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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,639 --> 00:00:09,774 IT ALL BEGAN WHEN I TOOK UP MY POST AS THE ST. GEORGE FAMILY GOVERNESS 2 00:00:09,776 --> 00:00:13,410 IN NEWPORT, RHODE ISLAND IN 1873. 3 00:00:14,347 --> 00:00:16,615 THE PHILANDERING LORD RICHARD 4 00:00:16,617 --> 00:00:19,984 FOUND THE BRAZILIAN BEAUTY CONCHITA CLOSSON BEWITCHING, 5 00:00:19,986 --> 00:00:22,253 AND PROMPTLY MARRIED HER, ONLY TO DISCOVER 6 00:00:22,255 --> 00:00:24,922 SHE WAS NOT THE HEIRESS HE ASSUMED. 7 00:00:24,924 --> 00:00:27,258 IT OCCURRED TO ME THAT MY OWN YOUNG CHARGE, 8 00:00:27,260 --> 00:00:29,728 ANNABEL ST. GEORGE, AND HER SISTER VIRGINIA 9 00:00:29,730 --> 00:00:31,929 MIGHT BENEFIT FROM AN ENGLISH SEASON. 10 00:00:31,931 --> 00:00:34,602 AND I DECIDED TO INTRODUCE THEM TO LORD RICHARD'S FAMILY. 11 00:00:34,604 --> 00:00:36,367 MISS ST. GEORGE... 12 00:00:36,369 --> 00:00:39,581 I SHOULD NEVER HAVE TAKEN YOU FOR AN AMERICAN. 13 00:00:41,041 --> 00:00:45,309 BUT SURELY IN LORD SEADOWN'S CASE THAT WOULD BE ONLY TOO EASY. 14 00:00:45,311 --> 00:00:49,079 YOU'RE FORGETTING THIS RETCHED ENTANGLEMENT OF HIS WITH IDINA HATTON. 15 00:00:49,081 --> 00:00:50,948 MY LOVE... 16 00:00:50,950 --> 00:00:54,802 I AM OLDER AND WISER THAN YOU AND I KNOW NOTHING OF THE KIND. 17 00:00:54,804 --> 00:00:57,221 ANNABEL, MY OWN SPECIAL FAVORITE, 18 00:00:57,223 --> 00:00:59,524 FELL IN LOVE WITH GUY THWAITE AT FIRST SIGHT. 19 00:00:59,526 --> 00:01:03,094 ENGLAND'S MOST ELIGIBLE BACHELOR, BUT FOR HIS LOST INHERITANCE. 20 00:01:03,096 --> 00:01:05,497 WITH THE HELP OF MY AMERICAN FRIEND JACKIE MARCH, 21 00:01:05,499 --> 00:01:09,067 WE INSTALLED OURSELVES IN IDINA'S IDYLLIC RUNNYMEAD COTTAGE, 22 00:01:09,069 --> 00:01:12,336 WHERE A SURPRISE VISIT FROM THE VIVACIOUS LIZZY ELMSWORTH, 23 00:01:12,338 --> 00:01:15,910 VIRGINIA'S ARCH RIVAL, MADE MY LITTLE BAND COMPLETE. 24 00:01:15,912 --> 00:01:18,403 OH, WELL, ANOTHER BUCCANEER. 25 00:01:18,405 --> 00:01:21,078 - A WHAT? - OH, THAT'S WHAT MISS MARCH CALLS YOU... 26 00:01:21,080 --> 00:01:23,047 - THE BUCCANEERS. - THE BUCCANEERS? 27 00:01:23,049 --> 00:01:24,615 - YEAH. - WHY? 28 00:01:24,617 --> 00:01:26,617 BECAUSE SHE SAYS, THE ENGLISH INVADED AMERICA, 29 00:01:26,619 --> 00:01:30,053 - NOW IT'S YOUR TURN. - DON'T YOU JUST LOVE IT? 30 00:01:31,841 --> 00:01:33,691 CHEERS TO YOU. 31 00:02:18,671 --> 00:02:20,872 LET ME HELP YOU, LIZZY. 32 00:02:20,874 --> 00:02:23,795 - A GIRL CAN JUMP, YOU KNOW. - I'M SURE YOU CAN. 33 00:02:28,982 --> 00:02:31,459 DON'T FORGET THE CHAMPAGNE, MILES. 34 00:02:36,055 --> 00:02:39,433 DARLING, I'M AFRAID YOU CAN'T LAND SEADOWN. 35 00:02:39,525 --> 00:02:41,892 I'M SORRY I EVER MENTIONED IT TO YOU, BUT 36 00:02:41,894 --> 00:02:44,228 THAT BOY CAN'T BE SERIOUS ABOUT ANYTHING. 37 00:02:44,230 --> 00:02:48,007 DON'T WORRY, I DON'T WANT HIM. HE HAS FAR TOO HIGH OF OPINION OF HIMSELF. 38 00:02:48,009 --> 00:02:49,801 YOU'RE A TERRIBLE LIAR. 39 00:02:49,803 --> 00:02:51,836 YOU RATHER LIKE HIM, DON'T YOU? 40 00:02:51,838 --> 00:02:54,815 IT'S ONLY BECAUSE YOU THINK YOU CAN'T HAVE HIM. 41 00:02:55,508 --> 00:02:58,442 DID YOU SEE HOW YOUNG MILES COLORED UP 42 00:02:58,444 --> 00:03:00,711 WHEN I ASKED HIM TO COME BACK TO THE HOUSE? 43 00:03:00,713 --> 00:03:02,880 I KNOW HE HAS NO MONEY, BUT... 44 00:03:02,882 --> 00:03:06,024 HE'S RATHER A POPPET, DON'T YOU THINK? 45 00:03:27,974 --> 00:03:30,207 LORD SEADOWN IS HERE. 46 00:03:30,209 --> 00:03:32,109 YOU'RE NOT SURPRISED, ARE YOU? 47 00:03:32,111 --> 00:03:33,878 NO, NOT AT ALL. 48 00:03:33,880 --> 00:03:36,615 ONLY, IDINA FORBADE HIM TO COME HERE. 49 00:03:36,617 --> 00:03:37,862 HMM. 50 00:03:37,864 --> 00:03:41,090 BUT ISN'T FORBIDDEN FRUIT ALWAYS THE SWEETEST? 51 00:03:41,988 --> 00:03:45,422 LIZZY ELMSWORTH IS VERY STYLISH, ISN'T SHE? 52 00:03:45,424 --> 00:03:49,803 HAS IT OCCURRED TO YOU THAT SHE MIGHT BE MORE TO LORD SEADOWN'S TASTE? 53 00:03:50,630 --> 00:03:53,821 VIRGINIA, AFTER ALL, MIGHT AIM SOMEWHAT HIGHER. 54 00:03:53,823 --> 00:03:56,467 ONE, TWO, THREE... 55 00:03:56,469 --> 00:03:58,903 FOUR, FIVE, SIX... 56 00:03:58,905 --> 00:04:02,650 SEVEN, EIGHT, NINE, TEN. 57 00:04:07,814 --> 00:04:10,958 YOUR GRACE, I'M SO GLAD YOU COULD COME. 58 00:04:11,451 --> 00:04:13,580 SEADOWN IS HERE... 59 00:04:17,457 --> 00:04:19,891 OH, AND DO YOU KNOW HECTOR ROBINSON? 60 00:04:20,093 --> 00:04:21,993 OH, YOUR GRACE. 61 00:04:21,995 --> 00:04:24,071 OH, CERTAINLY, LADY RICHARD. 62 00:04:27,500 --> 00:04:29,900 MR. ROBINSON... 63 00:04:29,902 --> 00:04:32,236 YOU ARE THE MAN WITH THE BUTTON, ARE YOU NOT? 64 00:04:32,238 --> 00:04:34,973 - THAT IS SO, YOUR GRACE. - WELL, PERHAPS YOU COULD EXPLAIN TO ME. 65 00:04:34,975 --> 00:04:37,308 YOU SEE, I CERTAINLY CAN'T MAKE ANY SENSE OF IT. 66 00:04:37,310 --> 00:04:40,451 WHAT EXACTLY IS A TORY DEMOCRAT? 67 00:04:40,813 --> 00:04:43,981 AH-HA. HE IS A DEMOCRAT, YOUR GRACE, 68 00:04:43,983 --> 00:04:47,184 BECAUSE HE BELIEVES IN THE WELFARE OF THE PEOPLE, 69 00:04:47,186 --> 00:04:49,220 AND A TORY, BECAUSE HE KNOWS 70 00:04:49,222 --> 00:04:51,656 THE ESTABLISHED INSTITUTIONS OF THE COUNTRY 71 00:04:51,658 --> 00:04:54,092 AND THE BEST MEANS BY WHICH TO ACHIEVE IT. 72 00:04:54,094 --> 00:04:59,096 OPPORTUNISM AND HYPOCRISY, MR. ROBINSON, THAT'S ALL THAT IS. 73 00:04:59,098 --> 00:05:00,631 COME ON, COME ON... 74 00:05:00,733 --> 00:05:03,167 WELL... 75 00:05:03,169 --> 00:05:05,302 I'VE JUST GOT TO... 76 00:05:05,304 --> 00:05:07,514 I'VE JUST... 77 00:05:09,341 --> 00:05:11,608 COME ON, COME ON, PUT HER THERE. 78 00:05:11,610 --> 00:05:15,022 FOLLOW ME, COME ON. COME ON. 79 00:05:24,991 --> 00:05:26,657 YOUR GRACE. 80 00:05:26,659 --> 00:05:30,060 I DO APOLOGIZE. THIS MUST LOOK VERY SILLY. 81 00:05:30,062 --> 00:05:33,774 I HOPE YOU'LL JOIN US. IT'S GREAT FUN. 82 00:05:37,303 --> 00:05:39,313 COME ON, GET A DRINK. 83 00:05:44,610 --> 00:05:46,544 THE RULES ARE, IF I PAWN YOU... 84 00:05:46,546 --> 00:05:48,589 BLINDFOLD JULIUS. 85 00:05:49,649 --> 00:05:51,649 YES, VERY GOOD. 86 00:05:51,651 --> 00:05:55,086 PLEASE, EVERYONE MUST EXCUSE ME. THANK YOU. 87 00:05:55,088 --> 00:05:57,919 BUT YOUR GRACE, YOU'RE MISSING ALL THE FUN, REALLY. 