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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,210 --> 00:00:12,113 [WRITING] IT'S NOT EASY BEING SINGLE IN NEW YORK CITY, 2 00:00:12,146 --> 00:00:15,717 ESPECIALLY WHEN YOU'RE AN ALIEN VISITING FROM A PARALLEL UNIVERSE. 3 00:00:19,954 --> 00:00:25,827 UH-OH. THAT'S A LITTLE TOO MUCH INFORMATION. 4 00:00:25,860 --> 00:00:30,431 BUT THERE'S NOTHING A LITTLE SUCCESS OR A LOT OF SEX CAN'T FIX. 5 00:00:30,464 --> 00:00:32,934 TAKE DICK FOR EXAMPLE. 6 00:00:32,967 --> 00:00:35,303 FINDING HIS JOB SHALLOW AND UNREWARDING, 7 00:00:35,336 --> 00:00:37,939 HE WAS READY TO LOAD THE POCKETS OF HIS CUSTOM-TAILORED SUIT 8 00:00:37,972 --> 00:00:40,041 WITH ROCKS AND JUMP INTO THE EAST RIVER. 9 00:00:40,074 --> 00:00:43,612 OH MY GOD, LOOK AT THOSE SHOES. 10 00:00:43,645 --> 00:00:47,415 THEN HE WALKED INTO A DIVE ON 48th 11 00:00:47,448 --> 00:00:50,251 WHERE PEOPLE ORDER DRINKS ON THE ROCKS. 12 00:00:50,284 --> 00:00:52,353 THERE HE FOUND HIS TRUE LOVE, 13 00:00:52,386 --> 00:00:53,988 AND THAT ROCKS. 14 00:00:54,022 --> 00:00:55,790 I'M A LAWYER. 15 00:00:55,824 --> 00:00:58,827 WHILE ON THE OTHER SIDE OF TOWN, 16 00:00:58,860 --> 00:01:02,330 TOMMY WAS A BIG SUCCESS ON SATURDAY NIGHT LIVE. 17 00:01:02,363 --> 00:01:04,599 HIS HEAD WAS AS BIG AS THE STATUE OF LIBERTY'S, 18 00:01:04,633 --> 00:01:08,536 ONLY THERE WEREN'T ANY TOURISTS INSIDE HIS FACE. 19 00:01:08,569 --> 00:01:11,105 AND HARRY, EITHER THROUGH SHEER DETERMINATION 20 00:01:11,139 --> 00:01:13,675 OR SHEER STUPIDITY, 21 00:01:13,708 --> 00:01:15,276 WAS CLIMBING TO THE TOP OF HIS GAME 22 00:01:15,309 --> 00:01:16,978 AS A NETWORK EXECUTIVE. 23 00:01:17,011 --> 00:01:21,415 WHY DON'T WE MAKE ONE NIGHT WILL, ONE NIGHT GRACE. 24 00:01:21,449 --> 00:01:25,920 AS FOR ME, I'VE HEARD IT SAID YOU CAN'T FIGHT CITY HALL. 25 00:01:25,954 --> 00:01:27,088 I DON'T KNOW IF THAT'S TRUE OR NOT. 26 00:01:27,121 --> 00:01:30,591 I JUST NEEDED A SEGUE INTO "I'M SLEEPING WITH THE MAYOR." 27 00:02:08,830 --> 00:02:12,767 * ROMANCE IS MUSH 28 00:02:12,801 --> 00:02:18,006 * STIFLING THOSE WHO STRIVE * 29 00:02:18,039 --> 00:02:20,842 * I LIVE A LUSH LIFE 30 00:02:20,875 --> 00:02:26,580 * IN SOME SMALL DIVE 31 00:02:26,614 --> 00:02:29,984 * AND THERE I'LL BE 32 00:02:30,018 --> 00:02:35,857 * WHILE I ROT WITH THE REST * 33 00:02:35,890 --> 00:02:43,998 * OF THOSE WHOSE LIVES ARE LONELY * 34 00:02:44,032 --> 00:02:47,568 * TOO 35 00:02:51,005 --> 00:02:52,907 OH, MARY. 36 00:02:52,941 --> 00:02:56,244 OHH, THAT WAS BEAUTIFUL. 37 00:02:56,277 --> 00:02:59,981 MUCH MORE UPBEAT THAN USUAL. 38 00:03:00,014 --> 00:03:01,415 SWEETIE, I'M HURRYING. 39 00:03:01,449 --> 00:03:03,051 THESE BOOTS ARE SUPER HIGH, 40 00:03:03,084 --> 00:03:05,419 PLUS THEY'RE REALLY TIGHT, YOU KNOW? 41 00:03:05,453 --> 00:03:06,554 JUST PUT IT DOWN, WOULD YA, HONEY? 42 00:03:06,587 --> 00:03:07,922 ALL RIGHT. 43 00:03:07,956 --> 00:03:11,159 DON, I HOPE YOU REALIZE THAT THIS PLACE 44 00:03:11,192 --> 00:03:14,863 IS A TOTAL WASTE OF MY OUTFIT. 45 00:03:14,896 --> 00:03:18,432 AS LONG AS I CAN SEE IT, WHAT ELSE MATTERS? 46 00:03:18,466 --> 00:03:20,869 YOU ARE SUCH A DOLL. 47 00:03:20,902 --> 00:03:22,203 LET'S GO SOMEPLACE ELSE. 48 00:03:22,236 --> 00:03:24,238 YOU KNOW I CAN'T. 49 00:03:24,272 --> 00:03:25,807 OF COURSE I DO. 50 00:03:32,080 --> 00:03:32,981 UM, TOMMY. 51 00:03:33,014 --> 00:03:33,948 HEY DARREL, WHAT'S UP? 52 00:03:33,982 --> 00:03:36,751 UM, NOTHING I JUST SAW ANNA OUT IN THE HALLWAY 53 00:03:36,785 --> 00:03:38,586 SHE'S CRYING HER EYES OUT, WHAT HAPPENED? 54 00:03:38,619 --> 00:03:40,254 YEAH, I BROKE UP WITH HER. 55 00:03:40,288 --> 00:03:43,357 OH. I'M SORRY. 