Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:07,341 --> 00:00:09,611
NINA, I STILL
DON'T GET IT.
2
00:00:09,644 --> 00:00:11,512
WHICH ONE IS BABY SPICE?
3
00:00:11,546 --> 00:00:14,382
OH, SHE'S THE ONE
THAT GOES LIKE THIS.
4
00:00:17,085 --> 00:00:18,286
MARY!
5
00:00:18,319 --> 00:00:19,253
DADDY!
6
00:00:19,287 --> 00:00:20,088
HEY, MAGPIE.
7
00:00:20,121 --> 00:00:22,824
HA HA HA! OH...
OH.
8
00:00:22,857 --> 00:00:24,258
WHAT A NICE SURPRISE!
9
00:00:24,292 --> 00:00:27,962
WELL, NOT REALLY.
I'VE LEFT YOUR MOTHER.
10
00:00:27,996 --> 00:00:28,663
AGAIN?
11
00:00:28,697 --> 00:00:29,898
OH, I'M SO SORRY.
12
00:00:29,931 --> 00:00:31,532
LET ME GIVE YOU TWO
SOME TIME ALONE.
13
00:00:31,566 --> 00:00:33,034
OH, THAT'S NOT NECESSARY.
14
00:00:33,067 --> 00:00:35,536
THEY DO THIS EVERY YEAR.
15
00:00:35,570 --> 00:00:39,708
I KNOW. I JUST CAN'T
BEAR TO HEAR IT AGAIN.
BUH-BYE.
16
00:00:39,741 --> 00:00:41,943
SO HOW LONG
IS THIS FIGHT
GOING TO LAST?
17
00:00:41,976 --> 00:00:44,045
OH, THIS
WAS A BAD ONE, MARY.
18
00:00:44,078 --> 00:00:45,814
I BROKE HER
SOUND OF MUSIC BOX.
19
00:00:45,847 --> 00:00:46,681
OH, NO!
20
00:00:46,715 --> 00:00:47,849
YEP.
21
00:00:47,882 --> 00:00:50,284
YOUR MOTHER AND I ARE THROUGH!
22
00:00:50,318 --> 00:00:52,721
45 YEARS DOWN THE TOILET.
23
00:00:52,754 --> 00:00:54,756
YOU STILL GOT THAT HIDE-A-BED
IN THE LIVING ROOM?
24
00:00:54,789 --> 00:00:55,523
YES.
25
00:00:55,556 --> 00:00:58,927
AND YOU DON'T MIND
SLEEPING ON IT?
26
00:00:58,960 --> 00:01:01,195
NOT REALLY. NO.
27
00:01:01,229 --> 00:01:01,930
GOOD MORNING, MARY.
28
00:01:01,963 --> 00:01:02,964
OH, GOOD MORNING,
DICK.
29
00:01:02,997 --> 00:01:03,832
GOOD MORNING, DICK.
30
00:01:03,865 --> 00:01:04,666
GOOD MORNING, GEORGE.
31
00:01:04,699 --> 00:01:05,967
AAH!
32
00:01:06,000 --> 00:01:07,401
WHAT?
33
00:01:07,435 --> 00:01:09,503
IF HE'S HERE, THAT MEANS
THE OTHER ONE'S HERE, TOO,
34
00:01:09,537 --> 00:01:13,074
AND--AND SHE SCARES ME.
35
00:01:13,107 --> 00:01:15,710
NO, DICK.
DADDY'S HERE ALONE.
36
00:01:15,744 --> 00:01:17,011
[WHISPERING]
He left Mother.
37
00:01:17,045 --> 00:01:18,112
OH...
38
00:01:18,146 --> 00:01:19,614
FINALLY.
39
00:01:55,416 --> 00:01:57,051
[DOORBELL RINGS]
40
00:01:57,085 --> 00:01:58,920
I'LL GET IT!
41
00:02:01,089 --> 00:02:02,156
HELLO, SOLOMONS.
42
00:02:02,190 --> 00:02:03,224
HELLO, GEORGE!
43
00:02:03,257 --> 00:02:05,059
UH, THIS
IS MY BROTHER HARRY.
44
00:02:05,093 --> 00:02:07,228
CHARMED, I'M SURE.
45
00:02:07,261 --> 00:02:09,063
AND THIS
IS MY SON TOMMY.
46
00:02:09,097 --> 00:02:11,099
HEY, THERE, SPORT!
47
00:02:11,132 --> 00:02:13,234
HEY!
CUT IT OUT!
48
00:02:13,267 --> 00:02:14,869
HE STARTED IT!
49
00:02:14,903 --> 00:02:16,805
IT'S ALL RIGHT.
50
00:02:16,838 --> 00:02:19,173
I LEFT MYSELF WIDE OPEN.
51
00:02:19,207 --> 00:02:20,008
COME ON IN.
52
00:02:20,041 --> 00:02:20,975
ALL RIGHT, THEN.
53
00:02:21,009 --> 00:02:22,276
I'M SORRY.
HI. I'M SALLY.
54
00:02:22,310 --> 00:02:23,845
HI. LET ME TAKE
YOUR COAT, YOUNG LADY.
55
00:02:23,878 --> 00:02:26,280
OH, THANK YOU.
56
00:02:26,314 --> 00:02:27,782
YOU KNOW...
57
00:02:27,816 --> 00:02:31,886
YOU REMIND ME OF A GAL
NAMED BETTY GRABLE,
58
00:02:31,920 --> 00:02:34,288
BUT I BET SHE
WAS BEFORE YOUR TIME.
59
00:02:34,322 --> 00:02:37,926
YEAH, I'VE ONLY BEEN HERE
A COUPLE YEARS.
60
00:02:37,959 --> 00:02:39,794
SIT DOWN AND LET ME
FIX YOU A DRINK.
61
00:02:39,828 --> 00:02:40,962
GREAT. I'LL HAVE A BEER.
62
00:02:40,995 --> 00:02:42,530
A BEER?
63
00:02:42,563 --> 00:02:44,498
A BEER'S NO DRINK
FOR A LADY.
64
00:02:44,532 --> 00:02:47,135
LET ME MAKE YOU
A LADY'S DRINK.
65
00:02:47,802 --> 00:02:49,303
YEAH.
66
00:02:50,739 --> 00:02:52,774
A LADY'S DRINK.
67
00:02:59,347 --> 00:03:00,614
I LIKE THIS SCOTCH.
