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1
00:02:02,856 --> 00:02:05,368
WHEN I WAS GROWING
UP ON WALTON'S MOUNTAIN
2
00:02:05,392 --> 00:02:09,839
I USED TO DREAM OF ALL THE
FARAWAY PLACES I WOULD ONE DAY VISIT.
3
00:02:09,863 --> 00:02:13,209
NEW YORK CITY CAPTURED MY
IMAGINATION MOST COMPLETELY,
4
00:02:13,233 --> 00:02:17,480
BECAUSE IT WAS A MECCA FOR
YOUNG ASPIRING ARTISTS AND WRITERS.
5
00:02:17,504 --> 00:02:20,750
I WASN'T TO STRAY THAT FAR
FROM HOME FOR SEVERAL YEARS,
6
00:02:20,774 --> 00:02:23,619
BUT I WAS DUE FOR
A SPECIAL PREVIEW.
7
00:02:23,643 --> 00:02:25,821
ONE DAY, WITHOUT ANY WARNING,
8
00:02:25,845 --> 00:02:29,592
A NEW YORK HURRICANE HIT
OUR PEACEFUL COMMUNITY.
9
00:02:29,616 --> 00:02:31,261
YOU JUDAS.
10
00:02:39,993 --> 00:02:42,238
THAT'S IT, UP AHEAD.
11
00:02:42,262 --> 00:02:43,539
SHOOEY!
12
00:02:43,563 --> 00:02:45,208
WHAT KIND OF CAR IS THAT?
13
00:02:45,232 --> 00:02:47,576
CADILLAC, SPECIALLY BUILT.
14
00:02:47,600 --> 00:02:48,600
AAH.
15
00:02:50,103 --> 00:02:52,181
WHO'S THAT LADY?
16
00:02:52,205 --> 00:02:54,705
THAT LADY IS MY EMPLOYER.
17
00:03:15,062 --> 00:03:17,073
WHAT A BEAUTIFUL WOMAN.
18
00:03:17,097 --> 00:03:18,441
YEAH.
19
00:03:18,465 --> 00:03:20,231
IF YOU LIKE DRAGONS.
20
00:03:46,393 --> 00:03:48,804
WHERE THE DEUCE HAVE YOU BEEN?
21
00:03:48,828 --> 00:03:52,108
DO YOU REALIZE YOU'VE LEFT ME
ABANDONED IN THIS WILDERNESS FOR HOURS?
22
00:03:52,132 --> 00:03:55,211
I COULD HAVE BEEN ABDUCTED BY
BANDITS OR TORN APART BY WOLVES.
23
00:03:55,235 --> 00:03:57,813
DO YOU CARE TO EXPLAIN YOURSELF?
24
00:03:57,837 --> 00:03:59,182
SORRY, MA'AM.
25
00:03:59,206 --> 00:04:00,405
SORRY?
26
00:04:03,610 --> 00:04:04,920
WHO'S THAT?
27
00:04:04,944 --> 00:04:08,458
HE'S GONNA TOW US BACK
TO THE GARAGE, SUCH AS IT IS.
28
00:04:08,482 --> 00:04:10,559
YOUNG MAN, WOULD
YOU BE GOOD ENOUGH
29
00:04:10,583 --> 00:04:13,729
TO TELL US WHERE IN THESE
UNITED STATES WE ARE?
30
00:04:13,753 --> 00:04:16,032
EXCUSE ME, BUT AREN'T YOU HER?
31
00:04:16,056 --> 00:04:17,333
WHAT?
32
00:04:17,357 --> 00:04:18,401
ALVIRA DRUMMOND.
33
00:04:18,425 --> 00:04:19,724
AREN'T YOU ALVIRA DRUMMOND?
34
00:04:21,561 --> 00:04:24,440
WHY, YOU DARLING BOY!
35
00:04:24,464 --> 00:04:28,144
A FAN. WAY OUT HERE
IN WHEREVER WE ARE.
36
00:04:28,168 --> 00:04:29,912
OH, I'VE SEEN YOU IN
THE MOVING PICTURES
37
00:04:29,936 --> 00:04:32,681
AND YOUR PICTURE ON THE PAPER,
AND HEARD YOUR VOICE ON THE RADIO.
38
00:04:32,705 --> 00:04:34,517
YOU'RE JUST ABOUT
MY FAVORITE ACTRESS.
39
00:04:34,541 --> 00:04:36,719
OH, ISN'T THAT SWEET.
40
00:04:36,743 --> 00:04:38,187
DID YOU HEAR THAT, REX?
41
00:04:38,211 --> 00:04:39,588
YEAH, I HEARD.
42
00:04:39,612 --> 00:04:40,956
WELL, GO ON.
43
00:04:40,980 --> 00:04:43,359
OH, MY SISTER, MARY ELLEN,
EVEN WROTE YOU A LETTER ONCE.
44
00:04:43,383 --> 00:04:45,861
AND YOU SENT HER A PERSONALLY
AUTOGRAPHED PHOTO FOR FREE.
45
00:04:45,885 --> 00:04:46,962
DID I?
46
00:04:48,021 --> 00:04:49,832
WELL, I CAN'T GET OVER IT.
47
00:04:49,856 --> 00:04:52,735
FANS, WAY OUT HERE IN
THE ROCKY MOUNTAINS.
48
00:04:52,759 --> 00:04:54,003
BLUE RIDGE MOUNTAINS.
49
00:04:54,027 --> 00:04:55,838
THAT'S WHAT I SAID.
50
00:04:55,862 --> 00:04:59,842
YOU KNOW, I ALWAYS
HAD A PLACE IN MY HEART
51
00:04:59,866 --> 00:05:02,878
FOR THE BLUE RIDGE MOUNTAINS
OF KENTUCKY, AND NOW I KNOW WHY.
52
00:05:02,902 --> 00:05:04,447
VIRGINIA.
53
00:05:04,471 --> 00:05:05,714
WHAT?
54
00:05:05,738 --> 00:05:07,517
THEY'RE IN VIRGINIA.
55
00:05:07,541 --> 00:05:11,587
IF I WANT A GEOGRAPHY
LESSON, I'LL ASK FOR IT.
56
00:05:11,611 --> 00:05:14,757
WELL, MISS DRUMMOND, WHAT BRINGS
YOU SO FAR FROM THE GREAT WHITE WAY?
57
00:05:17,250 --> 00:05:19,762
THAT'S A GOOD QUESTION, DARLING.
58
00:05:19,786 --> 00:05:23,132
WELL, MY ROTTEN CAR BROKE
DOWN ON THE MAIN HIGHWAY,
59
00:05:23,156 --> 00:05:24,434
AND MY BRILLIANT CHAUFFEUR
60
00:05:24,458 --> 00:05:27,703
DECIDED WE SHOULD DETOUR
AND LOOK FOR A GARAGE.
61
00:05:27,727 --> 00:05:31,407
OF ALL PEOPLE! ALVIRA DRUMMOND,
HERE ON WALTON'S MOUNTAIN!
62
00:05:31,431 --> 00:05:32,942
WHOEVER WOULD
HAVE THOUGHT OF IT!
63
00:05:32,966 --> 00:05:35,478
WALTON'S MOUNTAIN! WHO, INDEED!
64
00:05:35,502 --> 00:05:38,081
OK, WE CAN GO NOW.
65
00:05:38,105 --> 00:05:40,616
WOULD YOU LIKE TO
RIDE UP FRONT WITH ME?
66
00:05:40,640 --> 00:05:44,487
MY DARLING, I WOULDN'T
HAVE IT ANY OTHER WAY.
67
00:05:44,511 --> 00:05:45,555
OK.
68
00:05:45,579 --> 00:05:47,145
GET IN THE BACK.
69
00:05:50,683 --> 00:05:52,195
THAT BAD, HUH?
70
00:05:52,219 --> 00:05:53,563
COULD BE.
71
00:05:53,587 --> 00:05:56,199
I CAN'T TELL FOR SURE
UNTIL I GET INSIDE, THOUGH.
72
00:05:56,223 --> 00:05:58,267
WELL, HOW MUCH
LONGER WILL THAT TAKE? A
73
00:05:58,291 --> 00:06:01,471
UH, 3 OR 4 HOURS,
AT LEAST, I RECKON.
74
00:06:01,495 --> 00:06:03,606
BUT IT'LL BE DARK BY THEN.
75
00:06:03,630 --> 00:06:05,608
CAN'T YOU WORK ANY FASTER?
76
00:06:05,632 --> 00:06:07,310
I'LL DO THE BEST I CAN, UH.
77
00:06:07,334 --> 00:06:08,799
IT'S GONNA TAKE A WHILE.
78
00:06:11,304 --> 00:06:14,883
THEN JUST POINT ME IN THE DIRECTION
OF THE NEAREST RESTAURANT.
79
00:06:14,907 --> 00:06:17,953
ALL I WANT NOW IS A DOUBLE
MARTINI AND A HOT MEAL.
80
00:06:17,977 --> 00:06:19,489
MISS DRUMMOND.
81
00:06:19,513 --> 00:06:21,557
I'M SORRY, BUT I DON'T
THINK YOU'RE GONNA FIND
82
00:06:21,581 --> 00:06:23,459
A REAL RESTAURANT
ON WALTON'S MOUNTAIN.
83
00:06:23,483 --> 00:06:25,394
NO RESTAURANT?
84
00:06:25,418 --> 00:06:26,929
WHERE DO THE PEOPLE EAT?
85
00:06:26,953 --> 00:06:28,964
WELL, UH, I'D GIVE YOU
A CHEESE SANDWICH.
86
00:06:28,988 --> 00:06:31,269
AND YOU CAN WASH IT
DOWN WITH A BOTTLE OF POP.
87
00:06:33,826 --> 00:06:35,371
HOW'S THE HITCHHIKING?
88
00:06:35,395 --> 00:06:37,940
MAYBE I COULD MAKE IT
BACK TO CIVILIZATION BY DARK.
89
00:06:37,964 --> 00:06:39,975
WELL, MISS DRUMMOND,
YOU'D BE WELCOME
90
00:06:39,999 --> 00:06:42,411
TO COME HOME WITH ME FOR SUPPER.
91
00:06:42,435 --> 00:06:45,548
OH, DARLING, I WASN'T ANGLING
FOR AN INVITATION, HONESTLY.
92
00:06:45,572 --> 00:06:46,949
OH, NO, WE'D BE HONORED.
93
00:06:46,973 --> 00:06:49,418
IT WON'T BE FANCY, BUT
MY MOTHER'S A FINE COOK.
94
00:06:49,442 --> 00:06:52,155
I JUST CAN'T BARGE
IN UNANNOUNCED.
95
00:06:52,179 --> 00:06:54,624
WOULD YOU JUST LET ME
WORRY ABOUT THAT, ALL RIGHT?
96
00:06:54,648 --> 00:06:55,724
WELL... OK.
97
00:06:55,748 --> 00:06:57,527
WELL, YOU JUST COME
ALONG WITH ME, HEAR?
98
00:06:57,551 --> 00:06:58,628
ALL RIGHT.
99
00:06:58,652 --> 00:07:01,085
OK, LET'S GO. SEE
YOU LATER, IKE.
100
00:07:03,856 --> 00:07:05,934
AN ACTRESS, IN THIS HOUSE?
101
00:07:05,958 --> 00:07:07,336
OH, JOHN-BOY, NOW...
102
00:07:07,360 --> 00:07:09,405
BUT GRANDMA, SHE ISN'T
JUST ANY OLD ACTRESS.
103
00:07:09,429 --> 00:07:11,207
ALVIRA DRUMMOND IS A STAR.
104
00:07:11,231 --> 00:07:12,441
THAT'S EVEN WORSE!
105
00:07:12,465 --> 00:07:14,510
NOW, WE DON'T KNOW
ANYTHING ABOUT HER.
106
00:07:14,534 --> 00:07:16,078
SHE COULD BE A NICE WOMAN.
107
00:07:16,102 --> 00:07:18,381
RIGHT. REMEMBER SHE
ANSWERED MY LETTER
108
00:07:18,405 --> 00:07:19,704
AND SENT ME HER PICTURE?
109
00:07:32,352 --> 00:07:34,797
CHILDREN. COME AWAY FROM THERE.
110
00:07:34,821 --> 00:07:36,899
SHE'LL THINK YOU WERE
BROUGHT UP WITH NO MANNERS.
111
00:07:36,923 --> 00:07:38,067
WHAT ABOUT HER MANNERS?
