# INSTEAD OF FEELING BAD #
# THAT I CAN'T GET PAST #
2524
01:55:19,712 --> 01:55:23,650
# THE FACT THAT I CAN'T LOVE
NOBODY ELSE #
2525
01:55:23,716 --> 01:55:24,000
# I WOULD IF I COULD #
# BUT I DON'T KNOW HOW #
2526
01:55:24,000 --> 01:55:27,053
# I WOULD IF I COULD #
# BUT I DON'T KNOW HOW #
2527
01:55:27,120 --> 01:55:30,000
# I HATE MY HEART #
# RIGHT NOW, YEAH #
2528
01:55:30,000 --> 01:55:33,192
# I HATE MY HEART #
# RIGHT NOW, YEAH #
2529
01:55:33,259 --> 01:55:36,000
# HATE MY #
# HEART RIGHT NOW #
2530
01:55:36,000 --> 01:55:40,033
# HATE MY #
# HEART RIGHT NOW #
2531
01:55:40,099 --> 01:55:42,000
# I DON'T WANT HIM BACK #
# THAT AIN'T IT #
2532
01:55:42,000 --> 01:55:43,903
# I DON'T WANT HIM BACK #
# THAT AIN'T IT #
2533
01:55:43,970 --> 01:55:48,000
# BUT THIS THING IN MY CHEST #
# JUST CAN'T FORGET #
2534
01:55:48,000 --> 01:55:49,208
# BUT THIS THING IN MY CHEST #
# JUST CAN'T FORGET #
2535
01:55:49,275 --> 01:55:52,545
# IT KEEPS BEATING FOR HIM #
# AND IT JUST WON'T QUIT #
2536
01:55:52,612 --> 01:55:54,000
# I HATE MY HEART RIGHT NOW #
# UNDERNEATH THE COVERS #
2537
01:55:54,000 --> 01:55:59,152
# I HATE MY HEART RIGHT NOW #
# UNDERNEATH THE COVERS #
2538
01:55:59,218 --> 01:56:00,000
# IN THE DARK RIGHT NOW #
# WISHIN' I WAS SITTING #
2539
01:56:00,000 --> 01:56:02,088
# IN THE DARK RIGHT NOW #
# WISHIN' I WAS SITTING #
2540
01:56:02,155 --> 01:56:06,000
# IN A BAR RIGHT NOW #
# TWO DRINKS IN #
2541
01:56:06,000 --> 01:56:06,759
# IN A BAR RIGHT NOW #
# TWO DRINKS IN #
2542
01:56:06,826 --> 01:56:12,000
# MAKIN' ME A LAST CALL FRIEND #
# I WANT MY FEEL-GOOD BACK #
2543
01:56:12,000 --> 01:56:12,031
# MAKIN' ME A LAST CALL FRIEND #
# I WANT MY FEEL-GOOD BACK #
2544
01:56:12,098 --> 01:56:14,467
# INSTEAD OF FEELING BAD #
# THAT I CAN'T GET PAST #
2545
01:56:14,534 --> 01:56:18,000
# THE FACT THAT I CAN'T LOVE
NOBODY ELSE #
2546
01:56:18,000 --> 01:56:18,237
# THE FACT THAT I CAN'T LOVE
NOBODY ELSE #
2547
01:56:18,304 --> 01:56:21,541
# I WOULD IF I COULD #
# BUT I DON' KNOW HOW #
2548
01:56:21,607 --> 01:56:24,000
# I HATE MY #
# HEART RIGHT NOW #
2549
01:56:24,000 --> 01:56:28,081
# I HATE MY #
# HEART RIGHT NOW #
2550
01:56:28,147 --> 01:56:30,000
# I HATE MY HEART RIGHT NOW #
# ONE DAY I PRAY #
2551
01:56:30,000 --> 01:56:36,000
# I HATE MY HEART RIGHT NOW #
# ONE DAY I PRAY #
2552
01:56:36,000 --> 01:56:39,659
# I HATE MY HEART RIGHT NOW #
# ONE DAY I PRAY #
2553
01:56:39,726 --> 01:56:42,000
# HE'LL STAY OUT OF MY HEAD #
# I KEEP WAITING #
2554
01:56:42,000 --> 01:56:45,965
# HE'LL STAY OUT OF MY HEAD #
# I KEEP WAITING #
2555
01:56:46,032 --> 01:56:48,000
# BUT IT AIN'T HAPPENED YET #
# I HATE MY HEART RIGHT NOW #
2556
01:56:48,000 --> 01:56:49,369
# BUT IT AIN'T HAPPENED YET #
# I HATE MY HEART RIGHT NOW #
2557
01:56:49,435 --> 01:56:52,305
# UNDERNEATH THE COVERS #
# IN THE DARK RIGHT NOW #
2558
01:56:52,372 --> 01:56:54,000
# WISHIN' I WAS #
# SITTING IN A BAR RIGHT #
2559
01:56:54,000 --> 01:56:56,876
# WISHIN' I WAS #
# SITTING IN A BAR RIGHT #
2560
01:56:56,943 --> 01:57:00,000
# NOW #
# WITH A TALL, DARK LAST CALL
2561
01:57:00,000 --> 01:57:00,246
# NOW #
# WITH A TALL, DARK LAST CALL
2562
01:57:00,313 --> 01:57:03,416
FRIEND AND MY #
# FEEL GOOD BACK #
2563
01:57:03,483 --> 01:57:06,000
# INSTEAD OF FEELING BAD #
# THAT I CAN'T GET PAST #
2564
01:57:06,000 --> 01:57:06,152