88 00:05:59,192 --> 00:06:01,492 OH, THAT'S A SHAME. 89 00:06:01,494 --> 00:06:04,651 - WELL, WHO'S NEXT THEN? - MILES, COME ON. 90 00:06:11,471 --> 00:06:14,004 IT'S NOT A QUESTION OF BECOMING A RECLUSE, MOTHER. 91 00:06:14,006 --> 00:06:17,621 I SIMPLY DO NOT ENJOY THE SENSATION OF BEING HUNTED FOR MY TITLE. 92 00:06:17,623 --> 00:06:20,310 YES, DEAR, SO YOU HAVE ALWAYS SAID. 93 00:06:20,312 --> 00:06:22,213 ALWAYS? 94 00:06:22,215 --> 00:06:24,591 SINCE YOU WERE OF AN AGE. 95 00:06:27,053 --> 00:06:32,323 THE FIRST WORDS YOU EVER SPOKE WERE "TICK-TOCK". 96 00:06:32,325 --> 00:06:36,827 - IS THAT SO? - OR IT MIGHT HAVE BEEN "CLIP-CLOP". 97 00:06:36,829 --> 00:06:39,797 I DOUBT IT... I'VE ALWAYS LIKED CLOCKS RATHER MORE THAN HORSES. 98 00:06:39,799 --> 00:06:44,051 I DO SOMETIMES FEEL, JULIUS, THAT YOU HAVE LIKED CLOCKS MORE THAN ANYTHING. 99 00:06:44,403 --> 00:06:47,638 MY DEAR, I AM SURE 100 00:06:47,640 --> 00:06:53,243 THAT NO ONE ON MY GUEST LIST IS HUNTING YOU DOWN FOR YOUR TITLE. 101 00:06:53,345 --> 00:06:55,078 MUST YOU GO? 102 00:06:55,080 --> 00:06:59,974 YOU SPEND FAR TOO MUCH TIME ALONE IN THAT GLOOMY OLD PLACE AS IT IS. 103 00:06:59,986 --> 00:07:02,363 AH, IT'S OUR ANCESTRAL PAST. 104 00:07:15,467 --> 00:07:17,068 NO... 105 00:07:17,070 --> 00:07:18,970 I SHALL GO DOWN TO TREVENICK TOMORROW. 106 00:07:18,972 --> 00:07:21,455 I HAVE THE PLANS TO GO OVER WITH CARTWRIGHT. 107 00:07:21,707 --> 00:07:24,919 I WILL NOT BE HUNTED. 108 00:07:40,593 --> 00:07:43,804 NAN, PLEASE STOP FIDGETING. 109 00:07:45,031 --> 00:07:47,832 VAL, YOU KNOW WHAT THE TROUBLE WITH GINNY IS, 110 00:07:47,834 --> 00:07:51,535 IS THAT ALL SHE'S INTERESTED IN IS THE RIGHT PEOPLE. 111 00:07:51,537 --> 00:07:54,404 AND THE CLOTHES THEY WEAR, AND THE CARRIAGES THEY DRIVE, 112 00:07:54,406 --> 00:07:56,807 AND THEN THE PEOPLE THEY KNOW, AND THE CLOTHES THEY WEAR. 113 00:07:56,809 --> 00:07:57,875 - WELL... - AND THE CARRIAGE... 114 00:07:57,877 --> 00:08:00,020 AND WHAT ARE YOU INTERESTED IN? 115 00:08:01,013 --> 00:08:03,347 I DON'T KNOW. 116 00:08:03,349 --> 00:08:05,516 THE PAST, 117 00:08:05,518 --> 00:08:07,784 BUILDINGS MOSTLY. 118 00:08:07,786 --> 00:08:09,787 HOUSES, YEAH... 119 00:08:09,789 --> 00:08:11,955 I LOVE TO SEE HOUSES SO ANCIENT 120 00:08:11,957 --> 00:08:16,260 AND SO LOVELY THAT PEOPLE THAT LIVE IN THEM, THEY HAVE THEM IN THEIR BONES. 121 00:08:16,262 --> 00:08:19,763 THAT'S AN ODD EXPRESSION. DID YOU FIND IT IN A BOOK? 122 00:08:19,765 --> 00:08:22,436 NO. IF YOU REALLY MUST KNOW, 123 00:08:22,438 --> 00:08:25,712 GUY THWAITE SAID IT ABOUT HONORSLOVE. 124 00:08:27,807 --> 00:08:30,117 I HAVE A LITTLE PLAN. 125 00:08:30,610 --> 00:08:33,410 I THINK WE MIGHT GO AWAY FOR AWHILE. 126 00:08:33,412 --> 00:08:36,790 - WE? - YES, JUST YOU AND ME. 127 00:08:37,817 --> 00:08:40,417 I KNOW A LITTLE PLACE IN CORNWALL 128 00:08:40,419 --> 00:08:44,422 WHERE WE CAN GO SEABATHING AND LIVE LIKE GYPSIES. 129 00:08:44,424 --> 00:08:46,390 OH, VAL. 130 00:08:46,392 --> 00:08:48,693 I SHOULD LOVE THAT. 131 00:08:48,695 --> 00:08:52,172 GOOD. THEN I SHALL ARRANGE IT. 132 00:09:48,887 --> 00:09:50,821 VAL. 133 00:09:50,823 --> 00:09:53,223 - HERE. - NAN. 134 00:09:53,225 --> 00:09:56,670 - IT'S GLORIOUS. - GOOD. 135 00:09:56,762 --> 00:10:00,173 - NAN, BE CAREFUL. - I WILL. 136 00:10:14,780 --> 00:10:16,747 I'M SO SORRY. 137 00:10:16,749 --> 00:10:19,450 - DIDN'T MEAN TO STARTLE YOU. - YOU DIDN'T. 138 00:10:19,452 --> 00:10:22,062 I DIDN'T REALIZE THERE WAS ANYONE HERE. 139 00:10:23,522 --> 00:10:25,732 WELL, I DON'T WISH TO DISTURB YOU. 140 00:10:25,824 --> 00:10:27,257 IT'S ALL RIGHT. 141 00:10:27,259 --> 00:10:29,092 THE PLACE DOESN'T BELONG TO ME, YOU KNOW. 142 00:10:29,094 --> 00:10:30,737 INDEED. 143 00:10:39,572 --> 00:10:42,639 I'VE SEEN YOU SOMEPLACE BEFORE. 144 00:10:42,641 --> 00:10:46,109 YES, I... RUNNYMEAD. 145 00:10:46,111 --> 00:10:49,246 I'M NAN ST. GEORGE. 146 00:10:49,248 --> 00:10:51,548 AND YOU ARE... 147 00:10:51,550 --> 00:10:53,650 I KNOW, UM... 148 00:10:53,652 --> 00:10:55,606 MR. ROBINSON. 149 00:10:56,255 --> 00:10:59,155 OH, DEAR... 150 00:10:59,157 --> 00:11:02,569 I CAN SEE YOU'RE NOT MR. ROBINSON. 151 00:11:03,996 --> 00:11:08,025 I'M SO SORRY, IT'S HATEFUL TO BE TAKEN FOR SOMEONE ELSE. 152 00:11:08,027 --> 00:11:10,576 ESPECIALLY MR. ROBINSON. 153 00:11:13,339 --> 00:11:15,482 I'M SORRY. 154 00:11:15,774 --> 00:11:17,551 WELL... 155 00:11:36,195 --> 00:11:38,538 OH. 156 00:11:42,201 --> 00:11:45,879 NO, I NEVER WOULD HAVE GUESSED YOU WERE ONE OF THOSE RUSTLING YOUNG WOMEN AT RUNNYMEAD. 157 00:11:47,439 --> 00:11:50,884 - THEY'RE ALWAYS SO NOISY. - THEY ARE RATHER. 158 00:11:50,976 --> 00:11:54,011 I CAN ONLY TAKE SO MUCH OF THAT SORT OF THING... 159 00:11:54,013 --> 00:11:57,758 APPLE PIE, BILLARDS, MURDER AND PILLOW FIGHTS. 160 00:11:57,950 --> 00:12:00,894 AND THEY ALL DRINK AND SMOKE SO MUCH. 161 00:12:00,986 --> 00:12:03,697 OH, BUT THIS, 162 00:12:03,789 --> 00:12:05,989 THIS IS GLORIOUS. 163 00:12:05,991 --> 00:12:08,324 DIDN'T YOU SAY THE WOMEN SMOKE? 164 00:12:08,326 --> 00:12:11,228 CERTAINLY THEY DO, ALL OF THEM. 165 00:12:11,230 --> 00:12:13,363 LIKE FOREST FIRES. 166 00:12:13,365 --> 00:12:16,676 - I SMOKE LIKE A FOREST FIRE. - DO YOU? 167 00:12:17,170 --> 00:12:20,603 - I'M SURE IT'S BAD FOR YOU. - DO YOU THINK? 168 00:12:20,605 --> 00:12:22,015 YES. 169 00:12:22,407 --> 00:12:24,330 ANNABEL. 170 00:12:24,909 --> 00:12:28,311 OH, THAT'S MY GOVERNESS. 171 00:12:28,313 --> 00:12:29,634 I REALLY MUST GO. 172 00:12:29,636 --> 00:12:32,291 - WILL SHE BE ANGRY? - DREADFULLY. 173 00:12:33,019 --> 00:12:35,686 - MAY I SEE YOU BACK? - IF YOU LIKE. 174 00:12:35,688 --> 00:12:37,564 WALK ME TO THE TOP. 175 00:12:47,132 --> 00:12:49,900 NAN, HOW MANY TIMES MUST I TELL YOU, 176 00:12:49,902 --> 00:12:51,368 NOT TO TALK TO STRANGERS. 177 00:12:51,370 --> 00:12:53,903 HE'S NOT A STRANGER. HE'S BEEN TO RUNNYMEAD, 178 00:12:53,905 --> 00:12:56,650 AND HE SAYS HE LIVES SOMEWHERE AROUND HERE. 179 00:12:57,677 --> 00:12:59,976 THERE HE IS, STILL. 