68
00:03:00,648 --> 00:03:03,718
YEAH. SO DOES
EVERYBODY ELSE.
69
00:03:03,752 --> 00:03:06,020
SO TELL ME ABOUT NORMANDY
AGAIN, GEORGE.
70
00:03:06,054 --> 00:03:09,323
OH, YOU JUST
CAN'T HEAR ENOUGH ABOUT
THE BIG ONE, CAN YA?
71
00:03:09,357 --> 00:03:11,492
NO.
72
00:03:11,525 --> 00:03:13,661
I LO WAR.
73
00:03:13,694 --> 00:03:17,866
OH, I MEAN, I HATE WAR,
BUT I LOVE HEARING
ABOUT THE KILLING.
74
00:03:17,899 --> 00:03:22,236
YOU KNOW,
I ONCE KILLED A NAZI
WITH MY BARE HANDS.
75
00:03:22,270 --> 00:03:24,638
OH, PLEASE!
76
00:03:25,606 --> 00:03:26,875
SO, HOW DID IT HAPPEN?
77
00:03:26,908 --> 00:03:29,643
WELL, I WAS ASLEEP IN
THIS BURNED-OUT CHURCH
78
00:03:29,677 --> 00:03:31,212
IN THE FRENCH
COUNTRYSIDE.
79
00:03:31,245 --> 00:03:32,580
AND HE TRIPPED,
AND YOU CHOKED HIM,
80
00:03:32,613 --> 00:03:33,748
AND I THINK
IT'S GETTING LATE.
81
00:03:33,782 --> 00:03:35,049
DICK!
82
00:03:35,083 --> 00:03:35,950
HUH?
83
00:03:35,984 --> 00:03:37,285
OH!
84
00:03:37,318 --> 00:03:38,853
OH, MARY!
85
00:03:38,887 --> 00:03:40,554
OH, THANK GOD
YOU'RE HERE!
86
00:03:40,588 --> 00:03:42,390
I HAD A TERRIBLE DREAM.
87
00:03:42,423 --> 00:03:44,658
YOUR FATHER WAS THERE...
88
00:03:44,692 --> 00:03:46,060
AND--
89
00:03:46,094 --> 00:03:48,496
AND HE WAS TELLING ALL
THESE BORING WAR STORIES.
90
00:03:48,529 --> 00:03:52,033
I COULDN'T KEEP
MY EYES OPEN!
91
00:03:56,637 --> 00:03:57,839
HELLO, GEORGE.
92
00:03:57,872 --> 00:03:59,340
CHOP-CHOP, EVERYONE!
TIME TO GO!
93
00:03:59,373 --> 00:04:04,545
OH, COOL,
I'M STILL KINDA DRUNK.
94
00:04:04,578 --> 00:04:07,916
HEY, THERE'S
NO HAIR ON MY CHEST.
95
00:04:07,949 --> 00:04:08,950
THANK YOU, MARY.
96
00:04:08,983 --> 00:04:10,518
GEORGE, IT WAS
A WONDERFUL EVENING,
97
00:04:10,551 --> 00:04:12,520
BUT I'M AFRAID WE'VE
GOT TO BE OFF. SALLY!
98
00:04:12,553 --> 00:04:14,055
REALLY? SO SOON?
99
00:04:14,088 --> 00:04:17,558
I DIDN'T EVEN GET
A CHANCE TO TELL SALLY
ABOUT MY DISCHARGE.
100
00:04:17,591 --> 00:04:20,829
THAT'S NOT
APPROPRIATE, DAD!
101
00:04:22,563 --> 00:04:25,033
FROM THE AIR FORCE!
102
00:04:25,066 --> 00:04:26,667
OH.
103
00:04:26,700 --> 00:04:28,102
WELL, HEY...
104
00:04:28,136 --> 00:04:32,073
WHY DON'T YOU TAKE SALLY
TO THE RUTHERFORD AIR
AND SPACE MUSEUM TOMORROW.
105
00:04:32,106 --> 00:04:33,507
YOU CAN TELL HER
ALL ABOUT IT.
106
00:04:33,541 --> 00:04:37,211
HEY, BUT I THOUGHT WE
WERE GONNA HAVE LUNCH
TOMORROW, MAGPIE.
107
00:04:37,245 --> 00:04:38,579
OH, THAT'S OK.
108
00:04:38,612 --> 00:04:40,281
WELL, I'D LOVE TO GO.
109
00:04:40,314 --> 00:04:43,451
THEY'VE GOT
A PERFECTLY RECONSTRUCTED
P-38 LIGHTNING.
110
00:04:43,484 --> 00:04:47,021
COULD WE GET IT
AND PRETEND
WE'RE BOMBING CITIES?
111
00:04:47,055 --> 00:04:48,622
I'LL SLIP THE GUARD
A FIVER.
112
00:04:48,656 --> 00:04:50,959
OH, YOU ARE AWESOME!
113
00:05:03,337 --> 00:05:05,739
HEY, TOMMY,
DO YOU LIKE EGG SALAD?
114
00:05:05,773 --> 00:05:07,441
'CAUSE I LIKE EGG SALAD.
115
00:05:07,475 --> 00:05:10,011
HARRY,
IF YOU EAT DICK'S LUNCH
BEFORE WE FIND HIM,
116
00:05:10,044 --> 00:05:12,180
THEN WE HAVE NO REASON
TO FIND DICK.
117
00:05:12,213 --> 00:05:14,048
THAT'S A LOAD OFF.
118
00:05:15,783 --> 00:05:17,318
OOH, LOOK!
119
00:05:17,351 --> 00:05:19,520
AN EXHIBIT ON
THE EARLY DAYS
OF RADIO.
120
00:05:19,553 --> 00:05:23,024
NO. THIS IS JUST
THE COLLEGE'S CRUDDY
OLD RADIO STATION.
121
00:05:23,057 --> 00:05:26,627
NO. I'M PRETTY SURE
THAT GUY'S ANIMATRONIC.
122
00:05:31,065 --> 00:05:32,333
HEY, EDDIE.
123
00:05:32,366 --> 00:05:33,234
ARE YOU THE D.J.?
124
00:05:33,267 --> 00:05:35,669
HUH? NO. HE LEFT
FOR SPRING BREAK.
125
00:05:35,703 --> 00:05:37,571
WHAT? YOU MEAN
THERE IS NO D.J.?