# INSTEAD OF FEELING BAD #
# THAT I CAN'T GET PAST #
2565
01:57:06,219 --> 01:57:09,489
# THE FACT THAT I CAN'T LOVE
NOBODY ELSE #
2566
01:57:09,555 --> 01:57:12,000
# I WOULD IF I COULD #
# BUT I DON'T KNOW HOW #
2567
01:57:12,000 --> 01:57:13,059
# I WOULD IF I COULD #
# BUT I DON'T KNOW HOW #
2568
01:57:13,126 --> 01:57:18,000
# I HATE MY HEART RIGHT NOW #
# I HATE MY HEART RIGHT NOW #
2569
01:57:18,000 --> 01:57:24,000
# I HATE MY HEART RIGHT NOW #
# I HATE MY HEART RIGHT NOW #
2570
01:57:24,000 --> 01:57:24,370
# I HATE MY HEART RIGHT NOW #
# I HATE MY HEART RIGHT NOW #
2571
01:57:24,437 --> 01:57:30,000
# OH, YEAH #
2572
01:57:30,000 --> 01:57:32,545
# OH, YEAH #
2573
01:57:36,616 --> 01:57:42,000
# #
2574
01:57:42,000 --> 01:57:48,000
# #
2575
01:57:48,000 --> 01:57:51,497
# #
2576
01:57:51,564 --> 01:57:52,698
# #
2577
01:57:54,500 --> 01:58:00,000
>> I FEEL LIKE I SHOULD BE DOING
SOME SQUATS AFTER THAT BUT IT'S
2578
01:58:00,000 --> 01:58:00,473
>> I FEEL LIKE I SHOULD BE DOING
SOME SQUATS AFTER THAT BUT IT'S
2579
01:58:00,540 --> 01:58:01,607
OKAY.
2580
01:58:01,674 --> 01:58:02,942
AND NOW FOR THE FINAL
PERFORMANCE
2581
01:58:03,009 --> 01:58:05,244
ON THE RAM TRUCKS STAGE, WE'VE
GOT A BAND WHO DOLLY PARTON
2582
01:58:05,311 --> 01:58:06,000
SAYS HAS A FUN NEW TAKE ON ONE
OF HER SONGS.
2583
01:58:06,000 --> 01:58:06,813
SAYS HAS A FUN NEW TAKE ON ONE
OF HER SONGS.
2584
01:58:06,879 --> 01:58:12,000
PERFORMING, "YOU CAN HAVE HIM
JOLENE," THIS IS CHAPEL HART.
2585
01:58:12,000 --> 01:58:14,387
PERFORMING, "YOU CAN HAVE HIM
JOLENE," THIS IS CHAPEL HART.
2586
01:58:17,457 --> 01:58:18,000
# OH, JOLENE #
# YOU CAN HAVE HIM #
2587
01:58:18,000 --> 01:58:21,260
# OH, JOLENE #
# YOU CAN HAVE HIM #
2588
01:58:21,327 --> 01:58:24,000
# 'CAUSE HE DON'T #
# MEAN MUCH TO ME #
2589
01:58:24,000 --> 01:58:24,764
# 'CAUSE HE DON'T #
# MEAN MUCH TO ME #
2590
01:58:24,831 --> 01:58:30,000
# WELL, I'VE CRIED SO MUCH #
# TIL RIVERS TURNED TO SEAS #
2591
01:58:30,000 --> 01:58:31,237
# WELL, I'VE CRIED SO MUCH #
# TIL RIVERS TURNED TO SEAS #
2592
01:58:31,304 --> 01:58:33,973
# OH, JOLENE #
# WHEN YOU THINK #
2593
01:58:34,040 --> 01:58:35,341
# THAT HE'S IN LOVE #
# HE'LL SURELY LEAVE #
2594
01:58:35,408 --> 01:58:36,000
# LIKE HE DID ME #
# YOU CAN HAVE HIM, JOLENE #
2595
01:58:36,000 --> 01:58:42,000
# LIKE HE DID ME #
# YOU CAN HAVE HIM, JOLENE #
2596
01:58:42,000 --> 01:58:42,014
# LIKE HE DID ME #
# YOU CAN HAVE HIM, JOLENE #
2597
01:58:42,081 --> 01:58:48,000
# YOU CAN HAVE HIM, JOLENE #
# YOU CAN HAVE HIM #
2598
01:58:48,000 --> 01:58:51,591
# YOU CAN HAVE HIM, JOLENE #
# YOU CAN HAVE HIM #
2599
01:58:51,657 --> 01:58:54,000
# JOLENE #
[CHEERS AND APPLAUSE]
2600
01:58:54,000 --> 01:59:00,000
# JOLENE #
[CHEERS AND APPLAUSE]
2601
01:59:00,000 --> 01:59:02,301
# JOLENE #
[CHEERS AND APPLAUSE]
2602
01:59:02,368 --> 01:59:06,000
>> COMING UP,
DARIUS RUCKER HANDS OUT
2603
01:59:06,000 --> 01:59:07,206
>> COMING UP,
DARIUS RUCKER HANDS OUT
2604
01:59:07,273 --> 01:59:08,741
THE BIGGEST AWARD OF THE NIGHT,
VIDEO OF THE YEAR,
2605
01:59:08,808 --> 01:59:12,000
AND THEN WE'RE CLOSING THINGS
OUT WITH AN UNFORGETTABLE
2606
01:59:12,000 --> 01:59:13,212
AND THEN WE'RE CLOSING THINGS
OUT WITH AN UNFORGETTABLE
2607
01:59:13,279 --> 01:59:15,014
STAR-STUDDED CELEBRATION OF
SOUTHERN ROCK GIANTS
2608
01:59:15,081 --> 01:59:15,882
LYNYRD SKYNYRD.
