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1
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IT ALL BEGAN WHEN I TOOK UP
MY POST AS THE ST. GEORGE
FAMILY GOVERNESS
2
00:00:09,776 --> 00:00:13,410
IN NEWPORT, RHODE ISLAND
IN 1873.
3
00:00:14,347 --> 00:00:16,615
THE PHILANDERING
LORD RICHARD
4
00:00:16,617 --> 00:00:19,984
FOUND THE BRAZILIAN BEAUTY
CONCHITA CLOSSON BEWITCHING,
5
00:00:19,986 --> 00:00:22,253
AND PROMPTLY MARRIED HER,
ONLY TO DISCOVER
6
00:00:22,255 --> 00:00:24,922
SHE WAS NOT THE HEIRESS
HE ASSUMED.
7
00:00:24,924 --> 00:00:27,258
IT OCCURRED TO ME
THAT MY OWN YOUNG CHARGE,
8
00:00:27,260 --> 00:00:29,728
ANNABEL ST. GEORGE,
AND HER SISTER VIRGINIA
9
00:00:29,730 --> 00:00:31,929
MIGHT BENEFIT
FROM AN ENGLISH SEASON.
10
00:00:31,931 --> 00:00:34,602
AND I DECIDED TO INTRODUCE THEM
TO LORD RICHARD'S FAMILY.
11
00:00:34,604 --> 00:00:36,367
MISS ST. GEORGE...
12
00:00:36,369 --> 00:00:39,581
I SHOULD NEVER HAVE TAKEN YOU
FOR AN AMERICAN.
13
00:00:41,041 --> 00:00:45,309
BUT SURELY IN LORD SEADOWN'S CASE
THAT WOULD BE ONLY TOO EASY.
14
00:00:45,311 --> 00:00:49,079
YOU'RE FORGETTING
THIS RETCHED ENTANGLEMENT
OF HIS WITH IDINA HATTON.
15
00:00:49,081 --> 00:00:50,948
MY LOVE...
16
00:00:50,950 --> 00:00:54,802
I AM OLDER AND WISER THAN YOU
AND I KNOW NOTHING OF THE KIND.
17
00:00:54,804 --> 00:00:57,221
ANNABEL, MY OWN
SPECIAL FAVORITE,
18
00:00:57,223 --> 00:00:59,524
FELL IN LOVE WITH GUY THWAITE
AT FIRST SIGHT.
19
00:00:59,526 --> 00:01:03,094
ENGLAND'S MOST ELIGIBLE BACHELOR,
BUT FOR HIS LOST INHERITANCE.
20
00:01:03,096 --> 00:01:05,497
WITH THE HELP OF MY AMERICAN
FRIEND JACKIE MARCH,
21
00:01:05,499 --> 00:01:09,067
WE INSTALLED OURSELVES IN
IDINA'S IDYLLIC RUNNYMEAD COTTAGE,
22
00:01:09,069 --> 00:01:12,336
WHERE A SURPRISE VISIT FROM
THE VIVACIOUS LIZZY ELMSWORTH,
23
00:01:12,338 --> 00:01:15,910
VIRGINIA'S ARCH RIVAL,
MADE MY LITTLE BAND COMPLETE.
24
00:01:15,912 --> 00:01:18,403
OH, WELL,
ANOTHER BUCCANEER.
25
00:01:18,405 --> 00:01:21,078
- A WHAT?
- OH, THAT'S WHAT
MISS MARCH CALLS YOU...
26
00:01:21,080 --> 00:01:23,047
- THE BUCCANEERS.
- THE BUCCANEERS?
27
00:01:23,049 --> 00:01:24,615
- YEAH.
- WHY?
28
00:01:24,617 --> 00:01:26,617
BECAUSE SHE SAYS,
THE ENGLISH INVADED AMERICA,
29
00:01:26,619 --> 00:01:30,053
- NOW IT'S YOUR TURN.
- DON'T YOU JUST LOVE IT?
30
00:01:31,841 --> 00:01:33,691
CHEERS TO YOU.
31
00:02:18,671 --> 00:02:20,872
LET ME HELP YOU, LIZZY.
32
00:02:20,874 --> 00:02:23,795
- A GIRL CAN JUMP, YOU KNOW.
- I'M SURE YOU CAN.
33
00:02:28,982 --> 00:02:31,459
DON'T FORGET
THE CHAMPAGNE, MILES.
34
00:02:36,055 --> 00:02:39,433
DARLING, I'M AFRAID
YOU CAN'T LAND SEADOWN.
35
00:02:39,525 --> 00:02:41,892
I'M SORRY I EVER
MENTIONED IT TO YOU, BUT
36
00:02:41,894 --> 00:02:44,228
THAT BOY CAN'T BE SERIOUS
ABOUT ANYTHING.
37
00:02:44,230 --> 00:02:48,007
DON'T WORRY, I DON'T WANT HIM. HE HAS
FAR TOO HIGH OF OPINION OF HIMSELF.
38
00:02:48,009 --> 00:02:49,801
YOU'RE A TERRIBLE LIAR.
39
00:02:49,803 --> 00:02:51,836
YOU RATHER LIKE HIM,
DON'T YOU?
40
00:02:51,838 --> 00:02:54,815
IT'S ONLY BECAUSE YOU THINK
YOU CAN'T HAVE HIM.
41
00:02:55,508 --> 00:02:58,442
DID YOU SEE
HOW YOUNG MILES COLORED UP
42
00:02:58,444 --> 00:03:00,711
WHEN I ASKED HIM
TO COME BACK TO THE HOUSE?
43
00:03:00,713 --> 00:03:02,880
I KNOW HE HAS
NO MONEY, BUT...
44
00:03:02,882 --> 00:03:06,024
HE'S RATHER A POPPET,
DON'T YOU THINK?
45
00:03:27,974 --> 00:03:30,207
LORD SEADOWN IS HERE.
46
00:03:30,209 --> 00:03:32,109
YOU'RE NOT SURPRISED,
ARE YOU?
47
00:03:32,111 --> 00:03:33,878
NO, NOT AT ALL.
48
00:03:33,880 --> 00:03:36,615
ONLY, IDINA FORBADE HIM
TO COME HERE.
49
00:03:36,617 --> 00:03:37,862
HMM.
50
00:03:37,864 --> 00:03:41,090
BUT ISN'T FORBIDDEN FRUIT
ALWAYS THE SWEETEST?
51
00:03:41,988 --> 00:03:45,422
LIZZY ELMSWORTH IS
VERY STYLISH, ISN'T SHE?
52
00:03:45,424 --> 00:03:49,803
HAS IT OCCURRED TO YOU
THAT SHE MIGHT BE MORE
TO LORD SEADOWN'S TASTE?
53
00:03:50,630 --> 00:03:53,821
VIRGINIA, AFTER ALL,
MIGHT AIM SOMEWHAT HIGHER.
54
00:03:53,823 --> 00:03:56,467
ONE, TWO, THREE...
55
00:03:56,469 --> 00:03:58,903
FOUR, FIVE, SIX...
56
00:03:58,905 --> 00:04:02,650
SEVEN, EIGHT, NINE, TEN.
57
00:04:07,814 --> 00:04:10,958
YOUR GRACE,
I'M SO GLAD YOU COULD COME.
58
00:04:11,451 --> 00:04:13,580
SEADOWN IS HERE...
59
00:04:17,457 --> 00:04:19,891
OH, AND DO YOU KNOW
HECTOR ROBINSON?
60
00:04:20,093 --> 00:04:21,993
OH, YOUR GRACE.
61
00:04:21,995 --> 00:04:24,071
OH, CERTAINLY,
LADY RICHARD.
62
00:04:27,500 --> 00:04:29,900
MR. ROBINSON...
63
00:04:29,902 --> 00:04:32,236
YOU ARE THE MAN WITH
THE BUTTON, ARE YOU NOT?
64
00:04:32,238 --> 00:04:34,973
- THAT IS SO, YOUR GRACE.
- WELL, PERHAPS YOU COULD
EXPLAIN TO ME.
65
00:04:34,975 --> 00:04:37,308
YOU SEE, I CERTAINLY
CAN'T MAKE ANY SENSE OF IT.
66
00:04:37,310 --> 00:04:40,451
WHAT EXACTLY IS
A TORY DEMOCRAT?
67
00:04:40,813 --> 00:04:43,981
AH-HA.
HE IS A DEMOCRAT, YOUR GRACE,
68
00:04:43,983 --> 00:04:47,184
BECAUSE HE BELIEVES
IN THE WELFARE OF THE PEOPLE,
69
00:04:47,186 --> 00:04:49,220
AND A TORY,
BECAUSE HE KNOWS
70
00:04:49,222 --> 00:04:51,656
THE ESTABLISHED INSTITUTIONS
OF THE COUNTRY
71
00:04:51,658 --> 00:04:54,092
AND THE BEST MEANS
BY WHICH TO ACHIEVE IT.
72
00:04:54,094 --> 00:04:59,096
OPPORTUNISM AND HYPOCRISY,
MR. ROBINSON, THAT'S ALL THAT IS.
73
00:04:59,098 --> 00:05:00,631
COME ON, COME ON...
74
00:05:00,733 --> 00:05:03,167
WELL...
75
00:05:03,169 --> 00:05:05,302
I'VE JUST GOT TO...
76
00:05:05,304 --> 00:05:07,514
I'VE JUST...
77
00:05:09,341 --> 00:05:11,608
COME ON, COME ON,
PUT HER THERE.
78
00:05:11,610 --> 00:05:15,022
FOLLOW ME, COME ON.
COME ON.
79
00:05:24,991 --> 00:05:26,657
YOUR GRACE.
80
00:05:26,659 --> 00:05:30,060
I DO APOLOGIZE.
THIS MUST LOOK VERY SILLY.
81
00:05:30,062 --> 00:05:33,774
I HOPE YOU'LL JOIN US.
IT'S GREAT FUN.
82
00:05:37,303 --> 00:05:39,313
COME ON, GET A DRINK.
83
00:05:44,610 --> 00:05:46,544
THE RULES ARE,
IF I PAWN YOU...
84
00:05:46,546 --> 00:05:48,589
BLINDFOLD JULIUS.
85
00:05:49,649 --> 00:05:51,649
YES, VERY GOOD.
86
00:05:51,651 --> 00:05:55,086
PLEASE, EVERYONE MUST
EXCUSE ME. THANK YOU.
