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1
00:00:09,210 --> 00:00:12,113
[WRITING]
IT'S NOT EASY BEING
SINGLE IN NEW YORK CITY,
2
00:00:12,146 --> 00:00:15,717
ESPECIALLY WHEN YOU'RE
AN ALIEN VISITING FROM
A PARALLEL UNIVERSE.
3
00:00:19,954 --> 00:00:25,827
UH-OH. THAT'S A LITTLE
TOO MUCH INFORMATION.
4
00:00:25,860 --> 00:00:30,431
BUT THERE'S NOTHING
A LITTLE SUCCESS OR
A LOT OF SEX CAN'T FIX.
5
00:00:30,464 --> 00:00:32,934
TAKE DICK FOR EXAMPLE.
6
00:00:32,967 --> 00:00:35,303
FINDING HIS JOB SHALLOW
AND UNREWARDING,
7
00:00:35,336 --> 00:00:37,939
HE WAS READY TO LOAD
THE POCKETS OF HIS
CUSTOM-TAILORED SUIT
8
00:00:37,972 --> 00:00:40,041
WITH ROCKS AND JUMP
INTO THE EAST RIVER.
9
00:00:40,074 --> 00:00:43,612
OH MY GOD, LOOK AT
THOSE SHOES.
10
00:00:43,645 --> 00:00:47,415
THEN HE WALKED
INTO A DIVE ON 48th
11
00:00:47,448 --> 00:00:50,251
WHERE PEOPLE ORDER
DRINKS ON THE ROCKS.
12
00:00:50,284 --> 00:00:52,353
THERE HE FOUND
HIS TRUE LOVE,
13
00:00:52,386 --> 00:00:53,988
AND THAT ROCKS.
14
00:00:54,022 --> 00:00:55,790
I'M A LAWYER.
15
00:00:55,824 --> 00:00:58,827
WHILE ON
THE OTHER SIDE OF TOWN,
16
00:00:58,860 --> 00:01:02,330
TOMMY WAS A BIG SUCCESS
ON SATURDAY NIGHT LIVE.
17
00:01:02,363 --> 00:01:04,599
HIS HEAD WAS AS BIG AS
THE STATUE OF LIBERTY'S,
18
00:01:04,633 --> 00:01:08,536
ONLY THERE WEREN'T ANY
TOURISTS INSIDE HIS FACE.
19
00:01:08,569 --> 00:01:11,105
AND HARRY, EITHER THROUGH
SHEER DETERMINATION
20
00:01:11,139 --> 00:01:13,675
OR SHEER STUPIDITY,
21
00:01:13,708 --> 00:01:15,276
WAS CLIMBING TO THE TOP
OF HIS GAME
22
00:01:15,309 --> 00:01:16,978
AS A NETWORK EXECUTIVE.
23
00:01:17,011 --> 00:01:21,415
WHY DON'T WE MAKE ONE NIGHT
WILL, ONE NIGHT GRACE.
24
00:01:21,449 --> 00:01:25,920
AS FOR ME,
I'VE HEARD IT SAID YOU
CAN'T FIGHT CITY HALL.
25
00:01:25,954 --> 00:01:27,088
I DON'T KNOW IF
THAT'S TRUE OR NOT.
26
00:01:27,121 --> 00:01:30,591
I JUST NEEDED A SEGUE
INTO "I'M SLEEPING
WITH THE MAYOR."
27
00:02:08,830 --> 00:02:12,767
* ROMANCE IS MUSH
28
00:02:12,801 --> 00:02:18,006
* STIFLING
THOSE WHO STRIVE *
29
00:02:18,039 --> 00:02:20,842
* I LIVE A LUSH LIFE
30
00:02:20,875 --> 00:02:26,580
* IN SOME SMALL DIVE
31
00:02:26,614 --> 00:02:29,984
* AND THERE I'LL BE
32
00:02:30,018 --> 00:02:35,857
* WHILE I ROT
WITH THE REST *
33
00:02:35,890 --> 00:02:43,998
* OF THOSE WHOSE LIVES
ARE LONELY *
34
00:02:44,032 --> 00:02:47,568
* TOO
35
00:02:51,005 --> 00:02:52,907
OH, MARY.
36
00:02:52,941 --> 00:02:56,244
OHH, THAT WAS BEAUTIFUL.
37
00:02:56,277 --> 00:02:59,981
MUCH MORE UPBEAT
THAN USUAL.
38
00:03:00,014 --> 00:03:01,415
SWEETIE, I'M HURRYING.
39
00:03:01,449 --> 00:03:03,051
THESE BOOTS
ARE SUPER HIGH,
40
00:03:03,084 --> 00:03:05,419
PLUS THEY'RE
REALLY TIGHT, YOU KNOW?
41
00:03:05,453 --> 00:03:06,554
JUST PUT IT DOWN,
WOULD YA, HONEY?
42
00:03:06,587 --> 00:03:07,922
ALL RIGHT.
43
00:03:07,956 --> 00:03:11,159
DON, I HOPE
YOU REALIZE
THAT THIS PLACE
44
00:03:11,192 --> 00:03:14,863
IS A TOTAL WASTE
OF MY OUTFIT.
45
00:03:14,896 --> 00:03:18,432
AS LONG AS I CAN SEE IT,
WHAT ELSE MATTERS?
46
00:03:18,466 --> 00:03:20,869
YOU ARE SUCH A DOLL.
47
00:03:20,902 --> 00:03:22,203
LET'S GO
SOMEPLACE ELSE.
48
00:03:22,236 --> 00:03:24,238
YOU KNOW I CAN'T.
49
00:03:24,272 --> 00:03:25,807
OF COURSE I DO.
50
00:03:32,080 --> 00:03:32,981
UM, TOMMY.
51
00:03:33,014 --> 00:03:33,948
HEY DARREL, WHAT'S UP?
52
00:03:33,982 --> 00:03:36,751
UM, NOTHING I JUST SAW ANNA
OUT IN THE HALLWAY
53
00:03:36,785 --> 00:03:38,586
SHE'S CRYING HER EYES
OUT, WHAT HAPPENED?
54
00:03:38,619 --> 00:03:40,254
YEAH, I BROKE UP WITH HER.
55
00:03:40,288 --> 00:03:43,357
OH. I'M SORRY.
56
00:03:43,391 --> 00:03:45,026
WELL, I WAS CHOMPING AT THE
BITCH
57
00:03:45,059 --> 00:03:46,627
YOU KNOW WHAT I MEAN?