126
00:05:37,605 --> 00:05:39,740
WELL, ISN'T THAT KIND
OF CHEATING PEOPLE?
127
00:05:39,773 --> 00:05:41,575
THIS IS, LIKE, 8 WATTS, MAN.
128
00:05:41,609 --> 00:05:44,946
I MEAN, HOW MANY PEOPLE
IS THAT, LIKE...
129
00:05:44,979 --> 00:05:46,915
8?
130
00:05:46,948 --> 00:05:48,282
OH! EDDIE!
131
00:05:48,316 --> 00:05:49,650
CAN I BE YOUR D.J.?
132
00:05:49,683 --> 00:05:51,752
UH, I DON'T KNOW.
133
00:05:51,785 --> 00:05:53,721
DO YOU HAVE ANY EXPERIENCE?
134
00:05:53,754 --> 00:05:56,490
WHY, YES, I DO!
135
00:05:56,524 --> 00:06:01,562
YES. I WAS IN CHARGE
OF THE MORNING DRIVE TIME
ZOO CREW TEAM
136
00:06:01,595 --> 00:06:05,299
AT WLMNOP.
137
00:06:05,333 --> 00:06:06,968
I CAN WORK THE KNOBS
PERFECT.
138
00:06:07,001 --> 00:06:08,736
OH, KNOCK YOURSELVES OUT.
139
00:06:08,769 --> 00:06:10,571
ALL RIGHT!
OOH!
140
00:06:10,604 --> 00:06:12,406
OH, UH, JUST...
141
00:06:12,440 --> 00:06:13,774
DON'T CURSE...
142
00:06:13,807 --> 00:06:15,609
AND DON'T SPILL NOTHIN',
143
00:06:15,643 --> 00:06:17,778
AND IF YA SPILL SOMETHIN',
144
00:06:17,811 --> 00:06:20,048
DON'T CURSE.
145
00:06:25,753 --> 00:06:26,921
OH, WAIT--
WAIT A SECOND.
146
00:06:26,955 --> 00:06:27,455
WHOA! WHOA!
147
00:06:27,488 --> 00:06:28,222
WHAT DO I SAY?
148
00:06:28,256 --> 00:06:31,859
IN 4...3...2...
149
00:06:31,892 --> 00:06:34,062
GOOD MORNING,
RUTHERFORD.
150
00:06:34,095 --> 00:06:35,696
I'M HARRY SOLOMON.
151
00:06:35,729 --> 00:06:39,467
IT'S 10:52 IN THE A.M.
HERE AT WPDL.
152
00:06:39,500 --> 00:06:40,501
IT'S A SUNNY DAY,
153
00:06:40,534 --> 00:06:44,838
AND I'VE GOT A SUNNY WAY
TO PLAY.
154
00:06:44,872 --> 00:06:45,906
HERE'S ONE
OF MY FAVORITES,
155
00:06:45,940 --> 00:06:48,776
AND I HOPE
IT'S ONE OF YOURS.
156
00:06:48,809 --> 00:06:51,812
SEE IF YOU
RECOGNIZE THIS ONE.
157
00:06:56,350 --> 00:06:57,051
PUT THE TAPE IN.
158
00:06:57,085 --> 00:07:01,022
I DON'T KNOW HOW.
159
00:07:01,055 --> 00:07:05,393
WELCOME TO TALK RADIO,
PEOPLE.
160
00:07:05,726 --> 00:07:07,895
VROOOOM!
161
00:07:07,928 --> 00:07:09,830
RAT-A-TAT-TAT-
TAT-TAT-TAT!
162
00:07:09,863 --> 00:07:12,700
OH, HOW WAS THE AIR
AND SPACE MUSEUM?
163
00:07:12,733 --> 00:07:14,202
IT WAS TERRIFIC!
164
00:07:14,235 --> 00:07:15,536
I HAD THE BEST TIME!
165
00:07:15,569 --> 00:07:16,737
OOH!
166
00:07:16,770 --> 00:07:18,872
SO, YOU SURE
YOU DON'T MIND ME
TAKING THE LINCOLN?
167
00:07:18,906 --> 00:07:19,907
NOT AT ALL.
168
00:07:19,940 --> 00:07:21,642
YOU RUN YOUR ERRANDS
IN STYLE.
169
00:07:21,675 --> 00:07:22,543
THANKS.
170
00:07:22,576 --> 00:07:23,911
I'M GONNA PICK UP
THAT ELLA FITZGERALD CD.
171
00:07:23,944 --> 00:07:24,945
OH, YOU'RE
GONNA LOVE IT!
172
00:07:24,979 --> 00:07:29,450
OH, I KNOW I WILL
'CAUSE YOU KNOW
WHAT I LIKE.
173
00:07:29,483 --> 00:07:32,120
OH, ISN'T SHE SWEET?
174
00:07:32,153 --> 00:07:34,055
YOU KNOW, MUFFIN,
IF I DIDN'T KNOW BETTER,
175
00:07:34,088 --> 00:07:37,591
I'D SAY THAT LITTLE GAL
REALLY LIKES ME.
176
00:07:37,625 --> 00:07:41,862
WELL, OF COURSE SHE DOES.
YOU'RE WONDERFUL.
177
00:07:41,895 --> 00:07:45,733
NO. I MEAN
SHE REALLY LIKES ME.
178
00:07:45,766 --> 00:07:47,601
OH, PLEASE.
179
00:07:47,635 --> 00:07:49,603
SHE DIDN'T WANT TO
LEAVE THE AIR MUSEUM.
180
00:07:49,637 --> 00:07:56,577
WELL, OBVIOUSLY, SHE
HAS SOME PERVERSE INTEREST
IN OLD WAR RELICS.
181
00:07:56,610 --> 00:07:59,613
IN MY OPINION,
IF DOGS WERE MEANT
TO BE ON LEASHES,
182
00:07:59,647 --> 00:08:03,317
THEY WOULD HAVE BEEN
BORN WITH THEM.
183
00:08:03,351 --> 00:08:05,586
AND DON'T GIVE ME
THAT TIRED, OLD ARGUMENT
184
00:08:05,619 --> 00:08:09,623
THAT THEIR TAILS
ARE LEASHES.
185
00:08:09,657 --> 00:08:11,725
OK, LET'S CHECK IN
WITH THE TRAFFIC
186
00:08:11,759 --> 00:08:14,095
WITH OUR GOOD BUDDY
TOMMY G!