2609
01:59:15,948 --> 01:59:18,000
THE CMT MUSIC AWARDS CONTINUES.
2610
01:59:18,000 --> 01:59:18,217
THE CMT MUSIC AWARDS CONTINUES.
2611
01:59:18,284 --> 01:59:18,784
LIVE FROM AUSTIN, TEXAS.
2612
01:59:18,851 --> 01:59:19,352
THIS IS CBS.
2613
01:59:33,299 --> 01:59:36,000
# #
>> YOU HAVE BEEN VOTING ALL
2614
01:59:36,000 --> 01:59:36,903
# #
>> YOU HAVE BEEN VOTING ALL
2615
01:59:36,969 --> 01:59:37,904
NIGHT LONG TO HELP PICK THE
WINNER OF OUR BIGGEST AWARD, NOW
2616
01:59:37,970 --> 01:59:40,873
IT'S TIME TO FIND OUT WHO IS
GOING HOME WITH IT.
2617
01:59:40,940 --> 01:59:42,000
ARE YOU GUYS READY TO KNOW WHO
IS GOING TO WIN?
2618
01:59:42,000 --> 01:59:45,044
ARE YOU GUYS READY TO KNOW WHO
IS GOING TO WIN?
2619
01:59:45,111 --> 01:59:48,000
THESE ARE THE NOMINEES FOR VIDEO
OF THE YEAR.
2620
01:59:48,000 --> 01:59:50,917
THESE ARE THE NOMINEES FOR VIDEO
OF THE YEAR.
2621
01:59:50,983 --> 01:59:52,718
>> "HATE MY HEART"
CARRIE UNDERWOOD
2622
01:59:52,785 --> 01:59:54,000
"WAIT IN THE TRUCK"
HARDY FEATURING LAINEY WILSON
2623
01:59:54,000 --> 01:59:56,923
"WAIT IN THE TRUCK"
HARDY FEATURING LAINEY WILSON
2624
01:59:56,989 --> 02:00:00,000
"THANK GOD"
KANE BROWN AND KATELYN BROWN
2625
02:00:00,000 --> 02:00:01,627
"THANK GOD"
KANE BROWN AND KATELYN BROWN
2626
02:00:01,694 --> 02:00:05,998
VIDEO OF THE YEAR.
2627
02:00:06,065 --> 02:00:08,834
>> AND THE WINNER IS...
2628
02:00:08,901 --> 02:00:12,000
KANE BROWN AND KATELYN BROWN
"THANK GOD."
2629
02:00:12,000 --> 02:00:18,000
KANE BROWN AND KATELYN BROWN
"THANK GOD."
2630
02:00:18,000 --> 02:00:20,613
KANE BROWN AND KATELYN BROWN
"THANK GOD."
2631
02:00:20,680 --> 02:00:24,000
# #
2632
02:00:24,000 --> 02:00:30,000
# #
2633
02:00:30,000 --> 02:00:35,561
# #
2634
02:00:35,628 --> 02:00:36,000
# #
2635
02:00:36,000 --> 02:00:37,196
# #
2636
02:01:06,659 --> 02:01:07,259
>> OH, MY GOSH.
2637
02:01:07,326 --> 02:01:10,563
OH, MY GOSH.
2638
02:01:10,630 --> 02:01:12,000
FIRST OFF, I AM SO NERVOUS.
2639
02:01:12,000 --> 02:01:13,966
FIRST OFF, I AM SO NERVOUS.
2640
02:01:14,033 --> 02:01:15,234
THIS IS SO NEW TO ME.