58
00:03:46,660 --> 00:03:50,598
SURE. SURE
59
00:03:50,631 --> 00:03:51,732
YOU KNOW, TOMMY
60
00:03:51,766 --> 00:03:54,602
IT'S REALLY FUNNY HOW
QUICKLY YOU GUYS HIT IT OFF
61
00:03:54,635 --> 00:03:58,039
I'VE BEEN TRYING TO GET
ANNA TO GO OUT WITH ME
FOR YEARS
62
00:03:58,072 --> 00:03:59,073
AND SHE JUST NEVER WOULD
63
00:03:59,107 --> 00:04:01,242
AND SHE NEVER WILL, MAN.
64
00:04:01,275 --> 00:04:04,078
CAUSE SHE DOESN'T KNOW
WHO THE REAL DARRELL
HAMMOND IS
65
00:04:04,112 --> 00:04:06,380
WHAT DOES THAT MEAN?
66
00:04:06,414 --> 00:04:08,883
YOU HIDE BEHIND YOUR
IMPRESSIONS MAN
67
00:04:08,917 --> 00:04:12,020
WITH ALL YOUR WIGS,
FUNNY VOICES
68
00:04:12,053 --> 00:04:16,590
SHE SEES THE MASK, SHE
DOESN'T SEE THE MAN
69
00:04:16,624 --> 00:04:17,691
WOAH.
70
00:04:17,725 --> 00:04:18,626
LET ME ASK YOU A QUESTION,
71
00:04:18,659 --> 00:04:20,628
WHAT'RE YOU DOING ON
UPDATE THIS WEEK?
72
00:04:20,661 --> 00:04:22,663
I WAS GONNA DO SEAN
CONNERY TALKING ABOUT
73
00:04:22,696 --> 00:04:24,165
HOW IT FEELS TO BE A
SENIOR CITIZEN
74
00:04:24,198 --> 00:04:26,868
YEAH, WELL WHY DON'T YOU DO
DARREL HAMMOND?
75
00:04:26,901 --> 00:04:30,304
TALKING ABOUT WHAT IT
FEELS TO BE...
76
00:04:30,338 --> 00:04:33,374
TO BE DARREL HAMMOND
77
00:04:33,407 --> 00:04:35,209
I'M BLIND.
78
00:04:35,243 --> 00:04:36,377
TOMMY, I'VE BEEN BLIND
79
00:04:36,410 --> 00:04:37,145
THANKS BUDDY
80
00:04:37,178 --> 00:04:38,980
HEY.
81
00:04:39,013 --> 00:04:39,480
THANK YOU
82
00:04:39,513 --> 00:04:41,850
NO PROBLEM GUY
83
00:04:48,056 --> 00:04:49,657
YOU KNOW I DON'T THINK IT'S
SUCH A GOOD IDEA
84
00:04:49,690 --> 00:04:53,361
FOR YOU TO BE SPENDING SO
MUCH TIME IN A SCENEY BAR
LIKE THIS, MARY
85
00:04:53,394 --> 00:04:56,364
MAYBE INSTEAD YOU
SHOULD BE SINGING IN A
BROADWAY SHOW
86
00:04:56,397 --> 00:04:58,833
WHAT A GREAT IDEA.
87
00:04:58,867 --> 00:05:00,768
BUT I'M WAY AHEAD
OF YOU, HANDSOME.
88
00:05:00,801 --> 00:05:06,674
IT WON'T BE LONG
BEFORE I'LL BE JOINING
THE CAST OF CATS.
89
00:05:06,707 --> 00:05:10,311
GOT BAD NEWS FOR YOU.
MARY, CATS IS CLOSED.
90
00:05:10,344 --> 00:05:12,780
DAMN, THAT WAS FAST.
91
00:05:12,813 --> 00:05:15,516
BUT HERE. I'VE GOT
SOMETHING THAT'LL
CHEER YOU UP.
92
00:05:15,549 --> 00:05:20,654
WHOO. SAKS.
93
00:05:20,688 --> 00:05:22,256
OH, YOU SHOULDN'T
HAVE DONE THIS.
94
00:05:22,290 --> 00:05:24,225
OH, PLEASE ACCEPT IT.
95
00:05:24,258 --> 00:05:27,595
I NEVER SAID ANYTHING
ABOUT NOT ACCEPTING IT.
96
00:05:27,628 --> 00:05:28,829
IT'S BEAUTIFUL.
97
00:05:28,863 --> 00:05:31,032
THE SALESLADY CALLED IT
A COCKTAIL DRESS.
98
00:05:31,065 --> 00:05:34,702
I THOUGHT YOU'D GET A LOT
OF USE OUT OF IT
99
00:05:34,735 --> 00:05:35,736
WHY DON'T YOU PUT IT ON?
100
00:05:35,769 --> 00:05:37,972
I'VE PLANNED A WONDERFUL
EVENING FOR US
101
00:05:38,006 --> 00:05:40,608
STARTING WITH DINNER FOR TWO
AT THE RAINBOW ROOM
102
00:05:40,641 --> 00:05:42,843
WELL, WHY DON'T WE STAY HERE?
103
00:05:42,877 --> 00:05:46,814
I'LL PUT ON THE DRESS, WE CAN
SIT AT THE BAR
104
00:05:46,847 --> 00:05:49,083
AND YOU CAN WATCH ME DRINK
105
00:05:49,117 --> 00:05:50,551
Sally: OK, SO UM,
106
00:05:50,584 --> 00:05:52,253
I KNOW YOU'RE NOT SUPPOSED
TO GO ANY PLACE ELSE
107
00:05:52,286 --> 00:05:53,621
BUT BEAR
WITH ME HERE.
108
00:05:53,654 --> 00:05:55,256
WHAT IF WE DID?
109
00:05:55,289 --> 00:05:57,225
WHAT DO YOU
THINK WOULD HAPPEN?
110
00:05:57,258 --> 00:05:58,960
WELL, YOU KNOW
WHAT WOULD HAPPEN.
111
00:05:58,993 --> 00:06:03,431
OH, I KNOW,
BUT TELL ME ANYWAY.
112
00:06:03,464 --> 00:06:06,567
WELL, YOU-KNOW-WHO
WOULD HAVE MY ASS
IN A SLING.
113
00:06:06,600 --> 00:06:10,571
HO HO, OH, YEAH.
I KNOW.