187
00:08:14,128 --> 00:08:15,229
THANK YOU VERY MUCH.
188
00:08:15,263 --> 00:08:19,100
WELL, UH...THERE'S
A TRUCK OUT THERE,
AND NOW IT'S GONE.
189
00:08:19,133 --> 00:08:20,868
BACK TO YOU, HARRY!
190
00:08:21,769 --> 00:08:24,405
LET'S BE CAREFUL
OUT THERE,
PEOPLE!
191
00:08:24,438 --> 00:08:27,007
OOH, HEY, WE
GOT AN IN-STUDIO
GUEST:
192
00:08:27,041 --> 00:08:28,276
MISS
NINA CAMPBELL!
193
00:08:28,309 --> 00:08:30,711
HEY, YOU GUYS,
I TURNED ON THE RADIO,
AND I COULDN'T BELIEVE IT!
194
00:08:30,744 --> 00:08:32,080
THIS IS SO GREAT!
195
00:08:32,113 --> 00:08:35,049
YEAH. I WANNA SEND SOME
SHOUTS OUT TO STEVEN
AND BOBBY AND CLARISSE--
196
00:08:35,083 --> 00:08:37,185
OOH! AND REGGIE AND SHY GIRL
AND LITTLE B AND--
197
00:08:37,218 --> 00:08:39,787
NO. THIS IS MY SHOW.
198
00:08:39,820 --> 00:08:42,856
OOH, WE'VE
GOT A CALLER
ON LINE 1.
199
00:08:42,890 --> 00:08:44,125
GO AHEAD, CALLER.
200
00:08:44,158 --> 00:08:47,961
YEAH. I TOTALLY DISAGREE
WITH YOU ON THAT WHOLE
LEASH LAW THING.
201
00:08:47,995 --> 00:08:49,730
OH...
202
00:08:52,800 --> 00:08:55,269
WELL, THAT'S TOO BAD...
203
00:08:56,404 --> 00:08:59,173
BECAUSE YOU,
MY FRIEND, ARE WRONG.
204
00:08:59,207 --> 00:09:00,574
YOU TELL HIM, HARRY!
205
00:09:00,608 --> 00:09:01,809
YEAH! NEXT SOUND
YOU HEAR
206
00:09:01,842 --> 00:09:05,813
WILL BE THE SOUND
OF ME HANGIN' UP
ON A DUMB ASS.
207
00:09:09,817 --> 00:09:13,754
OK, SO FAR YOU'VE
ATTACKED LEASH LAWS,
CITY COUNCIL,
208
00:09:13,787 --> 00:09:16,524
AND SOME OLD LADY.
209
00:09:16,557 --> 00:09:18,826
YEAH, BUT I'M RUNNIN' OUT
OF STUFF TO SAY.
210
00:09:18,859 --> 00:09:20,094
I MEAN, WE NEED A GUEST.
211
00:09:20,128 --> 00:09:22,096
OH, YOU KNOW
WHO YOU SHOULD HAVE ON?
212
00:09:22,130 --> 00:09:23,164
GEORGE ALBRIGHT.
213
00:09:23,197 --> 00:09:25,799
HE KILLED A NAZI
WITH HIS BARE HANDS.
214
00:09:25,833 --> 00:09:27,368
THAT'S COOL.
215
00:09:27,401 --> 00:09:30,037
WELL, YOU CERTAINLY
ARE SPENDING A LOT
OF TIME WITH THAT MAN.
216
00:09:30,070 --> 00:09:32,106
WELL, WHY NOT? HE'S GREAT.
217
00:09:32,140 --> 00:09:33,941
HE'S NOT LIKE ANY GUY
I'VE EVER MET.
218
00:09:33,974 --> 00:09:35,309
HE'S SO CONFIDENT.
219
00:09:35,343 --> 00:09:38,546
I MEAN, LOOK AT ALL
THE PLAID HE WEARS.
220
00:09:38,579 --> 00:09:40,814
WELL, I WILL ADMIT
HE IS JAZZY.
221
00:09:40,848 --> 00:09:43,284
OH, YEAH. HE'S GOT STYLE,
222
00:09:43,317 --> 00:09:45,819
PLUS HE SMELLS LIKE SPICES.
223
00:09:45,853 --> 00:09:49,123
OLD SPICES.
224
00:09:49,157 --> 00:09:51,925
DICK, I FINALLY UNDERSTAND
YOUR ALBRIGHT ATTRACTION.
225
00:09:51,959 --> 00:09:54,795
IT MUST BE THEIR DNA.
THEY'RE IRRESISTIBLE.
226
00:09:54,828 --> 00:09:56,797
YES! AT LAST
I'M UNDERSTOOD!
227
00:09:56,830 --> 00:09:58,499
THERE'S SOMETHING
ABOUT THEM, A CHARM...
228
00:09:58,532 --> 00:09:59,267
A MAGNETISM...
229
00:09:59,300 --> 00:10:00,067
A STRENGTH...
230
00:10:00,100 --> 00:10:00,934
A QUIET FORCE--
231
00:10:00,968 --> 00:10:04,037
THEY'RE
BOTH A PAIN
IN THE ASS.
232
00:10:04,071 --> 00:10:05,606
I DON'T KNOW, YOU GUYS.
233
00:10:05,639 --> 00:10:06,607
DO YOU REALLY THINK
A GUY LIKE GEORGE
234
00:10:06,640 --> 00:10:09,177
WOULD BE INTERESTED
IN A GAL LIKE ME?
235
00:10:09,210 --> 00:10:14,515
SALLY, WHY WOULD A GUY
IN HIS 70s WANT TO BE
WITH A WOMAN IN HER 20s?
236
00:10:14,548 --> 00:10:16,450
OH!
237
00:10:19,387 --> 00:10:23,991
[KNOCK ON DOOR]
238
00:10:24,024 --> 00:10:26,160
OH, HEY, ALBRIGHT,
IS GEORGE HERE?
239
00:10:26,194 --> 00:10:27,461
OH, ACTUALLY,
HE JUST WENT OUT.
240
00:10:27,495 --> 00:10:28,796
WITH WHO?
241
00:10:28,829 --> 00:10:29,797
TO GET A PAPER.
242
00:10:29,830 --> 00:10:30,798
OH.
243
00:10:30,831 --> 00:10:31,499
COME IN.