87
00:05:55,088 --> 00:05:57,919
BUT YOUR GRACE, YOU'RE MISSING
ALL THE FUN, REALLY.
88
00:05:59,192 --> 00:06:01,492
OH, THAT'S A SHAME.
89
00:06:01,494 --> 00:06:04,651
- WELL, WHO'S NEXT THEN?
- MILES, COME ON.
90
00:06:11,471 --> 00:06:14,004
IT'S NOT A QUESTION OF
BECOMING A RECLUSE, MOTHER.
91
00:06:14,006 --> 00:06:17,621
I SIMPLY DO NOT ENJOY
THE SENSATION OF BEING
HUNTED FOR MY TITLE.
92
00:06:17,623 --> 00:06:20,310
YES, DEAR,
SO YOU HAVE ALWAYS SAID.
93
00:06:20,312 --> 00:06:22,213
ALWAYS?
94
00:06:22,215 --> 00:06:24,591
SINCE YOU WERE
OF AN AGE.
95
00:06:27,053 --> 00:06:32,323
THE FIRST WORDS YOU EVER SPOKE
WERE "TICK-TOCK".
96
00:06:32,325 --> 00:06:36,827
- IS THAT SO?
- OR IT MIGHT HAVE BEEN "CLIP-CLOP".
97
00:06:36,829 --> 00:06:39,797
I DOUBT IT... I'VE ALWAYS
LIKED CLOCKS RATHER MORE
THAN HORSES.
98
00:06:39,799 --> 00:06:44,051
I DO SOMETIMES FEEL, JULIUS,
THAT YOU HAVE LIKED CLOCKS
MORE THAN ANYTHING.
99
00:06:44,403 --> 00:06:47,638
MY DEAR, I AM SURE
100
00:06:47,640 --> 00:06:53,243
THAT NO ONE ON MY GUEST LIST
IS HUNTING YOU DOWN FOR YOUR TITLE.
101
00:06:53,345 --> 00:06:55,078
MUST YOU GO?
102
00:06:55,080 --> 00:06:59,974
YOU SPEND FAR TOO MUCH TIME ALONE
IN THAT GLOOMY OLD PLACE AS IT IS.
103
00:06:59,986 --> 00:07:02,363
AH, IT'S
OUR ANCESTRAL PAST.
104
00:07:15,467 --> 00:07:17,068
NO...
105
00:07:17,070 --> 00:07:18,970
I SHALL GO DOWN
TO TREVENICK TOMORROW.
106
00:07:18,972 --> 00:07:21,455
I HAVE THE PLANS
TO GO OVER WITH CARTWRIGHT.
107
00:07:21,707 --> 00:07:24,919
I WILL NOT BE HUNTED.
108
00:07:40,593 --> 00:07:43,804
NAN, PLEASE
STOP FIDGETING.
109
00:07:45,031 --> 00:07:47,832
VAL, YOU KNOW WHAT THE TROUBLE
WITH GINNY IS,
110
00:07:47,834 --> 00:07:51,535
IS THAT ALL SHE'S INTERESTED IN
IS THE RIGHT PEOPLE.
111
00:07:51,537 --> 00:07:54,404
AND THE CLOTHES THEY WEAR,
AND THE CARRIAGES THEY DRIVE,
112
00:07:54,406 --> 00:07:56,807
AND THEN THE PEOPLE THEY KNOW,
AND THE CLOTHES THEY WEAR.
113
00:07:56,809 --> 00:07:57,875
- WELL...
- AND THE CARRIAGE...
114
00:07:57,877 --> 00:08:00,020
AND WHAT ARE YOU
INTERESTED IN?
115
00:08:01,013 --> 00:08:03,347
I DON'T KNOW.
116
00:08:03,349 --> 00:08:05,516
THE PAST,
117
00:08:05,518 --> 00:08:07,784
BUILDINGS MOSTLY.
118
00:08:07,786 --> 00:08:09,787
HOUSES, YEAH...
119
00:08:09,789 --> 00:08:11,955
I LOVE TO SEE
HOUSES SO ANCIENT
120
00:08:11,957 --> 00:08:16,260
AND SO LOVELY THAT PEOPLE
THAT LIVE IN THEM, THEY HAVE THEM
IN THEIR BONES.
121
00:08:16,262 --> 00:08:19,763
THAT'S AN ODD EXPRESSION.
DID YOU FIND IT IN A BOOK?
122
00:08:19,765 --> 00:08:22,436
NO.
IF YOU REALLY MUST KNOW,
123
00:08:22,438 --> 00:08:25,712
GUY THWAITE SAID IT
ABOUT HONORSLOVE.
124
00:08:27,807 --> 00:08:30,117
I HAVE A LITTLE PLAN.
125
00:08:30,610 --> 00:08:33,410
I THINK WE MIGHT
GO AWAY FOR AWHILE.
126
00:08:33,412 --> 00:08:36,790
- WE?
- YES, JUST YOU AND ME.
127
00:08:37,817 --> 00:08:40,417
I KNOW A LITTLE PLACE
IN CORNWALL
128
00:08:40,419 --> 00:08:44,422
WHERE WE CAN GO SEABATHING
AND LIVE LIKE GYPSIES.
129
00:08:44,424 --> 00:08:46,390
OH, VAL.
130
00:08:46,392 --> 00:08:48,693
I SHOULD LOVE THAT.
131
00:08:48,695 --> 00:08:52,172
GOOD.
THEN I SHALL ARRANGE IT.
132
00:09:48,887 --> 00:09:50,821
VAL.
133
00:09:50,823 --> 00:09:53,223
- HERE.
- NAN.
134
00:09:53,225 --> 00:09:56,670
- IT'S GLORIOUS.
- GOOD.
135
00:09:56,762 --> 00:10:00,173
- NAN, BE CAREFUL.
- I WILL.
136
00:10:14,780 --> 00:10:16,747
I'M SO SORRY.
137
00:10:16,749 --> 00:10:19,450
- DIDN'T MEAN TO STARTLE YOU.
- YOU DIDN'T.
138
00:10:19,452 --> 00:10:22,062
I DIDN'T REALIZE
THERE WAS ANYONE HERE.
139
00:10:23,522 --> 00:10:25,732
WELL, I DON'T WISH
TO DISTURB YOU.
140
00:10:25,824 --> 00:10:27,257
IT'S ALL RIGHT.
141
00:10:27,259 --> 00:10:29,092
THE PLACE DOESN'T
BELONG TO ME, YOU KNOW.
142
00:10:29,094 --> 00:10:30,737
INDEED.
143
00:10:39,572 --> 00:10:42,639
I'VE SEEN YOU
SOMEPLACE BEFORE.
144
00:10:42,641 --> 00:10:46,109
YES, I...
RUNNYMEAD.
145
00:10:46,111 --> 00:10:49,246
I'M NAN ST. GEORGE.
146
00:10:49,248 --> 00:10:51,548
AND YOU ARE...
147
00:10:51,550 --> 00:10:53,650
I KNOW, UM...
148
00:10:53,652 --> 00:10:55,606
MR. ROBINSON.
149
00:10:56,255 --> 00:10:59,155
OH, DEAR...
150
00:10:59,157 --> 00:11:02,569
I CAN SEE YOU'RE
NOT MR. ROBINSON.
151
00:11:03,996 --> 00:11:08,025
I'M SO SORRY, IT'S HATEFUL TO BE
TAKEN FOR SOMEONE ELSE.
152
00:11:08,027 --> 00:11:10,576
ESPECIALLY MR. ROBINSON.
153
00:11:13,339 --> 00:11:15,482
I'M SORRY.
154
00:11:15,774 --> 00:11:17,551
WELL...
155
00:11:36,195 --> 00:11:38,538
OH.
156
00:11:42,201 --> 00:11:45,879
NO, I NEVER WOULD HAVE GUESSED
YOU WERE ONE OF THOSE RUSTLING
YOUNG WOMEN AT RUNNYMEAD.
157
00:11:47,439 --> 00:11:50,884
- THEY'RE ALWAYS SO NOISY.
- THEY ARE RATHER.
158
00:11:50,976 --> 00:11:54,011
I CAN ONLY TAKE SO MUCH
OF THAT SORT OF THING...
159
00:11:54,013 --> 00:11:57,758
APPLE PIE, BILLARDS,
MURDER AND PILLOW FIGHTS.
160
00:11:57,950 --> 00:12:00,894
AND THEY ALL DRINK
AND SMOKE SO MUCH.
161
00:12:00,986 --> 00:12:03,697
OH, BUT THIS,
162
00:12:03,789 --> 00:12:05,989
THIS IS GLORIOUS.
163
00:12:05,991 --> 00:12:08,324
DIDN'T YOU SAY
THE WOMEN SMOKE?
164
00:12:08,326 --> 00:12:11,228
CERTAINLY THEY DO,
ALL OF THEM.
165
00:12:11,230 --> 00:12:13,363
LIKE FOREST FIRES.
166
00:12:13,365 --> 00:12:16,676
- I SMOKE LIKE A FOREST FIRE.
- DO YOU?
167
00:12:17,170 --> 00:12:20,603
- I'M SURE IT'S BAD FOR YOU.
- DO YOU THINK?
168
00:12:20,605 --> 00:12:22,015
YES.
169
00:12:22,407 --> 00:12:24,330
ANNABEL.
170
00:12:24,909 --> 00:12:28,311
OH, THAT'S MY GOVERNESS.
171
00:12:28,313 --> 00:12:29,634
I REALLY MUST GO.
172
00:12:29,636 --> 00:12:32,291
- WILL SHE BE ANGRY?
- DREADFULLY.
173
00:12:33,019 --> 00:12:35,686
- MAY I SEE YOU BACK?
- IF YOU LIKE.
174
00:12:35,688 --> 00:12:37,564
WALK ME TO THE TOP.
175
00:12:47,132 --> 00:12:49,900
NAN, HOW MANY TIMES
MUST I TELL YOU,
176
00:12:49,902 --> 00:12:51,368
NOT TO TALK TO STRANGERS.
177
00:12:51,370 --> 00:12:53,903
HE'S NOT A STRANGER.
HE'S BEEN TO RUNNYMEAD,
178
00:12:53,905 --> 00:12:56,650
AND HE SAYS HE LIVES
SOMEWHERE AROUND HERE.
179
00:12:57,677 --> 00:12:59,976
THERE HE IS, STILL.