56 00:03:43,391 --> 00:03:45,026 WELL, I WAS CHOMPING AT THE BITCH 57 00:03:45,059 --> 00:03:46,627 YOU KNOW WHAT I MEAN? 58 00:03:46,660 --> 00:03:50,598 SURE. SURE 59 00:03:50,631 --> 00:03:51,732 YOU KNOW, TOMMY 60 00:03:51,766 --> 00:03:54,602 IT'S REALLY FUNNY HOW QUICKLY YOU GUYS HIT IT OFF 61 00:03:54,635 --> 00:03:58,039 I'VE BEEN TRYING TO GET ANNA TO GO OUT WITH ME FOR YEARS 62 00:03:58,072 --> 00:03:59,073 AND SHE JUST NEVER WOULD 63 00:03:59,107 --> 00:04:01,242 AND SHE NEVER WILL, MAN. 64 00:04:01,275 --> 00:04:04,078 CAUSE SHE DOESN'T KNOW WHO THE REAL DARRELL HAMMOND IS 65 00:04:04,112 --> 00:04:06,380 WHAT DOES THAT MEAN? 66 00:04:06,414 --> 00:04:08,883 YOU HIDE BEHIND YOUR IMPRESSIONS MAN 67 00:04:08,917 --> 00:04:12,020 WITH ALL YOUR WIGS, FUNNY VOICES 68 00:04:12,053 --> 00:04:16,590 SHE SEES THE MASK, SHE DOESN'T SEE THE MAN 69 00:04:16,624 --> 00:04:17,691 WOAH. 70 00:04:17,725 --> 00:04:18,626 LET ME ASK YOU A QUESTION, 71 00:04:18,659 --> 00:04:20,628 WHAT'RE YOU DOING ON UPDATE THIS WEEK? 72 00:04:20,661 --> 00:04:22,663 I WAS GONNA DO SEAN CONNERY TALKING ABOUT 73 00:04:22,696 --> 00:04:24,165 HOW IT FEELS TO BE A SENIOR CITIZEN 74 00:04:24,198 --> 00:04:26,868 YEAH, WELL WHY DON'T YOU DO DARREL HAMMOND? 75 00:04:26,901 --> 00:04:30,304 TALKING ABOUT WHAT IT FEELS TO BE... 76 00:04:30,338 --> 00:04:33,374 TO BE DARREL HAMMOND 77 00:04:33,407 --> 00:04:35,209 I'M BLIND. 78 00:04:35,243 --> 00:04:36,377 TOMMY, I'VE BEEN BLIND 79 00:04:36,410 --> 00:04:37,145 THANKS BUDDY 80 00:04:37,178 --> 00:04:38,980 HEY. 81 00:04:39,013 --> 00:04:39,480 THANK YOU 82 00:04:39,513 --> 00:04:41,850 NO PROBLEM GUY 83 00:04:48,056 --> 00:04:49,657 YOU KNOW I DON'T THINK IT'S SUCH A GOOD IDEA 84 00:04:49,690 --> 00:04:53,361 FOR YOU TO BE SPENDING SO MUCH TIME IN A SCENEY BAR LIKE THIS, MARY 85 00:04:53,394 --> 00:04:56,364 MAYBE INSTEAD YOU SHOULD BE SINGING IN A BROADWAY SHOW 86 00:04:56,397 --> 00:04:58,833 WHAT A GREAT IDEA. 87 00:04:58,867 --> 00:05:00,768 BUT I'M WAY AHEAD OF YOU, HANDSOME. 88 00:05:00,801 --> 00:05:06,674 IT WON'T BE LONG BEFORE I'LL BE JOINING THE CAST OF CATS. 89 00:05:06,707 --> 00:05:10,311 GOT BAD NEWS FOR YOU. MARY, CATS IS CLOSED. 90 00:05:10,344 --> 00:05:12,780 DAMN, THAT WAS FAST. 91 00:05:12,813 --> 00:05:15,516 BUT HERE. I'VE GOT SOMETHING THAT'LL CHEER YOU UP. 92 00:05:15,549 --> 00:05:20,654 WHOO. SAKS. 93 00:05:20,688 --> 00:05:22,256 OH, YOU SHOULDN'T HAVE DONE THIS. 94 00:05:22,290 --> 00:05:24,225 OH, PLEASE ACCEPT IT. 95 00:05:24,258 --> 00:05:27,595 I NEVER SAID ANYTHING ABOUT NOT ACCEPTING IT. 96 00:05:27,628 --> 00:05:28,829 IT'S BEAUTIFUL. 97 00:05:28,863 --> 00:05:31,032 THE SALESLADY CALLED IT A COCKTAIL DRESS. 98 00:05:31,065 --> 00:05:34,702 I THOUGHT YOU'D GET A LOT OF USE OUT OF IT 99 00:05:34,735 --> 00:05:35,736 WHY DON'T YOU PUT IT ON? 100 00:05:35,769 --> 00:05:37,972 I'VE PLANNED A WONDERFUL EVENING FOR US 101 00:05:38,006 --> 00:05:40,608 STARTING WITH DINNER FOR TWO AT THE RAINBOW ROOM 102 00:05:40,641 --> 00:05:42,843 WELL, WHY DON'T WE STAY HERE? 103 00:05:42,877 --> 00:05:46,814 I'LL PUT ON THE DRESS, WE CAN SIT AT THE BAR 104 00:05:46,847 --> 00:05:49,083 AND YOU CAN WATCH ME DRINK 105 00:05:49,117 --> 00:05:50,551 Sally: OK, SO UM, 106 00:05:50,584 --> 00:05:52,253 I KNOW YOU'RE NOT SUPPOSED TO GO ANY PLACE ELSE 107 00:05:52,286 --> 00:05:53,621 BUT BEAR WITH ME HERE. 108 00:05:53,654 --> 00:05:55,256 WHAT IF WE DID? 109 00:05:55,289 --> 00:05:57,225 WHAT DO YOU THINK WOULD HAPPEN? 110 00:05:57,258 --> 00:05:58,960 WELL, YOU KNOW WHAT WOULD HAPPEN. 111 00:05:58,993 --> 00:06:03,431 OH, I KNOW, BUT TELL ME ANYWAY. 112 00:06:03,464 --> 00:06:06,567 WELL, YOU-KNOW-WHO WOULD HAVE MY ASS IN A SLING. 