244
00:10:31,532 --> 00:10:34,034
COME IN.
THANKS.
245
00:10:35,803 --> 00:10:37,505
YOU KNOW, SALLY,
246
00:10:37,538 --> 00:10:39,373
MOTHER AND DAD
DO THIS EVERY YEAR,
247
00:10:39,407 --> 00:10:41,209
AND I DO NOT
LOOK FORWARD TO IT,
248
00:10:41,242 --> 00:10:42,843
SO THANK YOU
FOR HELPING ME OUT.
249
00:10:42,876 --> 00:10:45,846
DAD APPRECIATES IT.
HE REALLY DOES.
250
00:10:45,879 --> 00:10:47,681
HE DOES? HE SAID THAT?
251
00:10:47,715 --> 00:10:49,817
TELL ME EXACTLY
WHAT HE SAID, RIGHT NOW.
252
00:10:49,850 --> 00:10:51,752
OH! HE'S HAVING A BALL,
253
00:10:51,785 --> 00:10:54,522
AND I KNOW IT'S NOT EASY
ENTERTAINING DAD
ALL DAY.
254
00:10:54,555 --> 00:10:56,290
NO, NO. I LIKE IT.
255
00:10:56,324 --> 00:11:00,994
YOU'RE SO LUCKY.
YOUR DAD IS AMAZING.
256
00:11:01,028 --> 00:11:05,098
SOMETIMES HE GETS
A LITTLE CARRIED AWAY,
AND HE GETS THESE IDEAS.
257
00:11:05,132 --> 00:11:08,001
ALL I'M ASKING
IS THAT YOU BE GENTLE
WITH HIM, OK?
258
00:11:08,035 --> 00:11:10,804
OK. NO MORE WRESTLING.
259
00:11:12,540 --> 00:11:14,908
NO. I'M SERIOUS.
I WON'T DO IT AGAIN.
260
00:11:16,610 --> 00:11:20,180
OH, DON. THANKS
FOR COMING DOWN.
261
00:11:20,214 --> 00:11:21,982
WE KNOW HOW BUSY
YOU ARE.
262
00:11:22,015 --> 00:11:23,684
WE APPRECIATE
YOUR TIME.
263
00:11:23,717 --> 00:11:25,118
OH.
264
00:11:25,152 --> 00:11:26,287
IT'S MY PLEASURE.
265
00:11:26,320 --> 00:11:28,356
IN FACT, I THINK
I GOT AN INTERESTING STORY
FOR YOU GUYS.
266
00:11:28,389 --> 00:11:30,558
IN 4...3...2...
267
00:11:30,591 --> 00:11:32,860
AND WE'RE BACK!
268
00:11:32,893 --> 00:11:36,029
WELL, LOOK WHO
DROPPED BY
TO SAY HELLO.
269
00:11:36,063 --> 00:11:38,232
OFFICER DON ORVEL.
270
00:11:38,266 --> 00:11:42,736
OR AS HE'S KNOWN
ON THE STREETS,
MADGE WITH A BADGE.
271
00:11:44,738 --> 00:11:46,340
I'VE GOT THIS STORY
FOR YOU GUYS.
272
00:11:46,374 --> 00:11:50,411
YEAH, SO TELL ME,
OFFICER BACON BITS...
273
00:11:51,612 --> 00:11:53,781
WHEN YOU'RE
WORKING OVER A SUSPECT,
274
00:11:53,814 --> 00:11:55,783
DOES THAT MAKE YOU
FEEL LIKE A BIG MAN?
275
00:11:55,816 --> 00:12:00,388
[MAN SCREAMS ON TAPE]
276
00:12:00,421 --> 00:12:02,856
WELL, HARRY, I TRY NOT
TO ABUSE MY BADGE,
277
00:12:02,890 --> 00:12:04,825
WHICH BRINGS ME
TO MY STORY.
IT'S ABOUT--
278
00:12:04,858 --> 00:12:07,227
BORING!
279
00:12:07,261 --> 00:12:09,763
[MAN SNORES ON TAPE]
280
00:12:10,631 --> 00:12:12,466
SO, DON, TELL ME,
WHAT DO YOU THINK
281
00:12:12,500 --> 00:12:15,469
ABOUT OLD DUDES
DATING YOUNG,
HOT BABES?
282
00:12:15,503 --> 00:12:18,071
IS IT SMART
OR SKANKY.
283
00:12:19,807 --> 00:12:22,109
I DON'T KNOW. I GUESS
I'M DOWN WITH THAT.
284
00:12:22,142 --> 00:12:24,111
MM, YOU'RE DOWN
WITH THAT?
285
00:12:24,144 --> 00:12:27,348
YEAH. I AM.
I'M DOWN WITH THAT.
286
00:12:27,381 --> 00:12:30,684
YEAH! HE'S DOWN
WITH THAT.
287
00:12:30,718 --> 00:12:32,553
WELL, WOULD YOU
STILL BE DOWN WITH IT
288
00:12:32,586 --> 00:12:37,291
IF THE YOUNG, HOT BABE
WAS, OH, SAY, SALLY...
289
00:12:37,325 --> 00:12:40,928
AND THE OLD DUDE
WAS ALBRIGHT'S DAD?
290
00:12:41,995 --> 00:12:44,432
THAT I'M NOT DOWN WITH.
291
00:12:44,465 --> 00:12:49,002
SO, SALLY LIKES MR. ALBRIGHT.
HA, THAT'S MESSED UP.
292
00:12:49,036 --> 00:12:51,238
OH, WE'VE GOT A
CALLER ON LINE ONE.
293
00:12:51,271 --> 00:12:53,173
YOU'RE ON THE AIR
WITH HARRY SOLOMON.
294
00:12:53,206 --> 00:12:55,743
Sally: YEAH,
THIS IS, UM, THELMA...
295
00:12:55,776 --> 00:12:58,245
FROM OHIO.
296
00:12:58,278 --> 00:13:00,047
IT'S NONE OF YOUR
BUSINESS WHAT I DO,
297
00:13:00,080 --> 00:13:02,049
AND IF YOU IDIOTS
KEEP TALKING ABOUT ME,
298
00:13:02,082 --> 00:13:06,019
I'M GONNA BEAT YOUR FACES IN
WITH A MONKEY WRENCH
WHEN YOU GET HOME.
299
00:13:06,954 --> 00:13:10,057
NEW TOPIC.
