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[Kennedy] There's always been
this unique charisma to Harrison.
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No one's like him.
3
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I think you just can't bear
4
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to let a gorgeous guy like me
out of your sight.
5
00:00:19,378 --> 00:00:21,294
There's just something
about a rogue, isn't there?
6
00:00:21,378 --> 00:00:23,086
And he's, like,
the ultimate rogue. [laughs]
7
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"I don't want a real job.
Maybe I could be an actor."
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I'm making this up as I go.
9
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He is his own man,
and he knows he's an action hero.
10
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[Spielberg] Let me see how it looks.
Can we follow Harrison?
11
00:00:35,336 --> 00:00:41,003
He's down-to-earth and has
this very, kind of, wonderful, dry wit.
12
00:00:42,586 --> 00:00:43,586
Water?
13
00:00:43,670 --> 00:00:48,044
He is hilarious,
magnetic and sexy and funny.
14
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[laughing] Go away!
15
00:00:49,586 --> 00:00:52,712
He's not too weird-looking,
and he's not too good-looking.
16
00:00:52,795 --> 00:00:54,253
Who's scruffy-lookin'?
17
00:00:54,336 --> 00:00:56,086
[Lucas] He hits that sweet spot.
18
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It's very bouncy, Steve. Very bouncy.
19
00:00:58,670 --> 00:01:00,169
George and Steven came into my life.
20
00:01:00,253 --> 00:01:02,211
- That's Indiana Jones.
- Things got better.
21
00:01:02,294 --> 00:01:03,670
- In the rain.
- It's raining.
22
00:01:03,753 --> 00:01:05,253
It's raining. It's very wet.
23
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[Spielberg] Where's my man, my movie star?
24
00:01:06,753 --> 00:01:07,670
Hi, Mom.
25
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[interviewer]
There any surprises in this film?
26
00:01:09,670 --> 00:01:10,503
Oh.
27
00:01:10,586 --> 00:01:14,086
I became very aware
of this movie star-in-waiting.
28
00:01:14,169 --> 00:01:16,253
- I'm in good hands.
- [chuckles]
29
00:01:17,920 --> 00:01:21,837
We had this great power.
We had great stories to tell.
30
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[Kennedy]
I don't think there's been any actor
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that's taken on
two incredibly iconic roles like this
32
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that have stood the test of time.
33
00:01:30,253 --> 00:01:34,545
The hat, jacket and the whip.
You're Indiana Jones.
34
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In my own mind, I cannot separate
Harrison from Indiana Jones.
35
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Not a lot of us know him as Harrison,
the private person, you know?
36
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There's still a mystery about him,
and this is his story.
37
00:02:00,128 --> 00:02:02,336
[Lucas] This whole project
started about ten years ago
38
00:02:02,420 --> 00:02:06,461
when I had an idea to do a movie,
an action-adventure kind of serial.
39
00:02:09,628 --> 00:02:11,461
{\an8}It was actually about the same time
40
00:02:11,545 --> 00:02:14,169
{\an8}that I came up
with the idea for Star Wars...
41
00:02:16,336 --> 00:02:20,878
but, uh, got more interested in Star Wars,
so I put this one on the shelf.
42
00:02:20,962 --> 00:02:22,545
Figured I'd get to it someday.
43
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[Spielberg] George and I,
we were in Hawaii
44
00:02:26,920 --> 00:02:28,920
getting ready to celebrate
the opening of Star Wars.
45
00:02:31,378 --> 00:02:32,962
{\an8}We built our lucky sandcastle
on the beach.
46
00:02:33,044 --> 00:02:35,294
{\an8}The tide did not take it, a good sign.
47
00:02:35,378 --> 00:02:41,962
Then after the grosses started coming in,
George was just ebullient.
48
00:02:42,044 --> 00:02:45,586
The sense of relief that washed over him
that day when he found out he had a hit.
49
00:02:45,670 --> 00:02:48,712
He turned to me, and he said,
"So what are you gonna do next?"
50
00:02:48,795 --> 00:02:51,503
And I said, "Well, I've been trying
to get the Broccolis to hire me
51
00:02:51,586 --> 00:02:52,795
to direct a James Bond picture.
52
00:02:52,878 --> 00:02:54,128
They keep turning me down."
53
00:02:54,211 --> 00:02:55,878
And George says, "I got something better."
54
00:02:58,294 --> 00:03:01,753
[Kennedy] I had actually started
working as a receptionist
55
00:03:01,837 --> 00:03:04,503
{\an8}for John Milius and for Steven.
56
00:03:04,586 --> 00:03:08,086
{\an8}So that was quite
the introduction to Hollywood,
57
00:03:08,169 --> 00:03:12,878
{\an8}because there was a steady stream
of who's who coming through the door.
58
00:03:13,837 --> 00:03:15,962
[Marshall]
I had met Steven about five years before
59
00:03:16,044 --> 00:03:19,962
{\an8}on the set of Daisy Miller in Rome,
and he had noticed how I worked.
60
00:03:20,044 --> 00:03:22,712
So when George asked him,
"Who do you want to produce Raiders?"
61
00:03:22,795 --> 00:03:25,920
He said, "Let's see
if we can find that guy, Frank Marshall."
62
00:03:27,086 --> 00:03:29,461
[Kasdan]
I had been writing without success.
63
00:03:29,545 --> 00:03:32,962
And then I had written Continental Divide.
64
00:03:33,044 --> 00:03:36,712
{\an8}It sold in about two weeks,
and there was a bidding war for it.
65
00:03:36,795 --> 00:03:39,044
- Steven won the bidding.
- [chuckles]
66
00:03:39,128 --> 00:03:43,753
And Steven says, "You know,
I'm gonna do a movie with George Lucas.
67
00:03:44,336 --> 00:03:47,545
We both think you could be
the person to write this movie.
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00:03:49,420 --> 00:03:50,920
[chuckles]
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00:03:52,336 --> 00:03:55,003
They had only the basic ideas.
70
00:03:55,086 --> 00:03:59,086
{\an8}The one big idea was that when George
started talking to Phil Kaufman,
71
00:03:59,169 --> 00:04:01,503
{\an8}he said,
"Oh, I know what the MacGuffin should be."
72
00:04:01,586 --> 00:04:05,169
{\an8}His orthodontist had told him
when he was 11 years old
73
00:04:05,253 --> 00:04:07,628
about the lost Ark of the Covenant.
74
00:04:07,712 --> 00:04:11,628
[Brody] An army which carries
the Ark before it is invincible.
75
00:04:12,294 --> 00:04:13,837
[Lucas] I said,
"That's fantastic. It's perfect.
76
00:04:13,920 --> 00:04:15,211
It's just what we're looking for."
77
00:04:15,294 --> 00:04:19,044
And, uh, "Fit that into it.
Flush the story out a little bit more."
78
00:04:19,128 --> 00:04:21,962
[Kasdan] George said,
"The hero's named for my dog, Indiana."
79
00:04:22,044 --> 00:04:22,920
[dog barks]
80
00:04:23,003 --> 00:04:26,962
"He wears a Fedora,
and his weapon is a whip.
81
00:04:27,044 --> 00:04:28,378
{\an8}It's gonna be like the serials
82
00:04:28,461 --> 00:04:31,211
{\an8}where there's a cliffhanger
all the time, you know?"
83
00:04:31,294 --> 00:04:33,920
{\an8}So, that's about the whole conversation.
84
00:04:34,878 --> 00:04:37,003
{\an8}George and Larry Kasdan and myself,
85
00:04:37,086 --> 00:04:40,962
we pounded out all the beats
to the story in three or four days,
86
00:04:41,044 --> 00:04:43,878
and then Larry just went off
and wrote a brilliant script on his own.
87
00:04:45,378 --> 00:04:48,503
Steven said,
"Why don't you write it at my office?"
88
00:04:48,586 --> 00:04:51,837
'Cause I had no office.
He said, "You can write it at my desk."
89
00:04:51,920 --> 00:04:53,795
That's when I met Kathy Kennedy too.
90
00:04:54,753 --> 00:04:57,878
[Kennedy] I had been asked by Steven
to come work as his assistant.
91
00:04:57,962 --> 00:05:01,294
So I was sitting in the office,
hadn't been in the business very long,
92
00:05:01,378 --> 00:05:03,586
and he put a script in front of me,
and he said,
93
00:05:03,670 --> 00:05:06,169
{\an8}"I'd really like you to read this
and tell me what you think."
94
00:05:06,253 --> 00:05:08,545
{\an8}It was one of the first scripts
I'd ever read.
95
00:05:08,628 --> 00:05:11,420
{\an8}It was just this incredible page-turner.
96
00:05:11,503 --> 00:05:13,378
But how are we gonna do this?
97
00:05:16,837 --> 00:05:19,878
{\an8}[Kasdan] There had been movies
like this 50 years earlier,
98
00:05:19,962 --> 00:05:23,628
{\an8}but there had never been
anything like this in recent memory.
99
00:05:23,712 --> 00:05:28,420
And George and Steven had such
a clear image of what that would be.
100
00:05:28,503 --> 00:05:31,795
And you needed someone
you couldn't take your eyes off.
101
00:05:33,128 --> 00:05:35,878
[Marshall] George really believed
in doing concept art
102
00:05:35,962 --> 00:05:38,169
for the look of the movie
and the character.
103
00:05:38,253 --> 00:05:40,586
And so there were four or five paintings
104
00:05:40,670 --> 00:05:43,378
that were done
by this wonderful artist named Steranko.
105
00:05:43,461 --> 00:05:47,044
[Kennedy] We always talk about it
as the silhouette of Indiana Jones.
106
00:05:47,128 --> 00:05:50,628
Steven and George knew
that they needed a character
107
00:05:50,712 --> 00:05:54,837
that would really have
that instant identification.
108
00:05:54,920 --> 00:05:58,586
[Spielberg]
We didn't have the intention to redefine
109
00:05:58,670 --> 00:06:01,420
what a hero is to global movie audiences.
110
00:06:01,503 --> 00:06:04,962
We didn't have any delusions of grandeur
about where this could go.
111
00:06:05,044 --> 00:06:07,878
I felt, personally,
this was a very risky project,
112
00:06:07,962 --> 00:06:09,712
{\an8}'cause nothing like this
had ever been done
113
00:06:09,795 --> 00:06:11,878
{\an8}since the old days
of the Republic serials.
114
00:06:18,128 --> 00:06:22,253
I was thinking about
how to insure all of us against failure
115
00:06:22,336 --> 00:06:25,169
by finding a very charismatic
Indiana Jones.
116
00:06:35,878 --> 00:06:38,461
[Ford] I was a philosophy
and English major in college,
117
00:06:38,545 --> 00:06:40,044
and I was not a good student.
118
00:06:42,086 --> 00:06:44,920
I was a depressed student,
and I didn't fit in.
119
00:06:45,920 --> 00:06:49,795
And it was a small mid-Western
liberal arts college in Wisconsin.
120
00:06:49,878 --> 00:06:50,962
Very small school.
121
00:06:52,461 --> 00:06:54,878
I was the first one in our family
to go to college.
122
00:06:54,962 --> 00:06:56,753
My father and mother worked hard
123
00:06:56,837 --> 00:06:59,545
{\an8}to make the money, uh,
to send me to college.
124
00:07:00,294 --> 00:07:02,628
{\an8}And I didn't perform.
125
00:07:03,962 --> 00:07:06,586
I found no peers there, really.
126
00:07:07,169 --> 00:07:09,169
I felt, uh, isolated.
127
00:07:10,253 --> 00:07:13,586
And then my grade point average
got to the dangerous, uh, juncture
128
00:07:13,670 --> 00:07:17,503
where I went through the course catalog
to try and find something,
129
00:07:17,586 --> 00:07:20,586
like basket weaving,
that I couldn't fail at.
130
00:07:20,670 --> 00:07:22,712
I went through B's,
and there was no basket weaving,
131
00:07:22,795 --> 00:07:25,378
and I came to C, D. Drama.
132
00:07:25,461 --> 00:07:27,545
When I read the first line,
133
00:07:27,628 --> 00:07:31,294
"Read plays and discuss them
with your classmates."
134
00:07:32,628 --> 00:07:34,294
I didn't read the rest.
135
00:07:34,378 --> 00:07:37,795
The rest said,
"And you have to be in plays."
136
00:07:40,586 --> 00:07:44,211
Suddenly, I found myself on stage
with my knees knocking,
137
00:07:44,294 --> 00:07:46,044
and I was terrified.
138
00:07:46,128 --> 00:07:48,628
That was something
I had to learn to control.
139
00:07:49,378 --> 00:07:52,378
I learned how to do that,
how to not be terrified.
140
00:07:53,420 --> 00:07:57,420
And I did find that the people
that I was telling stories with
141
00:07:58,003 --> 00:07:59,420
were the people I was missing.
142
00:08:00,586 --> 00:08:06,128
I didn't see them until we were
telling stories together, and I fit in.
143
00:08:06,211 --> 00:08:07,962
I felt good there.
144
00:08:08,044 --> 00:08:10,586
And I was, for the first time,
145
00:08:10,670 --> 00:08:13,795
emotionally involved
in something I was doing.
146
00:08:15,086 --> 00:08:18,253
So, I said,
"Well, maybe I could be an actor."
147
00:08:18,336 --> 00:08:22,628
My father who had been
a radio actor himself early on.
148
00:08:23,294 --> 00:08:26,503
My grandfather, his father,
was a vaudevillian.
149
00:08:26,586 --> 00:08:29,878
So there's a bit of a tradition
in the family of this.
150
00:08:31,253 --> 00:08:35,211
Nobody thought I had a chance in hell
of making a living at it.
151
00:08:38,378 --> 00:08:41,545
All I knew about acting was you go
to the East Coast or the West Coast.
152
00:08:41,628 --> 00:08:45,211
So I flipped a coin. Came up West Coast.
153
00:08:45,294 --> 00:08:48,211
{\an8}So went to the West Coast
and after a period of years,
154
00:08:48,294 --> 00:08:51,378
{\an8}I began to get an edge up in Hollywood.
155
00:08:51,461 --> 00:08:53,420
{\an8}I see the whole thing.
156
00:08:53,503 --> 00:08:55,211
{\an8}She's marrying me to rebel against you.
157
00:08:55,294 --> 00:08:56,378
{\an8}- Who?
- Me?
158
00:08:56,461 --> 00:08:59,211
{\an8}No, you. And what she really wants is him.
159
00:08:59,294 --> 00:09:00,920
- Me?
- Yes, you!
160
00:09:01,003 --> 00:09:02,169
[Ford] I was under contract,
161
00:09:02,253 --> 00:09:05,294
so they plugged me into tiny little parts
in television shows.
162
00:09:05,378 --> 00:09:07,086
{\an8}[Letterman] Is there good money
in being a contract player?
163
00:09:07,169 --> 00:09:08,253
{\an8}What do you gotta do to...
164
00:09:08,336 --> 00:09:10,503
{\an8}Oh, yeah. Not just money, but the respect.
165
00:09:10,586 --> 00:09:14,962
- [laughs]
- [Ford] 150 dollars a week, yeah.
166
00:09:15,044 --> 00:09:18,420
Anything then that they're doing,
you have to show up and be in, right?
167
00:09:18,503 --> 00:09:20,003
- That was the idea.
- [Letterman] Yeah.
168
00:09:20,086 --> 00:09:22,420
Any memorable appearances come into mind?
169
00:09:22,503 --> 00:09:24,211
- No.
- [audience laughs]
170
00:09:24,294 --> 00:09:28,586
When I got out of that contract,
I went under contract to, uh, Universal,
171
00:09:28,670 --> 00:09:32,003
and I did another
year and half at Universal.
172
00:09:32,086 --> 00:09:34,753
And then I started
doing episodic television.
173
00:09:34,837 --> 00:09:37,169
{\an8}The time has come to cut our losses.
174
00:09:37,253 --> 00:09:38,378
{\an8}What does that mean?
175
00:09:38,962 --> 00:09:42,545
The Board of Directors is considering
a different approach to the problem.
176
00:09:42,628 --> 00:09:45,712
[Ford] But I also was remodeling a house
that we were able to buy
177
00:09:45,795 --> 00:09:48,837
with my then-wife's legacy
from her parents.
178
00:09:48,920 --> 00:09:51,712
Then I started to remodel it,
and I ran out of money
179
00:09:51,795 --> 00:09:53,628
'cause I bought tools and materials.
180
00:09:53,712 --> 00:09:58,420
{\an8}And a friend of mine suggested
that I take a job with Sérgio Mendes
181
00:09:58,503 --> 00:10:02,086
{\an8}to build a rehearsal room for him
on his Encino estate.
182
00:10:02,169 --> 00:10:05,878
{\an8}And he forgot to ask me
if I had ever done it before.
183
00:10:06,795 --> 00:10:08,378
And I forgot to tell him, frankly.
184
00:10:09,128 --> 00:10:12,962
{\an8}But it turned out to be
a 10-track professional recording studio
185
00:10:13,044 --> 00:10:14,294
{\an8}that I built in his backyard.
186
00:10:14,378 --> 00:10:17,169
{\an8}And I was never out of work again
as a carpenter.
187
00:10:17,253 --> 00:10:22,628
{\an8}Would you charge more to a celebrity
than you would to a regular civilian?
188
00:10:22,712 --> 00:10:24,503
{\an8}- Wouldn't you?
- [Kimmel] Yes. [laughs]
189
00:10:25,420 --> 00:10:27,461
- [laughs]
- [audience laughs]
190
00:10:27,545 --> 00:10:31,253
It allowed me to not have to take
every acting job that came along.
191
00:10:31,336 --> 00:10:35,253
{\an8}I wouldn't take another job unless
the next job was better than that one,
192
00:10:35,336 --> 00:10:38,670
{\an8}that is bigger part, better billing,
193
00:10:38,753 --> 00:10:41,128
more money. [chuckles]
194
00:10:46,253 --> 00:10:49,461
{\an8}Now, look.
Don't get involved in this, Mr. Caul.
195
00:10:50,503 --> 00:10:52,003
Those tapes are dangerous.
196
00:10:52,670 --> 00:10:56,420
[Ford] So, for about 15 years,
I only worked five or six times.
197
00:10:56,503 --> 00:10:57,586
But when I worked,
198
00:10:57,670 --> 00:11:00,712
I worked in something
that I really wanted to do.
199
00:11:00,795 --> 00:11:03,753
And the first of those
was American Graffiti.
200
00:11:03,837 --> 00:11:05,837
{\an8}[classic rock playing]
201
00:11:06,878 --> 00:11:10,128
{\an8}Hey, you see this Milner,
you tell him I'm lookin' for him, huh?
202
00:11:10,211 --> 00:11:13,461
{\an8}Tell him I aim to blow his ass
right off the road.
203
00:11:13,545 --> 00:11:15,253
[Lucas]
When I was casting for American Graffiti,
204
00:11:15,336 --> 00:11:17,211
the casting director
was a good friend of Harrison's.
205
00:11:17,294 --> 00:11:19,795
{\an8}He wanted him maybe to play
John or something,
206
00:11:19,878 --> 00:11:22,795
{\an8}but he was in his 30s
and everybody else was in their 20s.
207
00:11:22,878 --> 00:11:24,086
He wasn't right for that part.
208
00:11:24,169 --> 00:11:25,253
So when we went on,
209
00:11:25,336 --> 00:11:28,586
and we started casting Bob Falfa,
the villain of the piece,
210
00:11:28,670 --> 00:11:30,253
I immediately thought of Harrison.
211
00:11:30,336 --> 00:11:32,461
Hey, you're supposed to be
the fastest thing in the valley, man.
212
00:11:32,545 --> 00:11:33,586
But that can't be your car.
213
00:11:33,670 --> 00:11:35,003
It must be your mama's car.
214
00:11:35,086 --> 00:11:37,753
We were shooting almost all nights.
215
00:11:37,837 --> 00:11:41,545
George was holed up in a corner
in a warm jacket and sometimes...
216
00:11:41,628 --> 00:11:44,628
He kept falling asleep. [chuckles]
217
00:11:44,712 --> 00:11:46,712
It was a very low-budget film.
218
00:11:47,294 --> 00:11:48,294
Fun to do.
219
00:11:48,378 --> 00:11:52,461
I was surprised that I was in something
that was popular.
220
00:11:54,378 --> 00:11:58,044
{\an8}Well, I'm not gonna take you
on an impossible chase across the galaxy.
221
00:11:58,128 --> 00:12:00,128
{\an8}I was paid to bring you here,
and now you're here.
222
00:12:00,211 --> 00:12:02,461
{\an8}Give me my other 5000,
and I'll be on my way.
223
00:12:02,545 --> 00:12:06,461
{\an8}You're on your own. I'm on my own.
I'll let you off on the nearest system.
224
00:12:06,545 --> 00:12:09,795
{\an8}[Lucas] When I was actually, uh,
doing the casting on Star Wars,
225
00:12:09,878 --> 00:12:11,670
we went through quite a few actors.
226
00:12:11,753 --> 00:12:13,545
We went through a lot of possibilities.
227
00:12:13,628 --> 00:12:15,795
{\an8}- [applause]
- Tell me, what was it about Harrison
228
00:12:15,878 --> 00:12:18,253
{\an8}that initially drew you to him
as an actor?
