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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:36,697 --> 00:01:39,233 Laura: ALL RIGHT, EVERYBODY. 2 00:01:45,339 --> 00:01:48,509 NOW, I'VE WRITTEN THE WORD "PEN PAL" ON THE BLACKBOARD. 3 00:01:48,542 --> 00:01:50,544 DOES ANYBODY KNOW WHAT IT MEANS? 4 00:01:50,578 --> 00:01:53,381 Laura: WILLIE. Willie: IT'S A FRIEND THAT LIVES IN A PEN LIKE A PIG. 5 00:01:53,414 --> 00:01:55,549 [LAUGHTER] 6 00:01:55,583 --> 00:01:56,750 WILLIE. 7 00:02:00,921 --> 00:02:02,656 I THOUGHT IT WAS FUNNY. 8 00:02:02,690 --> 00:02:05,226 I DIDN'T. 9 00:02:05,259 --> 00:02:08,562 NOW, DOES ANYONE KNOW THE PROPER MEANING? 10 00:02:08,596 --> 00:02:10,198 HEATHER. 11 00:02:10,231 --> 00:02:12,566 IT'S SOMEONE YOU WRITE TO, AND THEY WRITE BACK. 12 00:02:12,600 --> 00:02:14,535 CORRECT. IT'S USUALLY SOMEONE 13 00:02:14,568 --> 00:02:16,537 THAT LIVES FAR AWAY THAT YOU DON'T SEE. 14 00:02:16,570 --> 00:02:17,838 IT GIVES YOU A CHANCE TO LEARN 15 00:02:17,871 --> 00:02:19,840 ABOUT DIFFERENT PEOPLE AND DIFFERENT PLACES. 16 00:02:19,873 --> 00:02:21,875 NOW, THESE BOXES ON MY DESK CONTAIN LETTERS 17 00:02:21,909 --> 00:02:23,877 FROM SCHOOLCHILDREN IN MINNEAPOLIS. 18 00:02:23,911 --> 00:02:25,746 ONE CONTAINS LETTERS FROM THE YOUNGER CHILDREN, 19 00:02:25,779 --> 00:02:28,216 AND ONE CONTAINS SOME FOR THE OLDER STUDENTS. 20 00:02:28,249 --> 00:02:29,683 NOW, I THOUGHT IT WOULD MAKE YOUR WRITING ASSIGNMENT 21 00:02:29,717 --> 00:02:32,620 A LITTLE MORE FUN IF YOU HAD A NEW FRIEND TO WRITE TO. 22 00:02:32,653 --> 00:02:35,289 NOW, I'LL CHECK THE PAPERS FOR PUNCTUATION AND SPELLING. 23 00:02:35,323 --> 00:02:36,690 Laura: HOW DOES THAT SOUND? 24 00:02:36,724 --> 00:02:38,526 - YEAH. - YEAH. 25 00:02:38,559 --> 00:02:40,828 GOOD. CARRIE, YOU PASS OUT THE LETTERS TO THE YOUNGER STUDENTS. 26 00:02:40,861 --> 00:02:42,496 HEATHER, YOU PASS OUT THE OTHER ONES. 27 00:02:42,530 --> 00:02:44,265 NOW, YOU EACH PICK A LETTER. 28 00:02:44,298 --> 00:02:46,967 IT'LL CONTAIN AN INTRODUCTION FROM YOUR NEW PEN PAL. 29 00:02:47,000 --> 00:02:49,237 NOW, THESE LETTERS HAVE BEEN GRADED BY THEIR TEACHER, 30 00:02:49,270 --> 00:02:51,239 SO I EXPECT YOU TO DO YOUR BEST WORK. 31 00:02:51,272 --> 00:02:52,573 AFTER ALL, IN A WAY, YOU'LL BE 32 00:02:52,606 --> 00:02:54,708 REPRESENTING WALNUT GROVE. 33 00:02:54,742 --> 00:02:56,544 ALL RIGHT, YOU MAY OPEN YOUR LETTERS NOW 34 00:02:56,577 --> 00:02:58,346 AND READ THEM. 35 00:03:05,486 --> 00:03:07,588 Girl, voice-over: "DEAR NEW FRIEND, 36 00:03:07,621 --> 00:03:10,391 "MY NAME IS LESLIE BARTON. 37 00:03:10,424 --> 00:03:12,326 "I AM 13 YEARS OLD, 38 00:03:12,360 --> 00:03:15,529 "AND I ATTEND HARLEY SCHOOL IN MINNEAPOLIS." 39 00:03:19,767 --> 00:03:23,437 CHARLES, WHAT'S A MURDER OF CROWS? 40 00:03:23,471 --> 00:03:24,838 OH, IT MEANS A WHOLE BUNCH-- 41 00:03:24,872 --> 00:03:27,308 COVEY OF QUAIL OR A FLOCK OF SHEEP. 42 00:03:27,341 --> 00:03:28,642 LAND SAKES, 43 00:03:28,676 --> 00:03:30,778 WHY WOULD SOMEBODY CALL IT A MURDER? 44 00:03:30,811 --> 00:03:34,248 PROBABLY A FARMER AFTER THEY RUINED HIS CORN CROP. 45 00:03:34,282 --> 00:03:35,583 I'M READY FOR BED. 46 00:03:35,616 --> 00:03:38,286 ALL RIGHT, YOU SLEEP TIGHT. 47 00:03:38,319 --> 00:03:40,921 PA, WILL YOU TELL ME A STORY? 48 00:03:40,954 --> 00:03:44,425 WELL, I THOUGHT SINCE YOU WERE SLEEPING UP IN THE LOFT, YOU WERE TOO BIG TO HEAR STORIES. 49 00:03:44,458 --> 00:03:46,427 NO, I'M NOT, HONESTLY. 50 00:03:46,460 --> 00:03:47,628 I'M STILL LITTLE. 51 00:03:49,497 --> 00:03:51,031 ALL RIGHT, I'LL TELL YOU A SHORT ONE. 52 00:03:51,064 --> 00:03:53,000 THANKS, PA. 53 00:03:53,033 --> 00:03:55,969 Carrie: DON'T MAKE IT ANY SHORTER THAN THE ONE YOU TOLD BABY GRACE. 54 00:03:56,003 --> 00:03:58,038 Charles: HEY, DON'T BE TELLING YOUR PA HOW LONG TO MAKE THE STORIES, NOW. 55 00:03:58,071 --> 00:03:59,407 JUST GET IN BED. 56 00:04:00,908 --> 00:04:03,411 ABOUT TIME YOU WERE GETTING TO BED, TOO, SON. 57 00:04:03,444 --> 00:04:04,845 OH, JUST GIVE ME A LITTLE MORE TIME, PA. 58 00:04:04,878 --> 00:04:06,314 I HAVE TO FINISH THIS LETTER. 59 00:04:06,347 --> 00:04:08,682 ALL RIGHT. NOW, WHAT WILL IT BE? 60 00:04:08,716 --> 00:04:10,318 HOW ABOUT "GIANT THE BEAR"? 61 00:04:10,351 --> 00:04:13,621 - WHAT, "GIANT" AGAIN? - YEAH, I LOVE HIM. 62 00:04:13,654 --> 00:04:15,856 ALL RIGHT, "GIANT" IT IS. 63 00:04:15,889 --> 00:04:17,391 ONCE UPON A TIME, 64 00:04:17,425 --> 00:04:20,861 THERE WAS A LITTLE, TINY BEAR NAMED GIANT. 65 00:04:20,894 --> 00:04:22,896 HE WAS ONLY ONE INCH TALL, 66 00:04:22,930 --> 00:04:25,733 BUT HE WAS THE STRONGEST BEAR IN THE WORLD. 67 00:04:25,766 --> 00:04:26,900 Carrie: AND THE NICEST, TOO. 68 00:04:26,934 --> 00:04:28,402 AH, THAT, HE IS. 69 00:04:28,436 --> 00:04:30,771 AND HE LIVED ON MY SHOULDER UNDER MY HAIR, 70 00:04:30,804 --> 00:04:33,974 WHERE PEOPLE COULDN'T SEE HIM BECAUSE HE WAS SHY. 71 00:04:34,007 --> 00:04:35,776 WHO'S TELLING THIS STORY, ANYWAY? 72 00:04:35,809 --> 00:04:37,010 Carrie: YOU ARE. 73 00:04:37,044 --> 00:04:38,846 ALL RIGHT, THEN. 74 00:04:38,879 --> 00:04:41,582 ONE MORNING, CARRIE WAS SITTING ON PA'S WAGON 75 00:04:41,615 --> 00:04:44,352 WAITING FOR HIM TO COME OUT AND DRIVE HER TO SCHOOL. 76 00:04:44,385 --> 00:04:45,953 Charles: GIANT WAS JUST HALF-AWAKE, 77 00:04:45,986 --> 00:04:48,522 HE WAS SITTING ON HER SHOULDER UNDERNEATH HER HAIR, 78 00:04:48,556 --> 00:04:52,493 WHEN ALL OF A SUDDEN, ALONG CAME A BUMBLEBEE 79 00:04:52,526 --> 00:04:55,363 AND STUNG ONE OF THE HORSES. 80 00:04:55,396 --> 00:04:57,731 WELL, BOOM! THE MINUTE THAT HAPPENED, 81 00:04:57,765 --> 00:04:59,800 THE HORSES WERE OFF AND RUNNING, 82 00:04:59,833 --> 00:05:02,336 AND NOBODY WAS AT THE REINS. 83 00:05:02,370 --> 00:05:06,607 WELL, CARRIE STARTED YELLING, "PA, HELP ME! HELP ME, PA!" 84 00:05:06,640 --> 00:05:08,108 BUT BY THE TIME PA RAN OUT OF THE HOUSE, 85 00:05:08,141 --> 00:05:11,379 IT WAS TOO LATE, AND THE WAGON WAS ROARING UP THE ROAD. 86 00:05:11,412 --> 00:05:12,813 Carrie: WHAT DID GIANT DO? 87 00:05:12,846 --> 00:05:14,382 WELL, I'M GETTING TO THAT PART. 88 00:05:14,415 --> 00:05:16,884 Carrie: GIANT HEARD CARRIE YELLING LIKE THAT. 89 00:05:16,917 --> 00:05:20,087 HE PEEKED OUT TO SEE WHAT WAS GOING ON. 90 00:05:20,120 --> 00:05:22,055 WELL, THE MINUTE HE SAW WHAT WAS HAPPENING, 91 00:05:22,089 --> 00:05:24,858 HE KNEW WHAT HE HAD TO DO, AND QUICK AS A FLASH, 92 00:05:24,892 --> 00:05:27,060 HE JUMPED OFF HER SHOULDER ONTO THE WAGON SEAT, 93 00:05:27,094 --> 00:05:28,929 AND THEN HE JUMPED OFF ONTO THE HORSE, 94 00:05:28,962 --> 00:05:30,798 AND HE GRABBED THAT BIG, OLD HORSE BY THE EARS, 95 00:05:30,831 --> 00:05:33,133 AND HE STARTED TO PULL. 96 00:05:33,166 --> 00:05:35,736 WELL, THAT HORSE DIDN'T KNOW WHAT WAS GOING ON, 97 00:05:35,769 --> 00:05:37,405 BUT HE KNEW DARN RIGHT WELL THAT SOMETHING 98 00:05:37,438 --> 00:05:40,007 WAS GOING TO PULL HIS EARS OFF IF HE DIDN'T STOP, 99 00:05:40,040 --> 00:05:43,911 SO, SURE ENOUGH, HE SLOWED DOWN AND CAME TO A STOP. 100 00:05:43,944 --> 00:05:46,547 QUICK AS A WINK, GIANT JUMPED OFF THE HORSE, ONTO THE WAGON SEAT, 101 00:05:46,580 --> 00:05:48,148 AND HOPPED BACK UP ONTO HER SHOULDER 102 00:05:48,181 --> 00:05:52,420 AND HID UNDERNEATH HER HAIR SO HER PA WOULDN'T SEE HIM. 103 00:05:52,453 --> 00:05:53,987 Carrie: BECAUSE CARRIE PROMISED GIANT 104 00:05:54,021 --> 00:05:56,624 SHE WOULDN'T TELL ANYBODY ABOUT HIM. 105 00:05:56,657 --> 00:05:58,926 Charles: THAT'S RIGHT. 