180 00:12:59,978 --> 00:13:02,546 GOOD GRACIOUS, THAT'S THE DUKE OF TREVENICK. 181 00:13:02,548 --> 00:13:04,615 - NO. - YES, OF COURSE IT IS. 182 00:13:04,617 --> 00:13:07,251 WELL, OF COURSE... THIS IS ALL TREVENICK LAND. 183 00:13:07,253 --> 00:13:10,521 - NAN, DON'T STARE. - HE SEEMS SUCH A CHILD. 184 00:13:10,523 --> 00:13:12,865 LET'S HOPE HE THOUGHT NO WORSE OF YOU. 185 00:13:12,867 --> 00:13:15,425 HE THOUGHT I WAS WONDERFUL. 186 00:13:15,427 --> 00:13:20,173 AND HE'S SENDING HIS FLYOVER TOMORROW AT 4:00 TO TAKE US BOTH TO TEA. 187 00:13:29,908 --> 00:13:33,360 DID YOU INVESTIGATE CONNIE'S FINANCES AT ALL, DICK? 188 00:13:33,412 --> 00:13:35,745 BEFORE YOUR ENGAGEMENT, I MEAN. 189 00:13:35,747 --> 00:13:37,948 I WAS IN LOVE WITH CONNIE. 190 00:13:37,950 --> 00:13:40,761 SHE'S PREGNANT, BY THE WAY. 191 00:13:41,621 --> 00:13:45,389 - AN IMMACULATE CONCEPTION. - OH, YEAH. 192 00:13:45,391 --> 00:13:49,126 CONNIE AND I DO MEET UP FROM TIME TO TIME. 193 00:13:49,128 --> 00:13:51,261 YOU BETTER GET A MOVE ON. 194 00:13:51,263 --> 00:13:54,707 MAYBE THE NEXT LORD BRIGHTLINGSEA, SHE'S CARRYING. 195 00:13:57,903 --> 00:14:01,848 I'VE HAD BLAIR LOOK INTO THE ELMSWORTHS AND THE ST. GEORGES. 196 00:14:02,742 --> 00:14:04,474 AND...? 197 00:14:04,476 --> 00:14:07,310 THE ELMSWORTHS ARE SO-SO. 198 00:14:07,312 --> 00:14:12,134 BUT COLONEL ST. GEORGE REALLY IS THE THIRD RICHEST MAN ON WALL STREET. 199 00:14:13,452 --> 00:14:16,052 IF A MAN MUST GRUB AROUND TO MAKE A LIVING, 200 00:14:16,054 --> 00:14:18,354 I SUPPOSE ONE DOES PREFER HIM TO DO IT SUCCESSFULLY. 201 00:14:18,356 --> 00:14:20,724 SO, WHAT ARE YOU WAITING FOR? 202 00:14:20,726 --> 00:14:23,536 I DON'T SEE YOU THRIVING ON MARRIAGE. 203 00:14:24,430 --> 00:14:28,875 BUT THEN, MAYBE THE TRICK IS NOT TO BE IN LOVE WITH ONE'S WIFE. 204 00:14:34,907 --> 00:14:37,240 AND THE HAWK LIFTED THE CHILD OUT OF THE CRADLE, 205 00:14:37,242 --> 00:14:40,253 - FLEW IT OUT OF THAT WINDOW THERE. - Oh, no. 206 00:14:42,449 --> 00:14:46,350 YOU CAN STILL HEAR THE CRIES OF THE DISTRESSED MOTHER CARRIED BY THE WIND. 207 00:14:46,352 --> 00:14:48,395 - REALLY? - YEAH. 208 00:14:49,889 --> 00:14:52,522 YOU KNOW, MY FATHER WAS COMPLETE... OH, PLEASE. 209 00:14:52,524 --> 00:14:54,692 - THAT ONE, PLEASE. - THIS ONE HERE? 210 00:14:54,694 --> 00:14:56,603 - THANK YOU. - YEAH. 211 00:14:58,697 --> 00:15:03,000 MY FATHER WAS COMPLETELY UNABLE TO FULFILL ANY OF MY GRANDFATHER'S AMBITIONS HERE. 212 00:15:03,002 --> 00:15:06,069 I'M DETERMINED TO RESTORE TREVENICK TO ITS FORMER GLORY. 213 00:15:06,071 --> 00:15:09,373 - OH, WHAT A FINE AMBITION. - THANK YOU. 214 00:15:09,375 --> 00:15:11,375 MY MOTHER DISAPPROVES OF THE RESTORATION PLANS. 215 00:15:11,377 --> 00:15:14,077 SHE FINDS THE WHOLE AREA RATHER GLOOMY. 216 00:15:14,079 --> 00:15:17,614 NO, I THINK IT'S WILD AND GRAND. 217 00:15:17,616 --> 00:15:20,560 YOU KNOW, I PREFER IT TO LIVING IN LONDON ANY DAY. 218 00:15:23,989 --> 00:15:26,656 YOU CERTAINLY HAVE QUITE AN APPETITE. 219 00:15:26,658 --> 00:15:28,368 YES. 220 00:15:34,266 --> 00:15:36,132 IN SOME OF THE EARLY FAMILY STORIES, 221 00:15:36,134 --> 00:15:39,513 IT SAID ONE OF MY FORBEARERS MET HIS DEATH FALLING FROM THIS WINDOW. 222 00:15:42,408 --> 00:15:45,819 WHO KNOWS, IT IS A FEARFUL LONG WAY. 223 00:16:10,836 --> 00:16:14,171 THANK YOU SO MUCH, YOUR GRACE, FOR A MOST ENTERTAINING AFTERNOON. 224 00:16:14,173 --> 00:16:16,707 BUT IT WAS MOST DELIGHTFUL TO MEET YOU BOTH, MS. TESTVALLEY, 225 00:16:16,709 --> 00:16:20,220 - MISS ST. GEORGE. - THANK YOU, JULIUS. 226 00:16:21,946 --> 00:16:24,891 - YOU'RE GOOD. - WALK ON. 227 00:17:53,536 --> 00:17:55,379 CONNIE... 228 00:17:55,806 --> 00:17:57,749 CONNIE, WHO IS THAT? 229 00:18:04,215 --> 00:18:07,959 THAT, I THINK, IT MUST BE YOUR LANDLADY. 230 00:18:11,088 --> 00:18:13,698 GINNY, YOUR LANDLADY IS HERE. 231 00:18:18,695 --> 00:18:20,972 MILES, YOU'RE HERE. 232 00:18:24,401 --> 00:18:27,969 - LADY RICHARD. - YES, AND YOU MUST BE MISS HATTON. 233 00:18:27,971 --> 00:18:29,704 MY TENANTS, I SUPPOSE. 234 00:18:29,706 --> 00:18:32,041 - MISS ST. GEORGE... AND MISS ELMSWORTH. - HELLO. 235 00:18:32,043 --> 00:18:34,409 I'M IDINA HATTON, YOUR LANDLADY. 236 00:18:34,411 --> 00:18:38,657 WHAT A BRILLIANT IDEA TO HAVE TEA OUT HERE... IN THE BREEZE. 237 00:18:38,749 --> 00:18:42,484 LORD PERCY, LIEUTENANT JAMES. 238 00:18:42,486 --> 00:18:46,088 OH, AND LORD SEADOWN... 239 00:18:46,090 --> 00:18:48,589 YOU'RE HERE TOO. 240 00:18:48,591 --> 00:18:52,995 NOW I SEE WHY YOU FORGOT YOU WERE HAVING LUNCH WITH ME IN TOWN TODAY. 241 00:18:52,997 --> 00:18:56,198 BUT I MUST SAY, YOU CHOSE THE BETTER PART. 242 00:18:56,200 --> 00:18:58,843 LONDON IS A FURNACE. 243 00:19:03,007 --> 00:19:07,085 WELL, AREN'T YOU GOING TO OFFER ME A CIGARETTE? 244 00:19:26,731 --> 00:19:30,098 BUT YOU MUSTN'T LET ME INTERRUPT YOUR PLANS. 245 00:19:30,100 --> 00:19:33,841 I'VE HEARD WHAT AMUSING THINGS GO ON HERE. 246 00:19:34,405 --> 00:19:37,606 I MAY AS WELL CONFESS, I'M DREADFULLY KEEN TO LEARN YOUR SECRETS. 247 00:19:37,608 --> 00:19:39,908 DARLING, SO MANY DELIGHTFUL PEOPLE 248 00:19:39,910 --> 00:19:42,961 ALREADY KNEW THEIR WAY TO THE COTTAGE THAT THERE WAS NOTHING FOR US TO DO 249 00:19:42,963 --> 00:19:46,881 BUT LEAVE THE DOOR UNLATCHED. THERE ARE NO SECRETS HERE. 250 00:19:46,983 --> 00:19:50,519 EXCEPT... PERHAPS... 251 00:19:50,521 --> 00:19:52,988 BUT YOU MUST REMEMBER THAT THIS IS A SECRET. 252 00:19:52,990 --> 00:19:58,627 ESPECIALLY FROM MAMA ST. GEORGE, TAKING HER SIESTA UPSTAIRS. 253 00:19:58,629 --> 00:20:04,509 WHAT ABOUT PUTTING THIS TABLE TO ITS PROPER USE? 254 00:20:09,740 --> 00:20:11,473 AH. 255 00:20:11,475 --> 00:20:14,075 CARDS. HOW JOLLY. 256 00:20:14,077 --> 00:20:17,579 NO WONDER MY POOR LITTLE COTTAGE HAS BECOME SO POPULAR. 257 00:20:17,581 --> 00:20:19,914 - POKER? - OH... 258 00:20:19,916 --> 00:20:22,551 HOW VERY WICKED. 259 00:20:22,553 --> 00:20:24,219 BY ALL MEANS, LET'S PLAY POKER. 260 00:20:24,221 --> 00:20:25,887 SEADOWN, YOU MUST COME TO MY RESCUE. 261 00:20:25,889 --> 00:20:28,323 LEND ME FIVE POUNDS, DARLING. 