180
00:12:59,978 --> 00:13:02,546
GOOD GRACIOUS,
THAT'S THE DUKE OF TREVENICK.
181
00:13:02,548 --> 00:13:04,615
- NO.
- YES, OF COURSE IT IS.
182
00:13:04,617 --> 00:13:07,251
WELL, OF COURSE...
THIS IS ALL TREVENICK LAND.
183
00:13:07,253 --> 00:13:10,521
- NAN, DON'T STARE.
- HE SEEMS SUCH A CHILD.
184
00:13:10,523 --> 00:13:12,865
LET'S HOPE HE THOUGHT
NO WORSE OF YOU.
185
00:13:12,867 --> 00:13:15,425
HE THOUGHT
I WAS WONDERFUL.
186
00:13:15,427 --> 00:13:20,173
AND HE'S SENDING HIS
FLYOVER TOMORROW AT 4:00 TO
TAKE US BOTH TO TEA.
187
00:13:29,908 --> 00:13:33,360
DID YOU INVESTIGATE
CONNIE'S FINANCES AT ALL, DICK?
188
00:13:33,412 --> 00:13:35,745
BEFORE YOUR ENGAGEMENT,
I MEAN.
189
00:13:35,747 --> 00:13:37,948
I WAS IN LOVE WITH CONNIE.
190
00:13:37,950 --> 00:13:40,761
SHE'S PREGNANT, BY THE WAY.
191
00:13:41,621 --> 00:13:45,389
- AN IMMACULATE CONCEPTION.
- OH, YEAH.
192
00:13:45,391 --> 00:13:49,126
CONNIE AND I DO MEET UP
FROM TIME TO TIME.
193
00:13:49,128 --> 00:13:51,261
YOU BETTER
GET A MOVE ON.
194
00:13:51,263 --> 00:13:54,707
MAYBE THE NEXT LORD BRIGHTLINGSEA,
SHE'S CARRYING.
195
00:13:57,903 --> 00:14:01,848
I'VE HAD BLAIR LOOK
INTO THE ELMSWORTHS
AND THE ST. GEORGES.
196
00:14:02,742 --> 00:14:04,474
AND...?
197
00:14:04,476 --> 00:14:07,310
THE ELMSWORTHS ARE SO-SO.
198
00:14:07,312 --> 00:14:12,134
BUT COLONEL ST. GEORGE REALLY
IS THE THIRD RICHEST MAN
ON WALL STREET.
199
00:14:13,452 --> 00:14:16,052
IF A MAN MUST GRUB AROUND
TO MAKE A LIVING,
200
00:14:16,054 --> 00:14:18,354
I SUPPOSE ONE DOES PREFER HIM
TO DO IT SUCCESSFULLY.
201
00:14:18,356 --> 00:14:20,724
SO, WHAT ARE
YOU WAITING FOR?
202
00:14:20,726 --> 00:14:23,536
I DON'T SEE YOU
THRIVING ON MARRIAGE.
203
00:14:24,430 --> 00:14:28,875
BUT THEN, MAYBE THE TRICK IS
NOT TO BE IN LOVE WITH ONE'S WIFE.
204
00:14:34,907 --> 00:14:37,240
AND THE HAWK LIFTED
THE CHILD OUT OF THE CRADLE,
205
00:14:37,242 --> 00:14:40,253
- FLEW IT OUT OF THAT WINDOW THERE.
- Oh, no.
206
00:14:42,449 --> 00:14:46,350
YOU CAN STILL HEAR THE CRIES
OF THE DISTRESSED MOTHER
CARRIED BY THE WIND.
207
00:14:46,352 --> 00:14:48,395
- REALLY?
- YEAH.
208
00:14:49,889 --> 00:14:52,522
YOU KNOW, MY FATHER
WAS COMPLETE... OH, PLEASE.
209
00:14:52,524 --> 00:14:54,692
- THAT ONE, PLEASE.
- THIS ONE HERE?
210
00:14:54,694 --> 00:14:56,603
- THANK YOU.
- YEAH.
211
00:14:58,697 --> 00:15:03,000
MY FATHER WAS COMPLETELY
UNABLE TO FULFILL ANY OF MY
GRANDFATHER'S AMBITIONS HERE.
212
00:15:03,002 --> 00:15:06,069
I'M DETERMINED TO RESTORE
TREVENICK TO ITS FORMER GLORY.
213
00:15:06,071 --> 00:15:09,373
- OH, WHAT A FINE AMBITION.
- THANK YOU.
214
00:15:09,375 --> 00:15:11,375
MY MOTHER DISAPPROVES
OF THE RESTORATION PLANS.
215
00:15:11,377 --> 00:15:14,077
SHE FINDS THE WHOLE AREA
RATHER GLOOMY.
216
00:15:14,079 --> 00:15:17,614
NO, I THINK IT'S
WILD AND GRAND.
217
00:15:17,616 --> 00:15:20,560
YOU KNOW, I PREFER IT
TO LIVING IN LONDON ANY DAY.
218
00:15:23,989 --> 00:15:26,656
YOU CERTAINLY HAVE
QUITE AN APPETITE.
219
00:15:26,658 --> 00:15:28,368
YES.
220
00:15:34,266 --> 00:15:36,132
IN SOME OF
THE EARLY FAMILY STORIES,
221
00:15:36,134 --> 00:15:39,513
IT SAID ONE OF MY FORBEARERS
MET HIS DEATH FALLING FROM
THIS WINDOW.
222
00:15:42,408 --> 00:15:45,819
WHO KNOWS, IT IS
A FEARFUL LONG WAY.
223
00:16:10,836 --> 00:16:14,171
THANK YOU SO MUCH, YOUR GRACE,
FOR A MOST ENTERTAINING AFTERNOON.
224
00:16:14,173 --> 00:16:16,707
BUT IT WAS MOST DELIGHTFUL
TO MEET YOU BOTH, MS. TESTVALLEY,
225
00:16:16,709 --> 00:16:20,220
- MISS ST. GEORGE.
- THANK YOU, JULIUS.
226
00:16:21,946 --> 00:16:24,891
- YOU'RE GOOD.
- WALK ON.
227
00:17:53,536 --> 00:17:55,379
CONNIE...
228
00:17:55,806 --> 00:17:57,749
CONNIE, WHO IS THAT?
229
00:18:04,215 --> 00:18:07,959
THAT, I THINK,
IT MUST BE YOUR LANDLADY.
230
00:18:11,088 --> 00:18:13,698
GINNY,
YOUR LANDLADY IS HERE.
231
00:18:18,695 --> 00:18:20,972
MILES, YOU'RE HERE.
232
00:18:24,401 --> 00:18:27,969
- LADY RICHARD.
- YES, AND YOU MUST BE
MISS HATTON.
233
00:18:27,971 --> 00:18:29,704
MY TENANTS, I SUPPOSE.
234
00:18:29,706 --> 00:18:32,041
- MISS ST. GEORGE...
AND MISS ELMSWORTH.
- HELLO.
235
00:18:32,043 --> 00:18:34,409
I'M IDINA HATTON,
YOUR LANDLADY.
236
00:18:34,411 --> 00:18:38,657
WHAT A BRILLIANT IDEA
TO HAVE TEA OUT HERE...
IN THE BREEZE.
237
00:18:38,749 --> 00:18:42,484
LORD PERCY,
LIEUTENANT JAMES.
238
00:18:42,486 --> 00:18:46,088
OH, AND LORD SEADOWN...
239
00:18:46,090 --> 00:18:48,589
YOU'RE HERE TOO.
240
00:18:48,591 --> 00:18:52,995
NOW I SEE WHY YOU FORGOT
YOU WERE HAVING LUNCH WITH ME
IN TOWN TODAY.
241
00:18:52,997 --> 00:18:56,198
BUT I MUST SAY,
YOU CHOSE THE BETTER PART.
242
00:18:56,200 --> 00:18:58,843
LONDON IS A FURNACE.
243
00:19:03,007 --> 00:19:07,085
WELL, AREN'T YOU GOING
TO OFFER ME A CIGARETTE?
244
00:19:26,731 --> 00:19:30,098
BUT YOU MUSTN'T LET ME
INTERRUPT YOUR PLANS.
245
00:19:30,100 --> 00:19:33,841
I'VE HEARD
WHAT AMUSING THINGS
GO ON HERE.
246
00:19:34,405 --> 00:19:37,606
I MAY AS WELL CONFESS,
I'M DREADFULLY KEEN TO
LEARN YOUR SECRETS.
247
00:19:37,608 --> 00:19:39,908
DARLING, SO MANY
DELIGHTFUL PEOPLE
248
00:19:39,910 --> 00:19:42,961
ALREADY KNEW THEIR WAY
TO THE COTTAGE THAT THERE
WAS NOTHING FOR US TO DO
249
00:19:42,963 --> 00:19:46,881
BUT LEAVE THE DOOR UNLATCHED.
THERE ARE NO SECRETS HERE.
250
00:19:46,983 --> 00:19:50,519
EXCEPT... PERHAPS...
251
00:19:50,521 --> 00:19:52,988
BUT YOU MUST REMEMBER
THAT THIS IS A SECRET.
252
00:19:52,990 --> 00:19:58,627
ESPECIALLY FROM MAMA ST. GEORGE,
TAKING HER SIESTA UPSTAIRS.
253
00:19:58,629 --> 00:20:04,509
WHAT ABOUT PUTTING THIS TABLE
TO ITS PROPER USE?
254
00:20:09,740 --> 00:20:11,473
AH.
255
00:20:11,475 --> 00:20:14,075
CARDS.
HOW JOLLY.
256
00:20:14,077 --> 00:20:17,579
NO WONDER
MY POOR LITTLE COTTAGE
HAS BECOME SO POPULAR.
257
00:20:17,581 --> 00:20:19,914
- POKER?
- OH...
258
00:20:19,916 --> 00:20:22,551
HOW VERY WICKED.
259
00:20:22,553 --> 00:20:24,219
BY ALL MEANS,
LET'S PLAY POKER.
260
00:20:24,221 --> 00:20:25,887
SEADOWN, YOU MUST
COME TO MY RESCUE.
261
00:20:25,889 --> 00:20:28,323
LEND ME FIVE POUNDS,
DARLING.
262
00:20:28,325 --> 00:20:31,502
I HOPE I WON'T LOSE
MORE THAN THAT.