112
00:07:38,091 --> 00:07:39,768
SHE STUCK HER TONGUE
OUT AT US LIKE THIS.
113
00:07:39,792 --> 00:07:41,003
YEAH.
114
00:07:41,027 --> 00:07:42,471
AND I DON'T WONDER,
STARING AT HER
115
00:07:42,495 --> 00:07:43,806
LIKE A BUNCH OF WILD SAVAGES.
116
00:07:43,830 --> 00:07:45,874
GO ON UPSTAIRS NOW, AND
GET WASHED UP FOR SUPPER.
117
00:07:45,898 --> 00:07:47,142
BUT, MAMA, WE WANT TO SEE HER.
118
00:07:48,635 --> 00:07:52,281
HOW OFTEN DOES
SOMETHING LIKE THIS HAPPEN?
119
00:07:52,305 --> 00:07:54,705
MAMA WON'T EVEN LET US SEE HER.
120
00:07:59,946 --> 00:08:01,023
WHAT'S GOIN' ON?
121
00:08:01,047 --> 00:08:02,714
I THOUGHT THAT
CELEBRITY WAS COMIN' IN.
122
00:08:05,518 --> 00:08:07,763
JOHN-BOY, YOU WANT TO
ASK THE LADY TO COME IN?
123
00:08:07,787 --> 00:08:08,864
YES, SIR.
124
00:08:08,888 --> 00:08:10,199
HOT DIGGITY DOG!
125
00:08:10,223 --> 00:08:12,624
I THOUGHT I TOLD YOU
TO WASH UP, YOUNG LADY.
126
00:08:16,329 --> 00:08:18,708
LOOK AT HIM. HE'S WORSE
THAN THE CHILDREN.
127
00:08:18,732 --> 00:08:20,843
DON'T STRAIN YOUR EYES, OLD MAN.
128
00:08:20,867 --> 00:08:23,912
IT'S NO STRAIN AT ALL TO
LOOK AT A KNOCKOUT LIKE HER.
129
00:08:23,936 --> 00:08:25,381
NOW WHAT ARE YOU UP TO?
130
00:08:25,405 --> 00:08:28,673
ESTHER, I THOUGHT I'D JUST
CHANGE INTO A CLEAN SHIRT.
131
00:08:33,813 --> 00:08:37,293
EVERYONE, THIS IS
MISS ALVIRA DRUMMOND.
132
00:08:37,317 --> 00:08:39,362
HELLO.
133
00:08:39,386 --> 00:08:41,764
THANKS FOR LETTING
ME INTRUDE LIKE THIS.
134
00:08:41,788 --> 00:08:45,134
YOU'RE NOT INTRUDIN',
AND... AND YOU ARE WELCOME.
135
00:08:45,158 --> 00:08:47,503
WHY DON'T YOU COME ON
IN, MAKE YOURSELF AT HOME.
136
00:08:47,527 --> 00:08:49,138
THANK YOU.
137
00:08:49,162 --> 00:08:52,475
JOHN-BOY, WHY DON'T YOU
TAKE MISS DRUMMOND'S, UH, FUR?
138
00:08:52,499 --> 00:08:54,710
OH, YES, OF COURSE.
139
00:08:54,734 --> 00:08:56,178
THANKS, DARLING.
140
00:08:56,202 --> 00:08:57,813
OH, THAT'S MUCH BETTER.
141
00:08:57,837 --> 00:09:01,117
I DIDN'T REALIZE
HOW WARM IT WAS.
142
00:09:06,212 --> 00:09:07,990
WELL, YOU SEE,
143
00:09:08,014 --> 00:09:10,526
THEY WERE OPENING THIS
NEW THEATER IN ATLANTA,
144
00:09:10,550 --> 00:09:12,928
AND THEY ASKED ME
TO COME AND RECREATE
145
00:09:12,952 --> 00:09:14,363
THE ROLE GERTIE LAWRENCE PLAYED
146
00:09:14,387 --> 00:09:15,998
ON BROADWAY IN PRIVATE LIVES.
147
00:09:16,022 --> 00:09:17,466
THAT'S A PLAY BY
MR. NOEL COWARD.
148
00:09:17,490 --> 00:09:18,834
YES, THAT'S RIGHT.
149
00:09:18,858 --> 00:09:19,935
OH!
150
00:09:19,959 --> 00:09:21,737
MY DARLING NOEL.
151
00:09:21,761 --> 00:09:24,239
SUCH A DIVINELY WITTY MAN.
152
00:09:24,263 --> 00:09:27,242
AS A MATTER OF FACT, HE ASKED
ME TO PLAY THE PART ORIGINALLY,
153
00:09:27,266 --> 00:09:29,312
BUT I WAS IN
HOLLYWOOD AT THE TIME.
154
00:09:29,336 --> 00:09:31,113
HOLLYWOOD?
155
00:09:31,137 --> 00:09:33,248
WHY'D YOU EVER LEAVE THERE?
156
00:09:33,272 --> 00:09:37,586
WELL, DARLING, THE MONEY IS MARVELOUS,
OF COURSE, BUT IT'S JUST NOT THEATER.
157
00:09:37,610 --> 00:09:39,789
I WISH I COULD HAVE
SEEN YOU IN PRIVATE LIVES.
158
00:09:39,813 --> 00:09:41,023
I BET YOU WERE WONDERFUL.
159
00:09:41,047 --> 00:09:42,692
HMM, I WAS SENSATIONAL, SWEETIE.
160
00:09:42,716 --> 00:09:44,960
BUT I'M AFRAID THE PLAY
WENT RIGHT OVER THOSE HEADS.
161
00:09:44,984 --> 00:09:48,331
YOU KNOW THOSE
PROVINCIAL AUDIENCES.
162
00:09:51,524 --> 00:09:54,136
ANYWAY, THERE WE WERE,
MOTORING BACK TO NEW YORK
163
00:09:54,160 --> 00:09:56,138
WHEN SUDDENLY THE
CAR STOPPED, AND VOILA!
164
00:09:56,162 --> 00:09:58,974
HERE I AM, EATING THIS
SCRUMPTIOUS CHICKEN STEW.
165
00:09:58,998 --> 00:10:02,044
JOHN-BOY SAYS YOU HAVE
A SPECIAL BUILT CADILLAC?
166
00:10:02,068 --> 00:10:03,245
WHICH ONE ARE YOU?
167
00:10:03,269 --> 00:10:05,881
I'M BEN.
168
00:10:05,905 --> 00:10:08,984
YOU ARE A DIVINE CHILD.
169
00:10:09,008 --> 00:10:10,486
WHAT WERE YOU SAYIN'?
170
00:10:10,510 --> 00:10:12,388
THAT'S ABOUT THE MOST
EXPENSIVE CAR BUILT.
171
00:10:12,412 --> 00:10:13,789
YES, IT'S RIGHT. $10,000.
172
00:10:13,813 --> 00:10:14,890
THAT'S NEW, OF COURSE.
173
00:10:14,914 --> 00:10:16,659
RIGHT NOW IT'S PROBABLY
WORTH PEANUTS.
174
00:10:16,683 --> 00:10:17,660
ARE YOU A MILLIONAIRE?
175
00:10:17,684 --> 00:10:18,994
JIM-BOB!
176
00:10:19,018 --> 00:10:21,196
YOU GOT TO BE A MILLIONAIRE
TO OWN A CAR LIKE THAT.
177
00:10:22,389 --> 00:10:24,633
DON'T YOU BELIEVE IT, SWEETIE.
178
00:10:24,657 --> 00:10:27,636
I MAKE IT A POLICY NEVER
TO BUY ANYTHING FOR MYSELF.
179
00:10:27,660 --> 00:10:29,638
YOU MEAN IT WAS A
GIFT FROM AN ADMIRER?
180
00:10:29,662 --> 00:10:30,740
MMM-HMM.
181
00:10:30,764 --> 00:10:32,541
AND THE FURS, AND THE JEWELS.
182
00:10:32,565 --> 00:10:34,309
OH, THAT'S A HEAP OF ADMIRATION.
183
00:10:34,333 --> 00:10:35,544
HE MUST BE RIGHT FOND OF YOU.
184
00:10:35,568 --> 00:10:36,612
HMM.
185
00:10:36,636 --> 00:10:37,847
HE WAS.
186
00:10:37,871 --> 00:10:39,682
UNFORTUNATELY HE DIED.
187
00:10:39,706 --> 00:10:40,949
OH, I'M SORRY.
188
00:10:40,973 --> 00:10:42,251
SO WAS I.
189
00:10:42,275 --> 00:10:44,241
TILL I FOUND OUT HE LEFT
EVERYTHING TO HIS WIFE.
190
00:10:47,614 --> 00:10:49,514
BUT THANKS ALL
THE SAME, SWEETIE.
191
00:10:55,455 --> 00:10:58,155
JOHN-BOY, COME.
192
00:10:59,158 --> 00:11:00,636
EXCUSE ME.
193
00:11:00,660 --> 00:11:03,005
MMM, THIS IS MARVELOUS STEW.
194
00:11:03,029 --> 00:11:04,106
WHAT IS IT?
195
00:11:04,130 --> 00:11:05,808
YOU RUN OVER TO THE
STORE AND FIND OUT
196
00:11:05,832 --> 00:11:07,342
WHAT'S TAKIN' THAT
GODSEY SO LONG.
197
00:11:07,366 --> 00:11:09,445
GRANDMA, I HAVEN'T EVEN
FINISHED MY SUPPER YET.
198
00:11:09,469 --> 00:11:10,746
RUN ALONG NOW.
199
00:11:12,238 --> 00:11:13,816
I-I'LL KEEP YOUR
SUPPER WARM FOR YOU.
200
00:11:16,375 --> 00:11:18,621
I'VE OFTEN THOUGHT IT
WOULD BE A GREAT LARK
201
00:11:18,645 --> 00:11:21,791
TO BUY 40 ACRES
SOMEWHERE AND SETTLE DOWN.
202
00:11:21,815 --> 00:11:24,026
OH, I REMEMBER A
NIGHT IN CHICAGO,
203
00:11:24,050 --> 00:11:26,094
WE WERE JUST ABOUT
TO GO ON STAGE.
204
00:11:26,118 --> 00:11:28,564
AS A MATTER, I DON'T THINK
I COULD'VE GONE ON STAGE
205
00:11:28,588 --> 00:11:30,766
IF IT HADN'T BEEN FOR
MY FRIENDS, THE LUNTS.
206
00:11:30,790 --> 00:11:33,235
MY! THAT LYNN'S A REAL
TROOPER, YOU KNOW.
207
00:11:33,259 --> 00:11:35,504
WOULD YOU CARE FOR SOME
BREAD, MISS DRUMMOND?
208
00:11:35,528 --> 00:11:37,673
OH, THANKS, BUT NO THANKS.
209
00:11:37,697 --> 00:11:39,608
AND CALL ME ALVIRA, DARLIN'.
210
00:11:39,632 --> 00:11:43,145
IT'S HOMEMADE BREAD, ALVIRA.
211
00:11:43,169 --> 00:11:45,514
NOW, DON'T YOU TEMPT
ME, YOU OLD DEVIL, YOU.
212
00:11:45,538 --> 00:11:47,249
I'VE GOT TO KEEP
AN EYE ON MY FIGURE.
213
00:11:47,273 --> 00:11:50,453
IT APPEARS REAL TRIM
TO ME, ALVIRA, DARLIN'.
214
00:11:51,644 --> 00:11:53,121
WELL, THANKS.
215
00:11:53,145 --> 00:11:55,891
YOU KNOW, AN ACTRESS'
CHIEF ASSET IS HER BODY.
216
00:11:55,915 --> 00:11:57,860
IT PAYS HER TO LOOK AFTER IT.
217
00:11:57,884 --> 00:12:00,563
LADY, I DON'T THINK YOU HAVE A
THING IN THE WORLD TO WORRY ABOUT.
218
00:12:02,088 --> 00:12:05,990
WHY, JOHN WALTON, I DO DECLARE,
YOU ARE MAKIN' ME BLUSH RED.
219
00:12:12,131 --> 00:12:13,275
MORE STEW?
220
00:12:13,299 --> 00:12:14,543
NO, I REALLY SHOULDN'T.
221
00:12:14,567 --> 00:12:16,178
FIDDLESTICKS!
222
00:12:16,202 --> 00:12:18,447
YOU HAVEN'T A THING TO
WORRY ABOUT, DIDN'T YOU HEAR?