229
00:12:18,336 --> 00:12:21,920
{\an8}- [Ford groans]
- [all laugh]
230
00:12:22,003 --> 00:12:24,044
Later, I found out
it was the casting director that said,
231
00:12:24,128 --> 00:12:26,878
"Here. Sit out right out
in front of the office,
232
00:12:26,962 --> 00:12:29,044
and pretend like
you're building something."
233
00:12:29,128 --> 00:12:31,253
- Oh, rubbish.
- [chuckles]
234
00:12:31,336 --> 00:12:33,920
{\an8}[Lucas] We had tests with him
and Carrie and Mark,
235
00:12:34,003 --> 00:12:38,086
{\an8}and we went through the whole thing,
and that was where the best chemistry was.
236
00:12:38,169 --> 00:12:39,586
You know, he fit the part.
237
00:12:39,670 --> 00:12:42,878
[Star Wars theme playing]
238
00:12:47,753 --> 00:12:49,795
[Ford] I thought the film
was gonna be successful actually.
239
00:12:49,878 --> 00:12:53,378
And I didn't think that anybody
over the age of 15
240
00:12:53,461 --> 00:12:55,962
was gonna be interested in it necessarily.
241
00:12:56,044 --> 00:12:58,712
But I thought it would be successful
as a kind of fairy tale.
242
00:12:58,795 --> 00:12:59,670
{\an8}Yahoo!
243
00:13:02,294 --> 00:13:03,378
{\an8}- [grunts]
- [speaks Shyriiwook]
244
00:13:03,461 --> 00:13:06,378
{\an8}[Kasdan] Everything about Star Wars
was a surprise to the world, really.
245
00:13:06,461 --> 00:13:09,420
I mean, no one was prepared
for what it was.
246
00:13:09,503 --> 00:13:13,962
And that cast
was just part of that surprise, I think.
247
00:13:14,044 --> 00:13:17,003
There was a callow youth, Mark.
248
00:13:17,086 --> 00:13:19,294
There's a beautiful princess, Carrie.
249
00:13:19,378 --> 00:13:21,628
There's a wise old warrior, Alec Guinness.
250
00:13:21,712 --> 00:13:23,753
And there was a smart-ass, which is...
251
00:13:24,795 --> 00:13:26,378
sort of a specialty.
252
00:13:26,461 --> 00:13:27,837
Everything's perfectly all right now.
253
00:13:27,920 --> 00:13:31,044
We're fine. We're all fine here now.
Thank you.
254
00:13:31,128 --> 00:13:32,211
How are you?
255
00:13:32,294 --> 00:13:34,837
Han, he sort of drew
everybody's attention,
256
00:13:34,920 --> 00:13:37,336
because he was the grown-up in the scene.
257
00:13:37,920 --> 00:13:40,294
Even though he was hot-tempered,
258
00:13:40,378 --> 00:13:44,003
and he had this running, kind of,
battle with, uh, Chewbacca.
259
00:13:44,086 --> 00:13:46,420
They were, kind of, you know,
the odd couple.
260
00:13:46,503 --> 00:13:49,503
- [speaks Shyriiwook]
- Get in there you big, furry oaf!
261
00:13:49,586 --> 00:13:51,128
I don't care what you smell!
262
00:13:51,211 --> 00:13:53,294
- [speaks Shyriiwook]
- Get in there and don't worry about it.
263
00:13:54,128 --> 00:13:56,837
[Mitchell] He was kind of
a throwback to an era of guys
264
00:13:56,920 --> 00:13:59,837
who completely owned
how masculine they were,
265
00:13:59,920 --> 00:14:01,753
and were not apologetic about it.
266
00:14:01,837 --> 00:14:04,753
And, in fact, his voice seemed
ten years older than he did.
267
00:14:04,837 --> 00:14:07,503
{\an8}For a long time,
that speaking voice had this weight
268
00:14:07,586 --> 00:14:12,086
{\an8}that made you think, "Who is this kid
who sounds like a 50-year-old guy?"
269
00:14:12,169 --> 00:14:14,753
Look, your worshipfulness,
let's get one thing straight.
270
00:14:14,837 --> 00:14:17,420
I take orders from just one person. Me!
271
00:14:17,503 --> 00:14:21,795
[Kennedy] That funny,
self-effacing, scoundrel, jokester,
272
00:14:21,878 --> 00:14:25,086
I think that permeates
who he is all the time.
273
00:14:26,378 --> 00:14:28,420
My theory of interstellar space travel:
274
00:14:28,503 --> 00:14:30,753
Make sure you get enough per diem,
275
00:14:30,837 --> 00:14:33,336
'cause you're gonna be out there
for a real long time.
276
00:14:33,420 --> 00:14:36,670
You just know, whether you're gonna go
sit down and have coffee with him,
277
00:14:36,753 --> 00:14:40,378
or have dinner, or watch him perform,
you're gonna be entertained.
278
00:14:40,461 --> 00:14:41,294
That's enough?
279
00:14:41,378 --> 00:14:42,962
[interviewer]
No point in pursuing that further.
280
00:14:44,169 --> 00:14:46,378
{\an8}[Letterman] And as far as
Raiders of the Lost Ark, um...
281
00:14:46,461 --> 00:14:47,461
{\an8}[one clap]
282
00:14:47,545 --> 00:14:50,628
{\an8}- This was... You were not his...
- [audience laughs]
283
00:14:51,628 --> 00:14:53,628
You were, uh, now this...
284
00:14:53,712 --> 00:14:56,586
Does this make you feel odd that you were
not his first choice for that film either?
285
00:14:56,670 --> 00:14:57,670
- No.
- [Letterman] Yeah.
286
00:14:57,753 --> 00:15:01,003
No, it wouldn't have occurred to me that...
I didn't even know about the project.
287
00:15:01,086 --> 00:15:02,253
I didn't know Spielberg.
288
00:15:02,962 --> 00:15:06,211
And it didn't occur to me
that I would have a chance of doing it.
289
00:15:08,753 --> 00:15:13,086
We spent so much time trying to figure out
how we were gonna cast Indiana Jones.
290
00:15:13,169 --> 00:15:15,044
[Spielberg] I didn't know
who could play this guy.
291
00:15:15,128 --> 00:15:16,545
I really thought,
292
00:15:16,628 --> 00:15:18,795
"Well, the guy that should have
played Indiana Jones
293
00:15:18,878 --> 00:15:21,461
{\an8}is Humphrey Bogart 50 years ago."
294
00:15:22,128 --> 00:15:24,128
{\an8}But we don't have him around anymore.
295
00:15:25,044 --> 00:15:28,294
{\an8}So we started looking around
at young guys under 30
296
00:15:28,378 --> 00:15:29,753
{\an8}that could possibly play him.
297
00:15:29,837 --> 00:15:33,420
{\an8}And we did a number of tests.
Actors coming in and reading
298
00:15:33,503 --> 00:15:35,795
{\an8}on video for the part of Indiana Jones.
299
00:15:35,878 --> 00:15:37,545
And then Tom Selleck came in.
300
00:15:38,378 --> 00:15:39,378
{\an8}Hello, Marion.
301
00:15:42,753 --> 00:15:44,086
[screams]
302
00:15:44,169 --> 00:15:48,128
And we went very far down the road
to cast Tom Selleck as Indy.
303
00:15:48,211 --> 00:15:50,378
In fact, we made him an offer.
304
00:15:50,461 --> 00:15:52,461
But maybe it could do us both some good.
305
00:15:52,545 --> 00:15:54,962
- [scoffs] Why start now?
- Just shut up!
306
00:15:55,044 --> 00:15:58,586
Shut up and listen to me.
Now I need that piece your father had.
307
00:15:58,670 --> 00:16:02,962
[Marshall] But he had a contract
with CBS for Magnum,
308
00:16:03,044 --> 00:16:04,545
and he couldn't get out of it.
309
00:16:04,628 --> 00:16:06,420
Suddenly, we didn't have an actor.
310
00:16:06,503 --> 00:16:09,128
[Ford] I knew that
Tom Selleck had the job,
311
00:16:09,211 --> 00:16:12,128
but had to turn it down
because he had a prior commitment.
312
00:16:12,211 --> 00:16:15,461
So, uh, thank you again, Tom.
313
00:16:16,086 --> 00:16:19,420
{\an8}Tom Selleck had fallen out
by the time they cast me.
314
00:16:19,503 --> 00:16:21,962
And I auditioned with Tim Matheson.
315
00:16:22,044 --> 00:16:24,336
{\an8}I've learned to hate you
in these last ten years,
316
00:16:24,420 --> 00:16:27,169
{\an8}but no matter how much I hated you,
I always knew someday
317
00:16:27,253 --> 00:16:28,753
{\an8}you'd come through this door.
318
00:16:28,837 --> 00:16:30,420
[Allen] I fell in love with Marion.
319
00:16:30,503 --> 00:16:34,086
She is everybody's kind of fantasy.
[laughs]
320
00:16:34,169 --> 00:16:38,920
I think of, you know, who...
who a woman should be. [laughs]
321
00:16:39,003 --> 00:16:41,753
Nobody tells me what to do in my place.
322
00:16:42,753 --> 00:16:44,837
[Rhys-Davies]
I remember my agent at the time saying,
323
00:16:44,920 --> 00:16:46,086
"Well, what do you think of it?"
324
00:16:46,169 --> 00:16:48,586
{\an8}I said,
"I've never read a script like this.
325
00:16:48,670 --> 00:16:50,670
It's just pages and pages of description."
326
00:16:50,753 --> 00:16:52,128
He said, "Well, do you want to do it?"
327
00:16:52,211 --> 00:16:54,003
And I said, "Of course I want to do it."
328
00:16:54,086 --> 00:16:57,712
This is either going to be
the biggest disaster of all time,
329
00:16:57,795 --> 00:17:00,545
or it might just set a new fashion
in filmmaking.
330
00:17:02,336 --> 00:17:06,253
[Allen] So, I think I had been cast
for maybe a month or something
331
00:17:06,336 --> 00:17:08,253
when suddenly they told me
332
00:17:08,336 --> 00:17:12,211
that they had decided
who would take on the role.
333
00:17:12,294 --> 00:17:14,253
[whirring]
334
00:17:16,837 --> 00:17:20,420
And then George had a screening
of Empire Strikes Back.
335
00:17:20,503 --> 00:17:23,586
{\an8}George showed me a cut
of The Empire Strikes Back.
336
00:17:23,670 --> 00:17:29,044
{\an8}I looked over at George and I said,
"There's our Indiana Jones. That guy."
337
00:17:29,128 --> 00:17:32,044
And George said, "Chewbacca?"
338
00:17:32,128 --> 00:17:33,878
- And...
- [audience laughs]
339
00:17:34,712 --> 00:17:37,378
That's the guy. That's Indiana Jones.
340
00:17:37,461 --> 00:17:39,211
And George's first reaction was,
341
00:17:39,294 --> 00:17:43,545
"Well, you can't cast Han Solo
as Indiana Jones, 'cause he's Han Solo."
342
00:17:44,294 --> 00:17:47,712
And I said, "Yeah, but actors play
all these different parts all the time.
343
00:17:47,795 --> 00:17:50,461
Harrison can play Han Solo,
and he can play Indiana Jones."
344
00:17:50,545 --> 00:17:53,253
And George, I think,
immediately saw the value in that.
345
00:17:53,336 --> 00:17:54,670
[Ford] I got a call from George saying,
346
00:17:54,753 --> 00:17:56,920
"I want you to read the script
this afternoon please.
347
00:17:57,003 --> 00:17:58,962
I'm sending it to your house."
348
00:17:59,044 --> 00:18:02,545
And I read the script. I said, "Ooh. Wow."
349
00:18:03,044 --> 00:18:06,420
He said, "Okay. Go over and talk
to Steven. He's waiting for you."
350
00:18:06,503 --> 00:18:08,211
And I went over and then about,
351
00:18:08,294 --> 00:18:10,211
I don't know, an hour later,
I had the part.
352
00:18:10,294 --> 00:18:13,336
["The Raiders March" playing]
353
00:18:13,420 --> 00:18:15,837
I was excited to have the opportunity
to work with him.
354
00:18:15,920 --> 00:18:17,753
He was full of enthusiasm.
355
00:18:17,837 --> 00:18:22,753
He loves to make movies.
And he's damn good at it. [laughs]
356
00:18:22,837 --> 00:18:24,753
It feels great to work with Harrison.
357
00:18:24,837 --> 00:18:26,503
When I do a close-up on Harrison,
358
00:18:26,586 --> 00:18:28,670
I suddenly feel like
a first unit director.
359
00:18:28,753 --> 00:18:32,920
Gee, I've made it. I'm out of the mire,
you know, and into the glory.
360
00:18:33,003 --> 00:18:35,044
[Ford] I remember
that we got on the plane together,
361
00:18:35,128 --> 00:18:36,670
and when we were
sitting next to each other
362
00:18:36,753 --> 00:18:39,837
we went through the script,
literally for the first time.
363
00:18:39,920 --> 00:18:42,586
Both of us read a scene, talk about it.
364
00:18:42,670 --> 00:18:47,044
It's just, like, a dream collaboration
that I'd never enjoy more.
365
00:18:47,586 --> 00:18:48,920
- Suggestion?
- Yeah.
366
00:18:49,003 --> 00:18:51,420
I thought you were slithering. Are...
367
00:18:53,420 --> 00:18:55,128
- [Spielberg] No, so that's...
- [Ford] Or...
368
00:18:55,211 --> 00:18:58,128
Or you were slithering, or...
369
00:18:59,920 --> 00:19:01,670
- I think it makes sense. You should go...
- All right.
370
00:19:01,753 --> 00:19:03,253
I don't think
it's a problem of all places.
371
00:19:03,336 --> 00:19:06,336
[Ford] I was always eager
for an opportunity
372
00:19:06,420 --> 00:19:09,336
to collaborate, rather than simply,
373
00:19:09,420 --> 00:19:12,837
"You stand there. You say that.
That. Okay?"
374
00:19:12,920 --> 00:19:16,086
Such as when I was sick
from eating local food,
375
00:19:16,169 --> 00:19:19,420
and enjoying it terrifically
on the way in,
376
00:19:19,503 --> 00:19:21,169
but not so much on the way out.
377
00:19:21,253 --> 00:19:22,962
Like, I couldn't
stay out of my dressing room
378
00:19:23,044 --> 00:19:24,586
for more than ten minutes.
379
00:19:25,211 --> 00:19:28,420
[Spielberg] He said, "I gotta go back
to the hotel. What can you do in an hour?"
380
00:19:28,503 --> 00:19:30,837
I said, "We have a three-day
action scene to shoot!"
381
00:19:30,920 --> 00:19:33,044
He said, "Hey, pal.
It ain't gonna be today."
382
00:19:33,128 --> 00:19:36,128
I said, "Let's just shoot
this son of a bitch and go home."
383
00:19:36,211 --> 00:19:37,420
We both take credit for this.
384
00:19:37,503 --> 00:19:39,628
Either I said,
"Why don't you just shoot the guy?"
385
00:19:39,712 --> 00:19:43,128
Or Harrison said to me,
"Why don't I just shoot the guy?"
386
00:19:43,211 --> 00:19:45,837
But whoever said it,
that's exactly what we did.
387
00:19:45,920 --> 00:19:49,545
{\an8}Poor guy. I mean,
he'd been training for three months.
388
00:19:49,628 --> 00:19:51,962
{\an8}Because the two of you were supposed
to have a whip and sword fight.
389
00:19:52,044 --> 00:19:54,294
[Ford] It was supposed
to go on for three days.
390
00:19:54,378 --> 00:19:55,712
[crew] To your right, Terry.
391
00:19:57,003 --> 00:19:58,712
[Ford] And they told him, you know,
392
00:19:58,795 --> 00:20:01,336
"What we're gonna do is
we're just gonna shoot you."
393
00:20:03,294 --> 00:20:06,336
- [audience laughs]
- He was really upset.
394
00:20:06,420 --> 00:20:08,503
[audience laughs]
395
00:20:08,586 --> 00:20:09,795
The first time I shot him,
396
00:20:09,878 --> 00:20:12,628
it took him about a minute to lay down,
397
00:20:12,712 --> 00:20:15,336
'cause he wanted
to get something out of this.
398
00:20:15,420 --> 00:20:16,503
So...
399
00:20:17,378 --> 00:20:19,378
Oh, so torturous.
400
00:20:19,461 --> 00:20:22,878
So, the second time we did it,
I shot him before we slated.
401
00:20:22,962 --> 00:20:24,545
That's the one that's in the movie.
402
00:20:26,294 --> 00:20:28,169
[actor screams]
403
00:20:28,253 --> 00:20:32,586
So, I had my collaborative input
as we were making the film.
404
00:20:32,670 --> 00:20:36,420
It just made me feel much more comfortable
in the character.
405
00:20:37,044 --> 00:20:39,837
[Spielberg]
Harrison is incredibly inventive.
406
00:20:40,503 --> 00:20:43,253
And he's got a tremendous command
407
00:20:43,336 --> 00:20:47,420
of what the character not only should do
in an action scene,
408
00:20:47,503 --> 00:20:51,128
but what maybe the character can say
that we hadn't scripted.
409
00:20:51,211 --> 00:20:52,253
Like the great line...
410
00:20:52,336 --> 00:20:56,211
It's not the years, honey,
it's the mileage.
411
00:20:56,294 --> 00:20:57,753
[Spielberg]
Harrison came up with that line.
412
00:20:57,837 --> 00:21:00,670
That was his idea.
He had a lot of lines in the movie.
413
00:21:00,753 --> 00:21:03,712
And I think that was
Harrison's way of distinguishing
414
00:21:03,795 --> 00:21:05,753
the character of Indy
from the character of Han.
415
00:21:05,837 --> 00:21:08,128
[Spielberg] It starts here
with the rocks chasing you.
416
00:21:08,211 --> 00:21:11,044
And it's just, literally,
you know, it's about...
417
00:21:12,545 --> 00:21:13,545
It's about that fast.
418
00:21:15,461 --> 00:21:17,837
[Ford] I always said
that Indiana Jones was more about
419
00:21:17,920 --> 00:21:21,461
what you can do in a movie
for an audience.
420
00:21:21,545 --> 00:21:24,628
How you can take them on an adventure,
421
00:21:24,712 --> 00:21:29,461
surprise 'em, shock 'em, wring 'em out,
and leave 'em happy.
422
00:21:33,837 --> 00:21:35,211
We had real stunts.
423
00:21:35,294 --> 00:21:38,294
I mean, all we did in Star Wars
is run, jump and fall down.
424
00:21:38,378 --> 00:21:39,795
I wouldn't call that stunts.
425
00:21:41,878 --> 00:21:43,545
- [Lucas] Okay. Cut.
- [assistant] Cut it.
426
00:21:43,628 --> 00:21:44,628
[panting]
427
00:21:44,712 --> 00:21:45,795
[Ford] In Indiana Jones,
428
00:21:45,878 --> 00:21:49,294
we were able to arrange
some really close-up magic.
429
00:21:49,378 --> 00:21:51,044
And use me in it.
430
00:21:54,336 --> 00:21:56,003
[choking]
431
00:21:56,086 --> 00:21:57,086
[grunting]
432
00:22:00,920 --> 00:22:02,962
I think I clipped him once or twice.
433
00:22:03,795 --> 00:22:06,878
I think I might have caught his chin
at least once.
434
00:22:06,962 --> 00:22:08,962
[laughs]
435
00:22:09,044 --> 00:22:10,962
I learned to hate you
in the last ten years.
436
00:22:13,920 --> 00:22:17,336
[Ford] My stunt guy
had done most of the action.
437
00:22:17,420 --> 00:22:20,962
And I came back
and had to plug myself into scenes.
438
00:22:21,044 --> 00:22:23,169
[crew] Pick your head up
just a little if you can. That's it.
439
00:22:23,253 --> 00:22:26,253
And we came up with some real stuff
that I could do
440
00:22:26,336 --> 00:22:30,044
that I think was some of the best
stunt stuff I had ever seen.
441
00:22:30,128 --> 00:22:31,461
I'm sure it's not dangerous.
442
00:22:31,545 --> 00:22:33,336
See, if it was dangerous,
443
00:22:33,420 --> 00:22:36,003
they would've waited
until we got more of the movie done.
444
00:22:36,086 --> 00:22:37,878
[director] Hold it. That's good.
445
00:22:37,962 --> 00:22:39,294
[Mangold] I love Raiders.
446
00:22:39,378 --> 00:22:41,044
{\an8}He's an academic
447
00:22:41,128 --> 00:22:45,378
{\an8}who happens to somehow
get out of scrapes with incredible aplomb.
448
00:22:46,086 --> 00:22:48,878
And he's very lucky. Things break for him.
449
00:22:51,920 --> 00:22:53,211
Bad dates.
450
00:22:53,294 --> 00:22:55,962
[Mangold] He's kind of like
Bugs Bunny or the Road Runner,
451
00:22:56,044 --> 00:22:57,837
{\an8}or Buster Keaton, in that sense.
452
00:22:57,920 --> 00:23:01,503
{\an8}That building falls on them,
but they're standing where the window was.