114
00:06:10,604 --> 00:06:13,507
WHO?
115
00:06:13,541 --> 00:06:15,143
THE WIFE.
116
00:06:15,176 --> 00:06:20,348
OF COURSE.
YOUR WIFE.
117
00:06:20,381 --> 00:06:22,516
YOU'RE MARRIED?
118
00:06:22,550 --> 00:06:23,351
SIMMER DOWN.
119
00:06:23,384 --> 00:06:24,986
MY GOD.
YOU'RE MARRIED.
120
00:06:25,019 --> 00:06:27,721
THIS IS SO NOT GOOD.
121
00:06:27,755 --> 00:06:28,722
WHAT'S GOING ON?
122
00:06:28,756 --> 00:06:30,724
YOU'VE BEEN OK WITH
THIS ARRANGEMENT
FOR YEARS.
123
00:06:30,758 --> 00:06:32,260
[WHISPERS] I have?
124
00:06:32,293 --> 00:06:34,462
I CAN'T BELIEVE
I'D DO THAT.
I AM OUTTA HERE.
125
00:06:34,495 --> 00:06:37,698
COME ON.
BABY, BABY, BABY.
126
00:06:37,731 --> 00:06:39,667
YOU KNOW YOU'RE THE ONE.
127
00:06:39,700 --> 00:06:43,271
I'M GONNA DIVORCE HER.
128
00:06:43,304 --> 00:06:46,307
I JUST NEED A LITTLE TIME.
129
00:06:46,340 --> 00:06:47,408
OK.
130
00:06:49,543 --> 00:06:50,611
SALLY.
131
00:06:50,644 --> 00:06:51,345
DICK.
132
00:06:51,379 --> 00:06:51,912
DON.
133
00:06:51,946 --> 00:06:53,681
ALBRIGHT.
KIKI.
134
00:06:53,714 --> 00:06:55,549
DONNY.
135
00:06:55,583 --> 00:06:56,750
MARY.
136
00:07:06,427 --> 00:07:08,496
ISN'T THAT THE GUY
WHO NORMALLY DOES
THE IMPRESSIONS?
137
00:07:08,529 --> 00:07:09,797
DARRELL.
DARRELL HAMMOND.
138
00:07:09,830 --> 00:07:12,233
YEAH.
WHY ISN'T HE FUNNY?
139
00:07:12,266 --> 00:07:13,567
IT'S SOME SORT
OF EXPERIMENT.
140
00:07:13,601 --> 00:07:15,736
HE WANTED TO IMPRESS
ANA GASTEYER,
141
00:07:15,769 --> 00:07:17,871
SO HE WAS GONNA TRY
BEING HIMSELF.
142
00:07:17,905 --> 00:07:19,607
AH. WELL, THAT'S
A BIG MISTAKE, MAN.
143
00:07:19,640 --> 00:07:20,841
I TOLD HIM.
144
00:07:20,874 --> 00:07:22,776
MAN, THAT FELT SO GREAT.
145
00:07:22,810 --> 00:07:24,545
TOMMY, THEY WERE
REALLY LISTENING
TO ME, WEREN'T THEY?
146
00:07:24,578 --> 00:07:25,446
THEY WERE, MAN.
147
00:07:25,479 --> 00:07:28,149
YEAH. THEY
WERE LISTENING
FOR SOME JOKES,
148
00:07:28,182 --> 00:07:30,084
AND THEY WEREN'T
QUITE HEARING THEM.
149
00:07:30,118 --> 00:07:32,420
YOU KNOW WHAT?
I'VE BEEN KNOWN TO DO
AN IMPERSONATION MYSELF.
150
00:07:32,453 --> 00:07:35,623
YEAH. HERE'S YOU.
"BOO HOO HOO.
I'M DARRELL HAMMOND,
151
00:07:35,656 --> 00:07:37,658
"AND I DON'T GOT A JOB
NO MORE. BOO HOO HOO.
152
00:07:37,691 --> 00:07:40,428
I'M GONNA SELL MY CHILD.
BOO HOO HOO."
153
00:07:40,461 --> 00:07:42,396
HI, TOMMY.
HI, MR. SOLOMON.
154
00:07:42,430 --> 00:07:43,497
DID YOU SEE DARRELL?
155
00:07:43,531 --> 00:07:45,733
UM, YEAH.
YEAH, SOME OF IT.
156
00:07:45,766 --> 00:07:48,569
OH, AND THAT PART
ABOUT ME BREAKING MY FOOT
157
00:07:48,602 --> 00:07:51,472
ON MY SIXTH BIRTHDAY?
THAT REALLY HAPPENED, MAN.
158
00:07:51,505 --> 00:07:54,875
FACT IS SO MUCH STRANGER
THAN FICTION.
159
00:07:54,908 --> 00:07:57,611
STRANGER,
BUT IT'S NOT FUNNIER.
160
00:07:57,645 --> 00:07:59,647
HEY, GUYS,
CHECK THIS OUT.
161
00:07:59,680 --> 00:08:00,881
[AS SEAN CONNERY]
COULD SOMEBODY
PLEASE TELL ME
162
00:08:00,914 --> 00:08:03,451
WHERE I CAN FIND
MISS PUSSY GALORE?
163
00:08:03,484 --> 00:08:05,519
I DIDN'T KNOW THAT YOU
DID SEAN CONNERY.
164
00:08:05,553 --> 00:08:07,988
THAT'S GOOD.
YOU OUGHT TO DO THAT
ON THE SHOW.
165
00:08:14,762 --> 00:08:16,197
CAN I OPEN MY EYES NOW?
166
00:08:16,230 --> 00:08:17,331
NO, NO.
167
00:08:17,365 --> 00:08:19,700
NOW JUST A--
168
00:08:19,733 --> 00:08:21,202
JUST A FEW MORE
STEPS.
169
00:08:21,235 --> 00:08:22,370
OH, DICK,
I'VE HAD MY EYES CLOSED
170
00:08:22,403 --> 00:08:25,473
EVER SINCE THE OYSTER BAR.
171
00:08:25,506 --> 00:08:28,176
WHAT WAS THAT CRUNCHY THING
YOU MADE ME EAT?
172
00:08:28,209 --> 00:08:32,213
I DON'T KNOW.
I HAD MY EYES CLOSED, TOO.
173
00:08:32,246 --> 00:08:34,182
OK...
174
00:08:34,215 --> 00:08:37,185
YOU CAN LOOK NOW.