106 00:05:58,959 --> 00:06:00,428 I HOPE I'LL STAY LITTLE 107 00:06:00,461 --> 00:06:03,464 SO YOU'LL ALWAYS TELL ME A STORY, PA. 108 00:06:03,497 --> 00:06:06,700 WELL, I'LL ALWAYS TELL YOU A STORY AS LONG AS YOU WANT TO HEAR ONE, 109 00:06:06,734 --> 00:06:11,472 AND AS LONG AS YOU GO TO SLEEP RIGHT AFTER I FINISH. 110 00:06:11,505 --> 00:06:12,973 HAVE A GOOD DREAM. 111 00:06:15,843 --> 00:06:17,077 YOU MIGHT AS WELL TURN YOUR LIGHT OUT. 112 00:06:17,110 --> 00:06:18,546 YOU'RE NOT GOING TO GET ANY WORK DONE 113 00:06:18,579 --> 00:06:20,448 STARING OFF INTO SPACE LIKE THAT. 114 00:06:20,481 --> 00:06:22,816 OH, I JUST THOUGHT OF SOMETHING TO WRITE ABOUT. 115 00:06:22,850 --> 00:06:24,785 GIVE ME A FEW MORE MINUTES, PA. 116 00:06:24,818 --> 00:06:26,687 ALL RIGHT, 10 MINUTES, AND THEN YOU'RE IN BED. 117 00:06:26,720 --> 00:06:28,088 - OKAY. - GOOD NIGHT. 118 00:06:28,121 --> 00:06:30,090 GOOD NIGHT. 119 00:07:12,866 --> 00:07:15,135 CLASS, I'M GOING TO FINISH READING YOUR LETTERS 120 00:07:15,168 --> 00:07:16,570 OVER THE LUNCH HOUR. 121 00:07:16,604 --> 00:07:18,005 WE'LL DISCUSS THEM AFTER. 122 00:07:18,038 --> 00:07:21,642 Laura: YOU MAY GO TO LUNCH FOR AN HOUR, NOW. 123 00:07:21,675 --> 00:07:24,444 ALBERT COULD YOU STAY HERE FOR A MOMENT, PLEASE? 124 00:07:32,953 --> 00:07:34,888 COULD YOU STAND UP? 125 00:07:38,526 --> 00:07:40,528 YOU MAY SIT DOWN. 126 00:07:40,561 --> 00:07:43,163 I WAS JUST CHECKING TO SEE IF YOU'D GROWN OVERNIGHT. 127 00:07:43,196 --> 00:07:45,165 APPARENTLY, FROM THE FIRST LINE IN YOUR LETTER, 128 00:07:45,198 --> 00:07:49,036 YOU ARE 6 FEET, 1 INCH TALL. 129 00:07:49,069 --> 00:07:51,872 - I CAN EXPLAIN-- - AND YOU'RE THE FASTEST 130 00:07:51,905 --> 00:07:55,075 AND TALLEST AND MOST POPULAR BOY IN WALNUT GROVE. 131 00:07:55,108 --> 00:07:57,745 - IF YOU'LL JUST LET ME-- - AND OBVIOUSLY THE BRAVEST, 132 00:07:57,778 --> 00:08:00,581 AS ONLY YESTERDAY YOU SAVED YOUR SISTER'S LIFE 133 00:08:00,614 --> 00:08:03,050 BY LEAPING ONTO THE BACK OF A RUNAWAY HORSE, 134 00:08:03,083 --> 00:08:05,218 AND YOU PRACTICALLY TORE HIS EARS OFF 135 00:08:05,252 --> 00:08:06,954 TRYING TO GET HIM TO STOP? 136 00:08:06,987 --> 00:08:08,656 NOW, WILL YOU JUST LISTEN FOR A MINUTE 137 00:08:08,689 --> 00:08:10,257 AND STOP SOUNDING LIKE A SISTER? 138 00:08:13,594 --> 00:08:15,195 GO AHEAD. 139 00:08:15,228 --> 00:08:17,565 ALL RIGHT. 140 00:08:17,598 --> 00:08:18,966 I MEAN, THIS GIRL WRITES TO ME, 141 00:08:18,999 --> 00:08:20,568 AND I CAN TELL SHE'S REAL POPULAR. 142 00:08:20,601 --> 00:08:22,570 SHE EVEN SAYS SO. 143 00:08:22,603 --> 00:08:26,106 SHE'S A GOOD STUDENT AND A GREAT DANCER. 144 00:08:26,139 --> 00:08:28,542 WELL, I MEAN, WHAT WAS I SUPPOSED TO WRITE TO HER ABOUT, 145 00:08:28,576 --> 00:08:31,111 THAT I CAUGHT CATFISH YESTERDAY? 146 00:08:31,144 --> 00:08:33,581 I MEAN, WHO WANTS TO READ STUFF THAT'S DULL? 147 00:08:33,614 --> 00:08:35,849 HOW DO YOU KNOW SHE'D FIND IT DULL? 148 00:08:35,883 --> 00:08:37,050 I THINK IT'S DULL. 149 00:08:37,084 --> 00:08:39,052 IT'S GOT TO SOUND DULL TO HER. 150 00:08:39,086 --> 00:08:41,755 Albert: BESIDES, WHO IS IT HURTING? 151 00:08:41,789 --> 00:08:43,223 I MEAN, IT'S JUST LIKE PA TELLING US STORIES 152 00:08:43,256 --> 00:08:45,192 WHEN WE WERE LITTLE. 153 00:08:45,225 --> 00:08:47,260 WOULD YOU HAVE LIKED IT IF HE WOULD'VE SAT ON THE EDGE OF YOUR BED 154 00:08:47,294 --> 00:08:51,632 AND SAY, "ONCE UPON A TIME, I PLOWED THE FIELD ALL DAY, 155 00:08:51,665 --> 00:08:54,067 "AND I GOT SMELLY, AND I BATHED IN THE CREEK, 156 00:08:54,101 --> 00:08:56,637 "ATE MY SUPPER, AND WENT TO BED"? 157 00:08:56,670 --> 00:08:59,940 NO, BUT THIS ISN'T A FAIRY TALE. IT'S A LETTER. 158 00:08:59,973 --> 00:09:03,777 AND I STILL SAY, WHO IS IT HURTING? 159 00:09:03,811 --> 00:09:05,078 HOW'S MY SPELLING? 160 00:09:05,112 --> 00:09:06,279 PERFECT. 161 00:09:06,313 --> 00:09:07,881 AND MY PUNCTUATION? 162 00:09:07,915 --> 00:09:09,617 EXCELLENT. 163 00:09:09,650 --> 00:09:13,220 I THOUGHT THAT'S WHAT THE WHOLE ASSIGNMENT WAS ABOUT. 164 00:09:13,253 --> 00:09:14,755 WOULD YOU LIKE ME TO READ THIS OUT LOUD 165 00:09:14,788 --> 00:09:16,289 IN FRONT OF THE WHOLE CLASS? 166 00:09:16,323 --> 00:09:18,792 NO. WOULD YOU LIKE IT IF SOMEONE READ YOUR MAIL 167 00:09:18,826 --> 00:09:20,628 AND YOU DIDN'T WANT THEM TO? 168 00:09:23,731 --> 00:09:25,165 ALL RIGHT. 169 00:09:25,198 --> 00:09:27,234 GO AND HAVE SOME LUNCH. 170 00:09:53,126 --> 00:09:55,963 Photographer: OH, THAT LOOKS BEAUTIFUL. 171 00:09:55,996 --> 00:09:57,330 THIS WILL ONLY TAKE A MINUTE NOW. 172 00:10:01,434 --> 00:10:03,136 THERE WE ARE. 173 00:10:03,170 --> 00:10:06,674 Photographer: NOW, HOLD VERY STILL. 174 00:10:06,707 --> 00:10:08,208 ALL RIGHT NOW. SMILE. 175 00:10:11,111 --> 00:10:13,681 WELL, THAT WAS FINE, MY DEAR. 176 00:10:13,714 --> 00:10:15,215 WE'LL HAVE THESE PICTURES FOR YOU TOMORROW. 177 00:10:15,248 --> 00:10:16,917 THANK YOU. 178 00:10:16,950 --> 00:10:19,252 Photographer: JUST TAKE ME A MINUTE TO PACK THIS UP. 179 00:10:19,286 --> 00:10:22,222 THE MAIL CAME. THERE'S A LETTER FOR YOU FROM WALNUT GROVE. 180 00:10:22,255 --> 00:10:24,257 LET ME SEE IT. 181 00:10:24,291 --> 00:10:25,926 IT'S FROM A BOY THERE. 182 00:10:25,959 --> 00:10:28,729 I DIDN'T WRITE MUCH THAT WOULD INTEREST A BOY. 183 00:10:35,302 --> 00:10:37,671 OH, MOTHER, HE'S OVER 6 FEET TALL. 184 00:10:37,705 --> 00:10:38,739 HOW OLD IS HE? 185 00:10:38,772 --> 00:10:40,140 HE'S JUST MY AGE. 186 00:10:40,173 --> 00:10:42,642 GOOD HEAVENS, HE MUST BE RELATED TO PAUL BUNYAN. 187 00:10:46,079 --> 00:10:48,148 I HAVE TO ANSWER THE LETTER RIGHT AWAY. 188 00:10:48,181 --> 00:10:51,752 Mrs. Barton: YOUR FRENCH TUTOR IS COMING IN 15 MINUTES. 189 00:10:51,785 --> 00:10:54,922 GIVE HER A CUP OF TEA. I SHAN'T BE MORE THAN HALF AN HOUR. 190 00:10:54,955 --> 00:10:56,423 THE PICTURES WILL BE READY TOMORROW, 191 00:10:56,456 --> 00:10:58,425 SO I CAN SEND ONE WITH THE LETTER. 