223
00:12:18,471 --> 00:12:19,648
LET'S NOT OVERDO IT.
224
00:12:19,672 --> 00:12:21,784
I'LL BURST MY SEAMS
IF I EAT ALL THAT.
225
00:12:21,808 --> 00:12:24,520
WHERE ARE MY MANNERS?
226
00:12:24,544 --> 00:12:25,554
HERE.
227
00:12:25,578 --> 00:12:27,389
WHAT'S THIS?
228
00:12:27,413 --> 00:12:31,794
WELL, NOW, YOU DON'T WANT TO SPOT
THAT PRETTY NEW DRESS, DO YOU, HMM?
229
00:12:35,788 --> 00:12:37,366
SEE THIS?
230
00:12:37,390 --> 00:12:38,767
THAT CAR AIN'T GOIN' NO PLACE
231
00:12:38,791 --> 00:12:41,136
WITHOUT A NEW ONE OF THESE.
232
00:12:42,762 --> 00:12:45,107
DID YOU CHECK WITH THE GARAGE
OVER AT CHARLOTTESVILLE?
233
00:12:45,131 --> 00:12:47,710
I ALREADY PHONED. THEY HAVE TO
SEND TO CHICAGO FOR NEW PARTS.
234
00:12:47,734 --> 00:12:48,777
CHICAGO?
235
00:12:48,801 --> 00:12:49,879
THAT'S RIGHT.
236
00:12:49,903 --> 00:12:52,414
IT'S GONNA TAKE A WEEK AT LEAST.
237
00:12:52,438 --> 00:12:54,416
HMM, SHE'S NOT GONNA LIKE THAT.
238
00:12:54,440 --> 00:12:55,751
WHERE'S HER DRIVER?
239
00:12:55,775 --> 00:12:57,252
SHE AIN'T GONNA
LIKE THAT, EITHER.
240
00:12:57,276 --> 00:12:59,076
WHAT HAPPENED? HE SKIPPED TOWN.
241
00:13:02,649 --> 00:13:04,059
THAT WRETCHED MAN!
242
00:13:04,083 --> 00:13:07,162
HOW COULD HE DO THIS TO ME?
243
00:13:07,186 --> 00:13:09,064
DID IKE KNOW WHERE
HE WAS HEADED?
244
00:13:09,088 --> 00:13:12,034
SEEMS HE HITCHED A RIDE WITH
YANCY TUCKER TOWARDS RICHMOND.
245
00:13:12,058 --> 00:13:13,168
WHAT'LL I DO NOW?
246
00:13:13,192 --> 00:13:14,570
I DON'T EVEN KNOW HOW TO DRIVE.
247
00:13:14,594 --> 00:13:16,805
AND I-I'M STRANDED.
248
00:13:16,829 --> 00:13:18,040
THERE'S NO NEED TO WORRY.
249
00:13:18,064 --> 00:13:19,808
UH, I CAN DRIVE YOU
TO CHARLOTTESVILLE.
250
00:13:19,832 --> 00:13:21,176
YOU CAN STAY IN A HOTEL TONIGHT,
251
00:13:21,200 --> 00:13:22,945
TAKE A TRAIN TO NEW
YORK IN THE MORNING.
252
00:13:22,969 --> 00:13:24,513
BUT YOU DON'T SEEM
TO UNDERSTAND.
253
00:13:24,537 --> 00:13:26,248
I TRUSTED HIM WITH EVERYTHING.
254
00:13:26,272 --> 00:13:27,616
WHAT DO YOU MEAN "EVERYTHING"?
255
00:13:27,640 --> 00:13:29,985
MY MONEY, MY JEWELS, EVERYTHING.
256
00:13:30,009 --> 00:13:31,787
YOU MEAN HE TOOK IT ALL?
257
00:13:31,811 --> 00:13:35,390
I DON'T EVEN HAVE THE
TRAIN FARE TO NEW YORK.
258
00:13:35,414 --> 00:13:38,983
OH, I'VE BEEN ABANDONED WITHOUT
A SOU, AND NO ONE TO TURN TO.
259
00:13:41,487 --> 00:13:43,632
MISS DRUMMOND, WE'RE
NOT ABOUT TO TURN YOU OUT
260
00:13:43,656 --> 00:13:45,400
IN THE DEAD OF NIGHT.
261
00:13:45,424 --> 00:13:47,335
YES.
262
00:13:47,359 --> 00:13:49,526
I THROW MYSELF ON YOUR MERCY.
263
00:13:54,533 --> 00:13:56,712
JOHN-BOY, GET SOME BEDCLOTHES
264
00:13:56,736 --> 00:13:58,781
AND I'LL, UH, I'LL MAKE UP
A PLACE ON THE COUCH.
265
00:13:58,805 --> 00:13:59,837
YES, MA'AM.
266
00:14:03,175 --> 00:14:05,042
I'LL GET 'EM RIGHT AWAY.
267
00:14:27,333 --> 00:14:28,833
AHEM.
268
00:14:35,508 --> 00:14:39,121
WHOEVER HEARD OF A BODY
STAYING IN BED UNTIL NOON?
269
00:14:39,145 --> 00:14:41,090
IT'S DOWNRIGHT SINFUL.
270
00:14:41,114 --> 00:14:42,724
IT ISN'T 1:00 YET, GRANDMA.
271
00:14:42,748 --> 00:14:44,293
SHE ALWAYS SLEEPS UNTIL 1:00.
272
00:14:44,317 --> 00:14:46,095
WELL, NOT TODAY, SHE DON'T.
273
00:14:46,119 --> 00:14:49,165
SHE NEEDS HER
BEAUTY SLEEP, GRANDMA.
274
00:14:49,189 --> 00:14:51,033
AND I NEED MY LUNCH.
275
00:14:51,057 --> 00:14:53,590
I GUESS YOU'LL JUST
HAVE TO WAKE HER UP.
276
00:14:55,128 --> 00:14:56,961
OH, OH, MY GOD!
277
00:14:58,298 --> 00:14:59,663
WHAT THE...
278
00:15:00,666 --> 00:15:03,301
SLIPPED RIGHT
THROUGH MY FINGERS.
279
00:15:05,805 --> 00:15:07,249
GOOD MORNING.
280
00:15:07,273 --> 00:15:09,540
GOOD MORNING.
281
00:15:17,183 --> 00:15:18,183
SHH.
282
00:15:23,122 --> 00:15:24,499
YOU'LL HAVE SOME LUNCH?
283
00:15:24,523 --> 00:15:27,236
OH, DARLIN', NOT BEFORE COFFEE
AND A CIGARETTE. THANK YOU.
284
00:15:27,260 --> 00:15:30,772
GRANDMA DOESN'T LIKE
LADIES SMOKING CIGARETTES.
285
00:15:30,796 --> 00:15:33,075
IF THE GOOD LORD HAD
INTENDED PEOPLE TO SMOKE,
286
00:15:33,099 --> 00:15:37,213
HE'D HAVE PUT A CHIMNEY
ON THE TOP OF THEIR HEAD.
287
00:15:37,237 --> 00:15:39,281
I'LL HAVE IT LATER
BEHIND THE WOODSHED.
288
00:15:39,305 --> 00:15:40,349
THAT'S WHERE JASON GOES.
289
00:15:40,373 --> 00:15:41,450
I DO NOT!
290
00:15:41,474 --> 00:15:42,517
YOU DO, TOO.
291
00:15:42,541 --> 00:15:43,652
YOU TAKE THAT BACK, ERIN!
292
00:15:43,676 --> 00:15:44,786
I SAW YOU. YOU'RE CRAZY!
293
00:15:44,810 --> 00:15:45,955
THAT'LL DO, CHILDREN.
294
00:15:45,979 --> 00:15:47,223
BUT, MAMA, I'VE NEVER...
295
00:15:47,247 --> 00:15:49,758
WE'LL TALK ABOUT
THIS LATER, SON.
296
00:15:49,782 --> 00:15:51,961
GOTTA GET OVER TO THE
STORE FOR THAT NEW SAW BLADE.
297
00:15:51,985 --> 00:15:54,096
OH, YOU FINALLY GIVE UP
ON THAT OLD BLADE, HUH?
298
00:15:54,120 --> 00:15:55,731
I'M AFRAID SO, GRANDPA.
299
00:15:55,755 --> 00:15:57,766
I'LL STOP BY AT
SHERIFF BRIDGES OFFICE
300
00:15:57,790 --> 00:15:59,701
AND FIND OUT ABOUT
THAT DRIVER, IF YOU LIKE.
301
00:15:59,725 --> 00:16:00,702
OH, DON'T BOTHER.
302
00:16:00,726 --> 00:16:02,771
HE'S PROBABLY IN ICELAND BY NOW.
303
00:16:02,795 --> 00:16:04,740
MAYBE EP'S HEARD SOMETHIN'.
304
00:16:04,764 --> 00:16:06,675
IT'S WORTH A TRY.
SEE YOU ALL LATER.
305
00:16:06,699 --> 00:16:08,143
BYE, DADDY.
306
00:16:08,167 --> 00:16:09,578
I TELL YOU, MISS DRUMMOND,
307
00:16:09,602 --> 00:16:11,747
I'D LIKE TO GET MY HANDS
ON THAT DRIVER OF YOURS.
308
00:16:11,771 --> 00:16:13,215
REX?
309
00:16:13,239 --> 00:16:14,750
OH, DON'T MESS
WITH HIM, SWEETIE.
310
00:16:14,774 --> 00:16:16,018
HE'S AN EX-PRIZE FIGHTER.
311
00:16:16,042 --> 00:16:17,619
THANKS FOR THE THOUGHT, ANYWAY.
312
00:16:17,643 --> 00:16:20,289
YOU'VE DECIDED WHAT YOU'RE
GONNA DO, MISS DRUMMOND?
313
00:16:20,313 --> 00:16:21,690
CALL MY AGENT.
314
00:16:21,714 --> 00:16:23,792
GET HIM TO SEND ME THE
TRAIN FARE TO NEW YORK.
315
00:16:23,816 --> 00:16:25,527
MAY I USE YOUR PHONE?
316
00:16:25,551 --> 00:16:27,196
WE HAVEN'T GOT ONE.
317
00:16:29,422 --> 00:16:32,801
HOW COULD YOU POSSIBLY
MANAGE WITHOUT A TELEPHONE?
318
00:16:32,825 --> 00:16:34,469
WE CAN'T AFFORD ONE.
319
00:16:34,493 --> 00:16:36,427
OH.
320
00:16:39,332 --> 00:16:41,343
WELL, NOW THERE'S A
PHONE DOWN AT THE STORE.
321
00:16:41,367 --> 00:16:43,412
I COULD WALK YOU
DOWN THERE, IF YOU LIKE.
322
00:16:43,436 --> 00:16:44,479
GOOD.
323
00:16:44,503 --> 00:16:46,248
CAN I GO WITH THEM,
MAMA? YEAH, ME, TOO!
324
00:16:46,272 --> 00:16:48,384
IF WE ALL GO IT WILL
BE FUN. WE'LL ALL GO.
325
00:16:48,408 --> 00:16:50,352
OH, MAMA, THEY'RE JUST
GONNA HOLLER AND FUSS
326
00:16:50,376 --> 00:16:52,922
AND MISS DRUMMOND WON'T BE
ABLE TO HEAR A THING ON THE PHONE.
327
00:16:52,946 --> 00:16:54,790
YOU'LL BE THERE
TO KEEP THE PEACE.
328
00:16:54,814 --> 00:16:56,992
HA-HA-HA.
329
00:16:57,016 --> 00:17:00,829
THEY THINK I'M SOME KIND OF
OLD MOTHER HEN. BUT I'M REALLY 17.
330
00:17:00,853 --> 00:17:02,331
REALLY?
331
00:17:02,355 --> 00:17:04,595
I THOUGHT YOU
WERE SO MUCH OLDER.
332
00:17:12,165 --> 00:17:13,342
JIM-BOB.
333
00:17:13,366 --> 00:17:15,766
WHAT'S THE MATTER, YOU FALL IN?
334
00:17:17,203 --> 00:17:19,048
TOUGH BEING THE
ELDEST, ISN'T IT?
335
00:17:19,072 --> 00:17:20,682
I GUESS SOMETIMES IT IS.
336
00:17:20,706 --> 00:17:24,019
I HAD 3 BROTHERS AND A SISTER
TO LOOK AFTER UNTIL I WAS 15.
337
00:17:24,043 --> 00:17:25,187
YOU DID?