113 00:06:06,600 --> 00:06:10,571 HO HO, OH, YEAH. I KNOW. 114 00:06:10,604 --> 00:06:13,507 WHO? 115 00:06:13,541 --> 00:06:15,143 THE WIFE. 116 00:06:15,176 --> 00:06:20,348 OF COURSE. YOUR WIFE. 117 00:06:20,381 --> 00:06:22,516 YOU'RE MARRIED? 118 00:06:22,550 --> 00:06:23,351 SIMMER DOWN. 119 00:06:23,384 --> 00:06:24,986 MY GOD. YOU'RE MARRIED. 120 00:06:25,019 --> 00:06:27,721 THIS IS SO NOT GOOD. 121 00:06:27,755 --> 00:06:28,722 WHAT'S GOING ON? 122 00:06:28,756 --> 00:06:30,724 YOU'VE BEEN OK WITH THIS ARRANGEMENT FOR YEARS. 123 00:06:30,758 --> 00:06:32,260 [WHISPERS] I have? 124 00:06:32,293 --> 00:06:34,462 I CAN'T BELIEVE I'D DO THAT. I AM OUTTA HERE. 125 00:06:34,495 --> 00:06:37,698 COME ON. BABY, BABY, BABY. 126 00:06:37,731 --> 00:06:39,667 YOU KNOW YOU'RE THE ONE. 127 00:06:39,700 --> 00:06:43,271 I'M GONNA DIVORCE HER. 128 00:06:43,304 --> 00:06:46,307 I JUST NEED A LITTLE TIME. 129 00:06:46,340 --> 00:06:47,408 OK. 130 00:06:49,543 --> 00:06:50,611 SALLY. 131 00:06:50,644 --> 00:06:51,345 DICK. 132 00:06:51,379 --> 00:06:51,912 DON. 133 00:06:51,946 --> 00:06:53,681 ALBRIGHT. KIKI. 134 00:06:53,714 --> 00:06:55,549 DONNY. 135 00:06:55,583 --> 00:06:56,750 MARY. 136 00:07:06,427 --> 00:07:08,496 ISN'T THAT THE GUY WHO NORMALLY DOES THE IMPRESSIONS? 137 00:07:08,529 --> 00:07:09,797 DARRELL. DARRELL HAMMOND. 138 00:07:09,830 --> 00:07:12,233 YEAH. WHY ISN'T HE FUNNY? 139 00:07:12,266 --> 00:07:13,567 IT'S SOME SORT OF EXPERIMENT. 140 00:07:13,601 --> 00:07:15,736 HE WANTED TO IMPRESS ANA GASTEYER, 141 00:07:15,769 --> 00:07:17,871 SO HE WAS GONNA TRY BEING HIMSELF. 142 00:07:17,905 --> 00:07:19,607 AH. WELL, THAT'S A BIG MISTAKE, MAN. 143 00:07:19,640 --> 00:07:20,841 I TOLD HIM. 144 00:07:20,874 --> 00:07:22,776 MAN, THAT FELT SO GREAT. 145 00:07:22,810 --> 00:07:24,545 TOMMY, THEY WERE REALLY LISTENING TO ME, WEREN'T THEY? 146 00:07:24,578 --> 00:07:25,446 THEY WERE, MAN. 147 00:07:25,479 --> 00:07:28,149 YEAH. THEY WERE LISTENING FOR SOME JOKES, 148 00:07:28,182 --> 00:07:30,084 AND THEY WEREN'T QUITE HEARING THEM. 149 00:07:30,118 --> 00:07:32,420 YOU KNOW WHAT? I'VE BEEN KNOWN TO DO AN IMPERSONATION MYSELF. 150 00:07:32,453 --> 00:07:35,623 YEAH. HERE'S YOU. "BOO HOO HOO. I'M DARRELL HAMMOND, 151 00:07:35,656 --> 00:07:37,658 "AND I DON'T GOT A JOB NO MORE. BOO HOO HOO. 152 00:07:37,691 --> 00:07:40,428 I'M GONNA SELL MY CHILD. BOO HOO HOO." 153 00:07:40,461 --> 00:07:42,396 HI, TOMMY. HI, MR. SOLOMON. 154 00:07:42,430 --> 00:07:43,497 DID YOU SEE DARRELL? 155 00:07:43,531 --> 00:07:45,733 UM, YEAH. YEAH, SOME OF IT. 156 00:07:45,766 --> 00:07:48,569 OH, AND THAT PART ABOUT ME BREAKING MY FOOT 157 00:07:48,602 --> 00:07:51,472 ON MY SIXTH BIRTHDAY? THAT REALLY HAPPENED, MAN. 158 00:07:51,505 --> 00:07:54,875 FACT IS SO MUCH STRANGER THAN FICTION. 159 00:07:54,908 --> 00:07:57,611 STRANGER, BUT IT'S NOT FUNNIER. 160 00:07:57,645 --> 00:07:59,647 HEY, GUYS, CHECK THIS OUT. 161 00:07:59,680 --> 00:08:00,881 [AS SEAN CONNERY] COULD SOMEBODY PLEASE TELL ME 162 00:08:00,914 --> 00:08:03,451 WHERE I CAN FIND MISS PUSSY GALORE? 163 00:08:03,484 --> 00:08:05,519 I DIDN'T KNOW THAT YOU DID SEAN CONNERY. 164 00:08:05,553 --> 00:08:07,988 THAT'S GOOD. YOU OUGHT TO DO THAT ON THE SHOW. 165 00:08:14,762 --> 00:08:16,197 CAN I OPEN MY EYES NOW? 166 00:08:16,230 --> 00:08:17,331 NO, NO. 167 00:08:17,365 --> 00:08:19,700 NOW JUST A-- 168 00:08:19,733 --> 00:08:21,202 JUST A FEW MORE STEPS. 169 00:08:21,235 --> 00:08:22,370 OH, DICK, I'VE HAD MY EYES CLOSED 170 00:08:22,403 --> 00:08:25,473 EVER SINCE THE OYSTER BAR. 171 00:08:25,506 --> 00:08:28,176 WHAT WAS THAT CRUNCHY THING YOU MADE ME EAT? 172 00:08:28,209 --> 00:08:32,213 I DON'T KNOW. I HAD MY EYES CLOSED, TOO. 173 00:08:32,246 --> 00:08:34,182 OK... 174 00:08:34,215 --> 00:08:37,185 YOU CAN LOOK NOW. 175 00:08:37,218 --> 00:08:39,553 THE MANHATTAN SKYLINE. 