175
00:08:37,218 --> 00:08:39,553
THE MANHATTAN SKYLINE.
176
00:08:39,587 --> 00:08:43,691
HMM. GOT ANYTHING
TO DRINK?
177
00:08:43,724 --> 00:08:45,059
CHAMPAGNE?
178
00:08:45,093 --> 00:08:47,695
I OPENED IT THIS MORNING
SO THOSE ANNOYING
LITTLE BUBBLES
179
00:08:47,728 --> 00:08:50,331
WOULD HAVE A CHANCE
TO DISPERSE.
180
00:08:50,364 --> 00:08:52,066
GOOD THINKING.
181
00:08:55,236 --> 00:08:57,638
CHEERS.
182
00:08:57,671 --> 00:08:58,539
WOULD YOU, UH...
183
00:08:58,572 --> 00:09:01,342
WOULD YOU CARE FOR
AN HORS D'OEUVRE?
184
00:09:01,375 --> 00:09:03,177
DUCK EGGS...
185
00:09:03,211 --> 00:09:04,312
SALMON EGGS...
186
00:09:04,345 --> 00:09:05,679
QUAIL EGGS...
187
00:09:05,713 --> 00:09:06,147
EGGS...
188
00:09:06,180 --> 00:09:07,881
ANYTHING YOU WANT.
189
00:09:07,915 --> 00:09:09,483
THE SKY'S THE LIMIT.
190
00:09:09,517 --> 00:09:11,619
DICK, IF YOU'RE INTENT
ON SPENDING MONEY ON ME,
191
00:09:11,652 --> 00:09:13,387
I CAN THINK OF
OTHER WAYS OF DOING IT.
192
00:09:13,421 --> 00:09:14,288
WELL, LIKE HOW?
193
00:09:14,322 --> 00:09:16,924
LIKE GIVING ME MONEY.
194
00:09:16,957 --> 00:09:20,027
I'M SORRY.
WAS THAT TOO BLUNT?
195
00:09:20,060 --> 00:09:22,596
YES, BUT MONEY'S
NOT IMPORTANT.
196
00:09:22,630 --> 00:09:25,133
WHAT'S IMPORTANT IS THAT
WE LOVE EACH OTHER.
197
00:09:25,166 --> 00:09:27,235
WHAT WE HAVE
IS TRUE LOVE.
198
00:09:27,268 --> 00:09:28,869
I CAN'T DO IT.
199
00:09:28,902 --> 00:09:31,539
I CAN'T TAKE ADVANTAGE
OF ANOTHER DELUDED GUY.
200
00:09:31,572 --> 00:09:33,674
OH, NO.
YOU'RE WRONG, MARY.
201
00:09:33,707 --> 00:09:35,543
YOU'RE THE ONE
WHO'S DELUDED.
202
00:09:35,576 --> 00:09:36,944
BECAUSE WHETHER
YOU KNOW IT OR NOT,
203
00:09:36,977 --> 00:09:39,012
WE WERE MEANT TO BE
TOGETHER.
204
00:09:39,046 --> 00:09:39,913
OH, GOD!
205
00:09:39,947 --> 00:09:41,349
I LOVE YOU, MARY.
206
00:09:41,382 --> 00:09:43,050
OH, STOP TALKING ABOUT LOVE.
207
00:09:43,083 --> 00:09:44,418
TRUE LOVE DOESN'T EXIST.
208
00:09:44,452 --> 00:09:46,320
TRUE LOVE IS REAL...
209
00:09:46,354 --> 00:09:48,522
AND POWERFUL
AND WONDERFUL!
210
00:09:48,556 --> 00:09:52,360
OH, DON'T YOU THINK
I'D LIKE TO BELIEVE
IN LOVE?!
211
00:09:52,393 --> 00:09:56,297
LIFE WOULD BE
A LOT SIMPLER
IF I COULD.
212
00:09:56,330 --> 00:09:57,831
THEN PRETEND.
213
00:09:57,865 --> 00:09:59,400
HOW?
214
00:09:59,433 --> 00:10:01,535
IT'S EASY.
215
00:10:01,569 --> 00:10:04,172
[EMBRACEABLE YOU PLAYS]
216
00:10:04,205 --> 00:10:06,006
COME HERE.
217
00:10:28,629 --> 00:10:30,130
[DEEP BREATH]
218
00:10:30,164 --> 00:10:31,832
WHAT'S THAT SMELL?
219
00:10:31,865 --> 00:10:33,534
[SNIFFING]
220
00:10:33,567 --> 00:10:36,670
IS THAT PLATINUM?
221
00:10:36,704 --> 00:10:38,272
OH!
222
00:10:38,306 --> 00:10:42,243
OH, DONNY,
THANK YOU, BABY.
223
00:10:42,276 --> 00:10:44,111
WHAT ARE YOU DOING HERE?
224
00:10:44,144 --> 00:10:47,748
ISN'T THERE SOME SORT
OF RIOT IN THE BRONX?
225
00:10:47,781 --> 00:10:49,149
YEAH.
226
00:10:49,183 --> 00:10:51,084
GOOD THING
WE DON'T LIVE UP THERE.
227
00:10:53,120 --> 00:10:55,456
SALLY, WHAT WOULD YOU SAY
IF I TOLD YOU
228
00:10:55,489 --> 00:10:59,227
THAT WHEN MY WIFE ASKED ME
WHY I WAS GONNA BE LATE
AGAIN TONIGHT,
229
00:10:59,260 --> 00:11:01,295
I DIDN'T LIE?
230
00:11:01,329 --> 00:11:02,896
OH, MY GOD.
231
00:11:02,930 --> 00:11:05,266
YOU TOLD HER
YOU WANTED A DIVORCE?
232
00:11:05,299 --> 00:11:08,569
NO, I TOLD HER
TO SHUT UP.
233
00:11:08,602 --> 00:11:10,137
UH, OK, YOU KNOW,
234
00:11:10,170 --> 00:11:10,938
[CLEARS THROAT]
235
00:11:10,971 --> 00:11:12,806
I'M STARTING TO FEEL
REAL BAD.
236
00:11:12,840 --> 00:11:15,643
I DON'T KNOW
HOW MUCH LONGER
I CAN DO THIS.
237
00:11:15,676 --> 00:11:16,944
WELL, HANG IN THERE.
238
00:11:16,977 --> 00:11:18,979
I'LL TELL MY WIFE
AS SOON AS I'M OUT OF OFFICE.