2641
02:01:15,301 --> 02:01:18,000
WHEN WE RECORDED THE SONG A YEAR
AGO, I NEVER IN MY LIFE WOULD
2642
02:01:18,000 --> 02:01:18,904
WHEN WE RECORDED THE SONG A YEAR
AGO, I NEVER IN MY LIFE WOULD
2643
02:01:18,971 --> 02:01:22,942
EVER THINK THAT THIS WAS EVER
GOING TO HAPPEN.
2644
02:01:23,009 --> 02:01:24,000
BUT I JUST WANT TO SAY THANK YOU
SO MUCH TO MY AMAZING HUSBAND.
2645
02:01:24,000 --> 02:01:26,779
BUT I JUST WANT TO SAY THANK YOU
SO MUCH TO MY AMAZING HUSBAND.
2646
02:01:26,846 --> 02:01:28,047
I LOVE YOU.
2647
02:01:28,114 --> 02:01:30,000
THIS IS A SPECIAL THAT WE GET TO
SHARE THIS TOGETHER EVERY NIGHT
2648
02:01:30,000 --> 02:01:31,283
THIS IS A SPECIAL THAT WE GET TO
SHARE THIS TOGETHER EVERY NIGHT
2649
02:01:31,350 --> 02:01:34,587
AND I LOVE YOU SO MUCH.
2650
02:01:34,654 --> 02:01:36,000
>> I'LL BE QUICK.
2651
02:01:36,000 --> 02:01:36,088
>> I'LL BE QUICK.
2652
02:01:36,155 --> 02:01:39,959
I WANT TO SAY THANK YOU TO THE
FANS THAT VOTED.
2653
02:01:40,026 --> 02:01:42,000
THANK YOU TO SONY, MY AWESOME
MANAGER, THIS IS ALEX.
2654
02:01:42,000 --> 02:01:45,097
THANK YOU TO SONY, MY AWESOME
MANAGER, THIS IS ALEX.
2655
02:01:45,164 --> 02:01:45,865
HE MOVED HERE FROM BARCELONA.
2656
02:01:45,931 --> 02:01:47,333
HE WANTED TO BE A VIDEO
DIRECTOR.
2657
02:01:47,400 --> 02:01:48,000
HE HAS DONE ALL OF MY MUSIC
VIDEOS.
2658
02:01:48,000 --> 02:01:50,002
HE HAS DONE ALL OF MY MUSIC
VIDEOS.
2659
02:01:50,069 --> 02:01:53,539
HE IS MAKING THE AMERICAN DREAM
COME TRUE.
2660
02:01:53,606 --> 02:01:54,000
I LOVE YOU!
2661
02:01:54,000 --> 02:01:55,741
I LOVE YOU!
2662
02:01:55,808 --> 02:01:56,142
THANK YOU, CMT!
2663
02:01:56,208 --> 02:02:00,000
>> THANK YOU!
2664
02:02:00,000 --> 02:02:00,613
>> THANK YOU!
2665
02:02:00,680 --> 02:02:06,000
>> PLEASE WELCOME
A GRAMMY WINNING ICON,
2666
02:02:06,000 --> 02:02:08,354
>> PLEASE WELCOME
A GRAMMY WINNING ICON,
2667
02:02:08,421 --> 02:02:12,000
PETER FRAMPTON!
2668
02:02:12,000 --> 02:02:12,958
PETER FRAMPTON!
2669
02:02:13,025 --> 02:02:14,927
>> I AM HERE TONIGHT
TO HONOR NA FRIEND AND TOURMATE
2670
02:02:14,994 --> 02:02:15,928
OF MINE
GARY ROSSINGTON WAS A SOUTHERN
2671
02:02:15,995 --> 02:02:17,463
ROCK ICON.
2672
02:02:17,530 --> 02:02:18,000
HE WAS AN ORIGINAL FOUNDING
MEMBER OF THE BELOVED GROUP
2673
02:02:18,000 --> 02:02:21,434
HE WAS AN ORIGINAL FOUNDING
MEMBER OF THE BELOVED GROUP
2674
02:02:21,500 --> 02:02:24,000
LYNYRD SKYNYRD, ALONGSIDE
RONNIE VAN ZANT
2675
02:02:24,000 --> 02:02:24,136
LYNYRD SKYNYRD, ALONGSIDE
RONNIE VAN ZANT
2676
02:02:24,203 --> 02:02:25,571
AND ALAN COLLINS.
2677
02:02:25,638 --> 02:02:28,641
GARY NOT ONLY HELPED DEFINE THE
BAND'S SOUND, HE INSPIRED
2678
02:02:28,708 --> 02:02:30,000
MILLIONS OF FANS AND MUSICIANS.
2679
02:02:30,000 --> 02:02:32,011
MILLIONS OF FANS AND MUSICIANS.
2680
02:02:32,078 --> 02:02:35,981
HE HAS NOW JOINED HIS FELLOW
SKYNYRD BAND MATES IN ROCK
2681
02:02:36,048 --> 02:02:42,000
AND ROLL HEAVEN BUT WE WILL ALL
ENJOY THEIR MUSIC FOREVER.