176 00:08:39,587 --> 00:08:43,691 HMM. GOT ANYTHING TO DRINK? 177 00:08:43,724 --> 00:08:45,059 CHAMPAGNE? 178 00:08:45,093 --> 00:08:47,695 I OPENED IT THIS MORNING SO THOSE ANNOYING LITTLE BUBBLES 179 00:08:47,728 --> 00:08:50,331 WOULD HAVE A CHANCE TO DISPERSE. 180 00:08:50,364 --> 00:08:52,066 GOOD THINKING. 181 00:08:55,236 --> 00:08:57,638 CHEERS. 182 00:08:57,671 --> 00:08:58,539 WOULD YOU, UH... 183 00:08:58,572 --> 00:09:01,342 WOULD YOU CARE FOR AN HORS D'OEUVRE? 184 00:09:01,375 --> 00:09:03,177 DUCK EGGS... 185 00:09:03,211 --> 00:09:04,312 SALMON EGGS... 186 00:09:04,345 --> 00:09:05,679 QUAIL EGGS... 187 00:09:05,713 --> 00:09:06,147 EGGS... 188 00:09:06,180 --> 00:09:07,881 ANYTHING YOU WANT. 189 00:09:07,915 --> 00:09:09,483 THE SKY'S THE LIMIT. 190 00:09:09,517 --> 00:09:11,619 DICK, IF YOU'RE INTENT ON SPENDING MONEY ON ME, 191 00:09:11,652 --> 00:09:13,387 I CAN THINK OF OTHER WAYS OF DOING IT. 192 00:09:13,421 --> 00:09:14,288 WELL, LIKE HOW? 193 00:09:14,322 --> 00:09:16,924 LIKE GIVING ME MONEY. 194 00:09:16,957 --> 00:09:20,027 I'M SORRY. WAS THAT TOO BLUNT? 195 00:09:20,060 --> 00:09:22,596 YES, BUT MONEY'S NOT IMPORTANT. 196 00:09:22,630 --> 00:09:25,133 WHAT'S IMPORTANT IS THAT WE LOVE EACH OTHER. 197 00:09:25,166 --> 00:09:27,235 WHAT WE HAVE IS TRUE LOVE. 198 00:09:27,268 --> 00:09:28,869 I CAN'T DO IT. 199 00:09:28,902 --> 00:09:31,539 I CAN'T TAKE ADVANTAGE OF ANOTHER DELUDED GUY. 200 00:09:31,572 --> 00:09:33,674 OH, NO. YOU'RE WRONG, MARY. 201 00:09:33,707 --> 00:09:35,543 YOU'RE THE ONE WHO'S DELUDED. 202 00:09:35,576 --> 00:09:36,944 BECAUSE WHETHER YOU KNOW IT OR NOT, 203 00:09:36,977 --> 00:09:39,012 WE WERE MEANT TO BE TOGETHER. 204 00:09:39,046 --> 00:09:39,913 OH, GOD! 205 00:09:39,947 --> 00:09:41,349 I LOVE YOU, MARY. 206 00:09:41,382 --> 00:09:43,050 OH, STOP TALKING ABOUT LOVE. 207 00:09:43,083 --> 00:09:44,418 TRUE LOVE DOESN'T EXIST. 208 00:09:44,452 --> 00:09:46,320 TRUE LOVE IS REAL... 209 00:09:46,354 --> 00:09:48,522 AND POWERFUL AND WONDERFUL! 210 00:09:48,556 --> 00:09:52,360 OH, DON'T YOU THINK I'D LIKE TO BELIEVE IN LOVE?! 211 00:09:52,393 --> 00:09:56,297 LIFE WOULD BE A LOT SIMPLER IF I COULD. 212 00:09:56,330 --> 00:09:57,831 THEN PRETEND. 213 00:09:57,865 --> 00:09:59,400 HOW? 214 00:09:59,433 --> 00:10:01,535 IT'S EASY. 215 00:10:01,569 --> 00:10:04,172 [EMBRACEABLE YOU PLAYS] 216 00:10:04,205 --> 00:10:06,006 COME HERE. 217 00:10:28,629 --> 00:10:30,130 [DEEP BREATH] 218 00:10:30,164 --> 00:10:31,832 WHAT'S THAT SMELL? 219 00:10:31,865 --> 00:10:33,534 [SNIFFING] 220 00:10:33,567 --> 00:10:36,670 IS THAT PLATINUM? 221 00:10:36,704 --> 00:10:38,272 OH! 222 00:10:38,306 --> 00:10:42,243 OH, DONNY, THANK YOU, BABY. 223 00:10:42,276 --> 00:10:44,111 WHAT ARE YOU DOING HERE? 224 00:10:44,144 --> 00:10:47,748 ISN'T THERE SOME SORT OF RIOT IN THE BRONX? 225 00:10:47,781 --> 00:10:49,149 YEAH. 226 00:10:49,183 --> 00:10:51,084 GOOD THING WE DON'T LIVE UP THERE. 227 00:10:53,120 --> 00:10:55,456 SALLY, WHAT WOULD YOU SAY IF I TOLD YOU 228 00:10:55,489 --> 00:10:59,227 THAT WHEN MY WIFE ASKED ME WHY I WAS GONNA BE LATE AGAIN TONIGHT, 229 00:10:59,260 --> 00:11:01,295 I DIDN'T LIE? 230 00:11:01,329 --> 00:11:02,896 OH, MY GOD. 231 00:11:02,930 --> 00:11:05,266 YOU TOLD HER YOU WANTED A DIVORCE? 232 00:11:05,299 --> 00:11:08,569 NO, I TOLD HER TO SHUT UP. 233 00:11:08,602 --> 00:11:10,137 UH, OK, YOU KNOW, 234 00:11:10,170 --> 00:11:10,938 [CLEARS THROAT] 235 00:11:10,971 --> 00:11:12,806 I'M STARTING TO FEEL REAL BAD. 236 00:11:12,840 --> 00:11:15,643 I DON'T KNOW HOW MUCH LONGER I CAN DO THIS. 237 00:11:15,676 --> 00:11:16,944 WELL, HANG IN THERE. 238 00:11:16,977 --> 00:11:18,979 I'LL TELL MY WIFE AS SOON AS I'M OUT OF OFFICE. 