300
00:13:10,090 --> 00:13:12,225
MICHELLE PFEIFFER'S LIPS.
301
00:13:14,962 --> 00:13:17,164
ARE THEY REAL?
302
00:13:21,635 --> 00:13:24,638
DADDY?
YOU STILL UP?
303
00:13:26,907 --> 00:13:28,141
YES.
304
00:13:28,175 --> 00:13:29,410
OH, MY GOD.
OH, MY GOD.
OH, MY GOD.
305
00:13:29,443 --> 00:13:32,346
OH, MY GOD.
OH, MY GOD.
OH, MY GOD.
306
00:13:32,380 --> 00:13:35,315
HEY! ALBRIGHT! ALBRIGHT!
307
00:13:35,349 --> 00:13:38,218
I'M BEING GENTLE.
308
00:13:45,493 --> 00:13:50,364
HEADS UP! I'M COMING
INTO THE ROOM!
309
00:13:50,398 --> 00:13:52,332
I CAN'T SLEEP.
WE HAVE TO TALK.
310
00:13:52,366 --> 00:13:53,701
GREAT.
LET'S TALK.
311
00:13:53,734 --> 00:13:56,103
I'D LIKE TO SPEAK
TO MY FATHER ALONE,
PLEASE?
312
00:13:56,136 --> 00:13:58,439
OH, OK.
GOOD NIGHT, SUGAR.
313
00:13:59,039 --> 00:14:00,340
OH, LISTEN, UM,
314
00:14:00,374 --> 00:14:01,642
GEORGE AND I WANT
TO TAKE YOU AND DICK
315
00:14:01,675 --> 00:14:03,076
OUT TO DINNER
TOMORROW NIGHT.
316
00:14:03,110 --> 00:14:06,380
OH, GOODY. A DOUBLE DATE
WITH MY DAD.
317
00:14:06,414 --> 00:14:08,416
PLEASE GO.
318
00:14:10,784 --> 00:14:13,754
MARY, LISTEN, I JUST
WANT YOU TO KNOW NOW
319
00:14:13,787 --> 00:14:15,756
THAT GEORGE AND I
ARE TOGETHER,
320
00:14:15,789 --> 00:14:17,891
AND I'M NOT GONNA TRY
TO REPLACE YOUR MOTHER,
321
00:14:17,925 --> 00:14:21,228
OK? I JUST...
322
00:14:21,261 --> 00:14:23,163
I JUST HOPE TO BECOME
A WAY BETTER MOTHER
323
00:14:23,196 --> 00:14:26,133
AND GRADUALLY TURN YOU
AGAINST HER.
324
00:14:27,735 --> 00:14:29,937
I'M NOT GONNA CALL YOU
MUMMY.
325
00:14:29,970 --> 00:14:30,938
SALLY'S FINE. OH!
326
00:14:30,971 --> 00:14:32,339
LISTEN, I WANT TO
TAKE YOU SHOPPING
NEXT WEEK,
327
00:14:32,372 --> 00:14:35,776
GET YOU A PRETTY
NEW DRESS. WOULD YOU
LIKE THAT?
328
00:14:36,944 --> 00:14:39,112
DID I TELL YOU SHE'S
GOT THE HOTS FOR ME?
329
00:14:39,146 --> 00:14:40,481
WAS I RIGHT?
330
00:14:40,514 --> 00:14:42,983
STOP THIS FOOLISHNESS
AND GO BACK TO MOTHER!
331
00:14:43,016 --> 00:14:46,319
NO! AFTER 45 YEARS
OF PURE MISERY,
332
00:14:46,353 --> 00:14:51,191
I FINALLY THINK
THERE'S A PLAN
FOR THE UNIVERSE.
333
00:14:51,224 --> 00:14:52,760
WHY HER?
334
00:14:52,793 --> 00:14:54,428
I'M CRAZY ABOUT HER.
335
00:14:54,462 --> 00:14:58,331
AND THAT'S WHY
I THINK I'M GONNA
GIVE HER THIS.
336
00:14:58,365 --> 00:15:00,734
THAT'S MOTHER'S
HEIRLOOM BRACELET.
337
00:15:00,768 --> 00:15:03,403
WELL, MARTHA DOESN'T
WEAR IT ANYMORE.
338
00:15:03,437 --> 00:15:07,541
I'VE BEEN WAITING FOR HER
TO DIE TO GET THAT!
339
00:15:08,642 --> 00:15:12,513
WE ALL HAVE, HONEY.
WE ALL HAVE.
340
00:15:17,951 --> 00:15:21,021
OH, YEAH? WELL,
WHY DON'T YOU COME
DOWN TO THE STATION
341
00:15:21,054 --> 00:15:24,492
AND MAKE ME,
YA BIG JERK?!
342
00:15:24,525 --> 00:15:26,894
[POW]
343
00:15:26,927 --> 00:15:30,063
HARRY, SHE
WAS 8 YEARS OLD.
344
00:15:31,532 --> 00:15:33,901
SHE JUST WANTED TO KNOW
IF IT WAS GONNA RAIN.
345
00:15:33,934 --> 00:15:36,904
[BOOM]
346
00:15:36,937 --> 00:15:40,240
YOU JUST STIFLE IT,
LITTLE MAN.
347
00:15:42,075 --> 00:15:45,012
SO GEORGE THINKS
WE SHOULD TAKE
A COLD WATER CRUISE,
348
00:15:45,045 --> 00:15:48,482
BECAUSE IT'S FAR MORE
INTERESTING THAN DOING
THAT WHOLE ISLAND THING.
349
00:15:48,516 --> 00:15:49,483
OH, YEAH.
350
00:15:49,517 --> 00:15:51,084
THERE'S NOTHING
LIKE SNUGGLING UP
ON THE DECK
351
00:15:51,118 --> 00:15:54,287
WITH YOUR SWEETIE
AND A HOT TODDY.
352
00:15:54,321 --> 00:15:57,625
WHERE THE HELL HAVE YOU BEEN?
AND DON'T GO TOO FAR!
353
00:16:00,460 --> 00:16:01,562
SHALL WE DANCE?
354
00:16:01,595 --> 00:16:04,498
OH, I'D LOVE TO.
355
00:16:04,532 --> 00:16:07,735
OH, WHOOPSIE, MARY.
LET ME GET IT.