2682
02:02:42,000 --> 02:02:45,357
AND ROLL HEAVEN BUT WE WILL ALL
ENJOY THEIR MUSIC FOREVER.
2683
02:02:45,424 --> 02:02:48,000
GARY'S WIFE AND BANDMATE DALE
AND DAUGHTER MARY,
2684
02:02:48,000 --> 02:02:49,695
GARY'S WIFE AND BANDMATE DALE
AND DAUGHTER MARY,
2685
02:02:49,762 --> 02:02:53,299
RICKEY MEDLOCKE,
AND JOHNNY VAN ZANT ARE
2686
02:02:53,365 --> 02:02:54,000
HERE TONIGHT
AS WELL AS RONNY'S
2687
02:02:54,000 --> 02:03:00,000
HERE TONIGHT
AS WELL AS RONNY'S
2688
02:03:00,000 --> 02:03:00,406
HERE TONIGHT
AS WELL AS RONNY'S
2689
02:03:00,473 --> 02:03:06,000
WIDOW, JUDY VAN ZANT,
AND HIS GRANDDAUGHTER, ARAYAH.
2690
02:03:06,000 --> 02:03:08,380
WIDOW, JUDY VAN ZANT,
AND HIS GRANDDAUGHTER, ARAYAH.
2691
02:03:08,447 --> 02:03:12,000
THANK YOU ALL FOR SHARING THIS
MOMENT WITH US.
2692
02:03:12,000 --> 02:03:13,352
THANK YOU ALL FOR SHARING THIS
MOMENT WITH US.
2693
02:03:13,419 --> 02:03:18,000
IT'S MY PLEASURE TO
WELCOME
2694
02:03:18,000 --> 02:03:22,061
IT'S MY PLEASURE TO
WELCOME
2695
02:03:22,128 --> 02:03:24,000
MEMBERS OF ZZ TOP, BAD COMPANY,
GUNS N' ROSES, THE ALLMAN
2696
02:03:24,000 --> 02:03:26,232
MEMBERS OF ZZ TOP, BAD COMPANY,
GUNS N' ROSES, THE ALLMAN
2697
02:03:26,298 --> 02:03:26,866
BROTHERS.
2698
02:03:26,932 --> 02:03:29,001
I AM RUNNING OUT OF FINGERS.
2699
02:03:29,068 --> 02:03:30,000
THREE OF COUNTRY'S GREATEST
VOICES, LED BY THE
2700
02:03:30,000 --> 02:03:34,240
THREE OF COUNTRY'S GREATEST
VOICES, LED BY THE
2701
02:03:34,306 --> 02:03:36,000
ROLLING STONES' MUSICAL DIRECTOR
ON KEYS.
2702
02:03:36,000 --> 02:03:36,575
ROLLING STONES' MUSICAL DIRECTOR
ON KEYS.
2703
02:03:36,642 --> 02:03:42,000
THEY ARE ALL HERE TO PAY TRIBUTE
TO GARY AND THE KINGS OF
2704
02:03:42,000 --> 02:03:42,882
THEY ARE ALL HERE TO PAY TRIBUTE
TO GARY AND THE KINGS OF
2705
02:03:42,948 --> 02:03:44,483
SOUTHERN ROCK!
2706
02:03:44,550 --> 02:03:48,000
LYNYRD SKYNYRD!
2707
02:03:48,000 --> 02:03:48,220
LYNYRD SKYNYRD!
2708
02:03:48,287 --> 02:03:52,525
HERE ARE CODY JOHNSON,
BILLY GIBBONS,
2709
02:03:52,591 --> 02:03:54,000
PAUL RODGERS, SLASH,
CHUCK LEAVELL, WARREN HAYNES,
2710
02:03:54,000 --> 02:03:55,694
PAUL RODGERS, SLASH,
CHUCK LEAVELL, WARREN HAYNES,
2711
02:03:55,761 --> 02:04:00,000
AND OUR HONKETTES FOR TONIGHT
WYNONNA JUDD AND LEANN RIMES!
2712
02:04:00,000 --> 02:04:03,302
AND OUR HONKETTES FOR TONIGHT
WYNONNA JUDD AND LEANN RIMES!