453
00:23:01,586 --> 00:23:03,920
{\an8}Or the train turns just
as the cannon goes off,
454
00:23:04,003 --> 00:23:07,962
and then the cannonball hits
the bad guy's train instead of his own.
455
00:23:08,545 --> 00:23:10,878
We also identify that he has fears.
456
00:23:10,962 --> 00:23:13,753
I hate snakes, Jock! I hate 'em!
457
00:23:13,837 --> 00:23:17,586
All of Indiana Jones'
eccentricities and anxieties
458
00:23:17,670 --> 00:23:20,253
and neuroses are part of his appeal.
459
00:23:20,336 --> 00:23:21,837
It's scary to go in a cave.
460
00:23:21,920 --> 00:23:25,169
It's scary to get spiked with a spear.
461
00:23:25,253 --> 00:23:27,044
You know, frightened of snakes...
462
00:23:27,128 --> 00:23:28,586
Why did it have to be snakes?
463
00:23:28,670 --> 00:23:30,086
[thunderclap]
464
00:23:30,169 --> 00:23:31,545
He basically rolls his eyes, "Snakes."
465
00:23:31,628 --> 00:23:33,003
It's not like he screams. He's like,
466
00:23:33,086 --> 00:23:35,586
"I can't believe I'm a grown man
who's afraid of snakes."
467
00:23:35,670 --> 00:23:38,336
There is this... this need to press on
468
00:23:38,420 --> 00:23:42,420
that, to me, kind of felt quintessentially
American about that character.
469
00:23:42,503 --> 00:23:46,503
So, he may not have been invulnerable,
but he was indomitable.
470
00:23:46,586 --> 00:23:48,003
[grunts]
471
00:23:48,086 --> 00:23:49,336
[snake hisses]
472
00:23:49,420 --> 00:23:51,586
[interviewer] And Harrison's
not afraid of snakes either?
473
00:23:51,670 --> 00:23:55,169
Not at all. But he... But he's an actor.
[chuckles]
474
00:23:55,253 --> 00:23:57,753
I like snakes. They don't scare me at all.
475
00:23:57,837 --> 00:24:00,211
[snakes hissing]
476
00:24:02,461 --> 00:24:07,378
There was one really dangerous snake
behind a piece of plexiglass.
477
00:24:07,461 --> 00:24:08,795
Try to get him going.
478
00:24:10,128 --> 00:24:11,837
[Ford] That was a cobra. King cobra.
479
00:24:11,920 --> 00:24:13,920
Let's put in five more,
480
00:24:14,503 --> 00:24:16,503
and then we'll get ready to roll,
481
00:24:16,586 --> 00:24:19,003
and we'll put in two more
as we turn the cameras over.
482
00:24:20,044 --> 00:24:21,753
Two more fresh ones, right?
483
00:24:21,837 --> 00:24:25,420
[Ford] There were people standing by
with syringes of antivenom.
484
00:24:26,211 --> 00:24:28,211
- Now he likes you.
- [crew laughs]
485
00:24:28,294 --> 00:24:30,169
[crew chatters]
486
00:24:30,253 --> 00:24:32,503
[Ford] But all the rest of the snakes
were harmless.
487
00:24:32,586 --> 00:24:37,545
They would bite you,
but the bites were not deadly.
488
00:24:37,628 --> 00:24:39,837
You traitor! You get your hands off of me!
489
00:24:39,920 --> 00:24:41,837
- [grunts]
- [snake hissing]
490
00:24:41,920 --> 00:24:43,670
[Ford] We were having so much fun.
491
00:24:43,753 --> 00:24:46,503
Never had a better time on a movie.
It was crazy.
492
00:24:47,670 --> 00:24:50,128
- [Allen grunting, laughs] Whoops!
- [Spielberg chuckles]
493
00:24:50,211 --> 00:24:51,962
- [Ford] I'm standing still.
- [Spielberg] Hey.
494
00:24:52,044 --> 00:24:54,128
- [Ford] Couldn't be my fault.
- [Allen laughs]
495
00:24:54,211 --> 00:24:57,378
[Spielberg] No movie for a filmmaker
is an adventure.
496
00:24:57,461 --> 00:24:59,378
It's a lot of hard work.
497
00:24:59,461 --> 00:25:03,003
We were globe hopping as the character
of Indiana Jones was globe-trotting.
498
00:25:03,086 --> 00:25:04,586
That's not an adventure.
499
00:25:04,670 --> 00:25:07,795
That's a lot of long, boring
airplane rides. It's a lot of jet lag.
500
00:25:07,878 --> 00:25:10,962
That's a lot of moving
into new hotel or motel rooms.
501
00:25:11,044 --> 00:25:13,795
The only excitement for me happens
when I get to the set.
502
00:25:13,878 --> 00:25:17,336
- [crew laughing]
- That's where the fun in it is for me.
503
00:25:17,420 --> 00:25:18,545
Let's start shooting.
504
00:25:18,628 --> 00:25:20,628
We got Harrison here.
He's all ready to go.
505
00:25:20,712 --> 00:25:23,586
He's got his hat on. Good.
He's got his little satchel.
506
00:25:23,670 --> 00:25:25,503
Whoa, whip him!
507
00:25:25,586 --> 00:25:26,670
[Ford] And the whip.
508
00:25:26,753 --> 00:25:30,586
{\an8}We had a guy, Glenn Randall,
that taught me the basics of it.
509
00:25:31,545 --> 00:25:36,545
{\an8}But I would stand out
in my driveway and practice. Hours.
510
00:25:36,628 --> 00:25:41,878
When you first start, you'd take your ear
almost off with the lash as it goes past.
511
00:25:42,795 --> 00:25:44,044
[Randall] That's it. That's it.
512
00:25:44,670 --> 00:25:45,753
It's very dangerous.
513
00:25:45,837 --> 00:25:48,253
[Ford] It's hard to learn.
But, uh, it was fun.
514
00:25:49,503 --> 00:25:51,503
[interviewer] Is that how you
got your scar on your chin?
515
00:25:51,586 --> 00:25:54,837
[chuckles] No. It was a car crash.
516
00:25:54,920 --> 00:25:57,670
A fast car crash on the way to sell, uh,
517
00:25:57,753 --> 00:26:00,753
knickknacks and oil paintings
at the Bullock's department store.
518
00:26:01,670 --> 00:26:04,044
- It's a wrap!
- [crew cheers]
519
00:26:04,128 --> 00:26:06,211
Oh! Thank you, Dickie.
520
00:26:06,294 --> 00:26:07,294
Thanks, baby.
521
00:26:07,378 --> 00:26:09,211
You're coming to Hawaii with me.
I'll thank you later.
522
00:26:09,837 --> 00:26:12,336
[Spielberg] The last week of shooting,
we were in Kauai.
523
00:26:12,420 --> 00:26:14,420
And the last week of shooting
524
00:26:14,503 --> 00:26:16,586
was the entire opening
of Raiders of the Lost Ark
525
00:26:16,670 --> 00:26:18,253
where they're trekking through the jungle.
526
00:26:20,753 --> 00:26:24,003
[Ford] We're very nearly done.
This is... It feels good.
527
00:26:24,086 --> 00:26:26,003
We worked almost every day.
528
00:26:26,086 --> 00:26:29,670
Had about a day and a half off
on the whole movie.
529
00:26:31,211 --> 00:26:35,294
And, uh, been sore and bruised
most of the time.
530
00:26:35,378 --> 00:26:36,628
[Ford shushes]
531
00:26:37,920 --> 00:26:39,712
[shushes] They're making a movie.
532
00:26:41,628 --> 00:26:43,086
- [whip cracks]
- [grunts]
533
00:26:43,169 --> 00:26:44,086
[gunshot]
534
00:26:46,712 --> 00:26:47,795
[Kennedy] That reveal,
535
00:26:47,878 --> 00:26:52,795
that close-up stepping in with
the perfect eye light out of the shadows.
536
00:26:52,878 --> 00:26:55,712
That's signature Steven.
537
00:26:55,795 --> 00:26:59,962
It's funny that's one of the shots
we did late in the schedule.
538
00:27:00,044 --> 00:27:05,545
And I think Harrison, at that point,
certainly knew who that character was.
539
00:27:05,628 --> 00:27:10,003
And he knew that look
that only Harrison can give.
540
00:27:10,753 --> 00:27:13,962
He just owns the picture
from the first frame to the last.
541
00:27:14,044 --> 00:27:18,628
And it feels like a movie
that was made for him to shine.
542
00:27:19,920 --> 00:27:21,211
Any questions?
543
00:27:21,294 --> 00:27:22,670
When I go into the editing room,
544
00:27:22,753 --> 00:27:26,294
and I start to see these shots
cut together into a sequence,
545
00:27:26,378 --> 00:27:29,503
that's where I had
my first rush of excitement.
546
00:27:30,128 --> 00:27:31,503
Whoops.
547
00:27:31,586 --> 00:27:33,712
[Spielberg] And my first cautious rush of,
548
00:27:33,795 --> 00:27:36,294
"Oh, this could be something amazing."
[gasps]
549
00:27:36,378 --> 00:27:37,586
"This could work."
550
00:27:38,294 --> 00:27:41,378
[Allen] Steven invited me to come
and see the first screening of it.
551
00:27:41,461 --> 00:27:43,086
I was astonished.
552
00:27:43,169 --> 00:27:47,420
I mean, you don't really put together
the pieces of someone's performance
553
00:27:47,503 --> 00:27:50,962
working with them in the scenes
that you're in with them.
554
00:27:51,044 --> 00:27:53,253
- [thud]
- [screams]
555
00:27:53,336 --> 00:27:55,336
I didn't have a very clear sense...
556
00:27:55,420 --> 00:27:56,461
What did you say?
557
00:27:56,545 --> 00:27:59,837
...of Harrison as Indiana Jones
until I saw the film.
558
00:28:01,003 --> 00:28:02,837
[Mangold] I saw it on opening day, alone.
559
00:28:02,920 --> 00:28:05,795
I mean, I was such a huge fan
of everyone involved
560
00:28:05,878 --> 00:28:08,753
that I still haven't forgotten
where I sat and where I saw it, you know?
561
00:28:08,837 --> 00:28:10,253
{\an8}'Cause it was also the moment
562
00:28:10,336 --> 00:28:12,586
{\an8}when you're trying to figure out
what you're doing with your life.
563
00:28:12,670 --> 00:28:15,962
{\an8}And it was one of the reasons
I became a movie director.
564
00:28:16,044 --> 00:28:20,420
{\an8}[Marshall] Indiana Jones was
a pretty life-changing experience for me.
565
00:28:20,503 --> 00:28:23,503
My first sole producer credit.
My first nomination.
566
00:28:23,586 --> 00:28:26,628
The start of an incredible friendship
567
00:28:26,712 --> 00:28:30,545
with a whole lot of wonderful people
that I'm still friends with.
568
00:28:30,628 --> 00:28:33,169
Everything about the creation of the movie
569
00:28:33,253 --> 00:28:37,336
was going on with just that family,
that handful of people.
570
00:28:37,420 --> 00:28:39,503
We were all together all the time.
571
00:28:39,586 --> 00:28:40,920
[Spielberg] Yeah.
572
00:28:41,003 --> 00:28:43,420
There's only two shots here that...
573
00:28:43,503 --> 00:28:45,294
And I met my wife.
574
00:28:45,837 --> 00:28:48,837
Yes. That's where I met my husband.
575
00:28:50,044 --> 00:28:52,586
[Marshall] You know, I was married
to the movies at that time.
576
00:28:52,670 --> 00:28:54,712
And I thought, "Okay, I'm gonna do this.
577
00:28:54,795 --> 00:28:58,628
I'm not gonna find somebody
who loves making movies as much as I do."
578
00:28:59,294 --> 00:29:02,628
And then I met Kathy.
And we became great friends.
579
00:29:02,712 --> 00:29:04,211
And I fell in love.
580
00:29:04,962 --> 00:29:09,962
And I think that's a key
to our relationship here, 37 years later,
581
00:29:10,044 --> 00:29:11,461
is that we're still great friends.
582
00:29:11,545 --> 00:29:13,920
We love working together,
and we love making movies.
583
00:29:18,169 --> 00:29:21,336
Hell, I'll be at this
for another couple of years, I'm sure.
584
00:29:21,420 --> 00:29:24,461
But I feel... [laughs]
585
00:29:24,545 --> 00:29:26,962
...but at least I get
to go home for a while.
586
00:29:29,044 --> 00:29:32,128
[Ford] I'm very grateful for
the opportunity to play that character.
587
00:29:33,003 --> 00:29:35,003
It's led to other opportunities.
588
00:29:35,586 --> 00:29:39,712
I had already become commercially viable,
589
00:29:39,795 --> 00:29:45,628
and now I was in a fantastically
successful second franchise.
590
00:29:46,378 --> 00:29:48,294
[Kennedy] When he became Indiana Jones,
591
00:29:48,378 --> 00:29:50,795
and that was coupled with Han Solo,
592
00:29:50,878 --> 00:29:54,795
I don't think he ever had a night
where he could go to a restaurant,
593
00:29:54,878 --> 00:29:58,795
or step outside
without being pretty much mobbed.
594
00:30:00,545 --> 00:30:02,962
[Weir] Harrison told me
something about stardom
595
00:30:03,044 --> 00:30:04,378
that I thought was very interesting.
596
00:30:04,461 --> 00:30:06,169
I hadn't thought about it, but he said,
597
00:30:06,253 --> 00:30:10,128
{\an8}"I feel for young people
who get tremendous attention very early."
598
00:30:10,211 --> 00:30:11,920
{\an8}He said, "I was fortunate, I think,"
599
00:30:12,003 --> 00:30:15,461
in that, um, before the huge spotlight
was shone on him,
600
00:30:15,545 --> 00:30:18,878
he'd been very successful
as not just a carpenter and so on,
601
00:30:18,962 --> 00:30:20,461
but restoring houses.
602
00:30:20,545 --> 00:30:23,420
People would seek him out for restoration.
603
00:30:23,503 --> 00:30:28,628
So, he had lived a life
before he became a movie star,
604
00:30:28,712 --> 00:30:31,712
when this great hurricane of fame hit him.
605
00:30:36,753 --> 00:30:39,962
[interviewer] Okay, Harrison.
Um, what I was asking you was,
606
00:30:40,044 --> 00:30:42,294
do you feel yourself typecast
at this stage
607
00:30:42,378 --> 00:30:46,628
as a high-action actor, macho adventurer,
608
00:30:46,712 --> 00:30:48,628
or are any other roles
that you'd like to play?
609
00:30:48,712 --> 00:30:52,670
Are you pretty happy with the type of
roles that you're getting at this stage?
610
00:30:52,753 --> 00:30:54,211
No, I...
611
00:30:54,294 --> 00:31:00,878
I think it's true
that I am somewhat typed in that area,
612
00:31:00,962 --> 00:31:06,420
but I've had the opportunity to do
a lot of things outside of that.
613
00:31:08,336 --> 00:31:11,503
[Ford] I've always wanted
to work in different genres
614
00:31:11,586 --> 00:31:13,712
when I had the opportunity.
615
00:31:13,795 --> 00:31:16,670
I was now early 40s.
616
00:31:16,753 --> 00:31:21,878
{\an8}And I was, uh, suitable for casting
in some of the great feature films
617
00:31:21,962 --> 00:31:24,962
{\an8}that were being made at that time
by some of the great directors.
618
00:31:25,044 --> 00:31:29,420
It was, basically,
I'm gonna do one for them and one for me.
619
00:31:30,920 --> 00:31:34,128
And "them" were
the studios and the audience.
620
00:31:34,211 --> 00:31:36,962
And then there was
a film I just wanted to do,
621
00:31:37,044 --> 00:31:40,211
regardless of whether it would be
commercially successful or not.
622
00:31:40,294 --> 00:31:42,795
[no audible dialogue]
623
00:31:42,878 --> 00:31:48,461
This was a very voluble
period of time in Hollywood history.
624
00:31:48,545 --> 00:31:51,712
All these guys that were young, upcoming,
625
00:31:51,795 --> 00:31:55,545
who were rebelling, really,
against the studio system.
626
00:31:55,628 --> 00:32:01,837
{\an8}I mean, there were a bunch of guys.
Steven, George, Coppola, Milius.
627
00:32:01,920 --> 00:32:04,503
{\an8}They wanted their vision.
They wanted their independence.
628
00:32:04,586 --> 00:32:06,712
They wanted to make
their movies their way.
629
00:32:07,503 --> 00:32:10,753
And very quickly they were.
They were successful.
630
00:32:10,837 --> 00:32:14,420
They were so successful
that it changed Hollywood forever.
631
00:32:14,503 --> 00:32:21,253
{\an8}And it precipitated one of the greatest
20, 30 years of really quality movies.
632
00:32:21,336 --> 00:32:27,670
{\an8}Both out of these guys, and out of Sydney
Pollack, Alan Pakula and Mike Nichols.
633
00:32:27,753 --> 00:32:31,128
{\an8}All the fantastic filmmakers
that I got a chance to work with,
634
00:32:31,211 --> 00:32:36,503
{\an8}because I had reached that age where
I could play some of these characters.
635
00:32:36,586 --> 00:32:39,920
{\an8}I never expected ever to be a leading man.
636
00:32:40,003 --> 00:32:41,294
I thought I was, you know,
637
00:32:41,378 --> 00:32:44,837
be lucky to get a regular part
on a television series or something.
638
00:32:44,920 --> 00:32:48,878
But I wanted to make a living as an actor.
That's what I wanted to do.
639
00:32:51,712 --> 00:32:54,712
{\an8}Blade Runner was a big movie.
It was a big-budget film.
640
00:32:54,795 --> 00:32:59,003
And it was a son of a bitch to make,
'cause it was all night and in the rain.
641
00:32:59,086 --> 00:33:02,712
[person on PA] A new life awaits you
in the Off-world colonies.
642
00:33:02,795 --> 00:33:04,294
[Ford] It was a different kind of movie.
643
00:33:04,378 --> 00:33:05,878
But that was the kind of film
644
00:33:05,962 --> 00:33:09,837
that I was now in a position
to be able to be considered for.
645
00:33:09,920 --> 00:33:11,128
[Lucas] I liked him in Blade Runner.
646
00:33:11,211 --> 00:33:14,920
{\an8}I know he had problems with it.
But it was a good character.
647
00:33:15,003 --> 00:33:19,211
And, um, I liked him in Witness,
which was a smaller film.
648
00:33:19,294 --> 00:33:23,253
{\an8}Uh, how do I look?
I mean, do I look Amish?
649
00:33:24,086 --> 00:33:25,086
{\an8}You look plain.
650
00:33:26,795 --> 00:33:29,795
{\an8}The thing that I was
really impressed with with Harrison
651
00:33:29,878 --> 00:33:31,628
was when he did Witness.
652
00:33:32,461 --> 00:33:35,545
[Ford] That was a fantastic experience.
653
00:33:35,628 --> 00:33:38,712
{\an8}Jeff Katzenberg was putting it together
at Paramount.
654
00:33:39,336 --> 00:33:42,086
{\an8}"Do you have any ideas
of who should direct it?"
655
00:33:43,920 --> 00:33:46,003
The first time I'd been asked.
656
00:33:46,086 --> 00:33:49,336
And I had just seen
Years of Living Dangerously.
657
00:33:50,044 --> 00:33:52,128
And I said, "How about Peter Weir?"
658
00:33:53,044 --> 00:33:54,962
[Weir] They offered it to me,
and they said,
659
00:33:55,044 --> 00:33:58,044
"Come over. We'd like to meet you
and you meet Harrison."
660
00:33:58,128 --> 00:34:00,461
So, yeah, I was on a plane
before I thought much about it.
661
00:34:00,545 --> 00:34:02,920
Up into the mountains where he lived.
662
00:34:03,003 --> 00:34:05,795
And I got off the plane, you know,
a small regional airport.
663
00:34:05,878 --> 00:34:07,461
And there he was to meet me.
664
00:34:07,545 --> 00:34:09,086
And that surprised me.
665
00:34:09,169 --> 00:34:10,503
Harrison? [chuckles]
666
00:34:10,586 --> 00:34:12,628
He said, "Oh, we got to pick up
some stuff at the mini-mart
667
00:34:12,712 --> 00:34:15,169
on the way to the... to my property."
668
00:34:15,253 --> 00:34:18,044
As I walked along the corridor
of the supermarket,
669
00:34:18,128 --> 00:34:22,628
I noticed on the cereal box was Han Solo.
670
00:34:22,712 --> 00:34:24,878
He was already a breakfast cereal.
671
00:34:24,962 --> 00:34:26,545
You know, and here I am meeting him.
672
00:34:26,628 --> 00:34:29,461
And I stayed at his place
working over the script,
673
00:34:29,545 --> 00:34:32,294
and talking about how we saw the film.
674
00:34:33,003 --> 00:34:36,420
I've always worn a Panama hat
from a very early age.
675
00:34:36,503 --> 00:34:39,294
One evening at the end of the day's
shooting, the sun just setting,
676
00:34:39,378 --> 00:34:41,378
Harrison and I walking back to the hotel.