239 00:11:19,012 --> 00:11:22,416 I CAN'T WAIT TILL YOU STEP DOWN AS MAYOR! 240 00:11:22,450 --> 00:11:23,951 NOT MAYOR... 241 00:11:23,984 --> 00:11:26,654 PRESIDENT. 242 00:11:26,687 --> 00:11:28,322 I'M GOING FOR THE BIG ONE, 243 00:11:28,356 --> 00:11:31,191 AND I WANT YOU RIGHT THERE BESIDE ME... 244 00:11:31,225 --> 00:11:35,363 BEHIND THE SCENES... 245 00:11:35,396 --> 00:11:37,465 OUT OF SIGHT. 246 00:11:37,498 --> 00:11:39,066 THAT IS NOT GOOD ENOUGH FOR ME, DON. 247 00:11:39,099 --> 00:11:41,469 I MEAN, I WANT TO BE INVOLVED IN YOUR LIFE 248 00:11:41,502 --> 00:11:43,671 AND SHARE TENDER MOMENTS. 249 00:11:43,704 --> 00:11:48,175 I WANT TO BE YOUR SECRETARY OF DEFENSE. 250 00:11:48,208 --> 00:11:50,744 WELL, LET'S SLOW DOWN AND RECONSIDER THIS IN THE SHOWER. 251 00:11:50,778 --> 00:11:52,880 YOU KNOW WHAT? FORGET IT. 252 00:11:52,913 --> 00:11:53,781 AH, SALLY. 253 00:11:53,814 --> 00:11:58,051 NO, NO, NO, SERIOUSLY. IT'S OVER. GET OUT. 254 00:12:04,792 --> 00:12:06,694 ONE LAST THING... 255 00:12:06,727 --> 00:12:10,764 CAN I STILL COUNT ON YOUR VOTE? 256 00:12:10,798 --> 00:12:13,267 OF COURSE. WE STILL AGREE ON THE ISSUES. 257 00:12:17,004 --> 00:12:19,172 [KNOCK ON DOOR] 258 00:12:19,206 --> 00:12:21,074 JUST A MINUTE! 259 00:12:28,048 --> 00:12:30,751 COME IN! 260 00:12:30,784 --> 00:12:33,053 HEY, LOOK AT THAT PUTT I JUST MADE. 261 00:12:33,086 --> 00:12:36,490 LOVELY. VERY NICE. YEAH. 262 00:12:36,524 --> 00:12:39,092 MR. SOLOMON, YOUR NEPHEW IS HERE TO SEE YOU. 263 00:12:39,126 --> 00:12:43,364 TOMMY! GOOD TO SEE YOU! YEAH. 264 00:12:43,397 --> 00:12:45,599 GOOD TO SEE YOU, TOO, MAN. 265 00:12:45,633 --> 00:12:47,134 IT'S FUNNY. WE WORK IN THE SAME BUILDING. 266 00:12:47,167 --> 00:12:49,837 I'VE NEVER BEEN UP TO YOUR OFFICE. 267 00:12:49,870 --> 00:12:50,738 IT'S VERY NICE. 268 00:12:50,771 --> 00:12:53,206 YEAH, WELL, LOTS OF ROOM TO PUTT IN. 269 00:12:53,240 --> 00:12:54,742 SO, HEY, CAN I SIT IN YOUR CHAIR? 270 00:12:54,775 --> 00:12:56,076 OH, PLEASE. 271 00:12:56,109 --> 00:12:58,412 I THINK YOU'LL FIND IT STILL WARM. 272 00:12:58,446 --> 00:13:00,247 AHH. 273 00:13:00,280 --> 00:13:01,482 HEY, LOOK AT ME. 274 00:13:01,515 --> 00:13:05,118 I'M HARRY SOLOMON, BIG PRESIDENT OF THE NETWORK. 275 00:13:05,152 --> 00:13:07,688 LOOK AT ME. I'M TOMMY SOLOMON, 276 00:13:07,721 --> 00:13:11,091 AND I'M A BIG STAR ON SATURDAY NIGHT LIV. 277 00:13:11,124 --> 00:13:12,660 I MAKE IMPORTANT DECISIONS 278 00:13:12,693 --> 00:13:16,464 LIKE WHERE TO PUTT IN MY OFFICE. 279 00:13:16,497 --> 00:13:17,898 I GET PAID THE BIG BUCKS 280 00:13:17,931 --> 00:13:22,235 JUST FOR GOING "WHOO, WHOO, WHOO." 281 00:13:22,269 --> 00:13:24,304 WELL, I'VE GOT SOME NEWS FOR YOU, TOMMY SOLOMON. 282 00:13:24,338 --> 00:13:25,573 YOUR EGO HAS GOTTEN TOO BIG. 283 00:13:25,606 --> 00:13:26,974 YOU'RE DEMANDING TOO MUCH MONEY. 284 00:13:27,007 --> 00:13:28,476 YOU'RE FIRED! 285 00:13:28,509 --> 00:13:29,810 I A OUT OF CONTROL, 286 00:13:29,843 --> 00:13:31,345 AND I DO WANT TOO MUCH MONEY. 287 00:13:31,379 --> 00:13:32,079 YOU'RE FIRED! 288 00:13:32,112 --> 00:13:33,747 YOU CAN'T FIRE ME, YOU PEON. 289 00:13:33,781 --> 00:13:36,083 YOU'RE A LOWLY CAST MEMBER ON SNL. 290 00:13:36,116 --> 00:13:38,185 NO, I'M HARRY NOW. 291 00:13:38,218 --> 00:13:40,087 YOU'RE FIRED! 292 00:13:40,120 --> 00:13:41,121 WHAT? YEAH. I MEAN IT. 293 00:13:41,154 --> 00:13:42,990 YOU'RE REALLY FIRED. WHAT FOR? 294 00:13:43,023 --> 00:13:45,393 WELL, FOR THE SAME REASONS THAT YOU JUST FIRED ME. 295 00:13:45,426 --> 00:13:46,627 YOUR EGO'S TOO HUGE, 296 00:13:46,660 --> 00:13:48,261 AND YOU WANT TOO MUCH MONEY. 297 00:13:48,295 --> 00:13:49,663 WELL, I'M NOT TAKING IT ANYMORE. 