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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,025 --> 00:00:03,960 Woman on phone: Go to the window. 2 00:00:03,994 --> 00:00:08,531 A NEW JOB, A NEW CAR... 3 00:00:08,565 --> 00:00:10,766 AND A NEW ROMANCE. 4 00:00:10,801 --> 00:00:11,901 I LOVE YOU. 5 00:00:11,935 --> 00:00:12,769 IS HE GOOD? 6 00:00:12,803 --> 00:00:14,170 HE'S VERY GOOD. 7 00:00:14,204 --> 00:00:15,404 HE ALSO HAS A PROBLEM... 8 00:00:15,438 --> 00:00:16,205 WHO? 9 00:00:16,240 --> 00:00:17,673 WHO? WHO IS IT?! 10 00:00:17,707 --> 00:00:19,007 HER HUSBAND. 11 00:00:19,042 --> 00:00:20,443 HE'S HAVING HER FOLLOWED. 12 00:00:20,477 --> 00:00:21,744 BY A PRIVATE DETECTIVE. 13 00:00:21,779 --> 00:00:22,778 WHERE IS HE?! 14 00:00:23,847 --> 00:00:25,214 "RECKLESS." 15 00:00:27,951 --> 00:00:29,185 TONIGHT. 16 00:00:37,294 --> 00:00:38,795 Captioning sponsored 17 00:00:38,829 --> 00:00:41,764 by THE CORPORATION FOR PUBLIC BROADCASTING 18 00:00:41,798 --> 00:00:43,298 and VIEWERS LIKE YOU 19 00:00:54,845 --> 00:00:57,547 WELCOME TO MOBIL MASTERPIECE THEATRE. 20 00:00:57,581 --> 00:01:00,716 FOR NEARLY 30 YEARS, WE'VE BEEN PROUD TO PROVIDE 21 00:01:00,751 --> 00:01:03,619 THE ENERGY THAT HELPS PUBLIC TELEVISION RUN. 22 00:01:05,689 --> 00:01:07,757 Baker: THE SETTING IS MANCHESTER 23 00:01:07,791 --> 00:01:10,026 AND OUR THREE MAIN CHARACTERS ARE: 24 00:01:10,060 --> 00:01:12,428 OWEN SPRINGER, A CHEEKY YOUNG DOCTOR; 25 00:01:12,463 --> 00:01:16,866 RICHARD CRANE, AN OLDER DOCTOR WHO'S CHEATING ON HIS WIFE; 26 00:01:16,900 --> 00:01:18,634 AND HIS WIFE, ANNA. 27 00:01:18,668 --> 00:01:21,938 SPRINGER FALLS HEAD OVER HEELS IN LOVE WITH ANNA 28 00:01:21,972 --> 00:01:24,674 BEFORE LEARNING SHE'S MARRIED TO CRANE. 29 00:01:24,708 --> 00:01:28,043 THIS IS A DANGEROUS THING FOR SPRINGER TO DO 30 00:01:28,078 --> 00:01:31,780 BECAUSE CRANE'S HIS BOSS AND CAN RUIN HIS CAREER. 31 00:01:31,815 --> 00:01:33,716 ANNA LOVES HER HUSBAND TOO MUCH 32 00:01:33,750 --> 00:01:36,352 TO BECOME INTERESTED IN YOUNG OWEN SPRINGER 33 00:01:36,387 --> 00:01:39,688 AND HE IS APPARENTLY DOOMED TO BE DISAPPOINTED IN LOVE 34 00:01:39,723 --> 00:01:42,458 UNTIL A TWIST OF FATE- 35 00:01:42,492 --> 00:01:46,362 SPRINGER DISCOVERS THAT UPRIGHT DR. CRANE 36 00:01:46,396 --> 00:01:50,733 SUPPOSEDLY ATTENDING A CONFERENCE IN THE NETHERLANDS 37 00:01:50,767 --> 00:01:55,104 IS WEEKENDING IN A LONDON HOTEL WITH ANOTHER WOMAN. 38 00:01:55,139 --> 00:01:57,406 SPRINGER USES A DEVIOUS SCHEME 39 00:01:57,440 --> 00:02:00,376 TO MAKE ANNA DISCOVER THE AWFUL TRUTH. 40 00:02:00,410 --> 00:02:04,780 SAYING THAT ANNA IS OUTRAGED UNDERSTATES THE CASE. 41 00:02:04,814 --> 00:02:06,282 SHE PHONES SPRINGER 42 00:02:13,590 --> 00:02:15,491 HIRES A TAXI IN LONDON 43 00:02:15,526 --> 00:02:18,928 FOR AN ALL-NIGHT RIDE BACK TO MANCHESTER 44 00:02:18,962 --> 00:02:24,033 HOPING TO SAVE HIS MARRIAGE, BUT NOT KNOWING HOW TO DO IT. 45 00:02:24,067 --> 00:02:28,204 NOW, SECOND EPISODE, "RECKLESS." 46 00:04:40,803 --> 00:04:42,338 ANNA! ANNA! 47 00:04:44,674 --> 00:04:45,908 ANNA... OOH! 48 00:04:50,580 --> 00:04:51,681 ANNA! 49 00:04:51,715 --> 00:04:53,148 PLEASE! 50 00:04:57,321 --> 00:04:59,288 OH, FOR GOD'S SAKES! 51 00:05:02,960 --> 00:05:05,928 Radio announcer: It plows on, thanks to a 1.6-liter engine 52 00:05:05,962 --> 00:05:07,830 which develops 78-rate horsepower... 53 00:05:07,864 --> 00:05:09,365 GOOD MORNING. 54 00:05:09,399 --> 00:05:13,135 Announcer:... giving the Cossack a top speed of 80. 55 00:05:13,169 --> 00:05:15,304 MORNING! 56 00:05:15,338 --> 00:05:17,173 MORNING, JOHN. 57 00:05:17,207 --> 00:05:18,540 MORNING. 58 00:05:25,982 --> 00:05:27,983 YES. 59 00:05:28,018 --> 00:05:30,653 YOU SHOULD BE BLOODY ASHAMED OF YOURSELF. 60 00:05:30,687 --> 00:05:35,391 YOU CAN BE BLOODY ASHAMED FOR THE BOTH OF US, JOHN. 61 00:05:35,425 --> 00:05:37,159 YOU KNOW WHEN SOMEBODY GIVES YOU 62 00:05:37,193 --> 00:05:38,327 THE PUNCH LINE FIRST? 63 00:05:44,067 --> 00:05:46,101 Michelle: I TRIED TO TELL YOU, MR. CRANE 64 00:05:46,135 --> 00:05:48,203 SHE WENT STRAIGHT OUT TO A PRESENTATION. 65 00:05:48,237 --> 00:05:49,238 TILL WHEN? 66 00:05:49,273 --> 00:05:50,439 I DON'T KNOW. 67 00:05:50,473 --> 00:05:53,208 BUT SHE CAN'T BE OUT ALL BLOODY DAY, CAN SHE? 68 00:05:53,242 --> 00:05:54,543 RIGHT- IF SHE RINGS IN 69 00:05:54,578 --> 00:05:57,179 WILL YOU KINDLY ASK HER TO TURN HER MOBILE ON? 70 00:05:57,213 --> 00:05:58,681 OR I WILL BE HERE AT 3:00. 71 00:05:58,715 --> 00:05:59,782 OKAY. 72 00:05:59,816 --> 00:06:01,216 THANK YOU. 73 00:06:19,202 --> 00:06:20,803 HE SAW YOUR 3:00 IN THE DIARY. 74 00:06:20,837 --> 00:06:22,204 HE SAID HE'S COMING BACK. 75 00:06:22,239 --> 00:06:23,772 CANCEL THE APPOINTMENT. 76 00:06:32,348 --> 00:06:33,582 HIYA, MYRTLE. 77 00:06:35,252 --> 00:06:37,186 SHE STARTED VOMITING THIS MORNING. 78 00:06:37,220 --> 00:06:38,987 ABDOMEN IS DISTENDED AND RIGID. 79 00:06:39,022 --> 00:06:41,023 SHE SEEMS TO BE IN A LOT OF PAIN. 80 00:06:41,057 --> 00:06:42,891 I'VE DONE A RECTAL EXAMINATION 81 00:06:42,926 --> 00:06:44,626 BUT THERE'S NOTHING THERE. 82 00:06:48,965 --> 00:06:50,533 HAS ANYBODY CONTACTED CRANE? 83 00:06:50,567 --> 00:06:51,633 HE'S IN AMSTERDAM. 84 00:06:51,668 --> 00:06:52,734 YOU KNOW HE'S NOT. 85 00:06:52,768 --> 00:06:54,803 YEAH, BUT IF HE KNOWS I KNOW HE'S NOT 86 00:06:54,837 --> 00:06:56,771 THEN I'M GOING TO BE POTTY TRAINING 87 00:06:56,806 --> 00:06:57,807 TILL I'M 65, OKAY? 88 00:06:57,841 --> 00:06:59,842 SO CROWTHER IS OVERSEEING HER CASE. 89 00:06:59,876 --> 00:07:00,843 AND WHERE'S HE? 90 00:07:00,877 --> 00:07:02,377 IN LIVERPOOL, TEACHING. 91 00:07:04,180 --> 00:07:05,214 OKAY. 92 00:07:05,248 --> 00:07:06,582 UM... 93 00:07:06,616 --> 00:07:08,817 MYRTLE, WE'RE GOING TO TAKE SOME PICTURES 94 00:07:08,852 --> 00:07:10,686 TO SEE WHAT'S GOING ON DOWN THERE. 95 00:07:10,720 --> 00:07:11,787 DO YOU UNDERSTAND? 96 00:07:11,821 --> 00:07:13,688 I DON'T WANT TO BE HERE. 97 00:07:15,491 --> 00:07:17,760 CAN WE GET HOLD OF HER DAUGHTER? 98 00:07:17,794 --> 00:07:18,893 N... I-I'LL DO THAT. 99 00:07:18,928 --> 00:07:20,829 GIVE HER TEN MILLIGRAMS OF MORPHINE. 100 00:07:20,863 --> 00:07:24,066 OKAY, LET'S GET AN ERECT CHEST AND A SUPINE ABDOMINAL X-RAY. 101 00:07:24,100 --> 00:07:26,168 GET A DRIP UP, GET SOME FLUID INTO HER. 102 00:07:26,203 --> 00:07:27,937 CROSS-MATCH FOUR UNITS OF BLOOD. 103 00:07:27,971 --> 00:07:30,439 I'LL TRY AND FIND ANNA FOR YOU. 104 00:07:31,941 --> 00:07:35,044 I'VE BEEN TRYING TO GET THROUGH FOR OVER AN HOUR. 105 00:07:35,078 --> 00:07:36,645 Anna: What is it? 106 00:07:36,679 --> 00:07:39,015 A MR. SPRINGER WANTS TO SPEAK TO YOU URGENTLY. 107 00:07:39,049 --> 00:07:40,549 RIGHT, WELL, IF HE RINGS AGAIN 108 00:07:40,583 --> 00:07:42,984 TELL HIM I URGENTLY DON'T WANT TO SPEAK TO HIM. 109 00:07:43,019 --> 00:07:45,554 IT'S ABOUT YOUR MUM. 110 00:07:45,588 --> 00:07:46,822 WHAT ABOUT HER? 111 00:07:46,856 --> 00:07:48,124 HE SAID SHE NEEDS AN OPERATION 112 00:07:48,158 --> 00:07:49,625 AND THEY CAN'T FIND YOUR HUSBAND. 113 00:07:49,659 --> 00:07:50,592 OH, MY GOD! 114 00:07:50,626 --> 00:07:52,094 WHY DIDN'T YOU JUST SAY THAT? 115 00:07:52,129 --> 00:07:54,029 I JUST HAVE. 116 00:07:54,064 --> 00:07:55,297 IF YOU NEEDED A NEW BRA 117 00:07:55,331 --> 00:07:57,600 YOU SHOULD HAVE ASKED ME FOR THE MONEY... 118 00:07:57,634 --> 00:07:58,700 MUM... 119 00:07:58,735 --> 00:08:00,369 YOU KNOW WHAT YOUR DAD'S LIKE. 120 00:08:00,403 --> 00:08:02,504 Glassman: SHE'S BEEN SEDATED, MRS. CRANE. 121 00:08:02,539 --> 00:08:03,505 WHAT'S HAPPENED? 122 00:08:03,539 --> 00:08:05,174 WELL, UM, SHE'S GOT WHAT WE CALL 123 00:08:05,208 --> 00:08:06,208 A SIGMOID VOLVULUS. 124 00:08:06,242 --> 00:08:07,375 IT'S A BOWEL RUPTURE- 125 00:08:07,410 --> 00:08:09,444 BIT LIKE A SORT OF TWISTED INNER TUBE. 126 00:08:09,479 --> 00:08:11,647 IT'S QUITE COMMON AMONGST OLDER PEOPLE- 127 00:08:11,681 --> 00:08:13,215 PARTICULARLY, FOR SOME REASON 128 00:08:13,249 --> 00:08:14,517 PATIENTS WITH DEMENTIA. 129 00:08:14,551 --> 00:08:16,384 HAVE YOU GOT THROUGH TO MY HUSBAND? 130 00:08:16,419 --> 00:08:18,454 HIS PAGER'S OFF, AND HIS MOBILE'S OFF. 131 00:08:18,488 --> 00:08:19,488 AND WE HAVEN'T GOT 132 00:08:19,522 --> 00:08:21,724 A NUMBER FOR HIM. 133 00:08:21,758 --> 00:08:24,459 UH, MR. CROWTHER'S ON HIS WAY IN FROM LIVERPOOL. 134 00:08:24,494 --> 00:08:27,163 BUT WITH YOUR PERMISSION, I'LL DO THE OPERATION 135 00:08:27,197 --> 00:08:28,397 WITH MR. McGINLEY... 136 00:08:28,431 --> 00:08:31,067 NO- ABSOLUTELY NOT. 137 00:08:31,101 --> 00:08:33,268 HAVE YOU DONE IT BEFORE? 138 00:08:33,302 --> 00:08:35,136 I'VE DONE A BOWEL RESECTION, YEAH. 139 00:08:35,171 --> 00:08:36,138 OF COURSE I HAVE. 140 00:08:36,172 --> 00:08:37,139 MRS. CRANE. 141 00:08:37,173 --> 00:08:38,340 JOHN. 142 00:08:38,375 --> 00:08:40,176 AND WITH RESPECT, THE LONGER WE WAIT 143 00:08:40,210 --> 00:08:41,844 THE SICKER SHE'S GOING TO GET. 144 00:08:41,878 --> 00:08:42,911 WE'RE NOT ANTICIPATING 145 00:08:42,945 --> 00:08:45,314 ANY COMPLICATIONS. 146 00:08:45,348 --> 00:08:47,483 LET ME GET YOU COFFEE OR SOMETHING. 147 00:08:47,517 --> 00:08:49,285 THAT'S OKAY; I'LL SEE TO IT. 148 00:08:57,527 --> 00:08:59,828 Michelle: SHE CANCELED HER 3:00. 149 00:08:59,862 --> 00:09:02,931 YOU TOLD HER I WAS GOING TO BE HERE, DID YOU? 150 00:09:02,965 --> 00:09:04,400 HER MOTHER WAS TAKEN ILL. 151 00:09:04,434 --> 00:09:07,069 YOUR WIFE'S GONE UP TO THE HOSPITAL. 152 00:09:18,848 --> 00:09:20,115 THIS MUST BE LIKE HAVING 153 00:09:20,149 --> 00:09:21,817 THE QUEEN MOTHER ON THE TABLE. 154 00:09:28,824 --> 00:09:31,660 HE'S GOING TO BE LOOKING 155 00:09:31,694 --> 00:09:34,896 AT EVERY LAST SNIP AND SUTURE, YOU KNOW. 156 00:09:34,931 --> 00:09:36,765 BOTH LOOKING INCREDIBLY CALM 157 00:09:36,799 --> 00:09:38,333 IF I MAY SAY SO. 158 00:09:38,367 --> 00:09:40,368 YEP, THIS IS ONE TIME 159 00:09:40,403 --> 00:09:43,839 I AM DEFINITELY HAPPIER OBSERVING. 160 00:09:45,074 --> 00:09:47,076 DANNY, THERE'S A VICIOUS RUMOR 161 00:09:47,110 --> 00:09:49,145 GOING ROUND THE NURSING STAFF 162 00:09:49,179 --> 00:09:51,646 YOU SUFFER FROM TRAUMATIC IMPOTENCE. 163 00:09:51,681 --> 00:09:53,248 THAT IS GROSS DEFAMATION. 164 00:09:53,282 --> 00:09:54,550 NOT FOR LONG, IT'S NOT. 165 00:09:54,584 --> 00:09:56,051 SHUT YOUR GOB, ALL RIGHT? 166 00:10:05,895 --> 00:10:07,329 ANNA, I'M SORRY. 167 00:10:07,364 --> 00:10:09,932 I AM SO... SORRY. 168 00:10:11,268 --> 00:10:14,169 JOHN'S IN THEATER WITH OWEN. 169 00:10:14,203 --> 00:10:15,704 OWEN? 170 00:10:15,738 --> 00:10:16,939 SPRINGER. 171 00:10:16,973 --> 00:10:18,073 AH. 172 00:10:20,477 --> 00:10:21,810 BE HERE WHEN I COME OUT? 173 00:10:21,844 --> 00:10:23,946 I'LL BE HERE WHEN MY MOTHER COMES OUT 174 00:10:23,980 --> 00:10:25,514 OBVIOUSLY. 175 00:10:26,749 --> 00:10:28,517 USE THE OFFICE... PLEASE... 176 00:10:40,530 --> 00:10:43,665 RIGHT. 177 00:10:43,699 --> 00:10:45,000 WHO OPENED THE ABDOMEN? 178 00:10:46,336 --> 00:10:47,669 WHO DID THIS? 179 00:10:47,704 --> 00:10:48,737 I DID. 180 00:10:48,772 --> 00:10:50,272 GOOD- IT'S GOOD, WELL DONE. 181 00:10:50,307 --> 00:10:51,807 ARTERY FORCEPS, PLEASE. 182 00:10:53,676 --> 00:10:54,709 THANK YOU. 183 00:10:55,778 --> 00:10:57,479 AND AGAIN? 184 00:11:50,066 --> 00:11:52,367 WOULD YOU COME UP TO THE OFFICE? 185 00:11:52,401 --> 00:11:54,569 NO. 186 00:11:58,074 --> 00:11:59,174 ANOTHER DRINK? 187 00:11:59,209 --> 00:12:00,876 I'LL GET YOU ANOTHER DRINK 188 00:12:00,910 --> 00:12:02,143 OR SOME FOOD? 189 00:12:02,178 --> 00:12:03,678 NO. 190 00:12:05,915 --> 00:12:06,849 IF... IF... 191 00:12:15,024 --> 00:12:16,191 ANNA, ANNA 192 00:12:16,225 --> 00:12:17,726 THERE COULDN'T BE A WORSE TIME 193 00:12:17,760 --> 00:12:19,261 BUT I HAVE TO SAY SOMETHING. 194 00:12:19,295 --> 00:12:20,529 ALL RIGHT, FIRSTLY- 195 00:12:20,563 --> 00:12:22,998 AND I SWEAR TO YOU WITH ALL MY HEART- 196 00:12:23,032 --> 00:12:24,232 FIRSTLY, IT IS OVER. 197 00:12:24,266 --> 00:12:25,401 I WANT YOU TO KNOW 198 00:12:25,435 --> 00:12:27,069 THAT IT IS ABSOLUTELY OVER. 199 00:12:27,103 --> 00:12:29,671 SECONDLY- AND I KNOW THIS SOUNDS TRITE- 200 00:12:29,705 --> 00:12:31,072 BUT IT MEANT NOTHING. 