263
00:20:32,596 --> 00:20:36,241
AH. OH, HEAVENS, SEADOWN,
WHAT WEALTH.
264
00:20:38,068 --> 00:20:41,170
HOW WILL I EVER BE ABLE
TO PAY YOU BACK IF I LOSE?
265
00:20:41,172 --> 00:20:43,648
OR EVEN IF I WIN?
266
00:20:45,109 --> 00:20:47,408
AREN'T YOU GOING
TO JOIN US?
267
00:20:47,410 --> 00:20:49,945
NO, THANK YOU.
I PREFER TO WATCH.
268
00:20:49,947 --> 00:20:52,448
I KNOW YOU DON'T LIKE
TO GET YOUR HANDS DIRTY, GINNY.
269
00:20:52,450 --> 00:20:54,978
I DON'T MIND IF I DO.
270
00:20:56,753 --> 00:20:58,964
THANK YOU.
271
00:20:59,056 --> 00:21:03,101
MAYBE WE'LL BE ABLE
TO FLEECE ONE OR TWO
OF THESE HARDENED GAMBLERS.
272
00:21:07,731 --> 00:21:11,043
AT EASE, IT'S ONLY HECTOR.
273
00:22:01,851 --> 00:22:03,694
BASTA.
274
00:22:11,728 --> 00:22:13,137
FIVE.
275
00:22:14,832 --> 00:22:16,574
I'M OUT.
276
00:22:17,401 --> 00:22:19,510
HERE'S FIVE.
277
00:22:20,270 --> 00:22:22,413
AND I'LL RAISE YOU FIVE.
278
00:22:40,057 --> 00:22:42,300
I WILL SEE YOUR FIVE.
279
00:22:44,661 --> 00:22:47,305
FULL HOUSE.
280
00:22:55,605 --> 00:22:58,940
THAT'S IT,
A STRAIGHT FLUSH.
281
00:22:58,942 --> 00:23:00,842
BAD LUCK, MY DEAR.
282
00:23:00,844 --> 00:23:03,077
OH, LIZZY,
YOU LITTLE DEVIL.
283
00:23:03,079 --> 00:23:06,714
IT WAS LUCK, REALLY.
ALL I HAD TO DO WAS PLAY THE CARDS.
284
00:23:06,716 --> 00:23:08,783
CERTAINLY
TAUGHT ME A LESSON.
285
00:23:08,785 --> 00:23:11,286
SEADOWN'S LAST COPPER
AS WELL AS MY OWN.
286
00:23:11,288 --> 00:23:14,556
YOU'RE TOO CLEVER FOR ME.
SOMEBODY BETTER TAKE MY PLACE.
287
00:23:14,558 --> 00:23:16,391
COME NOW, IDINA,
DON'T LOSE HEART.
288
00:23:16,393 --> 00:23:18,693
PARTING WITH MY HEART HAS
NEVER BEEN A PROBLEM, CONCHITA.
289
00:23:18,695 --> 00:23:20,395
IT'S THE SHILLINGS AND PENCE
I CAN'T AFFORD.
290
00:23:20,397 --> 00:23:23,297
COME, MISS ST. GEORGE,
IF MISS HATTON REALLY IS
GOING TO DESERT US...
291
00:23:23,299 --> 00:23:26,034
NO, REALLY, GIRLS DON'T
PLAY CARDS FOR MONEY
IN AMERICA.
292
00:23:26,036 --> 00:23:29,204
NO, I UNDERSTAND THE GAME
YOU YOUNG LADIES PLAY...
293
00:23:29,206 --> 00:23:32,407
IT HAS FEWER RISKS
AND REQUIRES ONLY TWO PLAYERS.
294
00:23:32,409 --> 00:23:34,276
NOW, I'M SORRY TO BE
SUCH A SPOILSPORT,
295
00:23:34,278 --> 00:23:36,878
BUT I REALLY MUST INSIST ON
CARRYING SEADOWN OFF.
296
00:23:36,880 --> 00:23:40,815
THE FACT IS, SEADOWN, IT'S ABOUT TIME
YOUR HOSTESSES FOUND OUT YOU
DO NOT GO WITH THE HOUSE.
297
00:23:40,817 --> 00:23:41,916
IDINA.
298
00:23:41,918 --> 00:23:44,052
WE MUSTN'T ALLOW
THESE YOUNG LADIES TO FEEL
299
00:23:44,054 --> 00:23:46,755
THAT YOUR VISITS ARE MADE
ON THEIR ACCOUNT, MUST WE?
300
00:23:46,757 --> 00:23:49,024
EVERYONE KNOWS AMERICAN GIRLS
LIKE TO FLIRT.
301
00:23:49,026 --> 00:23:51,292
PERHAPS THEY NEED
A LESSON IN GOOD MANNERS.
302
00:23:51,294 --> 00:23:53,494
VIRGINIA, WHAT ARE
YOU WAITING FOR?
303
00:23:53,496 --> 00:23:56,664
DON'T YOU SEE THAT LORD SEADOWN
HAS NO RIGHT TO SPEAK UNTIL YOU DO?
304
00:23:56,666 --> 00:24:00,122
WHY DON'T YOU TELL HIM
AT ONCE THAT HE HAS YOUR
PERMISSION TO ANNOUNCE...
305
00:24:00,124 --> 00:24:03,681
I DON'T KNOW, THAT HE HAS
YOUR PERMISSION TO ANNOUNCE
YOUR ENGAGEMENT.
306
00:24:05,308 --> 00:24:07,719
SEADOWN...
307
00:24:23,393 --> 00:24:26,461
MISS HATTON IS SUCH AN OLD
FRIEND OF MINE, VIRGINIA.
308
00:24:26,463 --> 00:24:29,030
I'M SURE SHE WILL BE THE FIRST
TO CONGRATULATE ME,
309
00:24:29,032 --> 00:24:31,876
IF ONLY YOU WILL TELL HER
THAT SHE MAY.
310
00:25:00,163 --> 00:25:02,630
OH. OH.
311
00:25:02,632 --> 00:25:06,267
WE MIGHT HAVE BETTER
STAYED IN NEW YORK, MISS MARCH.
312
00:25:06,269 --> 00:25:09,204
OH, I DON'T KNOW
WHAT IT ALL MEANS.
313
00:25:09,206 --> 00:25:11,106
IT MEANS, MY DEAR,
314
00:25:11,108 --> 00:25:15,353
THAT VIRGINIA IS GOING TO BE
THE FIRST MARCHIONESS OF ENGLAND.
315
00:25:17,180 --> 00:25:18,756
OH.
316
00:25:18,982 --> 00:25:20,491
OH.
317
00:25:22,452 --> 00:25:25,487
YOU MEAN THAT LORD SEADOWN
318
00:25:25,489 --> 00:25:28,690
IS GOING TO BE THE "MAR-KEY"
OF BRIGHTLINGSEA?
319
00:25:28,692 --> 00:25:30,992
MAR-QUIS.
YES, MY DEAR.
320
00:25:30,994 --> 00:25:33,461
OH, THEY HAVE SO MANY NAMES.
321
00:25:33,463 --> 00:25:36,264
I GET THEM ALL MUDDLED.
322
00:25:36,266 --> 00:25:38,800
I THOUGHT THAT LORD PERCY
323
00:25:38,802 --> 00:25:42,404
WAS GOING TO BE
THE MARQUIS OF BRIGHTLINGSEA.
324
00:25:42,406 --> 00:25:46,141
NO, MRS. ST. GEORGE.
LORD PERCY IS NOT A BRIGHTLINGSEA,
325
00:25:46,143 --> 00:25:49,644
AND FORTUNATELY IS NOT
GOING TO BE THE MARQUIS
OF ANYTHING.
326
00:25:49,646 --> 00:25:53,348
BUT... OH, DEAR.
OH, DEAR, LOOK AT POOR CONCHITA.
327
00:25:53,350 --> 00:25:56,918
LORD RICHARD, HE DRINKS.
328
00:25:56,920 --> 00:25:59,187
AND RUNS AROUND.
329
00:25:59,189 --> 00:26:02,256
AND, WELL, SHE NEVER
SEEMS TO HAVE...
330
00:26:02,258 --> 00:26:04,492
SHE NEVER SEEMS TO HAVE
ENOUGH MONEY.
331
00:26:04,494 --> 00:26:08,163
OH, BUT SEADOWN
IS THE GOOD SON,
MRS. ST. GEORGE.
332
00:26:08,165 --> 00:26:10,799
HE'LL NEVER
GIVE VIRGINIA ANY TROUBLE.
333
00:26:10,801 --> 00:26:13,935
OH.
OH, MY GOODNESS.
334
00:26:13,937 --> 00:26:17,072
WE MUST SEND A TELEGRAM
TO THE COLONEL IMMEDIATELY.
335
00:26:17,074 --> 00:26:19,040
OH, I WANT HIM TO TELL
ALL OF THOSE PEOPLE
336
00:26:19,042 --> 00:26:21,410
HE KNOWS IN NEW YORK
ALL ABOUT OUR VIRGINIA.
337
00:26:21,412 --> 00:26:23,278
I WANT THEM ALL TO KNOW.
338
00:26:23,280 --> 00:26:29,260
OH, I WANT MRS. PARMORE
TO GO MAD WITH ENVY.
339
00:26:45,402 --> 00:26:46,944
WHOA.
340
00:26:48,738 --> 00:26:50,805
GOOD AFTERNOON,
YOUR GRACE.
341
00:26:50,807 --> 00:26:53,684
- ELSE ANYONE ON HAND?
- NO, SIR.
342
00:26:53,876 --> 00:26:56,110
THAT IS, YES.
343
00:26:56,312 --> 00:26:59,190
CAN YOU BE SO GOOD
AS TO ANNOUNCE ME?
344
00:27:04,587 --> 00:27:07,989
NO, I'M SORRY,
I DON'T GIVE A TOSS
FOR YOUR REASONS.
345
00:27:07,991 --> 00:27:10,357
I'D HAVE SOONER DIED
THAN SELL THE TITIAN.
346
00:27:10,359 --> 00:27:12,860
DAMN YOU, STANDING THERE
WITH THAT SUPERIOR LOOK
ON YOUR FACE.
347
00:27:12,862 --> 00:27:14,695
YOU WAITED TILL MY BACK
WAS TURNED.