2713
02:04:07,206 --> 02:04:12,000
# #
>> YEAH, YEAH
2714
02:04:12,000 --> 02:04:18,000
# #
>> YEAH, YEAH
2715
02:04:18,000 --> 02:04:20,786
# #
>> YEAH, YEAH
2716
02:04:20,853 --> 02:04:24,000
# MY MAMA TOLD ME #
# WHEN I WAS YOUNG #
2717
02:04:24,000 --> 02:04:24,924
# MY MAMA TOLD ME #
# WHEN I WAS YOUNG #
2718
02:04:24,990 --> 02:04:30,000
# COME SIT BESIDE ME #
# MY ONLY SON #
2719
02:04:30,000 --> 02:04:32,798
# COME SIT BESIDE ME #
# MY ONLY SON #
2720
02:04:32,865 --> 02:04:36,000
# AND LISTEN CLOSELY #
# OH, BABY #
2721
02:04:36,000 --> 02:04:36,569
# AND LISTEN CLOSELY #
# OH, BABY #
2722
02:04:36,635 --> 02:04:42,000
# TO WHAT I SAY #
# AND IF YOU DO THIS #
2723
02:04:42,000 --> 02:04:42,842
# TO WHAT I SAY #
# AND IF YOU DO THIS #
2724
02:04:42,908 --> 02:04:48,000
# IT'LL HELP YOU #
# SOME SUNNY DAY #
2725
02:04:48,000 --> 02:04:49,481
# IT'LL HELP YOU #
# SOME SUNNY DAY #
2726
02:04:49,548 --> 02:04:54,000
# AH, YEAH #
OOH, OOH #
2727
02:04:54,000 --> 02:04:57,890
# AH, YEAH #
OOH, OOH #
2728
02:04:57,957 --> 02:05:00,000
# GARY WAS A SIMPLE MAN #
YEAH, YEAH #
2729
02:05:00,000 --> 02:05:05,531
# GARY WAS A SIMPLE MAN #
YEAH, YEAH #
2730
02:05:05,598 --> 02:05:06,000
# OH, TAKE YOUR TIME #
# DON'T LIVE TOO FAST #
2731
02:05:06,000 --> 02:05:12,000
# OH, TAKE YOUR TIME #
# DON'T LIVE TOO FAST #
2732
02:05:12,000 --> 02:05:18,000
# OH, TAKE YOUR TIME #
# DON'T LIVE TOO FAST #
2733
02:05:18,000 --> 02:05:20,479
# OH, TAKE YOUR TIME #
# DON'T LIVE TOO FAST #
2734
02:05:20,546 --> 02:05:21,247
# OH, TAKE YOUR TIME #
# DON'T LIVE TOO FAST #
2735
02:05:21,313 --> 02:05:24,000
# TROUBLES WILL COME #
# OH #
2736
02:05:24,000 --> 02:05:25,317
# TROUBLES WILL COME #
# OH #
2737
02:05:25,384 --> 02:05:30,000
# AND THEY WILL PASS #
# YOU'LL FIND A WOMAN #
2738
02:05:30,000 --> 02:05:34,226
# AND THEY WILL PASS #
# YOU'LL FIND A WOMAN #
2739
02:05:34,293 --> 02:05:36,000
# YEAH, YOU'LL FIND LOVE #
# AND DON'T FORGET, SON #
2740
02:05:36,000 --> 02:05:38,664
# YEAH, YOU'LL FIND LOVE #
# AND DON'T FORGET, SON #
2741
02:05:38,731 --> 02:05:42,000
# THERE IS SOMEONE UP ABOVE #
# AND BE A SIMPLE #
2742
02:05:42,000 --> 02:05:48,000
# THERE IS SOMEONE UP ABOVE #
# AND BE A SIMPLE #
2743
02:05:48,000 --> 02:05:48,307
# THERE IS SOMEONE UP ABOVE #
# AND BE A SIMPLE #
2744
02:05:48,374 --> 02:05:54,000
# KIND OF MAN #
# OH, BE SOMETHING #
2745
02:05:54,000 --> 02:05:56,048
# KIND OF MAN #
# OH, BE SOMETHING #
2746
02:05:56,115 --> 02:06:00,000
# YOU LOVE AND UNDERSTAND #
# BABY BE A SIMPLE #
2747
02:06:00,000 --> 02:06:03,555
# YOU LOVE AND UNDERSTAND #
# BABY BE A SIMPLE #
2748
02:06:03,622 --> 02:06:06,000
# KIND OF MAN #
WON'T YOU DO THAT
2749
02:06:06,000 --> 02:06:12,000
# KIND OF MAN #
WON'T YOU DO THAT
2750
02:06:12,000 --> 02:06:18,000
# KIND OF MAN #
WON'T YOU DO THAT
2751
02:06:18,000 --> 02:06:18,003
# KIND OF MAN #
WON'T YOU DO THAT
2752
02:06:18,070 --> 02:06:23,842
ANYTIME YOU CAN #
# BABY, BE A SIMPLE #
2753
02:06:23,909 --> 02:06:24,000
# KIND OF MAN #
# OH, BE SOMETHING #
2754
02:06:24,000 --> 02:06:27,880
# KIND OF MAN #
# OH, BE SOMETHING #
2755
02:06:27,947 --> 02:06:30,000
# YOU LOVE AND UNDERSTAND #
# BABY, BE A SIMPLE #
2756
02:06:30,000 --> 02:06:36,000
# YOU LOVE AND UNDERSTAND #
# BABY, BE A SIMPLE #
2757
02:06:36,000 --> 02:06:36,288
# YOU LOVE AND UNDERSTAND #
# BABY, BE A SIMPLE #
2758
02:06:36,355 --> 02:06:42,000
# KIND OF MAN #
# OH, WON'T YOU DO THIS #
2759
02:06:42,000 --> 02:06:42,594
# KIND OF MAN #
# OH, WON'T YOU DO THIS #
2760
02:06:42,661 --> 02:06:48,000
# FOR ME, SON #
# IF YOU CAN #
2761
02:06:48,000 --> 02:06:50,703
# FOR ME, SON #
# IF YOU CAN #
2762
02:06:50,769 --> 02:06:54,000
[CHEERS AND APPLAUSE]
# #
2763
02:06:54,000 --> 02:07:00,000
[CHEERS AND APPLAUSE]
# #
2764
02:07:00,000 --> 02:07:01,347
[CHEERS AND APPLAUSE]
# #
2765
02:07:01,413 --> 02:07:03,482
TURN IT UP NOW!