201 00:12:31,106 --> 00:12:32,507 I MEAN, IF I'VE HURT YOU 202 00:12:32,542 --> 00:12:35,243 BECAUSE YOU THINK I WENT FOR SOMETHING BETTER 203 00:12:35,278 --> 00:12:37,946 YOU COULDN'T BE FURTHER FROM THE TRUTH, ANNA 204 00:12:37,981 --> 00:12:40,815 AND I HAVE NO ANSWERS, BECAUSE I HAVEN'T A CLUE 205 00:12:40,850 --> 00:12:42,483 WHAT BLOODY WENT WRONG HERE. 206 00:12:42,518 --> 00:12:43,752 SEX? ABSOLUTELY NOT. 207 00:12:43,786 --> 00:12:45,153 TEMPTATION? 208 00:12:45,188 --> 00:12:47,089 TEMPTATION- I MEAN, WHAT CAN I SAY? 209 00:12:47,123 --> 00:12:48,490 I KNEW HER FOR TWO YEARS 210 00:12:48,524 --> 00:12:51,527 BEFORE EVEN THE REMOTEST GLIMMER OF ANYTHING HAPPENED 211 00:12:51,561 --> 00:12:53,895 SO IT WAS NOT EXACTLY CARNAL FRENZY, WAS IT? 212 00:12:53,930 --> 00:12:56,698 I SUPPOSE THE ONLY POSSIBLE MITIGATION I HAVE IS- 213 00:12:56,733 --> 00:12:59,768 AND I'M STRUGGLING TO AVOID THE CLICHE HERE- IS AGE. 214 00:12:59,802 --> 00:13:03,338 SHE COULD BE AN ALIEN WITH FOUR TITS, AS FAR AS I'M CONCERNED. 215 00:13:03,372 --> 00:13:05,173 I DON'T WANT TO HEAR ABOUT HER AGE. 216 00:13:05,208 --> 00:13:07,442 I DON'T WANT TO HEAR ANYTHING ABOUT HER. 217 00:13:07,477 --> 00:13:09,645 NO, I MEANT MY AGE. 218 00:13:11,047 --> 00:13:12,014 THIRDLY? 219 00:13:12,048 --> 00:13:15,217 THIRDLY... THIRDLY... 220 00:13:15,251 --> 00:13:18,253 I LOVE YOU- I DO, YES. 221 00:13:18,287 --> 00:13:21,223 YOU HAVE DONE NOTHING, ABSOLUTELY NOTHING 222 00:13:21,257 --> 00:13:22,791 TO CONTRIBUTE 223 00:13:22,825 --> 00:13:26,595 TO MY DISAPPOINTING, UNFORGIVABLE, APPALLING BEHAVIOR 224 00:13:26,629 --> 00:13:28,463 AND I LOVE YOU, ANNA. 225 00:13:28,498 --> 00:13:31,065 DOES THIS LOWER HER LIFE EXPECTANCY? 226 00:13:32,902 --> 00:13:33,902 WHAT? 227 00:13:33,937 --> 00:13:35,470 THE OPERATION. 228 00:13:35,505 --> 00:13:36,471 OH. 229 00:13:36,505 --> 00:13:37,873 THE... 230 00:13:37,907 --> 00:13:40,709 WELL, SHE CERTAINLY COULDN'T HAVE SURVIVED WITHOUT IT 231 00:13:40,743 --> 00:13:42,077 AND WITH APPROPRIATE CARE 232 00:13:42,111 --> 00:13:44,379 SHE'S PROBABLY GOT AS LONG AS SHE EVER HAD 233 00:13:44,413 --> 00:13:46,348 AND THE COLOSTOMY'S ONLY TEMPORARY. 234 00:13:46,382 --> 00:13:47,982 THANK YOU. 235 00:13:48,017 --> 00:13:50,519 THANK YOU FOR YOUR CONTRIBUTION TO THAT. 236 00:13:53,589 --> 00:13:54,556 I'D... 237 00:13:54,591 --> 00:13:55,924 REALLY LIKE TO... 238 00:13:55,959 --> 00:13:59,060 TO CLEAN UP AND GET A CHANGE OF CLOTHES, IF, UM... 239 00:14:03,633 --> 00:14:04,766 THANK YOU. 240 00:14:07,270 --> 00:14:09,004 SHALL I WAIT FOR YOU THERE? 241 00:14:20,149 --> 00:14:21,550 YOU KNEW. 242 00:14:21,584 --> 00:14:24,586 YOU KNEW SHE'D FIND OUT, YOU KNEW SHE'D ASK QUESTIONS. 243 00:14:24,620 --> 00:14:26,421 WHERE ARE YOUR BLOODY ANSWERS? 244 00:14:51,747 --> 00:14:52,947 WAIT! 245 00:16:16,632 --> 00:16:18,566 YOU'RE THE FIRST MAN I'VE SLEPT WITH 246 00:16:18,601 --> 00:16:19,968 SINCE I MARRIED RICHARD. 247 00:16:22,471 --> 00:16:24,639 HE SWORE THIS WAS HIS FIRST AFFAIR. 248 00:16:26,943 --> 00:16:29,177 WOULD YOU BELIEVE THAT... 249 00:16:29,211 --> 00:16:30,445 IN HIS POSITION? 250 00:16:31,614 --> 00:16:33,214 I DON'T, BECAUSE HE'S TOLD ME 251 00:16:33,248 --> 00:16:35,684 SURGEONS GET PROPOSITIONED ALL THE TIME. 252 00:16:35,718 --> 00:16:37,085 IT COMES WITH THE JOB. 253 00:16:40,656 --> 00:16:42,958 I THOUGHT THE ONLY REASON HE WAS TELLING ME WAS 254 00:16:42,992 --> 00:16:45,127 BECAUSE HE DEFLECTED THE ATTENTION. 255 00:16:46,495 --> 00:16:51,666 IT WAS A HOUSEHOLD JOKE, HOW HE FOUGHT THE WOMEN OFF. 256 00:16:53,903 --> 00:16:55,670 IT WAS HIS HOUSEHOLD JOKE. 257 00:17:01,443 --> 00:17:03,378 I DON'T WANT TO KNOW WHO SHE IS... 258 00:17:04,747 --> 00:17:06,815 IF HE'S PREPARED TO PICK HER UP 259 00:17:06,849 --> 00:17:08,483 AND DROP HER LIKE THAT. 260 00:17:14,022 --> 00:17:15,424 DO YOU KNOW WHO IT IS? 261 00:17:17,526 --> 00:17:18,527 NO. 262 00:17:20,329 --> 00:17:21,896 SHE WORKS HERE. 263 00:17:23,599 --> 00:17:24,900 BIG SURPRISE. 264 00:17:26,269 --> 00:17:28,536 I KNOW THAT HE'S KNOWN HER FOR THREE YEARS 265 00:17:28,570 --> 00:17:30,605 BUT THE RELATIONSHIP'S QUITE RECENT... 266 00:17:31,574 --> 00:17:33,074 IF I'M TO BELIEVE THAT. 267 00:17:35,277 --> 00:17:37,379 HE'D SAY ANYTHING NOW, WOULDN'T HE? 268 00:17:41,517 --> 00:17:42,717 WILL YOU LEAVE HIM? 269 00:17:44,854 --> 00:17:46,454 SHE'S YOUNGER THAN ME. 270 00:17:48,591 --> 00:17:50,358 ANOTHER BIG SURPRISE. 271 00:18:04,273 --> 00:18:05,307 HOW DO I GET 272 00:18:05,341 --> 00:18:06,941 OUT OF HERE? 273 00:18:09,011 --> 00:18:11,446 UH, CUT DOWN THE BACK STAIRS. 274 00:18:13,248 --> 00:18:14,850 DOWN TOWARDS THE KITCHEN 275 00:18:14,884 --> 00:18:17,986 COME BACK ON YOURSELF TO THE CAR PARK. 276 00:18:18,020 --> 00:18:19,621 MR. SPRINGER. 277 00:18:22,158 --> 00:18:23,725 I'LL BE FIVE MINUTES. 278 00:18:30,933 --> 00:18:33,368 I'LL WALK YOU DOWN IF YOU LIKE. 279 00:18:53,089 --> 00:18:56,224 Synthesized voice: Wakey, wakey, it's party time! 280 00:18:56,258 --> 00:18:59,161 Man ♪ 0891232323... 281 00:19:38,100 --> 00:19:39,100 ANNA. 282 00:19:43,906 --> 00:19:44,906 ANNA. 283 00:20:00,389 --> 00:20:01,389 LOOK... 284 00:20:01,423 --> 00:20:02,624 WHAT... 285 00:20:02,658 --> 00:20:04,058 WHAT YOU DOING? 286 00:20:07,863 --> 00:20:10,665 LOOK... ANNA... LISTEN. 287 00:20:12,134 --> 00:20:14,535 DON'T YOU BLOODY DARE COME IN! 288 00:20:14,570 --> 00:20:16,003 DON'T YOU DARE! 289 00:20:16,038 --> 00:20:18,172 ANNA... 290 00:20:18,207 --> 00:20:19,507 ANNA, PLEASE. 291 00:20:51,607 --> 00:20:52,974 MORNING. 292 00:20:55,344 --> 00:20:57,512 YOU'RE WANTED IN CRANE'S OFFICE. 293 00:20:59,715 --> 00:21:00,881 YOU AND JOHN. 294 00:21:02,018 --> 00:21:03,451 BUSY NIGHT? 295 00:21:06,421 --> 00:21:07,923 IS THERE ANY COFFEE ON? 296 00:21:09,292 --> 00:21:11,659 I THINK I'VE WORKED SOMETHING OUT 297 00:21:11,693 --> 00:21:13,995 AND IT'S GIVING ME THE HEEBIES. 298 00:21:15,364 --> 00:21:17,131 HMM? WHAT'S THAT, GUY? 299 00:21:17,165 --> 00:21:18,900 UM... YOUR... YOUR FRIEND 300 00:21:18,935 --> 00:21:20,235 THIS WOMAN, RIGHT- 301 00:21:20,269 --> 00:21:23,204 NOW, IS SHE CONNECTED IN HIGH PLACES? 302 00:21:24,639 --> 00:21:25,840 BANG ON. 303 00:21:25,875 --> 00:21:27,375 SHE'S A TRAPEZE ARTIST... 304 00:21:27,409 --> 00:21:30,344 WITH VERTIGO - WHICH IS WHY SHE WENT FOR A DOCTOR. 305 00:21:30,378 --> 00:21:32,013 OKAY, NOW... THE OTHER NIGHT 306 00:21:32,048 --> 00:21:33,715 WHEN YOU ASKED ME WHO CRANE 307 00:21:33,749 --> 00:21:35,517 WAS GETTING HIS LEG OVER WITH... 308 00:21:35,551 --> 00:21:37,385 YOU HAVE NO RECOLLECTION OF THAT. 309 00:21:37,420 --> 00:21:39,754 JUST... JUST TELL ME AND I WILL WIPE IT. 310 00:21:41,456 --> 00:21:42,624 OWEN... 311 00:21:44,293 --> 00:21:46,261 ARE YOU SCREWING CRANE'S WIFE? 312 00:21:48,230 --> 00:21:51,966 NO. ACTUALLY, NO... UM, I DON'T WANT TO KNOW THE ANSWER TO THAT. 313 00:21:52,001 --> 00:21:53,902 GOOD. 314 00:21:54,636 --> 00:21:56,203 JESUS. 315 00:21:56,238 --> 00:21:58,439 WHAT HAVE YOU DONE? 316 00:22:01,677 --> 00:22:03,344 I DO THE TALKING. 317 00:22:03,379 --> 00:22:04,579 I'LL TALK IF I WANT TO. 318 00:22:04,613 --> 00:22:05,946 YEAH, WELL, IF YOU WANT TO 319 00:22:05,981 --> 00:22:08,349 YOU GIVE ME THE NOD, BECAUSE I'M OUT OF THERE. 320 00:22:08,384 --> 00:22:09,717 Crane: I DON'T WANT 321 00:22:09,751 --> 00:22:12,086 TO ENLARGE ON THE SITUATION OTHER THAN TO SAY 322 00:22:12,121 --> 00:22:14,356 GORDON CROWTHER'S COVERING ME FOR A FEW DAYS 323 00:22:14,390 --> 00:22:16,690 WHICH MEANS YOU COULD BOTH GET SERIOUSLY BUSY. 324 00:22:16,725 --> 00:22:18,360 I JUST WON'T BE AROUND FOR YOU. 325 00:22:18,394 --> 00:22:19,894 THAT'S OKAY, WE'VE A FAIRLY 326 00:22:19,929 --> 00:22:21,796 STRAIGHTFORWARD FORTNIGHT BOOKED. 327 00:22:21,831 --> 00:22:24,732 I'LL STILL BE ON CALL FOR ADVICE AND EMERGENCIES 328 00:22:24,767 --> 00:22:26,901 AND I'LL BE IN FOR THE WARD ROUNDS. 329 00:22:27,336 --> 00:22:28,269 UH... AS A NEWCOMER 330 00:22:28,303 --> 00:22:31,105 YOU MUST BE GETTING A FAIRLY BAD IMPRESSION. 331 00:22:32,341 --> 00:22:33,474 HE'S FINE. 332 00:22:34,576 --> 00:22:35,977 YEAH, YOU JUST LET US KNOW 333 00:22:36,011 --> 00:22:37,712 IF THERE'S ANYTHING WE CAN DO. 334 00:22:38,714 --> 00:22:39,981 THANKS. 335 00:22:40,015 --> 00:22:41,582 THERE'S NOT. 336 00:22:47,289 --> 00:22:48,889 YOU ARE A TWO-FACED SHIT. 337 00:22:48,924 --> 00:22:51,593 YOU'RE SCREWING HIS WIFE, FOR GOD'S SAKE. 338 00:22:51,627 --> 00:22:54,562 "LET US KNOW IF THERE'S ANYTHING WE CAN DO." 339 00:22:54,596 --> 00:22:56,431 SO? I'VE NOTHING AGAINST HIM. 340 00:22:56,465 --> 00:22:57,666 OH, THAT'S BIG OF YOU. 341 00:22:57,700 --> 00:23:00,101 YOU KNOW, YOU'RE A MANIAC, YOU KNOW THAT? 342 00:23:00,135 --> 00:23:02,504 YOU ARE SERIOUSLY BAD BLOODY NEWS, MATE. 343 00:23:14,549 --> 00:23:15,650 YES. 344 00:23:35,037 --> 00:23:37,939 THE FIRST THING I REMEMBER IS HAVING SEX IN YOUR FLAT. 345 00:23:37,973 --> 00:23:39,640 WHICH IS A PRETTY VIVID MEMORY. 346 00:23:39,675 --> 00:23:40,908 WHAT I CAN'T REMEMBER- 347 00:23:40,942 --> 00:23:43,544 AND YOU'RE GOING TO HAVE TO FORGIVE ME FOR THIS- 348 00:23:43,579 --> 00:23:44,779 IS DID I INITIATE THAT 349 00:23:44,813 --> 00:23:46,013 OR DID YOU? 350 00:23:46,047 --> 00:23:48,349 IT WAS A BIT MORE, UM, EVOLUTIONARY THAN THAT. 351 00:23:48,383 --> 00:23:50,718 WELL, ONE OF US BROUGHT IT UP FIRST. 352 00:23:50,753 --> 00:23:51,785 OKAY, ME. 353 00:23:51,820 --> 00:23:53,688 I MADE THE FIRST MOVE. 354 00:23:55,991 --> 00:23:56,991 WAS I A PUSHOVER? 355 00:23:57,026 --> 00:23:58,593 ON A SCALE OF ONE TO TEN 356 00:23:58,627 --> 00:24:00,395 YOU WERE ABOUT POINT FIVE 357 00:24:00,429 --> 00:24:02,330 SO PLEASE, BLAME ME 358 00:24:02,365 --> 00:24:03,898 BUT YOU'LL HAVE TO TELL ME 359 00:24:03,932 --> 00:24:06,667 HOW YOU WANT TO WORK THIS ONE OUT, BECAUSE WE HAVE TO WORK 360 00:24:06,702 --> 00:24:08,136 TOGETHER SOMEHOW. 361 00:24:08,170 --> 00:24:09,671 YOU TOLD ANNA, DIDN'T YOU? 362 00:24:11,073 --> 00:24:12,473 I DID NOT. 363 00:24:12,507 --> 00:24:16,344 OR YOU... YOU CONTRIVED FOR HER TO FIND OUT SOMEHOW. 364 00:24:16,378 --> 00:24:17,578 I DID NOT! 365 00:24:17,612 --> 00:24:18,679 LOOK, WE MADE A PACT. 366 00:24:18,714 --> 00:24:20,181 WHEN ALL THIS FIRST STARTED 367 00:24:20,215 --> 00:24:23,217 WE BOTH ABSOLUTELY AGREED THAT THERE WAS NO FUTURE IN IT. 368 00:24:23,251 --> 00:24:25,653 I DON'T THINK I DESERVE THIS KIND OF DECEIT. 369 00:24:25,687 --> 00:24:28,556 I'M NOT LIKE THIS LOT; I'M NOT A COMPULSIVE WOMANIZER. 370 00:24:28,591 --> 00:24:31,860 YOU WERE AN EXCEPTION IN AN OTHERWISE BLEMISH-FREE 25 YEARS. 371 00:24:31,894 --> 00:24:33,227 I'M A HAPPILY MARRIED MAN. 372 00:24:33,262 --> 00:24:36,064 YOU CONCEITED SOD! 373 00:24:36,098 --> 00:24:37,832 WHAT THE HELL DO I GAIN FROM... 374 00:24:37,867 --> 00:24:40,735 SHH! JUST KEEP YOUR VOICE DOWN, PLEASE. 375 00:24:40,769 --> 00:24:41,636 BUGGER OFF! 376 00:24:44,373 --> 00:24:46,474 WHAT DO I GAIN FROM TELLING YOUR WIFE? 377 00:24:46,508 --> 00:24:49,276 YOU DUMPED ME IN A HOTEL IN THE MIDDLE OF LONDON 378 00:24:49,311 --> 00:24:51,946 WITH A BILL FOR A QUEEN-SIZE BED AND BREAKFAST. 379 00:24:51,980 --> 00:24:53,414 I'LL PAY, I'LL PAY. 380 00:24:53,448 --> 00:24:55,416 OF COURSE I'LL PAY FOR THAT- SORRY. 381 00:24:57,953 --> 00:25:00,088 I AM NOT A SEXUAL SYCOPHANT. 382 00:25:00,122 --> 00:25:01,589 I DO NOT SLEEP WITH SURGEONS 383 00:25:01,623 --> 00:25:04,091 BECAUSE I LIVE IN AWE OF THEIR GIFTED HANDS. 384 00:25:04,125 --> 00:25:05,859 I LIVED WITH A JOINER FOR TWO YEARS 385 00:25:05,894 --> 00:25:07,729 SO I'VE GOT GIFTED HANDS UP TO HERE. 386 00:25:07,763 --> 00:25:08,696 I DO NOT WANT YOUR LIFE 387 00:25:08,731 --> 00:25:10,932 YOUR HOUSE, OR YOUR MARRIAGE 388 00:25:10,966 --> 00:25:13,034 BECAUSE I'M BLOODY HAPPY WITH MY OWN LIFE. 389 00:25:13,069 --> 00:25:14,936 I WAS VERY BLOODY HAPPY WITH A WEEKEND 390 00:25:14,970 --> 00:25:17,137 WHICH IS WHY I SPENT SIX WEEKS PLANNING IT. 391 00:25:17,172 --> 00:25:20,074 I HAVE NO REASON ON EARTH TO WANT TO SPOIL THAT 392 00:25:20,109 --> 00:25:21,809 BY TELLING YOUR BLOODY WIFE. 393 00:25:21,844 --> 00:25:23,811 NO, NO, NO, VIVIEN, I'M SORRY. 394 00:25:23,846 --> 00:25:25,213 I KNOW YOU HAVEN'T. 395 00:25:25,247 --> 00:25:27,014 IT'S ME- I'M JUST SORRY... 396 00:25:27,049 --> 00:25:28,549 I DON'T WANT TO LOSE HER. 397 00:25:28,583 --> 00:25:30,351 WELL, I CAN'T HELP YOU WITH THAT. 398 00:25:53,976 --> 00:25:55,309 YOU OKAY? 399 00:26:15,831 --> 00:26:17,431 Anna: Hello. 