192 00:10:58,458 --> 00:11:00,393 WELL, WHAT'S THE YOUNG MAN'S NAME? 193 00:11:00,427 --> 00:11:04,131 ALBERT. ALBERT INGALLS, AND HE SOUNDS WONDERFUL. 194 00:11:11,238 --> 00:11:12,773 SHALL I JUST BILL YOU, MRS. BARTON? 195 00:11:12,806 --> 00:11:13,974 YES, THANK YOU. 196 00:11:14,007 --> 00:11:18,211 - GOOD DAY. - GOOD DAY. 197 00:11:18,245 --> 00:11:19,880 - MILDRED. - YES, MA'AM. 198 00:11:19,913 --> 00:11:21,214 WOULD YOU SERVE TEA AND CAKES 199 00:11:21,248 --> 00:11:22,750 ON THE TERRACE AT 3:00? 200 00:11:22,783 --> 00:11:24,184 YES, MA'AM. FOR HOW MANY? 201 00:11:24,217 --> 00:11:26,286 JUST MISS LaROCHE AND MYSELF. 202 00:11:26,319 --> 00:11:29,689 MY DAUGHTER IS A BIT BUSY LETTER-WRITING, IT SEEMS. 203 00:11:32,225 --> 00:11:33,994 Leslie, voice-over: "DEAR ALBERT, 204 00:11:34,027 --> 00:11:37,297 "I CANNOT TELL YOU HOW THRILLED I WAS TO RECEIVE YOUR LETTER. 205 00:11:37,330 --> 00:11:39,933 "I HAVE NEVER WRITTEN TO A YOUNG GENTLEMAN BEFORE, 206 00:11:39,967 --> 00:11:41,835 "AND, QUITE HONESTLY, I FELT MY FIRST LETTER 207 00:11:41,869 --> 00:11:44,738 "WOULD BE READ BY A GIRL AND, THEREFORE, WAS WRITTEN 208 00:11:44,772 --> 00:11:46,173 "WITH A GIRL IN MIND. 209 00:11:46,206 --> 00:11:49,242 "I AM VERY PLEASED THAT IT DID NOT PUT YOU OFF. 210 00:11:49,276 --> 00:11:51,378 "WE HAVE MUCH MORE IN COMMON THAN YOU KNOW. 211 00:11:51,411 --> 00:11:54,114 "I, TOO, AM VERY TALL AND VERY ATHLETIC. 212 00:11:54,147 --> 00:11:56,416 "I CAPTAIN THE BASKETBALL TEAM AT OUR SCHOOL 213 00:11:56,449 --> 00:12:00,754 "AND PLAY LAWN TENNIS WITH SOME OF THE BEST." 214 00:12:00,788 --> 00:12:02,823 CAPTAIN OF THE TEAM. 215 00:12:05,926 --> 00:12:08,095 CAPTAIN OF THE TEAM. 216 00:12:22,976 --> 00:12:24,144 WILLIE! 217 00:12:24,177 --> 00:12:25,445 CAN I BORROW YOUR FOOTBALL? 218 00:12:25,478 --> 00:12:27,047 I PROMISED SOME OF THE KIDS WE'D PLAY. 219 00:12:27,080 --> 00:12:28,415 WELL, LET ME PLAY, TOO. 220 00:12:28,448 --> 00:12:30,150 YOU WOULDN'T WANT TO. 221 00:12:30,183 --> 00:12:32,052 IT'S TIMMY AND SOME OF THE OTHER LITTLE FELLOWS. 222 00:12:32,085 --> 00:12:34,087 WHAT DO YOU WANT TO PLAY WITH THEM FOR? 223 00:12:34,121 --> 00:12:35,555 WELL, I'M NOT REALLY PLAYING, 224 00:12:35,588 --> 00:12:38,158 JUST SORT OF COACHING THEM, TO BE NICE. 225 00:12:38,191 --> 00:12:40,460 BUT YOU SAID THEY'RE ALL A PAIN. 226 00:12:40,493 --> 00:12:43,363 I KNOW, BUT YOU KNOW WHAT THE GOOD BOOK SAYS-- 227 00:12:43,396 --> 00:12:44,865 "BE KIND TO YOUR FELLOW MAN." 228 00:12:44,898 --> 00:12:46,399 I DON'T THINK IT MEANT LITTLE KIDS. 229 00:12:46,433 --> 00:12:48,001 COME ON, LET ME BORROW IT. 230 00:12:48,035 --> 00:12:49,336 I'LL BRING IT BACK IN THE MORNING. 231 00:12:49,369 --> 00:12:50,971 ALL RIGHT, BUT DON'T FORGET. 232 00:12:51,004 --> 00:12:53,807 I WON'T. THANKS, WILLIE. 233 00:12:53,841 --> 00:12:57,444 - OKAY, LET'S GO. - YOU PROMISED TO PLAY WITH US AN HOUR AFTERWARDS. 234 00:12:57,477 --> 00:13:01,014 I PROMISE. I PROMISE. NOW COME ON. 235 00:13:06,119 --> 00:13:08,521 ALL RIGHTY, BOYS. 236 00:13:08,555 --> 00:13:10,357 NOW, HOLD YOUR BREATH 237 00:13:10,390 --> 00:13:12,259 AND DON'T MOVE. 238 00:13:12,292 --> 00:13:14,427 EVERYBODY HOLD STILL. 239 00:13:17,931 --> 00:13:19,833 THAT'S IT, BOYS. 240 00:13:19,867 --> 00:13:22,402 ALL RIGHT. ARE WE GOING TO PLAY, NOW? 241 00:13:22,435 --> 00:13:25,272 YEAH, JUST LET ME PAY MR. McGINNIS. 242 00:13:25,305 --> 00:13:26,439 ALL RIGHT. 243 00:13:28,475 --> 00:13:30,878 HERE'S YOUR 25 CENTS, SIR. 244 00:13:30,911 --> 00:13:32,880 - THANKS. - YEAH, THANK YOU, ALBERT. 245 00:13:32,913 --> 00:13:35,448 HEY, I DIDN'T KNOW THE TEAM WAS SO SMALL. 246 00:13:35,482 --> 00:13:38,585 Mr. McGinnis: AIN'T THERE ANY BIGGER BOYS OVER AT SCHOOL WHO WANT TO PLAY? 247 00:13:38,618 --> 00:13:41,221 UM...AFRAID NOT. 248 00:13:41,254 --> 00:13:43,957 BUT THEY'LL SURPRISE YOU. THEY'RE QUICK, REALLY. 249 00:13:43,991 --> 00:13:45,425 I'LL PICK UP MY PICTURE TOMORROW. 250 00:13:45,458 --> 00:13:47,160 - YEAH, ALL RIGHT. - THANKS. 251 00:13:49,362 --> 00:13:51,498 Albert: ALL RIGHT, TEAM, LET'S GET TO PRACTICE. 252 00:13:54,234 --> 00:13:56,103 LAND SAKES, THEY BETTER BE QUICK. 253 00:13:56,136 --> 00:13:58,138 IF ANYBODY CATCHES THEM, THEY'LL GET KILLED. 254 00:14:04,945 --> 00:14:07,314 "DEAR LESLIE, 255 00:14:07,347 --> 00:14:09,883 "I RECEIVED YOUR LETTER AND PHOTOGRAPH YESTERDAY, 256 00:14:09,917 --> 00:14:11,919 "AND, QUITE HONESTLY, 257 00:14:11,952 --> 00:14:16,423 "I THINK YOU'RE THE MOST BEAUTIFUL GIRL I'VE EVER SEEN. 258 00:14:16,456 --> 00:14:20,493 "I HOPE YOU DO NOT THINK I'M TOO FORWARD IN SAYING THAT, 259 00:14:20,527 --> 00:14:23,630 "BUT I FEEL I MUST BE HONEST WITH YOU. 260 00:14:23,663 --> 00:14:28,468 "I'M ENCLOSING THE ONLY PHOTOGRAPH OF MYSELF THAT I HAVE. 261 00:14:28,501 --> 00:14:31,204 "IT IS OUR TEAM PHOTOGRAPH. 262 00:14:31,238 --> 00:14:33,040 "I AM THE CAPTAIN. 263 00:14:33,073 --> 00:14:36,076 "I'M THE TALL FELLOW IN THE CENTER 264 00:14:36,109 --> 00:14:37,377 "HOLDING THE FOOTBALL." 265 00:14:37,410 --> 00:14:39,379 Carrie: ALBERT. 266 00:14:39,412 --> 00:14:43,050 WHAT IS IT, CARRIE? I'M TRYING TO WRITE A LETTER. 267 00:14:43,083 --> 00:14:44,317 I CAN'T SLEEP 268 00:14:44,351 --> 00:14:48,355 BECAUSE I GOT A SPLINTER IN MY FINGER. 269 00:14:48,388 --> 00:14:49,656 HERE, LET ME SEE IT. 270 00:14:49,689 --> 00:14:51,591 IT'S RIGHT THERE. 271 00:14:54,494 --> 00:14:56,964 I DON'T REALLY SEE IT. 272 00:14:56,997 --> 00:14:58,598 WHY DON'T YOU TELL MA ABOUT IT? 273 00:14:58,631 --> 00:15:00,333 BECAUSE SHE USES A NEEDLE 274 00:15:00,367 --> 00:15:02,135 AND BURNS IT OVER A CANDLE, 275 00:15:02,169 --> 00:15:05,005 AND IT SCARES ME. 276 00:15:05,038 --> 00:15:08,008 WELL, IT IS STICKING OUT A LITTLE BIT. 277 00:15:08,041 --> 00:15:09,977 I'LL SEE IF I CAN GET IT. 278 00:15:10,010 --> 00:15:12,345 HERE, HOLD STILL. 279 00:15:15,548 --> 00:15:17,517 THERE IT IS. 280 00:15:17,550 --> 00:15:20,420 YOU GOT IT, AND IT DIDN'T EVEN HURT. 281 00:15:20,453 --> 00:15:23,290 THANKS. 282 00:15:23,323 --> 00:15:25,692 I'LL HAVE THIS LIGHT TURNED DOWN IN A LITTLE BIT. 283 00:15:33,633 --> 00:15:37,204 "I HOPE YOU CAN WRITE TO ME ABOUT YOUR PLANS FOR THE FUTURE. 284 00:15:37,237 --> 00:15:38,738 "MY MAIN INTEREST IS MEDICINE, 285 00:15:38,771 --> 00:15:41,574 "AS I INTEND TO BE A DOCTOR SOMEDAY. 286 00:15:41,608 --> 00:15:44,444 "I HAD AN INTERESTING CASE THIS EVENING. 287 00:15:44,477 --> 00:15:49,016 "MY SISTER'S HAND WAS PIERCED BY A LARGE PIECE OF WOOD. 288 00:15:49,049 --> 00:15:51,084 "IT WAS VERY DIFFICULT AND VERY PAINFUL." 