239
00:11:19,012 --> 00:11:22,416
I CAN'T WAIT TILL YOU
STEP DOWN AS MAYOR!
240
00:11:22,450 --> 00:11:23,951
NOT MAYOR...
241
00:11:23,984 --> 00:11:26,654
PRESIDENT.
242
00:11:26,687 --> 00:11:28,322
I'M GOING FOR THE BIG ONE,
243
00:11:28,356 --> 00:11:31,191
AND I WANT YOU
RIGHT THERE BESIDE ME...
244
00:11:31,225 --> 00:11:35,363
BEHIND THE SCENES...
245
00:11:35,396 --> 00:11:37,465
OUT OF SIGHT.
246
00:11:37,498 --> 00:11:39,066
THAT IS NOT GOOD ENOUGH
FOR ME, DON.
247
00:11:39,099 --> 00:11:41,469
I MEAN, I WANT TO BE
INVOLVED IN YOUR LIFE
248
00:11:41,502 --> 00:11:43,671
AND SHARE
TENDER MOMENTS.
249
00:11:43,704 --> 00:11:48,175
I WANT TO BE YOUR
SECRETARY OF DEFENSE.
250
00:11:48,208 --> 00:11:50,744
WELL, LET'S SLOW DOWN
AND RECONSIDER THIS
IN THE SHOWER.
251
00:11:50,778 --> 00:11:52,880
YOU KNOW WHAT?
FORGET IT.
252
00:11:52,913 --> 00:11:53,781
AH, SALLY.
253
00:11:53,814 --> 00:11:58,051
NO, NO, NO, SERIOUSLY.
IT'S OVER. GET OUT.
254
00:12:04,792 --> 00:12:06,694
ONE LAST THING...
255
00:12:06,727 --> 00:12:10,764
CAN I STILL COUNT
ON YOUR VOTE?
256
00:12:10,798 --> 00:12:13,267
OF COURSE.
WE STILL AGREE
ON THE ISSUES.
257
00:12:17,004 --> 00:12:19,172
[KNOCK ON DOOR]
258
00:12:19,206 --> 00:12:21,074
JUST A MINUTE!
259
00:12:28,048 --> 00:12:30,751
COME IN!
260
00:12:30,784 --> 00:12:33,053
HEY, LOOK AT THAT PUTT
I JUST MADE.
261
00:12:33,086 --> 00:12:36,490
LOVELY. VERY NICE.
YEAH.
262
00:12:36,524 --> 00:12:39,092
MR. SOLOMON,
YOUR NEPHEW IS HERE
TO SEE YOU.
263
00:12:39,126 --> 00:12:43,364
TOMMY!
GOOD TO SEE YOU! YEAH.
264
00:12:43,397 --> 00:12:45,599
GOOD TO SEE YOU,
TOO, MAN.
265
00:12:45,633 --> 00:12:47,134
IT'S FUNNY. WE WORK
IN THE SAME BUILDING.
266
00:12:47,167 --> 00:12:49,837
I'VE NEVER BEEN
UP TO YOUR OFFICE.
267
00:12:49,870 --> 00:12:50,738
IT'S VERY NICE.
268
00:12:50,771 --> 00:12:53,206
YEAH, WELL,
LOTS OF ROOM
TO PUTT IN.
269
00:12:53,240 --> 00:12:54,742
SO, HEY, CAN I SIT
IN YOUR CHAIR?
270
00:12:54,775 --> 00:12:56,076
OH, PLEASE.
271
00:12:56,109 --> 00:12:58,412
I THINK YOU'LL FIND IT
STILL WARM.
272
00:12:58,446 --> 00:13:00,247
AHH.
273
00:13:00,280 --> 00:13:01,482
HEY, LOOK AT ME.
274
00:13:01,515 --> 00:13:05,118
I'M HARRY SOLOMON,
BIG PRESIDENT OF THE NETWORK.
275
00:13:05,152 --> 00:13:07,688
LOOK AT ME.
I'M TOMMY SOLOMON,
276
00:13:07,721 --> 00:13:11,091
AND I'M A BIG STAR
ON SATURDAY NIGHT LIV.
277
00:13:11,124 --> 00:13:12,660
I MAKE IMPORTANT DECISIONS
278
00:13:12,693 --> 00:13:16,464
LIKE WHERE TO PUTT
IN MY OFFICE.
279
00:13:16,497 --> 00:13:17,898
I GET PAID
THE BIG BUCKS
280
00:13:17,931 --> 00:13:22,235
JUST FOR GOING
"WHOO, WHOO, WHOO."
281
00:13:22,269 --> 00:13:24,304
WELL, I'VE GOT SOME NEWS
FOR YOU, TOMMY SOLOMON.
282
00:13:24,338 --> 00:13:25,573
YOUR EGO
HAS GOTTEN TOO BIG.
283
00:13:25,606 --> 00:13:26,974
YOU'RE DEMANDING
TOO MUCH MONEY.
284
00:13:27,007 --> 00:13:28,476
YOU'RE FIRED!
285
00:13:28,509 --> 00:13:29,810
I A OUT OF CONTROL,
286
00:13:29,843 --> 00:13:31,345
AND I DO WANT
TOO MUCH MONEY.
287
00:13:31,379 --> 00:13:32,079
YOU'RE FIRED!
288
00:13:32,112 --> 00:13:33,747
YOU CAN'T FIRE ME,
YOU PEON.
289
00:13:33,781 --> 00:13:36,083
YOU'RE A LOWLY
CAST MEMBER ON SNL.
290
00:13:36,116 --> 00:13:38,185
NO, I'M HARRY NOW.
291
00:13:38,218 --> 00:13:40,087
YOU'RE FIRED!
292
00:13:40,120 --> 00:13:41,121
WHAT?
YEAH. I MEAN IT.
293
00:13:41,154 --> 00:13:42,990
YOU'RE REALLY FIRED.
WHAT FOR?
294
00:13:43,023 --> 00:13:45,393
WELL, FOR THE SAME REASONS
THAT YOU JUST FIRED ME.
295
00:13:45,426 --> 00:13:46,627
YOUR EGO'S TOO HUGE,
296
00:13:46,660 --> 00:13:48,261
AND YOU WANT
TOO MUCH MONEY.
297
00:13:48,295 --> 00:13:49,663
WELL, I'M NOT TAKING IT
ANYMORE.