400 00:26:19,134 --> 00:26:21,302 UH, WHO THE HELL'S MARY ELLISON? 401 00:26:21,336 --> 00:26:24,004 Uh, me- me. 402 00:26:25,007 --> 00:26:26,707 Can you get away? 403 00:26:28,310 --> 00:26:31,946 UM, I'M DOING AN OUTPATIENTS' CLINIC IN ABOUT HALF AN HOUR. 404 00:26:31,980 --> 00:26:34,582 I COULD BE SOMEWHERE ABOUT 4:00-ISH. 405 00:27:05,881 --> 00:27:08,249 I THOUGHT YOU WERE BUSY ALL THIS WEEK. 406 00:27:08,283 --> 00:27:10,151 I OWN THE FIRM. 407 00:27:10,186 --> 00:27:12,020 I'M AS BUSY AS I WANT TO BE. 408 00:27:15,758 --> 00:27:17,492 THANK YOU. 409 00:27:26,435 --> 00:27:27,501 THANKS. 410 00:27:28,570 --> 00:27:30,905 YOU BEEN IN TO SEE YOUR MUM? 411 00:27:30,940 --> 00:27:33,908 SHE'S ASKING WHEN SHE CAN GO HOME. 412 00:27:33,942 --> 00:27:36,211 WELL, PHYSICALLY, SHE'LL BE FIT TO LEAVE 413 00:27:36,245 --> 00:27:37,645 WITHIN SIX OR SEVEN DAYS 414 00:27:37,679 --> 00:27:39,513 BUT THAT'S ONLY IF YOU'RE HAPPY 415 00:27:39,548 --> 00:27:42,516 ABOUT A NURSING HOME TAKING A POST-OP PATIENT BACK. 416 00:27:42,550 --> 00:27:45,019 WELL, THEY WEREN'T BRILLIANT BEFORE. 417 00:27:45,053 --> 00:27:47,488 I'M NOT BANKING ON ANY IMPROVEMENTS 418 00:27:47,522 --> 00:27:50,525 BUT, UH... IF I MOVE INTO HER HOUSE 419 00:27:50,559 --> 00:27:52,593 THEN AT LEAST I'LL BE CLOSER. 420 00:27:56,665 --> 00:27:58,165 YOU'RE LEAVING HIM? 421 00:27:58,200 --> 00:28:00,901 NOTHING TO BE GAINED BY STAYING. 422 00:28:04,106 --> 00:28:06,473 THE HOUSE FEELS SO WEIRD. 423 00:28:06,508 --> 00:28:09,110 I... FEEL LIKE AN INTRUDER. 424 00:28:10,612 --> 00:28:12,446 WE BOUGHT IT 15 YEARS AGO. 425 00:28:12,480 --> 00:28:15,683 RICHARD ACCEPTED A CONSULTANCY POST AT ST. GREGORY'S 426 00:28:15,717 --> 00:28:18,686 AND I DON'T THINK WE'VE STOPPED RUNNING SINCE THEN. 427 00:28:21,623 --> 00:28:24,325 I THOUGHT WE WERE RUNNING TOGETHER. 428 00:28:25,493 --> 00:28:26,693 Man: OH, HELLO! 429 00:28:29,765 --> 00:28:31,165 HELLO, TOM. 430 00:28:35,370 --> 00:28:37,305 I THOUGHT THIS WAS SOMEWHERE PRIVATE. 431 00:28:37,339 --> 00:28:38,606 YOU KNOW THESE PEOPLE? 432 00:28:39,641 --> 00:28:40,674 VAGUELY. 433 00:28:44,747 --> 00:28:47,214 AND HOW VAGUELY DO THEY KNOW YOUR OLD FELLOW? 434 00:28:48,784 --> 00:28:52,153 OH, THEY PLAY FOOTBALL TOGETHER SOMETIMES. 435 00:28:56,425 --> 00:28:58,792 FOR CHRIST'S SAKE, THIS ISN'T... 436 00:29:02,031 --> 00:29:03,531 SO I'M WHAT, UH... 437 00:29:03,565 --> 00:29:05,066 THE GOSSIP? 438 00:29:06,301 --> 00:29:08,469 THEY'RE GOING TO FILTER IT BACK TO HIM? 439 00:29:10,439 --> 00:29:13,507 IT'S NONE OF HIS BUSINESS WHAT YOU'RE DOING HERE. 440 00:29:13,541 --> 00:29:16,611 BUT I'M ONLY HERE SO YOU CAN TELL HIM IT'S NOT HIS BUSINESS! 441 00:29:25,887 --> 00:29:27,889 LOOK, IF YOU WANT TO MAKE HIM JEALOUS 442 00:29:27,923 --> 00:29:30,090 DON'T PRETEND TO BE SUBTLE, ANNA. 443 00:29:30,124 --> 00:29:31,259 TAKE SOMEBODY HOME. 444 00:29:31,293 --> 00:29:33,628 HAVE HIM IN BED WHEN HE GETS IN FROM WORK. 445 00:29:33,662 --> 00:29:35,063 THAT'S HOW YOU HURT HIM. 446 00:29:35,097 --> 00:29:37,731 WHAT THE HELL'S THE MATTER WITH YOU? 447 00:29:37,766 --> 00:29:39,500 I CAN'T BELIEVE I'VE DONE THIS. 448 00:29:39,534 --> 00:29:40,534 OH, FOR GOD'S SAKE! 449 00:29:40,569 --> 00:29:41,602 HOW OLD ARE YOU? 450 00:29:41,636 --> 00:29:42,503 I'M NOT A CHILD. 451 00:29:42,538 --> 00:29:43,871 I KNEW WHAT I WAS DOING. 452 00:29:43,905 --> 00:29:45,473 YEAH, BUT WHAT YOU WERE DOING 453 00:29:45,507 --> 00:29:47,308 HAD NOTHING TO DO WITH ME. 454 00:29:47,342 --> 00:29:48,376 SO, WHAT'S YOUR COMPLAINT? 455 00:29:48,410 --> 00:29:49,844 YOU GOT WHAT YOU WANTED. 456 00:29:49,878 --> 00:29:52,479 THAT IS NOWHERE NEAR WHAT I WANTED! 457 00:30:11,332 --> 00:30:12,300 DON'T BE SILLY. 458 00:30:12,334 --> 00:30:13,300 GET IN THE CAR. 459 00:30:13,335 --> 00:30:14,502 GO HOME. 460 00:30:14,536 --> 00:30:16,470 GET IN THE CAR. 461 00:30:40,229 --> 00:30:41,328 HIYA. 462 00:30:53,108 --> 00:30:54,208 CAN I COME IN? 463 00:31:01,149 --> 00:31:02,183 THANKS. 464 00:31:02,217 --> 00:31:04,619 OH, AND A FEW MESSAGES. 465 00:31:04,653 --> 00:31:06,154 CAN YOU RING 466 00:31:06,188 --> 00:31:08,256 MARY ELLISON? 467 00:31:08,290 --> 00:31:09,390 ELLISON? 468 00:31:11,426 --> 00:31:12,726 THE LAST ONE WAS URGENT. 469 00:31:12,761 --> 00:31:14,061 SHE'S ON THE MOBILE. 470 00:31:16,064 --> 00:31:17,732 I GOT A PAYCHECK. 471 00:31:20,035 --> 00:31:21,135 BACK PAY. 472 00:31:21,169 --> 00:31:22,570 OH, WELL, IF YOU'RE RICH 473 00:31:22,604 --> 00:31:23,704 IT'S ME BIRTHDAY. 474 00:31:23,738 --> 00:31:25,839 YOU'RE JOKING. 475 00:31:25,874 --> 00:31:29,143 NO, I'M HAVING A BIT OF A DO DOWN THE SWAN. 476 00:31:29,177 --> 00:31:31,879 YOUR DAD GOT US A... DID I IRON THAT SHIRT? 477 00:31:33,014 --> 00:31:34,015 NO, I DID. 478 00:31:34,049 --> 00:31:35,082 OH. 479 00:31:35,116 --> 00:31:36,183 YEAH, YOUR DAD GOT US 480 00:31:36,217 --> 00:31:38,119 INTO THE FUNCTION ROOM FOR A TENNER 481 00:31:38,153 --> 00:31:40,120 WITH A SHERRY EACH PAID ON. 482 00:31:40,154 --> 00:31:42,289 I DON'T KNOW ANYONE WHO DRINKS SHERRY 483 00:31:42,323 --> 00:31:45,259 BUT IT'S THE THOUGHT THAT COUNTS, ISN'T IT? 484 00:31:47,229 --> 00:31:48,429 HAPPY BIRTHDAY, IRMA. 485 00:31:53,134 --> 00:31:54,868 YOU'RE WELCOME TO COME 486 00:31:54,902 --> 00:31:56,904 IF YOU'RE NOT DOING OWT. 487 00:32:01,977 --> 00:32:05,479 YOUR DAD RECKONS SHE'S A BIT OLDER. 488 00:32:05,514 --> 00:32:06,847 DOES HE? 489 00:32:06,882 --> 00:32:08,716 HEY, DON'T GET YOUR BACK UP. 490 00:32:08,750 --> 00:32:11,219 I'VE MADE THE SAME MISTAKE, YOU KNOW. 491 00:32:11,253 --> 00:32:13,520 LAST BLOKE I HAD WERE IN HIS 50s. 492 00:32:13,554 --> 00:32:16,056 BUILDER'S MERCHANT FROM HEATON MERSEY. 493 00:32:16,091 --> 00:32:17,158 MASSIVE CAR. 494 00:32:17,192 --> 00:32:20,994 HE BOUGHT ME ALL SORTS- FREEZER, STEREO... 495 00:32:21,028 --> 00:32:22,763 THEN HE STARTS BUYING ME CLOTHES. 496 00:32:22,798 --> 00:32:25,499 I LOOKED LIKE SHIRLEY BLEEDIN' TEMPLE IN HALF OF IT 497 00:32:25,534 --> 00:32:27,735 SO I SAID, "ON YOUR WAY, YOU SAD BASTARD! 498 00:32:27,769 --> 00:32:29,336 NOBODY TELLS ME WHAT TO WEAR." 499 00:32:29,371 --> 00:32:31,338 I JUST DON'T THINK THERE'S OWT RIGHT 500 00:32:31,373 --> 00:32:32,739 IN RELATIONSHIPS LIKE THAT. 501 00:32:32,774 --> 00:32:34,908 I MEAN, IF HE WERE THAT GOOD AT BEING 50 502 00:32:34,943 --> 00:32:36,777 WHAT'S HE WANT WITH A 30-YEAR-OLD? 503 00:32:37,879 --> 00:32:39,847 Arnold: ANYBODY IN? 504 00:32:39,881 --> 00:32:40,881 OH... 505 00:32:40,916 --> 00:32:41,882 WE'RE UP HERE! 506 00:32:41,916 --> 00:32:42,917 Arnold: WHO'S "WE"? 507 00:32:44,386 --> 00:32:45,986 I WISH. 508 00:32:46,021 --> 00:32:47,120 OH. 509 00:32:50,292 --> 00:32:53,060 IT DOESN'T HAVE TO BE CHAMPAGNE. 510 00:32:53,094 --> 00:32:56,297 GOT ANY SPARKLING WINE? 511 00:32:56,331 --> 00:32:58,732 JUST GIVE US A BOTTLE OF SCOTCH, WILL YOU? 512 00:33:02,971 --> 00:33:04,538 AND ONE FOR YOURSELF. 513 00:33:14,349 --> 00:33:16,717 Crowd: ♪ FOR SHE'S A JOLLY GOOD FELLOW ♪ 514 00:33:16,751 --> 00:33:18,919 ♪ SO SAY ALL OF US! 515 00:33:21,823 --> 00:33:23,190 OH, YOU SHOULDN'T HAVE! 516 00:33:23,225 --> 00:33:24,791 COME HERE, YOU. 517 00:33:24,826 --> 00:33:26,460 MMM... 518 00:33:26,494 --> 00:33:27,728 HEY, HEY, YOU LOT! 519 00:33:27,763 --> 00:33:29,830 IF ANY OF YOU LOT WANTS YOUR VEINS DOING 520 00:33:29,864 --> 00:33:31,098 LATCH ONTO THIS FELLOW. 521 00:33:31,133 --> 00:33:32,466 HE'S A DOCTOR- A SURGEON! 522 00:33:32,500 --> 00:33:33,466 YES, HE IS! 523 00:33:33,501 --> 00:33:34,702 OWEN, OWEN... 524 00:33:34,736 --> 00:33:37,571 TALK ME MUM THROUGH HER HYSTERECTOMY. 525 00:33:49,484 --> 00:33:51,819 THIS IS ME FIRST, BEFORE YOU ASK. 526 00:33:51,853 --> 00:33:54,989 AND I'M ON GILLS, SO... I'M TRYING. 527 00:33:55,023 --> 00:33:56,256 I KNOW. 528 00:33:56,291 --> 00:33:58,425 I TAKE IT YOU DON'T HAVE A DEATH WISH. 529 00:34:00,061 --> 00:34:01,428 NO. 530 00:34:01,462 --> 00:34:04,231 SO WHAT YOU DOING CHATTING UP THAT ONE? 531 00:34:07,002 --> 00:34:08,068 I WASN'T. 532 00:34:08,103 --> 00:34:09,169 DON'T. 533 00:34:09,204 --> 00:34:10,938 ACCORDING TO HALF OF THIS LOT 534 00:34:10,972 --> 00:34:13,975 IT'S NOT SEX WITH HER, IT'S LIKE GETTING MUGGED. 535 00:34:14,009 --> 00:34:16,843 YOUR HANDS ARE WORTH MONEY. 536 00:34:16,878 --> 00:34:18,879 BE WARNED. 537 00:34:18,913 --> 00:34:22,683 UNDERDRESSED AND OVERUSED. 538 00:34:22,717 --> 00:34:24,351 SO... WHAT'S THE SCORE 539 00:34:24,386 --> 00:34:26,988 WITH "OVERAGE AND UNDERINTERESTED"? 540 00:34:27,022 --> 00:34:28,756 MIND YOUR OWN BLOODY BUSINESS. 541 00:34:28,790 --> 00:34:30,858 ALL RIGHT, ALL RIGHT. 542 00:34:30,892 --> 00:34:32,493 I'M ONLY TRYING TO PUT YOU 543 00:34:32,527 --> 00:34:33,794 ON THE RIGHT TRACK. 544 00:34:35,396 --> 00:34:37,030 LOOK, IF I NEEDED COUNSELING 545 00:34:37,065 --> 00:34:39,366 I WOULDN'T COME TO SOME... SICK-PAID DIPSO 546 00:34:39,400 --> 00:34:41,802 WITH LESS SEXUAL HISTORY THAN A TADPOLE. 547 00:34:41,837 --> 00:34:42,869 HEY, HEY, CALM DOWN. 548 00:34:42,904 --> 00:34:45,005 LOOK, I DON'T HAVE TO BE HERE, DAD. 549 00:34:45,039 --> 00:34:47,708 WELL, YOU'RE NOT FLATTERING ANYBODY STOPPING. 550 00:34:47,743 --> 00:34:50,010 IF I'M MAKING YOU FEEL THAT OUT OF PLACE 551 00:34:50,044 --> 00:34:51,912 BUGGER OFF BACK TO NOTTING HILL GATE 552 00:34:51,946 --> 00:34:54,014 AND TAKE YOUR BLOODY TANTRUMS WITH YOU. 553 00:34:54,048 --> 00:34:55,949 WHO DO YOU THINK YOU'RE TALKING TO? 554 00:34:55,984 --> 00:34:57,150 HEY! 555 00:34:57,184 --> 00:34:59,887 IF YOU'VE COCKED IT UP WITH YOUR BIT OF SKIRT 556 00:34:59,921 --> 00:35:01,121 THAT'S NOT MY FAULT. 557 00:35:01,155 --> 00:35:03,223 IF YOU'RE THINKING YOU'VE MADE A MISTAKE 558 00:35:03,257 --> 00:35:04,491 COMING UP TO MANCHESTER 559 00:35:04,525 --> 00:35:06,227 IT'S YOUR OWN MISTAKE, ALL RIGHT? 560 00:35:06,261 --> 00:35:08,295 WE ALL MANAGED WELL ENOUGH WITHOUT YOU! 561 00:35:08,329 --> 00:35:09,497 ALL RIGHT?! 562 00:35:23,544 --> 00:35:25,913 Vivien: WHAT? 563 00:35:25,947 --> 00:35:29,082 I WANT TO APPLY FOR EARLY RELEASE FROM THE CONTRACT 564 00:35:29,117 --> 00:35:31,451 SO I CAN START LOOKING SOMEWHERE ELSE. 565 00:35:31,486 --> 00:35:34,821 DOES THAT GET GRACED WITH ANY KIND OF EXPLANATION? 566 00:35:34,856 --> 00:35:38,993 YOU HAVEN'T GOT ANY SCHOOLGIRLS PREGNANT, HAVE YOU? 567 00:35:40,361 --> 00:35:43,630 LOOK, I DON'T HAVE TO EXPLAIN. 568 00:35:43,664 --> 00:35:45,433 I'M TELLING YOU. 569 00:35:45,467 --> 00:35:47,400 I SHOULDN'T HAVE COME. 570 00:35:47,435 --> 00:35:49,503 WHAT THE HELL ARE YOU TALKING ABOUT? 571 00:35:49,537 --> 00:35:52,640 PEOPLE'S INSIDES ARE DIFFERENT IN MANCHESTER? 572 00:35:52,674 --> 00:35:54,275 YOU'RE GETTING ALTITUDE SICKNESS? 573 00:35:54,309 --> 00:35:55,375 WHAT? 574 00:35:55,410 --> 00:35:58,045 HAVE YOU ANY IDEA HOW MUCH IT COSTS 575 00:35:58,080 --> 00:36:01,014 TO RUN INTERVIEWS FOR THIS JOB, OWEN? 576 00:36:03,485 --> 00:36:04,618 I'M REALLY SORRY. 577 00:36:06,020 --> 00:36:07,020 FOR WHAT? 578 00:36:13,361 --> 00:36:16,697 CAN YOU TELL HIM THAT I'M AT HOME TILL 3:00? 579 00:36:16,732 --> 00:36:19,466 AND I'LL LEAVE THE MOBILE SWITCHED ON. 580 00:36:19,500 --> 00:36:21,201 I'VE ALREADY LEFT THE NUMBER. 581 00:36:22,237 --> 00:36:23,203 MARY ELLISON. 582 00:36:23,238 --> 00:36:24,671 THANK YOU. 583 00:36:30,011 --> 00:36:31,045 Anna: I'M HERE. 584 00:36:31,079 --> 00:36:32,379 OH. 585 00:36:32,413 --> 00:36:34,414 THESE, UH... 586 00:36:34,449 --> 00:36:37,151 THEY'RE, UM... WELL, THEY'RE NOT A BRIBE. 587 00:36:37,185 --> 00:36:38,585 THE... THE HOUSE FEELS COLD 588 00:36:38,620 --> 00:36:40,821 AND I THOUGHT THEY MIGHT JUST, UH... 589 00:36:40,855 --> 00:36:43,590 I'LL PUT THEM... 590 00:36:49,564 --> 00:36:50,964 UM... 591 00:37:01,475 --> 00:37:04,011 I STARTED A LIST OF, UM, THINGS- 592 00:37:04,045 --> 00:37:10,784 REASONS, POSSIBLE REASONS WHY I MIGHT HAVE, UM... 593 00:37:10,819 --> 00:37:14,188 I DON'T KNOW WHAT THE WORD IS, UH... 594 00:37:14,222 --> 00:37:16,590 BETRAYED YOU- 595 00:37:16,624 --> 00:37:22,329 AND... NO, THERE'S... THERE'S NOTHING THERE. 596 00:37:22,363 --> 00:37:24,431 I COULDN'T... I MEAN, YOU WORK TOO HARD 597 00:37:24,465 --> 00:37:26,199 BUT I LIKE YOU WORKING TOO HARD. 598 00:37:26,234 --> 00:37:28,302 YOU'RE RUDE TO MY COLLEAGUES AT PARTIES 599 00:37:28,336 --> 00:37:31,205 BUT I LIKE YOU BEING RUDE TO MY COLLEAGUES AT PARTIES. 