262 00:20:28,325 --> 00:20:31,502 I HOPE I WON'T LOSE MORE THAN THAT. 263 00:20:32,596 --> 00:20:36,241 AH. OH, HEAVENS, SEADOWN, WHAT WEALTH. 264 00:20:38,068 --> 00:20:41,170 HOW WILL I EVER BE ABLE TO PAY YOU BACK IF I LOSE? 265 00:20:41,172 --> 00:20:43,648 OR EVEN IF I WIN? 266 00:20:45,109 --> 00:20:47,408 AREN'T YOU GOING TO JOIN US? 267 00:20:47,410 --> 00:20:49,945 NO, THANK YOU. I PREFER TO WATCH. 268 00:20:49,947 --> 00:20:52,448 I KNOW YOU DON'T LIKE TO GET YOUR HANDS DIRTY, GINNY. 269 00:20:52,450 --> 00:20:54,978 I DON'T MIND IF I DO. 270 00:20:56,753 --> 00:20:58,964 THANK YOU. 271 00:20:59,056 --> 00:21:03,101 MAYBE WE'LL BE ABLE TO FLEECE ONE OR TWO OF THESE HARDENED GAMBLERS. 272 00:21:07,731 --> 00:21:11,043 AT EASE, IT'S ONLY HECTOR. 273 00:22:01,851 --> 00:22:03,694 BASTA. 274 00:22:11,728 --> 00:22:13,137 FIVE. 275 00:22:14,832 --> 00:22:16,574 I'M OUT. 276 00:22:17,401 --> 00:22:19,510 HERE'S FIVE. 277 00:22:20,270 --> 00:22:22,413 AND I'LL RAISE YOU FIVE. 278 00:22:40,057 --> 00:22:42,300 I WILL SEE YOUR FIVE. 279 00:22:44,661 --> 00:22:47,305 FULL HOUSE. 280 00:22:55,605 --> 00:22:58,940 THAT'S IT, A STRAIGHT FLUSH. 281 00:22:58,942 --> 00:23:00,842 BAD LUCK, MY DEAR. 282 00:23:00,844 --> 00:23:03,077 OH, LIZZY, YOU LITTLE DEVIL. 283 00:23:03,079 --> 00:23:06,714 IT WAS LUCK, REALLY. ALL I HAD TO DO WAS PLAY THE CARDS. 284 00:23:06,716 --> 00:23:08,783 CERTAINLY TAUGHT ME A LESSON. 285 00:23:08,785 --> 00:23:11,286 SEADOWN'S LAST COPPER AS WELL AS MY OWN. 286 00:23:11,288 --> 00:23:14,556 YOU'RE TOO CLEVER FOR ME. SOMEBODY BETTER TAKE MY PLACE. 287 00:23:14,558 --> 00:23:16,391 COME NOW, IDINA, DON'T LOSE HEART. 288 00:23:16,393 --> 00:23:18,693 PARTING WITH MY HEART HAS NEVER BEEN A PROBLEM, CONCHITA. 289 00:23:18,695 --> 00:23:20,395 IT'S THE SHILLINGS AND PENCE I CAN'T AFFORD. 290 00:23:20,397 --> 00:23:23,297 COME, MISS ST. GEORGE, IF MISS HATTON REALLY IS GOING TO DESERT US... 291 00:23:23,299 --> 00:23:26,034 NO, REALLY, GIRLS DON'T PLAY CARDS FOR MONEY IN AMERICA. 292 00:23:26,036 --> 00:23:29,204 NO, I UNDERSTAND THE GAME YOU YOUNG LADIES PLAY... 293 00:23:29,206 --> 00:23:32,407 IT HAS FEWER RISKS AND REQUIRES ONLY TWO PLAYERS. 294 00:23:32,409 --> 00:23:34,276 NOW, I'M SORRY TO BE SUCH A SPOILSPORT, 295 00:23:34,278 --> 00:23:36,878 BUT I REALLY MUST INSIST ON CARRYING SEADOWN OFF. 296 00:23:36,880 --> 00:23:40,815 THE FACT IS, SEADOWN, IT'S ABOUT TIME YOUR HOSTESSES FOUND OUT YOU DO NOT GO WITH THE HOUSE. 297 00:23:40,817 --> 00:23:41,916 IDINA. 298 00:23:41,918 --> 00:23:44,052 WE MUSTN'T ALLOW THESE YOUNG LADIES TO FEEL 299 00:23:44,054 --> 00:23:46,755 THAT YOUR VISITS ARE MADE ON THEIR ACCOUNT, MUST WE? 300 00:23:46,757 --> 00:23:49,024 EVERYONE KNOWS AMERICAN GIRLS LIKE TO FLIRT. 301 00:23:49,026 --> 00:23:51,292 PERHAPS THEY NEED A LESSON IN GOOD MANNERS. 302 00:23:51,294 --> 00:23:53,494 VIRGINIA, WHAT ARE YOU WAITING FOR? 303 00:23:53,496 --> 00:23:56,664 DON'T YOU SEE THAT LORD SEADOWN HAS NO RIGHT TO SPEAK UNTIL YOU DO? 304 00:23:56,666 --> 00:24:00,122 WHY DON'T YOU TELL HIM AT ONCE THAT HE HAS YOUR PERMISSION TO ANNOUNCE... 305 00:24:00,124 --> 00:24:03,681 I DON'T KNOW, THAT HE HAS YOUR PERMISSION TO ANNOUNCE YOUR ENGAGEMENT. 306 00:24:05,308 --> 00:24:07,719 SEADOWN... 307 00:24:23,393 --> 00:24:26,461 MISS HATTON IS SUCH AN OLD FRIEND OF MINE, VIRGINIA. 308 00:24:26,463 --> 00:24:29,030 I'M SURE SHE WILL BE THE FIRST TO CONGRATULATE ME, 309 00:24:29,032 --> 00:24:31,876 IF ONLY YOU WILL TELL HER THAT SHE MAY. 310 00:25:00,163 --> 00:25:02,630 OH. OH. 311 00:25:02,632 --> 00:25:06,267 WE MIGHT HAVE BETTER STAYED IN NEW YORK, MISS MARCH. 312 00:25:06,269 --> 00:25:09,204 OH, I DON'T KNOW WHAT IT ALL MEANS. 313 00:25:09,206 --> 00:25:11,106 IT MEANS, MY DEAR, 314 00:25:11,108 --> 00:25:15,353 THAT VIRGINIA IS GOING TO BE THE FIRST MARCHIONESS OF ENGLAND. 315 00:25:17,180 --> 00:25:18,756 OH. 316 00:25:18,982 --> 00:25:20,491 OH. 317 00:25:22,452 --> 00:25:25,487 YOU MEAN THAT LORD SEADOWN 318 00:25:25,489 --> 00:25:28,690 IS GOING TO BE THE "MAR-KEY" OF BRIGHTLINGSEA? 319 00:25:28,692 --> 00:25:30,992 MAR-QUIS. YES, MY DEAR. 320 00:25:30,994 --> 00:25:33,461 OH, THEY HAVE SO MANY NAMES. 321 00:25:33,463 --> 00:25:36,264 I GET THEM ALL MUDDLED. 322 00:25:36,266 --> 00:25:38,800 I THOUGHT THAT LORD PERCY 323 00:25:38,802 --> 00:25:42,404 WAS GOING TO BE THE MARQUIS OF BRIGHTLINGSEA. 324 00:25:42,406 --> 00:25:46,141 NO, MRS. ST. GEORGE. LORD PERCY IS NOT A BRIGHTLINGSEA, 325 00:25:46,143 --> 00:25:49,644 AND FORTUNATELY IS NOT GOING TO BE THE MARQUIS OF ANYTHING. 326 00:25:49,646 --> 00:25:53,348 BUT... OH, DEAR. OH, DEAR, LOOK AT POOR CONCHITA. 327 00:25:53,350 --> 00:25:56,918 LORD RICHARD, HE DRINKS. 328 00:25:56,920 --> 00:25:59,187 AND RUNS AROUND. 329 00:25:59,189 --> 00:26:02,256 AND, WELL, SHE NEVER SEEMS TO HAVE... 330 00:26:02,258 --> 00:26:04,492 SHE NEVER SEEMS TO HAVE ENOUGH MONEY. 331 00:26:04,494 --> 00:26:08,163 OH, BUT SEADOWN IS THE GOOD SON, MRS. ST. GEORGE. 332 00:26:08,165 --> 00:26:10,799 HE'LL NEVER GIVE VIRGINIA ANY TROUBLE. 333 00:26:10,801 --> 00:26:13,935 OH. OH, MY GOODNESS. 334 00:26:13,937 --> 00:26:17,072 WE MUST SEND A TELEGRAM TO THE COLONEL IMMEDIATELY. 335 00:26:17,074 --> 00:26:19,040 OH, I WANT HIM TO TELL ALL OF THOSE PEOPLE 336 00:26:19,042 --> 00:26:21,410 HE KNOWS IN NEW YORK ALL ABOUT OUR VIRGINIA. 337 00:26:21,412 --> 00:26:23,278 I WANT THEM ALL TO KNOW. 338 00:26:23,280 --> 00:26:29,260 OH, I WANT MRS. PARMORE TO GO MAD WITH ENVY. 339 00:26:45,402 --> 00:26:46,944 WHOA. 340 00:26:48,738 --> 00:26:50,805 GOOD AFTERNOON, YOUR GRACE. 341 00:26:50,807 --> 00:26:53,684 - ELSE ANYONE ON HAND? - NO, SIR. 342 00:26:53,876 --> 00:26:56,110 THAT IS, YES. 343 00:26:56,312 --> 00:26:59,190 CAN YOU BE SO GOOD AS TO ANNOUNCE ME? 344 00:27:04,587 --> 00:27:07,989 NO, I'M SORRY, I DON'T GIVE A TOSS FOR YOUR REASONS. 345 00:27:07,991 --> 00:27:10,357 I'D HAVE SOONER DIED THAN SELL THE TITIAN. 346 00:27:10,359 --> 00:27:12,860 DAMN YOU, STANDING THERE WITH THAT SUPERIOR LOOK ON YOUR FACE. 347 00:27:12,862 --> 00:27:14,695 YOU WAITED TILL MY BACK WAS TURNED. 