298 00:13:49,697 --> 00:13:51,499 YOU'RE OFF THE SHOW! 299 00:13:51,532 --> 00:13:53,634 I A THAT SHOW. 300 00:13:53,667 --> 00:13:57,538 WAIT A SECOND. WHO ARE YOU NOW? 301 00:13:57,571 --> 00:13:58,305 I'M ME. 302 00:13:58,338 --> 00:13:59,873 WELL, THEN GET AWAY FROM MY DESK! 303 00:13:59,907 --> 00:14:00,974 YOU'RE CONFUSING ME! 304 00:14:01,008 --> 00:14:02,843 YOU LISTEN TO ME! LORNE MICHAELS IS MY BOSS! 305 00:14:02,876 --> 00:14:03,877 HE CAN FIRE ME! YOU CAN'T! 306 00:14:03,911 --> 00:14:07,381 OH? WELL, I'LL FIRE HIS SAD CANADIAN ASS, TOO! 307 00:14:17,591 --> 00:14:20,293 GOOD MORNING. 308 00:14:20,327 --> 00:14:21,829 GOOD MORNING. 309 00:14:21,862 --> 00:14:24,297 BOY... 310 00:14:24,331 --> 00:14:25,466 THIS IS DIFFERENT. 311 00:14:25,499 --> 00:14:27,668 WELL, WHAT DO YOU MEAN? 312 00:14:27,701 --> 00:14:29,603 BEING HERE WITH ME? 313 00:14:29,637 --> 00:14:30,738 NO. I MEAN, 314 00:14:30,771 --> 00:14:34,007 I CAN ACTUALLY REMEMBER EVERYTHING I DID LAST NIGHT. 315 00:14:36,309 --> 00:14:38,378 SO DO I. I FEEL WONDERFUL. 316 00:14:38,412 --> 00:14:41,314 IN FACT, THERE'S SOMETHING IMPORTANT I HAVE TO ASK YOU. 317 00:14:41,348 --> 00:14:41,982 HMM? 318 00:14:42,015 --> 00:14:44,284 WILL YOU-- 319 00:14:44,317 --> 00:14:46,654 WILL YOU MOVE IN WITH ME? 320 00:14:46,687 --> 00:14:48,388 MOVE INTO THIS BEAUTIFUL LOFT? 321 00:14:48,422 --> 00:14:49,523 YES. 322 00:14:49,557 --> 00:14:51,992 WE CAN HAVE MOVERS BRING OVER ALL OF YOUR THINGS, 323 00:14:52,025 --> 00:14:54,695 OR WE CAN JUST BURN THEM. 324 00:14:54,728 --> 00:14:56,797 OK. WHAT THE HELL? 325 00:14:56,830 --> 00:14:59,299 OH, YES! 326 00:14:59,332 --> 00:15:02,603 YOU SEE, MARY, YOU SEE? HOW DOES IT FEEL NOW? 327 00:15:02,636 --> 00:15:04,938 WHAT? TO KNOW THAT YOU'RE IN LOVE WITH ME? 328 00:15:04,972 --> 00:15:06,239 OH, LOOK. 329 00:15:06,273 --> 00:15:10,478 I LIKE THE GERSHWIN AND THE EAGER-TO-PLEASE LOVEMAKING. 330 00:15:10,511 --> 00:15:12,379 OH, WE WERE SO PASSIONATE. 331 00:15:12,412 --> 00:15:15,182 YOU CALLED OUT MY NAME 3 TIMES. 332 00:15:15,215 --> 00:15:18,752 "LARRY, LARRY, LARRY!" 333 00:15:18,786 --> 00:15:21,955 OK, MAYBE IT'S NOT MY NAME, BUT THE PASSION! 334 00:15:21,989 --> 00:15:23,557 I WAS PRETENDING. 335 00:15:23,591 --> 00:15:25,893 YOU TOLD ME TO PRETEND, SO I PRETENDED. 336 00:15:25,926 --> 00:15:28,328 BUT IT'LL TURN REAL. I KNOW IT WILL. 337 00:15:28,361 --> 00:15:31,465 SORRY, DICK. THAT WILL NEVER HAPPEN. 338 00:15:31,499 --> 00:15:33,501 LOVE, HAH! 339 00:15:33,534 --> 00:15:37,037 MARY ALBRIGHT CAN'T FEEL LOVE ANYMORE. 340 00:15:37,070 --> 00:15:39,172 YOU'RE SO DAMAGED! 341 00:15:39,206 --> 00:15:41,909 THIS LIFE HAS BEEN SO HARD ON YOU. 342 00:15:41,942 --> 00:15:43,844 ISN'T THERE ANYTHING I CAN DO TO MAKE YOU SEE 343 00:15:43,877 --> 00:15:46,113 THAT WE WOULD BE PERFECT TOGETHER? 344 00:15:46,146 --> 00:15:48,415 NO, DICK. 345 00:15:48,448 --> 00:15:53,386 MAYBE IT WOULD'VE WORKED IN SOME OTHER TIME OR SOME OTHER PLACE. 346 00:15:53,420 --> 00:15:55,689 WAIT. 347 00:15:55,723 --> 00:15:57,357 WHAT DID YOU JUST SAY? 348 00:16:00,393 --> 00:16:01,962 NO, DICK. 349 00:16:01,995 --> 00:16:04,397 MAYBE IT WOULD'VE WORKED IN SOME OTHER TIME-- 350 00:16:04,431 --> 00:16:06,534 OR SOME OTHER PLACE! I CAN DO THAT! 351 00:16:06,567 --> 00:16:07,868 HERE. QUICK. 352 00:16:07,901 --> 00:16:09,402 HERE, MARY, TAKE THIS. 353 00:16:09,436 --> 00:16:11,539 COME ON, COME ON WITH ME. 354 00:16:11,572 --> 00:16:13,507 WELL, YOU'RE JUST LIKE ALL THE REST-- 355 00:16:13,541 --> 00:16:14,875 TOSSING ME OUT. 356 00:16:14,908 --> 00:16:16,610 YOU DIDN'T EVEN LET ME GET DRESSED. 