600 00:37:31,239 --> 00:37:32,539 IT'S VERY FUNNY. 601 00:37:32,574 --> 00:37:34,007 WHAT'S "BEDROOM"? 602 00:37:34,042 --> 00:37:35,375 WHAT? 603 00:37:35,409 --> 00:37:37,210 BEDROOM. 604 00:37:37,244 --> 00:37:38,579 BE... UH... 605 00:37:38,613 --> 00:37:41,448 NO, NO, THE PAPER IN THE BEDROOM- THE WALLPAPER- 606 00:37:41,482 --> 00:37:42,583 I DON'T LIKE IT 607 00:37:42,617 --> 00:37:43,617 BUT THAT'S, UM... 608 00:37:43,651 --> 00:37:45,452 CLUTCHING AT STRAWS, ISN'T IT? 609 00:37:45,486 --> 00:37:46,653 I COULDN'T THINK 610 00:37:46,687 --> 00:37:48,189 OF A THING, ANNA. 611 00:37:51,926 --> 00:37:53,493 I'M MOVING OUT. 612 00:37:53,527 --> 00:37:55,629 OH, MY GOD. 613 00:37:55,663 --> 00:37:57,430 I'M MOVING INTO MY MOTHER'S HOUSE. 614 00:37:57,465 --> 00:37:59,232 OH, MY GOD, PLEASE DON'T DO THAT. 615 00:37:59,266 --> 00:38:02,469 HOW CAN I TRY TO EXPLAIN IF YOU'RE NOT THERE TO TALK TO? 616 00:38:02,504 --> 00:38:04,838 HOW CAN I REDEEM THIS BLOODY AWFUL MISTAKE 617 00:38:04,872 --> 00:38:06,706 IF I CAN'T MAKE YOU LISTEN TO ME? 618 00:38:06,740 --> 00:38:09,176 BUT YOU CAN'T COME UP WITH AN EXPLANATION. 619 00:38:09,210 --> 00:38:10,610 I WILL. 620 00:38:10,644 --> 00:38:12,378 I'M NOT ASKING YOU TO INVENT ONE. 621 00:38:12,413 --> 00:38:13,614 YOU HAVEN'T GOT ONE. 622 00:38:13,648 --> 00:38:15,649 I'M NOT SATISFIED, SO I'M NOT STAYING. 623 00:38:15,684 --> 00:38:17,817 LOOK... 624 00:38:19,954 --> 00:38:21,422 WAIT. 625 00:38:27,929 --> 00:38:30,331 Anna: I'm sorry, we can't get to the phone... 626 00:38:30,365 --> 00:38:31,932 LOOK... LISTEN, I'LL MOVE OUT. 627 00:38:31,966 --> 00:38:33,266 WHY SHOULD YOU MOVE OUT? 628 00:38:33,301 --> 00:38:34,501 I'LL MOVE OUT. 629 00:38:34,536 --> 00:38:36,436 I- I DON'T WANT YOU TO GO ANYWHERE. 630 00:38:36,470 --> 00:38:39,440 Vivien: Richard, it's Vivien Reid. 631 00:38:39,474 --> 00:38:40,774 OH, GOD. 632 00:38:40,808 --> 00:38:43,477 I'm sorry to have to get you at home, but... 633 00:38:43,511 --> 00:38:46,380 Owen Springer's just handed his resignation in. 634 00:38:46,414 --> 00:38:49,549 Gordon's tried talking to him, but nothing's shifting him. 635 00:38:49,583 --> 00:38:51,351 I haven't a clue what it's about. 636 00:38:51,385 --> 00:38:54,922 Anyway, Gordon thinks we have to go to the board for more money 637 00:38:54,956 --> 00:38:56,724 for another round of interviews. 638 00:38:56,758 --> 00:39:00,227 You don't need to come in, but Gordon has to talk to you. 639 00:39:00,262 --> 00:39:02,695 You left your pager in your office, by the way. 640 00:39:02,730 --> 00:39:03,731 Bye. 641 00:39:03,765 --> 00:39:05,933 FORGIVE ME. 642 00:39:05,967 --> 00:39:07,334 I'LL BE FIVE MINUTES. 643 00:39:10,938 --> 00:39:12,672 GORDON, IT'S RICHARD. 644 00:39:12,707 --> 00:39:14,207 WHAT'S HE UP TO? 645 00:39:16,377 --> 00:39:17,577 WHAT KIND OF PROFESSION 646 00:39:17,612 --> 00:39:18,679 DOES HE THINK HE'S IN 647 00:39:18,713 --> 00:39:19,780 IF HE WON'T EXPLAIN? 648 00:39:19,814 --> 00:39:21,681 WHERE IS HE NOW? 649 00:39:40,401 --> 00:39:43,469 I THINK YOU'RE MAKING A HUGE MISTAKE, OWEN. 650 00:39:43,504 --> 00:39:46,106 "I THINK YOU'RE MAKING A HUGE M... " 651 00:39:46,140 --> 00:39:47,373 WHO ASKED YOU, MAN? 652 00:39:47,408 --> 00:39:49,910 WHILE WE'RE ON THE SUBJECT, NOBODY ASKED ME 653 00:39:49,944 --> 00:39:51,812 BECAUSE YOU DRAGGED ME INTO THIS. 654 00:39:51,846 --> 00:39:54,848 WHAT DO YOU MEAN, YOU WERE DRAGGED INTO IT? 655 00:39:54,882 --> 00:39:56,016 HE KNOWS. 656 00:39:56,050 --> 00:39:58,852 HE KNOWS WHAT? 657 00:39:58,886 --> 00:40:00,186 ASK HIM. 658 00:40:00,221 --> 00:40:01,522 DON'T BOTHER. 659 00:40:03,458 --> 00:40:06,126 OKAY, I KNOW EXACTLY WHAT HE'S BEEN DOING, WHO WITH 660 00:40:06,160 --> 00:40:07,560 AND AS FAR AS I'M CONCERNED 661 00:40:07,595 --> 00:40:10,397 THE CONSEQUENCES WOULD HAVE BEEN TOTALLY PREDICTABLE 662 00:40:10,431 --> 00:40:11,464 TO A BLOODY AMOEBA. 663 00:40:11,499 --> 00:40:13,333 YOU STILL DIDN'T ANSWER MY QUESTION. 664 00:40:13,367 --> 00:40:15,134 HOW DID YOU GET DRAGGED INTO THIS? 665 00:40:15,169 --> 00:40:18,339 HE FORCED ME TO TELL HIM ABOUT CRANE AND VIV REID. 666 00:40:18,373 --> 00:40:19,673 I HONESTLY DIDN'T KNOW 667 00:40:19,707 --> 00:40:21,842 WHAT HE'D DO WITH THE INFORMATION. 668 00:40:21,876 --> 00:40:24,477 WHAT THE HELL DID YOU THINK HE WAS GOING TO DO? 669 00:40:24,512 --> 00:40:26,913 IT'S NO WONDER CRANE IS BOUNCING AROUND 670 00:40:26,948 --> 00:40:28,281 LIKE A NEUROTIC MOTH! 671 00:40:28,316 --> 00:40:30,183 SPRINGER. 672 00:40:30,217 --> 00:40:33,120 THAT SELFISH BASTARD IS GOING TO DRAG US DOWN WITH HIM 673 00:40:33,154 --> 00:40:34,321 IF WE'RE NOT CAREFUL. 674 00:40:34,355 --> 00:40:37,391 NOW, YOU KEEP YOUR MOUTH SHUT. 675 00:40:39,260 --> 00:40:41,461 TV announcer: With our three bingo maniacs 676 00:40:41,495 --> 00:40:43,497 it's now time to play Lucky Numbers. 677 00:40:43,531 --> 00:40:44,631 Come on. 678 00:40:46,834 --> 00:40:48,534 Well, the rules are very simple. 679 00:40:48,569 --> 00:40:51,338 Each of our contestants has been given a bingo board 680 00:40:51,372 --> 00:40:52,872 containing 15 lucky numbers. 681 00:40:52,907 --> 00:40:55,576 Now, you know as well as I, the object of the game 682 00:40:55,610 --> 00:40:57,611 is to light those numbers up correctly 683 00:40:57,645 --> 00:40:59,879 by answering questions over three rounds. 684 00:40:59,914 --> 00:41:02,082 Now, the first two rounds are worth £500. 685 00:41:02,116 --> 00:41:03,984 The third round is worth a thousand 686 00:41:04,018 --> 00:41:05,852 which means they could win £2,000. 687 00:41:05,886 --> 00:41:07,220 But it's the first one... 688 00:41:24,171 --> 00:41:25,672 IS THAT GOOD NEWS? 689 00:41:28,042 --> 00:41:29,376 NO. 690 00:41:37,819 --> 00:41:38,952 WHAT'S THIS? 691 00:41:38,986 --> 00:41:40,920 IT'S A PRESENT. 692 00:41:51,032 --> 00:41:52,098 MAY GOD FORGIVE YOU. 693 00:41:52,133 --> 00:41:54,100 I PREFERRED YOU WHEN YOU WERE SULKING. 694 00:41:54,135 --> 00:41:56,269 JUST TRY THEM FOR ONE WEEK. 695 00:41:56,304 --> 00:41:58,271 YOU TRY THEM FOR ONE WEEK 696 00:41:58,306 --> 00:41:59,739 YOU'LL GET THIS. 697 00:42:01,609 --> 00:42:03,476 HEY, IT'S A SEASON TICKET! 698 00:42:03,511 --> 00:42:04,311 LET'S SEE. 699 00:42:04,345 --> 00:42:05,679 NO. 700 00:42:05,713 --> 00:42:07,046 HEY, COME ON 701 00:42:07,081 --> 00:42:08,215 LET'S SEE. 702 00:42:08,249 --> 00:42:09,215 THERE YOU GO. 703 00:42:09,250 --> 00:42:10,884 LET'S JUST HAVE A LOOK. 704 00:42:16,390 --> 00:42:18,124 OH, BLOODY HELL. 705 00:42:19,193 --> 00:42:20,193 OKAY. 706 00:43:10,945 --> 00:43:12,178 OWEN? 707 00:43:15,216 --> 00:43:17,083 MR. SPRINGER? 708 00:43:17,117 --> 00:43:18,585 SIGN HERE, PLEASE. 709 00:43:26,894 --> 00:43:28,461 WHO IS IT FROM? 710 00:43:46,714 --> 00:43:47,981 WHAT YOU DOING? 711 00:43:50,551 --> 00:43:52,319 I DON'T KNOW, WHAT ARE YOU DOING? 712 00:43:52,353 --> 00:43:54,888 HERE. 713 00:44:07,935 --> 00:44:10,537 DAD, THANKS! 714 00:44:10,571 --> 00:44:12,739 IT'S NOT FROM ME, YOU DAFT BUGGER. 715 00:44:12,774 --> 00:44:14,174 IT'S 2:00 IN THE MORNING. 716 00:44:25,853 --> 00:44:27,721 HELLO? 717 00:44:27,755 --> 00:44:29,956 Anna: Why won't you talk to me? 718 00:44:31,959 --> 00:44:33,526 THIS IS MAD! 719 00:44:35,763 --> 00:44:38,131 THIS IS INSANE! 720 00:44:38,166 --> 00:44:40,233 IS IT YOUR SKIRT? 721 00:44:44,105 --> 00:44:45,238 Go to the window. 722 00:44:45,272 --> 00:44:46,840 WHAT? 723 00:44:49,410 --> 00:44:51,645 Front window. 724 00:45:00,221 --> 00:45:02,556 Right. 725 00:45:02,590 --> 00:45:05,391 More right. 726 00:45:39,961 --> 00:45:42,161 I DON'T WANT YOU TO LEAVE. 727 00:45:45,333 --> 00:45:47,067 UM... HOW DID YOU FIND OUT? 728 00:45:47,101 --> 00:45:49,603 HOW DO YOU THINK? 729 00:45:55,776 --> 00:45:57,610 I CAN'T BELIEVE YOU JUST DID THAT. 730 00:46:00,414 --> 00:46:02,316 NO, ME NEITHER. 731 00:46:05,252 --> 00:46:07,353 I... 732 00:46:07,388 --> 00:46:09,155 IF I HURT YOU, I'M SORRY. 733 00:46:10,858 --> 00:46:14,360 UH... I SHOULD BE THE ONE WHO'S APOLOGIZING. 734 00:46:14,395 --> 00:46:17,897 I HAVEN'T COME HERE TO APOLOGIZE. 735 00:46:19,967 --> 00:46:23,070 WHEN YOU WALKED AWAY FROM ME 736 00:46:23,104 --> 00:46:25,705 AT FIRST I THOUGHT, "OH, SOD HIM," AND THEN... 737 00:46:25,740 --> 00:46:30,477 I GOT TO THE MAIN ROAD AND I... 738 00:46:30,511 --> 00:46:31,778 OH, I JUST STARTED 739 00:46:31,813 --> 00:46:33,947 CRYING AND... 740 00:46:35,650 --> 00:46:38,217 YES, I SUPPOSE YOU GET TO MY AGE AND YOU THINK 741 00:46:38,252 --> 00:46:41,521 THE WHOLE WORLD'S GOING TO BE SORTED AND IN SHAPE FOR YOU 742 00:46:41,556 --> 00:46:44,891 AND IT'S NOT, AND... I DON'T KNOW, SUDDENLY IT'S JUST NOT. 743 00:46:46,794 --> 00:46:49,996 AND LIKE I FEEL I'VE NO ONE TO TALK TO AND... 744 00:46:50,031 --> 00:46:53,066 OF ALL THE PEOPLE I DON'T HAVE TO TALK TO 745 00:46:53,100 --> 00:46:56,236 YOU'RE THE ONE THAT KEEPS COMING INTO MY HEAD. 746 00:47:04,177 --> 00:47:08,047 I TRUST YOU. 747 00:47:08,081 --> 00:47:12,986 I THINK YOU'RE THE MOST HONEST MAN THAT I'VE EVER MET. 748 00:47:13,020 --> 00:47:14,387 I TRUST YOU 749 00:47:14,422 --> 00:47:18,525 AND I LOVE YOU FOR THAT. 750 00:47:18,559 --> 00:47:23,830 I LOVE YOU, I LOVE YOU... I LOVE YOU. 751 00:47:23,865 --> 00:47:28,401 AND I WANT TO SAY THAT I'M SORRY THAT I TOOK YOU FOR GRANTED. 752 00:49:41,968 --> 00:49:43,970 HOW YOU FEELING? 753 00:49:45,606 --> 00:49:47,840 I'M FEELING FINE. 754 00:49:57,384 --> 00:50:02,388 I'M FEELING... FANTASTIC. 755 00:51:43,023 --> 00:51:45,725 OH, RIGHT, SORRY. 756 00:51:45,759 --> 00:51:47,460 IT'S ME. 757 00:51:50,064 --> 00:51:52,231 I'D COMPLETELY FORGOT I HAD IT. 758 00:51:53,834 --> 00:51:55,101 HELLO? 759 00:51:58,338 --> 00:51:59,939 HELLO? 760 00:51:59,973 --> 00:52:01,507 Owen: Hello? 761 00:52:03,644 --> 00:52:04,811 WHO IS THIS? 762 00:52:21,328 --> 00:52:23,196 McGinley: IMAGINE YOU'VE A DAY OFF. 763 00:52:23,230 --> 00:52:24,697 YOU'RE IN TOWN SHOPPING 764 00:52:24,731 --> 00:52:27,467 WHEN YOU WITNESS AN ACCIDENT INVOLVING A CHILD. 765 00:52:27,501 --> 00:52:29,935 NOW, YOU'RE A DOCTOR, YOU KNOW WHAT TO DO 766 00:52:29,970 --> 00:52:32,238 SO YOU STEP IN AND SAVE THE BOY'S LIFE. 767 00:52:32,273 --> 00:52:34,641 YOU FOLLOW UP THE CASE, CHECK HE'S OKAY. 768 00:52:34,675 --> 00:52:36,342 NOW, HIS MOTHER IS IN SHOCK. 769 00:52:36,377 --> 00:52:37,877 SHE CAME OUT WITHOUT HER PURSE 770 00:52:37,912 --> 00:52:39,612 SO YOU GET HER SOMETHING TO EAT. 771 00:52:39,647 --> 00:52:40,813 NOW SHE HAS GOT YOU 772 00:52:40,847 --> 00:52:43,516 UP THERE WITH THE ANGELS IN HIGH ESTEEM 773 00:52:43,551 --> 00:52:46,452 BECAUSE YOU- A MAN WITH ALL THE RIGHT SKILLS- 774 00:52:46,486 --> 00:52:48,888 WERE THERE WHEN LIFE WENT WRONG FOR HER. 775 00:52:48,922 --> 00:52:50,089 COUPLE OF DAYS LATER 776 00:52:50,123 --> 00:52:52,325 SHE SAYS SHE'S MADLY IN LOVE WITH YOU. 777 00:52:52,359 --> 00:52:54,026 HAS THIS GOT A HAPPY ENDING? 778 00:52:54,061 --> 00:52:55,161 NOW, WOULD YOU TRUST 779 00:52:55,196 --> 00:52:57,162 HER INSTINCTS TO FALL IN LOVE WITH YOU? 780 00:52:57,197 --> 00:52:59,431 WOULD YOU ABSOLUTELY TRUST WHAT SHE'S SAYING 781 00:52:59,466 --> 00:53:01,467 IN THE SHADOW OF A TRAUMA THAT SIZE? 782 00:53:01,501 --> 00:53:02,468 WOULD I HELL. 783 00:53:02,503 --> 00:53:04,170 WHY NOT? 784 00:53:04,204 --> 00:53:05,371 BECAUSE IT'S IRRATIONAL. 785 00:53:05,405 --> 00:53:06,639 SHE'S IN SHOCK! 786 00:53:06,673 --> 00:53:10,376 AND BECAUSE SHE'S COMPLETELY BLOODY HYPOTHETICAL. 787 00:53:10,410 --> 00:53:14,847 THREE WEEKS AGO, ANNA CRANE WAS SERENELY DEVOTED TO HER HUSBAND. 788 00:53:14,882 --> 00:53:17,649 NOW SHE'S PASSIONATELY DEVOTED TO YOU. 789 00:53:17,684 --> 00:53:19,652 THAT'S NOT A BIG LEAP FOR YOU? 790 00:53:19,686 --> 00:53:21,520 NO, SHE'S IN LOVE WITH ME, JOHN. 791 00:53:21,554 --> 00:53:25,457 CAN PEOPLE CHANGE THAT MUCH THAT FAST? 792 00:53:26,861 --> 00:53:29,896 IF YOU'D TOUCHED HER, YOU'D KNOW. 793 00:53:29,930 --> 00:53:32,565 IF YOU'D KISSED HER, YOU'D KNOW. 794 00:53:32,599 --> 00:53:35,234 IF YOU SLEPT WITH HER, YOU WOULD KNOW. 795 00:53:35,269 --> 00:53:36,735 OKAY, PUT US ON THE LIST. 796 00:53:36,770 --> 00:53:38,171 THAT'S NOT FUNNY, McGINLEY. 797 00:53:38,205 --> 00:53:39,238 NO, WHAT'S NOT FUNNY 798 00:53:39,273 --> 00:53:41,307 IS THAT SHE WOULDN'T LOOK AT ME TWICE. 