298
00:13:49,697 --> 00:13:51,499
YOU'RE OFF THE SHOW!
299
00:13:51,532 --> 00:13:53,634
I A THAT SHOW.
300
00:13:53,667 --> 00:13:57,538
WAIT A SECOND.
WHO ARE YOU NOW?
301
00:13:57,571 --> 00:13:58,305
I'M ME.
302
00:13:58,338 --> 00:13:59,873
WELL, THEN GET AWAY
FROM MY DESK!
303
00:13:59,907 --> 00:14:00,974
YOU'RE CONFUSING ME!
304
00:14:01,008 --> 00:14:02,843
YOU LISTEN TO ME!
LORNE MICHAELS IS MY BOSS!
305
00:14:02,876 --> 00:14:03,877
HE CAN FIRE ME!
YOU CAN'T!
306
00:14:03,911 --> 00:14:07,381
OH? WELL, I'LL FIRE
HIS SAD CANADIAN ASS, TOO!
307
00:14:17,591 --> 00:14:20,293
GOOD MORNING.
308
00:14:20,327 --> 00:14:21,829
GOOD MORNING.
309
00:14:21,862 --> 00:14:24,297
BOY...
310
00:14:24,331 --> 00:14:25,466
THIS IS DIFFERENT.
311
00:14:25,499 --> 00:14:27,668
WELL, WHAT DO
YOU MEAN?
312
00:14:27,701 --> 00:14:29,603
BEING HERE WITH ME?
313
00:14:29,637 --> 00:14:30,738
NO. I MEAN,
314
00:14:30,771 --> 00:14:34,007
I CAN ACTUALLY
REMEMBER EVERYTHING
I DID LAST NIGHT.
315
00:14:36,309 --> 00:14:38,378
SO DO I.
I FEEL WONDERFUL.
316
00:14:38,412 --> 00:14:41,314
IN FACT, THERE'S
SOMETHING IMPORTANT
I HAVE TO ASK YOU.
317
00:14:41,348 --> 00:14:41,982
HMM?
318
00:14:42,015 --> 00:14:44,284
WILL YOU--
319
00:14:44,317 --> 00:14:46,654
WILL YOU MOVE IN
WITH ME?
320
00:14:46,687 --> 00:14:48,388
MOVE INTO THIS
BEAUTIFUL LOFT?
321
00:14:48,422 --> 00:14:49,523
YES.
322
00:14:49,557 --> 00:14:51,992
WE CAN HAVE MOVERS
BRING OVER ALL OF YOUR THINGS,
323
00:14:52,025 --> 00:14:54,695
OR WE CAN JUST
BURN THEM.
324
00:14:54,728 --> 00:14:56,797
OK. WHAT THE HELL?
325
00:14:56,830 --> 00:14:59,299
OH, YES!
326
00:14:59,332 --> 00:15:02,603
YOU SEE, MARY, YOU SEE?
HOW DOES IT FEEL NOW?
327
00:15:02,636 --> 00:15:04,938
WHAT?
TO KNOW THAT YOU'RE
IN LOVE WITH ME?
328
00:15:04,972 --> 00:15:06,239
OH, LOOK.
329
00:15:06,273 --> 00:15:10,478
I LIKE THE GERSHWIN
AND THE EAGER-TO-PLEASE
LOVEMAKING.
330
00:15:10,511 --> 00:15:12,379
OH, WE WERE
SO PASSIONATE.
331
00:15:12,412 --> 00:15:15,182
YOU CALLED OUT
MY NAME 3 TIMES.
332
00:15:15,215 --> 00:15:18,752
"LARRY, LARRY,
LARRY!"
333
00:15:18,786 --> 00:15:21,955
OK, MAYBE
IT'S NOT MY NAME,
BUT THE PASSION!
334
00:15:21,989 --> 00:15:23,557
I WAS PRETENDING.
335
00:15:23,591 --> 00:15:25,893
YOU TOLD ME TO PRETEND,
SO I PRETENDED.
336
00:15:25,926 --> 00:15:28,328
BUT IT'LL TURN REAL.
I KNOW IT WILL.
337
00:15:28,361 --> 00:15:31,465
SORRY, DICK.
THAT WILL NEVER HAPPEN.
338
00:15:31,499 --> 00:15:33,501
LOVE, HAH!
339
00:15:33,534 --> 00:15:37,037
MARY ALBRIGHT CAN'T
FEEL LOVE ANYMORE.
340
00:15:37,070 --> 00:15:39,172
YOU'RE SO DAMAGED!
341
00:15:39,206 --> 00:15:41,909
THIS LIFE HAS BEEN
SO HARD ON YOU.
342
00:15:41,942 --> 00:15:43,844
ISN'T THERE ANYTHING
I CAN DO TO MAKE YOU SEE
343
00:15:43,877 --> 00:15:46,113
THAT WE WOULD BE
PERFECT TOGETHER?
344
00:15:46,146 --> 00:15:48,415
NO, DICK.
345
00:15:48,448 --> 00:15:53,386
MAYBE IT WOULD'VE WORKED
IN SOME OTHER TIME
OR SOME OTHER PLACE.
346
00:15:53,420 --> 00:15:55,689
WAIT.
347
00:15:55,723 --> 00:15:57,357
WHAT DID YOU
JUST SAY?
348
00:16:00,393 --> 00:16:01,962
NO, DICK.
349
00:16:01,995 --> 00:16:04,397
MAYBE IT WOULD'VE WORKED
IN SOME OTHER TIME--
350
00:16:04,431 --> 00:16:06,534
OR SOME OTHER PLACE!
I CAN DO THAT!
351
00:16:06,567 --> 00:16:07,868
HERE. QUICK.
352
00:16:07,901 --> 00:16:09,402
HERE, MARY,
TAKE THIS.
353
00:16:09,436 --> 00:16:11,539
COME ON,
COME ON WITH ME.
354
00:16:11,572 --> 00:16:13,507
WELL, YOU'RE JUST
LIKE ALL THE REST--
355
00:16:13,541 --> 00:16:14,875
TOSSING ME OUT.
356
00:16:14,908 --> 00:16:16,610
YOU DIDN'T EVEN
LET ME GET DRESSED.
357
00:16:16,644 --> 00:16:18,746
NO, NO, I STILL WANT YOU
TO LIVE HERE, MARY.
358
00:16:18,779 --> 00:16:20,881
GO BACK TO YOUR PLACE
AND GET YOUR THINGS
RIGHT NOW.