289 00:15:52,485 --> 00:15:53,753 Dr. Marx: DO YOU FEEL IT NOW? 290 00:15:53,786 --> 00:15:55,989 Leslie: YES. Dr. Marx: MM-HMM. 291 00:15:56,023 --> 00:15:58,091 Dr. Marx: AND NOW? Leslie: YES. 292 00:15:58,125 --> 00:16:00,327 Dr. Marx: LESLIE, I'M GOING TO JAB YOU A LITTLE HARDER THIS TIME. 293 00:16:00,360 --> 00:16:03,030 IT MAY HURT A BIT RIGHT HERE. 294 00:16:03,063 --> 00:16:05,232 THAT HURT! THAT REALLY HURT! 295 00:16:05,265 --> 00:16:08,468 I'M SORRY. 296 00:16:08,501 --> 00:16:10,603 THERE WON'T BE ANY MORE, UH... 297 00:16:10,637 --> 00:16:13,373 POKING AT YOU TODAY. 298 00:16:13,406 --> 00:16:17,244 I SEEM TO BE GETTING MORE FEELING EACH TIME. 299 00:16:17,277 --> 00:16:19,046 SEEMS TO BE. 300 00:16:19,079 --> 00:16:23,050 NURSE, WOULD YOU ASK MRS. BARTON TO COME IN, PLEASE? 301 00:16:23,083 --> 00:16:26,319 LESLIE, YOU CAN WAIT IN MY OUTER OFFICE. 302 00:16:26,353 --> 00:16:28,255 CERTAINLY. 303 00:16:28,288 --> 00:16:30,023 THANK YOU, DOCTOR. 304 00:16:38,798 --> 00:16:40,467 Leslie: HE REALLY HURT ME THIS TIME, MOTHER, 305 00:16:40,500 --> 00:16:42,569 THE FEELING IS GETTING STRONGER. 306 00:16:42,602 --> 00:16:46,439 Mrs. Barton: THAT'S WONDERFUL, DEAR. I'LL JUST BE A MINUTE. 307 00:16:49,242 --> 00:16:51,044 [DOOR CLOSES] 308 00:16:56,349 --> 00:16:57,717 SIT DOWN, MRS. BARTON. 309 00:17:08,428 --> 00:17:11,598 MRS. BARTON, 310 00:17:11,631 --> 00:17:14,634 IT'S BEEN OVER TWO YEARS SINCE THE ACCIDENT. 311 00:17:14,667 --> 00:17:16,603 DOCTOR, THERE'S THE MOST WONDERFUL IMPROVEMENT-- 312 00:17:16,636 --> 00:17:20,207 Dr. Marx: NO, NO, NO, PLEASE! 313 00:17:20,240 --> 00:17:22,575 THIS TIME, LET ME FINISH. 314 00:17:25,545 --> 00:17:28,748 I HAVE ALLOWED YOU TO KEEP THIS-- 315 00:17:28,781 --> 00:17:34,121 THIS HOPE ALIVE IN YOUR DAUGHTER. 316 00:17:34,154 --> 00:17:35,655 ONCE A MONTH, 317 00:17:35,688 --> 00:17:39,592 FOR OVER TWO YEARS, 318 00:17:39,626 --> 00:17:44,297 WE GO THROUGH THIS SAME RITUAL. 319 00:17:44,331 --> 00:17:48,768 THIS--THIS-- 320 00:17:48,801 --> 00:17:51,204 MRS. BARTON, 321 00:17:51,238 --> 00:17:56,776 IT IS NOT FAIR TO YOU, IT'S NOT FAIR TO YOUR DAUGHTER, IT'S NOT FAIR TO ME. 322 00:17:56,809 --> 00:17:58,811 I'M A DOCTOR. 323 00:17:58,845 --> 00:18:03,616 I CAN ONLY DO WHAT IS MEDICALLY POSSIBLE. 324 00:18:03,650 --> 00:18:05,552 I'M JUST A HUMAN BEING. 325 00:18:05,585 --> 00:18:09,156 I CANNOT PERFORM A MIRACLE. 326 00:18:13,460 --> 00:18:17,664 THAT'S WHAT YOUR DAUGHTER NEEDS. 327 00:18:17,697 --> 00:18:20,600 Dr. Marx: I BEG YOU. 328 00:18:20,633 --> 00:18:24,271 I BEG YOU TO BE HONEST WITH HER. 329 00:18:24,304 --> 00:18:26,439 BE HONEST WITH HER SO THAT-- 330 00:18:26,473 --> 00:18:31,678 SO THAT SHE CAN BE HONEST WITH HERSELF... 331 00:18:31,711 --> 00:18:35,315 AND GO ON WITH HER LIFE. 332 00:18:42,889 --> 00:18:45,292 [SOBBING] 333 00:18:54,934 --> 00:18:59,339 WE WON'T BE NEEDING AN APPOINTMENT NEXT MONTH. 334 00:19:06,879 --> 00:19:08,815 THANK YOU, DOCTOR. 335 00:19:45,985 --> 00:19:47,954 I WAS BEGINNING TO WORRY, MOTHER. 336 00:19:47,987 --> 00:19:49,989 IT'S LATE. 337 00:19:50,022 --> 00:19:52,459 I LOST TRACK OF TIME. 338 00:19:52,492 --> 00:19:55,228 WERE YOU SHOPPING? 339 00:19:55,262 --> 00:19:58,398 NO, I WENT TO CHURCH. 340 00:19:58,431 --> 00:20:00,800 OH. 341 00:20:00,833 --> 00:20:02,835 I'M ALMOST FINISHED WITH MY LETTER. 342 00:20:02,869 --> 00:20:05,505 I THINK IT'S THE LONGEST ONE I'VE EVER WRITTEN. 343 00:20:05,538 --> 00:20:07,006 EVERY TIME I THINK I'M ABOUT FINISHED, 344 00:20:07,039 --> 00:20:09,476 I FIND SOMETHING ELSE I WANT TO SAY. 345 00:20:21,954 --> 00:20:26,393 HAVE YOU WRITTEN ANYTHING ABOUT YOUR ACCIDENT? 346 00:20:26,426 --> 00:20:29,429 Leslie: NO. 347 00:20:29,462 --> 00:20:30,797 DON'T YOU THINK YOU SHOULD? 348 00:20:33,800 --> 00:20:36,436 I DON'T KNOW. 349 00:20:36,469 --> 00:20:39,772 I REALLY HAVEN'T THOUGHT ABOUT IT. 350 00:20:39,806 --> 00:20:43,543 BESIDES, THERE'S SO MANY OTHER THINGS I WANT TO WRITE ABOUT. 351 00:20:43,576 --> 00:20:45,778 LIKE WHAT? 352 00:20:45,812 --> 00:20:48,348 Leslie: JUST THINGS. 353 00:20:48,381 --> 00:20:50,517 LIKE THE THINGS YOU WROTE IN YOUR LAST LETTER? 354 00:20:54,521 --> 00:20:57,023 I, UH-- 355 00:20:57,056 --> 00:20:58,725 I SAW IT ON YOUR DESK. 356 00:20:58,758 --> 00:21:00,593 I KNOW I SHOULDN'T HAVE LOOKED AT IT, 357 00:21:00,627 --> 00:21:01,794 BUT I DID. 358 00:21:01,828 --> 00:21:03,796 I WISH YOU HADN'T. 359 00:21:06,065 --> 00:21:07,800 I KNOW. 360 00:21:07,834 --> 00:21:10,337 CAPTAIN OF THE BASKETBALL TEAM? 361 00:21:10,370 --> 00:21:11,938 DANCING IN THE SCHOOL BALLET? 362 00:21:11,971 --> 00:21:13,840 WELL, I DID THOSE THINGS, 363 00:21:13,873 --> 00:21:16,075 - YOU DID. - AND I'LL DO THEM AGAIN. 364 00:21:16,108 --> 00:21:17,544 I'M GETTING BETTER ALL THE TIME, 365 00:21:17,577 --> 00:21:19,078 - AND BY THE TIME I SEE DR. MARX-- - NO. 366 00:21:19,111 --> 00:21:21,781 YOU WON'T BE SEEING DR. MARX NEXT MONTH. 367 00:21:23,583 --> 00:21:25,685 WHY NOT? 368 00:21:25,718 --> 00:21:27,520 WHY NOT, MOTHER? 369 00:21:27,554 --> 00:21:29,922 WE'VE GOT TO STOP PRETENDING, 370 00:21:29,956 --> 00:21:34,093 BOTH OF US. 371 00:21:34,126 --> 00:21:37,029 YOU'RE NOT GETTING BETTER. 372 00:21:37,063 --> 00:21:38,598 I AM. 373 00:21:38,631 --> 00:21:40,533 THE FEELING, IT WAS STRONGER THAN EVER TODAY. 374 00:21:40,567 --> 00:21:42,369 Mrs. Barton: YOU WANT TO FEEL SOMETHING, BUT YOU DON'T. 375 00:21:42,402 --> 00:21:46,339 - I DO! - YOU DON'T! 376 00:21:46,373 --> 00:21:48,508 I'VE KNOWN IT FROM THE BEGINNING, 377 00:21:48,541 --> 00:21:51,478 DR. MARX HAS KNOWN IT FROM THE BEGINNING, 378 00:21:51,511 --> 00:21:54,080 AND SO HAVE YOU. 379 00:21:54,113 --> 00:21:57,684 IN THE NAME OF GOD, STOP PRETENDING. 380 00:22:08,027 --> 00:22:10,062 THERE ARE SO MANY THINGS YOU CAN DO 381 00:22:10,096 --> 00:22:12,832 WITH YOUR LIFE. 382 00:22:12,865 --> 00:22:15,902 SO MANY THINGS. 383 00:22:15,935 --> 00:22:17,404 Mrs. Barton: BUT YOU WON'T DO THEM 384 00:22:17,437 --> 00:22:20,940 IF YOU KEEP WAITING FOR A MIRACLE TO HAPPEN. 385 00:22:23,476 --> 00:22:27,580 JUST LIVE YOUR LIFE AS IT IS. 386 00:22:27,614 --> 00:22:31,050 DON'T KEEP WAITING FOR IT TO BE AS IT WAS. 387 00:22:52,639 --> 00:22:57,009 "I HAVE BEGUN REHEARSALS FOR "SWAN LAKE." 388 00:22:57,043 --> 00:23:01,448 "THE DANCING IS EXHAUSTING, BUT I'M ENJOYING IT. 389 00:23:01,481 --> 00:23:04,917 "IT'S A SHAME WE LIVE SO FAR APART, 390 00:23:04,951 --> 00:23:07,420 "AS I WOULD LOVE TO HAVE YOU SEE WHEN I PERFORM." 391 00:23:15,495 --> 00:23:17,964 I KNOW IT SOUNDS STRANGE, MOTHER, 392 00:23:17,997 --> 00:23:21,701 BUT I LOVE ALBERT. 393 00:23:21,734 --> 00:23:24,003 Leslie: AND I THINK IN A WAY, HE LOVES ME. 394 00:23:27,073 --> 00:23:30,443 I CAN BE HONEST WITH MYSELF AND I WILL BE, 395 00:23:30,477 --> 00:23:33,713 BUT I CAN'T BE HONEST WITH HIM. 396 00:23:33,746 --> 00:23:36,783 I NEED HIM TO LOVE ME, 397 00:23:36,816 --> 00:23:38,985 EVEN IF IT ONLY IS PRETENDING. 