799 00:53:41,342 --> 00:53:42,842 THAT DASHBOARD IS FANTASTIC. 800 00:53:42,876 --> 00:53:46,278 AND THE UPHOLSTERY IS REALLY TACTILE 801 00:53:46,313 --> 00:53:50,283 AND THE ENGINE IS VERY SEXY. 802 00:53:50,317 --> 00:53:54,153 BUT I'LL BE ABSOLUTELY STRAIGHT WITH YOU, MATE: 803 00:53:54,188 --> 00:53:57,523 I PREFER MAKING LOVE TO WOMEN. 804 00:53:59,460 --> 00:54:00,993 HE'S FEELING A BIT LEFT OUT. 805 00:54:01,027 --> 00:54:03,195 TRY SELLING HIM ONE. 806 00:54:04,264 --> 00:54:05,965 Owen: So, where are you now? 807 00:54:05,999 --> 00:54:07,900 THE OFFICE. 808 00:54:07,934 --> 00:54:10,737 What're you thinking about? 809 00:54:10,771 --> 00:54:11,971 YOU. 810 00:54:14,742 --> 00:54:16,642 Anna: Now... 811 00:54:16,677 --> 00:54:21,213 I SHOULD BE IN A MEETING. 812 00:54:21,248 --> 00:54:23,883 Owen: What were you thinking about before? 813 00:54:23,917 --> 00:54:25,084 YOU. 814 00:54:25,118 --> 00:54:29,455 I CAN SMELL YOU. 815 00:54:29,490 --> 00:54:31,424 Anna: When do I see you? 816 00:54:33,927 --> 00:54:35,895 I'M DUE OUT OF THEATER ABOUT 6:00-ISH. 817 00:54:35,929 --> 00:54:37,130 SHALL I COME ROUND? 818 00:54:37,164 --> 00:54:40,099 I WON'T BE FINISHED TILL 7:00. 819 00:54:40,133 --> 00:54:41,433 CAN YOU COOK? 820 00:54:41,468 --> 00:54:43,236 CAN I COOK! 821 00:54:43,270 --> 00:54:45,104 GOOD! 822 00:54:45,138 --> 00:54:46,772 IT WILL BE. 823 00:54:48,308 --> 00:54:51,210 I LOVE YOU. 824 00:54:51,244 --> 00:54:52,945 OH, AND GET SOMETHING TO DRINK. 825 00:54:52,979 --> 00:54:54,013 WE'VE RUN OUT. 826 00:54:54,048 --> 00:54:57,350 I DIDN'T CATCH THE FIRST BIT. 827 00:54:57,384 --> 00:54:59,485 I LOVE YOU. 828 00:54:59,520 --> 00:55:00,653 BYE. 829 00:55:04,691 --> 00:55:07,159 I COULD HAVE BEEN ANYBODY. 830 00:55:07,193 --> 00:55:11,630 SHE SAID "WE"- "WE'VE RUN OUT." 831 00:55:11,665 --> 00:55:13,933 OH, THAT'S NICE FOR YOU. 832 00:55:13,967 --> 00:55:16,702 JOHN SAYS TO TELL YOU THAT WE'VE GOT A PATIENT 833 00:55:16,736 --> 00:55:21,307 IN THEATER SIX WITH HALF A BOWEL. 834 00:55:21,341 --> 00:55:23,910 Owen: YOU'RE ON A COUCH IN THE SHRINK'S OFFICE. 835 00:55:23,944 --> 00:55:26,912 YOU'RE THERE BECAUSE EVERYTHING SEEMS TO BE GOING RIGHT 836 00:55:26,947 --> 00:55:28,581 AND YOU'RE ABSOLUTELY SURE 837 00:55:28,615 --> 00:55:30,850 YOU'VE GOT THE NUMBERS UP FOR THE LOTTERY. 838 00:55:30,884 --> 00:55:33,986 BUT THE SHRINK'S TELLING YOU THAT'S TECHNICALLY A NEUROSIS 839 00:55:34,021 --> 00:55:36,155 AND IT'S HIS JOB TO TAKE THE PAIN AWAY. 840 00:55:36,190 --> 00:55:38,791 "BUT NO," YOU'RE SAYING, "IT'S A LOVELY FEELING. 841 00:55:38,825 --> 00:55:39,992 I'M A HAPPY MAN." 842 00:55:40,027 --> 00:55:41,193 "BUT NO," HE'S SAYING 843 00:55:41,227 --> 00:55:43,195 "IT'S A 14 MILLION-TO-ONE OUTSIDER. 844 00:55:43,230 --> 00:55:45,932 YOU'RE A SICK MAN IF YOU THINK YOU'VE CRACKED IT." 845 00:55:45,966 --> 00:55:50,469 SO DO YOU LET HIM DO HIS JOB AND MAKE YOU FEEL MISERABLE 846 00:55:50,504 --> 00:55:54,540 OR DO YOU GET UP AND WALK OUT, HAPPY? 847 00:55:54,574 --> 00:56:00,546 Glassman: I GOT FOUR NUMBERS ONCE - 13 POUND BLOODY 50! 848 00:56:00,581 --> 00:56:01,814 McGinley: I'D WALK OUT. 849 00:56:14,494 --> 00:56:17,830 Recording: The mobile phone you are calling may be switched off. 850 00:56:17,864 --> 00:56:18,898 Please try later. 851 00:56:18,932 --> 00:56:20,299 BASTARD! 852 00:56:21,302 --> 00:56:22,234 YES? 853 00:56:26,941 --> 00:56:29,708 OWEN SPRINGER HAS RETRACTED HIS RESIGNATION. 854 00:56:29,743 --> 00:56:31,143 I'VE NO IDEA 855 00:56:31,177 --> 00:56:32,445 WHAT'S GOING ON THERE. 856 00:56:32,479 --> 00:56:34,180 I SPOKE TO GORDON AND HE SAYS 857 00:56:34,214 --> 00:56:36,215 HE'S HAPPY ABOUT THAT IF YOU ARE. 858 00:56:36,250 --> 00:56:37,550 GOOD. YEAH. 859 00:56:37,584 --> 00:56:38,951 THERE WAS A QUESTION 860 00:56:38,985 --> 00:56:39,919 IN THERE. 861 00:56:39,954 --> 00:56:41,120 YES, YES, I'M SORRY. 862 00:56:41,154 --> 00:56:42,989 YES, OF COURSE, I'LL SPEAK TO HIM. 863 00:56:49,562 --> 00:56:50,663 HOW ARE YOU? 864 00:56:50,697 --> 00:56:52,231 LONELY. 865 00:56:52,265 --> 00:56:53,499 THANKS FOR ASKING. 866 00:56:53,533 --> 00:56:54,567 ME, TOO. 867 00:56:54,601 --> 00:56:55,801 SHE MOVED OUT. 868 00:56:55,835 --> 00:56:57,603 SHE'S GONE TO HER MOTHER'S HOUSE. 869 00:56:57,637 --> 00:56:58,870 THAT WON'T LAST. 870 00:56:58,905 --> 00:57:00,806 SHE CAN'T STAND THE PLACE. 871 00:57:02,176 --> 00:57:04,643 I'M AT HOME TONIGHT IF YOU WANT TO TALK. 872 00:57:06,113 --> 00:57:08,413 YOU DON'T HAVE TO SAY NOW. 873 00:57:11,651 --> 00:57:13,486 Anna: MOST OF YOU SAID YOU'D NO IDEA 874 00:57:13,520 --> 00:57:15,254 WHY GOOD STAFF WERE DISAPPEARING. 875 00:57:15,289 --> 00:57:17,489 AND YOU'RE RIGHT TO BE ANXIOUS ABOUT THAT. 876 00:57:17,523 --> 00:57:21,760 HERE AT A.F.O., WE HAVE PROVEN TECHNIQUES 877 00:57:21,795 --> 00:57:23,662 TO IMPROVE YOUR WORKING STANDARDS. 878 00:57:23,697 --> 00:57:26,632 WE WORK TOGETHER WITH YOUR MANAGEMENT AND LABOR FORCE 879 00:57:26,667 --> 00:57:28,767 TO IDENTIFY INDIVIDUAL PROBLEMS 880 00:57:28,801 --> 00:57:30,136 BEFORE THEY BECOME 881 00:57:30,170 --> 00:57:32,972 INDUSTRIAL PROBLEMS. 882 00:57:33,006 --> 00:57:36,909 NOW, WE'RE GOING TO SHOW YOU A SHORT PROMOTIONAL FILM. 883 00:57:36,943 --> 00:57:38,477 LIKE ALL PROMOTIONAL FILMS 884 00:57:38,512 --> 00:57:41,247 IT MAKES US LOOK ABSOLUTELY FANTASTIC. 885 00:57:41,281 --> 00:57:43,015 AND WHEN IT'S OVER 886 00:57:43,050 --> 00:57:46,452 OUR H.O.D.s WILL COME AND TALK TO YOU ABOUT THEIR DEPARTMENTS- 887 00:57:46,486 --> 00:57:50,456 FINANCE, RECRUITMENT AND DEVELOPMENT. 888 00:57:50,490 --> 00:57:52,658 THANK YOU. 889 00:57:55,963 --> 00:57:57,763 I'D HAVE WAITED. 890 00:57:57,798 --> 00:57:59,799 I'M ONLY BACK IN FOR THE HARD SELL. 891 00:57:59,833 --> 00:58:02,067 WELL, THEY LOOK AS IF THEY'RE BUYING IT. 892 00:58:02,101 --> 00:58:03,869 IT'S THE TRUTH; WHY SHOULDN'T THEY? 893 00:58:03,903 --> 00:58:07,673 UH... MAY I BUY YOU LUNCH? 894 00:58:07,707 --> 00:58:11,710 I REALLY DON'T THINK I WANT TO EAT WITH YOU. 895 00:58:13,279 --> 00:58:16,982 ANNA... I AM... 896 00:58:17,016 --> 00:58:19,585 PARALYZED WITHOUT YOU. 897 00:58:19,619 --> 00:58:20,919 PLEASE COME HOME. 898 00:58:27,928 --> 00:58:30,329 Glassman: THE OPERATION WENT VERY WELL. 899 00:58:30,363 --> 00:58:33,332 THE LOWER BOWEL WAS ACTUALLY A LOT HEALTHIER 900 00:58:33,367 --> 00:58:36,368 THAN THE PICTURES LED US TO BELIEVE, YOU SEE 901 00:58:36,403 --> 00:58:38,304 SO THE SURGERY WAS MINIMAL. 902 00:58:38,338 --> 00:58:40,372 LOOK, WHAT WE'LL DO 903 00:58:40,407 --> 00:58:44,010 IS WE'LL KEEP AN EYE ON HER FOR THE NEXT FEW DAYS 904 00:58:44,044 --> 00:58:48,547 AND, HOPEFULLY, THAT SHOULD SEE THE BACK OF HER PROBLEMS, OKAY? 905 00:58:48,581 --> 00:58:50,682 I ACTUALLY NEED TO BE SOMEWHERE ELSE. 906 00:59:04,865 --> 00:59:06,999 THAT'S THE THIRD TIME YOU'VE AVOIDED ME. 907 00:59:07,033 --> 00:59:08,601 BEFORE THAT, YOU WERE IN THERE 908 00:59:08,635 --> 00:59:10,102 TAKING THE PISS 909 00:59:10,137 --> 00:59:12,004 BECAUSE THAT'S WHAT JUNIOR DOCTORS DO 910 00:59:12,038 --> 00:59:13,572 WITH BUSINESS AFFAIRS PEOPLE. 911 00:59:13,607 --> 00:59:16,976 WHAT HAVE I SUDDENLY DONE TO COMMAND YOUR RESPECT, DANNY? 912 00:59:17,010 --> 00:59:19,979 UH... I'LL NEED TIME TO THINK ABOUT THAT. 913 00:59:20,414 --> 00:59:21,380 LET'S SWAP SECRETS. 914 00:59:21,415 --> 00:59:23,516 I DON'T WANT TO SWAP SECRETS. 915 00:59:23,550 --> 00:59:26,218 YES, YOU DO- IT'S A SCREAM. 916 00:59:26,252 --> 00:59:27,886 MY SECRET IS- 917 00:59:27,921 --> 00:59:31,023 AND YOU'RE THE ONLY PERSON IN THE WORLD I'VE TOLD THIS TO- 918 00:59:31,058 --> 00:59:32,558 I'VE BEEN SCREWING YOUR BOSS. 919 00:59:34,827 --> 00:59:36,629 I DON'T SEE YOUR PUPILS DILATING. 920 00:59:36,663 --> 00:59:38,231 WASN'T A SECRET 921 00:59:38,265 --> 00:59:39,231 WAS IT, DANNY? 922 00:59:39,265 --> 00:59:40,565 NO. 923 00:59:40,600 --> 00:59:42,001 HOW DID YOU FIND OUT? 924 00:59:42,035 --> 00:59:45,237 BY ACCIDENT; I RANG YOUR EMERGENCY CONTACT NUMBER 925 00:59:45,272 --> 00:59:48,641 ONCE WHILE YOU WERE AWAY AND HE ANSWERED THE PHONE. 926 00:59:48,675 --> 00:59:50,609 WHEN WAS THIS? 927 00:59:50,643 --> 00:59:52,878 NOVEMBER... -ISH. 928 00:59:52,913 --> 00:59:55,248 YOU'VE KNOWN SINCE NOVEMBER? 929 00:59:55,282 --> 00:59:58,484 NOVEMBER 25th... -ISH. 930 00:59:58,518 --> 01:00:01,687 OH... WHY BLAB NOW? 931 01:00:01,721 --> 01:00:03,322 THIS HAS NOTHING TO DO WITH ME 932 01:00:03,356 --> 01:00:05,691 AND I HAVE GOT ABSOLUTELY NOTHING MORE TO SAY. 933 01:00:05,725 --> 01:00:07,159 YOU HAVE ABSOLUTELY NO CAREER 934 01:00:07,193 --> 01:00:08,627 IF CRANE FINDS OUT IT WAS YOU 935 01:00:08,661 --> 01:00:10,129 WHO GRASSED HIM TO HIS WIFE. 936 01:00:10,163 --> 01:00:12,364 YES, BUT I DIDN'T. 937 01:00:12,398 --> 01:00:14,833 I BELIEVE YOU. 938 01:00:14,868 --> 01:00:18,270 I THINK OWEN SPRINGER HAD SOMETHING TO DO WITH THAT. 939 01:00:20,106 --> 01:00:21,974 NOW YOUR PUPILS ARE DILATING. 940 01:00:22,008 --> 01:00:23,776 VIV, I'VE DONE NOTHING WRONG. 941 01:00:23,810 --> 01:00:24,577 NO? 942 01:00:24,611 --> 01:00:26,312 YEAH, AND "BLACKMAIL" 943 01:00:26,346 --> 01:00:30,115 IS AN UGLIER WORD TO HAVE ON YOUR FILE THAN "GOBSHITE." 944 01:00:30,150 --> 01:00:32,584 SO LET'S JUST LEAVE MY CAREER OUT OF THIS. 945 01:00:36,389 --> 01:00:37,356 I'VE, UM... 946 01:00:37,390 --> 01:00:40,192 I'VE LEFT MY MOBILE IN THE CAR. 947 01:00:40,226 --> 01:00:42,494 CAN I BORROW YOURS, PLEASE? 948 01:00:56,743 --> 01:00:58,177 JOYCE, CRANE. 949 01:00:58,211 --> 01:01:00,446 YEAH, TIED UP HERE AND THERE TODAY 950 01:01:00,480 --> 01:01:02,348 BUT YOU KNOW HOW TO FIND ME? 951 01:01:02,382 --> 01:01:03,349 GOOD. 952 01:01:14,260 --> 01:01:15,527 AH. 953 01:01:16,563 --> 01:01:17,529 YES? 954 01:01:19,399 --> 01:01:21,767 NO, NOT... NOT NOW. 955 01:01:26,806 --> 01:01:28,540 WHY DID YOU NEED MY PHONE? 956 01:01:28,574 --> 01:01:31,110 COMPLETE ABERRATION, I DON'T KNOW. 957 01:01:35,382 --> 01:01:38,050 RICHARD... 958 01:01:38,084 --> 01:01:41,253 WHERE HAVE YOU LEFT THINGS WITH YOUR... LOVER? 959 01:01:41,288 --> 01:01:42,788 IT'S... IT'S OVER. 960 01:01:42,823 --> 01:01:44,623 IT'S COMPLETELY OVER. 961 01:01:44,658 --> 01:01:46,559 HOW DID YOU BREAK IT TO HER? 962 01:01:46,593 --> 01:01:49,127 I... WE, WE... 963 01:01:49,162 --> 01:01:51,897 I TOLD HER THAT I LOVED YOU. 964 01:01:51,932 --> 01:01:53,332 YOU TOLD HER 965 01:01:53,366 --> 01:01:55,634 THAT YOU LOVED ME AND IT'S OVER? 966 01:01:55,669 --> 01:01:57,870 OR YOU JUST TOLD HER THAT YOU LOVE ME? 967 01:01:57,904 --> 01:02:00,539 IT WAS VERY CLEAR, VERY TERMINAL- 968 01:02:00,573 --> 01:02:02,507 THE... THE FORMER. 969 01:02:02,542 --> 01:02:05,811 SOMEONE'S BEEN RINGING MY MOBILE ON THE HOUR 970 01:02:05,845 --> 01:02:07,913 AND HANGING UP. 971 01:02:07,947 --> 01:02:09,915 VIVIEN WOULDN'T DO THAT. 972 01:02:09,949 --> 01:02:11,583 VIVIEN REID? 973 01:02:13,786 --> 01:02:15,287 THE WOMAN YOU INVITED 974 01:02:15,321 --> 01:02:17,689 TO OUR HOUSE SIX MONTHS BACK FOR DINNER? 975 01:02:17,724 --> 01:02:19,858 THE WOMAN YOU SAID WAS A CROSS 976 01:02:19,893 --> 01:02:23,162 BETWEEN VIRGINIA BOTTOMLEY AND PETER CUSHING? 977 01:02:23,196 --> 01:02:26,532 BY WHICH TIME YOU MUST HAVE BEEN SLEEPING WITH HER 978 01:02:26,566 --> 01:02:28,600 WHAT, SIX MONTHS? 979 01:02:40,146 --> 01:02:41,613 I DESERVED THAT. 980 01:02:43,483 --> 01:02:45,951 LET'S, UM... 981 01:02:45,986 --> 01:02:48,154 LET'S PUT ME A COUPLE OF POINTS IN CREDIT. 982 01:02:51,825 --> 01:02:54,693 THAT GIVES YOU CREDIT. 983 01:02:55,995 --> 01:02:56,996 FIRE AWAY. 984 01:03:00,934 --> 01:03:04,203 HAVE YOU DONE SOMETHING TO HURT ME BACK? 985 01:03:04,237 --> 01:03:06,705 MMM, INITIALLY, YES. 986 01:03:06,740 --> 01:03:08,773 ARE YOU SEEING SOMEBODY? 987 01:03:08,808 --> 01:03:11,243 I'VE TASTED WHAT YOU'VE TASTED, RICHARD. 988 01:03:11,277 --> 01:03:14,312 I UNDERSTAND ABSOLUTELY HOW CONFUSED IT GETS YOU. 989 01:03:14,347 --> 01:03:16,681 YOU HAVE MY SYMPATHIES. 990 01:03:16,716 --> 01:03:18,316 I'VE DONE THIS. 991 01:03:18,351 --> 01:03:20,018 I HAVE DONE THIS. 992 01:03:20,052 --> 01:03:21,120 WHO? 993 01:03:21,154 --> 01:03:23,822 IS IT SOMEONE WE KNOW? 994 01:03:23,856 --> 01:03:25,291 IS IT A FRIEND? 995 01:03:27,360 --> 01:03:29,928 MY FRIEND... 996 01:03:29,963 --> 01:03:31,329 NOT YOURS. 