2766
02:07:03,549 --> 02:07:05,851
# BIG WHEELS #
# KEEP ON TURNIN' #
2767
02:07:05,918 --> 02:07:06,000
# CARRY ME HOME #
# TO SEE MY KIN #
2768
02:07:06,000 --> 02:07:11,123
# CARRY ME HOME #
# TO SEE MY KIN #
2769
02:07:11,190 --> 02:07:12,000
# SINGIN' SONGS #
# ABOUT THE SOUTHLAND #
2770
02:07:12,000 --> 02:07:18,000
# SINGIN' SONGS #
# ABOUT THE SOUTHLAND #
2771
02:07:18,000 --> 02:07:22,668
# SINGIN' SONGS #
# ABOUT THE SOUTHLAND #
2772
02:07:22,735 --> 02:07:24,000
# I MISS ALABAMA ONCE AGAIN #
# AND I THINK IT'S A SIN, YES #
2773
02:07:24,000 --> 02:07:30,000
# I MISS ALABAMA ONCE AGAIN #
# AND I THINK IT'S A SIN, YES #
2774
02:07:30,000 --> 02:07:36,000
# I MISS ALABAMA ONCE AGAIN #
# AND I THINK IT'S A SIN, YES #
2775
02:07:36,000 --> 02:07:37,616
# I MISS ALABAMA ONCE AGAIN #
# AND I THINK IT'S A SIN, YES #
2776
02:07:37,683 --> 02:07:38,484
# I MISS ALABAMA ONCE AGAIN #
# AND I THINK IT'S A SIN, YES #
2777
02:07:38,550 --> 02:07:39,485
# #
# WELL, I HEARD MISTER YOUNG #
2778
02:07:39,551 --> 02:07:42,000
# SING ABOUT HER #
# WELL, I HEARD OL' NEIL #
2779
02:07:42,000 --> 02:07:45,724
# SING ABOUT HER #
# WELL, I HEARD OL' NEIL #
2780
02:07:45,791 --> 02:07:48,000
# PUT HER DOWN #
# KEEP YOUR HEAD #
2781
02:07:48,000 --> 02:07:53,432
# PUT HER DOWN #
# KEEP YOUR HEAD #
2782
02:07:53,499 --> 02:07:54,000
# WELL, I HOPE #
# THEY WILL REMEMBER #
2783
02:07:54,000 --> 02:07:55,634
# WELL, I HOPE #
# THEY WILL REMEMBER #
2784
02:07:55,701 --> 02:07:57,403
# A SOUTHERN MAN #
# DON'T NEED HIM AROUND ANYHOW #
2785
02:07:57,469 --> 02:08:00,000
# SWEET HOME ALABAMA #
# WHERE THE SKIES ARE SO BLUE #
2786
02:08:00,000 --> 02:08:01,807
# SWEET HOME ALABAMA #
# WHERE THE SKIES ARE SO BLUE #
2787
02:08:01,874 --> 02:08:06,000
# SWEET HOME ALABAMA #
# LORD,
2788
02:08:06,000 --> 02:08:08,113
# SWEET HOME ALABAMA #
# LORD,
2789
02:08:08,180 --> 02:08:12,000
I'M COMIN' HOME TO YOU #
2790
02:08:12,000 --> 02:08:13,118
I'M COMIN' HOME TO YOU #
2791
02:08:14,753 --> 02:08:18,000
# #
2792
02:08:18,000 --> 02:08:24,000
# #
2793
02:08:24,000 --> 02:08:25,464
# #
2794
02:08:26,965 --> 02:08:30,000
# #
# HEY, HEY, HEY #
2795
02:08:30,000 --> 02:08:36,000
# #
# HEY, HEY, HEY #
2796
02:08:36,000 --> 02:08:41,847
# #
# HEY, HEY, HEY #
2797
02:08:41,914 --> 02:08:42,000
# #
# HEY, HEY, HEY #
2798
02:08:42,000 --> 02:08:42,781
# #
# HEY, HEY, HEY #
2799
02:08:42,848 --> 02:08:46,251
# ALABAMA #
# HEY, HEY, HEY #
2800
02:08:46,318 --> 02:08:48,000
# HEY, HEY, HEY #
2801
02:08:48,000 --> 02:08:52,958
# HEY, HEY, HEY #
2802
02:08:54,460 --> 02:09:00,000
# #
2803
02:09:00,000 --> 02:09:06,000
# #
2804
02:09:06,000 --> 02:09:09,341
# #
2805
02:09:09,408 --> 02:09:10,542
# #
2806
02:09:19,451 --> 02:09:22,554