348 00:27:14,697 --> 00:27:17,398 RUBBISH. MR. PLEASANTS HAPPENED TO BE IN THE AREA. 349 00:27:17,400 --> 00:27:20,402 I DON'T BELIEVE A WORD OF IT. YOU EXPECTED ME TO BE WELL OUT OF IT. 350 00:27:20,404 --> 00:27:23,638 - MR. PLEASANTS, SUPPORT ME. - NOT A WORD, MR. PLEASANTS. 351 00:27:23,640 --> 00:27:25,941 YOU EXPECTED ME TO BE IN LONDON, SIR. 352 00:27:25,943 --> 00:27:28,193 AND I CALL THAT COWARDLY AND UNDERHANDED. 353 00:27:28,195 --> 00:27:30,378 IF YOU WOULD ONLY BE QUIET FOR ONE MINUTE. 354 00:27:30,380 --> 00:27:32,747 I WILL BE DAMNED IF I WILL BE QUIET, 355 00:27:32,749 --> 00:27:36,090 ONLY TO HAVE YOU TELL ME A PACK OF LIES. 356 00:28:10,921 --> 00:28:13,487 WHATEVER IS THE MATTER, MAMA? 357 00:28:13,489 --> 00:28:16,834 SEADOWN IS TO MARRY AN AMERICAN. 358 00:28:17,227 --> 00:28:19,260 - SEADOWN? - YES. 359 00:28:19,262 --> 00:28:23,264 HE USED TO BE HERE SO OFTEN AT ONE TIME THAT I HAD HOPED... 360 00:28:23,266 --> 00:28:24,999 LET ME SEE. 361 00:28:25,001 --> 00:28:27,302 YOU KNOW PERFECTLY WELL THAT SEADOWN HAS BEEN 362 00:28:27,304 --> 00:28:29,504 IDINA HATTON'S PROPERTY FOR YEARS. 363 00:28:29,506 --> 00:28:31,740 AND NOBODY'S HAD A CHANCE AGAINST HER. 364 00:28:31,742 --> 00:28:34,142 NOBODY BUT SOME ODIOUS AMERICAN GIRL. 365 00:28:34,144 --> 00:28:36,978 I DARE SAY THE AMERICANS USE MEANS 366 00:28:36,980 --> 00:28:40,448 THAT WELL-BRED ENGLISH GIRLS WOULDN'T STOOP TO. 367 00:28:40,450 --> 00:28:42,650 I WISH I KNEW WHAT THEY WERE. 368 00:28:42,652 --> 00:28:45,788 AS A MATTER OF FACT, I'VE MET MISS ST. GEORGE. 369 00:28:46,290 --> 00:28:48,800 SHE IS WONDERFULLY BEAUTIFUL. 370 00:28:49,292 --> 00:28:51,496 AND I DARE SAY, SHE HAS MONEY. 371 00:28:51,498 --> 00:28:56,363 I CAN NAME SEVERAL ENGLISH GIRLS WHOSE SETTLEMENTS WOULD MATCH THAT OF ANY LITTLE AMERICAN. 372 00:28:56,365 --> 00:28:59,410 WHY NOT JUST MARRY ME TO A ROTHSCHILD AND HAVE IT DONE? 373 00:29:00,336 --> 00:29:03,330 MR. THWAITE, YOUR GRACE. 374 00:29:03,540 --> 00:29:06,407 GOOD MORNING, DUCHESS. LADY GERTRUDE. 375 00:29:06,409 --> 00:29:08,987 HAVE YOU HAD BREAKFAST? 376 00:29:09,179 --> 00:29:11,588 I HAVE, THANK YOU, YES. 377 00:29:17,087 --> 00:29:20,388 I'D LIKE TO APOLOGIZE FOR YESTERDAY. 378 00:29:20,390 --> 00:29:23,892 MATTER OF FACT, I JUST NARROWLY AVOIDED A SIMILAR SCENE. 379 00:29:23,894 --> 00:29:26,894 I COULDN'T HAVE BORN ANOTHER MINUTE UNDER MY MOTHER'S ROOF. 380 00:29:26,896 --> 00:29:29,640 NOR I UNDER MY FATHER'S. 381 00:29:30,300 --> 00:29:32,509 PLAGUE ON BOTH THEM. 382 00:29:36,707 --> 00:29:40,007 WHAT SAY YOU WE CALL IN AT RUNNYMEAD, AND GO SEE MISS ST. GEORGE? 383 00:29:40,009 --> 00:29:42,119 THAT'S A SPLENDID IDEA. 384 00:29:45,448 --> 00:29:48,983 THE REASON I COULDN'T SEE YOU THE OTHER DAY, I'VE HAD SOME NEWS. 385 00:29:48,985 --> 00:29:52,553 POOR OLD MR. HORACE IS AS GOOD AS DEAD. HIS DOCTORS GIVE HIM SIX MONTHS. 386 00:29:52,555 --> 00:29:55,389 NATURALLY, WE'VE AGREED, THE LOCAL MEMBERS AND MYSELF, 387 00:29:55,391 --> 00:29:58,869 TO CALL A BI-ELECTION AT THE FIRST POSSIBLE OPPORTUNITY. 388 00:30:00,630 --> 00:30:03,441 I'M ASKING YOU TO STAND, GUY. 389 00:30:03,600 --> 00:30:05,399 IT'S IMPOSSIBLE. 390 00:30:05,401 --> 00:30:07,334 ISN'T THAT WHAT WE'VE ALWAYS PLANNED? 391 00:30:07,336 --> 00:30:09,136 YES, IT IS. 392 00:30:09,138 --> 00:30:12,240 BUT YOU MUST KNOW, I CAN DO NOTHING FOR MYSELF NOW. 393 00:30:12,242 --> 00:30:14,875 FINANCIALLY, YOU MEAN? I WOULD SEE TO YOUR EXPENSES. 394 00:30:14,877 --> 00:30:17,077 IT'S IMPOSSIBLE, JULIUS. 395 00:30:17,079 --> 00:30:19,756 WELL, YOU MUST AT LEAST EXPLAIN YOURSELF. 396 00:30:20,249 --> 00:30:24,419 MY REASON FOR GOING UP TO LONDON NOW IS TO TALK TO THE RIALTO COMPANY 397 00:30:24,421 --> 00:30:27,955 ABOUT WORK ON THEIR RAILWAYS IN SOUTH AMERICA. 398 00:30:27,957 --> 00:30:29,666 OH... 399 00:30:31,527 --> 00:30:33,570 I SEE. 400 00:30:34,897 --> 00:30:37,198 WHY SOUTH AMERICA? 401 00:30:37,200 --> 00:30:40,778 I HAVE TO DO SOMETHING TO SECURE HONORSLOVE. 402 00:30:40,870 --> 00:30:43,471 THERE'S NO OTHER COURSE OPEN TO ME. 403 00:30:43,473 --> 00:30:45,416 SEADOWN FOUND A WAY. 404 00:30:45,508 --> 00:30:49,176 POOR OLD SEADY. BITTEN THE BULLET AT LAST. 405 00:30:49,178 --> 00:30:50,854 WELL, PRETTY BULLET. 406 00:30:52,715 --> 00:30:55,116 I MET THE YOUNGER MISS ST. GEORGE RECENTLY. 407 00:30:55,118 --> 00:30:57,251 - OH? - BY CHANCE, AT TREVENICK. 408 00:30:57,253 --> 00:31:01,198 I SHOWED HER OVER THE OLD PLACE, SHE SEEMED TO LIKE IT RATHER. 409 00:31:02,092 --> 00:31:05,915 I TOLD MYSELF I'D LOOK FOR AN ENGLISH GIRL EXACTLY LIKE HER. 410 00:31:06,729 --> 00:31:11,242 I'M SURE IF NOT MISTAKING THE COPYING, 411 00:31:11,434 --> 00:31:15,412 I BELIEVE I SPENT RATHER TOO LONG STUDYING THE ORIGINAL. 412 00:31:21,611 --> 00:31:24,822 I SHALL NOT CALL UP RUNNYMEAD WITH YOU. 413 00:31:25,014 --> 00:31:27,647 I'M IN NO MOOD FOR FLIRTING. 414 00:31:27,649 --> 00:31:32,128 BESIDES, SOMEONE IN MY FAMILY HAS TO BE ABLE TO RESIST A PRETTY FACE. 415 00:31:33,089 --> 00:31:36,323 BUT YOU KNOW I DON'T INTEND TO STAY IN SOUTH AMERICA FOREVER. 416 00:31:36,325 --> 00:31:39,091 I'M ONLY GOING AWAY THE BETTER TO COME HOME. 417 00:31:39,929 --> 00:31:42,172 I'LL DRINK TO THAT. 418 00:31:45,602 --> 00:31:47,712 TO YOU, SIR. 419 00:31:52,676 --> 00:31:54,609 OH, I'M SO SORRY, YOUR GRACE, 420 00:31:54,611 --> 00:31:56,843 BUT THERE'S NO ONE HERE TO GREET YOU. 421 00:31:56,845 --> 00:32:00,814 - EVERYONE IS IN LONDON. - YOU ARE HERE. 422 00:32:00,816 --> 00:32:02,826 YES, I... 423 00:32:07,457 --> 00:32:09,467 AND MISS ANNABEL, 424 00:32:09,559 --> 00:32:12,393 WILL SHE REMAIN IN LONDON AFTER THE WEDDING? 425 00:32:12,395 --> 00:32:16,307 OH, MISS ANNABEL WILL NATURALLY GO HOME TO AMERICA WITH HER PARENTS. 426 00:32:16,399 --> 00:32:18,966 SURELY, YOU KNOW, SHE'S OUT NOW, 427 00:32:18,968 --> 00:32:23,381 SO, HER PARENTS ARE VERY ANXIOUS FOR HER TO HAVE A FIRST NEW YORK SEASON. 428 00:32:27,410 --> 00:32:30,520 HAS IT MATTER SUCH THINGS AS A NEW YORK SEASON. 429 00:32:35,751 --> 00:32:38,219 YOU MUST ASSUME, MS. TESTVALLEY... 430 00:32:38,221 --> 00:32:40,521 THAT IS TO SAY... 431 00:32:40,523 --> 00:32:42,824 I HAVE DECIDED... 