997 01:03:32,365 --> 01:03:33,665 ANNA! 998 01:03:36,636 --> 01:03:37,603 ANNA... 999 01:03:37,637 --> 01:03:38,603 WHO? WHO IS IT? 1000 01:03:38,638 --> 01:03:40,005 I'LL INVITE SEVERAL MEN ROUND 1001 01:03:40,040 --> 01:03:41,106 OVER THE NEXT FEW DAYS. 1002 01:03:41,141 --> 01:03:42,574 SEE IF YOU CAN WORK OUT WHICH. 1003 01:03:42,608 --> 01:03:44,442 IT'S RIDICULOUS; YOU'RE NOT LIKE THAT. 1004 01:03:44,477 --> 01:03:45,478 I KNOW. 1005 01:04:01,360 --> 01:04:03,829 DAD! I LEFT TWO CARRIER BAGS IN THE HALLWAY. 1006 01:04:03,863 --> 01:04:06,965 HAVE YOU SEEN THEM? 1007 01:04:25,885 --> 01:04:27,819 DON'T LOOK AT ME LIKE THAT. 1008 01:04:27,854 --> 01:04:29,955 I KNOW WHAT I'M DOING. 1009 01:04:29,989 --> 01:04:32,258 "BRAISE IN THE OIL. 1010 01:04:32,292 --> 01:04:35,594 "FOLD IN THE CLARET AND SIMMER FOR," UH... 1011 01:04:35,628 --> 01:04:37,730 "50 MINUTES." 1012 01:04:37,764 --> 01:04:39,632 THAT WAS MEANT TO BE FOR TONIGHT. 1013 01:04:39,666 --> 01:04:41,266 UH... IT IS TONIGHT. 1014 01:04:41,301 --> 01:04:43,868 FOR ME TONIGHT. 1015 01:04:43,903 --> 01:04:46,772 WELL, THEN HAVE SOME. 1016 01:04:46,806 --> 01:04:48,006 THIS BETTER BE GOOD. 1017 01:04:48,041 --> 01:04:50,142 I'VE TURNED DOWN CHIPS AND CURRY FOR THIS. 1018 01:04:50,176 --> 01:04:51,176 HIYA, OWEN. 1019 01:04:52,745 --> 01:04:53,979 WHAT? 1020 01:04:54,014 --> 01:04:57,215 WHAT TIME'S THE SUPERMARKET OPEN TILL, IRMA? 1021 01:04:57,250 --> 01:04:58,683 TIME IS IT NOW? 1022 01:04:58,718 --> 01:05:00,351 8:00. 1023 01:05:06,593 --> 01:05:07,660 WAS THIS FOR HER? 1024 01:05:07,694 --> 01:05:10,562 Arnold: OH... RIGHT... 1025 01:05:10,597 --> 01:05:12,698 OH, RIGHT. 1026 01:05:12,732 --> 01:05:14,934 I THOUGHT HE'D JUST GOT THE SHOPPING IN. 1027 01:05:14,968 --> 01:05:16,769 WELL, I'M NOT CLAIRVOYANT, AM I? 1028 01:05:16,803 --> 01:05:18,604 LOOKS NICE. 1029 01:05:18,638 --> 01:05:20,072 DO YOU WANT AN OLIVE? 1030 01:05:20,106 --> 01:05:22,141 NO, CAN'T STICK 'EM. 1031 01:05:31,984 --> 01:05:33,252 THIS IS GREAT... 1032 01:05:33,286 --> 01:05:35,020 IT'S LIKE CAMPING OUT. 1033 01:05:36,222 --> 01:05:37,989 I BOOKED A VAN 1034 01:05:38,024 --> 01:05:40,158 TO BRING MY THINGS OVER. 1035 01:05:41,594 --> 01:05:43,896 DOES YOUR MUM KNOW YOU'VE MOVED IN? 1036 01:05:43,930 --> 01:05:46,599 I'VE TOLD HER; I DON'T THINK SHE'S TAKEN IT IN. 1037 01:05:46,633 --> 01:05:47,632 WHAT'S THAT? 1038 01:05:48,668 --> 01:05:50,602 MARMITE TOASTIES. 1039 01:05:50,636 --> 01:05:51,904 TRY IT. 1040 01:05:51,938 --> 01:05:54,273 BITE THE TOAST, SWIG THE BEER. 1041 01:05:57,176 --> 01:05:58,710 AH, IT'S GREAT, I MEAN... 1042 01:05:58,745 --> 01:06:00,746 IT MAKES IT TASTE MALTY AND YEASTY. 1043 01:06:00,780 --> 01:06:02,481 TRY IT. 1044 01:06:11,824 --> 01:06:15,994 OH, THAT'S DISGUSTING. 1045 01:06:16,028 --> 01:06:17,730 IT'S A WELL-KNOWN APHRODISIAC. 1046 01:06:17,764 --> 01:06:19,297 WELL KNOWN WHERE? 1047 01:06:21,201 --> 01:06:23,201 OH, MY GOD, HE'S AN ABSOLUTE REGRESSIVE. 1048 01:06:23,236 --> 01:06:25,804 I'M NOT GOING TO BE ABLE TO TAKE HIM ANYWHERE. 1049 01:06:27,307 --> 01:06:28,306 WOULD YOU WANT TO? 1050 01:06:28,341 --> 01:06:31,276 MMM... 1051 01:06:31,310 --> 01:06:33,145 I WANT TO TAKE YOU EVERYWHERE. 1052 01:06:43,456 --> 01:06:44,455 OH... 1053 01:06:47,227 --> 01:06:49,027 OWEN... 1054 01:06:49,062 --> 01:06:50,896 CAR BOOT SALE... 1055 01:06:52,698 --> 01:06:55,000 YOU'RE BLUSHING. 1056 01:06:55,035 --> 01:06:56,435 SHE BLUSHES. 1057 01:06:56,469 --> 01:06:58,203 OH, IT MUST HAVE COST... 1058 01:06:58,237 --> 01:07:00,572 NO, I JUST SOLD A FLAT IN NOTTING HILL. 1059 01:07:03,442 --> 01:07:05,644 WHAT ELSE HAVE I GOT TO SPEND MY MONEY ON? 1060 01:07:18,224 --> 01:07:19,625 ARE YOU TIRED? 1061 01:07:21,327 --> 01:07:23,028 DEPENDS WHAT YOU'RE OFFERING. 1062 01:08:23,823 --> 01:08:26,492 A CLASSICAL EDUCATION OBVIOUSLY, BUT, UM... 1063 01:08:30,030 --> 01:08:32,597 I THINK BEER AND MARMITE'S GOT THE EDGE, THOUGH. 1064 01:08:45,111 --> 01:08:47,412 SORRY IT'S SO LATE. 1065 01:08:52,885 --> 01:08:55,687 I'M JUST, UM... I JUST NEED, UH... 1066 01:08:55,722 --> 01:08:59,658 I MEAN, OBVIOUSLY THERE'S NO QUESTION THAT... 1067 01:08:59,692 --> 01:09:03,028 I MEAN, I'M... I'M NOT HERE TO STAY THE NIGHT. 1068 01:09:05,131 --> 01:09:06,665 I CAN LIVE WITH THAT. 1069 01:09:13,072 --> 01:09:13,705 NO. 1070 01:09:13,739 --> 01:09:14,640 GO ON. 1071 01:09:14,674 --> 01:09:16,174 NO! 1072 01:09:16,209 --> 01:09:19,044 WHAT DO YOU WANT TO KNOW ABOUT THAT FOR? 1073 01:09:19,078 --> 01:09:20,312 BECAUSE I DO. 1074 01:09:20,346 --> 01:09:21,613 NO, I DON'T. 1075 01:09:21,648 --> 01:09:22,780 GO ON. 1076 01:09:25,384 --> 01:09:26,885 MY FIRST BOYFRIEND 1077 01:09:26,919 --> 01:09:29,321 WAS AN ITALIAN EXCHANGE STUDENT 1078 01:09:29,355 --> 01:09:32,157 WHO CAME TO STAY AT OUR HOUSE. 1079 01:09:32,191 --> 01:09:34,726 HE WAS A COUPLE OF YEARS OLDER THAN ME 1080 01:09:34,761 --> 01:09:38,730 AND ACTUALLY, HE WAS MY SISTER'S EXCHANGE PARTNER. 1081 01:09:38,765 --> 01:09:41,332 SO YOU'VE AN EARLY HISTORY OF INFIDELITY. 1082 01:09:41,367 --> 01:09:42,568 AND HIS NAME? 1083 01:09:42,602 --> 01:09:44,136 GIOVANNI DEGANI. 1084 01:09:44,170 --> 01:09:45,537 HANDSOME? 1085 01:09:45,571 --> 01:09:46,604 BEAUTIFUL! 1086 01:09:46,638 --> 01:09:48,307 I HATE HIS GUTS. 1087 01:09:48,341 --> 01:09:50,175 NEXT? 1088 01:09:50,210 --> 01:09:52,143 NO, NO, YOUR TURN. 1089 01:09:52,177 --> 01:09:55,247 MY FIRST PROPER GIRLFRIEND... 1090 01:09:55,281 --> 01:09:56,414 TINA MARSHALL- 1091 01:09:56,449 --> 01:09:57,782 I MEAN, THIS IS REGULAR SEX 1092 01:09:57,816 --> 01:09:59,051 WE'RE TALKING ABOUT HERE? 1093 01:09:59,085 --> 01:10:00,385 MM-HMM. 1094 01:10:00,419 --> 01:10:03,121 I MEAN, YOU HAD REGULAR SEX WITH GIOVANNI DEGANI. 1095 01:10:03,156 --> 01:10:04,523 YES. 1096 01:10:04,557 --> 01:10:06,558 I MEAN, YOUR TOP, BOTTOM, EVERYTHING? 1097 01:10:06,592 --> 01:10:07,892 MM-HMM. 1098 01:10:07,927 --> 01:10:09,627 I DON'T LIKE ITALIANS. 1099 01:10:09,662 --> 01:10:11,930 THEY'RE VERY PUSHY PEOPLE. 1100 01:10:11,965 --> 01:10:14,399 GIOVANNI DEGANI WAS NOT PUSHY. 1101 01:10:14,434 --> 01:10:16,968 TINA MARSHALL? 1102 01:10:17,002 --> 01:10:20,772 TINA MARSHALL- SHE WAS TALLER THAN ME. 1103 01:10:20,806 --> 01:10:23,008 SHE WAS... 1104 01:10:23,042 --> 01:10:24,142 WIDER THAN ME 1105 01:10:24,176 --> 01:10:26,544 AND SHE WAS STRONGER THAN ME 1106 01:10:26,579 --> 01:10:29,114 AND SHE WASN'T THAT BEAUTIFUL. 1107 01:10:29,148 --> 01:10:31,716 SO YOU'VE A HISTORY OF POOR DECISIONS. 1108 01:10:31,750 --> 01:10:33,418 WHAT WAS THE ATTRACTION? 1109 01:10:33,452 --> 01:10:35,253 HER DAD. 1110 01:10:35,287 --> 01:10:36,954 HE WAS A CROWD CONTROL POLICEMAN 1111 01:10:36,989 --> 01:10:38,357 AND HE GOT US FREE TICKETS 1112 01:10:38,391 --> 01:10:40,025 TO SEE MARC BOLAN AT KNEBWORTH. 1113 01:10:40,059 --> 01:10:41,793 OH, THAT'S TERRIBLE! 1114 01:10:41,828 --> 01:10:44,696 THAT'S THE ONLY REASON YOU WENT OUT WITH HER? 1115 01:10:44,730 --> 01:10:47,232 SHE GOT WHAT SHE WANTED. 1116 01:10:47,266 --> 01:10:49,934 WE HAD MORE SEX THAN A PAIR OF CHINCHILLAS. 1117 01:10:49,968 --> 01:10:53,972 MMM... OWEN, THAT'S COMPLETELY MERCENARY. 1118 01:10:54,006 --> 01:10:57,075 WELL, I WAS- I AM. 1119 01:10:57,109 --> 01:11:00,245 IN THE END SHE DITCHED US FOR A LOU REID LOOK-ALIKE. 1120 01:11:05,217 --> 01:11:06,751 ANNA, I DON'T WANT TO FEEL 1121 01:11:06,785 --> 01:11:08,653 LIKE WE'RE CRAMMING ALL THIS IN. 1122 01:11:08,687 --> 01:11:10,956 DON'T OPEN A DISCUSSION ABOUT IT, THEN. 1123 01:11:10,990 --> 01:11:12,357 OKAY, I WON'T. 1124 01:11:12,391 --> 01:11:14,058 DOESN'T IT BOTHER YOU? 1125 01:11:14,093 --> 01:11:15,227 OKAY, LET'S DISCUSS IT. 1126 01:11:15,261 --> 01:11:16,761 YEAH, OF COURSE IT BOTHERS ME. 1127 01:11:16,796 --> 01:11:18,330 I LOOK AT THE OBSTACLES AND... 1128 01:11:20,099 --> 01:11:22,133 LOOK AT HOW WE GOT HERE. 1129 01:11:24,136 --> 01:11:27,138 WON'T ALWAYS BE THIS EASY, WILL IT? 1130 01:11:34,914 --> 01:11:36,548 I NEED TO ASK A FAVOR. 1131 01:11:37,750 --> 01:11:38,950 HMM? 1132 01:11:43,256 --> 01:11:45,290 SHE'S BEEN A BIT SILLY. 1133 01:11:45,325 --> 01:11:47,259 SHE... BECAUSE OF THIS 1134 01:11:47,293 --> 01:11:50,161 SHE'S NOW SEEING SOMEBODY ELSE. 1135 01:11:53,098 --> 01:11:56,168 I KNOW I AM NOT IN A POSITION TO COMPLAIN ABOUT THAT 1136 01:11:56,202 --> 01:11:59,237 BUT... I WANT TO KNOW. 1137 01:11:59,271 --> 01:12:01,473 I WANT TO, UM... 1138 01:12:01,507 --> 01:12:04,209 TO FIND SOME SORT OF, UH... DETECTIVE- 1139 01:12:04,244 --> 01:12:06,478 PRIVATE DETECTIVE- 1140 01:12:06,512 --> 01:12:07,512 OR... 1141 01:12:08,981 --> 01:12:10,749 YOU WANT ME TO? 1142 01:12:10,783 --> 01:12:12,851 WELL, I WOULDN'T KNOW WHERE TO START. 1143 01:12:12,885 --> 01:12:14,619 AND I DO? 1144 01:12:14,654 --> 01:12:16,154 WELL... 1145 01:12:16,188 --> 01:12:18,190 THIS ISN'T A BLOODY HOBBY, RICHARD. 1146 01:12:18,224 --> 01:12:20,659 NO, I'M AWARE THAT YOU'RE THE LAST PERSON 1147 01:12:20,693 --> 01:12:23,328 I SHOULD BE ASKING, BUT I JUST NEED HELP 1148 01:12:23,362 --> 01:12:25,630 AND I'D BE VERY GRATEFUL. 1149 01:12:27,533 --> 01:12:29,902 ARE YOU SURE IT'S A GOOD IDEA TO KNOW WHO HE IS? 1150 01:12:29,936 --> 01:12:31,737 OH, I'M ABSOLUTELY CERTAIN 1151 01:12:31,771 --> 01:12:34,205 IT'S A GOOD IDEA TO KNOW WHO HE IS. 1152 01:12:46,018 --> 01:12:48,120 Arnold: I USED ALL THE HOT WATER. 1153 01:12:49,288 --> 01:12:51,590 WHAT ARE YOU DOING UP? 1154 01:12:51,624 --> 01:12:54,025 WE'RE OFF TO CHESTER RACES WITH THE BUFFALOES. 1155 01:12:55,227 --> 01:12:56,795 BUFFALOES? 1156 01:12:56,829 --> 01:12:59,698 LEAGUE OF GENTLEMEN DEDICATED TO PUBLIC GOOD 1157 01:12:59,732 --> 01:13:01,500 AND CHANGING THE FUTURE. 1158 01:13:01,534 --> 01:13:04,335 MOST OF OUR LOT ARE JUST INTERFERING OLD GITS 1159 01:13:04,370 --> 01:13:06,104 WITH CHEST INFECTIONS 1160 01:13:06,138 --> 01:13:08,907 BUT AS I'M NOT PAYING, I DON'T CARE. 1161 01:13:08,942 --> 01:13:10,642 BOUGHT YOU A RAZOR? 1162 01:13:10,677 --> 01:13:12,944 IT'LL BE A BUNGALOW NEXT. 1163 01:13:12,978 --> 01:13:15,246 IS THAT GOOD NEWS? 1164 01:13:15,280 --> 01:13:16,348 N. REG. AUDI. 1165 01:13:16,382 --> 01:13:19,250 THAT'S NOT YOUR WELFARE STATE, IS IT? 1166 01:13:21,554 --> 01:13:23,855 HOW IS SHE? 1167 01:13:23,890 --> 01:13:25,923 SHE'S FINE. 1168 01:13:25,958 --> 01:13:28,793 WELL, I DIDN'T GET A CLOSE LOOK 1169 01:13:28,828 --> 01:13:30,962 BUT FROM WHAT I COULD SEE 1170 01:13:30,997 --> 01:13:33,064 YOU'VE SET A STANDARD. 1171 01:13:35,634 --> 01:13:37,835 WILL YOU BE INTRODUCING US? 1172 01:13:37,870 --> 01:13:38,870 NO. 1173 01:13:38,904 --> 01:13:40,305 WHY NOT? 1174 01:13:40,339 --> 01:13:44,142 YOU'RE MINE- I SEEDED YOU. 1175 01:13:45,845 --> 01:13:47,612 IF SHE LOVES YOU THAT MUCH 1176 01:13:47,647 --> 01:13:49,681 SHE, UH... 1177 01:13:49,716 --> 01:13:52,250 MUST BE CURIOUS ABOUT YOUR BACKGROUND. 1178 01:13:52,284 --> 01:13:55,620 NO... NO, YOU DIDN'T COME INTO THE CONVERSATION. 1179 01:13:55,655 --> 01:13:58,590 SHE'S BRIGHT ENOUGH TO FILL IN THE GAPS. 1180 01:13:58,624 --> 01:14:01,592 WELL, THERE'S ONLY ONE PROBLEM 1181 01:14:01,627 --> 01:14:03,161 WITH WOMEN LIKE THAT. 1182 01:14:03,195 --> 01:14:04,396 AND YOU WOULD KNOW. 1183 01:14:05,831 --> 01:14:08,433 IF YOU'VE TAKEN THIS LONG TO GET THIS FAR 1184 01:14:08,468 --> 01:14:11,202 AND SHE'S MARRIED TO HIM AND USED TO BETTER 1185 01:14:11,236 --> 01:14:14,072 WHAT HAVE YOU GOT ONCE THE NOOKIE WEARS OFF? 1186 01:14:16,275 --> 01:14:19,110 SHALL I TELL YOU SOMETHING ABOUT MEN LIKE YOU, DAD 1187 01:14:19,145 --> 01:14:22,146 WHO THINK FOREPLAY IS GETTING THEIR FIRST NAME RIGHT? 1188 01:14:22,181 --> 01:14:25,083 THE ONLY THING YOU THINK IS IMPORTANT IS THE NOOKIE. 1189 01:14:25,117 --> 01:14:27,319 KNOCKS THINGS RIGHT OUT OF PERSPECTIVE. 1190 01:14:27,353 --> 01:14:29,654 YOU TRY LAYING OFF THE GOLDEN POKER. 1191 01:14:29,688 --> 01:14:31,589 SHE'LL BLOODY VAPORIZE. 1192 01:14:31,623 --> 01:14:34,025 YOU DON'T KNOW HER, DAD. 1193 01:14:35,160 --> 01:14:37,295 WELL, LIKE I SAID 1194 01:14:37,329 --> 01:14:41,833 FETCH HER ROUND, PUT ME IN THE PICTURE. 1195 01:14:50,409 --> 01:14:51,809 I'LL SEE YOU THERE. 1196 01:14:51,844 --> 01:14:53,045 Man: OKAY. 1197 01:15:01,153 --> 01:15:03,421 JULIE? 1198 01:15:03,456 --> 01:15:05,824 JULIE FOSTER? 1199 01:15:05,858 --> 01:15:07,659 I'M MR. SPRINGER 1200 01:15:07,693 --> 01:15:09,394 AND I'M A REALLY NICE GUY. 1201 01:15:09,428 --> 01:15:12,396 IS THIS YOUR FIRST TIME IN HOSPITAL, JULIE? 