348
00:27:14,697 --> 00:27:17,398
RUBBISH. MR. PLEASANTS
HAPPENED TO BE IN THE AREA.
349
00:27:17,400 --> 00:27:20,402
I DON'T BELIEVE A WORD OF IT.
YOU EXPECTED ME TO BE WELL OUT OF IT.
350
00:27:20,404 --> 00:27:23,638
- MR. PLEASANTS, SUPPORT ME.
- NOT A WORD, MR. PLEASANTS.
351
00:27:23,640 --> 00:27:25,941
YOU EXPECTED ME
TO BE IN LONDON, SIR.
352
00:27:25,943 --> 00:27:28,193
AND I CALL THAT COWARDLY
AND UNDERHANDED.
353
00:27:28,195 --> 00:27:30,378
IF YOU WOULD ONLY BE QUIET
FOR ONE MINUTE.
354
00:27:30,380 --> 00:27:32,747
I WILL BE DAMNED
IF I WILL BE QUIET,
355
00:27:32,749 --> 00:27:36,090
ONLY TO HAVE YOU
TELL ME A PACK OF LIES.
356
00:28:10,921 --> 00:28:13,487
WHATEVER IS
THE MATTER, MAMA?
357
00:28:13,489 --> 00:28:16,834
SEADOWN IS TO MARRY
AN AMERICAN.
358
00:28:17,227 --> 00:28:19,260
- SEADOWN?
- YES.
359
00:28:19,262 --> 00:28:23,264
HE USED TO BE HERE SO OFTEN
AT ONE TIME THAT I HAD HOPED...
360
00:28:23,266 --> 00:28:24,999
LET ME SEE.
361
00:28:25,001 --> 00:28:27,302
YOU KNOW PERFECTLY WELL
THAT SEADOWN HAS BEEN
362
00:28:27,304 --> 00:28:29,504
IDINA HATTON'S
PROPERTY FOR YEARS.
363
00:28:29,506 --> 00:28:31,740
AND NOBODY'S HAD A CHANCE
AGAINST HER.
364
00:28:31,742 --> 00:28:34,142
NOBODY BUT SOME
ODIOUS AMERICAN GIRL.
365
00:28:34,144 --> 00:28:36,978
I DARE SAY
THE AMERICANS USE MEANS
366
00:28:36,980 --> 00:28:40,448
THAT WELL-BRED ENGLISH GIRLS
WOULDN'T STOOP TO.
367
00:28:40,450 --> 00:28:42,650
I WISH I KNEW WHAT THEY WERE.
368
00:28:42,652 --> 00:28:45,788
AS A MATTER OF FACT,
I'VE MET MISS ST. GEORGE.
369
00:28:46,290 --> 00:28:48,800
SHE IS WONDERFULLY
BEAUTIFUL.
370
00:28:49,292 --> 00:28:51,496
AND I DARE SAY,
SHE HAS MONEY.
371
00:28:51,498 --> 00:28:56,363
I CAN NAME SEVERAL ENGLISH GIRLS
WHOSE SETTLEMENTS WOULD MATCH
THAT OF ANY LITTLE AMERICAN.
372
00:28:56,365 --> 00:28:59,410
WHY NOT JUST MARRY ME TO
A ROTHSCHILD AND HAVE IT DONE?
373
00:29:00,336 --> 00:29:03,330
MR. THWAITE, YOUR GRACE.
374
00:29:03,540 --> 00:29:06,407
GOOD MORNING, DUCHESS.
LADY GERTRUDE.
375
00:29:06,409 --> 00:29:08,987
HAVE YOU HAD BREAKFAST?
376
00:29:09,179 --> 00:29:11,588
I HAVE,
THANK YOU, YES.
377
00:29:17,087 --> 00:29:20,388
I'D LIKE TO APOLOGIZE
FOR YESTERDAY.
378
00:29:20,390 --> 00:29:23,892
MATTER OF FACT,
I JUST NARROWLY AVOIDED
A SIMILAR SCENE.
379
00:29:23,894 --> 00:29:26,894
I COULDN'T HAVE BORN
ANOTHER MINUTE UNDER
MY MOTHER'S ROOF.
380
00:29:26,896 --> 00:29:29,640
NOR I UNDER MY FATHER'S.
381
00:29:30,300 --> 00:29:32,509
PLAGUE ON BOTH THEM.
382
00:29:36,707 --> 00:29:40,007
WHAT SAY YOU
WE CALL IN AT RUNNYMEAD,
AND GO SEE MISS ST. GEORGE?
383
00:29:40,009 --> 00:29:42,119
THAT'S A SPLENDID IDEA.
384
00:29:45,448 --> 00:29:48,983
THE REASON I COULDN'T
SEE YOU THE OTHER DAY,
I'VE HAD SOME NEWS.
385
00:29:48,985 --> 00:29:52,553
POOR OLD MR. HORACE IS AS GOOD AS DEAD.
HIS DOCTORS GIVE HIM SIX MONTHS.
386
00:29:52,555 --> 00:29:55,389
NATURALLY, WE'VE AGREED,
THE LOCAL MEMBERS AND MYSELF,
387
00:29:55,391 --> 00:29:58,869
TO CALL A BI-ELECTION AT
THE FIRST POSSIBLE OPPORTUNITY.
388
00:30:00,630 --> 00:30:03,441
I'M ASKING YOU TO STAND, GUY.
389
00:30:03,600 --> 00:30:05,399
IT'S IMPOSSIBLE.
390
00:30:05,401 --> 00:30:07,334
ISN'T THAT WHAT
WE'VE ALWAYS PLANNED?
391
00:30:07,336 --> 00:30:09,136
YES, IT IS.
392
00:30:09,138 --> 00:30:12,240
BUT YOU MUST KNOW,
I CAN DO NOTHING FOR MYSELF NOW.
393
00:30:12,242 --> 00:30:14,875
FINANCIALLY, YOU MEAN?
I WOULD SEE TO YOUR EXPENSES.
394
00:30:14,877 --> 00:30:17,077
IT'S IMPOSSIBLE, JULIUS.
395
00:30:17,079 --> 00:30:19,756
WELL, YOU MUST AT LEAST
EXPLAIN YOURSELF.
396
00:30:20,249 --> 00:30:24,419
MY REASON FOR GOING
UP TO LONDON NOW IS TO TALK
TO THE RIALTO COMPANY
397
00:30:24,421 --> 00:30:27,955
ABOUT WORK ON THEIR RAILWAYS
IN SOUTH AMERICA.
398
00:30:27,957 --> 00:30:29,666
OH...
399
00:30:31,527 --> 00:30:33,570
I SEE.
400
00:30:34,897 --> 00:30:37,198
WHY SOUTH AMERICA?
401
00:30:37,200 --> 00:30:40,778
I HAVE TO DO SOMETHING
TO SECURE HONORSLOVE.
402
00:30:40,870 --> 00:30:43,471
THERE'S NO OTHER COURSE
OPEN TO ME.
403
00:30:43,473 --> 00:30:45,416
SEADOWN FOUND A WAY.
404
00:30:45,508 --> 00:30:49,176
POOR OLD SEADY.
BITTEN THE BULLET AT LAST.
405
00:30:49,178 --> 00:30:50,854
WELL, PRETTY BULLET.
406
00:30:52,715 --> 00:30:55,116
I MET THE YOUNGER
MISS ST. GEORGE RECENTLY.
407
00:30:55,118 --> 00:30:57,251
- OH?
- BY CHANCE, AT TREVENICK.
408
00:30:57,253 --> 00:31:01,198
I SHOWED HER OVER
THE OLD PLACE, SHE SEEMED
TO LIKE IT RATHER.
409
00:31:02,092 --> 00:31:05,915
I TOLD MYSELF I'D LOOK FOR
AN ENGLISH GIRL EXACTLY LIKE HER.
410
00:31:06,729 --> 00:31:11,242
I'M SURE IF NOT MISTAKING
THE COPYING,
411
00:31:11,434 --> 00:31:15,412
I BELIEVE I SPENT RATHER
TOO LONG STUDYING THE ORIGINAL.
412
00:31:21,611 --> 00:31:24,822
I SHALL NOT
CALL UP RUNNYMEAD WITH YOU.
413
00:31:25,014 --> 00:31:27,647
I'M IN NO MOOD FOR FLIRTING.
414
00:31:27,649 --> 00:31:32,128
BESIDES, SOMEONE IN MY FAMILY
HAS TO BE ABLE TO RESIST A PRETTY FACE.
415
00:31:33,089 --> 00:31:36,323
BUT YOU KNOW I DON'T INTEND
TO STAY IN SOUTH AMERICA FOREVER.
416
00:31:36,325 --> 00:31:39,091
I'M ONLY GOING AWAY
THE BETTER TO COME HOME.
417
00:31:39,929 --> 00:31:42,172
I'LL DRINK TO THAT.
418
00:31:45,602 --> 00:31:47,712
TO YOU, SIR.
419
00:31:52,676 --> 00:31:54,609
OH, I'M SO SORRY,
YOUR GRACE,
420
00:31:54,611 --> 00:31:56,843
BUT THERE'S
NO ONE HERE TO GREET YOU.
421
00:31:56,845 --> 00:32:00,814
- EVERYONE IS IN LONDON.
- YOU ARE HERE.
422
00:32:00,816 --> 00:32:02,826
YES, I...
423
00:32:07,457 --> 00:32:09,467
AND MISS ANNABEL,
424
00:32:09,559 --> 00:32:12,393
WILL SHE REMAIN IN LONDON
AFTER THE WEDDING?
425
00:32:12,395 --> 00:32:16,307
OH, MISS ANNABEL WILL NATURALLY
GO HOME TO AMERICA WITH HER PARENTS.
426
00:32:16,399 --> 00:32:18,966
SURELY, YOU KNOW,
SHE'S OUT NOW,
427
00:32:18,968 --> 00:32:23,381
SO, HER PARENTS ARE
VERY ANXIOUS FOR HER TO HAVE
A FIRST NEW YORK SEASON.
428
00:32:27,410 --> 00:32:30,520
HAS IT MATTER SUCH THINGS AS
A NEW YORK SEASON.
429
00:32:35,751 --> 00:32:38,219
YOU MUST ASSUME,
MS. TESTVALLEY...
430
00:32:38,221 --> 00:32:40,521
THAT IS TO SAY...
431
00:32:40,523 --> 00:32:42,824
I HAVE DECIDED...