338
00:17:25,211 --> 00:17:26,655
WELL, I WASN'T
HATCHED, YOU KNOW.
339
00:17:26,679 --> 00:17:28,090
I DID HAVE A FAMILY.
340
00:17:28,114 --> 00:17:29,624
THEY WEREN'T AS NICE AS YOURS.
341
00:17:29,648 --> 00:17:31,793
I WISH THEY WERE.
342
00:17:31,817 --> 00:17:33,429
THERE'S THE BALDWIN'S CAR.
343
00:17:33,453 --> 00:17:35,064
YOU'LL GET TO MEET 'EM.
344
00:17:35,088 --> 00:17:36,332
WHO ARE THE BALDWINS?
345
00:17:36,356 --> 00:17:37,732
THEY ARE NICE LITTLE OLD LADIES.
346
00:17:37,756 --> 00:17:39,001
THEY ARE SISTERS.
347
00:17:39,025 --> 00:17:40,169
YOU'LL LIKE 'EM.
348
00:17:40,193 --> 00:17:42,237
YEAH, ONCE THEY GAVE
ME CHOCOLATE PUDDING.
349
00:17:42,261 --> 00:17:43,372
THEY MAKE WHISKEY.
350
00:17:43,396 --> 00:17:44,473
WHISKEY? SHH.
351
00:17:44,497 --> 00:17:46,442
WELL, THEY DON'T
KNOW IT'S WHISKEY.
352
00:17:46,466 --> 00:17:48,277
HOW COULD THEY
POSSIBLY NOT KNOW?
353
00:17:48,301 --> 00:17:50,579
WELL, THEY USE AN OLD
RECIPE OF THEIR DADDY'S
354
00:17:50,603 --> 00:17:52,314
AND A STILL THAT HE
LEFT IN THE HOUSE.
355
00:17:52,338 --> 00:17:53,983
THEY THINK IT'S
SOME KIND OF ELIXIR.
356
00:17:54,007 --> 00:17:55,417
ELIXIR?
357
00:17:55,441 --> 00:17:57,752
BUT I'VE TASTED IT,
AND I KNOW IT'S WHISKEY.
358
00:18:05,718 --> 00:18:08,364
LET'S SEE. THAT'S
ABOUT IT, LADIES.
359
00:18:08,388 --> 00:18:09,664
OH, THANK YOU, MR. GODSEY.
360
00:18:09,688 --> 00:18:10,899
GOOD DAY.
361
00:18:12,025 --> 00:18:15,471
OH, LOOK WHO'S HERE!
362
00:18:15,495 --> 00:18:18,907
MISS MAMIE, MISS EMILY BALDWIN,
THIS IS MISS ALVIRA DRUMMOND.
363
00:18:18,931 --> 00:18:21,410
OH, IT'S A PLEASURE. I'M SURE.
364
00:18:21,434 --> 00:18:24,613
HELLO. WE'VE BEEN FANS OF YOURS
365
00:18:24,637 --> 00:18:26,548
EVER SINCE WE SAW
YOU IN THE CRIMSON LADY.
366
00:18:26,572 --> 00:18:28,884
OH, THAT WAS AGES AGO.
367
00:18:28,908 --> 00:18:31,186
I SIMPLY WEPT.
368
00:18:31,210 --> 00:18:33,022
REALLY?
369
00:18:33,046 --> 00:18:35,524
IT WAS A COMEDY.
370
00:18:35,548 --> 00:18:39,661
WELL, MY SISTER MEANS WE
LAUGHED SO HARD WE CRIED.
371
00:18:39,685 --> 00:18:40,962
OH.
372
00:18:40,986 --> 00:18:43,265
OUR FATHER, THE
LATE JUDGE BALDWIN,
373
00:18:43,289 --> 00:18:45,467
DROVE US ALL THE
WAY TO RICHMOND ONCE
374
00:18:45,491 --> 00:18:47,936
JUST TO SEE YOUR PERFORMANCE
IN ROMEO AND JULIET.
375
00:18:47,960 --> 00:18:49,738
OH.
376
00:18:49,762 --> 00:18:51,907
HE WAS A VERY
CULTIVATED GENTLEMAN,
377
00:18:51,931 --> 00:18:56,345
AND HE PARTICULARLY ADMIRED THE
PLAYS OF MR. WILLIAM SHAKESPEARE.
378
00:18:56,369 --> 00:19:00,449
BUT PAPA THOUGHT THAT MR. GEORGE
BERNARD SHAW WAS TOO RADICAL
379
00:19:00,473 --> 00:19:02,518
AND HE POSITIVELY
FORBADE US TO READ HIM.
380
00:19:02,542 --> 00:19:03,685
SO WE DIDN'T.
381
00:19:03,709 --> 00:19:05,421
OH.
382
00:19:05,445 --> 00:19:08,023
WHY DON'T YOU PAY US A
LITTLE VISIT WHILE YOU'RE HERE
383
00:19:08,047 --> 00:19:10,747
AND SHARE SOME OF
PAPA'S RECIPE WITH US?
384
00:19:12,318 --> 00:19:15,564
OH, HOW NICE OF
YOU. I'D LOVE IT.
385
00:19:15,588 --> 00:19:19,301
BUT YOU SEE, I EXPECT TO BE
LEAVING FOR NEW YORK CITY VERY SOON.
386
00:19:19,325 --> 00:19:22,771
NOW, IF YOU'LL FORGIVE ME, I HAVE
TO MAKE A LONG DISTANCE PHONE CALL.
387
00:19:22,795 --> 00:19:24,005
IT'S SO NICE TO SEE YOU.
388
00:19:24,029 --> 00:19:25,140
OH, THANK YOU.
389
00:19:25,164 --> 00:19:26,275
LOVELY TO SEE YOU.
390
00:19:26,299 --> 00:19:28,009
IS IT ALL RIGHT IF SHE
USES YOUR PHONE?
391
00:19:28,033 --> 00:19:29,678
SURE.
392
00:19:29,702 --> 00:19:31,547
OH, WELL, JOHN-BOY, BYE-BYE.
393
00:19:31,571 --> 00:19:32,681
BYE.
394
00:19:32,705 --> 00:19:34,171
GOODBYE!
395
00:19:36,576 --> 00:19:37,852
HELLO, MISS DRUMMOND.
396
00:19:37,876 --> 00:19:39,221
I HAVE YOUR CALL FOR NEW YORK.
397
00:19:39,245 --> 00:19:40,622
OH, THANK YOU, DARLING.
398
00:19:40,646 --> 00:19:42,091
HELLO, HARRY. HELLO.
399
00:19:42,115 --> 00:19:43,858
IT'S ALVIRA.
400
00:19:43,882 --> 00:19:45,694
BELIEVE IT OR NOT, I'M STRANDED.
401
00:19:45,718 --> 00:19:48,663
I NEED YOU TO SEND ME
THE TRAIN FARE TO NEW YORK.
402
00:19:48,687 --> 00:19:50,632
OH, OH, DARLING,
IT'S A LONG STORY
403
00:19:50,656 --> 00:19:52,634
AND I WOULDN'T WANT
TO BORE YOU WITH IT NOW.
404
00:19:52,658 --> 00:19:55,003
JUST TELEGRAPH ME THE
MONEY TO CHARLOTTESVILLE.
405
00:19:55,027 --> 00:19:56,538
THAT'S IN VIRGINIA.
406
00:19:58,063 --> 00:20:00,675
NO, DARLING, I'M NOT JOKING.
407
00:20:00,699 --> 00:20:03,212
I REALLY AM IN A JAM.
408
00:20:07,173 --> 00:20:10,040
W-WHAT DID YOU SAY,
HARRY? I DIDN'T HEAR YOU.
409
00:20:23,722 --> 00:20:25,867
OH, HARRY, YOU ARE AN ANGEL.
410
00:20:25,891 --> 00:20:27,769
I KNEW I COULD COUNT ON YOU.
411
00:20:27,793 --> 00:20:28,970
THANK YOU, DARLING.
412
00:20:28,994 --> 00:20:30,606
I'LL ALWAYS BE IN YOUR DEBT.
413
00:20:30,630 --> 00:20:34,843
AND IF THERE'S ANY TIME I CAN DO
ANYTHING FOR YOU, JUST LET ME KNOW.
414
00:20:34,867 --> 00:20:36,267
AU REVOIR, DARLING.
415
00:20:40,739 --> 00:20:43,418
WELL, WHAT DID I TELL
YOU, IT'S IN THE BAG.
416
00:20:43,442 --> 00:20:45,309
WELL, I DECLARE.
417
00:21:00,859 --> 00:21:01,859
HI.
418
00:21:02,961 --> 00:21:04,105
COME ON IN, SWEETIE.
419
00:21:04,129 --> 00:21:05,496
YOU'RE NOT BOTHERIN' ME.
420
00:21:08,601 --> 00:21:09,678
WHAT'VE YOU GOT THERE?
421
00:21:09,702 --> 00:21:10,812
MY MEMORY BOOK.
422
00:21:10,836 --> 00:21:12,947
REALLY? I USED TO
HAVE ONE MYSELF ONCE.
423
00:21:12,971 --> 00:21:14,115
WOULD YOU LIKE TO SEE IT?
424
00:21:14,139 --> 00:21:15,539
I'D LOVE TO.
425
00:21:19,044 --> 00:21:20,489
MADE THAT YOURSELF, DIDN'T YOU?
426
00:21:20,513 --> 00:21:21,679
MMM-HMM.
427
00:21:22,748 --> 00:21:24,626
MMM, LOOK AT YOU THERE.
428
00:21:33,058 --> 00:21:35,404
BUT, DARLING, THIS
STUFF'S ABOUT ME.
429
00:21:35,428 --> 00:21:38,073
MMM-HMM. THAT'S THE
PICTURE YOU SENT ME.
430
00:21:38,097 --> 00:21:40,030
SEE, YOU EVEN SIGNED IT.
431
00:21:43,536 --> 00:21:45,113
WHAT A RELIC.
432
00:21:45,137 --> 00:21:46,381
WILL YOU LOOK AT THAT POSE?
433
00:21:46,405 --> 00:21:47,583
I LOVE THE BOOTS.
434
00:21:47,607 --> 00:21:49,084
MAMA USED TO HAVE SOME OF THOSE.
435
00:21:50,643 --> 00:21:51,875
LOOK AT THAT!
436
00:21:54,313 --> 00:21:55,424
MISS DRUMMOND, HMM?
437
00:21:55,448 --> 00:21:58,026
I WAS WONDERING, NOW
THAT WE'RE FRIENDS,
438
00:21:58,050 --> 00:21:59,961
MAYBE YOU'D WRITE
SOMETHING PERSONAL.
439
00:21:59,985 --> 00:22:01,918
WHY, SURE. I'D BE GLAD TO.
440
00:22:06,158 --> 00:22:08,058
LET'S DO IT ON THIS ONE.
441
00:22:17,870 --> 00:22:19,481
YOU LIKE THAT?
442
00:22:19,505 --> 00:22:21,816
YOU CAN SEE RIGHT THROUGH IT.
443
00:22:21,840 --> 00:22:24,419
YOU KNOW, I'M
NEVER WITHOUT THAT.
444
00:22:24,443 --> 00:22:26,020
SUPERSTITIOUS, I GUESS.
445
00:22:26,044 --> 00:22:28,557
I... I USED THAT THE FIRST
TIME I WAS ON STAGE IN A PLAY,
446
00:22:28,581 --> 00:22:30,292
AND I'VE NEVER BEEN
WITHOUT IT SINCE.
447
00:22:30,316 --> 00:22:32,026
DO YOU MIND IF I TRY IT ON?
448
00:22:32,050 --> 00:22:33,584
SURE, GO AHEAD.
449
00:22:41,827 --> 00:22:43,938
HEY, YOU KNOW, YOU'RE
KIND OF A PRETTY KID.
450
00:22:43,962 --> 00:22:46,642
I DON'T FEEL PRETTY.
I FEEL LIKE A MESS.
451
00:22:46,666 --> 00:22:48,965
DO YOU? I REMEMBER THAT FEELING.
452
00:22:50,569 --> 00:22:53,282
LISTEN, IS THERE A FULL
LENGTH MIRROR IN THIS HOUSE?
453
00:22:53,306 --> 00:22:54,616
IN MY ROOM. WHY?
454
00:22:54,640 --> 00:22:58,253
COME ON. I'M GONNA SHOW
YOU SOME TRICKS OF THE TRADE.
455
00:23:05,751 --> 00:23:06,928
DADDY.