1202 01:15:12,431 --> 01:15:13,865 Glassman: OWEN, OWEN! 1203 01:15:15,734 --> 01:15:17,035 WE NEED TO TALK. 1204 01:15:17,069 --> 01:15:18,436 WHAT ABOUT? 1205 01:15:18,470 --> 01:15:19,704 GLOBAL WARMING 1206 01:15:19,738 --> 01:15:22,273 AND THE MENSTRUAL CYCLE OF A DRAGONFLY. 1207 01:15:22,308 --> 01:15:23,508 WHAT DO YOU THINK? 1208 01:15:23,542 --> 01:15:27,245 OKAY, I THINK VIV REID IS ON THE CASE. 1209 01:15:28,680 --> 01:15:30,315 AND HOW DID THAT HAPPEN, DANNY? 1210 01:15:30,349 --> 01:15:33,051 SHE KNEW BEFORE SHE ASKED, I HAVE TOLD HER NOTHING 1211 01:15:33,085 --> 01:15:35,286 AND I AM ABSOLUTELY IN THE CLEAR. 1212 01:15:37,789 --> 01:15:40,057 YOU KEEP IT THAT WAY, ALL RIGHT? 1213 01:15:40,092 --> 01:15:41,359 FOR MY SAKE, DEFINITELY. 1214 01:15:41,394 --> 01:15:43,194 FOR YOUR SAKE, I MIGHT THINK TWICE 1215 01:15:43,229 --> 01:15:45,263 BECAUSE YOU ARE AN UNGRATEFUL BASTARD. 1216 01:15:45,298 --> 01:15:46,564 I'LL GET YOU A DRINK. 1217 01:15:46,599 --> 01:15:48,900 GET ME A DATE, THEN WE CAN DISCUSS IT. 1218 01:17:10,516 --> 01:17:14,252 STUPID, STUPID, STUPID BITCH. 1219 01:17:15,955 --> 01:17:19,023 I DIDN'T MEAN THAT. 1220 01:17:19,057 --> 01:17:21,859 SORRY. 1221 01:17:21,893 --> 01:17:23,895 GOD! 1222 01:17:23,930 --> 01:17:25,896 MUM, YOU, UH... KNOW I'VE MOVED 1223 01:17:25,931 --> 01:17:27,631 INTO YOUR PLACE FOR A BIT? 1224 01:17:27,666 --> 01:17:29,067 MM-HMM, MM-HMM. 1225 01:17:29,101 --> 01:17:30,435 WELL, I WAS WONDERING 1226 01:17:30,469 --> 01:17:31,969 WOULD YOU MIND IF I TOOK 1227 01:17:32,004 --> 01:17:34,072 SOME OF MY BITS AND PIECES THERE? 1228 01:17:34,106 --> 01:17:36,741 WHAT KIND OF BITS? 1229 01:17:36,776 --> 01:17:39,177 YOU UNDERSTAND WHAT'S HAPPENING 1230 01:17:39,211 --> 01:17:40,678 DON'T YOU, MUM? 1231 01:17:40,712 --> 01:17:42,680 THAT I'M LEAVING RICHARD. 1232 01:17:42,714 --> 01:17:44,882 AH... THAT DIDN'T LAST LONG. 1233 01:17:44,917 --> 01:17:47,585 NO. 1234 01:17:48,553 --> 01:17:49,988 YOU ARE BEING LOOKED AFTER 1235 01:17:50,022 --> 01:17:51,256 AREN'T YOU, DARLING? 1236 01:17:52,825 --> 01:17:53,425 I AM. 1237 01:17:56,428 --> 01:17:58,663 I REALLY AM. 1238 01:18:09,875 --> 01:18:11,276 OOH! 1239 01:18:11,310 --> 01:18:12,910 OH, WHAT'S THAT? 1240 01:18:12,945 --> 01:18:14,612 THAT'S YOUR CHAIR! 1241 01:18:14,646 --> 01:18:17,848 I TRIPPED OVER IT THIS MORNING GETTING DRESSED. 1242 01:18:17,883 --> 01:18:19,884 ONLY REASON I KEPT THAT CHAIR 1243 01:18:19,918 --> 01:18:23,788 WAS TO MAKE YOUR DAD THINK HE WAS DRUNKER THAN HE WAS. 1244 01:18:23,822 --> 01:18:25,790 DID YOUR MAN GET YOU DRUNK? 1245 01:18:25,824 --> 01:18:28,126 WE GOT DRUNK TOGETHER. 1246 01:18:28,160 --> 01:18:31,429 OH, I LOVE IT WHEN THAT HAPPENS. 1247 01:18:33,065 --> 01:18:37,168 COURSE, ALL THAT DOESN'T LAST FOR VERY LONG, DOES IT? 1248 01:18:37,202 --> 01:18:38,369 IS HE GOOD? 1249 01:18:40,906 --> 01:18:42,007 MUM... 1250 01:18:42,041 --> 01:18:43,908 WELL, IT MATTERS. 1251 01:18:43,942 --> 01:18:46,010 SEX MATTERS. 1252 01:18:51,150 --> 01:18:52,950 HE'S VERY GOOD. 1253 01:18:54,587 --> 01:18:56,287 Crane: HER NAME'S ANNA CRANE 1254 01:18:56,322 --> 01:18:57,722 BUT SHE TRADES UNDER THE NAME 1255 01:18:57,756 --> 01:18:59,323 OF THE ANNA FAIRLEY ORGANIZATION 1256 01:18:59,358 --> 01:19:00,525 AT 24 THROCKLEY STREET. 1257 01:19:00,559 --> 01:19:02,227 THAT'S HER CAR REGISTRATION NUMBER 1258 01:19:02,261 --> 01:19:04,028 HER MOBILE TELEPHONE NUMBER 1259 01:19:04,063 --> 01:19:07,699 ANOTHER MOBILE NUMBER, WHICH I THINK BELONGS TO THE, UM... 1260 01:19:07,733 --> 01:19:09,434 TO HER CONSORT. 1261 01:19:09,468 --> 01:19:13,305 AND THERE'S £300 CASH AS A DOWN PAYMENT. 1262 01:19:13,339 --> 01:19:16,007 I'M VERY GRATEFUL FOR THE BUSINESS. 1263 01:19:16,041 --> 01:19:17,575 THANK YOU. 1264 01:19:17,609 --> 01:19:19,209 THAT'S REMARKABLY INSENSITIVE 1265 01:19:19,244 --> 01:19:20,812 BUT I'M GLAD YOU'RE MOTIVATED. 1266 01:19:20,846 --> 01:19:23,314 THE ONLY NUMBER I'VE GOT FOR YOU IS A MOBILE. 1267 01:19:23,348 --> 01:19:26,150 THAT'S RIGHT. 1268 01:19:26,185 --> 01:19:29,220 NOTHING ELSE YOU CAN TELL ME ABOUT THE MAN? 1269 01:19:29,254 --> 01:19:31,923 HE'S YOUNGER THAN SHE IS. 1270 01:19:33,158 --> 01:19:35,360 ARE YOU GUESSING THAT? 1271 01:19:35,394 --> 01:19:37,661 I DON'T THINK SO. 1272 01:19:37,696 --> 01:19:40,198 THE, UH... THE SITUATION IS VERY COMPLEX 1273 01:19:40,232 --> 01:19:41,599 IT'S VERY DELICATE 1274 01:19:41,633 --> 01:19:43,601 AND I CAN'T AFFORD A SINGLE ERROR. 1275 01:19:43,635 --> 01:19:45,135 ANYWAY, I'VE GOT TO GO. 1276 01:19:46,438 --> 01:19:48,640 THANKS. 1277 01:19:48,674 --> 01:19:50,475 BUT WHAT I DON'T WANT 1278 01:19:50,509 --> 01:19:53,778 IS PHOTOGRAPHS- NO PHOTOGRAPHS, JUST INFORMATION. 1279 01:19:53,812 --> 01:19:55,146 I UNDERSTAND. 1280 01:19:55,180 --> 01:19:57,949 YOU JUST WANT A SURVEILLANCE LOG 1281 01:19:57,983 --> 01:19:59,217 DISCREETLY FED BACK 1282 01:19:59,251 --> 01:20:01,486 SO YOU CAN APPROPRIATELY IDENTIFY 1283 01:20:01,520 --> 01:20:03,887 A CERTAIN THIRD PARTY. 1284 01:20:03,922 --> 01:20:05,523 THEN YOU AND YOUR DAUGHTER 1285 01:20:05,558 --> 01:20:06,958 CAN MAKE YOUR MINDS UP 1286 01:20:06,992 --> 01:20:08,860 ABOUT THE LADY OF THE HOUSE. 1287 01:20:16,602 --> 01:20:18,370 MR. PENMAN... 1288 01:20:19,838 --> 01:20:21,706 I WANT PHOTOGRAPHS. 1289 01:20:34,854 --> 01:20:37,521 DO YOU WANT TO TRY DRIVING IT? 1290 01:20:37,556 --> 01:20:39,124 YEAH. 1291 01:20:48,667 --> 01:20:51,235 RIGHT... WHICH WAY? 1292 01:20:51,270 --> 01:20:53,037 YOU'RE DRIVING. 1293 01:20:54,940 --> 01:20:57,008 THAT WAY LOOKS HANDY. 1294 01:21:24,069 --> 01:21:24,969 GET OFF. 1295 01:21:26,171 --> 01:21:27,205 BUGGER OFF! 1296 01:21:27,839 --> 01:21:29,139 JESUS CHRIST! 1297 01:21:29,174 --> 01:21:30,775 ARE YOU ALL RIGHT? 1298 01:21:30,810 --> 01:21:31,942 Woman: MONTY! 1299 01:21:31,977 --> 01:21:32,710 MONTY! 1300 01:21:32,745 --> 01:21:36,648 HERE, MONTY. 1301 01:21:37,716 --> 01:21:38,749 FRIENDLY. 1302 01:21:38,783 --> 01:21:39,851 THEY'RE FRIENDLY. 1303 01:21:39,885 --> 01:21:41,219 I'M BLOODY NOT. 1304 01:21:41,253 --> 01:21:42,553 I DO APOLOGIZE. 1305 01:21:42,587 --> 01:21:44,421 I'M BLEEDING. 1306 01:21:44,456 --> 01:21:47,024 GOOD BOY. 1307 01:21:47,059 --> 01:21:48,526 "GOOD BOY"? 1308 01:21:48,560 --> 01:21:51,196 LITTLE BASTARD WANTS ITS TEETH PULLING! 1309 01:22:32,904 --> 01:22:34,304 KNOWING YOUR LUCK 1310 01:22:34,339 --> 01:22:35,740 YOU WOULDN'T GET LOCKJAW. 1311 01:22:35,774 --> 01:22:37,909 YOU'D GET A PERMANENT BLOODY HARD-ON 1312 01:22:37,943 --> 01:22:39,843 AND THE ENTIRE FEMALE POPULATION 1313 01:22:39,878 --> 01:22:41,979 DROPPING AT YOUR FEET LIKE LIMPETS. 1314 01:22:42,013 --> 01:22:44,048 YOU DON'T DESERVE FRIENDS LIKE ME. 1315 01:22:44,082 --> 01:22:45,916 AND I'VE NEVER BEEN 1316 01:22:45,951 --> 01:22:48,152 THIS BLOODY COMPROMISED IN MY LIFE. 1317 01:22:48,186 --> 01:22:49,620 I AM AN HONEST PERSON. 1318 01:22:49,654 --> 01:22:50,922 DRESSING? 1319 01:22:50,956 --> 01:22:53,056 IF YOU'D BEEN DRESSED IN THE FIRST PLACE 1320 01:22:53,091 --> 01:22:54,626 THIS WOULDN'T HAVE HAPPENED. 1321 01:22:55,861 --> 01:22:57,495 VIV REID'S HOME NUMBER. 1322 01:22:57,529 --> 01:23:00,531 SHE WANTS YOU TO GIVE HER A RING. 1323 01:23:00,565 --> 01:23:02,600 THE LEAST YOU CAN DO 1324 01:23:02,634 --> 01:23:04,168 IS GIVE HER A BIT OF TIME. 1325 01:23:05,137 --> 01:23:06,103 THANKS. 1326 01:23:08,206 --> 01:23:09,973 OH, AND THANKS. 1327 01:23:17,883 --> 01:23:19,850 DO YOU FIND HER ATTRACTIVE? 1328 01:23:19,885 --> 01:23:20,952 WHO, ANNA CRANE? 1329 01:23:20,986 --> 01:23:22,886 WELL, SHE'S OLDER THAN I'D GO FOR 1330 01:23:22,921 --> 01:23:24,288 SHE'S MORE MIDDLE-CLASS 1331 01:23:24,323 --> 01:23:25,923 THAN I'D BE COMFORTABLE WITH 1332 01:23:25,958 --> 01:23:27,425 AND SHE'S GOT AN ATTITUDE 1333 01:23:27,459 --> 01:23:28,759 THAT PUTS ME RIGHT OFF. 1334 01:23:28,794 --> 01:23:30,360 APART FROM THAT 1335 01:23:30,395 --> 01:23:32,429 I THINK SHE IS ABSOLUTELY STUNNING. 1336 01:23:32,464 --> 01:23:34,698 EVEN I'M BEGINNING TO DREAM ABOUT HER. 1337 01:23:34,733 --> 01:23:36,801 YOU KNOW, BECAUSE I DON'T, YOU SEE. 1338 01:23:36,835 --> 01:23:38,836 I THINK SHE'S COMPLETELY SEXLESS. 1339 01:23:38,871 --> 01:23:41,039 I MEAN, THAT'S THE CABBAGE CALLING THE SPROUT GREEN. 1340 01:23:45,610 --> 01:23:47,478 20 YEARS' TIME, WHEN OWEN IS 50 1341 01:23:47,512 --> 01:23:49,113 SHE WILL BE ALMOST 70. 1342 01:23:49,147 --> 01:23:51,749 I MEAN, THAT IS THE SORT OF STUFF 1343 01:23:51,783 --> 01:23:53,584 YOU'D READ IN THE FORTEAN TIMES: 1344 01:23:53,619 --> 01:23:55,186 "I LIVED OVER THE BRUSH 1345 01:23:55,220 --> 01:23:57,021 WITH A PALEONTOLOGICAL FOSSIL." 1346 01:23:57,055 --> 01:23:58,622 OH, MY GOD, OH, MY GOD 1347 01:23:58,657 --> 01:24:00,458 OH, MY GOD. 1348 01:24:00,492 --> 01:24:02,092 ANYBODY SEEN OWEN SPRINGER? 1349 01:24:02,127 --> 01:24:04,996 NO. 1350 01:24:12,137 --> 01:24:14,005 ARE THESE THIRD OR FOURTH? 1351 01:24:14,039 --> 01:24:15,573 SECOND. 1352 01:24:32,691 --> 01:24:35,026 Vivien: DID YOU SEND THAT MESSAGE? 1353 01:24:35,060 --> 01:24:36,627 WILL YOU GET THAT OFF? 1354 01:24:40,232 --> 01:24:43,367 LOOK, THAT NOTE PROVES BUGGER-ALL. 1355 01:24:43,402 --> 01:24:45,503 WHY WOULD YOU WANT TO HURT ME? 1356 01:24:47,339 --> 01:24:48,405 I DIDN'T. 1357 01:24:48,439 --> 01:24:50,808 YOU WANTED TO HURT HIM? 1358 01:24:50,842 --> 01:24:52,843 NO. 1359 01:24:52,878 --> 01:24:56,848 YOU'RE AWARE YOU'VE WRECKED HIS MARRIAGE? 1360 01:24:59,251 --> 01:25:02,854 I'M NOT AS BAD AS YOU THINK I AM. 1361 01:25:02,888 --> 01:25:06,324 WHOSE STANDARDS ARE WE GOING OFF THERE? 1362 01:25:07,292 --> 01:25:08,993 OBVIOUSLY, I'M OFF THE SCALE 1363 01:25:09,027 --> 01:25:12,629 ON ACCOUNT OF RITUAL ADULTERY. 1364 01:25:12,664 --> 01:25:16,066 BUT WHERE ARE YOU, SPRINGER? 1365 01:25:16,100 --> 01:25:19,637 WHERE ARE YOU AND ANNA CRANE? 1366 01:25:26,345 --> 01:25:29,613 DID DANNY GLASSMAN TELL YOU THAT? 1367 01:25:29,647 --> 01:25:31,348 I'VE TOLD YOU, SPRINGER- 1368 01:25:31,382 --> 01:25:33,550 THERE ARE INFORMATION-IN PEOPLE 1369 01:25:33,585 --> 01:25:35,519 AND INFORMATION-OUT PEOPLE. 1370 01:25:35,554 --> 01:25:38,122 ONE SPECIES LIVES LONGER. 1371 01:25:40,159 --> 01:25:43,127 YOU'RE WAY OFF BEAM, VIVIEN. 1372 01:25:43,161 --> 01:25:47,764 HE'S HAVING HER FOLLOWED BY A PRIVATE DETECTIVE. 1373 01:25:49,534 --> 01:25:51,802 YOU DON'T EVEN KNOW HER. 1374 01:25:51,836 --> 01:25:54,505 HOW THE HELL DID THAT HAPPEN? 1375 01:25:57,242 --> 01:25:59,410 IT'S A LONG STORY. 1376 01:26:02,580 --> 01:26:04,982 ARE YOU GOING TO TELL HIM? 1377 01:26:05,016 --> 01:26:06,917 PISS OFF! 1378 01:26:28,406 --> 01:26:29,640 HELLO, MYRTLE. 1379 01:26:29,675 --> 01:26:31,542 NO, NO, NO. 1380 01:26:31,576 --> 01:26:33,410 IF... IF YOU'RE TIRED 1381 01:26:33,445 --> 01:26:35,413 YOU SHOULD SLEEP. 1382 01:26:37,683 --> 01:26:41,118 I WAS LOOKING AT MY EYELIDS FROM THE INSIDE. 1383 01:26:41,153 --> 01:26:44,588 WHAT, UH... WHAT TIME IS IT? 1384 01:26:44,623 --> 01:26:46,257 IT'S ABOUT HALF PAST ONE. 1385 01:26:46,291 --> 01:26:48,359 I JUST CAME TO GIVE YOU A CHECK 1386 01:26:48,393 --> 01:26:50,728 IF YOU'RE FEELING UP TO IT. 1387 01:27:00,738 --> 01:27:02,306 IT'S ALL RIGHT. 1388 01:27:02,340 --> 01:27:04,074 THERE WE ARE. 1389 01:27:06,678 --> 01:27:08,846 ANNA POPPED IN TO SEE YOU, DID SHE? 1390 01:27:08,880 --> 01:27:10,247 WAS THAT NICE? 1391 01:27:10,281 --> 01:27:11,315 I THINK SO. 1392 01:27:11,349 --> 01:27:13,417 DID SHE BRING YOU THE BOOK? 1393 01:27:13,451 --> 01:27:15,653 THIS? NO. 1394 01:27:15,687 --> 01:27:18,922 NO, I NEVER LET IT OUT OF MY SIGHT. 1395 01:27:18,956 --> 01:27:21,659 TALK ABOUT ANYTHING NICE? 1396 01:27:21,693 --> 01:27:23,961 YES! 1397 01:27:25,764 --> 01:27:28,899 DID SHE TELL YOU THAT, UM, SHE'S LIVING IN YOUR HOUSE NOW? 1398 01:27:28,933 --> 01:27:31,669 IS SHE BRINGING BITS IN? 1399 01:27:31,703 --> 01:27:33,304 SHE CERTAINLY IS. 1400 01:27:36,141 --> 01:27:40,812 DID SHE TELL YOU ABOUT HER... HER FRIEND- HER NEW FRIEND? 1401 01:27:45,450 --> 01:27:47,384 WERE YOU THERE WHEN THEY GOT DRUNK? 1402 01:27:49,020 --> 01:27:50,420 NO. 1403 01:27:51,456 --> 01:27:52,890 OH. 1404 01:27:58,062 --> 01:28:00,631 HAS HE GOT A NAME, THIS... 1405 01:28:00,665 --> 01:28:02,199 THIS FRIEND? 