359
00:16:20,914 --> 00:16:22,550
HERE, HERE'S
SOME EXTRA CASH.
360
00:16:22,583 --> 00:16:24,618
YOU CAN GET DRESSED
IN THE CAB.
361
00:16:24,652 --> 00:16:26,186
ARE YOU SURE
YOU WANT TO DO THIS?
362
00:16:26,219 --> 00:16:27,387
ABSOLUTELY.
363
00:16:27,420 --> 00:16:29,256
THIS IS YOUR HOME
NOW.
364
00:16:29,289 --> 00:16:30,858
I HOPE IT'LL
MAKE YOU HAPPY.
365
00:16:34,261 --> 00:16:36,496
GOOD-BYE, KIKI.
366
00:16:36,530 --> 00:16:38,198
BYE.
367
00:16:40,400 --> 00:16:42,269
SALLY.
368
00:16:42,302 --> 00:16:44,037
SALLY! WAKE UP!
369
00:16:44,071 --> 00:16:46,740
WHAA? AAH.
WHAT?
370
00:16:46,774 --> 00:16:49,743
WE'RE LEAVING.
I'M GOING HOME
TO MARY.
371
00:16:49,777 --> 00:16:51,344
WAIT A MINUTE,
BUT SHE'S HERE--
372
00:16:51,378 --> 00:16:54,548
NO. THIS MARY
IS COLD AND SOULLESS,
373
00:16:54,582 --> 00:16:59,820
AND ONLY WILLING TO DO
ONE OR 2 MORE THINGS IN BED
THAN THE OTHER ONE.
374
00:16:59,853 --> 00:17:01,989
THE TRADE-OFF
JUST ISN'T WORTH IT.
375
00:17:02,022 --> 00:17:03,090
ALL RIGHT, LOOK,
376
00:17:03,123 --> 00:17:06,193
MAYBE YOU ARE
WILLING TO GIVE UP
ALL THIS NICE STUFF,
377
00:17:06,226 --> 00:17:07,661
BUT I SURE AM NOT.
378
00:17:07,695 --> 00:17:11,799
I MEAN, WHOEVER SAID
THAT DIAMONDS ARE
A GIRL'S BEST FRIEND
379
00:17:11,832 --> 00:17:15,302
NEVER SAW THOSE
BLACK PEARLS AT TIFFANY.
380
00:17:15,335 --> 00:17:16,870
HEY, THAT SOUNDED GREAT.
381
00:17:16,904 --> 00:17:18,639
WHERE'S MY LAPTOP?
382
00:17:18,672 --> 00:17:20,407
FORGET THE LAPTOP!
383
00:17:20,440 --> 00:17:21,775
I WOULD THINK THAT
GIVEN WHAT'S HAPPENED,
384
00:17:21,809 --> 00:17:23,911
YOU'D BE DYING
TO SEE DON AGAIN.
385
00:17:23,944 --> 00:17:26,446
I DON'T KNOW.
I MEAN, AFTER MAYOR DON,
386
00:17:26,479 --> 00:17:29,683
I JUST FEEL LIKE
I'D SEEN A SIDE OF HIM
I REALLY CAN'T TRUST.
387
00:17:29,717 --> 00:17:32,285
BUT THAT'S NOT
THE DON YOU LOVE--
388
00:17:32,319 --> 00:17:34,154
THE ONE WHO WENT
TO COMMUNITY COLLEGE
389
00:17:34,187 --> 00:17:38,291
AND--AND WENT
TO NIGHT SCHOOL
TO BECOME A COP.
390
00:17:38,325 --> 00:17:40,227
AND WHO WENT TO
ANOTHER NIGHT SCHOOL
391
00:17:40,260 --> 00:17:42,930
AFTER THAT ONE
DIDN'T WORK OUT.
392
00:17:42,963 --> 00:17:45,065
THE DON WHO WOULDN'T
HURT A FLY
393
00:17:45,098 --> 00:17:48,636
AND...THE DON
WHO LOVES YOU.
394
00:17:48,669 --> 00:17:51,338
I WISH THAT DON WAS HERE
IN THIS APARTMENT.
395
00:17:51,371 --> 00:17:53,641
MMM, NO KIDDING.
396
00:17:53,674 --> 00:17:55,609
I'D ALMOST BE
WILLING
TO SHACK UP HERE
397
00:17:55,643 --> 00:17:56,977
WITH NEW YORK MARY
IF SHE WASN'T
398
00:17:57,010 --> 00:18:00,848
SUCH A BIG BALL
OF EMOTIONAL
SCAR TISSUE.
399
00:18:00,881 --> 00:18:01,815
WOW.
400
00:18:01,849 --> 00:18:04,752
WE ARE GONNA SACRIFICE
MONEY FOR LOVE.
401
00:18:04,785 --> 00:18:05,953
WE'RE SO NOBLE!
402
00:18:05,986 --> 00:18:08,055
I KNOW, I KNOW!
403
00:18:08,088 --> 00:18:09,522
HOW MANY SHOES
DO YOU THINK I CAN GET
404
00:18:09,556 --> 00:18:11,224
THROUGH THAT PORTAL, HUH?
405
00:18:11,258 --> 00:18:13,360
WELL, I'M OFF TO WORK.
IS MY CAR HERE YET?
406
00:18:13,393 --> 00:18:14,895
HARRY...
407
00:18:14,928 --> 00:18:16,263
WE'RE GOING BACK
TO RUTHERFORD.
408
00:18:16,296 --> 00:18:18,098
WELL, HAVE A NICE TRIP.
I THINK I LEFT
THE IRON ON,
409
00:18:18,131 --> 00:18:20,033
SO YOU MIGHT WANNA CHECK.
410
00:18:20,067 --> 00:18:22,670
NO, NO, NO.
HARRY, UM...
411
00:18:22,703 --> 00:18:24,237
YOU'RE COMING
WITH US.
412
00:18:24,271 --> 00:18:26,106
I DON'T THINK
YOU UNDERSTAND.
413
00:18:26,139 --> 00:18:31,444
I HAVE GOT
A NETWORK TO RUN!
414
00:18:31,478 --> 00:18:33,881
LOOK, WE'RE NOT
LEAVING YOU HERE ALONE.
415
00:18:33,914 --> 00:18:35,248
I'M NOT ALONE.
TOMMY'S HERE.