356
00:16:10,938 --> 00:16:13,607
GOOD DOUBLE-BAKED
POTATOES.
357
00:16:13,641 --> 00:16:15,008
LOOK AT THOSE TWO.
358
00:16:15,042 --> 00:16:15,743
WHO?
359
00:16:15,776 --> 00:16:18,946
WOODY AND SOON-YI
OVER THERE.
360
00:16:20,581 --> 00:16:24,217
THIS WORLD WORKS IN WONDERFUL
AND MYSTERIOUS WAYS.
361
00:16:24,251 --> 00:16:25,986
WHAT DOES THAT MEAN?
362
00:16:26,019 --> 00:16:28,756
THOSE TWO PEOPLE
COULD BE FATED
TO FALL IN LOVE,
363
00:16:28,789 --> 00:16:32,392
JUST WHEN YOUR MOTHER
WAS CONVENIENTLY
OUT OF THE WAY.
364
00:16:33,293 --> 00:16:37,364
LOOK AT HIM DANCING,
GUSHING ALL OVER HER.
365
00:16:37,397 --> 00:16:38,498
DANCING?
366
00:16:38,532 --> 00:16:40,901
MAKING A FOOL
OF HIMSELF.
367
00:16:40,934 --> 00:16:43,236
DANCING.
368
00:16:43,270 --> 00:16:45,038
IS THIS MAYONNAISE
OR HORSERADISH?
369
00:16:45,072 --> 00:16:46,740
OF COURSE I KNOW WHAT
IT IS WITH SALLY.
370
00:16:46,774 --> 00:16:49,777
SHE'S JUST TRYING
TO REPLACE THE FATHER
SHE LOST.
371
00:16:49,810 --> 00:16:52,479
OH! OH!
372
00:16:52,512 --> 00:16:55,082
WHATEVER IT IS,
IT'S HOT.
373
00:16:55,115 --> 00:16:57,384
DON'T TELL ME
I'M JEALOUS,
BECAUSE I'M NOT!
374
00:16:57,417 --> 00:16:59,853
MY MOUTH IS ON FIRE.
375
00:17:00,921 --> 00:17:03,023
THAT'S MY DADDY!
376
00:17:03,056 --> 00:17:05,793
THAT'S MY NAPKIN!
377
00:17:05,826 --> 00:17:09,129
DADDY, YOU WANT
TO DANCE WITH ME?
378
00:17:09,162 --> 00:17:13,033
WELL, SURE...
KITTEN.
379
00:17:13,701 --> 00:17:15,468
I'LL DANCE
WITH YOU, SALLY.
380
00:17:15,502 --> 00:17:17,137
HE CALLED HER KITTEN!
381
00:17:17,170 --> 00:17:18,171
I'M KITTEN!
382
00:17:18,205 --> 00:17:19,539
CAN'T YOU BE
PUMPKIN?
383
00:17:19,573 --> 00:17:21,541
I DON'T WANT
TO BE PUMPKIN!
384
00:17:21,575 --> 00:17:23,611
WE'RE GONNA HAVE
TO GET SOME THINGS
STRAIGHTEN OUT
385
00:17:23,644 --> 00:17:25,378
IF SHE'S GONNA BE
MY MOTHER-IN-LAW.
386
00:17:25,412 --> 00:17:27,581
BUT AREN'T YOU GONNA
BE HER STEPMOTHER?
387
00:17:27,615 --> 00:17:29,116
WHATEVER.
388
00:17:29,149 --> 00:17:32,385
EXCUSE ME.
UH, SHALL WE DANCE?
389
00:17:32,419 --> 00:17:34,521
EHH--
390
00:17:36,056 --> 00:17:38,626
SHALL WE DANCE?
391
00:17:38,659 --> 00:17:40,661
NO!
392
00:17:40,694 --> 00:17:42,830
DADDY?
393
00:17:42,863 --> 00:17:45,032
SALLY, PEOPLE
ARE WATCHING.
394
00:17:45,065 --> 00:17:46,399
REALLY?
395
00:17:46,433 --> 00:17:48,736
OHH!
396
00:17:49,837 --> 00:17:52,572
I WAS DANCING
WITH MY DADDY.
397
00:17:52,606 --> 00:17:54,942
NO! YOU WERE DANCING
WITH MY BOYFRIEND.
398
00:17:54,975 --> 00:17:58,646
HE WAS MY DADDY WAY BEFORE
HE WAS YOUR BOYFRIEND.
399
00:17:58,679 --> 00:18:00,781
LISTEN, I THINK
YOU'D BETTER GROW UP.
400
00:18:00,814 --> 00:18:01,682
GEORGE AND I
ARE A THING,
401
00:18:01,715 --> 00:18:03,583
AND YOU JUST BETTER
GET USED TO IT, MISSY.
402
00:18:03,617 --> 00:18:07,187
WELL, YOU JUST BETTER
GET USED TO ME!
403
00:18:07,220 --> 00:18:08,856
IS THERE SOMETHING WRONG,
KITTENS?
404
00:18:08,889 --> 00:18:10,891
NO!
NOTHING!
405
00:18:14,394 --> 00:18:16,363
OK. WE'RE BACK.
406
00:18:16,396 --> 00:18:18,699
LET'S GO
TO THE PHONES.
WHO'S ON?
407
00:18:18,732 --> 00:18:19,332
NOBODY.
408
00:18:19,366 --> 00:18:20,233
YEAH. WE HAVEN'T
HAD A CALL
409
00:18:20,267 --> 00:18:25,038
SINCE YOU MADE FUN
OF THAT LADY'S DEAD CAT.
410
00:18:25,072 --> 00:18:26,940
MAYBE WE NEED A NEW TOPIC.
411
00:18:26,974 --> 00:18:28,976
OOH, THAT'S A GOOD IDEA.
412
00:18:29,009 --> 00:18:32,512
HEY! LET'S GO
ONE-ON-ONE WITH
NINA CAMPBELL.
413
00:18:32,545 --> 00:18:33,546
OK.
414
00:18:33,580 --> 00:18:37,284
OK. SO, NINA,
HOW MANY DATES
HAVE YOU HAD LATELY,
415
00:18:37,317 --> 00:18:39,386
LIKE ZERO?
416
00:18:41,789 --> 00:18:42,923
WHAT?
417
00:18:42,956 --> 00:18:45,158
NO, NO, NO! IT'S OK.
I THINK I KNOW WHAT
THE PROBLEM IS.