677
00:34:41,461 --> 00:34:44,211
A fellow was coming toward me,
a young fellow, glaring at me.
678
00:34:44,294 --> 00:34:46,586
And I kind of looked away,
but, no, he's still coming.
679
00:34:46,670 --> 00:34:49,962
Passed close to me, too close,
and said into my ear,
680
00:34:50,044 --> 00:34:52,878
[in deep voice]
"There's only one, you know?"
681
00:34:52,962 --> 00:34:55,503
[normal voice] And went on past and
I said, "Harrison, did you hear that?
682
00:34:55,586 --> 00:34:58,628
He was thinking it was like
a hat like you wear in Indiana Jones."
683
00:34:58,712 --> 00:35:00,628
We had a laugh about it, you know? But...
684
00:35:00,712 --> 00:35:02,753
[in deep voice]
"There's only one you know." Yeah.
685
00:35:03,378 --> 00:35:04,378
[cow moos]
686
00:35:04,461 --> 00:35:06,253
[Kennedy]
Witness was really when I thought,
687
00:35:06,336 --> 00:35:08,795
"Wow, there's more to Harrison
than meets the eye."
688
00:35:08,878 --> 00:35:14,628
In Indy, there's not a lot of opportunity
for real depth of emotion.
689
00:35:14,712 --> 00:35:16,378
And I think, in Witness,
690
00:35:16,461 --> 00:35:21,753
he was able to access that
in a very believable and grounded way.
691
00:35:21,837 --> 00:35:25,128
Because he's been doing a certain kind
of archetypal role for so long,
692
00:35:25,211 --> 00:35:27,128
we can forget that he's an actor.
693
00:35:27,211 --> 00:35:30,211
The way he chose directors
and sought those directors out,
694
00:35:30,294 --> 00:35:32,003
that is not someone who's not a film buff.
695
00:35:32,086 --> 00:35:34,336
That's not somebody who doesn't understand
what filmmaking is.
696
00:35:34,420 --> 00:35:38,253
In this period where the world was open
to him, he was taking advantage of it.
697
00:35:38,336 --> 00:35:42,503
We could see his ambition
and being challenged by filmmakers.
698
00:35:42,586 --> 00:35:44,003
Don't put 'em in the peaches.
699
00:35:45,003 --> 00:35:48,420
[Weir] I'd say, Harrison,
he created his own shadow, in a sense,
700
00:35:48,503 --> 00:35:51,086
with Han Solo and Indiana Jones.
701
00:35:51,169 --> 00:35:53,253
He didn't want to be defined by them.
702
00:35:53,336 --> 00:35:56,169
And that element of risk
that was involved for him,
703
00:35:56,253 --> 00:35:59,586
maybe it won't work,
maybe it'll hurt his image, is thrilling.
704
00:35:59,670 --> 00:36:01,920
When a star decides to take a risk,
705
00:36:02,003 --> 00:36:05,294
it's very exciting,
because it's like the beginning again.
706
00:36:05,378 --> 00:36:08,211
And I think we both enjoyed
that feeling on this film.
707
00:36:08,294 --> 00:36:10,545
If we don't get it right,
it could blow up in our faces,
708
00:36:10,628 --> 00:36:12,128
which is true of any film.
709
00:36:12,211 --> 00:36:15,628
There were moments
of real joyful collaboration
710
00:36:15,712 --> 00:36:19,044
between Peter and I,
and everybody else involved.
711
00:36:19,128 --> 00:36:21,837
And we... we really had a good time.
712
00:36:21,920 --> 00:36:24,336
I love that movie. It's really good.
713
00:36:24,420 --> 00:36:27,545
{\an8}You didn't even go when
you were nominated for Best Actor, right?
714
00:36:27,628 --> 00:36:28,920
{\an8}- What?
- [Kimmel] Yeah.
715
00:36:29,003 --> 00:36:33,878
{\an8}You were nominated for Witness in 1986,
and you did not attend the Oscars.
716
00:36:33,962 --> 00:36:36,378
Well, I had... I had a lot of homework.
717
00:36:36,461 --> 00:36:38,670
[Kimmel, audience laugh]
718
00:36:38,753 --> 00:36:40,086
I love all his movies.
719
00:36:40,169 --> 00:36:42,044
I mean,
I've watched The Fugitive 30 times.
720
00:36:45,003 --> 00:36:46,920
{\an8}[grunts]
721
00:36:47,503 --> 00:36:49,294
[Waller-Bridge] I do remember The Fugitive
722
00:36:49,378 --> 00:36:51,169
being the most breathless introduction
to a character,
723
00:36:51,253 --> 00:36:55,044
and then that film was just iconic
when I was growing up.
724
00:36:55,128 --> 00:36:56,586
{\an8}And then I think it was Working Girl.
725
00:36:56,670 --> 00:36:59,628
{\an8}You know, maybe I just don't like you.
726
00:36:59,712 --> 00:37:02,461
{\an8}Me? Nah.
727
00:37:02,545 --> 00:37:03,837
[giggles]
728
00:37:03,920 --> 00:37:07,545
[Waller-Bridge] I feel there's so many
different versions of Harrison the actor.
729
00:37:07,628 --> 00:37:10,211
So, I feel like I rediscovered him
so many times.
730
00:37:13,586 --> 00:37:17,044
{\an8}[Spielberg] I love Regarding Henry
as a courageous choice for Harrison.
731
00:37:17,128 --> 00:37:20,628
{\an8}I'd never seen Harrison
do that on film before.
732
00:37:20,712 --> 00:37:23,878
{\an8}The other character I love
is Allie Fox in Mosquito Coast.
733
00:37:24,545 --> 00:37:27,044
{\an8}I also loved him playing
the President of the United States.
734
00:37:27,128 --> 00:37:28,837
I'm the President of the United States.
735
00:37:28,920 --> 00:37:31,670
{\an8}There's guilty pleasures.
There's Air Force One.
736
00:37:31,753 --> 00:37:33,670
{\an8}Get off my plane.
737
00:37:35,545 --> 00:37:38,962
{\an8}[Quan] I'm so fascinated by all
the choices that he's made over the years.
738
00:37:39,044 --> 00:37:42,461
{\an8}I followed his career,
and he has this ability
739
00:37:42,545 --> 00:37:46,545
{\an8}to make you fall in love with him
within five minutes of screen time.
740
00:37:46,628 --> 00:37:49,920
Also this ability
to pull you into the story,
741
00:37:50,003 --> 00:37:53,670
and want you to be with him on
this journey that his character goes on.
742
00:37:56,169 --> 00:38:00,628
He pushes the envelope, man,
in terms of intensity, tempo...
743
00:38:02,336 --> 00:38:04,837
He's always pushing
at the leading man's cage,
744
00:38:04,920 --> 00:38:10,920
and trying to rattle the bars and see if
he can expand what a leading man can be.
745
00:38:11,712 --> 00:38:15,920
- Hi, Mom. We're in Sri Lanka.
- [director] Can you step out the shot now?
746
00:38:16,003 --> 00:38:17,545
- Sri Lanka.
- Let's put the actors on.
747
00:38:18,628 --> 00:38:23,461
Not bad. It's good. Nice.
People are great, friendly.
748
00:38:24,378 --> 00:38:25,795
Nice elephants.
749
00:38:25,878 --> 00:38:28,211
Here we are at our spontaneous best.
750
00:38:29,169 --> 00:38:30,753
Let's make a movie.
751
00:38:30,837 --> 00:38:33,837
["Temple of Doom Suite" playing]
752
00:38:41,169 --> 00:38:42,253
[no audible dialogue]
753
00:38:42,336 --> 00:38:44,837
[Spielberg] George said,
"If you commit to this first movie,
754
00:38:44,920 --> 00:38:47,378
I need you to commit to three,
'cause I intend to make three of them."
755
00:38:47,461 --> 00:38:48,795
"Absolutely," I said.
756
00:38:48,878 --> 00:38:51,586
We shook hands on the beach
that day in 1977.
757
00:38:51,670 --> 00:38:53,086
- [crew] Action!
- [grunts]
758
00:38:53,795 --> 00:38:54,878
[Spielberg] Cut. Lovely.
759
00:38:54,962 --> 00:38:56,086
[chattering]
760
00:38:56,169 --> 00:38:58,211
Great version. That's all we gotta do.
761
00:38:58,294 --> 00:39:00,253
Oh, boy! And it was a good shot.
762
00:39:01,253 --> 00:39:03,670
[Mangold] For me, there was nothing
that was gonna beat Raiders,
763
00:39:03,753 --> 00:39:06,169
because it's the first time
you're plunged into that world.
764
00:39:06,253 --> 00:39:08,003
But all those movies are wonderful.
765
00:39:08,086 --> 00:39:11,837
And I looked forward to each one of them,
seeing these characters again,
766
00:39:11,920 --> 00:39:14,962
and seeing the filmmaker I so admire,
767
00:39:15,044 --> 00:39:18,461
Steven Spielberg, flexing
his own muscles trying different things.
768
00:39:18,545 --> 00:39:21,169
Mr. Spielberg,
how does it feel directing a musical?
769
00:39:21,253 --> 00:39:22,837
Well, it feels just... just swell.
770
00:39:22,920 --> 00:39:25,420
- It was designed to set you up...
- Yeah.
771
00:39:26,211 --> 00:39:28,003
...to think you were in a different movie.
772
00:39:28,086 --> 00:39:30,503
My mother actually thought
that it was the wrong movie
773
00:39:30,586 --> 00:39:32,670
for a good five minutes.
774
00:39:32,753 --> 00:39:35,086
[Ford] Each film, I wanted the audience
775
00:39:35,169 --> 00:39:38,753
to learn something new
about Indiana Jones.
776
00:39:38,837 --> 00:39:40,044
[whip cracks]
777
00:39:40,712 --> 00:39:42,962
Didn't want us to repeat
the same thing over and over again.
778
00:39:43,044 --> 00:39:44,420
His name is Henry.
779
00:39:44,503 --> 00:39:46,003
He's your son.
780
00:39:46,086 --> 00:39:49,586
[Ford] I wanted part of the process
of the storytelling to include
781
00:39:49,670 --> 00:39:52,837
a character that would lead us
into a greater knowledge,
782
00:39:52,920 --> 00:39:56,378
or a situation we hadn't
seen Indiana Jones in before.
783
00:39:56,461 --> 00:39:59,795
He put two holes in my dress from Paris.
784
00:40:01,294 --> 00:40:03,712
Kate was great. We had a ball.
785
00:40:03,795 --> 00:40:06,878
She brought joy to the part
and a lot of glamour.
786
00:40:06,962 --> 00:40:08,294
- Ooh!
- [actor] Oh, God.
787
00:40:08,378 --> 00:40:09,545
My dress.
788
00:40:09,628 --> 00:40:13,294
[Capshaw] I was really excited to be cast.
789
00:40:13,378 --> 00:40:16,211
{\an8}Raiders of the Lost Ark
took my breath away.
790
00:40:16,294 --> 00:40:19,461
Steven Spielberg,
what an amazing director.
791
00:40:19,545 --> 00:40:22,378
And Harrison, it was perfect casting.
792
00:40:22,461 --> 00:40:25,169
I met him on the plane.
793
00:40:25,962 --> 00:40:27,962
He's very quiet. He doesn't talk a lot.
794
00:40:28,044 --> 00:40:29,169
He's not chitchat.
795
00:40:29,253 --> 00:40:33,086
But he's very clever and very smart.
796
00:40:33,169 --> 00:40:34,795
When he talks, you listen.
797
00:40:34,878 --> 00:40:36,294
[whines, screeches]
798
00:40:36,378 --> 00:40:38,044
[chattering]
799
00:40:38,670 --> 00:40:39,670
Indy!
800
00:40:39,753 --> 00:40:41,253
[Spielberg] Don't even say Indy. Just...
801
00:40:41,962 --> 00:40:43,336
- [screams]
- Should be a screech.
802
00:40:43,420 --> 00:40:45,378
So the audience doesn't say,
"I know what's gonna happen."
803
00:40:45,461 --> 00:40:47,628
She's gonna put her hand into the hole
and his hand will come out.
804
00:40:47,712 --> 00:40:51,795
[Capshaw] This was their second film.
So, I would be the new kid on the block.
805
00:40:52,336 --> 00:40:56,420
And they had a very easy rapport
with each other.
806
00:40:56,503 --> 00:40:58,169
They had their inside jokes.
807
00:40:58,253 --> 00:41:01,128
A little joke between the joke,
just burning up a lot of film.
808
00:41:01,211 --> 00:41:02,503
It's between actor and the director.
809
00:41:02,586 --> 00:41:06,169
[Capshaw] I was thinking
about what a gentleman Harrison is.
810
00:41:06,253 --> 00:41:07,878
I felt very cared for.
811
00:41:09,461 --> 00:41:13,128
He knew that I was the newbie.
It was only my third film.
812
00:41:13,753 --> 00:41:15,837
And it was such a big production.
813
00:41:15,920 --> 00:41:19,920
So when he'd see me uncertain
and not knowing what to do,
814
00:41:20,003 --> 00:41:23,920
he became the host, you know,
of his movie, and I was the guest.
815
00:41:24,003 --> 00:41:26,336
Like, he brings what he needs to bring.
816
00:41:26,420 --> 00:41:27,378
[Spielberg] Action.
817
00:41:27,461 --> 00:41:29,503
- [gasps] Lao.
- Lao.
818
00:41:30,169 --> 00:41:33,628
[Capshaw] The scenes are fast.
They're furious. They're intense.
819
00:41:33,712 --> 00:41:34,878
[Indiana Jones] Come on.
820
00:41:34,962 --> 00:41:37,628
[Capshaw] You know,
the unspoken character is the action.
821
00:41:37,712 --> 00:41:39,962
[screams]
822
00:41:40,044 --> 00:41:42,837
It was hard work,
but I thought it was so exciting.
823
00:41:42,920 --> 00:41:44,294
I loved it. I loved it.
824
00:41:44,378 --> 00:41:46,044
[Willie screams]
825
00:41:46,128 --> 00:41:46,962
Huh?
826
00:41:47,503 --> 00:41:50,712
Wow, holy smoke! Crash landing!
827
00:41:50,795 --> 00:41:52,461
- [engine revving]
- There's a kid driving the car!
828
00:41:52,545 --> 00:41:54,003
- [tires squealing]
- Oh!
829
00:41:54,086 --> 00:41:57,753
And Ke. Ke Huy Quan.
Here's this little boy on the set.
830
00:41:57,837 --> 00:41:59,962
Harrison and he were best pals.
831
00:42:00,044 --> 00:42:01,044
We bow to the sha...
832
00:42:01,128 --> 00:42:03,503
I bow to the shaman
then you bow to the shaman.
833
00:42:03,586 --> 00:42:07,128
He was, I guess, about eight years old
when we did the movie.
834
00:42:07,211 --> 00:42:09,169
I was actually 12 years old.
835
00:42:10,253 --> 00:42:12,670
[Ford] And he was fantastic in it.
836
00:42:12,753 --> 00:42:15,336
Great fun. Great fun to work with.
837
00:42:15,420 --> 00:42:17,878
This was a time
where I've never seen Raiders.
838
00:42:17,962 --> 00:42:23,545
So, I had no clue who Harrison Ford was,
or what even Indiana Jones is.
839
00:42:23,628 --> 00:42:28,336
I just remember him being,
you know, very friendly, very kind.
840
00:42:28,420 --> 00:42:31,837
[Spielberg] They had
a tremendously rich relationship.
841
00:42:31,920 --> 00:42:33,712
Ke would crack Harrison up.
842
00:42:33,795 --> 00:42:35,420
If Harrison was in a bad mood,
843
00:42:35,503 --> 00:42:37,461
all I would do is stick Ke on him,
844
00:42:37,545 --> 00:42:40,461
and Ke would go over and Harrison
would snap out of that mood in a second.
845
00:42:41,044 --> 00:42:42,920
He just spread joy everywhere.
846
00:42:43,003 --> 00:42:44,003
Very funny!
847
00:42:44,086 --> 00:42:47,003
- Very... Ha ha ha!
- Ha ha ha.
848
00:42:47,086 --> 00:42:49,753
[Quan] We would constantly
make practical jokes on Steven.
849
00:42:49,837 --> 00:42:52,336
When we were shooting
the mine cart sequence,
850
00:42:52,420 --> 00:42:54,545
they were serving ice cream at that time.
851
00:42:54,628 --> 00:42:59,086
So, we would take these ice cream cones
and we would smear it all over our faces.
852
00:42:59,169 --> 00:43:02,336
We got in it,
and when we came by the camera,
853
00:43:02,420 --> 00:43:05,128
we popped up with our ice cream cones.
854
00:43:05,211 --> 00:43:09,253
We played on the set a lot.
855
00:43:09,336 --> 00:43:13,086
I remember Steven saying,
"Oh, that is so funny. Love it. Print it."
856
00:43:13,169 --> 00:43:15,044
- Come on! What you doing?
- [laughs]
857
00:43:15,128 --> 00:43:17,628
[Quan] That was like
a typical day on Temple of Doom.
858
00:43:17,712 --> 00:43:18,712
That's fun!
859
00:43:20,044 --> 00:43:23,878
{\an8}One of my favorite partnerships
on these movies was Last Crusade.
860
00:43:23,962 --> 00:43:26,420
{\an8}Well, Indiana Jones
is coming back to the screen.
861
00:43:26,503 --> 00:43:28,086
{\an8}The movie opens tomorrow.
862
00:43:28,169 --> 00:43:31,878
{\an8}This time, Indiana Jones
comes back with someone extra.
863
00:43:31,962 --> 00:43:34,253
{\an8}I talked about wanting to see my father,
864
00:43:34,336 --> 00:43:38,253
and Steven came up with the idea
and, of course, and the casting.
865
00:43:39,503 --> 00:43:40,545
Junior?
866
00:43:41,878 --> 00:43:42,878
Yes, sir.
867
00:43:43,878 --> 00:43:45,837
- Yes, sir. Oh.
- [clattering]
868
00:43:45,920 --> 00:43:47,169
Come on. Get it right, boy.
869
00:43:47,712 --> 00:43:49,420
- [Spielberg] And action!
- Junior!
870
00:43:49,503 --> 00:43:50,878
Yes, sir!
871
00:43:50,962 --> 00:43:52,878
[Marshall] Seeing Sean Connery
and Harrison work together
872
00:43:52,962 --> 00:43:54,586
was just fabulous.
873
00:43:54,670 --> 00:43:59,003
I mean, these two, they were like
champion boxers going at each other.
874
00:43:59,086 --> 00:44:01,169
But it worked beautifully for the scene.
875
00:44:01,253 --> 00:44:04,128
Why are you sitting there resting for
when we're so near the end?
876
00:44:04,211 --> 00:44:05,294
Come on!
877
00:44:05,378 --> 00:44:09,128
[Connery] Steven and Harrison and
myself really worked very well together.
878
00:44:10,378 --> 00:44:12,044
[imitates chicken clucking]
879
00:44:12,128 --> 00:44:13,753
I think that in this one,
880
00:44:13,837 --> 00:44:20,086
the Indiana Jones character
gets more opportunity to be more human
881
00:44:20,169 --> 00:44:23,420
{\an8}because he had been very much a loner,
882
00:44:23,503 --> 00:44:28,670
{\an8}isolated, and never really establishes
any kind of relationship with anybody.
883
00:44:29,294 --> 00:44:32,253
The opportunity to express that
884
00:44:32,336 --> 00:44:36,503
was terrifically refreshing
to Harrison as an actor anyway.
885
00:44:36,586 --> 00:44:40,294
And it was a bit of a release
and a relief, as you think, for him too.
886
00:44:40,378 --> 00:44:42,712
They're gonna break a bit of new ground.
887
00:44:42,795 --> 00:44:44,920
I must say, it's been a lot of fun.
888
00:44:45,003 --> 00:44:47,169
[chattering]
889
00:44:47,253 --> 00:44:48,378
[crew] Is that what it was?
890
00:44:48,461 --> 00:44:50,712
[Indiana Jones] Brutal couple of years,
huh, Charlie?
891
00:44:50,795 --> 00:44:53,044
First Dad, then Marcus.
892
00:44:54,545 --> 00:44:58,211
[Marshall] Along the way, obviously,
we've lost some of our close friends.
893
00:44:58,294 --> 00:45:00,253
There's a lot of sadness.
894
00:45:01,003 --> 00:45:03,378
You know, when I think about River Phoenix
895
00:45:03,461 --> 00:45:06,545
and what he brought
to the character of Young Indy...
896
00:45:06,628 --> 00:45:08,378
Harrison had suggested River Phoenix
897
00:45:08,461 --> 00:45:11,253
{\an8}because he had just
worked with him on Mosquito Coast.
898
00:45:11,336 --> 00:45:13,378
{\an8}And he knew what a wonderful actor he was.
899
00:45:14,003 --> 00:45:18,003
{\an8}While doing Mosquito Coast,
I kept a close eye on Harrison,
900
00:45:18,086 --> 00:45:20,253
{\an8}and I noticed some of his traits,
901
00:45:20,336 --> 00:45:23,461
and I would, uh, sometimes mimic him
and get a few laughs.