357 00:16:16,644 --> 00:16:18,746 NO, NO, I STILL WANT YOU TO LIVE HERE, MARY. 358 00:16:18,779 --> 00:16:20,881 GO BACK TO YOUR PLACE AND GET YOUR THINGS RIGHT NOW. 359 00:16:20,914 --> 00:16:22,550 HERE, HERE'S SOME EXTRA CASH. 360 00:16:22,583 --> 00:16:24,618 YOU CAN GET DRESSED IN THE CAB. 361 00:16:24,652 --> 00:16:26,186 ARE YOU SURE YOU WANT TO DO THIS? 362 00:16:26,219 --> 00:16:27,387 ABSOLUTELY. 363 00:16:27,420 --> 00:16:29,256 THIS IS YOUR HOME NOW. 364 00:16:29,289 --> 00:16:30,858 I HOPE IT'LL MAKE YOU HAPPY. 365 00:16:34,261 --> 00:16:36,496 GOOD-BYE, KIKI. 366 00:16:36,530 --> 00:16:38,198 BYE. 367 00:16:40,400 --> 00:16:42,269 SALLY. 368 00:16:42,302 --> 00:16:44,037 SALLY! WAKE UP! 369 00:16:44,071 --> 00:16:46,740 WHAA? AAH. WHAT? 370 00:16:46,774 --> 00:16:49,743 WE'RE LEAVING. I'M GOING HOME TO MARY. 371 00:16:49,777 --> 00:16:51,344 WAIT A MINUTE, BUT SHE'S HERE-- 372 00:16:51,378 --> 00:16:54,548 NO. THIS MARY IS COLD AND SOULLESS, 373 00:16:54,582 --> 00:16:59,820 AND ONLY WILLING TO DO ONE OR 2 MORE THINGS IN BED THAN THE OTHER ONE. 374 00:16:59,853 --> 00:17:01,989 THE TRADE-OFF JUST ISN'T WORTH IT. 375 00:17:02,022 --> 00:17:03,090 ALL RIGHT, LOOK, 376 00:17:03,123 --> 00:17:06,193 MAYBE YOU ARE WILLING TO GIVE UP ALL THIS NICE STUFF, 377 00:17:06,226 --> 00:17:07,661 BUT I SURE AM NOT. 378 00:17:07,695 --> 00:17:11,799 I MEAN, WHOEVER SAID THAT DIAMONDS ARE A GIRL'S BEST FRIEND 379 00:17:11,832 --> 00:17:15,302 NEVER SAW THOSE BLACK PEARLS AT TIFFANY. 380 00:17:15,335 --> 00:17:16,870 HEY, THAT SOUNDED GREAT. 381 00:17:16,904 --> 00:17:18,639 WHERE'S MY LAPTOP? 382 00:17:18,672 --> 00:17:20,407 FORGET THE LAPTOP! 383 00:17:20,440 --> 00:17:21,775 I WOULD THINK THAT GIVEN WHAT'S HAPPENED, 384 00:17:21,809 --> 00:17:23,911 YOU'D BE DYING TO SEE DON AGAIN. 385 00:17:23,944 --> 00:17:26,446 I DON'T KNOW. I MEAN, AFTER MAYOR DON, 386 00:17:26,479 --> 00:17:29,683 I JUST FEEL LIKE I'D SEEN A SIDE OF HIM I REALLY CAN'T TRUST. 387 00:17:29,717 --> 00:17:32,285 BUT THAT'S NOT THE DON YOU LOVE-- 388 00:17:32,319 --> 00:17:34,154 THE ONE WHO WENT TO COMMUNITY COLLEGE 389 00:17:34,187 --> 00:17:38,291 AND--AND WENT TO NIGHT SCHOOL TO BECOME A COP. 390 00:17:38,325 --> 00:17:40,227 AND WHO WENT TO ANOTHER NIGHT SCHOOL 391 00:17:40,260 --> 00:17:42,930 AFTER THAT ONE DIDN'T WORK OUT. 392 00:17:42,963 --> 00:17:45,065 THE DON WHO WOULDN'T HURT A FLY 393 00:17:45,098 --> 00:17:48,636 AND...THE DON WHO LOVES YOU. 394 00:17:48,669 --> 00:17:51,338 I WISH THAT DON WAS HERE IN THIS APARTMENT. 395 00:17:51,371 --> 00:17:53,641 MMM, NO KIDDING. 396 00:17:53,674 --> 00:17:55,609 I'D ALMOST BE WILLING TO SHACK UP HERE 397 00:17:55,643 --> 00:17:56,977 WITH NEW YORK MARY IF SHE WASN'T 398 00:17:57,010 --> 00:18:00,848 SUCH A BIG BALL OF EMOTIONAL SCAR TISSUE. 399 00:18:00,881 --> 00:18:01,815 WOW. 400 00:18:01,849 --> 00:18:04,752 WE ARE GONNA SACRIFICE MONEY FOR LOVE. 401 00:18:04,785 --> 00:18:05,953 WE'RE SO NOBLE! 402 00:18:05,986 --> 00:18:08,055 I KNOW, I KNOW! 403 00:18:08,088 --> 00:18:09,522 HOW MANY SHOES DO YOU THINK I CAN GET 404 00:18:09,556 --> 00:18:11,224 THROUGH THAT PORTAL, HUH? 405 00:18:11,258 --> 00:18:13,360 WELL, I'M OFF TO WORK. IS MY CAR HERE YET? 406 00:18:13,393 --> 00:18:14,895 HARRY... 407 00:18:14,928 --> 00:18:16,263 WE'RE GOING BACK TO RUTHERFORD. 408 00:18:16,296 --> 00:18:18,098 WELL, HAVE A NICE TRIP. I THINK I LEFT THE IRON ON, 409 00:18:18,131 --> 00:18:20,033 SO YOU MIGHT WANNA CHECK. 410 00:18:20,067 --> 00:18:22,670 NO, NO, NO. HARRY, UM... 411 00:18:22,703 --> 00:18:24,237 YOU'RE COMING WITH US. 412 00:18:24,271 --> 00:18:26,106 I DON'T THINK YOU UNDERSTAND. 413 00:18:26,139 --> 00:18:31,444 I HAVE GOT A NETWORK TO RUN! 414 00:18:31,478 --> 00:18:33,881 LOOK, WE'RE NOT LEAVING YOU HERE ALONE. 