432
00:32:42,826 --> 00:32:44,792
YES?
433
00:32:44,794 --> 00:32:47,770
I INTEND TO ASK
MISS ANNABEL TO MARRY ME.
434
00:32:53,903 --> 00:32:58,405
WELL, ARRANGING MARRIAGES IS
NO PART OF MY DUTIES, YOUR GRACE.
435
00:32:58,407 --> 00:33:00,975
BUT IF YOU WISH TO SPEAK
TO MRS. ST. GEORGE...
436
00:33:00,977 --> 00:33:03,111
OH, NO, I DON'T.
UH...
437
00:33:03,113 --> 00:33:08,215
I UNDERSTOOD THAT IN AMERICA,
IN WAS THE CUSTOM TO SPEAK TO
THE YOUNG LADY HERSELF.
438
00:33:08,217 --> 00:33:12,220
BUT KNOWING HOW CLOSE YOU ARE,
HOW FOND YOU ARE OF MISS ANNABEL...
439
00:33:12,222 --> 00:33:14,788
YES, I AM VERY FOND
OF ANNABEL.
440
00:33:14,790 --> 00:33:19,570
I NEED TO KNOW IF HER FEELINGS
CORRESPOND IN ANY DEGREE TO MINE.
441
00:33:20,763 --> 00:33:24,075
I REALLY CAN'T ANSWER THAT.
442
00:33:25,635 --> 00:33:28,344
YOU MEAN,
SHE HASN'T SPOKEN TO YOU?
443
00:33:29,606 --> 00:33:33,407
ANNABEL IS IN SO MANY WAYS
STILL A CHILD.
444
00:33:33,409 --> 00:33:36,544
SHE JUDGES A LOT OF THINGS
AS A CHILD WOULD.
445
00:33:36,546 --> 00:33:38,279
YES.
446
00:33:38,281 --> 00:33:40,481
YES, IT'S...
447
00:33:40,483 --> 00:33:43,250
IT'S HER CHILDISH INNOCENCE,
448
00:33:43,252 --> 00:33:47,364
HER INDIFFERENCE TO MONEY,
AND THAT ALL SORT OF THING, THAT
I VALUE SO IMMENSELY.
449
00:33:49,726 --> 00:33:51,892
YOUR GRACE...
450
00:33:51,894 --> 00:33:55,830
I ONLY WANT YOU
TO UNDERSTAND THAT...
451
00:33:55,832 --> 00:33:58,966
NAN MAYBE ONE THING NOW,
452
00:33:58,968 --> 00:34:01,034
BUT IN A YEAR OR TWO,
453
00:34:01,036 --> 00:34:03,771
SHE MAYBE SOMETHING
ALTOGETHER DIFFERENT.
454
00:34:03,773 --> 00:34:07,684
AND THAT IS WHY
I SOLEMNLY ADVISE YOU TO WAIT.
455
00:34:08,744 --> 00:34:11,588
PLEASE, GIVE NAN TIME
TO GROW UP.
456
00:34:21,558 --> 00:34:24,192
SIX THOUSAND, YOU SAY?
457
00:34:24,194 --> 00:34:31,909
SIX THOUSAND A YEAR,
AND VIRGINIA'S JOINTURE
IS TO BE BUT 1,300.
458
00:34:33,503 --> 00:34:35,169
NO, SIR.
459
00:34:35,171 --> 00:34:39,483
IN THOSE VERY PARTICULARS, NO.
460
00:34:42,244 --> 00:34:44,288
WRONG END.
461
00:34:49,552 --> 00:34:52,162
LEFT HAND
BEHIND YOUR BACK.
462
00:35:05,335 --> 00:35:06,701
HMM...
463
00:35:06,703 --> 00:35:10,471
STILL, IN ALL, LORD BRIGHTLINGSEA,
YOU ARE A MAN I COULD DO BUSINESS WITH.
464
00:35:10,473 --> 00:35:15,876
YES, SIR, I SAW THAT THE FIRST
MOMENT I CLAPPED EYES ON YOU.
465
00:35:15,878 --> 00:35:18,946
ADDED TO WHICH...
466
00:35:18,948 --> 00:35:21,515
WE EACH HAVE SOMETHING
THE OTHER ONE WANTS.
467
00:35:21,517 --> 00:35:25,252
AND IF THAT'S NOT A GOOD BEGINNING,
I DON'T KNOW WHAT IS.
468
00:35:25,254 --> 00:35:29,490
FOR INSTANCE, LORD BRIGHTLINGSEA,
I HAVE AN ELECTRIC COMPANY.
469
00:35:29,492 --> 00:35:32,436
YOU HAVE A TITLE.
470
00:35:53,950 --> 00:35:56,860
OH, I HAVE
SOMETHING FOR YOU, DARLING.
471
00:36:08,531 --> 00:36:12,009
OH.
OH, MAMA.
472
00:36:17,106 --> 00:36:23,177
? ON WINGS OF SONG
I'LL BATHE THEE
473
00:36:23,179 --> 00:36:29,816
? ON WAY TO FAIRYLAND
474
00:36:29,818 --> 00:36:35,089
? WHILE EYES MY SWEET
SCENTED GARDEN
475
00:36:35,091 --> 00:36:40,961
? ARE WAITING
FOR THEM TO PASS
476
00:36:40,963 --> 00:36:47,211
? THE MOONBEAMS
ARE FILLING MY GARDEN...
477
00:37:01,250 --> 00:37:04,397
- VERY NICE, THANK YOU.
- HELLO, NICE TO SEE YOU.
478
00:37:14,730 --> 00:37:22,336
? YOU WELCOME THEE TONIGHT... ?
479
00:37:22,338 --> 00:37:23,871
VERY NICE, VERY GOOD.
FINE.
480
00:37:23,873 --> 00:37:27,141
I GUESS THIS MUST BE
CONNIE'S FRONT PARLOR.
481
00:37:27,143 --> 00:37:29,286
YES, YES.
482
00:37:30,880 --> 00:37:33,023
LORD RICHARD.
483
00:37:33,115 --> 00:37:35,549
WE MEET AGAIN.
484
00:37:35,551 --> 00:37:39,229
AND I AM HAPPY AND PROUD
OF THE CIRCUMSTANCES.
485
00:37:39,321 --> 00:37:41,322
LADY RICHARD...
486
00:37:41,324 --> 00:37:44,368
- VERY NICE TO SEE YOU.
- NICE TO SEE YOU TOO.
487
00:37:45,061 --> 00:37:47,661
WHO IS THAT
COMMON-LOOKING MAN?
488
00:37:47,663 --> 00:37:49,364
THAT IS HECTOR ROBINSON,
489
00:37:49,366 --> 00:37:52,266
LIZZY ELMSWORTH'S FUTURE
HUSBAND, I SHOULDN'T WONDER.
490
00:37:52,268 --> 00:37:53,634
OH, DEAR.
491
00:37:53,636 --> 00:37:57,128
ACTUALLY,
HE'S RATHER GOOD NEWS.
492
00:37:58,675 --> 00:38:03,110
GOOD NEWS OR NOT,
SOMEONE SHOULD EXPLAIN
THE FORM TO HER.
493
00:38:03,112 --> 00:38:05,179
OH, I DON'T THINK LIZZY
NEEDS ANYTHING EXPLAINED.
494
00:38:05,181 --> 00:38:08,225
I THINK SHE'S WAITING TO SEE
HOW HE TURNS OUT.
495
00:38:12,054 --> 00:38:13,587
YOU.
496
00:38:13,589 --> 00:38:16,156
- LADY BRIGHTLINGSEA.
- MY DEAR.
497
00:38:16,158 --> 00:38:18,426
AH, MR. ROBINSON.
498
00:38:18,428 --> 00:38:21,871
NO DOUBT YOU'LL DO VERY WELL,
YOUNG MAN.
499
00:38:30,906 --> 00:38:32,716
YOUR GRACE.
500
00:38:35,211 --> 00:38:36,786
JULIUS.
501
00:39:24,927 --> 00:39:26,903
MR. THWAITE.
502
00:39:29,632 --> 00:39:34,044
- I DID SO HOPE YOU'D BE HERE.
- OF COURSE I'M HERE.
503
00:39:36,606 --> 00:39:38,973
SEADOWN AND I WERE
AT SCHOOL TOGETHER.
504
00:39:38,975 --> 00:39:41,018
OH, OF COURSE.
505
00:39:46,649 --> 00:39:48,349
EXCUSE ME, YOUR GRACE.
506
00:39:48,351 --> 00:39:50,161
LORD RICHARD.
507
00:39:56,058 --> 00:39:59,160
MS. TESTVALLEY,
I'D LIKE TO INTRODUCE YOU
TO SIR HELMSLEY THWAITE.
508
00:39:59,162 --> 00:40:01,629
SIR HELMSLEY,
MY GOVERNESS MS. TESTVALLEY.
509
00:40:01,631 --> 00:40:03,663
OR VAL AS I CALL HER.
510
00:40:03,665 --> 00:40:07,611
I'M OUT, YOU KNOW, BUT I,
I WON'T LET MS. TESTVALLEY GO.
511
00:40:08,605 --> 00:40:11,448
DELIGHTED,
MS. TESTVALLEY.
512
00:40:12,275 --> 00:40:15,509
AND SIR HELMSLEY'S SON,
MR. GUY THWAITE.
513
00:40:15,511 --> 00:40:17,411
- MS. TESTVALLEY.
- PLEASURE.
514
00:40:17,413 --> 00:40:21,114
THERE, NOW YOU'VE BOTH MET
MY MOST FAVORITE PERSON
IN THE WORLD.
515
00:40:21,116 --> 00:40:22,983
OH, REALLY, ANNABEL.
516
00:40:22,985 --> 00:40:25,752
NO, WHAT A WONDERFUL
COMPLIMENT.
517
00:40:25,754 --> 00:40:28,756
MS. TESTVALLEY ADORES
THE PRE-RAPHAELITES, SIR HELMSLEY.
518
00:40:28,758 --> 00:40:31,324
I PROMISED HER A VISIT
TO HONORSLOVE TO SEE YOUR ROSETTI.
519
00:40:31,326 --> 00:40:33,560
ANNABEL, YOU'VE DONE
NO SUCH THING.
520
00:40:33,562 --> 00:40:36,497
NO, NO, A YOUNG LADY
MUST ALWAYS KEEP HER PROMISES,
521
00:40:36,499 --> 00:40:39,676
ESPECIALLY THOSE
SHE ONLY MAKES TO HERSELF.