902
00:45:23,545 --> 00:45:24,670
[whip cracks]
903
00:45:24,753 --> 00:45:27,920
And it was fun.
I wanted to be a younger Indy.
904
00:45:28,003 --> 00:45:29,503
- Ready?
- [Spielberg] Yeah. Go.
905
00:45:30,586 --> 00:45:34,128
All right. And then the lion lunges,
and you go back right to there.
906
00:45:34,211 --> 00:45:35,211
No farther than that.
907
00:45:35,294 --> 00:45:37,878
[Phoenix] I think the character
is a great character,
908
00:45:37,962 --> 00:45:39,420
and it's very well written.
909
00:45:39,503 --> 00:45:43,586
And then you bring Harrison in,
and he just... He's so charming.
910
00:45:43,670 --> 00:45:44,628
He's got it down.
911
00:45:45,294 --> 00:45:47,336
He just guided me through stuff, um,
912
00:45:47,420 --> 00:45:49,670
gave me a little more insight
on the character.
913
00:45:49,753 --> 00:45:52,795
Gave me a feeling
for where it all comes from,
914
00:45:52,878 --> 00:45:54,628
the way he reacts to things, um...
915
00:45:54,712 --> 00:45:56,461
You know, what's going on in his head.
916
00:45:56,545 --> 00:45:58,962
And I just played that, but younger,
917
00:45:59,044 --> 00:46:02,920
and a little more innocence,
a little, uh, more amateur.
918
00:46:03,003 --> 00:46:05,378
Oh! Oh! Oh, no.
919
00:46:05,461 --> 00:46:07,211
["The Raiders March" playing]
920
00:46:07,294 --> 00:46:11,336
[Marshall] The sort of generosity
that Harrison had with River,
921
00:46:11,420 --> 00:46:12,670
River ate that up.
922
00:46:12,753 --> 00:46:16,920
River was so thankful to Harrison
for giving him that knowledge.
923
00:46:17,503 --> 00:46:19,003
No, Dad. You listen to me.
924
00:46:19,086 --> 00:46:21,962
- [Henry Jones] Junior!
- One, two, three, four...
925
00:46:22,044 --> 00:46:23,378
[Henry Jones] In Greek.
926
00:46:23,461 --> 00:46:25,294
If I have to compare all the movies,
927
00:46:25,378 --> 00:46:27,003
my favorite is Raiders of the Lost Ark.
928
00:46:27,086 --> 00:46:30,169
And my second favorite,
out of the four I made,
929
00:46:30,253 --> 00:46:33,169
is the one with Sean Connery
playing Indy's dad.
930
00:46:33,253 --> 00:46:36,420
But the Temple of Doom,
the second Indiana Jones movie,
931
00:46:36,503 --> 00:46:37,837
absolutely changed my life.
932
00:46:38,503 --> 00:46:42,670
And that is that the girl I cast to play
Willie Scott turned out to be my wife.
933
00:46:42,753 --> 00:46:48,086
So, in a sense, I owe more than
I can ever express to that experience
934
00:46:48,169 --> 00:46:50,294
for introducing me to Kate Capshaw.
935
00:46:50,378 --> 00:46:54,211
[Capshaw] Indiana Jones
changed my life, absolutely. [chuckles]
936
00:46:54,294 --> 00:46:57,086
It flipped it, completely.
937
00:46:57,169 --> 00:46:59,586
- [Marshall] It's... Oh, sorry.
- [giggles]
938
00:47:00,253 --> 00:47:03,420
[Capshaw] Kathy, Frank, Harrison,
Steven and me,
939
00:47:03,503 --> 00:47:06,294
best friends, and it was so much fun.
940
00:47:06,378 --> 00:47:07,628
[guns squeaking]
941
00:47:07,712 --> 00:47:08,712
[giggles]
942
00:47:12,294 --> 00:47:14,628
{\an8}Indiana Jones from Princeton, New Jersey.
943
00:47:15,628 --> 00:47:18,003
{\an8}What's happening in Europe?
Is the war over?
944
00:47:18,086 --> 00:47:20,003
Germans still hold most of Belgium.
945
00:47:20,086 --> 00:47:21,878
[Mitchell] I was so invested
in Indiana Jones
946
00:47:21,962 --> 00:47:23,461
that when that finally came to TV,
947
00:47:23,545 --> 00:47:25,378
you just thought,
"What's this going to be?
948
00:47:25,461 --> 00:47:27,545
And how is it going to be realized?"
949
00:47:28,378 --> 00:47:30,628
It was actually a show that ends up
being as much about history,
950
00:47:30,712 --> 00:47:33,837
in fact, more so than the movies do
about real history.
951
00:47:33,920 --> 00:47:36,670
And how this character
interacts with history.
952
00:47:37,420 --> 00:47:41,336
Good lord. This is not
as you said it would be, Dr. Jones!
953
00:47:41,420 --> 00:47:43,962
[Mitchell] And to see him turn up in it...
And you didn't know,
954
00:47:44,044 --> 00:47:46,003
{\an8}'cause in those days
we didn't get announcements.
955
00:47:46,086 --> 00:47:47,837
{\an8}We didn't have
what they now call the Internet.
956
00:47:47,920 --> 00:47:51,211
And so, it was nice to see him show up
as a surprise.
957
00:47:51,294 --> 00:47:54,169
{\an8}Harrison will then come up to here.
Saginaw will come up behind him.
958
00:47:54,253 --> 00:47:56,169
{\an8}Can we get both of them in
if he does that?
959
00:47:56,253 --> 00:47:58,545
{\an8}[Lucas] It was a lot of fun
doing this episode.
960
00:47:58,628 --> 00:48:02,628
Uh, Harrison did us a favor,
and it was a fun little weekend.
961
00:48:02,712 --> 00:48:06,712
And it's fun. It's like visiting a friend
and making a movie at the same time.
962
00:48:06,795 --> 00:48:07,878
Want a cookie?
963
00:48:07,962 --> 00:48:09,294
- No.
- [Lucas laughs]
964
00:48:09,378 --> 00:48:11,545
He just reminded me of how much I owe him.
965
00:48:12,837 --> 00:48:15,503
No, I'm glad to do it. It's fun.
966
00:48:15,586 --> 00:48:18,211
And besides, I live here. [chuckles]
967
00:48:18,294 --> 00:48:20,628
First of all, it shows
his devotion to the character.
968
00:48:20,712 --> 00:48:22,461
[Lucas] And action.
969
00:48:22,545 --> 00:48:26,753
[Mitchell] We felt his sense of approval
of what this show was trying to do.
970
00:48:26,837 --> 00:48:28,920
And, I think, in terms of ambition,
971
00:48:29,003 --> 00:48:31,920
it matched up with what he wanted
to see from that character.
972
00:48:32,003 --> 00:48:34,128
[horn blows]
973
00:48:36,211 --> 00:48:38,211
[screams]
974
00:48:39,628 --> 00:48:43,003
[Marshall] I think Harrison
always looked forward to playing Indy.
975
00:48:43,086 --> 00:48:46,670
He was so enthusiastic
to get back into character.
976
00:48:49,920 --> 00:48:53,169
Their treasure wasn't gold.
It was knowledge.
977
00:48:53,253 --> 00:48:54,670
Knowledge was their treasure.
978
00:48:55,294 --> 00:48:56,920
[Allen] When we finished the fourth one,
979
00:48:57,003 --> 00:48:59,712
{\an8}I remember Steven, very enthusiastically,
980
00:48:59,795 --> 00:49:03,211
{\an8}Steven Spielberg,
talking about wanting to do a fifth one.
981
00:49:04,503 --> 00:49:07,795
There was this feeling
that there was more story to tell,
982
00:49:08,545 --> 00:49:13,336
and that as Indiana Jones
and Marion Ravenwood were getting married,
983
00:49:13,420 --> 00:49:16,753
it indicated, you know, more to come.
984
00:49:16,837 --> 00:49:18,420
[chattering, laughing]
985
00:49:18,503 --> 00:49:22,169
I think that we all felt, you know,
another one would happen,
986
00:49:22,253 --> 00:49:24,670
and then a lot of time passed.
987
00:49:24,753 --> 00:49:28,545
And it... it started
to feel less and less likely.
988
00:49:28,628 --> 00:49:32,712
Well, I think all of us wanted
to make one final Indiana Jones movie.
989
00:49:32,795 --> 00:49:36,461
And I sort of felt
that I had done four of them.
990
00:49:37,336 --> 00:49:39,086
And that was gonna be it for me.
991
00:49:40,128 --> 00:49:43,628
But I really was encouraging
this fifth film to be made.
992
00:49:44,628 --> 00:49:47,628
[Kennedy] And so to sit here
and really ask ourselves,
993
00:49:47,712 --> 00:49:50,628
"Could you go make
another Indiana Jones movie
994
00:49:50,712 --> 00:49:53,795
with someone else playing Indiana Jones?"
995
00:49:53,878 --> 00:49:57,003
It is a very clear no.
996
00:49:58,461 --> 00:49:59,962
[Jez Butterworth] So the obvious challenge
997
00:50:00,044 --> 00:50:04,003
is that you're returning
to a genre without recasting.
998
00:50:05,378 --> 00:50:09,503
{\an8}You've got the same actor
who was playing this in his mid-30s
999
00:50:09,586 --> 00:50:11,336
{\an8}playing it in his late 70s.
1000
00:50:11,420 --> 00:50:16,211
And I think that what had been perceived
perhaps as a disadvantage,
1001
00:50:16,294 --> 00:50:22,795
i.e. this player is past, you know,
his sell-by date, was all the advantage.
1002
00:50:27,003 --> 00:50:32,753
I always was ambitious
for seeing Indiana Jones at this age,
1003
00:50:33,753 --> 00:50:37,086
because he was
so much about his physicality,
1004
00:50:37,920 --> 00:50:39,670
so much about his passion,
1005
00:50:39,753 --> 00:50:42,503
so much about being a young man.
1006
00:50:44,086 --> 00:50:48,378
I wanted to see him in circumstances
we had not seen him in before.
1007
00:50:48,461 --> 00:50:51,837
And I thought, obviously,
the hook for that is age.
1008
00:50:54,128 --> 00:50:58,294
I wanted to make a movie about
Indiana Jones near the end of his life.
1009
00:51:03,837 --> 00:51:09,420
{\an8}On paper, the idea of doing
another Indiana Jones movie was daunting.
1010
00:51:09,503 --> 00:51:10,920
[crickets chirping]
1011
00:51:11,003 --> 00:51:13,003
Not only because you're following
1012
00:51:13,086 --> 00:51:16,628
one of the greatest filmmakers of all time
in Steven Spielberg.
1013
00:51:19,336 --> 00:51:23,670
The reason I did it was honestly
more personal than pragmatic.
1014
00:51:25,169 --> 00:51:29,878
I was thinking back to the noon show
on opening day in 1981.
1015
00:51:29,962 --> 00:51:31,670
[people clamoring]
1016
00:51:32,628 --> 00:51:34,753
[whooshing]
1017
00:51:34,837 --> 00:51:36,169
Very dangerous.
1018
00:51:36,253 --> 00:51:37,670
You go first.
1019
00:51:39,503 --> 00:51:43,586
And that all these people's names
were on that movie, and they're all here,
1020
00:51:43,670 --> 00:51:47,003
somehow asking this kid
from upstate New York to make one.
1021
00:51:47,086 --> 00:51:49,086
And that they'd work with me.
1022
00:51:49,169 --> 00:51:51,795
Such a full circle journey in my own life.
1023
00:51:51,878 --> 00:51:53,586
[no audible dialogue]
1024
00:51:55,503 --> 00:51:58,086
- And cut.
- [crew chattering, laughs]
1025
00:51:58,169 --> 00:51:59,503
I couldn't resist.
1026
00:52:00,044 --> 00:52:05,044
Your father thought this thing
could predict fissures in time.
1027
00:52:05,128 --> 00:52:08,503
I was thrilled
with the script that we had...
1028
00:52:09,211 --> 00:52:12,878
the script that Jim Mangold developed
with the Butterworth brothers,
1029
00:52:12,962 --> 00:52:15,670
English playwrights and screenwriters.
1030
00:52:15,753 --> 00:52:17,712
And they came up with a wonderful concept.
1031
00:52:18,712 --> 00:52:21,545
[Mangold] I knew the movie was about time.
1032
00:52:22,086 --> 00:52:24,920
Opportunities missed, opportunities lost,
1033
00:52:25,003 --> 00:52:27,670
choices made, irrevocable mistakes.
1034
00:52:27,753 --> 00:52:30,503
[soldiers singing]
1035
00:52:30,586 --> 00:52:33,253
Indy was a hero in 1944.
1036
00:52:33,336 --> 00:52:36,253
Now Indy's 70, and these are our heroes.
1037
00:52:36,336 --> 00:52:37,420
The astronauts.
1038
00:52:37,503 --> 00:52:40,169
[Mangold]
The world has, in a sense, moved on.
1039
00:52:40,795 --> 00:52:44,169
It really is a lot
about watching him looking at himself,
1040
00:52:44,253 --> 00:52:46,670
and taking the measure of himself.
1041
00:52:46,753 --> 00:52:48,753
But not in a melancholy way.
1042
00:52:48,837 --> 00:52:50,878
It's a character assessing himself.
1043
00:52:51,461 --> 00:52:53,461
And there's some part of us that realizes
1044
00:52:53,545 --> 00:52:57,753
that maybe it's also Harrison
assessing himself as a character,
1045
00:52:57,837 --> 00:53:00,753
and what that character's
come to represent for all of us.
1046
00:53:00,837 --> 00:53:02,545
[person on TV, indistinct]
1047
00:53:02,628 --> 00:53:07,878
[Mangold] I wanted to start Indy
as far as I could from being a hero again.
1048
00:53:07,962 --> 00:53:10,545
Those days have come and gone.
1049
00:53:11,461 --> 00:53:14,586
So we'd feel the elation
when he stepped back into those shoes.
1050
00:53:20,503 --> 00:53:23,670
Ha! See you tomorrow, Indiana Jones.
1051
00:53:24,920 --> 00:53:28,253
[John-Henry] There's always a character
who Indy has a past with
1052
00:53:28,336 --> 00:53:30,294
who drags him into the narrative,
1053
00:53:30,378 --> 00:53:32,253
or gets dragged
into the narrative with him.
1054
00:53:32,336 --> 00:53:35,336
What we were trying to do
was create something new
1055
00:53:35,420 --> 00:53:39,294
that did have a familial aspect,
or to have something to do with his past.
1056
00:53:39,378 --> 00:53:40,670
[cheering]
1057
00:53:40,753 --> 00:53:43,003
[Kennedy] Phoebe and I
had done Solo together.
1058
00:53:43,086 --> 00:53:45,795
So we went and had dinner and I said,
1059
00:53:45,878 --> 00:53:50,795
"Hey, I'm just gonna ask you something
that I have no idea how you would respond.
1060
00:53:50,878 --> 00:53:54,128
But we would all love it
if you would consider
1061
00:53:54,211 --> 00:53:59,294
taking the role opposite Harrison
in the last Indiana Jones movie."
1062
00:53:59,378 --> 00:54:03,795
And she literally fell
into the... into the booth.
1063
00:54:03,878 --> 00:54:06,586
I mean, it's the kind of line you hear,
and you think it's a joke,
1064
00:54:06,670 --> 00:54:08,420
'cause I remember
just being like... [laughs]
1065
00:54:08,503 --> 00:54:10,545
Can we have
another bottle of wine, please?
1066
00:54:10,628 --> 00:54:12,628
And then she had a big like, "Yeah."
1067
00:54:12,712 --> 00:54:14,837
The bottle of wine came,
and I was like, "This is hilarious."
1068
00:54:14,920 --> 00:54:17,003
She's like, "I'm serious." [laughs]
1069
00:54:17,086 --> 00:54:20,169
She was my first choice for the part.
1070
00:54:20,795 --> 00:54:23,670
She brings a special kind of energy.
1071
00:54:23,753 --> 00:54:25,628
[Mangold] It was clear
that we should cast her
1072
00:54:25,712 --> 00:54:28,128
even before we had started writing.
1073
00:54:28,211 --> 00:54:29,878
There was no one else we had in mind.
1074
00:54:29,962 --> 00:54:32,753
We were only writing it
thinking of her voice.
1075
00:54:32,837 --> 00:54:34,670
The biggest terrifying moment
1076
00:54:34,753 --> 00:54:37,253
was when we finally
gave the script to Phoebe to read
1077
00:54:37,336 --> 00:54:38,837
not knowing whether she would say yes,
1078
00:54:38,920 --> 00:54:41,503
and not having any idea
where we'd go if she said no.
1079
00:54:42,169 --> 00:54:44,920
[Waller-Bridge]
Harrison, he actually phoned me first,
1080
00:54:45,003 --> 00:54:47,920
and I had a voicemail
that was just a really long pause.
1081
00:54:48,003 --> 00:54:52,211
And then... [in deep voice]
..."Hey, this is, uh, Harrison Ford."
1082
00:54:52,294 --> 00:54:55,086
[laughs] You know,
I was just like, "What?"
1083
00:54:56,253 --> 00:54:58,044
- [Mangold] All right, let's go.
- I got you. Ready.
1084
00:54:58,128 --> 00:54:59,920
[Mangold] All right, here we go.
Background action.
1085
00:55:00,003 --> 00:55:01,503
And action!
1086
00:55:01,586 --> 00:55:03,795
[Waller-Bridge]
We had a conversation about the film.
1087
00:55:03,878 --> 00:55:05,837
He was like,
"I'm excited about this movie."
1088
00:55:05,920 --> 00:55:07,336
And I was, "When you come over,
1089
00:55:07,420 --> 00:55:10,211
I'd love to have a meal with you,
a lunch, or a drink or something.
1090
00:55:10,294 --> 00:55:11,712
Maybe we should do that.
It'd be really fun."
1091
00:55:11,795 --> 00:55:14,128
He was like, "Oh, no. I don't think so."
[laughs]
1092
00:55:14,211 --> 00:55:16,420
Then I was like, "Oh."
Then he mentioned he played tennis.
1093
00:55:16,503 --> 00:55:18,003
I was like, "Maybe we should play tennis."
1094
00:55:18,086 --> 00:55:21,795
And he was like... [inhales]
..."No, I'm good. Thanks."
1095
00:55:21,878 --> 00:55:24,294
I was like, "Okay.
Well, I'll see you first day on set."
1096
00:55:26,420 --> 00:55:28,753
The first day, I was really nervous.
1097
00:55:28,837 --> 00:55:32,336
But Harrison was just, like,
so warm and just open arms, and just like,
1098
00:55:32,420 --> 00:55:34,920
"Hey! Here we are.
We're making this thing happen."
1099
00:55:35,003 --> 00:55:38,294
I don't need morality lessons
from an aging grave robber!
1100
00:55:38,378 --> 00:55:41,586
[Waller-Bridge] I said to him, "At any
point you think I'm shit, please tell me.
1101
00:55:41,670 --> 00:55:43,378
And I'd rather you just say it.
1102
00:55:43,461 --> 00:55:45,878
Or help me out, 'cause no one
knows this craft better than you."
1103
00:55:45,962 --> 00:55:46,795
Whoo!
1104
00:55:46,878 --> 00:55:49,253
- He was like, "You're doing good, kid."
- [Mangold] Cut!
1105
00:55:49,336 --> 00:55:51,086
[Waller-Bridge]
That's all you really want, isn't it?
1106
00:55:51,169 --> 00:55:53,878
Harrison Ford to squeeze your shoulder
and say, "You're doing good, kid."
1107
00:55:55,044 --> 00:55:57,044
I could barely keep up with her,
1108
00:55:57,128 --> 00:56:00,503
which is probably
no surprise to anybody but me.
1109
00:56:00,586 --> 00:56:03,003
- No, she's fantastic. She's got...
- No, no.
1110
00:56:03,670 --> 00:56:07,003
- I'll do this. She's got long legs.
- [laughs]
1111
00:56:07,086 --> 00:56:09,670
[Waller-Bridge] I'm blown away
by the stamina of this guy.
1112
00:56:09,753 --> 00:56:12,128
'Cause I'm knackered
after about four seconds of running.
1113
00:56:22,545 --> 00:56:28,753
Harrison inevitably will arrive to set
poking and prodding at what we're doing.
1114
00:56:28,837 --> 00:56:30,003
What?
1115
00:56:30,086 --> 00:56:36,712
And the thing he's most looking for
is ways to undermine the BS.
1116
00:56:36,795 --> 00:56:41,628
Harrison's interest is always
in how to get closer to reality,
1117
00:56:41,712 --> 00:56:43,420
and then how to extract the fun.
1118
00:56:43,503 --> 00:56:44,795
[Waller-Bridge]
They make each other laugh,
1119
00:56:44,878 --> 00:56:46,920
and they take each other
incredibly seriously.
1120
00:56:47,003 --> 00:56:48,294
Indiana Jones wouldn't do that.
1121
00:56:49,586 --> 00:56:52,169
There is a sort of hurricane
that happens when they're together.
1122
00:56:52,253 --> 00:56:54,878
Jim would push Harrison,
and Harrison would push Jim.
1123
00:56:54,962 --> 00:56:56,586
I was really inspired by that to see that.