456
00:23:06,952 --> 00:23:08,872
PUT ON YOUR NAPKINS, COME ON.
457
00:23:14,026 --> 00:23:16,037
HOW DO I LOOK?
458
00:23:16,061 --> 00:23:19,374
WELL, I'LL BE...
459
00:23:19,398 --> 00:23:22,043
SHE LOOKS LIKE SOME
KIND OF MOVIE STAR!
460
00:23:26,271 --> 00:23:28,249
THEY'RE RIGHT.
LOOK AT THAT CHILD.
461
00:23:28,273 --> 00:23:30,474
PAINTED UP LIKE A CARNIVAL DOLL.
462
00:23:41,487 --> 00:23:43,965
MARY ELLEN,
463
00:23:43,989 --> 00:23:46,601
SOMEDAY YOU ARE GONNA
BE A BEAUTIFUL WOMAN.
464
00:23:46,625 --> 00:23:48,959
RIGHT NOW, I KIND OF
MISS MY LITTLE GIRL.
465
00:23:55,234 --> 00:23:56,345
MARY ELLEN.
466
00:23:56,369 --> 00:23:57,835
DARLING, WAIT.
467
00:24:02,375 --> 00:24:05,487
OH, I'M TERRIBLY
SORRY. IT'S ALL MY FAULT.
468
00:24:05,511 --> 00:24:08,557
SHE IS A LITTLE YOUNG FOR
SUCH NOTIONS, MISS DRUMMOND.
469
00:24:08,581 --> 00:24:11,526
BUT I TRULY DIDN'T
MEAN ANY HARM.
470
00:24:11,550 --> 00:24:12,861
IT'S ALL RIGHT.
471
00:24:12,885 --> 00:24:14,463
WHY DON'T YOU COME TO SUPPER?
472
00:24:14,487 --> 00:24:18,467
AFTER SUPPER JOHN WILL DRIVE
YOU OVER TO CHARLOTTESVILLE.
473
00:24:18,491 --> 00:24:20,691
YES, OF COURSE.
474
00:24:33,138 --> 00:24:34,282
ARE YOU ALL RIGHT?
475
00:24:34,306 --> 00:24:36,017
OH! OH!
476
00:24:36,041 --> 00:24:39,488
OH, DARLING, I MAY
NEVER WALK AGAIN.
477
00:24:50,088 --> 00:24:51,088
HUH.
478
00:24:55,394 --> 00:24:57,272
WELL, WHERE IS IT?
479
00:24:57,296 --> 00:24:59,608
"AT NIGHT ACROSS THE
MOUNTAIN, WHEN DARKNESS FALLS,
480
00:24:59,632 --> 00:25:02,343
"AND THE WINDS SWEEP
DOWN OUT OF THE HOLLOWS,
481
00:25:02,367 --> 00:25:05,146
"THE WILD THINGS
WITH THEIR SHINY EYES
482
00:25:05,170 --> 00:25:07,048
"COME TO THE EDGE OF
THE CLEARING. AT SUCH..."
483
00:25:07,072 --> 00:25:09,317
WHERE'S MY TABLET?
I'VE TOLD YOU KIDS
484
00:25:09,341 --> 00:25:10,886
A MILLION TIMES TO
STAY AWAY FROM IT.
485
00:25:10,910 --> 00:25:12,375
NOW WHERE IS IT?
486
00:25:14,447 --> 00:25:15,879
IS THIS WHAT YOU MEAN?
487
00:25:17,349 --> 00:25:18,715
YES, MA'AM.
488
00:25:22,387 --> 00:25:24,733
YOU HAVEN'T BEEN
READING IT, HAVE YOU?
489
00:25:24,757 --> 00:25:27,402
ACTUALLY, I ASKED JIM-BOB TO
FIND ME SOME WRITING PAPER,
490
00:25:27,426 --> 00:25:29,771
AND WHEN HE BROUGHT THIS...
491
00:25:29,795 --> 00:25:31,640
I NEVER REALIZED.
492
00:25:31,664 --> 00:25:33,442
DO FORGIVE ME.
493
00:25:33,466 --> 00:25:36,110
OH, IT'S ALL RIGHT, BUT...
BUT IT'S NOT VERY GOOD.
494
00:25:36,134 --> 00:25:37,813
AND IF I'D KNOWN
YOU WANT TO READ IT,
495
00:25:37,837 --> 00:25:39,481
I WOULD HAVE MADE
YOU A NEAT COPY.
496
00:25:39,505 --> 00:25:40,949
HERE.
497
00:25:40,973 --> 00:25:43,151
IT WAS WRONG OF ME NOT
TO ASK YOUR PERMISSION
498
00:25:43,175 --> 00:25:44,252
BUT IT IS GOOD.
499
00:25:44,276 --> 00:25:46,154
VERY GOOD.
500
00:25:46,178 --> 00:25:49,123
WELL, IT'S... IT'S JUST THAT
501
00:25:49,147 --> 00:25:52,193
HARDLY ANYBODY EVER READS
THE THINGS IN HERE BUT ME.
502
00:25:52,217 --> 00:25:53,962
WELL, MORE'S THE PITY.
503
00:25:53,986 --> 00:25:58,333
HOW ELSE IS THE WORLD TO
KNOW HOW BEAUTIFULLY YOU WRITE?
504
00:25:58,357 --> 00:25:59,768
WELL.
505
00:26:00,893 --> 00:26:02,504
IF YOU REALLY LIKE IT,
506
00:26:02,528 --> 00:26:04,528
I'VE GOT STACKS
OF IT UP IN MY ROOM.
507
00:26:06,198 --> 00:26:08,409
DO YOU?
508
00:26:08,433 --> 00:26:12,246
MORE FRILLY THINGS TO WASH AND
IRON, COMPLIMENTS OF HER HIGHNESS.
509
00:26:12,270 --> 00:26:15,016
IT'S A CRIME THE WAY SHE'S
GOT THIS FAMILY HOPPIN'.
510
00:26:15,040 --> 00:26:18,319
HOUSE TURNED UPSIDE DOWN,
CAN'T USE YOUR OWN LIVING ROOM,
511
00:26:18,343 --> 00:26:20,555
RADIO BLARING TILL ALL HOURS.
512
00:26:20,579 --> 00:26:23,492
I DON'T KNOW HOW YOU'VE PUT UP
WITH IT THESE PAST FEW DAYS, LIVIE.
513
00:26:23,516 --> 00:26:25,994
OH, I RECKON WE CAN PUT UP
WITH HER FOR ANOTHER WEEK OR SO.
514
00:26:26,018 --> 00:26:27,562
SHE OUGHT TO BE
ON HER FEET BY THEN.
515
00:26:27,586 --> 00:26:28,597
PRAISE THE LORD!
516
00:26:28,621 --> 00:26:30,064
DID YOU MAKE OUT
THE GROCERY LIST?
517
00:26:30,088 --> 00:26:31,399
IT'S ON THE TABLE.
518
00:26:31,423 --> 00:26:33,635
I'LL SEE IF I CAN PRY
JOHN-BOY AND MARY ELLEN
519
00:26:33,659 --> 00:26:36,059
AWAY FROM HER LADYSHIP
FOR A FEW MINUTES.
520
00:26:39,331 --> 00:26:42,443
JOHN-BOY, MARY ELLEN.
521
00:26:42,467 --> 00:26:43,912
SHERIFF BRIDGES,
YOU GOT ANY NEWS
522
00:26:43,936 --> 00:26:45,213
ABOUT MISS DRUMMOND'S DRIVER?
523
00:26:45,237 --> 00:26:47,015
I CHECKED OUT THE ROADHOUSE
524
00:26:47,039 --> 00:26:50,819
WHERE YANCY DROPPED HIM
OFF. A PLACE CALLED THE FLAMINGO.
525
00:26:50,843 --> 00:26:53,187
THEY KNOW ANYTHING? NO.
526
00:26:53,211 --> 00:26:55,156
I ASKED IF HE'S STILL AROUND.
527
00:26:55,180 --> 00:26:56,491
THEY SAID THEY RECKON HE LEFT.
528
00:26:56,515 --> 00:26:58,760
YOU GOT ANY IDEA WHERE HE
MIGHT HAVE GONE FROM THERE?
529
00:26:58,784 --> 00:27:01,796
NO. I'M AFRAID MISS DRUMMOND'S GONNA
HAVE TO FORGET ABOUT HER DRIVER,
530
00:27:01,820 --> 00:27:02,931
HER MONEY AND HER JEWELS.
531
00:27:02,955 --> 00:27:04,032
WELL, THANK YOU.
532
00:27:04,056 --> 00:27:06,189
SEE YOU LATER. SEE YOU LATER.
533
00:27:09,127 --> 00:27:10,872
HI, KIDS. HEY, IKE.
534
00:27:10,896 --> 00:27:12,173
WHAT DO YOU NEED?
535
00:27:12,197 --> 00:27:14,375
MAMA NEEDS A FEW THINGS.
536
00:27:14,399 --> 00:27:16,110
OK.
537
00:27:16,134 --> 00:27:17,512
HOW'S YOUR HOUSE GUEST?
538
00:27:17,536 --> 00:27:18,613
REAL FINE.
539
00:27:18,637 --> 00:27:20,448
I GUESS SHE'LL BE
LEAVING PRETTY SOON.
540
00:27:20,472 --> 00:27:21,983
I WOULDN'T BE TOO SURE OF THAT.
541
00:27:22,007 --> 00:27:23,618
I THINK SHE'S GONNA
BE AROUND HERE
542
00:27:23,642 --> 00:27:25,587
JUST A LITTLE BIT LONGER
THAN YOU SUSPECT.
543
00:27:25,611 --> 00:27:27,355
HOW'S THAT?
544
00:27:27,379 --> 00:27:28,890
WELL, AS A FRIEND
OF YOUR FAMILY,
545
00:27:28,914 --> 00:27:30,358
I THINK YOUR FOLKS OUGHT TO KNOW
546
00:27:30,382 --> 00:27:32,994
THAT, UH, THE LADY'S
IN A LITTLE HOT WATER.
547
00:27:33,018 --> 00:27:35,830
WHAT KIND? MISS
FANNY TATUM LISTENED IN
548
00:27:35,854 --> 00:27:37,732
ON THAT TELEPHONE
CONVERSATION TO NEW YORK.
549
00:27:37,756 --> 00:27:41,269
AND IT SEEMS HER AGENT NEVER
DID PROMISE TO SEND THE TRAIN FARE.
550
00:27:41,293 --> 00:27:43,071
HUNG UP ON HER AND
TOLD HER TO GO FLY A KITE.
551
00:27:43,095 --> 00:27:44,940
I DON'T BELIEVE THAT.
552
00:27:44,964 --> 00:27:47,175
MISS FANNY TATUM'S BEEN
KNOWN TO STRETCH THE TRUTH
553
00:27:47,199 --> 00:27:49,243
AND IT'S POSSIBLE THAT
SHE'S GOSSIPIN' AGAIN.
554
00:27:49,267 --> 00:27:51,179
YEAH, BUT DON'T YOU
THINK THAT IT'S PECULIAR
555
00:27:51,203 --> 00:27:54,549
THAT MISS DRUMMOND SHOULD
JUST HAPPEN TO SPRAIN HER ANKLE
556
00:27:54,573 --> 00:27:56,217
AND THEN SHE
COULDN'T GO ANYWHERE?
557
00:27:56,241 --> 00:27:58,419
IT STRIKES ME THAT MAYBE
THAT'S THE DRIVER'S FAULT.
558
00:27:58,443 --> 00:28:00,722
HE DID RUN OFF WITH
EVERYTHING SHE OWNS, DIDN'T HE?
559
00:28:00,746 --> 00:28:03,357
WELL, I WOULDN'T BE
TOO SURE OF THAT, EITHER.
560
00:28:03,381 --> 00:28:05,326
MAYBE HE LEFT BECAUSE
SHE DIDN'T PAY HIM.
561
00:28:05,350 --> 00:28:09,030
I WOULDN'T BE SURPRISED IF HE'S
HANGIN' AROUND THE FLAMINGO RIGHT NOW.
562
00:28:19,297 --> 00:28:21,175
DON'T TELL THE FAMILY
JUST YET, MARY ELLEN.
563
00:28:21,199 --> 00:28:24,178
I WON'T. HI, DADDY. HI.
564
00:28:24,202 --> 00:28:25,213
HI, DADDY. UH,
565
00:28:25,237 --> 00:28:27,749
DADDY, COULD I... COULD
I BORROW THE TRUCK?