398 00:23:42,088 --> 00:23:44,524 DO YOU UNDERSTAND? 399 00:23:46,626 --> 00:23:48,027 YES. 400 00:23:53,800 --> 00:23:56,469 I'LL COME TO BED SOON, I WANT TO FINISH MY LETTER. 401 00:24:14,587 --> 00:24:16,055 YOUR, UH-- [SNIFFLES] 402 00:24:16,088 --> 00:24:19,091 AUNT LINWOOD WROTE AND ASKED IF WE COULD COME 403 00:24:19,125 --> 00:24:23,696 TO ST. LOUIS FOR THE HOLIDAYS. 404 00:24:23,730 --> 00:24:27,667 I THOUGHT IT MIGHT BE FUN FOR A FEW MONTHS. 405 00:24:27,700 --> 00:24:31,538 IT WOULD BE, I'M SURE. 406 00:24:31,571 --> 00:24:33,272 WELL, I'LL-- 407 00:24:33,305 --> 00:24:34,874 I'LL CALL HER. 408 00:24:38,611 --> 00:24:40,179 GOOD NIGHT, DEAR. 409 00:24:54,326 --> 00:24:57,564 "IS NOT FRISK A FINE, GRATEFUL FELLOW? 410 00:24:57,597 --> 00:24:59,165 "AND DOES HE NOT DESERVE A SHARE 411 00:24:59,198 --> 00:25:00,833 "OF HARRY'S BREAKFAST, 412 00:25:00,867 --> 00:25:02,802 "WHETHER HE BEGS FOR IT OR NOT? 413 00:25:02,835 --> 00:25:06,573 "AND LITTLE HARRY WILL REMEMBER FROM THE EVENTS OF THIS DAY 414 00:25:06,606 --> 00:25:09,542 "THAT KINDNESS, EVEN THOUGH SHOWN TO A DOG, 415 00:25:09,576 --> 00:25:11,310 "WILL ALWAYS BE REWARDED, 416 00:25:11,343 --> 00:25:13,680 "AND THAT ILL NATURE AND BAD TEMPER 417 00:25:13,713 --> 00:25:17,216 "ARE CONNECTED WITH NOTHING BUT PAIN AND DISGRACE ." 418 00:25:17,249 --> 00:25:19,051 THAT WAS VERY GOOD, TIMMY. 419 00:25:19,085 --> 00:25:21,654 NOW, CLASS, I'D LIKE YOU ALL TO READ SILENTLY FOR A WHILE. 420 00:25:21,688 --> 00:25:23,990 ALBERT, I WANT TO TALK TO YOU OUTSIDE. 421 00:25:35,968 --> 00:25:37,937 I KNOW WHAT YOU'RE GOING TO SAY, AND I'M SORRY. 422 00:25:37,970 --> 00:25:40,907 WELL, "SORRY" IS NOT GOOD ENOUGH. 423 00:25:40,940 --> 00:25:42,609 NOW, YOU DON'T LIKE ME TO TALK TO YOU 424 00:25:42,642 --> 00:25:44,176 LIKE A SISTER, SO I'M NOT GOING TO. 425 00:25:44,210 --> 00:25:45,845 I'M TALKING TO YOU AS A TEACHER. 426 00:25:45,878 --> 00:25:46,946 YOU'VE BEEN DAYDREAMING IN CLASS, 427 00:25:46,979 --> 00:25:49,048 YOU'RE LATE ALMOST ONCE A WEEK, 428 00:25:49,081 --> 00:25:51,884 AND I'M NOT GOING TO LET YOU GET AWAY WITH IT BECAUSE I'M YOUR SISTER. 429 00:25:51,918 --> 00:25:54,721 I KNOW, AND I'M NOT ASKING FOR ANY FAVORS. 430 00:25:54,754 --> 00:25:57,690 IF YOU WANT TO PUNISH ME, PUNISH ME. 431 00:25:57,724 --> 00:25:59,626 I NOT GOING TO PUNISH YOU. 432 00:25:59,659 --> 00:26:01,327 I JUST WANT TO KNOW WHY. 433 00:26:01,360 --> 00:26:04,096 YOU HAVEN'T EVEN BEEN DOING YOUR LETTER-WRITING ASSIGNMENTS. 434 00:26:04,130 --> 00:26:05,798 YES, I HAVE. 435 00:26:05,832 --> 00:26:08,901 WELL, THEN WHY HAVEN'T YOU HANDED THEM IN? 436 00:26:08,935 --> 00:26:10,770 BECAUSE I MAILED THEM. 437 00:26:10,803 --> 00:26:12,639 I CAN'T GRADE THEM UNTIL I'VE LOOKED AT THEM. 438 00:26:12,672 --> 00:26:14,006 I KNOW. 439 00:26:14,040 --> 00:26:16,809 WELL, THEN WHY HAVEN'T YOU TURNED THEM IN? 440 00:26:16,843 --> 00:26:18,645 BECAUSE THEY'RE PERSONAL. 441 00:26:18,678 --> 00:26:19,912 HOW PERSONAL CAN THEY BE? 442 00:26:19,946 --> 00:26:21,648 YOU HAVEN'T EVEN MET THE GIRL. 443 00:26:21,681 --> 00:26:23,182 I LOVE HER. 444 00:26:23,215 --> 00:26:25,885 ALBERT, THAT'S THE SILLIEST THING I'VE EVER HEARD. 445 00:26:25,918 --> 00:26:27,920 MAYBE TO YOU, BUT NOT TO ME, 446 00:26:27,954 --> 00:26:29,822 SO, DON'T MAKE FUN OF ME! 447 00:26:33,125 --> 00:26:34,393 YOU MEAN THAT. 448 00:26:34,426 --> 00:26:37,930 YES, I DO. 449 00:26:37,964 --> 00:26:41,133 I DON'T UNDERSTAND ANY MORE THAN YOU DO. 450 00:26:41,167 --> 00:26:42,902 IT'S LIKE THAT "CYRANO DE BERGERAC" 451 00:26:42,935 --> 00:26:45,304 WHERE THE GIRL FALLS IN LOVE WITH THE LETTER. 452 00:26:45,337 --> 00:26:47,406 WITH ME, IT'S EVEN WORSE. 453 00:26:47,439 --> 00:26:51,343 I FELL IN LOVE WITH A PICTURE, TOO. 454 00:26:51,377 --> 00:26:53,680 I DON'T KNOW WHY I'M TELLING YOU ALL THIS. 455 00:26:53,713 --> 00:26:56,182 HOW'S A TEACHER SUPPOSED TO UNDERSTAND? 456 00:26:56,215 --> 00:27:00,352 WELL, I'M YOUR SISTER, TOO, REMEMBER? 457 00:27:00,386 --> 00:27:03,255 YEAH. 458 00:27:03,289 --> 00:27:05,091 ALL RIGHT. 459 00:27:05,124 --> 00:27:06,859 NOW, I'M GOING TO EXPECT A SEPARATE WRITING ASSIGNMENT 460 00:27:06,893 --> 00:27:08,761 FOR YOU TO MAKE UP FOR THE LETTERS, 461 00:27:08,795 --> 00:27:10,029 AND IF YOU'RE LATE ONE MORE TIME, 462 00:27:10,062 --> 00:27:11,831 I'M JUST GOING TO HAVE TO SEND YOU HOME. 463 00:27:11,864 --> 00:27:13,032 ALL RIGHT? 464 00:27:13,065 --> 00:27:14,967 ALL RIGHT. 465 00:27:15,001 --> 00:27:16,803 BACK INSIDE. 466 00:27:21,407 --> 00:27:23,109 THANKS. 467 00:27:31,217 --> 00:27:34,120 PASS ME SOME MORE BREAD, SON. 468 00:27:34,153 --> 00:27:37,857 - HERE YOU GO, PA. - THANK YOU. 469 00:27:37,890 --> 00:27:39,959 Carrie: ALBERT WAS LATE FOR SCHOOL TODAY. 470 00:27:39,992 --> 00:27:41,794 YOU ALWAYS HAVE TO TELL, DON'T YOU? 471 00:27:41,828 --> 00:27:42,962 Carrie: WELL, YOU WERE. 472 00:27:42,995 --> 00:27:44,330 WELL, YOU DO PLENTY OF BAD STUFF. 473 00:27:44,363 --> 00:27:46,966 Albert: I DON'T TELL ON YOU. Carrie: I DO NOT. 474 00:27:46,999 --> 00:27:49,969 AND I SUPPOSE YOU DIDN'T KEEP CALLING TIMMY A POO-POO TODAY. 475 00:27:50,002 --> 00:27:51,370 Charles: ALL RIGHT, THAT'S ENOUGH. 476 00:27:51,403 --> 00:27:53,740 Albert: WELL, SHE'S SUCH A TATTLETALE. 477 00:27:53,773 --> 00:27:55,875 WHY WERE YOU LATE FOR SCHOOL? 478 00:27:55,908 --> 00:27:57,076 OH... 479 00:27:57,109 --> 00:27:59,411 HE WAS READING A LETTER, THAT'S WHY. 480 00:27:59,445 --> 00:28:01,280 Albert: WILL YOU BE QUIET? 481 00:28:01,313 --> 00:28:03,883 CARRIE, THAT'S ENOUGH. I'M TALKING TO YOUR BROTHER. 482 00:28:03,916 --> 00:28:05,117 YES, SIR. 483 00:28:07,787 --> 00:28:09,288 RIGHT, NOW, WHY WERE YOU LATE? 484 00:28:09,321 --> 00:28:11,323 I WAS READING A LETTER, BUT I TALKED TO LAURA 485 00:28:11,357 --> 00:28:12,859 AND EVERYTHING IS ALL RIGHT. 486 00:28:12,892 --> 00:28:14,160 I HOPE YOU'RE NOT TAKING ADVANTAGE 487 00:28:14,193 --> 00:28:16,262 BECAUSE LAURA IS YOUR SISTER. 488 00:28:16,295 --> 00:28:18,731 NO, MA'AM. I WON'T BE LATE AGAIN. 489 00:28:18,765 --> 00:28:21,100 SEE TO IT THAT YOU'RE NOT. 490 00:28:21,133 --> 00:28:22,468 Caroline: SOME MORE COFFEE? 491 00:28:22,501 --> 00:28:26,072 NO, MUST GET OUT TO THE BARN, FINISH THAT CABINET. 492 00:28:26,105 --> 00:28:27,406 PROMISED THE BARISHES I'D HAVE IT DONE 493 00:28:27,439 --> 00:28:29,075 BEFORE I LEFT FOR MINNEAPOLIS. 494 00:28:29,108 --> 00:28:31,210 Caroline: I WISH SOMEONE ELSE COULD GO FOR A CHANGE. 495 00:28:31,243 --> 00:28:33,479 I WISH I COULD, TOO, BUT IT'S EXPECTED. 496 00:28:33,512 --> 00:28:35,014 Caroline: I'LL KEEP THE COFFEE HOT. 497 00:28:35,047 --> 00:28:38,217 THANK YOU, DARLING. 