All language subtitles for 2 - Eye Flow And Direction Of The Illustration.ENGlish

Hello, everyone! This is Eve+.

This time, I will explain how to catch the flow of the illustration and how to direct it.

First of all, the direction comes from the composition.

First, it is good to have a big silhouette or composition and go into the picture.

From the division composition divided into simple lines to a specific shape or a silhouette reminiscent of an alphabet,

silhouettes are used in various ways.

You can easily direct the picture in the direction you want by using a organized composition or a large silhouette reflected on the screen.

So, what kind of silhouettes can I use in the picture?

I'll just make a few and move on.

First, let me explain my picture as an example.

The easiest composition to know is the division composition that divides the screen into two.

It literally draws a line and divides the screen into two and places a different world on each screen.

It gives a stable and static feeling, and it is often used for a narrative image mainly based on the background.

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Let's apply it again and divide the screen into three parts.

You can place the elements you want to show at each intersection, right?

If it's this picture, place the signposts at the intersection,

and I put the broomsticks at one intersection.

In this way, I described the division of the screen at each intersection.

The screen is divided into three, so it is easy to create a stable and well-balanced screen.

It's a famous composition, so I'm sure many of you know it,

but the ratio that people see most beautifully is the golden ratio, that is, the golden line composition.

If you draw a square with a ratio of 1 to 1.618 and continue to fill in the square,

the square gradually becomes smaller and the structure is rolled in like this.

If you draw a line on the corner of the square, it will be a silhouette that bends in a spiral.

It's an attractive and old composition that you can see in many artworks.

If you apply this to the picture,

mushrooms, books, and rabbits are placed in line with the spiral.

This time, let's talk about the shapes and silhouettes.

In the case of a circular silhouette, if you make the silhouette of the character monotonous around the circle,

and if you make a brightness difference like this,

it will feel like a person is entering this circle and is isolated from the background.

Even if you don't use a circular shape,

you can describe a circular silhouette with a backlight due to the light behind the character.

If you apply a backlight behind the character in this way,

the back line will be monotonous and show a circular silhouette.

If you show an example with other pictures or photos,

you can express it in this way.

If you say it's a silhouette that emphasizes the character,

it's often used in the case of a concentrated silhouette.

Usually, the character is drawn with a concentrated silhouette,

but if you make a backlight behind the character,

the back line will be monotonous and show a circular silhouette.

If you make a backlight behind the character,

the character is drawn with a concentrated silhouette.

If you say it's a silhouette that emphasizes the character,

it's often used in the case of a concentrated silhouette.

Usually, the main character is drawn in the middle.

Since it is a concentrated line, it can effectively stay in the part you want to see,

and you can give it a sacred feeling.

When you look at religious pictures,

there are many cases where the backlight of this concentrated silhouette is closed behind the hair.

Or, instead of an umbrella-like object,

it often draws attention to the character.

Shall we add a square behind the character this time?

You can see that the square surrounds the character and becomes a slightly framed composition.

It naturally draws attention to the character with a slight side view.

It also gives a unique feeling of a square.

In addition, if you add a grid pattern behind it,

you can keep the unique feeling and increase the density.

You can also emphasize the elements of irregular characters between the rules.

If you explain it based on the data,

you can use it like this.

Alphabet silhouettes can be used for various alphabets,

but I want to hear an X-shaped silhouette.

You can make an X-shaped silhouette like this,

and you can make a X-shaped silhouette just by placing the screen left and right using a circle.

Also, if a character comes in the middle of the silhouette,

the flow of attention that occurs in contrast to the strong contrast of the two strong lines can all be drawn towards the character.

For example, if you look at the data,

the background is symmetrical in both directions.

If you use it for a character,

this is right in the middle of the character,

and the rest of the X-shape is strongly contrasted and intersected.

So far, we've heard some simple silhouettes.

There are many other silhouettes that can be used,

but while observing a lot of pictures,

study what angle and silhouette your favorite screen is in,

and build various references.

You'll find a lot of variations.

And if you bring the rough that I drew before,

you'll see an X-shaped silhouette with a 3-division angle.

This is how you can easily remember how to place the screen,

and you can save it as a simple line.

Now that we've got a big silhouette,

let's learn about the flow of attention in the background.

The flow of attention comes from the silhouette,

so rather than capturing the flow of attention separately,

I think it would be good to check if the eyes are connected to the flow of attention.

Based on this rough, I'm going to capture the flow of attention.

The rough is so low-quality that it only shows the subject,

so I'll supplement the vague parts as I follow the flow.

First, let's find the Z line.

Let's check if the flow of attention goes back and forth

In this case, the bus stop is the first thing you see.

From the bus stop, you can see that it moves to the bag,

and the bag moves to the phone,

and you can see that the Z line goes through the face.

The flow of attention is a little stiff right now,

so I'm going to turn the character a little bit more

and trim the character's silhouette to match the flow of Z.

If you match the flow of attention,

it would be good to draw a cross on the bag strap to match the flow.

I'm going to draw a cross on the bag strap to match the flow.

I've trimmed it so that the flow moves naturally.

Also, check the circle of the objects that attract attention,

such as the face, object, and background.

Let's check if a triangle-shaped silhouette is created by connecting objects.

Usually, the elements that attract attention are those that attract attention by increasing the density,

or those that have a clear shape and contrast in brightness.

Triangular shapes don't matter,

but each shape can have a slightly different impression.

For example, a straight triangle gives a stable impression,

but a reverse triangle gives an unstable and threatening impression.

First of all, the shape of the triangle is created and the direction of the triangle.

And another important thing is that if the triangle is distributed evenly,

it's easier to understand the picture.

Of course, it would be nice to know this as a tip by trimming each picture.

Lastly, let's check if the important location fits in the arrangement.

In the case of the flow of attention or the silhouette composition,

it is drawn using structures that are familiar and easy to see,

so there is no need to divide it too theoretically.

As I said in the silhouette explanation,

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it would be good to observe your favorite pictures or illustrations

and study how this picture induces the flow of attention and what kind of silhouette it is.

That's it for the explanation of direction and flow of attention.

Next time, I'll go over the basics of 2C easily.

Thank you for watching.