566
00:28:27,773 --> 00:28:28,950
IS IT IMPORTANT?
567
00:28:28,974 --> 00:28:30,652
YES, SIR.
568
00:28:30,676 --> 00:28:32,353
GOT SOME WORK
OUT BACK, I GUESS SO.
569
00:28:32,377 --> 00:28:33,488
HERE YOU GO.
570
00:28:33,512 --> 00:28:34,589
OH, GREAT.
571
00:28:34,613 --> 00:28:35,690
DON'T BE LATE.
572
00:28:35,714 --> 00:28:36,891
I WON'T.
573
00:28:36,915 --> 00:28:38,827
THANK YOU.
574
00:29:02,607 --> 00:29:03,874
YOO-HOO.
575
00:29:06,311 --> 00:29:08,145
COME IN.
576
00:29:10,182 --> 00:29:12,794
AH, WHERE IS EVERYBODY?
577
00:29:12,818 --> 00:29:16,397
OH. WELL, THE MEN ARE OUTSIDE
578
00:29:16,421 --> 00:29:17,999
AND THE LADIES ARE
UPSTAIRS, I GUESS.
579
00:29:18,023 --> 00:29:21,402
OH, WELL, WE WON'T DISTURB THEM.
580
00:29:21,426 --> 00:29:26,007
I JUST CAME TO DROP OFF A
LITTLE REMEMBRANCE TO YOU.
581
00:29:26,031 --> 00:29:28,732
IT'S SOME OF OUR PAPA'S RECIPE.
582
00:29:30,836 --> 00:29:34,582
LADY, YOU ARE THE
ANSWER TO MY PRAYERS.
583
00:29:34,606 --> 00:29:38,319
OH. EVERYBODY FEELS
THAT WAY ABOUT THE RECIPE.
584
00:29:38,343 --> 00:29:40,811
WELL, I MUST BE OFF.
585
00:29:41,780 --> 00:29:43,825
AND THANKS FOR THE RECIPE.
586
00:29:43,849 --> 00:29:47,295
OH. IF YOU LIKE IT, THERE'S
MORE WHERE THAT CAME FROM.
587
00:29:47,319 --> 00:29:49,297
TOODLE-OO.
588
00:29:49,321 --> 00:29:52,022
TOODLE-OO.
589
00:30:22,054 --> 00:30:29,137
♪ POOR BUTTERFLY ♪
590
00:30:29,161 --> 00:30:32,707
♪ 'NEATH THE BLOSSOMS WAITING ♪
591
00:30:32,731 --> 00:30:35,632
♪♪
592
00:30:40,773 --> 00:30:43,017
IT'S DRY AS A BONE OUT THERE.
593
00:30:43,041 --> 00:30:47,822
THERE'S ONLY BEEN A
COUPLE OF INCHES ALL YEAR.
594
00:30:47,846 --> 00:30:51,815
♪ 'NEATH THE BLOSSOMS WAITING ♪
595
00:30:53,786 --> 00:30:56,164
♪ LA, LA, LA, LA ♪
596
00:30:56,188 --> 00:30:58,733
♪ TODAY ♪
597
00:30:58,757 --> 00:31:00,401
WHAT'S GOING ON?
598
00:31:00,425 --> 00:31:02,225
♪♪
599
00:31:06,431 --> 00:31:07,575
♪ POOR ♪
600
00:31:07,599 --> 00:31:10,779
HAS THAT WOMAN TAKEN
LEAVE OF HER SENSES?
601
00:31:10,803 --> 00:31:12,914
♪ BUTTERFLY ♪
GRANDMA, IT APPEARS TO ME
602
00:31:12,938 --> 00:31:14,382
SHE'S GOTTEN HOLD
OF SOME RECIPE.
603
00:31:14,406 --> 00:31:17,385
IT APPEARS MORE LIKELY
IT'S GOT HOLD OF HER.
604
00:31:17,409 --> 00:31:19,587
♪ WAITING POOR ♪
605
00:31:19,611 --> 00:31:21,522
WELL, I WARNED YOU.
606
00:31:21,546 --> 00:31:23,557
♪ FLY ♪
607
00:31:23,581 --> 00:31:26,460
I WANT THAT WOMAN
OUT OF THIS HOUSE.
608
00:31:26,484 --> 00:31:30,899
♪ LOVED HIM SO ♪
609
00:31:30,923 --> 00:31:35,591
♪ THE MOMENTS PASS INTO HOURS ♪♪
610
00:31:56,348 --> 00:31:57,826
HOW IS SHE?
611
00:31:57,850 --> 00:31:59,515
STILL SLEEPIN' IT OFF.
612
00:32:05,324 --> 00:32:06,868
WHY DON'T YOU GO ON UP TO BED?
613
00:32:06,892 --> 00:32:08,837
I'LL WAIT UP FOR THE BOY.
614
00:32:08,861 --> 00:32:11,101
YOU KNOW I CAN'T
SLEEP TILL HE GETS HOME.
615
00:32:15,767 --> 00:32:17,645
COULDN'T GET TO SLEEP.
616
00:32:17,669 --> 00:32:20,315
AH. I TOLD YOU.
617
00:32:20,339 --> 00:32:22,483
YOU SHOULDN'T HAVE HAD
ALL THEM ONIONS FOR SUPPER.
618
00:32:22,507 --> 00:32:24,752
NOT THE ONIONS. IT'S HER.
619
00:32:24,776 --> 00:32:26,243
AND JOHN-BOY.
620
00:32:27,479 --> 00:32:29,357
ANY SIGNS OF HIM YET, JOHN?
621
00:32:29,381 --> 00:32:31,726
NO, NOT YET.
622
00:32:31,750 --> 00:32:34,528
MAYBE WE OUGHT TO...
623
00:32:35,988 --> 00:32:37,553
SOMEBODY'S COME.
624
00:32:45,697 --> 00:32:47,230
HEY, EVERYBODY.
625
00:32:48,566 --> 00:32:51,012
WHAT YOU ALL DOING UP SO LATE?
626
00:32:51,036 --> 00:32:53,948
MY LORD, BOY! WHAT HAPPENED?
627
00:32:53,972 --> 00:32:55,649
I'VE BEEN IN A FIGHT.
628
00:32:55,673 --> 00:32:57,151
WHY, THAT'S PLAIN TO SEE.
629
00:32:57,175 --> 00:32:58,741
AT THE FLAMINGO.
630
00:33:02,714 --> 00:33:06,027
THE VERY IDEA.
BRAWLIN' IN A ROADHOUSE.
631
00:33:06,051 --> 00:33:07,495
IT WASN'T MY FAULT.
632
00:33:07,519 --> 00:33:09,063
MISS DRUMMOND'S
DRIVER STARTED IT.
633
00:33:09,087 --> 00:33:10,531
I JUST ASKED HIM A QUESTION.
634
00:33:10,555 --> 00:33:12,800
MUST HAVE BEEN SOME QUESTION.
635
00:33:12,824 --> 00:33:14,335
I JUST ASKED HIM IF HE ENJOYED
636
00:33:14,359 --> 00:33:16,399
BEING A DIRTY, LOW-DOWN,
COWARDLY SKUNK.
637
00:33:17,796 --> 00:33:19,840
SOUNDS HARMLESS TO ME.
638
00:33:19,864 --> 00:33:21,910
WHY DIDN'T YOU
JUST CALL THE SHERIFF
639
00:33:21,934 --> 00:33:23,211
AND HAVE HIM ARRESTED?
640
00:33:23,235 --> 00:33:25,914
BECAUSE HE'S DONE
NOTHING TO BE ARRESTED FOR.
641
00:33:25,938 --> 00:33:28,816
I SUPPOSE RUNNIN' OFF WITH MISS
DRUMMOND'S MONEY IS NOTHIN'.
642
00:33:30,475 --> 00:33:34,289
MAMA, MISS DRUMMOND DIDN'T
HAVE ANY MONEY TO RUN OFF WITH.
643
00:33:34,313 --> 00:33:36,057
WHAT ABOUT ALL THOSE JEWELS?
644
00:33:36,081 --> 00:33:38,859
IT SEEMS SHE PAWNED THE
LAST OF THEM IN ATLANTA.
645
00:33:38,883 --> 00:33:40,395
SHE OWED HIM 2 MONTH'S BACK PAY.
646
00:33:40,419 --> 00:33:41,529
AND THAT'S WHY HE RAN OFF.
647
00:33:41,553 --> 00:33:43,197
I GUESS HE JUST GOT FED UP.
648
00:33:43,221 --> 00:33:45,366
THEY MUST HAVE PAID
HER SOMETHING IN ATLANTA.
649
00:33:45,390 --> 00:33:47,368
DADDY, SHE NEVER
OPENED IN ATLANTA
650
00:33:47,392 --> 00:33:50,504
BECAUSE THEY FIRED HER AND GOT
ANOTHER ACTRESS TO TAKE OVER.
651
00:33:50,528 --> 00:33:52,640
IT SEEMS SHE'S GOT
A BAD REPUTATION
652
00:33:52,664 --> 00:33:54,442
FOR BEING TEMPERAMENTAL.
653
00:33:54,466 --> 00:33:56,377
I HOPE SHE STRAIGHTENS
HERSELF OUT
654
00:33:56,401 --> 00:33:58,679
WHEN SHE GETS BACK TO NEW YORK.
655
00:33:58,703 --> 00:34:00,581
SHE IS NOT GOING
BACK TO NEW YORK,
656
00:34:00,605 --> 00:34:02,450
BECAUSE SHE'S GOT
NO WAY TO GET THERE.
657
00:34:02,474 --> 00:34:04,185
JOHN-BOY, YOU'RE
TALKIN' NONSENSE.
658
00:34:04,209 --> 00:34:06,287
NOW, YOU KNOW THERE'S
TRAIN FARE WAITIN' FOR HER
659
00:34:06,311 --> 00:34:08,122
AT THE WESTERN UNION
IN CHARLOTTESVILLE.
660
00:34:08,146 --> 00:34:09,991
THAT'S A LIE, TOO,
BECAUSE MISS FANNY TATUM
661
00:34:10,015 --> 00:34:12,260
TOLD IKE GODSEY THAT HER... SHH.
662
00:34:12,284 --> 00:34:14,862
THAT HER AGENT JUST TURNED
HER DOWN AND HUNG UP ON HER.
663
00:34:14,886 --> 00:34:17,999
SAID HE WAS FED UP WITH HER
TEMPER TANTRUMS, ONCE AND FOR ALL.
664
00:34:18,023 --> 00:34:20,835
SHE DOESN'T EVEN HAVE ENOUGH
MONEY TO GET HER CAR FIXED?
665
00:34:20,859 --> 00:34:23,004
NO.
666
00:34:23,028 --> 00:34:26,107
DADDY, I RECKON SHE'S
JUST PLUM RUN OUT OF LUCK.
667
00:34:26,131 --> 00:34:29,210
THAT EXPLAINS A LOT OF THINGS.
668
00:34:29,234 --> 00:34:31,212
POOR CREATURE.
669
00:34:31,236 --> 00:34:34,715
NO PLACE TO GO, AND NOTHING
BUT STRANGERS TO TURN TO.
670
00:34:34,739 --> 00:34:36,384
WELL,
671
00:34:36,408 --> 00:34:39,928
MAYBE THAT'S WHY SHE'S
BEEN ACTIN' THE WAY SHE HAS.
672
00:34:42,214 --> 00:34:44,758
WONDER WHAT WE'RE GONNA DO.
673
00:34:44,782 --> 00:34:47,428
I'M SORRY FOR HER. I TRULY AM.
674
00:34:47,452 --> 00:34:49,530
BUT, BUT I-I'VE GOT YOUNG
CHILDREN TO CONSIDER,
675
00:34:49,554 --> 00:34:51,366
I JUST CAN'T HAVE HER
HERE IN THIS HOUSE.
676
00:34:51,390 --> 00:34:54,369
AND WHERE'S SHE GONNA GO?
677
00:34:54,393 --> 00:34:56,471
I DON'T KNOW, JOHN-BOY.
678
00:34:56,495 --> 00:34:59,007
WELL, I KNOW WHAT I'D DO IF I
WAS A MAN AND I HAD THE MONEY.
679
00:34:59,031 --> 00:35:02,010
I'D JUST TAKE HER TO NEW YORK
CITY IN MY OWN AUTOMOBILE.