498 00:28:38,250 --> 00:28:41,087 [DOOR CLOSES] 499 00:28:41,120 --> 00:28:43,022 WHEN'S PA GOING? 500 00:28:43,055 --> 00:28:47,293 Caroline: OH, NEXT WEEK. HE'LL JUST BE GONE A FEW DAYS. 501 00:28:47,326 --> 00:28:49,061 I'M FINISHED. MAY I BE EXCUSED? 502 00:28:49,095 --> 00:28:50,797 YES. DO YOU HAVE HOMEWORK? 503 00:28:50,830 --> 00:28:53,065 Albert: YES, MA'AM. I JUST WANT TO ASK PA SOMETHING. 504 00:28:53,099 --> 00:28:55,467 ALL RIGHT, THEN RIGHT TO THE BOOKS? 505 00:28:55,501 --> 00:28:57,069 I'LL BE RIGHT IN. 506 00:29:05,077 --> 00:29:06,412 NEED ANY HELP, PA? 507 00:29:06,445 --> 00:29:08,781 HMM? NO, SON. THANK YOU. I'M ALMOST DONE. 508 00:29:12,384 --> 00:29:15,788 BET IT SURE MUST BE INTERESTING GOING TO A GRANGE MEETING. 509 00:29:15,822 --> 00:29:17,056 SOMETIMES. 510 00:29:17,089 --> 00:29:19,025 SOMETIMES IT'S DOWNRIGHT DULL. 511 00:29:19,058 --> 00:29:21,994 THERE'S A LOT OF LONG-WINDED FARMERS. 512 00:29:22,028 --> 00:29:23,395 I SUPPOSE. 513 00:29:23,429 --> 00:29:25,397 I'D SURE LIKE TO GO SOMETIME, THOUGH. 514 00:29:25,431 --> 00:29:27,099 MAYBE YOU WILL SOMEDAY. 515 00:29:28,534 --> 00:29:31,470 HOW ABOUT NEXT WEEK? 516 00:29:31,503 --> 00:29:32,571 NEXT WEEK? 517 00:29:32,604 --> 00:29:34,440 YOU GOT A FEW PROBLEMS, THERE. 518 00:29:34,473 --> 00:29:36,308 FIRST, YOU'RE IN SCHOOL, SECONDLY, YOU'RE TOO YOUNG, 519 00:29:36,342 --> 00:29:39,011 AND THIRDLY, IT COSTS MONEY TO GO. 520 00:29:39,045 --> 00:29:41,080 WELL, SCHOOL IS NO PROBLEM. 521 00:29:41,113 --> 00:29:42,882 IT'D BE A PROJECT. 522 00:29:42,915 --> 00:29:44,216 I'D WRITE A REPORT TO THE CLASS. 523 00:29:44,250 --> 00:29:46,318 KIDS DO IT ALL THE TIME. 524 00:29:46,352 --> 00:29:48,154 AND I MUST BE OLD ENOUGH. 525 00:29:48,187 --> 00:29:49,822 YOU SAY I HAVE TO DO THE WORK OF A MAN, 526 00:29:49,856 --> 00:29:50,923 AND I DO, DON'T I? 527 00:29:50,957 --> 00:29:52,925 THAT, YOU DO. YOU GOT ME, THERE. 528 00:29:52,959 --> 00:29:56,262 THAT STILL LEAVES THIRDLY, AND THERE'S NOTHING WE CAN DO ABOUT IT. 529 00:29:56,295 --> 00:29:57,930 NO, SIR. 530 00:29:57,964 --> 00:30:00,366 YOU BEST GET ON TO BED, NOW. 531 00:30:00,399 --> 00:30:02,234 YES, SIR. 532 00:30:08,240 --> 00:30:09,408 YOU WOULD TAKE ME IF IT DIDN'T 533 00:30:09,441 --> 00:30:12,144 COST YOU ANYTHING, WOULDN'T YOU, PA? 534 00:30:12,178 --> 00:30:15,848 YOU BET I WOULD, SON. 535 00:30:15,882 --> 00:30:17,316 GOOD NIGHT. 536 00:30:17,349 --> 00:30:19,051 GOOD NIGHT. 537 00:30:27,393 --> 00:30:29,595 Conductor: I TELL YOU, CHARLES, I DON'T KNOW WHERE IT'S GOING TO END. 538 00:30:29,628 --> 00:30:31,230 MORE AND MORE PASSENGERS EVERY DAY. 539 00:30:31,263 --> 00:30:33,165 Charles: NOTHING WRONG WITH BUSINESS BEING GOOD. 540 00:30:33,199 --> 00:30:36,135 Conductor: I SUPPOSE, BUT I'D RATHER BE HAULING STRAIGHT FREIGHT. 541 00:30:36,168 --> 00:30:37,203 SEE THAT, DID YOU? 542 00:30:37,236 --> 00:30:38,537 WHAT'S THAT? 543 00:30:38,570 --> 00:30:40,106 IT'S ANOTHER ONE TRYING TO HOP A FREIGHT. 544 00:30:40,139 --> 00:30:41,340 AS IF I DIDN'T HAVE ENOUGH TROUBLES 545 00:30:41,373 --> 00:30:44,076 WITHOUT CHASING BUMS OFF MY TRAINS. 546 00:30:54,086 --> 00:30:57,323 ALL RIGHT, I GOT YOU. COME ALONG. 547 00:30:57,356 --> 00:30:59,926 Conductor: ANOTHER YOUNG ONE, KIDS FROM BAD HOMES. 548 00:30:59,959 --> 00:31:01,627 FATHERS BEAT THEM, THEY RUN OFF TO THE CITY 549 00:31:01,660 --> 00:31:03,429 TO TRY TO START OVER. 550 00:31:03,462 --> 00:31:05,031 I FEEL SORRY FOR YOU, LAD, 551 00:31:05,064 --> 00:31:07,233 BUT RAILROAD POLICY SAYS I GOT TO TURN YOU OVER 552 00:31:07,266 --> 00:31:09,301 TO THE STATION OFFICER. 553 00:31:09,335 --> 00:31:11,370 Conductor: IT'S THE PARENTS OF THE CHILDREN WHO SHOULD BE PUNISHED, 554 00:31:11,403 --> 00:31:13,973 NOT THE YOUNG ONES. 555 00:31:14,006 --> 00:31:16,642 HARLAN, WHAT'S GOING TO HAPPEN TO THE BOY? 556 00:31:16,675 --> 00:31:18,210 OH, THEY'LL KEEP HIM LOCKED UP, 557 00:31:18,244 --> 00:31:19,411 TRY TO FIND HIS PARENTS, 558 00:31:19,445 --> 00:31:21,280 IF HIS FATHER'S NOT LYING SOMEWHERE 559 00:31:21,313 --> 00:31:22,681 IN A GUTTER WITH A JUG IN HIS HAND. 560 00:31:22,714 --> 00:31:24,683 YEAH, WELL, I DOUBT THAT. 561 00:31:24,716 --> 00:31:27,519 I MEAN, MAYBE THE BOY HAS GOT ANOTHER REASON FOR GOING TO MINNEAPOLIS. 562 00:31:27,553 --> 00:31:29,421 I WANTED TO BE WITH MY PA. 563 00:31:29,455 --> 00:31:31,323 THERE, YOU SEE? 564 00:31:31,357 --> 00:31:33,225 HE LEFT HOME WITHOUT ME. 565 00:31:33,259 --> 00:31:34,961 Conductor: I ASK YOU, CHARLES, WHAT KIND OF A MAN 566 00:31:34,994 --> 00:31:37,463 WOULD DO THAT TO A SON? 567 00:31:37,496 --> 00:31:39,131 I DON'T KNOW. 568 00:31:39,165 --> 00:31:41,400 HARLAN, IF I BUY THE BOY A TICKET, 569 00:31:41,433 --> 00:31:42,601 WOULD YOU LET IT PASS? 570 00:31:42,634 --> 00:31:44,703 Conductor: CERTAINLY. Charles: HOW MUCH? 571 00:31:44,736 --> 00:31:47,473 WELL, FOR A YOUNGIN, HALF-FARE, DOLLAR EVEN. 572 00:31:47,506 --> 00:31:50,109 THERE YOU GO. 573 00:31:50,142 --> 00:31:53,312 COME ALONG, BOY. 574 00:31:53,345 --> 00:31:55,381 MAY GOD BLESS YOU, CHARLES. 575 00:32:05,224 --> 00:32:06,392 - PA, I CAN EXPL-- - NOT NOW. 576 00:32:06,425 --> 00:32:08,260 I'M TOO ANGRY TO TALK TO YOU. 577 00:32:08,294 --> 00:32:09,928 AND DON'T CALL ME PA. 578 00:32:12,731 --> 00:32:14,633 HOW DID YOU GET TO THE TRAIN STATION? 579 00:32:14,666 --> 00:32:16,202 ON THE STAGECOACH. 580 00:32:16,235 --> 00:32:18,004 ALBERT, I WAS ON THE STAGECOACH. 581 00:32:18,037 --> 00:32:21,240 I DIDN'T SAY IN IT, I SAID ON IT. 582 00:32:21,273 --> 00:32:23,342 GOT ON THE BACK OF IT. 583 00:32:23,375 --> 00:32:25,544 SO, YOU SNUCK A RIDE ON THE STAGE? 584 00:32:25,577 --> 00:32:28,180 YES, SIR. 585 00:32:28,214 --> 00:32:31,017 PA, I'M SORRY, BUT I JUST HAD TO GO. 586 00:32:31,050 --> 00:32:32,551 I HAD TO. 587 00:32:32,584 --> 00:32:35,187 DON'T TELL ME THAT THE GRANGE MEANS SO MUCH TO YOU. 588 00:32:35,221 --> 00:32:37,256 I DON'T CARE ABOUT THE GRANGE MEETING. 589 00:32:37,289 --> 00:32:39,091 WELL, THEN WHAT IS IT? 590 00:32:42,394 --> 00:32:44,696 I'M IN LOVE. 591 00:32:44,730 --> 00:32:46,598 YOU'RE WHAT? 592 00:32:46,632 --> 00:32:48,667 PA, I'VE BEEN WRITING TO THIS GIRL, 593 00:32:48,700 --> 00:32:50,502 AND SHE'S BEEN WRITING TO ME. 594 00:32:53,039 --> 00:32:55,674 AND I DON'T KNOW HOW IT HAPPENED, 595 00:32:55,707 --> 00:32:59,011 BUT I FELL IN LOVE. 596 00:32:59,045 --> 00:33:02,681 I MEAN, I THINK ABOUT HER ALL THE TIME, 597 00:33:02,714 --> 00:33:05,751 AND THEN I GOT TO FEELING GUILTY ABOUT WHAT I DID. 598 00:33:05,784 --> 00:33:07,753 WHAT DO YOU MEAN, "WHAT YOU DID"? 