1124
00:56:56,670 --> 00:56:59,503
Even when they would disagree
on something, it would be like... [groans]
1125
00:56:59,586 --> 00:57:02,169
Then they would be, "I love you"...
[grumbles, laughs] ...afterwards.
1126
00:57:02,253 --> 00:57:03,420
Yeah, baby!
1127
00:57:04,044 --> 00:57:05,628
[Mikkelsen]
I loved both of their energies.
1128
00:57:05,712 --> 00:57:09,962
{\an8}I mean, I loved the "Let's cut
the bullshit" part of both of them.
1129
00:57:10,044 --> 00:57:13,545
You know, "Let's do it again.
Uh, I wasn't happy."
1130
00:57:13,628 --> 00:57:15,086
"We'll do it again." I love it.
1131
00:57:15,169 --> 00:57:17,169
We don't have to chitchat
too much about this.
1132
00:57:17,253 --> 00:57:19,336
We know what we're doing.
Let's do it again.
1133
00:57:20,003 --> 00:57:21,753
- This is where I'm turning.
- [Mangold] Yes.
1134
00:57:21,837 --> 00:57:23,753
If the director gets the cue right.
1135
00:57:23,837 --> 00:57:26,336
- Okay, you got it. I'll hit you there.
- [crew] All right. Here we go.
1136
00:57:26,420 --> 00:57:31,294
[Ford] We're a couple of pretty bodacious,
uninhibited kind of guys.
1137
00:57:31,378 --> 00:57:32,795
And we yell at each other.
1138
00:57:32,878 --> 00:57:35,670
And I tell him he's full of shit,
and he tells me I'm full of shit.
1139
00:57:36,420 --> 00:57:38,878
And we get along really well. [laughs]
1140
00:57:38,962 --> 00:57:40,128
And we have fun.
1141
00:57:40,211 --> 00:57:42,795
- [laughs]
- I just didn't know that you knew it.
1142
00:57:42,878 --> 00:57:45,545
- [Mangold] I know it. I know it.
- [laughing]
1143
00:57:45,628 --> 00:57:49,128
{\an8}There's this image of Harrison Ford
that's out there that you're grumpy.
1144
00:57:50,420 --> 00:57:53,670
{\an8}- That's horse[bleep]
- [audience laughs]
1145
00:57:54,378 --> 00:57:55,545
[Marshall] I think what irritates him
1146
00:57:55,628 --> 00:58:00,211
is somebody who's not a hundred percent
involved in what they're doing.
1147
00:58:00,294 --> 00:58:02,169
Somebody who doesn't have
1148
00:58:02,253 --> 00:58:06,586
that passion and enthusiasm
for making movies that we all have.
1149
00:58:06,670 --> 00:58:10,294
You've done whatever you've wanted
your entire life, Indiana Jones.
1150
00:58:10,378 --> 00:58:14,628
And then someone else comes along who
has their own opinion, and you get cranky.
1151
00:58:14,712 --> 00:58:16,545
Yeah, correct.
1152
00:58:16,628 --> 00:58:20,378
He doesn't put up with
people who kind of phone it in.
1153
00:58:20,461 --> 00:58:24,586
Oh, yeah. That's because being
in a bad movie scares the shit out of me.
1154
00:58:25,420 --> 00:58:29,211
What pisses Harrison off
is people not being prepared,
1155
00:58:29,294 --> 00:58:32,128
people not being
respectful of the job he's doing.
1156
00:58:32,211 --> 00:58:37,712
He likes there to be focus and attention
on the set. It's about the movie.
1157
00:58:37,795 --> 00:58:40,461
And I think he demands that.
1158
00:58:40,545 --> 00:58:45,086
Which is great because
it articulates expectation right up front.
1159
00:58:45,169 --> 00:58:47,461
- [crew] Ready?
- Ready! Run around!
1160
00:58:47,545 --> 00:58:49,044
- [Mangold] Here we go.
- Hurry up, you guys!
1161
00:58:49,128 --> 00:58:50,962
- [Mangold] Right away.
- We're making a movie!
1162
00:58:51,503 --> 00:58:53,044
Thank you very much!
1163
00:58:53,670 --> 00:58:55,712
Excellent! Ready?
1164
00:58:55,795 --> 00:58:57,545
- [Mangold] Okay. Here we go.
- Shut up.
1165
00:58:58,253 --> 00:59:00,086
[Kennedy] He's always larger than life.
1166
00:59:00,169 --> 00:59:01,503
- [Ford cheers]
- [crew cheering]
1167
00:59:01,586 --> 00:59:03,336
But he is so much fun,
1168
00:59:03,420 --> 00:59:06,878
and I think that that's always been
at the core of his performances,
1169
00:59:06,962 --> 00:59:08,712
and why he's so relatable.
1170
00:59:08,795 --> 00:59:12,211
{\an8}Everybody, this is my wife on the phone
that can't be here for my birthday.
1171
00:59:13,420 --> 00:59:14,920
{\an8}Hi, honey. I'll be home soon.
1172
00:59:15,003 --> 00:59:16,253
- Hey!
- [all laugh]
1173
00:59:16,336 --> 00:59:18,420
- Don't worry.
- Hey, don't... That's the wrong guy!
1174
00:59:18,503 --> 00:59:20,420
- Can't wait to see you.
- Don't listen to him.
1175
00:59:20,503 --> 00:59:22,294
[Watach] He's very funny.
1176
00:59:22,378 --> 00:59:25,586
{\an8}He has a very wicked sense of humor.
1177
00:59:26,211 --> 00:59:29,586
{\an8}It's potentially very dark,
but very funny.
1178
00:59:29,670 --> 00:59:30,920
{\an8}It's a contact sport
1179
00:59:31,003 --> 00:59:33,753
{\an8}when you come into contact
with a man like him.
1180
00:59:33,837 --> 00:59:35,586
{\an8}Luckily, he sorted me out.
1181
00:59:35,670 --> 00:59:39,837
Next time things get messy,
I've got that on.
1182
00:59:40,628 --> 00:59:43,294
So when I just need to do this,
I just get him out of there.
1183
00:59:44,169 --> 00:59:47,128
[Ford] It's great to see people
who know what they're doing,
1184
00:59:47,211 --> 00:59:49,753
and enjoy their work, and work together.
1185
00:59:49,837 --> 00:59:51,962
It's a great crew. Hardworking people.
1186
00:59:52,044 --> 00:59:53,712
Very happy to be working with them.
1187
00:59:56,336 --> 00:59:58,211
[Kennedy]
The interesting thing with Harrison
1188
00:59:58,294 --> 01:00:00,586
is there is such an attention to detail.
1189
01:00:00,670 --> 01:00:03,628
He is a very, very meticulous person.
1190
01:00:03,712 --> 01:00:06,920
It's no surprise
that he was a finish carpenter.
1191
01:00:07,545 --> 01:00:12,086
And that attention to detail goes
into every single thing he does.
1192
01:00:12,169 --> 01:00:16,169
[Ford] Carpentry depends
on a logical sequence of events.
1193
01:00:16,253 --> 01:00:18,211
You take rough material,
and you make it smooth.
1194
01:00:18,294 --> 01:00:19,294
You make it straight.
1195
01:00:19,378 --> 01:00:21,294
And then you decide how
1196
01:00:21,378 --> 01:00:24,628
the figure in the wood
will give the most pleasant appearance.
1197
01:00:25,378 --> 01:00:28,128
In the same way,
when you build a character or film role,
1198
01:00:28,211 --> 01:00:30,003
you want to proceed in the same way,
1199
01:00:30,086 --> 01:00:33,753
working from a foundation
up into the cosmetic aspects of them.
1200
01:00:34,420 --> 01:00:36,253
- Hello, Harrison.
- Hey, Mo.
1201
01:00:37,128 --> 01:00:40,003
[Torbett] Harrison said he was gonna pop
down, and he came down on his push-bike.
1202
01:00:40,086 --> 01:00:43,086
{\an8}He literally rode straight into the cage,
and just went through his bits.
1203
01:00:43,169 --> 01:00:47,169
{\an8}Took his time. Wasn't in a rush.
Gave every piece a good bit of thought.
1204
01:00:47,253 --> 01:00:51,753
Tried bits on. I think his words were,
"It's just a bit tatty."
1205
01:00:51,837 --> 01:00:53,753
So, fingers crossed.
We're gonna show him that later on,
1206
01:00:53,837 --> 01:00:55,336
once it's had a cleanup.
1207
01:00:55,420 --> 01:00:58,336
I have to pinch myself sometimes
that I'm actually doing this film.
1208
01:00:58,420 --> 01:01:01,253
It's funny, 'cause I showed Harrison
yesterday a picture of my dad
1209
01:01:01,336 --> 01:01:03,044
who worked on the original film.
1210
01:01:03,128 --> 01:01:05,962
I've actually got to get my dad
to autograph the photo
1211
01:01:06,044 --> 01:01:07,545
and give it back to Harrison.
1212
01:01:07,628 --> 01:01:09,712
[laughs] He said that yesterday.
1213
01:01:09,795 --> 01:01:11,128
- Props!
- [Torbett] Coming, sir.
1214
01:01:11,211 --> 01:01:12,378
[Waller-Bridge laughs]
1215
01:01:12,461 --> 01:01:14,670
- What took you so long?
- [crew laughs]
1216
01:01:15,378 --> 01:01:17,837
[De Magalhães] It's basically
just getting the costume right
1217
01:01:17,920 --> 01:01:19,503
for the scene that we're shooting.
1218
01:01:19,586 --> 01:01:22,086
I mean, such an honor to dress him.
1219
01:01:22,169 --> 01:01:23,837
He likes to put the hat himself.
1220
01:01:23,920 --> 01:01:26,586
{\an8}I give the hat to him like that.
1221
01:01:26,670 --> 01:01:28,086
{\an8}I give it. "There you go, Harrison."
1222
01:01:28,169 --> 01:01:32,003
And he is the one that puts it on,
and he does it.
1223
01:01:32,086 --> 01:01:34,962
And he always does that... You know? Yeah.
1224
01:01:35,044 --> 01:01:37,545
That bit there.
It's slightly big for me anyway.
1225
01:01:37,628 --> 01:01:38,712
[laughs]
1226
01:01:39,878 --> 01:01:42,628
[Ford] I mean, you put it on,
you're Indiana Jones.
1227
01:01:42,712 --> 01:01:45,378
That's all you need to have a character.
1228
01:01:46,670 --> 01:01:48,712
[Waller-Bridge] I think it was
about a month into filming
1229
01:01:48,795 --> 01:01:50,253
before I saw him in the outfit.
1230
01:01:50,336 --> 01:01:51,586
We were in Sicily.
1231
01:01:51,670 --> 01:01:54,294
I had to follow him up a path
and then into a cave.
1232
01:01:54,378 --> 01:01:56,378
And we had to be looking very serious.
1233
01:01:56,461 --> 01:01:59,044
And I kept getting Jim coming up to me
and being like,
1234
01:01:59,128 --> 01:02:01,128
"Phoebe, you have to stop smiling.
1235
01:02:01,211 --> 01:02:04,169
You're walking behind him,
and you're smiling." [laughs]
1236
01:02:04,253 --> 01:02:07,962
I was like, "I'm not, I swear I'm not."
And he was showing me.
1237
01:02:08,044 --> 01:02:11,628
Because Harrison first came on
in the outfit and I was just... [gasps]
1238
01:02:11,712 --> 01:02:15,545
And then in every scene after that,
I was just... [laughs] ...behind him.
1239
01:02:15,628 --> 01:02:17,670
And, eventually,
Jim was like, "You're scared.
1240
01:02:17,753 --> 01:02:20,211
This is high-stakes situation.
Stop giggling."
1241
01:02:22,128 --> 01:02:23,461
[brakes squealing]
1242
01:02:23,545 --> 01:02:25,795
Renny! Renaldo!
1243
01:02:25,878 --> 01:02:26,795
Ah!
1244
01:02:26,878 --> 01:02:30,211
[Banderas] He knows the impact
that he produces in people
1245
01:02:30,294 --> 01:02:33,086
{\an8}when he's working dressed
as Indiana Jones.
1246
01:02:33,169 --> 01:02:37,837
So I'm very thankful to him because,
psychologically, he knows very well
1247
01:02:37,920 --> 01:02:42,545
how to play with you
in order to make you feel comfortable.
1248
01:02:42,628 --> 01:02:45,837
It made me feel
participant immediately of the scene.
1249
01:02:45,920 --> 01:02:47,586
"What do you think about that?
What are you..."
1250
01:02:47,670 --> 01:02:50,878
So you forget, actually,
as soon as possible,
1251
01:02:50,962 --> 01:02:53,878
that you are in front of Indiana Jones
and all that thing, you know?
1252
01:02:53,962 --> 01:02:56,211
So it's beautiful. [laughs]
1253
01:02:56,294 --> 01:02:58,086
When I do it, do it again.
1254
01:02:58,169 --> 01:02:59,670
I'm gonna hit you
to give you that direction.
1255
01:02:59,753 --> 01:03:01,586
- [actor] I'll go. Yeah, yeah.
- [Ford] Yeah.
1256
01:03:02,169 --> 01:03:03,169
[grunts]
1257
01:03:04,878 --> 01:03:06,336
[crew 1] Then over here a little bit more.
1258
01:03:07,294 --> 01:03:09,336
- [crew 2] Set.
- [Mangold] All right, here we go!
1259
01:03:09,420 --> 01:03:10,753
And background.
1260
01:03:10,837 --> 01:03:14,169
170, anyone? Anyone. Going! Going!
1261
01:03:14,253 --> 01:03:15,753
- [Indiana Jones] Gone.
- [gasps]
1262
01:03:15,837 --> 01:03:17,128
[customer] What are you doing?
1263
01:03:17,211 --> 01:03:19,503
[Kennedy]
Harrison wants things to be real.
1264
01:03:19,586 --> 01:03:22,920
You know,
he is a bit of an adventurer himself.
1265
01:03:23,003 --> 01:03:24,586
He wants to work hard.
1266
01:03:24,670 --> 01:03:29,586
He wants to learn how to handle that whip
better than anybody can.
1267
01:03:29,670 --> 01:03:31,253
- [screams]
- [grunts]
1268
01:03:32,003 --> 01:03:35,086
He wants to be the one
riding the actual horse.
1269
01:03:35,169 --> 01:03:38,670
He doesn't want to rely
on stunt people to do that.
1270
01:03:38,753 --> 01:03:40,837
And that was always
a big issue of contention.
1271
01:03:40,920 --> 01:03:43,461
Everybody was very reluctantly
having to say,
1272
01:03:43,545 --> 01:03:47,628
"Yeah, but, you know,
you're not a kid anymore."
1273
01:03:47,712 --> 01:03:49,169
And he didn't care.
1274
01:03:49,253 --> 01:03:52,503
He wanted to be the one
that was in there getting it done.
1275
01:03:54,086 --> 01:03:55,878
Anybody can ride a horse.
1276
01:03:55,962 --> 01:03:59,211
And there were a lot of concerns
about my safety,
1277
01:03:59,294 --> 01:04:02,503
all of which
both amused and infuriated me.
1278
01:04:03,294 --> 01:04:05,294
Should he do it? I don't know.
1279
01:04:05,378 --> 01:04:08,962
I mean, my wife always tells me
that I shouldn't have done that stunt.
1280
01:04:09,044 --> 01:04:10,503
"Why did you do it?"
1281
01:04:10,586 --> 01:04:12,712
So who am I to tell Harrison
that he shouldn't?
1282
01:04:12,795 --> 01:04:14,378
I understand exactly where it comes from.
1283
01:04:14,461 --> 01:04:15,628
He loves what he's doing.
1284
01:04:15,712 --> 01:04:20,128
And if he can do it, and he can do it
better than the other ones, let him do it.
1285
01:04:20,211 --> 01:04:25,586
[Wilson] Seeing Harrison Ford
at, what, now 79, do stunt stuff?
1286
01:04:25,670 --> 01:04:28,128
{\an8}Pray, God, that I have such longevity
1287
01:04:28,211 --> 01:04:30,753
that when I'm nearly 80,
that I'm able to throw a punch.
1288
01:04:30,837 --> 01:04:32,294
Like, that is incredible.
1289
01:04:33,878 --> 01:04:35,211
[Indiana Jones] We gotta jump!
1290
01:04:35,294 --> 01:04:36,795
What about my dicky knee?
1291
01:04:36,878 --> 01:04:38,503
[screams]
1292
01:04:38,586 --> 01:04:40,503
[screaming]
1293
01:04:40,586 --> 01:04:43,628
{\an8}I've understood something
about the nature of these films
1294
01:04:43,712 --> 01:04:46,294
that I hadn't fully
taken seriously before.
1295
01:04:46,378 --> 01:04:48,962
Within the movies,
it's very easy to hurt yourself.
1296
01:04:49,044 --> 01:04:50,962
[shouts, grunts]
1297
01:04:51,044 --> 01:04:54,003
I think of the life he's had
making these movies,
1298
01:04:54,086 --> 01:04:55,962
and the injuries he's sustained...
1299
01:04:56,044 --> 01:04:57,712
It seems absolutely incredible.
1300
01:04:57,795 --> 01:05:00,670
[Allen] You know, Harrison punches
somebody in the jaw or something,
1301
01:05:00,753 --> 01:05:04,044
and he hurts his hand,
like most of us would.
1302
01:05:04,128 --> 01:05:05,878
I heard it was 'cause
he was punching a Nazi.
1303
01:05:05,962 --> 01:05:07,128
[grunts]
1304
01:05:07,878 --> 01:05:10,378
So, at least it was
kind of doing something good.
1305
01:05:11,086 --> 01:05:13,253
[Mangold] Three, two, one, action!
1306
01:05:18,044 --> 01:05:20,628
I wanted to play a physical character,
1307
01:05:20,712 --> 01:05:25,461
and do the same kind of physical acting
that I did when I was 40,
1308
01:05:25,545 --> 01:05:29,044
or 50, or 60, at 80.
1309
01:05:29,128 --> 01:05:31,962
So, it's like we start wide,
we show how high you are...
1310
01:05:32,044 --> 01:05:34,670
[Ford] And I wanted it
to look rough and hard.
1311
01:05:34,753 --> 01:05:38,420
I wanted people to know
how that feels to Indiana Jones.
1312
01:05:38,503 --> 01:05:41,545
I'm thinking about
what the hell I'm doing up here,
1313
01:05:41,628 --> 01:05:44,753
40 feet in the air with crap shoulders,
1314
01:05:44,837 --> 01:05:46,920
crumbling vertebrae,
1315
01:05:47,003 --> 01:05:49,044
a plate in one leg, screws in the other.
1316
01:05:49,128 --> 01:05:51,128
Yeah, I get it. I get it. [sighs]
1317
01:05:51,211 --> 01:05:52,586
No, you don't get it.
1318
01:05:53,253 --> 01:05:55,503
[Mangold] One of the things
you face as you get older
1319
01:05:55,586 --> 01:05:59,003
is knowing the value
of your remaining years on this Earth.
1320
01:05:59,086 --> 01:06:01,670
And wanting to do something useful.
1321
01:06:01,753 --> 01:06:02,753
This is it.
1322
01:06:02,837 --> 01:06:05,003
[Mangold] Does he have
one last adventure in him?
1323
01:06:05,086 --> 01:06:07,003
Does he have the courage to face it again?
1324
01:06:07,086 --> 01:06:08,461
Get in the pool!
1325
01:06:08,545 --> 01:06:14,837
And I think the answer that
I hope the movie offers audiences is yes.
1326
01:06:14,920 --> 01:06:16,712
[both scream]
1327
01:06:18,628 --> 01:06:20,586
{\an8}[Gibbons] How do you explain
this guy's appeal?
1328
01:06:20,670 --> 01:06:22,837
{\an8}He's not standard hero.
1329
01:06:22,920 --> 01:06:25,545
{\an8}He's not standard leading man.
1330
01:06:25,628 --> 01:06:27,962
{\an8}- Good looking son of a bitch, isn't he?
- [chuckles]
1331
01:06:28,044 --> 01:06:31,628
{\an8}No. I mean, what do I know?
You got the wrong guy to ask.
1332
01:06:31,712 --> 01:06:34,294
{\an8}- The movies are very successful.
- You are the guy to ask.
1333
01:06:34,378 --> 01:06:37,920
{\an8}The movies, I'm not talking about
their financial success.
1334
01:06:38,003 --> 01:06:41,003
{\an8}I'm saying, as movies,
they are very successful movies.
1335
01:06:41,086 --> 01:06:45,420
{\an8}That's why. That's why we like them,
because they work as movies.
1336
01:06:45,503 --> 01:06:46,795
{\an8}And we like movies.
1337
01:06:49,294 --> 01:06:52,920
[Rhys-Davies] I think Indiana Jones
didn't just change my life.
1338
01:06:53,003 --> 01:06:55,253
{\an8}It actually changed the nature of film.
1339
01:06:55,336 --> 01:06:58,086
Give 'em hell, Indiana Jones!
1340
01:06:59,128 --> 01:07:03,628
[Mangold] Part of what is the DNA
of an Indiana Jones film
1341
01:07:03,712 --> 01:07:07,962
is it's a kind of optimal display
of all the crafts at their highest form.