680
00:35:02,034 --> 00:35:04,678
WE'LL DO WHAT WE CAN FOR HER,
BUT SHE JUST CAN'T STAY HERE.
681
00:35:04,702 --> 00:35:06,080
MAMA.
682
00:35:06,104 --> 00:35:08,349
IF IT WAS A MANGY OLD DOG
WHO WAS STARVIN' TO DEATH,
683
00:35:08,373 --> 00:35:09,650
YOU WOULDN'T SEND IT AWAY.
684
00:35:09,674 --> 00:35:12,020
HOW CAN YOU DO THAT TO HER?
685
00:35:12,044 --> 00:35:13,988
THAT'S JUST THE
POINT, MARY ELLEN.
686
00:35:14,012 --> 00:35:16,357
SHE'S NO DUMB ANIMAL.
687
00:35:16,381 --> 00:35:18,126
SHE'S GOT A HEAD
ON HER SHOULDERS
688
00:35:18,150 --> 00:35:20,794
AND THE BRAINS GOD
GAVE HER INSIDE OF IT.
689
00:35:20,818 --> 00:35:23,331
OF COURSE SHE'S GOT
TROUBLES. WE ALL HAVE.
690
00:35:23,355 --> 00:35:25,966
BUT HERS ARE HER OWN DOING.
691
00:35:25,990 --> 00:35:28,236
THEY SAY SOME PEOPLE ARE
THEIR OWN WORST ENEMIES.
692
00:35:28,260 --> 00:35:30,405
I SUSPECT MISS DRUMMOND
IS A PRIME EXAMPLE OF THAT.
693
00:35:30,429 --> 00:35:32,040
BUT YOU DON'T UNDERSTAND HER.
694
00:35:32,064 --> 00:35:33,641
SHE'S NOT LIKE OTHER PEOPLE.
695
00:35:33,665 --> 00:35:35,676
YOU CAN'T TURN HER AWAY.
696
00:35:35,700 --> 00:35:37,811
WE CAN, AND WE'RE GOING TO.
697
00:35:37,835 --> 00:35:39,647
MOM, HOW CAN YOU DO
ANYTHING SO HATEFUL?
698
00:35:39,671 --> 00:35:42,016
MARY ELLEN.
699
00:35:42,040 --> 00:35:43,617
I DON'T CARE.
700
00:35:45,043 --> 00:35:48,322
I'M NEVER GONNA SPEAK TO
YOU AGAIN, AS LONG AS I LIVE!
701
00:35:48,346 --> 00:35:50,513
MARY ELLEN.
702
00:35:52,750 --> 00:35:55,096
SHE DIDN'T MEAN IT, LIV.
703
00:35:55,120 --> 00:35:57,665
I THINK SHE DID.
704
00:35:57,689 --> 00:36:00,701
IT'S TIME FOR HER TO LEARN
THE FACTS OF LIFE NOW
705
00:36:00,725 --> 00:36:03,271
BEFORE SHE TURNS INTO
ANOTHER ALVIRA DRUMMOND.
706
00:36:03,295 --> 00:36:04,735
BRAVO.
707
00:36:07,966 --> 00:36:13,114
THE LAST THING THE WORLD NEEDS
IS ANOTHER ALVIRA DRUMMOND.
708
00:36:13,138 --> 00:36:15,383
THAT WASN'T MEANT
FOR YOU TO HEAR.
709
00:36:15,407 --> 00:36:19,787
NO, NO, DON'T APOLOGIZE
FOR SPEAKIN' THE TRUTH.
710
00:36:19,811 --> 00:36:22,156
GOD KNOWS, IT'S THE
FIRST TIME IN YEARS
711
00:36:22,180 --> 00:36:24,425
ANYONE HAS DARED TO.
712
00:36:24,449 --> 00:36:29,663
I SUPPOSE I NEEDED A GOOD KICK IN
THE PANTS TO BRING ME TO MY SENSES.
713
00:36:29,687 --> 00:36:31,865
I WON'T BOTHER YOU ANYMORE.
714
00:36:31,889 --> 00:36:34,702
I'LL PACK AND LEAVE THE
FIRST THING IN THE MORNING.
715
00:36:34,726 --> 00:36:37,171
LEAVE FOR WHERE?
716
00:36:37,195 --> 00:36:38,506
ZEB'S RIGHT.
717
00:36:38,530 --> 00:36:41,297
YOU GOTTA HAVE
SOMEPLACE TO GO FROM HERE.
718
00:36:43,268 --> 00:36:45,946
BACK TO NEW YORK, I GUESS
719
00:36:45,970 --> 00:36:47,748
PICK UP THE PIECES.
720
00:36:47,772 --> 00:36:49,717
WHERE YOU GOIN' TO
GET THE TRAIN FARE?
721
00:36:50,742 --> 00:36:52,487
GOOD QUESTION, DARLING.
722
00:36:52,511 --> 00:36:54,855
MAYBE YOU COULD BORROW SOME
MONEY ON THAT CAR OF YOURS.
723
00:36:56,914 --> 00:37:01,162
THAT CAR IS UP TO ITS
HUB CAPS IN HOCK ALREADY.
724
00:37:01,186 --> 00:37:03,131
MAYBE YOU COULD
GET SOME KIND OF JOB.
725
00:37:03,155 --> 00:37:04,532
HOW?
726
00:37:04,556 --> 00:37:06,300
THE ONLY THING I KNOW IS ACTING.
727
00:37:06,324 --> 00:37:09,203
IF ALL YOU KNOW IS
ACTING, THEN WHY NOT ACT?
728
00:37:09,227 --> 00:37:12,773
BECAUSE TO ACT, YOU NEED
A STAGE AND AN AUDIENCE.
729
00:37:12,797 --> 00:37:14,942
AND I'M FRESH OUT OF BOTH.
730
00:37:14,966 --> 00:37:17,878
MISS DRUMMOND.
731
00:37:17,902 --> 00:37:19,847
WE'RE OFF THE BEATEN TRACK HERE,
732
00:37:19,871 --> 00:37:22,683
AND THEN, THERE ISN'T
MUCH MONEY AROUND,
733
00:37:22,707 --> 00:37:25,986
BUT I'M SURE PEOPLE WILL FIND
SOME TO GET A GLIMPSE OF YOU.
734
00:37:26,010 --> 00:37:27,588
REALLY?
735
00:37:27,612 --> 00:37:29,345
YEAH.
736
00:37:31,449 --> 00:37:34,728
I BET WE COULD EVEN GET IKE
GODSEY TO LET US USE THE POOL HALL
737
00:37:34,752 --> 00:37:37,565
FOR A... FOR A STAGE
AND A THEATER.
738
00:37:37,589 --> 00:37:39,733
MAYBE THE CHILDREN COULD
PRINT UP SOME TICKETS.
739
00:37:39,757 --> 00:37:41,435
LIKE WE DID FOR
THE CHRISTMAS PLAY.
740
00:37:41,459 --> 00:37:43,404
AND SPREAD THE WORD
ALL OVER THE COUNTY.
741
00:37:43,428 --> 00:37:45,439
WHY, WE'LL HAVE THEM
HANGING FOR THE RAFTERS!
742
00:37:45,463 --> 00:37:47,741
WHAT DO YOU SAY, MISS DRUMMOND?
743
00:37:47,765 --> 00:37:51,445
SWEETIES, WHAT
HAVE I GOT TO LOSE?
744
00:38:17,862 --> 00:38:19,207
HERE YOU ARE, LADIES.
745
00:38:19,231 --> 00:38:20,641
THANK YOU.
746
00:38:20,665 --> 00:38:21,942
JUST ON TIME.
747
00:38:21,966 --> 00:38:23,444
GOOD EVENING, MISS MAMIE.
748
00:38:23,468 --> 00:38:24,712
OH, GOOD EVENING, ERIN.
749
00:38:26,738 --> 00:38:27,818
HI, EMILY.
750
00:38:38,216 --> 00:38:39,415
HOW NICE.
751
00:38:41,953 --> 00:38:43,353
THANK YOU.
752
00:38:45,624 --> 00:38:47,368
UH-UH.
753
00:38:47,392 --> 00:38:49,437
THIS TICKET'S
COMPLIMENTS OF THE HOUSE
754
00:38:49,461 --> 00:38:51,472
FOR THE FREE USE
OF YOUR POOL HALL.
755
00:38:51,496 --> 00:38:53,507
MR. WALTON, I DONATED THIS HALL,
756
00:38:53,531 --> 00:38:56,043
AND I WANT TO PAY
JUST LIKE ANYBODY ELSE.
757
00:38:56,067 --> 00:38:59,079
ALL RIGHT, HAVE IT YOUR OWN WAY.
758
00:38:59,103 --> 00:39:01,304
SHOW'S ABOUT TO
BEGIN MOST ANY MINUTE.
759
00:39:02,907 --> 00:39:04,952
WORRIED ABOUT MARY ELLEN?
760
00:39:04,976 --> 00:39:07,221
I WAS HOPING SHE MIGHT
DECIDE TO COME AFTER ALL.
761
00:39:07,245 --> 00:39:09,457
I THOUGHT MISS DRUMMOND
WAS GOING TO TALK TO HER.
762
00:39:09,481 --> 00:39:11,659
SHE DID, BUT IT DIDN'T TAKE.
763
00:39:11,683 --> 00:39:13,794
IT'S JUST A PHASE SHE'S
GOING THROUGH, LIVIE.
764
00:39:13,818 --> 00:39:17,030
NO, GRANDMA, I'M AFRAID SHE'S
REALLY UPSET WITH ME THIS TIME.
765
00:39:17,054 --> 00:39:18,999
SHE'S CUTTING OFF HER
NOSE TO SPITE HER FACE
766
00:39:19,023 --> 00:39:20,823
IF SHE DOESN'T SHOW UP TONIGHT.
767
00:39:29,000 --> 00:39:31,078
THAT'S ABOUT ALL OF 'EM.
768
00:39:31,102 --> 00:39:32,602
HERE, GRANDPA.
769
00:39:36,140 --> 00:39:37,740
WELL, YOU ABOUT
READY BACK THERE?
770
00:39:39,210 --> 00:39:41,778
WELL, I'LL SEE.
771
00:39:48,653 --> 00:39:49,897
JOHN-BOY, IT'S 7:30.
772
00:39:49,921 --> 00:39:51,854
OK, WE'RE READY, WE'RE READY.
773
00:39:58,162 --> 00:40:00,107
GET ENOUGH FOR THE TRAIN FARE?
774
00:40:00,131 --> 00:40:01,131
YES.
775
00:40:08,640 --> 00:40:09,817
ALL SET?
776
00:40:09,841 --> 00:40:11,051
YES, HOW'S THE HOUSE?
777
00:40:11,075 --> 00:40:12,753
WELL, IT'S NOT
GONNA MAKE YOU RICH,
778
00:40:12,777 --> 00:40:14,154
BUT IT'LL GET YOU THAT TICKET.
779
00:40:14,178 --> 00:40:15,589
THAT'S ALL I CARE ABOUT.
780
00:40:15,613 --> 00:40:18,292
MISS DRUMMOND, THIS
IS FOR YOU. IT'S A POEM
781
00:40:18,316 --> 00:40:19,593
AND I DON'T WANT YOU TO READ IT
782
00:40:19,617 --> 00:40:21,395
TILL YOU GET TO
NEW YORK, ALL RIGHT?
783
00:40:21,419 --> 00:40:24,699
OH, JOHN, YOU ARE AN ANGEL.
784
00:40:24,723 --> 00:40:26,600
WELL, HOW DO I LOOK?
785
00:40:26,624 --> 00:40:27,968
JUST BEAUTIFUL.
786
00:40:27,992 --> 00:40:29,537
NOW WE BETTER GET STARTED.
787
00:40:29,561 --> 00:40:31,026
OK, GOOD LUCK.
788
00:40:36,434 --> 00:40:37,434
AHEM.
789
00:40:41,373 --> 00:40:42,850
LADIES AND GENTLEMEN,
790
00:40:42,874 --> 00:40:45,953
TONIGHT WE ARE HONORED
BY THE PRESENCE OF A STAR.
791
00:40:45,977 --> 00:40:48,622
I HAVE THE HONOR
TO PRESENT TO YOU
792
00:40:48,646 --> 00:40:51,325
ONE OF THE GREAT LADIES
OF THE AMERICAN ST-STAGE,
793
00:40:51,349 --> 00:40:53,861
MISS ALVIRA DRUMMOND.
794
00:40:53,885 --> 00:40:56,125
JASON, MAY WE HAVE THE LIGHT?