599 00:33:07,786 --> 00:33:09,655 Albert: I LIED TO HER. 600 00:33:09,688 --> 00:33:13,259 IN MY LETTERS, TRYING TO MAKE MYSELF LOOK MORE IMPORTANT AND SUCH, 601 00:33:13,292 --> 00:33:14,460 AND NOW SHE'S GOING AWAY. 602 00:33:14,493 --> 00:33:16,228 I JUST GOT TO SEE HER. 603 00:33:16,262 --> 00:33:17,496 I HAVE TO BE HONEST WITH HER 604 00:33:17,529 --> 00:33:19,631 AND SEE IF SHE'LL LIKE ME JUST FOR ME. 605 00:33:21,767 --> 00:33:24,002 COULDN'T YOU HAVE JUST COME TO ME AND TOLD ME THIS? 606 00:33:26,105 --> 00:33:29,541 I WAS TOO EMBARRASSED, I GUESS. 607 00:33:29,575 --> 00:33:32,144 I FELT FUNNY TELLING YOU I LOVED SOMEBODY-- 608 00:33:32,178 --> 00:33:34,446 A GIRL, I MEAN. 609 00:33:34,480 --> 00:33:35,681 OH. 610 00:33:38,184 --> 00:33:40,119 YOU EVER FEEL THIS WAY WITH YOUR PA? 611 00:33:42,688 --> 00:33:44,323 MY PA DIDN'T EVEN KNOW I WAS IN LOVE TILL HE SAW ME 612 00:33:44,356 --> 00:33:47,626 WALKING DOWN THE AISLE IN MY WEDDING CLOTHES. 613 00:33:47,659 --> 00:33:49,495 Albert: I DON'T FEEL SO BAD, THEN. 614 00:33:49,528 --> 00:33:51,197 WELL, YOU SHOULD. 615 00:33:51,230 --> 00:33:54,333 SNEAKING ON THE STAGE, TRYING TO SNEAK ON THE TRAIN. 616 00:33:54,366 --> 00:33:57,603 COULDN'T YOU JUST HAVE WRITTEN HER A LETTER AND TOLD HER EVERYTHING? 617 00:33:57,636 --> 00:34:01,473 WELL, I COULDN'T, NOT IN A LETTER. 618 00:34:01,507 --> 00:34:04,243 THERE'S JUST SOME THINGS YOU HAVE TO FACE UP TO. 619 00:34:04,276 --> 00:34:06,445 LIKE THEY SAY, "LOOK THEM IN THE EYE." 620 00:34:09,315 --> 00:34:12,284 ALL RIGHT, I UNDERSTAND A LITTLE BIT BETTER, NOW. 621 00:34:12,318 --> 00:34:14,220 I DON'T THINK IT'S RIGHT, BUT I UNDERSTAND IT. 622 00:34:15,621 --> 00:34:17,556 THANKS. 623 00:34:17,589 --> 00:34:20,159 FIRST THING WE'LL DO WHEN WE GET TO MINNEAPOLIS IS WIRE YOUR MA. 624 00:34:20,192 --> 00:34:21,593 SHE'S GOING TO BE WORRIED TO DEATH ABOUT YOU. 625 00:34:21,627 --> 00:34:23,129 I LEFT A NOTE FOR HER AT NELLIE'S, 626 00:34:23,162 --> 00:34:24,563 SAID I'D BE WITH YOU. 627 00:34:24,596 --> 00:34:26,098 I THOUGHT YOU DIDN'T BELIEVE IN LETTERS, 628 00:34:26,132 --> 00:34:27,499 THOUGHT EVERYTHING HAD TO BE EYE TO EYE. 629 00:34:29,535 --> 00:34:31,603 WELL, I GUESS NOT EVERYTHING. 630 00:34:35,507 --> 00:34:37,443 CAN I CALL YOU PA AGAIN? 631 00:34:40,312 --> 00:34:42,848 YEAH. 632 00:34:42,881 --> 00:34:45,217 BUT NOT IN FRONT OF THE CONDUCTOR. 633 00:35:07,739 --> 00:35:09,741 WELL, THIS IS IT. 634 00:35:09,775 --> 00:35:11,310 ALL RIGHT, I'LL WAIT FOR YOU OUT HERE. 635 00:35:11,343 --> 00:35:12,511 NO MORE THAN 15 MINUTES, THOUGH. 636 00:35:12,544 --> 00:35:13,812 I GOT TO BE IN THAT FIRST SESSION. 637 00:35:13,845 --> 00:35:15,314 - YES, SIR. - GOOD LUCK. 638 00:35:32,698 --> 00:35:34,633 [DOOR OPENS] 639 00:35:34,666 --> 00:35:36,768 YES? 640 00:35:36,802 --> 00:35:38,937 OH, MRS. BARTON? 641 00:35:38,970 --> 00:35:40,939 THAT'S CORRECT. 642 00:35:40,972 --> 00:35:43,209 I'M ALBERT, 643 00:35:43,242 --> 00:35:45,644 ALBERT INGALLS. 644 00:35:45,677 --> 00:35:48,780 I'VE BEEN WRITING TO YOUR DAUGHTER. 645 00:35:48,814 --> 00:35:51,683 OH, YES, OF COURSE. 646 00:35:51,717 --> 00:35:54,320 WELL, WON'T YOU COME IN? 647 00:36:02,961 --> 00:36:04,863 PLEASE, SIT DOWN. 648 00:36:10,869 --> 00:36:14,506 I'M SORRY I DIDN'T RECOGNIZE YOU FROM YOUR PICTURE. 649 00:36:14,540 --> 00:36:16,375 IT'S ALL RIGHT. 650 00:36:16,408 --> 00:36:18,510 YOU WERE PROBABLY EXPECTING SOMEONE LARGER. 651 00:36:18,544 --> 00:36:21,347 [LAUGHS] 652 00:36:21,380 --> 00:36:23,949 NO, IT'S JUST THAT, FROM YOUR LETTERS-- 653 00:36:23,982 --> 00:36:25,851 I MEAN, WHAT MY DAUGHTER HAS TOLD ME, I-- 654 00:36:25,884 --> 00:36:29,255 I KNOW, THAT'S ONE OF THE REASONS WHY I'M HERE. 655 00:36:29,288 --> 00:36:32,591 I HAD TO SEE HER AND BE HONEST. 656 00:36:32,624 --> 00:36:36,562 WELL, LESLIE WON'T BE BACK UNTIL 4:00. 657 00:36:36,595 --> 00:36:38,264 OH, WELL, I CAN COME BACK. 658 00:36:38,297 --> 00:36:40,766 I HAVE TO GO TO THE GRANGE MEETING WITH MY PA. 659 00:36:40,799 --> 00:36:42,834 WELL, PERHAPS YOU BETTER CALL FIRST, 660 00:36:42,868 --> 00:36:44,236 JUST TO BE SURE. 661 00:36:44,270 --> 00:36:46,638 NOW, I'LL JUST JOT DOWN THE NUMBER. 662 00:36:50,008 --> 00:36:54,580 Albert: I BET SHE'S DOING REAL WELL IN THE BALLET. 663 00:36:54,613 --> 00:36:56,014 IN THE BALLET? 664 00:36:56,047 --> 00:36:58,384 Albert: YEAH, DOING THAT "SWAN LAKE." 665 00:36:58,417 --> 00:37:01,720 WE DON'T GET THAT KIND OF DANCING IN WALNUT GROVE. 666 00:37:01,753 --> 00:37:04,590 I'D SURE LIKE TO SEE IT WHILE I'M HERE. 667 00:37:04,623 --> 00:37:10,629 WELL, I THINK YOU BETTER TALK TO LESLIE ABOUT THAT. 668 00:37:10,662 --> 00:37:11,863 HERE YOU ARE. 669 00:37:15,667 --> 00:37:16,835 THANK YOU. 670 00:37:16,868 --> 00:37:18,704 I'LL SEE YOU TO THE DOOR. 671 00:37:23,542 --> 00:37:27,012 AS I SAID, ANY TIME AFTER 4:00. 672 00:37:27,045 --> 00:37:28,947 I'D BE MUCH OBLIGED IF YOU DIDN'T SAY ANYTHING 673 00:37:28,980 --> 00:37:30,649 ABOUT ME TILL I GOT TO SEE HER. 674 00:37:30,682 --> 00:37:31,883 CERTAINLY. 675 00:37:31,917 --> 00:37:33,285 THANK YOU, MA'AM. 676 00:37:33,319 --> 00:37:35,454 - GOOD-BYE. - GOOD-BYE. 677 00:37:47,866 --> 00:37:51,370 [TELEPHONE RINGS] 678 00:37:51,403 --> 00:37:52,838 IT'LL BE THE BOY AGAIN. 679 00:37:52,871 --> 00:37:56,475 I CAN'T KEEP TELLING HIM YOU'RE NOT BACK YET. 680 00:37:56,508 --> 00:37:58,477 - TELL HIM I'M ASLEEP. - LESLIE! 681 00:37:58,510 --> 00:38:00,346 TELL HIM I'M EXHAUSTED FROM THE BALLET 682 00:38:00,379 --> 00:38:02,881 AND THAT WE'RE LEAVING FOR ST. LOUIS EARLY IN THE MORNING. 683 00:38:02,914 --> 00:38:04,383 TELL HIM I'LL WRITE HIM FROM THERE. 684 00:38:04,416 --> 00:38:06,552 [TELEPHONE RINGS] 685 00:38:06,585 --> 00:38:09,054 IN THE NAME OF GOD, TELL HIM! 686 00:38:11,857 --> 00:38:14,025 HELLO. 687 00:38:14,059 --> 00:38:16,061 YES, ALBERT. 688 00:38:16,094 --> 00:38:18,964 OH, I'M TERRIBLY SORRY. 689 00:38:18,997 --> 00:38:21,900 UH, LESLIE IS SO EXHAUSTED FROM THE BALLET, 690 00:38:21,933 --> 00:38:26,338 SHE CAME IN LATE AND FELL RIGHT OFF TO SLEEP. 691 00:38:26,372 --> 00:38:28,574 Mrs. Barton: YES, I KNOW, 692 00:38:28,607 --> 00:38:31,577 BUT WE'RE GOING TO ST. LOUIS IN THE MORNING. 693 00:38:31,610 --> 00:38:34,045 NO, NO, NO, I--I UNDERSTAND, 694 00:38:34,079 --> 00:38:37,583 BUT WE'RE LEAVING VERY EARLY. 695 00:38:37,616 --> 00:38:41,453 WELL, PERHAPS ANOTHER TIME. 696 00:38:41,487 --> 00:38:44,390 I KNOW IT'S A LONG WAY. 697 00:38:44,423 --> 00:38:46,458 Mrs. Barton: BUT LOOK, LESLIE WILL WRITE TO YOU 698 00:38:46,492 --> 00:38:50,596 AS SOON AS SHE GETS TO ST. LOUIS. 699 00:38:50,629 --> 00:38:54,400 OF COURSE I WILL. 700 00:38:54,433 --> 00:38:57,603 YES. GOOD-BYE. 701 00:39:00,972 --> 00:39:02,574 WHAT DID HE SAY? 702 00:39:05,076 --> 00:39:08,079 HE SAID TO HAVE A NICE TRIP. 703 00:39:08,113 --> 00:39:10,348 HE'LL MISS YOU. 704 00:39:12,718 --> 00:39:14,620 I'LL FINISH PACKING. 