# YEAH, YEAH, YEAH #
# #
2807
02:09:22,621 --> 02:09:24,000
# YEAH, YEAH, YEAH #
# ALABAMA #
2808
02:09:24,000 --> 02:09:30,000
# YEAH, YEAH, YEAH #
# ALABAMA #
2809
02:09:30,000 --> 02:09:33,999
# YEAH, YEAH, YEAH #
# ALABAMA #
2810
02:09:34,066 --> 02:09:36,000
# YEAH, YEAH, YEAH #
# #
2811
02:09:36,000 --> 02:09:42,000
# YEAH, YEAH, YEAH #
# #
2812
02:09:42,000 --> 02:09:46,578
# YEAH, YEAH, YEAH #
# #
2813
02:09:46,645 --> 02:09:48,000
[CHEERS AND APPLAUSE]
# YEAH! #
2814
02:09:48,000 --> 02:09:54,000
[CHEERS AND APPLAUSE]
# YEAH! #
2815
02:09:54,000 --> 02:10:00,000
[CHEERS AND APPLAUSE]
# YEAH! #
2816
02:10:00,000 --> 02:10:01,527
[CHEERS AND APPLAUSE]
# YEAH! #
2817
02:10:01,593 --> 02:10:06,000
[CHEERS AND APPLAUSE]
# YEAH! #
2818
02:10:06,000 --> 02:10:12,000
[CHEERS AND APPLAUSE]
# YEAH! #
2819
02:10:12,000 --> 02:10:12,604
[CHEERS AND APPLAUSE]
# YEAH! #
2820
02:10:12,671 --> 02:10:18,000
[CHEERS AND APPLAUSE]
>> OH, MY GOSH, DID YOU GUYS
2821
02:10:18,000 --> 02:10:21,647
[CHEERS AND APPLAUSE]
>> OH, MY GOSH, DID YOU GUYS
2822
02:10:21,713 --> 02:10:23,482
HAVE FUN TONIGHT?
2823
02:10:23,549 --> 02:10:24,000
SO LOADED WAY.
2824
02:10:24,000 --> 02:10:24,483
SO LOADED WAY.
2825
02:10:24,550 --> 02:10:25,450
AS ALWAYS.
2826
02:10:25,517 --> 02:10:28,820
THANK YOU TO THE BEST FANS IN
THE WORLD.
2827
02:10:28,887 --> 02:10:30,000
>> CONGRATULATIONS TO ALL THE
WINNERS.
2828
02:10:30,000 --> 02:10:33,926
>> CONGRATULATIONS TO ALL THE
WINNERS.
2829
02:10:33,992 --> 02:10:35,227
AND THANK YOU, TEXAS!
2830
02:10:35,294 --> 02:10:36,000
GOOD NIGHT!
2831
02:10:36,000 --> 02:10:39,865
GOOD NIGHT!
2832
02:10:39,932 --> 02:10:42,000
# #
2833
02:10:42,000 --> 02:10:48,000
# #
2834
02:10:48,000 --> 02:10:49,875
# #
2835
02:10:53,078 --> 02:10:54,000
# #
# SWEET HOME ALABAMA
2836
02:10:54,000 --> 02:11:00,000
# #
# SWEET HOME ALABAMA
2837
02:11:00,000 --> 02:11:04,122
# #
# SWEET HOME ALABAMA
2838
02:11:04,189 --> 02:11:06,000
# SWEET HOME ALABAMA #
# SWEET HOME ALABAMA #
2839
02:11:06,000 --> 02:11:12,000
# SWEET HOME ALABAMA #
# SWEET HOME ALABAMA #
2840
02:11:12,000 --> 02:11:16,201
# SWEET HOME ALABAMA #
# SWEET HOME ALABAMA #
2841
02:11:16,268 --> 02:11:18,000
# SWEET HOME ALABAMA #
# #
2842
02:11:18,000 --> 02:11:22,507
# SWEET HOME ALABAMA #
# #
2843
02:11:22,574 --> 02:11:24,000
# SWEET HOME ALABAMA #
# SWEET HOME ALABAMA #
2844
02:11:24,000 --> 02:11:29,948
# SWEET HOME ALABAMA #
# SWEET HOME ALABAMA #
2845
02:11:30,015 --> 02:11:35,687
# H, YEAH! #
# SWEET HOME ALABAMA #
2846
02:11:35,754 --> 02:11:36,000
# SWEET HOME ALABAMA #
# SWEET HOME ALABAMA #
2847
02:11:36,000 --> 02:11:37,756
# SWEET HOME ALABAMA #
# SWEET HOME ALABAMA #
229600
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.