522
00:40:43,873 --> 00:40:47,007
TO BE FRANK, MR. ROBINSON,
523
00:40:47,009 --> 00:40:49,343
YOU ARE
THE FIRST ENGLISH GENTLEMAN
524
00:40:49,345 --> 00:40:52,913
THAT I HAVE COME ACROSS
WHO SHOWS ANY SIGNS
OF ANY GET-UP-AND-GO.
525
00:40:52,915 --> 00:40:54,848
DO I?
526
00:40:54,850 --> 00:40:57,117
LORD BRIGHTLINGSEA HAS
DONE ME THE IMMEASURABLE HONOR
527
00:40:57,119 --> 00:40:59,353
OF LENDING HIS TITLE TO MY COMPANY.
- RIGHT.
528
00:40:59,355 --> 00:41:02,022
I CAN'T TELL YOU WHAT THAT'S
WORTH IN THE UNITED STATES.
529
00:41:02,024 --> 00:41:05,559
BUT HAVE I BEEN ABLE TO RAISE
ANY CASH IN THIS COUNTRY?
NO, I HAVE NOT.
530
00:41:05,561 --> 00:41:06,827
NO, I KNOW.
531
00:41:06,829 --> 00:41:09,029
CURIOUS THING.
532
00:41:09,031 --> 00:41:12,099
THE WHOLE WORLD KNOWS ENGLAND
TO BE A GREAT COMMERCIAL SUCCESS
533
00:41:12,101 --> 00:41:15,269
BUT I'M WARNING YOU,
LOOK TO YOUR LAURELS,
534
00:41:15,271 --> 00:41:17,471
OR THE GERMANS
WILL HAVE THEM.
535
00:41:17,473 --> 00:41:21,364
OR... YOUR COUSINS
ACROSS THE ATLANTIC.
536
00:41:23,312 --> 00:41:25,989
- MY LORD.
- AHH... SIT.
537
00:41:33,523 --> 00:41:37,758
THE COLONEL BELIEVES ENGLAND
IS IN DANGER OF LOSING
THEIR GREATNESS.
538
00:41:37,760 --> 00:41:39,493
AH, DOES HE?
539
00:41:39,495 --> 00:41:42,696
WE CANNOT LET THAT PASS
WITHOUT A FIGHT, CAN WE?
540
00:41:42,698 --> 00:41:46,066
AH, I BLAME
THE YOUNGER GENERATION.
541
00:41:46,068 --> 00:41:47,768
IT IS MORE LOST.
542
00:41:47,770 --> 00:41:50,438
AH, DAMN IT,
THEY CAN'T EVEN CURSE.
543
00:41:50,440 --> 00:41:54,474
AND THERE'S
THIS INDECENT CRAZE
WITH DEMOCRACY.
544
00:41:54,476 --> 00:41:56,610
I'VE BEEN SAYING,
COLONEL,
545
00:41:56,612 --> 00:41:59,579
OUR TROUBLE IS ALL BLAMED
ON THE WEST.
546
00:41:59,581 --> 00:42:02,349
NOT THE LEAST,
BAD WEATHER.
547
00:42:02,351 --> 00:42:05,519
WITH YOUR DAMNED
AMERICAN DEMOCRACY.
548
00:42:05,521 --> 00:42:09,500
I DON'T SEE YOU BEING
MUCH TROUBLED BY DEMOCRACY.
549
00:42:17,833 --> 00:42:20,110
DAMNED ITALIANS.
550
00:42:28,177 --> 00:42:32,469
- I CAN'T JUST LEAVE THE GUESTS.
- IT'S OUR PARTY, MY DEAR.
551
00:42:32,471 --> 00:42:34,357
FOLLOW ME.
552
00:42:36,152 --> 00:42:38,728
THERE'S A BOOK
I WANTED TO SHOW YOU.
553
00:42:40,656 --> 00:42:42,599
LET ME SEE...
554
00:42:48,831 --> 00:42:51,174
A SECRET DOOR.
555
00:43:00,175 --> 00:43:02,442
WHAT IS THIS?
556
00:43:02,444 --> 00:43:04,687
IT'S THE WEST WING.
557
00:43:06,115 --> 00:43:09,466
PROBABLY NOBODY'S
BEEN UP HERE FOR 20 YEARS.
558
00:43:21,931 --> 00:43:25,365
WE USED TO TERRIFY OURSELVES
PLAYING HIDE AND SEEK IN HERE
WHEN WE WERE LITTLE.
559
00:43:25,367 --> 00:43:27,468
I'M NOT SURPRISED.
560
00:43:27,470 --> 00:43:29,737
MY ANCESTORS
SPENT SEVEN FORTUNES
561
00:43:29,739 --> 00:43:32,239
ON THE FURNISHING
AND DECORATION OF THIS WING.
562
00:43:32,241 --> 00:43:35,486
THIS WAS ONCE THE MOST
BEAUTIFUL BALLROOM IN THE LAND.
563
00:43:35,678 --> 00:43:37,954
LEFT TO MOLD.
564
00:43:38,548 --> 00:43:41,482
- SO SAD.
- WHY IS IT LEFT LIKE THIS?
565
00:43:41,484 --> 00:43:44,218
BECAUSE, MY DEAR,
WE CAN'T AFFORD TO DO IT UP.
566
00:43:44,220 --> 00:43:46,453
WHAT DO YOU MEAN,
YOU CAN'T AFFORD IT?
567
00:43:46,455 --> 00:43:49,623
JUST THAT... MONEY.
568
00:43:49,625 --> 00:43:52,426
- DO YOU RECALL THE FILTHY STUFF?
- MM-HMM.
569
00:43:52,428 --> 00:43:54,828
I SCARCELY DO, FOR WE
HAVEN'T HAD ANY FOR AGES.
570
00:43:54,830 --> 00:43:57,073
WHEREAS YOU...
571
00:43:58,301 --> 00:44:01,368
WHAT'S THAT QUAINT EXPRESSION
YOU USE IN AMERICA?
572
00:44:01,370 --> 00:44:04,004
TIN... ISN'T THAT
WHAT YOU CALL IT?
573
00:44:04,006 --> 00:44:08,375
WHEN ALL THIS HAS BEEN
RESTORED TO ITS FORMER GLORY,
574
00:44:08,377 --> 00:44:12,156
THEN PERHAPS
WE MAY RENAME IT, HMM?
575
00:44:13,749 --> 00:44:17,785
THE ST. GEORGE WING.
WHAT DO YOU SAY?
576
00:44:17,787 --> 00:44:21,565
OR DOES THAT SOUND RATHER
TOO MUCH LIKE A HOSPITAL, HMM?
577
00:44:23,959 --> 00:44:26,436
YOU'RE AWFULLY QUIET, MY DEAR.
578
00:44:27,296 --> 00:44:30,598
IF YOU NEED MONEY, WHY DON'T
YOU SELL SOME OF THE PAINTINGS
YOU NEVER LOOK AT?
579
00:44:30,600 --> 00:44:34,201
BECAUSE MY GREAT-GRANDFATHER,
WHO DISLIKED AND DISTRUSTED
HIS CHILDREN...
580
00:44:34,203 --> 00:44:36,337
QUITE RIGHTLY,
AS IT TURNED OUT...
581
00:44:36,339 --> 00:44:39,406
PLACED ALL THE BRIGHTLINGSEA
TREASURES IN TRUST.
582
00:44:39,408 --> 00:44:41,508
IF...
583
00:44:41,510 --> 00:44:44,678
OH, IF THE FLOOR OF THIS BALLROOM
WERE PAVED IN GOLD,
584
00:44:44,680 --> 00:44:47,624
I SHOULDN'T BE ABLE
TO DISPOSE OF AN OUNCE OF IT.
585
00:44:55,591 --> 00:44:58,659
ARE YOU SAYING THAT YOU'VE
MARRIED ME FOR MY MONEY?
586
00:44:58,661 --> 00:45:02,639
OH, NOW, CALM DOWN.
I THINK WE HAVE A FAIR EXCHANGE.
587
00:45:02,831 --> 00:45:05,642
WHAT ABOUT US?
588
00:45:18,181 --> 00:45:19,979
WHAT ABOUT ME?
589
00:45:19,981 --> 00:45:22,726
OH, YOU MEAN LOVE,
I SUPPOSE.
590
00:45:24,954 --> 00:45:27,364
WHAT CAN I SAY?
591
00:45:29,291 --> 00:45:32,369
YOU'RE THE MOST
BEAUTIFUL WOMAN I EVER SAW.
592
00:45:55,150 --> 00:45:57,227
BYE-BYE, GOOD LUCK.
593
00:46:08,297 --> 00:46:11,941
OH, IMMEASURABLY.
594
00:46:15,170 --> 00:46:19,339
LAURA, PUT IN A GOOD WORD
FOR ME WITH CONNIE, WILL YOU?
595
00:46:19,341 --> 00:46:20,974
WHY SHOULD I DO THAT?
596
00:46:20,976 --> 00:46:24,545
BECAUSE, DAMN IT,
SHE WON'T EVEN SPEAK TO ME.
597
00:46:24,547 --> 00:46:26,943
TWO YEARS AGO,
YOU PROMISED ME
598
00:46:26,945 --> 00:46:30,117
THAT YOU WOULD RATHER DIE
THAN HARM A HAIR ON THAT
GIRL'S HEAD.
599
00:46:30,119 --> 00:46:32,819
BUT EVEN NOW, WHEN SHE'S
EXPECTING YOUR FIRST CHILD,
600
00:46:32,821 --> 00:46:36,323
YOU DO NOTHING
BUT HUMILIATE HER AND NEGLECT.
601
00:46:36,325 --> 00:46:39,001
IT'S NO WONDER
SHE WON'T SPEAK TO YOU.
602
00:46:45,467 --> 00:46:47,377
PAPA.
603
00:46:49,405 --> 00:46:51,104
- BYE.
- GOOD LUCK.
604
00:46:51,106 --> 00:46:53,149
BYE-BYE, GOOD LUCK.
605
00:46:56,511 --> 00:46:59,746
OH, NAN, I WISH YOU WOULDN'T
GO BACK HOME AND DESERT ME.
606
00:46:59,748 --> 00:47:01,215
GINNY.