795
00:41:11,703 --> 00:41:13,469
THANK YOU, THANK YOU.
796
00:41:15,106 --> 00:41:20,287
IT IS SAID THAT ACTORS
ARE VERY SPECIAL PEOPLE.
797
00:41:20,311 --> 00:41:22,690
THEY ARE BORN BETWEEN THE ACTS,
798
00:41:22,714 --> 00:41:27,261
CRADLED IN DRESSER DRAWERS,
AND NURTURED ON GREASE PAINT.
799
00:41:27,285 --> 00:41:30,631
THEY COME ALIVE
AT 8:30 EVERY NIGHT,
800
00:41:30,655 --> 00:41:33,768
BUT ONLY IN THE
PRESENCE OF AN AUDIENCE,
801
00:41:33,792 --> 00:41:38,305
AND WHEN THEY DIE, THEY GO NOT
TO HEAVEN, BUT TO THE THEATER.
802
00:41:40,398 --> 00:41:43,143
WE ARE GATHERED TONIGHT
803
00:41:43,167 --> 00:41:47,347
IN A LITTLE COUNTRY STORE IN THE
BLUE RIDGE MOUNTAINS OF VIRGINIA
804
00:41:47,371 --> 00:41:50,017
DURING SOMETHING
CALLED THE DEPRESSION.
805
00:41:50,041 --> 00:41:54,321
BUT THE TIME AND THE
PLACE ARE NOT IMPORTANT.
806
00:41:54,345 --> 00:41:59,960
WHAT IS IMPORTANT IS THAT
YOU HAVE COME TO SEE A SHOW,
807
00:41:59,984 --> 00:42:04,286
AND I AM TRULY PRIVILEGED
TO PERFORM FOR YOU.
808
00:42:08,392 --> 00:42:10,905
"O ROMEO, ROMEO!
809
00:42:10,929 --> 00:42:14,308
"WHEREFORE ART THOU ROMEO?
810
00:42:14,332 --> 00:42:18,178
"DENY THY FATHER
AND REFUSE THY NAME
811
00:42:18,202 --> 00:42:22,650
OR, IF THOU WILT NOT
BE BUT SWORN MY LOVE"
812
00:42:29,246 --> 00:42:33,561
"OUT, OUT, DAMNED
SPOT! OUT, I SAY!
813
00:42:35,687 --> 00:42:38,165
"1...
814
00:42:41,025 --> 00:42:43,225
"WHY, THEN, 'TIS TIME TO DO 'T.
815
00:42:45,563 --> 00:42:50,065
"OH," HELL IS MURKY!
816
00:42:52,203 --> 00:42:54,971
FIE, MY LORD, FIE!"
817
00:42:57,642 --> 00:43:01,388
"THE QUALITY OF
MERCY IS NOT STRAIN'D
818
00:43:01,412 --> 00:43:04,658
"IT DROPPETH AS THE
GENTLE RAIN FROM HEAVEN
819
00:43:04,682 --> 00:43:06,861
"UPON THE PLACE BENEATH:
820
00:43:06,885 --> 00:43:10,297
"IT IS TWICE BLESS'D
821
00:43:10,321 --> 00:43:14,423
IT BLESSETH HIM THAT
GIVES AND HIM THAT TAKES."
822
00:43:20,665 --> 00:43:22,910
"WHAT'S THIS?
823
00:43:22,934 --> 00:43:25,613
"A CUP, CLOSED IN
MY TRUE LOVE'S HAND?
824
00:43:25,637 --> 00:43:28,538
"POISON, I SEE, HATH
BEEN HIS TIMELESS END.
825
00:43:31,208 --> 00:43:33,120
"O CHURL!
826
00:43:33,144 --> 00:43:37,791
"DRUNK ALL, AND LEFT NO
FRIENDLY DROP TO HELP ME AFTER!
827
00:43:37,815 --> 00:43:39,793
"I WILL KISS THY LIPS
828
00:43:39,817 --> 00:43:41,996
"HAPLY, SOME POISON
YET DOTH HANG ON THEM
829
00:43:42,020 --> 00:43:44,520
"TO MAKE ME DIE
WITH A RESTORATIVE.
830
00:43:45,890 --> 00:43:47,001
AH!
831
00:43:47,025 --> 00:43:49,469
"THY LIPS ARE WARM!
832
00:43:50,595 --> 00:43:51,595
"YEA, NOISE?
833
00:43:54,899 --> 00:43:56,666
"THEN I'LL BE BRIEF.
834
00:44:00,572 --> 00:44:04,785
"O HAPPY DAGGER!
THIS IS THY SHEATH
835
00:44:06,945 --> 00:44:10,479
THERE REST, AND LET ME DIE."
836
00:44:46,150 --> 00:44:47,895
THANK YOU.
837
00:44:47,919 --> 00:44:53,100
AND NOW, WITH THE SPECIAL
PERMISSION OF A VERY YOUNG AUTHOR,
838
00:44:53,124 --> 00:44:55,970
I WOULD LIKE TO READ
TO YOU A PASSAGE
839
00:44:55,994 --> 00:44:59,996
FROM HIS FIRST AND YET
TO BE PUBLISHED NOVEL.
840
00:45:11,609 --> 00:45:17,312
FROM WALTON'S MOUNTAIN
BY JOHN-BOY WALTON.
841
00:45:20,151 --> 00:45:22,696
"AT NIGHT ACROSS THE
MOUNTAIN WHEN DARKNESS FALLS
842
00:45:22,720 --> 00:45:25,833
"AND THE WINDS SWEEP
DOWN OUT OF THE HOLLOWS,
843
00:45:25,857 --> 00:45:28,102
"THE WILD THINGS
WITH THEIR SHINY EYES
844
00:45:28,126 --> 00:45:29,870
"COME TO THE EDGE
OF THE CLEARING.
845
00:45:29,894 --> 00:45:34,574
"AT SUCH AN HOUR, THE
HOUSE SEEMS SAFE AND WARM,
846
00:45:34,598 --> 00:45:38,012
"AN ISLAND OF LIGHT AND
LOVE IN A SEA OF DARKNESS.
847
00:45:38,036 --> 00:45:43,450
"AT SUCH AN HOUR, THE WORD
'HOME' MUST HAVE COME INTO BEING,
848
00:45:43,474 --> 00:45:47,320
"DREAMED UP BY SOME CREATURE
THAT NEVER KNEW A HOME.
849
00:45:47,344 --> 00:45:49,890
"IN HIS YEARNING THERE
MUST HAVE COME TO MIND
850
00:45:49,914 --> 00:45:52,359
"THE VISION OF A MOTHER'S FACE,
851
00:45:52,383 --> 00:45:57,631
"A FATHER'S DEEP VOICE, THE
AROMA OF FRESH BAKED BREAD,
852
00:45:57,655 --> 00:46:02,736
"SUNSHINE IN A WINDOW, THE
MUTED SOUNDS OF RAIN ON A ROOF,
853
00:46:02,760 --> 00:46:06,874
"THE SIGH OF DEATH, THE
CRY OF A NEWBORN BABE
854
00:46:06,898 --> 00:46:09,877
"AND VOICES CALLING GOODNIGHT.
855
00:46:09,901 --> 00:46:11,133
LIVIE.
856
00:46:13,270 --> 00:46:21,270
"HOME, "AN ISLAND, "A REFUGE,
857
00:46:22,279 --> 00:46:25,881
A HAVEN OF LOVE."
858
00:47:06,991 --> 00:47:08,902
THANK YOU SO MUCH
FOR EVERYTHING.
859
00:47:08,926 --> 00:47:11,138
I'M TRULY GRATEFUL.
860
00:47:11,162 --> 00:47:13,207
BYE, SWEETIE.
861
00:47:13,231 --> 00:47:14,842
YOU PUT ON A GOOD SHOW.
862
00:47:14,866 --> 00:47:16,910
THANK YOU SO MUCH.
863
00:47:16,934 --> 00:47:20,114
GOODBYE, YOU DARLING MAN.
864
00:47:20,138 --> 00:47:21,314
GOODBYE.
865
00:47:21,338 --> 00:47:22,983
MARY ELLEN,
866
00:47:23,007 --> 00:47:25,953
I THINK I'VE OUTGROWN THIS,
WHY DON'T YOU KEEP IT FOR ME?
867
00:47:25,977 --> 00:47:28,856
AND THE NEXT TIME YOU DECIDE YOU
WANT TO BE IN SOMEBODY ELSE'S SHOES,
868
00:47:28,880 --> 00:47:30,357
REMEMBER IT'S
USUALLY A LOUSY FIT.
869
00:47:30,381 --> 00:47:31,925
ALVIRA. YES.
870
00:47:31,949 --> 00:47:34,661
GONNA MAKE THAT AFTERNOON
TRAIN TO NEW YORK, BETTER HURRY.
871
00:47:34,685 --> 00:47:35,929
I'M AS READY AS I'LL EVER BE.
872
00:47:35,953 --> 00:47:38,065
OH, TAKE GOOD CARE OF
MY CAR FOR ME, WILL YOU?
873
00:47:38,089 --> 00:47:40,100
I'LL SEND FOR IT WHEN
I'M IN THE CHIPS AGAIN.
874
00:47:40,124 --> 00:47:41,501
DON'T YOU WORRY.
875
00:47:41,525 --> 00:47:42,602
MISS DRUMMOND.
876
00:47:42,626 --> 00:47:43,759
JOHN.
877
00:47:47,331 --> 00:47:48,608
BYE.
878
00:47:48,632 --> 00:47:49,665
BYE.
879
00:47:56,707 --> 00:47:58,485
YOU KNOW,
880
00:47:58,509 --> 00:48:01,789
I DON'T KNOW WHAT
IT IS ABOUT THIS PLACE,
881
00:48:01,813 --> 00:48:03,490
MAYBE IT'S THE AIR,
882
00:48:03,514 --> 00:48:06,715
BUT IT CERTAINLY MAKES
YOU FEEL LIKE A NEW PERSON.
883
00:48:11,255 --> 00:48:12,399
BYE-BYE.
884
00:48:12,423 --> 00:48:13,633
GOODBYE.
885
00:48:13,657 --> 00:48:14,701
BYE.
886
00:48:14,725 --> 00:48:16,403
GOOD LUCK.
887
00:48:16,427 --> 00:48:17,671
BYE.
888
00:48:17,695 --> 00:48:20,407
BYE.
889
00:48:20,431 --> 00:48:22,109
THANK YOU AGAIN.
890
00:48:24,836 --> 00:48:26,980
ALVIRA DRUMMOND WAS TO ENTERTAIN
891
00:48:27,004 --> 00:48:29,116
AUDIENCES AGAIN ON
THE NEW YORK STAGE,
892
00:48:29,140 --> 00:48:32,686
BUT I DOUBT IF SHE EVER FOUND AN
AUDIENCE AS APPRECIATIVE AS THAT GROUP
893
00:48:32,710 --> 00:48:35,510
IN IKE GODSEY'S STORE
ON WALTON'S MOUNTAIN.
894
00:48:37,348 --> 00:48:40,327
MAMA, MARY ELLEN'S
BEING CRAZY AGAIN.
895
00:48:40,351 --> 00:48:42,529
ACTING LIKE SHE'S STICKIN'
A KNIFE IN HER STOMACH,
896
00:48:42,553 --> 00:48:45,132
THEN FLOPPIN' ALL OVER THE
FLOOR AND PRETENDING SHE'S DEAD.
897
00:48:45,156 --> 00:48:47,334
YOU DON'T KNOW
ACTING WHEN YOU SEE IT.
898
00:48:47,358 --> 00:48:48,501
I'M BEING JULIET.
899
00:48:48,525 --> 00:48:50,003
SETTLE DOWN THERE, GIRLS.
900
00:48:50,027 --> 00:48:52,439
MAMA, YOU THINK I COULD BE
AN ACTRESS WHEN I GROW UP?
901
00:48:52,463 --> 00:48:55,042
I THINK YOU CAN BE ANYTHING
YOU WANT TO BE, DARLING.
902
00:48:55,066 --> 00:48:56,543
GOOD NIGHT, MAMA.
903
00:48:56,567 --> 00:48:58,667
GOOD NIGHT, MARY ELLEN.
904
00:49:03,474 --> 00:49:05,352
IN A MOMENT, SOME SCENES
905
00:49:05,376 --> 00:49:07,776
FROM THE NEXT
EPISODE OF THE WALTONS.
64606
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