705 00:39:25,464 --> 00:39:27,032 WHAT? IS SHE NOT HOME YET? 706 00:39:27,065 --> 00:39:28,800 YEAH, SHE'S HOME. 707 00:39:28,834 --> 00:39:31,437 HER MA SAID SHE WAS TIRED AND WENT TO BED. 708 00:39:31,470 --> 00:39:33,972 OH, WELL, YOU'LL SEE HER IN THE MORNING. 709 00:39:34,005 --> 00:39:36,675 THEY'RE LEAVING FOR ST. LOUIS. 710 00:39:36,708 --> 00:39:39,645 TOO EARLY FOR VISITORS. 711 00:39:39,678 --> 00:39:40,912 SHE'LL WRITE ME. 712 00:39:43,715 --> 00:39:44,883 I'M SORRY, SON. 713 00:39:53,959 --> 00:39:57,463 HER MA TOLD HER HOW LITTLE I WAS, THAT'S WHAT. 714 00:39:57,496 --> 00:40:00,932 SHE SAID SHE WOULDN'T, BUT SHE DID. 715 00:40:00,966 --> 00:40:03,101 I BET THEY HAD A GOOD, OLD LAUGH OVER IT, TOO. 716 00:40:03,134 --> 00:40:05,036 OH, COME ON, NOW. YOU DON'T KNOW THAT. 717 00:40:05,070 --> 00:40:06,838 OH, PA, OF COURSE I DO. 718 00:40:06,872 --> 00:40:09,174 SHE COULD HAVE SEEN ME OTHERWISE. 719 00:40:12,711 --> 00:40:17,816 I CAME ALL THIS WAY JUST TO BE HONEST WITH HER. 720 00:40:17,849 --> 00:40:19,918 WELL, I LEARNED MY LESSON. 721 00:40:19,951 --> 00:40:21,653 I HATE HER, NOW. 722 00:40:21,687 --> 00:40:24,189 OH, COME ON. YOU DON'T HATE HER, AND YOU KNOW IT. 723 00:40:24,222 --> 00:40:27,559 I DO, TOO! 724 00:40:27,593 --> 00:40:31,930 I'VE GOT A GOOD MIND TO GO OVER THERE AND TELL HER SO, 725 00:40:31,963 --> 00:40:35,033 SO HIGH AND MIGHTY, 726 00:40:35,066 --> 00:40:37,503 LIVING IN A BIG HOUSE, 727 00:40:37,536 --> 00:40:41,673 DANCING IN A BALLET. 728 00:40:41,707 --> 00:40:45,644 SHE THINKS SHE'S REALLY SOMETHING. 729 00:40:45,677 --> 00:40:48,213 SHE DON'T MEAN BEANS TO ME, AND I HATE HER. 730 00:40:51,116 --> 00:40:52,651 I KNOW HOW YOU FEEL. 731 00:40:52,684 --> 00:40:57,656 NO, YOU DON'T. 732 00:40:57,689 --> 00:41:01,192 I WROTE THINGS TO HER, 733 00:41:01,226 --> 00:41:03,228 OH, NOT ANY MADE-UP THINGS, 734 00:41:03,261 --> 00:41:08,500 BUT TRUE THINGS ABOUT HOW I FELT ABOUT HER, 735 00:41:08,534 --> 00:41:12,871 AND SHE DOESN'T EVEN SEE ME. 736 00:41:12,904 --> 00:41:15,674 I MEAN, WHAT KIND OF PERSON JUST DOESN'T LOVE YOU 737 00:41:15,707 --> 00:41:18,577 JUST BECAUSE YOU'RE NOT AS TALL AS YOU SAID YOU WERE? 738 00:41:20,579 --> 00:41:22,147 I DON'T KNOW. 739 00:41:24,315 --> 00:41:27,953 I DON'T KNOW WHAT I'M CRYING ABOUT, ANYWAY. 740 00:41:27,986 --> 00:41:30,822 SHE'S NOT SO MUCH, 741 00:41:30,856 --> 00:41:33,191 HER AND HER BALLET. 742 00:41:33,224 --> 00:41:35,260 I BET SHE WOULD LOOK FUNNY AT A BARN DANCE 743 00:41:35,293 --> 00:41:36,828 HOPPING AROUND ON HER TOES. 744 00:41:37,996 --> 00:41:39,865 I BET SHE WOULD. 745 00:41:39,898 --> 00:41:41,867 Albert: BET SHE CAN'T EVEN SQUARE-DANCE. 746 00:41:41,900 --> 00:41:43,034 PROBABLY NOT. 747 00:41:47,606 --> 00:41:52,077 FOLKS SHOULDN'T HURT PEOPLE LIKE THAT, 748 00:41:52,110 --> 00:41:56,582 AND I WANT TO TELL HER SO. 749 00:41:56,615 --> 00:42:00,586 CAN WE GO OVER THERE IN THE MORNING BEFORE THE TRAIN? 750 00:42:00,619 --> 00:42:03,154 I THOUGHT YOU SAID SHE WOULDN'T SEE YOU. 751 00:42:03,188 --> 00:42:05,957 I'LL WAIT TILL SHE COMES OUT. 752 00:42:05,991 --> 00:42:09,327 IT WILL MAKE ME FEEL BETTER, PA. 753 00:42:09,360 --> 00:42:11,697 ALL RIGHT. 754 00:42:11,730 --> 00:42:14,766 THANKS. 755 00:42:14,800 --> 00:42:17,102 I'LL GO WASH UP, NOW. 756 00:42:17,135 --> 00:42:18,269 OKAY. 757 00:42:46,164 --> 00:42:49,034 ALBERT, IT'S A QUARTER AFTER. 758 00:42:49,067 --> 00:42:50,268 15 MINUTES, WE'RE GOING TO HAVE TO GO, 759 00:42:50,301 --> 00:42:52,270 OR WE'LL MISS THE TRAIN. 760 00:42:52,303 --> 00:42:53,639 YEAH. 761 00:42:53,672 --> 00:42:58,076 [HOOFBEATS] 762 00:42:58,109 --> 00:43:00,612 THAT MUST BE THEIR COACH. 763 00:43:08,119 --> 00:43:09,354 YEAH, HERE THEY COME. 764 00:43:16,227 --> 00:43:18,096 THIS WON'T TAKE BUT A MINUTE. 765 00:43:32,878 --> 00:43:34,245 PA-- 766 00:43:36,815 --> 00:43:39,384 PA, THAT'S HER. 767 00:43:39,417 --> 00:43:41,887 THAT'S LESLIE. 768 00:43:58,103 --> 00:44:01,039 THAT'S WHY. 769 00:44:01,072 --> 00:44:03,408 THAT'S WHY SHE DIDN'T WANT TO SEE ME. 770 00:44:06,745 --> 00:44:08,046 I'LL BE RIGHT BACK. 771 00:44:17,422 --> 00:44:19,090 LESLIE. 772 00:44:19,124 --> 00:44:22,728 ALBERT. 773 00:44:22,761 --> 00:44:27,098 JUST STOPPED BY ON MY WAY TO THE TRAIN. 774 00:44:27,132 --> 00:44:29,868 I'M GLAD I GOT TO SEE YOU, THOUGH. 775 00:44:29,901 --> 00:44:32,804 I SURE WAS MAD AT YOU LAST NIGHT. 776 00:44:32,838 --> 00:44:34,005 I'M SORRY. 777 00:44:34,039 --> 00:44:36,374 NO, IT'S ALL RIGHT. 778 00:44:36,407 --> 00:44:40,345 TAUGHT ME A GOOD LESSON. 779 00:44:40,378 --> 00:44:43,448 FROM NOW ON, I'M GOING TO BE HONEST ABOUT MYSELF. 780 00:44:43,481 --> 00:44:45,917 Albert: IT TAUGHT ME SOMETHING ELSE, TOO, 781 00:44:45,951 --> 00:44:49,387 AND THAT'S THAT SOME FOLKS LOVE DIFFERENT FROM OTHERS. 782 00:44:49,420 --> 00:44:52,023 I MEAN, I'M NOT BLAMING YOU ABOUT NOT CARING ABOUT ME 783 00:44:52,057 --> 00:44:56,327 AFTER YOU FOUND OUT I WASN'T THE BIG HERO OF WALNUT GROVE. 784 00:44:56,361 --> 00:45:02,233 IT'S NOT YOUR FAULT YOU DIDN'T CARE ENOUGH ABOUT ME IN THE FIRST PLACE, 785 00:45:02,267 --> 00:45:03,434 BUT I STILL LOVE YOU, 786 00:45:03,468 --> 00:45:06,504 AND I WOULD, NO MATTER WHAT 787 00:45:06,537 --> 00:45:09,207 BECAUSE THAT'S WHAT REALLY LOVING IS. 788 00:45:13,244 --> 00:45:17,783 IF YOU STILL WANT TO WRITE TO ME, I'D SURE LIKE IT. 789 00:45:17,816 --> 00:45:22,253 YOU DON'T HAVE TO SAY YOU LOVE ME IF YOU DON'T. 790 00:45:22,287 --> 00:45:24,455 JUST BE HONEST. 791 00:45:34,365 --> 00:45:37,002 HAVE A GOOD TRIP. 792 00:45:55,120 --> 00:45:57,789 I LOVE YOU, LESLIE BARTON. 793 00:47:10,428 --> 00:47:12,563 ALBERT! 794 00:47:14,900 --> 00:47:17,168 THAT LETTER YOU'VE BEEN ASKING ABOUT? 795 00:47:17,202 --> 00:47:19,570 - IT CAME. - THANK YOU, MS. FOSTER. 796 00:47:19,604 --> 00:47:21,439 Ms. Foster: YOU'RE WELCOME. 797 00:47:21,472 --> 00:47:22,640 CARRIE, YOU GO AHEAD. 798 00:47:22,673 --> 00:47:24,242 YOU BETTER NOT BE LATE. 799 00:47:24,275 --> 00:47:26,611 I WON'T BE. GO ON. 800 00:47:30,115 --> 00:47:32,951 Leslie, voice-over: "MY DEAREST ALBERT, 801 00:47:32,984 --> 00:47:35,286 "THIS IS THE LONGEST LETTER I HAVE EVER WRITTEN 802 00:47:35,320 --> 00:47:38,957 "BECAUSE THERE ARE SO MANY THINGS I MUST TELL YOU. 803 00:47:38,990 --> 00:47:40,959 "YOU ASKED ME TO BE HONEST WITH YOU, 804 00:47:40,992 --> 00:47:44,295 "AND I WILL BE FROM NOW ON. 805 00:47:44,329 --> 00:47:46,431 "LET ME START WITH... 806 00:47:46,464 --> 00:47:48,466 "I MISS YOU, 807 00:47:48,499 --> 00:47:52,203 "AND I LOVE YOU, ALBERT INGALLS." 808 00:47:52,237 --> 00:47:54,172 [BELL RINGING] 54594

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