1342
01:07:08,044 --> 01:07:11,586
[Banderas] This is a total art
that needs a lot of attention.
1343
01:07:11,670 --> 01:07:13,086
And especially a movie like this,
1344
01:07:13,169 --> 01:07:15,461
where the people is gonna be
with a magnifying glass,
1345
01:07:15,545 --> 01:07:16,962
looking to every detail.
1346
01:07:17,044 --> 01:07:18,586
And action!
1347
01:07:18,670 --> 01:07:20,962
It's everything. It's costumes.
1348
01:07:21,044 --> 01:07:23,461
The hat was good. Hat's good in this.
1349
01:07:23,545 --> 01:07:26,128
- [Marshall] It's props.
- [Ford] Props! Whip!
1350
01:07:26,211 --> 01:07:27,461
[Marshall] It's sound.
1351
01:07:27,545 --> 01:07:28,837
- [whip crack]
- [screams, gasps]
1352
01:07:28,920 --> 01:07:32,253
It's the costumes. It's the actors.
It's the direction. It's the editing.
1353
01:07:33,712 --> 01:07:38,211
Big production values,
action, adventure, great music.
1354
01:07:38,294 --> 01:07:41,920
[whistling "The Raiders March"]
1355
01:07:42,003 --> 01:07:44,586
{\an8}- [applause]
- ["The Raiders March" playing on speakers]
1356
01:07:46,294 --> 01:07:48,086
{\an8}[music fades, ends]
1357
01:07:48,169 --> 01:07:50,378
That damn music follows me everywhere.
1358
01:07:50,461 --> 01:07:52,086
[audience laughs]
1359
01:07:52,712 --> 01:07:56,920
It was playing in the operating room
when I went in for my colonoscopy.
1360
01:07:57,003 --> 01:07:58,670
[audience laughs]
1361
01:07:58,753 --> 01:08:00,003
[applause]
1362
01:08:00,086 --> 01:08:02,920
[Kasdan] "Raiders" is one
of John's greatest scores.
1363
01:08:03,003 --> 01:08:05,169
{\an8}Surely one of the greatest scores
of all time.
1364
01:08:05,253 --> 01:08:06,795
[orchestra playing "The Raiders March"]
1365
01:08:06,878 --> 01:08:08,920
It's mystically good.
1366
01:08:10,003 --> 01:08:12,336
You guys are gonna be all over us now.
1367
01:08:13,670 --> 01:08:16,461
[Spielberg] John Williams
bonded all of these films together,
1368
01:08:16,545 --> 01:08:20,461
and gave Harrison, as the character
of Indiana Jones, a musical identity.
1369
01:08:20,545 --> 01:08:23,211
["The Raiders March" playing]
1370
01:08:25,795 --> 01:08:28,545
He played the march for me
on the piano in his music room.
1371
01:08:28,628 --> 01:08:30,795
And I said,
"Every high school marching band
1372
01:08:30,878 --> 01:08:32,962
is gonna adopt this
and start playing this."
1373
01:08:33,044 --> 01:08:34,795
This is gonna outlive all of us,
that march.
1374
01:08:34,878 --> 01:08:36,294
[music continues]
1375
01:08:36,378 --> 01:08:40,461
Indiana Jones was wonderful
because it's never serious.
1376
01:08:40,545 --> 01:08:42,378
You know, Harrison Ford has this ability
1377
01:08:42,461 --> 01:08:45,962
to do the most dramatic scenes
with a slight tongue in his cheek,
1378
01:08:46,044 --> 01:08:47,795
or twinkle in his eye, you know?
1379
01:08:47,878 --> 01:08:50,920
- I can't do that.
- You wanna stop for a little lie-down?
1380
01:08:51,003 --> 01:08:52,920
[instruments playing]
1381
01:09:00,128 --> 01:09:02,503
[Ford]
Being in the room with a full orchestra
1382
01:09:02,586 --> 01:09:06,378
and watching his care and precision,
the way he works,
1383
01:09:06,461 --> 01:09:08,837
and the great enormous respect
1384
01:09:08,920 --> 01:09:12,753
that the players have for him,
and he for them.
1385
01:09:12,837 --> 01:09:15,253
It's just a wonderful experience.
1386
01:09:17,086 --> 01:09:18,086
[music ends]
1387
01:09:19,378 --> 01:09:21,128
Harrison, we love you, buddy.
1388
01:09:21,211 --> 01:09:22,211
[crew laughs]
1389
01:09:22,294 --> 01:09:24,294
[applause]
1390
01:09:24,378 --> 01:09:26,169
We wouldn't be here without you.
1391
01:09:26,253 --> 01:09:27,628
- Yeah.
- [crew laughs]
1392
01:09:38,128 --> 01:09:42,586
[Mitchell] There hadn't been that many
American intergenerational stories
1393
01:09:42,670 --> 01:09:44,503
built around a single character.
1394
01:09:44,586 --> 01:09:47,795
To have that level of consistency
with Indiana Jones,
1395
01:09:47,878 --> 01:09:50,837
and also too,
to have the level of filmmaking,
1396
01:09:50,920 --> 01:09:52,503
we shouldn't forget that.
1397
01:09:52,586 --> 01:09:57,253
I can't think of another series that's had
that kind of mastery of craft,
1398
01:09:57,336 --> 01:10:01,503
where you can also feel the maturation
of the filmmaker and the star together.
1399
01:10:01,586 --> 01:10:06,920
And I think that becomes this thing
that people love sitting down with kids,
1400
01:10:07,003 --> 01:10:09,086
and parents and talking about it,
1401
01:10:09,169 --> 01:10:11,753
remembering where they were
when they saw these movies.
1402
01:10:11,837 --> 01:10:15,128
One of the things we wanted to do
is be able to pass these things along
1403
01:10:15,211 --> 01:10:16,837
that we love to people we love,
1404
01:10:16,920 --> 01:10:18,795
and have them understand
what that means to us.
1405
01:10:18,878 --> 01:10:21,878
{\an8}And you hope that they will carry
that excitement on to somebody else.
1406
01:10:23,211 --> 01:10:25,545
[Marshall] We all realized the big reason
1407
01:10:25,628 --> 01:10:29,253
that we're able to make
these movies again and again
1408
01:10:29,336 --> 01:10:32,837
is because of the audience,
because of the fans.
1409
01:10:32,920 --> 01:10:35,003
Harrison's incredibly gracious.
1410
01:10:35,086 --> 01:10:40,420
And he gives as much time
as they need to celebrate that.
1411
01:10:43,086 --> 01:10:47,086
{\an8}[Watach] Cefalù was very interesting
because rumor and word spread quickly.
1412
01:10:47,169 --> 01:10:49,878
Harrison Ford was
not the only Indiana Jones in town.
1413
01:10:49,962 --> 01:10:54,712
{\an8}Various sightings of some doppelgängers
were spotted roaming the streets.
1414
01:10:54,795 --> 01:10:58,336
{\an8}We're just Italian fan of Indy
and, of course, of Harrison Ford.
1415
01:10:58,420 --> 01:11:00,920
So we are just here
and that we hope to meet Ford
1416
01:11:01,003 --> 01:11:05,253
because he should pass here,
and I hope we will be lucky.
1417
01:11:06,753 --> 01:11:08,545
- [fan] Harrison!
- [Ford speaking, indistinct]
1418
01:11:08,628 --> 01:11:10,336
[fan] Ciao!
1419
01:11:10,420 --> 01:11:12,420
Of course, Harrison made sure
1420
01:11:12,503 --> 01:11:15,753
that we were gonna detour
to meet these, uh, impersonators.
1421
01:11:15,837 --> 01:11:18,336
And we rocked up on the golf buggy,
1422
01:11:18,420 --> 01:11:21,837
jumped out,
and I think pretty much made their life.
1423
01:11:21,920 --> 01:11:24,420
- [chattering, exclaiming]
- [photographer] Three, two, one.
1424
01:11:25,628 --> 01:11:26,628
[shutter clicks]
1425
01:11:28,628 --> 01:11:31,795
[Ford] You have a sense of responsibility
to your customers.
1426
01:11:31,878 --> 01:11:35,086
- And thank you very much.
- [applause, cheering]
1427
01:11:37,461 --> 01:11:39,336
[Ford] I think of the people
that go to my movies
1428
01:11:39,420 --> 01:11:42,086
more as customers than I do as fans.
1429
01:11:42,169 --> 01:11:44,294
And I'm responsible to them
1430
01:11:44,378 --> 01:11:47,253
for the quality
of the service that I offer.
1431
01:11:47,336 --> 01:11:49,753
The shield is the second marker.
1432
01:11:49,837 --> 01:11:51,378
Just like your father.
1433
01:11:51,461 --> 01:11:52,878
- Giddy as a schoolboy.
- [chuckles]
1434
01:11:52,962 --> 01:11:54,795
[Marshall] The excitement that Harrison
1435
01:11:54,878 --> 01:11:58,211
brings to the character of Indy
inspires kids.
1436
01:11:58,294 --> 01:11:59,545
I mean, how great is that?
1437
01:11:59,628 --> 01:12:02,878
Some of them were inspired
not only to become filmmakers,
1438
01:12:02,962 --> 01:12:05,545
but to become teachers and archaeologists.
1439
01:12:05,628 --> 01:12:08,044
[Indiana Jones]
"Neo," meaning "new" and "lithic..."
1440
01:12:09,461 --> 01:12:11,878
- I-T-H... I-C.
- [students laugh]
1441
01:12:12,461 --> 01:12:14,795
{\an8}When Raiders of the Lost Ark
came out, it was like,
1442
01:12:14,878 --> 01:12:16,795
{\an8}"I could make a career out of doing this."
1443
01:12:16,878 --> 01:12:21,503
{\an8}It's not just a love of history.
I could actually be a teacher.
1444
01:12:21,586 --> 01:12:22,920
I could be a professor.
1445
01:12:23,003 --> 01:12:24,712
When I come back,
we'll discuss the difference
1446
01:12:24,795 --> 01:12:26,795
between migration and exodus.
1447
01:12:27,837 --> 01:12:29,795
[Alexandra Jones]
It's always, kind of, been a running joke
1448
01:12:29,878 --> 01:12:31,211
that my name is Dr. Jones.
1449
01:12:31,294 --> 01:12:34,253
{\an8}When my friends found out
that I was gonna pursue archaeology,
1450
01:12:34,336 --> 01:12:36,586
{\an8}I had a number of people
running around saying,
1451
01:12:36,670 --> 01:12:38,294
{\an8}"Dr. Jones, Dr. Jones," all the time.
1452
01:12:38,378 --> 01:12:41,044
Okey dokey, Dr. Jones.
Hold on to your potatoes!
1453
01:12:41,128 --> 01:12:43,086
[Alexandra Jones]
When I graduated, though,
1454
01:12:43,169 --> 01:12:47,086
one of my friends gave me the box set
of the Indiana Jones films,
1455
01:12:47,169 --> 01:12:48,336
as well as a whip.
1456
01:12:48,420 --> 01:12:50,503
- Give me the whip!
- Adiós, señor.
1457
01:12:51,169 --> 01:12:53,169
{\an8}The fact that we've lived so long
1458
01:12:53,253 --> 01:12:57,503
{\an8}with Harrison Ford as Indiana Jones
gives us a sense of feeling
1459
01:12:57,586 --> 01:12:59,294
that we're growing up with him.
1460
01:12:59,378 --> 01:13:01,878
I was a graduate teacher
1461
01:13:01,962 --> 01:13:06,461
with Intro to Archaeology in 1989
when the third film came out...
1462
01:13:06,545 --> 01:13:09,169
- You call this archaeology?
- Get out of there, Dad.
1463
01:13:09,253 --> 01:13:12,586
...and my class enrollment of ten
1464
01:13:12,670 --> 01:13:15,712
ballooned to 100 because of the film.
1465
01:13:15,795 --> 01:13:19,878
And I'll see
each and every one of them in turn.
1466
01:13:20,712 --> 01:13:22,962
The number of people
who went into archaeology
1467
01:13:23,044 --> 01:13:25,712
because those movies
made it seem like a living thing.
1468
01:13:25,795 --> 01:13:29,545
It made history seem
like a continuum of adventure stories,
1469
01:13:29,628 --> 01:13:32,670
which, if you go back to
the Old Testament, they kind of are.
1470
01:13:32,753 --> 01:13:34,878
And that same sense of jeopardy.
1471
01:13:34,962 --> 01:13:36,628
Kneels before God.
1472
01:13:36,712 --> 01:13:38,795
- Kneel! [grunts]
- [whirs]
1473
01:13:39,628 --> 01:13:41,628
[Waller-Bridge]
You feel like by being an archaeologist,
1474
01:13:41,712 --> 01:13:43,586
{\an8}you're going to have
those sorts of adventures. Sure.
1475
01:13:43,670 --> 01:13:45,128
{\an8}Also, he was incredibly sexy,
1476
01:13:45,211 --> 01:13:48,586
so that's going to be, obviously,
aspirational for many.
1477
01:13:48,670 --> 01:13:51,837
{\an8}But, I think, also there was something
so amazing about that character
1478
01:13:51,920 --> 01:13:55,169
{\an8}in the fact that he cared about history
and that he was so intelligent,
1479
01:13:55,253 --> 01:13:56,628
and him going on these huge adventures,
1480
01:13:56,712 --> 01:13:59,753
but always in the pursuit
of protecting something precious.
1481
01:13:59,837 --> 01:14:02,336
- [engine revs]
- If you want to be a good archaeologist,
1482
01:14:02,420 --> 01:14:04,420
you got to get out of the library!
1483
01:14:04,503 --> 01:14:06,837
That duality of personality
1484
01:14:06,920 --> 01:14:10,795
is actually not that different
from being an archaeologist,
1485
01:14:10,878 --> 01:14:15,420
because you can be on campus
on the university, go to class,
1486
01:14:15,503 --> 01:14:21,128
but you really want to take off
these street clothes, get on an airplane,
1487
01:14:21,211 --> 01:14:26,336
and go someplace like Egypt or to Arabia
and actually find history.
1488
01:14:26,420 --> 01:14:31,086
[Ford] There are people still
doing explorations of little-known areas.
1489
01:14:31,169 --> 01:14:33,795
There are archaeologists
going into places like that.
1490
01:14:33,878 --> 01:14:36,378
Uh, few of them, I think, carry bullwhips.
1491
01:14:36,461 --> 01:14:39,461
Bullwhips. I haven't quite figured out
how that would really fit
1492
01:14:39,545 --> 01:14:41,586
into my archaeological tool kit yet.
1493
01:14:41,670 --> 01:14:43,461
[Indiana Jones] The Ark of the Covenant.
1494
01:14:44,169 --> 01:14:46,211
[Brody] Nothing else has come close.
1495
01:14:46,294 --> 01:14:49,753
That thing represents everything we got
into archaeology for in the first place.
1496
01:14:50,420 --> 01:14:54,503
I'm thrilled when people come up and say,
"Oh, I'm an archaeologist." You know?
1497
01:14:54,586 --> 01:14:57,294
"And never thought about it
until I saw Indiana Jones."
1498
01:14:57,378 --> 01:14:59,044
[Alexandra Jones]
I think the more exposure
1499
01:14:59,128 --> 01:15:01,628
that archaeology gets
through popular media,
1500
01:15:01,712 --> 01:15:03,545
through films like Indiana Jones,
1501
01:15:03,628 --> 01:15:06,712
it does inspire new generations of people
to come to us.
1502
01:15:06,795 --> 01:15:09,837
It used to be predominantly
white male men.
1503
01:15:09,920 --> 01:15:14,837
Now what we see is a huge increase
of women within the field.
1504
01:15:14,920 --> 01:15:20,169
And now we're starting to see more
minorities in the field than ever before.
1505
01:15:20,253 --> 01:15:21,586
You're a teacher?
1506
01:15:21,670 --> 01:15:22,586
[cheers]
1507
01:15:24,712 --> 01:15:25,920
Part-time.
1508
01:15:27,461 --> 01:15:30,878
[Riddle] In 2007, my partner
in all things Indy, Wes Dodgens,
1509
01:15:30,962 --> 01:15:33,670
and I created
Adventures in Learning with Indiana Jones.
1510
01:15:33,753 --> 01:15:37,878
And it was a platform
for teachers to come get inspired,
1511
01:15:37,962 --> 01:15:42,420
{\an8}and find resources for teaching
with Indy from all of his adventures.
1512
01:15:42,503 --> 01:15:45,878
There's so many lessons to
be learned from his character.
1513
01:15:45,962 --> 01:15:47,169
One of them would be
1514
01:15:47,253 --> 01:15:49,670
the greatest treasures
are the ones that you gain,
1515
01:15:50,211 --> 01:15:51,670
and you give away freely to others.
1516
01:15:51,753 --> 01:15:55,795
And it's not treasures that can be
confined to the walls of a museum.
1517
01:15:56,420 --> 01:16:01,795
It's treasures that are developed in
relationship between friends and family.
1518
01:16:01,878 --> 01:16:03,795
I thought I'd lost you, boy!
1519
01:16:03,878 --> 01:16:07,086
[Capshaw] When I think about
all the films about Indiana Jones,
1520
01:16:07,169 --> 01:16:09,128
you can learn a lot watching those films,
1521
01:16:09,211 --> 01:16:15,628
but I think you can learn a whole lot
about a lot of things with Harrison Ford.
1522
01:16:15,712 --> 01:16:17,628
He can make fun of himself,
1523
01:16:17,712 --> 01:16:20,044
and while he's shooting the film,
1524
01:16:20,128 --> 01:16:23,962
he's able to see outside the scene
and make comments.
1525
01:16:24,044 --> 01:16:27,503
He reminded me once,
we were floating in the boat, and he said,
1526
01:16:27,586 --> 01:16:30,420
"Look, it's just a B-movie.
1527
01:16:30,503 --> 01:16:32,378
Don't sweat." [chuckles]
1528
01:16:32,461 --> 01:16:35,294
But he takes his role very seriously.
1529
01:16:35,378 --> 01:16:38,461
He has a lot of responsibility
being Indiana Jones.
1530
01:16:40,378 --> 01:16:41,920
[Waller-Bridge]
I learned so much from him,
1531
01:16:42,003 --> 01:16:44,044
from a, kind of, craft point of view.
1532
01:16:44,128 --> 01:16:47,044
Working with someone like that,
you trust everything,
1533
01:16:47,128 --> 01:16:50,545
and you trust his process so much
'cause his standards are high,
1534
01:16:50,628 --> 01:16:52,086
and he wants it to feel real.
1535
01:16:52,169 --> 01:16:54,044
And I think his pursuit
of things feeling real,
1536
01:16:54,128 --> 01:16:56,294
no matter how fantastical they are,
1537
01:16:56,378 --> 01:16:58,795
is what gives him
that amazing grounded quality.
1538
01:16:59,420 --> 01:17:01,461
- [Mangold] Ready and action!
- [Ford pants]
1539
01:17:05,420 --> 01:17:07,503
[Kennedy] I love that he doesn't let up.
1540
01:17:07,586 --> 01:17:11,545
I will be driving my car to lunch
and my phone will ring,
1541
01:17:11,628 --> 01:17:14,336
"Did you see the last three TV spots?"
1542
01:17:14,420 --> 01:17:16,211
Oh, my God. [laughs]
1543
01:17:16,294 --> 01:17:20,461
He's actually looking
at all the marketing material.
1544
01:17:20,545 --> 01:17:25,086
So, whether it's the early stages
of development,
1545
01:17:25,169 --> 01:17:28,837
or you're at the tail end,
he never lets up.
1546
01:17:29,420 --> 01:17:33,378
Sometimes it can make people crazy,
but I think he's a hundred percent right.
1547
01:17:34,420 --> 01:17:39,169
{\an8}I learned with Harrison that,
on set, everyone is the same.
1548
01:17:40,044 --> 01:17:41,294
[Ford speaking, indistinct]
1549
01:17:42,461 --> 01:17:43,670
[chuckles] Oh, okay.
1550
01:17:43,753 --> 01:17:47,837
Actors are the same than directors,
than technicians. We're all the same.
1551
01:17:47,920 --> 01:17:50,294
Harrison is friends with everyone on set.
1552
01:17:50,378 --> 01:17:53,503
There is no hierarchy.
We're like a family.
1553
01:17:54,795 --> 01:17:57,044
[Quan]
Harrison Ford taught me how to swim.
1554
01:17:57,128 --> 01:18:00,837
{\an8}I would always be by the pool
and watch Harrison.
1555
01:18:00,920 --> 01:18:03,962
And he says,
"Ke, come in the pool and have fun."
1556
01:18:04,044 --> 01:18:06,211
And I go,
"Harrison, I don't know how to swim.
1557
01:18:06,294 --> 01:18:08,586
I... I... I can't. I don't want...
I'm afraid of water."
1558
01:18:08,670 --> 01:18:11,044
And he said, "Oh, what?
Come here, get... Come in here."
1559
01:18:11,128 --> 01:18:14,128
And he taught me how to swim.
He's my role model.
1560
01:18:14,920 --> 01:18:18,545
{\an8}It's incredible to be here at D23
and look out at all these fans.