607
00:47:01,217 --> 00:47:03,783
I JUST WISH YOU
COULD COME WITH, THAT'S ALL.
608
00:47:03,785 --> 00:47:05,452
I LOVE YOU.
609
00:47:05,454 --> 00:47:08,822
- GOODBYE, DARLING.
- YOU'LL BE HAPPY.
610
00:47:08,824 --> 00:47:10,934
PULL YOURSELF TOGETHER,
RICHARD.
611
00:47:12,161 --> 00:47:14,871
GOODBYE, DARLING.
BON VOYAGE.
612
00:47:19,001 --> 00:47:20,744
GOODBYE, GINNY.
613
00:47:28,744 --> 00:47:31,555
- BYE-BYE, GINNY.
- GOODBYE.
614
00:48:00,343 --> 00:48:02,976
I'D FORGOTTEN HOW
VERY BEAUTIFUL IT IS.
615
00:48:02,978 --> 00:48:04,944
YES, ISN'T IT?
616
00:48:04,946 --> 00:48:07,247
AND HOW COME YOUR FATHER
KNEW ROSETTI?
617
00:48:07,249 --> 00:48:10,494
BOTH OUR FAMILIES
WERE ITALIAN EXILES.
618
00:48:11,553 --> 00:48:13,954
- AH, SO YOUR NAME...?
- YES.
619
00:48:13,956 --> 00:48:16,256
LAURA TESTVALLIA.
620
00:48:16,258 --> 00:48:19,268
IT'S QUITE BEYOND THE SCOPE
OF ENGLISH LIPS.
621
00:48:19,360 --> 00:48:22,161
IT'S GIVEN ME
A VERY STRONG SENSE OF...
622
00:48:22,163 --> 00:48:25,265
FELLOW FEELING FOR OUTSIDERS.
623
00:48:25,267 --> 00:48:29,336
AND HENCE YOUR LOYALTY TO THIS
LITTLE BAND OF AMERICAN EXILES?
624
00:48:29,338 --> 00:48:30,937
YES.
625
00:48:30,939 --> 00:48:33,006
I COULD ALMOST
ENVY YOU, MS. TESTVALLEY.
626
00:48:33,008 --> 00:48:35,241
THE FREEDOM OF THE OUTSIDER,
AS YOU PUT IT,
627
00:48:35,243 --> 00:48:37,210
IS NO DOUBT TOUGH,
BUT REAL...
628
00:48:37,212 --> 00:48:39,288
OH NO,
YOU'RE QUITE WRONG.
629
00:48:39,782 --> 00:48:43,116
NO, OUTSIDERS HAVE
EVEN LESS FREEDOM.
630
00:48:43,118 --> 00:48:47,921
WELL, ONE FALSE MOVE,
PARTICULARLY AS A WOMAN,
631
00:48:47,923 --> 00:48:51,200
AND ONE IS CONSIGNED
TO OBLIVION.
632
00:48:52,427 --> 00:48:54,604
WELL, I STAND CORRECTED.
633
00:49:01,002 --> 00:49:03,983
I'VE SO ENJOYED
BEING HERE AGAIN.
634
00:49:06,075 --> 00:49:08,608
I'M VERY HAPPY TO SEE YOU HERE,
MISS. ST. GEORGE.
635
00:49:08,610 --> 00:49:10,143
THANK YOU.
636
00:49:10,145 --> 00:49:13,490
UNFORTUNATELY, I SHANT
DO SO AGAIN FOR A LONG TIME.
637
00:49:13,849 --> 00:49:15,716
WHY DO YOU SAY THAT?
638
00:49:15,718 --> 00:49:18,118
BECAUSE TOMORROW
I'M GOING AWAY.
639
00:49:18,120 --> 00:49:20,120
I'M GOING TO SOUTH AMERICA,
640
00:49:20,122 --> 00:49:22,989
TO BUILD A RAILWAY
FROM RIO TO CORDOBA.
641
00:49:22,991 --> 00:49:25,124
IT'S VERY EXCITING,
DON'T YOU THINK?
642
00:49:25,126 --> 00:49:27,727
SOMETHING A MAN CAN
REALLY THROW HIMSELF INTO.
643
00:49:27,729 --> 00:49:31,430
HOW LONG DOES IT TAKE
TO BUILD A RAILROAD
FROM RIO TO CORDOBA?
644
00:49:31,432 --> 00:49:34,895
WELL, MY INITIAL CONTRACT
IS FOR TWO YEARS.
645
00:49:37,173 --> 00:49:39,082
I SEE.
646
00:49:50,352 --> 00:49:52,953
OF COURSE,
NOW THAT GINNY IS MARRIED,
647
00:49:52,955 --> 00:49:55,622
I SHALL BE RETURNING
TO NEW YORK.
648
00:49:55,624 --> 00:49:58,192
YOU MUST BE
LOOKING FORWARD TO THAT.
649
00:49:58,194 --> 00:50:00,860
NOT ONE LITTLE BIT.
650
00:50:00,862 --> 00:50:03,363
IT'S ALL VERY WELL
FOR MEN, YOU SEE, BUT...
651
00:50:03,365 --> 00:50:05,098
MISS ST. GEORGE?
652
00:50:05,100 --> 00:50:08,468
WHAT IS A WOMAN
TO THROW HERSELF INTO?
653
00:50:08,470 --> 00:50:12,272
WELL, MOST WOMEN THROW THEMSELVES
INTO MARRIAGE, DO THEY NOT?
654
00:50:12,274 --> 00:50:14,841
YES, I SUPPOSE SO.
655
00:50:14,843 --> 00:50:19,289
BUT YOU ARE...
A LITTLE YOUNG FOR THAT?
656
00:50:19,481 --> 00:50:21,825
I'M EIGHTEEN.
657
00:50:22,017 --> 00:50:24,651
MOTHER WAS EIGHTEEN
WHEN SHE WAS MARRIED.
658
00:50:24,653 --> 00:50:26,519
WELL, DID SHE REGRET IT?
659
00:50:26,521 --> 00:50:28,054
OF COURSE NOT.
660
00:50:28,056 --> 00:50:30,724
WELL, IT'S NOT SOMETHING
ONE CAN TAKE FOR GRANTED.
661
00:50:30,726 --> 00:50:34,370
JUST NOW YOU SEEM
TO RECOMMEND IT.
662
00:50:34,462 --> 00:50:36,763
MARRIAGE...
663
00:50:36,765 --> 00:50:40,610
WELL, IT DOES RATHER
DEPEND ON WHO ONE MARRIES.
664
00:50:41,337 --> 00:50:44,604
I CERTAINLY DO NOT
RECOMMEND CHILD BRIDES.
665
00:50:44,606 --> 00:50:47,483
CHILD BRIDES GROW UP
EVENTUALLY.
666
00:50:49,645 --> 00:50:51,345
I MEAN TO SAY...
667
00:50:51,347 --> 00:50:54,389
YOU KNOW, MY MOTHER,
YES, SHE GREW UP.
668
00:51:01,023 --> 00:51:03,690
WHY DID YOU NEVER COME
TO RUNNYMEAD?
669
00:51:03,692 --> 00:51:06,393
YOU MOVE IN CHARMED CIRCLES,
MISS ST. GEORGE.
670
00:51:06,395 --> 00:51:09,896
MY FAMILY HAS
NEITHER A LONDON HOUSE
NOR A LONDON ALLOWANCE.
671
00:51:09,898 --> 00:51:11,965
REALLY...
672
00:51:11,967 --> 00:51:14,634
YOU KNOW, I FIND THAT
VERY HARD TO BELIEVE.
673
00:51:14,636 --> 00:51:18,281
GRACIOUS, HOW SOLEMN
YOU BOTH LOOK.
674
00:51:18,774 --> 00:51:21,808
WE'VE BEEN TALKING
ABOUT REGRETS, MS. TESTVALLEY.
675
00:51:21,810 --> 00:51:24,410
REGRETS?
AT YOUR AGE?
676
00:51:24,412 --> 00:51:26,489
RIDICULOUS.
677
00:51:32,521 --> 00:51:34,288
ANNABEL.
678
00:51:34,724 --> 00:51:37,123
- ANNABEL.
- HMM?
679
00:51:37,125 --> 00:51:39,669
WHAT ARE YOU THINKING,
DARLING?
680
00:51:39,861 --> 00:51:43,606
I HOPE I CAN AT LEAST KEEP
MY THOUGHTS TO MYSELF.
681
00:52:32,680 --> 00:52:35,692
IT'S DARLING.
682
00:52:35,784 --> 00:52:37,884
OH, LOOK AT HIS BIG FEET.
683
00:52:37,886 --> 00:52:39,486
LOOK AT THOSE BIG FEET.
684
00:52:39,488 --> 00:52:41,287
WHAT A TIGER YOU ARE.
685
00:52:41,289 --> 00:52:43,056
HE'S FOR YOU...
A PRESENT.
686
00:52:43,058 --> 00:52:45,725
FOR ME?
WHY?
687
00:52:45,727 --> 00:52:47,427
HOW AM I GONNA TAKE YOU HOME?
688
00:52:47,429 --> 00:52:48,928
HOW AM I GONNA TAKE YOU
HOME WITH ME?
689
00:52:48,930 --> 00:52:50,263
I WANT YOU TO STAY.
690
00:52:50,265 --> 00:52:52,575
- I WANT YOU TO MARRY ME.
- YOU LIKE THIS?
691
00:52:53,134 --> 00:52:54,601
IT'S TRUE.
692
00:52:54,603 --> 00:52:57,036
WHAT?
I'M SORRY, WHAT DID YOU SAY?
693
00:52:57,038 --> 00:52:59,784
OH, UH... MA'AM.
694
00:53:01,643 --> 00:53:03,219
WHAT?
695
00:53:04,079 --> 00:53:06,622
MARRY ME, ANNABEL.
696
00:53:07,382 --> 00:53:09,859
PLEASE, MARRY ME.
697
00:53:09,951 --> 00:53:13,363
YOU WERE BORN TO BE PRINCESS
OF TREVENICK CASTLE.
698
00:53:15,824 --> 00:53:18,668
THERE'S NO OTHER WOMAN
IN THE WORLD FOR ME.
699
00:53:21,496 --> 00:53:24,240
YOU KNOW THAT,
DON'T YOU?
700
00:53:24,532 --> 00:53:27,077
PLEASE, MARRY ME.
49863
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