415 00:18:33,914 --> 00:18:35,248 I'M NOT ALONE. TOMMY'S HERE. 416 00:18:35,282 --> 00:18:38,485 NO. HE WENT THROUGH THE PORTAL AFTER YOU FIRED HIM. 417 00:18:38,518 --> 00:18:40,788 HARRY, YOU CAN'T BE A NETWORK PRESIDENT 418 00:18:40,821 --> 00:18:45,659 ALONE IN MANHATTAN WITHOUT ADULT SUPERVISION. 419 00:18:45,693 --> 00:18:46,994 STOP IT! YOU'RE TREATING ME 420 00:18:47,027 --> 00:18:48,662 THE WAY YOU ALWAYS TREAT ME. 421 00:18:48,696 --> 00:18:50,063 WELL, WE'RE IN NEW YORK NOW, 422 00:18:50,097 --> 00:18:51,932 AND I'M RESPECTED HERE. 423 00:18:51,965 --> 00:18:55,302 YOU GET HIS ARMS, I'LL GET HIS LEGS. 424 00:18:55,335 --> 00:18:57,137 DUBCEK! I'VE GOT A SITUATION HERE. 425 00:18:57,170 --> 00:19:00,040 SEND SECURITY TO THE LOFT! 426 00:19:00,073 --> 00:19:02,175 [GRUNTS] W-WHAT? 427 00:19:02,209 --> 00:19:05,212 WELL, THAT'S A SHOCKER. 428 00:19:05,245 --> 00:19:07,781 MM-HMM. I SEE. 429 00:19:07,815 --> 00:19:10,017 YEAH. WELL, GOOD LUCK. 430 00:19:11,484 --> 00:19:12,585 I DON'T BELIEVE IT! 431 00:19:12,619 --> 00:19:16,256 WHAT? I'VE BEEN REPLACED BY DUBCEK! 432 00:19:16,289 --> 00:19:18,358 I'M SO SORRY, HARRY. OH, NO. 433 00:19:18,391 --> 00:19:19,727 THEY SAID THAT SHE WAS REALLY IN TOUCH 434 00:19:19,760 --> 00:19:23,063 WITH WHAT MEN BETWEEN 18 AND 49 REALLY WANT. 435 00:19:24,932 --> 00:19:26,399 THERE, YOU SEE? 436 00:19:26,433 --> 00:19:28,802 LAST ONE IN THE SHOWER'S A DIRTY DOG! 437 00:19:30,838 --> 00:19:32,706 OH, UH, SHOES! 438 00:19:36,576 --> 00:19:40,013 [WHOOSH] 439 00:19:40,047 --> 00:19:41,214 Sally: OH. 440 00:19:41,248 --> 00:19:42,282 AH, THAT WAS GREAT. 441 00:19:42,315 --> 00:19:46,153 OHH! HOME AT LAST! 442 00:19:46,186 --> 00:19:50,023 AWW, THE DAMN SHOES DON'T TRANSFER. 443 00:19:55,662 --> 00:19:57,264 AH, GOOD OLD RUTHERFORD. 444 00:19:57,297 --> 00:19:58,498 WHAT AN INSPIRING VIEW. 445 00:19:58,531 --> 00:20:00,768 YEAH, THE TAILLIGHTS ON THE CARS 446 00:20:00,801 --> 00:20:05,272 AND THE FLAME BURNING OVER AT THE REFINERY. 447 00:20:05,305 --> 00:20:07,207 YOU CAN EVEN SEE THE FAST FOOD SIGNS 448 00:20:07,240 --> 00:20:09,676 OUT AT THE INTERSTATE OFF-RAMP. 449 00:20:09,709 --> 00:20:11,845 SIMPLY BREATHTAKING. 450 00:20:11,879 --> 00:20:14,882 I FIND IT DUMPY AND DEPRESSING. 451 00:20:14,915 --> 00:20:17,818 YEAH, WELL, NOT THE PANCAKE HOUSE. 452 00:20:19,352 --> 00:20:20,821 YOU KNOW, ALBRIGHT, YOU WANT TO SEE DEPRESSING, 453 00:20:20,854 --> 00:20:22,089 YOU SHOULD SEE ALL THE GARBAGE 454 00:20:22,122 --> 00:20:25,525 THEY HAVE STACKED UP ALONG CENTRAL PARK WEST. 455 00:20:25,558 --> 00:20:26,960 WERE YOU IN NEW YORK RECENTLY? 456 00:20:26,994 --> 00:20:27,660 UH, NO, NO. 457 00:20:27,694 --> 00:20:29,596 SALLY WAS, UH, JUST, UH, 458 00:20:29,629 --> 00:20:34,201 LOOKING AT A TRAVEL BROCHURE. 459 00:20:34,234 --> 00:20:37,670 WAS I A MAN WHO DREAMED HE WAS A NETWORK EXECUTIVE, 460 00:20:37,704 --> 00:20:41,208 OR A NETWORK EXECUTIVE WHO DREAMED HE WAS A MAN? 461 00:20:43,176 --> 00:20:48,782 HUMAN BEINGS-- THAT IS, WE HUMAN BEINGS, ARE SO STRANGE. 462 00:20:48,816 --> 00:20:52,152 [SIGHS] WE BLINDLY GO ABOUT OUR DAILY ACTIVITIES 463 00:20:52,185 --> 00:20:54,087 UNAWARE THAT IF WE ONLY MADE A FEW 464 00:20:54,121 --> 00:20:55,823 SLIGHTLY DIFFERENT CHOICES, 465 00:20:55,856 --> 00:20:58,091 WE'D TURN OUT TO BE COMPLETELY DIFFERENT PEOPLE. 466 00:20:58,125 --> 00:21:02,429 YEAH, DIFFERENT LYING, CHEATING, WEASLY, 467 00:21:02,462 --> 00:21:04,197 HORRIBLE PEOPLE! 468 00:21:06,599 --> 00:21:07,534 DID I DO SOMETHING? 469 00:21:07,567 --> 00:21:08,335 OH, NO, BABE. 470 00:21:08,368 --> 00:21:10,303 YOU'RE PERFECT JUST THE WAY YOU ARE. 471 00:21:10,337 --> 00:21:11,939 AND SO ARE YOU, MARY. 472 00:21:11,972 --> 00:21:14,875 WELL, I'M GONNA GO WATCH TV. 473 00:21:14,908 --> 00:21:17,044 MY SHOWS ARE ON. 32645

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