1561
01:18:18,628 --> 01:18:21,628
{\an8}[Kennedy] We were at D23
when Ke Huy Quan and Harrison
1562
01:18:21,712 --> 01:18:23,211
saw each other for the first time.
1563
01:18:23,294 --> 01:18:24,503
All of us actually.
1564
01:18:24,586 --> 01:18:27,628
It's been well over 35 years
since we saw Ke.
1565
01:18:27,712 --> 01:18:30,670
It's pretty wild
to see Ke now doing so well,
1566
01:18:30,753 --> 01:18:34,461
and just seeing how he grew as an actor.
1567
01:18:34,545 --> 01:18:37,336
It's pretty great to realize
that that started with Temple of Doom
1568
01:18:37,420 --> 01:18:38,712
and with Harrison.
1569
01:18:39,336 --> 01:18:42,712
[Quan] The last time I saw him
was when our movie premiered.
1570
01:18:42,795 --> 01:18:44,003
It's been 38 years.
1571
01:18:44,086 --> 01:18:49,128
It made our reunion
at Disney's D23 so much better.
1572
01:18:50,628 --> 01:18:55,503
[Ford] He's the same irrepressible
and enthusiastic guy that he ever was,
1573
01:18:55,586 --> 01:18:57,169
and that was great to see him.
1574
01:18:57,878 --> 01:18:59,086
Much taller now.
1575
01:18:59,628 --> 01:19:02,586
He's not Short Round.
He's Regular Round now.
1576
01:19:02,670 --> 01:19:06,461
I'm delighted for his success,
and I'm very happy for him.
1577
01:19:06,545 --> 01:19:09,211
Thank you so much for welcoming me back!
1578
01:19:09,294 --> 01:19:11,420
I love you.
Thank you. Thank you. Thank you!
1579
01:19:11,503 --> 01:19:12,336
[audience cheering]
1580
01:19:12,420 --> 01:19:17,795
To reunite with him in the same year
that I made my return to acting
1581
01:19:18,503 --> 01:19:19,962
made it even more special.
1582
01:19:20,044 --> 01:19:22,420
- Especially when he presented...
- And the Oscar goes to...
1583
01:19:22,503 --> 01:19:24,294
[Quan] ...the Oscar for Best Picture.
1584
01:19:24,378 --> 01:19:28,044
- ...Everything Everywhere All at Once.
- [audience cheering]
1585
01:19:28,837 --> 01:19:32,670
I could not have asked
for a better night with Harrison there.
1586
01:19:32,753 --> 01:19:34,962
It was a full circle moment for me.
1587
01:19:39,753 --> 01:19:40,837
{\an8}I'm not done working,
1588
01:19:41,878 --> 01:19:43,962
{\an8}but I am done with Indiana Jones.
1589
01:19:44,044 --> 01:19:45,044
[laughs]
1590
01:19:45,128 --> 01:19:47,962
[Mitchell] Harrison, as we see
in the last Indy film, he's still running.
1591
01:19:48,044 --> 01:19:49,586
He never stops running.
1592
01:19:49,670 --> 01:19:51,920
{\an8}They run their sheep on my ground,
1593
01:19:52,003 --> 01:19:55,086
{\an8}and then they attacked us
when we came up on 'em.
1594
01:19:55,169 --> 01:19:56,920
{\an8}Range war's already begun.
1595
01:19:57,044 --> 01:19:58,795
{\an8}I love now, too, that in Shrinking
1596
01:19:58,878 --> 01:20:01,420
{\an8}people get to see you
be so hilariously funny.
1597
01:20:03,503 --> 01:20:04,586
{\an8}What are you laugh...
1598
01:20:04,670 --> 01:20:09,628
{\an8}Seeing him in Shrinking,
he still can use that dryness of delivery.
1599
01:20:09,712 --> 01:20:13,461
It's now become so spare,
it's almost austere.
1600
01:20:13,545 --> 01:20:15,003
I am so parched.
1601
01:20:15,086 --> 01:20:16,503
What can we get you to drink?
1602
01:20:16,586 --> 01:20:17,670
A Popsicle?
1603
01:20:17,753 --> 01:20:19,670
And again, for me, it's the voice,
1604
01:20:19,753 --> 01:20:23,294
because for so long,
that voice was older than he was.
1605
01:20:23,378 --> 01:20:25,545
And now it's finally caught up with him.
1606
01:20:25,628 --> 01:20:27,169
It's like he's sort of grown up enough
1607
01:20:27,253 --> 01:20:30,169
that that voice belongs
in Harrison Ford's chest.
1608
01:20:30,670 --> 01:20:33,753
{\an8}You told me I had to tell Meg
that I had Parkinson's.
1609
01:20:33,837 --> 01:20:36,253
{\an8}And now she's flying down here tomorrow
1610
01:20:36,336 --> 01:20:39,044
{\an8}to take charge of my care.
1611
01:20:39,128 --> 01:20:40,336
{\an8}[Mackie] Harrison was cool.
1612
01:20:40,420 --> 01:20:43,712
{\an8}I always thought he would come on set
and be like, "I'm Harrison."
1613
01:20:43,795 --> 01:20:46,169
{\an8}Then everybody would be like, "Yeah."
But no. It was a good time.
1614
01:20:46,253 --> 01:20:49,503
{\an8}It was him creating this character
from the ground up,
1615
01:20:49,586 --> 01:20:51,211
{\an8}so that he would be different
1616
01:20:51,294 --> 01:20:53,712
{\an8}than the rest of those characters
and fit in this world,
1617
01:20:53,795 --> 01:20:56,628
instead of fitting in every other world
he, as an actor, has been in.
1618
01:20:56,712 --> 01:20:58,586
So that stuff was really unique.
1619
01:20:58,670 --> 01:21:00,837
I couldn't put a price on that lesson.
1620
01:21:01,670 --> 01:21:05,586
[Mitchell] Harrison is still working.
I love to see him being given space,
1621
01:21:05,670 --> 01:21:08,378
taking advantage
of all these things at his age,
1622
01:21:08,461 --> 01:21:09,962
and just seeing him run with it.
1623
01:21:10,044 --> 01:21:12,211
It's maybe one of
the most wonderful things ever.
1624
01:21:14,962 --> 01:21:17,420
{\an8}[people chattering]
1625
01:21:22,169 --> 01:21:24,503
{\an8}[interviewer] Karen,
this is your last day over here.
1626
01:21:24,586 --> 01:21:28,044
Tell us a little bit... What's going on
on set with it being your last day?
1627
01:21:28,128 --> 01:21:30,128
[stammers] I'm not convinced that it is.
1628
01:21:30,211 --> 01:21:33,211
So, I don't... I'm not...
As long as I'm not convinced that it is,
1629
01:21:33,294 --> 01:21:34,712
I don't have to, um...
1630
01:21:36,378 --> 01:21:39,378
I don't have to go through all that today.
[laughs]
1631
01:21:41,420 --> 01:21:42,837
[Marion] Indiana Jones.
1632
01:21:45,253 --> 01:21:48,461
[Spielberg] If this is going to be
the last Indiana Jones movie ever made,
1633
01:21:49,461 --> 01:21:54,294
if it in fact is, then you can't do it
without bringing back Marion Ravenwood.
1634
01:21:54,920 --> 01:21:55,920
[glass shatters]
1635
01:21:56,753 --> 01:21:57,795
[sighs]
1636
01:21:57,878 --> 01:22:01,128
I always knew someday
you'd come through my door.
1637
01:22:02,545 --> 01:22:07,461
It's a story that both Harrison and I
have been involved in for 40 years.
1638
01:22:08,336 --> 01:22:09,420
Wait a minute.
1639
01:22:10,253 --> 01:22:11,628
Come here.
1640
01:22:12,545 --> 01:22:14,378
[Indiana Jones]
A little bossy, aren't you?
1641
01:22:14,461 --> 01:22:17,503
[Allen] We both have a real sense
of who these people are,
1642
01:22:17,586 --> 01:22:21,253
and we really like continuing
to explore these characters together.
1643
01:22:22,003 --> 01:22:23,336
Indiana Jones.
1644
01:22:24,128 --> 01:22:26,962
I feel happy that we're having
the opportunity to do that.
1645
01:22:27,670 --> 01:22:29,461
About time you showed up.
1646
01:22:29,545 --> 01:22:30,378
Mom!
1647
01:22:30,461 --> 01:22:35,169
She is the heat
that has tempered his personality.
1648
01:22:35,253 --> 01:22:36,878
You still leaving
a trail of human wreckage?
1649
01:22:36,962 --> 01:22:38,128
You looking for a date?
1650
01:22:39,128 --> 01:22:43,044
And to have her back
is such an emotional opportunity,
1651
01:22:43,128 --> 01:22:46,420
I think, for the character
and for the audience.
1652
01:22:52,503 --> 01:22:54,086
- How are you?
- Very good. How are you?
1653
01:22:54,169 --> 01:22:58,169
[Mangold] Of course, it's odd to take
an actress that capable and that awesome,
1654
01:22:58,253 --> 01:23:01,253
and hold her back until
the final five minutes of the picture.
1655
01:23:01,878 --> 01:23:04,461
And I'm sure weirder for her
stepping into a movie
1656
01:23:04,545 --> 01:23:06,128
where we've all been working for months
1657
01:23:06,211 --> 01:23:08,044
and been shooting
millions of feet of film.
1658
01:23:08,670 --> 01:23:11,503
I was very much
looking forward to coming here.
1659
01:23:11,586 --> 01:23:13,586
I came a few days on set,
1660
01:23:13,670 --> 01:23:16,420
and went up
and just watched some rehearsals.
1661
01:23:16,503 --> 01:23:20,086
And I have to say,
I was not for a moment disappointed.
1662
01:23:20,169 --> 01:23:21,545
[crew] Is he still the same?
1663
01:23:21,628 --> 01:23:24,169
Yes, of course. [laughs]
1664
01:23:24,253 --> 01:23:27,628
I love the way he developed the character.
1665
01:23:27,712 --> 01:23:31,086
There is a, kind of,
wonderful weathering to Indiana Jones.
1666
01:23:31,169 --> 01:23:33,461
It's not the years,
it's the mileage, you know?
1667
01:23:33,545 --> 01:23:35,503
There's a lot more mileage on him.
[laughs]
1668
01:23:37,294 --> 01:23:40,378
[Rhys-Davies] Any excuse
to get back together with the two of them
1669
01:23:40,461 --> 01:23:42,169
could not be avoided.
1670
01:23:42,253 --> 01:23:43,211
Indy.
1671
01:23:43,294 --> 01:23:47,878
One of the joys of one's life
is watching a young actor, Harrison,
1672
01:23:47,962 --> 01:23:50,920
grow and establish himself
1673
01:23:51,003 --> 01:23:54,753
and just become stronger
and better over the years.
1674
01:23:54,837 --> 01:23:58,962
He's turned himself
into a real, great giant of the cinema.
1675
01:23:59,461 --> 01:24:01,795
That's been wonderful to behold.
1676
01:24:02,420 --> 01:24:04,086
Are you back, Indy?
1677
01:24:05,920 --> 01:24:08,712
They're wounded.
They're two wounded people,
1678
01:24:08,795 --> 01:24:11,503
and people grieve differently.
1679
01:24:12,336 --> 01:24:16,670
And they seem to have
found their way back to each other.
1680
01:24:18,211 --> 01:24:20,545
[Waller-Bridge]
It was incredibly moving to watch.
1681
01:24:20,628 --> 01:24:22,962
Harrison has so much gravitas.
1682
01:24:23,044 --> 01:24:24,837
And especially after this huge adventure,
1683
01:24:24,920 --> 01:24:26,712
and, suddenly,
we're just in his living room,
1684
01:24:26,795 --> 01:24:28,878
and he's basically in his pajamas.
1685
01:24:28,962 --> 01:24:30,837
And you just see the man,
1686
01:24:30,920 --> 01:24:35,253
and watching Harrison
play the rawest version of that character
1687
01:24:35,336 --> 01:24:36,586
was really extraordinary.
1688
01:24:37,169 --> 01:24:38,336
Everything hurts.
1689
01:24:38,962 --> 01:24:40,628
[Mangold]
We all knew we didn't want him to die.
1690
01:24:40,712 --> 01:24:43,378
- [Helena] You can't stay here.
- Yes, I can.
1691
01:24:44,378 --> 01:24:47,211
[Mangold] To me, it was much more about
1692
01:24:47,294 --> 01:24:51,253
him feeling out of step with the times,
or marginalized,
1693
01:24:51,878 --> 01:24:53,545
and then feeling important again.
1694
01:24:54,128 --> 01:24:59,545
Understanding he's important again,
that we all need heroes like him.
1695
01:25:01,086 --> 01:25:04,003
- [applause]
- [Mangold] The amazing, legendary,
1696
01:25:04,086 --> 01:25:08,837
dear friend, and forever Indiana Jones,
Mr. Harrison Ford.
1697
01:25:08,920 --> 01:25:11,378
[applause, cheering]
1698
01:25:11,461 --> 01:25:14,378
[Kennedy] This journey
of getting this final movie made,
1699
01:25:14,461 --> 01:25:15,920
it's been a process of letting go
1700
01:25:16,003 --> 01:25:18,837
that I think
he didn't really quite realize
1701
01:25:18,920 --> 01:25:21,586
was gonna affect him as deeply as it has.
1702
01:25:22,086 --> 01:25:24,420
[Ford] This is a great, great crew.
1703
01:25:24,920 --> 01:25:28,003
[sighs] And I'm almost
twice as old as everybody.
1704
01:25:28,086 --> 01:25:29,670
[crew chuckles]
1705
01:25:30,878 --> 01:25:35,461
{\an8}Once every generation,
somebody emerges who, sort of,
1706
01:25:35,545 --> 01:25:38,670
{\an8}takes the mantle
of being a real movie star.
1707
01:25:38,753 --> 01:25:40,628
{\an8}And I think Harrison was one of those.
1708
01:25:40,712 --> 01:25:43,753
{\an8}I think that's why
he stood the test of time.
1709
01:25:43,837 --> 01:25:45,628
Hardest thing is to keep your hat on.
1710
01:25:47,169 --> 01:25:48,378
That should do it.
1711
01:25:48,461 --> 01:25:49,628
[Mangold] I love Harrison.
1712
01:25:49,712 --> 01:25:53,044
He's not only
a wonderful collaborator and artist,
1713
01:25:53,128 --> 01:25:54,461
but a dear friend.
1714
01:25:54,545 --> 01:25:58,837
And the reverence and genius
with which he looks at his job
1715
01:25:58,920 --> 01:26:01,503
should be so inspiring to all actors.
1716
01:26:01,586 --> 01:26:02,837
[Spielberg] Right there, guys.
1717
01:26:03,378 --> 01:26:06,086
[Marshall] Well, I certainly grew
as a filmmaker through these films,
1718
01:26:06,169 --> 01:26:09,461
and watching Harrison work
was like a film course
1719
01:26:09,545 --> 01:26:12,378
that you could never get anywhere else
but being there.
1720
01:26:12,461 --> 01:26:13,753
Excuse me. How old are you?
1721
01:26:14,336 --> 01:26:15,586
[bystander laughs]
1722
01:26:15,670 --> 01:26:17,378
I'm a lot younger than Harrison Ford.
1723
01:26:18,670 --> 01:26:21,586
[Lucas] The secret of being
an iconic actor is they'll refer to him
1724
01:26:21,670 --> 01:26:23,878
when they're referring
to a particular kind of actor.
1725
01:26:23,962 --> 01:26:27,712
So when they say, "Harrison Ford type,"
I guess that you've become an icon.
1726
01:26:27,795 --> 01:26:29,294
- Forty.
- [laughs]
1727
01:26:29,378 --> 01:26:31,044
[chuckles] I'm only 38.
1728
01:26:32,503 --> 01:26:36,837
[Spielberg] Indiana Jones would not exist
in people's hearts and imaginations
1729
01:26:36,920 --> 01:26:38,461
{\an8}without Harrison Ford playing him.
1730
01:26:38,545 --> 01:26:44,336
{\an8}Impossible. He's not interchangeable.
Other actors cannot fill those shoes.
1731
01:26:44,420 --> 01:26:47,420
And when Harrison stops making
Indiana Jones movies,
1732
01:26:48,128 --> 01:26:49,586
they need to retire the number.
1733
01:26:55,294 --> 01:26:56,837
This job is really fun.
1734
01:26:56,920 --> 01:26:59,086
- [grunting]
- You just got me killed!
1735
01:26:59,837 --> 01:27:01,211
- [gasps]
- [chuckles]
1736
01:27:01,294 --> 01:27:04,294
[laughing]
1737
01:27:06,837 --> 01:27:07,837
Wait a second.
1738
01:27:08,461 --> 01:27:10,461
- It's back.
- [laughs]
1739
01:27:10,545 --> 01:27:15,169
It's been an incredible finish.
You are all much valued.
1740
01:27:15,253 --> 01:27:16,586
Thank you.
1741
01:27:16,670 --> 01:27:19,378
- Thank you.
- [applause, cheering]
1742
01:27:19,461 --> 01:27:21,753
- Let's drink!
- [cheering]
1743
01:27:21,837 --> 01:27:23,211
[all] Cheers!
1744
01:27:23,962 --> 01:27:26,545
[Ford] I have enjoyed
all of the different kinds of people,
1745
01:27:26,628 --> 01:27:28,795
and different opportunities that I've had.
1746
01:27:29,837 --> 01:27:34,169
And certainly amongst
the most enjoyable are these films...
1747
01:27:37,128 --> 01:27:38,712
which are really hard to make,
1748
01:27:39,211 --> 01:27:41,628
but a whole lot of fun to finish.
1749
01:27:43,712 --> 01:27:45,336
[Waller-Bridge]
Only Harrison can play Indiana Jones.
1750
01:27:45,420 --> 01:27:48,545
There is no one else on this planet
that could come anywhere close,
1751
01:27:48,628 --> 01:27:52,294
and I think it's because...
[whispers] ...he is Indiana Jones.
1752
01:27:59,795 --> 01:28:01,086
- [Spielberg] Hello.
- Hello.
1753
01:28:01,169 --> 01:28:02,378
- Hello.
- How are you?
1754
01:28:02,461 --> 01:28:04,336
I'm fine. How are you? Want some water?
1755
01:28:04,420 --> 01:28:05,420
Yeah, sure!
1756
01:28:07,628 --> 01:28:10,294
- [both grunting]
- [guns squeaking]
1757
01:28:11,712 --> 01:28:14,044
[Spielberg] We should do this
about five times a day. [laughs]
1758
01:28:14,128 --> 01:28:15,712
Give everybody squirt guns!
1759
01:28:19,336 --> 01:28:21,044
[director speaking, indistinct]
1760
01:28:21,128 --> 01:28:23,044
Hello. [laughs]
1761
01:28:23,128 --> 01:28:25,003
Just resting. [laughs]
1762
01:28:27,211 --> 01:28:29,545
[chattering]
1763
01:28:33,962 --> 01:28:37,044
They make me do the most awful things.
1764
01:28:39,086 --> 01:28:40,837
[crew] "Don't bug me,"
you're supposed to say.
1765
01:28:40,920 --> 01:28:42,336
- Don't bug me.
- Don't bug me.
1766
01:28:42,420 --> 01:28:44,336
- Did you put it on me? Get it away!
- [laughs]
1767
01:28:45,336 --> 01:28:47,336
[Mangold] And lock...
1768
01:28:47,420 --> 01:28:48,503
Locked up!
1769
01:28:49,253 --> 01:28:50,670
- [laughing] And...
- What?
1770
01:28:50,753 --> 01:28:53,712
What did he say?
Did you say something about me?
1771
01:28:53,795 --> 01:28:55,336
- Nah, you're fine.
- [laughing]
1772
01:28:56,586 --> 01:28:58,336
[interviewer] How is Steven as a director?
1773
01:28:58,420 --> 01:29:02,044
Very funny. He's a generous man
and a noble director.
1774
01:29:02,628 --> 01:29:03,962
And he's very handsome too.
1775
01:29:04,044 --> 01:29:06,670
[all laughing]
1776
01:29:09,753 --> 01:29:12,003
- Larry, Moe and Curly.
- Whoo! Whoo!
1777
01:29:12,086 --> 01:29:13,920
[laughing]
1778
01:29:17,253 --> 01:29:20,586
[Ford] Okay, this is where
we make a hard turn left, to right.
1779
01:29:21,253 --> 01:29:23,086
This way. This way. Okay?
1780
01:29:24,586 --> 01:29:25,586
Good.
1781
01:29:28,003 --> 01:29:30,336
[crew] Popping him in there.
All right, that okay?
1782
01:29:30,420 --> 01:29:31,461
Yeah. [stammers]
1783
01:29:31,545 --> 01:29:33,211
I was just... That's acting.
1784
01:29:35,336 --> 01:29:38,420
Oh, this is the way I make my living.
This is what I do for a living.
1785
01:30:11,003 --> 01:30:13,253
- Anyway.
- [laughs]
1786
01:30:13,336 --> 01:30:14,753
We'll see you around campus.
1787
01:30:15,336 --> 01:30:16,336
Thank you.
153224
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