432 00:32:42,826 --> 00:32:44,792 YES? 433 00:32:44,794 --> 00:32:47,770 I INTEND TO ASK MISS ANNABEL TO MARRY ME. 434 00:32:53,903 --> 00:32:58,405 WELL, ARRANGING MARRIAGES IS NO PART OF MY DUTIES, YOUR GRACE. 435 00:32:58,407 --> 00:33:00,975 BUT IF YOU WISH TO SPEAK TO MRS. ST. GEORGE... 436 00:33:00,977 --> 00:33:03,111 OH, NO, I DON'T. UH... 437 00:33:03,113 --> 00:33:08,215 I UNDERSTOOD THAT IN AMERICA, IN WAS THE CUSTOM TO SPEAK TO THE YOUNG LADY HERSELF. 438 00:33:08,217 --> 00:33:12,220 BUT KNOWING HOW CLOSE YOU ARE, HOW FOND YOU ARE OF MISS ANNABEL... 439 00:33:12,222 --> 00:33:14,788 YES, I AM VERY FOND OF ANNABEL. 440 00:33:14,790 --> 00:33:19,570 I NEED TO KNOW IF HER FEELINGS CORRESPOND IN ANY DEGREE TO MINE. 441 00:33:20,763 --> 00:33:24,075 I REALLY CAN'T ANSWER THAT. 442 00:33:25,635 --> 00:33:28,344 YOU MEAN, SHE HASN'T SPOKEN TO YOU? 443 00:33:29,606 --> 00:33:33,407 ANNABEL IS IN SO MANY WAYS STILL A CHILD. 444 00:33:33,409 --> 00:33:36,544 SHE JUDGES A LOT OF THINGS AS A CHILD WOULD. 445 00:33:36,546 --> 00:33:38,279 YES. 446 00:33:38,281 --> 00:33:40,481 YES, IT'S... 447 00:33:40,483 --> 00:33:43,250 IT'S HER CHILDISH INNOCENCE, 448 00:33:43,252 --> 00:33:47,364 HER INDIFFERENCE TO MONEY, AND THAT ALL SORT OF THING, THAT I VALUE SO IMMENSELY. 449 00:33:49,726 --> 00:33:51,892 YOUR GRACE... 450 00:33:51,894 --> 00:33:55,830 I ONLY WANT YOU TO UNDERSTAND THAT... 451 00:33:55,832 --> 00:33:58,966 NAN MAYBE ONE THING NOW, 452 00:33:58,968 --> 00:34:01,034 BUT IN A YEAR OR TWO, 453 00:34:01,036 --> 00:34:03,771 SHE MAYBE SOMETHING ALTOGETHER DIFFERENT. 454 00:34:03,773 --> 00:34:07,684 AND THAT IS WHY I SOLEMNLY ADVISE YOU TO WAIT. 455 00:34:08,744 --> 00:34:11,588 PLEASE, GIVE NAN TIME TO GROW UP. 456 00:34:21,558 --> 00:34:24,192 SIX THOUSAND, YOU SAY? 457 00:34:24,194 --> 00:34:31,909 SIX THOUSAND A YEAR, AND VIRGINIA'S JOINTURE IS TO BE BUT 1,300. 458 00:34:33,503 --> 00:34:35,169 NO, SIR. 459 00:34:35,171 --> 00:34:39,483 IN THOSE VERY PARTICULARS, NO. 460 00:34:42,244 --> 00:34:44,288 WRONG END. 461 00:34:49,552 --> 00:34:52,162 LEFT HAND BEHIND YOUR BACK. 462 00:35:05,335 --> 00:35:06,701 HMM... 463 00:35:06,703 --> 00:35:10,471 STILL, IN ALL, LORD BRIGHTLINGSEA, YOU ARE A MAN I COULD DO BUSINESS WITH. 464 00:35:10,473 --> 00:35:15,876 YES, SIR, I SAW THAT THE FIRST MOMENT I CLAPPED EYES ON YOU. 465 00:35:15,878 --> 00:35:18,946 ADDED TO WHICH... 466 00:35:18,948 --> 00:35:21,515 WE EACH HAVE SOMETHING THE OTHER ONE WANTS. 467 00:35:21,517 --> 00:35:25,252 AND IF THAT'S NOT A GOOD BEGINNING, I DON'T KNOW WHAT IS. 468 00:35:25,254 --> 00:35:29,490 FOR INSTANCE, LORD BRIGHTLINGSEA, I HAVE AN ELECTRIC COMPANY. 469 00:35:29,492 --> 00:35:32,436 YOU HAVE A TITLE. 470 00:35:53,950 --> 00:35:56,860 OH, I HAVE SOMETHING FOR YOU, DARLING. 471 00:36:08,531 --> 00:36:12,009 OH. OH, MAMA. 472 00:36:17,106 --> 00:36:23,177 ? ON WINGS OF SONG I'LL BATHE THEE 473 00:36:23,179 --> 00:36:29,816 ? ON WAY TO FAIRYLAND 474 00:36:29,818 --> 00:36:35,089 ? WHILE EYES MY SWEET SCENTED GARDEN 475 00:36:35,091 --> 00:36:40,961 ? ARE WAITING FOR THEM TO PASS 476 00:36:40,963 --> 00:36:47,211 ? THE MOONBEAMS ARE FILLING MY GARDEN... 477 00:37:01,250 --> 00:37:04,397 - VERY NICE, THANK YOU. - HELLO, NICE TO SEE YOU. 478 00:37:14,730 --> 00:37:22,336 ? YOU WELCOME THEE TONIGHT... ? 479 00:37:22,338 --> 00:37:23,871 VERY NICE, VERY GOOD. FINE. 480 00:37:23,873 --> 00:37:27,141 I GUESS THIS MUST BE CONNIE'S FRONT PARLOR. 481 00:37:27,143 --> 00:37:29,286 YES, YES. 482 00:37:30,880 --> 00:37:33,023 LORD RICHARD. 483 00:37:33,115 --> 00:37:35,549 WE MEET AGAIN. 484 00:37:35,551 --> 00:37:39,229 AND I AM HAPPY AND PROUD OF THE CIRCUMSTANCES. 485 00:37:39,321 --> 00:37:41,322 LADY RICHARD... 486 00:37:41,324 --> 00:37:44,368 - VERY NICE TO SEE YOU. - NICE TO SEE YOU TOO. 487 00:37:45,061 --> 00:37:47,661 WHO IS THAT COMMON-LOOKING MAN? 488 00:37:47,663 --> 00:37:49,364 THAT IS HECTOR ROBINSON, 489 00:37:49,366 --> 00:37:52,266 LIZZY ELMSWORTH'S FUTURE HUSBAND, I SHOULDN'T WONDER. 490 00:37:52,268 --> 00:37:53,634 OH, DEAR. 491 00:37:53,636 --> 00:37:57,128 ACTUALLY, HE'S RATHER GOOD NEWS. 492 00:37:58,675 --> 00:38:03,110 GOOD NEWS OR NOT, SOMEONE SHOULD EXPLAIN THE FORM TO HER. 493 00:38:03,112 --> 00:38:05,179 OH, I DON'T THINK LIZZY NEEDS ANYTHING EXPLAINED. 494 00:38:05,181 --> 00:38:08,225 I THINK SHE'S WAITING TO SEE HOW HE TURNS OUT. 495 00:38:12,054 --> 00:38:13,587 YOU. 496 00:38:13,589 --> 00:38:16,156 - LADY BRIGHTLINGSEA. - MY DEAR. 497 00:38:16,158 --> 00:38:18,426 AH, MR. ROBINSON. 498 00:38:18,428 --> 00:38:21,871 NO DOUBT YOU'LL DO VERY WELL, YOUNG MAN. 499 00:38:30,906 --> 00:38:32,716 YOUR GRACE. 500 00:38:35,211 --> 00:38:36,786 JULIUS. 501 00:39:24,927 --> 00:39:26,903 MR. THWAITE. 502 00:39:29,632 --> 00:39:34,044 - I DID SO HOPE YOU'D BE HERE. - OF COURSE I'M HERE. 503 00:39:36,606 --> 00:39:38,973 SEADOWN AND I WERE AT SCHOOL TOGETHER. 504 00:39:38,975 --> 00:39:41,018 OH, OF COURSE. 505 00:39:46,649 --> 00:39:48,349 EXCUSE ME, YOUR GRACE. 506 00:39:48,351 --> 00:39:50,161 LORD RICHARD. 507 00:39:56,058 --> 00:39:59,160 MS. TESTVALLEY, I'D LIKE TO INTRODUCE YOU TO SIR HELMSLEY THWAITE. 508 00:39:59,162 --> 00:40:01,629 SIR HELMSLEY, MY GOVERNESS MS. TESTVALLEY. 509 00:40:01,631 --> 00:40:03,663 OR VAL AS I CALL HER. 510 00:40:03,665 --> 00:40:07,611 I'M OUT, YOU KNOW, BUT I, I WON'T LET MS. TESTVALLEY GO. 511 00:40:08,605 --> 00:40:11,448 DELIGHTED, MS. TESTVALLEY. 512 00:40:12,275 --> 00:40:15,509 AND SIR HELMSLEY'S SON, MR. GUY THWAITE. 513 00:40:15,511 --> 00:40:17,411 - MS. TESTVALLEY. - PLEASURE. 514 00:40:17,413 --> 00:40:21,114 THERE, NOW YOU'VE BOTH MET MY MOST FAVORITE PERSON IN THE WORLD. 515 00:40:21,116 --> 00:40:22,983 OH, REALLY, ANNABEL. 516 00:40:22,985 --> 00:40:25,752 NO, WHAT A WONDERFUL COMPLIMENT. 517 00:40:25,754 --> 00:40:28,756 MS. TESTVALLEY ADORES THE PRE-RAPHAELITES, SIR HELMSLEY. 518 00:40:28,758 --> 00:40:31,324 I PROMISED HER A VISIT TO HONORSLOVE TO SEE YOUR ROSETTI. 519 00:40:31,326 --> 00:40:33,560 ANNABEL, YOU'VE DONE NO SUCH THING. 520 00:40:33,562 --> 00:40:36,497 NO, NO, A YOUNG LADY MUST ALWAYS KEEP HER PROMISES, 521 00:40:36,499 --> 00:40:39,676 ESPECIALLY THOSE SHE ONLY MAKES TO HERSELF. 