416
00:18:35,282 --> 00:18:38,485
NO. HE WENT
THROUGH THE PORTAL
AFTER YOU FIRED HIM.
417
00:18:38,518 --> 00:18:40,788
HARRY, YOU CAN'T BE
A NETWORK PRESIDENT
418
00:18:40,821 --> 00:18:45,659
ALONE IN MANHATTAN
WITHOUT ADULT
SUPERVISION.
419
00:18:45,693 --> 00:18:46,994
STOP IT!
YOU'RE TREATING ME
420
00:18:47,027 --> 00:18:48,662
THE WAY YOU ALWAYS
TREAT ME.
421
00:18:48,696 --> 00:18:50,063
WELL, WE'RE
IN NEW YORK NOW,
422
00:18:50,097 --> 00:18:51,932
AND I'M RESPECTED HERE.
423
00:18:51,965 --> 00:18:55,302
YOU GET HIS ARMS,
I'LL GET HIS LEGS.
424
00:18:55,335 --> 00:18:57,137
DUBCEK! I'VE GOT
A SITUATION HERE.
425
00:18:57,170 --> 00:19:00,040
SEND SECURITY
TO THE LOFT!
426
00:19:00,073 --> 00:19:02,175
[GRUNTS] W-WHAT?
427
00:19:02,209 --> 00:19:05,212
WELL, THAT'S A SHOCKER.
428
00:19:05,245 --> 00:19:07,781
MM-HMM. I SEE.
429
00:19:07,815 --> 00:19:10,017
YEAH.
WELL, GOOD LUCK.
430
00:19:11,484 --> 00:19:12,585
I DON'T BELIEVE IT!
431
00:19:12,619 --> 00:19:16,256
WHAT?
I'VE BEEN REPLACED
BY DUBCEK!
432
00:19:16,289 --> 00:19:18,358
I'M SO SORRY,
HARRY.
OH, NO.
433
00:19:18,391 --> 00:19:19,727
THEY SAID THAT
SHE WAS REALLY IN TOUCH
434
00:19:19,760 --> 00:19:23,063
WITH WHAT MEN BETWEEN
18 AND 49 REALLY WANT.
435
00:19:24,932 --> 00:19:26,399
THERE, YOU SEE?
436
00:19:26,433 --> 00:19:28,802
LAST ONE IN THE SHOWER'S
A DIRTY DOG!
437
00:19:30,838 --> 00:19:32,706
OH, UH, SHOES!
438
00:19:36,576 --> 00:19:40,013
[WHOOSH]
439
00:19:40,047 --> 00:19:41,214
Sally: OH.
440
00:19:41,248 --> 00:19:42,282
AH, THAT WAS GREAT.
441
00:19:42,315 --> 00:19:46,153
OHH! HOME AT LAST!
442
00:19:46,186 --> 00:19:50,023
AWW, THE DAMN SHOES
DON'T TRANSFER.
443
00:19:55,662 --> 00:19:57,264
AH, GOOD OLD
RUTHERFORD.
444
00:19:57,297 --> 00:19:58,498
WHAT AN
INSPIRING VIEW.
445
00:19:58,531 --> 00:20:00,768
YEAH, THE TAILLIGHTS
ON THE CARS
446
00:20:00,801 --> 00:20:05,272
AND THE FLAME BURNING
OVER AT THE REFINERY.
447
00:20:05,305 --> 00:20:07,207
YOU CAN EVEN SEE
THE FAST FOOD SIGNS
448
00:20:07,240 --> 00:20:09,676
OUT AT THE INTERSTATE
OFF-RAMP.
449
00:20:09,709 --> 00:20:11,845
SIMPLY BREATHTAKING.
450
00:20:11,879 --> 00:20:14,882
I FIND IT DUMPY
AND DEPRESSING.
451
00:20:14,915 --> 00:20:17,818
YEAH, WELL, NOT
THE PANCAKE HOUSE.
452
00:20:19,352 --> 00:20:20,821
YOU KNOW, ALBRIGHT,
YOU WANT TO SEE DEPRESSING,
453
00:20:20,854 --> 00:20:22,089
YOU SHOULD SEE
ALL THE GARBAGE
454
00:20:22,122 --> 00:20:25,525
THEY HAVE STACKED UP
ALONG CENTRAL PARK WEST.
455
00:20:25,558 --> 00:20:26,960
WERE YOU IN NEW YORK
RECENTLY?
456
00:20:26,994 --> 00:20:27,660
UH, NO, NO.
457
00:20:27,694 --> 00:20:29,596
SALLY WAS, UH,
JUST, UH,
458
00:20:29,629 --> 00:20:34,201
LOOKING AT
A TRAVEL BROCHURE.
459
00:20:34,234 --> 00:20:37,670
WAS I A MAN
WHO DREAMED HE WAS
A NETWORK EXECUTIVE,
460
00:20:37,704 --> 00:20:41,208
OR A NETWORK EXECUTIVE
WHO DREAMED
HE WAS A MAN?
461
00:20:43,176 --> 00:20:48,782
HUMAN BEINGS--
THAT IS, WE HUMAN BEINGS,
ARE SO STRANGE.
462
00:20:48,816 --> 00:20:52,152
[SIGHS] WE BLINDLY
GO ABOUT OUR
DAILY ACTIVITIES
463
00:20:52,185 --> 00:20:54,087
UNAWARE THAT
IF WE ONLY MADE A FEW
464
00:20:54,121 --> 00:20:55,823
SLIGHTLY DIFFERENT
CHOICES,
465
00:20:55,856 --> 00:20:58,091
WE'D TURN OUT TO BE
COMPLETELY DIFFERENT PEOPLE.
466
00:20:58,125 --> 00:21:02,429
YEAH, DIFFERENT LYING,
CHEATING, WEASLY,
467
00:21:02,462 --> 00:21:04,197
HORRIBLE PEOPLE!
468
00:21:06,599 --> 00:21:07,534
DID I DO SOMETHING?
469
00:21:07,567 --> 00:21:08,335
OH, NO, BABE.
470
00:21:08,368 --> 00:21:10,303
YOU'RE PERFECT
JUST THE WAY YOU ARE.
471
00:21:10,337 --> 00:21:11,939
AND SO ARE YOU,
MARY.
472
00:21:11,972 --> 00:21:14,875
WELL, I'M GONNA
GO WATCH TV.
473
00:21:14,908 --> 00:21:17,044
MY SHOWS ARE ON.
32645
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