418
00:18:45,192 --> 00:18:45,993
OH, REALLY?
419
00:18:46,026 --> 00:18:49,362
YEAH. YOU'RE
A GREAT BIG LOSER.
420
00:18:49,396 --> 00:18:50,597
I DON'T HAVE TO TAKE THIS!
421
00:18:50,630 --> 00:18:52,232
YES, YOU DO
'CAUSE YOU'RE A LOSER.
422
00:18:52,265 --> 00:18:53,266
I'M OUT OF HERE!
423
00:18:53,300 --> 00:18:54,601
WAIT, HARRY,
WHAT ARE YOU DOING?
424
00:18:54,634 --> 00:18:56,737
WELL, I'LL TELL YOU
WHAT I'M NOT DOING.
425
00:18:56,770 --> 00:19:01,008
I'M NOT JUST
SITTING THERE BEING
A PIMPLE RANCHER.
426
00:19:01,975 --> 00:19:04,712
HOW'S THE NEW CROP
THIS YEAR, TEEN BOY?
427
00:19:04,745 --> 00:19:05,846
THIS IS OVER.
428
00:19:05,879 --> 00:19:06,613
I AM GONE!
429
00:19:06,646 --> 00:19:09,082
OH, GO! LEAVE!
430
00:19:09,116 --> 00:19:12,352
I DON'T CARE.
I DON'T NEED
ANY OF YOU.
431
00:19:14,722 --> 00:19:17,691
COME BAAACK!
432
00:19:18,158 --> 00:19:20,260
[KNOCK ON DOOR]
433
00:19:23,596 --> 00:19:24,564
HEY, SALLY.
434
00:19:24,597 --> 00:19:25,632
HEY, GEORGE.
435
00:19:25,665 --> 00:19:27,534
LISTEN,
WE HAVE TO TALK.
436
00:19:27,567 --> 00:19:29,602
WELL, COME IN.
437
00:19:32,139 --> 00:19:33,340
WHAT'S THE MATTER?
438
00:19:33,373 --> 00:19:34,975
WELL, UM,
I'VE BEEN THINKING.
439
00:19:35,008 --> 00:19:40,247
AND, UH, I THINK WE SHOULD
COOL THINGS OFF A BIT.
440
00:19:40,280 --> 00:19:45,252
OH, IF I HAD A NICKEL
FOR EVERY SECRETARY
I'VE SAID THAT TO.
441
00:19:45,285 --> 00:19:46,920
I'M SERIOUS.
442
00:19:46,954 --> 00:19:48,956
WELL, WHY?
443
00:19:48,989 --> 00:19:51,925
WELL, I JUST--
I'M NOT READY TO BE
WITH SOMEBODY
444
00:19:51,959 --> 00:19:54,561
WHO HAS CHILDREN.
445
00:19:54,594 --> 00:19:57,898
WHAT, MARY?
SHE REALLY CAN TAKE
CARE OF HERSELF.
446
00:19:57,931 --> 00:20:00,834
OH, LET'S NOT FOOL
OURSELVES, GEORGE.
447
00:20:00,868 --> 00:20:02,803
SHE'S GONNA BE
A LOT OF WORK.
448
00:20:02,836 --> 00:20:06,573
KIDS JUST ARE.
YOU KNOW THAT.
449
00:20:06,606 --> 00:20:08,708
SHE'S OLD.
450
00:20:10,343 --> 00:20:12,612
THIS ISN'T EASY
FOR ME, OK?
451
00:20:12,645 --> 00:20:15,082
I DON'T WANT TO PENALIZE YOU
FOR BEING A GREAT DAD.
452
00:20:15,115 --> 00:20:18,919
IT'S JUST--
I HAVE TO BE SELFISH HERE.
453
00:20:18,952 --> 00:20:21,521
I KNEW I SHOULD'VE
CLOSED THIS DEAL
THE NIGHT WE MET.
454
00:20:21,554 --> 00:20:24,257
I KNEW THAT.
455
00:20:24,291 --> 00:20:26,927
I THINK MAYBE YOU SHOULD
GO BACK TO YOUR WIFE.
456
00:20:26,960 --> 00:20:28,996
AW...
457
00:20:29,696 --> 00:20:31,932
WELL, I USUALLY DO.
458
00:20:33,700 --> 00:20:35,803
WELL, THERE YOU GO.
459
00:20:37,537 --> 00:20:39,506
BYE, SUGAR.
460
00:20:42,342 --> 00:20:43,076
SALLY.
461
00:20:43,110 --> 00:20:44,878
ALBRIGHT.
462
00:20:44,912 --> 00:20:47,547
LOOK. I'M SORRY
FOR THE WAY I ACTED
THE OTHER NIGHT.
463
00:20:47,580 --> 00:20:49,249
MAYBE WE SHOULD ALL
TALK THIS OUT.
464
00:20:49,282 --> 00:20:51,751
NO. THERE'S NOTHING TO
TALK ABOUT MUFFIN, I--
465
00:20:51,785 --> 00:20:53,286
I'M GOING BACK TO MOTHER.
466
00:20:53,320 --> 00:20:53,954
REALLY?!
467
00:20:53,987 --> 00:20:55,288
YEAH, HE IS.
468
00:20:55,322 --> 00:20:57,791
AND I'M SORRY
IF THIS CAUSED
469
00:20:57,825 --> 00:21:00,093
ANY FRICTION IN
YOUR RELATIONSHIP.
470
00:21:00,127 --> 00:21:04,932
BUT, MARY, I JUST
WANT YOU TO KNOW
SOMETHING.
471
00:21:04,965 --> 00:21:07,467
I COULD'VE HAD HIM.
472
00:21:17,310 --> 00:21:27,287
SHE AIN'T LYING.
473
00:21:27,320 --> 00:21:29,689
NOW ARE YOU SURE YOU
HAVE EVERYTHING?
474
00:21:29,722 --> 00:21:31,191
YEAH.
475
00:21:33,961 --> 00:21:38,731
MARY, I WOULDN'T
MENTION THIS SALLY
THING TO MOTHER.
476
00:21:38,765 --> 00:21:42,302
GEE DAD, I DON'T KNOW
IF I CAN DO THAT.
477
00:21:42,335 --> 00:21:44,671
HERE.
478
00:21:45,005 --> 00:21:48,508
MY LIPS ARE SEALED.
32555
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