522 00:40:43,873 --> 00:40:47,007 TO BE FRANK, MR. ROBINSON, 523 00:40:47,009 --> 00:40:49,343 YOU ARE THE FIRST ENGLISH GENTLEMAN 524 00:40:49,345 --> 00:40:52,913 THAT I HAVE COME ACROSS WHO SHOWS ANY SIGNS OF ANY GET-UP-AND-GO. 525 00:40:52,915 --> 00:40:54,848 DO I? 526 00:40:54,850 --> 00:40:57,117 LORD BRIGHTLINGSEA HAS DONE ME THE IMMEASURABLE HONOR 527 00:40:57,119 --> 00:40:59,353 OF LENDING HIS TITLE TO MY COMPANY. - RIGHT. 528 00:40:59,355 --> 00:41:02,022 I CAN'T TELL YOU WHAT THAT'S WORTH IN THE UNITED STATES. 529 00:41:02,024 --> 00:41:05,559 BUT HAVE I BEEN ABLE TO RAISE ANY CASH IN THIS COUNTRY? NO, I HAVE NOT. 530 00:41:05,561 --> 00:41:06,827 NO, I KNOW. 531 00:41:06,829 --> 00:41:09,029 CURIOUS THING. 532 00:41:09,031 --> 00:41:12,099 THE WHOLE WORLD KNOWS ENGLAND TO BE A GREAT COMMERCIAL SUCCESS 533 00:41:12,101 --> 00:41:15,269 BUT I'M WARNING YOU, LOOK TO YOUR LAURELS, 534 00:41:15,271 --> 00:41:17,471 OR THE GERMANS WILL HAVE THEM. 535 00:41:17,473 --> 00:41:21,364 OR... YOUR COUSINS ACROSS THE ATLANTIC. 536 00:41:23,312 --> 00:41:25,989 - MY LORD. - AHH... SIT. 537 00:41:33,523 --> 00:41:37,758 THE COLONEL BELIEVES ENGLAND IS IN DANGER OF LOSING THEIR GREATNESS. 538 00:41:37,760 --> 00:41:39,493 AH, DOES HE? 539 00:41:39,495 --> 00:41:42,696 WE CANNOT LET THAT PASS WITHOUT A FIGHT, CAN WE? 540 00:41:42,698 --> 00:41:46,066 AH, I BLAME THE YOUNGER GENERATION. 541 00:41:46,068 --> 00:41:47,768 IT IS MORE LOST. 542 00:41:47,770 --> 00:41:50,438 AH, DAMN IT, THEY CAN'T EVEN CURSE. 543 00:41:50,440 --> 00:41:54,474 AND THERE'S THIS INDECENT CRAZE WITH DEMOCRACY. 544 00:41:54,476 --> 00:41:56,610 I'VE BEEN SAYING, COLONEL, 545 00:41:56,612 --> 00:41:59,579 OUR TROUBLE IS ALL BLAMED ON THE WEST. 546 00:41:59,581 --> 00:42:02,349 NOT THE LEAST, BAD WEATHER. 547 00:42:02,351 --> 00:42:05,519 WITH YOUR DAMNED AMERICAN DEMOCRACY. 548 00:42:05,521 --> 00:42:09,500 I DON'T SEE YOU BEING MUCH TROUBLED BY DEMOCRACY. 549 00:42:17,833 --> 00:42:20,110 DAMNED ITALIANS. 550 00:42:28,177 --> 00:42:32,469 - I CAN'T JUST LEAVE THE GUESTS. - IT'S OUR PARTY, MY DEAR. 551 00:42:32,471 --> 00:42:34,357 FOLLOW ME. 552 00:42:36,152 --> 00:42:38,728 THERE'S A BOOK I WANTED TO SHOW YOU. 553 00:42:40,656 --> 00:42:42,599 LET ME SEE... 554 00:42:48,831 --> 00:42:51,174 A SECRET DOOR. 555 00:43:00,175 --> 00:43:02,442 WHAT IS THIS? 556 00:43:02,444 --> 00:43:04,687 IT'S THE WEST WING. 557 00:43:06,115 --> 00:43:09,466 PROBABLY NOBODY'S BEEN UP HERE FOR 20 YEARS. 558 00:43:21,931 --> 00:43:25,365 WE USED TO TERRIFY OURSELVES PLAYING HIDE AND SEEK IN HERE WHEN WE WERE LITTLE. 559 00:43:25,367 --> 00:43:27,468 I'M NOT SURPRISED. 560 00:43:27,470 --> 00:43:29,737 MY ANCESTORS SPENT SEVEN FORTUNES 561 00:43:29,739 --> 00:43:32,239 ON THE FURNISHING AND DECORATION OF THIS WING. 562 00:43:32,241 --> 00:43:35,486 THIS WAS ONCE THE MOST BEAUTIFUL BALLROOM IN THE LAND. 563 00:43:35,678 --> 00:43:37,954 LEFT TO MOLD. 564 00:43:38,548 --> 00:43:41,482 - SO SAD. - WHY IS IT LEFT LIKE THIS? 565 00:43:41,484 --> 00:43:44,218 BECAUSE, MY DEAR, WE CAN'T AFFORD TO DO IT UP. 566 00:43:44,220 --> 00:43:46,453 WHAT DO YOU MEAN, YOU CAN'T AFFORD IT? 567 00:43:46,455 --> 00:43:49,623 JUST THAT... MONEY. 568 00:43:49,625 --> 00:43:52,426 - DO YOU RECALL THE FILTHY STUFF? - MM-HMM. 569 00:43:52,428 --> 00:43:54,828 I SCARCELY DO, FOR WE HAVEN'T HAD ANY FOR AGES. 570 00:43:54,830 --> 00:43:57,073 WHEREAS YOU... 571 00:43:58,301 --> 00:44:01,368 WHAT'S THAT QUAINT EXPRESSION YOU USE IN AMERICA? 572 00:44:01,370 --> 00:44:04,004 TIN... ISN'T THAT WHAT YOU CALL IT? 573 00:44:04,006 --> 00:44:08,375 WHEN ALL THIS HAS BEEN RESTORED TO ITS FORMER GLORY, 574 00:44:08,377 --> 00:44:12,156 THEN PERHAPS WE MAY RENAME IT, HMM? 575 00:44:13,749 --> 00:44:17,785 THE ST. GEORGE WING. WHAT DO YOU SAY? 576 00:44:17,787 --> 00:44:21,565 OR DOES THAT SOUND RATHER TOO MUCH LIKE A HOSPITAL, HMM? 577 00:44:23,959 --> 00:44:26,436 YOU'RE AWFULLY QUIET, MY DEAR. 578 00:44:27,296 --> 00:44:30,598 IF YOU NEED MONEY, WHY DON'T YOU SELL SOME OF THE PAINTINGS YOU NEVER LOOK AT? 579 00:44:30,600 --> 00:44:34,201 BECAUSE MY GREAT-GRANDFATHER, WHO DISLIKED AND DISTRUSTED HIS CHILDREN... 580 00:44:34,203 --> 00:44:36,337 QUITE RIGHTLY, AS IT TURNED OUT... 581 00:44:36,339 --> 00:44:39,406 PLACED ALL THE BRIGHTLINGSEA TREASURES IN TRUST. 582 00:44:39,408 --> 00:44:41,508 IF... 583 00:44:41,510 --> 00:44:44,678 OH, IF THE FLOOR OF THIS BALLROOM WERE PAVED IN GOLD, 584 00:44:44,680 --> 00:44:47,624 I SHOULDN'T BE ABLE TO DISPOSE OF AN OUNCE OF IT. 585 00:44:55,591 --> 00:44:58,659 ARE YOU SAYING THAT YOU'VE MARRIED ME FOR MY MONEY? 586 00:44:58,661 --> 00:45:02,639 OH, NOW, CALM DOWN. I THINK WE HAVE A FAIR EXCHANGE. 587 00:45:02,831 --> 00:45:05,642 WHAT ABOUT US? 588 00:45:18,181 --> 00:45:19,979 WHAT ABOUT ME? 589 00:45:19,981 --> 00:45:22,726 OH, YOU MEAN LOVE, I SUPPOSE. 590 00:45:24,954 --> 00:45:27,364 WHAT CAN I SAY? 591 00:45:29,291 --> 00:45:32,369 YOU'RE THE MOST BEAUTIFUL WOMAN I EVER SAW. 592 00:45:55,150 --> 00:45:57,227 BYE-BYE, GOOD LUCK. 593 00:46:08,297 --> 00:46:11,941 OH, IMMEASURABLY. 594 00:46:15,170 --> 00:46:19,339 LAURA, PUT IN A GOOD WORD FOR ME WITH CONNIE, WILL YOU? 595 00:46:19,341 --> 00:46:20,974 WHY SHOULD I DO THAT? 596 00:46:20,976 --> 00:46:24,545 BECAUSE, DAMN IT, SHE WON'T EVEN SPEAK TO ME. 597 00:46:24,547 --> 00:46:26,943 TWO YEARS AGO, YOU PROMISED ME 598 00:46:26,945 --> 00:46:30,117 THAT YOU WOULD RATHER DIE THAN HARM A HAIR ON THAT GIRL'S HEAD. 599 00:46:30,119 --> 00:46:32,819 BUT EVEN NOW, WHEN SHE'S EXPECTING YOUR FIRST CHILD, 600 00:46:32,821 --> 00:46:36,323 YOU DO NOTHING BUT HUMILIATE HER AND NEGLECT. 601 00:46:36,325 --> 00:46:39,001 IT'S NO WONDER SHE WON'T SPEAK TO YOU. 602 00:46:45,467 --> 00:46:47,377 PAPA. 603 00:46:49,405 --> 00:46:51,104 - BYE. - GOOD LUCK. 604 00:46:51,106 --> 00:46:53,149 BYE-BYE, GOOD LUCK. 605 00:46:56,511 --> 00:46:59,746 OH, NAN, I WISH YOU WOULDN'T GO BACK HOME AND DESERT ME. 606 00:46:59,748 --> 00:47:01,215 GINNY. 