1406 01:28:03,968 --> 01:28:05,202 DID SHE SAY A NAME? 1407 01:28:05,236 --> 01:28:07,404 I DON'T THINK SHE SAID A NAME... UH, DID? 1408 01:28:11,643 --> 01:28:12,642 ALAN. 1409 01:28:16,381 --> 01:28:17,715 ALAN? 1410 01:28:19,918 --> 01:28:22,719 ME LADDO TURNED OUT TO BE 1411 01:28:22,754 --> 01:28:24,722 A BIT OF A SHIT, THOUGH, DIDN'T HE? 1412 01:28:31,696 --> 01:28:32,763 Man: THANK YOU. 1413 01:28:37,502 --> 01:28:40,737 Penman Hello, this is Mr. Penman. 1414 01:28:40,772 --> 01:28:42,306 Good news, very good news. 1415 01:28:42,341 --> 01:28:45,376 I've made contact with the aforementioned targets. 1416 01:28:45,410 --> 01:28:49,013 The target in question goes by the name of Malcolm Crossley 1417 01:28:49,047 --> 01:28:50,514 and he's a car mechanic. 1418 01:28:50,548 --> 01:28:51,648 A CAR MECHANIC? 1419 01:28:51,682 --> 01:28:54,118 YOU'RE OFF YOUR BLOODY HEAD, MAN. 1420 01:28:54,152 --> 01:28:57,621 He works at Crossley Motors in Greeley Street. 1421 01:28:57,655 --> 01:29:03,961 YOU'VE ACTUALLY SEEN THIS CAR MECHANIC WITH MY WIFE? 1422 01:29:03,995 --> 01:29:06,930 Oh, yes- he drives a green M.G.B. 1423 01:29:06,964 --> 01:29:09,500 license number YAP 40J. 1424 01:29:16,574 --> 01:29:18,442 WHERE'S, UM... MALCOLM CROSSLEY? 1425 01:29:18,476 --> 01:29:20,244 ROUND THE BACK. 1426 01:29:26,785 --> 01:29:29,486 MALCOLM CROSSLEY, DO YOU KNOW WHO I AM? 1427 01:29:29,520 --> 01:29:30,954 DO YOU KNOW WHO I AM? 1428 01:29:30,989 --> 01:29:32,156 GET UP! 1429 01:29:32,190 --> 01:29:33,490 GET OUT! 1430 01:29:42,500 --> 01:29:44,768 THERE'S BEEN A MISTAKE. 1431 01:29:44,803 --> 01:29:46,270 I'M VERY SORRY. 1432 01:29:46,304 --> 01:29:48,505 I'M SO TERRIBLY SORRY. 1433 01:29:51,376 --> 01:29:53,276 DO YOU OWN ONE OF THESE IN GREEN? 1434 01:29:53,311 --> 01:29:55,279 NOT ANYMORE, I SOLD IT YESTERDAY. 1435 01:29:55,313 --> 01:29:56,280 WHO TO? 1436 01:29:56,314 --> 01:29:57,815 WHO WANTS TO KNOW? 1437 01:29:57,849 --> 01:29:59,015 I DO. 1438 01:30:10,628 --> 01:30:14,598 PASS ME THOSE YELLOW RECEIPTS, BETH, PLEASE. 1439 01:31:08,853 --> 01:31:11,122 MR. McGINLEY, WHERE'S MR. SPRINGER? 1440 01:31:11,156 --> 01:31:12,122 UH, I DON'T KNOW. 1441 01:31:12,157 --> 01:31:13,123 WHERE IS HE? 1442 01:31:13,157 --> 01:31:14,425 I DON'T KNOW, SIR. 1443 01:31:21,399 --> 01:31:23,667 THIS IS JOHN McGINLEY; BLEEP OWEN SPRINGER. 1444 01:31:23,702 --> 01:31:27,004 TELL HIM TO GO UP TO THE MAIN CAR PARK NOW. 1445 01:31:36,414 --> 01:31:39,282 Announcer He's had to settle in at left back. 1446 01:31:39,317 --> 01:31:40,684 MR. SPRINGER? 1447 01:31:40,718 --> 01:31:43,453 MR. OWEN "M.G." SPRINGER? 1448 01:31:43,488 --> 01:31:45,055 NO? THANK YOU. 1449 01:31:51,663 --> 01:31:55,533 JOHN, JOHN- OH, MY GOD... OH, MY GOD. 1450 01:31:58,603 --> 01:32:00,771 SHUT UP. 1451 01:32:10,948 --> 01:32:12,682 Crane: LET ME. 1452 01:32:12,717 --> 01:32:14,051 THANKS. 1453 01:32:30,535 --> 01:32:33,036 RICHARD, PLEASE, CALM DOWN! 1454 01:32:33,070 --> 01:32:34,905 OWEN, OUT OF THE BUILDING- NOW! 1455 01:32:34,939 --> 01:32:37,340 NO! 1456 01:32:37,375 --> 01:32:38,441 GET OFF ME! 1457 01:32:40,312 --> 01:32:41,846 WILL YOU CALM DOWN! 1458 01:32:41,880 --> 01:32:42,713 NO. 1459 01:32:42,747 --> 01:32:43,714 VIVIEN, MOVE! 1460 01:32:43,748 --> 01:32:44,714 NO. 1461 01:32:44,749 --> 01:32:45,482 GET OUT OF THE WAY! 1462 01:32:45,517 --> 01:32:46,416 NO. 1463 01:32:47,886 --> 01:32:49,919 VIVIEN, PLEASE MOVE. 1464 01:32:49,954 --> 01:32:51,421 NO. 1465 01:34:52,344 --> 01:34:54,410 YOU KEEP DOING THIS, McGINLEY. 1466 01:35:09,159 --> 01:35:10,828 HE DIDN'T EVEN LIKE ME. 1467 01:35:10,862 --> 01:35:14,064 I PUSHED AND SHOVED AND SMILED AND PREENED 1468 01:35:14,499 --> 01:35:15,732 FOR SIX BLOODY MONTHS 1469 01:35:15,767 --> 01:35:18,468 BEFORE I GOT SO MUCH AS A HANDSHAKE. 1470 01:35:18,502 --> 01:35:22,605 I STILL FEEL LIKE HE NEVER TOOK HIS GLOVES OFF. 1471 01:35:22,640 --> 01:35:25,909 YOU WOULDN'T FIND SPRINGER AGREEING WITH THAT ONE. 1472 01:35:25,943 --> 01:35:28,178 HOW THE HELL DID HE GET MIXED UP WITH HER 1473 01:35:28,212 --> 01:35:29,280 FOR GOD'S SAKE? 1474 01:35:29,314 --> 01:35:32,349 WELL, THEY MET BEFORE HE GOT THE JOB. 1475 01:35:32,383 --> 01:35:33,783 IN LONDON? 1476 01:35:33,818 --> 01:35:36,520 ON THE TRAIN ON THE WAY UP FROM LONDON. 1477 01:35:36,554 --> 01:35:39,589 SHEER DESTINY. 1478 01:35:39,624 --> 01:35:41,391 WHY DID HE BLOW THE WHISTLE ON US? 1479 01:35:42,394 --> 01:35:43,760 I DON'T REALLY KNOW. 1480 01:35:43,795 --> 01:35:47,364 I THINK LADY MACBETH WAS TOO COMMITTED TO THE BELIEF 1481 01:35:47,398 --> 01:35:50,200 THAT HER OLD FELLOW WAS A SHINING SAINT- 1482 01:35:50,234 --> 01:35:53,603 WELL, LIKE WE ALL WERE 1483 01:35:53,637 --> 01:35:56,072 EXCLUDING YOURSELF, OBVIOUSLY. 1484 01:35:57,508 --> 01:35:58,508 THANK YOU. 1485 01:35:58,543 --> 01:36:00,343 MY PLEASURE. 1486 01:36:06,717 --> 01:36:08,051 ANNA FAIRLEY ORGANIZATION, MICHELLE SPEAKING. 1487 01:36:08,086 --> 01:36:09,052 HOW CAN I HELP YOU? 1488 01:36:09,086 --> 01:36:10,954 Owen: I need to speak to Anna. 1489 01:36:10,988 --> 01:36:12,956 I'M SORRY, SHE'S IN A MEETING. 1490 01:36:12,990 --> 01:36:15,225 You're going to have to break in, Michelle. 1491 01:36:15,260 --> 01:36:17,528 Tell her it's Owen and tell her it's urgent. 1492 01:36:17,562 --> 01:36:19,096 SORRY, I'M UNDER STRICT INSTRUCTIONS NOT TO. 1493 01:36:19,130 --> 01:36:21,164 SHE'LL ONLY BE ANOTHER HALF AN HOUR OR SO. 1494 01:36:21,199 --> 01:36:22,199 I'm on the mobile. 1495 01:36:50,027 --> 01:36:51,828 Michelle: YOUR MESSAGES. 1496 01:36:51,862 --> 01:36:54,064 OWEN ON HIS MOBILE, URGENT 1497 01:36:54,098 --> 01:36:56,733 YOUR HUSBAND ON HIS MOBILE, URGENT 1498 01:36:56,768 --> 01:36:57,768 OWEN, URGENT 1499 01:36:57,802 --> 01:36:59,803 YOUR HUSBAND, VERY URGENT 1500 01:36:59,837 --> 01:37:02,872 AND THE CLEANERS SAYING YOUR SUIT'S READY. 1501 01:37:02,907 --> 01:37:04,340 OH, GOD. 1502 01:37:24,195 --> 01:37:26,630 SHE MUST BE OUT OF THAT BLOODY MEETING BY NOW. 1503 01:37:26,664 --> 01:37:28,465 IF SHE'S NOT, DRAG HER OUT! 1504 01:37:28,500 --> 01:37:31,134 Michelle I think she's just trying 1505 01:37:31,169 --> 01:37:33,270 to get through to you- try hanging up. 1506 01:37:39,910 --> 01:37:40,877 Anna: Richard. 1507 01:37:40,912 --> 01:37:42,379 HOW COULD YOU?! 1508 01:37:42,413 --> 01:37:47,151 HOW COULD YOU WITH A POXY, JUMPED-UP BLOODY REGISTRAR? 1509 01:37:47,185 --> 01:37:48,418 HOW COULD YOU?! 1510 01:37:48,453 --> 01:37:49,719 What's happened? 1511 01:37:49,754 --> 01:37:52,756 WITH A GRUBBY, UNDERQUALIFIED, CHARMLESS 1512 01:37:52,791 --> 01:37:55,659 LITTLE TWAT LIKE THAT- HOW COULD YOU? 1513 01:37:55,693 --> 01:37:57,594 LOOK, THIS IS NOT FOR DISCUSSION ON THE PHONE. 1514 01:37:57,629 --> 01:37:58,595 WHERE ARE YOU? 1515 01:37:58,629 --> 01:38:00,197 I'M AT YOUR MOTHER'S HOUSE. 1516 01:38:00,231 --> 01:38:01,765 GO IN AND WAIT FOR ME. 1517 01:38:01,799 --> 01:38:06,469 WITH A POKEY-FACED, UNCULTURED BLOODY DRONE LIKE THAT? 1518 01:38:06,504 --> 01:38:09,206 RICHARD, I AM GOING TO PUT THE PHONE DOWN NOW, OKAY? 1519 01:38:09,240 --> 01:38:11,441 THERE'S A YELLOW KEY UNDER THE PLANT POT. 1520 01:38:11,475 --> 01:38:12,442 Let yourself in. 1521 01:38:12,477 --> 01:38:13,910 I'm coming straight over- 1522 01:38:13,944 --> 01:38:15,946 AND HAVE A DRINK OR SOMETHING. 1523 01:38:24,788 --> 01:38:25,789 BITCH! 1524 01:38:27,191 --> 01:38:27,791 BITCH! 1525 01:38:40,505 --> 01:38:41,504 ANNA? 1526 01:38:41,539 --> 01:38:42,905 JUST TELL ME WHAT'S HAPPENED. 1527 01:38:42,940 --> 01:38:46,076 HE TURNED UP AT WORK AND HE PUNCHED ME IN THE FACE. 1528 01:38:46,110 --> 01:38:47,377 HE HIT YOU? 1529 01:38:47,411 --> 01:38:49,446 IN THE HOSPITAL?! 1530 01:38:51,015 --> 01:38:53,183 WITH HALF THE BLOODY TEAM WATCHING. 1531 01:38:53,217 --> 01:38:55,785 ANNA, HOW DID YOU MANAGE TO GET ATTACHED 1532 01:38:55,819 --> 01:38:58,922 TO AN ARROGANT, SELF-SATISFIED DICKHEAD LIKE THAT? 1533 01:38:58,956 --> 01:39:00,524 HOW DID YOU MANAGE THAT? 1534 01:39:00,558 --> 01:39:02,826 Please, don't you start. 1535 01:39:02,860 --> 01:39:04,060 WHAT'S HE SAID? 1536 01:39:04,095 --> 01:39:07,163 LOOK, I'LL HAVE TO TALK TO HIM. 1537 01:39:07,197 --> 01:39:08,164 TALK TO HIM?! 1538 01:39:08,199 --> 01:39:10,267 I'M GOING TO BLOODY KILL HIM. 1539 01:39:10,301 --> 01:39:12,035 Just keep away from him. 1540 01:39:12,069 --> 01:39:13,570 PLEASE, OWEN. 1541 01:39:13,604 --> 01:39:15,205 YES. 1542 01:39:18,475 --> 01:39:21,645 YOU GOT ANY IODINE OR ANYTHING? 1543 01:39:22,680 --> 01:39:24,113 OWEN... 1544 01:39:25,749 --> 01:39:27,217 WHEREABOUTS ARE YOU? 1545 01:39:27,251 --> 01:39:28,719 I'M AT YOUR MOTHER'S HOUSE. 1546 01:39:30,354 --> 01:39:32,656 OH, SHIT. 1547 01:39:32,690 --> 01:39:33,924 WHY? 1548 01:39:33,958 --> 01:39:35,458 OH, SHIT! 1549 01:39:38,529 --> 01:39:39,529 ANNA? 1550 01:39:42,332 --> 01:39:43,433 ANNA? 1551 01:39:52,910 --> 01:39:54,745 ALL RIGHT, NAPOLEON. 1552 01:39:54,779 --> 01:39:56,713 COME ON, TAKE ME NOW. 1553 01:39:56,747 --> 01:39:59,182 I'M GOING TO BREAK YOUR FINGERS. 1554 01:39:59,216 --> 01:40:00,250 OH, YEAH. 1555 01:40:00,284 --> 01:40:02,486 I'M GOING TO BUST EVERY PART OF YOU 1556 01:40:02,520 --> 01:40:03,887 THAT TOUCHED MY WIFE. 1557 01:40:03,921 --> 01:40:06,289 YOU'LL HAVE TO BUST A LOT OF IT, CRANE. 1558 01:40:11,028 --> 01:40:14,130 GET UP- GET UP, YOU SOFTY. 1559 01:40:24,742 --> 01:40:29,345 OH, COME ON, COME ON, COME ON, COME ON. 1560 01:40:38,222 --> 01:40:39,689 Man: HEY! BREAK IT UP! 1561 01:40:39,724 --> 01:40:40,456 BREAK IT UP! 1562 01:40:40,491 --> 01:40:41,925 IF SHE MATTERED THAT MUCH 1563 01:40:41,960 --> 01:40:44,060 HOW COME YOU WERE SCREWING VIV, CRANE? 1564 01:40:44,094 --> 01:40:45,395 I NEVER TOOK YOUR WIFE! 1565 01:40:45,430 --> 01:40:47,630 YOU GAVE HER AWAY, YOU STUPID BASTARD! 1566 01:40:49,400 --> 01:40:52,302 BLOODY HELL, IT'S ALAN BATES AND OLIVER REED. 1567 01:40:52,336 --> 01:40:55,872 WHOSE HOUSE IS THIS, ANYWAY? 1568 01:40:55,907 --> 01:40:57,173 MY MOTHER-IN-LAW'S. 1569 01:40:57,208 --> 01:40:58,175 AND I'M STAYING HERE. 1570 01:40:58,209 --> 01:40:59,576 YOU'RE WHAT? 1571 01:40:59,610 --> 01:41:00,677 YOU ARE WHAT?! 1572 01:41:00,711 --> 01:41:03,680 YEAH, WITH HIS WIFE, WHO HE CHEATED ON 1573 01:41:03,715 --> 01:41:05,948 WHO'S NOW CHEATING ON HIM- WITH ME. 1574 01:41:05,983 --> 01:41:07,951 YEAH, WE'RE STAYING HERE. 1575 01:41:10,154 --> 01:41:14,224 SHOW THEM YOUR SEX AIDS, COLIN. 1576 01:41:30,574 --> 01:41:32,342 HE STARTED IT. 1577 01:41:34,745 --> 01:41:37,447 ANNA... ANNA. 1578 01:41:37,482 --> 01:41:39,949 Crane: ANNA! 1579 01:41:39,983 --> 01:41:41,517 Owen: ANNA, I WAS PROVOKED! 1580 01:41:41,552 --> 01:41:43,853 Crane: LET ME SPEAK TO MY BLOODY WIFE. 1581 01:41:59,270 --> 01:42:01,271 OH... 1582 01:42:06,210 --> 01:42:08,578 NEXT TIME ON MOBIL MASTERPIECE THEATRE... 1583 01:42:08,612 --> 01:42:10,346 YOU'RE THE BEST THING THAT'S EVER HAPPENED TO ME. 1584 01:42:10,381 --> 01:42:12,282 THE COMPETITION HEATS UP. 1585 01:42:12,316 --> 01:42:13,950 I'M FILING FOR A DIVORCE. 1586 01:42:15,152 --> 01:42:16,119 HOW OLD ARE YOU? 1587 01:42:16,154 --> 01:42:17,754 YOUNG ENOUGH TO KNOW SHE DESERVES BETTER THAN YOU. 1588 01:42:17,788 --> 01:42:19,088 TELL HER WHO MADE THE PHONE CALL. 1589 01:42:19,123 --> 01:42:20,390 YOU DID THAT. 1590 01:42:20,425 --> 01:42:21,825 McGinley: YOU'RE DEAD IN THE WATER. 1591 01:42:21,859 --> 01:42:23,493 Glassman: SHE IS HAVING DINNER WITH HIM. 1592 01:42:23,528 --> 01:42:26,162 THE CONCLUSION OF "RECKLESS." 1593 01:42:26,196 --> 01:42:27,230 Anna: YOU SENT A NOTE 1594 01:42:27,264 --> 01:42:28,331 PRETENDING TO BE ME. 1595 01:42:28,365 --> 01:42:29,466 I DIDN'T MEAN TO HURT YOU, ANNA. 1596 01:42:29,500 --> 01:42:31,034 PEOPLE KEEP SAYING THAT. 1597 01:42:37,574 --> 01:42:40,877 "RECKLESS" IS AVAILABLE ON HOME VIDEOCASSETTE 1598 01:42:40,911 --> 01:42:44,281 FOR $39.95, PLUS SHIPPING AND HANDLING. 1599 01:42:44,315 --> 01:42:50,052 TO ORDER, CALL 1-800-255-9424. 1600 01:43:50,080 --> 01:43:52,715 WE HOPE YOU'VE ENJOYED MOBIL MASTERPIECE THEATRE. 1601 01:43:52,750 --> 01:43:55,751 FOR NEARLY 30 YEARS, WE'VE BEEN PROUD TO PROVIDE 1602 01:43:55,786 --> 01:43:58,622 THE ENERGY THAT HELPS PUBLIC TELEVISION RUN. 1603 01:44:29,353 --> 01:44:33,523 Captioned by Media Access Group at WGBH access. wgbh. org 1604 01:44:33,557 --> 01:44:36,259 A PRESENTATION OF WGBH BOSTON 101590