607 00:47:01,217 --> 00:47:03,783 I JUST WISH YOU COULD COME WITH, THAT'S ALL. 608 00:47:03,785 --> 00:47:05,452 I LOVE YOU. 609 00:47:05,454 --> 00:47:08,822 - GOODBYE, DARLING. - YOU'LL BE HAPPY. 610 00:47:08,824 --> 00:47:10,934 PULL YOURSELF TOGETHER, RICHARD. 611 00:47:12,161 --> 00:47:14,871 GOODBYE, DARLING. BON VOYAGE. 612 00:47:19,001 --> 00:47:20,744 GOODBYE, GINNY. 613 00:47:28,744 --> 00:47:31,555 - BYE-BYE, GINNY. - GOODBYE. 614 00:48:00,343 --> 00:48:02,976 I'D FORGOTTEN HOW VERY BEAUTIFUL IT IS. 615 00:48:02,978 --> 00:48:04,944 YES, ISN'T IT? 616 00:48:04,946 --> 00:48:07,247 AND HOW COME YOUR FATHER KNEW ROSETTI? 617 00:48:07,249 --> 00:48:10,494 BOTH OUR FAMILIES WERE ITALIAN EXILES. 618 00:48:11,553 --> 00:48:13,954 - AH, SO YOUR NAME...? - YES. 619 00:48:13,956 --> 00:48:16,256 LAURA TESTVALLIA. 620 00:48:16,258 --> 00:48:19,268 IT'S QUITE BEYOND THE SCOPE OF ENGLISH LIPS. 621 00:48:19,360 --> 00:48:22,161 IT'S GIVEN ME A VERY STRONG SENSE OF... 622 00:48:22,163 --> 00:48:25,265 FELLOW FEELING FOR OUTSIDERS. 623 00:48:25,267 --> 00:48:29,336 AND HENCE YOUR LOYALTY TO THIS LITTLE BAND OF AMERICAN EXILES? 624 00:48:29,338 --> 00:48:30,937 YES. 625 00:48:30,939 --> 00:48:33,006 I COULD ALMOST ENVY YOU, MS. TESTVALLEY. 626 00:48:33,008 --> 00:48:35,241 THE FREEDOM OF THE OUTSIDER, AS YOU PUT IT, 627 00:48:35,243 --> 00:48:37,210 IS NO DOUBT TOUGH, BUT REAL... 628 00:48:37,212 --> 00:48:39,288 OH NO, YOU'RE QUITE WRONG. 629 00:48:39,782 --> 00:48:43,116 NO, OUTSIDERS HAVE EVEN LESS FREEDOM. 630 00:48:43,118 --> 00:48:47,921 WELL, ONE FALSE MOVE, PARTICULARLY AS A WOMAN, 631 00:48:47,923 --> 00:48:51,200 AND ONE IS CONSIGNED TO OBLIVION. 632 00:48:52,427 --> 00:48:54,604 WELL, I STAND CORRECTED. 633 00:49:01,002 --> 00:49:03,983 I'VE SO ENJOYED BEING HERE AGAIN. 634 00:49:06,075 --> 00:49:08,608 I'M VERY HAPPY TO SEE YOU HERE, MISS. ST. GEORGE. 635 00:49:08,610 --> 00:49:10,143 THANK YOU. 636 00:49:10,145 --> 00:49:13,490 UNFORTUNATELY, I SHANT DO SO AGAIN FOR A LONG TIME. 637 00:49:13,849 --> 00:49:15,716 WHY DO YOU SAY THAT? 638 00:49:15,718 --> 00:49:18,118 BECAUSE TOMORROW I'M GOING AWAY. 639 00:49:18,120 --> 00:49:20,120 I'M GOING TO SOUTH AMERICA, 640 00:49:20,122 --> 00:49:22,989 TO BUILD A RAILWAY FROM RIO TO CORDOBA. 641 00:49:22,991 --> 00:49:25,124 IT'S VERY EXCITING, DON'T YOU THINK? 642 00:49:25,126 --> 00:49:27,727 SOMETHING A MAN CAN REALLY THROW HIMSELF INTO. 643 00:49:27,729 --> 00:49:31,430 HOW LONG DOES IT TAKE TO BUILD A RAILROAD FROM RIO TO CORDOBA? 644 00:49:31,432 --> 00:49:34,895 WELL, MY INITIAL CONTRACT IS FOR TWO YEARS. 645 00:49:37,173 --> 00:49:39,082 I SEE. 646 00:49:50,352 --> 00:49:52,953 OF COURSE, NOW THAT GINNY IS MARRIED, 647 00:49:52,955 --> 00:49:55,622 I SHALL BE RETURNING TO NEW YORK. 648 00:49:55,624 --> 00:49:58,192 YOU MUST BE LOOKING FORWARD TO THAT. 649 00:49:58,194 --> 00:50:00,860 NOT ONE LITTLE BIT. 650 00:50:00,862 --> 00:50:03,363 IT'S ALL VERY WELL FOR MEN, YOU SEE, BUT... 651 00:50:03,365 --> 00:50:05,098 MISS ST. GEORGE? 652 00:50:05,100 --> 00:50:08,468 WHAT IS A WOMAN TO THROW HERSELF INTO? 653 00:50:08,470 --> 00:50:12,272 WELL, MOST WOMEN THROW THEMSELVES INTO MARRIAGE, DO THEY NOT? 654 00:50:12,274 --> 00:50:14,841 YES, I SUPPOSE SO. 655 00:50:14,843 --> 00:50:19,289 BUT YOU ARE... A LITTLE YOUNG FOR THAT? 656 00:50:19,481 --> 00:50:21,825 I'M EIGHTEEN. 657 00:50:22,017 --> 00:50:24,651 MOTHER WAS EIGHTEEN WHEN SHE WAS MARRIED. 658 00:50:24,653 --> 00:50:26,519 WELL, DID SHE REGRET IT? 659 00:50:26,521 --> 00:50:28,054 OF COURSE NOT. 660 00:50:28,056 --> 00:50:30,724 WELL, IT'S NOT SOMETHING ONE CAN TAKE FOR GRANTED. 661 00:50:30,726 --> 00:50:34,370 JUST NOW YOU SEEM TO RECOMMEND IT. 662 00:50:34,462 --> 00:50:36,763 MARRIAGE... 663 00:50:36,765 --> 00:50:40,610 WELL, IT DOES RATHER DEPEND ON WHO ONE MARRIES. 664 00:50:41,337 --> 00:50:44,604 I CERTAINLY DO NOT RECOMMEND CHILD BRIDES. 665 00:50:44,606 --> 00:50:47,483 CHILD BRIDES GROW UP EVENTUALLY. 666 00:50:49,645 --> 00:50:51,345 I MEAN TO SAY... 667 00:50:51,347 --> 00:50:54,389 YOU KNOW, MY MOTHER, YES, SHE GREW UP. 668 00:51:01,023 --> 00:51:03,690 WHY DID YOU NEVER COME TO RUNNYMEAD? 669 00:51:03,692 --> 00:51:06,393 YOU MOVE IN CHARMED CIRCLES, MISS ST. GEORGE. 670 00:51:06,395 --> 00:51:09,896 MY FAMILY HAS NEITHER A LONDON HOUSE NOR A LONDON ALLOWANCE. 671 00:51:09,898 --> 00:51:11,965 REALLY... 672 00:51:11,967 --> 00:51:14,634 YOU KNOW, I FIND THAT VERY HARD TO BELIEVE. 673 00:51:14,636 --> 00:51:18,281 GRACIOUS, HOW SOLEMN YOU BOTH LOOK. 674 00:51:18,774 --> 00:51:21,808 WE'VE BEEN TALKING ABOUT REGRETS, MS. TESTVALLEY. 675 00:51:21,810 --> 00:51:24,410 REGRETS? AT YOUR AGE? 676 00:51:24,412 --> 00:51:26,489 RIDICULOUS. 677 00:51:32,521 --> 00:51:34,288 ANNABEL. 678 00:51:34,724 --> 00:51:37,123 - ANNABEL. - HMM? 679 00:51:37,125 --> 00:51:39,669 WHAT ARE YOU THINKING, DARLING? 680 00:51:39,861 --> 00:51:43,606 I HOPE I CAN AT LEAST KEEP MY THOUGHTS TO MYSELF. 681 00:52:32,680 --> 00:52:35,692 IT'S DARLING. 682 00:52:35,784 --> 00:52:37,884 OH, LOOK AT HIS BIG FEET. 683 00:52:37,886 --> 00:52:39,486 LOOK AT THOSE BIG FEET. 684 00:52:39,488 --> 00:52:41,287 WHAT A TIGER YOU ARE. 685 00:52:41,289 --> 00:52:43,056 HE'S FOR YOU... A PRESENT. 686 00:52:43,058 --> 00:52:45,725 FOR ME? WHY? 687 00:52:45,727 --> 00:52:47,427 HOW AM I GONNA TAKE YOU HOME? 688 00:52:47,429 --> 00:52:48,928 HOW AM I GONNA TAKE YOU HOME WITH ME? 689 00:52:48,930 --> 00:52:50,263 I WANT YOU TO STAY. 690 00:52:50,265 --> 00:52:52,575 - I WANT YOU TO MARRY ME. - YOU LIKE THIS? 691 00:52:53,134 --> 00:52:54,601 IT'S TRUE. 692 00:52:54,603 --> 00:52:57,036 WHAT? I'M SORRY, WHAT DID YOU SAY? 693 00:52:57,038 --> 00:52:59,784 OH, UH... MA'AM. 694 00:53:01,643 --> 00:53:03,219 WHAT? 695 00:53:04,079 --> 00:53:06,622 MARRY ME, ANNABEL. 696 00:53:07,382 --> 00:53:09,859 PLEASE, MARRY ME. 697 00:53:09,951 --> 00:53:13,363 YOU WERE BORN TO BE PRINCESS OF TREVENICK CASTLE. 698 00:53:15,824 --> 00:53:18,668 THERE'S NO OTHER WOMAN IN THE WORLD FOR ME. 699 00:53:21,496 --> 00:53:24,240 YOU KNOW THAT, DON'T YOU? 700 00:53:24,532 --> 00:53:27,077 PLEASE, MARRY ME. 49863

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